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Vol. XXXVII
No. 14
undtr act of March 3. 1879
Published Weekly— $2.00 a Year
Nezv York
April 7, 1928
PRICE 20 CENT
Great Lakes Selects aWuRLjTzER Organ
after thorough investigation
The Rudolph Wurlitzer Co.,
674 Main Street,
Buffalo, N. Y.
Gentlemen:
We feel that a note of appreciation is due you for the wonder-
ful organ that you installed in our theatre. The matter of selecting
the proper instrument for this theatre was one of great concern to us
and no time or money was spared in making our decision. That our
judgment was correct in the selecting of the Wurlitzer organ is evident
by the results that have been achieved.
We honestly believe something would be lacking in our theatre
without this wonderful instrument.
Yours very truly.
HMA M
Managing Director,
BUFFALO
SAN FRANCISCO
CINCINNATI
DETROIT
KANSAS CITY
LOS ANGELES
WURUIZER
FACTORIES, N. TONA WANDA, N. Y.
NEW YORK
CLEVELAM">
PHILADELPHIA
ST. LOUIS
CHICAGO
PITTSBURGH
Wire From World's Premiere
HAROLD LLOYD
PARAMOUNT RLDG., NEW YORK
MIAMI, FLA.
IN WORLDS PREMIERE YOUR NEW PICTURE SPEEDY LAST NIGHT AT
COMMUNITY THEATRE MIAMI BEACH CROWDED HOUSES ATTESTED
THIS AS YOUR FUNNIEST PICTURE EVER STOP GALES OF LAUGHTER
GREETED YOUR EVERY EFFORT AND MORE COMPLIMENTS ON THIS
PICTURE THAN ANY WE HAVE EVER PLAYED HUNDREDS WAITED IN
LINE FOR HOURS AT A TIME DESPITE OUR OPENING THEATRE TWO
HOURS EARLIER THAN EVER BEFORE ON A MIDWEEK DAY STOP
CONSIDERING LATENESS OF SEASON HERE I BELIEVE THIS ATTESTS
YOUR POPULARITY FORCEFULLY LETS HAVE MORE LIKE SPEEDY.
IRWIN 15. WATTE
National Release
April 8th
In over 250 leading
first run theatres
in the U. S. and Canada
Produced by HAROLD LLOYD
CORP. A PA RAM Or \T RELEASE
aationa
advertis
w. c.
FIELDS
big
way to
show!
/ $1,000 in Prizes!
I Play the picture, then send yoi
r — 7 ~ —
j Play the picture, then send your
complete campaign before June
l*tto'fTlLLIE",Christie Studio,
6101 Sunset Boulevard, Holly-
wood, Cal. 14 big cash prizes to
compete for!
j-W C.Fields,Chester
people ioHollywood w punc.
of ' ^^-^ 5 In at al. the Tb«-
comed, ^J^b,^^ e«-g«'*;d^^;*e book!
"e" b"' circo, of joy I Vt-f* ^ Manager and JJ- " ,„„ „„„
r„ar8-a 3-™S « a producer, Par.—"' P,c*"
directed by Edw**,. „e ot ,he f»nn.e»t »"»
•Slue s Pictured
romance
. a Paramount P*tttr^X
^ liv Al Christie -4 ^ Jt^N-M>
Saturday Evening Post, College Humor,
Motion Picture Magazine, Film Fun, etc.
Another
COM E D Y
"even better than There IT ISL
and that is saying a pagefuF
„ WHOOZlfS
^"^iiiiiim,,,^ ■Ai:.:miMm__\t^^0s0
that's
An exhibitor is lagging behind if he overlooks a number like
this Charley Bowers example of how comedy can be made
more effective with just the right amount of novelty and
mystification. It's the best Bowers comedy we've seen,
even better than "There It Is," and that is saying a page-
ful when you consider how good that Bowers comedy was.
Have you ever seen an oyster walk? Have you ever be-
held a cockroach throw china? We had never seen these
things done before until we viewed "Whoozit" and now
we believe that anything is possible — in a Charley
Bowers comedy. More amazing than Aladdin's lamp
or the magic genii are these mysterious creations
which Bowers introduces occasionally along the route of his
comedy. Bowers has also utilized the idea of a menace al-
ways pursuing, always threatening. This menace is some-
what similar to the "Fuzz Faced Phantom" in "There It Is."
Bowers imagines he is being sought after by this menace.
He imagines all sorts of things — the oysters walking, the
roaches hurling saucers. These wild phantasmagoria are
the result of gas which Bowers has deeply inhaled.
While in his drugged state FuTmind rivals'that of an
opium eater's for the procession of events coursing
through it of which he is the fantastic central figure.
Decidedly different ; a first-rate, cracker jack novelty.
— MOTION PICTURE NEWS
MACK SENNETT
J\ 4va4ne you Aee
on the murq/wee
more often than
that of ami other
cofnecUf pwxiuA&i
4- The worlds
most famous
screen family
does its stuff
on the farm in
this hilarious
two - reeler 4=
MACK SENNETT
Smiths Farm Days
This inimitable screen
family has registered as
outstanding box-office
favorites in Mack Sen-
nett's delightful series
of human interest com-
edies "THE SMITHS",
now being released on
the Pathe Program.
MARY ANN JACKSON
RAYMOND McKEE
and RUTH HIATT
Pnthe
has the best comedies
Double
your
playing
time!
It's a Laemmle
Special
with GEORGE SIDNEY, Pat-
sy Ruth Miller, George Lewis,
Beryl Mercer, Eddie Phillips, Al-
bert Gran, John Boles, Josephine
Dunn, Kathlyn Williams. From
the stage play by Milton'Herbert
Gropper and Max Siegel. Super-
vised by Carl Laemmle,'Jr. Screen
adaptation by _A1 Conn .^J An ED-
WARD~SLOMAN~PRODUCTfON!
WE
Here's Your
f
"WE AMERICANS' is a
really big picture^Sh^JLilfi get
everyone. You do#t*t f«>£get it.
It's a lulu." ' ^
"'WE AMERIC
thralling. Here'
you will love." JHL
-George Gedw^^^Eve. World
Hi
is a
WE AMERI
treat for young anjpjjl^ Put it
on your list of pi<^^^to see."
— Repina Ca^^i^^Y. American
H<WE AMERIC^^ should
flock them in difev^s to see
this newest two-a^a^y picture."
.^gr^jitifning Telegraph
J§|f$
"'WE AMERICAS' is rare
indeed."
— F. Mords
lall, N. Y. Time*
JF
'WE AMERI
proper mixtur
everybody."
DNS1 has
to please
-Harrlette UnderhilUW Y. Herald-Tribune
W
■*-r
NOW|T going BIG at $2.00 Top in the finest,
largest and most beautifully appointed two-a-
day motion picture house in America — the
COLONY, Broadway, New York.
^am/Universal has //^Pictures/
The response with which our
franchise proposition has met so
far on the James Cruze Pictures is
most gratifying.
Next week we will announce
the names of some of the leading
independent exchanges who have
signed to handle our product in
their respective territories.
JAMES CRUZE PICTURES, INC.
Distributed By
ALLIED DISTRIBUTORS CORP.
729 7th Ave. New York, N. Y.
WE'LL NEVER BE
A SHRINKING
VIOLET AGAIN!
we merely urged exhibitors-
to book M<QM}s GREAT
EVENTS in Technicolor — we
should have insisted on it I
"'THE FLAG' is the finest
thing we ever saw in a short
Technicolor feature — and
this is a feature! If it doesn't
increase the gate receipts,
thats's our fault."
— Duight Hill
— PACIFIC NATIONAL THE-
ATRES, SAN DIEGO, CAL.
" LADY OF VICTORIES'
is far out of the beaten path.
It is worthy of featuring on
the finest programs in the
best theatres. A valuable
asset on any program."
— Anna Aiken Paterson,
WEEKLY FILM REVIEW. GA.
THE FLAG
LADY Ol
VICTORIES
X
'When I contracted for the
Great Events, I never real-
ized how interesting and en-
tertaining they were. They
are worthy of any program. ' '
— Clarke A. Sanford
— GALLI CURCI THEATRE
MARGARET VILLE, N. Y.
BUFFALO BILL'S
LAST FIGHT
IT is positively
THRILLING the way
EXHIBITORS have
TAKEN hold of M^&M's
DISTINGUISHED series of
TECHNICOLOR dramas-
THEY are playing today
IN thousands of theatres
BIG and little —
EACH one is based on
A Great Event of
ROMANTIC history-
PRODUCED like features—
IN beautiful colors.
THEY will positively
BRING added receipts
TO any theatre!
"Naturally, The Best Things Always Come From
METRO-GO LDWYN-MAYER
M-G-M GREAT EVENTS
Two Reels Each in Technicolor
THE FLAG — BUFFALO BILL'S LAST FIGHT
LADY OF VICTORIES— THE CZARINA'S SE-
CRET-THE VIRGIN QUEEN and One MoreComing
THE BIG
LITTLE
FEATURE
Pafhe Review
THE MAGAZINE OF THE SCREEN
No. 14
RELEASED
APRIL
1st
52 Issues • One A Week
ed/ted 5K-S. Barret McCormick
3 OUTSTANDING
SCREEN UNITS
THE SEA HARVESTERS-
When winter ends and the shores of Labrador are
safe for boats to sail again, "The Sea Harvesters"
start on their annual harvest of cod.
THE PLAYGROUND OF KINGS-
(Pathe color) — An intimate camera study of the
finest and most exclusive of the English watering
places — Brighton.
PITY THE POOR MOVIE STAR-
Unable to live on their salaries some Hollywood
movie stars find it necessary to work for a living and
have gone into business for themselves.
THE CLASSIC
WILD ANIMAL FILM
"On African Game
Trails with Prince
William of Sweden"
is one of the great
adventure pictures
of all time.
Reviews No. 9, 10,
11 and 12 cover it.
If you haven't play-
ed these sensational
units, you are pass-
ing up a box-office
certainty.
Hundy Gordon is the head of a silk
stocking manufacturing plant.
Albert Vaughn has invented
a new kind of home.
Turkish bath.
(to the left) Silk stockings for
contented calves.
Pathe Review has
a staff of camera-
men and corres-
pondents in all
parts of the world
searching for in-
teresting things-
The Review sees
no effort too great
to make it the
most popular reel
on the market.
Cameramen are
sent into the jun-
gle, to the icy
wastes of the
North, anywhere,
anyplace to bring
back the true and
vivid stories of
strange places and
people.
Study a Pathe
Review; note the
wide variety of
subjectspresented
and the handling.
You will agree
that the Review,
edited by a show-
man, is a show-
man's picture.
NEXT WEEK - - THE QUEEN OF BROADWAY'S NIGHT LIFE
he Finest Picture she has ever
made for the Silver Sheet . . .
YOUR BOX OFFICE WILL PROVE IT
orinnQ
-with LOWELL SHERMAN
LOUISE DRESSER
and CHARLES RAY
Based on the play by Rudolph Bernnauer
and Rudolph Oesterreicher.
Supervised by John W. Considine, Jr.
A LEWIS MILESTONE Production
"The Finest Creation
of motion picture entertainment in which
this star has ever appeared."
aruQn o
>cenes:.^jBig CastI...Big Moments!
Marvelous Story Interest! Startling Climaxes!
It is electrifying entertainment of the most
unusual kind. Human! Joyous! Engrossing!
The hrilliance and breath-taking beauty
of the star photographed as never before.
This intensely fascinating storv of
Montmartre night Life and Monte Carlo
high life is going to be a Big Winner
everywhere.
UNITED ARTISTS PICTURE
ADAM AND EVE IN MODERN DRESS
"It Will Make Money"
say the critics and why not —
s ^
(77
y HE beauty of Miss Griffith has always attracted crowds
to any theatre — this picture will increase that box-office value.
Lowell Sherman — Louise Dresser — Charles Ray, popular screen
players everywhere have never been seen to greater advantage.
The dazzling splendor of the production itself —
The fascinating and gripping appeal of the story for all
types of movie patrons —
The exceptional brilliance of the direction
The urge-to-buy power of the title
The unmistakable stamp of a picture well made
so noticeable in all United Artists Pictures —
These are the factors that will make
CORINNE GRIFFITH in
"The Garden of Eden"
A Tremendous UNITED ARTISTS PICTURE For Any Theatre
business
is great!
"Legion of the Condemned"
Business is great ! First week long run Rialto, N.Y. — second highest gross of
year, topped only by Emil Jannings in "Last Command." Held over in Minneapolis. First picture to
ever play full week, Belleville, Ont. S. R. O. Ambassador, St. Louis ; St. Paul — everyivfwre ! -:- -:•
Clara Bow in "Red Hair" .
Business is great! S. R. O., Paramount, N.Y. Biggest gross in months, Capitol,
St. Paul. Sensational business Minneapolis, Des Moines — everywhere. -:- -:- -:- -:• ■>
Emil Jannings in
"The Last Command"
Business is great! First week at long run Rialto, IN Y., breaks house record. Eight weeks tremendous
business. Bigger than"Y7ay of All Flesh," itself a topnotcher. -:- -:- -:• -:- ■:- •:•
business is great — if you're
ruoi fc « * * » ,
p I ay in g PARAMOUNT!
THE WHOLE SHOW FROM MOTION PICTURE HEADQUARTERS
Volume XXXVII
NEW YORK CITY, APRIL 7, 1928
N<>. 14
Wanted: Good Pictures
An Exhibitor Analysis of What's Wrong With Production
By William A. Johnston
IT won't be long before Hollywood will
again be in full swing on the product for
next season. Soon, also, the sales drives
will open up on the exhibitor.
Will the pictures for next season be better
than they were this year? We shall see.
Meanwhile, an exhibitor analysis of what's
wrong with production is interesting — at this
time, particularly.
The latest communication we have re-
ceived, along this line, is from M. H. Bryer,
of the Akron Theatre Co., Akron, Ohio, who
writes :
"Your editorial in the March 17th issue,
'Time to Wake Up,' had a lot of good com-
mon sense in it, but I disagree with you when
you say that pictures this year are as good
as ever. They are decidedly not. Outside of
a few outstanding box-office bets, the bal-
ance are terrible. I believe the greatest fault
with them is the thin, trashy stories. The
public loses interest in them before they are
half through and go home dissatisfied. I have
asked dozens of people why they don't go to
the movies anymore and most of them say
they would rather sit at home and listen to
the good radio programs or play bridge than
go to the movies.
"You can't fool the public. They know
their movies and can't be enticed to see an
average picture regardless of how much
noise you make about them.
"Another trouble with pictures this season
is: the market is flooded with comedies and
the public wants to see serious dramas.
Every comedy we showed has been a decided
flop. The people want melodrama or sob
stuff. They don't seem to be in a laughing
mood this year. I believe Jesse Lasky sensed
tli is situation, too, because he made a state-
ment recently that he is going to produce
just this kind of pictures for next season.
"I don't believe the unemployment in this
country is so much to blame for the bad show
business. Working conditions in Akron are
pretty good and still our records show us we
are doing as poor a business as we did in the
slump of 1921 and 1922.
"The vaudeville houses in this town are
doing good, but after checking up I find that
people go there because if they show a bad
picture, they can walk out on it and feel that,
at least, they got their money's worth by see-
ing six acts of vaudeville.
"I believe there are only two things that
can bring the public back to the theatres
again. First, a number of real pictures with
plots that keep them glued to their seats or
make them cry. And, second, a novelty like
talking pictures.
"Without the Vitaphone, 'The Jazz Singer'
would have been only another movie, but
Jolson's singing got under their skins and they
felt as if it was the greatest performance they
had ever witnessd. I know it got me when
I saw it. I just w anted to applaud and shout
my approval. I was so enthused. This can be
repeated with the various new devices on the
market now . How ever, there is one thing the
producers must remember and that is, the
little fellows cannot break their necks in-
stalling expensive equipment for these pro-
ductions. They'll have to find outfits that
are within the reach of all of us.
"All this talk about the producers clipping
production costs is wonderful if they go
ahead and do it. There are too many 'Yes
(Continued on Page 1087)
1084
Motion Picture News
Paramount Famous Lasky Shows Net
Profit of $8,057,997 for Year
IN its consolidated statement, which includes subsidiary company earn-
ings, Paramount Famous Lasky Corporation shows net profits for the
year 1927 of $8,057,997. In this amount are included net profits of
$2,407,570 for the three months ended December 31st.
The yearly figures include $786,000, Paramount's undistributed share
of earnings of Balaban & Katz Corporation, a 65 per cent owned subsidiary.
Earnings for 1927 were 44 per cent greater than those for 1926.
After allowing for payment of dividends on the preferred stock, which
was outstanding during 1927, but which was retired on February 1, 1928,
the profits amount to $3.84 for the three months and $12.85 for the twelve
months on the average number of shares of common stock outstanding.
This compares with $10.82 and $3.14 a share earned for the 1926 year and
fourth quarter, respectively, on a smaller outstanding capitalization.
Warners Lose Appeal On
Abritration
Minneapolis Court Holds Company Can Be Refused
Arbitration Unless Complying With Board Rulings
WARNER BROS, have lost their ap-
peal in the arhitration case against
Hans Pederson, a Jamestown,
N. D., exhibitor, according to word from
Minneapolis. The district court has denied
the plea of the company asking that the
court enjoin the arbitration board from re-
fusing to arbitrate company cases.
Warners refused to abide by an arbitra-
tion decision handed down by the board,
claiming that the decision was unfair and
illegal and promptly appealed for a deci-
sion from the district court. As a result
of the action of the company in its refusal
to comply, exhibitors in the organization de-
clared a walkout from arbitration and
threatened a disruption of the whole sys-
tem.
A general controversy ensued and W. A.
Steffes, Northwest unit president, an-
nounced that the members of the organiza-
tion would no longer arbitrate. In an ef-
fort to straighten out the difficulty the Film
Board of Trade appealed to the Mayor and
members of the Civic and Commerce Associ-
ation to appoint exhibitor arbitrators.
These civic officials and public spirited lead-
ers refused to involve themselves into the
proceedings unless they were requested to
do so by both sides of the controversy. Un-
New Jersey Senators
Kill Padlock Bill
THE proposed New Jersey theatre
padlock ordinance met defeat
■ the Senate this week after the
bill had passed the Assembly. The
state exhibitor association, headed by
Joseph M. Seider, brought home to the
members of the Senate the unfair
provisions of the bill, which Miss
Haynes, sponsor of the censor bill of
the last session, introduced.
The bill specified that the producer,
exhibitor or advertiser of a salacious
film would have been guilty of a mis-
demeanor.
affiliated exhibitors approached on the mat-
ter of arbitration are said to have refused
emphatically.
The decision of the district court is re-
garded by W. A. Steffes as one of the most
important developments since arbitration
was instituted and one that will materially
strengthen the powers of arbitration boards
as distributors, according to the court ver-
diet, will have no ground for appeal and un-
less they abide by board rulings will be re-
fused the privilege of arbitration hearings
before boards.
In discussing the case Mr. Steffes said :
"This decision emphasizes the fact that
distributors must abide by and comply with
arbitration decisions under penalty of dis-
barment from arbitration. Distributors
have the means of forcing exhibitor compli-
ance with decisions, and this decision shows
that exhibitors also have enforcement
power. The decision greatly strengthens
arbitration. "
R. T. Granfield Passes
After Sudden Illness
After a brief illness Richard T. Cranfield,
president of Cranfield-Clarke, passed away
on Wednesday, March 28th, 1928, at his
home in long Island. He leaves behind him
his wife, a son and a daughter. He was 53
years old.
The burial took place at 2:30 o'clock on
March 30th in Maple Grove Cemetery in
Kew Gardens. The deceased was buried
with Masonic rites and in his Knight Temp-
lar uniform.
Canadians Re-elect J. A.
Cooper to Head Unit
Although he was not present through in-
capacitation from injuries received in a
train accident a month ago, Col. John A.
Cooper of Toronto was re-elected president
and secretary-treasurer of the Motion Pic-
ture Distributors and Exhibitors of Canada
at a meeting of the 1928 directors of the as-
sociation immediately following the annual
congress of the organization at Toronto on
March 27. P. C. Taylor, general manager
of F. B. O. Pictures Corporation of Canada,
Limited, presided as chairman of the meet-
ing.
Elected directors, following the receipt of
annual reports, were: Representing film
distributors: Arthur Cohen, Regal Films;
Clair Hague, Canadian Universal; 0. R.
Hanson, Canadian Educational; R. S. Bell,
First National; B. F. Lyon, Warner Bros.;
M. A. Milligan, Famous-Lasky.
Representing exhibtors : Clarence Rob-
son, Famous Players Canadian, and John
Arthur, Uptown Theatre, Toronto. Repre-
senting members: J. P. O'Loghlin, Fox,
and P. C. Taylor, F. B. 0. as well as Mr.
Cooper, who was elected by the other di-
rectors.
Charge "Country Store"
Operations Are Violations
Information has been filed against the
operators of the Queen Theatre and the
Rivoli Theatre of Denver charging that
their "country store" operations are a vio-
lation of a state law prohibiting lottery. A
month ago A. Dickson and F. H. Ricketson
were freed by directed verdict in the West
Side court, when they were tried for the
same offense. It apparently is the opinion
of the District Attorney that the directed
verdict was the result of incomplete evi-
dence..
The method of conducting the "country
stores" by both theatres, was to give away
tickets to the general public regardless
whether a ticket to the show was purchased.
The theatre owners contend that no num-
bers are sold ; that the numbers are given.
Father of "U" Executive
Dies Suddenly
Maurice Singerman, the father of Sydney
Singerman, head of the program department
of Universal Pictures, died suddenly the
evening of Sunday last from a severe heart
attack. He has been suffering intermittently
for over a year.
A Tribute to
J. S. Dickerson
The tribute of The Film Daily
printed in its issue of April 5,
follows :
"A strong counsellor and a
worthy associate has been lost
by the MOTION PICTURE
NEWS. In the death of J. S.
Dickerson, innumerable exhibi-
tors throughout the nation have
lost a champion. Drawing upon
his extensive background as an
old-time showman, Dickerson
recognized the many problems
of the exhibitor and, drawing up
that knowledge, did much with
William A. Johnston to shape the
same, constructive editorial
policy which has always been
characteristic of the NEWS.
"We voice our regrets at an
untimely passing."
J. S. Dickerson Dies of Pneumonia
Motion Picture News Executive Passes Away After Week's Illness;
An Outstanding Figure in Trade Paper Field
JS. DICKERSON, Associate Editor of Motion
Picture News, and for many years an out-
* standing executive in the trade publication
field, died Tuesday night, April 3, after a week's ill-
ness with pneumonia, at his home in Linden, N. J.
He was 46 years old, and since 1920 had been one of
the stalwarts of the News organization.
For the second time within a few months, the Nkws
is bowed in sorrow over the loss of a member of its
family. Fred J. Reecroft, who was our advertising-
manager for many years, passed away in December.
"Dick" was ill two years ago with pneumonia, but
he returned to duty apparently fully recovered and de-
voted himself with his usual tireless energy to the in-
terests of the News. His passing came as a great
shock to his associates and the industry.
Born in Watkins, N. Y., "Dick" at an early age be-
came a newspaper man. and subsequently, after busi-
ness experience in mercantile lines, entered the indus-
try as an exhibitor. For some ten years, he success-
fully conducted several theatres in upper New York
State, and gained there the background which enabled
him to rise to the top of his profession in the trade
paper field.
He joined the News eight years ago as the Editor
of the Exhibitors Service Bureau and then succeeded
Robert E. Welsh as Managing Editor. Three years
ago, "Dick" began a work which had never before
been undertaken in this publication field — the analysis
of exhibition from the statistical and economic view-
points Here he became a specialist, and the informa-
tion and knowledge which he assembled with un-
ceasing patience and energy is one of the most valu-
able assets of the News today. He was consulted in-
side and outside the industry as the expert in this field.
Within recent months, his work was recognized as
authoritative by the School of Business Administra-
tion at Harvard University in its industrial study of
the motion picture.
Services were held at the Ogden Funeral Parlors in
Elizabeth, N. J., on Thursday afternoon, after which
the body was taken to Union Springs, N. Y., for in-
terment in the family plot. Surviving are his wife
nd three children, and his sister and aged mother,
he services at Elizabeth were attended by a very
arge group of associates and friends and the pro-
usion of floral tributes marked the esteem in which
Dick" was held.
Scores of messages of condolence and sorrow have
een received by the News over the passing of this
ell-beloved, earnest and loyal man, whose qualities
f mind and heart endeared him to all. He was one
f the most important of the builders of this publica
ion and stood second in command to "The Chief"
Villiam A. Johnston.
JS. DICKERSON was so close and true a
• friend of mine that I can only, just now,
feel the shock of a personal loss, so great that it
seems irreparable. But this industry, too, has
lost a man that cannot be replaced.
Like other conscientious and able workers
whose names do not get into the headlines, he
made a most important contribution to an ac-
tivity he really loved. I believe he stood alone
in his comprehensive and detailed knowledge of
the picture theatres of this country. And it is
so regrettable that he could not have lived to
have seen some of his plans come true and to
have received the honors at least that were due
him.
In this office, where he labored so long and
so well, his name and the memories of him will
be highlv treasured.
Motion Picture News
Butterfield Circuit Seeks 25 Mile
Area of Protection
THE Butterfield Circuit of Michigan houses, in which Puhlix is a
partner, is seeking 30 days picture protection over an area of twenty-
five miles. There are 75 theatres in the chain, which is confined
largely to the lower peninsula of Michigan, but which it is contemplated
expanding to the upper peninsula.
Among the cities included in the chain are, Ann Arbor, Battle Creek,
Bay City, Flint; Grand Rapids, Hillsdale, Ionia, Jackson, Kalamazoo, Lan-
sing, Owosso. Pontiac. Port Huron, Saginaw, Ypsilanti, Adrian, Alpena.
Benton Harbor, Big Rapids, Cadillac, Grand Haven, Ludington, Mainstee,
Niles, St. Joseph, Three Rivers and Traverse City.
If this wide range of protection is granted it will effect nearly every
theatre in the territory.
Film Boards Doing Much
Charity Work
THE annual report of the Film Board
of Trade for the year 1927, released
through the Motion Picture Produc-
ers and Distributors of America, shows an
abundance of effective work done by the
organization during the year. Not the least
of this was devoted to charity in the show-
ing of motion pictures. $
According to the report the film boa i ds
provided free entertainment to nearly one
thousand institutions for orphans, to sol-
diers still confined from injuries in the war,
to homes for old folks and in both state
and 'federal penitentiaries. The total
number of pictures shown without cost in
these institutions was 22,165, of which more
than 12,000 were feature pictures being
shown concurrently in local theatres.
As a consequence of these showings it is
calculated that more than 170,OQ.O inmates
of the various institutions and hospitals see
motion pictures gratis weekly.
The reports from the various Film Boards
show that the distributors located in the
following exchange centers furnished films
gratis to the corresponding number of in-
stitutions : Albany, 16 ; Atlanta, 17 ; Boston,
22; Buffalo, 21; Butte, 3; Charlotte, 9;
Chicago, 116; Cincinnati, 8; Cleveland, 69;
Dallas, 6; Denver, 23; Des Moines, 5; De-
troit, 18 ; Indianapolis, 21 ; Kansas City, 20 ;
Los Angeles, 20; Milwaukee, 24; Minneapo-
lis, none ; Memphis, 6 ; New Haven, 10 ; New
Orleans, 11 ; New York, 38 ; Oklahoma City,
7', Omaha, 31; Philadelphia, 41; Pittsburgh,
19; Portland, 4; St. Louis, 42; Salt Lake
City, 17; San Francisco, 45; Seattle, 11;
Washington, 9.
The sumtmary of the report of the opera-
tions of the Boards of Arbitration, operat-
ing through the local exhibitor organiza-
tions and Film Board of Trade, discloses
the amicable settlement of a great number
of disputes without recourse to expensive
lawsuits. There were 15,451 controversies
between exhibitors and distributors — con-
troversies involving $4,269,752.06.
Of these disputes there were 14,655 claims
totaling $3,963,004.82 made by distributors;
and 796 claims totaling $306,749.24 by ex-
hibitors. Fourteen thousand, three hundred
and fifty-six controversies involving $3,825,-
636.76 were disposed of as follows : 4671
claims totaling $1,254,273.04 were settled
before submission to arbitration; 2,368
claims involving $671,920.32 were with-
drawn after submission to arbitration;
6,593 claims involving $2,047,723.16 were
considered by the Boards of Arbitration, of
which number 426, involving $150,331.35
were dismissed. Of this number of claims
but 36, involving $20,753.71, required a
seventh arbitrator. There were 425 claims,
involving 129,384.23, awarded against dis-
tributors ; while the awards against exhibi-
tors were 6,017, involving $1,591,037.73.
There were five claims involving $878.72
litigated before submission to arbitration.
There were 62, involving $48,344.55, requir-
ing a court proceeding after submission, of
which number but nine, involving $1,345.34,
were coui't proceedings to enforce compli-
ance with the awards made, and for the
entry of judgments. At the end of the year,
1927, there were pending 1,095 claims, in-
volving $444,115.30 undisposed of.
In the four years that arbitration has
been conducted in the industry there have
been 50,006 controversies disposed of, total-
ing $11,230,298.94.
Butterfield Concludes Deal
for Detroit Theatres
Negotiations by which the Regent, Strand
and Garden Theatres in Detroit, will become
Butterfield houses, were completed this
week. Transfer of these enterprises in
Battle Creek will not be made until Sep-
tember, according to Glenn L. Cross, former
owner of the newly purchased theatres.
Ten New Firms Chartered
at Albany, New York
Newly incorporated motion picture com-
panies entering the business in New York
state, at Albany, during the past week, in-
eluded the following: Port Film Corpora-
tion, capitalization not stated, Louis J.
Rosett, New York City, Solomon C.
Stember, Brooklyn, Ethel J. Haire, Passaic,
N. J.; General Pisano, Inc., $10,000, Gene-
roso Pisano, Frederick A. Marsden, New
York City, Ben Hurwitz, Brooklyn ; General
Business Films, Inc., capitalization not
stated, Francis Lawton, Josephine A. Law-
ton, Hamlin Q. French, New York City;
Prospect Hall, Inc., $1,000, Maurice Loebel,
David F. Cohen, Daniel G. Rosenblatt, New
York City; Special Productions, Inc., capi-
talization not stated, William A. Brady,
Dwight D. Wiman, M. I. Trimble, New York
City; Marlef Amusement Corporation, $10,-
000, Joe Marel, Samuel K. Handel, Jack S.
Wald, New City City; Holly Amusement
Corporation, $10,000, Etta Lachman, Philip
Brannick, Herman Chaityn, New York City.
River Rouge, Mich., House
Razed by Flames
A fire of undetermined origin destroyed
the Fleur de Lys Theatre, West Jefferson
and Maple Avenues, River Rouge, outside
of Detroit, causing more than $100,000
damage last week. Although John Motoc
and Andrew Bzovl, joint owners of the
building, blamed defective wire as the cause,
an investigation is being conducted by Fire
Chief Bodary. An appeal was sent to the
Detroit Fire Department when it seemed
the flames were beyond control of the
River Rouge department. Engine and ladder
companies from Detroit responded and only
the walls of the theatre were left standing
when the blaze had been extinguished.
May Use "Talkies" to
Teach Army
The War Department in Washington, D.
C, has authorized the use of talking moving
pictures in a tryout <at the Infantry School
at Fort Benning, Ga., to determine if simul-
taneous projection of sound and motion can
be used advantageously in training activi-
ties in the army.
During the late war the government used
advantageously many films taken for train-
ing purposes. But a considerable portion of
them were devoted to titles and, at times, it
was found necessary to have an auditor
supplement the titles during the projection
of a film. Thus the authorities look witli
favor on a device that will record both
sound and motion simultaneously.
Aladdin Amusement Co.
Adds to Denver Chain
The Aladdin Amusement Company, which
owns a Denver chain of amusement houses,
has added the America Theatre, a Univer-
sal house since 1923, to its circuit. The
transaction was completed last week be-
tween Mike Newman, representing Univer-
sal, and Harry E. Huffman, in behalf of the
Aladdin interests, who are to take posses-
sion of the house on April 6, 1928. The
new owners plan to install Vitaphone and
Movietone equipment in the America and
give the same entertainment as appears at
the new Aladdin Theatre. Gerald Whitney
has been appointed manager of the America.
Richey 111 in Hospital With
Stomach Ailment
H. M. Richey, manager of the M. P. T. 0.
in Michigan, has been confined to a hospi-
tal in Battle Creek where he is undergoing
special treatment for stomach trouble.
Latest reports are to the effect that he is
getting along splendidly.
April ?
19 28
1087
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
The
l^Iirrors
of
Filmdom
ANOTHER A. M. P. A. dinner and dance is over, and a
good one; in fact, by far the best the organization
has conducted. This was the unanimous opinion of
the capacity gathering that attended. To Bruce Callup,
president of the A. M. P. A., and the members of the vari-
ous committees that handled the arrangements congratula-
tions are due.
This party was a more intimate one than any held in the
past. Everyone was there on the same basis. It had been
promised there would be no speeches and there were none.
The dignitaries had no more chance to shine than the
most humble employee of the smallest company. The
stars were not spotted. They were lost in the continuous
round of gaiety.
# # #
TT was SOME party, though, as usual, it was late in getting
*■ started. But nohody seemed to mind that a bit. There w as
amusement in the penny arcade that was established in the
lobby of the Astor. There were harmonicas at the tables by
which the guests made their own entertainment. It was just
one continuous round of joy from the 7 :30 starting time
announced until — well, most any old time.
Once the dinner got under way everything was most in-
formal. Those wordy speeches of the past that could rarely
be heard above the din, proved a happy elimination, for the
gaps created by their absence were nicely filled in and far
more entertaining.
Bruce Gallup, as Master of Ceremonies, was at his happy best.
With a witty quip and a wise-crack injected here and there
he kept things moving at a lively pace.
And the A. M. P. A. newsreel was, as usual, among the
decided hits of the evening, for which credit is due Vie
Shapiro and Warren Nolan, who arranged it. It put the
assembled guests in a happy frame of mind with its witty
sallies on those well known in the industry. It fairy sparkled
with fun and its humor was added to by some bright remarks
from the assembled guests.
An unique form of entertainment was provided for the
first time through a radio stunt in which many humorous
messages were purported to have been received out of the air
from absentees and others and read to the amusement of the
diners. It was as well received as any of the entertainment
provided during the evening.
Between the newsreel, the radio and the announcements
made by Bruce Gallup, special numbers were run on the small
stage. Everything was snappy and jazzy, with a splendid
orchestra dispensing music for those who cared to dance, and
it seemed that everyone did care to dance, for the floor was
so crowded there was scarcely moving space.
Out in the arcade, at the Astor, were installed a number of
machines into which one was permitted to peep for a penny a
peep, and there they saw scenes from the most popular produc-
tions of the season. That these peep machines were well pa-
tronized may be judged from the fact that they accumulated
a total of 2,f)00 pennies. The machines were provided by the
International Mutascope Keel Company.
We repeat, it was SOME party.
'"P HE telephoto is now a reality. Transmission of motion
*■ pictures was accomplished by the American Telephone
and Telegraph Company when on Wednesday at the
Embassy Theatre in New York at 6:30 in the evening
movies were shown of \ ilma Banky that were taken in
Chicago on her arrival there at 10:30 in the morning.
In the test that was shown at the Embassy \\ ednc*da>
Miss Banky stepped from the Twentieth Century Limited
at Chicago and smiled her best smile into the camera.
These smiles and incidental motions were reproduced
slowly on another exposed film in the offices of the Ameri-
can Telephone and Telegraph Company at l."> Dey Street
in New York at 1 o'clock. By 3:30 enough film had been
transmitted to set into a projection machine.
The finished product was flashed on the Embassy screen
at 7 o'clock in the evening under the direction of the
United Artists Corporation.
Wanted: Good Pictures
By William A. Johnston
{Concluded from page 1083)
men' in this business yet. If they discharge
all of them and hire a lot of 'No men' I be-
lieve we would have better pictures.
"They say that the directors have tempera-
ment and they can't do much with them. I
believe that, but all artists have tempera-
ment and the directors are certainly as much
artists as their stars are. Perhaps if they used
a little more diplomacy with them, they would
get much farther. I believe that the actors
are getting too much for their ability. They
certainly would not get those fabulous sal-
aries on the speaking stage.
"This seems to be a rather pessimistic letter,
but one becomes this way after working one's
fool head off trying to put over the junk they
are releasing."
These straightforward remarks from an
exhibitor who is in actual contact with the
public are commended to the attention of
the production people.
To Mr. Bryer's list of suggestions we
would add this: if the energy that is burned
up on studio politics were devoted to honest,
sincere effort to make real pictures, the result
would amaze everybody.
1088
Motion Picture News
Fred Niblo, now directing Greta
Garbo, will next handle the mega-
phone for M-G-M on "Zanzibar,"
his original dealing with the
African coast
Members of the Hollywood Bachelors' Club as they bade Tom Mix
godspeed and good luck in his Argentine venture. The faces
include Ned Sparks, Billy Joy, Cornelius Keefe, Jerry Hoffman
and Stuart Holmes
"Big Boy," Educational 's bright
young star, in a pensive mood.
He here strikingly resembles
Jackie Coogan when the latter
was "The Kid"
Something is coming this way
although it is undoubtedly more
appropriate for the autumn than
now. Rod La Rocque scores for
his Alma Mater in "Hold 'Em,
Yale"
A frolic on the Universal set with Director William Beaudine, making
"Home, James," starring Laura La Plante. Charles Delaney, leading
man, watches the operation of boot pulling, on the right
A netv face appears among the
screen's westerners. It is that of
Jack Hoey, the featured player in
the New-Cal release entitled
"Tracy, the Outlaw" and made by
Otis Thayer
Harold B. Franklin, West Coast Theatres head, as he presented
a check to D. C. MacWatters, chairman of the Los Angeles
Chapter of the Red Cross. The check was donated at the
benefit for the dam-break sufferers
Richard Dix takes one on the "button" from Nancy Carroll, his
leading lady in the new Paramount comedy, "Easy, Come,
Easy Go." The latest production with which he is engaged is
"Warming Up"
We
Features
Pictorial Review
of Theatres.
Business Build-
ing T li e a t r e
Map.
Merchandising
Amusement
T li e F a n t o m
Screen a New
Arm of Motion
Picture Show-
manshi] ».
Decorat i v e
Lighting in the
Theatre Audito-
rium.
Kcview of
Kquipnient
SHOWMAN
April, 1928
Ascher's, Sheridan Theatre
In exterior as well as interior treatment this luxurious Chicago theatre,
located at 4038 Sheridan Road, is one of the most unique playhouses of
its time. The architect, J. E. O. Pridmore, of Chicago, has drawn upon
a vivid imagination of the classic theatres of Graeco h'oman art and has
combined with the magnificence of that style the engineering triumphs of
our Twentieth Century. The Sheridan has a seating capacity of 3,000
chains and combines in its structure, design and equipment the most mod-
ern features for patron comfort and presentations on the stage and screen.
1090
Motion Picture News
q=y>
1
ROCKBESTOS
-the asbestos covered wire
Here it is — the extra flexible
T^oc^estos Motion Picture Qable
You will find it on all the leading projectors,
arc lights, sun arcs, high intensity lamps
—wherever heat is.
t
Moliograph
"Dc Luxe"
Projector
i
You can tie it in knots! And it will
not crack, nor break and the surface
remains intact — practically forever.
The leading projectionists of the
country recommend and use Rock-
bestos Motion Picture Cable. Would
you like a piece to tie in a knot?
We'll send it. Just a card will bring it.
When you buy M. P. Cable ask for Rockbestos
— (he extra flexible.
ROCKBESTOS PRODUCTS
CORPORAT ! ON
Motiograph "De
Luxe" Projectors
in Proctors 86th
St. Theatre, New
York, are equipped
with Rockbestos
5942 Grand Central Term. B!dg., New York
NEW HAVEN, CONN.
4B5 Union Trust Bldg.. Pittsburgh. Pa.
On the Pacific Coast — C. Dent Slaughter
224 Madison Term. Bide.. Chicago
April 7 , 19 28
Belcni', the main lobby of the
Sheridan theatre, Chicago, in which
the architect, J. E. O. Pridmore.
has incorporated many unique feat-
ures of ancient art.
from the balcony. The magnificence
and dignity of the Sheridan reaches
its peak in this impressive hall.
The entire ceiling represents a vast
Roman dome with enormous center
opening to the sky.
The sidezvall detail, shown beloiv, a
vie which gives an appreciation of
the massiveness and dignity which
distinguishes the auditorium of the
Sheridan.
1002
.1/ o t i o n P i c I it re A c w s
View of the auditorium of the Indiana Theatre, Indianapolis. Rubush & Hunter, Architects
A ROMANTIC SETTING FOR SCREEN ROMANCE— THE INDIANA
Indianapolis Cinema Retains Its Place Among Country s Most Colorful Playhouses
SINCE its opening last
June, the Indiana theatre,
Indianapolis, has figured as a
leading factor in the amuse-
ment life of that city, and by
reason of its handsome design
and excellent equipment for
the comfort of patrons, as well
as the most modern methods
of stage and screen presenta-
tions, it has enjoyed rank
among the first flight theatres
of the country.
Reproductions of photos
showing the interior beauties
of the Indiana cm this and an
adjoining page reveal the
beauty and luxury which this
fine structure affords the the-
atregoers of Indianapolis.
The exterior, executed in
white terra cotta, presents a
facade of unusual appeal and
prepares the patron for the
On the right — Viezv of the lobby
showing the grand staircase,
executed in marble, and the
painting of the Taj Mahal by
Randolph L a S all e Coats,
II oosier artist.
striking effects to be found
within. On entering the outer
lobbies, the Spanish effects,
and as one enters the main
corridor the luxuries and
jeauties of the interior mani-
fest themselves.
On the right is a grand
staircase, a marble ascent.
Off the grand corridor six
aisles lead in the main audi-
torium. The balcony sweeps
up from about mid- way of the
theatre.
And now we enter the audi-
torium. A vast proscenium
arch greets the eyes. Sur-
rounding it are masterpieces
in sculpture. The effect is il-
luminated from the rear by
various lights, and woven into
it are figures of men. animals
and reptiles.
The exits are so arranged
that, although 3,500 people can
be seated in the building, it
can be emptied in a few min-
utes.
The Indiana was designed
by Rubush & Hunter.
April 7 , 1928
1093
Shou'H above is the main lounge of the Indiana, conform-
ing in its design to the Spanish architecture which strikes
the keynote of the theatre's exterior and interior plan.
Rough stuccoed walls are broken by recesses and niches.
The furnishings and floor coverings feature harmonious
colorings and designs.
Below — A vista through the communicating lounge of the
mezzanine, with arched entrances and twisted pillars
bordering the xvell which overlooks the main lobby of
this luxurious theatre.
Above — The women's lounge, with cosmetic room shown through the
arches at the rear. The old-world atmosphere is faithfully suggested
ill a treatment of marked simplicity as to design and furnishings. The
lounge has a beamed ceiling and stuccoed walls. Rubush & Hunter.
architects.
1094
Motion Picture News
A STADIUM TYPE THEATRE OF 2,000 SEATS CAPACITY
The Roosevelt in Rochester, Designed by H. C. Hodgens & A. D. Hill, Features
The Italian Renaissance Style of Architecture
Above — View of the auditori-
um of the Roosevelt Theatre,
looking down from the rear
toward the stage. The rec-
tangular auditorium of huge
space, required to accommo-
date 2,000 seats on one floor, is
reduced to intimate propor-
tions by the breaking up of
surfaces in the treatment and
decoration of the ceiling and
sidewalls.
Left — A view looking toward
the rear from the stage of the
Roosevelt. Coze lighting in
the dome and around the audi-
torium zvalls is an important
factor in the decorative treat-
ment. A balcony effect with
arched windows in the upper
section of the wall is effective
in reducing the long stretches
of the auditorium enclosure.
April 7 , 19 28
1095
Above — The left proscenium
ivall, showing detail of design
and decoration. The stage is
set within a frame formed by
marble pilasters supporting a
ceiling beam. The organ
grilles arc located in the arches
over the exits in the front of
the house.
A luxuriously appointed inner
lobby is one of the features of
the Roosevelt Theatre. The
lobby, shown in the photo at
the right, is furnished in
harmony with the design car-
ried out in the architectural
treatment of this handsome
playhouse, one of the most
modern and commodious in
Philadelphia. . If. C. Hodgcns
and A. D. Hill, architects.
1096
Motion Picture Mews
Major Theatre
Above is shown a view of the audi-
torium of the Major Theatre, New
York City. Located at Canal Street
and Broadway, its matinee patron-
age is transient trade, while the
evening shows play to people resid-
ing east and zvest of Broadway.
The theatre zvas designed by Major
D. M. Oltarsh, and is operated by
the Oltarsh-Broadway Corporation.
Tin' house has a rapacity of 600.
Plaza, Rochester
Shown at the left is a portion of
the auditorium of the Plaza Thea-
tre. Rochester, N. Y. This intimate
little house was designed by
Michael J. DeAngelis, architect, of
Rochester. It has a seating capac-
ity of five hundred chairs, and is
executed in the Italian Renaissance
style. The Plaza is owned by
Major L. J. Waterbury, also owner
of the Staley Theatre., Rochester.
Camera Angles of
Two Small
DeLuxe Theatres
April 7, 1928
1097
CARPET AS A DECORATIVE EE ATI' RE OE THE Till All RE
A section of the mezzanine lounge, shoum
above, with its wide expanse made more
intimate and cozy through the rich car-
peting of the floor in this resting place
for the theatre patrons
Some interesting views of the interior of
Keith's Palace theatre, Cleveland, show-
ing the important part 'which carpet plays
in the decorative effects. Above is a vista
of the grand hall, its floor covered by the
huge rug made in Czecho Slovakia ac-
cording to special design and pattern.
Silver grey forms the background of the
rug, against which scrolls of gold and
black are carried from a black center to
a black and gold border
Above is a comer of one of the reading
roms at the Palace, the floor covering
featuring a lively design
Shown on the left is a section of otic of
the several luxurious lounges of Keith's
Palace. Note effectiveness of the rich
floor covering
A reading and smoking room in the
men's compartment, shown on the right.
Comparison of the carpet with that used
in other parts of the theatre show how
individual treatment has I'ccn accorded to
each room in this palatial theatre
Above, the staircase leading to the bal-
cony, covered with the same designed
carpet which is used in the mezzanine.
A striking example of the value to general
effects of judiciously selected carpets.
1098 Motion Picture News
Theatre Building Business Map
Including Analysis of Key City Attendance Averages
Above Average Business
Average Business
Under Average Business
1 Very light new construc-
tion
Light new construction
Moderately heavy con-
itruction
Heavy new construction
The map of the United States shown here is divided into seven terri-
tories, with colored shading indicating the division of new proposed
theatre building as represented for the period from February 15th to
March 15th. This new construction is represented in valuation of
dollars and cents rather than number of projects.
The shading is in four densities ; solid, which represents the greatest
value of proposed theatres ; heavy stipple, which is second in valuation
of new construction ; medium, which areas represent conservative build-
ing ; and the very light areas, where the investment in new theatre pro-
jects is very light. The information used in compiling the statistics
visualized by the map was obtained through several reliable sources, and
the map is to be considered as very nearly accurate in representing com-
parative theatre building activities in various sections of the country.
The circles shown on the map are located in key cities and illustrate
averages of theatre attendance during the three months' period from
February 15th to March 15th. The diagrams indicate the relative at-
tendance at the better theatres in these cities during the period covered.
These are given by "averages," with symbols to indicate "Above Average"
and "Under Average" box office returns. The term "average" as applied
in this survey indicates satisfactory box office returns, based upon theatre
expectancies, which, in turn, are governed by past earnings under similar
or nearly similar conditions.
These attendance statistics were compiled from an analysis of the Key
City Reports, published weekly in Motion Picture News, and other
sources of information gathered by this publication.
OUR report for new theatre projects announced for the
last thirty days — February 15th to March 15th — shows
a decrease over the report of the preceding thirty days, par-
ticularly in the amount of investment required for the projects
and the total seating capacity.
The number of new theatres projected is practically the same.
The figures for this latest report are $20,638,000, to be invested
in fifty-five new projects which will total a seating capacity of
76,350-
Four of these new theatres will cost over one million dollars,
while nine of them will come within the range of five hundred
thousand and one million.
The averages for the whole country are as follows: $375,-
250 per theatre with a seating capacity of 1,390 and a cost per
seat of $270.
The Middle States show by far the heaviest proposed con-
struction of any division of the country with a total of $12,003,-
000, for twenty-five new projects covering the cost of 32,350
seats.
In this territory, three houses will require for their construc-
tion over one million dollars and six houses will require between
five hundred thousand and a million. The average cost of each
theatre is $480,120, with 1,294 seats, giving the average cost
per seat of $372.
Second in line is the West Coast territory where six new
theatres will cost $4,550,000 and seat 16,000. The average cost
per theatre in this territory is the highest for the country, as
$758,333 will be spent for theatres seating 2,667, showing an
average cost per seat of $284.
The North Atlantic States, which have been running first in
most of our recent reports, have for their schedule twelve new
theatres to cost $2,925,000, with an accurate seating capacity of
14,200. These figures give the average cost per theatre of
April 7 , 19 28
1099
$243,750 with an average seating capacity of [,183 and cost
per seat, $206.
The building in New England is confined to Massachusetts,
where three new theatres were projected, calling for $400,000
investment and 4,400 seats. This makes the average for tin-
three theatres $163,335 with 1,467 seats and an average cost
per seat $112.
THE two remaining territories, Southeastern and Western,
show announcements for a very light building.
In the Southeastern territory, the total cost of two new the-
atres will be $100,000 with a seating capacity of 2,100; while in
the Western territory, two theatres will cost $175,000 and have
a seating capacity of 1,800.
One of the most important announcements included in this
report is the building program of the Fischer-Paramount The-
atre Corp., which will construct five new theatres in Wisconsin.
These theatres are to be high class.
Wisconsin is also scheduled for three other theatres giving
a total of eight for this thirty-day report. This state shows the
greatest number of new theatres but not the largest investment.
The theatres in Wisconsin will cost $3,445,000 and seat 11,500.
Missouri, with five new theatres, leads in total cost where
7,750 seats will require an investment of $4,725,000.
California, where there has only been light building recently,
is second in the amount of investment required by states. Here
five theatres will cost $4,250,000 and will have a seating capac-
ity of 13,000.
Indiana ranks fourth with two new theatres, totaling $1,550-
000 and seating 2,800.
Pennsylvania in fit f h. scheduled for five theatres, costing a
total of $1,450,000 and seating 6,100.
Illinois shows four new theatres costing a total of $1,385,000
and seating 5,200.
While it was noted previously in this article that this thirty-
day report shows a decrease in the total amount of investment
required for the new theatres over that of the preceding report,
it, nevertheless, is true, for if the building as indicated in this
report continues at this present rate, our total number of the-
atres and investment will be in excess of that required for the
year 1927.
The sale of equipment has been retarded during the last thirty
days. This slowing up may be explained to some extent
through the seasonal decrease of demand. However, the out-
looks for the sale of equipment this spring are good, and many
of the manufacturers are laying pins for heavy production.
THOUGH current conversation is to the effect that business
generally is "off," and in many lines the evidence supports
the contention, we fail to find anything indicative of a slump in
theatre attendance for the period covered by this report. It is
true that theatre business is rather below than at normal over
this period, but it must be remembered that the Lenten season
is with us and that income taxes had to be paid on or before
March 15, the date on which we closed the books of check-up
for this report.
Using the comparative basis as a means of figuring this
month's map with that of last month, the changes certainly
show no startling slowing off at the box offices in the key cities.
In all there are four changes downward: Minneapolis from an
Above Average to Average; Detroit from Average to Under
Average ; Birmingham from Average to Under Average, and
Baltimore from Average to Under Average. Upward changes
on the current map over last month's are Salt Lake City from
Average to Above Average ; Boston from Average to Above
Average, and Cleveland from Under Average to Average. The
balance of the cities are static, remaining at the same level of
business as last month.
In all of those cities whence have issued reports of poor busi-
ness during the period under consideration, the local viewpoint
inclines more to attributing the cause to a lessening of interest
due to weak attractions than to bad business conditions. As a
matter of fact the only houses which as such seem to be having
hard times are some of the neighborhood theatres in certain
cities where the competition from the de luxe houses is especially
keen. But for the rest the bigger theatres appear to be doing a
pretty fair business in the face of seasonal factors militating
against theatregoing during this period of the year. It is worth
noting that in the cities where business has been steadily under
average over this period, an occasional strong attraction of par-
ticular allure to the public has succeeded in running up very
substantial returns.
The much publicized unemployment situation apparently is
not affecting attendance averages — and then after balancing the
"statistics"' of the ^Yeas" against the "noes" in this unemploy-
ment debate, one is left wondering if it is or it isn't, if you know
what we mean. There is the estimate of Senator Wagner of
New York that 4,000,000 persons are out of work throughout
the country, as against Secretary James J. Davis reporting that
throughout the country on Jan. 1, 1928, there were 1,874,000
persons unemployed. A more recent report on the situation was
issued by the National Association of Manufacturers, based on
a survey up to March 21, the results of which showed a slight
increase in employment was reported by 1,078 members of the
Association. The members reporting employ about one-fourth
of the 3,000,000 workers employed by the total membership of
the association. This report, issued this week, shows an increase
in employment this year over this time last year, the increase
being 1.24 per cent. The companies are employing an aggregate
of 663.180 workers as against 655,015 at the same time last
year. The same companies, if operated at capacity, would em-
ploy 757J53 workers, so that today they are operating at 87.5
per cent of capacity, an increase of 6.5 per cent over last year.
So, there you are.
THE facts in the theatre attendance situation at present are
that business is not all that all the theatre operators would
wish for. The trade is "choosey" and it takes a show of some
real drawing power to bring receipts up to what is required for
the payment of overhead and a fair margin of profits. But the
situation the country over is not anything to become discour-
aged about, even though there are indications that the Holly-
wood plants must increase their pace and step-up the standard
of their product or find that showmanship at the point of con-
tact with the public will take even greater strides toward a
blended type of show which will become increasingly heavy on
the stage end of the bill.
The public is showing signs of seeking newer novelties than
the screen seems able to provide in steady supply. Prom the
action of the New York Stock Exchange, with its 3,000,000
and 4,000,000 share days, it would appear as though the ticker
tape is supplying some of the thrills that formerly were sought
mainly at the picture shows.
New theatre openings in two key cities had an important
bearing on general theatre business in those towns during this
period. In Pittsburgh the new Stanley entered the lists, and
with the interest created by a house of large capacity and the
most modern attributes of sumptuousness and equipment to stir
up the curiosity of the local public, the Stanley commanded such
a large outturning that other houses suffered. Then Penn, also
a new house, did not feel the effects of the big draw at the
Stanley, but the neighborhoods suffered. The other big opening
was in Seattle, where a new Publix theatre now caters to the
amusement seeking public with a de luxe bill of pictures and
presentations.
The pictures which took the lead during the month we are
covering in this report are a combination of "name" attractions
and straight offerings in which story and title take precedence
over any of the personalities appearing in them. The ten lead-
ing kev city attractions during the month were : "The Jazz
Singer." "The Circus," "Red Hair." " The Gaucho," "Sadie
Thompson," "The Legion of the Condemned," " The Last Com-
mand," "The Patent Leather Kid. Hie Enemy," and "Wild
Geese." Other outstanding features which figured importantly
in good weeks at the bigger houses are "The Student Prince."'
"Chicago," "Sorrell and Son," "The Girl from Chicago" and
"The Noose."
1100
Motion Picture 'N e w s
Light Auditoriums
During as Well as
Between Shows
By A. RODGERS
Edison Lamp Works of G. E. Co.
DURING the infancy of the motion
picture theatre and even until a
few years ago in the modern
show houses, the auditorium lighting was
given consideration merely as a means of
providing sufficient illumination hefore
and after performances to enable the pa-
trons to become seated or depart. With
this practice, those entering the theatre
while the show was in progress found
themselves seemingly plunged into total
darkness and were forced to make their
way; groping and stumbling to their seats
as best they might.
The modern policy of courtesy, ser-
vice and comfort for the ]>atrons, of
course, frowns upon such conditions, and
we find that present dictates are that two
distinct forms of illumination are re-
quired in every auditorium ; namely, a
relatively high level of lighting before and
after performances and at intermissions,
and a soft, dim light throughout the pres-
entation. Te general illumination in the
intermission enables the easy reading of
programs, minimizes tbe confusion of
seating newcomers, and helps, as it were,
to speed the departing guest.
The dim glow during the performance
assists the ushers in making seating ar-
rangements, makes possible ready refer-
ence to the programs, and does away with
the disagreeable, uneasy sensation often
experienced when sitting in nearly total
darkness.
To prevent a sudden harsh transition
when changing from one form of light-
ing to the other, dimming control equip-
ment is necessary. The soft modulated
changes obtainable with a well-designed
system adds considerable finesse to the
manner of presentation and have a desir-
able reaction in their quieting effect upon
the audience, Before taking up the pros
and cons of various forms of lighting
practice, there are certain fundamental
principles of good auditorium illumina-
tion which must be noted.
First : The lighting must be comfort-
able. That is, there should be nothing
about the lighting system which may
prove annoying or distracting to the pa-
trons— a glaring light source — harsh
On the left — audi-
torium of the Em-
bassy theatre, New
York. An excellent
combination of di-
rect and indirect
lighting in a low-
eeilinged auditorium.
shadows — a stray ray of brightness from
a decorative unit or reflected glare from
a polished surface.
Second : The illumination must be
well distributed. The ceiling and walls
as well as the seating area must, of course,
receive proper lighting. If the distribu-
tion is loo uneven, the spotty effects pro-
duced will detract materially from the ap-
pearance of the interior.
Third: The lighting arrangement
should be such that thorough mainte-
The delicate touch of light from this
trellised window recess adds a note of
decoration to an otherwise uninteresting
wall surface.
nance is possible. It is most essential that
the system be so designed that the light-
ing equipment is readily and easily acces-
sible. Burned out lamps and lamps which
have outlived their rated life and thus be-
come blackened, should immediately be
replaced, as they make the lighting ap-
pear spotty and linkept. The units should
be cleaned periodically, as even a small ac-
cumulation of dust and dirt causes an ap-
preciable loss of effective illumination.
Poor maintenance creates an impression
of carelessness and negligence on the part
of the management.
The methods in use for procuring gen-
eral illumination in the auditorium vary
widely with the architecture of the in-
terior, the class of patronage, and the in-
dividuality and ingenuity of those respon-
sible for the design and use of equipment.
We may, however, farm two general
classifications of modern practice — direct
lighting and indirect lighting. Of the
two, direct lighting is the more efficient,
while indirect lighting is the more com-
fortable and often the more pleasing.
With the direct system, the amount of
light necessary to illuminate the whole
room must be concentrated in several
light sources which are comparatively
small with relation to the interior. If
these units are too small with regard to
the quantity of light emitted, they will ap-
pear excessively bright and unpleasant.
It is, therefore, plain that when a small
number of fixtures are to be used, high
wattage must be provided in each and the
unit must be as large as possible. If small
units are to be employed, low wattage
lamps must
number provided.
)e used in them and a large
IT may prove interesting to note the
various types of direct lighting sys-
tems and some of their characteristics as
follows :
Pendant Enclosing Units of Trans-
lucent Glass, Parchment, or fabric. —
This usually proves the most inexpensive
system to install and the easiest to main-
tain, but it is considered by some to pre-
sent a less pleasing appearance than other
arrangements, due to the necessarily large
number of units suspended from the
ceiling.
Decorated Diffusing Glass Panels o>
Skylights Set in the Ceiling. — If only a
few of these are to be used, they must be
of large area, for if the surface bright-
ness of the panels is too great, their dec-
orative effect is destroyed. As this type
of lighting does not throw any illumina-
tion on the remainder of the ceiling, the
contrast between this dim area and the
bright panels is generally unpleasant.
Large Chandeliers. — These are very
April 7 , 1928
110)
Utility — the Convenience to Patrons Enter-
ing and Leaving During- a Performance —
and Beauty-Enhancement of Decorative
Effects — arc Served by Proper Lighting
decorative and prove most desirable with
certain forms of architecture. Tn connec-
tion with them, however, it should be
borne in mind that the chandelier was de-
signed originally for use with the candle
— a light source of low brilliance. When
we attempt to employ a more concen-
trated and powerful light source, th|e
modern incandescent lamp — in place of
these candles, its great brightness results
in concealing the beauty of fine workman-
ship involved, rather than enhancing the
appearance of the fixture.
Wall Brackets. — It is not good prac-
tice to use these for general lighting, as
they are always in the field of view and
the necessary amount of wattage makes
them appear too bright. They must, of
course, always he provided with shades
or shields.
WITH indirect lighting systems, the
ceiling and some times the upper
part of the side walls, becomes the source
of illumination. As the light is distributed
over these large areas by bidden lamps,
there are no unpleasant brightness con-
trasts, annoying glare and overhrilliant
units. For this reason, indirect lighting
appears comfortable and unobtrusive, with
an attendant atmosphere of dignity and
calm.
There are various ways in which this
form of illumination may he applied to
obtain the most novel and artistic results.
These may he enumerated as follows:
Pendant Indirect Units. — It is desirable
for these tn have illuminated glass panels
incorporated in their design, or to be of
the luminous howl or semi-indirect type,
in order that they may not appear as dark
spots against a well-lighted ceiling. \Tery
pleasing results may often he obtained by
employing an indirect lighting unit inside
of a crystal chandelier. An excellent
idea, also, is to throw light against the
outside of these chandeliers by means of
spotlights concealed about the auditorium.
In liir auditorium of
the Capitol theatre,
Richmond, Va., cov«
lighting in <li(TVr-
ent colors provides
ilic general illumina-
tion, 'liir artistic
lighting of the statu-
ettes in wall niches
and the small lant-
erns at tin- rear fur-
nishes the necessary
illumination during
performances!
This c a uses the
crystals to sparkle
and gleam, and at the same time does
away with the direct glare experienced
when bare lamps are employed in the fix-
tures.
Coves and Wall Boxes. — These are
especially effective, as no lighting fixtures
are apparent, and there are no suspended
units to break up the sweeping lines of
the ceiling. If cove lighting is to be used,
the auditorium should he designed with
this end in view, for the coves must lie
built as an integral part of the interior
decoration. If the building is so large
that this lighting cannot spread across
the entire ceiling, it may he supplemented
by indirect lighting from central fixtures,
or a second or even third set of coves may
he constructed in the center to form large
shallow domes. Unique color effects can
he accomplished with the latter method
bv employing different colors in the sepa-
rate sets of coves.
Floodlights. — In cases of large audi-
toriums, especially where parts of ceil-
ings and side walls are to be ornamented
in bas-relief, cove lighting is often im-
practical. This form of interior may best
he lighted by floodlighting projectors con-
cealed along the edge of balconies, in
high, ornamental windows or arches, and
at various other strategic points. These
projectors must be carefully hidden and
so arranged as to
■ light the walls or
ceiling at the oppo-
site side of the
room in order to
o b t a i n a good
spread of light and
natural shadows.
_ Under low balco-
Illuminated wall urns
a form of light or-
namentation which
breaks up the mono-
ton; of large wall
a reas a ml pro\ ides
an artistic ami unob-
trusive waj of inlro-
ducing small quanti-
ties of light.
nies. a rather fiat type of indirect unit sus-
pended only a short distance from the
ceiling generally provides the most pleas-
ing light, although recessed direct lighting
equipment and hemispherical globes
mounted Mush with the ceiling" may usually
he effectively employed. In some cases a
cove under the rear of the balcony has
found successful application.
To provide a low level of illumination
during the performance, a separate light-
ing system must be brought into play.
This may be a separate circuit of low
wattage lamps embodied in the main
lighting fixtures or coves, or it may con-
sist of a number of small decorative
units, wall brackets, lighted windows, il-
luminated or statues, adding a touch of
decoration and providing the desired low
intensity of light.
A point to be remembered is that the
ordinary, small decorative lighting units,
as lanterns, stars, colored glol>es. and wall
bracket shades and shields, are intended
for use with low wattage lamps. It is
not at all uncommon to find these
equipped with large lamps and depended
upon for general illumination. The na-
ture of these fixtures usually makers them
unsuitable for general lighting, and as the
high brightness of the large lamps de-
stroy their decorative effect, this practice
is doubly undesirable.
The modern trend of the motion pic-
ture theatre is towards the picturesque
and distinctive interior. The motif of
the auditorium designs range from the
grand and formal, through the unique,
exotic, and unusual, to the cozy and inti-
mate, and are intended to serve as a set-
ting which will enhance the pleasure of
theatre going. As the jewel is enriched
by a handsome setting, so is the charm of
the motion picture increased by pleasant
surroundings. The artistry and appeal
of the auditorium decoration forms a
background to the picture in the minds
of the audience in much the same manner
as does the music of the orchestra. It is
therefore evident that the lighting of this
type of distinctive interior must be care-
(Continued on Page 11.23)
1102
.1/ o t i o n Picture News
Showmanship Strikes Out for Novelty
in the New "Fantom Screen"
"Presentation" on the Screen Gives Picture New Grip on Public's Interest
THOUGH in principle it is not en-
tirely new, the Fantom Screen re-
vealed to the public for the first
time at the premiere of "The Trail of '98"
at the Astor theatre, New York, created
no little stir and was provocative of wide-
spread interest on the part of the trade as
well as the public. The Fantom Screen,
which permits of enlargement of the pro-
jected image to twice its normal size, is
credited by those who have seen "The
Trail of '98" with contributing import-
antly to the extraordinarily thrilling effect
of the snowslide which registers as one
■of the highlights of this melodrama of
the gold rush in Alaska.
Probably the employment of the effect
stands as one of the most ingenious
strokes of pure showmanship that has de-
veloped recently in the field of the motion
picture. Regarding the manner in which
it may be handled by the company whose
specialists developed it, there is a pos-
sibility that Metro-Goldwyn-Mayer and
the Loew Theatres may have it patented
and copyrighted.
This method of presenting enlarged pic-
tures of certain sequences suited for such
treatment, is basically the same idea that
was employed years ago (rather unsuc-
cessfully owing to limited light sources)
in showings of "The Great Train Rob-
bery," and later was experimented with
"by D. W. Griffith in connection with his
spectacular production "Intolerance." Its
first successful employment was with the
showing of "Old Ironsides" at the Rivoli
theatre in New York last season. The de-
vice used for "Old Ironsides" is called
the "Magnoscope." Both this and the
Fantom Screen have wide-angle projec-
tion as the basis of the effect. A projec-
tor equipped with a wide-angle lense is
used to project those portions of the film
to be presented in the enlarged form.
The Fantom Screen represents an
•elaboration of the Magnoscope. In the
case of the latter the large screen is
masked down to the normal size with cur-
tains which draw from the sides and at
the top to expose the full screen surface,
which at the Rivoli theatre extended clear
across the stage. The screen, however,
remains stationary.
The Fantom Screen is mobile, and as
the picture enlarges it moves forward to
the curtain line. This action, simultaneous
with the enlarging of the picture gives a
•double effect of growing size and proxi-
mity and is startling in the reaction upon
the spectator.
Joseph R. Vogel of the Loew theatre
department is credited with the original
idea sought by J. J. McCarthy, well
"known road show man who is handling
""The Trail of 98," and it was developed
hv A. S. Howard, Frank Norton and Les-
ter Isaacs of the Loew technical staff and
Peter Clark, designer and manufacturer
of stage equipment.
The screen travels a distance of 16 feet
as it is used at the Astor theatre. The
change-over from the normal sized screen
( which is 16 feet) to the enlarged surface
is accomplished without any halt in the
continuity of the show. The desire to
produce the enlarged effect without a
break in the action on the screen is re-
sponsible for the device worked out by
Mr. Vogel and the Loew technical men.
The screen used for the entire show is
set back at about number 3 position on
the stage. It is tracked top and bottom
and masked down to the 16 foot size by
curtains which draw and lift. As the
curtains part and the screen moves for-
ward the picture is irised out to fill the
portion revealed. This is accomplished by
a nice timing of the change-over from the
regular projector to a wide-angle projec-
tor. The size of the picture is simul-
taneously increased to exactly cut up to
the mask as it is drawn to reveal the full
screen and as the screen moves up closer
to the curtain line. At the conclusion of
that portion of film to be exhibited in
magnified form, the order is reversed, so
the screen gradually recedes and the pic-
ture grows smaller, finally disolving into
the picture projected from the machine
with the standard lens.
The snowslide scene which Clarence
P>rown produced as a dramatic episode of
his picture is said to be greatly enhanced
in spectacular value by the enlarged
screen. Certainly its effect as projected
at the Astor theatre is one to be ranked
among the big moments achieved in mo-
tion pictures. Those who have seen the
picture projected with and without the
Fantom Screen insist that the magnifica-
tion, especially as it is accomplished by
the mobile screen, represents a remark-
ably improved vehicle for carrying over
the dramatic effect sought by the pro-
ducer when he evolved the scene.
ITS importance from a showmanship
angle is well attested by the stir caused
in the theatre when the effect is used. J. J.
McCarthy in discussing the Fantom
Screen with a representative of this pub-
lication said that the use of a similar de-
vice in connection with "Intolerance"
would have given that picture a two year
run on Broadway, and that even greater
popular success would have resulted for
the road show presentations of "Ben
Hur" had the Fantom Screen been used
for the race scenes.
The idea of using the enlarged screen
for the snowslide sequence in "The Trail
of 98" was proposed by Irving Thalberg,
M-G-M production executive when he ar-
ranged for the road show presentation of
the Clarence Brown production.
Mr. McCarthy, who was engaged to
handle the picture as a road show, wanted
to find some means for introducing the
effect without stopping the action of the
picture, a feature he considered most im-
portant. He communicated his notion to
Joe Vogel and the Loew technical men
and out of various suggestions there sud-
denly came Vogel's proposal that the ideal
method would be to move the screen out
toward the spectators as the picture en-
larged.
There were various obstacles to be
overcome in producing the effect, but the
technicians found the way. For one thing
the intense heat caused by the concentra-
tion of light on the small lens offered a
serious problem, and the means of bring-
ing up the picture simultaneously with the
opening of the curtains and forward
movement of the screen was another.
The mechanical devices especially built to
accomplish the result are, naturally, being
kept secret by the men who developed
them because of the possibility that the
company may restrict the screen to itself
by copyright and patent.
Call Service for Doctors
Featured by Manager
MANAGER Raymond B. Tones of the
Worth theatre in Fort Worth, Tex.,
has improved the "call service" for doc-
tors who attend performances, and by
means of a circular letter to all medical
men and nurses there and in neighboring
towns made a special bid for their pa-
tronage.
The circular letter in which Jones
called to the attention of doctors and
nurses his special service, explained the
careful attention which is given to this
feature of the Worth's service.
In carrying out the system in a man-
ner to insure rapid delivery of any mes-
sages phoned to the theatre for doctors
and nurses, Jones has prepared small
blanks in pad form which are supplied to
each usher. These provide space for the
name of the doctor or nurse and designa-
tions of the seats which they occupy in the
theatre. The seat designations are indi-
cated in a printed box at the bottom of
the blank. Each of the four aisles of the
theatre are indicated by numbers with
spaces for the number of the row and
seat under the aisle number. Thus the
usher without difficulty can record the
exact location of the doctor or nurse and
turns the blank in to the office, where the
phone calls are received and from which
the person called can be located immedi-
ately.
April 7, 1928
1103
Merchandising Amusement
BY WILLIAM H. McLAUGHLIN
Treasurer Sloneliani Theatre Co.
THE size of the city or town in which
the theatre is located has a great
deal to do with the manner in which
the exhibitor can sell his merchandise to
the public. In cities and towns from 5,000
to 25,000, the proposition is different than
in key and big cities.
In the small towns and cities the theatre
must be considered a community house,
as a large percentage of the patrons and
prospective patrons live within a radius of
but a few miles from the theatre. A com-
munity patronage is the hardest in the
business to cater to. Mrs. Black meets
Mrs. White in the baker shop, telephones
to her, or sees her over the ljack-yard
fence to tell her what is lacking at the the-
atre whether the manager is trying to give
them a good show or not. The point is,
what you give the public, the service and
merchandise in a community house is an-
alyzed and talked over by every one in
the community as they are in direct touch
with one another.
In the key cities it is different. The pa-
tronage is entirely transient, the patrons
on leaving, dispersing to towns and cities
within a radius of fortv miles, never see-
ing one another to talk over the shortcom-
ings of service or pictures. Catering to a
transient trade, they have a large percent-
age of new customers coming and going,
whereas the community theatre must re-
tain and bring back again the same cus-
tomers, as the community comprises its
biggest field from which it must draw its
patronage.
It is from the angle of the community
theatre owners that I give these ideas of
selling amusement to the public, as I know
nothing of the big city proposition.
My greatest business building has been
brought about by writing editorials for
the two weekly newspapers. I have edu-
cated the public into various phases of this
business that they knew nothing about.
They have always had the impression that
the manager could buy all the best pic-
tures and let the poor ones go. In fact,
they believed the responsibilitv of a poor
picture was up to the exhibitor. By ex-
plaining the way in which I had to Inn
pictures and play them, thev readily grasp
the point and I do not get all the criticisms
if I happen to run a poor one.
Give them a concrete example and it
drives home a fact more readily. The
sporting element to a great extent patron-
izes the theatre. Take the example of the
ball player batting for 1.000. Human
hands and minds are making pictures ;
therefore every picture is not a hit, but
the average of hits is a larger percentage
than any ball player attains.
Next, enter the community life of your
town. If offered the presidency of any
of the service organizations such as Ro-
tary, Kiwanis. Lions, etc., or of civic or-
"I have educated my public into various
phases of this business. By explaining
the way in which I had to buy pictures
and play them, they readily grasped the
point and I do not get all the criticisms
now if I happen to run a poor feature,"
says Mr. McLaughlin in this remarkably
illuminating article on the merchandising
of amusement at community theatres.
ganizations, accept them. It gives you a
standing in the community. Do not seek
or accept public office. Personally, I have
refused to run for public office, because
as the head of community organizations
you can advocate things for the l>enefit of
the community, but do not have to make
decisions on them. In public office you
must make decisions on permits, bids, and
a great many other things and some one
is always on the outside, and there is al-
ways opposition, no matter how fair the
decision. You cannot afford to displease
any one as every person in your town is
a prospective customer, and those that
don't get what they are after, resent it.
OFTEN a catastrophe in this industry
can be turned into an asset to you.
The Montreal theatre fire I used to in-
crease my child's patronage fifty per cent.
In a newspaper editorial, I told how I had
never opened the balcony of my theatre
to children under sixteen. I considered
the theatre the same as a school house.
The primary grades are always put on the
lower floor of a school house and the
higher grades on the second floor. This
is a measure of safety, so from the time
I took over the house, I never allowed
small children in the balcony. The point
was driven home to the parents that I was
taking good care of the children's patron-
age, so children who had never been to
the theatre before began to come.
I consider the children of a community
the best advertising bet there is in this in-
dustry. If you are resected and liked by
the children, they will give you more and
better advertising to their parents and the
grown-ups than money can buy. On spe-
cial pictures that have an appeal in them
for children, I always hold the matinee
on the first day's showing until after
school. I most always get a very good
house ; and as it does not take as much to
please a child as it does a grown-up, they
are most always a great advertising me-
dium. They arrive home at just supper
time, they are all wrought up and en-
thused over the picture, that enthusiasm
is dispersed around the supper table, with
the result that some of the grown-ups get
it and put on their hat and coat after sup-
per and go to see what it is all about. It
is an assured thing with me, if I sell out
at the matinee, I sell out at night.
1 START back further than this when-
ever I have a special picture coming
during the week, the Saturday previous I
take a few minutes, go on the stage and
tell the children that there will be a special
matinee, and tell them something about
the picture. Certainly, I use the screen
to sell my pictures, but that has a cold
background to sell pictures to children.
Some might be too young to read, others
are not interested in advertising, but when
I give them the personal touch by appear-
ing before them, they absorb what 1 say
and remember it, besides telling the folks
about it. To keep in personal touch with
the children, one Saturday a month I give
them a talk from the stage, telling them
what to do in case of fire or panic, point-
ing out to them the various exit, and,
teiling them not to run for the door they
come in, but to pick out the nearest exit
to the seat in which they are sitting. This
talk is brought home to the parents with
the result that I keep my theatre full on
Saturday afternoons. Once in awhile I
go before the grown-ups when I have
anything important such as change of
policy, etc.. but not often as familiarity
breeds contempt.
I have always made it a practice to hold
all the benefit performance possible at my
theatre, even if I have to stretch a point
to get them. It means jicople coming into
your theatre that never attend a regular
show and there is always the possibility
of them getting the habit.
I have always been very strict in the
matter of noise and disturbances by young
people in the theatre. It is true of young
folks that if you give them an inch they
will take a mile. My reason for being
strict on this, is that no matter how much
you get after the young people, they will
come back to your theatre again as they
haven't the means of going out of town.
If your adult patronage is annoyed or
(Continued on Page 1 130)
1104
Motion Picture N e zv s
Hitting the Bull's Eye
flYou don't hang up records on number of shells
used-- it's how many bull's eyes you score.
{JAnd that goes with us.
<JWe set out to earn our medals—and we've got
them. MOTION PICTURE NEWS circulation
hits the bull's eye. It goes to the real buyers.
tJNumbers of themselves don't count. For it takes
real marksmanship not to use up several thousand
rounds of circulation, unproductive to the seller.
No great circulation numbers are needed in the
theatre field. There aren't that many real buyers.
flFor fifteen years practically every executive and
important theatre owner— the real buyers— have
read the NEWS. They are reading the NEWS now
and they will always continue to. We're hitting
the bull's eye. Our circulation isn't going where it
dosen't count.
April 7 , 19 28
1105
CY^CY^CY~}7^C>
«jQl* ■ n > «JQL» - r* •
<Tflr* '"fir* *~fir*
*J9j *J5_»
A. S. Bradshaw, Architect
The Granada, a beautiful Cleveland Neighborhood Theater, operated by Loew's Ohio Theaters, Inc.,
where Manufactured Weather* provides the same Healthful Comfort enjoyed by the Patrons of
Loew's "downtown' houses — The State, The Allen and The Stillman.
CAN THE NEIGHBORHOOD HOUSE AFFORD
MANUFACTURED WEATHER? *
Good showmen, alert to perceive opportunities, realize
that the most vital element to be considered today in
connection with the comfort of patrons is air condition-
ing in the theater. This has become increasingly im-
portant, too, because the public has learned to recognize
immediately the health-giving comfort of Carrier Con-
ditioned Theaters. Showmen are realizing, also, that
people prefer to go a much greater distance to a properly
air conditioned house rather than patronize their neigh-
borhood theater where the same pictures are shown, but
where the important element of Manufactured Weather*
is lacking.
Theater owners, architects and Carrier engineers have
foreseen this. The result has been a concerted and very
successful effort to devise and standardize equipment
which shall be within the economic reach of, and a
profitable investment for, the fine small theater and the
neighborhood house of 900 or more seats.
Here are a few examples of the profitable application of
Manufactured Weather* in smaller theaters and neigh-
borhood houses: The Texan in Houston, owned by
Will Horowitz, a i5oc-seat house operating at a 25c top,
has been Carrier Conditioned since 1925. It paid, be-
cause the same system was extended
to include the I ris, a 1 20c-seat house
also owned by Horowitz. The
CY~iCY~)CY*} rY~}<rY~}<rY~5 cy^> rY^CY^cY^
■ " ■ < ™ • «J0U «J0L» <J0L» < n • tJ5L» <J0L> «JCL»
*"TflT» TOT* *~tir* <""Qp r-£--» <~W» rAn *~!flr* «H0T*
farrier Engineering Corporation
Offices and Laboratories
B. S. Moss Theaters Corporation has seven Carrier
Conditioned Neighborhood Houses spotted over Man-
hattan, Brooklyn and Long Island. The Franklin, a
Publix house at Tampa, and the Gumbincr in Los An-
geles, are two 900-seat houses which greeted the past
season with Manufactured Weather.* There are oth-
ers, including the Grand, operated by Biggio Bros, at
Steubenville, Ohio; The Eastern and Clinton at Colum-
bus, operated by James Enterprises, and a group of
Loew's Ohio Theaters, of which The Granada, shown
above, is one.
These theaters were Carrier Conditioned after a most
careful economic survey on the part of the owners and
their architects, men who have learned that Carrier
Equipment and Engineering produce results, and that
comfort of patrons is an asset.
For Operators of Theater Chains, Owners of Individual
Theaters, and Theater Architects, there arc these inter-
esting books: (0 The most recent issue of The Weather
Vein, "Your Own Neighborhood Theater;" (2) "Air
Conditioning as Applied in Theaters and Film Labor-
atories," an impartial survey of facts reprinted from The
Transactions of The Society of Motion Picture Engineers ,"
(3) The Book, "Theater Cooling and
Conditioning." Write for them. Ask
for a visit from one of our engineers.
Newark, N. J.
NEW YORK
PHII.ADKl.ru I V
BOSTON
CHICAGO
CLEVELAND
KANSAS CITY
I. OS ANGKI.KS
WASHINGTON
CY^C^f^CY^CY^CY^CY^C^.CY^
tflL* »flt* «j0l» «jOLj «
r^or* *^cr* *nflr~* *nfir* *~fir* iflr* *~flr> rTflr*
IT ISVT MANUFACTURED WEATHER UNLESS IT'S \ CARRIER SYSTEM
1106
Motion Picture News
What do you know about remote control switches!
TypelGy Diamond H" Dow
ble Throw, Remote Control
Switch
EVERY theatre owner can safeguard the important
lights in his theatre by using "Diamond H" Remote
Control Switches.
Lights for exits, stairways, corridors, and aisles can be
linked up with "Diamond H" Remote Control Switches,
so that in the event of the failure of one source of supply,
the other source, whatever it may be, will be automatical-
ly and instantly called into service by these Remote
Control Switches. They eliminate the uncertainty of
manual operation.
in the Colonial Theatre at Hartford, Conn., all important
and necessary lights are controlled by Type F and Type
G Remote Control Switches, so that the audience is
guaranteed at all times, ample illumination.
Our engineers are ready at all times to suggest plans for
controlling your lights with "Diamond H" Remote
Control Switches.
All leading theatres are'using these switches. We^have
them for every service; emergency lighting, and where
stage and house lights are to be controlled from one or
more places.
THE HART MANUFACTURING CO.
NEW YORK
HARTFORD, CONN.
BOSTON CHICAGO
TORONTO
Exterior, Interior and night view of Colo'
nial Theatre, Hartford, Conn., showing
lights controlled by "Diamond H"
Switches
DIAMOND H SWITCHES
April 7, 19 28
1107
we hove
a projector
■Establishing New Standards of Projector
Design and Performance
If you are considering the purchase of new projectors, you arc no
longer restricted to a choice from among ordinary machines, because
you now have at your command a projector built for this day and
age, — which is on a par with the highest attainments in every field
of Cinema Craft.
Detailed literature in preparation. Fill out and mail coupon NOW
so that Ave may reserve copy for you.
Mail this coupon
E. E. FULTON COMPANY
1018 S. Wabash Ave., Chicago, 111.
Branches in All Principal Cities.
I . I . R I TON CO.,
1018 S. \\ abash We., < hicago, 111.
PLEASE SEND TO ME
DESCRIPTIVE LITERATURE
OF YOUR NEW PROJECTOR
NAME
ADDRESS
THEATRE
1)08
Mot i o ii Picture N c TV s
New and Improved Equipment
A Review of the Latest Developments in Theatre Engineering
Induction Motor-Generator
Sets for Projection Work
THE General Electric Company an-
nounces a line of constant-potential,
multiple-arc. induction motor-generator
sets designed especially for motion picture
projection. These sets will change 50- or
60-cycle alternating current from the
power lines into suitable direct current
for the motion picture machine arc.
The line includes sets driven by single-
or polyphase, squirrel-cage, squirrel-
motors or by high-reactance, squirrel-
cage, induction motors. All sets are given
a continuous rating in kilowatts, ranging
from 1.6 kilowatts on some types to 30
kilowatts on others, and are designed to
carry overloads of approximately 100 per
cent for periods of three minutes occur-
ring at 1 5 -minute intervals. The continu-
ous rating in amperes ranges from 20 on
some types to 300 amperes on others, and
the overload capacity is provided to carry
the load during periods when the arcs are
being changed over.
A line of generator panels for wall
mounting, suitable for use with these sets,
is also announced by General Electric.
The panels mount a direct-current am-
meter, direct- current volt-meter and a
generator field rheostat, all in a sheet
metal enclosing case. The side of this
cabinet is removable to permit easy ac-
cess to the back of the panel.
The ballast rheostats designed for use
with these sets include a starting section,
a permanent resistance section and a sec-
tion for regulation with seven regulating
points. The proper regulating point is se-
lected by means of a dial switch mounted
on the front of the panel. The rheostats
are rated from 20 to 200 amperes.
Washer Unit Developed for
Blower Cooling Systems
ANEW feature developed by the engi-
neers of the Supreme Heater and
Ventilating Corporation, makers of heat-
ing and cooling systems, has been intro-
duced by that company. The new devel-
General Electric Company's new Induction Motor-Generator Set for projection work
opment consists of an air-washing unit for
installation in the wall-opening through
which the cooling system gets its air-sup-
ply. The device, known as the Supreme
Turbo Air- Washing Unit, will be of-
fered in connection with installations of
the Supreme cooling system. It is a sepa-
rate unit with a self-contained motor and
can be installed, without structural
changes, to blower systems now in use.
Tbe unit, placed at the intake opening,
throws a fine, foggy water mist, which
freshens and cools the incoming air as it
passes to the blower, which discharges the
air to the auditorium.
The unit is equipped with a long flex-
ible cord and plug which can be plugged
into any light socket. Its installation re-
quires onlv a shelf placed at the wall-
opening to hold the washer unit. A re-
serve water tank is placed in the water
line between the unit and the supply pipe'.
The operation of the unit is simple and
requires a minimum of attention. It is
switched on and off and its speed regu-
lated in a manner requiring no more skill
than the similar operation of the small
electric fan. A balanced all-steel wheel
eliminates vibration and side sway and its
construction is such that it operates noise-
lessly.
Washing Unit developed by the Supreme
Heater and Ventilating Co.
Slide Carrier Designed for
Using Slides in Turn
ILLUSTRATED on this page is a slide
carrier invented by Solomon Meyer,
a projectionist of Cape Town, South
Africa. The carrier is designed for using
slides in turn and delivers the slide to the
projection aperture by means of a hand-
operated lever, which throws the slide in-
to place and automatically removes the
previously used slide into a slot from
which it is removed by hand.
The first slide is put into the slide
holder when fully open as shown. The
slide holder is then pushed forward, and
after it is drawn back again the slide is
left in proper position over the light
opening in place to be properly projected.
The second slide is then put into the va-
cant position and when the slide holder
is again pushed, the first slide will be de-
livered into the cradle and the second
will be left in the projecting position.
The first slide before dropping into the
cradle passes into the position, which is
directly over the opening leading to the
cradle. A spring engages the slide and
s< 1 causes this forward projection. When,
however, it reaches the opening it drops
to the bottom of the cradle where it is
received upon cushioning members.
While dropping through the opening the
plate is guided by a roller.
Mobile Stage Platforms
Equipped With Lifts
MOBILE stage platforms with sec-
tions that may be elevated provide
a new unit of stage equipment designed
for presentations and band acts. The new
(Continued on page 1124)
Above, illustration showing the Automatic
Slide Carrier, distributed by the Burt Auto-
matic Slide Co.
April 7 , 19 28
1109
The Ever Effective Patronage .Appeal
Some folks like romances; some like Westerns; some like comedies; and each star has some following. But
ALL folks like comfort. COMFORT is ever effective as a patronage appeal. FRESH AIR is a business builder.
Many smart showmen have found this out, and are cashing in on the idea in a BIG way. Arctic Nu-Air Cool
ing and Ventilating System is enabling hundreds and hundreds of theaters to do bigger business every month in
the year.
A Year-Around
Air System
In everj' season Arctic Nu-Air
System pays big returns.
SPRING: It gives you fresh air.
and drives out stale air. For extra
warm days it furnishes a gentle
zephyr to each seat in the house —
just enough for perfect comfort.
SUMMER: From mildly warm
days to the blistering, torrid days
of midsummer, Arctic Nu-Air keeps
your entire house perfectly com-
fortable. It gives you a light air
movement or a vigorous, cooling
abundance of air — little or much,
at the tips of your lingers.
AUTUMN: For cooler days you
want quick replacement of stale
air with fresh, pure air. For
warmer days you want a percepti-
ble movement of air throughout the
house. Chilly days, with a little
heat on, you want positive circula-
tion of this heat to all parts of the
theater. Arctic Nu-Air places it
all at the tips of your fingers.
WINTER: In a few moments this
system will till your house with
clean, fresh air. It will circulate
this air to give even distribution of
heat, eliminating ' hot spots" around
radiators, and making everyone
comfortable.
Arctic Nu-Air gives you complete
controlled year-around sen-ice — a
quality system, thoroughly engi-
neered from design to installation,
at moderate cost.
SALES OFFICES
Atlanta
Boston
Chicago
Cleveland
Dallas
Detroit
Milwaukee
New York
Oklahoma City
Philadelphia
San Francisco
Seattle
EXPORT OFFICE
71 Murray St..
New York City
- VARI- SPEED
HYDRAULIC
CONTROL
10 FEATURES
for Profits and
Satisfaction
3,000 Bragging
Users—a Record
In recent years 3,000 users have
spent over a million dollars for
Arctic Nu-Air Systems.
They have written hundreds of
enthusiastic letters about the won-
derfully satisfactory results. They
have given us repeat orders. They
have sent friends to us. They have
given Arctic Nu-Air a practical en-
dorsement that is unique in the
ventilating field.
And the Arctic Nu-Air System of
today is better — far better — than
ever before. The new Hydraulic
Vari-Speed Control, placing every'
degree of blower speed at your fin-
ger tips, is just one of several note-
worthy improvements.
The Dual Deflector has been
greatly improved in appearance,
now fitting harmoniously into the
most elaborate decoraUve scheme.
Better construction characterizes
every feature of this system. It is
made to SERVE, not merely to sell.
Installations are planned by our ex-
perienced sales engineers. We op-
erate established offices in all larg-
er cities. Service prompt and in-
stallations usually simple and easi-
ly made.
Request engineering data today:
the coupon below is for your con-
venience.
512-514 SOUTH 4TH ST.
MINNEAPOLIS, MINN.
.Il.n) Manufacturers of
SANIDAIRK Humidifying Systems for
Homes, Hospitals, Schools, Offices.' Apartments,
Hotels, and Industries.
Arctic Ni-Air Corporation-
512-514 South Fourth St.
Minneapolis. Minnesota
Send engineering data and information on Arctic Nu
Around System for my theatre feet long:,
feet high, seating people.
Name
Theatre
Address
City State
Air Year-
feet wide.
1110
Motion Picture News
I
♦♦♦Brings
Big Time" Music
to Any Theatre
You can never appreciate the great achievement of Orchestraphone until
the opening measures of the first number reach your own ears.
There will be an overture by a world famous symphony — rich with its
original tone and power— full— resonant. There is no harshness— no
metallic roar. Instrumentation is as perfect as though that great
orchestra were actually there upon the stage.
The entire gamut of musical reproduction will be run for you. The huge pipe
organ, perfect in tone and volume from the shrill treble of its narrowest pipe to the
vibrant roll of its deepest bass note. A famous jazz band— an internationally
tamous soprano. And as you listen, somehow you will recall the time a radio first
brought you a few words from across the space of a continent.
You will remember your first ride in an automobile and the day you watched
your first airplane take off— for Orchestraphone is another just such breath-taking This book ig free It tell,
step into tomorrow, all about the Orchestra-
Wif-l-i <-U 1 t phone. How it worki.
witn tne Urchestraphone, anyone can "play the picture" as would an organist what it win do.
or orchestra leader. Instant change of score can be made — from crashing crescendo National Service
accompaniments to gentle, soul-stirring melodies. A touch of the button smoothly National Service comprise.
pffppf-c flio "f.->,~l,-> « c i. .. < r everything in the way oi
if i >» raae-out Irom one selection to the other. But why not know for your supplies and equipment
sell what Orchestrabhone can (in? frora a tllumb tack t0 a
t- " wj. pipe organ. Ask us how
T— T/j/^v 4-4- w 4- /"\ t we furnish and finance
Xctti It ill UHC6« You are cordially invited to an Orchestraphone Demon- ol^cl^twf^pian.1 °n thP
stration. Or send for Orchestraphone Book No. 124, which tells how it works and
what it will do. It's FREE.
Address Our Qeneral Office
624 South Michigan Boulevard, CHICAGO
E/Sfational^ heatre SuppfylJompany
Offices
Gities
April 7
19 28
mi
Arranging Organ Scores to Suit the
Film and Audience Taste
Tom Terry Outlines His Method in Speech to Guild Members
TOM TERRY, organist of Loew's
State theatre, St. Louis, and in-
ventor of a miniature organ console
which he uses for novelty effects there,
told members of the American Guild of
Organists that he developed the device
with the hope of influencing the officials
in New York against the community sing-
ing and slides.
Terry, who is one of the leading the-
atre organists and is noted for his skilful
scoring for motion picture accompani-
ments, was invited to address the meeting
of American Guild organists held in St.
Louis on March 26.
lie has long been recognized in music
circles of the Middle West as one of the
outstanding proponents of high class or-
gan music — whether played in the classical
or popular vein — and his interpretation in
a popular way of the standard works has
been accepted by leading teachers. He
commands a large following among the
motion picture patrons of St. Louis.
In his address before the organists,
Terry told just how the organists of the
leading motion picture theatres prepare
their organ accompaniments to co-ordinate
with the balance of the show, particularly
with the featured screen attraction of the
bill. Describing his method of scoring
and the opinions which he harbors with
regard to developing a higher standard
of music for these popular renditions,
Terry said :
"First we have a miniature theatre »n-
der the auditorium, which we call the pro-
jection room. We have an extra oper-
aator at my disposal to review all the pic-
tures well in advance of their presentation
at the theatre. I cue each and every ac-
tion of the picture, and, as you know,
ararnge a score to coincide with it.
"Now it is not only notes I pick out,
as I have my music arranged in a sort
of psychological order. I am as proud of
this repertoire as a boy would be of his
stamp collection, because music is not only
a business with me; it's a hobby as well.
"Regarding moods in classification, you
know of course that some of our leading
sypmphony conductors find it very diffi-
cult to follow with a brilliant program
after a program of Tschaikowsky has
been played, and find it more advantage-
ous to break in a new number after a
Wagnerian program has been concluded.
"The reaction to music is emotional,
we agree, and music affects the nerves of
the auditor. Only a few weeks ago I
was talking to a nerve specialist who has
observed the reaction of inmates of insane
asylums to various types of music. With
the physicians of the staff the specialist
watched the effects produced on these
people by the different styles of music.
The violent patient became calmer when
listening to a movement of pathetic char-
acteristic, the theme with pathos acting
as a sedative. But at the introduction of
a discord, or even an accentuation, the
auditors were immediately stimulated and
became unnerved. A jazz theme made
them stare. This is really one of the in-
telligent reasons in explanation of the
popularity of jazz, which does not affect
us mentally but which is in demand be-
cause the younger generation likes a stim-
ulative reaction. The older folks desire
a sedative.
"We all know that musical literature
should be punctuated the same as any
other literature. If I ask a question my
voice remains either in the same tone or
finishes a little higher. If I pronounce
something that is absolutely known to be
correct and make it emphatic, I accentu-
ate if I finish my sentence with a period
that is considered at the end.
"Now there is not a bit of difference
between this and your phrasing. The
psychology that exisits in music is noth-
ing more than taking these fundamentals
into consideration and arranging your
score to fit the picture, just as you would
a grand opera, musical comedy or ballet.
We have writers today who compose spe-
cial compositions to standard poems, and
phrasing them to fit the number they
ing than to melody.
"There is absolutely no difference be-
tween this and arranging a musical score
to assist the performers on the screen,
only you have to exaggerate more in ac-
complishing the latter effect, as they need
more emphatic assistance from the music.
The conversation, action, character, locale,
and many other things must be taken into
consideration by the musician scoring a
motion picture.
i i T LTSE the conductor's score orches-
1 tral part almost exclusively. And
why? The instrumentation, intonation,
and everything else is there entirely, with
possibly a few inversions. Rut is played
practically note for note, and that is im-
perative when playing with an orchestra.
"I think one of the most significant
words in music is 'anticipation,' whether
it be diminuendo, fortisismo, etc.. or a cli-
max, and this properly carried out pre-
pares your audience for the approaching
dramatic effects on the screen. Anticipa-
tion is equally essential when playing with
an orchestra, and also when playing for a
performer or a performance.
"I hardly believe in playing and work-
ing up numbers the way they were in-
tended and as written by the composer,
but I do not overlook the fact that the
good Lord gave me intelligence to revise,
reconstruct, emphasize, anticipate, exag-
gerate, or contemplate any musical com-
position to fit the occasion, regardless who
the composer might be.
i i T DON'T like church music in a
1 theatre for many reasons, and
avoid it as much as possible. I feel that
the church organist in his proper environ-
ment, the church or concert hall, occupies
a place of great dignity. But I believe the
church organist and the theatre organist
are two entirely different music forms
and as distinctly separate as the physician
and the surgeon. Each is a specialist in
his line, and each should be conscientious
in his work as a musician.
"If I am in doubt as to anything in
music, whether it be on your subject or
mine, I will ask anyone whom I think
competent to inform me and be guided
by the answer, and I think all of us would
be benefited by a consultation once in a
while — it would do us good. We would
feel closer together and we would all learn
something. Each of us has a little spe-
cialty we are particularly versed in and
have a special leaning for, and it is no
reflection on any of us to ask questions,
to practice and to try by any means to
improve our work.
"We all have views and the majority
on different subjects, and the other fel-
low's interpretation may be superior to
ours, if not in all matters at least on cer-
tain matters.
"In closing I would like to tell you that
1 have invented a miniature console of
two manuals. This will play the auditor-
ium organ from the stage, either in a pre-
sentation, with orchestra, or in an act. I
developed it with the hope of influencing
the higher officials in New York to do
away with the terrible community sing-
ing and the slides and help a bit toward
the educating of the public to a better
class of music for theatre organ solos. I
have been working especially on this, and
I insist on playing the very best possible
music during the screening of the picture.
If all of us who are theatre organists
would work in this direction, I bel ieve it
would be a large factor in creating a pop-
ular demand for the letter type of music."
1112
Motion Picture N ezv s
The York carbon dioxide
compressor. This ma-
chine is safe, odorless
and practically noiseless
in operation. It is fur-
nished in a wide range
of capacities.
is founded on years and facts
TlepufatioiP I
rA^itc Anil r
For nearly fifty years, the York organiza-
ation has specialized in the design, manu-
facture and installation of refrigerating
equipment for every commercial and indus-
trial purpose.
York systems have been, and are being
adopted by leaders of the various industries
having use for scientifically regulated re-
frigeration.
A reputation founded on years and facts
has been established.
The theatre operator today realizes the vital
importance of air conditioning as applied to
motion picture houses. Theatres so equipt
certainly make a stronger bid for patronage.
In the final analysis an air conditioning
system is a matter of good business.
York equipt houses are numerous — the list
is growing — they are profitable houses.
Let the world's largest organization of re-
frigerating engineers figure on your require-
ments.
YORK
ICE MACHINERY CORPORATION
V O F?
K
P E N N A
/ 7 , 19 28
Carpets look better and wear
longer when laid over
Ozite meets the strain of thou-
sands of tramping feet with a
gentle resilience that doubles Carpet
the life of carpets. And makes
carpets feel finer, softer, richer underfoot,
lending an added note of luxury to any sur-
roundings. The beautiful carpet in the
mezzanine lounge of New York's
largest theatre — The Capitol
Cushion is protected and enriched by
Ozite Cushion . . . Your dealer
will tell you how to lengthen the life of
your present floor coverings with this re-
markable cushion. Ask him about Ozite.
CLINTON CARPET COMPANY, 130 North Wells St., CHICAGO
NEW YORK {American Hair Felt Co., Mfrs.) LOS ANGELES
1114
Motion Picture .V c zv s
Library
Cooperation
And How it May
Be Developed By
Showmen
By Ina Roberts
Press Representative, Cleveland
Public Library
LIBRARY cooperation with motion
picture presentations has developed
a definite plan or technic, the fun-
damental of which is that the producer
or distributor of the film must actively
cooperate with libraries if their films are
to enjoy the benefits from library pub-
licity during local presentations.
The very essence of the library-theatre
tie-up demands an amount of advance
preparation which is necessary in but few
of the other mediums of publicity. This
of course is the listing of literary works
contained in the library and dealing with
subjects treated in the story or locale of
the film. Naturally this entails some re-
search and requires time. Consequently
the best results are obtained both for the
theatre exhibiting the picture and the
library cooperating with it when adequate
preparation has been made and the book
marks and bulletin board and window or
table displays are arranged with a large
number of books topically associated with
the characters, story or background de-
picted in the motion picture.
The exhibitor desirous of developing
this form of cooperative publicity would
do well to make the beginning by supply-
ing the local library with a press book
and stills on some picture having histori-
cal or scene elements which lend them-
selves to this sort of publicity well in ad-
vance of its play date at his house.
As as illustration of the work that is
done by the Cleveland Public Library in
connection with motion pictures, the fol-
lowing detailed outlines of two very suc-
cessful campaigns are included here. It
will be seen that there is considerable
advance work necessary to develop the
full resources of the subject in these co-
operative campaigns.
"The King of Kings" was especially
well handled in Cleveland and the interest
created through the campaign was re-
flected at the library as well as the theatre.
Stills and a press sheet on this picture
were obtained in the Spring of 1927.
The one hundred-or-so stills received
suggested at once that many of the scenes
must have been reproductions of well-
known paintings, so a letter was sent to
the De Mille studio, asking what about this.
In reply came a set of the stills copied
from or suggested by famous religious
paintings, also photographs of the paint-
ings themselves. About ten days before
"The King of Kings" opened at the Ohio
theatre eight exhibits were in place in the
Main Cleveland Public Library. One, in
the east street show-window, was given
an exceedingly soft and beautiful effect
by a poster in blue and gold, the large
sepia photographs and books with rich
Oriental colors predominating in their
bindings.
The books used were "Silver Cross"
(Sue) ; "Jesus for Men of Today" (Gil-
bert) ; "Private Life of the Romans"
(Johnston) ; "Art Studies in the Life of
Christ" (Bailey) ; "Century of Excava-
tion in Palestine" (Macalister) ; "Im-
perial Rome" (Nilsson) ; "City of the
Great King" (Phelps); "Radiant Story
of Jesus" (Seche) ; "Gospel in Art"
1 llailey) ; "Life in the Roman World"
(Tucker) ; "Tarry Thou Till I Come"
(Croly) ; "Prince of the House of David"
(Ingraham) ; "Mary Magdalen" (Sal-
tus) ; "Barabbas" (Corelli) ; "Life of the
Ancient East" (Baikie) ; "The Man
Christ Jesus" (Dawson) ; "Life of Jesus
of Nazareth" (Rhees) ; "Holy Land"
(Hichens) ; "Jesus of Nazareth" (Bar-
ton) ; "Life of Christ" (Papini) ; "Story
of the Other Wise Man" (Van Dyke) ;
two "Reading With a Purpose" Pam-
phlets, "Life of Christ" and Religion in
Everyday Life" ; and "The Spell of the
Holy Land" by Archie Bell, a well-known
travel writer and a Cleveland man.
In two large show-cases in the second
floor corridor were 44 stills, both sepia
and black and white, numerous books
opened at outstanding illustrations and
two copies of "The King of Kings" spe-
cial program.
The Philosophy and Religion Division
posted stills 305, 567, 794, 925, 950, 461,
702 with jackets of various lives of Christ.
The Literature Division used stills 971,
609, 411 and 461 with a poster "The King
of Kings ; Story by Jeanie Macpherson."
The Fiction Division arranged a Winged
Frame display with stills 699 and 97 and
jackets of the following books: "Marv
of Magdala" (Bell) ; "Dawn" (Bach-
eller) ; "Life and Teachings of Jesus"
(Bosworth) ; "The Holy Land" (Finne-
more) ; "Jesus of Nazareth" (Klauss-
ner) ; "Man Nobody Knows" (Barton) ;
"Life of Christ" (Papini). The History
Division had two exhibits : one on a bul-
letin board, with still 689 and a review of
the photoplay and the other a cradle of
books topped by a poster and stills oto
and 77. The books here used come under
the head of travel or history : "Trip to
Palestine and Syria" (Hackenbroch) ;
"History of Rome to 565 A.D." (Boak) ;
"Out of Doors in the Holy Land (Van
Dyke) ; "Hilltops in Galilee" (Speak-
man) ; "Studies in Galilee" (Master-
man) ; "City of Jerusalem" (Conder) ;
"Palestine of the Mandate" (Worsfold) ;
"Imperial Purple" (Saltus) ; "Today in
Palestine" (Dunning) ; "Going Down
from Jerusalem" (Duncan) ; "Pilgrim in
Palestine" (Finley).
(Continued on Page 1128)
April 7, 1928
1115
SALES
OFFICES
Baltimore, Md.
Boston, Mass.
Buffalo, N. Y.
Chicago, 111.
Detroit, Mich.
Kansas City, Mo.
Los Angeles, Calif.
Minneapolis, Minn.
New York, N. Y.
Philadelphia, Pa.
Portland, Oregon
St. Louis, Mo.
San Francisco, Calif.
Seattle, Wash.
*
The
rcjest
Single Ordei*
Evei* Placed/
IN the largest single order ever placed, the Publix Theatres t
Corporation purchased over 40,000 Hey wood -Wakefield
theatre chairs. Publix showmen, engineers, chemists, and maintenance
men approved the two new Heywood- Wakefield seats submitted, one of
which is shown above. This beautiful, de luxe seat eliminates every
present objection in theatre seating. It possesses a special wing con-
struction, hinge, center standard, seat and back never before produced.
Send for our free booklet, "After Months of Investigation", which
describes in detail the two Publix chairs specified in the largest single
order ever placed.
HEYWOOD ^WAKEFIELD
Theatre Seating Division
16
M otion Pic tit r c X e n
A good reputation gets around
FOR over 30 years Cutler-Hammer has built better
dimmers — dimmers which control theater lights
smoothly as nightfall — dimmers which give year
after year of trouble-free service.
This superior quality, performance, and economy
of operation explains why leading showmen, Marks
Bros., Chicago, for example, bring out the archi-
tectural beauty of their houses and give the finishing
touch to their presentations with C-H Equipment.
Ask your architect or electrician how easily this
improvement can be brought to your house —
whether it be new or old. And in the mean-
time, write for the booklet "Illumination
Control for the Modem Theater".
The CUTLER-HAMMER Mfg. Co.
Pioneer Manufacturers of Electric Control Apparatus
1255 St. Paul Avenue, Milwaukee, Wisconsin
Rear view of C-H Dimmer bank —
Marls Bros'. Granada, Chicago
CUTLER «m HAMMER
tPerfect Illumination Control jor the Modern 'Theater
April 7 , 19 28
1117
Burnside to Stage
Publix Shows
When the emerpencj lighting plant Functions to illuminate the way to the r\i~t»! The
photo above shows a theatre, equipped with an automatically controlled emergency
lighting system as it appears when the main source of light current is cut off.
Automatic Control of Theatre
Emergency Lighting Systems
IX many cities it has been written into
the regulations of the local Board of
Underwriters or city ordinances that
switches must he provided in all theatres
or public auditoriums to automatically
throw on the emergency lighting system
upon the failure of the main service.
As emergency systems of storage bat-
teries, motor-generator sets or other out-
side source are compulsory, it would natu ■
rally follow that their operation should
lie automatic and not dependent upon the
manual o]>eration by the house electrician
or whoever may be in charge. In times
of fire or panic the lights may go out, and
darkness might cause disastrous resiles to
the audience pushing toward exits which
cannot be seen.
In a recent survey of the entire United
States made by "Motion Picture News''
it was learned that there is a wide dis-
crepancy not only in the codes of differ-
ent localities, but also in the opinions of
those controlling emergency systems.
Many of the larger cities have adopted
automatic throw-over or transfer switches
and have made their use compulsory.
On the other hand there are a great
many cities where this feature is not rec-
ognized. Some localities specify that the
emergency service be connected back to
of the main fuses, while others go so far
as to require two independent auxiliary
current supplies,
In answer to the question "Are emerg-
ency lighting plants or systems required
as part of the electrical installations in
motion picture theatres in your city ?" ap-
proximately 65 per cent answered "Yes."
Of this number about 50 per cent had
automatic control. Of the number of
cities that that did not have compulsory
emergency lighting, about 20 per cent put
them in, anyway. These figures are ex-
ceedingly representative, as they cover
every section of the country. The wide
variation in the reports shows the need
for a uniform code.
The particular lights controlled by the
emergency circuit generally include exits,
foyers, lobbies, aisles, corridors and all
parts of the theatre which would enable
the audience to leave in case of trouble.
The double throw or transfer switches
which are used to control these lights are
of the Remote Control type-usually con-
sisting of a relay and two mechanically
interlocked switch units. Upon the fail-
ure of the normal service the relay makes
contact between the auxiliary source and
the closing coils of that switch unit,
energizing them and thereby closing that
side of the switch. At the same time the
opening coils of the main unit are ener-
gized and that side of the switch is thrown
open. When the normal service is re-
newed the reverse action takes place and
the switch is automatically thrown to its
original position. In this way the per-
formance goes on as usual, and it is not
necessary for anyone to pay any attention
whatsoever to the changeover.
Remote-Control switches of similar
type have many other uses in theatres
and many interesting circuits have been
worked out in connection with them to
accomplish economical wiring and com-
plete control. One of the common uses
of these switches is in connection with
the control from the projection booth.
R. II. Burnside, long associated with
Charles II. Dillingham and producer of
many notable stage Spectacles, including
the Dillingham shows staged at the Xcw
York Hippodrome previous to its ion-
version to vaudeville under the current
Keith-Albee regime, will join the Publix
Theatre production department earl) this
month, it was announced this week by
Sam Katz, head of the Publix circuit.
Burnside will stage Publix unit shows
in alternation with John Murray Ander-
son and Frank Cambria. Jack Parting-
ton will be supervising producer under
James M. Cowan, director in chief of the
Publix stage productions.
Burnside produced for Charles Dilling-
ham the following: "Over the River,"
with Eddie Foy ; "The Lady of the Slip-
per" and "Chin Chin," with Montgomery
and Stone ; "Watch Your Step" for
Castles ; "Stop, Look and Listen" for
Gaby Desleys; "Hip, Hip Hooray" and
"The Ih'g Show."
For Cohan and Harris he staged "The
Beauty Shop" and among earlier produc-
tions well remembered by the average
theatre lover. "The Runaways." "The
Fmerald Isle," "The Tourists," in which
Julia Sanderson and William Hodge ap-
peared : "The Social Whirl," "The Gay
W hite Way," "The Earl and the Ciirl,"
"Happyland" and "The Pied Piper."
Still later he wrote and produced
"Sporting Days," "A Trip to Japan" and
the "International Cup." each of which
ran a year, and among others in the Burn-
side list are "The Grand Duchess," "La
Perichole" and "Lady Teazle," all for
Lillian Russell; "The Little Trooper"
,iud "Fleur de Lis" for Delia Fox, "The
Jolly Musketeer" and "The Royal
Rogue" for Jefferson de Angelis ; "The
Girl from Montmartre" and "The Red
Rose."
Although the Hippodrome marks the
very acme of his success the staging of
"The Emerald Isle." "Lady Teazle,'*
"The Mocking Bird." "Happyland,"
"Fantana," "The Earl and the Girl,"
"Sergeant Kitty," "Fascinating Flora,"
"The Tourists." and many other popular
musical hits have each been noteworthy
accomplishments. The three latter operas
Mr. Burnside is the author of as well,
for, although he has been an actor since
his sixth year, and a stage managed since
his eighteenth, he has yet found time to
add opera writing to his achievements.
Mr. Burnside was born in Xeilson. a
little town near Glasgow in Scotland.
His father was a stage manager and his
mother was the famous actress. Mar-
guerite Thome, long associated with
Wilson Barrett. He was about eight years
old when he first came to this country,
and at the age of twenty- four he had be-
come the stage manager of the famous
"Bostonians."
1 1 18 Motion Picture News
Wornout Projectors
and
Defective Parts
are Costing Exhibitors
Millions of Dollars
Every Year
in Loss of Patronage
and Injury to Prints
F. H. Richardson
Better Projection Pays
SIMPLEX AND
POWER'S PROJECTORS
For Better Projection
International Projector Corporation
90 Gold Street New York, N. Y.
April
7, 1928
1119
WARD LEONARD VITROHM DIMMERS. ..THE ACCEPTED STANDARD FOR LIGHTING CONTROL
The Vitrohm Dimmer Plate incorporates more
than 36 years of manufacturing experience. It
possesses the qualities of maximum watt dissipa-
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The type illustrated is the "SRD" Plate, a non-inter-
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Controlled Light
Is Light Made Valuable
Investigate The Possibilities Of
'VITROHM Controlled Lighting for
Lodge, Church, Theatre and Store
rT",HE acceptance of accurately controlled lighting as
an aid to decorative and publicity plans is
widespread.
In the theatre, this acceptance is universal; no modern
performance could be given without controlled lighting.
The influence of the theatre's success with this medium
led to its trial, both as a purely decorative aid, and for
sustaining background, as in the theatre, in practically
all fields.
If you are interested in securing new and unusual effects
in church and lodge halls, theatres, and stores, or in
the floodlighting of signs and buildings, get in touch
with the engineering department of Ward Leonard.
Our engineers are at your service, without obligation to
you, in determining the extent to which controlled
lighting is of value in your possible application.
*VITROHM: A resistor, exclusively Ward Leonard's, in which the
resistive element is embedded in and permanently protected by fustd-on
vitreous enamel. This vitreous enamel rapidly conducts heat \rom the
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safety than possible by other means.
WARD LEONARD ELECTRIC CO.
MOUNT VERNON, N.Y.
Banks of dimmer plates, shown above, for wall
mounting are very flexible in application. This
type of dimmer has interlocking controls; that is,
each plate may be operated independently, or in
conjunction with one or more of the other plates.
These dimmers are described in Bulletins 72
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Motor driven dimmers are used where manual
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1120
Motion Pi c t ur e News
The Use of Colored Borders in Motion
Picture Presentations
IT was the early thought in "Movies"
that the best projection results were
obtained by making the contrast be-
tween the projected picture and its im-
mediate surroundings as great as possible.
From the standpoint of a maximum
visibility this extreme contrast idea ap-
peared to be perfectly logical, and, in
some respects, necessary, because the il-
luminating systems in early use were
barely powerful enough to take care of
the ordinary requirements of projection.
Until the efficiency of these illumina-
tors, along with the introduction of
brighter light sources, had been increased,
there was little hope of accomplishing
anything in the way of both decorative
and utilitarian lighting while projection of
the picture was in progress.
One of the first steps to be taken, after
increased screen intensities were possible,
was in the form of utilitarian lighting in
that the entire auditorium of the theatre
was illuminated to a degree which permit-
ted relatively easy access to vacant seats.
Even this first move toward wore rea-
sonably visual conditions within the the-
atre was attended with great caution for
fear that this general illumination of the
auditorium might "spill over" and act to
bad advantage on the screen picture. To
prevent this from occurring, it was rec-
ommended that the intensity of illumina-
tion l>e graded from a very low figure
near the screen to a much higher value at
the rear of the theatre.
In line with these precautions, no illum-
inated areas were permitted to be within
the field of vision as one looked toward
the screen from any seat in the house,
which meant that the screen picture domi-
nated the observer's view to the total ex-
clusion of everything else.
The need for this strict adherence to
the "extreme contrast" plan no longer ex-
ists, fortunately, because light sources and
optic system are available which easily
are capable of providing sufficient screen
light to permit obtaining more enjoyable
viewing conditions during the course of
projection.
It is clear that these possibilities are re-
ceiving attention because theatres already
are extending the illuminated decorative
schemes, heretofore confined entirely to
the sidewalls, up to the very edge of the
screen itself where the policy of the house
is that of the straight picture type.
Those theatres having a mixed program
of pictures and presentations, also, are en-
deavoring to make use of the same idea
and it is not at all uncommon for an ob-
server, when seated in one of these the-
atres, to be able to see the entire front of
the house in a comfortable fashion during
picture projection.
What would amount to rank heresy in
the old days is the practice in many the-
atres of projecting a flood of colored
light, such as blue, over the entire stage
opening while song slides are being shown.
The footlights are commonly used for this
purpose, although flood lamps in the pro-
jection room have been used on occasions.
And so, step by step, we see a constant
shift toward more normal visual condi-
tions until it now seems more logical to
suppose that a semi-daylight, rathre than
a moonlight, condition during projection
will lie the thing of the near future.
With the bugaboo of the "extreme con-
trast" idea dispelled and found to be
harmless, exhibitors have available a wide
variety of novel effects which can be em-
ployed to greatly enhance the projection
of motion pictures.
The more successful of these effects
make use of colored light which is pro-
jected as a border around the screen pic-
ture. While it is true that special appar-
atus is required for many of these effects,
some very pretty ones can be obtained
with comparatively little effort and ex-
pense and without the need of equipment
other than that ordinarily employed on the
stage.
THE technic of using colored borders
around motion pictures is not yet
thoroughly understood and the exhibitor,
for this reason should proceed cautiously,
making his own experiments as he does
so.
The indiscriminate use of color should
be avoided and rarely is it possible to
leave the colored border stand for the
complete program. The intensity to
which the colored border is illuminated,
is of great importance, because it is neces-
sary that the screen picture dominates the
general field of view. The intensity of
the border lighting should never be greater
than one-third that of the screen picture
and for safety it is better to cut this down
to one-quarter in order to allow the
changes in film density.
In some respects, plain colors are to Ik?
preferred to intricate designs projected in
sharp relief as the latter are too likely, to
conflict with the sharply imaged motion
picture. It is essential that the boundaries
of the motion picture be clearly defined
in order to focus, and then hold, the atten-
tion of observers on the picture action.
This is more easily accomplished where
the border lighting scheme differs pro-
nouncedly from the screen picture.
A simple border design in conjunction
with a sharply focussed picture is one
method of assuring satisfactory results.
Another is to preselect the border colors
so that similar colors do not appear in the
motion picture, else a conflict of colors in
border and picture will surely result.
These facts, simple though they may
seem, have been learned by experience
and if the exhibitor will but recognize
them they can be used as stepping stones
to assist him toward working out an end-
less variety of original and beautiful ef-
fects which will go a long way toward
offsetting that peculiar "sameness" which
seems to pervade all motion picture the-
atres wherein the only difference lies in
the feature being presented.
Specific methods for projecting colored
lighting borders around motion pictures
make use of equipment housed either in
the projection room or contained entirely
on the stage.
Special machinery is not always re-
quired, although it will permit a more
flexible working arrangement, thus lead-
ing to a greater variety of effects which
can be quickly changed at will.
Probably the simplest method of ob-
taining satisfactory border lighting ef-
fects is that used in the Roxy theatre,
where the motion picture screen (a true
rectangle and with corners of the aperture
plates filed out to cast a picture with
sharp corners) is suspended from three
sides — top, left side, and right side— in a
border of white guaze after the fashion
of a scrim.
The gauze is gathered toward the
screen in folds which give the appearance
of streamers radiating from the screen
as a center. The bottom side of the
screen, during projection, rests upon the
floor of the stage and the entire outfit,
screen and gauze border, is flyed to per-
mit of its being raised above the pro-
scenium.
BEHIND the motion picture screen
are placed two sets of lamps so
placed that they project their light into the
gauze surrounding the screen. These
lamps are of two colors, pink and green,
and connected to dimming resistance so
that one set can be slowly raised in inten-
sity while the other is being reduced.
In this manner, a change of color can
be effected so slowly that the observer,
intent upon the picture, is hardly con-
scious of the change until the second
color reaches full brilliance. A grada-
tion from high intensity close to the
screen to a low intensity away from the
screen also results, which seems to add
greatly the general effect.
An effect approaching this can also be
obtained from the projection room, where
using the same type of screen and border,
a stereopticon projector equipped with a
suitable mash, for shielding the screen, is
employed to project a colored illumina-
tion onto the border.
April 7 , 1928
i
121
CHICAGO THEATRE
Chicago
C. W. and Geo. L. Rapp
Architects
Nightly
24,968,436
theatre patrons are
seated comfortably
in "American" Chairs
PCS
mi
V
Number 4072 — » 100 of these
chairs were installed in the
Chicago Theatre. Appropri-
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unusual splendor of the
Chicago. Mahogany wood
parts, rose and gray figured
velour back, and dark red
upholstered Moroccolinc
seat. Noiseless ball bearing
hinge insures silent and easy
up and down seat move-
ment. Comfortable, endur-
ing and pleasing to the eye.
Ci VERY NIGHT ... in 12,434 theatres the coun-
try over . . . and in every nation of the world . . .
24,968,436 theatre patrons are seated comfortably
in "American" chairs. An amazing total that
proves the universal response of the theatre-going
public to comfortable, attractive seating. Further
. . . the exclusive use of this company's seating
by the nation's greatest exhibitors amply demon-
strates "American" stimulus on box-office receipts.
American Seating Company
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Theatre Chair Builders to the American Public for Over SO ) ears
1122
Motion Picture News
FLOOD
AND SPOT
LIGHTING
An Amazing Value
Dissolving slide stereopti-
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C-14
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C-3
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Leaders
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Keeping ever a step ahead in the production of the
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effect lighting devices, the E. E. Fulton Company and
the B. F. Shearer Company, as well as the National
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Brenkert line. Never in our history have we shownfso
complete a line, nor'so'many advanced features.
Brenkert engineers may always be counted upon for
new developments in lighting effect devices. It is
emphatically our business to reduce operating cost,
to reduce labor of projectionists, and to produce new
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STAGE
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HI-LITER
The Brenkert Hi-Liter, a
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April 7, 19 28
1123
Auditorium Lighting Serves
Two Purposes
{Continued from Page I ioi )
fully planned so that the architectural de-
tail will appear at its hest at all times.
In the type of auditorium representing
an outdoor setting, as a garden or a Span-
ish patio, the general illumination can he
provided hy coves throwing light on the
arched ceiling. During the presentation
of the picture, low intensity lighting may
be provided hy hidden effect machines
which project moving clouds and blue sky
on the ceiling dome. A large number of
lighting units, with tiny openings, are
sometimes recessed in the ceiling to sim-
ulate stars. The windows of houses may
be lighted, lanterns hung in the doorways,
lighted urns placed in wall niches, and
statuary and other artistic objects accen-
tuated by spotlights.
The use of spotlights and floodlights in
lighting statuary and bas-reliefs must re-
ceive careful attention as harsh shadows
or shadows in the wrong direction may
distort the appearance of an object in a
very disagreeable manner.
If a piece of sculpture receives light
from one direction only, the shadows may
appear too harsh. On the other hand,
however, it will not appear to best ad-
vantage under highly diffused illumina-
tion, as from an indirect system. The
statutary lighting should, therefore, be so
balanced that a predominance of light is
received from one direction, with a small
quantity furnished from other angles to
soften the shadows.
Very beautiful and interesting effects
are often obtained by using gelatin or
glass colored screens on these small spots
and floodlights to procure delicate touches
of color which tend to enliven the whole
scheme of decoration. By focusing two
or more spots of different colors from
different directions, on a sculptured ob-
ject or a draped curtain, most striking
combinations of tinted high lights and
vari-colored shadows may be obtained.
Another idea often used with success is
that of equipping the spotlight with color
wheels, which are slowly rotated by an
electric motor, causing the object illumi-
nated to assume constantly changing hues.
It is very important that all of the spe-
cial lighting equipment be carefully con-
cealed and that the direct rays from it be
screened from the view of the audience.
This can usually be accomplished by hid-
ing the units behind projecting ornamen-
tation, recessing them in the ceiling, or
building special boxes and concealing
drapes for them. When the light source
is visible to the audience, louvres or spill
shields should be provided in front of the
lens or mouth of the projector.
When general color lighting from the
coves or main lighting units is employed
throughout the auditorium, the sugges-
tive effects which the various colors have
on the mind should be taken into account
and used to the best advantage. During
the summer months, for instance, the
cool colors — greens and blues — may be
used to accentuate the coolness of the the-
atre, while in the winter months the am-
bers and reds will add a sense of warmth.
Aside from the general appearance of
the auditorium, there are several other
lighting applications of a more or less
utilitarian nature which must be noted.
The music stand lights must be such that
they will not prove annoying to the audi-
ence. In extreme cases the use of a green
lamp in these is effective. During the
playing of the overture the orchestra may
be illuminated by floodlights concealed
high in the ceiling above the pit in addi-
tion to spotlights from the front of the
balcony or the projection booth.
To aid in seating the patrons, small
aisle lights, close to the floor, should be
provided at all steps and on several of
the aisle seats. Seating indicator light
systems, which keep the ushers posted as
to which seats are unoccupied, are in suc-
cessful use in many of the large theatres.
The exit lights which, are of course, a
necessary feature, may often be incor-
porated in the interior design to present a
pleasing appearance.
The theatre manager and decorator
will find it well worth his while to become
thoroughly acquainted with the possibili-
ties of light in the theatre auditorium, as
this knowledge will surely aid him ma-
terially providing the novel and pleasing
touches so much appreciated.
The ?ox T.ieatre WashinqtonM. Uses2BI{kNDTS
Tlow do you invite patronaqe ?
Theatre patrons everywhere have been educated to a higher
standard of entertainment. Consequently they demand that
the service be in keeping. Service starts at the box office —
and the Brandt Automatic Cashier in theatres everywhere has
come to be the visible indication of the service par excellence.
Ticket seller presses-one-key-only — corresponding to the
ticket price — in less than a second the Brandt makes the
change automatically and delivers it direct to the patron.
Mental calculations are eliminated — mistakes are mechanical-
ly impossible.
crrfie Jfew
THEATRE MODEL
Over
40,000
Users
Q_^/ With the Subtracting Keyboard
So/d direct
not through dealers
30 Days
Trial
FREE
:>/
/ Brandt
/ Automatic
Cashier Co.
IV /" Department C.
' / Watertown, Wta.
/
Please place with ua
I Thirty Days' Free
Trial your Brandt Auto-
matic Cashier. It ia, rf
ourse, understood that we
can return it aa we accept
the trial without obligation or
expense.
/ Please check whether used on the □
right or Q left aide of the Box Office.
/
V'
1 /
Firm Name
» / indiTidaaJ
/ City
' State..
1124
Motion Picture N e iv s
Mobile Stage Platforms
Equipped With Lifts
(Continued from Page 1108)
device is manufactured by the Gallagher
Orchestra Equipment Company of Chi-
cago and are made up of individual units
which can be bolted together to form a
complete rigid platform or separated for
stage sets. The units are mounted on
wheels, rubber tired and motor driven,
and comprise three sections. The two rear
sections can be raised and lowered indi-
vidually or in unison and the entire plat-
form propelled forward and back. Elec-
tric motors of ample power are provided
for the propulsion of the platforms for-
ward and back and the lifting and lower-
ing of the sections.
The control switchboard is so arranged
that it can be placed anywhere on the Mo-
bile stage or main stage as desired,
furthermore, prearragned movements can
be set and operated from any part of the
house.
Each unit runs on four wheels directly
on the stage floor (there are no rails ne-
cessary). Limit switches are provided to
prevent over travel up or down on the lift
platforms and to prevent over travel back-
ward or forward, a solenoid brake is in-
stalled.
The lift platforms are suspended from
four posts by means of four bands of
spring steel, one at each corner. The
steel bands are connected to a shaft oper-
ated by a specially built winch which
raises and lowers the platform at the will
of the operator. Power is obtained for
this purpose from 1/3 horsepower motors
whose speed is reduced in a very compact
specially designed winch, through a train
of spur gears running in cast-iron hous-
ings on Timken roller bearings and pro-
vided with a mechanical brake to hold the
platform in any position desired.
Neighborhood Theatres and
Refrigeration Systems
PROGRESS made in the field of the-
atre cooling systems, particularly in
the application of this modern convenience
to the smaller theatre and the neighbor-
hood house, forms an interesting and im-
portant subject in connection with any
consideration of the architectural and en-
gineering developments contributed In-
art and science to the advancement of the
theatre as an all-year amusement resort-
Just how much has been accomplished in
the field of ventilation and the cooling sys-
tems which have changed the entire com-
plexion of the motion picture theatre
business — equipping it with the means of
attracting patronage during summer as
well as winter months — is the subject of
the latest issue of The Weather Vein, the
house organ of the Carrier Engineering
Company, published quarterly.
On the Uses of Electrics
for. Frontal Display
THE new developments in electric dis-
play equipment for theatre fronts
are the subject of a booklet issued by the
Flexlume Corporation, manufacturers of
signs and theatre marquees. The booklet
includes a quantity of illustrations show-
ing the newer designs for large and small
theatres. In addition to their interest as
illustrations of new models, the reproduc-
tions afford the theatre man examples of
the proper use of selling lines on current
and coming attractions and the distribu-
tion of lettering to obtain the balance and
spacing needed to produce the best display
effects.
Orchestraphone Used With
"Simba" Road Show
SOUND reproduction devices for use
in connection with motion picture
presentations have figured prominently in
new methods employed in the so-called
road show field. "Simba," the Africa wild
life picture produced by the Martin John-
sons and currently playing in New York
at the Earl Carroll theatre and in Chi-
cago at the Woods, has a complete score
recorded on discs made by the Brunswick
companv. The musical accompaniment is
supplied the Orchestraphone, developed
for theatre use.
Showmanship and
Peter Clark Stages
Our greatest showmen, operating our finest theatres,
demand every modern facility for producing their
presentations.
Particularly is this true of stages.
Stages must now be all but human to meet the require-
ments for elaborate effects and novelties.
These stages mustjnove and change form before the
very eyes of the audience.
No matter what the requirements may be — Peter
Clark can build the stage.
For it is true that America's most famous stages have
been built by Peter Clark.
Our quarter century of leadership in stage building—
our installations in practically all the finest theatres
in America — these are your assurance for the most
efficient stages that can be built when you select Peter
Clark.
Peter Clark, Inc*
544 West 30th Street New York City
Peter Clark, Inc., stage rigging and equipment, organ
console and orchestra lifts, are installed in
most of the leading theatres in the country.
pril 7 , 19 28
1 1
When You Flash This on
your screen
It Makes a BIG HIT/
(the ,
IN THIS TH
LAMSIDE
Electric
VENTILATOR
Your patrons can tell, the moment they enter your theatre, whether or
not you have a modern ventilating system. If the atmosphere is stuffy
and close, they will hesitate a long time before again giving you their
patronage. But — provide for them, and tell them about, the efficient sys-
tem of Lakeside ventilation that creates and maintains a cool, comfort-
able atmosphere through every minute of the performance, and you
may be sure of a steady stream of business.
Aggressive Houses Are Changing to This
Modern Method of Ventilation
Theatres throughout the country find that Lakeside Ventilators assure
the best equipment available today. Their tremendous power, quiet
operation, and easy installation mean the utmost in service with prac-
tically no up-keep. Then, too, a Lakeside costs much less than many
of the complicated cooling and ventilating systems on the market. You
take no chances with Lakeside Equipment, because it is backed by a
reliable guarantee. It must "make good" in actual service.
Empty Seats Pay No Profits
Competition is keen. Your theatre must be modernized in every way.
You need an efficient ventilating system, and the Lakeside has been
approved by ventilating engineers throughout the United States. Lake-
side Ventilators are made in different sizes to meet every requirement
and, ii you will let us know the size, capacity, etc, of your theatre, we
will be glad to submit suggestions and quotations without obligation
to you. Write today for information.
LAKESIDE COMPANY, 225 Main Street, Hermansville, Michigan
"I-X-L" electric VENTILATOR
1126
Motion Picture News
A Masterpiece! Easy of Operation and
Installation: Fireproof, Noiseless
'A child can operate your curtains on Vallen Noise-
less All-Steel Track."
The Stage Equipment on which you unquestionably
depend for safe and successful curtain performance
is installed in a remote location, where it must func-
tion every day, year in and year out, — seldom seen,
— should never be heard. The use of Vallen Equip-
ment is your guarantee against hitch or annoyance
of any sort.
Are you giving just consideration to the equipment which
plays such a very important part in the success of your en-
tire performance?
If so, — then you are standardizing on Vallen Noiseless Cur-
tain Controls and Noiseless Ail-Steel Tracks.
Vallen High Speed
Curtain Control
Operates curtains at 145 feet per minute.
220 Volt, 3 Phase, 60 Cycle Recommended.
Operating curtains by
hand is the method of
years gone by. Today the
pressing of one button
will start, stop, or reverse
any curtain, — ■ guarantee-
ing the operation of your
curtains swiftly without a
sound* That's the pur-
pose of the Vallen High
Speed Control, insuring
the refined atmosphere to
which any stage is en-
titled.
VALLEN ELECTRICAL COMPANY
Have you re-
c e i v e d your
"Quiet Book?"
It's Different.
MLLEN
REMOTE ELECTRIC
CURTAIN CONTROL
EQUIPMENT
225 Bluff St.
Akron, Ohio
U. S. A.
R1 ELIABILIT\7 1
HIGH EFFICIENCY V *
UNIFORM QUALITY R t
*5*
v
v
-:-
Are Characteristics of
CARBONS
HUGO REISIN
11 BROADWAY
G E R
NEW YORK
^ * ^* '^'^ ^J**
Advertising
in the
Showman
Pays
IB
James R. Cameron Publishes
New Book on Projection
JAMES R. CAMERON'S new fourth
edition of Motion Picture Projection
is the most complete that has come from
this well known and widely read authority
on the subject. In the past five years there
have been many new developments in the
technical field of industry, and many new
projection devices introduced on the mar-
ket. Many of the most important devel-
opments have been so recent, compara-
tively, that earlier books afford no refer-
ence whereby the projectionist can be
guided to a thorough understanding of
vital factors affecting the craft.
The Vitaphone and Movietone installa-
tions are of fairly recent development, and
the complete manner in which these in-
stallations are treated in the new volume
prepared by Mr. Cameron in itself con-
stitutes an important feature in recom-
mending the work for the reference
library of the student and the active study
of the projectionist.
The various projection terms, the fun-
damentals of electricity as applied to pro-
jection, the use of rheostats, transformers,
and are controllers, light, lenses and
screen charts, diagrams of projecting ma-
chine construction, types of projectors
(both professional and amateur) fuses,
carbons, high intensity arc lamps, the new
high-low lamps, reflector arcs, spotlights
and effect projectors, projection room
equipment, heating and cooling of thea-
tres, curtain controls, motor generators,
motors and their troubles ; these are only
a few of the many subjects covered and
written abont in a way that is readily un-
derstandable by managers as well as pro-
jectionists.
One can gain an idea of the comprehen-
sive scope of the book, from the fact that
it contains 1280 pages of text matter and
over 550 illustrations, the book weighs
over 3^2 lbs., making it the largest book
published on this subject.
Loew's Indianapolis House
Reopens With New Policy
T OEW'S Palace theatre in Indianapo-
^ lis opened on March 3rd with gala
festivities. The theatre had been redeco-
rated at a cost of $500,000 and inaugu-
rated a policy of continuous shows of pro-
grams including pictures, stage presenta-
tion, band acts, and a pit orchestra for
special overtures.
The house is located on Pennsylvania
street and was given a big welcome by the
Pennsylvania Street Business Association
in page ads in all the daily newspapers
and in the distribution of 25,000 mailed
cards calling attention to the opening.
The Palace house manager is Howard
W. Foreste, formerly of Reading, Pa.
Teddy Joyce, formerly of the Capitol,
New York, is master of ceremonies and
in charge of the band during stage pre-
sentations. Emil Seidel directs the con-
cert orchestra.
April 7, 1928
1127
Instantaneous Control
with the Utmost Ease
KLIEGL leads again with new ideas in
spotlight design — centralizing all con-
rols conveniently at the rear of the hood,
providing for speedy and easy operation,
with the fine balance and flexibility that has
always been characteristic
of Kliegl spotlights.
Referring to figures in above illus-
tration: (I) curtain shutter control;
(2) iris shutter control; (3) color frame
controls; (4) arc focus control; (5) arc
length control; (6) beam control:
(7) wing lock nut.
For a detailed description write for Bulletin No. I
Universal Electric Stage Lighting Co., inc.
321 West 50th Street
N EW YORK, N Y.
NUMBERED PRUNTING OF ANV MMD
AT LOWEST MARKET PRICES.
Aui^micTickeiRegisterGdrporaiion
'jew Jb/riCC/rrM
m
Why Pay Drug Store Prices
for Ventilating Equipment?
Solid Steel Disc Center, Hyatt Roller Bear-
ings, Rigid Square Frames Light Weight and
Light Running, Send for Bulletin No. 159 and
Trade Discounts, Use Attached Coupon.
THIRTY-SIX YEARS' EXPERIENCE in building
Air Moving Machinery and installing Ventilating
Apparatus is at your disposal for the asking.
SEND YOUR PLANS and I will send you Specifica-
tions for your requirements. I will sell you the
BEST FANS Built in this Country at Commercial
Prices. I will instruct you WHERE and HOW to
BUY the necessary Motors at FIRST COST.
Your local sheet metal worker or carpenter can
assemble and erect a cooling system from the
Plans furnished as well as it can be done by men
sent hundreds of miles to do this work, whose time
and expenses YOU HAVE TO PAY, and very
often you get an inferior installation for which
you pay double.
Our equipment is installed in
theatres throughout the country.
1886
1928
JAMES M. SEYMOUR
NEWARK NEW JERSEY U. S. A.
MAIL THIS COUPON NOW!
JAMES M. SEYMOUR,
Newark, New Jersey,
Please send me prices and details on your ventilating apparatus.
Name
Theatre
Address
1128
M o t i o n Picture N c w s
Library Cooperation and
How It Is Developed
(Continued from Page 1114)
A "King of Kings" bookmark was pre-
pared listing books as follows :
Lives of Christ — -"Jesus of Nazareth"
(Barton) ; "Life and Teachings of Jesus"
(Bosworth) ; "Life of Christ" (Farrar) ;
"Christ the Son of God" (Fouard) ;
"Jesus of History" (Glover) ; "Life of
Jesus of Nazareth" (Rhees) ; "Life of
Jesus" (Renan).
Characters in the Photoplay — "These
Twelve" (Brown) ; "Training of the
Twelve" (Bruce) ; "Greater Men and
Women of the Bible" (ed. Hastings).
Christ in Poetry — "Poet's Life of
Christ" (Ault) ; "Christ in the Poetry of
Today"; "The Radiant Tree" (Wilkin-
son).
Christ in Drama — "The Upper Room"
(Benson) ; "Saint Claudia" (Goold) ;
"Jesus" (Ehrmann) ; "The Rock— Simon
Peter" (Hamlin); "The Terrible Meek"
(Kennedy) ; "The Dark Hour" (Mar-
quis) ; "The Trial of Jesus" (Masefield).
The Holy Land and the Holy City —
"Holy Land" (Hichens) ; "The Svrian
Christ" (Rhibany) ; "The Spell of the
Holy Land" (Bell) ; "Out of Doors in the
Holy Land" (Van Dvke) ; "Archaeology
in the Holy Land" (Handcock) ; "A Pil-
grimage to Palestine" (Fosdick) ; "Hill-
top in Galilee (Speakman) ; "Springtide
in Palestine" (Harry).
The Grandeur That Was Rome — "His-
tory of Rome" (Book) ; "The Grandeur
That Was Rome" (Stobart); "Life in
the Roman World" (Tucker) ; "The
Jews Under the Roman Rule" (Morri-
son).
At the foot of the bookmark in a
"frame" is the acknowledgment "Printed
by the courtesy of Pathe and The Ohio
Theatre Presenting The King of Kings."
Ten thousand of these bookmarks were
distributed in the various libraries of the
Cleveland public library system and thou-
sands more in the Ohio theatre. Exhibit-
ors who show this article to their local
libraries will have no difficulty in effect-
ing a tieup. Be sure to call attention to
the list of books, as these will save libra-
ries a great deal of work. The lists used
will not be the same in all libraries, since
all do not have quite the same books but
the lists here given are valuable as a work-
ing basis in compiling others.
"Quality Street" provides an abundance
of stills excellent for library use. This is
a film ideal for library cooperation. The
book connections, limited for the most
part to the works of J. M. Barrie, are not
as numerous as one could wish but they
are good — and most libraries are well sup-
plied with Barrie material.
An exhibit on a bulletin board just in-
side to the Main Cleveland Public Library
bore, under the "Quality Street" sign, the
sentiment: "Bide a Wee and 'Barrie'
Awhile." The literature andfiction divi-
sions arranged displays, as did also many
of the stations and county libraries. The
film, in itself and because of the book
connections and the beautiful stills, mer-
ited a show-case exhibit but none .was
arranged for the reason that no advance
screening was obtained for librarians to
approve the film. This advance view of
the film is in many cases essential if the
Cleveland Library is to cooperate with a
film; only in this way can the picture's
connecting books and appropriateness for
cooperation be learned in due season.
It seemed a pity, in view of the film and
the appropriateness of its subject to
library cooperation that "West Point"
does not have connecting books in greater
numbers. A public library does not will-
ingly create a demand for books which
are too popular to be available or which
are non-existent. However, the Cleveland
public library arranged three <fisp!ays
during the first run of this film, in the
sociology, literature and fiction divisions.
Sociology used stills 272, 100, 18, 291.
83, 80, and 128; literature used 107, 187,
40, 99 and 14, and the fiction division used
15, 124 and 77. Some of the books fea-
tured were "The Plattsburg Movement"
(Perry) ; "Building of an Army" (Dick-
inson) ; "West Point" (Richardson) ;
"History of the United States Army"
(Ganoe) ; "The Profession of Arms"
(Colby) ; "West Point Yearling"; "Win-
ning His Way to West Point" and "A
West Point Lieutenant" (Malone) ;
"Cadet Days" (King). The press sheet
of the films contains directions as to how
to honor the flag ; these were clipped and
posted with one exhibit.
April 7, 1928
112';
Simplicity Standardization Flexibility
Complete Control With One ALL MASTER SWITCH
Your lighting control is worth
your study, for it means, if the @
Major System is selected, a bigger,
better show with more box office
value.
Send for the new book on Theater There is an engineer in each district
Lighting Control. Free — simply office to answer all questions. Call
send your name. him in.
&rank iSidam
ELECTRIC COMPANY
ST. LOUIS
DISTRICT OFFICES
Atlanta, Ga.
Baltimore, Md.
Boston, Mass.
Buffalo, N. Y.
Charlotte, N. C.
Chicago, 111.
Cincinnati, Ohio
Cleveland, Ohio
Dallas. Texas
Denver, Colorado
Detroit, Michigan
Jacksonville, Fla.
Kansas City, Mo.
Los Angeles, Calif.
Memphis, Tenn.
Minneapolis, Minn.
Montreal, Que.
New Orleans, La.
New York City, N. Y.
Omaha, Nebr.
Philadelphia, Pa.
Pittsburgh, Pa.
San Francisco, Calif.
Seattle, Wash.
Tampa, Fla.
Toronto, Ontario
Vancouver. B. C.
Walkerville, Ontario
Winnipeg, Man.
mericarb
Tffeatre
Stage Settings— Draperies
Built and Painted Scenery
Asbestos Curtains
Rigging
V
EXCELLENT
PI
LOW
WORKMANSHIP
■novelty!
m /TPNir m
COST
340 West 41st St.
IVTUDIO/7
New York City
BUIIT On MERIT
FOR SOUTHERN THEATRE ORGANS
Architects Specify Evenheeters
Architects all through the South realize the neces-
sity of protecting the theatre organ not so much
against cold alone but against dampness as well.
Proximity to the ocean, sieges of damp, cold weather
and seasons of rain makes Evenheeters a necessity.
Not only do Evenheeters warm
your theatre organ to any desired
temperature but they maintain
that temperature throughout the
whole organ chamber.
To all architects we ask an op-
portunity of explaining why
Evenheeters are the only type
organ heater that can heat the
organ chamber correctly and why
nationally known architects as
Walter Ahlschlager, Rapp & Rapp
and Eberson & Eberson endorse
and specify Evenheeters for all
the organ chambers they plan.
CRAMBLET ENG. CORP
286-288 Milwaukee St.
Milwaukee, Wit.
1130
Motion Picture News
THE PERFECTION
HAS SOLVED THE
RHEOSTAT PROBLEM
For Most Theatres
It Will Do the Same for You
Sold by Your Supply Dealer
HOFFMANN & SOONS
387 FIRST AVE. NEW YORK CITY
Contracting Electrical Engineers
Moving Picture Theatre Electrical Specialists
Merchandising Amusement at Community Theatres
Through Local Contact and Education
By William H. McLaughlin
(Continued from page 1103)
Standard
VAUDEVILLE
for
Motion Picture Presentation
THE FALLY MARKUS AGENCY
Astor Theatre Building
N. W. Cor. 45th St. & Broadway
Lackawanna 7876
displeased by the noise and disturbance of
the younger element, they will go else-
where and you can never get them back.
To sum it all up, this business is no dif-
ferent than any other retail business. You
are selling amusement across the foot-
lights, instead of merchandise across the
counter, and what is the most important
factor in the sales' end of any business.
After all there is no asset of business bet-
ter than the personal touch. The tendency
of business today is too mechanical, too
soulless. That man is on the surest road
to success who injects his personality into
bis business. Get out of your office, get
from behind your mahogany desk when
your customers are in your place of busi-
ness, the theatre. Friendliness is the great
overlooked asset in business.
Business is a human thing, made up of
human beings and the calibre and person-
ality of the men and women in any busi-
ness or profession will pretty much de-
termine its success. There is a cash value
of personality in business.
Instead of spending a great deal of time
figuring ways and means with which to
fight the producer and distributor, spend
some time in developing the right attitude
toward your merchandise. Your indif-
ferent advertising and listless attitude to-
ward your own merchandise will reduce
the customer's estimate to the level of
your own indifference.
With all the selection of stories and
casts, with the experts in exploitation, the
standardization and efficiency in other de-
partments in this industry, the people who
meet the public (the exhibitor) are re-
sponsible for the final reputation of this
business.
Personality is the sum total of your
daily conduct, which causes people to like
or dislike you, which causes them to re-
spect you or not to respect you, which
causes people to place confidence in you,
or not to place confidence in you.
What is the deciding factor? In the
final analysis other things being near
equal, people are going to spend their
money where they like the men and
women with whom they are doing busi-
ness. One thing is certain — they will not
spend their money in any place of busi-
ness where they do not like the men or
women.
Your best advertisement is a satisfied
customer. Your patrons appreciate the
same thing in the conduct of your busi-
ness that they see unfolded in the story
on the screen. They want the human
touch and anything that can redeem busi-
ness and make it more human is neces-
sary.
Publishes Own Paper When
Editors Bar Publicity
When Calgary, Alberta, newspapers
shut down on news readers and illustra-
tions for current attractions at the local
theatres, John Hazza, manager of the
Capitol Theatre, Calgary, for many years
decided to compete with the dailies by
entering the publishing business himself.
LOBBY FRAMES
TICKET BOOTHS
MIRRORS
WE MANUFACTURE
AND
SELL DIRECT
TO YOU
ASK ANY PROMINENT
EXHIBITOR
WRITE
FOR
CATALOGUE
OR
REPRESENTATIVE
LOBBY DISPLAY
FRAME CORP.
723-7th Ave.
N. Y. C.
UNIFORMS Mil COSTUMES s^iasi BROOKS SVS
April 7
19 28
1131
"SATISFIED USERS SPELL SUCCESS"
1
FOR BEST SCREEN RESULTS
b TAB I L ARC
MOTOR GENERATOR
STABILARC MOTOR GENERATOR has
been subjected to every conceivable duty in
service and test by the UNIVERSITY of
BRITISH COLUMBIA in VANCOUVER
with perfect satisfaction since 1925.
AUTOMATIC DEVICES CO.
739 HAMILTON ST. ALLENTOWN, PA.
ALSO MANUFACTURERS OF
A D. C. AUTOMATIC CURTAIN
CONTROL AND ROLL E-Z TRACK
Hot
days
are
com'
ing. Put cool, refreshing
Typhoon Breezes on
the job. They cost
nothing because they
pay for themselves.
Write for Booklet 3
Typhoon Fan Company
345 W. 39th Street New York, N. Y.
Offices in Principal Cities
Styles Change- ,jp%%
The World Moves/ II
THE SERVICE COMPANY WHICH SUPPLIES YOU
A TRAILER. ON EVERY FEATURE^^
Today the theatres are
few that do not use
AD-VANCE SERVICE
NOVEL-
ORIGINAL -
NG ~~ DIFFERENT
LOEWS. Inc. AND OTHER
EXHIBITORS STATE OUR
SERVICE IS EXCEPTIONAL
--OUR TRAILERS
BUSINESS-GETTERS.
ADVANCE TRAILERS
represent an institution —
THE PRESS SHEET OF THE SCEEEN
729 Seventh Ave f 845 S.Wabash Ave
COMPLETE SERVICE
SUPPLIED YOU AT A
SAVING OF OVER
* 150.00 A YEAR
COMPARED TO OTHERS
NEW YORK. CITY
^jrom the standpoint of Showmanship —of Patronage
J~ of Price — uHd-vance^railers fit logically into
the order of things for your theatre.
CAN YOU AFFORD TO DELAT LONGER?
CHICAGO
AD-VANCE TRAILER CORP.,
729 Seventh Avenue, N. T. 0.
Gentlemen:
Without obligation on my part please send me further
details regarding ADVANCE SERVICE.
Namo (Theatre)
Address City State
1132
Motion Picture News
Dri\re Stimulates Patronage
of Home Town Theatre
A "get the habit" campaign designed
to promote patrongage of the" local the-
atre and counteract a growing tendency
of people in a small town to do their pic-
turegoing at a nearby large city, is the
method which has attained success for
Richard L. Moss, manager of Block's
Hawthorne theatre, Hawthorne, N. J.
Hawthorne is located two miles from
Paterson, where there are four large
picture houses. The Hawthorne is a new
theatre, and he people were accustomed to
go to Paterson and there attend the shows
at the larger houses.
"To offset this," says Moss, "I started
a 'Get the Habit' drive. I had posters and
streamers reading 'Get the Habit — Go to
Block's Hawthorne Theatre.' These were
posted prominently in store windows and
on front of the theatre. I also featured
the catchline in the programs and in the
newspaper advertisements, and induced a
majority of the local merchants to insert
my catchline in their ads. The campaign
showed quick results and business started
to improve almost immediately.
"I followed this up and with the intro-
duction of spedial nights — hooking up
with a college fraternity for 'The College
Hero' engagement, for example. For the
College Night I decorated the front with
pennants and members of the fraternity
cooperating with the house assembled
outside and sang some college airs to the
accompaniment of a uke. This stunt was
followed by the use of a laughing record
on a phonograph installed in the lobby
for a display on 'The Gay Retreat,' and
a mystery prologue for 'The Cat and the
Canary.' "
Rialto Reaches Peak for
Opening Day Receipts
While almost every new attraction that
has played the Rialto theatre in New
York since its conversion to a long-run
policy has delivered a gross return greater
than the previous record, the figure at-
tained by "The Legion of the Con-
demned," current feature, on its first two
days is believed by Publix officials to
represent the maximum capacity of the
house irrespective of the demand for
seats.
"The Legion of the Condemned" drew
more than 22,000 people to the Rialto
over its first Saturday and Sunday and
thereby bettered by $2,000 all previous
records.
While there is great enthusiasm on the
part of the Publix officials over the at-
traction value of this picture, which is ex-
pected to set a long run mark for itself at
the Times Square house, the theatre's pol-
icy is credited with having developed a
following and prestige which importantly
affects new openings. The Rialto consist-
ently has operated on a long-run basis
with a succession of outstanding pictures
and has presented them at popular prices.
No elaborate supporting bills are offered
with the features, the program usually
consisting of the feature, a news reel and
an overture by the orchestra.
"Moving Stills" Displayed
in Window Attractor
Manager J. P. Harrison made excellent
use of a vacant store in the heart of the
business district for a window stunt on
Harold Lloyd in "Grandma's Boy," play-
ing at the Publix Victory theatre, Waco,
Texas.
A cut-out head of Lloyd with the eyes
carved out was the only object apparently
visible from the outside as the window
was air brushed with the exception of that
portion showing the Lloyd cut-out.
Signs on the outside of the window on
either side of the cut-out inside read,
"Take a Real Look — It's Free" and
"Free ! Moving Pictures of Harold Lloyd
in GRANDMA'S BOY."
By peering into Lloyd's eyes you could
see moving stills of Grandma's Boy.
Here's how it was done : Taking a large
circular piece of beaverboard on which
were pivoted four stills from the picture,
this disc was made to revolve — producing
the moving pictures. By pivoting the
stills on disc, they swung straight up and
down at any position.
Put SAFETY
in your Box Office .
SAFETY in your Box Office as well as in your
bank is essential in these days of daring
holdups and safe-cracking activities.
The unprotected receipts of your evening's
performance is a lure for outlaws. Protect
yourself and your business by means of similar
security to that used by your bank — the York
Safe.
There's a York Burglary Chest made especially
for theatres — scientifically designed to meet
theatre requirements.
Write today for complete information
York Safe and Lock Company
Factory and Principal Office : York, Pa.
New York
Baltimore
Boston
Houston
Chicago
Philadelphia
Seattle
Washington
Tampa
St. Louis
Cleveland
Los Angeles
San Francisco
New Haven
Detroit
April 7 . 19 2 S
11. u
Of Course You Are Interested-^
In lower current costs. In easier operation. In a more constant control.
In the better projection of your pictures.
The TRANSVERTER
gives you these results regardless of the type of equipment you are using?
There is a Transverter to meet every projection need — one that will operate quietly
and efficiently for years with a minimum of attention.
"If you show pictures you need the Transverter"
Send for our literature. Tell us the type of your equipment and we will prescribe
for you the size and kind of Transverter that will give you ideal results.
Distributed in U. S. A. by The
National Theatre Supply Co.
THE HERTNER ELECTRIC COMPANY
1900 W. 112th St.
CLEVELAND, OHIO, U. S. A.
AND NOW.'
The Gallagher Mobile
Stage Orchestra Lift
W rite for Particulars
GALLAGHER ORCHESTRA
EQUIPMENT COMPANY
616 W. Elm St., Chicago, 111.
West Coast Office: 1487 W. Washington Boulevard, Los ingeles
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2-color Program, all Features writ-
ten up for you, Printed and Delivered to your
theatre at a small cost.
Write for Samples and Prices to
THE DERBY PRESS
2015 So. Vermont Ave. Los Angeles, Calif.
STOCK PROGRAMS
PROGRAM COVERS
For
Moving Picture Houses
Jostph Hoover €t Sons Company
Market and 49th Sts.. Philadelphia, Pa.
Wonderful ISEW Feature
Supreme Turbo Air-washing Unit, wuh electric
motor built in. Operates from any electric light
socket. Creates a foggy water-mist, amazing and
positive in cooling-power, which gives you —
For YOUR Theatre
Put a "Washed Air*' sign on your
theatre — a permanent feature at-
traction. Get the crowds. Make your
theatre the coolest place in town. No
other system comes near the Supreme in
effectiveness and operating efficiency.
Remember, it actually washes the air —
by means of a foggy water-mist. Gives
the same results as the big expensive
cooling systems used in big city theatres.
Yet the cost is very moderate. It will
more than pay for itself the first summer.
Absolutely Noiseless
Phantom view showing our 6-ft. all-steel cooling
blower and multibladc wheel.
This blower is an engineering triumph — the multi-
bladc wheel is precisely balanced, and the shaft
and bearings are so true that there is absolutely no
noise or vibration.
Send l lie coupon for complete
information anil prices
SUPREME
HE ITER & \ l \ I II VI IV. CORP.
St. Louis, U. S. A.
Supreme Heater & Ventilating Corp.,
1016 Pino St., St Louis. Mo. N
Send me complete information regarding
the New Supreme Oooling and Air-Washing
System.
Name
Address
■
1134
M o t ion Picture News
Most Effective
and Economical
Methods of Getting
Color in Signs
by hoods of natural colored glass.
They show brilliant color in a
beautiful array of colors, are easily
cleaned, and cost far less than arti-
ficially colored lamps.
Color
Hoods
FULL AND HALF TYPES
for S14-A17-A19-A21 Bulbs
(Full Hoods)
cover the entire lamp. Snap over
the lamp and are securely held by
a strong, . non-corrosive, phosphor
bronze spring, yet are easily put on
or taken off with one hand, as pic-
ture shows. Standard colors are:
Ruby, Green, Amber, Blue, Daylo
Blue, Canary.
Half Hoods
supply a demand for hoods that re-
flect part of the light back on the
sign surface. They fit snugly on
the lamp. Made in seven colors
and four sizes.
J%&> Flashers
for on and off, traveling borders,
spelling and various effects, stand-
ard equipment for sign manufac-
turers, engineers, contractors and
lighting companies for over 20
years.
Insist If it's "Motion
on RECO and Color" you
the "tried want, get in touch
and true" with us.
ELECTRIC COMPANY
2628 W. Congress St. Chicago
Sold by all Branches of the
E. E. FULTON CO.
Index of Advertisers
and Information Request Blank
The following list of advertisers in the April Showman has been
prepared for the convenience of readers and, while compiled with
the greatest of care to make it correct, it cannot be guaranteed
against possible errors or omissions.
Adam Electric Co., Frank 1129
Ad-Vance Trailer Corp 1131
American Seating Co 1121
Arctic Nu-Air Corp 1109
Automatic Devices Co 1131
Automatic Ticket Register Corp. 1127
Bausch & Lomb Optical Co 1 135
Brandt Automatic Cashier Co.. . 1123
Brenkert Light Projection Co.. . 1 122
Brooks Costume Co 1130
Derby Press, The ll33
International Projector Corp.. . .
Kliegl Bro. Universal Electric
Stage Lighting Co
Lakeside Co
Lidseen, Inc., Gustave
Lobby Display Frame Co. ......
Fulton Co., E. E.
1107
Markus Agency, The Fally. . .
National Screen Service
National Theatre Supply Co. . .
Netschert, Inc., Frank
Novelty Scenic Studios
Cameron Publishing Co 1136
Carrier Engineering Corp 1105
Clark, Inc., Peter 11 24
Clinton Carpet Co 1137
Cramblet Engineering Corp 1129
Cutler-Hammer Mfg. Co 11 16
Gallagher Orchestra Equipment
Co 1133
Hart Mfg. Co., The 1106
Hertner Electric Co., The 1133
Heywood- Wakefield Co 11 17
Hoffmann & Soons 1130
Hoover & Sons Co., Joseph. ... 11 33
Reisinger, Hugo
Reynolds Electric Co
Rockbestos Product Corp.
Seymour, James M
Supreme Heater & Ventilating
Corp
Theatre Ad Mat Service, Inc. . . .
Typhoon Fan Co
Vallen Electrical Co
Ward Leonard Electric Co
York Ice Machinery Corp.
York Safe & Lock Co.. . .
118
127
125
135
130
130
135
no
135
129
126
134
090
127
133
128
131
126
125
1 12
132
INFORMATION REQUEST BLANK
Showman Service Bureau
Motion Picture News
729 Seventh Ave.
New York City
Please obtain for me without obligation additional information
in connection with the advertisements or articles appearing in the
April issue of The Showman.
(insert above name of advertiser or title of article)
Name
Theatre
Street
City & State
April 7, 19 28
1!
LIST PRICES
Lidseen PiRF Oilers
GUN
METAL FINISH
Engineers'
Machinists' and Millwrights
Oilers
Size
Dia.
Height
Length
Dozen
No.
can
can
can
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4 "
Price
6
H P«nt
2 "
$ 8.50
7
H Pint
SH"
2 "
5M"
8.50
10
V2 Pint
3H"
2^"
5H"
9.00
HEAVY COPPER PLATED
2 "
2 "
2H"
APPL1E0 FOB
$10.00
10.00
10.50
Used exclusively for
MOTION PICTURE PROJECTORS
OR EQUIPMENT
SOLD AT ALL BRANCHES OF
E. E. FULTON CO.
Testing the Lens
All but one of the aberrations described in the last
issue may afflict the photographic lens with which
the picture was made. In projecting film it is often
difficult to determine whether the fault lies in the
projection lens or in the photographic lens. Chroma-
. tic aberration is the exception; color fringes on the
screen are due only to the projection lens.
In no moving picture does the film run through the
film gate absolutely flat but always buckles and flut-
ters more or less due to heat and other conditions, so
that the quality of the screen image is constantly
changing.
For these reasons it is much better to test the lens
with a stationary target which, because of the heat in
the film gate, best takes the form of a thin sheet of
metal, perforated with small holes. This should be
absolutely Hat and if it has buckled, in time, due to
heat, it must be flattened again. The metal being
perfectly opaque and the holes being perfectly trans-
parent yield a maximum degree of contrast which
is constant for any test. It is only by means of a
target, such as the one described, that a fair compari-
son can be made between several different lenses.
BAUSCH & LOMB OPTICAL COMPANY
653 St. Paul St. ROCHESTER, N. Y.
POST BASKET
This Post Basket is furnished in two parts; will be
made to fit either round or square post. Simply give
us the circumference or diameter of post.
Illustrated Catalogue
No. 7 of Artificial Flowers,
Plants, Vines, Trees, etc.
Mailed Free on Request
FRANK NETSCHERT, Inc.
61 Barclay Street New York, N. Y.
r
RECOGNIZED BY THEATRES
EVERYWHERE AS ABSOLUTELY
INDISPENSABLE TO THEIR SUCCESS
Q trailer on &wy Twkurc Vcu Vlay -
\ complete servkc-n i Hi Animated opening-
contatiniritf name of theatre - day sets
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SPECIAL SERVICE DEPARTMENTS
in i charge of experts ready, to supply Special Arricunrcrrienf s
of jny kind iri film Torn) at reasonable prices
ARTISTIC ANIMATED LEADERS
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SCREEN
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1136
M o t i o n Picture News
FOURTH EDITION NOW READY
"The Standard Authority"
MOTION PICTURE
PROJECTION
By JAMES R. CAMERON
1280 PAGES INTRODUCTION BY S. L. ROTHAFEL (ROXY) 550 Illustrations
Contains Complete Instructions and Diagrams for the Installation, Operation and Care of
vitaphone
movietone™
SEND
FOR
YOUR
COPY
NOW
MOTION PICTURE NEWS
In comparison with all other works on the market this
book by. Cameron, stands in a class by itself. Should be
in the library of everyone interested in motion picture:?.
The price is not a criterion of its worth.
FILM DAILY
Motion Picture Projection is without doubt the standard
authority on the subject.
SMITHSONIAN INSTITUTE, Washington, D. C.
We appreciate greatly what you have done to make the
subject of Motion Picture Projection better understood.
SOCIETY OF MOTION PICTURE ENGINEERS
(Progress Committee)
A notable publication — Motion Picture Projection by
Cameron is extremely complete, covering all phases of
motion picture projection.
L. M. TOWNSEND, Projectionist in Charge,
Eastman Theatre, Rochester
Every projectionist, whether he be located in the largest
or smallest theatre in the land, would profit both men-
tally and financially by owning and studying Motion
Picture Projection.
COVERS THE
SUBJECT OF
PROJECTION
FROM A to Z
FOR
MANAGERS
PROJECTIONISTS
EXHIBITORS
ARCHITECTS
In Fact, for Every-
one Interested in
the Motion Picture
Business.
PRICE SIX DOLLARS
The Largest and Most Comprehensive Book on the Subject Published
Through All Supply Dealers or Direct
CAMERON PUBLISHING COMPANY MANHATTAN BEACH, N. Y.
April 7 , 19 2 8
1141
French Suspend Drastic Decree
Negotiations Conducted by Will Hays with Government Bring
Hope That Situation Will Work Out Satisfactorily
AX important development in the
Franco-American film situation oc-
curred this week when the French
Cinema Commission announced that oper-
ation of t lie drastic decree had been tempo-
rarily suspended. This follows the negotia-
tions conducted by Will FT. Hays in Paris
with French government officials and lead-
ers of the industry there, and is taken as
a hopeful siem that the serious situation
will be worked out satisfactorily.
The suspension will last from three to
four months, and the purpose is stated as
being to give the French producers a chance
to increase their production to 150 pictures
a year. Now, they are making about 50.
While the decree still stands, the sus-
pension is regarded, in some quarters as a
move toward harmony. In other quarters,
however, this optimistic view i- not taken.
Under the law a commission of 32 men is
set up, all of the members of which hold
offices irrevocably for three years. Sixteen
of these men are from the various govern-
ment ministries and the other sixteen in-
clude producers, distributors, exhibitors,
authors, actors, directors and the like, from
the French industry. Here is the law which
they were to have administered:
Article I. — The year will run from Octo-
ber 1st to September 30th, except that this
year a short period is set aside of from
March 1st to September 30th.
Article II.— All French films, unless they
contain matter harmful to public morals or
peace, will be given a visa for their ex-
hibit ion.
Article III. — A film which is entirely
French in all its elements, except for 25 per
cent of the leading players, shall be con-
sidered of the First Category. Others, with
foreign companies, stories, directors, or such
elements, is of the Second Category, but
must be at least 50 per cent French.
Article IV. — A French company may
make one film of the Second Category for
each two of the First.
Article V. — Every French film must be of
sufficient importance to do credit to the
French industry (thereby eliminating the
shoddy, low-price picture made solely to
obtain import visas).
Article VI. — Five hundred foreign films
may be brought into France during the 18
months from March 1, 1928, to September
30, 1920. This may be modified if exhibitors
find this inadequate.
Article VII. — For each French film sold
to America, a distributor may bring in four
American films; for each film sold to Ger-
many, two German films; for each film sold
to England, one British film.
Article VIII. — These import regulations
do not apply to films not longer than 600
metres (about 1,900 feet).
Article IX. — When shown to the com-
mission for approval, each foreign film must
be shown in exactly the form in which it
was shown in the country of origin, with a
guaranteed literal translation of the origi-
nal titles, which must be left in the picture.
(This to stop practice of re-editing films
objectionable to France for showing here.)
Article X. — The commission reserves the
right to entirely bar from France the films
of any company which shall show in its own
country a picture tending to taint the name
of France.
Opinion Differs on Broadcast
Consensus Is That It Does Not Stimulate Admissions and That
Similar Programs Will Not Be Repeated
THE Dodge hour in which the stars of
United Artists broadcast a program
over fifty-five radio stations last
Thursday night has brought varying reports
from exhibitors and motion picture officials
in cities throughout the United States. As
a result it is considered not likely that a
similar program will be repeated by motion
picture stars in the future.
From some quarters comes the word that
theatre audiences were considerably disil-
lusioned over the stars, while others contend
that many stay-at-homes would be converted
to the movie houses as a result of the pro-
gram. Mostly, however, the opinion seems
to prevail that the stars hardly did them-
selves justice and that their efforts in the
future would be more appreciated if con-
fined to the screen. It was also contended
that the radio hour did not serve to stimu-
late business while the program was being
rendered.
Rainy weather in the east last Thursday
night might have been responsible for a
slight falling off of business. Publix re-
ported that business was not quite up to
par between 9 and 10 o'clock when
Douglas Fairbanks, Charlie Chaplin, D. W.
Griffith, Norma Talmadge, John Barrymore
and Dolores Del Rio. From different parts
of New York it was reported that audiences
expressed their disapproval in no uncertain
terms, even to the extent of catcalls and
urging that it be "token off."
There were many conflicting opinions in
Albany, N. T., as well as among exhibitors
in the surrounding territory. Exhibitors,
however, were a unit when it came to agree-
ing that the reception over the air could
not possibly have been worse, due to the
huge amount of static that put in its ap-
pearance about thirty minutes before the
program went on. Two of Albany's theatres
installed radios for the occasion, advertis-
ing the fact in the newspapers and as a re-
sult these two houses played to almost
double ordinary business. There is no ques-
tion but that the program given by the mo-
tion picture stars cut into attendance fig-
ures, particularly among the neighborhood
houses.
Exhibitors of Cleveland do not like the
idea of having the movie stars participate
in radio programs. But, inasmuch as a
movie star radio program was arranged be-
fore they had a chance to register their
objections, they made the best of it, and
incorporated the radio program in then-
regular programs whenever it was possible.
Loew's Stillman, State and Circle, all pro-
vided with Vitaphone equipment, stopped
the show from 9 P. M. to 10 P. M. and ran
short subjects while the broadcasting was
amplified by the Vitaphone to all parts of
the house. Neighborhood houses installed
regular radio sets and got as much out of
the program as they could.
The broadcasting of the United Artists
Stars over radio Thursday night gave busi-
ness at the Dallas theatres a hard jolt as
did the former program. The managers of
the first run houses complained of this prac-
tice and the complaint was justified.
It would be undignified to call the ex-
periment a '"Hop," but the word just about
expresses the right meaning, according to
reports from Atlanta. Three down-town
theatres elected to tie in — Loew's Grand,
the Metropolitan and the Rialto. Their de-
cision to hook-up with the broadcast
amounted to making the best of a bad situ-
ation— they could give their patrons the
radio program or they could ignore it and
lose the patronage of those fans who wanted
to hear it. So they hooked up — and with
these results :
At Loew's Grand the audience grew im-
patient and began stamping the floor in
protest. A new demonstration broke out as
each new number was announced. That
crowd wanted entertainment and the radio
program failed to supply it.
Manager W. T. Murray at the Rialto The-
atre anticipated that the radio program
alone would never hold his audience, so he
kept the picture program on the screen con-
tinuously. He is confident that his audience
would have walked out on him otherwise.
It is his belief that the radio program did
not sell one extra ticket.
An average-sized audience at the Metro-
politan sat through the greater part of the
program. But interest was sustained by a
rather clever bit of showmanship contrived
by Manager Carter Barron, who supple-
mented the radio program with a trailer
composed of excerpts from pictures in
(Coitfitiiu-d on folloziing page)
1142
Motion Picture News
Block Booking Distributors Appear
Before Trade Commission
DISTRIBUTORS of motion pictures engaged in block booking are ap-
pearing before the board of review of the Federal Trade Commis-
sion, in order that the fact of their engaging in this practice may be
made a matter of record. It is planned by the commission to bring a gen-
eral suit against all companies engaged in the practice, if the response to
be filed by Paramount this month fails to indicate full compliance with
the cease and desist order of last July.
A number of distributors recently signed a petition requesting that
the commission temporarily accept the trade practice resolutions to see
how they work out, but the fact that the Government is going ahead with
its plans for prosecution indicates that the petition was adversely acted
upon, although no announcement has been made.
Hit Standard Contract
Pittsburgh Delegates to Trade Practice Conference Say
Chicago Meeting Ignored Recommendations
THE Western Pennsylvania exhibitor
unit is reported as decidedly opposed
to the new contract adopted recently
at Chicago, as it is declared the document
does not carry out instructions recom-
mended at the Trade Practice Conference.
This is the statement made by Anthony Jim
and Nathan Friedberg, who represented the
Pittsburgh territory at the conference.
In addition to declaring themselves far
from satisfied with the contract because it
does not carry out the recommended in-
structions, the delegates point out a num-
ber of deficiencies in the action of the Chi-
cago meeting.
They declare the contract committee was
to be composed of six members, three pro-
ducers and distributor members and three
non-affiliated exhibitors, with H. M. Richey
of Detroit as secretary. In the event of a
tic vote the judge of the United States Su-
preme Court was to appoint the seventh
man, whose decision was to be final. They
contend there was no need for a seventh
man as Gabriel Hess, attorney for the Hays
ELEVEN big theatres operated by
Finkelstein & Ruben in Minneapolis
and St. Paul were taken over last
week by a new operating corporation,
Northwest Paramount, headed by Sam Katz
of New York, President of Publix circuit.
The theatres taken over included the
State, Strand, Garrick in Minneapolis and
the Capitol, Tower, Astor, Strand, Garrick
and Princess in St. Paul. The eleventh thea-
tre was the new Minnesota, which was al-
ready partly controlled by Publix. The Gar-
rick and the Princess in St. Paul are not
open at the present time.
The incorporators of the new company
are Sam Katz and F. L. Metzler of New
York, also a Publix official ; William Hamm
of St. Paul and Moses Finkelstein of Min-
neapolis.
I. H. Ruben, Harold D. Finkelstein and
Edmund Ruben, members of the firm of
organization, also was admitted to all con-
ferences to act as secretary, without any
consideration or recommendation from the
Trade Practice Conference.
Jim and Friedberg say the contract was
to have been forwarded to the exhibitor
delegates who attended the Trade Practice
Conference for their approval, recommend-
ations or rejection but that they were com-
pletely ignored. They contend further that
at a meeting held in Chicago on January
30th a motion was made by Nathan Yamins
that the exhibitor delegates were to vote
the unit rule on the contract, that this was
not carried out and the independent theatre
owners were betrayed.
Jointly, Friedberg and Jim say:
' ' The sentiment as expressed by the mem-
bers of our organization is that the only
hope for an equitable contract and fair
trade practice is through some action by
the Government. In our judgment the new
contract is worse than the contract *we are
now working under."
Finkelstein & Ruben, are not included in
the articles of incorporation filed with Mike
Holm, secretary of state.
Mr. Hamm announced that Northwest
Paramount will be merely an operating com-
pany and will have a capitalization of
$100,000. Actual ownership of the theatres
involved is still in the hands of the Twin
City Amusement Trust Estate (F. & R.)
One report had it that the deal was made
on a 50-50 basis, with Publix officials hold-
ing a half interest. It was said that the
same arrangement was made for the opera-
tion of the new Minnesota theatre, with
Publix furnishing the films on a percentage
basis, however.
Although Finkelstein & Ruben controls
about 140 theatres in the northwest, the deal
with Publix affects only the 11 theatres
named. Under a contract said to have been
signed by F. & R. and Publix, the latter
circuit, as a distributing organization for
Paramount films, will provide the bulk of
the motion picture films shown in the F. &
R. theatres.
Shortly after the Publix-F. & R. deal was
put through, it was reported that Fox would
continue its negotiation for outright pur-
chase of all the Finkelstein & Ruben thea-
tres. The reported consideration was $9,-
500,000. Completion of this sale would make
Fox a partner of Publix in the operation of
the new Minnesota theatre, but under the
terms of the proposed purchase, Fox would
control all the other F. & R. theatres which
were included in the Publix deal of last
week. The deal would also include the other
140 odd theatres in the northwest.
Opinions Differ on U. A.-
Dodge Broadcast
{Continued from preceding page)
which the contributing stars appeared.
"An awful flop."
Those three words tersely tell the univer-
sal opinion of St. Louis on the Dodge
Brothers hour.
The reaction locally was anything but
favorable for the screen stars and starettes
that participated in the big radio affair.
Bolstering up the big screen tie-up the
three leading first run houses of St. Louis
arranged to Broadcast Dodge Brothers hour,
but it is doubtful whether Loew's State or
Skouras Brothers Ambassador and Missouri
theatres took in a dollar's worth of extra
business as a result of the added radio at-
traction.
The "National Hookup" was received in
Salt Lake City with close to perfect recep-
tion. Through arrangements with radio sta-
tion KSL the American Theatre gave the
patrons the one hour National Broadcast,
it is announced.
May Designated Morris
Month for Sales Drive
The month of May will be known to the
Warner organization as Sam E. Morris
month, it having been named after the War-
ner general manager of distribution. During
this 31-day period the sales force of the or-
ganization will demonstrate their zeal for
playdates. This will be the third annual
Morris month and the organization confi-
dently predicts that it will be the most suc-
cessful yet.
Universal Scenario Editor
Addresses Stage Actresses
Leonard Fields, eastern scenario editor
for Universal, spoke to the members of the
Twelfth Night Club in their clubhouse in
New York last Sunday. His subject was
writing for the motion pictures. He out-
lined the present methods of story research
and choice and explained why only one half
of one. per cent material submitted is use-
able.
"Uncle Tom" Opened at
Criterion in L. A.
"Uncle Tom's Cabin," the Universal spe-
cial, was presented for the first time on the
West Coast when the Criterion Theatre in
Los Angeles premiered it last Thursday
night. The special opened for an unlimited
engagement at $1.50 top. The picture is
now in its fifth month at the Central Thea-
tre in New York City. A large crowd of
celebrities attended.
Publix-F & R Close Deal
11 Houses Taken Over by Northwest Paramount, New
Operating Corporation
April 7, 1928
1143
Theatre Firm Expands
in New England
THE Interstate Theatres Corpora-
tion, a new company, has ac-
quired the holdings formerly op-
erated by the Regional Chain Theatres
of New England, Inc. These include
the Putnam Theatres Corporation, the
M i 1 f o r d Realty Corporation, the
Stoughton Theatre Corporation, the
Washington Operating Company and
the Canton Theatre Company. Ed-
ward Ansin is president of Interstate
and E. Harold Stonemam is treasurer.
Maurice Pouzner, formerly head of
the old company, has withdrawn from
the companies taken over, it is re-
ported.
Putnam Corporation operates the
Bradley and Victory at Putnam; the
Orpheum in Danielson, Palace and
Princess in Rockville, all in Conn.
Mil ford Corp. operates the State in
Milford, Mass.; Stoughton Corp. op-
erates the State in Stoughton, Mass.;
Washington Co. operates the Colonial
in Brockton, Mass.; Canton Co. op-
erates the Orpheum in Canton, Mass.
New Stanley Committee
Powerful Finance Body Selected As Further Step
Toward Stabilizing Affairs of Company
AT a meeting held in New York, Wed-
nesday, March 28th, a finance com-
mittee made up of members of the
board of directors was appointed by the
Stanley Company of America as a further
step toward stabilizing the affairs of the
company, which is now under the direction
of Irving D. Rosshcim, recently named
president.
This newly named committee is composed
of John A. McCarthy of Philadelphia as
chairman, Colonel Louis J. Kolb and Albert
L. Smith, all three powers in finance. Mr.
McCarthy is executor of the George Earle
estate which is heavily interested in the
Stanley Company. Colonel Kolb is a prom-
inent Philadelphia]! of immense wealth, and
Albert Smith is of the firm of E. B. Smith
and Company, for years bankers and finan-
cial sponsors of the Stanley Company.
At the New York meeting President Ross-
heim reported that the economies put into
effect following the reorganization of the
board of directors and the executive staff
of the company, had had most beneficial
effects on the various circuits in the Stan-
ley chain. His enforcement of these econo-
mies without effecting the efficiency of the
organization were approved and warmly
commended by the board of directors.
Various other reports made by heads of
departments and theatre groups were also
read and approved. In every instance they
showed flourishing patronage and excellent
receipts.
"These reports were most gratifying,"
said Mr. Rosshcim. "We have been able to
institute a number of economies and to
stimulate business. Business is good and
there is every prospect of an increased pros-
perity within the year."
The Stanley Company moved its execu-
tive offices this week to the Earle Building,
11th and Market Streets, Philadelphia, and
now occupies the third and fourth floors,
which are divided into thirtv-six offices.
Chicago Houses Change
Ambassador Goes Over to Stock and Other Picture
Theatres Turn to Burlesque
Publix-Saenger Increases
Holdings in Raleigh
Stevenson Theatres, Inc., of Henderson,
N. C, have deposed of their interest in the
Capitol Theatre in Raleigh to the Publix-
Saenger group, thus crystalizing rumors
that have been going the rounds in con-
nection with the deal. The negotiations
were started some weeks ago when Publix-
Saenger acquired the Palace from Aronson
and Browne. Control of the town of
Raleigh is now in the hands of Publix-
Saenger.
W. C. Enloe is in charge of the Capitol,
which, with the Superba, will be used for
second runs.
Fire Destroys 2 Theatres
in Crisfield, Maryland
Flames, sweeping the business district of
Crisfield, Md., the night of March 29, de-
stroyed property to the amount of $1,000,-
000 including two theatres, the Arcadia and
another small house. The owner of the
Arcadia, George W. Lawson, was respon-
sible for averting a panic when the blaze,
in some unexplained way, started in the
furnace room under the Arcadia. He seized
a fire extinguisher and attempted to subdue
the fire while his partner, G. S. Madrix,
asked the audience to calmly make their
exit.
Independents Have Pledge
of Exhibitors — Rogers
Budd Rogers, vice-president of Gotham,
who has just returned from a tour of the
country lasting two months, is jubilant over
the opinions of theatre men on the quality
of productions the independents are supply-
ing them with.
Declaring he had sounded out definite
sentiment while on his mission on the road,
Mr. Rogers is decided that the selection of
the type of stories his company will screen
is a simple matter. Referring to the ex-
hibitor as a dealer who is acquainted with
the type of product he can sell, he states
the new stories are the result of an earnest
endeavor to supply the needs of exhibitors.
POOR business in a number of Chi-
cago's motion picture houses is bring-
about some radical changes in the
motion picture exhibition field, with sev-
eral theatres switching to stock or
burlesque.
On Easter Monday, the Ambassador
Theatre will cease to operate as a motion
picture house, and will open with a stock
company, headed by Harry Minturn, adver-
tising loop shows at one-fourth loop prices.
This house was owned by the H. & H. Thea-
tres Corporation, W. P. McCarthy, presi-
dent, and opened in 1925 as a deluxe mov-
ing picture theatre. It has a seating capac-
ity of twenty-five hundred. The H. & H.
Theatres Corporation also owns and oper-
ates the Drake Theatre, which will continue
with a picture policy.
The Pantheon Theatre, not long ago re-
garded as one of the leading de luxe houses
on Chicago's north side, operated by Lub-
liner & Trinz, is another theatre to feel the
pinch caused by the building of big, mod-
ern theatres in its vicinity. This house has
been leased by a company headed by Louis
K. Ansel], operator of the Star & Garter
Theatre, a burlesque house on West Madi-
son Street, who will put a similar policy in
effect at the Pantheon, including popular
midnight shambles every Saturday night at
midnight. This is the second motion pic-
ture theatre to go into a burlesque policy
recently, the new Lawndale Theatre having
turned from pictures to burlesque a few
weeks ago, since which time it is reported
doing a flourishing business.
Balaban and Katz are closing the Con-
vent Garden and the Orpheum Circuit's
Tower is switching to picture and musical
tabloid. The Diversey is being changed to
a four-a-week change house.
Pittsburgh Independent Exhibitors
Plan Cooperative Body
ANEW cooperative independent exhibitors organization is in the pro-
cess of formation in Pittsburgh, with many prominent theatre own-
ers expressing their approval of it and their intention to join. It is
likelv that it will be properly functioning within tin next few days.
By the organization of this co-operative association exhibitor* believe
they have the most businesslike proposition ever offered them for their
own protection. They feel that it will place them in a much stronger posi-
tion to combat theatre chains.
Just now the plan is in a formulative stage and its details have not yet
been revealed. Negotiations have been entered into with one of Pitts-
burghs most prominent film men to have him assume complete charge of
the new organization. The temporary committee in charge of the organi-
zation is composed of M. A. Rosenberg. John Alderdice. Nathan Friedberg,
William Wheat, Morris Finkel, Alex Morre and Morris Roth.
1144
Motion Picture News
European Industry Busy
Commerce Department Reports Speeding Up of Theatre
Building and Picture Production
THE popularity of the motion picture
film is increasing steadily in Europe,
according to Trade Commissioner
George R. Canty, in a trade bulletin just
issued by the Commerce Department's Mo-
tion Picture Section. New theatres of the
American type are being built with the most
improved equipment and increased seating
capacity.
Last year, according to Canty, there were
733 theatres either newly built or recon-
structed in Great Britain and Continental
countries, having an aggregate seating
capacity of nearly 400,000. In the matter
of new construction, Germany had a long
lead with 280 theatres built, having a seat-
ing capacity of 130,000. Great Britain fol-
lowed with 100 theatres, with seating capac-
ity of 95,000, while France built 68 theatres,
with a total seating capacity of 50,000.
These three countries, Trade Commission-
er Canty points out, are all producing more
and better feature films than ever before.
At the same time many of the smaller
countries are exerting every effort to estab-
lish native motion picture industries. Canty
estimates that in 1927 the feature pictures
produced in Europe numbered 460, involv-
ing an expenditure of approximately $16,-
000,000. Most of these pictures came from
German, British or French studios. Ger-
many produced 241; France followed with
74; while Great Britain turned out 44 fea-
WEST COAST THEATRES is plan-
ning an extensive advertising and
exploitation campaign on short
comedies for the first time. It is to be used
in connection with Educational 's Lupino
Lane comedies and will get under way early
in April with the first showings of "Fan-
dango," Lane's most recent comedy, in the
key cities of the West Coast Circuit. The
campaign will be applied to all of the Lane
comedies.
This West Coast activity will last sixteen
weeks and will have several distinct feat-
ures. One of these will be a full showing
billboard campaign on Lane and his comedy
"Fandango." Billboards will be used from
Seattle to Los Angeles. They will be posted
at least one week before the opening play-
dates of the comedy and will remain in
place for two weeks or longer.
ture films during the year. Of the smaller
countries, Poland produced 17 features;
Austria, 16; Czechoslovakia, 11; Sweden,
10; Denmark, 6; and Italy 5.
The Em-opean market, the bulletin re-
veals, acounts for considerably more than
half of the total revenue obtained by Ameri-
can exporters of motion picture films. Last
year we sent to this area about 70 million
feet of film which was an increase of 7 mil-
lion over 1926. American features distrib-
uted in Great Britain numbered 723, an in-
crease of about 100 over the previous year.
At the same time, however, our relative
share of the British market declined slight-
ly. Germany took 192 American films in
1927, a drop of 37 from the 1927 total,
while France took 368 as compared with 444
for the previous year. In both Germany
and France the ratio of American films to
the total number of films exhibited declined
in 1927 as compared with 1926.
While the increased production of motion
pictures in our chief European markets will
unquestionably have a tendency to lower the
proportion of American films shown, this
decline will be more than offset by the
steadily growing number of new theatres
being built and the resultant increase in
film rentals. In the long run it is probable
that the next few years will witness an in-
crease in revenue from our exports of
feature films to the European markets.
Another feature will be a theatre man-
ager's contest for all West Coast house
managers during the sixteen week period.
West coast managers have been offered
three cash prizes for the best publicity and
exploitation campaigns conducted on Lane
comedies played during the campaign.
In keeping with the idea of placing Lane
and his comedies constantly before the pub-
lic during the contest, managers of the
houses of the circuit have been advised to
devote a large part of their advertising
space to the short comedy star and his ve-
hicles.
At least two Lupino Lane Comedies will
be used in first run situations in Los An-
geles, San Francisco, Seattle and Portland
and four comedies in this series will be used
during the contest in the other houses of
the West Coast Circuit.
Burbank Plant Shooting 10,
Preparing Several More
Ten feature productions are now in vari-
ous shooting stages at the First National
studios, located at Burbank, where several
more features are being placed in shape for
the cameras.
George Fitzmaurice will begin filming
"The Barker" during the first part of
April. Scenarist Adelaide Heilbron is put-
ting the finishes touches on the script of
"Once There Was a Princess." Prex>ara-
tions are also progressing on Richard Bar-
thelmess' next film to follow "Roulette,"
now in work for three weeks.
Productions which are under way are :
"Heart to Heart," "The Hawk's Nest," in
work for four weeks ; ' ' The Butter and Egg
Man," "The Divine Lady," "The Whip,"
"The Code of Scarlet," "The Boss of
Little Arcady" and an untitled Harry
Langdon comedy, which has been in pro-
duction for nearly four weeks.
Tiffany-Stahl Studios Now
Extremely Active
Five productions are actually in work at
the studios of Tiffany-Stahl, where a similar
number are now in preparation and three
are in the cutting room.
The productions in work are: "Ladies of
the Night Club," which George Archain-
baud is making; "Stormy Waters,"
adapted from a story by Jack London,
which has been started under the direction
of John G. Adolphi. Work has also been
started on "Marriage of Tomorrow" and
"Green Grass Widows," che directors and
casts of which will be announced shortly.
In the final preparatory stages are :
"Lingerie," to be directed bv George Mel-
ford; "Beautiful But Dumb," "The Al-
bany Night Boat ' ' and ' ' The Grain of
Dust," the last to be directed by Archain-
baud. In the cutting room, being titled and
assembled, are : ' ' Power, " " Clothes Make
the Woman" and "The Scarlet Dove."
Eleven Paramount Films
in Production
Twenty-four-hour shifts are now working
in the laboratories of Paramount to keep in
pace with film developing and printing,
Paramount reports concerning its present
production drive at the Hollywood plant,
where eleven features are in work.
The pictures occupying the ten stages on
the Paramount lots are: "High Treason,"
"The Fifty-Fifty Girl," "The Drag Net,"
"Warming Up," "The Magnificent. Flirt,"
"Three Sinners," an Adolphe Menjou film
(last titled "A Date with a Duchess"), an
untitled Esther Ralston vehicle, a titleless
Beerv-Hatton feature, and "Fools for
Luck. ' '
Pinanski Building Theatre
in East Boston
A 2,000-seat house, the first in an expan-
sion plan, will be constructed in East Bos-
ton, Central Square and Meridian Street, by
the New England Theatres Operating Cor-
poration of which Samuel Pinanski is presi-
dent. The house, it is expected, will be com-
pleted and opened by early next fall. The
interior will be of the atmospheric type and
will represent the courtyard of a Spanish
village. Both the interior and the exterior
have been designed, to some extent, by Mr.
Pinanski, who is supervising the work. The
architects are, Krekyn, Brown and Rosen-
stein.
Jack Lustberg Now With
Excellent Pictures
Jack Lustberg, long identified with the
distribution in ,the independent field, has
joined Excellent Pictures Corporation in an
executive capacity beginning April 1.
Harold Lloyd in N. Y.
for "Speedy" Show
HVROLD LLOYD arrived in New
York on the Twentieth Century
last Tuesday morning from the
coast to be present at the premiere of
his latest production for Paramount,
"Speedy." While in the city he will
reside at the Ritz Carlton. He ex-
pects to return to the Coast about
April 21st.
Big Campaign on Shorts
West Coast Theatres to Use Billboards and Exploitation
Contest on Lupino Lane Comedies
April 7 , 1928
1145
Child Law Snags Loom
Banning of All Children Under 16 in Quebec Picture
Houses Involves Intricate Questions
Sapiro Will Form Unit
for Buffalo Exhibitors
AN exhibitors' cooperative associa-
tion will be formed in Buffalo or
in the Buffalo zone by Aaron
Sapiro, who is heading a similar as-
sociation in New York City.
Sapiro will address the Buffalo exhi-
bitors on April 18 and the Buffalo or-
ganization may be afliliated with the
one in New York but that has not yet
been decided.
Southern Exhibitors Will
Discusss Percentage Pacts
At the ('(invention of Oklahoma, Arkan-
sas and Texas exhibitors to be held in Okla
homa City on April 9th, the chief topic of
discussion will be guarantee and percentage
contracts, says W. Z. Spearman, president
of the Oklahoma unit, who issued the call
on orders from the board of directors.
Plenty of opposition to the overage system
has been given vent to throughout the state,
it is said.
General Manager "U" City
Leaves for the Coast
Henry Henigson, general manager of ITni-
versal City, left the Universal home office
in New York for the west coast where he
will inaugurate preparations for the open-
ing of production activities at the Univer-
sal producing center. He spent the las't
three weeks conferring with home office
officials.
Lasky Arrives East with
Production Plans
After having been in Hollywood at the
Paramount studio since the first of Febru-
ary, Jesse L. Lasky, Paramount vice-presi-
dent in charge of productions, arrived in
New York last Saturday morning. He
brought with him production plans for the
new season of 1928-29, at least iu outline;
and they will be the subject of further con-
ferences with home office executives.
Pathe Issuing Palestine
Films for Eastertide
As a timely offering for the occasion of
Easter, Pathe is releasing two short subjects
about the Holy Land, which were made sev-
eral years ago as part of "Pilgrimage to
Palestine" series. The first is "Village
Life in the Holv Land" and the second
"Mount Carmel."
Fred Thomson Will Star
in "Kit Carson"
One of Paramount 's specials for the sea-
son will be "Kit Carson," in which Fred
Thomson will enact the role of the scout
in frontier history. Thomson has already
played the part of another Amercian fig-
ure, Jesse James.
Columbia Buys Stories by
Hamilton and Rinehart
The motion picture rights to "Rest-
less Souls," by Cosmo Hamilton, and
"Acquitted," by Mary Roberts Rine-
hart, have been purchased by Columbia.
THE new law in the Providence of
Quebec, prohibiting the admission of
all children to moving picture the-
atres at all times, the age limit being 16,
has already gone into effect but it is inti-
mated that it will be some few days before
the legislative machinery can be put in mo-
tion to carry out the change.
Intricate questions have bobbed up in
connection with the enforcement of the law.
Although children are allowed to see mov-
ing pictures in schools and convents, where
they are regular pupils, it has been found
that children at tending church or Sunday
Schools where moving pictures have been
presented in the past, are not now privileged
to see such pictures at religious or other
services under the new law. It has been
pointed out that this point is not covered
in the new statute because no representa-
tions were made by churches or Sunday
School authorities for such an exception
from the legislation when it was being dis-
cussed in the Quebec House. Therefore, the
churches are in the same boat with theatres
in Quebec.
It has also been pointed out that a boy
14 years of age and a girl 12 years of age
may be married in Quebec, while children
may leave school to go to work when they
become 14 years of age. They cannot see
a moving picture show, however, until they
are 16 years old.
The bill in the Ontario Legislature at
Toronto, providing for special censorship of
moving pictures for juvenile audiences and
the raising of the age limit from 15 to 16
years for children attending moving picture
shows unaccompanied, together with a pro-
vision for more official matrons in theatres
at the expense of the exhibitors, did not
meet with the approval of the Ontario Gov-
ernment.
The Attorney General's Department of
the Providence of Quebec will launch ac-
tion against exhibitors of Montreal and
Quebec to make test cases on Sunday shows,
thus placing the Sunday show issue before
the judicial authorities. For many years,
the moving picture theatres of cities and
towns have operated on Sundays practically
without hindrance.
It is to be determined, according to the
announcement, whether the provisions of
the federal Lord's Day Act are applicable
to the theatres in the Province of Qnehe*
or not.
Louisville Firm Acquires
Control of New Theatre
The Apollo Indianapolis, Indiana, is the
latest addition to the string of 17 theatres
controlled by the Fourth Avenue Amuse-
ment Company of Louisville. The operating
lease is said to be for a long period. Until]
the latter part of April, the theatre will con-
tinue to operate under its present policy.
At the expiration of the month it will be
redecorated and converted into a Yitaphone
unit.
First National Paying
$61,886 to Stockholders
First National Pictures, Inc., is paying
out $47,000 on April 2nd, covering dividends
on First Preferred 8 per cent stock of $2.00
per share. This sum is paid through the
Kquitable Trust Company of New York.
First National also sent checks to the
holders of the Second Preferred "A" 7 per
cent stock amounting to $14,861.90 to cover
the quarterly dividend due at the rate of
$1.75 per share and payable April 1st.
Paramount Determines on
Two Definite Titles
"The Patriot" instead of "High Trea-
son" and "Half a Pride" instead of
"White Hands" are two titles definitely
settled upon by Paramount. The first is a
vehicle for Emil Jannings and the latter
an Esther Ralston picture.
Cleveland Exhibitors Ask 21 Days
Instead of 57 Protection
CLEVELAND motion picture exhibitors are asking for 21 days" pro-
tection for first runs instead of 57 days, as they claim is now in force
at many of the local theatres. A committee of exhibitors from the
Cleveland Motion Picture Exhibitors Association will present this protec-
tion policy to every local distributor as an equitable policy for the com-
ing season.
Exhibitors are asking 21 days" protection from the last plav date for
the first runs. But they are willing to grant a seven day second run with
another seven days' protection, making a picture available to the subse-
quent run houses on the 36th day after the last play date of the first run.
Several exchange managers have stated, it is said, thai they believe this is
an equitable demand from the point of view of the exhibitors and that thev
favor it as a releasing policy inasmuch as they can plav up their product
in a shorter period of time.
Each exchange has been dealt with separately in this protection mat-
ter. It cannot be handled by the Film Board of Trade because some of the
companies belonging to the Film Board of Trade are not granting 57 davs
first run protection.
1146
Motion Picture N e zv s
Schine Offering Stock
at $37.50 per Share
AN application will be made soon
to list the preferred stock of the
Schine Chain Theatres, Inc., on
the New York Curb market by Bonner
and Brooks. The latter company will
offer a block of preference stock of
this company to the public at $37.50
per share.
The new stock is convertible into the
company's Class "A" stock and pays
$3.00 annual dividends. The company
has outstanding 35,000 shares of pref-
erence stock, 40,000 shares of Class
A common and 10,000 shares of Class
B common. As of December 31, 1927,
net tangible assets were $2,217,989.
Goodwill and leaseholds are carried at
$1. Gross income increased from
$1,290,283 in 1925 to $2,173,665 in 1927
and net available for dividends from
$90,853 to $301,896.
appearances in America as he goes in June
to the Argentine to make a series of west-
ern productions for the Hollywood Argen-
tine Cinema Company for F B 0 release.
Mix is working east from Los Angeles on
his vaudeville tour and will play at the
Palace theatre in New York the first week
of June.
Fred Kley, president of the company
making the Mix films, has postponed the
date of his departure for the Argentine un-
til April 14.
Seven Films on Pathe's
Program for April 15
An issue of the Grantland Rice Sport-
light series, "Clothes and the Game," is
the chief subject on Pathe's collection of
short features scheduled for release on
April 15th. The weekly Aesop cartoon is
"The Battling Duet." The serial, "The
Mark of the Frog," reaches its fourth
chapter in "Triple Vengeance." In Pathe
Review No. 16 are : ' ' The Wonderland of
Rocks," "Rubber Doughnuts," and "The
Land of the Sun-God."
Joe Weil and Paul Gulick
Collaborating on Farce
Joe Weil and Paul Gulick, Universal
executives at the home office in New York,
are working together on a motion picture
farce comedy about the frenzied activities
of speculators. They have titled it "Wall
Street."
Atlanta Union Denied
Claims for Damages
THE decision of the arbitrators
went against the Atlanta Feder-
ation of Musicians when the
union brought claims for damages in
amount of $7,200 against the Metro-
politan Theatre in Atlanta, Ga., and
decided to let the matter rest with
a specially chosen board of arbitration.
The decision as handed down by the
arbitrators is final and binding, both
sides having agreed to abide by the
verdict.
The case was heard in the offices of
Hooper Alexander, Atlanta attorney,
who with Stiles Hopkins, another at-
torney, and Sidney Hayles, public ac-
countant, served as arbitrators. Paul
Donahue was counsel for the musi-
cians' union and Sam Hewlett repre-
sented the Metropolitan.
3 Pathe Films Finished;
2 Nearing Completion
The Pathe picture plant recently com-
pleted shooting on "Tenth Avenue," di-
rected by William De Mille; "Man-Made
Woman," directed by Paul Stein, and
"Walking Back," directed by Rupert
Julian. The first two are now being cut
and the other has already been previewed
in Hollywood.
The present studio schedule indicates that
"The Cop" will be finished by the 29th.
"The Godless Girl" will probably be com-
pleted within another two weeks.
Hollywood Bids Tom Mix
Farewell With Fete
Tom Mix, FBO's new western star, was
tendered a farewell parade and a luncheon
at the Montmarte Cafe on the eve of his
departure for a tour of the Keith-Albee-
Orpheum theatres which will be his last
News Reel Resume
M-G-M Vol. 1, No. 67 : Prince of Wales
riding; spring festival in Valencia; new
plane which Lindbergh will fly; circus
animals; overflow of river in North Sacra-
mento, California; a novel boat; Egyptian
statues built for Shriners; French cavalry
unit in tricky drills; daredevil navigating
cataract in a canoe.
Fox News Vol. 9, No. 53 : Thoroughbreds
in training gallops ; thousands of wild swan
about to fly north from Maryland banks;
flappers in a muscle contest on railroad
handcars; President Calles of Mexico and
Ambassador Morrow; hand-organs on the
sidewalks of New York; Norwegian king
witnessing ski jumps; the Confederate me-
morial, on Stone Mountain; new style of
parachutes; Norwich cavalry cadets drill-
ing in the snow.
Paramount News No. 71: American air-
men who broke endurance record ; a coiffure
fashion parade featuring long hair; peace
delegates at meeting in Geneva; Los An-
geles traffic cop on stilts; plane tests on the
Saratoga at sea; final game in national soc-
cer championship in Germany; Byrd's plane
which will fly over the antarctic wastes;
English honoring Afghan royalty.
International News Vol. 10, No. 26:
Rough-riding bike race in France; girls ex-
hibit their lengthy tresses; Afghan king
goes diving in British sub; establishes of
the new endurance record for an airplane;
a circus midget trying her hand at horse-
manship; new twin arrivals at Brooklyn
hospital; Hans Steinke and Wladek
Zybszko, wrestlers; kindly Floridans feed-
ing swarms of wild duck ; first test of plane
flying off and on the Saratoga.
No. 27: Outdoor bike racing in New
Jersey; scouring giant sub of weeds and
barnacles; bizarre statues which will greet
the shriners at their convention; Tacoma
ship caught on a Jap reef; Bermuda's
Easter lilies; new plan for Lindbergh; a
dancing procession at an Italian wedding;
flooded river in California valley ; the circus
in town again ; plunges over falls in a canoe.
Pathe News No. 29: American fliers who
ColumbiaConcentrating
on 3 New Productions
THREE picture units are at work
and several productions are in
preparation at the Columbia
studio on the Coast where the re-
mainder of this season's program is
reaching completion. Margaret Liv-
ingston, who acted in "A Woman's
Way," has been signed by the studio
to appear in several features on next
year's program.
George B. Seitz and his company
"After the Storm" returned to the
studio this week after several days at
sea where storm sequences were taken.
Erie C. Kenton has started the second
week of "Golf Weeks," while the cast
of "Modern Mothers," to star Helene
Chadwick, has been enlarged with the
signing of Douglas Fairbanks, Jr., and
Barbara Kent for the juvenile romantic
roles. Thomas Buckingham is now
choosing his cast for "Beware of
Blondes." Cutting and editing on
"Broadway Daddies" was completed
last week.
set new endurance record ; girls in long hair
contest; Afghan ruler watching British
tanks in action; 'Frisco girls racing to>
enter Olympics ; new destroyers launched by
Germany; Byrd's antarctic plane undergo-
ing test; inauguration of H. L. Stimson as-
American governor of the Phillipines;
scenes from England's "grand national."
No. 30: World's largest sub enters U. S.
service; Lake Erie fisherman rescued by ice
breaker; French couple celebrate wedding
on a gas bike; building the hall which will
house the Houston convention; Mr. Ele-
phant leading the circus parade; Italy's
polar dirigible leaving for the arctic;
Hindus in a sacred procession.
Kinograms No. 5383: The Emden, Ger-
man cruiser, ending her world journey;
views of the Long Island train wreck;
Princeton crews with dumbbells ; Annapolis
crews in training spurts ; a tall son of
Iowa — 8 feet, 4 inches in height; Hamburg
architect's model of Manhattan and its
towering structures; 50 girls competing in
long-hair contest; a trained bull; a baby
camel and its mother; a bike-riding contest
in France.
No. 5384: The Amir of Afghanistan sees
England's West Point; English officers
from different branches of service race for
the grand military gold cup; California
towns swept by the floods; Czech autoists
in thrilling tumbles ; American airmen set-
ting new endurance mark ; Valencia holding
a fete; the circus and its animal attractions;
an elephant of the sea, weighing four tons;
Georgetti winning recent bike race.
Brockliss Tiffany -Stahl
Agent in Europe
J FRANK BROCKLISS is the new
sales representative for Tiffany-
• Stahl Productions, having been
just appointed by M. H. Hoffman, vice-
president. He makes his headquarters
in Paris.
Mr. Brockliss was managing director
of M-G-M on the continent from 1922
to 1926. He later was managing direc-
tor of the First National company in
England.
April 7 , 19 28
1147
tudio Briefs —
Clarence Badger, at present directing
"The Fifty-Fifty Girl," will continue as
director for Bebe Daniels in her next Para-
mount picture.
Julia Faye, who has appeared in all of
De Mille personally directed productions,
has been added to the cast of "The God-
less Girl."
"The Loves of Sappho" will be a vehicle
some time in the near future' for Eve
Southern, Tiffany-Stahl player.
Arnold Kent and William Orlamond have
joined the cast of "The Woman Disputed,"
Norma Talmadge's second for United Ar-
tists.
_ Because it was decided that a few addi-
tional scenes would clarify the story,"
Adolphe Menjou will work for a few days
on his new Paramount film, before he sails
for Europe for a vacation.
Ralph Ince 's next picture for F B 0 is
based on a story by Harold McGrath which
appeared in the Red Book Magazine. Ince
and Enid Hibbard, scenarist, are now work-
ing on the continuity while the cast is be-
in<r chosen.
Lucien Prival will appear in "the
Racket," to be produced by Caddo and dis-
tributed by Paramount.
Anthony Coldeway, for two and a half
years, scenarist for Warner Bros., has been
raised to the chair of editor-in-chief of the
story department.
Guy Oliver has been assigned a part in
Esther Ralston 's next for Paramount.
Gary Cooper is the leading man and Mary
Doran a newcomer, who is making her debut
in the picture.
One unusual feature of the Cosmopolitan
production, "Diamond Handcuffs," is that
there are three separate episodes and in
each of them is an entirely new cast.
Mort Blumenstock, title writer, will do
the captions for several forthcoming Colum-
bia pictures. His first work for the com-
pany was "The Matinee Idol."
Carol Holloway, one of the old Vitagraph
players, has returned to screen work after
seven years of absence to play a part in
Fox Films' "Mr. Romeo."
Paramount 's team of lovers, Fay Wray
and Gary Cooper, will be seen together in
"The First Kiss."
Leo Pierson is the new business manager
of the Florence Vidor production, "The
Magnificent Flirt."
Richard Barthelmess has commenced work
on "Roulette," his next stellar effort for
First National. The star plays a dual role
and has the support of Warner Oland, Bodil
Rosing, Margaret Livings ton, Jacob Ab-
rams, Ann Schaeffer and the child twins,
Ray and Roy Berendzen. No leading lady
assigned so far. Alfred Santell directing.
Drew Demarest, stage actor, is the latest
player added to the cast of M-G-M's "The
Dead Line."
Five productions for First Division Dis-
tributors, Inc., will be directed by Fred
Windemere. His pictures will be principally
for next season's program but he will
handle one of the present year's vehicles.
In "The Hawk's Nest," new First Na-
tional vehicle, Montague Love will play an
important supporting part. The story, deal-
ing with the underworld, is an original by
Wid Gunninsr.
Bryant Washburn and Lila Lee are co-
starring in "A Bit of Heaven," an Excel-
lent picture. In the support are Martha
Maddox, Lucy Beaumont, Jacqueline Gads-
don, Otto Lederer and Richard Tucker.
Edythe Chapman will do another of her
mother roles in "Heart to Heart," a forth-
coming film from First National. William
A. Seiter will direct.
Charley Chase is to spend the five weeks'
annual vacation of the Roach studios in a
short vaudeville tour on the West Coast
Theatre Circuit. "Red" Daniels and
Charles Hall, two other Roach players, are
to work with him in the skit.
Mae Busch will make a series of features
to be distributed by First Division Distribu-
tors. She will start work on the first of
them in Hollywood in May.
"Warming Up" instead of "Knocking
'Em Over" will be the title of Richard
Dix's next starring picture. Mike Ready,
the oldest living baseball player in the
United States, will support the star.
Cameramen for the Warner Bros, pro-
gram of films for 192S-29 have been selected.
Photographers on "Noah's Ark" will be
under the supervision of Hal Mohr. Barney
McGill will photograph "State Street
Sadie," while Norbert Brodin will turn the
Cranks on "No Questions Asked."
Donald Keith will be Pauline Garon's
leading man in "The Devil's Cage," which
will be released by First Division. In the
cast of the picture will be Arniand Kaliz,
Lincoln Stcdman and Ruth Stonehouse.
Erie C. Kenton has been chosen by Colum-
bia to direct "Golf Widows."
Lee Moran, comedian, has been assigned
a role in "Ladies of the Night Club," the
Tiffany-Stahl prod uc t i on .
New players given parts in the Warner
Bros, special, "Noah's Ark," are George
O'Brien, Noah Beery, Louise Fazenda,
Myrna Loy, Helene Costello, Anders Ran-
dolph, John Miljan, (inum Williams, Leila
Hyams, Audrey Ferris and David Mir.
Jack Holt and his company engaged in
filming "The Vanishing Pioneer" for Para-
mount left Saturday for a location trip to
the Zion National Park.
"Grease Paint," the original by Svend
Gade, the director, which Universal will
make into a feature picture starring Conrad
Veidt, will be released under the title of
"The Plav Goes On."
"Fools for Luck" is the definite title for
the newest Fields-Conklin comedy which
Paramount is making.
Cutters are expected to have finished with
"The Yellow Lily," the First National pro-
duction, before long.
"Cream of the Earth," Universal film,
has undergone a change of title and will be
called "Red Lips."
Anna Q. Nilsson will play one of the
leading roles in the First National produc-
tion, "The Whip."
Jesse J. Goldburg has purchased four
stories for the program of First Division.
They are: "The Comeback," a tale of the
north; "The Bum," from the Munsey
Magazine story by Charles K. Harris;
"The Mocking Chevalier" and "The Pink
Pearl."
New writers on the Fox Films studio staff
are Wilson Mizner, playwright, and Velva
Darling, feminine humorist.
Arthur Lake, star in Universal comedies,
will be starred next season in a series of
13 one-reelers entitled "Horace of Holly-
wood."
"Handle With Care," a story by
Anthony Coldeway, will be the first starring
vehicle for Irene Rich on the Warner sched-
ule for the new season. Robert Lord did the
script and Lloyd Bacon will do the direc-
tion.
Edward Cline is soon to start the cam-
eras on "The Boss of Little Arcady," in
which Donald Reed and Doris Dawson will
enact the junior love affair. Gerald Duffy
has just finished the continuity for this
First National film.
Sally O'Neil has been signed by D. W.
Griffith to play the part of Ruth in the
United Artists film, "The Battle of the
Sexes."
In Gotham's "Hellship Bronson" will be
Noah Beery, Reed Howes and Helen Foster
supporting Mrs. Wallace Reid.
The novel "Sutter's Gold" will serve as
a starring vehicle for Jean Hersholt. Work
on the scenario is progressing. No director
has been selected as yet.
Tom Terriss is preparing to launch his
second Tiffany-Stahl production which will
be "The Naughty Duchess," adapted from
an Anthony Hope novel.
1148
Motion P i c t ur e N e zv s
Classified Ads
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Newspaper Opinions
Situation Wanted
EXPERIENCED
MUSICAL CONDUCTOR,
baton, arranger — with vast
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ORGANISTS and SING-
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Men and women now ready
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nonunion. Write salary, and
other data. Address, Chicago
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Laboratory man, nine
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including 16 m.m. production.
At present employed ; desires
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dress: Box 195, care Motion
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Experienced Projectionist.
Single. Go anywhere. Write
or wire. Carr Hilburn, Bla-
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ORGANIST. AAA refer-
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Investigate. Box 315, care of
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THEATRE MANAGER
desires change, wife organist,
both thoroughly experienced
Vaudeville, Pictures. If your
theatre is a dead one let us
bring it to life. Best refer-
ences. Box 320, care Motion
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For Sale
FOR SALE to proper
parties valuable theatre lease
in Southern city of approxi-
mately 8,000 inhabitants and
large pay roll. Fullest in-
vestigation allowed. Address :
M. L. P., care Motion Picture
News, 729 Seventh Ave., New
York.
FOR SALE CHEAP. Uni-
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200 ft. capacity, turret front
with 3 lenses — Tesser F 3-5,
3 in. Dallmeyer F 3-5, 4 in.
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front with 10 in. Tesser 4-5
and Universal Tripod. Ad-
dress, Box 338, care Motion
Picture News, 729 Seventh
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FOR SALE 1,100 second-
hand, veneer theatre chairs in
first-class condition at $1.10
per chair. Address, Box 425,
care Motion Picture News,
729 Seventh Ave., New York.
FOR SALE — Hope Jones
Wurlitzer Unit Organ — Style
No. 135 — With automatic at-
tachment, four-stop unit
piano console, three sets of
percussions, and full set of
traps — Complete with blower
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Address: S. H. Selig, 450
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111.
PAYING T II E A T R E
WANTED. Give details.
Box, 339, care Motion Picture
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MOTION PICTURE
THEATRES bought and sold,
for clients. List your theatre
with me. Harry Kaplan, 1451
Broadway, New York Ctiy.
"American Beauty" — First Na-
tional, Walnut Theatre,
Cincinnati
Commercial Tribune: "Story is
a whimsicality, adequately dressed
up. Camera must occasionally lie!
No woman could be so persistently,
immaculately and unreasonably
beautiful, all the time, as Billie
Dove. Film is photographic oppor-
tunity for most perfect photo-
graphic subject in Hollywood. It
can't go wrong."
Enquirer: "Film certainly lives
up to its title, for Billie Dove un-
doubtedly is one of most beautiful
women on screen. Even camera-
man with a grudge against her
would have hard time getting poor
shot of her pulchritudinous physiog-
nomy."
Post: "As long as Billie Dove
retains that exact beauty which
photographs gorgeously from any
angle, we personally shall admire
her, no matter what may be the
picture content. Her 'American
Beauy' is thoroughly normal, de-
cent affair, nicely adjusted with un-
expected . . . surprising and
beguiling."
Times - Star: "Appropriately
named 'American Beauty,' since
leading role is played by Billie
Dove. Miss Dove so pretty that
you don't expect much else of her,
but she happens to be better actress
than most professional beauties."
"The Private Life of Helen of
Troy" — First National, Main-
street Theatre, Kansas City
Star: "Handed me hearty laugh
and it is safe to advise you to see
'Helen of Troy' this week 'and as-
sure you that you will get your
money's worth. Picture brings out
satire of Erskine's novel. Has been
produced on lavish scale which
makes it attractive photographically
as well as narratively . . . One
of finer pictures."
Times: "One can't understand
how Greeks ever lost control of
world if they really had girls who
look like ones in this picture. Sub-
titles are as modern as tonight's
dinner and probably more appetiz-
ing. Entire company gives excel-
lent performance."
"The Private Life of Helen of
Troy" — First National, Pan-
theon Theatre, Toledo, O.
News-Bee : "They say slapstick
and art can never mix, but pro-
ducers have here blasted this theory
into proverbial cocked hat. Truly
artistic massive sets and beautiful
costumes topped off by present-day
satire and wit, form basis for pic-
ture as original as it is comically
human."
Times: "Broad burlesque and
boasting some elaborately built sets,
good fun. Gorgeously staged film,
Ancient kings, queens, princes
broadly burlesqued and satirized in
light of present-day slang phrases
and epigrams."
pure enjoyment, a name that con-
jures the best in real comedy enter-
tainment, the Prince of Clowns in
the funniest thing he has ever done.
Charlie Chaplin is a circus in 'The
Circus' — a genius in whom the art
of pantomime is reborn, a lovable
little man, who catched at the heart
of each child and adult with his
whimsical funmaking, packing the
great Shea's Buffalo Theatre to the
rooftop, sending thousands away
happy and bringing them back to
laugh again and again.
"The Private Life of Helen of
Troy"— First National, Fifth
Avenue Theatre, Seattle
Post-Intelligencer : "Finds in-
stant favor with all audiences.
Erskine brand of polite naughti-
ness is popular — on screen as well
as on printed page. Incomparable
Maria Corda moves through it in
voluptuous perfection. It's better
than book. Brisk and naughty sa-
tire . . . with humorous ap-
peal."
Times: "Wins salvos of laugh-
ter. One of most beautiful pictures
that has ever been shown in Seattle.
Has comedy in generous quantities
and is sly, satirical, subtle, broad,
whimsical and daring by turns.
Richly costumed and displays sets
breath-taking in their magnitude
and striking in their pictorial effect.
Hilarious kidding."
"The Shepherd of the Hills*'—
First National, Mainstreet
Theatre, Kansas City
Post: "All rustic beauty and
picturesque characters of Ozarks
have been brought to screen. Pic-
ture stresses beauty of locale and
outdoes itself in photographic splen-
dor. Has been given finished pro-
duction. It is interest-holding from
start to finish and was seemingly
enjoyed by everybody about me."
"The Valley of Giants" — First
National, Indiana Theatre,
Indianapolis
Nezvs: "Overwhelming beauty.
Greatly superior to Sills' other re-
cent pictures. Well done and worth
seeing for its scenic beauty if for
nothing else."
Star: "Epic of lumber camps.
Shows result of careful direction
and is splendid example of films of
its type. Several thrilling scenes."
Times: "Type of screen play in
which Sills gets along easily. Has
one of those strong men roles that
fit him. Good photography . . .
well directed . . . melodrama-
tic in tone."
"The Circus" — United Artists,
Shea's Buffalo Theatre,
Buffalo
Courier-Express : "Charlie Chap-
lin ! — two magical words that spell
"Sadie Thompson" — United
Artists, Denver Theatre,
Denver
Evening News: "Gloria as 'Sa-
die Thompson' thrills. Tensely dra-
matic film. Outstanding in the
screen world. It takes an actress
of emotional depth and understand-
ing to run this gamut of psychic up-
heavals, but Miss Swanson more
than meets the eests. It's her best
performance to date. Tremendous
crowds flocked to the Denver over
the week-end."
April 7 , J 9 28
\\Y>
New York City
WE mentioned in this column last
week that if current picture offer-
ings in Broadway theatres were
strong enough attendance would be good
even though the Lenten season was in full
blast and enough Manhattanites and others
tumbled out of their burrows the past seven
days to justify this statement and bring joy
to the majority of theatre managers. Par-
ticularly impressive among the popular
priced houses were the records hung up at
the Capitol, Paramount and Roxy, a number
of the higher priced films also holding
nicely for this season of the year.
Lon Chaney came through with his repu-
tation for having an army of loyal fans by
giving the Capitol one its best weeks in
some time, enough cash being taken in to
entirely justify a hold over of "The Big
City" for another week. The Paramount
challenged Chaney's pulling strength with
Clara Bow in "Red Hair," a picture rated as
not up to the "It Girl's" previous pictures,
but plenty strong enough to pack the big
Publix house for the whole week. On
points the bout between Chaney and Bow
went to the latter by a shade.
After a long run at Warners' "The Jazz
Singer" came into the Roxy for a two
weeks' stay and rolled up a corking good
week, proving that a lot of folks were wait-
ing for pop prices on the Al Jolson film.
The Strand, with "The Noose" for a sec-
ond week, failed to hold up to the first
week's attendance but all in all made a very
good showing. The Barthelmess picture
came in for a good share of favorable com-
ment.
Last Wednesday the Colony started its
new two-a-day policy with the premiere of
"We Americans." Comment from local pa-
pers and the trade press is good and even
with a free night and the usual amount of
paper for all first week's in evidence, the
film is getting away to a pleasing business
in a house which has for a long time failed
to show signs of real life. A better than aver-
age picture of its type.
Harold Lloyd's new picture "Speedy"
will replace "The Gaucho" at the Rivoli
after the latter's run of four weeks. Consid-
ering the nine weeks run of the Douglas
Fairbanks film at the Liberty its showing at
the Rivoli must be termed good.
The Rialto is clicking along to pleasing
business with "The Legion of the Con-
demned," not only cashing in on the present
interest in aviation films but getting a
steady, good trade for the reason that it is
an excellent attraction.
Among the two-a-day specials "The Trail
of '98" is going along at a smart pace and
predictions are that this picture will continue
to pile up gratifying gates for some time to
come. At the Criterion, old daddy "Wings"
still has them waiting in line at the b. o.,
while Fox's "Four Sons" is also doing con-
sistently good business at the Gaiety.
Other Fox films, "Sunrise" and "Mother
Machree" are not doing anything to write
home about. Warners' theatre, with its new
talkie "Tenderloin" (W. B.) turned in an-
other good week. Publicity attending the
amputation of several feet of talkie part
panned by critics during first showings
reacted favorably with the public.
The Cameo has held "Czar Ivan the Ter-
rible" over for a fourth week. This film
apparently has a far wider appeal than be-
lieved by several of the boys in this trade
and chalked up nice business at this small
theatre. The Embassy with "Two Lovers"
had a very fair week. The Hippodrome with
"Skinners' Big Idea" and K A vaudeville
did a usual profitable week's business. The
Central still has "Uncle Tom's Cabin" after
a run of over five months but it has started
to show signs of buckling. Martin and Osa
Johnson's animal picture "Simba" has left
the Earl Carroll after a very satisfactory
run.
Los Angeles
TWO openings last Wednesday — "Uncle
Tom's Cabin" followed "The Patent
Leather Kid" at the Criterion and "Ramona"
moved in United Artists after "Sadie Thomp-
son" sailed away. Both pictures promise to
duplicate the successful records of their
predecessors.
"Love and Learn" at the Metropolitan was
subsidiary in point of interest to the
"Merry Widow," Publix Stage Revue direct
from N. Y. The bill went only moderately
well.
"Wings" continues in its record-breaking
course at the Riltmore beginning its twelfth
week. "The Crowd" concluded a very profit-
able run at the Million Dollar.
"The Noose" held up its end of the enter-
tainment at Loew's State with Fanchon &
Marco's "Japa-Knees Idea," the most elabo-
rate and costly of all former presentations,
being well received. Box office receipts for
the week were satisfactory.
Announcement of the closing within two
weeks of "Four Sons" at Carthay Circle has
stirred many theatregoers to action. Carli
F.linor's Concert Orchestra and Jack Laugh-
lin's 50-artists stage spectacle add to the
entertainment. "Street Angel" has been
booked to follow "Four Sons" on April 10th.
"The Circus" played to excellent houses
during the past week at Grauman's Chinese.
Boston
AGAIN "The Jazz Singer" has been ex-
tended in its record-breaking run at the
Modern and Beacon Theatres. First it was
for a two-weeks' run, then extended to four,
then six. Now it will run a full eight weeks
at both houses, simultaneously. It is an-
nounced that it will positively close at the
conclusion of the eighth week. The former
record of the two houses was two weeks.
"Feel My Pulse" was the Metropolitan
offering, with heavy business for the Lenten
season. "11 Guaranty" was the presentation.
Charlie Chaplin's first film in many
months, "The Circus," was one of the out-
standing successes of the year at its showing
at the Loew's State Theatre, with crowds in
line every night during the week. It is
expected that box office records will be
equalled by the film.
"The Gateway of the Moon" proved a big
attraction for the Keith-Albee Boston Thea-
tre, and comes near the top of box-office
receipt films of the year.
"Mad Hour" was another attraction gross-
ing heavily during the week, shown at the
W ashington Street Olympia.
Good receipts are reported by the Scollay
Square Olympia with "Chicago After Mid-
night," "Count of Monte Cristo" at the
Lancaster, "Sorrell and Son" at the Uni-
versity, "Sporting Goods" at the Fenway,
"The Gaucho" at the Exeter, "The Divine
Woman" at the Bowdoin, and "The Gaucho"
at the Capitol.
St. Louis
T^OUGLAS FAIRBANKS in "The
±J Gaucho" did excellent business at
Loews State theatre during the week, when
one takes into consideration general condi-
tions. Local critics were unanimous in
praising this picture.
At the Ambassador Clara Bow in "Red
Hair" was regarded as the best advertising
picture that has come to St. Louis in a long
time. Elinor sure knows how to work the
screen both ways— collect for the showing
of the picturization of her books and then
force the pictures to advertise such books,
and also to work in several shots about Fli-
nor herself "Red Hair" is the sort to please
a certain portion of the population of any
metropolitan centre and Clara Bow gener-
ally gets her sh are of such patronage.
Admittedly even with Elinor's special
terms of publicity "Red Hair" is one of
Clara Bow's best.
"The Crystal Cup" was on the screen at
the Missouri theatre and won fresh prestige
for Mackaill and Mulhall. It didn't bust
any box office records either. Nie in the
P. D. elected the attraction to fill a niche in
his special field of The Worst Films of the
Year. Naturally everyone does not agree
with Nie on everything.
"The Desired Woman," the Vitaphone
feature at the Grand Central did not hold up
to the marks set by "The Jazz Singer" and
"In Old San Francisco." The short features
held up the bill during the week.
The St. Louis, the Orpheum Circuit house
at Grand and Delmar boulevards, enjoyed
an average week for the season. The mo-
tion picture was "Dressed to Kill" with Ed-
mund Lowe and Mary Astor featured.
Pittsburgh
PRACTICALLY all the theatres felt the
lean hand of Lent last week, the only
exception being the Penn Theatre which had
an unusually strong show. The feature pic-
ture was Dolores Del Rio in "Ramona" and
it was well exploited with a complete cover-
age of the town obtained. The stage show
was "Hula Blues" and considered by most
of the patrons as one of the best units that
played the house.
The Cameo Theatre is playing its last
week as a first run theatre, the picture being
"Love Me and The World Is Mine." This
house has been used as an exploitation house
by Universal, but with the inroads made
by the new de luxe houses in town, is formed
into the grind policy with a fifteen cents top,
daily change.
The Stanley Theatre, booked George
Bancroft in the "Showdown" with the
Florentine Singers and "In The Army" as
the two presentations but the house did the
poorest week since its opening. Charlie
Chaplin in "The Circus" was set into the
Grand, this being a second run, incidentaly
the first second run that played the House
but so many people had seen it at the Penn,
the gross was disappointing. Loew's Aldine
had Jack Holt in "The Warning," Charlie
Chaplin in "The Rink" and five vaudeville
acts, while the Davis had "Come to My
House" with Trixie Friganza heading a six
act vaudeville bill but both houses slumped
badly. The Olympic played the "Leopard
Lady" and the State, Irene Rich in "Powder
My Back" and both houses did average busi-
ness.
1150
Motion Picture News
Chicago
UNSATISFACTORY business continues
to depress Chicago theatre men gen-
erally, with only a few of the large de luxe
houses doing anything noteworthy. Bad
weather conditions, including a blizzard,
added to the lenten slump during the past
week.
"The Big City," with a local favorite, Lon
Chaney, in the stellar role, was featured at
the Chicago Theatre, with "The Fast Mail"
as the stage attraction, attendance being
about normal. The Oriental Theatre had a
strong business getter in "Burning Day-
light," Paul Ash and his Gang in "Blue
Revue" rounding out a bill which, all other
things considered, did well. Fair business
was the report from United Artists Theatre,
where "My Best Girl" is running.
"The Patent Leather Kid" continued its
successful run at McVickers, and "Simba,"
roadshowing at the Woods, also held over
to fair business. The other loop hold-over
was "Chicago" at the Roosevelt, which also
had as the extra attraction, "Forty Thousand
Miles with Lindbergh."
"Dressed to Kill" was the screen attraction
at both the Marbro and Granada Theatres,
Benny Meroff in "Silver Skies" furnishing
the stage entertainment at the former, and
Charles Kaley in "Wibbly Wobbly" at the
latter, Vitaphone also being included on both
bills, as well as the extra attraction, "Forty
Thousand Miles with Lindbergh." Fair at-
tendance was enjoyed by both of these
houses.
"Gentlemen Prefer Blondes" was the
feature at the Uptown, where the personal
appearance of George Jessel in "Dancing
Feet," with Frankie Masters and his band,
stimulated business. The Tivoli offered a
program including "West Point" and Benny
Kreuger and his band, attendance being re-
ported excellent. The Capitol, which had on
its program both Movietone and Vitaphone,
the Capitol Merrymakers, in addition to
"The Mad Hour" as its screen feature, had
fair business, and the same was true of the
Avalon, which offered "That Certain Thing"
on the screen, and Roy Detrich and his band
in "Russian Capers," and community sing-
ing on the Vitaphone.
Atlanta
ATLANTA theatres broke about even last
week, all, with the exception of the
Howard, playing "The Patent Leather Kid,"
having mediocre bills.
Although the Howard did not enjoy an
overwhelmingly good business, its box-office
ran high and increased during the week, a
good sign for the picture's drawing power.
A poor vaudeville bill hurt this picture.
ROGUES' GALLERY 2313
for future reference of
EXHIBITORS !
SOME DAY — Perhaps your organization may
need a man who can letter, layout and plan
advertising, write press stories, and who
understands photoplay values and selling the
show.
—THREE YEARS WITH LIBSON !
When You Do - - - TELL ME
Carlos Harrison - - Palace Theater
CINCINNATI, OHIO
Next door Loew's Grand drew fair busi-
ness with "Bringing Up Father," which was
helped out considerably by a good vaudeville
bill.
The Capitol suffered a bit showing Madge
Bellamy and Johnny Mack Brown in "Soft
Living," not the actors fault, however, case
of no story.
A similar catastrophe existed at Keith's
Georgia, where Billie Dove fell from her
peak pushed up by "The Love Mart," in
"The Heart of a Follies Girl," which lacked
action and plot.
Douglas Fairbanks and Lupe Velez in
"The Gaucho" at the Rialto, second run,
drew well.
Three action numbers, "Cyclone Cowboy,"
"Three Miles Up" and "Trick of Hearts,"
brought the Tudor an average fair week.
Cleveland
THIS last was a big show week in town.
Big attractions at most of the down-
town houses brought large attendance.
Keith's Palace was jammed both afternoons
and evenings for every performance with
"Shepherd of the Hills" presented with a
novel epilogue which attracted wide atten-
tion. "The Gaucho" continued to fill the
Stillman during its third week, and will play
still another week. "The Circus" did a whale
of a business during its first-run neighbor-
hood engagement at the Park. It was school
vacation week, too, which undoubtedly
helped fill the coffers. Clara Bow in "Red
Hair" was a big hit with tremendous audi-
ences at the Allen. The picture proved to
have big box office value and a steady line
was maintained in front of the box office for
practically all performances. "Bringing Up
Father," broad comedy picture, attracted
those who follow the fortunes of Jiggs in
the comic strips, but didn't make a hit with
the majority of movie goers. Marie Dressier
and J. Farrell MacDonald injected enough
life into the picture to hold the interest.
Business was fair.
Reade's Hippodrome had a gala box-office
week with "That Certain Thing," good audi-
ence picture of the Cinderella type, as the
feature attraction. "Nameless Men," an
underworld tale full of intrigue and suspense,
had an average total for the week at the
Cameo. Keith's East 105th St. did splen-
didly with "Let 'Er Go, Gallegher," starring
Junior Coughlan, as the big show for Easter
vacation.
Neighborhood houses didn't do so well.
Legitimate theatres offered keen competi-
tion with "The Captive," doing its third
week at the Little Theatre, "Broadway" fill-
ing the Hanna; "The Silver Chord," with
Laura Hope Crews, attracting favorable
criticism and big attendance at the Ohio;
Will Rogers doing a solo at Masonic Hall;
and the stock companies all getting their
share of the business.
Kansas City
ATTENDANCE at practically all first run
houses in Kansas City this week was a
duplication of last week — fair and slightly
on the upgrade.
At Loew's Midland Gloria Swanson in
"Sadie Thompson" drew well all week,
which also can be said of the second week's
run of "The Patent Leather Kid," despite
the fact that it was a return engagement.
At the Mainstreet, Milton Sills in "Burning
Daylight" drew slightly under the previous
week, as did "Nobody's Widow" at the
Globe.
"The Patsy" at the Newman just about
equaled the previous week's attendance,
which was merely fair.
"Square Crooks" at the Pantages drew
good all week.
Nothing extraordinary in the way of ex-
ploitation or newspaper advertising was
ventured by any of the theatres.
Buffalo
COMPETITION was particularly keen
during the week of March 26, with Clara
Kimball Young and Eugene O'Brien in per-
sonal appearances at the Great Lakes and
Hippodrome respectively, and both legiti-
mate houses going full blast, the Erlanger
playing a return engagement of "King of
Kings," and the Shubert-Teck housing "Gay
Paree" with "Chic" Sale, and the result was
that no house did any record-breaking busi-
ness.
"Old Ironsides" at Shea's Buffalo, with
the Publix stage revue, "Pagoda Land,"
drew consistently well all week. This was
due in no small part to the success of Charlie
Taylor, Shea's efficient publicity director, in
arranging a three-way tieup, with the Buf-
falo Evening News, the navy recruiting sta-
tions, and the school principals, to whom he
sent booklets on the famous frigate, accom-
panied by a letter from Mayor Schwab en-
dorsing the picture for its educational value
and suggesting that all school children see it
Shea's Hippodrome, in addition to Eugene
O'Brien in person, had "College," with Bus-
ter Keaton, on the screen, and the theatre-
goers responded satisfactorily to this double-
barreled feature.. "King of Kings" at the
Erlanger drew large crowds at the evening
performances, and the matinee performances
also attracted good audiences. "Alias the
Deacon" was the Great Lakes screen feat-
ure, with Clara Kimball Young in person
headlining the vaudevile, and attendance
was heavy during the fore part of the week
and again toward the end. The Lafayette
put on eight acts of vaudeville and "Silk
Stockings," with Laura LaPlante on the
cinema, but the response by the public could
hardly be termed terrific.
Loew's box office force was kept fairly
busy by the customers who were lured by an
excellent vaudeville bill, headlined by the
Bronson-Renee revue, and William Haines
on the screen in "The Smart Set."
Dallas
BUSINESS at the Dallas theatres and the
weather have both been fair the past
week, with no unusually good weekly grosses
in evidences.
"Sorrell and Son," with H. B. Warner and
Anna Q. Nilsson, did a good business for the
week at the Palace. The opening business
was under par, but soon built up, and, with
the aid of good matinee crowds, turned in a
creditable gross for the week.
At the Majestic, "Sharp Shooters," with
George O'Brien and Lois Moran, did a fair
business for the seven-day run, but was
under the Majestic weekly average, which
has been very good.
The Melba, showing "Old Ironsides," with
Esther Ralston, Wallace Beery, George Ban-
croft and Charles 'Farrell, failed to get the
big crowds, and the receipts for the week
were only fair. "Old Ironsides" was easily
the outstanding picture of the week, and had
good publicity behind it, but for some rea-
son failed to get the deserved business.
At the Capitol, "Midnight Rose," with Lya
De Putti and Kenneth Harlan, checked off
an average week. Ford and Glenn, radio en-
tertainers from station WLS, Chicago, and
station WFAA, Dallas, appeared in person
as an additional feature to the program.
"Motherhood," a maternity problem pic-
ture, played to fair business for the week, at
The Old Mill. A tie-up with the Dodge
Bros.' star radio hour failed to boost busi-
ness Thursday night. Loudspeakers were in-
stalled, and the regular program continued
during the broadcasting, with the exception
of the music.
At the Arcadia, "The Wizard," with Ed-
mund Lowe, and "The Last Command," with
Emil Jannings, brought above average busi-
ness, although the usual Vitaphone features
were absent.
April 7 , 1928
1151
Minneapolis
WITH the exception of the new Min-
nesota Theatre, which did a grand and
glorious business during its opening week,
there wasn't much to brag about from a box-
office standpoint in Minneapolis last week.
Everybody went to the Minnesota, and that
meant that the Other houses suffered accord-
ingly. This new house, which is jointly con-
trolled hy Publix and F. & R., seats 4,050.
and is the fifth largest in the United States,
and it was tilled to capacity most of the
week, and all the theatres, including movie,
stock and vaudeville, felt the effects of the
new competition. The Minnesota had a good
program, headed by Richard Dix in "Sport-
ing Goods," and the Publix Stage unit,
"Treasure Ships," but the program didn't
matter much, as the people came chiefly to
see the theatre.
Reporting on the other theatres is merely
a matter of saying that they did as well as
could be expected in the face of the first-
week competition of the Minnesota. The
State inaugurated its new policy of showing
the bigger pictures with Joan Crawford in
"Rose-Marie," while "Chicago" was staying
over at the Garrick for a second week.
Corinne Griffith was at the Strand in "The
Garden of Eden," and "The Patent Leather
Kid" came into the Grand, a second run loop
house, for a week. Pantages showed "A
Girl in Every Port" and the Hennepin-
Orpheum featured May McAvoy and Conrad
Nagel in "Slightly Used."
The Lyndale, Loring, Rialto, American
and Lagoon — neighborhood houses — were
offering such films as "A Man's Past," "The
Last Command," "Beau Sabreur" and "The
Patent Leather Kid."
Seattle
THE Seattle Theatre, new Publix play-
house, was away again far in the lead
during the last week, marking the third week
of capacity and near capacity business for
the 3,500 seat house. "West Point" was the
screen attraction and Publix' "Russian Rev-
els" was the stage show; both met with de-
cided success and pleased big audiences.
Jules Buffano's work with the stage band is
very well liked here, and a local dance in-
terpolation for the grand concert also
pleased. Gross around $20,000 again.
The second of the big houses, the Fifth
Avenue Theatre, dropped out of the week's
running, having been rented to the Seattle
opera patrons for three days in the middle
of the week for the appearance of the Chi-
cago Civic Opera Company. The four-day
attraction at the Fifth Avenue was "Becky,"
a fair screen show. The stage show feat-
ured Moss and Frye, colored entertainers,
who were accorded a fine reception here.
Wallace at the Wurlitzer is a decided attrac-
tion at this house each week.
Other than the Seattle program, and the
third week of the "Gaucho" at the United
Artists Theatre, show business was notice-
ably off. "The Gaucho" continued to play
to pleasing houses for the final few days of
the run, after a successful opening two
weeks. The gross for the entire engagement
was considered quite satisfactory.
"That's My Daddy" at the Columbia The-
atre was a mediocre film that did not at-
tract very much business. Dennv's pictures
have been below par lately. A fairly good
supporting film program and a good musi-
cal offering were partial redeeming factors.
Gross just about average.
At the Blue Mouse Theatre, "The Silver
Slave" played to average houses. Business
here has slackened up a bit, due to increased
competition and a slight drop in the tempo
of the films and supporting Vitaphone at-
tractions. Matinees are strong, but evening
business is lighter. Business for the last
week was just average.
"Sinews of Steel" at Joe Danz's Embassy
Theatre, with a local stage revue, played to
the average pleasing gross, and drew some
added business from the Liberty Theatre,
the other Danz house closed again for re-
pairs, after a few unsuccessful weeks of
operation.
The vaudeville houses both showed a
shorter gross than the previous week. The
Orpheum, with its new continuous policy,
failed to show any appreciable gain in box
office results. "Not for Publication" was
the film attraction. At Pantages, "Wolf
Fangs" on the screen and Francis X. Bush-
man, Jr., on the stage combined to produce
the average box office gross.
The Egyptian Theatre, first suburban
house to feature Vitaphone and Movietone,
broke all house records with a 10-day run
of "Seventh Heaven" second run, and two
second-run Vitaphone acts. Other suburban
houses are showing a decline in business,
due to more houses downtown and lowered
downtown prices.
Salt Lake City
THE downtown first -run theatre reports
average very good this past week, with
some special and exceptionally interesting
programs being presented.
The Capitol Theatre, under the manage-
ment of George E. Carpenter, held up its
usually high standard of attendance offering
"The Mad Hour," in addition to the Fanchon
and Marco stage presentation.
The Paramount Empress Theatre is still
doing a big business on the extended run
production ,"The Patent Leather Kid." A
stage production is also being included in
this bill.
"The Divine Woman," featuring Greta
Garbo, proved to be a drawing card of ex-
ceptional merit at the Pantages, where Pan-
tage's vaudeville is also shown, and where
capacity houses were the rule during this
week.
Madge Bellamy, in "Soft Living," did an
average good business all week at the
Victory Theatre, as did "The Leopard Lady"
with Jacqueline Logan at the Gem Theatre.
"The Little Snob," at the American Thea-
tre, has done a fair amount of business, it is
reported, with May McAvoy featured.
The second run of "The Garden of Allah,"
with Alice Terry and Ivan Petrovich, packed
the house at the Rialto all week, and the
third showing of "What Price Glory" played
to large audiences at the Mission, neighbor-
hood house, here.
"The King of Kings" played to overflow-
ing houses at the Salt Lake Theatre, here,
last week, and is now crowding the Orpheum
Theatre, of Ogden, Utah, to capacity, also
the Paramount Theatre, of Provo.
Marie Prevost, in "The Girl in the Pull-
man," and Mary Astor and Gilbert Roland
in "Rose of the Golden West," were shown
at the Towers, a suburban house, here, the
fore part of last week, with good result's.
Harrisburg
BIG crowds attracted to two downtown
theatres that advertised in advance spe-
cial radio facilities for receiving the Dodge
Brothers' Hour of Movie Stars on Thurs-
day night, helped to swell the week's total
receipts to very generous proportions in
those houses. The theatres that featured the
stars on the radio were the Victoria and
Loew's Regent. Clara Bow in "Red Hair"
was the feature of the week's program at the
Victoria, and it went big even without the
stimulus of the one-night radio added at-
traction. At the Regent, the feature was
Lon Chaney in "The Big City," and this at-
traction also drew well on its own merits.
The Colonial offered "The Shepherd of
the Hills," the film version of Harold Bell
Wright's famous story, and the boxoffice re-
sults were quite gratifying.
In the last half of the week the film feature
of the State's program was "The Gateway to
the Moon," starring Dolores Del Rio, and,
although the picture was cleverly done in the
opinion of the newspaper critics, there were
a good many empty seats in the big theatre
at some of the performances.
The Broad Street offered a repeat perform-
ance of "The Divine Woman," with Greta
Garbo, and, like many other pictures that
meet with big success on their first-run
showing in the central business district
houses, this play did fine business in the
neighborhood house. The same film was
shown also in the Russell for part of the
week, and the boxoffice results there were
also gratifying.
Tampa
THE Tampa had two sure-fire cards last
week, and both pulled very good busi-
ness. "The Big City" was featured the first
half. Lon Chaney is a favorite with Tampa
fans, and his pictures always draw well. This
one did not do as well as some of his others,
however. For the last half "Gentlemen Pre-
fer Blondes" was the feature, and it went
over fine and was well liked.
The Victory continues to pull 'em with the
Vitaphone productions, and enjoyed a very
satisfactory week. "Ham and Eggs at the
Front" was the feature, with four Vitaphone
presentations as added attractions.
The Strand started the week to very good
returns with "Love and Learn" as the
feature. Buster Keaton followed in his lat-
est, "College," which failed to develop much
of a draw, in fact, business was hardly up to
the average of the house. "The Whip
Woman" was used the last two days, and it
drew about average.
The Franklin used "Adventure Mad" and
"The Trick of Hearts" for their first runs,
and brought back "The Patent Leather Kid"
for a second showing. This latter picture
went over big on it's first run here at the
Tampa, and it brought in better than aver-
age returns on its second showing. The
other pictures did about average.
Czar Ivan the Terrible"
N. Y. Herald Tribune — "Best cinema show of last few months"
V v T- i „ Richards IT alls. Jr.
M. t. Times — "A worthy picture" — Mordaunt Hall.
Photoplay Magazine — "You should walk a mile to see it."
Evening World — "Greater than 'Potemkin.' "
Produced l>\
SOVKINO of MOSCOW
(Producers of "Potemkin")
For bookings apply to
AMKINO CORPORATION
723 SEVENTH AVE., NEW YORK CITY
1152
Motion Picture N e w s
Milwaukee
JUST when last week got well started, a
blizzard swept over the city and blocked
traffic, and, when things cleared up a bit, a
second snow storm descended, so all the
downtown theatres were hard hit. Business
started off fairly well with the introduction
of new pictures on Saturday, but the in-
clement weather soon put a stop to that.
The week's receipts at practically all down-
town houses were extremely low.
The Wisconsin celebrated its fourth Anni-
versary with "The Smart Set" and a special
stage presentation. Business was fairly good
here.
"The Joy Girl," at the Merrill, failed to
connect with anything like good business.
"Bringing Up Fatiiei" had fair attendance at
the Strand. "Love Me and the World Is
Mine" was the Alhambra's offering. Houses
were slim. The Garden made use of the
radio on Thursday night and offered the
Dodge Hour, which presented the cinema
stars via radio. This innovation was en-
thusiastically received by the audience. The
stunt was well advertised and the theatre
was filled as a result. The picture offered
was "College," which met with fair success
throughout the week. "On to Reno" was
gneatly appreciated by patrons of the
Orpheum.
Neighborhood houses, likewise, were ac-
corded poor patronage throughout the week.
"The Love Mart" was featured at the
Oriental, Garfield, Tower and Uptown with
fair success.
"The Girl from Chicago" played to good
houses at the Venetian. "South Sea Love"
drew fairly well at the Downer.
Des Moines
' 'TPHE LEGION OF THE CON-
1 DEMNED" is a good picture, and
the audiences here liked it very, very much.
Business at what might be a slack time was
way above average. It played the Des Moines
At the Capitol Theatre, "The Shepherd of
the Hills" was the feature, and it did not do
as well as it was thought formerly that
Harold Bell Wright's pictures would do. It
did, however, a good average business,
although the stage show was not up to the
shows given in preceding weeks. At the
Strand, "The Girl from Chicago," with Con-
rad Nagel, did very nicely, while for the last
half Esther Ralston, in "Something Always
Happens," made a good run.
Albany
THE pep and personality of Clara Bow
in "Red Hair" proved sufficient to over-
come any Lenten depression at the Mark
Strand in Albany, during the past week.
Opening to bigger business than did "The
Last Command," on Monday of the previous
week, "Red Hair" continued to pack the
theatre each night throughout the week,
although there was a noticeable falling off
at the second show on Thursday night, due
to the radio hour with several of the motion
picture stars on the air. Coupled with "Red
Hair" were the usual Vitaphone numbers
and the newsreel. At the Mark Ritz, "The
Garden of Eden" drew capacity houses
throughout the entire week, although, in
the opinion of many, the picture was inclined
to drag. There were crowds standing, how-
ever, each night, and the picture ran second
to Gilda Gray in "The Devil Dancer," which
was one of the biggest drawing cards, if not
the biggest, since the theatre opened two
years ago. The bill was well rounded out
with an excellent comedy and a newsreel
that had not been cut. The Leland, in Al-
bany, found "Sharpshooters" a good bet from
the standpoint of the box office. The Clin-
ton Square Theatre, in Albany, used "The
Girl from Gay Paree" and "Wolf Fangs" to
consistently good business throughout the
week. In connection with its vaudeville bill,
Proctor's Grand, in Albany, used "The
Wreck of the Hesperus" with rather indif-
ferent results. The neighborhood houses in
Albany report business as having shown
some little pick up during the last week
or so.
In the neighboring city of Troy, the Troy
Theatre was packed to its doors one night,
in connection witii a beauty contest staged
with "Gentlemen Prefer Blondes." Aside
from that one night, however, the picture did
not do any business to brag about, and, judg-
ing from the comment, the picture did not
create much of an impression. Along with
it was one Viiaphcne presentation entitled
"The Lemon." The latter part of the week
was given over to "Baby Mine," and this
picture did not score. At the American
Theatre, ' The Trageuy of Youth ran the
first half of the week, and "The Stronger
Will," the last half, each did only ordinary
business. The same situation prevailed at
the Lincoln, in Troy, insofar as business was
concerned, with "Two Flaming Youths" the
first half of the week and "Across the At-
lantic" the last half.
San Francisco
AT the close of the fifth week at the Em-
bassy Theatre of Al Jolson in "The Jazz
Singer," an ambitious soul figured out some
rather interesting statistics. More than 152,-
000 persons had paid their way to see and
hear the entertainment during that time.
With the addition of Movietone with
Benito Mussolini to the program, interest
renewed, and hundreds of Italians and
Catholics flocked to the theatre to see their
favorites. The sixth week this picture also
did exceptionally well, and, because of the
crowds, was held over for a seventh week.
Weather conditions good the first part of
the week, although poor the later part,
greatly helped business the first four days
at all theatres but one. "Ramona" played to
crowds at the St. Francis Theatre its final
week, and "The Showdown," together with
the Publix Stage Revue, also crowded the
Granada Theatre.
"The Noose," together with presentation
acts, did well at Loew's Warfield Theatre,
but "The Crowd," shown a second week at
the California, continued to register disap-
pointment.
The Golden Gate Theatre did very well
with "The Leopard Lady" and vaudeville.
The same can be said of the Union Square,
which featured 'Morganson's Finish" and
vaudeville acts. "Wild Geese," shown here
at higher prices, was praised by all, and the
California Federation of Women's Clubs
praised it in a letter and boosted it to its
members.
Neighborhood theatres, generally, did an
unexpectedly good business the latter part
of the week. Due, it is thought, to weather
conditions. "Home Made," together with
four acts, drew many to the Coliseum Thea-
tre, and "London After Midnight," well filled
the Alexandria Theatre.
Ottawa
FpiNAL professional and amateur hockey
games competed with the theatres for
popular favor in Ottawa, Ontario, during the
week of March 26, and the exhibitors appar-
ently did not suffer much because theatre
crowds were fair to good.
"Rose-Marie," at the Regent Theatre, was
well liked as a picture, but it was quickly
seen that the film production was not like
the stage show of the same name. As a
North country story it was highly acceptable.
Good crowds?. Yes.
Rod LaRocque had not been seen locally
for a long time and the fans flocked to B. F.
Keith's to see him in "Stand and Deliver."
It was a film feature well worth remember-
ing.
Picture fans went to the Centre Theatre
in the expectation that "Ladies' Night in a
Turkish Bath" would be a ridiculous farce —
or nearly so. They did see a feature with
real comedy and came away satisfied. The
Centre had a big week at the box office.
Attendance at the Imperial Theatre
slumped with "T. he Tigress," after a jammed
week with "The Latest from Paris." Regu-
lar Jack Holt fans and many juveniles pa-
tronized the Imperial, but the general public
did not seem to care.
The Fern Theatre could not accommodate
the c-owds for "Money to Burn," particu-
larly because the show included the last epi-
sode of "On Guard" and the first chapter of
"Melting Millions." Fern followers are
almost serial-mad. The Columbia Theatre
also drew high patronage with the last chap-
ter of "Melting Millions," which was pre-
sented with Tim McCoy's "The Law of the
Range." The Rex was the scene of excite-
ment and crowds for "The Sunset Derby"
and this neighborhood house held about all
it could stand.
Indianapolis
INDIANAPOLIS houses experienced a
drop in box-office receipts last week
because of the rainy spell and drop in
temperature.
Dodge Brothers' victory radio hour made
a noticeable cut in attendance March 29.
Managers estimated the radio hour and a
heavy downpour of rain caused about
twenty-five per cent cut in business.
Neighborhood houses appeared more
affected than downtown theatres.
"King of Kings" did a good business on
return engagement last week at English's.
Double Feature Bills Not
Successful in Detroit
Double feature programs are not success-
ful in Detroit, according to Walter Shafer,
general manager of the Henry S. Koppin
circuit of theatres. Shafer declares that
seven of the Koppin houses which have
been playing double features will hereafter
bill one straight picture and shorter sub-
jects.
"Cohens and Kellys in
Atlantic City" Coming
Simultaneous with the bathing beauty
contest at Atlantic City, Universal plans to
make at the pleasure resort a Cohen and
Kelly picture which will he titled "The
Cohens and the Kellys in Atlantic City."
It is said that Harry Pollard, who made the
original Cohen and Kelly picture, will di-
rect.
Peabody Is Succeeding
Johns at Missouri
THE Missouri Theatre, the Skouras
Brothers' house in St. Louis,
which has had Brooke Johns as
personality man for some time will
shortly have Eddie Peabody as master
of ceremonies at its presentations.
Next week will be Johns' last at the
Missouri; he intends to retire to his
farm in Maryland. Peabody is being
imported to St. Louis to take over
Johns' place.
The Skouras Brothers have now in-
stalled personally conducted stage
shows in all their important neigh-
borhood houses.
April 7, 19 28
Opinions on Pictures
1153
1
Doomsday
Sluggish, Hackneyed Drama
(Reviewed by E. (». Johnston)
1 T will never be said that Warwick Deep-
* ing, author of "Sorreil and Sou," re-
peated that success when he wrote the story
for this picture. At its best, "Doomsday"
is a lethargic drama with but an occasional
flash of what it takes to make a real motion
picture. It drones heavily along with the
principals doing the best they can with a
sluggish vehicle and a mediocre brand of
direction. There will never be any laurels
pinned on the brow of Rowland Lee for his
work on this production, both Florence
Vidor and Gary Cooper noticeably doing
their parts in a half hearted sort of way.
Lawrence Grant's role, an unsympathetic
one, probably rings the truest of any. A
certain amount of picture hokum, heavy
though it may be, may get this film by with
those who can sit through a story, the out-
come of which is only too obvious from
the very beginning.
The hackneyed plot is the one in which a
poor girl chooses between a life of luxury
with a broken down old roue and one of
drudgery on a farm with the man she loves.
She takes the former for her mate and the
story shapes itself exactly as everyone
knows it will. She obtains a Paris divorce
and then attempts to regain the affection of
the farmer, who lets her live in his home
under the inost exacting conditions for six
months before admitting that he still loves
her. Curtain.
Drawing Power: The author's and star's
names will draw them in but this reviewer
questions the strength of this as an all
around, strong attraction. Exploitation
Angles: Tie-up with Warwick Deeping's
book, •'Doomsday"; also as author of
"Sorreil and Son." Names of featured
players.
THEME: Girl chooses between two ad-
mirers, one wealthy and other poor. Takes
the former with whom she lives a loveless
life until a divorce is secured. Lives on
other man's farm for six months probation
and he finally marries her. Happy ending.
Produced and distributed by Paramount.
Length, 5,665 feet. Released February, !!••>.
The Cast: Florence Vidor, Gary Cooper,
Lawrence Grant. Directed by Rowland Lee.
Story by Warwick Deeping.
Stand and Deliver
Romantic and Thrilling Drama
(Reviewed by Chester J. Smith)
D OD La ROCQUB is an Englishman who
■ *■ finds life too tame in a fashionable
London Club in this romantic and thrill-
ing drama, and, having been a leading Ace
among the flyers during war times, he looks
for new worlds to conquer. There are se-
quences in the picture that are marvelously
done, and the photography is splendid, but
the star would be much more convincing if
he did not display quite so much egotism.
In the heat of battle it is not difficult to
understand indifference in the face of ex-
treme danger, but La Rocque's portrayal
of this role makes it quite evident that it is
all being done for the camera, and that
really the thrilling experiences he goes
through arc of little consequence. It is too
apparently acting, as might also be said of
the playing of Lupe Velez, whose chief
expression of emotion is a violent heaving
of the chest.
As a picture, however, this one appears
to be almost sure fire. It has romance,
suspense and thrills a-plenty, and it is
bound to hold the attention of any audi-
ence. Those scenes in which the bandit
gangs are hoisted to the high peak of a
mountain in a basket with cable attach-
ment are really thrilling, as is the action
throughout the story in which the hero,
tiring of his club life, joins up with the
Grecian cavalry service just for the purpose
of running down a notorious bandit.
Donald Crisp, who directed, has done a
fair job, but did not add any to the
effectiveness of the picture by the continu-
ous use of closeups. The work of Warner
Oland, as the bandit chief, is a decided
feature of the picture.
Drawing Power: Should prove a good
draw in houses of all classes. Exploita-
tion Angles: The daring exploits of the
hero, and the star's name will offer many
exploitation angles. You can promise
plenty of thrills and of a novel character.
THEME: Noted war ace, tiring of club
life in London, joins the army of Greece
solely for the thrill of capturing a notori-
ous bandit. He first thwarts the bandit
chief and saves the beautiful Greek girl
and later effects the bandit's capture and
falls in love with the girl.
Produced by Cecil B. De Mille Studios.
Distributed by Pathe. Released, Feb. 19,
1928. Length, 5,423 feet. The Cast: Rod
La Rocque, Lupe Velez, Warner Oland,
Louis Natheaux, James Dime, A. Palest hy.
Frank Lanning, Bernard Siegel, Clarence
Burton, Charles Stevens. Director, Donald
Crisp
We Americans
A Sure-Fire Americanization Drama
(Reviewed by Chester J. Smith)
A COMBINATION of an Americanization
and a war picture is this sure-fire Uni-
versal production, with just enough of the
war stuff to carry off the full import of the
story, adapted from the successful stage
play by Herbert Cropper and Max Siegel.
It is by no means a war story, as there is
but one sequence showing action on the
battlefield. It is described as a drama of
American immigrants.
There is much about the screen play that
is not entirely new and there is a bit of
hokum here and there emphasized for tear
drawing purposes, but all in all it looks like
a picture that can hardly miss. It has a
great abundance of natural pathos and it
develops some situations that are markedly
dramatic.
It is a somewhat --putty picture with a
number of rapid transitions that sometimes
leave one wondering just what is coming
next, but withal, it holds the interest almost
continually, despite the fact that Director
Edward Sloman is a trifle slow here and
there in laying his situations. This makes
the action drag in places, but nevertheless
when the various climaxes come they are
most effective.
The characters, particularly those of the
immigrants, are exceptionally well played
and could hardly be improved upon. The
portrayals of George Sidney and Beryl
Mercer, as Mr. and Mrs. Levine, the old
Jewish couple, are real masterpieces. Patsy
Ruth Miller, as their daughter also carries
off her share of the laurels, as does Albert
Gran in the German role of Mr. Schmidt.
Drawing Power: Should prove an excel-
lent attraction at houses of all descriptions.
Exploitation Angles: The Americanization
angles provide for various hookups that
should stimulate business; the all-star cast.
THEME: Young American lieutenant of
leading family falls in love with daughter
of Jewish immigrants. His life is saved in
action by the girl's brother, who sacrifices
his own life to do so. The lieutenant re-
turns to claim his bride only to meet objec-
tions from his parents, who are made to
realize their folly upon meeting the girl's
parents, and having explained to them their
great sacrifice.
Produced and distributed by Universal.
Released, May 6, 1928. Length, 9,151 feet.
The Cast: George Sidney, Beryl Mercer,
Patsy Ruth Miller, George Lewis, Albert
Gran, Daisy Belniore, Michael Visaroff, Ro-
sita Marstini, Eddie Phillips, Andy De
Vine, John Boles, Flora Bramley, Jake
Bleifer, Kathleen Williams. Edward Mar-
tindel, Josephine Dunn. Director, Edward
Sloman. Adaptor-Scenarist, Al Colin. Pro-
duction supervisor. Carl Laemmle, .Jr.
"Edison, Marconi & Co."
(Roach-M-(,-\l— Two Reels)
(Reviewed by Chester J. Smith I
AS the title of this picture indicates, the gang
is revealed as a band of inventors, of which
Jay is the leader. Young "Wheezer" is his
assistant, and between than they contrive an
automobile of unusual construction, built along
the lines of a submarine. It is easy to imagine
some of the trick devices that are applied in
making the machine function.
There are eight port-boles in this car which
has ample room for the "gang," and it is self-
locking. When they are all within "Wheezer''
takes the occasion to step on it. and there starts
one of the wildest rides ever successfully
negotiated. "Wheezer'' proves himself a wizard
at driving, and the car plunges through all sorts
of traffic, while the "gang," with beads through
port-boles wonder just when the crash is coming.
On plunges the car through hair-raising epi-
sodes until a motor -cop jumps on the running
board and brings it to a temporary halt. As he
is writing out a ticket "Wheezer" steps on it
again, and makes bis getaway. There are some
extremely funny incidents and situations which
should keep almost any audience in an uproar
throughout It is amoug the best of the "Our
Gang'' comedies.
1154
Motion Picture News
"Code of the Mounted"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
ONCE in a while there is a story a little out
of the ordinary in this series of western
featurettes This is one of the type and it makes
an interesting two-reeler, with Jack Perrin
featured. Jack, of course, is of the mounted
police, and is in love with the daughter of the
Post Commander.
It so happens that Helen, the daughter, is
enamoured of one Silk Smith, who pretends to
be in love with her, but in reality is a border fur
robber. Jack runs down Pierre, one of Smith's
men, and gets from him evidence incriminating
Smith. Knowing of Helen's love for Smith,
Jack decides to give him a chance, and tells him
if he will go straight he will free him. Smith
agrees to show the mountie the hiding place of
the furs, but on the way there knocks Jack out
and makes his getaway.
Recovering consciousness, Jack rides to
Helen's house and arrives there just in time to
rescue her from being kidnapped. A fierce fight
ensues in which Smith is subdued, and then
Helen realizes it is Jack she loves.
"One Every Minute"
(Universal — One Reel)
THESE so-called Snappy Comedies, in which
Arthur Lake is starred, are really becoming
what the name implies. The stories of the past
few have shown a marked improvement over
those previously released, and this one is par-
ticularly good. Arthur's girl, Mary Marsh, is
to have a birthday, so he draws all his money
out of the bank to give her a real present.
Arthur's young sister, in telling this news to
a friend, is overhear by a crook who works a
ruse on him and gets all of his money. The
crook pretends to have lost a valuable bracelet
and offers Arthur $100 reward if he returns it.
A fellow crook drops a Woolworth bracelet at
Arthur's feet and Arthur offers to buy it for
$20. He then tried to find the man who offered
the $100 reward, but fails. He takes the bracelet
to the girl, who with Arthur's rival had pre-
viously seen it displayed in a Woolworth win-
dow for fifteen cents. The rival laughs, and
Arthur is humiliated. He decides to remain be-
hind at the girl's house while the others go to a
roadhouse. The crook enters to steal the presents
and Arthur completely subdues him as the party
returns and he is proclaimed a real hero. —
CHESTER J. SMITH.
"Rival Romeos"
(Universal-Cartoon — One Reel)
OSWALD and his rival have some lively
skirmishes to reach the abode of the fair
damsel. Oswald is in his flivver and the rival
in a high powered limousine, but the former
gets the better of the argument when they reach
a wide mud puddle, for Oswald's flivver is
equipped with stilts.
Arrived at his loved one's house, Oswald
serenades her and she descends just as the rival
drives up. As the two are engaged in lovely
combat a third suitor drives up in a motorcycle
with bathtub attachment and flees with the fair
maiden. The various characters are put through
a series of evolutions that should provoke con-
siderable mirth.— CHESTER J. SMITH.
"Bright Lights"
(Universal-Cartoon — One Reel)
OSWALD proves himself a flivver as a gate
crasher in this Walt Disney cartoon, which
is fashioned about the Cat Town Follies under
the big tent. He gets a peep through the tent
at the follies girls doing their stuff and, being
financially embarrassed, decides to crash the
gate.
The gate keeper is a pretty foxy boy himself
and repeatedly kicks Oswald out. The latter,
however, persists and manages to get in under
the Raccoon coat of a cash customer. He is
again observed and forcibly ejected, but not until
the entire tent show is demolished. There are a
few humorous situations, but too much repetition
to make this as funny as some of the others of
the series.— CHESTER J. SMITH.
"A Big Bluff"
(Universal — Two Reels)
(Revietved by Chester J. Smith)
THE McGinis family, as usual, manage to
get mixed up in a series of complications
and brawls in this rather humorous picture of
the Keeping Up With the Joneses series. It is
of the usual catch-as-catch-can variety of com-
edy, with situations and slapstick piling up with
great rapidity throughout.
Ma McGinis, determined to break into society,
invited the Joneses to meet the Count De Bate,
whom the detective at the last moment reveals
as a crook. In the absence of a Count, Pa
McGinis persuades the detective to assume the
role, which he does reluctantly. A series of mis-
haps result with the house in a turmoil. The
girl friend of the detective spies him through a
window, and joining the melee shows the de-
tective up in his true character as a general
free-for-all is precipitated.
This two-reeler is an improvement upon the
general run of the series. It has more of a story
than usual, and is better constructed with the
situations better developed than in most of them.
It should be good for many laughs in the neigh-
borhood houses.
"The Battling Duet"
(Fables-Pathe— One Reel)
/^\LD ALFALFA finds himself overmatched
in this cartoon of the prizering, though he
only agreed to serve in the capacity of referee.
The battle is a championship affair between
Kid Rufus and Battling Tiny Oswald. After
the scene is all set the gong sends the princi-
pals off and they settle in the center of the
ring to a game of checkers. Old Al attempts to
break them and one of the fighters turns on him
for a real lively encounter in which Al is bet-
tered.
There are a number of humorous incidents
in the training camps of the fighters, as well as
while the big bout is on, but it is somewhat
lacking in the comedy which sometimes charac-
terizes these cartoons.— CHESTER J. SMITH.
"Clothes and the Game"
(Sportlight-Pathe— One Reel)
GRANTLAND RICE has another interest-
ing Sportlight in which he compares the
sport apparel of the smartly-dressed of today
with those of twenty years ago. There is quite
some difference in the free and easy action per-
mitted by the modern garments when shown
alongside of the ankle length skirts that were
worn on the golf links and tennis courts of two
decades ago, and the cumbersome bathing suits
of the old days as compared with the new. All
in all the contrasts are entertaining and at the
same time the modish young girl of today pre-
sents a series of very pretty pictures on the
screen. It is a picture that should go well in
the better class houses.— CHESTER J. SMITH.
"Africa Before Dark"
(Universal-Cartoon — One Reel)
OSWALD has some real thrilling adventures
in this African jungle cartoon vehicle, out
of which Cartoonist Walt Disney got a lot of
humor. Oswald fares forth on his trained ele-
phant and extracts laughs even from the birds
and beasts. A baby tiger even humiliates him
by shooting him with his own gun.
But Oswald is not to be scared out by a baby
tiger, so he chases him into a hollow log, when,
to his horror, three ferocious lions come bound-
ing out. A terrific chase ensues, but Oswald
makes his escape on his faithful elephant —
CHESTER J. SMITH.
"The Finishing Touch"
(Roach-M-G-M— Two Reels)
(Reviewed by Chester J. Smith)
STAN LAUREL and Oliver Hardy are a
couple of dumb contractors in this very
funny Roach two-reeler, which also has in its
cast Dorothy Coburn and Ed Kennedy. It is
chock full of funny situations and gags, and is
good for a laugh a minute. Some of it, of
course, is very silly, but so much of it is good
that an audience will laugh at even the silliest
incidents.
The builder of a residence in a fashionable
suburb is halted through labor difficulties, so he
hires Stan and Babe to finish the job at a speci-
fied time, and thus win a large bonus. They
proceed diligently with their work until a pro-
test comes from Dorothy, who conducts a sani-
torium across the way and whose patients are
leaving her because of the noise.
At last the house is completed at the time
specified, but a bird lighting on the chimney
crumbles it just as the owner arrives for inspec-
tion, and the boys are prepared to collect their
bonus. Piece by piece the house starts to fall
apart as the constructors start a battle with the
owner.
"Blazing Away"
(Educational — Two Reels)
(Reviewed by Raymond Ganly)
LLOYD HAMILTON has not had so good
a laugh-maker as this one in many a moon.
But when he comes across with something funny
he does so with a vengeance. Well patterned
with an eye for eliciting guffaws, this vehicle
for Hamilton is excellent for your programs.
It will make them laugh real hard, not once, but
many times. They did not stint on the gags
when they produced this one.
Ham is a taxi driver who is captaining a foot-
ball team against rival taxicab drivers led by'
Kewpie Morgan. They stage a football game, a
game that's filled with effective laugh material.
There is no letdown in the comedy which keeps
hurtling over continuously. What happens to
Ham's taxi will also produce some laughs. A
very good short subject, and one which will be
a bright spot on any program.
Pretty Lucille Hutton is the girl for whose
favor Ham does his humorous best to win the
game. Others in the support are Al Thompson
and Jack Miller. Norman Taurog directed very
well.
"Barnyard Lodge No. 1"
(Fables-Pathe— One Reel)
THIS is perhaps the best that has been seen
in this series for a long time. It is
so full of laughs that it is almost a continuous
laugh, with the big climax coming when Al
Falfa, in the course of his initiation, is attached
to the home plate with a stout rubber cord and
used as a baseball.
Al is put through a number of unusual stunts
during the initiation and all of them are funny.
Finally knocked goofy, he is seen riding the sky
astride Pegasus with a beauteous maiden beside
him. When he recovers his senses his disap-
pointment is so keen he knocks himself out with
a hammer and resumes his pleasant ride —
CHESTER J. SMITH.
"Oozie of the Mounted
(Universal-Cartoon — One Reel)
OSWALD, with a mechanical horse, is the
mountie in this good cartoon, and he is on
the trail of Foxy Wolf, the villain, equipped
with a sled and a fast team of huskies. There
are some very humorous drawings as the chase
continues until Oswald overtakes his man and
is knocked cold with his own gun by the bandit.
The mountie is not to be denied, however, and
regaining consciousness again takes up the trail.
Once more he overtakes Foxy Wolf when a
huge grizzly bear comes upon the scene. The
bear pursues them both, but Oswald outsmarts
them by leading the chase right into the hoose-
gow and making his own escape through the
window.— CHESTER J. SMITH.
April 7, 1928
1155
onal News from Corresponden
THE truth of the ancient wheeze
about in the spring a young
man's fancy, etc., can readily be
verified at the Paramount-Famous-
Lasky exchange in Buffalo. On
top of the announcement last week
of the forthcoming marriages of
five persons connected with the ex-
change, comes the bland acknowl-
edgment from Gerald Yogerst, one
of the exchange's few remaining
bachelors, of his engagement to be-
come a benedict in the near future.
"That's half a dozen in two weeks
and spring's only beginning," mused
Bill Bork, booker.
V. G. Sanborn, salesman extra-
ordinary for the Buffalo branch of
the National Theatre Supply Com-
pany, reported quite a few sales on
his return this week from a trip
through the Rochester and Syra-
cuse territory. He reported, among
other things, that:
The new Loew's theatre in Syra-
cuse has purchased new projection
equipment ;
The Plaza theatre at Corning,
N. Y., has ordered two Motiograph
reflector arc lamps and two super-
light lenses. Gaby & Cohen oper-
ate this house ;
The Jefferson theatre in Roches-
etr, operated by Mr. Kaplan, has
bought a Hertner generator;
Chief Projection Engineer L. M.
Townsend of the Eastman theatre,
Rochester, gave Sanborn an order
for four new Simplex projectors,
specially constructed, with auto-
matically controlled Brenkert su-
per-spotlight ;
The Rochester theatre in Roches-
ter is installing three Superlite pro-
jection lenses ; the Princess theatre
in Rochester is putting in two new
Powers 6-B projectors with the
American Silver Sheet screen.
The Cameo theatre in Bingham-
ton bought two Simplex projectors
with complete booth equipment
from F. W. Spreter, another of the
National Theatre Supply Com-
pany's "go-getter" salesmen.
The Maxine theatre in Buffalo is
revamping the interior of the house
in an elaborate Spanish motif.
"Billy" West has taken over the
management of the Elk theatre in
Buffalo. "Billy" has been in the
theatrical business here for many
years.
The Palace theatre here, operated
by Michaels Enterprises, is putting
in two Motiograph reflecting arc
lamps.
Joe Miller, manager of the Tif-
fany-Stahl exchange in Buffalo,
has just returned from a trip to
New York, during which he con-
ferred with E. J. Smith, general
sales manager, and other officials
in the home office. Joe was highly
enthusiastic on his return.
William Lavery is opening up a
900-seat house, called the Cameo,
in Binghamton. The seats now are
being put in, along with other
equipment, and it is expected the
theatre will open its doors April
15th.
The Gem theatre at Oswego,
N. Y., formerly operated by M.
Osborn of Fredonia, N. Y., is go-
ing to be reopened, about the mid-
dle of April, by Charles P. Gilmore,
who runs two theatres there now,
the Orpheum and the Hippodrome.
Tom D. Sorriero, of the Roches-
ter theatre, Rochester, was in New
York last week, booking vaudeville
and pictures.
William Raynor, manager of the
Lafayette theatre, Buffalo, com-
muted between Buffalo and New
York several times in the past week,
arranging for future films and stage
attractions.
Jim Wallingford, an old trouper,
who has been operating the Star
theatre, is taking over the Hippo-
drome in Niagara Falls. He also
is taking over the Orpheum in Buf-
falo, and will reopen the Allendale
here.
Miss Edith Hunt is the new
owner of the Cozy Corner theatre
in Buffalo. She bought it from
Mrs. Frances Hill.
L. E. Chamberlain, of Batavia,
has taken over the New Ariel the-
atre in this city. It formerly was
operated by Dewey Michaels of
Michaels Enterprises.
W. E. Currie has taken over the
Linden theatre here from Samuel
Kramer.
The Park theatre in Lackawanna
has changed hands, passing from
Vincent Dziernowski to Mr. and
Mrs. Bernard Zabrowski.
John Nolan, manager of the Fox
Film Corporation exchange here,
who has been on the sick list for
some time, is back on the job
again.
James H. Crystal of the New
York office of the Motion Picture
Producers and Distributors of
America, was in Buffalo during the
week, making the rounds and ex-
changing greetings with the film
men hereabouts.
Miss Emma Abplanalp, secre-
tary of the Film Board of Trade
here, is looking forward expect-
antly to a trip to California in May
to attend the convention in Los An-
geles of secretaries of Film Boards
of Trade from all over the country.
Miss Abplanalp's popularity with
the film men in this territory is
matched only by the hard work she
is constantly doing in cooperating
with them.
Bookers and exchange men here
are welcoming Jack Berkowitz,
manager of First Graphic Pictures
exchange, back to the ranks. He
was absent for a time owing to a
siege of illness that confined him
to his bed.
Robert L. Macnabb, new mana-
ger of the Erlanger theatre, Buf-
falo, played host Friday, March 30,
to 200 students of St. Mary's In-
stitution.
H. M. Addison, manager of the
Great Lakes theatre here, will be
chairman of the carnival commit-
tee for the carnival and dance to
be given by the Motion Picture
Owners of Buffalo at the Broadway
auditorium on April 12. Vaudeville
and motion picture actors will par-
ticipate in the program. The pro-
ceedings will be filmed and shown
in the local theatres.
J. K. Burger of the accessory de-
partment in the New York home
office of United Artists, came to
Buffalo last week to rearrange
the poster room of the Buffalo ex-
change, and put in a new system.
James Savage, manager of the
Buffalo exchange of Chase Pictures
Corporation, is planning on taking
a trip to Albany during the week
of April 16.
The Educational exchange here
was visited during the week by J.
F. Burke, auditor.
Bill Tishkoff of Rochester was
in Buffalo last week and announced
he is closing the Pullman theatre in
Rochester permanently. He will
confine his attention henceforth, he
said, to the Murray theatre in
Rochester.
Frank Allen of Solvay, N. Y.,
an exhibitor, spent quite a bit of
time last week with "Genial El-
mer" Lux, F. B. O. booker here.
Messrs. Dilger and Tishkoff, two
of Rochester's veteran exhibitors,
will close the Palace theatre there,
on Joseph avenue, which has been
in operation for 15 years, immedi-
ately after Easter. The building
will be torn down and replaced with
a new and thoroughly modern
neighborhood house with a seating
capacity of 700.
Edwin Walsh has resigned from
the sales force of the First Na-
tional exchange here. He was con-
nected with the Buffalo branch for
the last five years.
Georgo Roberts of the New York
office of the Fox Film Corpora-
tion is visiting the Buffalo exchange
for several days.
Morris West of the firm of
Burpe & West of Montreal, who
own the Thurston theatre in
Rochester, visited nearly all of
the Buffalo exchanges last week.
Milwaukee
JACK YEO, of the Davison and
Odeon theatres at Beaver Dam,
came to the city late last Wednes-
day night on business.
George E. McKean, a Fox home
office representative, spent the past
week in the Milwaukee office. His
next stop will be Minneapolis.
Warren M. Ruttcr has been ad-
ded to the sales force of Pathe. Mr.
Rutter is from the Chicago office
of Pathe.
D. J. Leveque, manager of the
Grand at I^ake Linden, Mich., and
the Majestic at Hubbell, Mich., was
a recent caller at the exchanges.
Mr. Leveque plans to close the the-
atre at Hubbell very soon because
business does not warrant continu-
ing the house.
Ferd Felzman is no longer rep-
resenting First National in this ter-
ritory.
Harvey Hanson of the Palace at
Antigo was in the city recently.
Leslie Jacques, booker at M-G-
M., heeded the call of spring and
bought a new "Chewy" roadster.
Vitaphones will be installed in
five Milwaukee pre-release houses
and six of the larger theatres in the
state within the next few months.
By the 15th of April, machines will
be in operation at the Retlaw, Fond
du Lac, the Oshkosh at Oshkosh,
State at Racine, the Strand at
Green Bay, the Wausau at Wausau,
the Majestic at Beloit. The the-
atres in the city, the Oriental, Gar-
field, Uptown, Modjeska and
Tower, will be equipped by the first
of June.
Ray Kerridge of Hancock, Mich.,
Spent a few hours in the exchanges
recently. This has been Mr. Ker-
ridge's first visit in a long time.
Bol) Winnig has been added to
the M-G-M sales staff and is tak-
ing the place of Dick Werner, who
has returned to his home in Indi-
ana. Mr. Winnig was formerly
associated with Universal and Tif-
fany out of Milwaukee.
About 200 Milwaukee exhibitors,
exchange managers and employees
of exchanges gathered at a luncheon
meeting at the Colonial room of
the Wisconsin Hotel on Wednes-
day noon to hear the two candidates
tor mayor.
Eddie Casanavc, sales representa-
tive for Pathe, recently announced
the arrival of a daughter, Dolores
Three salesmen from other
brandies are traveling this territory
for M-G-M in an intensive sales
campaign for the next few weeks,
D. L Hammer from Indianapolis,
Eddie Iipson from New York, and
R. D. McRaden from Indianapolis.
1156
Motion Pi c t ur e News
Atlanta
MEMBERS of the fishing party
sponsored by E. J. Sparks,
of Jacksonville., Fla., prominent
theatre man, returned to their
homes last week with accounts of
a fine outing.
Mr. Sparks' guests met in Miami,
where they were met by Juan Car-
bonell, prominent exhibitor of Key
West.
Those in the party were E. J.
Sparks, of the E. J. Sparks Enter-
prises ; E. T. Brown, of Atlanta,
booker for the E. J. Sparks Enter-
prises; R. B. Wilby, of the Wilby
Circuit of Theatres ; W. H. Guer-
inger, of New Orleans, of the
Saenger Amusement Company; S.
Baum, of the Publix-Saenger and
Wilby Circuit of Theatres of
North Carolina; R. A. Benjamin,
of the E. J. Sparks Enterprises;
Harry Marx, of the Publix The-
atres Corporation, New York ; H.
C. Talley, of the E. J. Sparks En-
terprises ; William G. Minder, of
Atlanta, Southern division man-
ager of Tiffany-Stahl Productions;
James Strouck, of the Brooks Cos-
tume Company, New York, and
Lon Sparks, Shell Sparks, H. Stub-
berfield and Ike Mayfield, of Waco.
Texas.
After seven months in Atlanta
as director of publicity and adver-
tising of the Howard Theatre, J.
C. Furman has been transferred to
the Metropolitan Theatre in Hous-
ton, Tex.
Although no successor has been
named, it is understood that Jack
Chalman, who is now on a tour in
the West for Publix, will handle
publicity for the Howard on his
return to Atlanta the first of next
week.
Mr. and Mrs. Lewis H. Andrews
are receiving the congratulations
of their friends upon the birth of
a son. Mr. Andrews is well known
on Atlanta's Film Row.
An ap; coaching wedding of in-
terest on Film Row is that of Miss
Dorothy Buckley, of United Art-
ists, to C. A. Harrell, assistant city
manager at Cincinnati, Ohio, which
will be quietly solemnized April 7.
W. D. Patrick, who for many
years operated the Strand The-
atres at Dothan and Florela, Ala.,
and left Alabama to take over the
Kelsie City Theatre, Kelsie, Fla.,
has bought the Trojan Theatre,
Troy, Ala., and will return to his
home State.
Fred L. Freeman, veteran opera-
tor of the Alimar Theatre, Live
Oak, Fla., has sold his theatre and
bought the Fay Theatre in Jasper,
Fla. Mr. Freeman has already
taken over his new house.
A. C. Bromberg, president of
Arthur C. Bromberg Attraction,
accompanied by Mrs. Bromberg
and his brother, F. W. Bromberg,
and wife, left last week for a tour
through Florida.
W. E. Callaway, Southern dis-
trict manager for First National,
spent the week-end in the Atlanta
office.
With thirty cases on the calendar
for consideration, the Atlanta Joint
Board of Arbitration met Tuesday,
April 3, in the board's offices at 101
Marietta Street.
John Gentile, of the New York
office of Motion Picture Producers
and Distributors of America, was
in Atlanta last Monday while on
his way from New Orleans to New
York. He was accompanied by his
wife.
Recent Atlanta visitors were :
A. W. Maxey, of the Royal The-
atre, Summerville, Ga. ; R. E.
Long, of the Grand Theatre, Ce-
dartown, Ga. ; Carl Cape, of the
Colonial Theatre, Buford, Ga. ; W.
H. Odom, of the Pastime Theatre,
Sandersville, Ga. ; P. J. Henn, of
the Bonita Theatre, Canton, Ga. ;
L. H. Stein, of the Douglas The-
atre, Macon, Ga. ; Fred H. Weis,
of the Savannah Theatre, Savan-
nah, Ga. ; H. V. Manning and J.
C. H. Wink, of the Manning and
Wink chain of theatres ; F. E.
Williamson, of the Grand Theatre,
Winter Haven, Fla., and H. D.
Harris, of the Globe Theatre, Cor-
dele, Ga.
Florida
GF. BLETHEN, representing
• "Liberty," visited the Tampa
exhibitors last week. Fred Barnes,
who formerly represented the
company in this territory, is now
working for the United Artists.
The Cuban Club in Ybor City
have a beautiful theatre in connec-
tion with the club house. The the-
atre has been used for theatrical
performances but never operated as
a picture house. It is now reported
that F. A. Nobles has leased the
theatre and will install the projec-
tion equipment and present motion
picture programs, starting early in
April.
Fred A. Gleason has purchased
the Rel iance Theatre, Clermont,
from Mr. and Mrs. D. L. Mor-
rison. Mr. Gleason came to
Florida recently from Greenville,
Mich., and intends to make Florida
his future home. In his home city
he operated a drug store and an in-
surance and real estate business,
besides holding the office of police
judge for 14 years and other mu-
nicipal offices. He is a Mason, and
has been Master and High Priest
of the Greenville bodies.
Seen along Tampa's rialto this
week, Mr. and Mrs. G. F. Blethen.
Mrs. Blethen is accompanying her
husband on his initial Florida trip
in the interest of Liberty, and says
she is enjoying the vacation. O. S.
Hammer, manager of the Princess,
Lakeland ; Paul Lavereants, man-
ager of the Jungle at Homosassa,
and his son ; G. F. Christopher, a
former exhibitor, who has deserted
the game and is now manufactur-
ing a preparation for constipation,
which he says "looks like a for-
tune" ; A. C. Thornton, former
manager of the Seminole and
Rialto in Tampa, who promises a
story soon on a new show shop he
is interested in.
Work is progressing nicely on
the new theatre in the Hyde Park
district of Tampa. This will he
the first "house" on the west side
of the river. The former attempt
was an "airdome," which operated
a few months several years ago.
Jack Hodges, who has been ad-
vertising manager at the Florida
Theatre, Jacksonville, was trans-
ferred on Friday of last week to
Winter Park as manager. Mr.
Hodges is very popular in Jackson-
ville and the good wishes of many
friends will follow him to his new
position. Lee Newsome succeeds
Mr. Hodges at the Florida as ad-
vertising manager.
Manager C. P. Lester, of the
Universal exchange, was in Miami
last week.
Manager C. B. Ellis, of F B O
exchange, was in Jacksonville last
week.
Frank Dowler, southeastern dis-
trict supervisor for Publix, was a
recent visitor to the Jacksonville
offices of Publix.
M. S. Hill, district supervisor
for Publix in Atlanta, was another
visitor to Jacksonville early last
week.
Walter League, who made a
great showing at the Florida The-
atre, St. Petersburg, has been
transferred to the Olympia, New
Bedford, Mass., taking his orches-
tra leader, Don Charno.
Jess Clark, district manager from
Publix, left Jacksonville last Tues-
day for Miami. Mr. Clark has
been very busy in his territory of
late.
Chicago
CH. POWELL has been ap-
• pointed representative of Na-
tional Screen Service and will cover
northern Illinois. Mr. Powell is
well known in Chicago territory,
having been connected with various
exchanges in this city for many
years.
L. J. Bennett, manager of the
Rialto Theatre, Pekin, Illinois, was
visiting on film row this week. An-
other out of town visitor who was
seen on the row was Otto G. Hy-
man of the Arlington Theatre at
Arlington Heights, Illinois.
Harry Salkin has been up in the
air recently, having decided to study
aviation, and progressed far enough
to take his preliminary flights.
Harry Weiss, for many years one
of Chicago's popular exchange man-
agers and whose resignation as
manager of First National's St.
Louis exchange was reported two
weeks ago, is now connected with
F B O as manager of the latter
company's St. Louis branch.
Charles House, who left Chicago
a few weeks ago to take over the
Midway Theatre at Rockford, was
a visitor on film row last week and
reported that business is good at
the Midway.
Lubliner & Trinz, officially will
take over the Varsity Theatre,
Evanston, on April 9th. This house
has been operated by Clyde Elliott
since its opening.
Work has been started on the re-
construction of the old Lyric The-
atre at Mounds, Illinois, which was
destroyed by fire in February. The
house which is about ready to open,
will seat eight hundred and will be
operated by Wagher-Tobin Thea-
tres Company. .
It is reported that Sullivan,
Illinois, is to. have a new motion
picture theatre, W. C. Anderson and
H. S. Butler of Hillsboro, having
made plans for the erection of the
house.
A pril 7
19 28
1157
Pittsburgh
IT is announced that the new
theatre which the Harris
Amusement Company is erecting in
West Liberty avenue, Dormont,
will be ready' to open May 1st. It
is to be called the Harris South
Hills theatre.
The theatre will have the largest
seating capacity of any of the
neighborhood houses in the city.
William "Dad" RcukafT, for-
merly elevator operator at the film
building, 1018 Forbes, is now at
the M G~M exchange in charge of
the film renovating machine.
Jess Fishman, general sales man-
ager for Standard Film exchanges,
was a recent visitor to the local
branch.
A large delegation from film row
was present at the Hippodrome the-
atre, northside. Friday evening,
when Phil Stewart put on his usual
Friday amateur night. The film
rowites turned out to see and hear
Jake's Lunch Room Film Row
CXiartette, which took part in the
show : others being Jim Xash, Ray
O'Toole, Stewart Wineberg and
Commander Bird.
"Bill" Ownie, well known to lo-
cal film men, having been division
manager for Standard, has resigned
to open an independent exchange
of his own in Cleveland. For a
start Bill is distributing Rayart and
Gotham productions.
The engagement of Miss Ethel
Soltz to Irving Sommerman has
just been announced. Miss Soltz
is the daughter of Reuben Soltz,
former local exhibitor.
Carol S. Trowbridge, personal
representative for Douglas Fair-
banks, paid a short visit to the
United Artists Exchange last week.
David Silverman, Fox booker,
and Miss Fanny Mann have an-
nounced their engagement.
Ike Browarsky of the Hippo-
drome and Variety Theatres North-
side as well as the Rex in East
Liberty, have returned from a two
weeks trip in New York. Ike
mixed business with pleasure.
Film salesmen who have recently
visited California, Pa., report that
the Brown Bros., who have taken
over the Grand theatre there, are
making good with a bang and as
they are newcomers in the game
this is good news to all.
Al Clazer. owner of the Lorenz
theatre, Elliot, is spending a week's
vacation at his old home in Scran-
ton.
Edward McGurty, for several
years a Pathc salesman and who
has been working in California for
the past few months for the benefit
of his health, has returned to
Pittsburgh, feeling and looking
much younger and better. Ed ex-
pects to work this territory again.
Miss Marcella Boden, formerly
with the A. & S. exchange, is now
associated with the Superior Mo-
tion Picture Supply Co.
J. R. Kaufman, recently a mem-
ber of the Pathc sales force, is now
with United Artists in the same ca-
pacity.
Joseph Skirboll, at one time First
National exchange manager and
now general manager for Principal
Theatres Corp., stopped off in
Pittsburgh Monday on his way to
the coast.
M. R. Baer has reopened the Ly-
ric theatre, Altoona, after having
the house redecorated.
Bud Silverman, general manager
of Gould Amusements, was married
in Scranton, March 11th, to Miss
Margaret Ourslander.
Saul Fineberg, manager of the
Rialto theatre, 1600 Fifth avenue,
announced his engagement to Miss
Fan Farber. It seems that every-
body's doing it.
Harry Barnhardt. owner of the
Palace theatre, Charleroi, one of
the oldest picture houses in coun-
try, has acquired the Rialto theatre,
Wilson. Harry Reader will man-
age the house, formerly of the Ma-
jestic, Charleroi.
E. C. Clawson has bought the
Coudersport theatre in the town of
the same name from H. E. Clane.
Nat Barach, once manager of the
Goldwyn exchange in this city, has
recovered from a recent sick spell
and is now representing Vitaphone
locally. Nat is eastern division
manager.
Recent exhibitor visitors to film
row include the following: "Jim-
my" Retter, California; Joseph
Mercer, Warwood ; Don Fitzger-
ald, Ilillcoke and Jerome C. B. Pas-
coe, Somerset ; Walter Silverberg,
Greenville; Carl Becker, Butler;
Paul Dattola, Springdale ; William
Gray, Monongahela City ; Bart Dat-
tola, New Kensington; J. M. Booth,
Elsworth and Bentleyville ; Jack
Marks, t'larksburg; Morris Schaf-
fel. New Brighton ; John Zwick,
Finleyville; B. E. Cupler, Wash-
ington ; Samuel Haimovitz, New
Kensington, and Vernon Scott,
Johnstown.
A. Harry Passharell, chief ac-
countant at the Paramount ex-
change, is a proud daddy for the
first time. Mrs. Passarcll having
presented him with a baby girl
weighing seven and a half pounds.
Mother and daughter are doing fine
and congratulations are in order.
W. R. Evans, having reopened
his Evans theatre at Osage, West
Va., which he has entirely rebuilt,
the house having been badly dam-
aged by fire a few months ago. The
Evans seats 308 persons.
H. B. Kcster, owner of the East
Liberty Camerophone theatre,
doesn't visit film row very often,
but he came out last week to re-
new acquaintances.
South West
JE. Busch has recently closed
« his theatre, the Majestic, at
Devvar, Oklahoma.
Glen Thompson, owner of the
Cozy Theatre, Healdton, Oklahoma,
advises effective immediately, he is
closing this theatre with the ex-
ception of Saturday-Sunday nights
until Fall.
Frank Smith, Jr., who has been
operating the Cozy Theatres at
Fairland and Afton, Oklahoma, has
disposed of his interest in these
theatres and gone to Kansas where
he will join his father in the lum-
ber business. Mr. A. Walker, for
some time connected with Dudley
Tucker in the Wonderland Theatre
at Tulsa is negotiating for the
Afton and Fairland theatres.
T. A. Megert has closed the
Universal Theatre at Bessie per-
manently.
Wayne E. Pettenger, Booker for
Pathe, has been off duty several
days this week suffering from a
light attack of "flu."
The School Theatre at Supply,
Oklahoma, has been closed per-
manently.
H. G. Williams, who was con-
nected with his father, W. T. Wil-
liams in the operating of the
Quannah Theatre, Commanche,
Oklahoma, until that theatre was
sold, lias now taken over the Rialto
Theatre at Fletcher, Okla., from
Mr. M. C. Upchurch. The elder
Mr. Williams has been forced to
retire from active business on ac-
count of ill health.
W. D. Tarkington is reported to
be taking over the Miller Theatre
at Keota, Oklahoma, and the Emp-
ress Theatre at McCurtain, Okla-
homa, from Lester Miller.
Kemp and Hughes, of Poteau,
Oklahoma, added another theatre
to their chain of theatres in Okla-
homa and Arkansas when they re-
cently purchased the New Theatre
at Horatio, Arkansas.
Dr. R. L. Wright, owner of the
Princess Theatre afTalihina, Okla-
homa, has resumed active operation
of his house. Dr. Wright decided
several months ago to give up ac-
tive participation in the operation
of this theatre and devote his per-
sonal attention to his profession,
but after a few months' absence
from the theatre decided to get back
in the game.
R. P. Waid advises he is giving
up the Liberty Theatre at Bixby
and the Majestic Theatre at Jcnks
and leaving the exhibition game
temporarily. Mrs. M. L. Moody,
the owner of the Bixby house is
taking the house over and H. C.
Sheram is assuming management of
the Jenks house.
L. C. Griffith, of the Griffith
Amusement Company, recently
made a hurried trip to Midland,
Texas. Missing his train in Okla-
homa City, Mr. Griffith summoned
an airplane and arrived in Midland
on scheduled time.
Harry Scott. Assistant General
Manager for Pathe, spent several
days in Oklahoma City last week
visiting at the local office and with
C. W. Allen, local manager.
J. X. Byrd, salesman for Metro
out of Oklahoma City, had the mis-
fortune to have an automobile acci-
dent while on the road recently.
Aside from a few minor injuries,
from which he is rapidly recover-
ing, the accident did not prove to
be very serious. The car was
slightly damaged.
The local Metro office has just
been visited by C. E. Kessnich,
Southern Division Salesmanager,
with offices in Atlanta and J. H.
Zimmerman. Southern District
Salesmanager out of the Home
Office.
P. H. Isley. manager for Mid-
west Film Corp.. has just returned
from a brief visit in Kansas City.
C. D. Jackson, who for a num-
ber of years operated the Camera
Theatre at Stillwater. Oklahoma,
lias recently become affiliated with
the Advance Trailer Service Com-
pany out of Amarillo, Texas.
C. J. Mussehuan has sold his in-
terests in Grand, Plaza and Cozy
Theatres at Patris. Texas to Dent
Theatres, Inc.
Gus A. Doering of Southern Pipe
Organ Co., has purchased control-
ling interest in Palace Theatre at
Terrell, Texas, from Hunt & Gar-
land.
The newly remodeled and en-
larged Palace Theatre at Mount
Pleasant, Texas, has reopened.
EMPIRE FILM VAULTS, INC.
723 Seventh Ave., N. Y. Bryant 5437-5736-2180
STORAGE OF MOTION PICTURE FILMS
1158
Motion Picture N e w s
New England
THE new Embassy theatre at
Waltham, Mass., will open
within the next month. It will be
one of the largest theatres in subur-
ban Boston. Its seating capacity is
2250. W. H. Murphy, who has had
wide experience in managing the-
atres in New Bedford, Boston, Ha-
verhill and Roxbury, is to manage
the new theatre. The structure is
of Spanish style architecture.
The Elite theatre at Walpole,
Mass., will open in about three
three weeks. The theatre has been
closed for extensive remodelling,
following a recent fire there.
The Bellevue theatre at St. Al-
bans, Vt, of which Carlisle & Be-
dard are owners, is installing new
equipment and will soon reopen.
Mr. Bedard was in Boston last
week purchasing equipment and
preparing for bookings. The the-
atre was damaged by fire about a
month ago.
George Hackett of the Medford
theatre, Medford, Mass., has re-
turned from a vacation at Palm
Beach and Miami.
Laurence DeCain, manager of
the Riverside theatre since its open-
ing, has resigned.
Phil Smith of the Strand the-
atre at South Boston is recuperat-
ing after his recent serious illness.
He leaves within a few days for a
rest at Atlantic City before return-
ing to duty.
Charles Wilson has joined the
sales staff of Tiffany and will
cover Western Massachusetts and
Rhode Island.
The bowling team of the Inde-
pendent exchange met defeat at the
hands of Allen's film row lunch by
68 pins Saturday night.
The Pastime theatre at Franklin,
N. H., has been purchased by the
Graphic Circuit of Bangor. Kur-
son and Epstein are the proprietors.
Charles Bean, former owner of
the Pastime at Franklin, N. H., has
entered the billboard business and
will cover the entire state of New
Hampshire.
The new Palace theatre at Ha-
verhill, Mass., opened on Monday
with a special program, including
addresses by state and city officials.
Samuel Jansky is owner and Al
Brodie is the manager. The the-
atre seats 1900 and is one of the
largest in that section of the state.
It will show one feature and a stage
presentation.
The Academy theatre at Haver-
hill, Mass., which has been oper-
ating four days stock and three
days pictures weekly, will, with the
opening of next season, operate
seven days stock and discontinue
pictures. It is probable that pic-
tures will run during the summer
season. Edmund Foley is manager
of the theatre.
Community theatre at Liberty,
Me., has been acquired by C. H.
Wellington.
It has been rumored that the Chat-
ham theatre at Chatham, Mass.,
was to change hands. This rumor
is denied by T. H. Bearse, owner,
who declares that he will continue
to operate the theatre as in the
past.
The Strand theatre at Rockland,
Me., owned by the Dondis Amuse-
ment Co., has been taken over by
the Rockland Amusement Co.
The Bijou theatre at Taunton is
closed temporarily.
Harry Smith, booker at Pathe,
has purchased one of the new sport
model Buicks.
Messrs. McAloon, Knipsell and
Adams, traveling auditors from the
Pathe home office, have been in
Boston for the week at the Boston
exchange.
Miss Elizabeth Donnelly, billing
clerk at the Pathe exchange, Bos-
ton, is back at her desk after an
absence of three weeks, following a
throat operation.
Gerald Swaebe has taken the
Kolograph agency for New Eng-
land and opened offices and sales-
rooms at 44 Church street, Boston.
Swaebe was formerly in charge of
educational subjects at Pathe.
Charles Mooney of the Plymouth
theatre at Plymouth was a recent
visitor to the film district.
Fred and Arthur Sharby of
Keene, N. H., and Brattleboro, Vt.,
were in film row during the week,
making bookings for the new sea-
son.
A change of policy is announced
for the Carleton theatre at Provi-
dence, starting this week. A full
week's showing of feature films
will be made instead of the former
two changes weekly.
The Plaza theatre at Worcester
started this week showing pictures
in place of burlesque.
Central Penn
THE twenty-fifth anniversary of
the organization of Harris-
burg Local, No. 98, International
Association of Theatre Employes
and Motion Picture Machine Op-
erators of the United States and
Canada, was celebrated with a ban-
quet and picture show on Sunday
evening, April 1, in the ball room
of the Penn-Harris Hotel, Harris-
burg. The managers of all the
Harrisburg theatres were present,
and the list of invited guests in-
cluded also William F. Canavan.
international president; R. J.
Green, secretary and treasurer ;
Harry Digman, assistant president,
and W. D. Lang, head of the or-
ganizing and claims department, all
of New York. William J. Harrer,
international vice-president, and
Louis Krouse, business representa-
tive, both of Philadelphia, and
Mayor George A. Hoverter, of
Harrisburg. The State Theatre
orchestra provided music. The
committee in charge of the banquet
consisted of A. L. Cobb, stage man-
ager at the State, chairman; L. J.
Katz. H. B. Wilson, Chares Kohr
and William S. McCay, Jr.
Mrs. Catherine Pfenninger has
been engaged as organist at the
National Theatre, Sixth and Di-
vision streets, Harrisburg.
Manager Wilson, of the Rialto
Theatre, Williamsport, has re-
turned to that city after a trip to
the Vine street exchange district
in Philadelphia, where he is un-
derstood to have arranged future
bookings for his theatre.
The Imperial Chain Theatres,
Inc., capitalized at $100,000 and or-
ganized in Pittsburgh, obtained a
Pennsylvania charter of incorpora-
tion in the capitol at Harrisburg on
March 27. The treasurer of the
corporation is H. J. Braun, 3842
Douglas street, Pittsburgh, who
also is one of the incorporators,
holding 100 shares of stock. The
other incorporators are Myer Har-
rison, 1823 Wightinan street, Pitts-
burgh, 100 shares, and D. J. Selz-
nick, Terrace Court Apartments,
Pittsburgh, 100 shares.
M. Clyde Gibble, manager of the
State Theatre, Harrisburg, has of-
fered the use of the theatre to a
group of prominent Harrisburg
women for a reception on April 12,
and the offer has been accepted.
O. Floyd Hopkins, district rep-
resentative of the Wilmer & Vin-
cent Theatres of Harrisburg and
Reading, who has been chosen man-
ager of the annual "Cruise" of the
Harrisburg Chamber of Commerce,
announced at a dinner of the Cham-
ber on March 27 that the four-day
tour this year will be to Toronto
and return.
Mr. and Mrs. George M. Krupa,
owners of the National Theatre,
Harrisburg, have announced that a
new ventilating system will be in-
stalled there in advance of the com-
ing hot season.
Baltimore
A THEATRE is to be built in
Bristol, Tenn, by the C. A.
Goebel Theatre Interests with a
seating capacity of about 1800.
The moving picture theatre at
Easton, Md., of which Charles C.
Cannon is the operator, was de-
stroyed by fire recently which dam-
aged other property also causing a
loss of about $20,000.
Antonio Abato, clarionet player
in the orchestra at the Rivoli, was
operated on for appendicitis at
Franklin Square hospital recently.
Benjamin Cluster, proprietor of
the Cluster Theatre, here, a neigh-
borhood house with about 900 seats,
has just installed mechanism for
showing Vitaphone productions.
An entertainment for the news-
boys of the Baltimore Daily Post,
was given at Loew's Parkway Sat-
urday morning, March 31. The en-
tertainment was arranged by Junior
McGeehan, publicist for the Loew
Theatres here.
Lillian L. Fox, who was the
publicity representative of the Mo-
tion Picture Guild, Inc., in Balti-
more for several weeks when the
Little Theatre was opened here, has
become connected with the Play-
Arts Guild, Inc., operating the
Guild Theatre here. She is arrang-
ing theatre benefit parties.
Bernard Schnapper, handling mo-
tion picture advertising for the
Baltimore Daily Post, a tabloid
newspaper here, has again become
associated with Warners' Metro-
politan here as publicity repre-
sentative under the new manage-
ment of Equity Theatres Corpora-
tion of Philadelphia, with Jack
Levy acting as resident manager.
The Dixie Theatre, here, for-
merly operated by Nat Keene, a
pioneer film man of this city, has
been leased by Phillip J. Scheck,
another pioneer in the business, and
he plans to renovate and remodel
the property to reopen as a mov-
ing picture theatre again. Mr.
Scheck is interested in operating
the Keith's Hippodrome, the Grand
and Lord Baltimore Theatres, here.
April 7 , 1928
1139
TED EMERSON, for the last
several seasons associated with
the dramatic department of one of
the Portland, Ore., newspapers, ar-
rived in this city last week to as-
sume the office of director of ad-
vertising and publicity for Publix's
new Seattle theatre. Complete ad-
vertising offices have been estab-
lished in the theatre for Mr. Em-
erson, and the publicity and space
for the Seattle has been entirely
divorced from the advertising de-
partment of West Coast Theatres,
which now handles only the Fifth
Avenue and United Artists The-
atres, from headquarters in the
Skinner building.
A. F. Gangel, representative of
Advance Trailer Service Corpora-
tion of New York and Chicago,
spent a short time in this territory
last week, following the establish-
ment of a branch office in Port-
land.
Word was received in film circles
last week to the effect that the in-
terests of R. S. Rowen in the Mey-
ers and Bowen Theatre Company
of La Grande, Ore., were purchased
recently by Francis Greulich. Ac-
cording to the report, Don Meyers
will continue to operate the chain,
including the Star, Liberty and Ar-
cade theatres, with Mr. Gruelich
as the new partner.
The Fifth Avenue theatre in this
city was turned over last Mondav,
Tuesday and Wednesday to a list
of Seattle music patrons, for the
presentation of four performances
by the Chicago Civic Opera Com-
pany. Reports from the opera en-
gagement, just announced, indicate
a gross of $41,000 to offset costs of
?62,000.
Ben F. Shearer, head of the B.
F. Shearer Company of Seattle, last
week announced the acquisition of
the biggest seating contract in the
history of the Pacific Northwest —
the seating of the new Seattle Civic
Auditorium building. Mr. Shearer,
Northwest representative of Hey-
wood- Wakefield, will install more
than 7,000 seats in the new struc-
ture when it nears completion next
June.
F'riends of Dick Fairless, for-
merly associated with Al Knox in
the publicity and exploitation field
in this city, will be glad to learn of
his association with First National
in Butte.
Jack Lannon, president and gen-
eral manager of Greater Features,
Inc., last week was host to Mr.
Budd Rogers, vice-president of
Gotham Productions, whose films
are handled throughout several
Northwest states in Mr. Lannon's
branches.
After three or four weeks of
struggling to put the house across
with local residents, Joe Danz last
week closed his Liberty theatre, ac-
quired just a month ago from West
Coast. Future disposition of the
house is unknown.
Among the infrequent visitors on
film row seen last week was E. A.
Zabel, of Olympia, who spent a big
portion of the time with Manager
Les Davis and Exploitation Di-
rector A. J. Kennedy, of First Na-
tional, planning a big campaign for
the state capitol.
Wrord was received last week at
the Columbia Film Exchange to the
effect that Joe Goldburg, former
West Coast booking manager, will
arrive here soon on his first trip as
western district manager for Co-
lumbia. His appointment was made
last week, and he will supervise the
Seattle, Portland, Butte, Salt Lake
City, Denver, San Francisco and
Los Angeles branches. He suc-
ceeds John C. Ragland, who spent
a short time in this city just a few
weeks ago on his final trip.
Fred Quimby, short subject sales
manager of Metro-Goldwyn-Mayer,
has been spending the last several
days at the hospital in this city, re-
covering from an infection in his
back. His condition was reported
as not serious, but requiring medi-
cal treatment at the hospital.
Local friends of Tony Hartford,
at one time shipper of the Univer-
sal exchange in Seattle, were
pleased to learn last week of his
appointment as manager of the
"U" branch at Salt Lake City.
Joe Danz's three houses in
Seattle, the Embassy, Rialto and
Liberty, are now reported to be on
the non-union list, following dif-
ferences between Mr. Danz and the
musicians organization. The walk-
out of union musicians was fol-
lowed at the Danz houses by a
walk-out of operators and janitors.
Cause of differences was not an-
nounced.
John McGill, veteran Northwest
exhibitor, will move into his own
theatre at Annapolis, Washington,
early in April, according to reports
received last week, when his lease
on the Community theatre at Port
Orchard expires. The new Annap-
olis house has been entirely remod-
eled for Mr. McGill's occupancy,
lie will also continue operation of
the Liberty theatre in Port Orch-
ard, and has also acquired a site
for a new 450-seat house in that
town. Beckman & Thompson, of
Seattle, are taking over the opera-
tion of the Community theatre.
Jack Rosenberg, brother of Al
Rosenberg of De Luxe Theatres,
Inc., of this city, and formerly as-
sociated with his brothers Al, Louis
and Mike in the film business, last
week announced his engagement to
Miss Thelma Ballen of Los Ange-
les. Jack is at present associated
with Loew's State theatre in the
Southern California city.
rlPHERE continues to be consid-
1 erable sickness among film ex-
change managers and salesmen, as
well as exhibitors in this territory.
Edward Hayes, "alesman at the
Pathe exchange, was sick in bed
last week with an attack of the
grip. Nate Robibns. of Utica, is
back from a trip to Atlantic City,
having recoverd from the grip.
William Smallcy, of Cooperstown,
is still seriously ill at his home,
while J. J. Whalen, owner of the
Strong theatre in Burlington, Vt.,
is recovering from a slight opera-
tion. Louis Buettner, of Cohoes,
who has been very sick for the past
several weeks, has recovered to the
extent that he was able to be out
for a short time during the past
week.
Sam Burns, one time local mana-
ger for Vitagraph, and who has
been working for L'nited Artists in
the Syracuse territory, resigned
last week, returned to Albany, and
then went on for a few davs in
New York City. S. E. Feld, also
well known locally as a film sales-
man, resigned from the same com-
pany during the week.
Miss Jane Holloran, former sec-
retary of the Albany Film Board
of Trade, and who is now em-
ployed by Universal in New York
City, spent the last week end at
her home in Albany.
Sam Slotnick, of Utica, was
among the exhibitors on Albany's
Film Row during the week, Mr.
Slotnick arranging bookings for
the new Lincoln in Utica. Amos
Leonard, former sales manager for
Pathe out of Albany, is in Syra-
cuse, and will announce new con-
nections soon.
Walter Emig, owner of the Cen-
tral theatre in Albany, has decided
to cut out all matiness except on
Saturday, until next fall.
Julius Berinstein, owner of the
Colonial in Albany, returned home
last week following a trip of sev-
eral days to New York City and
other points. Lee Langdon, former
booker at the Warner Bros, ex-
change in Albany, is now in New
York City.
The Eagle theatre, in Albany,
after having been closed for sev-
eral days on account of a fire in
the projection room, was reopened
during the past week. A new pro-
jection machine and other api«r-
atus was necessarily installed by
Abe Stone.
Lew Garvey, who has been asso-
ciated with the management of the
Olympic in Watertown for the past
several months, has resigned to be-
come master of ceremonies at a
cabaret in Springfield, Mass.
When Tony Veiller severed his
connections with the Mark Ritz
last week in Albany, the employees
of the house presented him with a
gold pen and pencil suitably in-
scribed.
Jimmy Rose, booker at the War-
ner Bros, exchange in Albany, is
more firmly convinced than ever
that he was born under an unlucky
star. One day last week a large
truck passing film row, got out of
control and although there were a
half dozen or more automobiles
parked along the curb, the truck
crashed into Mr. Rose's car and
badly damaged it.
Mike Kallet's new theatre in
LTtica, will be known as the Lib-
erty and will open soon. During
the past week the Kallets have ac-
quired quite a few new theatres in
central New York, and it is said
that further expansion is probable.
There was a newcomer along Al-
bany's film row last week in the
person of W. J". Finn, who oper-
ates theatres in Madison, Eaton,
Munnsville and Vernon. He drove
down with Len Garvey, of New
Hartford.
Miss Margaret Wolf, secretary
to Nat Ixvy, local manager for
Universal; had a birthday last week
and enjoyed every minute of it.
Fxhibitors in northern New
York complained of business last
week with Monday so -warm that
people stayed away from the the-
atres.
Phil Hodes, of New York City.
connected with F. B. O., was in
town during the week. Incidentally,
it came to light during the week
that Al Guteck, local manager, was
formerly a public speaker and trav-
eled over a circuit in the Middle
West.
M. R. Hamilton, who has been
manager of the Strand in Schenec-
tady for some little time, resigned
during the past week in order to
go with Publix in Boston. Lew
Fischer, of Fort Edward, was in
Albany during the week, booking
for his theatres along the north-
eastern border. Jack Bulwinkcl,
who resigned as manager for First
National a few days ago, spent a
part of last week in New York
City.
Jake Golden, manager of Proc-
tor's theatre in Troy. si>ent a por-
tion of the week in New York
City. Jack Campbell, manager of
the Griswold in Troy, is now put-
ting on a dance contest over a
period of several weeks.
Charles Marshall, of Ausable
Forks, in town during the week,
declared that the past winter was
one of the best he had ever known,
due to open roads.
Russ Wehrlc, the new manager
for First National in Albany, and
Ed Hochstim, a salesman, spent
nearly all last week in visiting the
exhibitors in Hudson river towns.
1160
.1/ o t i o ii P i c t u r e .V e w s
New York & New Jersey
FRIENDS and business asso-
ciates tendered Peter Adams,
well known New Jersey exhibitor,
a testimonial dinner at the Alexan-
der Hamilton Hotel, Patterson, on
Monday April 2nd.
William and Harry Brandt,
heads of Brandt Theatrical Enter-
prises, further expanded their
Brooklyn theatre holdings when
they recently acquired the Empress
theatre, Empire Boulevard and
Kingston Avenue, Brooklyn, N. Y.
The Empress is practically a new
theatre, having been opened only a
short time ago by John Padula and
who has operated the house up un-
til it was taken over by the
Brandts.
As near as records show, Brandt
Bros, now control eleven theatres ;
the Carlton, Bunny, National,
Parkside, Stratford, Biltmore, Duf-
field, Cumberland, New Atlantic,
Terminal and Empress, all in
Brooklyn.
Although the Hollywood theatre,
78th street and New Utrecht Ave-
nue, Brooklyn, has changed hands
three times in the past seven years,
Leonard Victor, manager, has
weathered all three changes for he
is retained in his old position under
the Hollywood's present owner-
ship. This is a record which any
theatre manager may be proud to
hold. Al Friedlander is the new
owner, it being announced last week
in these columns that he had taken
over the house from M. R. Schec-
ter.
Al Moley and Eddie Seider are
handling their own bookings on mo-
tion picture presentations since
Eddie Smith handed in his resig-
nation in order to become associated
with Schmukler's State theatre,
Ozone Park. Al Moley was re-
cently mixed up in a taxi mishap
but outside of a little shaking up
came out of it o. k. Al was par-
ticularly concerned over his vocal
chords which he has been carefully
oiling up for the opening day of
the baseball season.
After a particularly busy several
months in matters of taking over
and building theatres, Louis
Schmukler is treating himself to a
two weeks' vacation.
Rumor has it that Loew Thea-
tres, Inc., has recently acquired the
Eberson-built atmospheric theatre,
the Universal, New Utrecht Ave-
nue, Brooklyn. The Universal has
been operated by Universal Thea-
tres since its opening and it is
claimed to be the first house of its
kind to have been built in this ter-
ritory. The house policy is vaude-
ville and pictures. Loew has a
house, the Boro Park, only a few
blocks away from the Universal
also running pictures and vaude-
ville and it may be that this is but
another one of the reports which
somehow gain headway along the
local curb.
The De Kalb theatre, De Kalb
Avenue, Brooklyn, is again present-
ing a Sunday program of pictures
and vaudeville.
Vincent Fizzerotti, owner of the
Victory theatre, Thirteenth Avenue
and 74th Street, Brooklyn, has re-
cently remodeled this house into a
strictly up-to-the-minute playhouse.
Mr. Fizzerotti is the holder of con-
siderable property in the neighbor-
hood of his theatre.
Overseating conditions, a favorite
topic of conversation among local
exhibitors, has evidently been con-
versed of so much that a committee
composed of T. O. C. C. men will
start an investigation.
The Mecca theatre property,
which includes a 2,000 seat house
on the lower East Side operated
by Steiner and Blinderman, was re-
cently auctioned off, according to
report. The theatre is said to have
not been directly affected by the
change.
Harry Crull and John A. Mat-
thews are the managing executives
of the newly opened Stanley State
theatre, Jersey City. Mr. Crull is
the cliief and is also in charge of the
Branford, Newark.
Minneapolis
A NUMBER of business men on
La Salle avenue. Minneapolis,
are in favor of changing the name
of that avenue to Minnesota avenue
in honor of the new Minnesota
Theatre, according to a petition
submitted to the council roads and
bridges committee. One merchant
said : "The name should be
changed of only to pay respect to
the men who have invested $2,000,-
000 in Alinneapolis." The com-
mittee is to hold a hearing on the
proposed change, which does not
seem to meet with the approval of
the newspapers.
More than 1,000 persons attended
the ball and carnival of the Mo-
tion Picture Theatre Operators'
Union last week in Alinneapolis.
It was the first ball held by the
union in two years. David May
was in charge of the arrangements.
George Sonstegard has been suc-
ceeded by Lawrence Reine as man-
ager of the Brooten Opera House
at Brooten, Minn.
A theatre will be operated in the
Eagle theatre building at Monte-
video, Minn., by the McCarthy
Bros., of Fargo, who recently pur-
chased the building.
The new Moorhead Theatre at
Moorhead, Minn., will be man-
aged by W. L. Brown, formerly
manager of the Lyceum Theatre in
the same town.
Hardy Carlson will reopen the
Opera House at Volin, S. D.
Alva L. Brown, formerly of
White, W. D., has purchased the
Isis Theatre at Deadwood, S. D.,
from O. E. White. The Isis will
be remodeled and redecorated be-
fore it is opened.
The W'apazo Theatre at Faith,
S. D., has been sold by Mrs. M. G.
Kelly to Robert Redburn, who will
take possession in April.
The sales department of Pathe is
now headed by Phil Reisman, well-
known in Minneapolis. Reisman
returned to the city for the opening
of the new Minnesota Theatre on
March 24.
During the past few weeks two
fires have damaged Minnesota the-
atres. One was the Scenic The-
atre at Hastings, Minn., which was
purchased recently by Joe Milnar.
The Heights Theatre at Columbia
Heights, a suburb of Minneapolis,
was damaged to the extent of $15,-
000 when the interior was swept by
fire. The pipe organ was utterly
destroyed.
J. W. Dodge opened the New
Nile Theatre at New Ulm, Minn.,
the last of March. The theatre
was formerly known as the Grand.
The Liberty Theatre at Hinck-
ley, Minn., has been reopened by
the owners.
Recent visitors to Minneapolis
included Ned Depinet, vice-presi-
dent and general sales manager of
First National, and S. W. Hatch,
western divisional sales manager,
and C. Maberry, newly-appointed
sales manager of Columbia. Mr.
Maberry announced that M. E.
Montgomery is to join the local
Columbia force. Montgomery is
well known in the territory, as he
has been with Pathe for some time.
The sales force of the Minneapo-
lis branch of Tiffany-Stahl has
been joined by Tommy Tucker, who
for the past five years has been as-
sociated with Paramount at Sioux
Falls.
Cleveland
EH. BRAUER has resigned
• as manager of the Colum-
bus Paramount branch office. It
is rumored that Brauer will
shortly announce his connection
with a local theatre circuit. Duke
Clark follows Brauer as Colum-
bus branch manager. Clark was
formerly a Paramount special
representative in the Pittsburgh
territory.
Vincent Ochs received a nice
Easter present from Paramount
when he was promoted from
poster clerk to manager of the
ad sales department. R. W. Ba-
ker has been transferred to the
local ad sales department from
Albany.
Harry Brown, managing di-
rector of the new Ohio theatre,
Mansfield, will personally super-
vise the new Palace theatre in
Lorain, which will open- about the
middle 'of April. Both the Ohio
and Palace theatres were built by
the Universal-Variety Amusement
Company of Cleveland.
April has been designated as "No
Accident Month" by the Division
of Safety of the Industrial Com-
mission of Ohio. Members of the
M. P. T. O. of Ohio have been
asked to help the cause along by
running a safety slide several times
a week during April. A letter to
this effect has gone out from P. J.
Wood, business manager of the as-
sociation.
William Haynes, manager of the
Allen theatre, specialized in red
headed audiences last week.
It is reported that negotiations
are under way to present the "Fan-
torn Screen," recently exhibited in
New York by Metro-Goldwyn-
Mayer with its spectacle, "The
Trail of '98." at the State theatre,
Cleveland. Engineers are working
out details incidental to bringing it
here.
There's a big rush on Vitaphone
equipment in this territory ever
since Nat Barach put his mind to
selling it. Within a few weeks he
has closed contracts for installation
in the following theatres Palace,
Lorain ; Madison, Mansfield ; Pal-
ace, Ashtabula; Olympic, Steuben-
ville, and the Ceramic, East Liver-
pool. Barach is also negotiating for
equipment to be installed in the-
atres in Kent and Warren.
April 7, 1928
ll'.l
Dallas
THK Old Mill has just completed
redecorating the front of the
theatre and adding a new room on
the second floor for the ladies. A
new stairway connecting with the
balcony has been built, and new
hangings purchased. The cost of
the improvements was $8,000, which
in addition to the new $25,000 or-
gan which has just been installed.
Organists wil be George Perfect,
Dick Richardson and Ruth Clem.
The new Showmen's Recreation
Club is rapidly Hearing completion
and will be "ship shape" for the
opening Saturday night. The club
will have private dining booths, a
large dance floor, a billiard room
and reading and reception rooms.
Many features are on the bill for
the opening night.
Word has been received that
W illiam Carlisle Johnson of New-
York will wed Gladys Keck, dancer
in "Take the Air," playing at the
Waldorf theatre. Mr. Johnson was
at one time Texas manager for Par-
amount.
Miss Fannie Leviuc, secretary to
Mr. Johnston, manager of the Fox
Dallas exchange, was married Sun-
day, March 25th, to Abe Ornish.
Miss Levine resigned her position
after nine years of service with the
Dallas Fox office and was suc-
ceeded by her sister, Miss Sadie
Levine. The company presented
Miss Levine with a nice check in
appreciation of her long and effi-
cient service.
W. E. Calloway, southern di-
visional sales manager for First
National, has left Dallas after a
five-day visit.
James Cherry, manager of the
Melba, is making a trip through
the smaller towns in Texas to put
over the campaign on Vitapbone.
Jake Elder of the Publix organi-
zation is in Denver assisting in the
installation of the Yitaphone in the
Rialto theatre.
Jack Chalman, the new publicity
man for the Howard theatre at At-
lanta, Ga., was in Dallas on busi-
ness the past week.
L. E. Harrington, manager of
the local F. B. O. office, is making
a trip to Waco, Galveston, Houston
and other points on business.
The Hall Theatres Co. has pur-
chased the Lyric theatre at Runge,
Texas, and the Ken-Tex and Pal-
ace theatres at Kennedy, Texas,
from H. G. McNeese.
Sam Stokes, manager of the
Queen theatre and Kings Inn the-
atre, has been transferred to Sher-
man, Texas. Mr. Stokes has man-
aged these two Dallas theatres for
the R. & R. Enterprises for several
years, and will now have charge
of the R. & R. Enterprises at Sher-
man.
Simon Charninsky has just re-
turned from a five-day business trip
to St. Louis.
The contract for a $100,000 the-
atre to be built at Big Spring,
Texas, has been let by Yuell Robb
of the R. & R. Enterprises and
work will start at once. The build-
ing will be four stories and is to
be completed by September 1st.
Coleman, Texas, is to have an
$85,000 theatre and the contract has
been let by B. C. Howell to C. D.
Morton, of Ft. Worth, and erection
has already started.
A. M. Wolf, who was formerly
with Universal, but for the past
few weeks has represented the Na-
tional Screen Service in Texas, has
left for Milwaukee, where he will
again lie connected with Universal.
Films of an oil tank fire "shot"
by W. H. Williams, manager of
the Palace and Idle Hour theatres
at Midland, are being shown in a
Paramount News reel.
Des Moines
THE Alamo theatre at Pella, la.,
is again operating under a
change of management, since Chris
Nelson, who formerly had the
house, bought it back again from
Mr. Huntsinger, who has been in
charge of the theatre for the past
several months.
A new theatre opened up last
week at Floris, Iowa, a new 200-
seat house which has been named
the Palace. Max Heady, who owns
the new theatre, has been in the au-
tomobile business at Floris and is
new making his first venture into
the picture business.
The five-year-old daughter of
Leo Moore, one of^ the best known
exhibitors of the state, is critically
ill. Mastoid trouble is threatened.
Mr. Moore has the Ritz and Ma-
jestic at Centerville.
A. Pettit, owner of the Iowa the-
atre at Winterset, bought a new
fireproof film cabinet last week.
E. J. Tilton, manager for First
National, has been ill for three
days.
Paramount's team won games
from Universal last week and that
puts them in a tie with First Na-
tional for the bowling champion-
ship.
Jimmy Winn, manager of the
Educational exchange, made a spe-
cial business trip to Omaha last
week.
O. H. Garland, who has been
with Pathe for the past five years,
is now traveling for Fox films.
The Universal office in Des
Moines is in second place in the
national drive.
Visitors in film row last week
were O. G. Johnson of the theatre
at Atlantic and Wolcott and Mor-
ris of Eldora and Eagle Grove as
well as W. A. Graham, the new ex-
hibitor at Knoxvillc.
F. O. Wallace, cashier of the
Universal office, was at Gilmore
City last week, called there by the
death of his father.
Jake Cohen, exhibitor at Ot-
tumwa, Iowa, was at the First Na-
tional office, setting pictures in and
out last week.
W. E. Ran ford, manager for the
Metro-Goldwyn-Mayer office, was
another one to have a battle with
the "flu." He is better now.
George Bronson of Tabor, la.,
gave a very successful l>enefit show
for the Robin fund last week.
W. A. Steffes, president of the
Northwest States Theatre Own-
ers, and Dr. Shallenberger, of New
York City, were visitors in Des
Moines last week.
Ireton, Iowa, has banned the Sun-
day shows. The city council passed
a special ordinance, imposing the
Blue I^aws.
The litigation which has tied up
the lots being purchased by the
Circle Amusement Company at Ne-
vada, Iowa, for a new $48,000
house there, has been successfully
adjusted.
A referendum on the Sunday
movie question in Ames is ex-
pected as one of the first acts of
the newly elected city council.
Sunday movies were abolished by
the council six years ago following
a referendum vote and a bitterly
contested city election. The the-
atres had been permitted to remain
open on Sundays during the war
time.
Other Iowa theatre owners are
taking a great interest in the
spring election and look for the
winning out of more liberal town
councils. At Montezuma and Gory-
don a more favorable attitude is
expected from the new councils.
Canada
OTTAWA, the Canadian Capi-
tal, has had a week of casual-
ties. Ray Tubman, manager of the
Regent and Imperial Theatres, suf-
fered injuries to his foot when a
concert grand piano fell on him
while it was being moved at the
Regent Theatre.
J. M. Franklin, manager of B. F.
Keith's Theatre. Ottawa, was
greatly disturbed when Mitchell, his
14-year-old son, fell at the Y. M.
C. A. on March 26. breaking his
left arm. Master Franklin is one of
the most talented juvenile pianists
in Ottawa.
The death occurred very sud-
denly of Julius Hillas, prominent
member of the Galvin Theatre or-
chestra, Ottawa, from acute indi-
gestion. Mr. Hillas was the band-
master of the 38th Battalion of the
Canadian Corps during the war.
He was born in England and ar-
rived in Canada in 1912.
Following the custom of many
years, the moving picture theatres
of Hull, Quebec, were closed all
day Good Friday, April 6, in recog-
nition of the religious significance
of the day. This is the only day of
the year on which the Hull thea-
tres are dark.
Two costly and handsome sport
trophies have been adorning the
office of J. M. Franklin, manager
of B. F. Keith's Theatre. Ottawa.
One is the Keith-Albee Cup, em-
blematic of the championship of the
Big Four Hockey League, which is
to be presented shortly at a smart
banquet at the Chaudiere Golf
Club. The other is the Keith-Albee
Cup, which is the prize of the
Ottawa Theatre Employes Bowling
League, in which representatives of
the local theatres have been compet-
ing all winter.
The Canada Theatre Supply
Company. 12 Mayor Street. Mon-
treal, has announced that it has re-
sumed the distribution in Canada of
theatre accessories after being out
of this department of the theatre
equipment business for the past two
years. R. B. Burko is the general
manager of the Canada Theatre
Supply Company.
During a visit in Saskatoon,
Sask., H. M. Thomas of Toronto.
Western Division manager of
Famous Players Canadian Corp.,
announced that the plans for a
handsome atmospheric theatre, to
be built in Saskatoon by the com-
pany, had been completed in Chi-
cago. The cost, with the site, will
be $300,000.
1162
.1/ o ti o n P i c t it r c X e w s
Kansas City
THE Kansas State Censor
Board sat reviewing films
Monday in the usual manner. Sud-
denly a blaze broke from the pro-
jection room. One-half reel of a
picture was destroyed and Charles
O. Smith, operator, was burned
about the hands and arms, his quick
work in breaking the film saving a
greater loss. Dense smoke filled
the room and forced the board to
discontinue its work several hours.
Theatre men, inclined to mix a bit
of irony with the incident, are sug-
gesting that it must have been a
"hot" film.
A Kansas City newspaper re-
porter, looking about for something
unusual, discovered the other day
that the auditorium of the old Au-
ditorium theatre, Kansas City,
which had its formal opening in
1887 and which has been everything
since that time from movies to
"heavy" drama, was now being
used as a stage manufacturing
equipment plant.
Thieves who hid themselves in
the Pantages theatre, Kansas City,
Tuesday night and waited until
after the house was deserted, broke
in the theatre's vault and escaped
with $1,080. The only trace left
was an empty cash box hidden in
a dressing room on the second floor,
Ix>uie Charninsky, manager, said.
Exhibitors in Western Missouri
and Kansas have been advised by
R. R. Biechele, president of the M.
P. T. O. Kansas-Missouri, to pay
their music tax promptly and thus
avoid extra assessments.
The annual Xansas City Film
Board of Trade golf tournament
has been set for April 16 at the
Excelsior Springs, Mo., Golf Club,
Tom Byerle, assistant manager of
the First National exchange, an-
nounced. The event annually at-
tracts virtually the whole personnel
of Kansas City's film row golfers
and this year is expected to be no
exception. An entry fee of $5.00
should be mailed to Mr. Byerle, the
entry fee to include green fees and
the luncheon which follows the
tournament.
The M. P. T. O. Kansas-Mis-
souri membership drive has been
extended until June 1, R. R. Bie-
chele, president, announced. Prizes
are being offered film salesmen who
obtain the most new exhibitor
members.
The heating contract for the new
Uptown theatre in Wichita, Kans.,
has been awarded to the American
Cornice Works of Wichita, follow-
ing a meeting of the directors of
the theatre, who also decided that
Wichita brick would be used in
constructing the front of the house.
W. C. Sears, of Kansas City, has
been named as manager of the
Strand, Casino and Odeon theatres,
Marshalltown, Iowa, for Univer-
sal.
George Shilkett, exhibitor of
Joplin, Mo. ; A. A. Showelberger,
Warner Bros., home office repre-
sentative ; Max Roth, home office
representative for Fox ; Carol
Trowbridge, representative for
Douglas Fairbanks ; Budd Rogers,
film star who lives at Olathe, Kans.,
and L. P. Langford, specialist for
the National Theatre and Supply
Company, were Kansas City visit-
ors this week.
A 900-seat theatre is being con-
templated for North Kansas City,
Mo., it is said.
Fire badly damaged the Elite
theatre, Baxter Springs, Mo., Mon-
day, it was reported.
W. R. Rowell, manager of the
El Dorado theatre, El Dorado,
Kans. celebrated his twentieth year
in the show business last week. In
1908 Mr. Rowell opened the Gem
theatre in El Dorado, the first
movie show in town at that time
and one of the few in the state.
He now is managing the El Do-
rado for Universal.
Denver
JF. SHEA, F. B. O. district
• manager, spent a few days
visiting Sid Weisbaum, local
branch manager, recently.
Helen Osborne, a newcomer
among exhibitors, has opened the
Riant theatre at 18th and Curtis
streets, Denver. The Riant has been
closed for over a year.
The Denver theatre, commencing
this week, will change their pro-
grams on Thursday instead of Sat-
urday, starting March 29, 1928.
J. T. Sheffield, owner of Colum-
bia exchanges in Salt Lake City
and Denver, returned to Denver
last week, after a two weeks visit
with his branch office in Salt Lake
City.
E. J. Drucker, manager of the
local Deluxe Feature Film Ex-
change, returned last Friday after
a three weeks visit with New Mex-
ico exhibitors.
G. E. Hoover, manager of the
Electric theatre of Haigler, Neb.,
for M. W. A. Lodge of that city,
spent two days in Denver this week.
Tom Mix is the center of attrac-
tion here now. All the kids in
town are visiting the Orpheum the-
atre, where he is making a per-
sonal appearance.
Hal Elias, local M-G-M ex-
ploiter, is leaving the Denver dis-
trict to go to Portland and Seattle.
Fred C. Quimby, short subject
sales manager for M-G-M, was a
Denver visitor last Wednesday aft-
ernoon and evening, March 28th.
The Yates theatre of Denver is
being reopened by Richard A.
Preuss and M. McEahern. Mr.
Preuss is the former owner of the
Arvada theatre of Arvada, Colo.,
and Mr. McEahern is the owner of
the Yates theatre property. The
Yates has been closed for a few
months.
Hugh Braly, Paramount branch
manager in Denver, spent several
days last week visiting Western
Nebraska exhibitors. He was ac-
companied back to Denver by Wm.
Ostenberg, Jr., of Scottsbluff.
J. J. Harrington, First National
salesman, formerly of the Salt
Lake and Butte territories, is in
Denver now, associated with the
local First National office here. He
has been assigned to the Wyoming
and northern districts.
S. B. Rahn, Tiffany-Stahl branch
manager here, arrived back from
Newcastle, Nebr., last Monday,
where he attended the funeral of
his mother, Mrs. G. D. Rahn.
O. E. Davis has purchased the
Isis theatre of Deadwood, S. D.,
from A. L. Brown. Mr. Davis is
now in possession.
Harry Lustig, district manager
for Warner Bros., spent a few days
in Denver last week, visiting Chas.
R. Gilmour, local branch manager.
L. L. Savage, head booker for
Pathe, spent a week with the local
Pathe branch office recently. He
came to Denver from Salt Lake
City and left for Butte, Mont.
South East
THE Amuzu Theatre, pioneer
among Winston - Salem's
amusement houses, will close its
doors Saturday night, March 31st,
to open again the morning of April
7th, as a completely remodeled
house, according .to A. F. Sams,
Jr., general manager of the Pied-
mont Amusement Company. More
than $10,000 will be sent during the
five days to "dress up" the theatre.
J. E. Mobley has recently taken
over the Palace Theatre, Johnson,
S. C, from E. M. Mobley.
Dick Early, of the Strand The-
ater, Tryon, N. C, was in Char-
lotte last Wednesday.
Mr. and Mrs. Walter Griffith,
of the Horlacher Delivery Service,
left last Wednesday for a trip to
Philadelphia.
Among visitors in Charlotte last
week were H. J. Paradis, of Wil-
son, N. C. ; J. E. Paradis, of the
Temple Theatre, Sanford, N. C. ;
T. L. Lucas, of the Savo" Theatre,
Maxton, N. C. ; E. L. Hearne, of
the Alameda Theatre, Albemarle,
N. C. ; U. K. Rice, of the Colonial
Theatre, Winston-Salem, N. C. ;
A. H. Yeomans, of the Rex The-
atre, Sumter, S. C. ; J. R. Teague,
of Stevenson Theatres, Inc., Hen-
derson, N. C. ; C. A. Peeler, of
Lenoir, N. C. ; D. Holt, of the
Troy Theatre, Troy, N. C. ; D. M.
Eaves, of Union, S. C.
Owing to two cases of scarlet
fever at Hawesville, Ky., the Han-
cock County Board of Health has
ordered closed all of the schools,
churches and theatres until further
notice.
The Lyric Theatre, Louisville,
formerly operated by Mrs. F. W.
Cross, has been taken over by the
Fourth Avenue Amusement Com-
pany.
The Aristo Theatre, Louisville,
formerly operated by the Douglas
Amusement Company, has been
taken over by E. W. Stone.
The Weeksbury Theatre, Weeks-
bury, Ky., will be taken over by
the Elkhorn Piney Coal Mining
Company, effective May 1. The
theatre was formerly occupied by
C. H. Smith.
A new theatre is to be opened
April 1 at Paducah, Ky., by Loop
Theatres, Inc. It will be under
management of R. O. Dewees.
The policy will be pictures and
vaudeville. The house seats ap-
proximately 700.
The Temple Theatre, Louisville,
has changed its admission price
from 50 cents to 25 cents.
The Star Theatre, Greasy Creek,
Ky., has closed permanently.
John P. Masters, manager
Princess Theatre, Bowling Green,
Ky., and wife, spent several days
in Louisville last week.
Mrs. John Long, wife of the
owner of the Temple Theatre,
Earlington, Ky., was a visitor in
Lexington and Louisville last week.
April 7 , 19 28
1163
St, Louis
ST. LOUIS screen stocks closed
on the St. Louis Stock Ex-
change March 31 as follows: St.
Louis Amusement $36 asked. One
year ago $45. Skouras A, $37.50
bid and $40 asked. One year ago
$42.25.
Harry Weiss, former manager
for First National Pictures in the
St. Louis territory, has taken over
the manager's desk at the local
F B O office. He succeeds Jimmy
Shea, who, in turn, has accepted a
position on the sales staff of United
Artists.
Manny Gottlieb, who resigned as
manager here for Universal a few
weeks ago, is the new manager at
the United Artists office.
Tom Reed, of Duquoin, 111., has
returned from the New Orleans
races. He had a pleasant time in
the Crescent City.
St. Louis film men and exhibitors
of the territory who remember Lou
Hess, one-time manager here for
Universal Pictures, as a good sales-
man and an admittedly "square-
shooter," will admit that he was
never better at talking in a convinc-
ing away than during a recent eve-
ning in Cleveland, O., when lie un-
wittingly strolled into a district of
the Forest City that does not rate
so high as a residential section.
Walking away from the bright
lights of the first-run section, Hess
suddenly realized that he was in a
territory that reminded him of
Cicero, 111. Experience and instinct
told him that precaution was a
necessary adjunct at that particular
moment, so he began to hide his
jewelry and other valuables. Soon
he noticed a big hooligan dogging
his footsteps and at a particularly
dark spot the chap was alongside.
"What's the time bo?" asked the
other.
Hess, believing that the zero
moment was at hand, began to do
his stuff.
Quickly he explained that he
didn't have a watch ; that he was
a poor clerk out of a job, who had
lost his former position after spend-
ing all surplus funds for clothes to
make a good showing, and that a
sick wife and a large family were
at home waiting for him to brine:
in the bacon or whatever it is that
household heads are supposed to
bring home besides buns.
And, as we said before, Hess has
always been a good salesman. He
was never better.
Reaching into his pocket the
hooligan pulled out a dollar bill.
"Here, buddy, take this, you need
it more than I do," and turning he
walked quickly away in search of
more profitable fields.
Hess lost no time in getting out
of that district. The law of aver-
ages were against a second success-
ful sales of that particular kind
that particular night. At least
that's the way we heard the story
of the; Film Salesman and the
Bandit in Cleveland.
Sam Taylor, of the Opera House.
O'Fallon, 111., has organized a
quartette and is now on tour of
Southern Illinois towns.
Contracts were awarded last
week for the construction of the
new Sanger Amusement Company
house, at Main and West Avenue
in El Dorado, Ark. Gaui?er Kors-
mo, Memphis, Tenn., has the gen-
eral contract.
W. W. Henderson plans a 300-
scat house for Cullendale, Ark.
Al D. Dunn will build a one-story
theatre in Hampton, Ark. It will
cost about $10,000, and cover a
plot 40 by 125 feet.
Harold O'Brien is the new
booker at the local Universal office.
Gus Kerasotas, the well-known
Springfield, 111., theatre owner, has
gone to Hot Springs, Ark., to take
the baths. His health has not been
so good in recent months.
Joe Hewitt, of Robinson, 111., and
Ted Yemm, of Duquoin, 111., were
among the visitors to Picture Row
during the week. Another caller
to our fair community was Terry
Turner, who is head of publicity
for the Loew Circuit.
C. L. Henry, of Glen Carbon,.
111., gave a benefit picture show and
netted $82 for the special fund
raised by the St. Louis Star for the
relief of the striking coal miners.
Salt Lake City
ANEW manager has been ap-
pointed at the local Warner
Brothers' exchange in the person of
Wayne Ball, who comes to this city
from Denver where he has been
Assistant Manager for Warner
Brothers for the past four years.
Mrs. Nell Schreiber of the
Rialto Theatre at St. Anthony,
Idaho, is enroutc home from a
pleasure trip into California, it is
reported.
George Murray of the Maple-
ton Theatre at Mapleton, Utah, re-
cently visited exchange managers
of this city.
Manager L. <T. Wingham of the
local Metro-Goldwyn-Mayer ex-
change in this city, returned a short
time ago from the Montana section.
Fred C. Quimby, general sales
manager of the short subject de-
partment for Metro-Goldwyn-
Mayer, was recently in this city for
a few days.
All of the sales representatives
out of the Metro-Goldwyn-Mayer
exchange here are at present work-
ing in their respective territories.
Manager Tony Hartford of the
Universal office in this city has left
again for the territory after spend-
ing a couple of days in the exchange
here.
Mr. and Mrs. H. A. Albright of
the Associated Theatres, Inc., in
Los Angeles, passed through this
city on a pleasure trip of about ten
days.
Barney Shooker, who with Able
Davis, well known film man in this
country, is opening up a new ex-
change in this city, to be known as
the Atlas exchange, is visiting Salt
Lake for a few days.
E. M. Gibson, manager of the
Tiffany office in this city, is at the
present writing making Northern
Utah.
Mr. and Mrs. Edwin Bluck of the
Durango Theatre of Durango,
Colorado, are in this city visiting
with their son Ross Bluck who is
booker at the local F B O exchange.
A new theatre is being constructed
at Durango by Bluck, to be ready
for opening by June 1st.
Manager Fred Lind, who is in
from the Southern Utah section, an-
nounces that F B O is installing a
shipping point at Butte, Montana,
with Sam Kaminsky, formerly con-
nected with F B O at Denver, in
charge.
A change has recently been made
at the local United Artists ex-
change, it is stated here. Joe Mad-
sen, who has been office manager
for some time lias now gone out
on the road for this organization
and C. H. Snyder, who was for-
merly a sales representative in this
territory for United Artists, has
been appointed office manager.
George Lindsey of the Star the-
atre at Eureka, and Payson, Utah,
recently spent some time at the
local Film Mart this week as is
George Smith of the Rialto and
Gem theatres of Magna, Utah.
Ben F. Rosenberg, District Man-
ager for Fox, was in this city for
a few days enroute to Los Angeles.
O. Wog, local manager for
Paramount Famous-Lasky organi-
zation in this city, recently left for
a sales trip into Montana territory.
Manager W. F. Gordon of the
Associated First National exchange
here is in Great Falls and Missoula
at present.
Harmon and Louis Peery of the
Egyptian and Ogden theatres of
Ogden, Utah, were among recent
exhibitor visitors here.
A. L. Stallings, exhibitor visitor
who operates a circuit of theatres
in Southern Utah, was in booking
some of the latest offerings.
San Francisco
STARTING March 24 and con-
tinuing all last week, the
Golden Gate Theatre celebrated its
sixth anniversary.
B. F. Shearer dropped in town
last week for a conference with his
local representative, Charles Feld-
man.
Henry Heber, of Sacramento,
operating the Sequoia and New
Mission Theatres, opened the New
Mission Theatre March 2d and had
a very successful opening.
James Beatty, of the Liberty
Amusement Co., Inc., has pur-
chased complete booth and stage
equipment for the new Tokay The-
atre, Lodi, Cal.
The secretary of San Francisco
Film Exchange Board of Trade is
holding a Bookers' Meeting once
every month. This was instigated
for the benefit of the bookers in
order to discuss the problems of
booking and the uniform contract.
The meetings are interesting and
helpful and are well attended.
Since the opening of the West-
ern Exchanges of Columbia last
September there has been a friend-
ly contest between the exchanges
as to which one would be in first
place throughout the 1927-28 sea-
son. A bulletin is published weekly
advising the exchanges as to their
standing. The San Francisco of-
fice has been in first place since
November.
The Conley Bros., of Clovis and
Reedley, were recent visitors and
purchased some new equipment.
P. Partridge and his local Para-
mount co-workers are looking
forward to May 14th, which is the
opening date of the Paramount
Convention, which will be held at
the Palace Hotel.
I. F. Morris, of the Alhambra
Theatre, Sacramento, is now run-
ning the Movietone, and has just
purchased two new Simplex pro-
jectors.
The new State Theatre, Oroville,
operated bv T&D, opened March
20th.
1164
Motion Picture News
FEATURE RELEASE CHART
Productions are Listed Alphabetically and by Months in which Released in order that the Exhibitor may
have a short-cut toward such information as he may need, as well as information on pictures that are coming.
(S. Ft. indicates Slate Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
Feature
Annie Laurie
Back to God's Country .
Barbed Wire
Big Parade, The
Blackjack
Border Cavalier, The .
Born to Battle
Boy of the Streets . . .
By Whose Hand? .
Camille
Cancelled Debt, The
Cat and the Canary, The.
Chang (Jungle Film)
Clancy's Kosher Wedding
Cruise of the Helion, The.
Drop Kick, The
First Auto, The
Aug. 26
Sept. 30
. Sept. 30
Flying U Ranch, The .
Foreign Devils
Gay Retreat, The
Girl From Gay Paree, The .
Girl From Rio, The
Honor First (Re-issue)
In a Moment of Temptation
Isle of Forgotten Women .
Jaws of Steel
Joy Girl, The
Life of Riley, The
Lone Eagle, The .
Loves of Carmen .
Mojave Kid, The. .
Nevada
Old San Francisco.
One Round Hogan .
One Woman to Another . .
Out All Night
Out of the Past ,
Painted Ponies
Prince of the Plains
Racing Romeo, The
Ragtime
Red Raiders, The
Road to Romance, The .
Sailor's Sweetheart, A .
Sally in Our Alley
Slightly Dsed
Smile, Brother, Smile .
Soda Water Cowboy, The.
Stark Love
Swim, Girl, Swim
Tell It to Sweeney .
Three Miles Up ... .
Two Girls Wanted . .
We're All Gamblers .
SEPTEMBER
Players Distributed by Length Reviewed
L. Gish-N. Kerry ... M-G-M 8730 feet May 11
R. Adoree-R. Frazer. .Universal 6751 feet July 2t
P. Negri-C. Brook-E.
Hanson Paramount 6951 feet
Gilbert-Adoree-Dane. M-G-M 11619 feet. Nov. 28, '26
B.Jones-B.Bennett. .Fox 4777 feet. .Mar. 3
Fred Humes Universal 4427 feet ....
Bill Cody Pathe 4875 feet
J. Walker-M. Ben-
nett-B. Francisco. .Rayart (S. R.) 6059 feet..
R. Cortez-E. Gilbert.. Columbia 6432 feet Jan. 7
N. Talmadge-A. B.
Francis-G. Roland. First National . . 8692 feet. May 6
R. Lease-C. Stevens .Sterling Pict (S.R.). . b200 feet
L. La Plante-F. Stan-
ley-C. H a 1 e - T.
Marshall-G. AstorUniversal 7790 feet. .May 20
Special Cast Paramount 6536 feet. .May IS
G. Sidney-M. Gordon-
S. Lynn-R. Lease-
W. Armstrong FBO 5701 feet
E. Murphy-D. Keith-
T. Santschi Rayart (S. R.) 6089 feet
R. Barthelmess - D.
Revier-B. Kent First National 6819 feet
B. Oldfield-P. R. Mil-
ler-R. Simpson .... Warner Bros 6767 feet . . July 8
Tyler-N. Lane F. B. 0 4924 feet
T. McCoy-C.Windsor M-G-M 4658 feet
G. Cameron-S. Cohen-
T. McNamara Fox 5624 feet . . Sept. 23
Sherman-Bedford-
McGregor-Blythe-.Tiffany-Stahl 5233 feet. .Sept. 23
Carme) Myers Lumas 6990 feet
J. Gilbert-R. Adoree.Fox 4861 feet
C. Stevens-C. Keefe-
K. Guard-G. With-
ers F. B. 0 6000 feet. Nov. 11
Tearle-Sebastian-A.
Calhoun-G. Gow-
land Columbia 5645 feet
Rin-Tin-Tin-H. Fer-
guson-J. Robards . .Warner Bros 5569 "eet
O. Borden-N. Hamil-
ton-M. Dressier . . . Fox 6162 feet . . Sept. 23
C. Murray-G. Sidney-
S. Hardy-J. Marlowe. First National 6712 feet .
R. Keane-B. Kent . . . Universal 6862 feet
Del Rio-McLaglen-D.
Alvarado Fox 8638 feet .
B.jSteele-L. Gilmore . F. B. O 4924 feet
G. Cooper-T. Todd . . Paramount 6258 feet .
D. Costel!o-C. E. Mack-
W. Oland Warner Bros 7961 feet.
M. Blue-J. J. Jeff ries-
L. Hyams Warner Bros 6375 feet . . Oct. 7
F. Vidor-Von Eltz. . ..Paramount 4551 feet Sept. SO
R.Denny-M.Nixon. Universal 6170 feet. .Oct. 7
R. Frazer-M. Harris. .Peerless Pict. (S. R.).6701 feet
H. Gibson-E. Claire. . Universal , . . . 6415 feet . . Aug. 5
Tex Maynard Rayart (S. R.) 4134 feet
"Red" Grange-J. Ral-
ston-T. Friganza. ..F. B. 0 6992 feet. .Dec. 16
J. Bowers-M. de la
Motte First Division (S. R.) . 6700 feet
K. Maynard- A. Drew. First National 6214 feet
R. Novarro-M. Day-
R. D. D'Arcy M-G-M 6544 feet
L. Fazenda-C. Cook. .Warner Bros 5686 feet
S. Mason-A. B. Fran-
cis-R. Arlen Columbia 5892 feet
M. McAvoy-C. Nagel-
R. Agnew Warner Bros 6412 feet . Sept. 30
J. Mulhall-D. Mac-
fcaill First National 6669 feet . Sept. 9
Wally Wales Pathe 4546 feet . . Nov. 4
Special Cast Paramount 6203 feet. .Mar. 11 '27
B. Daniels-G. Ederle-
J. Hall Paramount 6124 feet.
Conklin-Bancroft-
Hill-Luden Paramount 6006 feet .
Al Wilson-E. Clair... Universal 4136 feet.
T. Gaynor-G. Tryon..Fox 6293 feet.
Meighan-M. Miflner .Paramount 6935 feet.
Distributed by Length Reviewed
.Jan. 21
. Sept. 30
.Sept. 16
.Oct.
.Aug.
Oct.
.July 8
. Sept.
.Dec.
Jan. 21
Oct. 14
. Sept. 16
Oct. 28
.June 10
Oct. 7
Feature
OCTOBER
Players Distributed by
Length Reviewed
American Beauty B. Dove-L. Hugbes-
V. L. Corbin First National 6333 f eet . . Oct. 21
Angel ol Broadway, The . . L. Joy-V. Varconi Pathe-De Mille 6656 feet . .Dec. 16
Ben Hur Novarro-McAvoy-
Bronson-F. X Bush-
man-C. Myers M-G-M 11693 feet Jan. 16, '26
Blondes By Choice Claire Windsor Lumas 6987 feet
Body and Soul A. Pringle-L. Barry-
more-N. Kerry M-G-M 6902 feet. .Nov. 25
Boy Rider, The Buzz Barton F.B.O 4868 f eet . . Sept. 80
Breakfast at Sunrise C. Talmadge-D. Al-
varado First National 6042 feet . . Dec. 16
Broadway Madnesi M. de la Motte- D.
Keith Excellent Pict. (S.R.).69« feet. . Oct. 14
. 6623 feet
.4837 feet.
Feature Players
Cheating Cheaters B. Compson-K. Har-
lan Universal
Cherokee Kid, The T. Tyler-S. Lynn F. B. O..
Chinese Parrot, The M. Nixon-H Bos-
worth-E. Burns. . .Universal 7304 feet.
College Hero, The R. Agnew-P. Garon-
R. Lease-B. Turpin. .Columbia 6628 feet
College Widow, The D. Costello-Collier, Jr. Warner Bros 6616 feet
Combat G. Walsh-G. Hulette-
C. Adams Pathe 6100 feet .
Crystal Cup, The D. MackaiU-J. Mul-
hall First National 6386 feet .
East Side, West Side G. O'Brien-V. Valli-
F. McDonald Fox 8154 feet .
Fair Co-ed, The M. Davies-J. M.
Brown M-G-M 6408 feet.
Figures Don't Lie E. Ralston-R. Arlen.. Paramount 5280 feet,
Finnegan's Ball B. Mehaffey-Landis-
C. McHugh-M.
Swain First Division (S. R.) . 6200 feet.
Gentleman of Paris, A A. Menjou-S. O'Hara-
A. Marchall Paramount 6927 feet ,
Gingham Girl, The L. Wilson-G. K. Ar-
thur... F. B. O 6301 feet
Girl in the Pullman, The. . .M. Prevost-H. Ford . .Pathe-De Mille 6990 feet .
Gun-Hand Garrison Tex Maynard Rayart (S. R.) 4879 feet.
Harp in Hock, A Schildkraut-Coghlan-
M.Robson-B. Love. Pathe-De Mille 6990 feet.
Highschool Hero S. Phipos-N. Stuart. .Fox 5498 feet
In Old Kentucky J. Murray-H. Costallo M-G-M 6646 feet
Jake the Plumber J. DeVorska-S. Lynn F. B. O 5186 feet.
Jazz Singer, The (Vita-
phone) Al Jolson-W. Oland-
McAvoy Warner Bros 7423 feet .
Jesse James F. Thomson-N. Lane.Paramount 8656 feet.
Les Miserables Special Cast Universal 7713 feet
Light in the Window, A Walthall-P. Avery-C.
Keef e Rayart (S. R.) 6960 feet .
Magic Flame, The Colman-Banky United Artists 8300 feet .
My Best Girl M.Pickford-C.Rogers.United Artists 7850 feet.
No Place to Go M. Astor-L. Hughes . First National 6431 feet .
Now We're in the Air W. Beery-R. Hatton-
L. Brooks Paramount 6798 feet.
Obligin* Buckaroo, The Buffalo Bill, Jr Pathe 4675 feet.
Once and Forever P.R.Miller- J. Harron.Tiffany-Stahl 6639 feet
Pajamas O. Borden-L. Gray. . .Fox 5876 feet.
Pretty Clothes J. Ralston- J. Walker-
G. Astor Sterling Pict. (S. R.) 6652 feet
Publicity Madness E. Lowe-L. Moran.. .Fox 6893 feet.
Ranger of the North Ranger (Dog) F. B. 0 4977 feet.
Ride 'Em High Buddy Roosevelt Pathe 4542 feet.
Ridin' Luck Tex Maynard Rayart (S. R.)
Rose of the Golden West..G. Roland-M. Astor.. First National 6477 feet.
Rough Riders, The F. Hopper-N. Beery-
Bancroft-M. Astor-
Mack-Farrell Paramount 9443 feet.
Sailor Izzy Murphy G. Jessel-A. Ferris. . .Warner Bros 6020 feet .
Seventh Heaven J. Gaynor-C. Farrell-
D. Butler-G. Brock-
well Fox 8500 feet
Shanghai Bound R. Dix-M. Brian Paramount 6516 feet.
Shanghaied P. R. Miller-R. Ince-
G. Astor F. B. O 6999 feet .
Shootin' Irons J. Luden-S. Blane . . . Paramount 6179 feet.
Silk Stockings L. La. Plante-O. Har-
lan-J. Harron Universal 6166 feet.
Silver Valley T. Mix-D. Dwan Fox 5011 feet.
Spring Fever Wm. Haines-J. Craw-
ford-G. K. Arthur . M-G-M 6706 feet .
Straight Shootin' Ted Wells Universal 4251 feet.
Tigress, The J. Holt- D. Revier . . . Columbia 5367 feet .
Underworld C. Brook-E. Brent-G.
Bancrof t-F. Kohlr. . Paramount 7643 feet .
Way of All Flesh, The E. Jannings-B. Ben-
nett-P. Haver-D.
Keith Paramount 8486 feet .
Wheel of Destiny, The F. Stanley-G. Hale. .Rayart (S. R.) 6869 feet.
Wine (re-issue ) Clara Bow Universal 7 reels . . .
Wise Wife, The P. Haver-T. Moore-
J. Logan Pathe-De Mille 5610 feet.
Wolf's Trail Dynamite (Dog)-E.
Cobb-D. Lamont. .Universal 4167 feet.
Woman on Trial, The Negri-E. Hanson. . . .Paramount 6960 feet.
Women's Wares Brent- Lytell-L. Kent. Tiff any-Stahl 6614 feet.
Wreck of the Hesperus, The.A. Hale-V. Bradford-
S. de Grasse Pathe-De Mille 6447 feet.
Dec. 23
.Mar. 3
.Jan. 7
. Dec. 9
.Oct. 28
.Nov. 11
.Nov. 25
.Nov. 4
.Nov. 4
.Mar. 3
.Dec. 9
.Oct. 14
July SI
.Nov. 18
Dec. 16
.Nov. 11
Nov. 4
Oct. 11
Oct. 28
Nov. 11
Sept 80
Dec. »
Mar. 17
Dec. 23
Nov. 11
Dec. 2
. Nov. 4
Feb. 11
. Nov.' ii
'.bet. i
. April I
Oct. 28
.June 10
Dec. 9
Aug. M
.Aug. 26
Oct. 14
Oct. 28
Aug. 19
. Mar. 17
.Sept 9
July I
Dec 16
Oct. 14
Nov. 18
Mar. 31
NOVEMBER
Feature Players Distributed by Length Reviewed
Arizona Wildcat, The T. Mix-D. Sebastian . Fox 4665 feet . Mar. 24
Back to Liberty G. Walsh-D. Hall-E.
Breese Excellent Pict. (S.R.) . 6980 feet
Bandit's Son, The B. Steel e- A. Sheridan F. B. O 4789 feet
Becky S. O'Neil-O. Moore-
G. Olmstead M-G-M 6433 feet . .
Blood Will Tell B. Jones-K. Perry .. . Fox 4656 feet . . Mar. 3
Bowery Cinderella, *. . ...P. O'Malley-G. Ru-
le tte Excellent Pict (S.R0.6900 feet. Nov. 20
Broadway After Midnight. P Bonner-C. Landis-
G Hughes-B. Ten-
nant KrelbarPict (S.R.).. 6199 feet. Nov. 4
Cheer Leader, The R. Graves-Olmstead .Lumas 6000 feet. .Mar. 10
April 7 , 1928
1165
Length Reviewed
.5408 feet. .Mar. 3
38
Aug. 13
. Nov.
Nov.
Nov.
21
.Jan
! Sept. 16
Dec. 31
Dec. 23
Nov. 26
Mar. 10
Nov. 26
Feb. 11
Dec' 23
Dec. 16
Aug. 19
Dec. 23
. . Nov.
11
. Dec.
30
. .Dec.
2
.Jan. 14
Mar. 17
.Mar. 10
.Nov. 18
.Nov. 4
30
Dec.
Feature Players Distributed by
City Gone Wild, The T. Meighan-L. Brooks-
M.Millner-F.Koh-
ler Paramount. . . .
College B. Keaton-A. Corn-
wall-G. Withers.. .United Artists 6362 feet. Sept
Death Valley C. Nye-R. Rae-R.
Wells First Division (S. R.) . 6880 feet .
Discord G. Ekman-L. Dago-
ver Pathe 8586 feet.
Dog of the Regiment, A . . . Rin-Tin-Tin Warner Bros 6003 feet .
Dress Parade W. Boyd-B. Love Pathe-De Mille 6599 feet.
Forbidden Woman, The. . J. Goudal-V. Varconi-
J. Schildkraut Pathe-De Mille 6568 feet. . Dec' 16
Fortune Hunter, The S. Chapltn-C. Hor-
ton-H. Costello Warner Bros 6638 feet
Galloping Fury H. Gibson-S. Rand. .Universal 6503 feet
Garden of Allah, The A. Terry-I. Petrovich . M-G 8200 feet
Ginsberg the Great G. Jessel-A. Ferris . . . Warner Bros 5390 feet
Girl From Chicago. The. . .C. Nagel-M. Loy. . . .Warner Bros 6978 feet
Gold From Weepah Bill Cody Pathe 4968 feet
Good-Time Charley W. Oland-H. Costello Warner Bros 6302 feet.
Gorilla, The C. Murray-F. Kelsey-
T. Marshall-A. Day . First National 7133 feet . . Dec
Gun Gospel K. Maynard-V. B.
Faire First National 6288 f eet .
Harvester The N. Kingston-O. Cald-
well F.B. O 7046 feet.
Heroes in Blue J. Bowers-S. Rand . . . Rayart (S. R.) 6000 f eet .
His Foreign Wife W. McDonald-E.
Murphy-G. von Rue Pathe 4890 f eet .
Home Made Johnny Hines First National 6524 feet.
Hoof Marks Jack Donovan Pathe 4076 feet.
Hook and Ladder, No. 9. . .D. Ellis-E. Hearne-
C. Keefe F. B. O 6240 feet.
Judgment of the Hills V. Valli-F. Darro-O.
Caldwell F. B. 0 6481 feet.
Ladies Must Dress V. Valli-L. Gray Fox 6699 feet.
Last Waltz, The (Ufa Film) W. Fritsch-S. Vernon Paramount 6940 feet. . Dec. 30
Lure of the South Seas, The First Division (S.R.). .6700 feet
Main Event, The V. Reynolds-R. Schild-
kraut-C Delany. .. .P^the-De Mille 6472 feet
Man Crazy Mulhall-Mackaill . . . First National.
Man, Woman and Sin J. Gilbert-J. Eagles-
G. Brockwell M-G-M 6280 feet
Wight Life A. Day-J. Harron Tiffany-Stahl 6235 feet
One Glorious Scrap Fred Humes Universal 4172 feet
On the Stroke of Twelve. . .E .Torrence-J. Mar-
1 owe-D. O'Shea . . . Rayart (S. R.) 6970 feet
On Your Toes R • Denny-B. Worth . . Universal 6918 feet .
Opening Night, The C. Windsor-J.Bowers.Columbia 6624 feet .
Open Range L. Chandler-B. Bron-
son-F. Kohler Paramount 5599 feet.
Quality Street M. Davies-C. Nagel-
H. J. Eddy M-G-M 7193 feet.
Reno Divorce, A M. McAvoy Warner Bros 6492 feet.
Roarin' Broncs Buffalo Bill, Jr Pathe 4375 feet. .Dec
Shame (Re-issue) John Gilbert Fox 6467 feet
She's a Sheik B. Daniels-R. Arlen
W. Powell Paramount 6015 feet
Skyhigh Saunders A. Wilson-E. Tarron. Universal 4393 feet.
Small Bachelor, The Beranger-O. Harlan-
B. Kent-C. Ger-
aghty Universal 6218 feet.
Spotlight, The E. Ralston-N. Ham-
ilton Paramount 4934 feet
Stage Kisses K. Harlan-H. Chad-
wick-J. Patrick Columbia 6436 feet.
Thirteenth Hour, The Bonaparte (Dog)-J.
Gadsdon-L. Barry-
more M-G-M 6262 feet.
Thirteenth Juror, The F. X. Bushman-Nils-
son Universal 6598 feet.
Turkish Delight R. Schildkraut-J. Faye-
K. Thomson Pathe-De Mille 6397 feet.
Two Arabian Knights W. Boyd-M. Astor-
L. Wolheim-I. Keith. United Artists 7850 feet.
Very Confidential M. Bellamy Fox 6620 feet.
Wanderer of the West, A.. Tex Maynard Rayart (S. R.)
Warning, The J. Holt-D. Revier Columbia 6791 feet. .Jan. 7
Web of Fate Lillian Rich Peerless Pict. (S. R.) .6800 feet
Wild Beauty Rex (Horsei-J. Mar-
lowe-H. Allen Universal 6192 feet
Wild Geese B. Bennett-A. Stew-
art-D. Keith-J. Ro-
bards-E. Southern. Tiffany-Stahl 6448 feet
Wolf Fangs Thunder (Dog)-C.
Morton-C. Lincoln .Fox 6331 feet.. Dec. 16
DECEMBER
Feature Players Distributed by Length Reviewed
Aflame in the Sky S. Lynn-J. Luden F. B. 0 6034 feet. .Nov. 11
Aftermath (European film) .Special Cast Collwyn Pict. (S.R.). .6800 feet. . Mar. 3
Alice in Wonderland Special Cast Pathe 6 reels
Almost Human V. Reynolds-K. Thom-
son Pathe-De Mille 6596 feet
Brass Knuckles M. Blue-B. Bronson. . Warner Bros 6330 feet
Buttons Coogan-L. Hanson-G.
Olmsted M-G-M 6060 feet
Come to My House O. Borden-A. Moreno Fox 6430 feet
Desert Dust Ted Wells Universal 4349 feet
Desert of the L'-st W. Wales-P. Mont-
gomery Pathe 4933 feet. .Dec. 30
Desert Pirate, The T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4764 feet
Devil's Twin, The Leo Maloney Pathe 6478 feet
Dove, The N. Talmadge-G. Ro-
land-N. Beery United Artists 8400 feet . . Jan. 7
Fangs of Destiny Dynamite i Dog) -E.
Cobb Universal 4296 feet .
Fashion Madness C. Windsor-R. Howes Columbia 6513 feet .
Flying Luck Monty Banks Pathe 6403 feet .
Gay Defender, The R. Dix-T. Todd Paramount 6376 feet.
Get Your Man C. Bow-C. Rogers. . .Paramount 6889 feet. . .
Golden Clown, The G. Ekman-K. Bell . . .Pathe 7913 feet. .Mar. 24
Grandma's Boy (re-issue). .H. Lloyd-M. Davis. .Pathe-De Mille 4760 feet
Ham and Eggs at the Front. Fazenda-H. Conklin-
T. Wilson Warner Bros
Haunted Ship, The D. Sebastian-M. Love-
R. Hallor-Santschi.Tiff any-Stahl 4763 feet . . Feb. 4
Hero for a Night, A G.Tryon-P.R.Miller.Universal 6711 feet. .Dec. t
Her Wild Oat C. Moore-L. Kent-G.
Lee-H. Cooley First National 6118 feet. .Feb.
Honeymoon Hate F. Vidor-T. Carmen-
ati Paramount 6416 feet. .Feb
Husbands for Rent H. Costello-O. Moore Warner Bros 6200 feet. .Jan.
Dec. 9
Nov. 4
Dec. 16
Mar. 24
Dec. 23
.Mar. 31
Mar. 31
Nov. 18
Dec 31
Reviewed
Dec. 31
. Sept. II
. Dec. 30
.Mar. 24
Mar. S
Dec. II
Dec. SO
Sept. If
Mar. 31
Feature Players Distributed by Length
If I Were Single M. McAvoy-C. Nagel. Warner Bros 6320 feet.
Irresistible Lover, The . . . . N. Kerry-L. Moran. . . Universal 6968 feet .
Land of the Lawless J. Padian-P. Mont-
gomery-T. SantschiPathe 4131 feet.
Law and the Man, The ... . G. Brockwell-Santschi-
R. Ellis Rayart (S. R.) 6916 feet.
Legionnaires in Paris Al Cooke-Kit Guard-
L. Lorraine F. B. O 6771 feet.
Little Mickey Grogan F. Darro-J. Ralston-
C. Nye F. B. 0 6615 feet.
London After Midnight .... L. Chaney-C. Nagel-
M. Day- Walthall . . M-G-M 6687 feet
Lovelorn, The S. O'Neill-L. Kent-
M. O'Day M-G-M 6960 feet
Love Mart, The B. Dove-G. Roland-
N. Beery First National 7388 feet.
Man'e Past, A C. Veidt-I. Keith-G.
Siegmann-B. Bed-
ford Universal 6136 feet.
My Friend From India . . . . F. Pangborn-E. Faire Pathe-De Mille 6760 feet.
Outcast Souls P.Bonner-C.Delaney. Sterling Pict. (S.R.) .5210 feet
Polly of the Movies G. Short-J. Robards. First Division (S. R.) . .6900 feet
Rush Hour, The M. Prevost-H. Ford. .Pathe-De Mille 6880 feet . . Mar. 10
San Francisco Nights M. Busch-P. Mar-
mont J 'i mas 7000 feet. . Dec. II
Serenade A. Menjou-K. Carver-
L. Basquette Paramount 6209 feet. Dec II
Silk Legs M. Bellamy-J. Hall. .Fox 6446 feet
Silver Slave, The L Rich-A. Ferris-H.
Herbert Warner Bros 6124 feet. . Dec I
Siren, The D. Revier-T. Moore-
N. Trevor Columbia 6996 feet
Slingshot Kid, The "Buzz" Barton J.
Morgan-F. Rice . .F. B. O 4486 feet
Sorrell and Son H. B. Warner-Nils-
t son-M. McBain-A.
Joyce United Artists 9150 feet. Nov. 21
South Sea Love P. R. Miller-L. Shum-
way-A. Brooks . . . . F. B. 0 6388 feet . Feb. 18
Spoilers of the West T. McCoy-M. Daw-
W. Fairbanks M-G-M 4784 feet . . Mar. 24
Streets of Shanghai P. Starke-K. Harlan-
J. Robards Tiffany-Stahl 6276 f eet . . Mar. 8
Swift Shadow, The Ranger (Dog) F. B. 0 4892 feet. .Dec. 21
Tea tor Three L. Cody-A. Pringle-O.
Moore-D.Sebastian. M-G-M 6273 feet. Nov. 11
Temptations of a Shopgirl. B. Compson-Garon-
A. Kaliz First Division (S. R.) . 6604 feet
Texas Steer, A W. Rogers-L. Fa-
zenda-A. Rork First National 7419 feet. Nov. II
Two Flaming Youths C. Conklin-W. C.
Fields-M. Brian .. .Paramount 5319 feet. . Jan. 7
Valley of the Giants M. Sills-D. Kenyon. . First National 6336 feet
Wild Born Tex Maynard Rayart (S. R.)
Wilful Youth K. Harlan-E. Murphy .Peerless Pict, (S.R.) . 5644 feet
Wizard, The L. Hyams-E. Lowe-
G. Katsonaros-von
Seyffertitz Fox 6629 feet
28
Jan. 14
Mar. 10
Feb. II
11
JANUARY
Feature Players Distributed by Length Reviewed
Air Patrol, The Al Wilson Universal 4259 feet
Alias the Deacon J. Hersholt-J. Mar-
lowe-R. Graves. . .Universal.. 6869 feet. .Oct. II
Baby Mine G.K.Arthur-K.Dane. M-G-M 6139 feet. .Tan. 14
Ballyhoo Buster, The Buffalo Bill, Jr Pathe 4806 feet. .Dec. 10
Beau Sabreur E. Brtnt-G. Cooper-
W. Powell-N. Beery Paramount 6536 feet . . Jan.
Beware of Married Men . . .1. Rich-R. Tucker-S.
Holmes-M. Loy. . .Warner Bros 6421 feet. Jan.
Boss of Rustlers Roost, The. D. Coleman-E. Gil-
bert Pathe 4833 feet . . Jan.
Branded Sombrero, The . . . B. Jones-L. Hyams . . Fox Films 5612 feet . . Jan.
Burning Up Broadway H. Costello-R. Frazer Sterling Pict, (S. R.).6200 feet
Call of the Heart Dynamite (Dog)-E.
Cobb-J. Alden .... Universal 6261 feet
Casey Jones R. Lewis-J. Robards-
A. Sheridan Rayart (S. R.) 6673 feet
Circus, The C. Chaplin-M. Ken-
nedy United ArtisU 6700 feet
Cohens and the Kellys in
Paris, The G. Sidney-J. F. Mc-
Donald-V. Gordon-
K. Price-S. Carrol-
C. Delany Universal 7481 feet. .Feb. 18
Comrades H.Costello-G.Hughes-
D. Keith First Division (S. R.J.5970 feet
Coney Island L. Wilson-L. Mendez.F. B. 0 6390 feet
Cowboy Cavalier, The B. Roosevelt O. Has-
brouck Pathe 4526 feet . . Jan. 18
Dare Devil's Reward T. Mix-N. Joyce Fox 4987 feet . . Jan. II
Dead Man's Curve Fairbanks, Jr.-S.
Blane F. B. 0 6611 feet . . Dec IX
Desperate Courage W. Wales-O. Has-
brouck Pathe 4318 feet .. Jan. II
Divine Woman, The D. Garbo-L. Hanson-
L. Sherman M-G-M 7300 feet. Jan. II
Driftin' Sands Bob Steele F. B. O 4770 feet
Fearless Rider F. Humes-B. Worth Universal 4173 feet
Four Flusher, The G. Lewis-M. Nixon .. Universal 6193 feet. Jan. 81
French Dressing H. B. Warner-L. Wil-
son First National 6344 feet
Gateway of the Moon, The . Del Rio-Fenton-W.
Pidgeon Fox 6038 feet. Jan. 14
Gentlemen Prefer Blondes A. White-F. Sterling-
R. Taylor-Conklin-
Friganza-Swain . . Paramount 6871 feet. Jan. II
Girl in Every Port, A V. McLaglen-M. Casa-
iuana-M. Loy-N.
Joyce-R. Armstrong. Fox 6881 feet. .Mar. 8
Glory Girl, The Esther Ralston Paramount
Heart of Broadway, The ... P. Garon-R. Agnew. . Rayart (S. R.) 6863 feet
Laddie Be Good B. Cody-R. Blossom . Pathe 4166 feet . . Dec. SO
Lady Raffles E. Tayior-R. Drew-L.
Tashman Columbia 6471 feet
Last Command, The E. Jannings-E. Brent-
W. Powell Paramount 8234 feet. Jan. 88
Let 'Er Go. Gallegher J. Coghlan-H. Ford-
E. Fair Pathe-De Mille 6888 feet. Jan. 88
Leopard Lady, The J. Logan-A. Hale Pathe-De Mille 6660 feet. Mar. 10
Love G. Garbo-J. Gilbert. . M-G-M 7866 feet . . Dec II
Love and Learn E. Ralston-L. Chand-
ler-H. Hopper Paramount .5737 feet. Feb. 26
Merry Wives of New York. . P. Garon First Division (S.R.)
1166
Motion Picture News
Feature Players Distributed by Length Reviewed
Noose, The R. Barthehness-L.
Basquette-A. Joyce.First National 7331 feet. .Jan. 7
On to Reno M. Prevost-C. LandisPathe-De Mille 6 reels
Peaks of Destiny, The
(Ufa film) E. Peterson-L. Rief-
enstahl-L. Trenker|Paramount 6582 feet. .Jan. 21
Perfect Gentleman, A M. Banks-R. Dwyer. .Pathe 5626 feet. .Jan. 14
Pioneer Scout, The F. Thomson-N. Lane.Paramount 6118 feet. .Mar. 10
Private Life of Helen of Troy,
The M. Corda-L. Stone-R.
Cortez First National 7694 feet. .Dec. 23
Race For Life, A Rin - Tin - Tin - V. B.
Faire-C. Nye Warner Bros 4777 feet. .Feb. 11
Rawhide Kid, The H. Gibson-G. Hale. .Universal 4777 feet
Sadie Thompson G. Swanson-L. Barry-
more-R. Walsh... .United Artists 8700 feet. .Feb. 11
Sailors' Wives Astor-Hughes First National 5485 feet. .Mar. 10
Satan and the Woman C. Windsor-C. Keefe .Excellent Pict. (S. R.)6400 feet. . Mar. 10
Sharpshooters G. O'Brien-L. Moran Fox 5673 feet . . Jan. 28
Shepherd of the Hills, The. .A. B. Francis-M.
O'Day-J. Boles First National 8188 feet. Feb. 25
Striving for Fortune G. Walsh-B. Roberts .Excellent Pict. (S.R.).6337 feet
Student Prince, The (In
Heidelberg) R. Novarro-Shearer-
J. Hersholt M-G-M 9566 feet . . Oct. *
That Certain Thing V. Dana-R. Graves. .Columbia 6047 feet. .Mar. 10
Tragedy of Youth, The Collier, Jr.-P. R. Mil-
ler-W. Baxter Tiffany-Stahl 6273 feet. .Mar. 31
West Point W. Haines-J. Craw-
ford M-G-M 8134feet..Jan. 7
What Price Beauty? N. Naldi-P. Gendron-
V. Pearson Pathe 6 reels . . . . Jan. 28
Wickedness Preferred L. Cody-A. Pringle. . . M-G-M 6011 feet
Wife Savers W. Beery-R. Hatton-
Z. Pitts Paramount 6413 feet. .Jan. 21
Wife's Relations, The S. Mason-G. Glass-B.
Turpin-A. Kaliz. . .Columbia 6508 feet
Wizard of the Saddle B. Barton-D. Thomp-
son F.B. 0 4805 feet... Dec. 30
Woman Against the World,
A G. Olmstead-H. Ford-
G. Hale-S. Rand .. Tiff any-Stahl 6283 feet
Woman Wise W. Russell-J. Collyer-
W. Pidgeon Fox 6050 feet. . Mar. 10
FEBRUARY
Feature Players Distributed by Length Reviewed
Across the Atlantic M. Blue-E. Murphy. .Warner Bros
Age of Sex, The First Division (S.R.)
Alice Through the Looking
Glass Special Cast Pathe 6 reels
Apache Raider, The L. Maloney-E. Gil-
bert-!). Coleman. .Pathe 6766 feet. .Feb. 18
Bare Knees V. L. Corbin-D. Keith-
J. Winton-J. Walker Lumas 6800 eet. .Jan. 28
Battles of Coronel and Falk-
land Islands (English
film) Special Cast— Artlee .Pict. (S. R.) 8400 feet. .Mar. 24
Blonde for a Night, A M. Prevost-H. Ford. .Pathe-De Mille 6 reels
Bronc Stomper, The D. Coleman-E. Gilbert Pathe 5408 feet . . Mar. 3
Chaser, The H. Langdon-G. Mc-
Connell First National
Clean Up Man, The T. Wells-P. O'Day. ..Universal 4232 feet
Crashing Through J. Padjans-S. Rand-
T. Santschi Pathe 4480 feet
Devil Dancer, The G. Gray-C. Brook. . . . United Artists 6765 feet . . Dec. SO
Devil's Skipper, The B. Bennett-M. Love-
McAUister-C. Lan-
dis Tiffany-Stahl 6510 feet
Doomsday F. Vidor-G. Cooper. .Paramount 5665 feet
Douglas Fairbanks as the
Gaucho D. Fairbanks-E. South-
ern-L. Valez United Artists 9266 feet . . Dec. 2
Enemy, The L. Gish-R. Forbes. . .M-G-M 8189 feet. .Dec. 31
Fangs of the Wild Ranger (Dog)-S. Nel-
son-D. Kitchen F. B. O 4578 f eet . . Jan. 14
Finders Keepers La Plante-Harron . . .Universal 6081 feet. .Mar. 17
Feel My Pulse B. Daniels-R. Arlen-
W. Powell Paramount 6889 f eet . . Mar. 3
Fleetwing B. Norton-D. Janis. . . Fox
Flying Romeos C. Murray-G. Sidney.First National
Free Lips First Division (S. R.)
Her Summer Hero D.Thompson-H. Tre-
vor-S. Blane-J.
Pierce F. B. O 6146 feet. . Dec. So
Latest From Paris, The N. Shearer-G. Sidney-
R. Forbes M-G-M 7743 feet . . Mar. 3
Little Snob, The M. McAvoy-R. Frazer-
A. B. Francis Warner Bros
Midnight Rose L. de Putti-K Harlan Universal 6689 feet. . Mar. 10
Nameless Men C. Windsor-A. Mor-
eno Tiffany-Stahl 5708 feet
Napoleon (French Film). . .Special Cast M-G-M
Night Flyer, The W. Boyd-J. Ralston. .Pathe-De Mille 6954 feet
Painted Trail, The Buddy Roosevelt Rayart (S. R.) 4571 feet
Passion Island Special Cast Pathe-De Mille 7 reels
Phantom Flyer, The Al Wilson Universal 4253 feet
Port of Missing Girls, The .B. Bedford-M. Mc-
Gregor Brenda Pict. Corp. . .7270 feet. .Mar. 3
Riding Renegade, The Bob Steele F. B. O
Rose- Marie J. Crawford-J. Mur-
ray-H. Peters M-G-M 7746 feet. . Feb. 18
Secret Hour, The P. Negri-Hersholt-K.
Thomson Paramount 7194 feet. .Mar. 17
Shield of Honor, The R. Lewis-D. Gulliver-
N. Hamilton Universal 6172 feet. .Dec. 30
Show Down, The Bancroft - Brent - N.
Hamilton Paramount 7616 feet. .Mar. 10
Smart Set, The W. Haines-A. Day-J.
Holt-H. Bosworth . M-G-M 6476 feet. .Mar. 10
Soft Living M. Bellamy-J. Mack
Brown Fox 5629 f eet . . Mar. 3
So This Is Love V. Dana-W. Collier,
Jr.-J. Walker Columbia
Sporting Goods R. Dix-G. Olmstead. . Paramount 6961 feet. . Feb. 18
Stand and Deliver La Rocque-L. Valez-
W. Olnad Pathe-De Mille
Stronger Will, The P. Marmont-E. La
Bissioniere-R. Ca-
rewe Excellent Pict. (S.R.) 6600 feet
That's My Daddy R. Denny-B. Kent-J.
La Verne Universal 6073 feet
Tillie's Punctured Romance.C. Conklin-W. C.
Fields-Fazenda M.
Swain-D. Hill Paramount 5733 feet
Feature Players Distributed by Length Reviewed
Under the Tonto Rim R. Arlen-M. Brian- J.
., „ .„ ... Linden Paramount 6991 feet
Valley of Hunted Men Buffalo Bill, Jr.-K.
m Collins Pathe 4520 feet. . Mar. 8-
Wagon Show, The Ken Maynard First National
Wall Flowers H. Trevor-J. Arthur-
L. Todd F. B. O 6339 feet
Wedding March, The (road
show) von Stroheim-F.
_ . Wray Paramount 12 reels
When the Law Rides T. Tyler-F. Darro F. B. O
Whip Woman, The E.Taylor-A. Moreno-
L. Sherman First National 5087 f eet . . Mar. 24.
Woman's Way, A M. Livingston-W. Bax-
ter Columbia
You Can't Beat the Law L. Lee-C. Keefe Rayart (S. R.) 5260 feet
MARCH
Feature Players Distributed by Length Reviewed-
Adventure Mad (Ufa film) . E. Barclay-N. Asther-
L. Hall-Davis Paramount 5897 feet
Arkansas Gardner James First Division (S. R.) . 6000 feet
Bachelor's Paradise S. O'NeHl-R. Graves . Tiffany-Stahl
Beauty Doctor, The Adolphe Menjou. . . .Paramount
Beyond London's Lights.. .L. Shumway-G. El-
liot^J. Gadsden H.
Evans-A. Dore F. B. 0 5573 feet. .Feb. 26
Big City, The L. Chaney-M. Day-B.
Compson-J. Murray.M-G-M 6838 feet. . Mar. 31
Blue Danube, The L. Joy-R. LaRocque-
J. Schildkraut Pathe-De Mille 7 reels
Bringing Up Father F. Macdonald-G. Olm-
sted-P. Moran M-G-M 6344 feet
Brunettes Preferred First Division (S. R.) . 6551 feet
Buck Privates de Putti-McGregor-Z.
Pitts Universal 6914 feet . . Feb. 4
Bullet Mark, The J. Donovan-M. Gray-
G. McConnell Pathe 4550 feet. . Mar. 31
Burning Daylight M. Sills-D. Kenyon. . First National 6500 feet
Chicago P. Haver-V. Varconi. .Pathe-De Mille 9992 feet . . Dec. 30
Chicago After Midnight. .. .J. Mendez-R. Ince-
Seiter F. B. 0 6249 feet . . Mar. 17
Circus Rookies K. Dane-G. K. Arthur M-G-M
Crowd, The J. Murray-E. Board-
man-B. Roach M-G-M 8648 feet. .Feb. 25
Desert Bride, The B. Compson-A. For-
rest-O. Mattieson . Columbia
Domestic Troubles L. Fazenda-C. Cook-
B. Blythe-A. Ran-
kin Warner Bros
Dressed to Kill E. Lowe-M. Astor-C.
Morton-B. Bard. . .Fox 6566 feet. .Mar. 17
Faithless Lover, The G. Hulette-E. O'Brien Krelbar Pict. (S.R.).. 6600 feet. .Mar. 3
Forbidden Hours R.Novarro-R.Adoree .M-G-M
Four Footed Ranger, The . .Dynamite (Dog) Universal 4426 feet
Freckles J. Fox, Jr.-G. Stratton-
H. Bosworth F. B. 0 6131 feet. Jan. 28
Garden of Eden, The C. Griffith-C. Ray-L.
Sherman United Artists 7300 feet . . Jan. 4
Golden Shackles Priscilla Bonner Peerless Pict. (S.R.) .6600 feet
Heart of a Follies Girl, The. B. Dove-L. Kent- L.
Sherman-M Harris First National 6957 feet. .Mar. 17
Horseman of the Plains. . .T. Mix-S. Blane Fox 4397 feet. .Mar. 24
Legion of the Condemned,
The G. Cooper-F. Wray-L.
Chandler-F. Mc-
Donald-B. Norton . Paramount 7415 feet. .Mar. 24
Little Buckaroo, The Buzz Barton F. B. O
Love Me and the World Is
Mine Philbin-Kerry Universal 6813 feet . . Feb. 11
Mad Hour, The S. O'Neil-L. Kent-L.
Sherman-A. White.First National
Marlie the Killer Klondyke (Dog)-Bush-
man, Jr.-B. Mehaf-
fey Pathe 4600 feet. . Mar. 8
Masked Angel, The B. Compson-W. Oak-
man First Division (S.R.).. 6700 feet. .Mar. 24
Matinee Idol, The J. Walker-B. Love-
A. Forrest Columbia
Midnight Madness J. Logan-C. Brook.. Pathe-De Mille 6 reels
My Home Town G. Rockwell-G. Glass Rayart (S. R.)
Old Ironsides E. Ralston-C. Farrell-
W. Beery-G. Ban-
croft Paramount 7910 feet Dec. 18, '26
Partners in Crime W. Beery-R. Hatton-
W. Powell-M. Brian Paramount
Patsy, The M. Davies-O. Cald-
well-L. Gray M-G-M
Phantom of the Turf, The. .H. Costello-R. Lease .Rayart (S. R.)
Powder My Back I Rich-A. Ferris-A.
Beranger-C. Nye . . Warner Bros
Put 'Em Up Fred Humes Universal 4200 feet
Ramona D. Del Rio-W. Baxter-
R. Drew-V. Lewis. . United Artists 8200 feet. . Feb. 4
Red Hair C. Bow-W. Austin-L. M
Chandler Paramount 6331 feet. .Mar. 31
Red Signals ,W. McDonald-E. No-
vak-E. Williams . . . Sterling Pict. (S.R.) . . 6032 feet
Saddle Mates W. Wales-P. Mont-
gomery Pathe 4620 feet. . Mar. 17
Something Always Happens E. Ralston-N. Hamil-
ton Paramount
Souls Aflame G. James-G. Lard-R.
Wells First Division (S. R.)
Square Crooks R. Armstrong-J. M.
Brown-D. Dwan-D.
Appleby Fox 5397 feet. .Mar. 31
Stop That Man A. Lake-B. Kent-E.
Gribbon Universal 6389 feet
Surrender M. Philbin-I. Mos-
kine Universal 8249 feet. . Mar. 10
Tempest J. Barrymore-C. Horn
-Wolheim United Artists (about) 9000 feet..
Their Hour D. Sebastian- J. Har-
ron-J. Marlowe... .Tiffany-Stahl
Tracy the Outlaw Jack Hoey New-Cal (S. R.) 6000 feet. .Mar. 31
Trick of Hearts, A H. Gibson-G. Hale . . Universal 6495 feet
Turn Back the Hours M. Loy-W. Pidgeon-
S. Hardy Lumas 6500 f eet . . Mar. 17
Under the Black Eagle Flash (Dog)-M. Day- -
R. Forbes M-G-M 6901 feet
Women Who Dare H. Chadwick-C. Dela-
ney Excellent Pict. (S.R.)
Wyoming T. McCoy- W. Fair-
banks-D. Sebastian. M-G-M
April 7 , 19 28
1167
APRIL
Feature Players Distributed by Length Reviewed
Across From Singapore .... R. Navarro-J. Craw-
ford-E. Torrence . . M-G-M-
Actress, The N. Shearer-R. Forbes-
G. Lee-O. Moore-
D'Arcy M-G-M
Avenging Shadow, The.. . Klondike (Dog)-R. Hal-
lor-M. Morris Pathe 4293 feet Mar. 31
Bell o Avenue A First Division (S. R.)
Bit of Heaven, A B. Washburn-L. Lee Excellent Pict. (S.R.)
Breed of the Sunsets R. Steele-N. Drexel. .F. B. O
Canyon of Adventure K. Maynard-V. B.
Faire First National
Chinatown Charlie J. Hines-L. Lorraine. .First National
Chorus Kid, The V. B. Faire-B. Wash-
burn-H. Hopper . . . Lumas 6 reels
Circus Rookies K. Dane-G. K. Arthur
L. Lorraine M-G-M
Cossacks, The J. Gilbert-R. Adoree-
E. Torrence-M. Al-
dea M-G-M
Crimson City, The M. Loy-L. Hyams-R.
Tucker-J. Miljan . . Warner Bros
Czar Ivan the Terrible Special Cast Amkino (S. R.) 8500 feet. .Mar. 24
Danger Patrol, The W.Russell-V.B. Faire .Rayart (S. R.)
Devil's Trade Mark, The. .B. Bennett- W. V.
Mong-M. Douglas .F. B O
Drums of Love E. Taylor-D. Alvar-
ado-M. Philbin-L.
Barrymore United Artists 9600 feet .. Jan. 28
Fagasa (South Seas Isle
film) L. Kelly-G. Kelton-
Mr. & Mrs. R. Wells . First Division (S. R.)
Five and Ten Cent Annie.. L. Fazenda-C. Cook-
G. Astor-W. Dema-
rest Warner Bros
Girl He Did'nt Buy, The. . . P. Garon-A. Simpson Peerless (S. R.) 5600 feet
Good Morning Judge R. Denny-M. Nolan-
D. Gulliver Universal 5645 feet
Gypsy of the North H. Gordon-G. Hale . .Rayart (S. R.)
House of Scandal, The. . . .D. Sebastian-P.
O'Malley Tiff any-Stahl
Ladies' Night in a Turkish
Bath Mackaill-Mulhall. .. First National 6692 feet
Last Moment, The O. Matieson-G. Hale-
L. La Verne Zakoro (S. R.) 6800 feet. . Mar. 31
Laugh Clown, Laugh Chaney-L. Young-N.
Asther M-G-M
Law of Fear, The Ranger (Dog)-P. R.
Miller-C. Byer F. B. 0 4769 feet. Mar. 10
Law's Lash, The Klondike (Dog)-R.El-
lis-M. Maberry. . .Pathe 4902 feet. . Mar.Tg
Lilac Time C. Moore-G. Cooper . First National Mar. 24
Little Shepherd of Kingdom
Come Barthelmess-G. James-
O'Day-Seyff ertitz. . First National
Love Hungry L. Moran-L. Gray . . . Fox
Phantom of the Range, The. T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4781 feet. .Feb. 11
Pinto Kid, The B. Barton-H. Trevor-
G. Lee F-B-O 4884 feet .. Jan. 7
Red Riders of Canada, The .P. R. Miller-C. Byer. . F. B. O 6419 feet . . Dec. 23
Riders of the Dark T. McCoy-D. Dwan.. M-G-M
Scarlet Dove, The J. Borio-R. Frazer-L.
Sherman M. Liv-
ingston Tiff any-Stahl
Speedy H. Lloyd-A. Christy-
B. Ruth-B. Wood-
ruff Paramount
Steamboat Bill, Jr Keaton-E. Torrence. .United Artists (about) 6800 feet . .
Street of Sin, The E. Jannings-F. Wray . Paramount
Thanks For the Buggy Ride.L. La Plante -G.
Tryon Universal 6197 feet. .Feb. 4
Thirteen Washington Square A. Joyce-J. Hersholt-
Z. Pitts Universal 6274 feet . . Feb. 4
Three-Ring Marriage M.Astor-L. Hughes.. First National
Thunder Riders, The Ted Wells Universal 4353 feet
Two Lovers R. Colman-V. Banky . United Artists (about) 7500 feet . .
Won in the Clouds Al Wilson Universal 4348 feet
MAY
Length Reviewed
...5872 feet Mar. 24
. . .4076 feet
Feature Players Distributed by
Alex the Great "Skeets" Gallagher-
R. Dwyer F. B. O
Arizona Cyclone, The Al Wilson nniorsal
Clothes Make the Woman. E. Southern-W. Pid-
geon Tiffany-Stahl
Crooks Can't Win R. Lewis-T. Hill-S.
Nelson F. B. O
Harold Teen A. Lake-M. Brian-W.
Bakewell-J. Duffy . First National
Hell Ship Bronson Mrs. W. Reid- R.
Howes-Q. Foster-N.
Beery Lumas
It's All Greek to Me C. Murray-L. Fazen
da-T. Todd First National
Ladies of the Night Club. . .B. Leonard-R. Cortez.Tiffany-Stahl
Little Yellow House, The. . O. Caldwell-M. Sleep-
er F.B.O
Man in the Rough, The. . .B.Steele-M.King. . F-B-O
Marry the Girl B. Bedford-R. Ellis-
D. W. Jennings. . .Sterling Pict. (S.R.).. 6300 feet. Mar. 10
Million for Love, A R. Howes- J. Dunn . . . Sterling Pict. (S.R.)
Pay As You Enter C. Cooke- L. Fazanda Warner Bros
Rinty of the Desert Rin-Tin-Tin-A. Fer-
ris-C. Nye Warner Bros
Skinner's Big Idea B. Wash burn- M.
Sleeper-H. Trevor. F. B. 0 5967 feet. Mar. 17
United States Smith Special Cast Lumas 7000 feet
We Americans G. Sidney P. R. Mil-
ler-G. Lewis Universal 9161 feet
JUNE
Feature
Distributed by
Players
Dog Justice Ranger (Dog)-E.
Hearn-N. Martan. F. B. O
Lady Be Good D. Mackaill-J. Mul-
hall First National.
Lingerie Tiffany-Stahl. .
Loves of Ricardo George Beban F. B. O
Man Higher Up, The Lumas
Length Reviewed
Feature Players Distributed by
Roulette R. Barthelmess-M. Liv-
ingston-W. Oland. First National . . .
Texas Tornado, The Tom Tyler F. B. O
Upland Rider, The K. Maynard-M. Doug-
las First National. . .
Length Reviewed
JULY
Feature Players Distributed by
Count of Ten, The C. Ray- J. Gleason Universal
Fighting Redhead, The Buzz Barton F. B. O
Flyin' Cowboy, A H. Gibson-O. Has-
brouck Universal
Head of the Family, The Lumas
Kelly's Kids Charlie Murray First National...
Trail of Courage, The R. Steele-M. Bonner.F-B-O
Length Reviewed
Feature
AUGUST
Players Distributed by
Bantam Cowboy, TLie Buzz Barton F. B. O
Barker, The Milton Sills First National . . .
Oh Kay Colleen Moore First National...
Thru the Breakers Lumas
Length Reviewed
Coming Attractions
Feature
Players
Distributed by Length Reviewed
7477 fect.Sept.4'26
Abie's Irish Rose F. McDonald-J. Hers-
holt-N. Carroll-C.
Rogers Paramount
Abie of the U. S. A George Jessel Lumas
Ace High. . . Hoot Gibson Universal
Adventurer, The T. McCoy-D. Sebas-
tian-C. Delany M-G-M 3709 feet
Adventures in Pygmy Land Jungle Film W. W. Hodkinson . . . 6800 f eet . . Mar. 24
After the Storm H. Bosworth-E. GU-
bert-C. Delaney . . . Columbia
Albany Night Boat, The Tiffany-Stahl
Anne Against the World . . . Edith Roberts Rayart (S.R.)
Baby Cyclone, The L. Cody-A. Pringle. . . M-G-M
Battle of the Sexes, The... B. Bennett- J. Hers-
holt-P. Haver-S.
O'Neill United Artists
Beggars of Life W. Beery-R. Arlen-L.
Brooks Paramount
Bellamy Trial, The L. Joy M-G-M
Better Man, The F. B. O
Betty's a Lady J. Ralston-C. Ray . . . . Universal
Be Yourself R. Denny-M. Nolan. .Universal
Big Bow Mystery, The I. Rich-C. Brook F. B. O
Big Game Hunt, Too W. Beery-R. Hatton. .Paramount
Big Gun. The George Lewis Universal
Big Noise, The A. White-C. Conklin-
S. Hardy First National
Big Sneeze, The W. Beery-F. Sterling-
Z. Pitts Paramount
Big Top, The M-G-M
Billionaire, The Al St. John-J. Robards Rayart (S.R.)
Black Ace. The D. Coleman- J. Loff. .Pathe
Black Pearl, The Gladys Brockwell.. . .Rayart (S. R.)
Blossom Time (Movietone). J. Gaynor-C. Farrell. . Fox
Body Punch, The J. Dougherty-V. B.
Faire Universal
Boss of Little Arcady, The. C. Murray-D. Reed-
D. Dawson First National
Bride of the Colorado J. Boles-D. Blossom. .Pathe
Brides Will Be Brides. . ..Laura La Plante Universal
Bright Aisle, The Lumas
Broadway Daddies J. Logan-R. Lease-A.
B. Francis Columbia
Broken Hearts Hercules Film Prod. (S.R.)
Brotherly Love (tentative) . . K. Dane-G. K. Arthur M-G-M
Butter and Egg Man, The. J. Mulhall-M. O'Day First National
Certain Young Man, A. . . . Novarro-Adoree-W.
Marshall-G. Astor .M-G-M
Children of the Sun (South
Seas film) Special Cast Universal
Chinatown Lon Chaney M-G-M
City of Shadows, The J. Luden-S. Lynn ... .F. B. O
Clown, The ( Vitaphone) . . . Al Jolson Warner Bros
Cock-Eyed World, The V. McLaglen-E. Lowe Fox
Code of the Scarlet, The . K. Maynard-G. Mc-
Connell First National
Companionate Marriage First Division (S. R.)
Cop, The W. Boyd-J. Logan- A.
Hale-R. Armstrong Pathe-De Mille
Craig's Wife Pathe-De Mille
Creole Love First Divinion (S. R.)
Crimson Hour, The L. de Putti-I. Moskine-
N. de Brulier Universal
Dance Fever (Ufa film) Brill, Inc
Dancing Daughters J. Crawford-J. M.
Brown-D. Sebas-
tian-N. Asthcr-A.
Page M-G-M
Date With a Duchess, A
(tentative) A. Menjou-E. Brent . Paramount
Deadline, The Flash (Dog)-L. Lor-
raine-L. G ray M-G-M
Detectives K. Dane-G. K. Arthur-
M. Day M-G-M
Devil's Cage, The P. Garon-D. Keith . . First Division (S.R.)
Devil's Chaplain, The Cornelius Keefc Rayart (S. R.)
Diamond Handcuffs C. Nagel-E. Board-
man-L. Gray-D.
Sebastian M-G-M
Dirty Work Johnny Burke Pathe
Divine Lady, The C. Griffith-V. Varconi-
M. Dressier First National
Dolorosa Tiffany-Stahl
Domestic Relations Tiffany-Stahl
Don't Marry L. Moran-N. Hamil-
ton Fox
Doubling for Trouble H. Gibson-E. Gilbert.Universal
1168
Motion Picture News
Feature Players Distributed by Length Reviewed Feature Players Distributed by Length Reviewed
Down Grade, The Wm. Fairbanks-A. Man About Town, The L. Cody-N. Trevor . . M-G-M
Calhoun Lumas Man From Headquarters,
Down Our Way V. Valli-F. Darro-O. The Cornelius Keefe Rayart (S. R.)
_ „ Caldwell F. B. O Man-Made Woman L. Joy- J. Boles-H. B.
Dragnet, The G. Bancrof t-E. Brent- Warner Pathe-De Mille
„ _. ,. W. Powell Paramount Han Who Laughs, The .... C. Veidt-M. Philbin. . Universal
Dreaded Bandit, The (for- Marriage of Tomorrow
eign film) L. Albertine-E. Iina- (tentative) Tiffany-Stahl
jeff Cinema Attractions . 6000 feet Masked Stranger, The (ten-
Eagle's Talons, The Tom Tyler F. B. O tative) Tim McCoy M-G-M
Easy Come, Easy Go R. Dix-N. Carroll .... Paramount Meet the Prince Glenn Tryon Universal
Empty Saddle, The Fred Humes . . . . .. . .Universal Meet the Prince J. Robards-A. St. John Rayart (S. R.)'.V ." .' '. '.
Escape, The V. Valli-W Russell. . Fox^ Michigan Kid, The C. Nagel-R. Adoree. . Universal
Enemy The. L. Gish-R. Forbes .. M-G-M 8189 feet. .Dec. 31 Miracle Girl, The Betty Compson First Division (S.R.)
Eternal Silence, The Bushman, Jr.-N. Ham- Modern Du Barry, The (Ufa
i'10?; J. Marlowe. . . Universal film) Maria Corda Brill, Inc 7000 feet
Excess Baggage Wm. Haines M-G-M Modern Mothers H. Chadwick-Fairbanks,
Fallen Angels N.Kerry-P. Starke- Jr.-B. Kent Columbia
„ .„ c j ar T?"\ Universal Mother Machree B. Bennett-V. McLag-
Fangs of Fury Sandow (Dog) Pathe len.N Hamilton-E
Fanes of Justice Silverstreak (Dog)-J. Clayton Fox 6863 feet Mar 17
Walker-J Marlowe.Bischoff Prod. (S.R.) 6000 feet Mr. Romeo F Sterling-N Carroll-
Fa nl C-FarrelG Nissen- q Meeker Fox
r lx. M.Busch.y . Fox Naughty Duchess, The ' '. i" "'. TifiahylStahl. *..■.'.'.'.' .".'.* I.'.'.'
Fifty-Fifty Girl, The B. Daniels- J. Hall-W. iaughty Marietta Marion Davies . . M-G-M
„ , . . , WA2SS? i : • A -~ ■ i -Paramount Navy Blues Arthur Lake Universal
Fools for Luck W. C. Fields-C. Conk- News Parade, The N. Stuart-S. Phipps Fox
lin-S. Blane-J. Lu- Night of Mystery, A A. Menjou-N. Lane-
den... Paramount Collier, Jr.-E. BrentParamount
Foreign Legion, The N. Kerry-L. Stone- J. Noah's Ark (Vitaphone) . . . D. Costello-G. O'Brien-
_ 0 ., „ Marlowe Umversal N. Beery-L. Fazen-
Four Devils, The F. Macdonald-M Dun- ,ja Warner Brow
can-C. Morton-N. None But the Brave Lionel Barrymore . . '. . Fox
. DlS!Ef,1V; GayPor- • Fox Odd Fellows Fields-Conklin Paramount
Four Sons J. Hall-M. Mann- Once There was a Princess Mary Astor First National
Bushman, Jr.-C. One Way Street, The (ten-
Morton-E. Foxe-J. tative) M. Loy-C. Nagel-W.
_ n. „ fiV™ 9412 feet.. Feb. 18 Russell Warner Bros
Four Walls John Gilbert. . . M-G-M Out of the Night C. Palmer-F. Stanley-
Freedom of the Press L. Stone-M. Day-D. A. Ayres Rayart (S. R.)
„ .„„ T nKeithT -; ?°lvers|V Painted Post, The T. Mix-N. Kingston. .Fox
George Washington, Jr George Jessel Tiffany-Stahl Part-Time Marriage June Collyer Fox
Girl Downstairs, The L. Moran-G. O'Brien.Fox Patent Leather Kid The
Give and Take G. Sidney-S. Lynn-G. (road show) ' R. Barthelmess-M.
... „. , Lewis-J. Hersholt. Universal O'Day First National 11412 feet. Aug. 26
Glorifying the American Pay As You Enter L. Fazenda-C. Cook. .Warner Bros
Girl Rutn Elder Paramount Phantom Buster, The Buddy Roosevelt Pathe
Glounous Betsy (Vita- Phyllis of the Follies M. Nixon-C. Rogers . Universal
p'lone) D. Costello-C. Nagel. Warner Bros Pigskin D. Rollens-S. Carrol. Fox
Godless Girl, The L. Basquette-G. Dur- Plastered in Paris S. Cohen-J. Pennick-
yea-Prevost-N. M. Batelini Fox
„ Beery . . . . . Pathe-De Mille Play Girl, The M. Bellamy-J. M.
Golf Widows V.Reynolds-H.Ford- Brown Fox
S.Rand Columbia . Play Goes On C Vedt-M Nolan Universal.
Green Grass Widows Walter Hagen Tiffany-Stahl Polly Preferred Marlon Davies M-G-M
Gun Shy (tentative) Beery-Hatton-M. Port of Missing Children,
_ . . , Brian-G.James.. .Paramount The Sierra Pictures (S. R.)
Gypsy Love (tentative) ............. Lumas Power (tentative) D. Fairbanks, Jr.- J.
H angman's House V. McLaglen-J. Col- Ralston Tiffany-Stahl
. , j . _ lyer-L.Kent-E.Foxe Fox Primanerliebe (German film) Special Cast Scenic Films 6500 f eet . . Mar. 24
Has Anybody Here Seen Prowlers of the Sea Tiffany-Stahl
„ Ke,n,y? • • T. Moore-B. Love. . . . Universal Quick Lunch Fields-Conklin-M.
Hawk's Nest, The M. Sills-D. Kenyon- Alden-S. Blane-J.
„ , _. A Stone-M. Love. . First National Luden Paramount
Hawk, The . . M\?Jls ■ • W T £ ?rs* Nationa. Rachel P. Negri-G. Cooper . . Paramount
Heart to Heart C. Moore-E. Lowe. . First National Racket, The Thomas Meighan . . . Paramount
Heat (tentative) Greta Garbo M-G-M Red Dancer of Moscow,
Hello, Cheyenne 1 T. Mix-C. Lincoln. . .Fox The.. D DelRio-C Farrell-
HelPs Angels B. Lyon-J. Hall-G. D Revier ' Fox
„ T , ,. _ _ Nissen. . .... United Artists (about) 7 reels ... . Red Lips M. Nixon-C. Rogers ."Universal".".".." . . . . ."." . . . . . . . . . . . . . . . .
He Learned About Women. W. Haines-E. Percy- Red Mark, The. .. G. von Seyffertitz-N
„ „ JU JT ™AT-.Pa?e"«0rjini • •• • Ouartaro Pathe-De MUle
Her Cardboard Lover M. Davies-W. HainesM-G-M Ridin' Like Fury Hoot Gibson . Universal
High Treason E.Jannings-L Stone- Rip Van Winkle Rudolph Schildkraut Pathe-De Mille
F. Vidor-N. Hamil- River Woman, The Alma Rubens Lumas
_ „ „ tg11/ ■ • • : v. Paramount Robert Flaherty's Southern
His Country R. Schildkraut-M. Skies M. Blue-R. Torres . .M-G-M
„._...-. , Dressier .. . . . . Pathe-De Mille Romeo and Juliet N. Kerry-M. Philbin Universal
His Third Master Henry B. Walthall . Rayart (S. R.) Saddle and Spurs "Buzz" Barton-L.
Hit of the Show, The Joe Brown-G. Astor. .F. B. O Eason F. B O.
Hold 'Em Yale R. La Rocque-J. Loff- Sally of the Scandals B. Love'-A." Forrest. . Y. B. O." '. '. '. '. '. '. .' .' .' .' .' .' .' .' .' .' .' .' . ." . .' .' . . .
n,.. . Wg-Allan Pathe-De Mille Sally of the South Seas Hercules Film Prod. (S. R.)
Hold Everything (tentative) J. Hall Paramount Shadows of the Night Hercules Film Prod. (S. R.)
Home, James . ...... . . . . ... . . . .Universal Shanghai Rose Mae Busch Rayart (S. R.)
Honor Bound G. O'Bnen-E. Taylor- Shooting Stars (English
_ - „ ... L Hyams-SantschiFox. .. film) Artlee Pict. (S.R.)
Hoofbeats of Vengeance... Rex (Horse) Universal Show Boat Universal
Hot Heels . . . G. Tryon-P. R. Miller Universal Side Show,' The .' ." .' .' .' .' .' .' .' ."Fi'e'lds-Con'k'lin'-'BrianiParamoun't".'.' .' .' ." .' .' .' .' . .' .' .' .' .' .' .' .'
5y*£0,7il.e' Ihe,(Pfa film) -V •„• ■ • VV §nll'lnC-- Silks and Saddles M. Nixon-R. Walling-
I'll Tell the World Colleen Moore First National M Nolan Universal
Innocent, The... Vilma Banky United Artists Simba Jungle Film . '. '. . . . . Martin Johnson Afri-
S1^?^0!1 Men' T?e • A ■■ \Tom Santscnl Rayart ^. ».). . ■ ■ • an Expedition Corp.8000 feet . . Feb. 4
It Might Happen to Any Girl ; ir-.- - •■ - Sterling Pict. (S.R.) Sin Town H. Allen-E. Fair Pathe-De Mille
Jazz Mad J. Hersholt-Nixon-G. Sisters of Eve Mae Busch Rayart (S. R.)
. , , Lewis Universal Skyscraper, The S. Carroll- W. Boyd-
Jealousy (Ufa film) vcvfc". £ r ' A- Hale-A. VaughnPathe-De Mille 7040 feet
Jungle Rose ... Dolores Del Rio Fox . . . A Some Mother's Boy Mary Carr Rayart (S. R.)
King of Kings, The Special Cast Pathe-De Mille 13500 feet. April 2» Son of St Moritz The (ten-
Knocking 'Em Over R. Dix-J. Arthur Paramount tative) ' J. Gilbert-G. Garbo . . M-G-M
Ladies Must Love Rod La Rocque Pathe-De Mille Span 0f Life, The Lon Chaney M-G-M
Ladies of Leisure ....... Tiffany-Stahl Sport Girl, The M. Bellamy-J. M.
Ladies of the Mob C. Bow-R. Arlen-M. Brown Fox
. .. _ . „ . „ A'den Paramount Sporting Age, The B. Bennett-c! Nye- EL
Ladies Prefer Bonds (ten- .„,.,„, w _ Herbert Columbia
tative) ............ . C. Nagel-M. McAvoy.Warner Bros Stocks and Blondes J. Logan-"Skeets"
Land of the Silver Fox, The Gallagher-G. Astor F. B. O
(tentat,ve) R r" wSJS'nhJh^W.™ « Rr„s Stormy Waters E- Southern-M. Mc-
. D. . C.Nye-Santschi... Warner Bros. Gregor Tiffany-Stahl
La Piava Lupe Valez United Artists e(„.t i.„.i -n,» r r-„„t». c tr-.-^ii u„»
Last Cab, The Rudolph Schildkraut .Pathe-De Mille !'re^ Ang.e.1, Th%y ■ : • J" Gaynoi;c- FarreU- • 1°*: -i ■
Last Warning, The Laura La Plante Universal ^"1° Ms * ^ fi'm) ' ^ami"a r°™ ii" BrU1, lDC
Law of the Rknge, The ... . McCoy-Crawford-R. 8anrlse Gaynor-G. O'Brien-
6' Lease M-G-M Livingston Fox 8729 feet .. Oct.
Leave It to Me Glenn Tr^on. Universal'.'.'. .'.;;;;.'.';.' ! .";.'.';; ." .' .' ! .' .' .* .' Sunset Legion, The F. Thomson-E. Mur-
Liie's Crossroads G. Hulette-M. Ham- „ .,,«,,. ~. „,phli- i "W ' W ' V Paramount
ilton Excellent Pict. (S.R.) Survival of Slim, The W. Wales-P. Mont-
Lion and the Mouse, The „ gomery. Pat1he;
(Vitaphone) M. McAvoy-L. Barry- Tartuffe, the Hyprocnte . . . Emil Jannings Brill, Inc
more-A. B. Frances- Tenderloin (Vitaphone) D. Costello-C. Nagel . Warner Bros 7782 feet
Collier, Jr". Warner Bros Tenth Avenue P. Haver-V. Varconi-
Little Wild Girl, The L. Lee-C. Landis-F. R. Schildkraut . . . .Pathe-De Mille
Merrill Hercules Film Prod. (S. R.) Thief in the Dark, The G. Meeker-D. Hill-G.
Lonesome G. Tryon-B. Kent. . .Universal Lee Fox
Mademoiselle From Armen- Three Sinners P. Negri-W. Baxter . .Paramount
tieres (English Film) E. Brody-J. Stuart . . . M-G-M Thrill Seeker, The R. Clifford- J. Fulton. . Superlative Pict. (S.R.)
Magnificent Flirt, The F. Vidor-L. Young-A. Tide of Empire J.Crawford-J.Murray M-G-M
Conti-M. Milner. . Paramount Times Square Tiffany-Stahl
14
April 7 , 19 28
\\<f>
Distributed by
Length Reviewed
Feature Players
Tr»il of '98 K Dane-P. Starke-R.
Forbes-Del Rio. .. M-G-M 1100 feet. .Mar. 24
Traveling Salesman, The
(tentative) R. Dix-F. Sterling-G.
Olmsted Paramount
Two Brothers (Ufa film) Brill, Inc
Two Sisters, The Rayart (S. R.)
Dncensored Woman, The Lumas
Uncle Tom's Cabin Special Cast Universal Nov. 18
Undressed Sterling Pict. (S.R.)
Valley Beyond the Law, TheD. Coleman-J Loff. . . Pathe
Vamping Venus C. Murray-Fazenda-
T. Todd First National
Vanishing Pioneer, The... .J. Holt-S. Blane Paramount
Fictory George Bancroft Paramount
Viennese Lovers Philbin-Heraholt-R.
Keane Universal
Walking Back S. Carroll-R. Walling Pathe-De Mille 6 reels
War in the Dark, The Greta Garbo M-G-M
Watch My Speed R. Denny-B. Worth . .Universal
Western Suffragettes H.Gibson-G.Hale . .Universal
What Holds Men Leatrice Joy Pathe-De Mille
When Danger Calls W. Fairbanks-E. Sedg-
wick Lumas 5000 feet
When Dreams Come True .Lila Lee Rayart (S. R.)
When Fleet Meets FJeet
(British Film) H. Stuart-B. Goetzke-
N. Asther Hi-Mark (S. R.) 7953 feet
Whip, The D. Mackaill-L. Sher-
man-A. O- Nilsson First National
White Hands E. Ralston-R. Aries . .Paramount
Why Sailors Go Wrong S. Cohen Fox
Wild West Romance R. King-L. Gilmore..Fox
Wild West Show, The H. Gibson Universal
Wind, The L. Gish-L. Hanson. . . M-G-M
Windjammers of Gloncester
The F. B. O
Wings (road show) C. Bow-B. Rogers . . . Paramount 12 reels .... Aug. 26
Woman Between, The Lumas
Woman Disputed, The. . . .N. Talmadge-G. Ro-
land United Artists
Yellow Contraband L. Maloney-G. Goatz Pathe
Yellow Lily, The B. Dove-C. Brook-
Seyf errtitz First National
You'll Never Get Rich First Division (S.R.)
Comedies and Short Subjects
Title
Sta
Rrl. Date
BRAY PRODUCTIONS
Title Star Rel. Date
Bare Co-Ed, The Murdock-Cavalier-Lancaster. . . Feb. 10
Barnyard Rivals W. Lantz-M. Shaw-T. Ward.. .Mar. 10
Cat Tales McDougall Kids Feb. 20
Cutting Up McDougall Kids Mar. 20
Daze of '49 J.Cooper-L.Carver Jan. 1
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1
Fat and the Canary McDougall Kids Dec. 20
Fowl Play McDougall Kids April 20
Fresh and a Devil Clyde-Malone-Irving Sept. 1
Here's Another One Novelty Oct. 15
Here's Another One Novelty Dec. 15
His Ticklish Predicament . . . Jack Cooper Oct. 1 .
Iron Derby, The Eddy Featherstone Oct. 10
Lost in a Pullman Perry Murdock July 13
Lost in the Lurch P. Murdock-N. Cavalier Mar.
Magic Game, The McDougall Kids Nov. 20
Mr. Pooh McDougall Kids Jan. 20
Orphans, The McDougall Kids Sept. 6
Way of All Fish, The J. Cooper-N. Cavalier Dec. 1
EDUCATIONAL
Title
Star Dist'r Rel. Date
Ain't Nature Grand Eddie Quillan Nov. 20
All Bear Curiosities April 29
All Set W. Lupino-Sargent-L. Hutton . Jan. 29
Always a Gentleman Lloyd Hamilton Feb. 5
Angel Eyes "Big Boy" Dec. 25
At Ease Lloyd Hamilton Sept. 4
Back Home . Curiosities Sept. 25
Batter Up George Davis Sept. 11 .
Between Jobs Lloyd Hamilton Mar. 18.
Blazing Away Lloyd Hamilton April 22 .
Builders of Bridges — When
Twilight Comes Bruce Outdoor Sketch Feb. 26.
Brunettes Prefer Gentlemen.Jerry Drew Nov. 6
Burning Timber — Rough
Country Bruce Outdoor Sketch Oct.
Call o Ithe Sea, The (Color
Film) H. Hampton-M. Valles-N. Kel-
ley Jan.
Character Studies Carter De Haven Nov
Chilly Days "Big Boy" Feb.
Circus Blues Dorothy Devore Mar. 25
Count Me Out Barney Helium Mar. 11
Cry of Winter, The— Hot
Place, The Bruce Outdoor Sketch Sept. 18
Cntie Dorothy Devore Jan. 15
Delving Into the Dictionary. Hodge-Podge Stpt. 11
Dog Days — The Sun and the
Rain Bruce Outdoor Sketch Jan.
Dummies Larry Semon Jan.
Eats for Two Dunham-Thompson Oct.
Fall In Monty Collins Jan.
Felix the Cat Hits the Deck. "Sullivan Cartoon" Dec.
Felix the Cat in Behind in
Front "Sullivan Cartoon" Dec.
Felix the Cat in Comicalities "Sullivan Cartoon" April
Felix the Cat in Daze and
Knights "Sullivan Cartoon" Oct. 30
Felix the Cat in Draggin' the
Dragon "Sullivan Cartoon" Jan. 22
Felix the Cat in Eskimotive . . "Sullivan Cartoon" April 29
Felix the Cat in Flim Flam
Films "Sullivan Cartoon" Sept. 18
Felix the Cat in Japanicky . . "Sullivan Cartoon" Mar. 4
Length Reviewed
.2 reels. . . .Jan. 7
.2 reels. . . . Mar. 17
.2 reels
.2 reels. . . . Mar. 17
.2 reels. .. .Feb. 4
.2 reels. . . . Mar. 17
.2 reels. . . .Dec. 9
.2 reels
.2 reels Oct. 21
.lreel Oct. 7
. 1 reel Dec. 2
.2 reels Oct. 21
.2 reels Oct. 21
.2 reels
.2 reels. . . .Mar. 17
.2 reels. . . .Dec. 2
.2 reels. . . .Jan. 7
. 2 reels
. 2 reels .... Dec. 9
Length Reviewed
. 1 reel Nov. 25
. 1 reel
.lreel Feb. 4
.2 reels .... Feb. 18
.2 reels. . . .Dec. 31
.2 reels. . . Sept. 2
.1 reel Sept. 23
.2 reels Sept. 16
.2 reels
.2 reels
. 1 reel Mar. 10
.2 reels Oct. 28
23 . 2 reels Oct. 7
1
20
19
29
1.
9
1.
11
11
1
.2 reels. . . .Dec. 31
. 1 reel Jan. 14
.2 reels Feb. 18
.2 reels. . . . Mar. 17
. 1 reel Mar. 3
. 1 reel Sept. 2
.2 reels Feb. 18
. 1 reel Sept. 23
.1 reel Feb. 25
.2 reels. . . .Dec. 23
. 1 reel Oct. 14
1 reel Dec. 23
1 reel Feb. 11
.lreel Jan. 14
. 1 reel
.1 reel Nov. 18
. 1 reel Feb. 25
1 reel
.lreel Oct. T
.1 reel Mar. 31
Dec. 25
.Dec. 4.
.Oct. 9.
April 15
. Mar. 25.
Nov. 20.
Felix the Cat in No Fuelin'. "Sullivan Cartoon" Oct. 16
Felix the Cat in Ohm Sweet
Ohm "Sullivan Cartoon" Feb. 19
Felix the Cat in Polly-tics.. ."Sullivan Cartoon" Mar. 18
Felix the Cat in Sure-Lock
Holmes "Sullivan Cartoon" April 15
Felix the Cat in the Oily Bird. "Sullivan Cartoon" Feb. 5
Felix the Cat in the Smoke
Screen "Sullivan Cartoon" Jan. 8
Felix the Cat Switches
Witches "Sullivan Cartoon" Oct. 2
Felix the Cat in Uncle Tom's
Crabbin' "Sullivan Cartoon" Nov. 13
Felix the Cat in Whys and
Otherwise "Sullivan Cartoon" Nov. 20
Felix the Cat in Wise Guise . "Sullivan Cartoon" Sept. 4
Feline Frolics — The Tonquin
Valley Bruce Outdoor Sketch Mar. 26
Fighting Orphans, The —
Evening Mist Bruce Outdoor Sketch
Follies of Fashion Curiosities Sept. 26
For Men Only Curiosities Oct. 30
Fox Tales Drew-Dunham Sept. 25
Green-Eyed Love Ruby McCoy-George Hall Apr. 8
Half-Pint Hero, A Lupino Lane Sept. 18
Hello Sailor Lupino Lane Dec. 25
Here and There in Travel
Land Hodge-Podge Oct. 16
He Tried to Please Monty Collins Aug. 12 .
High Strung Jerry Drew Jan. 29
Hints on Hunting — A Day
By the Sea Bruce Outdoor Sketch April 22.
His Maiden Voyage George Davis Feb. 26
Hope Hampton Displaying
Creations Parisienne in
Color (Color Film) Hope Hampton Dec. 4.
How to Please the Public . . .Hodge Podge Mar. 11 .
Indiscrete Pete Jerry Drew Mar. 11.
Injun Food — Moods of the
Sea Bruce Outdoor Sketch. .
It's Me Monty Collins
Kilties Dorothy Devore
Kitchen Talent George Davis
Listen Sister Lupino Lane
Little Rube, The Dorothy Devore
Love's Springtime (Color
Film) H. Hampton-J. Catalaine Feb. 12
Lovingly Yours Curiosities Dec. 4
Lucky Dog P. Dunham-L. Billetts Sept. 11.
Many Wings — Beside the
Still Waters Bruce Outdoor Sketch Nov. 20.
Models in Mud Hodge-Podge Nov. 13
Mother Birds Curiosities Mar. 4
Mysterious Night, A Monty Collins Feb. 12
New Wrinkles Lloyd Hamilton Oct. 30
New York's Sweetheart .... Curiosities Jan. 1 .
Nicknames Hodge-Podge . . . . r April 8 .
No Fare "Big Boy" April 8
Nothing Flat George Davis Dec. 11
Off Again J. Lloyd-B. Boyd Sept 25
Off Balance Monty Collins April 22
Oh, What a Man I Larry Semon Dec. 4
Papa's Boy Lloyd Hamilton Dec. 18.
Paris Fashions in Color (Col-
or Film) Hope Hampton Dec. 25.
Peculiar Pair of Pups, A —
Nobody Home Bruce Outdoor Sketch
enny Postals Curiosities April 1 .
Pretty Baby Monty Collins Feb. 26
Racing Mad Al St. John Jan. 8.
Recollections of a Rover .... Hodge-Podge Jan. 8.
Red Hot Bullets Eddie Quillan Nov. 27 .
Rest Day Monty Collins Nov. 27
Rubbernecking Curiosities Feb.
Running Ragged Lewis Sargent Jan.
Say Ah-h Charley Bowers Feb,
Scared Silly Johnny Arthur Nov
Seeing Stars George Davis Oct.
Shamrock Alley "Big Boy" Nov. 27
She's a Boy "Big Boy" Oct. 2
Shooting Wild Jack Lloyd Oct. 23
Simple Sap, A Larry Semon Feb. 12
Slippery Head Johnny Arthur April 29.
Some Scout Lupino Lane Nov. 6
Spring Has Came Monty Collins Mar. 26
Star Shots Hodge-Podge Feb. 6
Stunt Man, The Larry Semon Oct. 23
Sword Points Lupino Lane Feb. 12
There It is Charley Bowers Jan. 1.
Thoughts While Fishing —
Silver Shadows Bruce Outdoor Sketch
Visitors Welcome Johnny Arthur Mar. 4.
ri cJ Jing Slips Monty Collins Jan. 15
Whirl of Activity, A Hodge-Podge Dec 11 . .
Whoozit Charley Bowers April 1.
Wildcat Valley Johnny Arthur Jan. 22 .
Wild Wool— Night Clouds. .Bruce Outdoor Sketch
Length Rrvirwed
1 reel Nov. 11
.1 reel
1 reel.
Mir. 17
.1 reel
1 reel Mar. 10
1 reel Feb. 18
1 reel Oct. 11
. 1 reel Dec. 2
.1 reel Dec. SO
.1 reel Sept. II
.1 reel Mar. 10
.1 reel
.1 reel
.1 reel Oct. 21
.2 reels. . . Sept. 23
.1 reel Mar. 24
.2 reels Sept 1
.2 reels. . . Dec. 16
lreel Oct. 28
.1 reel
.2 reels Feb. 4
. 1 reel Mar. 31
.2 reels Feb. 18
lreel Dec. 9
1 reel Mar. 17
,2 reels .... Mar. 10
.1 reel. . . .Dec. 23
.lreel Dec. 9
.2 reels Oct. 7
2 reels . . . Mar. 31
2 reels Mar. 24
2 reels Nov. 11
2 reels. . . Mar. 17
.lreel Dec. 9
1 reel Sept 23
lreel Nov. 4
1 reel Dec. 16
. 1 reel Feb. 18
1 reel Feb. 4
2 reels. . . Oct. 21
lreel Feb. 11
1 reel
2 reels. . . . Mar. 24
2 reels . . Dec. 16
1 reel. . . Oct. 14
1 reel
2 reels ...Nov 26
2 reels Dec. 9
1 reel Jan. 7
5
29
19
13
IS
.1 reel
.1 reel Mar. 17
.1 reel Feb. 18
. 2 reels .... Jan. 28
lreel Feb. 4
.2 reels .... Nov. 18
1 reel Nov 18
lreel Feb. 4
.lreel Feb. 4
2 reels .
2 reels.
2 reels
2 reels.
2 reles.
1 reel. .
2 reels .
2 reels .
2 reels.
1 reel
.Feb. 18
Nov. 11
Oct 7
Nov St
Oct. 7
Oct. 21
Feb. 26
Oct 11
Mar. 17
lreel Feb. 4
2 reels . Sept 30
.2 reels Dec. 31
.2 reels Jan. 7
.1 reel
.2 reels . . Mar. 10
1 reel Feb. 11
1 reel Dec. 81
.2 reels. . . .Mar. 17
2 reels Feb. 4
1 reel
F B O
Title Star Rel Date
After the Squall Al Cooke April 16
Alice Cartoons (Released Twice a Month)
All Alike Carr-Alexander-Ross April 9
All Washed Up Al Cooke
deloved Rogue, The Easoo-Hill-Cooke-Guard Oct. 6
Big Berthas Karr-Ross-Alexander May 14
Chin He Loved to Lift Eason-Hill-Cooke-Guard Sent. 14
Come Meal Al Cooke May 28
Fleshy Devils Carr-Alexander-Ross Nov. 14
Fresh Hair Fiends Eason-Hill-Cooke-Guard ... Sept. 21
Krazy Kat Cartoons (released twice a month)
Mickey's Battle Mickey Yule Dec.
Mickey's Circus Mickey Yule Sept.
Mickey's Eleven Mickey Yule Nov.
Mickey's Little Eva Mickey Yule April
Mickey's Pals Mickey Yule Oct.
Mickey's Parade Mickey Yule Jan.
Mickey's Wild West Mickey Yule fetal
My Kingdom For a Hearse . Al Cooke April
New Faces for Old Eason-Hill-Cooke-Guard Oct. 13
Panting Papas Karr-Ross-Alexander Jan. 9
Peter's Pan Eason-Hill-Cooke-Guard Sept. 28
Rahl Rahl Rekie Al Cooke
Restless Bachelors Al Cooke April 30
SI i Troupes to Conquer .... Eason-Hill-Cooke-Guard Oct. 19
Length
.2 reels.
1 reel .
.2 reels .
. 2 reels .
2 reels . .
2 reels .
2 reels . .
2 reels
2 reels .
.2 reels . .
1 reel
.2 reels.
. 2 reels .
2 reels .
. 2 reels . .
2 reels .
2 reels. .
2 reels
. 2 reels .
.2 reels .
.2 reels . .
2 reels . .
. 2 reels .
.2 reels. .
.2 reels. .
Revirt
Feb. 38
Oct.
Dec. 9
Oct. 1
Dec. 16
Nov. 26
Feb. 18
1170
Motion Picture News
Title Star Rel. Date Length Reviewed
Silk Sock Hal Al Cooke May 14. .2 reels
Social Error, A Al Cooke 2 reels Feb. 11
Tanks of the Wabash Karr-Ross-AIexander Oct .10. .2 reels
Three Missing Links Karr-Ross-AIexander Dec. 12. .2 reels. . . .Nov. 11
Toupay or Not To Pay Eason-Hill-Cooke-Guard Sept. 7 .. 2 reels
Wanderers of the Waistline. .Karr-Ross-AIexander Sept. 11 . . 2r a els
FOX FILMS
Length Reviewed
. . 1 reel Nov. 4
. 1 reel
.1 reel : . . .
. .2 reels. .. .Nov. 4
Title Star Rel. Date
Argentina, The Rich Variety Oct. 2 .
Arkansas Traveler Variety Jan. 8 .
Art Treasures of the Vatican .Variety Dec. 25 .
Capt. Kidd's Kittens Animal Comedy Oct.
Cow's Husband, A F. Spenser-M. J. Temple 2 reels
Desert Blooms, The Variety Feb. 5 . . 1 reel
Exploring Norway Variety Aug. 7 . . 1 reel
Fool and His Honey Tyler Brooke Sept. 25 . . 2 reels .... Nov. 4
Four Faces West Tyler Brooke Nov. 6. .2 reels. .. .Dec. 16
Headhunters of Ecquador,
The Variety 1 reel Feb. 4
Her Blue Black Eyes M. Casa juana-E. Clayton ... Oct. 9 . 2 reels Nov. 4
Hold Your Hat S. Phipps-N. Stuart-T. Hill-A.
Housman 2 reels .... Mar. 24
Hot House Hazel T. Brooke-T. Hill Jan. 1 . . 2 reels
Jack and Jilted P. Cunning-M. King 2 reels
Jungles of the Amazon Variety 1 reel Jan. 21
Kiss Doctor, The T. Brooke-D. Thompson 2 reels Mar. 17
Lady Lion C. Lincoln-E. Clayton-B. Bletcher 2 reels
Lights and Shadows of Sicily. Variety Nov. 27..1reel
Lords of the Back Fence.. . .Variety Jan. 22. .1 reel
Love Is Blonde D. Ellis-D. Rollens Dec. 18. .2 reels Mar. 17
Low Necker, A Mar jorie Beebe 2 reels .... Jan. 14
Moose Country, The Variety Nov. 13. .1 reel
Mum's the Word 2 reels Sept. 2
Northern Alaska Today Variety Oct. 16 . . 1 reel
Old Wives Who Knew Haliam Cooley 2 reels
Over the Andes Variety 1 reel
Psyche and the Pskyscraper. "O. Henry" 2 reels
Romantic Alhambra, The. . .Variety Oct. 30. .1 reel
Silly Sailor, A G. Cameron Nov. 20. .2 reels
Sky Frontiers Variety Sept. 4 . . 1 reel
Solitudes Variety Dec. 11 . . 1 reel
Too Many Cookies T. Brooke-L. Miller 2 reels
Twenty Legs Under the Sea . R. Walling- J. Lorraine Sept. 11 . . 2 reels .... Oct. 7
Under Colorado Skies Variety Sept. 18. .1 reel
Wild Puppies Kid Comedy Dec. 4.. 2 reels Jan. 28
METRO-GOLDWYN-MAYER
Title Star Rel. Date Length Reviewed
Aching Youth Charley Chase Mar. 17. .2 reels
African Adventure, An Ufa Oddities Aug. 2
All For Nothing Charley Chase Jan. 21
Amazing Lovers Ufa Oddities Mar. 10
Assorted Babies Ufa Oddities Nov. S
Barnum and Ringling, Inc. . ."Our Gang" April 7
Battle of the Century Laurel-Hardy Dec. 31
Bird Man, The Charley Chase
Blow by Blow Max Davidson Mar. 31 . .
Buffalo Bill's Last Fight
(Technicolor) Special Cast Nov. 26. .
Call of the Cuckoo, The Max Davidson Oct. 15 . .
Came the Dawn Max Davidson Mar. 3 . .
Children of the Sun Ufa Oddities Feb. 11. .
Czarina's Secret, The Tech-
nicolor) O. Baklanova-D. Mir-S. Rand . .Mar. 17. .
Death Traps Ufa Oddities Oct. 22 . .
Dog Days Ufa Oddities Oct. 8 . .
Dog Heaven "Our Gang" Dec. 17..
Dumb Daddies Max Davidson Feb. 4. .
Edison, Marconi and Co... ."Our Gang" Mar. 10. .
Fair and Muddy "Our Gang" May 5 . .
Family Group, The Charley Chase Feb. 18 . .
Fight For Life, A Ufa Oddities Nov. 19. .
Fighting Feathers Max Davidson Dec. 10. .
Finishing Touch, The Laurel-Hardy Feb. 25. .
Fishing With a Microscope. . Ufa Oddities
Flag, The (Technicolor) E. Benaett-F. X. Bushman-J.
Walker-A. Calhoun Oct. 1 . .
Forty Thousand Miles With
Lindbergh Aviation Film Mar. 4 . .
From Soup to Nuts Laurel-Hardy Mar. 24. .
Golden Fleeces Ufa Oddities May 19. .
Happy Omen, A Ufa Oddities July 14. .
Hats Off Davidson-Hardy Nov. 5 . .
Heavenly Bodies Ufa Oddities
Heebee Jeebees "Our Gang" Nov. 19 .
Hidden Death Traps Ufa Oddities Oct. 22. .
Jewels of Venus Ufa Oddities Sept. 10 .
Jungle Round-Up, A Ufa Oddities Jan. 28.
Lady of Victories, The (Tech-
nicolor) A.Ayres-O. Matiesen-G. Irving . Jan.
Leave 'Em Laughing Laurel-Hardy Jan.
Let George Do It Laurel Hardy
Lighter That Failed, The. . .Charley Chase Oct.
Limousine Love Charley Chase April
Lion Hunt, The Ufa Oddities Dec. 17 .
Love 'Em and Feed 'Em... .Max Davidson Nov. 12.
Monarch of the Glen, The . .Ufa Oddities Mar. 24.
Nature's Wiza rdry Ufa Oddities July 28 .
Never the Da mes Shall Meet Charley Chase Dec. 24 .
Old Wallop, The "Our Gang" Oct. 22 .
Palace of Honey, The Ufa Oddities June 16.
Pathfinders, The Ufa Oddities
Parasol Ant, The Ufa Oddities Dec. 31.
Pass the G ravy Max Davidson Jan. 7 .
Perfume a nd Nicotine Ufa Oddities Jan. 14.
Pets and Pests Ufa Oddities Jan. 28 .
Primitive Housekeeping.. . .Ufa Oddities April 21.
Putting the Pants on Phillip. .Laurel-Hardy Dec. 3.
Rainy Days "Our Gang" Feb. 11.
Sanctuary Ufa Oddities May 5 .
Second Hundred Years, The.Laurel-Hardv Oct. 8 .
8ecrets of the Sea Ufa Oddities Feb. 25.
Sleeping Death Ufa Oddities June 30.
Soari n g Wings Ufa Oddities Sept. 24 .
Spoolr -Spoofing "Our Gang" Jan. 14.
Sting of Stings, The Charley Chase Seot. 3
Sugar Daddies All Star Cast Sept. 10
TallyHo Ufa Oddities
That Night Max Davidson
Their Purple Moment Laurel-Hardy
Tokens of .Vtaaiood dfa )llain Jji; !-.
2 reels .... Jan. 14
1 reel
1 reel Nov. 28
2 reels
2 reels
2 reels
2 reels
2 reels. .. .Dec. 9
2 reels
2 reels
1 reel
Mar. 24
Feb. 25
21.
28.
1
Title Star Rel. Date Length Reviewed
Us Charley Chase Nov. 26 . . 2 reels
Way of All Pants, The Charley Chase Oct. 29 . . 2 reels
What Every Iceman Knows. Max Davidson Sept. 17 .. 2 reels
Wicked Kasimir, The Ufa Oddities April 7 . . 1 reel
Winged Death Ufa Oddities Dec. 3 . . 1 reel Dec. 9
Wonders of the Blue Gulf of
Mexico Ufa Oddities 1 reel
Tale vs. Harvard "Our Gang" Sept. 24 . .2 reels
PARAMOUNT
Title
Star
2 reels.
1 reel . .
1 reel. .
2 reels.
2 reels.
2 reels.
1 reel
2 reels Feb. 18
1 reel
2 reels
2 reels
1 reel
2 reels. . . .Feb. 18
3 reels
2 reels
1 reel
1 reel
2 reels
, 1 reel
.2 reels. . . .Dec. 9
.1 reel Dec. 11
. 1 reel
.lreel Oct. t
.2 reels. . . .Feb. 25
2 reels
2 reels. . . .Mar. 3
2 reels
2 reels
. 1 reel Dec. 9
.2 reels. . . .Dec. 9
. 1 reel Jan. 21
. 1 reel
.2 reels. .. .Dec. 9
.2 reels. . . .Mar. 3
. 1 reel
. 1 reel
. 1 reel
.2 reels. . . .Jan. 14
. 1 reel
. 1 reel Mar. 3
. 1 reel
.2 reels. . . .Dec. 9
.2 reels
. 1 reel
. 2 reels
.lreel May 3
. 1 reel
. 1 reel
.2 reels . . . . Jau. 14
2 reels „
. 2 reels
, 1 reel
.2 reels
.2 reels
I jjI
Rel. Date
Adoration Novelty Feb. 25.
Behind the Counter E. E. Horton Mar. 3 .
Bugs My Dear (Christie) . . .Bobby Vernon April 21.
Campus Cuties Billy Dooley April 7.
Crazy to Fly (Christie) Bobby Vernon Sept. 17.
Dad's Choice E. E. Horton Jan. 7.
Dizzy Sights (Christie) Billy Dooley Dec. 17.
Easy Curves (Christie) Billy Dooley Nov. 12.
Fantasy Novelty Oct. 16.
Fighting Fanny (Christie) . . . Featured Cast Jan. 21 .
Find the King E. E. Horton Nov. 5.
For Crime's Sake Krazy Kat Cartoon Nov. 19.
French Fried (Christie) Neal Burns Sept. 3 .
Frenzy Novelty Jan. 14 .
Gallant Gob, A (Christie) . . . Billy Dooley May 26 .
Goofy Ghosts (Christie) .... Jimmie Adams April 28 . .
Grid Ironed Krazy Kat Cartoon Dec. 31.
Halfback Hannah (Christie) Ann Cornwall April 14.
Hold 'Er Cowboy (Christie) . Bobby Vernon June 2 .
Holy Mackerel (Christie) .. .Jimmie Adams Feb. 11.
Hot Papa (Christie) Jack Duffy Oct. 1 .
Hunger Stroke, A Krazy Kat Cartoon Feb. 25.
Ice Boxed Krazy Kat Cartoon Feb. 11 .
Just the Type (Christie) Neal Burns Feb. 18.
Ko-Ko Kicks Inkwell Cartoon Nov. 26 .
Ko-Ko's Bawth Inkwell Cartoon Feb. 18 .
Ko-Ko Chops Suey Inkwell Cartoon Oct. 29 .
Ko-Ko Explores Inkwell Cartoon Oct. 15 .
Ko-Ko Hops Off Inkwell Cartoon Sept. 17.
Ko-Ko's Jerm lam Inkwell Cartoon Feb. 4 .
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31 .
Ko-Ko's Kink Inkwell Cartoon Jan. 7 .
Ko-Ko's Klock Inkwell Cartoon Nov. 12.
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21 .
Ko-Ko's Smoke Inkwell Cartoon Mar. 3 .
KoKo's Tattoo Inkwell Cartoon Mar. 17 .
Ko-Ko's Quest Inkwell Cartoon Dec. 10.
Ko-Ko the Kid Inkwell Cartoon Dec. 24.
Ko-Ko the Knight Inkwell Cartoon Sept. 3 .
Ko-Ko the Kop Inkwell Cartoon Oct. 1 .
Loco Motifs Krazy Kat Cartoon Sept. 24 .
Love Sunk Krazy Kat Cartoon Mar. 24.
Long Hose (Christie) Jack Duffy Mar. 17.
Love's Young Sream (Chris-
tie) Anne Cornwall May 12.
Love Shy (Christie) Jimmie Adams Mar. 24.
Mad Scrambles (Christie). .Neal Burns Nov. 26.
Milk Made Krazy Kat Cartoon Dec. 3 .
Moony Mariner, A (Christie) Billy Dooley Sept. 24 .
Nifty Nags (Christie) Jack Duffy Dec. 24.
Ocean Blues (Christie) Jimmie Adams Nov. 19.
Oh Mummy (Christie) Jimmie Adams Oct. 8 .
Pie Curs, The Krazy Kat Cartoon Nov. 5 .
Pig Styles Krazy Kat Cartoon Jan. 14 .
Rail Rode Krazy Kat Cartoon Sept. 24 .
Save the Pieces (Christie). .Bobby Vernon Jan. 28.
Say Uncle (Christie) Jack Duffy June 9 .
Scared Pink (Christie) Jack Duffy Oct. 29.
School Daze Krazy Kat Cartoon Sept. 10.
Sea Food (Christie) Billy Dooley July 14.
Shadow Theory Krazy Kat Cartoon Jan. 28
Short Tail, A
Slick Slickers (Christie) . .
Slippery Heels (Christie) .
Splash Yourself (Christie)
Stork Exchange, The
Sweeties (Christie)
.Novelty Sept. 10
..Neal Burns July 7
. .Jimmie Adams June 16
.Bobby Vernon Dec. 3.
. Krazy Kat Cartoon Dec. 17
. Bobby Vernon Mar. 10
Swiss Movements (Christie) Jimmie Adams Dec. 31
Tired Wheels
Toddles
Topsey Turvey
Uncle Tom's Caboose. . . .
Water Bugs(Christie)
Wedding Wows (Christie)
Wired and Fired
Krazy Kat Cartoon Oct. 8
. . Novelty Dec. 10
. . Krazy Kat Cartoon Oct. 22
Krazy Kat Cartoon Oct. 22
.Billy Dooley Feb. 4
.Bobby Vernon Oct. 22
. Krazy Kat Cartoon Mar. 10
Length Reviewed
.2 reels
2 reels
2 reels
.2 reels '.
.2 reels
.2 reels
. 1 reel
.2 reels
.2 reels
.2 reels
.2 reels
. 1 reel
. 2 reels
.2 reels
. 2 reels
2 rees
. 1 reel
. 2 reels
.2 reels
.2 reels
. 2 reels
. 1 reel
. 1 reel
. 2 reels
. 1 reel
. 1 reel
. 1 reel
.1 reel Nov. 11
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
.1 reel
.1 reel
. 1 reel
.2 reels
. 2 reels
. 1 reel
.2 reels
. 1 reel
.2 reels
. 2 reels
.2 reels
. 2 reels
. 1 reel
. 1 reel
. 1 reel Oct. 4
. 2 reels
. 2 reels
. 2 reels
. 1 reel
. 2 reels
. 1 reel
.2 reels
.2 reels
.2 reels
. 2 reels
. 1 reel
.2 reels
.2 reels
. 1 reel
. . 1 reel Oct. 7
.1 reel
. 1 reel
.2 reels
.2 reels
. 1 reel
PATHE-DE MILLE
Star
Rel.
Date
13.
9
Title
Alien Antics '. Sportlight Nov
411 Bull and a Yard Wide... "Aesop Fables"..- Oct.
Assistant Wives Charley Chase Dec. 4
Barnyard Lodge No. 1 "Aesop Fables" April 8 .
Beach Club, The Bevan-Hurlock Jan. 22 .
Benares (Educational) Geographical Number Jan. 24.
Best Man, The Bevan-A. Bennett-V. Dent Feb. 19.
Bicycle Flirt, The Bevan-V. Dent-D. Farley-C.
Lombard Mar. 18 .
Big Tent, The "Aesop Fables" Oct. 23
Blaze of Glory, A "Aesop Fables" Feb. 26.
Boats and Fishermen of the
Arctics and Tropics (Edu-
cational) Science Number Mar. 4 .
Boy Friend, The "Aesop Fables" Jan. 22 .
Brave Heart, A "Aesop Fables" Oct. 30 .
Broncho Buster, The "Aesop Fables" Jan. 1 . ,
Bucking the Handicap Sportlight Dec. 25.
Buddhists of Burma, The
(Educational) Geographical Number Feb. 5.
Bull Fighter, The Bevan-Hurlock Nov. 27.
Busy Bodies Sportlight Jan. 8.
Calcutta (Educational) Geographical Number Dec. 11
Carnival Week "Aesop Fables" Dec. 4.
Chicken Feed "Our Gang" Nov. 6 .
Christmas Cheer "Aesop Fables" Dec. 18.
Comrades in Work Mabel Noimand
County Fair, The
Crowned fields
Cups and Coitenlers.
Cutting a Milon
"> < Id/ ? )7 . . .
Defensive Ends, The.
Length Reviewed
.1 reel Nov. 1]
.lreel Oct. 1
,2 reels. . . .Dec. 2
1 reel. . . '
.2 reels. . . .Jan. 14
. 1 reel
.2 reels Feb. 11
. 2 reels .... Mar. 10
.1 reel Oct. 21
. 1 reel
. "Aesop Fables" Mar. 4.
.Sportlight Feb. 19.
.Sportlight Nov. 27.
."Aesop Fables" Sept. 11.
.Ben Tu^pii 0;t. 23.
. "Football Sense" Nov. 27 .
. 2 reels
. 1 reel
. 1 reel
1 reel
. 1 reel Dec. 23
. 1 reel
.2 reels. . . .Dec. 2
. 1 reel Dec. 31
. 1 reel
. 1 reel
2 reels. . . .Nov. 4
. 1 reel
, 2 reels
1 reel
1 reel
1 reel Nov. 26
1 reel Sept. 2
2 ree's. . .Oct 21
1 reel
April 7 , 19 28
117
Tltle Star Re|. Date
Defensive Half, The "Football Sense" Nov 6
Delhi (Educational) Geographical Number. . . Feb' 2e
Do Detectives Think? Stan Laurel Nov 20
Do Monkeys Manicure? Stan Laurel ' Aori'l 1
Down to the Sea Sportlight Oct 30
Exploring England with Will
Rogers Travelesque Dec 18
Fair Catch, The "Football Sense" Nov' 13
Family Frolics Sportlight Jan ' 22
Fiddlesticks Harry Langdon Nov' 7
Flying Elephants Roach Stars .... Feb 12'
Flying Fishers "A <ssop Fables" " Nov' 27
Flaming Fathers Max Davidson Dec ' 18
Football Field Officials "Football Sense" . . Oct ' 23
For Sale a Bungalow Hurlock-Quillan Oct' 30
Forward Pass, The "Football Sense" . . Oct' 9
Fox Hunt, The "Aesop Fables" '. '.'. ' Nov 20
Frolics in Frost Sportlight "Dec 18
From Soup to Nuts Rarebits .... Oct ' 23
Fundaments of Football Sportlight Special Oct' 23
Fun Afoot Sportlight Maris'
Galloping Ghosts O. Carew-O. Hardy-J. Finlay- '
son Mar 1 1
Girl From Everywhere D. Poliard-S. Hallowa'y .'.'.'. '..'.' . Dec' 11
Girl From Nowhere, The . .D. Pollard-S. Holloway-Swain. . Mar. 25
Go d Digger of Weepah, A . . .Bevan-Bennett-Burke Oct 2
X a cl1, Tie,i : ' Mi Bevan-Quillan- A. Bennett .' . . . Sept. 4
Good Ship Nellie, The "Aesop Fables" . Feb 5
Have a Drink Rarebits " " Nov' 20
Hawaii, the Beautiful (Edu-
cational) Geographical Number Nov. 27
High Stakes '^Aesop Fables" Jan. 15.
Jan. 15.
.Sept. 4.
Length Reviewed
.1 reel
. 1 reel
2 reels Nov. 18
. 1 reel
. 1 reel Oct. 28
Title
Cigareete Maker's Romance,
Star
DUt'r Rel. Date Length Reviewed
. 1 reel Dec. 16
. 1 reel
. 1 reel Tan. 14
.2 reels Nov. 25
.2 reels Feb. 11
. 1 reel
.2 reels Dec. 16
. 1 reel Oct. 21
.2 reels. . . .Oct. 28
. 1 reel
. 1 reel
. 1 reel
.1 reel Oct. 21
. 1 reel
. 1 reel
.2 reels
. 2 reels
. 2 reels
.2 reels
.2 reels
. 1 reel
. 1 reel Dec.
Mar. 3
Dec. 2
Mar. 24
Sept. 30
12.
1.
18.
11.
16.
2.
15.
Honeymoon Hints Rarebits j
Horses, Horses Sportlight . . "
How Man Suits His Life to
Differing Surroundings. . .Science Series
Houses of the Arctic and the
Tropics (Educational) Science Number . . . Feb 12
Human Fly, The . . . "Aesop Fables" \ \ \ Sept. 25 '
In Again. Out Again "Aesop Fables" Sept 18
Jungle Days "Aesop Cartoon" , . . Mar'. 26'
TUn.k«MA"' The "Aes°P Fables" Dec. 25
Just Kidding Rare-Bits Dec 18
Kashmir, Old and New (Edu-
cational) Geographical Number Jan. 10
Keeping Fit Sportlight Special Nov. 20
Kick, The "Football Sense" Oct. 2
pn? Harold L. Baird-T. Holmes Nov. 13
Ladies Day Sportlight Dec 11
Lateral Pass, The "Football Sense"... Oct' 16
Lindy s Cat . "Aesop Fables" ....'.! Oct' 16
Love at First Flight Pollard-Hurlock-Cowley . . .. ' Jan 29
Love ma Police Station. . . E. Quillan-M. Hurlcok Dec. 25
Man W.thout a Face (Serial) A. Ray-W. Miller ... Tan 15 '
Mark of the Frog, The
w(SfrialL w • • • ■ • M. Morris-D. Reed Mar. 25
Masked Menace, The (Serial) L. Kent-J. Arthur . Nov 6
Nature's Cathedral (Educa-
wii0aian t iVA Geographical Number Dec. 18.
How I'll Tell One Chase-Laurel Oct 9
Olympic Games "Our Gang" Sent 11 '
Sni.h? ?ce ™ "Aesop Fables" . ... .'.'.'. Mar. U '
Outwitting Time Sportlight. Oct 2
Over the Bounding Blue with Will Rogers (Traveies'que) .' .' Feb'.
Playing Hookey "Our Gang".. Tan
Prowling Around France with '
Will Rogers Travelesque Sept
Rats in His Garret "Aesop Fables" ' ' Dec
Reeling Down the Rhine
with Will Rogers Travelesque. . . Tan
River of Doubt, The "Aesop Fables" Oct '
Run Girl, Run Sennett Girls Jan'
Sailors, Beware I Stan Laurel Sent 25
Saved By a Keyhole "Aesop Fables" ... " Nov ' 13
Scaling the Alps "Aesop Fables" .. . . April l"
Season to Taste Sportlight " Mar 4
Shalimar Gardens, The (Ed-
ucational) Geographical Number Mar. 18
Signs of Spring "Aesop Fables" Nov. 6
Shou d a Mason Tell? L. Baird-T. Holmes Sept. 18 '
Should Second Husbands
Come First? Max Davidson. . Oct 23
Should Tall Men Marry?. . .Roach Stars Jan 15
Small-Town Sheriff, The . . . "Aesop Fables" ... Sept 4
Smile Wins, The "Our Gang" " Feb 26
Smith's Army Life Hiatt-McKee-Jackson ' Feb. 6'
Smith's Bargain Hiatt-McKee-Jackson
Smith's Candy Shop Hiatt-McKee- Jackson Aug. 21
Smith's Cook Hiatt-McKee-Jackson Oct. 16
Smith's Cousin Hiatt-McKee-Jackson Nov. 13
Smith s Farm Days Hiatt-McKee-Jackson Mar. 4
Smith s Holiday Hiatt-McKee-Jackson Jan. 8
Smith's Modiste Shop Hiatt-McKee-Jackson . . Dec. 11
Smith's Pony Hiatt-McKee-Jackson Sept. 18
Smith s Restaurant Hiatt-McKee-Jackson April 1
Soldier Man Harry Langdon ....
Son Shower, The "Aesop Fables" Mar ' 18 '
Spider's Lair, The "Aesop Fables" Feb. 19
Snnnyside (Re-issue) Charlie Chaplin Dec. 25 '
Swim Princess, The D. Pollard-A. Clyde-C. LombardFeb. 26
Tackles and Touchdowns.. .Sportlight. .. . Sept 18
Tail Waggers Sportlight .April 1 .'
1 heir Second Honeymoon. . Baird-Holmes . Oct 16
±rees • • ■ Rarebits Mar. 11
Twenty-Four-Dollar Island. .Novelty ....
Op the Ladder Sportlight ! '. '. Oct. ' 16 '
Versatility Sportlight Feb. 5.
Volcanoes (Educational) Geological Number Feb. 19
Wandering Minstrel, The.. ."Aesop Fables" Jan. 29
Weaker Sex, The Rarebits Sept. 26
Winging Around Europe With
Will Rogers Travelesque Nov. 20
Women Workers of Ceylon
(Educational) Geographical Number Dec. 27 .
Work of Running Water (Ed-
ucational) Geological Number Mar. 11.
Yellow Cameo, The (Serial) Allene Ray
Young Hollywood Special Cast Nov. 27.
1 reel.
1 reel.
1 reel.
1 reel.
2 reels.
.2 reels
. 1 reel Sept. 30
.1 reel
.2 reels .... Mar. 31
. 1 reel
. 1 reel Dec. 23
. 1 reel
. 1 reel
. 1 reel
.2 reels Nov. 11
. 1 reel Dec. 9
.1 reel Oct. 14
.1 reel Oct. 28
.2 reels. . . .Jan. 21
. 2 reels. . . . Dec. 23
10 episodes .Jan. 14
10 episodes .Mar. 24
10 episodes .Nov. 4
. 1 reel
.2 reels. . . .Oct. 14
. 2 reels .... Sept. i
1 reel
1 reel
lreel Feb. 11
.2 reels
1 reel.
1 reel.
. 1 reel Jan. 7
1 reel Sent 30
.2 reels. . . .Jan. 14
.2 reels Sept. 30
. 1 reel
. 1 reel Mar. 31
1 reel
1 reel. .
. 1 reel . .
2 reels.
2 reels. . . .Oct. 21
.2 reels. . . .Jan. 7
lreel Sept 2
2 reels. . . . Mar. 3
2 reels .
2 reels .
2 reels .
2 reels
.2 reels .
2 reels.
2 reels.
2 reels . .
2 reels . .
1 reel. .
Feb.
Oct. 21
Nov. 11
.Mar. 3
Dec. 31
. Dec. 9
. 1 reel
.1 reel Feb. 18
.3 reels
.2 reels. . . . Mar. 3
. 1 reel
. 1 reel
.2 reels
. 1 reel
.1 reel Dec. 23
lreel Oct. 21
.1 reel Jan. 28
. 1 reel
. 1 reel
.1 reel
.1 reel Nov. 18
. 1 reel
.1 reel
10 episodes
.2 reels. . ..Dec.
STATE RIGHTS
Tl,Ie Star Dist'r Rel. Date Length
Bear Escape, A Parker-Reavis Capitol Prod. 2 reels
J™™* Tarbell-Finch-Shaw Red Seal 2 reels.
Bet, The (story by Chekov) . F. P. Donovan (produer) 2 reels .
Reviewed
. Aug. 1
A (story by Crawford) . .. F. P. Donovan (producer) . . 2 reels
Dream of the Sea, A (Bino-
color) Piim Dist
r*- . ■ . ~. , , Corp lreel May 27
District Doctor, The (story by
Blazac F. P. Donovan (producer) 2 reels
Girl with the Golden Eyes,
The (story by Balzac) F. P. Donovan (producer) 2 reels
Helpless Helper Al Joy Cranfleld-Clarke 2 reela. .
Here Comes the Bride .... Sketchograf Cranfleld-Clarke 1 reel
Heroes of the Wild (Serial) Jack Hoxie N. Levine. Dec. 1 10 episodes
His Off-Day Tommy Albert Cranfield-Clarke. ... 2 reeli
Isle of Sunken Gold, The
(Serial) A. Stewart Nat Levine Sept. 1 . 10 episodes
Ko-Ko Makes 'Em Laugh. . "Fleischer Cartoon" Red Seal 1 reel July 22
Lunches and Punches Sid Smith Capitol Prod 2 reels Sept.
Ma and the Auto (Guest Jewel) A. C. A 1 reel
Mysterious Airman, The
(Serial) Weiss Bros 10 episodes
Necklace, The M. Alden-M. Costel-
lo-E. Chautard. . .F. P. Donovan (pro-
_ . ducer) 2 reels
Nothing to Live For Al Joy Cranfleld-Clarke 2 reels
Piece of String, A (story by
De Manpassant) F. P. Donovan (producer) 2 reels
Police Reporter, The (Serial) W.Miller-E. Gilbert-. Weiss... Mar 10 epitodes . .
She Beast, The Sid Smith Capitol Prod 2 reels . . July 1
Silence of the Snows (Guest Jewel) A. C. A. 1 reel
Sophomore, The G.O'Neil-L.Graydon. Hi-Mark
Spooky Money Al Joy Cranfield-Clarke 2 reels
Who's Who Al Joy Cranfleld-Clarke 2 reels . . .
Yellow Dog, The (Guest Jewel) A. C. A lreel April 16
You Can't Win (Serial) Weiss Bros 10 episodes . ...
TIFFANY-STAHL
Title
Star Rel. Date
Bridal of Pennacock, The . . . Color Classic Nov. 1
Comrades Color Classic Nov. 15
King of Sports Color Classic Sept 15
Marcheta Color Classic Mar. 1
Medallion, The Color Classic Mar. 1
Memories Color Classic Oct. 1
Mission Bells Color Classic Mar. 15
North of Suez Color Classic Jan. 1
Perfect Day, A Color Classic April 1
Roaming 'Round the Carrib-
bean Color Classic Oct.
Romany Love Color Classic Dec
Rose of Killarney Color Classic Dec
Scarface Color Classic Jan.
Souvenirs Color Classic Feb
Treasure Land Color Classic Feb
Length Reviewed
.lreel Dec t
. 1 reel Dec 2
. 1 reel
. 1 reel
. 1 reel
1 reel Sept 9
. 1 reel
.1 reel
. 1 reel
. 1 reel
.1 reel Feb. 18
. 1 reel
.1 reel
.1 reel
. 1 reel
UNIVERSAL
TitI<' Star Rel. Date
Africa Before Dark Oswald Cartoon Feb. 20
All Balled Up (O. R. Cohen
story) Charles Puffy Feb. 27
*Jj F?r Uncle C. King-C. Doherty Oct. 19
All Wet Oswald Cartoon Oct. 31
And How "The Gumps" Oct. 31
Andy Knows His Onions. . ."The Gumps" ... Dec 12
Any Old Count "The Gumps" ...Jan. 23
Back to Nature Arthur Lake Feb. 27
Banker's Daughter, The Oswald Cartoon Nov. 28
Bare Fists Jack Perrin Jan. 14
Battle Scarred Hero, A "The Gumps" Oct 3
Battling Buckaroo, The
(Western) Bob Curwood Nov. 10
Battling Justice Fred Gilman Mar. 24.
A Long-Adams-Layman-McPhail . May 2 .
Blind Man's Bluff Jack Perrin Nov. 19
Boss of the Rancho Bob Curwood Jan 7
Brand of Courage, The B. Curwood-P. Mont-
„...,... gomery Feb. 4.
Bright Lights Oswald Cartoon Mar. 19
Buckskin Days Newton House Feb. 18
Buster's Big Chance Trimble, Turner and Dog Jan. 11
Buster Come On Trimble, Turner and Dog Sept. 14
Buster's Home Life Trimble, Turner and Dog . . . Oct. 12
Buster Shows Off Trimble, Turner and Dog Mar. 14
Buster Steps Out Trimble, Turner and Dog Feb. 8
Buster, What's Next? Trimble, Turner and Dog ... . Nov 16
By Correspondence Arthur Lake Jan. 30
Case of Scotch, A "The Gumps" Jan. 9
Clearing the Trail (Western). Newton House.. . Nov 26
Cloud Buster, The "The Gumos" Feb. 6
Code of the Mounted, The. Jack Perrin May 5
Crimson Colors Lewis-Gulliver Sept. 12
Dancing Fools C. King-C. Doherty-E. Clair. . . Sept. 21
Danger Ahead (Western) .. Jack Perrin Sept 24
Dangerous Double, The
(Western) Bob Curwood Oct. 16
Dates for Two C. King-C. Doherty Jan. 18
Daze of the West (Mustang) Fred Gilman Sept. 3
Dazzling Co-Eds Lewis-Gulliver.. Oct 10
Disordered Orderly, The. . Sid Saylor-Jean Doree . . Nov 9
Empty Socks Oswald Cartoon . Dec 12
Fighting Finish, The Lewis-Sullivan-Phillips Oct 24
Fighting Texan, The (Mus-
ing) Fred Gilman Sept. 10
Gauge of Battle, The Fred Gilman April 21
George's False Alarm Sid Saylor Feb 29
George Steps Out Sid Saylor Sept 28
Great Guns Oswald Cartoon Oct 17
Haunted Island. The (Serial) Jack Daugherty-Helen Foster Mar. 26
Harem Sea rem Oswald Cartoon ... Jan. 9
Her Only Husband Long-Adams-Laymon-McPhaill April 4 .
Hidden Loot Bob Curwood April 28
High Flyin' George Sid Saylor Jan. 25
His In Laws (O. R. Cohen
story) Charles Puffy Mar 12
Horns and Orange Blos-
soms (O. R. Cohen story). Charles Puffy Jan 29
Horse Play Long-Adams-Laymon-McPhaill Jan. 4
Hot Stuff Ben Hall Oct. 24
Indoor Golf Long-Adams-Layman-McPhail Mar. 7
Keeping in Trim Long-Adams-Laymon-McPhail Sept. 7
King of Hearts (Northwest
Series) Jack Perrin Dec. 17
Law Rider, The (Western) Fred Gilman Nov 6
Length Reviewed
. . 1 reel
.2 reels. . . .Feb. 4
. 2 reels Oct. 7
.1 reel
.2 reels
.2 reels Dec. t
.2 reels
.1 reel Feb. 11
.2 reels
.2 reels. . . . Dec 23
2 reels. . . .Sept. 30
.2 reels
.2 reels. . . .Feb. 26
. 2 reels
.2 reels Oct. 28
.2 reels
.2 reels. . . .Jan. T
. 1 reel
.2 reels. . . .Jan. 28
. 2 reels ... Dec 23
.2 reels . . Sept. (
2 reels. . . Sept. 30
. 2 reels
.2 reels. . . .Jan. 28
2 reels. . Oct. 28
. 1 reel Jan. 14
2 reels Dec. 21
2 reels
2 reels . . Jan. 21
2 reels
2 reels . June IT
2 reels ... Sept. 1
2 reels . . . .Sept. <
2 reels . . Sept. 28
2 reels Dec. 81
2 reels
2 reels
2 reela
1 reel
2 reels
1 reels. . . .Aug. II
.2 reels . . . Mar. 24
2 reels .. Feb. 4
2 reels
1 reel Aug. 19
10 episodes
. 1 reel
.2 reels . . Mar. IT
2 reels . . Mar. 31
2 reels
2 reels
Feb. 18
2 reels .... Jan.
2 reels .... Dec
1 reel Oct
2 reels .
3 reels .
2 reels .
2 reels
Feb.
Am.
. . Dec
7
16
14
11
It
1172
Motion Picture N e tv s
. Nov. 4
. Mar. 10
Title Star Rel. Date Length Reviewed
Lone Ranger, The Fred Oilman Dec. 31. .2 reels
Looters, The Bob Curwood Mar. 3. .2 reels. .. .Feb. 4
Love Wallop, The Arthur Lake Nov. 7.1 reel
Madden of the Mounted. .. .Jack Perrin Mar. 10. .2 reels. . . .Feb. 11
Man of Letters, A Sid Saylor Feb. 15.. 2 reels Jan. 28
Married Bachelors (O. R.
Cohen story) Charles Puffy April 9. .2 reels. . . . Mar. 17
Mechanical Cow, The Oswald Cartoon Oct. 3 . . 1 reel Aug. 19
Mild West, The "The Gumps" Dec. 26. .2 reels
Mistakes Will Happen Ben Hall Feb. 13.. 1 reel Jan. 21
Model George Sid Saylor Dec. 28. 2 reels
Money! Money! Money! . . Ben Hall May 7 .1 reel
Monkey Shines Ben Hall Dec. 26 .1 reels
Neck n' Neck Oswald Cartoon Jan. 23. .1 reel
Newlyweds' Advice Jan. 2. .2 reels. . . .Dec. 16
Newlyweds Christmas Party,
The Snookums-Saylor-Clair Dec. 6 . . 2 reels . . .
Newlyweds' Friends, The . . .Snookums-Bartlett-McPhaill. . . April 1 . . 2 reels. . .
Newlyweds' Imagination,
The Snookums-Bartlett-McPhaill. . . May 7.2 reels
Newlyweds' Mistake, The. .Snookums-Saylor-Clair Nov. 7. .2 reels
Newlyweds' Servant, The ... Snookums-Bartlett-McPhaill . Feb. 6. .2 reels. . . .Feb. 4
Newlyweds Success, The. . .Snookums-Bartlett-McPhaill. .Mar. 6. .2 reels Feb. 11
Newlyweds' Surprise, The. .Snookums-Saylor-Clair Oct. 3. .2 reels. . . .Sept. 10
Newlyweds' Troubles, The. . Snookums-Saylor-Clair Sept. 6. . 2 reels .... Aug. 19
No Blondes Allowed C. King-C. Doherty Mar. 21. .2 reels Feb. 26
Ocean Bruises "The Gumps" Nov. 14 . . 2 reels .... Oct. 2f
Ocean Hop, The Oswald Cartoon Nov. 14. .1 reel Oct. 28
Ole Swimmin' 'Ole, The Oswald Cartoon Feb. 6. . 1 reel. ... Mar. 24
On Deck Sid Saylor-Jean Doree Nov. 30. .2 reels
One Every Minute Arthur Lake April 23 1 reel
Oh Mabel 1 C. King-C. Doherty Nov. 23 . . 2 reels
Oh Teacher I Oswald Cartoon Sept. 19.1 reel Sept %
On Special Duty (Western) . Fred Gilman Oct. 8 . . 2 reels Sept. SO
Out in the Rain "The Gumps" Feb. 20. .2 reels. .. .Jan. 28
Ozzie of the Mounted Oswald Cartoon April 30. .1 reel
Passing the Joneses Long-Adams-Laymon-McPhail .Nov. 2. .2 reels
Payroll Roundup, The Bob Curwood Mar. 31.2 reels .... Mar. 3
Picking on George Sid Saylor Oct. 26. .2 reels. .. .Oct. 14
Prince and the Papa (O. R.
Cohen story) Charles Puffv Feb. 12. .2 reels Jan. 21
Racing Wizard, The Newton House Dec. 24 . . 2 reels
Rattling Good Time, A Ben Hall Dec. 19 . 1 reel Dec. 16
Red Warning (Western) ... .Newton House Oct. 29. .2 reels. .. .Oct. 14
Rickety Gin Oswald Cartoon Dec. 26. .1 reel
Ride 'Em Plowboy Oswald Cartoon April 15. .1 reel Mar. 24
Riding Gold Newton House Jan. 21 . . 2 reels
Riding Whirlwind, The
(Western) Newton House Oct. 1 . . 2 reels Sept. 88
Riding Wild Bob Curwood Dec. 10. .2 reels
Ring Leader, The Jack Perrin April 7 . . 2 reels .... Mar. 10
Ringside Romeos Arthur Lake Mar. 26. . 1 reel Mar. 10
Title
Sta
Rel. Date
Reviewed
Rival Romeos Oswald Cartoon Mar. 5.
Run Buster I Trimble, Turner and Dog Dec. 14.
Running Wild Lewis-Gulliver-Phillips Dec. 5 .
Sagebrush Sadie Oswald Cartoon April 1.
Sailor George Sid Saylor May 9 .
Samson at Calford Lewis-Gulliver Nov. 7
Saxophobia Arthur Lake Oct. 10
Scarlet Arrow, The (Serial — F. X. Bushman Jr.)
Scrambled Honeymoon, The Ben Hall Nov. 21.
Scrappin' Fool, The (Mus-
tang) Bob Curwood Sept. 17 .
Sealed Orders Jack Perrin Feb. 11.
Shady Rest "The Gumps"
Showing Off Long-Adams-Laymon-McPhail Dec. 7 .
Sliding Home Lewis-Gulliver- Phillips Jan. 16 .
Smiling Wolf, The (Western) Fred Gilman Dec. 3 .
Social Lions Ben Hall Mar. 12 .
Society Breaks Long-Adams-Laymon-McPhail Oct. 5 .
Sodas and Shebas Arthur Lake Sept. 12 .
Some Babies (O. R. Cohen
story) Charles Puffy Mar. 26.
Some Pets Arthur Lake Jan. 2 .
Son of the Frontier, A Newton House April 14.
So This Is Sapp Center Ben Hall Jan. 16.
South of Northern Lights
(Western) Jack Perrin Oct. 22 .
Special Edition Ben Hall April 9 .
Splashing Through Lewis-Gulliver-Phillips Dec. 19 .
Start Something Long-Adams-Laymon-McPhaill.Feb. 1.
Swell Clothes Arthur Lake Dec. 5.
Taking the Count C. King-C. Doherty April 18.
Terrors of the Unknown (Serial)
That's That Trimble-Turner and Dog April 11.
There's a Will C. King-C. Doherty Dec. 21.
Too Much Sleep "The Gumps" Sept. 19 .
Tota! Loss, A "The Gumps" Nov. 28 .
Trail of the Tiger, The (Serial) Jack Daugherty Nov. 7.
Trolley Troubles Oswald Cartoon Sept. 6 .
Unexpected Hero, An F. Gilman-M. King Feb. 25.
Untamed, The Newton House May 12.
ValiantRider.The (Western).Bob Curwood
Vanishing Rider, The (Serial) Wm. Desmond Jan. 16.
Watch George Sid Saylor Mar. 28
What a Party C. King-C. Doherty Feb. 22
When George Hops Sid Saylor April 25.
When Greek Meets Greek.. "The Gumps" Oct. 17
Winged Hoofs Newton House Mar. 17
Winning Five, The Lewis-Gulliver-Phillips Sept. 26.
Winning Goal, The Lewis-Gulliver-Phillips Jan, 2
Winning Punch, The Lewis-Gulliver-Phillips Nov. 21.
Wolves of the Range Fred Gilman Jan. 28,
Dec. 8
.Nov. 18
Length
. 1 reel.
.2 reels
.2 reels
. 1 reel.
2 reels
2 reels. . . .June IT
1 reel Sept. 30
10 episodes
.1 reel
. 2 reels .... Sept 8
.2 reels Jan. 28
.2 reels
.2 reels Nov. 18
. 2 reels Dec. 88
.2 reels
. 1 reel
. 2 reels .... Sept. 80
.lreel Sept. •
,2 reels. . . .Mar. 3
. 1 reel Dec. 16
.2 reels. . . .Mar. 17
.1 reel Dec. 80
.2 reels Oct *
. 1 reel Mar. 17
2 reels
.lreel Jan. 14
. 1 reel Nov. 18
.2 reels. . . .Mar. 24
10 episodes
.2 reels. . . .Mar. 17
. 2 reels
.2 reels Sept. I
.2 reels
.2 reels. . . .Aug. 8
.1 reel Aug. If
.2 reels Jan. 28
. 2 reels
. 2 reels
10 episodes
.2 reels. . . .Mar. 3
. .2 reels. . . .Feb. 4
2 reels. .. .Mar. 31
.2 reels. .
.2 reels. .
.2 reels. .
.2 reels. .
. 2 reels . .
.2 reels. .
.Oct. T
.Fdb. 26
Sept. 1»
erOpinionsonNeiuPict
211
"Sadie Thompson" — United
Artists, United Artists
Theatre, Los Angeles
Times: "One of finest, most
glowingly human pictures screen
has ever seen."
Examiner: "Sadie easily most
momentous film occasion in Gloria
Swanson's life. Has not given such
a performance in years."
Express : "A happy choice for
Miss Swanson."
Record: "One of best pictures
ever filmed and the Sadie Thomp-
son she has created for screen will
live long."
Herald : "Fine picture, best in
fact that Gloria has made in years."
"Sadie Thompson" — United
Artists, Salt Lake City
Telegram: "'Sadie Thompson'
Brilliant Success at the Paramount.
Powerful character study. Gloria's
characterization possesses a magni-
ficent vitality and abandon rarely
seen in the films and it brings her
once more into the favor of pic-
ture fans. There is not a false note
in the entire production. It is amaz-
ing. The picture is an unusual
triumph of sincerity over the usual
maudlin sentimentalizing."
"Sadie Thompson" — United
Artists, Stanley Theatre,
Philadelphia
Eve. Bulletin: "The best bit of
acting she has ever done. For Miss
Swanson, nothing but praise can be
registered. Hers is a vibrant, vivid,
compelling characterization, reflec-
tive of many moods, marked by a
complete subordination of self to
the business of portraying a role
that runs the gamut of emotion."
Inquirer: " 'Sadie Thompson'
Excels at Stanley. Gloria' Swanson
Does Sincere and Gripping Work.
Picture is Truly Notable Achieve-
ment. Has contributed one of the
most sincere and beautiful pieces of
acting to motion picture archives.
The picture proves to be one of
those ideal things which happen
with such infrequency that one
holds one's breath during its en-
tire length in the fear that it is
really too perfect a thing to con-
tinue unflawed. Held the audience.
One more bit of not too gaudy
praise may be given Miss Swanson.
She does work that, for sincerity
and real feeling has not been sur-
passed by any other screen actress."
Public Ledger: " 'Sadie Thomp-
son' is as satisfying a job as has
come out of Hollywood in many
months."
"A mighty fine piece of work. It
is, for one, the best bit of acting
that Gloria Swanson has yet done.
It is a real being she creates."
"A Texas Steer" — First National,
Loew's State Theatre,
Los Angeles
Express: "Refreshingly differ-
ent. One of most delectable hours
afforded by cinema. Directed with
keen sense of amusing possibilities,
played by exceptional cast. Now
sly, now salty in its humor which
at times rises to hilarious heights."
Examiner : "Those who like Will
Rogers cannot help approving of
'A Texas Steer,' and who is there
among us who do not cast our vote
for him? Whimsical humor, for
which he is famous."
News: "Will Rogers a great
congressman. He gets vote from
this reviewer any time he wants to
run for re-election. One of finest
screen comedians seen in these parts
in many a moon. Real picture."
STATEMENT OF THE OWNER-
SHIP, MANAGEMENT, CIRCU-
LATION, ETC., REOUIRED
BY THE ACT OF CON-
GRESS OF AUGUST
24, 1912,
of Motion Picture News, published
weekly at New York, N. Y., for April
1, 1928.
State of New York, County of New
York, ss. :
Before me, a Notary Public, in and
for the State and county aforesaid, per-
sonally appeared Percy S. Alden, 729
7th Ave., New York City, who having
been duly sworn according to law, de-
poses and says that he is Secretary of
Motion Picture News, Inc., publishers
of Motion Picture News, and that the
following is, to the best of his knowledge
and belief, a true statement of the own-
ership, management (and if a daily
paper, the circulation), etc., of the afore-
said publication for the date shown in
the above caption, required by the Act
of August 24, 1912, embodied in section
411, Postal Laws and Regulations,
printed on the reverse of this form, to
wit:
1. That the names and addresses of
the publisher, editor, managing editors,
and business manager are:
Publisher, Motion Picture News, Inc.,
729 Seventh Ave., New York City.
Editor, Wm. A. Johnston, 729 Seventh
Ave., New York City.
Managing Editors, J. S. Dickerson &
Oscar Cooper, 729 Seventh Ave., New
York City.
Business Manager, Wm. A. Johnston,
729 Seventh Ave., New York City.
2. That the owner is: (If owned by
a corporation, its name and address must
be stated and also immediately thereun-
der the names and addresses of stock-
holders owning or holding one per cent
or more of total amount of stock. If not
owned by a corporation, the names and
address of the individual owners must
be given. If owned by a firm, company,
or other unincorporated concern, its
name and address, as well as those of
each individual member, must be given.)
— Motion Picture News, Inc., 729 7th
Ave., New York City; Wm. A. Johnston,
729 7th Ave., New York City; E. Ken-
dall Gillett, 729 7th Ave.. New York
City; Percy S. Alden, 729 7th Ave.,
New York City; Carl Tucker, 729 7th
• Ave., New York City; Isabel G. Gillett,
729 7th Ave., N. Y. C. ; Dorothy Ovens
Johnston, 729 7th Ave., New York City.
o. That the known bondholders, mort-
gagees, and other security holders own-
ing or holding 1 per cent or more of
total amount of bonds, mortgages, or
other securities are: (If there are none,
so state.) None.
4. That the two paragraphs next
above, giving the names of the owners,
stockholders, and security holders, if
any, contain not only the list of stock-
holders and security holders as they ap-
pear upon the books of the company but
also, in cases where the stockholder or
security holder appears upon the books
of the company as trustee or in any
other fiduciary relation, the name of the
person or corporation for whom such
trustee is acting, is given; also that the
said two paragraphs contain statements
embracing affiant's full knowledge and
belief as to the circumstances and con-
ditions under which stockholders and se-
curity holders who do not appear upon
the books of the company as trustees,
hold stock and securities in a capacity
other than that of a bona fide owner; and
this affiant has no reason to believe that
any other person, association, or cor-
poration has any interest direct or indi-
rect in the said stock, bonds, or other
securities than as so stated by him.
P. S. Alden,
(Signature of Secretary.)
Sworn to and subscribed before me
this 23d day of March, 1928.
[Seal] Henry J. Shiff.
Notary Public Bronx Co. Reg. No.
2965A; "New York Co. Reg. No. 9699.
(My commission expires March 30,1930)
Roy Press
Printers
Preordained
w — the final result of the motion picture
on the screen was preordained from the
day that Edison got his first sample of
Eastman film."*
That was in 1889. And today the film
that made motion pictures practical is the
film that makes the most of the cinema-
tographer's art and carries all the quality
through to the screen — Eastman Film.
*Page 209 "A Million and One
Nights, the History of the Motion
Picture" — by Terry Ramsaye
EASTMAN KODAK COMPANY
ROCHESTER, N. V.
Y
OU
Can't 0 verlook
:>rna
GETTING
THE MOST
OUT OF THE
1-SHEET
SIZE
CAM
LAEMM1E ~
bresents j ^ s\
%-Utiiversal
DESIGNED
FOR
UNIVERSAL
BY
MORGAN
Morgan Posters!
"A Quality All Their Own"
Gen'l Office:
CLEVELAND, O.
Branches:
New York City
Los Angeles
Plants :
Cleveland, O.
New York City
Elmhurst, L. I.
ol. XXXVII
SHOUT IT FROM THE
HOUSE TOPS!
- v
V
'MGM ,
ON THE WAY!
Dane- Arthur in Circus
Rookies ; Lon Chaney in
Laugh, Clown, Laugh;
Norma Shearer in The
Actress ; Joan Crawford
in Diamond Handcuffs,
Syd Chaplin in Skirts;
John Gilbert in The
Cossacks.
AND MORE! MOREI MORE!
WE have just seen
RAMON Novarro in his latest
"ACROSS To Singapore —
WHAT a show!
ACTION ! Action ! Action !
AND Love! Love! Low!
SOME combination —
TELL the folks and prepare for
A SELL OUT!
Gee whiz • Hon- the hits roll in fron
ETRO-GOLDWYN-M
Los
No. 15
Angeles
Entered as serond-c!a.< .
act of March 3, 1879
Published W eekly— $2.00 a Year
New York
PRICE 20 CENTS
Chic a i
SENTRY SAFETY CONTROL
attached to any standard projector
is a guarantee that no film-fire
can occur.
Its cost is trifling, its protection
is absolute. It means your
audience, your employes, your
investment are safe from the
worst menace in theatre operation
— fire!
And it gives you that priceless
possession ~ peace of mind.
HIT Y « EE) IKnri^OIL
13th and Cherry SU., PHILADELPHIA 1560 Broadway, NEW YORK
And All Branches of
NATIONAL THEATRE SUPPLY COMPANY
greatest gross
ever rolled up
in one week
bv one picture
in history of
show business!
Harold Lloyd
in
Speedy
Produced by Harold Lloyd
Corp. A Paramount Release
records
go flooey!
KIN Oi l. NEW ^ <>|{k
"Speedy" opening breaks
Saturday and Sundaj house
record !
• » A
ROOSEA i l l . CHICAGO
"Speedy" opening tremen-
dous. All reviews and com-
ments great.
AAA
INDIANA, INDIANAPOLIS
65% of average uwkly yross in
first t wo da\ 8 !
AAA
AMBASSADOR, ST. LOUIS
More than 50% of average
weekly gross in first two days!
AAA
RLAETO. DENTER
First three (lays £500 more
than average weekly gross
despite temperature below
freezing !
AAA
VHCADE, JACKSONVILLE
50% of average weekly <:ross in
one day !
AAA
TAMPA, TAMPA
First da} almost 50% of aver-
age weekly i:ro>> !
AAA
LI RIC, McKEESPORT
( Opened t(» more than 30% mt r
average Saturday business.
AAA
1 I NW \Y. BOSTON
Business tremendous topping
record held l»\ "kid Brother. "
Produced by
Harold Lloyd Corp,
A Paramount Release
Let's Go! Mother, father, sister,
brother — off for the big joy-ride with Harold
Lloyd in "Speedy." A year in the making,
an hour and a half of laugh, laugh, laugh!
Get your seats early and watch Harold break
all records for fun in "Speedy.1*
Special Newspaper Advertis-
ing offered by Paramount.
business is great!
<S Clara Bow in "Red Hair" breaks every house record Olympia, New
Haven, by more than a thousand dollars. <I "Legion of the Condemned"
opening week McVicker's, Chicago, tremendous! a a a a
sure, business is great —
if you're playing PARAMOUNT!
"Old Ironsides," Beery & Hatton in "Partners in Crime," Esther
Ralston in "Something Always Happens," Emil Jannings in "The Last
Command," Adolphe Menjou in "A Night of Mystery," Pola Negri in
"Three Sinners," weekly hits, regardless of the season! Business is great!
OLYMPIA, NEW HAVEN
"Speedy" opening tremen-
dous and will unquestionably
make a new record.
MILLION DOLLAR, LOS
ANGELES
Opening of Harold Lloyd in
"Speedy" tremendously big.
Previous Lloyd Sunday mati-
nee record shattered by big
margin.
MIAMI, PALM BEACH,
MIAMI BEACH
"Speedy" a clean-up. Critics,
public and exhibitors claim
it best Llovd ever.
SEATTLE, WASH.
"Speedy" grosses first four
days three thousand dollars
better than first four days
"Kid Brother." Criticisms
marvelous.
MIDLAND, KANSAS CITY
Biggest Saturday and Sunday
since Christmas holidays.
Audience ate it up.
ROYAL, ATCHISON, KAS.
First day's receipts 50% higher
than first dav "Kid Brother."
LYCEUM, DULUTH
"Speedy" opened with the
biggest business in months.
SOUTHERN, COLUMBUS,
OHIO
"Speedy" opened to capacity
business in spite of cold,
stormy weather.
ELECTRIC,
SPRINGFIELD, MO.
First day 35% better than
"Kid Brother."
Pete Harrison says
©TOM YOUR
PLAYING TIME on
Read this clipping from
his April 7th issue
Caj
Totef ln~my answer to Mr. Carl Laemmle, Presidenl
of Universal Pictures Corporation, which was printed in
the issue of March 24, I said that if "We Americans"
proved to be a good box office attraction I would recom-
mend to those who have bought it to extend the playing
time if I should find it a good picture. In my opinion, it
deserves extending the playing time. I believe that you I
could make more money by playing it the extra time than
you would if you should play an ordinary picture.
Those who have bought it for one day can safely play it
two ; those who have bought it for two days can safely
play three or even four ; those who have bought it for
three days can play it four, and even five if circumstances
warrant it.
With GEORGE SIDNEY, Patsy Ruth
Miller, George Lewis, Beryl Mercer, Eddie
Phillips, Albert Gran, John Boles, Joseph-
ine Dunn, Kathlyn Williams. From the
stage play by Milton Herbert Gropper and
Max Siegel. Supervised by Carl Laemmle,
Jr. Screen adaptation by Al Cohn. An
EDWARD SLOMAN Production, jj,
- - take Pete Harrison's tip
Double your playing time - -
It's a Laemmle Special
Another BOX"
Pathe program of
N. Y. American
"Should prove a good draw in houses of all classes."
M. P. News
"In a jolly and clever fashion, 'Stand and Deliver' sets
out to prove that those eager for adventure, can in
these days, obtain all the thrills they want."
N. Y. Times
OFFICE on the
Sensational Hits
The Sensational
Hits are now be-
ing released by
Pathe.
4^
AND
Wl
lUACMFD HI A XTT~>
LUPE VELEZ and WARNER OLAND
A DONALD CRISP Production
by Sada Cowan
Ralph Block—Associate Producer
DeMILLE STUDIO Production
Rifhe
^Big Pictur
One is now playing to capacity houses on Broadway
at $2 top. Another has just completed a run of 25
weeks on Broadway at $2 top. Two others will soon
be given their Broadway runs. The entire four are
available now — when you need them!
Dolores
Costello
m
Tenderloin'
with Conrad Nagel
Filled with slam-bang climaxes that remind you
of perpetual motion; the rat-tat-tat of pistols,
as crooks and police trail after the same girl.
The New York critics marked it A Number 1
when it opened on Broadway.
Available Now
The Lion t
and the Mouse
with May McAvoij
and Lionel Barrymore
Wherever a theatrical company has passed,
there "The Lion and the Mouse" is a house-
hold word. Does this guarantee a full-house
run when you book the picture?
There's only one answer. Year in and year
out this drama of political intrigue and cor-
ruption has played to packed houses.
Available Now
What WarnerBro
1S(
ee
dTh
em:
Warner Bros, is the one producing company that
places the interests of the exhibitor on a level with
its own interests When big Warner productions are
ready, you can have them — even before they play
on Broadway. Big pictures when you need them,
for big profits when you need them!
Dolores
Costello in
Betsy' with
Conrad Najfel
If ever a picture was made for the greater
glory of the box-office here it is. High in-
trigue in the dazzling Versailles court life
checkered with the familiar democratic ways
of Baltimore a century hack. Hypocris) at war
with simplicity. Dolores Costello in "Glorious
Betsy" glorifies the box-office.
Available Now
Al Jolson in
7he Jazz
Singer'
with
May McAvoy
After you have played the supreme triumph
of screen art you will understand tin- whj of
it> phenomenal 25-week run on Broadway .m<i
of its 52 weeks of actual playing lime, crowded
into a period of fifteen weeks, In Philadelphia.
Holds the record for more broken records than
ain other production cut made.
Available Now
Warner Bros. Deliver / . . .
The Facts
about
JAMES CRUZE
BY
JAMES CRUZE
3£
JAMES CRUZE PICTURES, INC.
distributed by
ALLIED DISTRIBUTORS CORP.
729-7th Ave. New York
Billy Dooley
For real dough — play Billy Dooley, the goofy gob with the legs that won't behave in "Campus
Cuties" and "Water Bugs". Paramount - Christie Comedies, at the lies! Theatres Everywhere,
_ - --^S^^uS*
, ^^r^. — - —
Bobby Vernon
For real dough — plav Bobby Vernon, "the little comedian with the big following" in ffBugs M)
Dear" and "Sweeties". Paramount - Christie Comedies, at the li<>st Theatres Everywhere.
Jimmie Adams
For real dough — plav Jimmie Adams. a* funny as he looks, in "Love Sin". "Holj Mackerel" ami
Goofy Ghosts" Paramount - Christie Comedies, at tln> Best Theatres Everywhere,
Cparamoimt- (Christie (Jomcdies
Reports from Exhibitors Herald-World "what the picture <li<l for me."
lie snrewi
dies it
ticket buyers
II
IJeRE are names to conjure
M M with . . the leading amusement
enterprises of the country! When
they ALL specify Gold Seal, there must be a
powerful reason for it. This is no snap judge-
ment on their part. These buyers comb the
market before they buy. They subject every item
to rigid comparative tests. When they come to a
decision, it is because they believe they have found
the best value for the money on the market.
Isn't it significant that these shrewd buyers are unan
imous in their choice of Gold Seal Registers? \
Take your cue from the leaders in the field, and specify
Gold Seal Registers and Gold Seal "Tickets that Fit" for your
own box office. Send today for full information, prices and
terms on the latest Model 28 Gold Seal Ticket Register, equipped
with the Cancellograph.
Specialists in the Printing of Strip and Reserved Seat Tickets
Plants in New York City and Boston. Send for our estimate on your tickets
m
p,i1iiyu,i,n,mll;„„,il,l.„iu1M„j,d„i.,„„.,llai,.,ii,.ll.u,illiu,i, i,
UiUuildliilllllil
Umdir Tt'ional D\t*<tio* of S LftOTttAftL ir
ROXY THEATRES CORPOR/
- ! 1
\". ' <".:..''.:\\.f- : ■ i
*"«* **->«.,
'ATloiv
CHARGE TO
•St1*1"
„ in ' |
: THEATRES
A S7IM
!"» »u...> .„., [ilNO AGINT. -I 1
«"««• <~ ....Oct M I '
n'HCHAM <
SAENGER THEATRES,
Inc.
roor<«| | fi„
*>— • .Mt III T»o».t KmMm | |
. 27tS. I921
... «*•«
... lort. »■
Mr.Bov"T,on
ou rece"
P/otectiitcj a Nations
BO^ OFFICES
mi
•V/ben can I get a «et
^ on that DndWA^
I
^jetro^b/c/r^/! vj^ayer presents
exhibitors are clean-
ing up with the most
timely showmanship
film of years — don't
miss out on it!
NEVER -again
WILL there be
A novelty sensation
TO equal "40,000 Miles
WITH Lindbergh."
JOIN the thousands
OF live-wire theatres
PLAYING it now
TO amazing profits!
4o
ooo
M I LES WITH
LINDBERGH
A handsome i-shcct and 3-sheet for your house-front!
METRO-GOLD WYN-MAYER'S
AVIATION SPECIAL
40,000 MILES WITH
LINDBERGH IS THE
TALK OF THE NATION!
"Lindbergh picture biggest
thing I ever bought outside
of Ben-Hur and The Big
Parade." — Fred Mercer,
CAPITOL,
WALL A- WALLA, WASH.
"FortyThousand Miles with
Lindbergh is one of themost
inspiring records of drama-
tic achievement ever flashed
on the screen. Every man,
woman and child will want
to see this thrilling and real
adventure story."
— Regina Cannon in
N. Y. AMERICAN
"FortyThousand Miles with
Lindbergh stands unsur-
passed by any short-feature
subject that we ever played.
Holding picture full week."
-J. C. King,
FAIRFAX THEATRE,
MIAMI, FLA.
"Played Lindbergh to won-
derful business."
— Chas. Peterson,
WINDSOR THEATRE,
HAMPTON, IA.
"Best short-subject special
we ever ran. Wonderful
drawing power. How that
boy is liked. Would advise
running this picture at any
price." — Harry D. Steam,
WILMER &. VINCENT CORP.
NORFOLK, VA.
"It ran away with the pro-
gram."— Tim Roberts,
MADISON, MANSFIELD, O.
"Interesting, engrossing and
sure-fire." — FILM DAILY.
efteProofofthe
Picture is in its
Box Office Power.'
REGINALD DENNY
In the Best
DENNY Yet
"GOOD MORNING JUDGE"
with Mary Nolan, Dorothy Gulliver, Otis Harlan, Bull Montana,
Sailor Sharkey. A WILLIAM SEITER PRODUCTION. Story by
Harry O. Hoyt. Presented by Carl Laemmle.
A BIG MONEY Picture all over the land!
Laura LA PLANTE
the screen fs great comedienne
in her latest and greatest
"FINDERS KEEPERS"
from the Saturday Evening Post story by Mary Roberts Rinehart.
With Johnny Harron, Arthur Rankin, Edmund Breese, Capt.
Duncan. A WESLEY RUGGLES PRODUCTION. Presented bj
Carl Laemmle.
A BIG MONEY Picture all over the land!
Li
THE
Cohens and Kellys « Paris
That Big box-office
comedy clean up
Starring GEORGE SIDNEY, J. FARREL MAC-
DONALD with VERA GORDON, Kate Price, Gertrude
Astor, Charles Delaney, Sue Carol. Screen adapta-
tion and continuity by Al Cohn. Story supervision
by Joseph Poland. A WILLIAM BEAUDINE PRO-
DUCTION. Supervised by Julius Bernheim. Pre-
sented by Carl Laemmle.
A BIG MONEY Picture all over the land!
BP*
■Mr
AGAIN*** UNIVERSAL has the pictures!
n Announcement
In September Will Be Issued the
Second Edition of the Combined
BOOKING GUIDE
STUDIO DIRECTORY
A Record of Pictures and People
Several New Departments and Features will
add to the usefulness of this established author-
ity with producers, exhibitors, dsstributors, news-
papers and fan magazines.
Contains complete data on productions.
It is an authentic "Who's Who" of the Industry.
MOTION PICTURE NEWS
AND
Write for Biography Blank
729 Seventh Avenue,
New York City, N. Y.
Hollywood Security Bldg
Hollywood, Calif*
30
EXHIBITORS IIKRM.l) ..n.l \1<>\IN<, IMC I I KK WOKI.I)
April 7. \91H
THE SHORT FEATURE
Incorporated in this department of Exhibitors Herald is the Moving Picture World department,
"Little Pictures ivith the Big Punch," which has presented neivs, revieivs and exploitation on
short features and serials.
Cash in on the Short Feature
As Golden Key to Summer Trade
Now is the time for the alert theatre owner to begin to cash in on the par-
ticularly high value of the Short Feature as an attraction for summer patron-
age. In the Far West and the South that opportunity already has been
knocking at the ticket window ; in the middle and northern tier of states the
warm days and warm nights are at hand.
Want Light Programs in Summer
The exhibitor who studies his patronage and its habits knows that during
the summer months Mr. and Mrs. Public and the young Publics want their
entertainment in light doses — not light amounts (the opposite is true) but light
in theme. And that is the cue for the entry of the Short Feature.
Is summer patronage still a problem? Yes, for summer patronage. Summer is a time of
and no. It still is the problem of the ex-
hibitor who makes no effort to outbid the
open road and its lure for motorists. It still
is the problem of the exhibitor who makes no
effort to provide a theatre as comfortable as
the out-of-doors.
Chases Slump Bugaboo
Summer patronage is not a problem for the
exhibitor who installs modern ventilating and
cooling equipment. Circuit managers long
have realized that fact and more and more
smaller exhibitors also have profited by that
knowledge and the summer slump bugaboo
is no longer feared by the theatre owner who
fashions his program according to the de-
mands of the season.
The socalled legitimate stage changes its
programs decidedly when summer arrives.
The lipht. happy type of play then comes
into its own.
Why should not the same be true in the
motion picture theatre to the extent of mak-
ing more attractive the program in which the
Short Feature holds an increajii^glv important
role? (1
There is the short comedVy-Aade-to-order
gaiety, of laughter. Happiness and cheerful-
ness is as much a true index of summer as the
calendar designation of June 21st. And two
reels of laughter is just right to leave the
patron happy and witJ^jt physical exhaustion.
There is the scenUfcJhc picture of beauty
with restfulness. YVnat better can an ex-
hibitor do than to bring the country into
the theatre?
Comedy for Summer
The answer is: Many will l>c glad to for-
sake the roaring, sweating highway, for the
ease and good cheer of the theatre — if the
exhibitor books product for the purpose, and
acquaints them of the fact. Give them
comedies for laughs, scenicsy^v visual com-
fort and delight, the newsrdUj^or action.
There is no summer slump unless the ex-
hibitor himself slumps, neglects to keep abreast
of the season, to give the patron what he
want- , — ,
This department will welcome cinnmclA
from exhibitors on how they have used tire-*
Short Feature as encouragement for summer
patronage. — E. A. K.
Short he
Relei
» EEK OFJ
EDUCATIONAL — "Ki
George Davis,
Homes," one.
F B O — *'My Kingdom
"Newslaff No. 17,"
FOX — "America's Liti
M-G-M —"Limousine
PARAMOUNT — "Bui
Vernon.
UNIVERSAL
"The Haunt
"Taking thi
EDI
"i
Sk
lin
FOX
M-G
Di
PAR
A
EDI
01
T
F H
N
Fi i>
MG
UNI
THE GOLDEN KEY
1^ Lupino Lane Comedies; Big Boy-
Juvenile Comedies ; Bowers Comedies;
Mermaid Comedies, with Jerry Drew
and George Davis (Jack White
Productions); Hamilton Comedies;
Dorothy Devore Comedies; Tuxedo
Comedies, with Johnny Arthur;
Larry Semon Comedies; Cameo Com-
edies; Felix the Cat, Cartoons by
Pat Sullivan.
2 Outdoor Sketches, by Robert C.
Bruce, and Bruce Scenic Novelties.
And also for beauty ; Hope Hamp-
ton, in "Love's Springtime" and "The
Call of the Sea," done in Techni-
color, and McCall Colour Fashion
News.
^ Kinograms, of course. It's the news
reel that tops the field for quality.
4 Just one little reminder: a Lyman
H. Howe's Hodge-Podge, or one of
the "Movie Side Shows" from the
Curiosities series, or a single-reel
novelty, such as Carter DeHaven
in Character Studies, will add sparkle
and zest to any warm weather pro-
. gram. .
N "THE SPICE OF THE PROGRAM" /
EDUCATIONAL FILM EXCHANGES, INC., E. If . Mammons, President
Member. Motion Picture Pioduccrs and Distributors of Amrr.c.i, Inc.. Will H. Hays. President
Hitting the Bull's Eye
<IYou don't hang up records on number of shells
used — it's how many bull's eyes you score.
CJfAnd that goes with us.
<JWe set out to earn our medals—and we've got
them. MOTION PICTURE NEWS circulation
hits the bull's eye. It goes to the real buyers.
^Numbers of themselves don't count. For it takes
real marksmanship not to use up several thousand
rounds of circulation, unproductive to the seller.
flFor fifteen years practically every executive and
important theatre owner— the real buyers— have
read the NEWS. They are reading the NEWS now
and they will always continue to. We're hitting
the bull's eye. Our circulation isn't going where it
dosen't count.
FIRST N/
Volume XXXVII
NEW YOKK CU V. AI'KIL II. I<>2«
\<». LS
What About the Public?
Apathy in the Trade Reflected At Box-office
By William A. Johnston
A GOOD many people are asking us and
thousands more are asking each other;
just what is wrong with the movies?
We, of the trade, know that many things
are wrong within ; many things are out of
gear in the industrial machine.
But perhaps we are looking too closely
within — at the machine itself, and too little
without — at the public.
The business at the box office used to be
better when the industrial machine was much
worse than it is today.
So, perhaps, the trouble — lies with the
movie and the public.
What is it?
The public is apathetic. Every exhibitor
knows it.
That state of mind may be due to several
important facts.
But I believe one reason is enough, and
that is that the trade itself is apathetic.
If there's apathy in New York, there will
be apathy in the exchanges, and from the ex-
changes to the salesmen and from the sales-
men to the exhibitor — and from the exhibitor
to the public.
Are we really selling pictures to the pub-
lic?
We are not.
And that being true, how can we expect
the oublic to buy?
The super-salesman will probably exclaim
that he is selling pictures; and the more super
he is the more he will exclaim.
But sales that end with the exhibitor are
not sales. A picture is not sold fill it's sold
to the public.
What we want to know is: how are pic-
tures being sold to the public?
Let's see w hat some exhibitors have to say
about it. Here's some straight talk from
Allen Johnson, manager of the Royal and
Leonard in Grand Rapids, with which are
associated the Family, Wealthy, Michigan
and Biltmore theatres:
"What you say in your letter of the [6th interests
me greatly, not that I am particularly anxious for the
producer to add to his already too-high cost of produc-
tion and distribution by carrying additional trade
magazine advertising space, but because 1 believe that
a great deal of constructive help can be rendered the
exhibitor by the producer of a picture in the manner
your editorials haye outlined.
"It is human nature, or perhaps I should say the na-
ture of exhibitors, generally speaking, to believe that
they can be benefited very little from sources outside
their own original ideas in 'putting oyer' a picture. In
spite of the foregoing there is no question hut that the
average exhibitor will admit that he could exploit a
picture a great deal better after he has run it than
before, for the simple reason that during the run he
has had an opportunity to study the subject from all
angles, and many exploitation stunts, original to that
exhibitor, are wasted because the 'water has already
gone over the mill.' If you could convince the producer
that it would be good business sense for him to spend
the time and money necessary to at least acquaint the
exhibitor with the salient high-lights and suggest ex-
ploitation angles, in a systematic manner, there i^ no
question but that the expense would he justified, as it
would result in more revenue to the exhibitor who
made use of the information, and to say the least,
fewer complaints against producers because of high
film rental.
"It is decidedly platitudinous to say that many a
worthwhile picture attraction has met with poor sue
cess at the box office, whereas had the exhibitor had
advance knowledge of the subject in hand, he would
have been able to sell it successfully to his community.
The w Titer is frank to admit that this has happened in
his ow n experience and 1 believe that it will be the ad-
mission of every other honest showman.
"He fore now you have undoubtedly heard the pro-
( Continued on next payc)
1106
Motion Picture N czv s
An Acknowledgment
SO many kind messages of condolence
have been received by Motion Pic-
ture News since the untimely passing
of J. S. Dickerson, that it has not yet been
possible to acknowledge each expression
individually.
We take this means of acknowledging
the many kind expressions of sympathy
received by us.
William A. Johnston
Sound Common Sense
IN the T. N. T.-A. M. P. A. Bulletin we find a vigor-
ous article by Bruce Gallup, President of the A. M.
P. A., entitled "Wake Up, Motion Picture Indus-
try, Get Hep to the Real Value of Advertising and
Publicizing of Motion Pictures."
Mr. Gallup's remarks are straight to the point, and
reflect sound, common sense. The problem he dis-
cusses is of industry-wide importance. We quote
from his article:
"For some reason, the basis of which I cannot
understand, perhaps it's just plain ignorance, the work
of publicity and advertising in this business, in spite of
all the years of experience we have had, is still con-
sidered as a sort of odd man's job. People seem to
think that all one needs to be successful in these lines
is to have a gatling-gun wise-cracking brain and plenty
of gall. If that were all that were required, this in-
dustry would have been in the soup long ago.
"It seems that the majority has not as yet come to
realize that each is a serious profession by itself. That
to become a good advertising man one must have spent
time on the firing line of selling, must understand mer-
chandising as thoroughly as any sales manager and
then must go through the training of knowing how to
put the experiences of his actual sales work into type
on a printed page in such language that it will sell his
product.
"That these two lines of work [advertising and
publicity] are a profession as that of a camera man,
civil engineer, bridge builder or an artist has never
really been seriously considered.
"Yet when hard times come the first thing is to cut
down on publicity or advertising expenses, which in-
cludes also those who create it and when prosperous
times come, it usually is the last thing to receive seri-
ous attention.
"Ye gods ! — There is no department in any organi-
zation in the business today that is any more important
than where the printed merchandising ideas are
created.
"How would you dispose of your pictures if you
didn't advertise or publicize them ? Where would your
distribution costs go if you didn't use advertising and
publicity to break the ice for the salesmen ?
"No man in any organization has a position which
is any more vital to the successful progress of that
organization than the man who sits at the head of the
Publicity and Advertising department.
"The value you obtain from him and his assistants
depends, however, entirely upon his freedom and upon
the degree to which you let him into your problems.
Remember the merchandising of pictures is no differ-
ent than the selling of a piece of soap. You manu-
facture something to sell to someone who retails it to
the ultimate consumer. That product CANNOT be
sold, especially against stiff competition, unless you
advertise it. And you DO NOT get the most out of
that advertising unless you permit the expert in that
line to function properly by providing for him absolute
coordination between his department, production and
sales.
"The A. M. P. A. is composed of men most of whom
have become experts in publicity and advertising;
some are still in the training stage and the others are
the artists who play a most important part in seeing
that the ideas, when they reach the printed page, are
properly displayed."
What About the Public?
(Continued from Preceding Page)
ducer's argument, in answer to your theory, that press
sheets are supplied to exhibitors on each attraction and
therefore the avenue of information you suggest is a
needless additional expense. I would agree with them
if no more valuable information was furnished
through your pages than is supplied in the ordinary
press sheets in common use. Contrary to the present
practice, the best exploitation experts possible to ob-
tain should be detailed to this most important work of
furnishing new and novel information regarding each
production.
"Wishing you success in your efforts to sell the pro-
ducer on this idea, I am,
"Sincerely vours,
"ALLEN JOHNSON."
April 14, 1928 Motion Picture News Vol. XXXVII, No. 15
Published weekly by Motion Picture News. Inc. Founded in September. 1913. Publication Office, 729 Sez'cnth Ave., New
York, N. Y.; Editorial and General Offices, 729 Seventh Ave., New York City; Branch Offices, 845 S. Wabash Ave., Chicago,
III.; Room 616 Security Bldg., Hollywood, California. William A. Johnston, president; E. Kendall Gillctt, vice-president ;
William A. Johnston, editor; Oscar Cooper, managing editor; Raymond E. Gallagher, advertising manager; Paul M. Abbott,
manager of accessory advertising; L. H. Mason, Chicago representative ; JVilliam McCormack, Los Angeles representative.
Subscriptiofi price, $2.00 per year, postpaid in United States, Mexico, Hawaii, Porto Rico, Philippine Islands and some other
countries. Canada, $3.00; Foreign, $6.00. Copyright, 1928, by Motion Picture News, Inc., in United States and Great Britain.
Title registered in the United States Patent Office and foreign countries. Western Union cable address is "Pickncws," New York.
Entered as second-class matter at the Post Office, New York, Ar. Y ., April 22, 1926, under the Act of March 3, 1879.
April J 1 , 1928
11 ')7
1,379 New Theatres in a Year
Survey Shows 2,263 Houses Disappeared from March 1927
to March 1928; Net Loss Over Period Is 884
ASI'KVKY recently completed by Mo-
tion Picture News, covering the vital
statistics of the exhibition field
from March 1, 1927 to March 1, 1928, shows
that 1,379 now theatres were built in the
whole country, while 2,263 have gone out
of business for various reasons.
Thus the net loss in picture houses for
the period named was 884. Of the 2,263. as
shown by states in the table below, 2,095
were permanently closed or dismantled; 83
were totally destroyed by fire; and 85 are
now used for other forms of entertainment.
In still another classification there are
565 theatres which changed their names or
were replaced, and these are, of course,
still active. The total number of actual mo-
tion picture theatres in the United States
on March 1 of this year was 14,235.
The survey revealed that the building of
modern houses to replace out-of-date and
old-fashioned theatres is going steadily for-
ward, and in some instances is keeping pace
■with closings.
As hitherto pointed out, the theatre field
is, undergoing an evolution in the direction
of progress, and the net loss of 884 is by
no means an unhealthy condition. On the
contrary, this disappearing group is com-
posed almost entirely of the "shooting-
gallery" type, which have passed their era
of usefulness and are therefore giving place
to the modern theatre either in the same
town or in the nearby natural trading cen-
ter. The great increase in good roads and
the use of the automobile is a decisive fac-
tor in the change that is going on.
Ohio showed the greatest number of new
theatres — 128; followed closely by Xew
York with 123 and Pennsylvania with 112.
In fact, the most populous states show the
biggest activity in theatre building, and
this isj of course, a natural development
and one that is likely to become more and
more marked in the future.
A study of the table shows that Iowa lost
133 theatres from all causes while 44 new
houses were opened. On the other hand,
California built 90 new ones, which almost
kept pace with the losses, which were 97.
New York, the largest state in popula-
tion, lost 146 theatres, while, as previously
stated, 123 new houses were constructed. In
Illinois, the new theatres numbered 92
against 130 out of business. These are
typical of the larger centers of population.
In the states with large rural population,
besides the example of Iowa already men-
tioned, take Nebraska with 71 closed or out
of business for various reasons as against
22 new houses.
On the Pacific slope, the State of Wash-
ington showed more theatres built than
were eliminated, the figures standing 45 to
38.
In Florida, where there was great activity
during the boom, the present situation is
clearly shown by these figures : 61 houses
out of business, with only 15 additions.
It is interesting to note that the largest
gross loss of theatres was in Pennsylvania,
the number being 171; in New York, 146;
Ohio, 135; Iowa, 133; and Illinois, 130.
But Pennsylvania, New York, Ohio and
Illinois led in the number of new theatres
constructed, the total in the four states be-
ing 455.
States with heavy net losses were Iowa —
89; Kansas, 68; Nebraska, 52; showing the
increasing disappearance of the smallest
theatres.
Detailed study of the table which follows
will reveal iiianv other interesting facts:
Alabama
Arizona
Arkansas
California
Colorado
Connecticut
Delaware
Dist. of Columbia .
Florida
Georgia
Idaho
Illinois
Iowa
Indian;'
Kansas
Kentucky
Louisiana
Maine
Maryland
Massachusetts ....
Michigan
Minnesota
Mississippi
Missouri
Montana
Nebraska
Nevada . . .'
New Hampshire...
New Jersey
New Mexico
New York
North Carolina ....
North Dakota
Ohio
Oklahoma
Oresroi:
Pennsylvania
Rhode Island
South Carolina.. . .
South Dakota
Tennessee
Texas
Utah
Vermont
Virginia
Washington
West Virginia
Wisconsin
Wyoming
IN O. 1 IIC-
atres
March 1 ,
1927
atres
March 1 ,
1928
No. The-
Oi smart tied
or Per-
manently
Closed
No. Thc-
Totally
Destroyed
by Fire
No. The-
Now
T^sed for
Other
Entertain-
ment
No. The-
atres
Chanel njj
Name
or
Replaced
No. of
New
Theatres
Opened
169
160
20
4
9
24
17
59
53
10
2
0
!
6
192
174
27
o
4
14
15
605
598
88
5
4
26
90
199
177
29
3
1
10
11
177
162
41
2
2
4
30
34
31
5
0
1
0
3
51
50
2
0
0
0
1
236
190
56
2
3
5
15
188
166
38
1
1
::
18
105
98
10
0
1
2
4
1,030
992
118
5
7
9
92
570
481
130
1
2
26
44
530
491
73
1
1
7
36
437
369
84
3
2
21
21
247
234
26
0
0
12
13
215
209
24
0
0
3
18
192
162
32
2
0
3
4
172
165
20
1
1
7
15
406
398
36
4
3
13
35
566
549
45
2
2
10
32
404
375
48
0
1
-
20
116
109
14
0
0
3
7
456
428
53
4
2
14
31
108
99
13
0
0
4
407
355
70
2
2
14
22
23
24
o
0
0
1
3
80
73
8
1
1
2
3
351
337
51
4
3
11
44
46
44
4
1
0
o
3
1,251
1,228
134
5
7
27
123
257
245
38
2
0
2
28
Oil
91 K
3^1
oo
u
n
I'
1
4
843
836
122
4
9
22
128
386
354
64
q
0
11
34
171
167
11
1
0
10
8
1,019
960
160
6
5
44
112
54
50
14
1
;
1
14
126
113
16
0
1
oQ
4
ISO
165
18
0
l
14
4
173
162
28
3
Q
10
DQ
640
625
81
1
4
59
71
122
124
12
0
0
11
14
67
67
8
1
1
1
10
218
215
33
1
2
14
33
259
266
35
0
3
16
45
266
237
40
3
0
15
14
418
405
62
0
1
12
50
54
48
9
1
0
o
4
15.119
14,235
2,095
83
85
565
1,379
1198
.1/ o.tio n P i c t it r e
News
Herbert Brenon and Lon Chaney with Mrs. Frances St. John Brenon, Hobart Bosworth and Charles Delaney as two vigorous seamen in the
English authoress and Brenon's mother, chatting on the M-G-M set Columbia production, "After the Storm," now being directed by George
betiveen scenes in "Laugh, Clown, Laugh" B. Seitz. The leading lady in this sea yarn is Eugenia Gilbert
The "big guns" of the Tec-Art studio in Hollywood as they met J.
Boyce-Smith, president of Inspiration Pictures, at the left, as he
returned to Hollywood. The others are the Halperin Brothers, Edward
and I id or, and A. T. Mannon, president of Tec-Art
George Leivis, Universal star, with his two non-professional brothers,
I ictor and Carroll. The next picture starring him will be "Jazz Mad"
and "Give and Take"
Another visitor in New York at the present time is Dorothy Devore,
comedienne starred in Educational comedies. She is shown in conference
with her director, Charles Lamont. Her latest releases are "Cutie" and
"Circus Blues"
Harold's now in town. Left to right: Sidney R. Kent,
Paramount general manager; Harold Lloyd and William
R. Eraser, general manager of the Lloyd Corporation; at
the train when Harold arrived to attend the N. Y . showing
of "Speedy"
Paul J. Swift, right, sales manager of Vitaphone Corporation, discussing Mervyn Le Roy, director of the First National comedy, "Harold Teen,"
production activities with Bryan Foy, Vitaphone director and Arthur Lake and Mary Brian, who have featured roles in the play
April t4
19 28
1199
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
The
JVIirrors
of
Filmdom
HAROLD LLOYD'S invest work — "Speedy" it's
ml led and speedy il is — )ia«l its New ^ ork premiere
Friday night, April 6, at the Rivoli Theatre in New
York. The first oiiieial presentation of the comedy was
the feature of The Press Agents' Show, given by the
Theatrical Press Representatives of America, whose bene-
fit fund received well deserved enrichment from the
event — what with tickets selling at five dollars the copy
and the house filled.
"Speedy" promptly won its spurs as a laugh-hit. It
scored as the feature of a special performance and as a
regular attraction. For opening Saturday its extended en-
gagement at the Rivoli, the count-up on Sunday night
showed "Speedy" had run five hundred dollars ahead of
any previous take for Saturday and Sunday. Gloria
Swanson's "Sadie Thompson" held the Rivoli record
which "Speedy" broke over the holiday week-end.
Harold Llovd this long while has had the desire
to do a
picture with a New York background, and several times dur-
ing the past four years has been on the point of carrying
out the idea. Whether he saved "Speedy" for New York,
or New York for "Speedy" we don't know. But after
viewing the work we do know that the New York scene in
which the comedian has set his action is the perfect setting
for this uproarious collection of comic incident threaded
over a strand of story and characterization. The comedian
has crowded his film with incident — gags — and the devel-
opment and timing of each episode shows the care and
workmanlike quality which Lloyd brings to his screen
creations. His plot and his characterization become lost
in the maze of amusing incidents concocted from sound
comedy devices, ami the picture sums up as a brisk, last
and very stimulating spectacle for the enjoyment of thea-
tregoers of all kinds and varieties.
TA [SCUSSION over various angles of the recenl radio broad-
cast by film stars goes on. Some exhibitors, basing their
views on what happened in their own theatres, condemn it.
while others take the opposite position.
One of the most interesting angles is contributed by Thomas
D. Soriero. managing director of The Rochester Theatre.
Rochester, N. Y. Mr. Soriero declares that the stunt lacked
showmanship, in the first place. Be says:
"We went to considerable expense in the installation of
special leased wires and special loud speakers in order to
give the program in its entirety from our stage. We fell thai
folks who wished to listen in would combine two pleasures in
one, and come to the theatre for our superior reception.
Frankly, our business was nearly capacity and promptly ;it
nine o'clock, we tuned in. Paul Whiteman'a numbers were
well received, but when Presidenl Wilmer of the Dodge Com-
pany started his long address re the new Dodge line of motor
cars', the entire stunt was killed. His talk was entirely loo
long."
CONTINUING, Mr. Soriero says: "When Douglas Fair-
^ banks came on the "mike.' the audience became verj
restless, and were thoroughly disappointed with his
enunciation on the radio. We were obliged lo cut the
entire program at this juncture as the audience insisted
by healthy and consistent clapping of hands thai thej did
not want to hear any more of the film stars. I he writer
made a special effort in an announcement f rom the stage
t<> ascertain whether they wanted our regular hill or the
radio. Our regular vaudeville bill had the call.
"I have asked various patrons who listened in at home
and many of the new-paper fraternity and they all agree
that the entire program was a disappointment.
"The program lacked a touch of showmanship which
would inject sufficient variety to make it interesting lo the
general public. Radio broadcasting is a wonderful adver-
tising medium if used in the proper manner with proper
variety and entertainment. Stars speaking over the radio
who cannot talk or haven't a voice for broadcasting do
harm to their picture prestige. Therefore, radio can do
the picture stars a lot of harm and send their Btock on
drawing power at the box-office down, so it is up to the
producer to exercise care in permitting film luminaries to
broadcast while under contract to appear in pictures."
* # #
r\ X the other hand, more than 90 per cent of the exhibitors
in Kansas Cit}', according to a check-up made by Kansas
City newspapers, were of the opinion that the Dodge radio
program, featuring widely known screen stars, was beneficial
to the screen industry.
"There is no doubt but that the radio program caused a
decrease in attendance ;it motion picture theatres on that
particular night," said A. M. Eisner, owner of the (iillis
Theatre and former president, of the M. P. T. 0. Kansas City,
"but the exploitation the motion picture industry as a whole
received will pay dividends in the end. The more motion
pictures can be brought to the public mind the better."
# • #
"STREET ANGEL." which opened this week at the
k (dobe Theatre. New York City, is one of the finest
pictures ever made, technically : a superb photographic
achievement, and as a piece of direction even better than
"Seventh Heaven," which won new laurels for Frank
Borzage.
Janet Caynor and Charles Farrell give performances
that rank very high among all the contributions made by
player lo screen.
The picture will inevitably be compared to "Seventh
Heaven," not because of similarity of theme, hut — what
is more important — similarity of mood. It i- no less
unusual than the former work, and it contains 8 beauti-
ful love story that cannot fail to Bcore at the box-office.
Hut the theme or the story whichever you will doe- not
have the depth of "Seventh Heaven," and it i- in this par-
ticular that "Street Vngel" will suffer by comparison.
It is. nevertheless, so fine an achievement that it i»
useless to spend time in drawing this comparison in de-
tail. < >n the positive side, "Street Vngel" contains per-
haps the most remarkable blending of background with
stor) that we have ever seen on the screen* I be camera
i» mobile: it gives an inipie — ion of Naples by the BUnple
expedient of moving along two or three street sets, or
the waterfront, where the characters, at times, fade into
the misty backgroundi
On the whole, we would rank "Street Vngel" a- a fine
box-office attraction, hut a little below "Seventh Heaven"
in this regard. In all the department- of technique that
go to the making of a photoplay. howe\er. il is a magnifi-
cent piece of work, and Mire of a high place among the
best.
1200
Motion Picture News
Six Held for Alleged Bombing of
Hammond State Theatre
AN aftermath of the bombing of the State Theatre in Hammond,
Indiana, last November 8th, which caused the destruction of over
a million dollars worth of property, has come with the arrest of
William Kleighe. lessee of the State Theatre, and interested in a number
of other houses; Joe Million, business agent of the Hammond motion pic-
ture operators* union and who was operator in the blasted theatre: Harry
L. Ames, business agent of the hod carriers* union; James Tuto, business
agent of the Hammond finishers* union; Marwood Williams, a trustee of
the hod carriers" union and Dean Melloy, said to be a bartender in a
saloon at Calumet City.
The six men were seized following a nine weeks' investigation by the
Deputy State Fire Marshall Vrooman of Indiana, and are now on bonds
totaling $220,000.
Joe Million was the first arrested and according to the authorities,
confessed his part in the bombing plot and involved the other men now
being held. According to the alleged confession Mr. Kleighe, a majority
stockholder in the Northern Theatre Company of Hammond, found when
he had leased the State Theatre, that he had a white elephant on his hands,
and according to Million, conceived the plot to bomb the big new house.
"He gave me $2,000," Million is alleged to have said. "I kept one half
of the money and gave the other half to Harry Ames."
Million is said to have further stated that on the night of the bombing
he, being operator at the theatre, left the door open so his co-conspirators
could get in without trouble and place the bomb. Williams, Melloy, Ames
and Tuto drove up with eight sticks of dynamite that Ames said he had
stolen from a Hammond plumbing shop, according to the alleged confes-
sion.
Ames and Tuto then went inside with the dynamite, it is said, the
other two remaining on the watch outside, carried the explosive to the
orchestra pit, lit the fuse and ran out of the theatre.
The State Theatre was practically new and had been erected at a cost
of more than a million and a half dollars. The terrific explosion wrecked
the house so badly that no effort has ever been made to repair it.
Northwest Has Trouble
Sale of Pictures to Churches and Schools Threatens
Action by Association
THE Northwest territory is having its
difficulties with non-theatrical show-
ings and there are threats of trouble
with companies that are alleged to be sup-
plying film to schools and churches in op-
position to regular picture houses. At the
present time FBO and United Artists are
reported in controversies in this direction.
Minneapolis Film Board of Trade and
the Northwest Theater Owners Association
have interested themselves in the matter of
the Presbyterian Church at Pipestone,
Minn., showing pictures in opposition to the
regular theatre, and it is thought that some
action will be taken to have the shows dis-
continued except for the showing of educa-
tional and religious subjects.
The management of the Orpheum theater
in Pipestone, one of the finest houses in
that part of Minnesota, has made no com-
plaint, but other exhibitors in the neigh-
borhood of Pipestone are up in arms be-
cause FBO has sold to the church, in spite
of the fact that there is a regular licensed
theater in the town. They state that they
may take the matter up with the fire mar-
shal 's office as the church does not meet the
requirements of the law concerning exits,
fire extinguishers, etc.
They point out that it would take years
for the church to buy an organ with its re-
ceipts, the reason for which the pictures
are being shown, and that it is not fair to
the owner of the Orpheum, who has a heavy
investment in his theater.
United Artists through Manager Hayman
of the Minneapolis branch has declared that
when they can not sell to a regular exhibitor
they will sell to churches, "school, livery
stable or tent." This was the answer to the
trouble which has arisen through the selling
of U. A. product to the school at Lake
Crystal, Minn. Manager Pesava of the
Crystal theater in that town has cancelled
the three remaining pictures on his contract
with United Artists on the grounds of un-
fair trade practice. He says he will carry
his lease to the highest court in the land if
it is necessary.
Organizers Work for Big
Attendance at Minneapolis
It is expected that the fifteenth annual
convention of the Northwest Theatre Own-
ers Association to be held in Minneapolis
on May 1 and 2 will have one of the larg-
est turn-outs in the history of such meet-
ings in the northwest. District organizers
acting at the request of the board of direc-
tors and some self-appointed because of
conditions affecting them personally are
busily working to have the largest repre-
sentation possible. Pi-esident Steffes has
urged that all theatre owners in the terri-
tory come to the convention and air their
grievances there instead of attacking the
organization through the trade press. Early
indications are that the fight will center on
the election of officers, with the candidates
lining up for or against arbitration and
trade abuses.
Saenger Building Theatre
in Biloxi, Mississippi
A combination road show and motion pic-
ture theatre costing $150,000 will be built
in Biloxi, Miss., by Saenger Theatres, Inc.,
a 25-year lease having been signed be-
tween the Saenger corporation of New Or-
leans, La., and Mrs. Loretta L. Yerger of
Bixoli. The new theatre is expected to be
ready in the fall. It will be a duplicate of
the Gainsville, Fla., theatre with interior
decorations similar to the $2,500,000 Saen-
ger house in New Orleans.
The building will be 75 by 168 and the
entire structure will cost $500,000. Work
will begin as soon as plans are completed by
Roy A. Benjamin of Jacksonville, Fla.
New Officers Elected by
Albany Film Board
At the annual meeting of the Albany
Film Board of Trade, held during the past
week, Howard Morgan, local manager of
the Educational exchange, was re-elected
president : Isadore Schmertz, manager of
the Fox exchange, was elected vice-presi-
dent, while H. O. Worden, manager of the
Metro - Goldwyn - Mayer exchange, was
elected treasurer, succeeding Jack Bulwin-
kel, who recently resigned as Albany man-
ager of the First National exchange. Miss
Edna A. Pfister was elected secretary. The
board of directors will consist of Messrs.
Morgan, Schmertz and Worden, together
with Nat Levy, local manager for Universal.
Hotels Chosen for First
National Conventions
Meeting places for First National's three
spring sales conventions in Atlantic City,
Kansas City and San Francisco have been
definitely decided upon. The Muelbach
Hotel in Kansas City will house the Mid-
West gathering which convenes on May 1st,
and which will last for three days. The
Ambassador Hotel in Atlantic City will hold
the eastern salesmen, who will be in con-
clave for three days, beginning April 27th.
The St. Francis Hotel, in San Francisco,
will be the site of the three-day meet which
starts on May 7th.
Changes in Paramount
Sales Organization
M. R. Clark has replaced E. H. Brauer as
manager of the Paramount exchange in Co-
lumbus, 0. Arthur Cole, manager of the
Paramount office in Kansas City, has re-
signed owing to ill health. Oscar Morgan,
former manager of the Dallas office of
Paramount, will take over the management
of the exchange in Kansas City.
April 14 , 19 28
1201
Hays Busy on French Quota Law
Confers With High Government Officials; Striking Develop-
ments Possible; Paris Hays Office Is Opened
Paris, April 3.
WIN. II. HAYS arrived in Paris (his
week and quietly took command
of the American offensive against
the French film quota. From his suite at
the Hotel Crillon he is directing America's
last stand against a decree which is per-
haps the most drastic regulatory legislation
ever directed against motion pictures.
Outwardly, of course, these is no cam-
paign and no offensive. It is a situation
calling for the utmost tact and diplomacy.
The very fact that the situation is serious
enough to bring: Mr. nays from Fifth Ave-
nue all the way to the Place de la Concorde
is evidence enough of the care with which
it must be handled.
The first tangible result has been the
opening of the first actual foreign branch
of the Hays office, at Number 47, avenue de
I'Opera, in charge of Harold L. Smith, until
recently vice-consul here. Colonel Lowry
will continue as European representative at
large, dividing his time among Paris, Lon-
don. Berlin and wherever else he may be
needed.
Immediately upon his arrival Mr. Hays
plunged into conferences with all of the
American film representatives in Paris, to
inform himself fully on all phases of the
situation. A daily luncheon is being held
at the Cafe de la Paix. He was the guest
of honor at an important luncheon at the
American Embassy.
French Film Law Unique
Then came vital conferences with high
By L. C. MOEN
(1'nris Correspondent, Tin- News)
government officials. There will be more.
Of these we are permitted to say little as
yet. Mr. Hays is, as usual, working along
political and diplomatic lines, and it may
be said without violation of confidence that
he recognizes that the film industry and
the commission present a solidly united
front, and that any modification which is
brought about will have to come through
other and perhaps higher channels.
Economically, the new French film laAV
is an unique affair. Governments have long
regulated imports, restricting them or aug-
menting them, as the case might be — but
this is the first instance, so far as we know,
where a government has attempted, by di-
rect decree, to enforce exports. Just what
the economic results of such a move can he,
only time will tell.
1 am given to understand, in certain com-
mercial quarters, that other French manu-
facturers are afraid that America and per-
haps other nations may retaliate with simi-
lar legislation in other lines — that Amer-
ica, for instance, may say to France: "All
right, if you want to sell us French per-
fume, you must take one bottle of American
perfume for every four bottles of French
perfume we let you export to us," or
"You must take one American dress for
every four Paris gowns which come to New
York."
I also understand that in certain high
government circles it is felt that the new
decree is not altogether in accordance with
the letter and spirit of the Geneva agree-
ment on free trade — and exports are a very
important item to France.
French film men feel, on the other handr
that the showing of a few French produc-
tions in America each year will give stimu-
lating variety to the American screen, cost
the American companies little, and be only
a fair exchange for the business done here.
They also feel, and no doubt rightly, that a
reasonable restriction in the number of films
placed on this market (far smaller than the
American market) can only benefit every-
one. And, as a matter of fact, some of the
American representatives here feel the same
way.
Films Promote International irnity
Mr. Hays, however, has very wisely
placed the whole matter on a very high
plane of international goodwill and amity,
rather than commerce and economics. He
says :
"My chief concern is to make certain that
we develop in American films their maxi-
mum usefulness in the promotion of inter-
national amity. The motion picture is, in-
deed, the universal language. We are de-
termined that American films shall sympa-
thetically and accurately tell the story of
the nationals of each country to the nation-
als of all others through this universal
language so that all peoples may under-
stand each other. When they understand
each other they cannot hate, and when they
do not hate they will not make war."
Paramount Is Denied New Trial
Court in Texas Overrules Motion in $337,500 Case Brought by
Stinnett and Charninsky
JUDGE F. 0. MCKENZIE, sitting in
a Dallas, Texas, court last Saturday
overruled the Paramount-Publix mo-
tion for a new trial in connection with the
verdict of $337,500 recently awarded to Ray
Stinnett and Si Charninsky. Dallas theatre
men. The original verdict was in a damage
suit brought against Paramount-Publix. the
Dallas Building and Realty Company and
others, alleging violation of the state anti-
trust laws.
The suit was based on claims of the Dal-
las men that the defendants virtually
forced them to close the Capitol Theatre in
Dallas by refusing to lease to them first-
class liluis. It was alleged that the de-
fendants' action constituted a violation of
the state anti-trust laws and the heavy dam-
ages asked for were allowed.
The motion for a new trial was over-
ruled by District Judge McKenzie, sitting
in Judge Royal R. Watkins' Ninety lit ' li
District courtroom after it had been argued
two hours by defendants' counsel. An
appeal will be taken, it is said, by the
defendants.
The original trial was held about six
weeks ago with Stinnett and Charninsky
testifying that they were forced to sell their
Capitol because of their inability to get
first-run product. It required the jury but
little more than an hour to bring a verdict
for the complainants of $150,000 actual
damages and $1S7,000 exemplary damages.
Notice of appeal was given immediately
on the ground that inadmissable evidence
had been introduced and that the suit was
brought by a partnership, whereas, if there
had been any injury it was to the corpora-
tion, and the partners had been paid for
their stock. The defense offered no wit-
nesses.
Charninsky at the trial read a letter al-
leged to have been written by Harold B.
Franklin, then of Publix, asking the plain-
ants to refrain from booking Pantages
vaudeville into the Capitol, pointing out
the move would bring about a destructive
competitive situation, stating the city could
not support two vaudeville houses and de-
claring Loew vaudeville was to be removed
from the Melba. The Capitol has been
splitting First National product, but after
booking Pantages vaudeville, a split on that
or any other preferred product the follow-
ing season was refused it. it was claimed,
with Loew vaudeville brought back to the
Melba. Charninsky said that on a visit to
Franklin he was told he would be deprived
of all choice of film.
Following the failure of the defendants
to get a new trial on appeal, it is said that
the tiling of other conspiracy suits through
Texas would follow in the near future,
with the possibility of the attorney general
instituting a probe of the activities of cir-
cuits throughout the state.
It is said that the defendants in the latest
suit will undoubtedly carry their plea to
the higher courts and that it might even-
tually get to the Supreme Court of the
United States if necessary.
1202
Motion Picture News
Boston Planning Latest Exhibitor
Cooperative Organization
THE organization established in New York State by Aaron Sapiro
which brought together a large number of independent exhibitors
into an exhibitor cooperative buying plan as well as a protective
organization along other lines for the independents, is now being taken
up in other cities.
From Pittsburgh came the announcement last week of a similar organi-
zation being perfected there, and now the Boston territory is reported pro-
ceeding along the same lines. It is not yet known whether these two or*
ganizations will be allied with the Sapiro group or whether they will
function independently.
For the present, it is said, the Sapiro organization will confine its
activities to New York State, at least until it is determined whether exten-
sion to other states would in any way violate the interstate commerce laws.
Surplus To Decide Tax
Increased Exemptions on A amissions Will Depend
Upon Excess in Treasury in June
INCREASE in the exemption from ad-
mission tax and other changes in the
revenue law depend entirely upon the
amount of surplus that the Treasury will
have at the end of the present fiscal year,
on June 30, members of the Senate Finance
Committee were told April 3 by Secretary
of the Treasury Andrew W. Mellon.
Present indications are that the sm-plus
for the current fiscal year will be in the
neighborhood of $212,000,000, which would
permit a tax reduction aggregating $200,-
000,000 Secretary Mellon said. This is $25,-
000,000 less than the original estimate of
the Treasury as to possible tax reduction,
due to increases in appropriations. This
estimate, however, does not take into con-
sideration any expenditures that may be
made for flood relief or other matters now
unanticipated, but if $30,000,000 is ex-
pended for flood relief during the next fis-
cal year, the surplus of $212,000,000 will
be reduced to $182,000,000 and will neces-
sitate a considerable change in the tax re
duction program.
On the basis of a $212,000,000 surplus,
the Treasury Department, Mr. Mellon said,
approves the increase in the exemption from
admission tax from 75 cents to $1, as pro-
vided in the revenue bill passed by the
House of Representatives December 15.
This will result in a reduction in revenue
of about $8,000,000. If, however, the sur-
plus is only $182,000,000, the exemption
from admission tax should not be increased.
The Seci'etary also expressed approval of
recommendations that the general corpo-
ration income tax rate be reduced from 13^2
to 12 per cent and that the rates applicable
to incomes between $14,000 and $75,000 be
revised, and that the estate tax be repealed.
In the event that the surplus is only the
lower figure this would constitute prac-
tically all of the tax revision recommended
by the Treasury, but if the surplus is in ex-
cess of $200,000,000 it is recommended that
the increase in the exemption of corpora-
tions with incomes not in excess of $25,000
be increased from $2,000 to $3,000.
The Secretary voiced a solemn warning
against extravagant tax reduction pointing
out that the cost of our Federal Govern-
ment is already borne to a very large ex
tent by the comparatively small number who
pay direct taxes. "A further material re-
duction in indirect taxes," he said, "will
produce a very ill-balanced tax system un-
der which our National Government will be
supported not by the entire body of our citi-
zens, but by a limited class. The cost of the
Government of all should not be borne by
the few.
The plea of the legitimate theatres for
reduction of the admission tax was sub-
mitted to the Senate Finance Committee
April 10 at the beginning of hearings on the
revenue reduction bill by William A. Brady,
of New York, representing the legitimate
houses.
Mr. Brady, who has performed the same
task several times in the past, again re-
viewed the theatrical situation, describing
the great reduction in the number of legiti-
mate houses throughout the country, and
declared that repeal of the admission tax is
very vital to the drama. He charged that
every other sales tax imposed during the
war has been lifted or reduced with the
exception of the admission tax as it applies
to the legitimate drama.
Mr. Brady went into the motion picture
situation, pointing out that the film houses
have been given some relief through in-
crease in the exemption from 50 to 75 cents,
which, he declared, very largely meets the
need of that branch of the industry for tax
relief.
A plea for action on the admission tax,
was also submitted to the committee by
Frank Gihnore, executive secretary of the
Equity organization, who declared that
much of the difficulty in which the legiti-
mate drama finds itself today is due to this
tax.
Maiden, Mass., May Have
Sunday Show Referendum
Mayor John D. Devir of Maiden, Mass.,
has declined to issue Sunday theatre licenses
until a better understanding of the situa-
tion is brought about in that city. It is of
interest to note that the ministers of the
city made no protest of the Sunday licenses
which have been issued in the past but that
the protest was from a group of citizens.
There is said to lie equally strong pressm-e
being brought to bear for continuation of
the Sunday evening shows by another group
of citizens. Talk of a referendum vote by
the citizens on the matter is being generally
heard and may come with the voting in the
Fall.
Bandits Loot 2 Theatres
in Detroit
Five bandits last Tuesday entered the
offices of C. H. Miles' Oriental Theatre in
Detroit and took $12,000, box-office receipts
collected over a period of two and a half
days during which all banks were closed.
The bandits threatened the lives of Jules
C. Wetesky, general manager, and two wo-
men employes and before leaving bound
them with adhesive tape.
More than $400 Avas stolen later in the
week when two thugs forced Edgar E.
Kirchner, manager of the Family Theatre,
also in Detroit, to open the office safe.
Al Barlow Leaves First
National Post
Al Barlow, in charge of First National's
advertising accessory department for many
years, has left his position to go with the
Henegan Company as their New York
representative. Supervision of the First
National department will be assumed by
Purchasing Agent J. M. Loeb in addition
to his other duties.
Howard Sheehan Will Join
West Coast Theatres
Howard J. Sheehan, Fox Films district
manager, will join the West Coast Theatres
in ;ui executive capacity on April 16th, an
announcement by Harold B. Franklin ad-
vises. Mr. Sheehan has been with the Fox
organization since 1919 as district manager
and home office representative.
Jack Lewis Again With
Warner Advertising Staff
Jack Lewis is again a member of the
Warner Bros, advertising department, un-
der the leadership of A. P. Waxman. He
was formerly with the organization in
charge of press sheet work but resigned
three years ago to go to Europe to write.
Loew Theatre Opened
in Richmond, Va.
THE new Loew playhouse, costing
$1,250,000 and located on Sixth
Street, Richmond, Va., was
opened last Monday, April 9th, with
an initial performance at 11 A. M. and
a grand opening in the evening at 8
o'clock, at which many prominent per-
sonages were in attendance.
The new addition to the Loew chain
is one of John Eberson's houses. Ac-
cording to Colonel Edward A. Schiller,
vice-president and general representa-
tive of Loew's Incorporated, the thea-
tre will be operated along the usual
lines. There will be no road shows.
Two new Loew theatres will be
opened within the next several weeks,
where is not announced.
ipril Id , 19 28
1202 \
"Dawn" Approved for New York
Editor of German Trade Paper, "Lichtbildbuhne", Protests
Fraenkel Article in News
JOHN WING ATE, director of the Divi-
sion of Motion Pictures of the State
Department of Education of New
York lias approved the British film,
"Dawn," based on the career of Edith Ca-
vell and showing her trial and execution.
A few subtitles and certain scenes are to be
■eliminated.
While the picture has not been licensed
by the state. Mr. Wingate has written to
Arch Selwyn, owner of the American rights
to the film, indicating the changes he con-
sidered desirable, and these will he made
at once, according to Mr. Selwyn. The lat-
ter expressed pleasure at the attitude taken
by Mr. Wingate, though he questioned the
right of the state to order the changes sug-
gested.
Discussing the matter Mr. Selwyn said:
"I feel thai the film has been fairly
treated and that Mr. Wingate deserves com-
mendation for retraining from any attempt
to extend the powers of his office in order
to placate those who have brought great
pressure on him to prevent the film from
being shown here.
"I expect to show the film in the Times
Square Theatre within a short time, al-
though the date has not yet been fixed. It
runs about an hour and a half on the screen.
The changes are of a very minor nature and
do not impair the value of the picture in
the least.
"One of the changes concerns the trial.
Miss Cavell is provided with counsel by the
Court. Direction was given us to insert a
subtitle showing that this was the usual
custom. We will insert this subtitle gladly,
although I do not understand why the
authorities should concern themselves with
points of this kind.
' " 1 have the power to object and take the
changes ordered to the Appellale Court, but
on the whole I am so well satisfied with the
treatment of the film that I will comply
with the rulings without question."
In addition to the approval of Director
Wingate, the film has also been passed by
the London County Council and it is ex-
pected it will be on display in a London
theatre shortly.
Editor WoltTsohn of the Herman trade
paper Lichtbildbuhne has taken exception to
an article printed in Motion Picture News,
issue of March 17th, under the signature of
Heinrich Fraenkel, Berlin correspondent of
the "News." Mr. WoltTsohn 's letter to
William A. Johnston, publisher of the
"News" follows in translation, in pari :
"As I have had the pleasure of meeting
you personally during my stay in New York
in 1024, 1 therefore feel quite certain that
you will grant the request, which I am
forced to make, appealing to your loyalty.
I know and esteem your valued publication,
"The Motion Picture News" too much, not
to be convinced of the fact that your own
feeling of loyalty will not allow a false
report to stand unaltered, such as has been
inserted in your paper through no fault of
yours.
"The announcement referred to concerns
my own person and is contained in the ar-
ticle of Mr. Heinrich Fraenkel in regard to
the Cavell film, under the heading "News'
Berlin Correspondent says 'Dawn' is not
anti-German," which appeared in the issue
of March 17th, 1928.
"The part of said article to which I par-
ticularly object is the following:
" 'The editor of the German trade paper
'Lichtbildbuhne' agreeing with me that 'no
man should be condemned without a heal-
ing,' has fallen in with my suggestion to
exhibit the film in his private theatre to a
couple of hundred journalists, M. p.'s and
Government officials . . .'
"This statement is not a fact. 1 do not
by any means agree with the point of view
of Mr. Fraenkel with regard to the film
'Dawn,' and my publication, 'The Licht-
bildbuhne,' has always held the following
stand with regard to this film: Even with-
out having seen the film, one must, regard-
less of nationality, decline a film whose
theme and general character must newly in-
flame the violent emotions of hate and dis-
trust between the nations. One does not
commercialize on the tragic death of a wo-
man.
"This is my stand, also that of the
'Lichtbildbuhne,' which has again and again
been expressed and published by ourselves.
Regardless of the fact that I would reject
every film which, like the film 'Dawn,'
arouses the hate instincts between nations,
T had offered the use of my private pro-
jection room to Mr. Wilcox, at his request,
which was conveyed to me by Mr. Fraenkel.
However, this act of courtesy on my part
was not intended to show that I sided in
any way with the film.
"After the above statement of facts, I
must ask you, my dear Mr. John-ton. to
right the article of March 17th, insofar as
my personal opinion with regard to the film
'Dawn' is concerned, in your next issue,
so that I am not blamed in America with
the acceptance of said film, which film does
not meet with my approval nor that of the
German public.
"I am convinced that you will gladly
grant my request, as you, even as much as
I, are in favor of a bringing together of the
nations and for a internationalizing of mo-
tion pictures."
Columbia Plans 36 Features
Additional Stars, Directors and Writers Signed for Most
Extensive Program of Company
COLUMBIA PICTURES CORPORA
TION has definitely announced a
program of thirty-six pictures for
the 1928-29 season. These will include ten
"specials," which will be produced on a
more elaborate scale than the others, but
will be part of the so-called "Perfect
Thirty-Six" and will not be sold separately.
In anticipation of the largest production
schedule the company has yet had, several
new directors, writers and well known
players have been placed under contract.
Among the new players is Lya De Put t i,
while the scenario department has been aug-
mented with the addition of Norman
Springer, Harvey Thew and Harriet Hins-
dale.
A large number of stories and plays were
considered by Columbia before they defi-
nitely determined upon a program of thirty-
six. The company has already secured some
outstanding vehicles and is negotiating for
additional works.
Among the specials to be made will be
"The Younger Generation," from the play
and magazine story, "It is to Laugh," by
Fanny Hurst. Another will be "The Fall
of Eva." by .John Emerson and Anita Loo-.
Other vehicles already announced are
"Trial Marriage," from the Saturday
Evening Post serial; "Restless Souls." by
Cosmo Hamilton; "Acquitted," by Mary
Roberts Rinehart, and "Power of the
Press," from the Met 'lure short story by
Frederick A. Thompson.
Among the well known directors who will
be responsible for the production of these
pictures are George B. Seitz, Philip Romui,
Frank Capra, Walter Lang. B. 11. Griffith,
Erie C. Kenton and Thomas Buckingham.
Prominent players who have been placed
under contract by Columbia for the coming
season are Jack Holt, Hobart Bosworth,
Betty Compson. Bert Lytell. Lya De Putti.
Margaret Livingston, Dorothy Revier and
Lois Wilson.
In addition to the published stories and
plays that have been purchased, and in or-
der to lend variety to the program, several
stories will be written directly for the
screen by the company's scenario depart-
ment .
A nation wide advertising and publicity
campaign is now being launched by Colum-
bia, which will include trade paper and
popular magazine advertising. Also it is
planned to increase the sales and distribu-
tion departments with the addition of sev-
eral new high type executives, that the in-
creased product may lie properly handled.
1202-B
Motion Picture N civ s
Shoolman Deal Probably Off; United
Buys Two Poli Houses
THE United Theatres Co., Inc., of which A. F. Winstrom is president,
announces that it has acquired two of the Poli Theatres, as rumored
last week. The theatres are the Plaza in Worcester and the Lyric at
Bridgeport, Conn.
Formal announcement of the purchase of these houses would indicate
that the negotiations for the sale of the complete Poli Circuit to Max
Shoolman and others of Boston, negotiations for which have been under
way for a number of months, have terminated.
All of the theatres in the Poli Circuit are being operated and are
reported as doing excellent business during the several months just passed.
Sale of the two theatres mentioned is the first break in many years
in the Poli Circuit and in some cpiarters it is taken as evidence that the
circuit may be eventually split up.
Keith-Albee interests are known to have secured valuable options in
the cities in which the Poli Circuit operates but no further activity along
the lines of construction of theatres by the Keith-Albee interests have
taken place. Indications are that all parties interested are marking time.
M. P. Engineers Discuss
Many Problems
Annual Spring Sessions Under Way at Los Angeles
Develop Keenest Interest of Delegates
THE Spring meeting of the Society of
Motion Picture Engineers opened
at the Roosevelt Hotel in Los An-
geles Monday of this week and will continue
until Saturday. Good progress was made at
the sessions in the fore-part of the week
and it was expected that by concluding time
of the sessions the convention would be
among the most productive ever held by the
association. Matters of considerable impor-
tance were under consideration and a num-
ber of interesting papers on various phases
of the mechanical end of the industry were
read.
The delegates were welcomed on the open-
ing day of the session by President W. B.
Cook, after which papers were read as fol-
lows : " A Line Screen Film Process for Mo-
tion Pictures in Color," by J. H. Powrie;
"Reproduction of Mobility of Form and
Color by the Motion Picture Kaleidoscope,"
by L. A. Jones and C. H. Tuttle, of Eastman
Kodak Company, "Some Technical Photo-
graphic Problems and Their Solutions," by
J. W. Coffman; "Some Novel Motion Pic-
ture Presentations " by L. M. Townsend and
W. H. Hennessy.
Among other papers read during the week
were the following:
"The Technical Status of the Film Laboratory" by
L. M. Griffith, Paramount studio; "Motion Photo-
micrographs of the Progress of the Development of a
Photographic Image" by C. H. Tuttle, Eastman
Kodak; "Machine Development of M. P. Negative
Film" by Roy Hunter. Universal studio; "Some Notes
on the Making of Duplicate Negatives" by J. G. Cap-
staff. Eastman Kodak, "Moisture in M. P. Film" by
V. P. Sease, DuPont-Pathe "Preservation of M. P.
Film" by J. E. Crabtree and C. E. Ives, Eastman
Kodak; "Systematic Control in the Making of Mo-
tion Pictures" by R Nauman, Paramount studio;
"Aviation M. P. Photography" by Harry Perry,
A. SC. "Needs of the Trick Cinematographer" by
Douglas Shearer, A.S.C. "Method of Producing the
Sound Effects to Accompany "Wings" by Ro yj.
Pomeroy, A.S.C; "Dramatic Cinematography" bv
Charles Rosher, A.S.C. and Karl Strauss, A.S.C.
"Scenario Writing" by Jeanie McPherson; "The
Operation of a Central Casting Bureau" by F. Beet-
son, Association of M. P. Producers; "The M. P.
Director" by Irvin Wilat; "The M. P. Art Director"
by Cedric Gibons and Mitchel Leisen; "A System of
Motion Pictures with Sound" by H. B. Marvin, Gen-
eral Electric.
Addresses of welcome, in addition to that
made by President Cook, were given by
Lieutenant Governor Fitz of California.
Fred Niblo, Fred Beetson and John W.
Boyle. The delegates were guests at din-
ner during the week given by the American
Society of Cinematographers and the
Academy of Motion Picture Arts and
Sciences.
Among the events under discussion dur-
ing the week was the formation of a Pacific
Coast Division of the Society of Motion
Picture Engineers. This branch is being
sponsored by William V. D. Kelly and a
decision on it was looked for before the
sessions adjourned. Fifty prospective mem-
bers would form the nucleus of the divi-
sion.
The importance of the Academy of Mo-
tion Picture Arts and Sciences was stressed
at the meetings, especially in connection
with its investigations in Mazda lighting
and other steps to promote motion picture
technology.
"The Academy composed of nearly all
important personages of the five creative
branches of motion picture production, is a
unique experiment in organization engineer-
ing, being an attempt to unite the member-
ships of five creative branches of motion
picture production for the common good,"
states Secretary Frank Woods. "It is not
a company union, its main purpose being the
advancement of the motion picture as an
institution and in all its arts and sciences.
It has been obliged, however, to become tem-
porarily interested in employment problems,
such as uniform contracts, for the purpose
of promoting harmonious relations within
the industry, but only as a necessary pre-
liminary step toward unified effort.
"At the time the Academy was organized
it found each studio with its own rules,
methods and forms of contracts. Employ-
ment relations were without recognized
standards. Various abuses existed that de-
manded correction. In the interest of the
industry as a whole the Academy has been
able to act promptly in these matters by the
friendly cooperation of its branches."
M. J. Gourland Returns
from European Trip
Michael H. Gourland, president of Phoe-
nix Photoplay Exchanges of America, re-
turned to New York this week after a trip
abroad during which he obtained distribu-
tion rights in America and in Canada for
a number of European productions, includ-
ing a Russo-German production which the
Derussa company will produce in Berlin.
While on the other side he conferred with
his associate companies, Phoenix Films of
France and Phoenix Films A. G. of Ger-
many. He was made a director of the
French company which has finished ' ' Vira
Merzeva" and "Expiation," both of which
he will distribute.
The international angle is being stressed
in the German and French studios, reports
Mr. Gourland, declaring the German-French
interests are on the lookout for American
stars.
Oscar Price Forms New
Picture Corporation
A $1,000,000 motion picture concern was
granted a permit by the California state
corporation department March 24th, to pro-
duce motion pictures in San Francisco.
The company is the Consolidated Pictures
Corporation of California. Permission was
given the new company to operate a motion
picture studio in San Francisco. Oscar
Price is president and Robert Peabody sec-
retary of the corporation.
123 Famous Canadian
Houses in Dominion
THE statement of Famous Players
Canadian Corporation, Toronto,
shows that it owns or has a large
interest in no less than 123 theatres
in the Dominion. Of this number, 72
are owned outright, leased or con-
trolled directly or through subsidiary
companies. The prominent subsidiaries
include: the United Amusement Corp.,
which operates 12 houses in Montreal;
Eastern Theatres, Ltd., Toronto, oper-
ating the Pantages theatre, and United
Theatres, Ltd., with two theatres at
Sarnia, Ontario. The company is also
interested either as shareholder or by
operating agreements in 36 additional
theatres. The total seating capacity
of all Famous Canadian houses is
139.261.
The Canadian market is now being
offered under a new capitalization plan
of Famous Canadian, a new issue of
$3,000,000 in 6}£ per cent 20-year gold
debentures. On the completion of the
re-financing plan now undertaken the
company will have an authorized capi-
tal of $10,000,000 in first mortgage
fund gold bonds, together with the
$3,000,000 in debentures and 600,000
shares of common stock without nomi-
nal or par value.
April 14, 19 28
1202-C
Fox Earnings $823,658
During 1927
FOR the year ended October 31st,
1927, the profits of Fox Film
Corporation were $82.'i,<;.r)8.00, in-
cluding adjustment of the reserve for
Federal income taxes, the firm's bal-
ance sheet indicates. These figures
make a surplus of $1,477,760.23.
$28,555,833.64 worth of assets are
shown. Of that amount $1,200,068.39
comprise current assets, cash, notes
receivable, miscellaneous accounts re-
ceivable, less reserve for doubtful ac-
counts and accrued interest on loans
and notes receivable.
Properties similar to buildings, land,
leaseholds, furniture and equipment
are listed at cost, less reserve (net of
mortgages of $2,808,112.34) as $2,151,-
611.51. Investments are listed at $20,-
432,904.65, organization expenses at
$222,254.20 and theatre leases, value on
the basis of enterprises acquired upon
its organization and minority interests
subsequently acquired, of $3,412,624.63.
Net worth of Class A stock, author-
ized 3,900,000 shares of no par value,
issued and outstanding 800,000 shares
Of no par value, is set at $17,600,000
and Class B: authorized issued and
outstanding, 100,000 shares of no par
value $2,200,000. Capital surplus, aris-
ing from appraisal of lands and lease-
holds is $3,528,239.55.
Stanley Plans Erection of
Theatre in Albany
The Stanley Company of America, al-
ready operating four motion picture thea-
tres in Albany, N. Y., will erect a 1,600 seat
house this summer in the residential section
of the city, on land that was bought a year
or so ago. Officials of the company, together
with Thomas W. Lamb, the well known the-
atre designer, were in Albany during the
week. The new house will be built during
the summer and will be in shape to open
on November 1. The three residences now
occupying the site of the coining theatre
will be sold at once, and probably moved.
New Independent Branch
Opened in Cleveland
The first of a series of exchanges has been
opened in Cleveland by Albert A. Millman.
The branch is named International Film
Kxchange. The company has a branch in
New York but is forming a national distri-
bution organization for independent pro-
duct. John McKay, general manager of
Mayflower Pictures Corporation, heads the
new exchange located at 203 Film Exchange
Bldg. The company will start releasing
locally on May 1st.
Safier Joins "U" as Long
Run Department Head
Morris Safier decided last week to east liis
lot with Universal. Last Monday he re-
signed as sales manager of the extended run
department of Warner Bros, to go witli
I'niversal as sales manager of its long-run
department. In his new capacity he will
undertake immediately plans for the road-
showing and long-run distribution of Uni-
versal's specials.
Protection Fight Brisk
Many First Run Chains Now Urging Twenty-five Mile
Area With Thirty Days Clear ence
THE matter of protection to first and
Subsequent runs on pictures con-
tinues to be the subject of many con-
troversies which promise some lively action
in the near future. Protection is now be-
ing asked more or less generally over a
radius of twenty-five miles, and for a period
of thirty days for first runs.
From Detroit comes the word that the
Butterfield Circuit is seeking such protec-
tion. This chain includes seventy-five the-
atres, which practically control all first runs
of the territory outside of Detroit.
This demand is an increase over that pro-
vided in Detroit's new zoning agreement
which goes into effect May 1st. This new
agreement was drafted by the Film Board
and the state exhibitor unit. It provides
maximum protection of 28 days from the
last day of exhibition by the first runs, to 7
days protection for second runs. It also
grants protection of 21 days for first runs
of houses in key zones.
Denver is also reported in a protection
controversy, with the Metropolitan, the
new Publix house, asking that the radius
cover a twenty-five mile area with a mini-
mum clearance of 30 days. This, Publix
contends, is in line with similar extended
protection being sought in other key cities.
Since the opening of the Metropolitan
in Denver competition is reported keener
than ever, and every effort is being made by
all classes of houses to corral patronage.
The battle for business has been so spirited
that some of the houses have already re-
sorted to price cutting and numerous other
methods to lure the trade.
Telephoto Movies Near
New Developments in Transmission of Pictures Will
Make Big Improvements, Experts Say
WHILE the first telephotograph ap-
plied to motion pictures in trans-
mitting pictures of Vihna Banky
from Chicago to New York was accom-
plished last week and the result was not
entirely satisfactory, it is thought likely
that big improvements will come in the near
future. Among these improvements will be
the handling of pictures with standard
width film.
Negatives five by seven are now trans-
mitted over the wire and in order to handle
motion picture film it is necessary to cut the
negative into strips, which are clamped in
the five by seven inch frames. By convert-
ing the cylinder which receives the photo-
graphs delivery after transmission will be
speeded up. The main fault with the trans-
mission of the pictures last week was that
they Avere a trifle cloudy when flashed upon
the screen, but those who are conducting the
experiments are confident this can be over-
come.
At the same time, Bay Hall, editor of
Pat he News, is among those who do not be-
lieve the telephoto transmission of motion
pictures can be applied to advantage by the
news weeklies. Hall has been conducting
experiments of his own along these lines
for the past year or so, and had the follow-
ing to say:
"The American Telephone and Telegraph
Co. is to be commended for its enterprise in
the transmission of this motion picture, but
the application of the method to news reels
is still very far off, if indeed it will ever be
feasible. The Pathe News has conducted
experiments for a number of months along
similar lines. Negatives have been trans-
mitted for us, but they have not been re-
produced upon the screen since they were
too crude. Our experts have discovered
that the transmission of ordinary negative
without enlargement is impossible under
present methods because the light beam is
too wide to permit reproduction of detail.
This especially affects new pictures where
crowds are shown, or in long shots covering
considerable territory."
J. D. Williams Plans Many Exchanges
for U. S. and Canada
JD. AX ILLIAMS. managing director of United Motion Picture Pro-
ducers, Ltd.. of London, is planning an extensive system <>! exchange-
* for the I nited States and Canada, according to advices ju-t re-
ceived from London. According to the plan there will be between 2b ami
32 of these exchanges in the United States and 5 in Canada. It is expected
they will all In' in operation bj September.
The first steps taken in the organization of the system will he witl
the arrival of Mr. \\ illiams in New ^ ork in the near future. The company
which Mr. \\ illiams heads will handle between 2."> and 10 British and Con-
tinental films during the first year. It i- a British organization hacked by
British capital, hut will not do any producing of its own. It is prepared,
however, to advance money for British production.
1202-1)
M o tion Picture News
To Make Films for U. S.
Outcome of Quota Negotiations Not to Affect French
Firm's Schedule to Produce for World Markets
IRRESPECTIVE of the outcome of
negotiations now being conducted in
Paris with regard to the French film
quota law enacted by that country and spe-
cifying a four-for-one basis for motion pic-
ture distribution between France and the
United States, the Societe Generale de
Films, one of the most important produc-
tion companies in Europe, will make three
or four feature productions a year designed
for world distribution, including the market
in this country, according to Frederick de
la Roziere, one of the directors of the So-
ciete Generale, who has been here for sev-
eral months in connection with the busi-
ness of his organization.
Mr. de la Roziere stales that the produc-
tion scheme to be followed by his company
will be directed toward the making of a
certain number of feature pictures based
on subjects of universal appeal and pro-
duced in accordance with standards devel-
oped by the leading directors of this and
other countries. It is probable that the So-
ciete Generale will also make a number of
photoplays of lesser magnitude and designed
for European audiences only.
The newest production completed by the
company is an elaborate spectacle dea ling-
wit h the trial and martyrdom of Joan of
Arc. This is titled ' ■ The Passion of Joan of
Arc," and arrangements for its distribu-
tion in the United States are now being con-
cluded by Mr. de la Roziere. The him is in
eight reels and was directed by Carl Dreyer,
who produced "The Master of the House,"
4 'Michael" and several important pictures
made by the Ufa Company. The scenario
was written by Joseph Delteil, recognized as
one of the leading contemporary authorities
on the subject. The art direction was in the
hands of Worms, remembered in this coun-
Territories Sold on
Brenda Production
BRENDA PICTURES has sold ten
territories on its production,
"The Port of Missing Girls,"
within the past month.
Harry Asher has bought the New
England rights and is giving the pic-
ture its premiere at the Modern and
Beacon Theatres in Boston and has
also booked it at the Roger Sherman
in New Haven. Bert Adler has pur-
chased the upper New York State
rights and announces a booking into
the Lafayette theatre in Buffalo and
another at the Rochester Theatre in
Rochester.
Commonwealth Film Company has
the Greater New York and Northern
New Jersey rights and is negotiating
for a Broadway theatre for the pic-
ture's metropolitan premiere. Harry
Grelle of Pittsburgh has acquired the
Western Pennsylvania and Virginia
rights. Ben Amsterdam of Philadel-
phia has taken over Eastern Pennsyl-
vania, Southern New Jersey, Dela-
ware, Maryland and the District of
Columbia rights. S. G. Honeck has
acquired the rights for Wisconsin and
Upper Michigan.
try for his work on "The Cabinet of Dr.
Caligari. "
The title role in "The Passion of Joan
of Arc" is impersonated by Mile. Falcon-
etti, a prominent French actress, and the
important role of the Bishop Cauchon, who
presided at the trial of Joan, is played by
M. Sylvain, dean of the Comedie Francaise
and a renowned European actor.
The trial and death of Joan of Arc of
500 years ago is set upon the screen. Ac-
cording to the ancients any drama should
possess a unity of time, of space and of ac-
tion. By that they meant that the action
should not be distributed by long breaks of
time, by shifting of locations or by the in-
troduction of extraneous incidents or moti-
vation. "The Passion of Joan of Arc" ful-
fills these requirements.
The Societe Generale 's "Napoleon,"
which preceded "The Passion of Joan of
Arc" on the production schedule, is to be
released in the United States by Metro-
Goldwyn-Mayer. Mr. de la Roziere said
that the future productions which ulti-
mately will be presented to American
audiences will be filmed by such prominent
European directors as Gance, Dreyer, Ray-
mond Bernard, Maurice Tourneur and
Pabst.
Baseball Goes Unmolested
in Baltimore on Sundays
The Sunday motion pictm-e test case
which was recently tried in a Baltimore
court in which the three principals were
convicted is now up before the Court of
Appeals.
No action, however, has been taken
against the holding of baseball games at
Oriole Park which conic under the head of
Sunday Amusements also.
Programs are sold at the ball park in lieu
of admissions in the same manner that was
followed at the performance for movie test
case.
Slack Period at Mines
Will Affect Theatres
Exhibitors of southern Illinois will be
hard hit through the suspension of work by
all of the larger mines of that territory be-
cause of the failure of the miners and oper-
ators to get together on a new wage agree-
ment. The old contract expired on March
31st. The prospects are that the miners will
not go back to work until next October, it
is said.
Paramount to Release 5
Features in April
Five feature productions and eight short
subjects will be released in April by Para-
mount.
The firsrt:, "Speedy," starring Harold
Lloyd, will come on the 7th in company with
"Tong Tied," a Krazy Kat cartoon, and
"Campus Cuties, " a Christie comedy star-
ring Billy Dooley. "Three Sinners," to be
released on the 14th, is Pola Negri's latest
production and it will be accompanied on
that date by "Half-back Hannah," a Chris-
tie special, and "Koko's Hot Dog," re-
leased April 14th. "The Sunset Legion"
is Fred Thompson's new western which will
arrive on April 21st along with the two
shorts, "Bugs My Dear," Christie comedy
with Bobby Vernon, and "A Bum Steer,"
a Krazy Kat cartoon.
"Easy Come, Easy Go" is another fea-
ture release. Starring Richard Dix it will
be issued on 28th, a date when "Goofy
Ghosts," a Christie comedy starring Jinrmie
Adams, and "Koko's Haunted House," an
Inkwell cartoon, will make their appear-
ance. The final feature for the month will
be "A Night of Mystery," starring Adolphe
Menjou.
Six New Productions Keep
Warner Studio Active
Six new releases for the Warner Bros.'
program for next season are before the
cameras at the Warners studio. In addition
to them there are two specials in prepara-
tion.
The busiest unit on the Wamer lots is
that making "Noah's Ark," on which
maximum activity is being centered. Three
Vitaphone stages are occupied as well as the
largest in the main studio. Gustav von
Seffertitz is the newest addition to the cast.
Archie Mayo is megaphoning "State
Street Sadie," a crook play. Ray Enright
is directing "The Land of the Silver Fox.
"Princess Neola is a player recently added
to the cast of this picture. Roy Del Ruth is
making "No Questions Asked" and Lloyd
Bacon is preparing a location trip for his
company producing "Handle With Care."
Howard Bretherton has just started "Fog
Bound, ' ' starring May Mc Avoy.
The two specials being whipped into form
are Al Jolson's next Vitaphone film and a
screen feature for Fanny Brice.
First National Films to
Gome Next 3 Months
Thirteen productions in which are rep-
resented all starts on the First National
roster are being reserved by First National
for release during the spring and early
summer.
Colleen Moore will be seen in "Lilac
Time" and in "Heart to Heart;" Billie
Dove will apepar in "The Yellow Lily,"
"Richard Barthelmess in "Roulette" and
"The Little Shepherd of Kingdom Come,"
Milton Sills in "The Hawk's Nest," "Ken
Maynard in "The Upland Rider" and "The
Canyon of Adventure," Mary Astor and
Lloyd Hughes in "Three-Ring Marriage,"
Dorothy Mackaill and Jack Mulhall in
"Lady* Be Good" and "Ladies' Night in
a Turkish Bath," Charlie Murray in
"Vamping Venus," Johnny Hines in
"Chinatown Charlie" and Arthur Lake
and Mary Brian in "Harold Teen."
T. O. C. G. to Elect New-
Officers on April 24
The election of new officers of the T. 0.
C. C. will be held on April 24th. Nomina-
tions made at a meeting held this week in
New York City, included Sol Raives and
Harry Suchman, president; Leo Brecher
and J. Louis Geller, vice-president; Max
Barr, treasurer; Sam Sonin, secretray.
A pril 11
19 28
1202-E
Photophone Due Shortly
On Market
RCA Is Organizing Sales Force to Distribute "Talk-
ing Movie' Device for Use Even in Homes
Guests of Prominence
to Attend Sapiro Fete
A LARGE number of prominent
guests have indicated their ac-
ceptance of invitations to attend
the Testimonial dinner to Aaron Sa-
piro which the Theatre Owners Cham-
ber of Commerce is tendering him at
the Ritz Carlton Hotel in New York
City on the evening of April 16th,
1928.
Invitations already accepted include:
Mayor James J. Walker; U. S. Senator
Royal S. Copeland; U. S. Senator Ed-
ward I. Edwards; Adolph Ochs, pub-
lisher of the New York Times; Bor-
ough President James J. Byrne; V. H.
Polachek, editorial manager of the
Hearst Publications; Judge Moses H.
Grossman; Milt Gross, Willie Collier,
Sydney R. Kent, U. S. District Court
Judge Mitchell May; County Court
Judge Algeron I. Nova; Attorney Gen-
eral Albert Ottinger; Rabbi Jonah B.
Wise.
Alexander Frank Buys 2
Theatres in Waterloo, la.
The Plaza and Rialto Theatres in Water-
loo, Iowa, which was taken over by Wesl
Coast Theatres last July when the theatre
company bought the interest of North
American Theatres, Inc., have been pur-
chased by Alexander Frank, of Waterloo,
who had formerly owned and operated
these houses for eight years. Both houses
were re-opened under the Frank manage-
ment on March 17th. Mr. Frank also has
under construction in York, Nebraska, a
new 1,000-seal theatre scheduled for open-
ing this September.
Ex-picture Men Developing
Playgolf, Inc.
Bob Cotton, of Cleveland, and Haydn
Duke, of Xcw York, who left the motion
picture business recently In develop Play-
golf, Inc., have established their headquar-
ters in New York at 7 East 42nd Street,
where they are showing a line of golf re-
quisites, including a practice machine which
records the yardage of a driven ball.
Cotton is now president of the company,
lie obtained Duke from Pathe to handle the
New York territory.
Milwaukeeans Plan Unit
Similar to Chicago's
The Motion Picture Theatre Owners of
Chicago is to be a model for a new organi-
zation of Milwaukee theatre men, which will
be operated as an auxiliary to the Wiscon-
sin state organization. It. is understood that
seventy Milwaukee theatres will lie affiliated
with Wisconsin, and that a committee is
now at work to draft the necessary consti-
tution and by-laws.
Mr. and Mrs. Fairbanks
Going Abroad in May
Douglas Fairbanks' new picture for
United Artists, a sequel to "The Three
Musketeers," will be postponed indefinitely
owing to the. plans of Fairbanks and his
wife, Mary Pickford, to take a two months'
vacation abroad. They will sail from New
York May 5th on the S. S. Saturnia.
RCA Photophone, Inc., recently organ-
ized, is about ready to place on the
' market the Photophone, formerly
known as the Kinegraphone, the talking mo-
tion picture device perfected by the General
Electric Company, the Radio Corporation
of America and the General Electric Com-
pany. The new company was launched tor
the distribution of the Photophone and a
staff of salesmen is now being assembled.
FBO started some time ago in experi-
menting with pictures to be seen and heard
on Photophone and their product will be
the first distributed, as the companies re-
sponsible for the device recently purchased
an interest in FBO.
Major General James G. Harbord, presi-
dent of the Radio Corporation of America,
will act as chairman of the board of direct-
ors of Photophone, Inc., and the device,
which synchronizes motion pictures with
voice and music, will be sold to motion pic-
ture theatres, schools, churches and other
institutions. Engineers of the radio group
are now at work on a simplified photophone
apparatus that will be suitable for use in
the homes, which, it is said, will make it
possible to reproduce talking movies in the
home very much as the ordinary radio
broadcast programs are now being received.
General Harbord announced that the
other members of the board of directors
would be Owen D. Young, Gerard Swope,
Paul D. Cravath, E. M. Herr, E. W.
Harden, Cornelius N. Bliss, James R. Shef-
field and David Sarnoff.
The president of the new company will
be David Sarnoff and Elmer E. Bucher will
be vice-president, in charge of commercial
activities. Doctor A. N. Goldsmith will be
vice-president in charge of tchnical mat-
ters. The other officers of the company
will be George S. De Sousa, treasurer;
Lewis MacConnach, secretary, and Charles
J. Ross, comptroller. A board of consult-
ing engineers has been created and its mem-
bers are: A. N. Goldsmith, C. W. Stone
and S. M. Kintner.
In discussing the formation of the new
Bombers in Seattle
Damage Embassy
BOMB outrages against theatres in
Seattle, Washington, continued
last week when the Embassy,
downtown first run house which is
open all night, was last week shaken
by a 'pineapple' hurled from a truck
into its lobby. The interior was dam-
aged and employes were knocked to
the floor by the force of the explosion.
A panic among the patrons was pre-
vented. This is the fourth bomb attack
in Seattle in three months. It is
thought that they might be the result
of labor differences that a few weeks
ago effected the strike of all union
employes. The latest outrage has
brought the posting of a reward of
several hundred dollars for the appre-
hension of the perpetrators.
company, Mr. Sarnoff pointed out that
although the Radio Corporation, General
Electric and Westinghonse had been pre-
paring for several years to market appara-
tus synchronozing voice and music with
motion pictures, public introduction of the
apparatus had been delayed until the
engineers had achieved "complete practic-
ability" so that it would be as simple to
operate as a radio set, and, at the same
time, highly perfected.
"The Photophone," said Mr. Sarnoff, "is
both simple and practical. The essential
principle is the recording of pictures and
sound on one film. While various methods
have been devised for 'talking movies,"
experience has shown that the most practi-
cal is that of recording pictures and sound
on the same film. This is the method cm-
ployed by the Photophone. It is now
possible to photograph the President of the
United States — voice as well as action —
and to distribute films reproducing the
event throughout the country.
"Easily operated reproducing apparatus
for use in theatres, schools and churches
will be nationally available. An entire
opera, musical comedy or drama can be
electrically recorded on the film, just as
it is seen and heard, and then reproduced
from the same film. Whatever can be seen
or heard, whether it is a nightingale sing-
ing or an army in battle, can now be re-
corded and reproduced for both the eye
and the ear. Moving picture dramas with
Complete orchestral accompaniment, or with
music and speech, will be available for na-
tion-wide use.
"Standard films without the sound can
be used without any change in the machine.
The only thing the operator has to do is t<>
close one switch when he is projecting pic-
tures with sound, and open it when he does
not want the sound. Any type of 'talking
film' can be used in the machine. The type
of sound reproducer to be used will vary
with the size of the room in which the pic-
tures are to be shown. The reproducer
embodies some remarkable new develop-
ments in acoustics."
The steady development of the "home
movie" business, whether with or with-
out synchronized sound accompaniment, has
long been regarded as at least a potential
menace to the purely theatrical end of the
motion picture business and the recent
Photophone, Inc., announcement seems to
have fanned a smouldering fire of opposi-
tion into a real blaze.
A. .Julian Brvlawski, president of the M.
P. T. 0. of the District of Columbia and
chairman of the board of directors of the
M. P. T. 0. A., wired New York. Friday, as
follows: "The exhibitors of Washington,
D. C, view with alarm the spread of home
showings of motion pictures a- the great-
est danger now menacing the industry. This
matter should have the attention of the
coming convention of the M. P. T. O. A.
and means found to curb this most unneces-
sary non-theatrical competition ami more
especially talking movies."
1202-F
Motion Picture News
Theatres in New York
Merge Interests
THE Cocalis theatre circuit in
Brooklyn and Stamatis Bros.,
Brooklyn operators, have merged
their interests with Jack Margolis,
bringing together 19 theatres seating
18,150. S. Cocalis has been appointed
buying agent for the theatre combine
with offices at 729 Seventh Avenue,
New York.
Stamatis Bros, operate the Apollo,
Fulton Auditorium, Classic and Park-
way theatres. The Cocalis theatres in
which they hold an interest are the
Broadway, Parkhill, Orpheum, Cameo,
Interborough, Rosedale and two others
building in the Bronx and Yonkers,
and the Strand, Royal and Gaiety in
Elizabeth, N. J. Margolis' houses are
the Regent and the New Classic in
Brooklyn.
Tiffany-Stahl Purchases
New Stories
The filming rights to "The Million Dol-
lar Doll" by A. M. Williamson and "Every
Inch a Man" by Jerome K. Wilson and his
wife, Agnes Pat McKenna, have been pur-
chased by Tiffany-Stahl Productions.
Among the other plays and novels acquired
by the company for screening are: "The
Twelve Pound Lock" by Sir James Barrie;
^'The Indiscretion of the Duchess," by Sir
Anthony Hope; "The Gun Runner" by
Arthur Stringer; "The Luck of Geraldine
Laird" by Kathleen Norris; "The Yellow
Passport" bv Abraham Schomer; "Put and
Take" by Edmund Goulding; "Helen of
Troy" by Sidney Gowing; "The Floating-
College " by Stuart Anthony, and four Jack
London stories.
Tiffany-Stahl has assigned James Flood
to direct "Marriage of Tomorrow" and
Tom Terriss to direct "The Albany Night
Boat."
8 M-G-M Directors at
Work, 12 to Start
Practically every M-G-M director is on
the job nowadays working on the present
schedule at the Culver City studio. Eight
of them are actually in the thick of pro-
duction on new films, 12 more are launch-
ing preparations on other pictures and six
others are editing and putting finishing
touches on additional features.
Harry Beaumont is directing "Our
Dancing Daughters;" Monta Bella is work-
ing on "The Bellamy Trial" and Ross
Lederman "The Deadline;" Robert Flah-
erty and W. S. Van Dyke are making
"Southern Skies," King Vidor is shoot-
ing "Breaking Into the Movies" and
Edward Sedgwick is filming Buster
Keaton's new picture.
Preparing for start on production are
Edward Sutherland, who is to direct "The
Baby Cyclone," diet Withey, who is to
direct "The Bushranger," Frank Capra,
who is to direct "Brotherly Love," Allan
Dwan, who will direct "The Tide of
Empire," Clarence Brown, who will direct
"The Son of St. Moritz," James Cruze,
who will make "Excess Baggage," Jack
Conway, who will direct "Easy Money,"
Victor Schertzinger, who will film "The
Mask of the Devil," "Fred Niblo, who will
do "War in the Dark," Will Nigh, who
will make "Four Walls," George Hill, who
will make an untitled production, and Tod
Browning, who will direct Lon Chaney
vehicle.
De Mille's "Godless Girl"
Finished by Director
' ' The Godless Girl ' ' was officially finished
on March 26th after three months in the
making. During the next four weeks, Cecil
B. De Mille will be busy assembling the pro-
duction, assisted by Jeanie Macpherson,
scenarist. Frank Urson, associated with him
in direction, is working on the inserts.
The De Mille studio has placed a new
feature into work under the working title
of "Step Lively." Rod La Rocque is men-
tioned as the star of this production, with
Jeanette Loff as feminine lead. It is ex-
pected that Hector Tumbull and Edward H.
Griffith wTill be producer and director of this
new picture.
The studio has still five more days to go
on "The Cop," which Donald Crisp is di-
recting.
6 New Companies Are
Chartered at Albany
Motion picture companies incorporated at
Albany during the past week and engaging
in the business in its various branches in
New York State, included the following:
H. K. H. Productions, Inc., $10,000, Ger-
ald Hyman, Michael Kallesser, Lionel Hy-
mlan, New York City; Foster and Bartlett
Incorporated, capitalization not specified,
Donald W. Bartlett, George H. Foster,
Dorothy L. Hoagland, New York City;
Adonis Amusement Corporation, $10,000,
Charles Benowitz, J. David Rickover, Her-
man E. Wealcatch, New York City; Harnic
Amusement Corporation, $15,000, Betty
Siskind, Abraham Rotwein, Leah Strong,
New York City; Greater Productions, Inc.,
$100,000, K. Rowell, Morris Spitzer, Ceil
Sulling, New York City; Home Movies,
Corporation, $250,000, Nicholas Pecora, Ga-
briel W. Aramanda, Herman Spingara, New
York City.
Howard Hughes Adds 2
Names to Star Roster
Ben Lyon anil Lucien Prival, two per-
foi-mers in "Hell's Angels" which United
Artists is releasing in the fall, have both
joined the roster of stars working for How-
ard Hughes, the head of Caddo Productions.
Hughes has taken over the contracts of
Lyon and Prival from First National.
Raymond Griffith recently signed by
Hughes will be co-starred with Louis Wol-
heim in a comedy that Lewis Milestone will
direct this summer.
United Artists to Open
a New Orleans Branch
THROUGH W. G. Carmichael, At-
lanta branch manager for United
Artists, announcement was made
this week of the plans for opening
a New Orleans branch office at an
early date. This decision was made
public Wednesday night by Al Licht-
man, general manager of distribution
for United Artists, when passing
through Atlanta enroute to New York
from New Orleans where he had been
to investigate the proposed office, and
plans are being laid for an immediate
opening.
Ralph W. Morrow, of the company's
Dallas office, is now visiting New Or-
leans looking over prospective sites
for the new headquarters.
6 Shorts Will Come From
M-G-M in April
Each of the Metro-Goldwyn-Mayer series
of short subjects, except the Great Events
series, is represented on the new batch of
releases set for April.
The first of four comedies is "Barnum
and Ringling, Inc.," an "Our Gang" ve-
hicle for release on April 14th. The second
comedy is "Limousine Love," starring
Charley Chase, set for April 14th. "You're
Darn Tootin ', ' ' another of the Stan Laurel-
Oliver Hardy co-starring comedies, is the
third comic number for the month, its re-
lease date being April 21st. "Tell It to the
Judgei, " starring Max Davidson, is the
last, being set for April 28th.
Two new Ufa Oddities are included on the
program. They are: "The Wicked Kasi-
mir," a subject about cats, and "Primitive
Housekeeping," showing the housekeeping
methods of the natives of Central America.
Their release dates are April 7th and 21st
respectively.
Columbia Announces First
Release for April
"Broadway Daddies," a screen story by
Victoria Moore in which Jacqueline Logan
makes her second appearance in a Columbia
production this season, in Columbia's first
April release, its official date having been
announced as April 7. The picture was
directed by Fred Windemere.
Malcolm S. Boylan Now
Fox Supervising Editor
Malcolm Stuart Boylan, former news-
paperman who for the last two and one-
half years has titled upward of 60 pictures
for Fox Films, has been appointed supervis-
ing editor of Fox.
Asks Relief for the
Independent Exhibitor
f 4 T N a deplorable plight," is the
way P. J. Wood, business man-
ager of the Ohio exhibitor unit,
sums up the condition of the indepen-
dent exhibitors of the country. He has
advised members of the Senate inter-
state committee to vote for passage of
the measure declaring that the small
exhibitor needs the relief which the
bill will provide.
To Increase Paramount
News Regional Editions
THE regional edition service of
Paramount News throughout the
country is to be increased to cover
every country on the globe, if the
plans of Emanuel Cohen, Paramount
short subject department head, ma-
terialize. There are 18 regional edi-
tions of the newsreel being published
at different points. Nine of them are
permanent and the remainder are is-
sued only as local news breaks. Each
regional edition constitutes from 100
to 200 feet.
April 14, 19 28
1202-G
India Product Popular
Natives Prefer Home Made Pictures to Those Produced
in America and Germany
In and Out of Town
ROBERT S. FURST, vice-president and
treasurer of First Division Distributors,
has left Hollywood for New York where he
will take up an executive position at the
home office.
ARCH HEATH, comedy director for Hal
Roach, who has been spending part of his
vacation in Central America, is expected in New
York shortly where he will spend some time
before returning to the Roach studio.
AL L1C11TMAN , vice-president and sales
head of United Artists, returned to New
York last Friday, April 6th, from a rapid tour
■of southern and middle-western exchanges.
SAM E. MORRIS, general manager of dis-
tribution for Warner Bros., leaves New
York on the 20th Century for Chicago where
he will visit the local branch office.
JOHN F. KUMLER, owner of the Pan-
theon Theatre in Toledo, O., spent several
days in New York last week with his wife, see-
ing some of the Broadway plays and attending
to business matters. He also called at the First
National home office.
WE. CALLAWAY, southern sales man-
• ager for First National, has returned
from a swing about the exchanges of his terri-
tory.
tl B. HATRICK, vice-president and gen-
j' eral manager of M-G-M News, Inter-
national Newsreel and Cosmopolitan Produc-
tions, returned last Saturday to New York
from a six weeks' trip to the West Coast.
JANE WINTON, First National player, ar-
rived in New York from Hollywood Satur-
day and sailed last Wednesday for Europe where
she will visit Germany, Vienna and Italy, spend-
ing a summer vacation.
GEORGE SIDNEY, the lead in Universal's
"We Americans," arrived in Nezv York
from Hollywood several days ago. On the same
day, Patsy Ruth Miller, also in the picture, ar-
rived from Europe aboard the Mauretania.
JULIUS Bernheim and Sigmund Moos,
production supervisor and leasing depart-
ment heads respectively of Universal City,
sailed last Wednesday for Europe.
CiARLEY CHASE, Hal Roach comedian,
arrived in New York last week for a va-
cation prior to returning to the Roach studios
on May 1st to resume production. It is possible
that he will make a number of personal appear-
ances while in the east.
CRESSON E. SMITH, assistant general
sales manager of United Artists, left Nezv
York last Tuesday for an extended sales trip
in connection with the April-May anniversary
celebration of his company. He ivill visit Pitts-
burgh. Indianapolis and Washington, D. C,
among other cities.
EH. ALLEN, general manager, and Jack
• White, director-in-chief, of the Edu-
cational studios in Hollywood, are in New
York City for their annual conference with
E. W. Hammons, president of Educational,
setting production schedules for next sea-
son. In addition two of the company's stars,
Lupino Lane and Dorothy Devore, are in
New York for a vacation.
IN a reporl made by William Scott, Ear
cistern representative of FBO Pic-
tures Corporation to Colvin W. Brown,
vice-president, Mr. Scott says that the ma-
jority of theatre managers in India in-
formed him that they draw from 40 per
cent to 50 per cent bigger houses with local
productions and comparatively the same in-
crease in box office receipts. Of the three
hundred theatres in India, Mr. Scott re-
ports, approximately one hundred and forty
exclusively show locally produced Indian
and Burmese pictures.
There are four producing companies in
India, one at Calcutta and three at Bom-
bay. During 19'27, approximately fifty In-
dian pictures were released in that country,
and it is anticipated that with the improved
facilities of production, the number of films
will be increased to about one hundred
during this year.
The programs when they consist of Amer-
ican or European product, average about
10,000 feet. They consist of a feature, a
comedy and a newsreel. Seven and eight
reel features are most popular. If the fea-
ture picture is six reels or less, another fea-
ture is included in the program. All projec-
tors are operated by hand, because the na-
tives cannot be trusted with motor driven
projectors.
The most popular American and Euro-
pean films are, consistently enough. Oriental
dramas with plenty of action, spectacular
dramas, action dramas, comedy dramas and
slap-stick comedies. The domestic drama
and the sophisticated love story are not
popular.
Censorship of American and European
pictures is administered by the Government
UNIVERSAL has completed plans for
the reopening of the company studio
at Universal City on May 1st, when
a number of the coming season's features
and short comedies will go into production.
The first pictures to go into work will be
one of five serials which are planned. It is
titled, "The Diamond Master," by Jacques
Futrelle, and adapted from the Saturday
Evening Post story.
At about the same time Leigh Jason will
start the direction of a series of underworld
pictures titled, "The Eyes of the World."
by William Lester. Ted Wells will start
on a new series of western features, the first
of which will be "A Riding Romance," in
which he will be supported by Miss Vonceil
Viking.
Edmund Cobb will be among those who
will get busy early on the first of a series
of two-reel Forest Ranger pictures. Bob
Curwood will start a series of twelve stunt
cowboy two-reelers. and George Chandler,
former vaudeville star, will get under way
with a series of twelve Tenderfoot pictures.
About the first of June production will be
under the control of European officials at
Bombay, Calcutta, Rangoon and Colombo.
Under ordinary circumstances, once a pic-
ture is passed at cither of the offices, it
holds good for the whole of the territory.
Any presidency can, however, veto a certi-
ficate granted by another office. For in-
stance, "Damaged Goods" was passed in
Calcutta and banned in Bombay. Such hap-
penings, however, have been very rare in
the case of imported pictures.
A Government Commission is at present
visiting all parts of India, taking evidence
from all sections of the community, owing
to the agitation for stricter censorship. It
is anticipated that the present regulations,
which have not been strictly adhered to,
will be considerably tightened. The Com-
mission is also investigating the advantages
— and disadvantages — of introducing the
quota system for enforcing the exhibition of
British made pictures.
It is imperative for American productions
to be copyrighted in England (covering In-
dia, Burma and Ceylon) simultaneously with
the American release, otherwise the selling
of exclusive rights for that territory proves
an unusually difficult problem. "Ben Hur,"
"The Thief of Bagdad" and other big at-
tractions were pirated in India. Despite the
copyright in England, there is no jurisdic-
tion over them in the independent states,
because these states are entirely indepen-
dent of British India, and are ruled by their
own princes. From information Mr. Scott
secured in Bombay, he learned that pirated
copies can be imported promiscuously into
these states without interference, and action
can only be taken when and where they
enter British India.
started on another serial. "The Pirate of
Panama." from the story by William Mc-
Leon Raine. Feature production for the
new season will be resumed at about the
same time. Laura La Plante will then start
on one of her specials for next Fall, proba-
bly "The Last Warning." which Paul Leni
is to make. Reginald Denny will return to
the studio a little later. Also, Glenn Tryon
and I loot Gibsou are due shortly to plunge
into next year's picture schedule.
Preliminary plans for the making of
"The Showboat" are well along, and its
initial production move may be timed for a
date shortly after the studio reopens. A
new "Cohens and Kellys" picture will be
put into production at the earliest possible
moment.
In addition to the serials already men-
tioned. Universal will make, "Tarzan, the
Mighty," "The Final Reckoning" and
"The Mystery Rider." "Tar/an. the
Mighty," "The Final Reckoning" and
"The Pirate of Panama" will be twelve
chapters of two reels each and "The
Mystery Rider" and "The Diamond
Master" will be in ten chapters.
"U" to Reopen Studios
Production Activities Will Be Resumed at Universal
City About May 1st
1202-H
Motion Picture News
; j "The Check-Up" 5 1
"The Check-Up" is a presentation in the briefest and most convenient form of reports received from ex-
hibitors in every part of the country on current features, which makes it possible for the exhibitor to see what the
picture has done for other theatre managers.
The first column following the name of the feature represents the number of managers that have reported
the picture as "Poor." The second column gives the number who consider it "Fair"; the third, the number who
consider it "Good" ; and the fourth column, those who consider it "Big."
The fifth column is a percentage figure giving the average rating on that feature, obtained by the following
method: A report of "Poor" is rated at 20% ; one of "Fair," 40% ; "Good," 70%; and "Big," 100%. The per-
centage ratings of all of these reports on one picture are then added together, and divided by the number of re-
ports, giving the average percentage — a figure which represents the consensus of opinion on that picture. In this
way exceptional cases, reports which might be misleading taken alone and such individual differences of opinion
are averaged up and eliminated.
No picture is included in the list which has not received at least ten reports.
Title ot Pictora
Title of Picture
COLUMBIA PICTURES
Alias the Lone Wolf —
Blood Ship, The —
By Whose Hand —
College Hero, The —
Romantic Age, The —
Sally in Our Alley —
Warning, The —
F B O
Arizona Nights —
Clancy's Kosher Wedding .... —
Coward, The 1
Gingham Girl, The —
Great Mail Robbery, The — ■
Harvester, The —
Judgment of the Hills —
Legionnaires in Paris 1
Moon of Israel —
Mother —
Racing Romeo, The 1
Shanghaied —
Silver Comes Thru —
FIRST NATIONAL
All Aboard 2
American Beauty —
Babe Comes Home 1
Breakfast at Sunrise 1
Broadway Nights.
Camille
Convoy
Crystal Cup, The
Dance Magic 1
Devil's Saddle 1
Drop Kick, The 1
For the Love of Mike 1
Framed —
French Dressing —
Gorilla, The 1
Hard-Boiled Haggerty '. 2
Helen of Trov 1
Her Wild Oat —
Life of Riley, The —
Lonesome Ladies —
Lost at the Front —
Love Mart, The —
Man Crazy 1
Naughty But Nice —
Noose, The —
No Place To Go 1
Patent Leather Kid, The —
Poor Nut, The —
Prince of Headwaiters, The.. —
Red Raiders —
Rose of the Golden West —
See You in Jail 4
Shepherd of the Hills, The. . . . —
Smile, Brother, Smile —
Somewhere in Sonora —
Stolen Bride, The —
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5,800 Ft.
2
16
5
74
8,188 Ft.
3
24
2
69
6,669 Ft.
2
11
2
70
5,718 Ft
3
29
3
70
7,179 Ft.
Sunset Derby, The —
Tender Hour, The —
Texas Steer, The —
Three Hours 1
Three's a Crowd 1
Valley of the Giants —
White Pants Willie 2
FOX
Arizona Wildcat, The —
Blackjack —
Circus Ace, The —
Colleen —
Come to My House 1
Cradle Snatchers • —
East Side, West Side —
Gateway of the Moon, The .... —
Gay Retreat, The —
Heart of Salome, The 2
Hisrh School Hero, The —
Hills of Peril —
Is Zat So? —
Joy Girl, The —
Ladies Must Dress —
Loves of Carmen —
Madame Wants No Children.. 1
One Increasing Purpose 2
Outlaws of Red River —
Paid to Love —
Pajamas —
Publicity Madness 1
Rich But Honest. .
Secret Studio, The
Seventh Heaven —
Sharpshooters —
Silk Legs 1
Silver Valley —
Slaves of Beauty 1
Tumbling River —
Two Girls Wanted —
Very Confidential —
What Price Glory —
Wizard, The —
Wolf Fangs —
METRO-GOLDWYN-MAYER
Adam and Evil —
After Midnight —
Annie Laurie —
Baby Mine 1
Becky —
Ben Hur —
Big Parade, The —
Body and Soul 2
Bugle Call, The —
Buttons —
Callahans and the Murphys... —
Captain Salvation —
Divine Woman, The —
Enemy, The —
Fair Co- Ed, The —
3
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1
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5,524 Ft.
4
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5,617 Ft.
15
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5,498 Ft.
16
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4,943 Ft.
3
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1
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6,950 Ft.
5
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2
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2
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5,599 Ft.
8
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8.538 Ft.
3
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5,415 Ft.
4
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7,677 Ft.
3
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5,327 Ft
4
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1
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6,888 Ft.
1
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2
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5,876 Ft.
7
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58
5,893 Ft.
2
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5.480 Ft.
2
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5,870 Ft.
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2
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6
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6,293 Ft.
2
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5,331 Ft.
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6,667 Ft.
6
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6,433 Ft.
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2
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7,300 Ft.
2
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8,189 Ft.
37
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6,408 Ft.
April 14, 19 28
1203
Title of Picture
Foreign Devils
'Frisco Sally Levy
Frontiersman. The
Garden of Allah. The. . .
In Old Kentucky
Latest From Paris. The.
London After Midnight.
Lovelorn
Lovers
Man. Woman and Sin...
Mockery
' )n Ze 1 1' uilevard
Quality Street
Road to Romance. The. . .
Rookies
Rose-Marie
Spring Fever
Student Prince
Tea for Three
Thirteenth Hour, The . . .
Tillie the Toiler
Twelve Miles Out
Unknown, The
West Point
PARAMOUNT
Barbed Wrire
Beau Geste
Beau Sabreur
Cabaret
Chang
Children of Divorce
City Gone Wild. The
Drums of the Desert
Fashions for Women
Feel My Pulse
Figures Don't Lie
Fireman Save My Child
Gay Defender. The
Gentleman of Paris. A
Gentlemen Prefer Blondes...
Get Your Man
Honevmoon Hate
Hula
Jesse James
Knockout Reilly
Last Command. The
Last Outlaw, The
Legion of the Condemned. . . .
Love and Learn
Love's Greatest Mistake
Madame Pompadour
Man Power
Metropolis
Nevada
Now We're In the Air
Old Ironsides
One Woman to Another
( )pen Range
Pioneer Scout. The
Red Hair
Ritzy
Rolled Stockings
Rough House Rosie
Rough Riders. The
Running Wild
Senorita
Serenade
Service for Ladies
Shanghai Bound
She's a Sheik
Special Delivery
Sporting Goods
Spotlight
Stark Love
Swim, Girl. Swim
Tell It to Sweeney
Ten Modern Commandments.
Time to Love
Tip-Toes
Too Many Crooks
Two Flaming Youths
Underworld
Way of All Flesh. The
W e're All Gamblers
Whirlwind of Youth. The...
Wife Savers
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Title of Picture
Bt
Woman on Trial, The —
PATHE-DEMILLE
Angel of Broadway, The 2
Chicago —
Country Doctor, The —
Dress Parade —
Fighting Fagle, The —
Forbidden Woman, The —
Girl in the Pullman —
Ha-p in Hock. A —
Heart Thief. The —
His First Flame —
Leopard Lady, The 1
Let 'Er Go, Gallegher —
Little Adventuress, The -
Main Event, The —
Rejuvenation of Aunt Mary... —
Vanity —
Wise 'Wife. The —
Wreck of the Hesperus, The.. —
Yankee Clipper. The —
TIFFANY-STAHL
Lightning —
Wild Geese —
UNITED ARTISTS
Circus, The —
College —
Devil Dancer, The —
Dove. The —
Gaucho, The —
Magic Flame, The —
My Best Girl —
Sadie Thompson —
Sorrell and Son —
Topsy and Eva —
Two Arabian Knights —
UNIVERSAL
Alias the Deacon 1
Back to God's Country 1
Beware of Widows 1
Cat and the Canary, The —
Cheating Cheaters —
Chinese Parrot, The 1
Claw, The 1
Cohens and the Kellys in Paris. —
Down the Stretch —
Fast and Furious —
Hero for a Night, A —
Hero on Horseback, A —
Hey. Hev. Cowboy —
Irresistible Lover, The —
Les Miserables —
Lone Eagle. The —
Love Thrill, The —
Man's Past, A —
On Your Toes —
Out All Night 1
Painted Ponies —
Painting the Town —
Prairie King, The —
Silk Stockings —
Thirteenth Juror, The —
WARNER BROS.
Black Diamond Express, The. —
Bush Leaguer, The —
Climbers. The —
College Widow. The —
Dearie —
Desired Woman, The —
Girl From Chicago. The —
Good Time Charley —
Heart of Maryland —
Irish Hearts 1
lazz Singer, The —
Million Bid. A —
Missing Link, The —
Old San Francisco —
One-Round Hogan —
Silver Slave. The —
Slightly Used —
Tracked By the Police —
When a Man Loves —
1
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Motion P i c t it r c N c w s
ibitors Service Bureau
Celebrate Anniversary of
W. S. Butterfield
All Theatres in Michigan Chain Stage Special Bills
Marking His 22 Years as Showman
DURING the week of March 18, all
theatres in the W. S. Butterfield
circuit in Michigan offered patrons
special Anniversary programs in celebration
of the 22nd anniversary of Col. W. S. But-
terfield, who organized the chain, compris-
ing 75 theatres in 30 cities in the Wolverine
State, in the theatre business.
Butterfield, like the majority of those who
have reached leadership in show business,
began his career as a boy in a theatre at
Columbus, 0., where he worked first as a
program hoy. Promotions lead from that
to jobs as usher, doorman and finally to
assistant treasurer. Later Butterfield took
a road job as advance agent. In those days
vaudeville was just coming into popularity
and establishing itself .as standard enter-
tainment form.
A wide experience traveling the route and
discharging the manifold duties which fell
to his lot in this work, along with a desire
to be on his own, determined Butterfield to
get his own theatre and expand his opera-
tions to the establishment of a circuit for
vaudeville acts. He has confined his theatre
activities to Michigan because he has felt
thai that state afforded him the opportunity
for all the expansion he desired, for it Avas
his desire from the start to operate a busiT
ness of only such exitent that he could per-
sonally supervise it, according to an inter-
view written for the Grand Rapids Herald
by Elmer Walters, until recently manager
of Power's theatre there and now manager
id' the Palace theatre in Flint. Walters, in
the course of the interview, quotes Col. But-
terfield as follows :
Personal Supervision
"I knew, for one thing, the Wolverine
State could give me all 1 would care to
handle. Then I presume, what appealed also
to me was the desirability of spreading a
large business that I could personally over-'
see. I have been able to visit as many as
eight of my cities in one day. This I could
not hope to do, at least before the arrival
of commercial airplanes, were my interests
too widely scattered.
"Another reason perhaps was the early
necessity to give to vaudeville acts 'easy
jump' bookings. When popular-priced
vaudeville was started by me in Michigan
the matter of fancy salaries to vaudeville
artists was yet to come. Before the intro-
duction of motion pictures as a full program
or as a part of any vaudeville program, such
present-day stars as Marilyn Miller, who,
then but a child, was in vaudeville with her
parents and two sisters, received the digni-
fied salary^ of $200 per week for five people.
From this sum they7 were obliged to trans-
port themselves and pay their living ex-
penses.
''Ben Turpin, the high-salaried motion
picture comic, did a knockabout specialty
tailing from tables and chairs stacked high
enough to reach the stage borders. Turpin 's
contract called for $35 weekly.
"Early in the game I was not alone in
the thought that motion pictures was a fad
that would gradually disappear from lack
of patronage after the novelty had worn
off. Specializing as I did in vaudeville for
two years before the arrival of pictures, I
was at first quite unwilling to submit to
' overnight ' picture popularity until the
erection of picture theatres in my territory
proved strong opposition. According to
records the Butterfield Circuit was one of
the first circuits to combine pictures and
vaudeville.
"Realizing that 1 am indebted immeas-
urably for my success to people living in
Michigan and that its people are apprecia-
tive of luxurious comfort when they wish
to attend the theatre, my last few years
have been devoted to the promotion and
erection of commodious playhouses with
goodly capacities for cities of their size."
Managers Institute Offers
Extension Course
The Moving Picture Theatre Managers In-
stitute, New York City, has announced an
extension course in theatre management,
similar to the resident school course and
available to theatre managers and student
managers for home study.
The extension course, prepared by the In-
stitute from the texts used in the resident
school has been submitted to the New York
State Department of Education and has
been approved.
An announcement concerning the new de-
partment of the Institute, states that the
extension course covers the entire training
in theatre management which is given at
the resident classes. D. Baltimore, director
of the Moving Picture Theatre Managers
Institute, declares that the new department
was created in response to a demand which
has manifested itself since the opening of
the Institute for a study available for those
now connected with theatres who desire to
retain their present employment.
Former Capitol Organist
Now at New York Plaza
The Plaza theatre, Madison Avenue and
59th Street New York, has engaged Dr.
Melchiore Mauro-Cottone as Chief Organist.
The doctor until recently presided at the
console of the Capitol theatre and is well
known to radio fans and concert audiences
throughout the country. He is a past Presi-
dent of the Society of Theatre Organists.
Showmanship
-Briefs
IF opportunity only strikes once, then it
"struck' for Manager L. E. Davidson in
exploiting "Partners in Crime" at the Capi-
tol Theatre, Sioux City, la. A 1200-dollar
safe robbery was pulled in the city just prior
to play dates and on the following morning
the very same safe was parked in front of
the theatre. Of course, there was a card on
the safe and contained the following copy,
"Yes, this is Bishop's safe that was robbed
Tuesday night. If there were any laughs in
it, you can blame the robbery on Wallace
Beery and Raymond Hatton — They'll steal
all the laughs in town!"
WHEN Manager J. P. Pitner, of the hand-
some new Capitol Theatre, Nelson, B. C,
failed to receive delivery of the feature "Now
We're in the Air" for its local run, no less than
14 local artists were rounded up by him for a
more or less impromptu vaudeville program
which made a decided hit. The house orchestra
was also augmented to 10 pieces for the occa-
sion. The emergency bill aroused much enthusi-
asm from the large audience and no person
wanted his money back.
EVERY once in a while zve hear about a co-
operative page ad or possibly a double
truck, but Manager Clias. H. Amos goes a
couple of steps farther in lining up enough mer-
chants for seven co-operative full-page ads — one
page to appear each zceek. "The Noose" zvas
the first attraction to profit by this stunt — play-
ing at the Riviera Theatre, Knoxville, Tenn.
THE advertising department of F & R
are determined to have the new Min-
nesota Theatre in Minneapolis considered as
a northwest institution, and to that end they
are advertising it in more than 500 news-
papers in the district. An extensive cam-
paign has been arranged for radiocasting and
various other methods are being taken to
bring the theatre to the attention of the
entire northwest.
MANAGER E. R. ROGERS got a wide
range of publicity for "Legion of the Con-
demned" by tying in with the News, who were
sponsoring a model airplane league in conjunc-
tion with the Airplane Model League of Amer-
ica. "Legion of the Condemned" was the fea-
ture film attraction at the Tivoli Theatre, Chat-
tanooga, Tenn.
ATMOSPHERIC fronts are being used by
Manager George Rotsky, of the big Palace
Theatre, Montreal, with excellent results. For
"The Circus" there was a tent effect over the
marquee and entrance, while a ring master and
clown were stationed in the lobby to add to the
atmosphere.
ONE of the unique features inaugurated by
Kunsky Theatres Corp., is a weekly
house organ called "The Capitolite," in
which Capitol Theatre employes are given
an opportunity to comment on activities di-
rected by that organization. Inside the cover
are found several mimeographed sheets per-
taining to service, maintenance, production
and better business msthods, as well as per-
sonals. The publication is issued weekly
through the cooperation of the service staff.
April 1 / . J 928
1205
Mechanical Display Shows
"Big City" Action
Manager Fred 0. Slcnker had displays in
both hi> outside and inside lobbies to ad-
vertise "The Big City" at the Columbia
Theatre, Davenport, [a.
The outside lobby contained a four-sided
peep box in which the inside showed a cut-
out "figure of Chancy with gun in hand taken
from the three-sheet.
A mechanical display was used in the
inner lobby which consisted of a street
scene back drop showing a street intersec-
tion. At the intersection was a cut-out
building, entrance, etc. Hy means of an
endless belt, and motor, the figure of a gun-
man carrying a figure of a girl in his arms
was made to travel down the streel and into
the building entrance.
Patrons Vote for Beauties
Shown in Screen Slides
Manager John V. Ward of the Queen's
Theatre, Niagara Falls, Ontario, has dis-
covered that it is not necessary to have peo-
ple on the stage for a special contest.
On a recent Thursday evening, Thursday
being the poor night of the week, Manager
Ward conducted a Children's Beauty Con-
test in which slides of 45 local children
were thrown upon the screen. Prizes were
offered for babies, children from one to five
years and from five to 10 years, the applause
of the audience determining the winners.
The attendance was so great that many
people were turned away.
Felix Song to Be Exploited
With Cartoon Reels
"Felix the Cat," screen cartoon charac-
ter of wide fame and many accomplish-
ments has added another achievement to
the record by serving as the inspiration for
a new work from Tin Pan Alley. The new
production is a song called "Felix the Cat"
and has been published by the Sam Fox
Publishing Co.
In con junction with Educational, releaser
of the Felix reels, the song publisher will
exploit the song in conjunction with the
screen cartoons.
Programs of Short Films
for Juvenile Matinees
Doris Stecker, manager of the Forest
Theatre, Cincinnati, is making her house
a mecca for children on Saturday after-
noons by dispensing with the regular pro-
grams, and showing special series of short
subjects especially suitable for .junior pat-
rons. The Forest will be converted into an
airdome during the summer, preliminary
work bavins already been started.
Interpolated Songs With
"Rose Marie" Showing
William Haynes, manager of the Allen,
presented a singer with his picture "Rose
.Marie" with excellent effect. Instead of
preparing a prologue, the singer rendered
"The Indian Love Call" at proper times
during the filming of the picture. The
singer, of course, was in the shadow and
did not obtrude her personality into the
product ion.
Finds Printed Notice Effective as Cure
for Spooning in Theatre
MANAGER A. P. DROHAN of Griffins Theatre, Chatham. Ontario,
has effectively and permanently broken up the "spooner-.' Noting
a growing lemlencv on the part of voung couples to cuddle up
(luring performances. Mr. Drohan hit upon a unique "break" Bysteiu.
When loving patrons are now noticed bv ushers, the latter pass them a
card on which is printed ''Kindly Change Your Position." The effect is
instantaneous.
\fler offering the card, the usher moves a\va\ without -a\ ing a word
so that nothing occurs to embarrass the young folks in the eves of other
patrons. So far. no our has resented the printed hint.
Bridge Tourney Was a Goodwill
Builder for Colorado Theatre
|\/f ANAGHEK C. CLAIR Woods success-
^ * fully bridged the gap between friend-
ship and patronage to closer and warmer
friendship and better patronage when he
staged a goodwill builder in the form of a
Bridge tourney at the Colorado Theatre.
Pueblo, Colo.
The Pueblo Star-Journal publicized the
stunt through its columns and contributed
the prizes with a grand prize to the cham-
pion player and other desirable awards go-
ing to the preliminary winners. A local
stationery store gratuitously furnished pen-
cils, cards and score pads.
Entries were made in teams of two play-
ers; and partners were not changed through-
out the tournament, which started on a
Monday and ended on the following Satur-
day.
It all depends on how many entries you
have but this is how it worked out in
Pueblo: Eight teams opened the affair at
2 P. M. Monday, playing four games. At :i
1*. M. Eight more teams took the tables to
complete the opening day's play. On Tues-
day at the same hours, another 16 teams
'bid it out' for the honor of entering the
WORTH r H E ATH 1
roat tMtil. thai
t,u will ka pL.ai*! t, Imi that
,,rvinf yau ■■ , f*tr*
ha, in* oAana a, aaraaa
■a ara qulta
fraguaatlr at
arfar ran th<
•arm Thaati
tha eaurt
raaah jwv ahll, tl
far 1,1 1
,111 aa
Reproduced above i» the letter sent i<» doc-
tor* Manager Raymond It. Jones, of the
Worth theatre. Fort w.niii announcing a
>pecial call «cr\ ire. which «a» described in
an article published in (he \pril Showman.
second rounds on Wednesday. On Wednes-
day, the Ifi teams that emerged successfully
from the contest of spades, hearts, diamonds
and clubs on the first two days, met in the
second round of play at the same hours.
Winners of these tests of skill met Thurs-
day at 2 and P. M. and Friday saw the
playing of the semi-finals. Saturday
brought the final thrilling contests starting
at 3 P. M. with the losers of the semi-finals
playing the preliminary game starting at 2
P. M. for third and fourth positions.
Spectators were permitted to attend all
games by paying the matinee admission to
the theatre while all players were admitted
free. At the conclusion of the bridge games,
the spectators could enter the theatre proper
and enjoy the entertainment there.
"Smart Set'" Tie-up Tests
Fans Knowledge of Polo
Manager Hugh J. Smart together with
the Montgomery Advertiser ran a contest
in the form of ten questions about polo to
advertise "The Smart Set" at the Strand
Theatre, Montgomery. Ala.
Five questions together with a newspaper
article written in detail about the contest,
picture, theatre and play dates appeared
two days in advance of play date and this
was followed with another set id' five ques-
tions on the following day.
The object of the contest was to answer
the questions correctly. The person attain-
ing a hundred per cent solution was given
a three months' pass to the theatre; 2nd
prize — one month's pass, and the next tin
best answers each received a pair <>f tickets
to -ee ' ' The Smart Set. ' *
W alter League to Produce
Shows at ( )lympia
Walter League, manager id' the Florida
Theatre. St. Petersburg, has been trans-
ferred to the Olympia Theatre. New Red-
ford, another l'ublix bouse. Accompany-
ing League is Don t'harno, who will act as
master of ceremonies and stage band leader
at the Olympia when it inaugurates its new
policy of stage band entertainment to sup-
plement the screen attractions.
1206
.1/ o t i o n P i c t u r e X cws
Briefs
John M. Stahl is writing a story which
will star Belle Bennett in her first' picture
under her four-picture contract with Tif-
fany-Stab! The story will be called "Amer-
ica's Sweetheart," meaning the American
mother.
Leah-ice Joy has been signed by M-G-M
to play the leading- feminine role in "The
Bellamy Trial."
Chet Whitney will be Tim McCoy's new-
director when his next M-G-M vehicle goes
into production. Gloria Gray will play the
feminine lead. The story deals with Aus-
tralia.
John G. Adolphi has returned to the
Tiffany-Stab] studio in Hollywood after a
trip made to New York for the purpose of
research in connection with the production
of the Jack London story, "Prowlers of the
Sea. ' '
Thomas Bucking-ham will direct "Beware
of Blondes" for Columbia Pictures. He is
now collaborating with the scenarist on the
final script.
"Pay As You Enter," Warner Bros, final
production to complete their current pro-
gram, was finished this week in their stu-
dio on the coast. The comedy, directed by
Lloyd Bacon, stars Louise Fazenda and
Clyde Cook. Myrna Loy and William De-
marest are also in the cast.
Harry Braxton and Viola Brothers Shore
are writing the titles for the next Tiffanv-
Stahl production temporarily titled
"Power."
James Murray will be the chief male
player in "Tide of Empire," which Cosmo-
politan will soon place into production.
Beautiful But Dumb," founded on inci-
dents in a series of stories that ran in
Liberty Magazine, is now being- shaped by
\ iola Brothers Shore, author of the stories,
for Tiffany-Stahl. No director or cast have
been selected as yet.
Joseph Wright has been engaged as art
director for Columbia, succeeding Robert
E. Lee, who will have complete supervision
over the designing of sets and costumes.
May McAvoy's first Warner vehicle for
the new season, scheduled to start last week,
has been postponed as the actress has been
suffering with a bad cold. Meanwhile, the
director, Roy Del Ruth, has been given an-
other assignment, "No Questions Asked."
^ Hans Reinhard is directing a new Tiffany-
Stahl color classic short subject entitled
"A Perfect Day" with Byron Sage as the
featured player.
"Dancing Daughters" has been selected
as the definite title for the M-G-M film for-
merly called "The Dancing Girl."
Archie Mayo will make "The One Way
Street," Myma Loy's picture, for Warner
Bros. Conrad Nagel and William Russell
will be the featured masculine players and
Georgie Stone will have a comedy part.
"Free Lips" is the title of a new James
Ormont production for First Div ision. This
is to be followed by "Creole Love."
A comedy-drama by John Emmett called
"The Richest Girl on Earth" has been pur-
chased for Colleen Moore. First National
has also bought the screen rights to "The
Show Girl," a story by J. P. McAvoy.
Mary Alden, William Powell, J. E. War-
ren and Billy Shay have been added to the
cast of Paramount 's "The Vanishing Pio-
"The Baby Cyclone" went into produc-
tion last Aveek at the M-G-M studio with
Lew Cody and Aileen Pringle co-starring
under the direction of Edward Sutherland.
Phjdlis Haver, star of "Chicago" has
been borrowed from Cecil B. De Mille by
D. W. Griffith to play the role of a "gold
digger" in "The Battle of the Sexes."
Gerritt Lloyd is now scenarizing the story.
Betty Compson will be leading woman in
"The Barker," -which First National is
filming-.
Marie Prevost will have the only femi-
nine role in the cast of "The Racket."
Caddo has recently added to the cast of this
picture the following: Charles Middleton,
Warner Richmond, Tony Mario and George
E. Stone.
Sidney Franklin and Hy Mayer portray
the two character roles in "Kitchen
Talent," George Davis' newest comedy,
which Educational is releasing.
The First National cutters now have
"Code of the Scarlet," new western, in
hand. "The Yellow Lily" preceded it into
the cutting room by a few days.
"Skirts" will be the title of the new
comedy starring Sydney Chaplin, formerly
known as "A Little Bit of Fluff." The
film is to be released by M-G-M about the
middle of May.
"The Fleet's In" has been selected as
the title for Clara Bow's second vehicle.
Malcolm St. Clair will direct.
"Life's Mockery" will be the title of
Betty Compson 's next picture for I. E.
Chadwick, which now is in preparation and
will be released by First Division. Robert
T. Hill will direct. In the cast will be Bruce
Gordon, Russell Simpson, George Ovey,
Theodore Von Eltz, Alec B. Francis and
Dorothy Cummings.
P^ddie Nugent, a year ago a property boy
on the M-G-M lot, is today a featured
player with M-G-M, and is now playing a
part in "Dancing Daughters."
"Kit Carson" late this month or early in
May. Research work is going on now under
the direction of Paul Powell.
Agnes Christine Johnson is doing the
adaj^tation of "Outcast," to be made as a
Corinne Griffith vehicle. The latest addi-
tions to the star's supporting cast in "The
Divine Lady ' ' are : Montagu Love Ian Keith,
William Conklin and Julia Swavne Gordon.
William Wyler, Universal director, will
picturize "The Cat's Paw," a story by
Charles W. Taylor. He is also to make
"The Shake Down," a story by Charles A.
Logue.
"Beau Broadway" is the final title of the
recently finished Cody-Pringle picture,
which Malcolm St. Clair directed for
M-G-M.
Jerry Drew has completed work on his
sixth vehicle, which has been titled "Just
Dandy." With the star are Estelle Brad-
ley, Kewpie Morgan and Georgia O'Dare.
Frank Hagney, character actor, will be
one of the leads in First Division's "Free
Lips."
Billie Dove is preparing to start a new
untitled picture for First National. Alex-
ander Korda will wield the megaphone.
Kenneth Thompson has joined the cast of
M-G-M 's "The Bellamy Trial."
Conrad Nagel will be May McAvoy's co-
star in "Fog Bound." The support will
include Mack Swiain, Charles Gerrard, Ruth
Cherrington, Emil Chautard and Tommy
Dugan.
Warner Baxter will be one of the feature
players in "Danger Street," a screen ver-
sion of Harold MeGrath's novel. The screen
play has been written by Enid Hibbard.
Ralph Ince will direct.
Sam Hardy and Greta Nissen will be seen
in important roles in "The Butter and Egg-
Man." William Demarest is another addi-
tion to the list of players.
When the new M-G-M picture co-starring
Marion Davies and William Haines is com-
pleted, King Vidor and his wife, Eleanor
Boardman, will leave for Hollywood for
New York, where they will sail for Europe
for a two-months' vacation.
Larry Kent, Lucien Littlefield and Loretta
Young have been added to the cast which
will appear in "The Boss of Little
Arcady, " which First National is to make.
More comedy players brought to the cast
of Columbia's "Golf Widows" are Vernon
Dent, John Patrick and Dill Stanton. Kath-
leen Key will be the "drama" relief.
Fred Thomson will start production on
The Oostello sisters will play together in
Warner Bros.' "Noah's Ark."
April 14, 19 28
\207
Key City Reports
New York City
SEVERAL of the Broadway houses held
up extremely well in view of the fact
that Holy Week, one of theatredom's
annual periods of depression at the box of-
fice, was in effect. As during the entire
Lenten season, those theatres having out-of-
the-ordinary attractions chalked up grosses
approaching house records while others with
weaker pictures, even 'though backed with
strong exploitation, felt the lull to quite an
extent.
The Paramount chose Paul Whiteman and
his orchestra to offset the depression and
to bolster the picture "Doomsday" (Par)
and Maestro Paul came through in great
shape — enough to give the big Publix house
one of its best weeks. It was Paul that did
the trick — not the picture. Critics rated the
film a weak one.
In its second week at the Roxy "The Jazz
Singer" continued to pull in patronage from
all parts of the city, the East Side particu-
larly responding to the pop prices. It was a
timely booking by the Roxy management in
lieu of the Jewish holidays and the film was
applauded time after time. It is more than
possible that the Jolson film might have
tilled the 6,200 seater for a third week.
Another high light of the week was Har-
old Lloyd's newest comedy "Speedy," which
smashed all existing box office records at the
Rivoli for a week-end, Paramount claiming a
$400 advance over the mark set by "Sadie
Thompson." Two days showing and a mid-
night performance almost brought a total of
$20,000. "The Gaucho" went out after three
weeks with a fair enough record. It had
previously played nine weeks at the Liberty
at top prices. The Strand with "Stand and
Deliver" (Pathe) held the average for thi-
theatre— not so good, not so bad. The Capi-
tol with Chaney's "The Big City" did not
hold to the high mark it made the first week
but the average for the two weeks is en-
tirely satisfactory.
Paramount's "Wings" continues at the
Criterion as one of the street's strongest at-
tractions and "The Trail of '98" (M-G-M) at
the Astor is also apparently pointing for a
record run. Since the latter - premiere busi-
ness has been remarkably fine. While not
doing the rush business that "Love" did at
the Embasy, "Two Lovers" (U. A.) is get-
ting along fair enough.
Fox's "Four Sons" at the Gaiety is an-
other of the specials doing its share of busi-
ness— nothing sensational hut consistently
fair ever since it opened. "Mother Machree"
is now doing its crying at the Times Square
— for how long? Fox's exploitation dep't
will have to answer. The new Fox picture
"The Street Angel" with Movietone came
into the Globe on Monday of this week and
the boys say it has box office written all
over it.
The Rialto with "Legion of the Con-
demned" is still going along nicely but two
more weeks will probably see the end of a
satisfactory run. The Colony with "We
Americans" is giving this house more trade
than it has had in a long time. At tlu ( . n
tral, Universal's "Uncle Tom's Cabin" is al-
most ready to call it a run after spending
about six months to pretty fair business.
The Cameo let go of "Czar Ivan the Ter-
rible" (Amkino) after four weeks of good
business. Harry Langdon's "The Chaser"
followed in. "Flying Romeos" at the Hip-
podrome shared honors with the K-A vaude-
ville. The First National Murray-Sidney
aviation comedy is well spoken of. At War-
ner's theatre, "Tenderloin" is very very fair.
Los Angeles
HIGH winds and the fact that Holy Week
kept a large number of motion picture
patrons away from the theatre resulted m
all theatres reporting a noticeable slump in
box office receipts.
"Uncle Tom's Cabin," at the Criterion,
was the mecca for school children during
the Faster vacation period. It has been
reported that afternoon performances have
been thronged by grade and high school
pupils. The evening attendance was not
very satisfactory. Spring vacation also
brought out the children to the matinees of
"The Circus" at Grauman's Chinese. The
evening performances were not marked by
any special record breaking attendance.
"Ramona," at the United Artists, with its
popularity unabated, enters its third week.
At the Carthay Circle, "Four Sons" finished
its ninth and final week — leaving an average
record. The Boulevard was very popular,
considering the general run of theatre at-
tendance, with "The Silver Slave," the
Meglin Kiddie Revue, and Gene Morgan
with his novelty numbers.
With an attendance record that will likely
stand for a long time to come, "Wings"
begins its thirteenth week at the Biltmore.
The picture was originally brought into the
Biltmore for a special run of six weeks.
Greta Garbo was a hit in "The Divine
Woman" at l.oew's State.
"The Sporting Age" fell a little below
normal. It was somewhat of a fill-in be-
tween "The Crowd" of last week and
"Speedy," which opens Saturday. "The
Smart Set" brought in satisfactory audiences
to the Metropolitan.
Chicago
DURING the last week of Lent, business
was decidedly spotty in Chicago, many
houses having an exceptionally poor box
office report for that period.
At the Chicago theatre, the four Marx
Brothers in person headed the bill with "A
Night of Mystery" as the screen feature,
the combination proving popular and busi-
ness being extremely satisfactory under ex-
isting conditions. "The Patent Leather
Kid" closed its extended run at McVickers,
attendance being slightly off, the same being
true of "Chicago," which was in its last
week at the Roosevelt. "The Patsy," backed
by special advertising, and Paul Ash and
his Gang in "A Jazz Bouquet," fared better
at the Oriental and business was practically
normal. "My Best Girl," at United Artists
theatre, continued to hold up fairly well.
The Tivoli offered a strong attraction in
George Jessel in person with "Red Hair" as
its screen attraction and had a good wiek.
"Red Hair" was also the screen attraction
at the Uptown theatre, where Benny
Kreuger headed the stage show, business
being fair.
The Granada and Marbro theatres both
offered "The Jazz Singer" with full Vita-
phone accompaniment and had big weeks,
the Marbro holding this picture over for a
second week, for the first time in its history.
The Granada theatre will establish a new
precedent next week when it brings back
"The Jazz Singer" for a five-day showing,
following its successful week ending April
8th. This picture, with full Yitaphone ac-
companiment, is reported to have broken all
records at the big north side house.
Boston
DOWN town theatres report rather
spotty business for the week because
of the observances of various religious holi-
days. Receipts have been, however, better
than in any previous Holy Week in the
memory of the oldest managers, and follows
out the entire season's splendid business.
"The Jazz Singer" completed its eight
weeks' run at the two theatres, Modern and
Beacon, Friday night, where it has run
simultaneously for a new record for each
house. "The Port of Missing Girls" will be
its successor.
"Wickedness Preferred" drew well at
Loew's State and had as a companion pic-
ture "40,000 Miles with Lindbergh." Tin-
presentation was the Mosconi Brothers and
Tyler Mason.
"A Night of Mystery," at the Metropoli-
tan, proved the best Holy Week offering
which the Metropolitan has experienced.
Gene Rodemich and his band staged a col-
lege revue which drew well from the col-
lege population home for the Easter vaca-
tions.
"Sadie Thompson," at Loew's ( >rpheum,
was another picture which brought smiles
to the box office.
The Bowdoin Square's showing of "Ben
Hut" proved a wise selection and played to
heavy business in spite of former showings
of that film in other Boston theatres.
Other films reporting good business dur-
ing the week are "Love Me and the World
Is Mine" at the Scollay Square Olympia.
"The Secret Hour" at the University, "The
Dove" at the Lancaster. "Chicago After
Midnight" at the Washington Street Olym-
pia, "The Noose" at the Capitol and Exeter
theatres, "Finders Keepers" at the Keith-
Albce Boston, and "The Secret Hour" at
the Fenway.
Buffalo
ALTHOUGH it was Holy Week, box of-
fice receipts at Buffalo theatres were
decidedly pleasing last week. Kxceedingly
favorable weather and excellent bills served
to draw the public. "King of Kings," in its
final week of a two-weeks' return engage-
ment, attracted normal audiences, although
attendance fell off some toward the end of
the week. "Sorrell and Son," at the Buf-
falo, with "Roman Nights" as the stage
presentation, packed them in steadily all
week long, except for some lightly-attended
matinee performances. The Hippodrome
lured the customers in in usual numbers
with "Love and Learn" and a Keith-Albee
vaudeville program. "Good Time Charley."
the film feature at the Great Lakes, showed
strong pulling power, especially toward the
end of the week. The Florentine Choir,
with .35 voices, was the stage feature. "The
Circus" played a return engagement, this
time at the Lafayette, and proved the usual
magnet, those who failed to see him in this
picture recently at the Buffalo, (locking to
the Lafayette, where the stage bill was
headed by Harp Ensemble. "Under the
Black Eagle," and Nat C. Haines headlin-
ing the vaudeville program in "Hello.
Mama," proved a happy combination at
Loew's State. Neighborhood houses also
had a fairly good week, nearly all of them
presenting strong bills.
1208
Motion Picture News
Cleveland
LOCAL theatres last week experienced the
annual Holy Week slump. While busi-
ness fell off at almost all the houses, it did
not go below the usual low record for this
period of other years. Keith's Palace
seemed to have survived with the least
■■cars, due, probably, more to the elaborate
style show staged with the co-operation of
one of the leading department stores than
to the feature, "The Sharp Shooters," a
good program picture.
The Stillman maintained a satisfactory
average, bringing a four weeks' engagement
of "The Gaucho" to a close.
"Rose Marie" drew just moderately well
at the Allen, where the picture was offered
with song accompaniments from the play.
Pola Negri on the screen in "The Secret
Hour" divided whatever honors there were
to be divided, at the State, with James J.
Corbett, as the headline vaudeville attrac-
tion. The Park and Cameo played a simul-
taneous first run engagement last week of
"The Devil's Skipper" to pretty good busi-
ness, considering the general average run
of business at all the theatres.
Reade's Hippodrome managed to pull out
some nice profits with "Chicago," a picture
which played the Palace a few weeks ago
to tremendous business. "Come to My
House," a drama of life in a big city, did
only fairly well at Keith's East 105th Street
theatre. The Oriental, which recently ad-
opted a new policy of showing specials,
opened that policy with "Husbands or
Lovers," a German-made production featur-
ing Emil Jannings. The results were en-
couraging, and the policy will be continued.
Neighborhood houses took their medicine
gracefully, expecting just what they got —
a poor week.
Kansas City
A STRONG lineup of pictures and cooler
weather had beneficial effects upon the
box offices of first run theatres in Kansas
City this week. Richard Dix, in "Sporting
Goods," at Loew's Midland, played to good
crowds throughout the week, as did "Bring-
ing Up Father," at the Newman
At the Mainstreet, Leatrice Joy, in "The
Blue Danube," played to a fair week's at-
tendance, while the Pantages did a big
business on "Dressed to Kill." Marie Pre-
vost, in "The Night Bride," at the Globe,
also held up well during a week's engage-
ment.
Nothing out of the ordinary routine
newspaper advertising and lobby displays
was attempted by any of the theatres, with
the exception of a bit more lobby display
at the Liberty on "Bringing Up Father," a
few more cut-outs being used.
San Francisco
BOTH good and poor business conditions
were reported by the first-run motion
picture theatres in this city. One reason
for the poor business being laid to weather
conditions, as exceptional rain and wind
storms were witnessed for four days. The
end of the week was better than the early
part.
"The Jazz Singer," held over for a seventh
week showing at the Embassy Theatre, again
crowded that theatre. It was estimated that
almost 200,000 attended this Vitaphone house
in that time. A record has been set by this
picture in San Francisco, and it will be held
over an eighth week.
Another picture that went over big last
week was Marion Davies in "The Patsy,"
shown at Loew's Warfield Theatre, together
with the Rube Wolf production. Weather
condition kept none from visiting this house
in the evenings or afternoons. Norma Tal-
madge in "The Dove," together with the
Publix Stage Revues, well filled that the-
atre.
"The Enemy," shown at the California
Theatre, while proving fairly popular with
some war veterans, was not popular with
the people as a whole, as very few, compara-
tively, went to see this picture the first
week. War pictures are not, generally,
popular here.
"Partners in Crime," shown at the St.
Francis Theatre, while considered a fairly
good feature comedy, was not good enough,
it seemed, to induce the man or woman to
leave his home on a stormy night.
The Golden Gate Theatre more than
crowded its doors with the Sixth Anniver-
sary Program shown with the feature com-
edy, "Stand and Deliver," and special vaude-
ville acts. The Union Square reported fair
business with "Tongues of Scandal," "Man
of Letters" and vaudeville acts.
Manager Jack Ley reported big business
in the residential theatre, The Alexandria,
where "Old San Francisco" was shown, and
Rill Crosby reported big business in his
residential house, The Coliseum Theatre,
where "The Broncho Buster" and the spe-
cial stage attractions were shown.
Harrisburg
A GOOD variety of attractions in the
downtown houses brought quite satis-
factory business to the Harrisburg theatres
in the week preceding Faster. At Loew's
Regent there was a bill featured by "The
Latest from Paris," which pleased the pat-
rons immensely. Added to this in the same
program was the film, "40,000 Miles with
Lindbergh," which, being well advertised
in the newspapers, boosted the crowds.
Wallace Beery and Raymond Hatton ap-
peared on the Victoria screen in "Partners
in Crime," and made a distinct hit. Harris-
burg patrons declared this film is one of
the funniest made by this pair, and the
crowds were big throughout the week. Tom
Mix, in "The Arizona Wildcat," was the fea-
ture at the Colonial, where the crowds were
not quite up to par, although those who saw
the film liked it.
At the State the picture feature the last
half of the week was "The Girl from Chi-
cago." The Broad Street did good business
with a double bill consisting of "Your Wife
and Mine" and "The Son of a Gun." The
Russell also offered a double feature witli
considerable success. It was "White Peb-
bles." with Wally Wales, and "Stolen Pleas-
ures," with Helene Chadwick.
Ottawa
THEATRES of Ottawa. Ontario, did hit
a slump during Holy Week. There was
no attempt on the part of Ottawa exhibitors
to lay down in the matter of picture quality
and patronage was fairly good during the
first few days of the week. The outstanding
film was "Beau Sabreur," at the Regent
theatre, which was well liked despite re-
moval of the dancing scenes by the censors.
"The Leopard Lady," at B. F. Keith's, had
the fans talking.
Ottawa fans saw "The Last Laugh" at
last at the Imperial theatre. It opened to
tremendous business on the Saturday be-
fore Holy Week. Later in the week a new
print with sub-titles was substituted for the
wordless print, but, judging by comment,
nothing was gained by the change. The
picture had been banned in Ontario for
three years because of its German origin.
"Sailors' Wives," at the Centre theatre,
was popular among the sheiks and shebas.
At the Columbia theatre, the regular pat-
rons, which include many juveniles, were
delighted with "Red Hot Leather," a typical
Jack Hoxie feature. There was also plenty
of excitement at the Rex theatre for "The
Riding Rascal."
Seattle
FOR the fourth consecutive week since its
opening, the Publix Seattle theatre
topped all other houses in this city last
week, piling up a large gross, against av-
erage or below average business for the
other houses.
"Red Hair" was the screen attraction at
the Seattle, and Clara Bow again demon-
strated that she Was probably the best
drawing individual star in films that hits
this city. Gross for the week around
$20,000. "
The Fifth Avenue theatre had a week
that was quite a bit better than average —
"Chicago" was the attraction. The film was
widely heralded, but was not especially well
liked by most patrons. Fanchon-Marco's
"Circus Days Idea" on the stage was not
particularly good.
"Wild Geese" at the Blue Mouse theatre
was one of the week's surprise attractions,
pulling very good business and getting unus-
ually good audience and newspaper com-
ment, despite its heavy theme. The film did
a very good weeks gross, aided by a group
of Vitaphone acts that were not exceptional
in entertainment value. Business slightly
above average.
"Ramona" was the attraction at the
United Artists theatre, where business was
below normal. "Soup to Nuts," as the
comedy attraction, took the house by storm.
A week below average, and the film was
taken off.
At the Columbia,, "Love Me and the
World Is Mine" was the film feature. It
had a fine cast and director, but failed to
click. Earl Gray and His Orchestra were
featured on the stage. The double bill at-
tracted just the average business.
"Come to My House," at Pantages, was
considered a good program attraction that
played to fairly good houses, and "The
Shield of Honor," at the Orpheum was
fairly well received, but had no particular
box office appeal. Business at the Orpheum
is still below normal, despite the new re-
duced prices and grind policy.
"Outcast Souls," at the Embassy, and
"Border Cavalier," at the Winter Garden,
were program attractions. Neighborhood
business is still off, with the exception of
the Egyptian, which still does big business
with its new Vitaphone and Movietone in-
stallations.
Tarn pa
HOLY Week cut into the box office tak-
ings this week and business shows up
"off" in all houses, with the possible excep-
tion of the Victory, which led the field in
receipts, and was the only house t" report
business up to the average. The attraction
that brought the business for the Victory
was "Tenderloin" and four extra good Vita-
phone presentations. Manager Peck had
so many requests from people who refrain
from amusements this week to hold this
show over that he has arranged to keep the
entire program for a second week's run.
The Tampa, for the first time since it
opened, featured the stage presentation
above the screen for the first half of the
week. The stage attraction was '"Florida,"
with a local girl featured. The screen at-
traction was "A Girl in Every Port." The
show opened Sunday to very good business,
but the following three days were just fair.
"The Smart Set" was the feature of the last
half, and it did fairly good.
The Strand had two pretty good days with
"The Flying Romeos," but "Freckles." used
the next three, failed to draw, or did "Wo-
man Wise" start anything the last two.
The Franklin also had an under average
week. "The Chaser" and "The Devil's Skip-
per" were the first run attractions used, and
"Old Ironsides" was brought back for a
second showing.
April 11
19 28
1209
Cincinnati
BUSINESS in the downtown houses wenl
considerably above the average last
week. As all the more prominent house s in
the business section are under control of
the Keith-Albee-Libs< >n- 1 [arris-Heidingsfeld
interests, and the takings, therefore, all re-
verting to the same place, the average is usu-
ally satisfactory in any case where one or
more of the houses should happen to ex-
perience a slump during any particular
peril id.
"The Jazz Singer," with Vitaphone at the
Capitol, drew as heavily in its second week
as it did during the first week's run. The
picture is being held over for a third and
what is said to be the final week.
"The Legion of the Condemned" at Keith's
also enjoyed a very good week, and will be
held over for another seven days.
The Albee displayed "Silk Legs," together
with the Pavley-Oukrainsky Ballet as the
stage attraction, and piled up a nice gross
for the week. "Chauve Souris" was pre-
sented at one of the legitimate houses at the
same time, and whether the Albee booking
was intentional or accidental, the house
cashed in to a considerable extent on the
Russian spectacle, which was plaving in the
city.
The Lyric, in the final week of "The
Enemy," did a satisfactory volume, both for
the last week, as well as the entire engage-
ment. "The Whip Woman," at the Walnut
drew fairly well, while the Strand, with
"Something Always Happens," had quite a
satisfactory week.
The Family, playing split week with "Why
Sailors Go Wrong," first half and "Nameless
Men last half, did an average business witli
both films.
Des Moines
"l)OSE MARIE" played at the Des
11 Monies theatre here for a very nice
week's business. Tt was shown with "Forty
Thousand Miles with Lindbergh." and this
also was a line drawing card. At the Capi-
tal theatre, "The Showdown" was the fea-
ture, and this picture was given a good
hand. I he stage show was "Night Life"
which had several good hits in it and was
a rollicking collection of fun. At the Strand
theatre, playing for the half week, "The
Patsy" did business out of the ordinary. It
was exceptionally well liked. "The Circus
Rookies" finished out the week and did
nicely.
The vacation at school offset the Holy
W eek slump at the theatres in Des Moines
hut exhibitors over the state have been mak-
ing bitter complaint of the run of trade at
this season.
Minneapolis
V^7ITH the exception of the new Minne-
» * sota Theatre, which did another tre-
mendous business the second week of its
existence, Minneapolis exhibitors didn't have
a great deal to be thankful for during Holy
Week. I he Minnesota was still stealing the
crowds away from all the theatres, the Chi-
cago Grand Opera Company came into town
to play to some 30,000 persons in the new
auditorium, and one evening was spoiled for
the movie theatres by an unseasonable snow-
storm which assumed the proportions of a
blizzard at times. The combination of all
these circumstances made Holy Week just
a bit drabber than usual.' theatrically
speaking.
Greta Garbo in "The Divine Woman," was
at the Minnesota, while the Publix' unit,
"Blue Plate," staged by John Murray Ander-
son, was the stage attraction. The theatre
did a whale of a business, although it is only
iair to say that the newness of the theatre,
rather than the picture attraction, was re-
sponsible for the crowds. Al Jolson in "The
Jazz Singer" came back to the State for a
repeat engagement, but did a very mediocre
business. This was the first time in eight
years that the Stale had ever played a repeat
engagement. Two months ago "The ja^z
Singer" broke all house attendance records
at the State, but last week it just couldn't
get going.
The Strand showed the mystery picture,
"The Chinese Parrot," and the Garrick
showed "The Blue Danube," but neither pic-
ture was big enough to overcome the odds of
the week. "Under the Tonto Rim" was at
the Lyric, and Pantages bolstered its vaude-
ville program with "Topsy and Eva," star-
ring the Duncan Sisters. The Hennepin-
Orpheum's picture was "Chicago After Mid-
night." It is no secret that the new Min-
nesota has affected the attendance at both
these vaudeville houses rather badly, al-
though probably only temporarily.
Some of the neighborhood houses reported
good business. The Lagoon, for example,
made a fine showing with "Seventh Heaven,"
and so did the Loring. ( )ther neighb< >rhl iod
attractions included such pictures as "Garden
of Allah," "Sadie Thompson," and "Gentle-
men Prefer Blondes."
Milwaukee
MILWAUKEE theatres have just fin-
ished a record week — a record for the
season's slowest business. The close of the
Lenten season was one reason and the incle-
ment weather was another. "The Gaucho"
at the Garden started fairly well, but busi-
ness dropped off appreciably at the end of
the week. The picture is being held over for
another week. The Wisconsin offered "The
Heart of a Follies Girl" to very slim houses.
"Finders Keepers" failed to stimulate any
unusual business at the Alhambra. "Quality
Street' 'was accorded fair patronage at the
Merrill. "Tillie's Puntcured Romance"
brought rather meager patronage to the
Strand. "Stand and Deliver" was the photo-
play feature at the Orpheum where business
was also very quiet.
Neighborhood theatres found things rather
dull throughout the entire week. The Co-
lonial offered "Surrender," and business was
fair. "The Cohens and the Kellys in
Paris" brought moderate patronage to the
Venetian. "Helen of Troy" was rather popu-
lar at the Oriental. "The Divine Woman"
at the Garfield, Uptown, Tower and Mod-
ieska found business dull. The National and
Milwaukee theatres did moderately well
with "The Student Prince."
Dallas
RECEIPTS at the Dallas theatres for the
past week were only fair and the
weather received most of the blame.
At the Majestic. "Ladies Must Dress"
brought a fair gross for the week, but failed
to get the average Majestic crowds. "The
Smart Set," at the Melba. did not get the
good opening "West Point" enjoyed, but
business built up and receipts for the week
were good. "40.000 Miles with Lindbergh"
was included in the program and was re-
sponsible for a nice share of the business,
due to the good publicity behind it.
At the Palace, "Rose Marie" opened slow,
but after the first three days of fair business
they were packed for the rest of the week.
The presentation offered was a P>ody Beau-
tiful Revue, composed of 16 local girls, and
was well received.
"On Your Toes" failed to get the business
for the Capitol, and gross for the week was
low. "The City Gone Wild" and "Burning
Daylight" proved to be good box office at-
tractions for the Old Mill, and business was
above average for the week.
"The Gaucho" and "Gentlemen Prefer
Blondes" brought the Arcadia another good
week, with Fairbanks getting most of the
business.
Baltimore
BUSINESS for Holy Week in the Monu-
mental City, beginning April 2, went to
a very low ebb, with only Loew's Century
doing what might be called a very good
business for that week with Norma Shearer's
latest starring vehicle, "The Latest From
Paris," and a stage presentation act entitled
Sec-Saw, with Ted Claire and other head-
liners.
As a special Holy Week attraction "The
White Sister," starring Lillian Gish. was
shown in its reissued form at Loew's Valen-
cia, and on the same program was "40,000
Miles With Lindbergh." Business through-
out the week was fairly good.
A surprise greeted the management of the
Little Theatre, operated by the Motion Pic-
ture Guild, Inc., for "Light of Asia," the
production made in Fast India under the di-
rection of Himansu Rai, went over good
throughout the week. It was decided to
hold the picture for another week.
"Across the Atlantic," starring Monte
Blue with Edna Murphy, went across good
at Warner's Metropolitan during the first
three days, but proved only fair during the
latter three days.
At the Keith-Albee New Garden Theatre,
"A High School Hero," featuring Sally
Phipps, with high-class Keith-Albee acts,
went over fairly well.
Business was considered poor at all the
other first-run houses, including Keith's
Hippodrome, with "Almost Human," featur-
ing Vera Reynolds, and Keith-Albee family
time vaudeville: at the New Theatre, with
"Blue Danube," featuring Leatrice Joy,
Joseph Schildkraut and Nils Asther, and a
vaudeville act ; at the Palace, where "The
Rose of Kildare," featuring Pal O'Malley,
was shown with burlesque ;at the Stanley,
where "Finders Keepers," -tarring Laura
La Plante, was shown on the same bill with
a presentation act called liroadway Revels,
with Boyd Senter, and at the Rivoli, where
"The Texas Steer," starring Will Rogers,
was on the bill.
Salt Lake City
THEATRE reports of the down town
houses are slightly above the average
this week at several of the houses. The
weather turned suddenly cold for a few days,
encouraging inside entertainment, and some
special productions also proved to be good.
"Burning Daylight" played to capacity
houses at the Capitol theatre, in conjunction
with the special stage attraction featuring
"Fight Famous Victor Artists."
"The Crowd" was personally endorsed by
Manager Grant Pemberton. of the Pantages
theatre, during the forerunning week on the
screen, as being a picture of unusual enter-
tainment value and has drawn big crowds
all week to this house, which also offers a
vaudeville program.
Charlie Chaplin, in "The Circus," is hav-
ing an extended run at the Paramount Em-
press and the house has been packed to
overllowing during the matinee perform-
ances.
Will R ogers, in "A Texas Steer," did an
average good business at the Victory the-
atre, according to reports, as did Reginald
De nuy, in "On Your Toes," at the Ameri-
can.
"Skyscraper" proved to be very success-
ful, according to reports from the Gem the-
atre this week, capacity houses being the
rule. The second showing of "Sorrell and
Son" drew good business i" tin Rialto, it is
reported.
The Mission Neighborhood house offered
"Man. Woman and Sin" the fore part of the
week with a good share of success. Mary
Pickford, in "My Best Girl," was a very
satisfactory drawing card at the Towers,
being shown as a third run, and "What
Price Glory" filled the house generally at
the Forum as a third run.
1210
M o t i o n Picture News
Albany
THE combination of Holy Week and mid-
summer weather proved too great an
obstacle for the majority of motion picture
theatres in Albany to surmount during the
past week. In all probability the week will
be known as the worst week from the box
office standpoint, during the entire year.
The weather was of the sort that reminded
one of June or July, rather than April,
hringing out the automobiles by the thou-
sands, and leaving the theatres stranded
for business. At the Mark Strand, "The
Jazz Singer," playing a return engagement,
did not do any business to brag about. The
same might be said of the Leland, in Al-
bany, running "The Tragedy of Youth."
The Clinton Square theatre in Albany fared
no better with its first run double features
consisting of "The Tired Business Man"
and "The Haunted Ship." The Mark Ritz
in Albany did fairly well with "Chicago
after Midnight," and this picture would have
probably packed the house any other week.
Harmanus Bleecker Hall, which has been
playing to capacity audiences with a combi-
nation of pictures and vaudeville, also felt
the effects of the weather and the closing
week of the Lenten season. The- neighbor-
hood houses in Albany reported business as
being bad during the week. In the neigh-
boring city of Troy there was little business
done by the motion picture theatre either
in the business center of the city or among
the neighborhood houses. The Lincoln used
"Nameless Men" to poor business, while
"Two Arabian Knights" played to mediocre
business at the Troy theatre.
Atlanta
ATLANTA theatre box-offices this week
waved a banner flag on the whole. The
Capitol, with "Thanks for the Buggy Ride,"
plus a good vaudeville bill, drew crowded
houses throughout the week. Next door, 'it
Keith's Georgia, "Something Always Hap-
pens" filled the seats easily every day.
Down the street, at the Howard, "The
Garden of Eden" drew praise and a teem-
ing coffer, and Loew's Grand, with "Quality
Street," did not suffer, although business
was on the slump.
The Rialto, showing "So This Is Love,"
held the scales about even with preceding
weeks. "If I Were Single," following "The
Jazz Singer" at the Metropolitan, ran stead-
ily good throughout. Three short numbers,
"The Lash" particularly, drew loud hands.
The Tudor had fair business from "Desert
Dust," "Captain's Courage," and "Splitting
the Breeze," while the New Alamo played
to good houses with a second run bill for
the week.
Baltimore
(Week of March 26)
TWO first-run theatres here did excep-
tionally well during the week begin-
ning Monday, March 26, despite the Lenten
season, "The Night of Mystery," starring
Adolphe Menjou, going over strong at the
Stanley with a stage presentation, headed
by Boyd Senter, including the six Brown
Brothers and other attractions.
At Loew's Valencia Emil Jannings con-
tinued to pull them in strong with "The
Last Command" during the second week of
its engagement there. Business at that
house was considered excellent and this was
thought due in part to the advertisements
which were placed in every foreign news-
paper in Baltimore.
At Keith's Hippodrome "Wallflowers,"
featuring Jean Arthur and Hugh Trevor,
went over good with five acts of Keith-Al-
bee family time vaudeville on the same bill.
Business at Warners' Metropolitan, with
"The Fortune Hunter," starring Syd Chap-
lin, with Vitaphone musical accompaniment,
proved a fairly good drawing card there with
other Vitaphone attractions also.
Bebe Daniels' latest starring vehicle
"Feel My Pulse" proved only a fairly good
business getter at Loew's Century with a
stage presentation called Broadway Blues
with Ted Claire as master of ceremonies.
Fairly good business was done by "Streets
of Shanghai" at the Keith-Albee New Gar-
den with Sessue Hayakawa on the same bill
with other Keith-Albee high class acts.
The Neuman production "Power of Dark-
ness" held forth at the Little theatre, op-
erated by the Motion Picture Guild, Inc.,
and business started off fair but wound up
very good during the latter part of the week.
The good patronage during the last part of
the week was attributed to a splendid re-
view given in the Evening Sun by Q. E. D.
"The Devil's Skipper, with Belle Bennett,
proved only a fair drawing card at the Riv-
oli with the program including Maryland
Revels on the stage with Willy Smith and
his jazz instrumentalists and other feature
artists.
"Pajamas," starring Olive Borden, went
over good at the New theatre with a stage
presentation and at the Palace where bur-
lesque is given in addition to pictures, "A
Blonde for a Night," starring Marie Prevost,
proved a fairly good attraction there.
News Reel Resume
Paramount News No. 73: Rockefeller, Sr.,
on Florida golf links; workmen dressing up
the ferris wheel at Coney Island; snapshots
of Chauncey M. Depew; new invention
which enables tennis player to practice up
on his strokes; Capt'n Wilkins ready for
his polar flight; youthful candidates for
the Fascisti ranks; the navy trying out new
planes; animal tamer's children in Los An-
geles; the world's roughest ride — the grand
national steeplechase in England; Cam-
bridge crew defeating Oxford.
No. 74: Harry F. Sinclair on trial in
Teapot Dome case; children crowding the
White House lawn for Easter egg roll ;
Moors end month of fasting; Thomas Edi-
son; Easter morning services in Washing-
ton hospital; boy scouts visiting New York
zoo; gnns on California coast proving their
defensive qualities; the oldest garden in the
U. S. located in Charleston; Byrd's South
Pole plane ready; Easter fashion parade in
Atlantic City; army tank corps in ma-
neuvers.
Pathe News No. 31 : The rough and ready
course of the grand national steeplechase
in England; Cambridge defeating Oxford;
Chauncey M. Depew; a kiddies' circus; air-
plane wreck in which American fliers were
killed while nearing Mexico City; marathon
runners reach Texas line; the "Big Ten"
begin football practice.
No. 32: Lindbergh testing his new plane;
French race across country on skates ; a
bungalow high up on a tree; a rummage
sale in Paris; Easter finery display in At-
lantic City, Washington, D. C, and New
York; Byrd's plane tested in Canadian
wilds.
International News, Vol. 10, No. 28:
Annual Fairbanks dog Derby in Alaska;
150,000 recruits mass in rain for Musso-
lini; Chauncey M. Depew; Sec'y Mellon
sailing for Europe; Rockefeller, Sr.; Arthur
Vandenber.t, new U. S. Senator; girl ath-
letes in Olympic tryouts; kindergarten tots
lighting disease by drinking milk; Mrs.
Lottie M. Schommell making swimming en-
durance record recently surpassed; basket-
ball stars competing for national champion-
ship; a shipment of 1,100 monkeys; spills
in the grand national steeplechase in Eng-
land.
No. 29: Lindy and his new plane; earth-
quake devastates Italian town; salmon fish-
erman sailing for Alaska fishing banks;
cherry blossoms announce spring's arrival
in Washington; tests freak auto for try at
new speed mark; new-recruited troops sail
for Panama; colored folk baptizing in the
Mississippi; gay Easter style parade in New
York; goats shorn of their wool; Cadets'
opening review at West Point.
Kinograms No. 5385 : Windjammers off
on sea race; Chauncey M. Depew; cadets
from England visit French academy at
Saint Cyr; spring beer demonstrations in
Germany; LaCoste's new tennis practicing
machine; the grand national, classic steeple-
chase.
No. 5386: Cambridge crew defeating Ox-
ford; Easter parade in New York; the same
in Atlantic City; the egg rolling at the
White House; negroes baptized on Easter
morning in the Mississippi; two salvation
army workers and their 11 children; Lindy
flies new plane for the first time.
M-G-M News, Vol. 1, No. 68: Recruits
join the Fascisti army; General Pershing;
Chauncey M. Depew; woman who swam 32
hours; John D., Sr., as he leaves "Dixie";
lions roar as jazz band plays; Wilkins hops
off on first lap of Polar flight; England's
great steeplechase.
No. 69 : Easter pageants and fashion dis-
plays; throngs follow the "way of the
cross" in the Roman Coliseum; windjam-
mers start for Alaskan fishing grounds ;
dogs do police duty on English wharfs;
Lindbergh makes test flight in new plane;
feats of new x-ray tube; wire-walking above
New York skyscrapers.
Fox News, Vol. 9, No. 55: Golf pros com-
pete in North and South open ; French
president opens French cattle show; style
experts decide on new dress styles; camera
interview with Paul Block, newspaper own-
er and publisher; Americans who set new
plane endurance mark; the huge statue of
St. Charles above Lake Magiore; Will
Rogers and Rockefeller, Sr. ; cowboys
rounding up wild horses.
,No. 56: Bowie "inaugural" opens race
season on Maryland track; boys shoot falls
in eanoes; little horsewoman shows her skill
with her steed; Cambridge defeats Oxford;
new changes in New York 's skyline ; Musso-
lini sees Italian boys enter Fascisti organi-
zations; Desert bedouins salute the English
in camel procession; the famous grand na-
tional steeplechase.
Indefinite Philly Run for
"Les Miserables"
' ' Les Miserables, ' ' the French production
being released through Universal, will be
launched in Philadelphia on April 23rd at
the Arcadia Theatre, the long-run house of
the Stanley organization. It goes in for an
indefinite run, it is announced. Bob Wood,
Universal exploitation man, has the prom-
ised co-operation of the Philly schools and
civic authorities.
April 1 i
19 28
1211
TC7T
EXTRA!
Classified Ads
RATES: 10 cents a word for each insertion, in advance
except Employment Wanted, on which rate is 5 cents
Selling the screen version of ''Chicago" to theatre-
goers in the cities and towns of the country.
Above are reproduced several newspaper displays
which featured campaigns for this picture. The
ads shown were used by the Regent, Rochester;
Adam's Newark, \. Circle Indianapolis: hirhy.
Houston. Tex.; S chine's Eckel, Syracuse. \. V..
and Rialto, Washington, D. C.
Situation Wanted
ORGANISTS and SING-
ERS, thoroughly trained and
experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address, Chicago
Musical College, 64 E. Vai/
Buren. Chicago.
Laboratory man, nine
years' experience in all
branches of laboratory work,
including 16 m.m. production.
At present employed ; desires
connection with future. Ad-
dress: Box 195, care Motion
Picture News, 729 Seventh
Avenue, New York City.
Experienced Projectionist.
Single. Go anywhere. Write
or wire. Carr Hilburn, Bla-
denboro, North Carolina.
ORGANIST. AAA refer-
ences from theatres that
count. Exceptional opportu
nity to secure well known mu-
sician of uncommon ability.
Investigate. Box 315, care of
Motion Picture News, New
York City.
EXPERIENCED
MUSICAL CONDUCTOR,
baton, arranger — with vast
library of music for pictures
and concert — is open for en-
gagement. Address, Musical
Conductor, care of Love, 514
West 136th St., New York
Citv.
WANTED — Experienced
sidesman to sell Pipe Organs
in middle west territory. Op-
portunity for a live wire to
make real money. Address
Box 340, care Motion Picture
News, 729 Seventh Ave.. New
York.
For Sale
FOR SALE-Two theatres
in Southwestern town of 15,.
000. Both located advantage-
ously. At a bargain for cash
sale. Address Box 341, care
Motion Picture News. 729
Seven tli Ave.. New York.
1 • 3 0 0 B A S E B a L L
•HAIRS for Hall Park. Air-
drome. Like new. $1.35 each
2,500 LEATHER [JPHOL^
STBRED and VENEER The-
atre Chairs perfect condition,
800 are RE-UPHOLSTERED
look like new. $1.50 up. Will
sell any amount. AMUSE-
MENT SUPPLY CO.. INC..
729 Seventh Ave.. New York
City.
FOR SALE. — 1.1 (ii i second
hand, veneer theatre chairs in
first class condition at $1.10
per chair. Also 650 first class
upholstered opera chairs at
$3.00 per chair. Address Box
425, care Motion Picture
News, 729 Seventh Ave., New
York.
FOR SALE : Corporation
operating chain of six thea-
tres in towns of 2,000 to 7,000
population. Will sell all or
part. Inquire Box 323, care
Motion Picture News, 729 7th
Ave., New York City.
FOR SALE— Hope Jones
Wurlitzer Unit Organ— Style
No. 135— With automatic at-
tachment, four-stop unit
piano console, three sets of
percussions, and full set of
traps— Complete with blower
and generator. Organ in its
ova swell box. Also one Re-
produce Player Pipe Organ.
Address: S. II. Selig, 450
South State Street, Chicapn
111.
PAYING T II E A T R E
WANTED. (Jive d e tail s.
Box, 339, eare Motion Picture
News, 729 Seventh Ave.. New
York Citv.
1212
.1/ o t i o ii P i c t h r c X ews
Opinions on Pictures
Nameless Men
Good Melodrama
(Reviewed by Raymond Ganly)
POSSESSING a good story emblazoned
with the good old fireworks, a melo-
dramatic type of entertainment is presented
here. There is excellence in the direct inn
and in the portrayals by Eddie Gribbon,
Ray Hallor and Antonio Moreno. It is a
well balanced yarn, with a variety of things
to keep it alert and snappy.
The gentry of the underworld and of the
penitentiaries — these are the birds whose
fortunes are disclosed in the story. A de-
tective goes among them, becomes a fellow
prisoner, so that he can learn their secret.
He falls in with a big, easy-going crook with
the result that they are soon side-kicks. All
these pleasantries continue until it becomes
imminent for the detective to save the
brother of the girl he loves. The other
crooks are anxious to elicit valuable infor-
mation out of him and are succeeding. This
is the time for the detective to break his
bonds, set a police squadron in pursuit and
engage the villains in personal combat.
The way it is directed and acted gives it
a smack and punch which raises it above the
average melodrama.
Drawing Power: A good prospect for
houses catering to lovers of melodrama.
Exploitation Angles: Stress the underworld
angle, its prison scenes. They rob a bank,
which scene makes good attraction getter.
THEME: Melodrama of the underworld
in which a detective saves the young brother
of the girl he loves from hecoming enmeshed
in a life of crime. To do this he is forced
to kill a crook, a buddy with whom he has
palled to get the evidence on him. But he
finds solace in the girl.
Produced and Distributed by Tiffany-
Stahl. Released, January, 1928. Length,
5,708 feet. The Cast: Antonio Moreno,
Claire Windsor, Ray Hallor, Eddie Gribbon,
Sally Rand, Steppin Fetchit, Carolynne
Snowden, Charles Clary. Story by E. Mor-
ton Hough. Continuity by Jack Nattci'onl.
Director, Christy Cabanne.
The Chorus Kid
Average Film Fare
(Reviewed by Raymond Ganly)
rTy HE ex-chorine gets her man in this
*■ truly make-believe story of a jazz
mamma and a doting millionaire who thinks
she's a dear. Having become well-to-do
with some oil stock, the gal decides to drop
a few yeai's from her scroll, enter a school
for girls and experience some of the child-
hood she had missed. The result of her lit-
le venture is that she becomes intimate
with the daughter of the millionaire, meets
him at his home and falls in love.
Standing in their way and watching the
romance with a malignant eye is a schem-
ing widow with a strong yen to get the mil-
lionaire her self. When he learns of the
girl 's deception of course he feels hurt,
but is willing to forgive all. There is a
further romance between the daughter of
the millionaire and the widow's son. Al-
most everyone seems to have found happi-
ness except the widow, who finds herself
baffled in the end.
This tale of so slight timber has been
produced in a satisfactory fashion. Ex-
citement is not overwhelmingly in it, by
any means. There are some good bits of act-
ing from the cast. Of them all, Hedda
Hopper is the best as the poor widow.
Howard Bretherton directed smoothly while
building up to his climax — a scene in a
hunting lodge where the final cards are
disclosed.
Drawing Power: Fair. Suitable for
neighborhood, second-run theatres and the
like. Exploitation Angles: See the press
book.
THEME: Heart drama of a chorus
girl's venture to capture her childhood.
She finds instead love and romance in the
form of a wealthy man, whose daughter is
her chum at school.
Produced by Gotham. Distributed by
Lumas. Released, April 10, 1928. Length,
6,200 feet. The Cast: Virginia Browne
Faire, Bryant Washburn, Thelma Hill, Tom
O'Brien, John Batten, Sheldon Lewis.
Story by Howard Rockey. Director, How-
ard Bretherton.
Flying Romeos
Good Aviation Comedy
(Reviewed by E. G. Johnston)
PURSUIT of aviation engages the atten-
tion of the well-known comedy team of
Murray and Sidney in this new First Na-
tional release, and we firmly believe your
audience is in for some real, deep-throated
laughs. Two sequences stand out as the
best; the first, in which the pair go through
their evolutions in the air, being by far the
most interesting. Director LeRoy also de-
serves credit for his efforts here. The other
most worthy of mention has to do with a
barber shop where a large number of com-
edy fans have seen this pair before! But
some new tonsorial stuff has been injected,
and past experience has only made these
two the more experienced in this particular
profession. The rest of the cast do their
work in good style.
Charlie and George are the proprietors
of the tonsorial firm of Cohen and Co-han.
Both are in love with their manicurist, who
has a fondness for aviators. One appears
in the shop for a hair cut and they vent
their ill feeling by giving him a bad hair
cut. To further their love affairs, the part-
ners take up aviation, become panicky in
school, escape in underwear, and take refuge
inside a 'plane in a nearby aviation field.
They unwittingly put the plane in motion
when mechanics are testing the motor, and,
as this machine is equipped with a new
gyroscope, marvelous stunts are performed.
The owner insists that they fly his 'plane on
a trans-Pacific flight — which they attempt
with the aid of a crazy pilot. The latter
is absolutely balmy and but for parachutes
our heroes would have been in for their last
moments. On their safe return the mani-
curist has married another aviator.
Drawing Power: A sure thing for all
houses catering to a comedy-loving audi-
ence. Exploitation Angles: Take advan-
tage of high interest in aviation by putting
over any reasonable airplane ballyhoo or
stunt. Press book describes several. Toy
'planes and parachutes may be procured at
small cost. Play up names of stars.
THEME: Irish- Jewish barber shop part-
ners come to grief attempting to gain love
of manicurist who prefers aviators to ton-
sorial artists.
Produced and Distributed by First Na-
tional. Length, 6,172 feet. Released, Feb-
ruary 26, 1928. The Cast: Charlie Murray,
George Sidney, Fritzi Ridgway, Lester
Bernard, Duke Martin, Jas. Bradbury, Jr.,
and Belle Mitchell. Directed by Mervvn
LeRoy and Produced by E. M. Asher.
Speedy
Fast-Gaited Fun Vehicle for Lloyd
(Reviewed by Thomas C. Kennedy)
THE title of the picture tells the whole
story of this new Harold Lloyd comedy,
graced with a metropolitan background
which should make it especially appealing in
the cities and towns of the country and en-
dowed with a showmanship quality, typical
of this star's product, in the form of a
timely interest in its introduction of base-
ball and amusement park sequences.
Lloyd and his gag men (or if you will
"comedy constructors") have devised a
formidable array of comic incidents, lined
them up into a compact parade and set the
whole business off at a pace possibly
equalled but probably not surpassed in any
previous screen work. It is the speediest
picture this reporter has memory of seeing,
and the laughs are nicely timed to match
the pace of the action. In casting his lot in
that direction, naturally the comedian places
less accent on characterization than has
been his tendency in the several works
which preceded "Speedy." But there is
no danger in relying solely upon incident
when the material is so sure-fire and the
execution thereof is in the keeping of an
actor so well versed in his craft and so
shrewd in his understanding of audience re-
action as is Mr. Lloyd.
There is a plot. It concerns itself with
an old-timer, the owner of the last remain-
ing horse-car line in New York. The fran-
chise is valuable to a big traction company,
and they buy out old man Dillon at a hand-
some figure, thanks to Speedy 's uproarious
and break-neck dash to send the old car over
its route before the expiration of the 24
hours specified in the franchise. Speedy is
in love with Dillon's daughter and he ulti-
mately makes good, though his previous
record has been a new job a day. The inci-
dent opens with Speedy 's crack exhibition
of "soda jerking" behind the fountain at a
confectionery. Next he tries a job as a taxi
driver, which culminates with as wild a
ride through Broadway traffic as ever has
been executed. Speedy 's fare on this trip
is Babe Ruth, and the famed Sultan of Swat
registers a clever performance in expressing
April 14, 19 28
[213
shock and tear as he is whirled to the
Yankee Stadium to be in time tot the game.
A trip to Coney Island is productive of a
series of really funny incidents. The dash
of the old horse-car despite obstacles set up
by the "interests" is a riot of fun.
Ann Christy, a very competent come-
dienne, is the heroine. And Miss Christy
makes a pretty and pleasing one. Berl
Woodruff does an excellent job of the old
horse-ear driver, and Brooks Benedict com
pletes the east receiving credits in the pro-
gram. Ted Wilde directed "Speedy."
"Speedy" is for all ages and all types of
f'iins. It will score as a laugh hit every-
where.
Drawing Power: Very good. Exploita-
tion Angles: A very elaborate campaign
book has been prepared on this release,
which offers excellent opportunities for ad-
vance teaser advertising of the ballyhoo,
poster and newspaper style, and many op-
portunities for local tie-ups with taxi com-
panies, street car companies, amusement re-
sorts, moving van companies, book stores,
etc.
THEME: A comedy dealing with a like-
able chap who is just a little too fast for
the type of jobs he can get, and he gets a
new one every day. But he makes good for
the girl he loves by saving her father his
horse-car franchise and finally sells it over
to a big traction company.
Produced by The Harold Lloyd Corpora-
tion. Distributed by Paramount. Released,
April, 1928. Length, 7,960 feet. The Cast:
Harold Lloyd, Ann Christy, Bert Woodruff,
Brooks Benedict. Director, Ted Wilde.
Ladies' Night in a Turkish
Bath
Full of Spontaneous Laughs
(Reviewed by Chester J. Smith)
WHILE there may be considerable lack-
ing in this story, and while its con-
struction may not be of the best, you can't
take away from it the fact that it contains
a large number of laughs of the spontane-
ous variety, and the probably is what it
was made for. The press sheets describe it
as a comedy-drama. As for the drama
angle, the least said about it the better, but
it do<>s abound in laughs.
Strange as it may seem, a comparative
unknown in comedy roles all but steals the
picture. In fact, he just about does steal it
from everyone but Dorothy Mackaill, whose
clever mannerisms and genuine attractive-
ness, serve to put an audience in just the
proper mood to appreciate the heavier com-
edy of "Big Boy" Quinn Williams, who has
the role of a tough structural iron worker.
"Big Boy" in the past has confined his
screen activities largely to Westerns. He
is a first rate comedian and following this
effort will doubtless net much work along
this line, .lack Mulhall is his usual self,
with his same attractive smile and winning
personality, hut he is overshadowed just a
little by this "Big Boy" Williams.
The picture drags badly in spots, and is
entirely too long in getting to the Turkish
bath sequences. There is only the thread
of an inconsequential story and a somewhat
disconnected one, but laughs have been in-
jected at such regular intervals that one
can overlook the shortcomings of the story.
Drawing Power: The comedy is good and
with the popularity of the leading player-
it should go well in any house. Exploita-
tion Angles: The title will readily offer a
number of ideas, which however, should be
used only along comedy lines. The dieting
and massage sequences will offer others.
THEME: Structural iron worker becomes
enamoured of girl vendor of prepared
lunches, whose parents become wealthy and
move uptown . He pursues her, accompanied
by his roughneck boy friend. All of them
become involved in a number of humorous
situations which culminate in a Turkish
bath following a raid on an indecent dance
hall, and eventually the iron worker wins
the girl.
Produced and Distributed by Pirsl Na-
tional. Released, April 1, llfJS. Length,
6,592 feet. The Cast: Dorothy Mackaill,
Jack Mulhall, .lames Finlayson, Sylvia Ash-
ton, Harvey Clark, Heed Howes, "Big
Boy" Quinn Williams. From the stage play
by Charlton Andrews and Avery Bopwood.
Directed by Edward Cline. Produced by
Edward Small.
Skyscraper
A Mediocre Feature
(Reviewed by Chester J. Smith)
r 1 1 HEBE i- not much thai can be recom-
■ mended in this De Millc studio produc-
tion. Aside from the fact that it provides
a laugh at intervals all too far apart it is
all very flimsy and mediocre. The slim
story drags more or less wearily along, and
never does get much of anywhere in particu-
lar except for the usual happy ending. It
is not convincingly done, and the climaxes
consequently mean little or nothing in the
action of the picture.
William Boyd is the star, with Alan Hale
as his buddy, the pair of them being
structural iron workers, and Sue Carol in
the role of the leading lady. With the poor
material assigned to them none will increase
his or her popularity.
Boyd effects the rescue of the jobless girl
when a steel girder being hoisted atop a
skyscraper breaks from its fastenings. And
there starts a romance. She stumbles into
a job as chorus girl, and he stumbles off a
girder and becomes desperately crippled He
refuses to mend because he thinks she does
not care for him, and she knows nothing of
his injury as it happens after the show
has left town. He is chided by his pal for
not showing more guts and secretly effects
his own complete recovery in time to Hat ten
his buddy, who has chided him on, and to
win the girl.
The action, what there is of it, is laid
partly on a half completed Xew York sky-
scraper and partly in a New York pleasure
park, with a number of sequences atop a
theatre roof, where it seems, the girls do
much of their cavorting during lapses in
rehearsals.
Drawing Power: It i- doubtful if there
is either enough story or comedy to get this
one by to advantage. Exploitation Angles :
The splendid shots from atop the sky-
scraper; the backstage and pleasure park
sequences and the popularity of the star.
THEME: Structural iron worker saves
the life of a jobless girl, woos her when she
becomes a chorus girl, is injured in a fall
from a building and, after some differences
between them are patched up, their mar-
riage follows.
Produced by He Millc Studios. Distrib-
uted l>y Pathe. Released. April L928.
Length. 7,040 feet. The Cast: William
Boyd. Alan Hale, Sue Carol, Alberta
Vaughn. Director, Howard Biggin.
Why Sailors (Jo Wrong
I air Story ii ill) a I i n Laught
(Reviewed bj Chester J. Smith)
YA^HIIjK a too critical reviewer may he
justified in condemning this story and
the veriest slapstick nature of it- comedy,
the fact remains that it will probably click
with the majority of motion picture patrons
who are not inclined to delve too deeply in
the search for Haws in their entertainment,
but are willing to take things as they come.
Sammy Cohen and Ted UcNamara pro-
vide most of the fun and aside from their
antics there is really nothing much to it.
Nick Stuart and Sally Phipps, who are also
among the featured players add little to the
value of the picture principally because
their roles are more or less inconsequential
and they have only poor material with
which to display their talents.
Sammy and Ted are a combination bound
to provoke mirth and their all too ridiculous
exploits here will doubtless be appreciated
despite poor direction which prolongs many
of the sequences to an impossible point in
an effort to promote laughs. There are, how-
ever, many humorous situations and quite
a number of gags that will meet with the
entire approval of the cash customer-.
Sammy as a taxi driver and Mac as a han-
som cab driver are not as funny as they
have been on other occasions, but it would
seem they are quite funny enough to put
even this picture over.
Drawing Power: The abundance of -lap-
stick comedy and the reputations of the
two comedians, despite a poor story, will
probably bring healthy box-office returns.
Exploitation Angles: The pair of come-
dians and the humorous comedy situations
will offer a number of exploitation angles,
several good ones of which are outlined in
the press book.
THEME: Taxi driver and hansom driver
enlist their services for generous remunera-
tion to a young lover who would join his
sweetheart on a yachting cruise, but who
is being detained through the intrigue of
the villain. The comedy pair win their re-
ward and the young couple achieve their
aim, but only after many humorous antics
and a few of a thrilling nature.
Produced and distributed by Fox. Re-
leased March 2.">. L928. Length. 5,112 Eeet,
The Cast: Sammy Cohen. Ted Me Xamara.
Sally Phipps, Xick Stuart. Carl Miller. E.
H. Calvert, Jack I'ennick. Director. Henrj
Lehrman. Story by William Conselman and
Frank O'Connor. Scenario 1>\ Randall II.
Fa ye.
"Off Balance"
(Educational One Reel I
1"^HE twin-brother idea is again called upon
to render service in this Canico starring
Monty Collins, who appears as a doting hubby
and a light-fingered sent. Funny complications
develop when the hubby is chased by Marcella
Arnold, the feminine accomplice of the crook.
Also with the crook do things grow un-
comfortable, as be is mistaken by the wife for
hubby while trying to rifle the latter's apart-
ment. To add to the confusion is a burly yegg
desirous of socking the crook because of bis
interest in Marcella.
It is a humorous reel, one that will click.
Lucille Hutton is the young wife and Jack
Ltpson the tough egg. Jules White directed. —
RAYMOND OAXI.Y.
1214
M o t i o n P i c t u r c
News
Paramount to Release
New Series of Shorts
EUGENE SPITZ, producer, will
make a series of 12 two-reel pro-
ductions which will have popu-
lar stars of the stage starring in
stories by writers of prominence. They
will be released by Paramount under
the brand name of "Great Stars and
Authors." Spitz will be supplied with
talent through an agreement with the
Actors' Fund of America and the
Author's League Fund whereby he will
turn over to these societies a percent-
age of the net profit to be made from
the sale of the picture. The decision
as to story and stage production will
rest with Emanuel Cohen.
Production on the first of the series
is now under way at the Cosmopolitan
Studio in New York, where Edward
Lawrence and John McCutcheon with
Mr. Spitz as production supervisor are
shaping "Two Masters," an original by
Rita Weiman in which figure Mary
Eaton, Rex Cherryman, Carroll Mc-
Comas, Clark Silvernail, Minne Dupree,
Tammany Young, Eddie Nelson, Jenny
Eustace, Ann Sutherland and Eddie
Robbins.
"Sailor George"
( Universal — Two Reels I
I Reviewed by Chester J. Smith)
GEORGE is a ridiculous gob who goes
through a lot of silly antics in this two-
reeler which is neither better nor worse than
the usual run of the type. He loses interest in
the navy with the arrival of Marion, who conies
for a tour of the ship. George becomes enam-
oured of her. as does the ensign, and each tries
personally to conduct her over the ship.
The ensign palms off Miss Quince on George
and takes possession of the fair one, but George
outsmarts him and recovers the girl, with whom
he makes an engagement for the following day,
when he will have shore leave. They are about
to start out on a gay time the next day when
they run into the ensign again and he orders
George back to the ship.
George meantime has secured his discharge
papers but has misplaced them. He makes a
hurried getaway and pretending to be a soda-
jerker, gets a job in a drugstore, where his ser-
vices prove most unsatisfactory and disastrous
to the wearing apparel of a number of customers
who are smeared with sodas and ice drinks of
various descriptions. George is kicked out, re-
covers his missing papers and then suddenly
visualizing the responsibilities of married life
decides it would hardly be worth it.
There is nothing new in the way of gags in
the picture and the humor is of the stereotyped
order. There is a laugh here and there.
"Money! Money! Money !"
(Universal — One Reel)
ALL of the trouble in this one-reeler of the
Snappy Comedy series starts through the
absentmindedness of Harold Highbrow, star re-
porter of the hick town paper, who is entrusted
by his employer to deposit the days receipts in
t :e bank, and who, instead, drops them into the
hat of a supposed blind man.
The blind man clearly sees the mistake and
tries to make a quick getaway but he bumps into
Harold's girl and her friend and the three go
down in a heap as Harold approaches and re-
covers the cash. Meantime the office charwoman
learns the bank is closed and starts a rumor
that it has failed. There is an immediate rush
for the bank as Harold starts to get out an
extra on the failure. Later in the day the bank
cashier returns and announces the bank had been
closed in observance of National Prune Day.
Bennie Hall and Lydia Yeamans Titus arc
the featured players and they offer the usual
brand of rough and tumble comedy that will
probablv be appreciated in the neighborhood
houses.— CHESTER J. SMITH.
"Felix the Cat in Polly-Tics"
(Educational — One Reel)
YOU would think a studio turning out a con-
tinuous supply of cartoons would come
across with an average release once in a while,
at least, but not so with the Pat Sullivanites,
who control the destinies of Felix. This subject
is an excellent example of how bright, enter-
taining and nicely presented an animated cartoon
can be.
in it Felix finds a home and proceeds to boss
the other pets. How they try to oust him, led
by the irascible pollv is the storv. — RAY-
MOND GANLY.
"The Untamed"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
AN abundance of very familiar material has
been assembled for this so-called Western
featurette with the youthful Newton House as
the hero. It is all interesting enough despite the
hackneyed plot. This young Billy Newton is
very friendly with the Indian Apache Joe, whose
young horses Billy is engaged in breaking.
The youth lives with his married brother and
the latter's wife near the Indian reservation.
Frank, Billy's brother is on unfriendly terms
with Bob Dane, a no-good character of the
neighborhood. Dane heads a band of cattle
rustlers and to get even with Frank steals the
Indian's horses and places two of the most
valuable in Frank's corral.
There is nothing for the sheriff to do but
place Frank and Billy under arrest, but Billy,
through a ruse makes his getaway and runs
down the Dane gang in possession of the bal-
ance of the horses. The youth gets the upper
hand on them and keeps the entire band cov-
ered until the arrival of the sheriff's posse.
"Newlyweds' Imagination"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
SNOOKUMS plays havoc aboard ship in this
latest of the Newlyweds series, which fea-
tures Addie McPhail, Jack Bartlett and Sunny
McKeen. The youngster, as winsome as ever is
responsible for most of the comedy with which
the picture abounds.
Mrs. Newlywed becomes alarmed over the
condition of her husband and insists upon him
visiting a doctor, who prescribes a sea trip
alone. But Mr. Newlywed hasn't the heart_ to
go alone so he takes the family with him.
Snookums in an entirely new environment finds
a wide fieleld for his mischief and throws the
ship into a complete state of consternation.
About the time the sea gets good and rough
Snookums emerges from the galley with a
knuckle of ham and sends the loungers in a
scurry for the rail. Tiring of this he discovers
the fire bell and sounding a lengthy warning
causes the life boats to be lowered and throws
the boat into a panic.
As soon as composure is again restored the
youngster wanders into the pilot house, attaches
a rope to the pilot's ankle and the other end to
a packing case balanced over the hold. A lurch
of the ship sends the packing case and the pilot
into the hold and Snookums takes possession,
while the passengers get one of the wildest rides
they have ever experienced. There is a general
rush of ship officers to the pilot house and there
they find Snookums peacefully sleeping at the
wheel. There is a lot of good fun in the picture,
which will be appreciated in any but the largest
houses.
"Fandango"
(Educational — Two Reels)
(Reviewed by Raymond Ganly)
THE scene of Lupino Lane's new comedy is
a little Spanish town, Bullonia, by name.
Swashbuckling their way through the various
sequences are caballeros, dashing senoritas,
toreadors, and the necessary bull. It is a back-
ground not generally seen in a short comedy.
But although the costumes and all the rest may-
give this number an unusual flavor, the gags and
comedy weeds they have planted will not cause
any laughter of the quaky kind.
Yes, that's the fault here. The comedy is not
boisterous and really funny as an ordinary soul
would expect seeing that Lane is the star, and
knowing his possibilities. It has a languid air.
which is too bad. True, Lane exhibits several
tricks with his bolo and has to do a tango with
a rough lady. But when all the gags have been
paraded you can readily see that few of them
can lay claim to sprightliness or originality.
It's a fairly good comedy attraction for any
house, and it has several laughs. But what
we want to emphasize is that any comedy with
Lane starring should be decidedly better.
Stern Bros. Engage Lois
Hardwick, Child Star
Lois Hardwick, child star, has been signed
to Stern Brothers to play the role of Mary
Jane in the new series of Buster Brown
comedies projected for next season. Her
first work in the series will be in "Buster
Minds the Baby."
5 Comedies on Universale
April Releasing Sheet
Five Stern Bros.' comedies, including one
Junior Jewel, are being offered exhibitors
by the Universal exchanges as April re-
leases.
"The Newlyweds' Friends" is the Junior
Jewel. Snookums is the star of the comedy
which has Jack Bartlett and Addie MePhail
as his pai*ents. Gus Meins directed. "The
Keeping Up With the Joneses" series is
represented by "Her Only Husband," in
which Harry Long-, Stella Adams and Harry
Martell are the principals. Meins also di-
rected this one.
"That's That" is the new Buster Brown
comedy. It was directed by Francis Corby
and presents Arthur Trimble, Doreen Tur-
ner and Pete, the Dog. Mike and Ike, the
Rube Goldberg twins, are impersonated by
Charles King and Charles Doherty in "Tak-
ing the Count," also directed by Corby. The
final Sterns release for the month will be
' ' When George Hops, ' ' the latest of the
"Let George Do It" series starring Sid
Saylor. In the new comedy, directed by Sam
Newfield.
6 Short Subjects Being
Offered by Pathe April 22
Six short subjects, comprising 7 reels, are
Pathe 's offerings for the week of April
22nd. They are Pathe Review No. 17; "The
Flying Age," an Aesop cartoon; "The
Enemy Within," fifth chapter of the Pathe-
serial, "The Mark of the Frog;" Topics of
the Day No. 17, and issues Nos. 36 and .'!7
of Pathe News.
In the new issue of the Pathe Review are
presented: "The Pride of Devonshire,"
Pathecolor scenes of Exeter in England;
"Interesting People the Editor Meets," in
which Fannie Hurst, authoress, and Percy
Crosby, cartoonist, are interviewed by the
camera; and "Modern Vikings of the
Deep," which shows whale hunting off the
coast of Labrador.
April 14, 1928
1215
onal News from Correspondents
OH \ KV\< HEIGHTS, one of
O the most exclusive of Cleve-
land's exclusive residence suburbs,
will permit Sunday motion picture
shows. The Council last week was
asked what its attitude would he
in the event that a picture house
were built within its confines.
Mayor W. J. Van Aken stated,
after taking the matter hefore the
Council, that neither the Council
members nor the police would in-
terfere with Sunday shows. "There
is no local legislation against them
at the present time," Van Aken
stated, "and the members of the
Council have agreed to pass none."
Plans are on foot to build a picture
house in Shaker Heights at the in-
tersection of Kinsman and Lee
roads. Cleveland Heights, a next
door neighbor to Shaker Heights,
does not permit Sunday movies.
There are two motion picture
houses in Cleveland Heights, but
they are permitted to keep open
only six days a week. Strenuous
efforts have been made to overcome
the mayor's prejudice against Sun-
day movies, but so far without suc-
cess.
Stubby Gordon, of the Allen or-
chestra, who was made temporary
conductor during the absence of
Al Evans, continued as maestro of
the baton again last week. Evans
is acting as guest conductor at the
new United Artists theatre in
Columbus for the time being.
Stubby Gordon was formerly a
member of Phil Spitalny's Band.
Cleveland exhibitors who will
attend the convention in Pittsburgh
on April 16th include J. J. Har-
wood, M. B. Horwitz and George
W. Erdmann, secretary of the
Cleveland Motion Picture Exhibi-
tors' Association.
VV. L. Hart, who owns the
Xorka theatre, Akron, has been in
poor health for some time and last
week left for an extended trip
west. Charles Stadler is manag-
Cleveland
ing the house during his absence.
M. C. Howard, special represent-
ative for Gotham Pictures, spent a
few days in town last week visit-
ing with Fred Schram and Bill
Onie, who operate Security Pic-
tures, and who distribute Gotham
pictures in this territory.
Joe Schagrin, the other one of
the Schagrin twins who operate the
Park theatre, Youngstown, did
some of his Easter shopping in
Cleveland last week, and although
his trip was strictly for pleasure
he did speak about business long
enough to say that the Park has
inaugurated dramatic stock as a
summer policy.
Summer is here. We don't tell
it by the thermometer nor by the
robins. Theatre policies are ac-
curate indications of the seasons.
In Cleveland the New Carlyon and
the National, the former operated
by Mrs. Sara Robinson, and the
latter by Ben Wise, have reduced
their operating schedule to two
days a week, namely Saturday and
Sunday.
Lon Young, now in the produc-
tion end of the business, was here
last Friday, accompanied by George
Batcheller, of Chesterfield Motion
Picture Corporation. They were
on their way to New York from
the west coast.
Independent Pictures, Inc., or-
ganized several months ago by Lee
Chapman, has extended its activi-
ties and increased its personnel. S.
G. Miller and M. L. Wiener have
become associated with the organi-
zation financially. Chapman is
general manager, with headquarters
in 706 Film Exchange Building.
Plans are under way to open a
branch office in Cincinnati to take
care of the southern part of the
state. Independent Pictures will
distribute independent product in
Ohio, including the new Rayart
pictures, "The Lady from Paris,"
with Vilmy Banky, and "Dough
and Dynamite," a 2-reel Chaplin
reissue.
The Standard Film Service
Company has followed the economy
programs now in practice in all
branches of the motion picture in-
dustry, and have reduced their op-
crating forces in all four exchanges
considerably. There has been ef-
fected a concentration of effort in
the departments of physical han-
dling. The sales departments
have not been reduced, however.
Standard Film Service Company
has offices in Cleveland, Cincinnati.
Detroit and Pittsburgh. Harry
Charnas is president, and Jesse
Fishman is general manager.
Last week's severe sleet storm
caused the theatres in several Ohio
towns to remain dark for a couple
of days. Wires were all down, and
no lights were available. Findlay,
Tiffin and Fostoria are among the
cities which reported they were
closed Thursday and Friday.
Ed Reynard, who operates the-
atres in Marion, will face a jury
on April 12th on a charge of keep-
ing open on Sunday.
The Amphion theatre. Cleveland,
has changed hands again, for the
third time in a year. John Neuzii,
Sr., and John Neuzii. Jr.. are the
new owners. They purchased it
from Paul Hurayt. Huravt re-
cently bought it from Mike Hudac,
who, in turn, had purchased it from
M. B. Horwitz.
Fred Hindman, of the Dream-
land theatre at Cardington, Ohio,
was arrested for keeping his house
open on Sunday. He was fined
$50 and given 30 days. This
sentence was suspended, however,
when Hindman promised never to
repeat the offense.
The Hex and Apollo theatre, of
Oberlin, now belong to Jerry
Steele. Oscar Smith, the former
owner of the houses, died recently.
Messrs. Conway and Karl have
sold the Rivoli theatre, Cleveland,
to Ed Gherke.
Mary Butora, who has been
managing the Rex and Strand the-
atres in Marysvillc for her uncle.
John Stahl, has taken a lease on
both houses, and is now an exhibi-
tor in her own name.
John F. Royal staged a $15,000
style show at Keith's Palace the-
atre last week that put ideas into
many women's heads.
X. V. A. week was celebrated in
Cleveland last Thursday at Keith's
Palace Theatre and at Loews
State theatre with special midnight
performances. For the first time,
seats for this performance were re-
served. All tickets sold for $2.00.
Local committees were headed as
follows : W. R. Hopkins, city man-
ager, honorary chairman; John F.
Royal, Keith's Palace, general
chairman ; M. A. Malaney, of
Loew's publicity staff, chairman of
publicity committee ; W. A.
Haynes, Allen, chairman of pro-
gram committee; Henry Dykeman.
Keith's East 105th St., chairman
of act transportation committee :
Thomas Carroll, Loew's State, in
charge of theatre service ; George
Stevens, Reade's Hippodrome, in
charge of tickets : Bert Todd, of
Manheim Amusements, in charge
of music, and George Dumand, of
Loew's in charge of art.
THE Melba Theatre presented
the Vitaphone for the first time
in a preview of "The Jazz Singer"
at 11:00 P. M. Wednesday. The
Mclba's guests included the mayor
and city officials, the religious lead-
ers of Dallas, the Dallas theatre
managers, and the press.
Charles Dees was elected presi-
dent of the Dallas Metro-Goldwyn-
Mayer Efficiency Club at the elec-
tion meeting Thursday.
Harry Scott, Short subjects
salesmanager, and Chas. AIcDon-
ald, general manager Aesop Fables
of Timely Films. Inc., were visi-
tors at the Pathe exchange last
week.
Leslie Wilkes, manager of the
First National Dallas Exchange,
has been absent for more than a
week on a business trip to points
in West Texas.
Leroy Bickel, manager of the
Dallas Metro-Goldwyn-Mayer Ex-
change has just returned from a
business trip to South Texas.
Ray Beal, exploitation man for
Metro-Goldwyn is in Houston for
a five day visit.
Louis E. Schneider, Divisional
Manager for Publix has returned
from a trip to Denver, and will re-
main until after the opening of the
Melba's first Vitaphone presenta-
tion "The Jazz Singer."
Mr. L. E. Harrington, manager
of the Dallas FBO offices has just
returned from Galveston and Hous-
ton where he has been transacting
business for the last four days.
Simon Charninsky. manager of
the Capitol, left for St. Louis and
Giicago and will be away a week.
A. Hayden Mason, manager of
the Palace, was away from the the-
atre a few days due to having his
tonsils removed.
Barry Burke, former manager of
the Palace and now manager of the
Publix Theatre in Denver is ex-
pected to arrive for a visit.
Louis L. Dent has returned from
El Paso where he has been on busi-
ness pertaining to the erection of a
half million dollar theatre to be
finished within the next year.
Martin Groggery is erecting a
new theatre at Edinburg, Texas,
which will Ik- named the Isis.
The Queen Theatre at Richmond
was destroyed by a fire which
started in the projection room and
the fire destroyed a half block of
the business district before being
brought under control.
The opening of San Angclo the-
atres on Sunday caused the usual
wrath from most of the churches,
hut up to the present time no cases
have been filed against the theatres.
The convention of the Arkansas
Motion Picture Theatre Owners
will be held in Little Rock. April
15th and 16th, with the chief idea
of increasing membership.
\Y. G. Underwood, general man-
ager of Liberty-Specialty is in New
York making final arrangements
for releases for the coining year.
Jack Huey, manager of the Tif-
fany exchange has returned from a
business trip to Houston.
Bob Mcllhearn, manager of the
Dallas Universal exchange, has re-
turned from a trip to West Texas.
Y. W. Crisp, one of the original
owners and founders of the Dallas
film trade magazine, the Motion
Picture Times, has taken over tin
management of the magazine.
S. G. Fry has opened the remod-
eled Palace Theatre at Mt. Pleasant
Texas.
1216
M o t i on Picture News
Atlanta
RY., better known as "Dick"
. Anderson, in charge of In-
ternational Newsreel released
through Universal, New York,
spent Thursday in Universal's At-
lanta office in conference with R.
B. Williams, southeastern district
manager, incident to the addition
of an extra newsreel print which
the Atlanta office finds necessary
for service in this territory.
With thirty cases on the calendar
for consideration, the Atlanta Joint
Board of Arbitration met last Tues-
day. Nearly all the cases were dis-
posed of, but the board will In 'Id
an adjournment session next Tues-
day to complete its work. The out-
of-town exhibitors who served on
the board last Tuesday were W. H.
Welch, Strand Theatre, Dallas,
Ga. ; P. J. Henn, Bonita Theatre,
Canton, Ga. and G. O. Hatcher,
Social Theatre. Social Circle, Ga.
C. R. Beacham has returned to
the First National fold. Early this
week he resumed activities under
that banner as special representa-
tive, assigned for the present to the
state of Alabama. In the new ca-
pacity Mr. Beacham will work un-
der the jurisdiction of the home
office and General Sales Manager
Ned E. Depinet, but immediate su-
pervision will be in the hands of
C. A. Clegg, newly appointed man-
ager of the Atlanta exchange.
Carl Cape, of the Colonial Thea-
tre, Buford, Ga., was visitor to
Film Row this week.
C. L. Peavey, manager of F B
O's Atlanta exchange, spent the
week in South Georgia.
W. G. Minder, southeastern dis-
trict manager for Tiffany left
Tuesday for Birmingham where he
spent several days, returning the
last of the week.
R. E. L. Golden and son, of the
Golden Theatres, LaGrange, Ga.,
made a trip to Atlanta this week.
C. T. Hopkins, of the Colonial
Theatre, Lawrenceville, Ga., was a
guest in the film exchanges during
the week.
J. H. C. Wink, of the Crescent
Theatre, Dalton, Ga., visited Film
Row this week.
A. Solomon, of the Independent
Theatres, Chattanooga, Tenn., was
a visitor to Film Row during the
week.
George F. Blethen, formerly with
Liberty-Specialty in the Dallas ter-
ritory has joined the personnel of
the company's Atlanta branch and
has been given northern Alabama
and Tennessee.
Alex Callen, Liberty-Specialty
salesman has returned to his terri-
tory in South Alabama after visit-
ing in the Atlanta office.
C. A. Clegg, Atlanta branch man-
ager for First National, accompa-
nied salesman George Almon into
the Florida territory this week.
R. T. Hill, president of the Cum-
berland Amusement Co., Tulla-
homa, Tenn., was guest on Film
Row during the week.
J. H. Patton, Jr., of the Home-
wood Theatre, Birmingham, Ala.,
visited the exchanges Wednesday.
Fred F. Creswell, of A. C. Brom-
berg Attractions, visited the Char-
lotte exchange this week.
J. H. Butner, Atlanta branch
manager of Educational, has re-
turned from a trip through the Flo-
rida territory.
John W. Hangham. Jr., head of
the Atlanta exchange of Liberty-
Specialty Film Distributing Corpo-
ration, spent the week in the At-
lanta office.
Arthur C. Bromberg, president
of Arthur C. Bromberg Attractions,
with headquarters in Atlanta, is
still in Florida, where he is making
a tour by auto, and is not ex-
pected to return to Atlanta for sev-
eral days.
F. A. Leathermau, of Atlanta,
who handles the Reproduce pipe or-
gan and the Cuevox Talker in this
Southeast, made a trip to South
Georgia early this week.
W. H. Welch, who operates the
Strand Theatre at Dallas, Ga., was
a visitor in Atlanta this week.
P. J. Henn, of the Bonita Thea-
tre at Canton, Ga., visited Atlanta
early this week on business.
G. O. Hatcher, who operates the
Social Theatre at Social Circle, Ga.,
visited Atlanta on business.
Canada
WHEN the Quebec Legisla-
ture passed the law recently
prohibiting children under 16 years
of age from attending any theatre
with or without adults, the provi-
sion was made that moving pictures
could be shown in schools and con-
vents for actual pupils.
It has already been found, how-
ever, that practically no pictures are
available for the schools or con-
vents because of theatre bookings.
In other words, the film exchanges
have no pictures which can be
loaned or rented the educational in-
stitutions and the Government is
said to be in a quandary already.
The natural result is that there are
no film subjects of current value
for children anywhere in the Pro-
vince. Parents are also raising ob-
jection to the law because they can-
not go to a show and leave their
children at home.
After playing a number of lead-
ins; Canadian theatres as a road
show, "The Patent Leather Kid"
is now being released by First Na-
tional in the Dominion to all thea-
tres under regular booking.
For the first time in Toronto
history, two of the leading thea-
tres are presenting a feature simul-
taneously. The attraction is Harold
Lloyd's "Speedy" which opened at
both the Uptown and Tivoli Thea-
tres on Easter Saturday at 60 and
30 cent prices. These are two of
the largest and most important
houses of Famous Players Canadian
Corp.
An unusual incident in connec-
tion with the presentation of "The
Last Laugh" at the Imperial Thea-
tre, Ottawa, Ontario, during the
week of April 2 was that, with the
week half over, announcement was
made by Manager Ray Tubman in
newspaper advertisements that a
print of the feature had been se-
cured with sub-titles inserted. The
titled picture was shown for the
balance of the week. The advance
advertising referred to the fact that
"The Last Laugh" was a feature
without sub-titles. Then, without
warning, the picture was changed
to one with sub-titles. Attendance
during the first half of the week
was greater than during the last
half. Incidentally, this feature was
kept out of Ontario for three years
because of the Provincial Govern-
ment's ban on German films which
was raised a few months ago.
J. M. Franklin, manager of B. F.
Keith's Theatre, Ottawa, has again
been elected a director of the Ot-
tawa Humane Society, the 40th an-
nual meeting of which was held re-
cently.
Ronald McClelland, manager of
the Copitol Theatre, Toronto, On-
tario, has returned home after
spending the greater part of the
winter in the West Indies.
Twelve teams competed in the
Montreal Theatrical Bowling
League for the handsome Phono-
film Trophy, these representing 11
local theatres with the 12th team
made up of members of the Opera-
tors Union. In the final matches,
the Papineau Theatre employes
won out from the Corona in two
straight games.
In spite of the fact that he con-
ducted two special Saturday morn-
ing shows in an effort to accommo-
date all juvenile patrons who
flocked to the Empress Theatre,
Edmonton, Alberta, to see Chap-
lin's "The Circus," Manager Sam
Binder found that there were still
a considerable number of children
clamoring to get into the theatre.
Mr. Binder published a public apol-
ogy because these children were dis-
appointed even with the staging of
the successive presentations. Man-
ager Binder had to call three po-
licemen and four city firemen to
look after the enormous crowds
during the morning.
Milwaukee
SAM THIRION, formerly man-
ager of the Bijou at Green
Bay, lias leased the Fern theatre of
this city from the Universal chain
and will take over management at
once.
Fred Aiken, special representa-
tive for Sport Lights, visited the
Pathe exchange this week.
R. B. Riggs, formerly of the
Purtell theatre at Rio, is spending
sometime in the city.
Community Theatres, Inc., has
taken over the Strand theatre at
Whitewater from the Fischer The-
atre Circuit.
Walter Rourke, manager of the
Pastime theatre at Horicon, drove
to this city in new sedan on Tues-
day.
L. E. Bogumill has taken over
the Rialto theatre at Thorpe from
J. A. Walsdorf.
W. A. Aschmann, formerly
branch manager and now associated
with Topics and Fables, visited the
Pathe exchange recently.
William Van Dyke, of the Vau-
dette theatre at Kaukaun, spent
Wednesday in the local exchanges.
The Princess theatre at Cran-
don recently changed hands when
H. D. Chesney sold to A. W. Frei-
muth and A. C. Doran.
M-G-M exchange and Fox
branch have moved into their new
exchange building on the corner
of 8th and State. The two new
exchanges are luxurious, well
lighted, well equipped and con-
veniently arranged. The Fox ex-
change faces 8th street, and
M-G-M faces south on State street.
The building is L shaped with a
gasoline filling station occupying
the corner space. Ludwig Film Ex-
change moved into the quarters
occupied by Fox on Wells street.
April 14, 19 28
1217
Chicago
JTLARL SILVERMAN, popular
Hj manager of Warner Brothers
Chicago exchange, became a bene-
dict on Thursday of last week,
Miss Ethel Cooper, of Chicago,
being the bride. Immediately after
the ceremony, Mr. and Mrs. Sil-
verman will leave on a honeymoon
trip to Bermuda, returning to New
York in time for the Warner
Brothers convention, which is
scheduled for the end of April.
The Diverscy theatre, which has
been operating as an Orpheum
vaudeville house, is changing its
policy and will operate as a straight
motion picture house week days,
with vaudeville on Saturday and
Sunday. Thirty cents will be the
top price during the week.
Joseph Pastor opened his Or-
chard theatre on April 7th. The
house has been thoroughly over-
hauled and redecorated and pre-
sents an attractive appearance. Mr.
Pastor also owns and operates the
Argmore, Rryn Mawr, Mohawk,
and Lincoln-Webster.
Manager Tudah. who has been
in charge of the Diverscy theatre
for some time past, has been trans-
ferred to the State-Lake theatre in
a similar capacity.
A. Friedman, of the Rialto and
Venetian theatres, Racine, was a
visitor on film row last Friday,
and while here arranged with Na-
tional Screen Service to make up
special presentation trailers for the
new theatre which is scheduled to
open on April 12th.
Fox salesmen are up on their
toes in anticipation of Jimmy
Granger Week, which is set for
June 10th to 16th. The Chicago
salesman making the best record
during this period is to receive a
handsome gold watch and the boys
all arc after this prize.
Frank Schaefer expects to leave
for Los Angeles on May 1st, where
his wife has been spending the
winter. After a brief visit on the
coast he will accompany his wife
back to Chicago. This will be Mr.
Schaefer's second visit to Cali-
fornia this season.
Fred Aiken, general sales man-
ager of the Grantland-Rice Sport-
lights, was in Chicago this week,
making his headquarters at the
Pathe Exchange, and reports that
he. hereafter, will spend a con-
siderable amount of time in this
city, which will be good news to
his host of friends and good
wishers in the territory.
The Opera House at Hebron, Il-
linois, has been sold by Manager
Miller to "Red" Latham, a new-
comer in the motion picture busi-
ness, who has changed the name
of the theatre to Red's theatre.
Manager Herbert Washburn, of
F. B. O.'s Chicago exchange, is
arranging for a big reception for
Tom Mix, who is scheduled to
spend the day of May 2nd at the
Chicago office. Mr. Washburn
wishes to give all the theatre men
of the Chicago district an oppor-
tunity to meet the famous western
star during his stay.
Max Roth, Fox home office rep-
resentative, with headquarters in
Xew York City, was visiting the
Chicago exchange this week. Mr.
Roth has been making a tour which
included the central west exchanges.
Ed Johnson, popularly known as
"Red," is leaving this week for a
brief visit to New Orleans, where
he is going on personal business.
He expects to be back at his head
quarters in F. B. O.'s exchange
next week.
Charles and Spiros Skouras and
William Goldman, of the St. Louis
Amusement Company, were in Chi-
cago, recently, making preparations
for the reopening of the Circle
theatre in Indianapolis, Indiana. It
is understood that the Circle will
go into a band show policy and
Brook Jones, who is now at the
Missouri theatre, St. Louis, will be
brought to Indianapolis to head
the band.
Joe Koppel, managing director
of the Pearl and Alycon theatres,
Highland Park, Illinois, reports
that beginning April 9th. the Pearl
theatre will be open only on Satur-
days and Sundays.
Joseph Pollack, president of the
National Screen Service, is sched-
uled to arrive in Chicago next week
for a stay of several days. Among
other things to receive his attention
while here will be plans for new
quarters to which National Screen
Service will move about May 1st.
The Varsity theatre, Evanston,
has been taken over by Lubliner &
Trinz, and the price of admission
reduced from fifty cents top to
forty cents. Lubliner & Trinz are
installing a salon orchestra in the
Varsity and pictures will be
changed from three to four times
a week.
Manager Clyde Eckhardt, of Fox
Film Corporation, will go to Mil-
waukee for the formal opening <'t
his company's new exchange in that
city on April 17th. Fred Sliter,
manager of the Milwaukee branch,
is very enthusiastic over the new
quarters, which he states will be
commodious, well furnished and up
to date in every particular.
Gradwcll Sears, whose transfer
from the Cleveland office of First
National to assume the position of
Chicago manager, was announced
some time ago, has arrived in Chi-
cago to take up his new duties. Mr.
Sears was given a warm welcome
as he has many friends in this
city where he was located for some
time.
New England
KOF P. HALL at Freyburg.
' Me., has been sold by R. C.
Gaffner to L. P. Gorman, who op-
crates many theatres in Maine.
The Park theatre at Lebanon,
N. H., has been sold by F. P.
Sharby to I.. C. Beede, who will
continue to operate.
Odd Fellows at Buckfield. Me.,
has changed ownership, C. W Ed-
wards having acquired the theatre.
The Town Hall at York Vil-
lage, Me., a well known summer
theatre, which has also operated
through the winter season for the
past two years, has been sold by F.
W. Marshall to A. E. Newick.
It is understood that the Garde
theatre at New London, that city's
newest theatre, has been taken over
by the Garde estate, who will op-
erate the house.
Publix Theatres are said to be
negotiating for three theatres in
Nashua. N. It., the Park, Tremont
and Colonial. These three play-
houses have been very successful
under their present management
and are among the best known New
Hampshire theatres.
Phil Fox, booker at the Inde-
pendent Films, Inc., Boston, is con-
fined to his home with throat trou-
ble, which may necessitate a minor
operation.
I^aurence DeCain has resigned as
manager of the Riverside theatre
in Medford and William Spragg,
formerly of Chelsea, Mass., will
manage the theatre.
Charles Ray is expected to be in
attendance at the third annual ball
of the New England Bookers As-
sociation, to be held at the State
theatre ball room, Boston, April
20th.
Herbert Higgins, booker at First
National, has returned after a
week's illness of the grippe.
Charles Heath, projectionist at
the Pathe exchange, is the owner
of a new Pontiac coach. Frank-
Wolf of the same exchange has a
new Chandler, Harry Smith a
Buick, Dick Sears, news camera-
man, received the first of the new-
Ford coaches delivered in Boston.
The Pathe bowling team de-
feated the Independent squad by 21
pins in a hard fought match Satur-
day.
A new theatre is to be erected at
Franklin, Mass. The owners' name
is withheld for the present.
Joseph J. Flynn of the Victoria,
Lawrence, Mass., and the Casino
at Hampton Beach, N. H., was in
Boston this week, arranging dates
for the summer. It is prol>able
the Casino will open this season
several weeks earlier than in ter-
mer years.
The Town Hall at Westlxiro,
which has been operated by T. B.
Ixwis for seven years, is to be
torn down. A new theatre is to
be built at once and it is expected
that Mr. Lewis will be ready to
open the new theatre within three
months.
The Bijou theatre. Springfield,
will change its policy starting next
week. It will run a full week's
program instead of the three
changes a week. The new policy
will be in force for a period of
13 weeks and may be extended in-
definitely. Al Landers is mana-
ger of the house.
Ernest Warren, who covers Ver-
mont and New I lampshire for
Pathe, is laid up with an infected
knee. He expects to get back on
the road within a week.
Commencing Monday, the Mys-
tic theatre at Maiden. Mass.. re-
turns to a first run house, with a
full week's run of double features.
The theatre is also showing vaude-
ville on three nights each week.
Edward B. Connolly of the Na-
tional Screen Service. Boston, is
scanning the bulletins for the open-
ing of the fishing season.
Arthur Ruscica, student at the
Fox exchange. Boston, has returned
after a week's illness at his home
in New York City.
Taunton is having its first ex-
perience of two bouses playing day
and date this week with the show-
ing of "Seventh Heaven" at the
Star and Casino, with orthopbonic
victrola accompaniment.
Frank Grady, a former booker at
Pathe, is now breaking in as audi-
tor at the Metro-Goldwyn ex-
change. Boston.
EMPIRE LABORATORIES INC.
723 Seventh Ave., N. Y.
Quality
Bryant 5437-5736-2180
DEVELOPING AND PRINTING MOTION PICTURE FILM
1218
.1/ o t i o n Picture AT civ s
Kansas City
MB. SHANBERG, managing
• director of Loew's Mid-
land Theatre, Kansas City, since
its opening last fall, has resigned
to devote his entire time to the op-
eration of a recently acquired cir-
cuit of theatres in Missouri and
Kansas. The general offices of the
circuit are in the Midland Theatre
huilding. Mr. Shanberg sought to
be relieved of his duties at the Mid-
land in January when the control
of the other chain came into his
hands. With his withdrawal, H.
H. Maloney becomes resident man-
ager of Loew's Midland. Mr. Ma-
loney has been at the theatre the
last rive months as house manager.
Harold Evans will continue as
manager of the Newman Theatre,
also operated by Loew interests.
Mr. Shanberg and Herbert Woolf,
of Kansas City, will remain joint
owners of the Midland with
Loew's, Inc.
The second show had just started
at the Rivoli Theatre, suburban
house of Kansas City, Friday night,
when fire broke out in a back-stage
dressing room. The audience of
about 300 filed out in orderly man-
ner, however. The loss was esti-
mated at $700.
Walter Wallace, of Leaven-
worth, Kan., part owner of the
Orpheum, Lyceum and Strand the-
atres of Leavenworth, died Satur-
day in St. Joseph Hospital, Leav-
enworth, from pneumonia. He was
one of the most widely known ex-
hibitors in Missouri and Kansas
He leaves his widow, a son and a
daughter.
Last February a bandit robbed
the cashier of the Madrid Theatre,
suburban house of Kansas City, of
$50. Miss Mae Ahearns, relief
cashier at the theatre, was thinking
of that hold-up, coincidentally,
when a Buick touring car stopped
in front of the theatre. A bandit
alighted, rushed up to the box-
office and pointed a revolver at
Miss Ahearns, who ignored the
danger and rushed from the box-
office into the theatre. The bandit
fled, getting nothing.
A charge of violating the city
smoke ordinance was dismissed
against K. S. Duncan, president of
the Rialto Theatre Corporation,
Kansas City, in the South Side
Municipal Court this week. J. P.
Hays, smoke inspector, told Judge
Ira S. Gardner that Mr. Duncan
had eliminated all unnecessary
smoke conditions at the Broadmour
Theatre, a suburban house.
Extensive preparations are being
made by Kansas City's movie row
for entertainment features in con-
junction with the First National
mid-west convention in Kansas
City, May 1, 2 and 3. This will be
the first sales convention of im-
portance to be held in Kansas City.
More than 100 executives, branch
managers and salesmen will attend.
The management of the Ritz
Theatre. Marshall, Mo., has been
taken over by Mrs. Mae Edmonds.
Russell Borg, Kansas City Edu-
cational branch manager, and
"Bernie" Bernfield, salesman, were
hustling for more business in the
territory this week.
J. W. Carson, who has been op-
erating the Electric Theatre in
Englewood, Mo., has assumed
charge of the Elliott Theatre there
also.
The remodeling of the Star The-
atre, Nevada, Mo., has been com-
pleted, as has the remodeling of the
Orpheum Theatre, Neosho, Mo.,
operated by Hugh Gardner.
Mrs. Mattie Chaffee, mother of
Al Chaffee, cashier of the First
National branch, died in St. Mary's
Hospital Friday.
The First National branch office
will undergo a complete redecora-
tion soon.
Cecil Mayberry, sales manager
for Columbia, was a Kansas City
visitor.
D. M. Major, formerly witli the
Liberty Film Exchange, Kansas
City, has joined the FBO sales
force.
Detroit
STARTLING and lavish use is
made of jewels in the new Fox
theatre, the huge dome of which
has just been completed except for
the finishing colors. When the
canopy is completed the orna-
mental work, it is claimed, will
be finer than in any house ever
erected in this section of the coun-
try. Each week the signs, six feet
tall, are changed, with reports of
building progress or coming attrac-
tion in the huge new Hindoo
temple type theatre.
Starting April 7, the State the-
atre will revert to presentation and
picture programs. The present
policy of Loew's vaudeville was
inaugurated last season with exr
cellent results until C. H. Miles
opened his new Oriental theatre,
where Pantages variety and photo-
plays are displayed. Under the
new plan, Fred Stritt will preside
as master of ceremonies and
Walter Bastian will assume his
duties as director of the stage
band.
Dave Nathanson, brother of Sam
Nathanson, one of the Pathe sales-
men in Detroit, recently opened ;>
gents' furnishing store in the new
United Artists Theatre Building.
Jack Heagney, formerly with
Warner Bros., who resigned in
January to have an operation for
appendicitis, has returned to this
city and will announce his connec-
tion shortly.
Mr. and Mrs. John H. Kunsky
and their son-in-law and daughter,
Mr. and Airs. Robert W. Albright,
are making preparations to leave
the latter part of March for Spain.
They will spend about three months
on the other side.
It is rumored that a new Kunsky
theatre will be erected at Wood-
ward and the Six-Mile Road, di-
rectly opposite the Keith- Albee
Uptown. A few years ago, it is
said, the Kunsky organization had
decided to erect a house in that
vicinity.
The policy of the United Artists
theatre will be a change of shows
on Fridays, rather than Saturdays
or Sundays, as most other houses
here do.
The new zoning plan for De-
troit and Grand Rapids has been
completed after many weeks of
conferences between branch man-
agers and exhibitors.
Stanley Fisher, formerly state
representative for Pathe, has signed
to sell Tiffany-Stahl products.
E. H. Robinson, of Film Truck
Service, is recuperating from a
long illness at St. Petersburg, Fla.
Vernon Locey, owner of the
Temple in Howell, has been mak-
ing arrangements for a new theatre
in connection with a recreation
building being erected by the
Lincoln Theatre Co. The house
will seat 750 and designed along
the lines of Spanish architecture.
At present, Locey is showing fea-
ture pictures and shorts in the local
high school. The Temple burned
to the ground Alarch 1.
Minneapolis
AT the regular village election
held recently in Hayfield,
Minn., the question of Sunday
shows was voted upon and the neg-
atives won by a margin of 19 votes.
There will therefore be no Sunday
shows in Hayfield for at least an-
other year.
W. H. Bannister, owner of the
Grand theatre, Hallock, Minn., has
organized an orchestra from local
talent and secured a well known di-
rector, Blind Bischoff of Thief
River Falls, Minn., to lead the
young people. The orchestra has
been named Wild Bill's Synco-
pators and has done so well that
they are playing for shows and
dances in a number of Minnesota
and North Dakota towns.
For the first two weeks of the
opening of his new theatre at
Huron, S. D., Don Harris has
done a remarkable business. The
new theatre, which seats 800, is one
of the finest in any town of the size
of Huron in the middle west.
The Gem theatre, at Littlefork,
Minn., has been taken over by Al
Peterson, of International Falls.
The local manager will be Ted
Fairchild.
The Grand theatre, at De Graff,
Minn., has been reopened by Mc-
Nellis and Tauer.
The Thebold Aldrich House
building at Benson, Minn., which
houses the Viking theatre, has been
purchased by Jack DeMarce, who
plans to e-cct a modern theatre on
the site.
The theatre at Halliday, N. D.,
was opened April 7.
The new State theatre, which has
just been completed at Moorhead,
Minn., was opened early in April.
It was erected by the McCarthy
Bros, and has been leased for a
term of years by the American
Amusement Company, which con-
trols theatres at Minneapolis, Far-
go, and Mankato.
Frank Woskie is to sell for
Paramount out of Minn-apolis.
For the last three years he has
been associated with Myron Can-
dies.
Dick Baasen, an exhibitor from
Minot, N. D., was a recent visitoi
in Minneapolis.
April 14, 19 28
1219
Philadelphia
THF fact that police have so far
been unsuccessful in appre-
hending the slayer of Max T. Har-
rison, assistant manager of the
Crosskeys theatre. 60th and Market
Streets. Philadelphia, in spite of 3
citv-wide manhunt spurred on by a
reward of $1,000 offered by tin-
Stanley C ompany of America, and
have also failed to capture two
gunmen who escaped with $200
stolen about a month ago from
Earl Western, manager of the Jef-
ferson theatre, Philadelphia, has
caused such widespread alarm
among theatre owners in this sec-
tion at the increasing number of
holdups that arrangements are be-
ing made by a number of exhibi-
tors fo~ the collection of receipts
by armored cars. The killing on
March 23rd of Max T. Harrison,
assistant manager of the Crosskeys
theatre who was left dying on the
sidewalk while a 17-year-old girl
was dangerously wound-'d, was one
of the most daring holdups in tin's
citv for several years.
The da-den theatre. Fourth and
Spring Garden Streets, Philadel-
phia, formerly known as the Spring
Garden theatre, will be reopened
during the second week in April,
under the management of Joseph
Goodstein and Herbert Elliott, who
also operate the Palm theatre
About $30,000 has been spent in
remodeling the house, the seating
capacity has been reduced to 940
in order to provide for the addition
of a stage, and presentation acts
will augment the regular picture
program.
Ambler, Pa., a town of about
4.500 population, located not far
from Philadelphia, is the scene of
a theatre building contest which is
arousing a great deal of local in-
terest. Dr. R. Y. Mattison, mil-
lionaire head of the firm of Keas-
bey & Mattison. owners of the
largest asbestos and magnesia man-
ufacturing plant in the world,
which employs about 1.200 of the
inhabitants of the town, who is the
owner of the Ambler Opera House,
an antiquated second-story theatre,
and the only place of amusement
the town affords, has announced
that the theatre will be rebuilt and
modernized, but that the scale of
admission prices, 10c and 15c, will
lie maintained. Ambler is a one-
industry town and naturally reflects
Dr. Mattison's influence. Soms
time ago Harrison Brothers de-
cided to build a new 1,200-seat mo-
tion picture theatre in Ambler
only about three blocks from the
Opera House. Contracts have been
let for the work, which will start
soon. Public interest is running
high as to whether Harrison
Brothers will be able to make a
success of their venture in spite
of the determined and powerful
opposition of the millionaire owner
of the Opera House, particularly if
he adheres to his admission charges
of 10c and 15c, with a 10c increase
for vaudeville on Saturday nights.
John I'. McCarthy, of Kansas
City, has succeeded Edward J.
Melniker as manager of the Re-
gent theatre, Harrisburg, one of
the Marcus Loew chain. Prior to
taking charge of the Harrisburg
house, Mr. McCarthy was man-
ager of Loew's Newman theatre
in Kansas City. Mr. Melniker,
who was manager of the Regent
for 15 years, was transferred to
Loew's Ohio State theatre, Colum-
bus, Ohio.
Jacob Fabian, president of the
Stanley-Fabian theatres, and father
of Si Fabian, newly elected di-
rector of the Stanley Company of
America, will spend several weeks
in the South convalescing from an
operation which he recently under-
went in a New York hospital. ,
At the last meeting of the
M.P.T.O. of Eastern Pennsyl-
vania, Southern New Jersey and
Delaware, of seventeen complaints
brought against exhibitors by ex-
changes, not one was against a
member of the local organization.
William H. Erbc, Boston branch
manager for Paramount-Famous
Players, was a recent visitor in
Philadelphia, having come here to
spend Sunday with friends after
attending a meeting of the Para-
mount Pep Club in New York. Mr.
Erbe bcean his theatrical career
here in 1919, as a salesman for the
old Superior Exchange.
W. E. Smith, district manager
for Paramount has cone to Wat-
kins Glen, N. Y., for a short rest
and to thoroughly recuperate his
health, which has not been of the
best lately.
Percy E. Bloch. branch manager
for Paramount in Philadelph:a. is
spending his annual vacation with
relatives in New Orleans, his home.
Charles Erlamrer is reported as
being seriously ill at Atlantic City,
where he will probably Ik? oblieed
to spend some time before return-
ing to New York.
Lessey Bros., Michael, A. F. and
Geo. W.. oixrating the Aurora and
Diamond theatres of Philadelphia,
recently opened the new Collings-
wood theatre. Collingswood. N. J.,
replacing an old house of the same
name. The new house has every-
thing in the way of modern equip-
ment, including Yitaphone and
Movietone and an eight piece or-
chestra and mny interesting inno-
vations in the way of interior deco-
rations.
Cincinnati
THREE-FOURTHS of Cincin-
nati's population attend the 46
motion picture shows in the city,
according to a recent national sur-
vey, the average number attending
being 304,200.
Floyd F. Smith, who has been
connected with Loew's Ohio the-
atre, at Columbus. Ohio, has been
appointed manager of Loew's new-
house, at Richmond, Va.
Edward J. Melniker, who has
been manager of Loew's Regent, at
Harrisburg, Pa., lor the past
fifteen months, has been made man-
ager of Loew's Ohio, at Columbus.
Melniker will, in turn, be suc-
ceeded at Harrisburgh by John P.
McCarthy, who formerly managed
the Newman theatre, at Kansas
City.
Fred Hineman. who operates a
motion picture theatre at Carding-
ton, Ohio, was arrested recently for
Sunday showing. He was fined
$15 and costs, and given a sus-
pended jail sentence of 30 days,
the suspension being conditioned
on a promise that no further at-
tempts at Sunday performances
would be made.
The old Delaware, Ohio, Opera
House vvih be extensively re-
modeled, and converted into an up-
to-date house, at an estimated cost
of $20,000, according to announce-
ment by the city authorities.
The Grand theatre, Middletown,
Ohio, of which Nick Mailers is
manager, is being renovated. New
projection equipment, as well as an
Orchestraphone, are being installed.
Leo Burkhart, manager of the
Hippodrome, Crestline, Ohio, re-
cently played host to members of
the local basket ball teams.
The Strand theatre. Piqua, Ohio,
owned by The Piqua Amusement
Co., was discovered to he on fire
by a passerby a few days ago. The
blaze was extinguished before ma-
terial damage was done. The
house was empty at the time.
The Kenton, Ohio. Amusement
Co., of which W. W. Bowers is
president, will erect a new house in
that citv at an estimated cost of
$125,000.
Among the recent visitors along
Film Row, in Cincinnati, was
George Peakras. Columbus. Ohio,
who recently took over the Rivoli
and Ritz theatres in that city. J.
Reynolds, manager of the New
theatre. Columbus, was also a re-
cent Cincinnati visitor.
A survey recently made at Day-
ton, Ohio, with a view of checking
up on theatre attendance, shows
that more white pe-sons than
negroes attend the Palace theatre,
in that city, which house caters to
a colored clientele.
George J. Riester, who hails
from New York City, has been
appointed manager of the Ohio
and Majestic theatres. Mansfield.
Ohio, to succeed Harry Brown, Jr..
who has been transferred to Lorain.
Ohio, where he will be manager
of the new Palace theatre in that
city. No changes will be made in
the Mansfield houses by the new
management.
Frank G. Kroell. assistant super-
intendent of the Columbia theatre.
2527 Vine Street. Cincinnati, may
sutler the loss of his left leg as
the result of an explosion of an air
compressing machine. Kroell had
started the machine in operation
just prior to opening the theatre,
when the explosion occurred, pieces
■ >t (lying metal penetrating his leg.
He was removed to the ( icncral
hospital, where the physicians an-
nounced that amputation would
probably be necessary.
Manager Erk, of the Piqua
Amusement Co., Piqua. Ohio, re-
cently arranged for motion pictures
to be taken of Piqua and vicinity,
which he showed at his theatres.
He is also holding same available
for all local clubs and societies for
the purpose of exploiting the city.
Harry Flinn, Wadsworth. Ohio,
has taken a two-year lease on the
Opera House, at Ashland. Ohio.
The house is under control of the
city council, and Flinn's bid for the
two-year period was S14.256. A
clause in the lease, however, pro-
hibits the showing of pictures on
Sunday.
Manager Harry Brown. Jr.. of
the Ohio and Majestic theatres, at
Mansfield. Ohio, was one of the
many who installed radio receiving
sets in their bouses to enable the
patrons to listen in on the recent
Dodge hour of movie stars.
The Grand Opera House. St.
Marys. Ohio, has been ordered sold
by the Auglaize county common
pleas court and proceeds applied to
mortgages held on the building.
COSTUMES FOR HIRE Ss BROOKS
1220
Motion Picture News
South West
THE semi-annual meeting of the
Oklahoma M. P. T. O. will
convene at the Huckins hotel, Okla-
homa City, Okla., April 9th, for
the purpose of transacting routine
business and anything else that may
come up.
Mrs. J. H. Dooke, biller for Uni-
versal at Oklahoma City, is sport-
ing a new Nash coupe.
Mrs. Ella Bennett opened the
new Majestic theatre at Seminole,
Okla.
G. A. Peterson is making rapid
progress in the erection of his new
Cozy theatre at Hollis, Okla.
W. Z. Spearman, of Edmond,
Okla., president of the Oklahoma
M. P. T. O., visited in Oklahoma
Citv the past week.
The Rialto theatre at klahoma
City has been closed for remodel-
ing.
C. Lyles has purchased the Ham-
ley theatre at Clinton, Okla.
Miss Louise Beamus of the Uni-
versal office returned to her duties
at Oklahoma City Monday after a
week of illness.
The Palace theatre at Blackwell.
Okla., has been reopened after re-
modeling.
M. Dodson will remodel a build-
ing and open a new theatre at Van
Buren, Ark.
The Princess theatre has re-
opened at Little Rock, Ark., follow-
ing remodeling.
A. M. Wolf, former National
Screen Service representative in
Oklahoma, has left for Milwaukee,
Wis., to join the Universal staff.
The Trinity, a Dallas, Texas,
suburban house, suffered a loss
from fire recently, the loss was
covered by the Southern Under-
writers.
The Greater Palace theatre at
ALTERATIONS to the stage
of the Strand theatre, York's
newest and largest picture and
vaudeville house, a part of the
chain of the Nathan Appel Enter-
prises, are to be made at a cost of
$50,000. The work began on
April 1. The stage will be fully
equipped with scenery, wings, flies,
drops, curtains, special lighting fa-
cilities and dressing rooms. It is
announced that the improvements
will not interfere with the show-
ing of motion pictures or presenta-
tions.
The management of the Family
theatre. New Cumberland, turned
over the auditorium the night of
April 9 to the New Cumberland
Civic Club for the holding of a
benefit performance of motion pic-
tures.
Mrs. C. Floyd Hopkins, wife of
the district representative for the
dozen Wilmer & Vincent theatres
in I larrisburg and Reading, has
been chosen captain of one of the
teams in Section 3, to solicit funds
Mount Pleasant, Texas, opened to
pleased capacity business last week.
Dent Theatres, Inc., have moved
its Vitaphone equipment from the
Arcadia Theatre at Dallas, Tex., to
be one of the organization houses
in Wichita Falls, Tex., leaving the
Melba at Dallas the only Dallas
house using the Vitaphone.
!?. C. Howell & Sons will open
their new theatre at Coleman,
Texas, soon.
Oscar Korn's new 1,200 seater
theatre at McCamey, Texas, will
open soon.
Diaz Callahan is erecting a new
theatre at Carizzo Springs, Texas.
The Palace theatre at Midland,
Texas, is installing a new $7,500
organ.
Sam Stokes, for the past three
years manager of the Kings Inn
and Queen theatres, local proprie-
tors of the R. & R. interests, has
been transferred by his company
to Sherman, Texas, where he will
take charge of their theatres in
the North Texas city.
The Majestic theatre at Sabinal,
Texas, has reopened after having
been closed by reason of smallpox
prevalence.
New cooling systems are being
installed in the R. & R. theatres
at Big Springs, Texas.
Rowley & Rob, et al., are erect-
ing a new $1,000,000 theatre and
office building at San Angelo,
Texas.
The Rialto theatre at Gonzales,
Texas, has opened for business.
Saengers are erecting a new
house at EI Dorado, Ark., to
compete with the Lightman chain
of theatres.
B. H. Hunter will open his new
Strand theatres at Uvalde, Texas,
soon.
Fred S. Oliver, of the Liberty
theatre. Shamrock, Texas, spent
Thursday and Friday visiting
friends on film row this week.
Fire originating between the ceil-
ing and flooring in the Rex theatre
at Waurika last Friday destroyed
the booth and most of the equip-
ment. This house was recently
opened by Glen Ellison and Ollie
Snipes, who advise their loss was
not covered by insurance. It has
not yet been decided whether the
house will be reopened.
Word has been received that T.
E. Cook has sold his Liberty theatre
at Ada, Okla. Mr. Cook has had
this theatre for a number of years.
Mr. F. M. Tull, proprietor of
the Camera theatre, Stillwater,
Okla., has returned to Oklahoma,
after spending the winter in Los
Angeles. His stay here will be
rather short, however, since Mr.
and Mrs. Tull are booked on the
Isle de France, which sails May 1st
for Europe, where they expect to
spend the summer.
Ed. Brewer, branch manager for
First National, has been spending
the past week in Medicine Park.
Mr. Brewer is devoting his well
deserved vacation to getting caught
up with his spring fishing.
Charles R. Zears, secretary of
the Oklahoma City Film Board of
Trade, spent last Wednesday in
Ponca City, where he attended the
dedication of the Everette A. Tay-
lor Municipal Air Port. The Air
Port was named after Lt. Everette
A. Taylor, the only Oklahoma avi-
ator who lost his life in action dur-
ing the world war. Lt. Taylor and
Mr. Zears were boyhood friends.
Mr. L. S. Creason has sold his
Liberty theatre at Sasakwa, Okla.,
to Mr. S. D. Glascock.
Mr. and Mrs. E. Harkins, of the
Art theatre, Cordell, Okla., were
business visitors on film row this
week.
Announcement was made last
week that a new theatre will be
erected in Capitol Hill, an addition
to Oklahoma City fy the A. H.
Emenheiser Theatrical Enterprises.
The house and equipment will cost
approximately $150,000.
The theatre will be called the
Ritz and with a seating capacity
of 1,000, and will be of Spanish
design with side, walled-in gardens.
In one of the most hotly con-
tested campaigns ever conducted in
Oklahoma over the Sunday blue
law, the citizens of Norman voted
by a majority of 312 to retain the
present ordinance prohibiting Sun-
day shows in the University town,
in an election held last Tuesday,
A total of 2,252 votes were cast,
with more than 75 voters being
challenged at the polls.
The Rialto theatre in Oklahoma
City has been closed for the past
week while decorating and refur-
nishing plans were being carried
out. It will reopen soon with a
new coat of paint and a new organ.
G. A. Peterson of the niw Cozy
theatre at Hollis, Okla., reports
work is progressing nicely on this
new theatre. When completed, it
will have a seating capacity of 900.
M. E. Woodridge, of the Wig-
wam theatre at Altus, was a visitor
on film row last week.
Miss Louise Beamus of the Uni-
versal office returned to her desk
last Monday after a week's illness.
After being closed for some time
the Palace theatre at Blackwell,
Okla., has reopened with complete
new decorations.
Family theatre, New Medford, Pa.,
from C. E. Phinney.
"Blonde Week" was celebrated in
the Rialto theatre, Williamsport,
starting March 26, in connection
with the showing of the Paramount
film play, "Gentlemen Prefer
Blondes." In the preceding week a
score of the prettiest blond girls
of the city were selected by a com-
mittee of judges from photographs
which were submitted in a contest.
On each of the first four nights of
the succeeding week five of these
girls appeared in person on the
Rialto stage and the audience each
night selected the one they thought
the most beautiful.
A Pennsylvania charter of incor-
poration has been issued to the
Blossburg Amusement Co., Inc., of
Blossburg. It is incorporated to
"purchase theatres, etc." J. R.
Stratton, of Blossburg, is treasurer,
and the incorporators are M. C.
Bermingham, F. B. Smith and F.
W. Coe, all of Blossburg.
Central Penn
in the annual campaign to raise the
$300,000 budget for the support of
the thirty charitable and benevolent
institutions maintained by the Har-
risburg Welfare Association.
Vitaphone apparatus is being in-
stalled in the Colonial theatre, Lan-
caster, controlled by the Stanley
Company of America. The first
use of the device will be in con-
nection with the showing of "The
Jazz Singer."
The open air amphitheatre being
constructed at Cedar Crest College,
Allentown, will be ready for a try
out during the present month, and
for the presentation of the first
public play on June 4. It is being
constructed under the direction of
the Rev. William Franklin Curtis,
president of the college.
The Colonial theatre, Lebanon,
was formally reopened, under the
management of John A. Jackson, a
veteran theatre man of that city, on
the night of March 19. There were
speeches by Mayor William L.
Brunner, of Lebanon, and by M.
Shulman, of the Universal Ex-
change. Other out-of-town guests
of the occasion were William Beth-
ell, De Luxe ; John Sharkey, Pathe
News ; Robert Lvnch, Metro ;
Samuel Rose, F. B. O. : John Beth-
ell, Tiffany ; Morris Fishman, Lib-
erty : Mr. Korson, Masterpiece,
and Edward Sherman and Mr. Lev-
inson, Penn Productions.
John P. McCarthy, who recently
succeeded E. J. Melinker, who went
to a theatre in Columbus, Ohio, as
manager of Loew's Regent in Har-
risburg, has had wide experience
as a theatre manager. He started
in the business when 14 years old
as usher in a theatre in Bridgeport,
Conn., his native city. He was
variously promoted until he be-
came manager there and later was
sent to Scranton, Pa., where he
served in a managerial capacity in
one of the leading theatres for
seven years. After that he served
successively in theatres in Balti-
more, Memphis and Kansas City.
C. D. Hoagling has bought the
April 14, 19 28
\22\
Buffalo
PREPARATIONS have been
completed for two important
theatrical events that arc scheduled
for the latter part of the week — the
Movie Ball and Carnival to be held
by the Motion Picture Theatre
Owners of Buffalo on Thursday
evening, April 12, and the National
Vaudeville Artists' week program
which will take place on the fol-
lowing day, Friday, April 13.
The theatre owners organization,
representing 80 uptown and neigh-
borhood movie houses, has been
laboring for weeks to make the
Movie Ball and Carnival, which
will be held in the Broadway audi-
torium, the biggest and most unique
affair of its kind ever held in Buf-
falo, and last-minute indications are
that it will prove a memorable
event.
Bobby Albert of Lancaster, who
operates the Albert theatre there,
has just sold his Grand theatre at
Westfield to Charles Tarbox of the
Film Classics Exchange, Buffalo.
The Martini Brothers, who op-
erate theatres in Dansville and Mr.
Morris, are taking over the New
Academy theatre at Nunda from
J. Doyle.
J. G. Schultz has closed the
Park theatre in Rochester.
Martyn Kaplan of Rochester
paid a visit last week to the Warner
Brothers exchange here and an-
nounced that the Rivoli theatre, for-
merly the Jefferson, in Rochester,
has been entirely remodeled.
The Paramount exchange here,
a beautiful, small building, whose
architectural splendor catches the
eye in admiration, is going to be
even more beautiful shortly. The
landscape is being beautified, altera-
tions are in progress, a new con-
crete sidewalk is being laid, and
other improvements are planned to
make the structure superbly hand-
some.
Nikitas Dipson, an associate in
the Zimmerman-Dipson circuit, who
operate scores of theatres in New
York, Pennsylvania, and Ohio, is
recovering in his home at Batavia
from the effects of a severe cold
that bordered on grippe.
R. C. Fox, of the R. C. Fox Ex-
changes in Buffalo, was named last
week by the Brill Distributing Cor-
poration, New York City, to super-
vise sales in the Buffalo territory
for "Tartuffe, The Hypocrite,"
with Emil Jannings, and "A Mod-
ern Du Barry," with Maria Corda.
The first picture, a UFA produc-
tion, goes into Shea's Hippodrome
here on April 15.
Ben Wallerstein of the Broad-
way theatre, Buffalo, is in New
York on a several days' business
trip.
H. M. Addison of the Great
Lakes theatre put over a nice pub-
licity stunt last week. He arranged
for an official reception at Mayor
Schwab's office in City Hall for
the Florentine Polyphonic Choir,
headlining the vaudeville section of
his theatre's program.
Marre Williams, owner of the
Dreamland theatre at Bolivar, N.
Y., has just ordered an orchestra-
phone from V. G. Sanborn, sales-
man of the Buffalo office of the Na-
tional Theatre Supply company.
Norma Shearer. Metro-Goldwyn-Mayer
star, whose latest vehicle is "The
Actress" an adaptation of "Trelawney
of the Wells"
Shea's Buffalo has just arranged
a tie-up with the Buffalo Evening
News whereby a series of midnight
exchange here, what ground he cov-
ers, and he'll promptly tell you it's
the "muddy territory." Elmer made
a sales trip through Erie and Niag-
ara counties last week and when he
came back he had to forego the use
countenance illuminates the F B O
organ recitals will be broadcast
every Monday night over station
WMAK, with Tom Grierson. the
Shea's Buffalo organist, at the keys.
Ask Elmer Lux, whose rubicund
of his car for several days while
the mud, caked on it an inch thick,
was removed.
The Village theatre at Ripley has
closed for a month on account of
a wave of diphtheria that assumed
almost epidemic proportions.
John Nolan, chief of the Fox
Film Corporation exchange here,
has just returned for the Easter
holidays after an extended trip that
took him to Gloversville, Bingham-
ton and Scranton, Pa.
The Pathe exchange here had
Fred Knispel, of the New York
home office, for a visitor last week.
He remained several days.
The population of the Buffalo ex-
change colony has been increased.
H. L. Beecroft, Metro salesman, is
a papa now and refers to "my son"
with deep pride, and Richard Walsh
of the accessories service depart-
ment of Metro is daddy of a re-
cently-arrived daughter.
James Cranides of Olean paid a
visit during the week to the United
Artists exchange here.
"Here" Webster, formerly of the
Bond Photoplay exchange here, has
joined the sales force of First
Craphic Pictures exchange in Buf-
falo.
Matt Schiesel, former F B O
booker in Cleveland, has been
named manager of the New Ariel
theatre in Buffalo, which was re-
cently taken over by L. E. Cham-
berlin from Michaels Enterprises.
Albany
CHARLES MARSHALL, of
Ausable Forks, who operates
the theatre there and incidentally
sells automobiles, was along Al-
bany's Film Row last week and an-
nounced that he had taken over the
agency of another car, and was
driving one back that he intended
to sell before 10 o'clock that night.
Austin Battaglia, of Troy, man-
ager of the Lansing and Monroe
theatres in that city, and who is
probably the youngest theatre man-
ager in this part of the state, spent
Easter in Washington, accompany-
ing a high school delegation on an
excursion.
Alec Sayes, manager of the Le-
land in Albany, is back from a week
or so in Havana. Mrs. Sayles ac-
companied her husband on the trip
and both had a most enjoyable time.
Quite a number of the film ex-
change managers in Albany spent
Easter out of town. Al Guteck,
manager for F B O, journeyed over
to Fitchburg, Mass., while Charles
Stombaugh, local manager for
Pathe, spent the day in New York
City. Several of the film sales-
men also spent the day out of town.
Ray Smith, a well known sales-
man for Universal out of Albany,
had a rather amusing experience
one night last week, while calling
on an exhibitor in Schaghticoke.
Mr. Smith had parked his car,
which is equipped with a Gabriel
bugle, along the main street of the
village, and was engaged in trving
to sell some pictures to the exhibi-
tor, when he heard the horn of his
car going full blast. Several of the
villagers, thinking there was a fire,
rushed out of their homes, as Mr.
Smith ran toward his car in an
effort to discover the trouble. It
was found that there had been a
short circuit and the onlv way Mr.
Smith could stop the horn was to
disconnect the wires. By that time
there was a crowd of at least 100
persons around the automobile.
There was a rumor last week to
the effect that Roach and Hickey,
of Schenectady, well known to Al-
bany's film Row, and who had been
identified with theatres in the elec-
tric city, would take over the Hud-
son in Albany, a Berinstein house,
operated by Feltmann and Son.
Ely Roscnbaum, owner of the
Hippodrome in Ogdensburg, has re-
sumed charge of the theptre, the
lease of James S. Burnham having
expired. Mr. Burnham has made
no announcement as to his future
plans.
In one of the stiffest political
fights ever waged in Binghamton
at a primary election, W. W. Far-
ley, of Albany, owner of several
theatres in Schenectady, went down
to defeat in a contest to determine
the Democratic leadership of Bing-
hamton, Mr. Farley's home town.
Among the exhibitors in town
during the past week, were F. L.
Sands, of Pyrites ; Henry Frieder,
of Hudson; Fli Sobel, and Joseph
Sternberg of Boonvillc. The week,
however, was not characterized by
the usual number of exhibitors be-
ing in town.
L. E. Jerome, of Mayfield. has
just returned to the ranks of ex-
hibitors, having taken over the
house which he had leased to an-
other person.
Good news came out of Coopers-
town during the past week to the
effect that William Smallcy, head
of a chain of a dozen or more
houses, and who had been seriously
ill, is on the road to recovery. It
will probably be several weeks,
however, before Mr. Smalley can
make his usual trip to Albany.
T. O. Fuller has taken over the
Rutherford theatre in Franklin,
which has been operated by E. D.
Woodward. Stuart and Adams
have taken over the house in Mil-
lerton from R. F. Shaffer.
William Dwan has been re-en-
gaged as leader of the Strand or-
chestra in Ogdensburg. Dwan re-
signed a few months ago when the
theatre was taken over by a new
management.
V. A. Warren, of Massena, well
known to exhibitors in northern
New York, and likewise on Al-
bany's Film Row. back from a three
months' trip abroad, is telling of
having been snowbound in the At-
las mountains. Mr. Warren, who
was one of a partv of four, covered
about 18,000 miles by motor, tour-
ing across northern Africa and
through Spain and France.
The Rialto theatre in Albany will
now be known as "The Trojan" and
was opened last Saturday by its
new owner, Edward Cary. who will
operate the house along with a gas-
oline station on the same site.
Harry Lazarus, of Kingston, is
one of the best trout fishermen in
this part of the state and as might
be expected, he was out bright and
early last Saturday morning.
1222
M o t i o n Picture News
Salt Lake City
THE Capitol Film Laboratories,
under the management of
Robert Schofield, have recently
taken up air photography and map
ping with the assistance of Ray
Pack, pilot at the Salt Lake air-
port.
Fred P. Brown, one of the own-
ers of the DeLuxe exchanges in
this city and Denver, is leaving the
Salt Lake exchange within a short
time. Brown intends making a trip
to New York City, which may keep
him there for several months.
The DeLuxe exchange in this
city is to be renovated and remod-
eled.
Joe Kcehler, manager of the
Idaho theatre at Twin Falls. Ida.,
is in Salt Loke for a short stay.
Among recent exhibitor visitors
who were in this city on booking
tours were A. W. Smith, manager
of the Thorley theatre at Cedar
City, Utah, and E. Olstlund, of the
Rivoli theatre, at Springville.
The local Paramount-Famous-
I^asky organization are all out on
the road at the present time : Mana-
ger O. Wog being in Montana,
Salesman C. P. Epperson in Idaho,
F. J. Murphy and A. K. are making
Montana, H. B. Loveless is in the
Idaho branch and Joseph A. Eng-
lish and F. S. Gulbransen are both
covering the Utah section, it is re-
ported.
Manager L. C. Wingham, of the
Metro - Goldwyn - Mayer office in
this city, is enroute to the Rutte
office, from which he will make the
Montana territory. "Buck" Wade
is also in Montana, while A. A.
Bruce is making the northern sec-
tion of Utah and J. A. Epperson is
in Idaho. Epperson is reported to
have been married recently at Og-
den, Utah.
The Theatre Scrip which is being
offered at the Salt Lake Louis
Marcus Enterprises theatres, is
also available at the Paramount
theatre at Ogden, the Paramount
of Provo, and the Idaho theatre of
Twin Falls, Idaho, which houses
also belong to this organization.
Edwin Bluck of the Rialto the-
atre at Durango, Colo., left this
city a few days ago, accompanied
by his wife, after having spent sev-
eral days visiting with Ross Bluck,
booker at the F. B. O. exchange,
who is the son of Exhibitor Bluck.
It is stated here that the selection
of a name for the new theatre now
under construction by Rluck at Du-
rango will be made by holding a
contest with a newspaper of that
city with prizes being offered for
the winning title.
Manager Fred Lind of the local
F. B. O. exchange, and Sam Ka-
minsky, who came to this city from
Denver, are leaving here for the
new shinning office at Butte this
week. • Kaminsky is to take charge
of the Butte office, it is announced.
"Hap" Fredericks, who has
charge of the local Columbia ex-
change, is working in the southern
part of Utah.
Fred Young, who has been work-
ing in the Denver territory for Co-'
lumbia for some time, is now mak-
ing a tour of the Salt Lake terri-
tory.
George Smith, of the Gem and
Empress theatres of Magna, Utah,
is conferring with local exchange
managers this week. Smith has
had a new ventilating system in-
stalled at the Gem theatre and the
Empress, which is being recon-
structed and remodeled, will be
completed sometime this month and
readv for the reopening.
District Representative Ben F.
Rosenberg of the Fox Films Cor-
poration is in the Salt Lake terri-
tory.
Chas. Walker, manager here for
Fox, is on a two weeks tour of
Idaho and intends making Mon-
tana also before returning to the
local exchange. Salesman J. L. Tid-
well is in the office for a brief
stay from his Southern Utah sec-
tion.
Mrs. G. B. Dickenson of the Rex
theatre at St. Anthony, Idaho, is on
a buying tour here.
Manager Clyde H. Messinger of
the local Educational exchange is
preparing to leave within a few
days for the Idaho branch, where
he will make an extensive sales
campaign.
Barney Shooker of the Atlas
Film Corporation has been in this
city relative to opening an office
with Able Davis here.
Manager W. F. Gordon of the
Associated First National exchange
in this city is still working in Mon-
tana. Sales Representatives Claude
Hawkes and Vete Stewart are out
in their respective territories in
Idaho and Montana, it is stated
here.
A recent trip was made here by
George A. Allen of the Majestic
Amusement Company of Boise,
Idaho, and also of the Idaho The-
atres Company of Nampa, Idaho.
A. W. Hartford, manager in this
city for Universal, came in from
the Idaho branch this week. Sales-
man C. C. McDermond spent a
short time at the local office and has
left again for the territory.
Manager Wayne Ball, who was
recently appointed to take charge
of the Warner Bros, exchange here,
is leaving for his initial trip into
Idaho and Montana.
A new film vault is being built
at the Pathe shipping office of
Butte. Montana, it is stated, and
Manager Al O'Keefe has left his
exchange duties here for the pur-
pose of supervising the installation.
Salesman Jack Connors is mak-
ing the Coal Camps of Southern
Utah this week out of the local
Pathe office. Geo. Hayes is trav-
eling in the Idaho section. Hayes
recently won the Spring Golf Tour-
nament held here.
The theatre and exchange men
are all practicing up for another
golf tournament to be held the lat-
ter part of May, according to re-
port.
Eddie Smythe, who has been con-
nected with the local Pathe ex-
change for some time, is at present
in California with his family, due
to the death of his father there.
"The Urge Within" is a picture
production now under way in the
vicinity of Beaver, Utah. Ralph
Cloninger, well known in this city,
and his director, Henry Otto, are
now in Beaver with earner? men
and a staff of assistants. Mildred
Harris will play the leading femi-
nine role.
Louis Marcus, head of the L.
Marcus Enterprises, received a
message recently from Jesse L.
Lasky, vice-president of the com-
pany, from his office at the Para-
mount motion picture studio irr
1 1 oily wood, requesting that Marcus
aid in locating Fred L. Freitas for
whom a ?500 check is awaiting.
Freitas, the missing man, was
was picked recently from 40.(100
contestants as winner of the sixth
prize in the Paramount-Photoplay
magazine idea contest. Having
failed to put his address o:i the
manuscript, he was lost track of,
as the envelop? in which the script
was mailed had been thrown away
months before the judges decision.
South East
LOUISVILLE'S newest theatre,
the Uptown, Eastern Parkway
and Bardstown Roads, will open
Saturday night. It is said to be
the last word in suburban picture
theatres, and the management de-
fines a policy unlike any now em-
ployed ;n local theatres of this
character. Clarence J. Steurle, will
be in charge of the new theatre,
which is one of the many in the
chain of the Fourth Avenue Amuse-
ment Company and Broadway
Amusement Company. This thea-
tre will offer a change of program
three times a week, on Sunday,
Tuesday and Friday. A complete
installation of Vitaphone and
Movietone has been made.
Floyd Miller, manager Miller
Theatre, Mt. Vernon, Ky., has re-
turned from a trip to New York.
The Walter J. Brackin theatre
interests in Bainbridge, Ga., are
this week celebrating their twenty-
first anniversary of theatre opera-
tion and the occasion is of more
than local interest, for the reason
that Mr. Brackin is well known
throughout the Southeast as a live
wire exhibitor.
P. M. Jones and J. C. Rambo
have taken over the Strand Thea-
tre. Mountain Citv, Tenn., formerly
operated by C. W. Lane; William
Rise has taken over the Clay The-
atre, Manchester, Ky., formerly
called Manchester; F. W. Karnap
has taken over the Regent Theatre,
Russell, Ky.
After a two days' hearing which
ended last Friday in the fourth cir-
cuit court of Tennessee, at Mem-
phis, Anthony J. Xydias. of the
Sunset Pictures, Inc., of California,
won in the suit for damages brought
b\ I. M. Cohen, of the Dixie Film
Co., which arose over the dispute
of ownership in the film "What
Love Will Do." Cohen claimed that
he purchased the film. "What Love
Will Do," and offered it to Xydias'
company for sale. A discussion
arose as to the ownership of the
picture, Cohen declared, resulting in
Xydias coming to his office, where
an argument ensued and Xydias had
Cohen carried to the police head-
quarters where he was detained for
more than an hour. Cohen claimed
SI 0.000 damages for this mistreat-
ment. With the conclusion of a
two days' hearing, the jury decided
that Xydias had not injured Cohen
and he was freed from payment of
damages. Ralph Davis was the de-
fense attorney.
Leo F. Keiler, of Paducah. Ky.,
manager Strand Amusement Com-
pany, was a visitor in Mayfield last
week.
In conjunction with their regu-
lar bill last week, the Belmont The-
atre, Nashville, Tenn., staged a
spring style show.
James Fisher, manager Lyric
Theatre. Versailles, Kv., has re-
turned from a trip to Cincinnati.
The Strand Amusement Com-
panv, Mayfield, Ky., has purchased
the building occupied by the Dixie
Theatre on the west side of court
square, the building adjoining it.
Mr. and Mrs. A. N. Miles, Emi-
nence Theatre, Eminence, Ky., were
visitors at the Louisville, exchanges
last week.
The new Parks Theatre, at 41
and Market Sts., Louisville, is prac-
tically completed, and will open be-
tween the first and middle of May.
The Auditorium Theatre, Daw-
son Springs, Ky., formerly owned
by J. M. Bishop, has been sold to
J. E. Hosick and Roy Scott.
Mose Klein, owner of the Lillian
Theatre, Clarksville, Tenn., and
theatres at Dickson. Tenn., and
Guthrie, Ky., was a visitor at the
local exchanges last week.
Mr. and Mrs. Lee Goldberg, of
Big Features Rights Corporation,
Louisville, have returned from a
trip to New York.
The Robs Theatre. Cynthiana,
Ky., staged a style show last Tues-
day, in conjunction with the regu-
lar bill.
April 14, 1928
1223
Florida
CA. CLEGG, manager of the
* Atlanta office of the First
National Pictures, and George Al-
mon, former Florida representative
of this company, visited in Tampa
and the West Coast cities the past
week.
The Rialto, Tampa's stock house,
is going in for another week of
pictures. They are advertising "Is
Your Daughter Safe'' for a full
week starting Sunday. This is the
second time they have shown films
since the house was opened about
two years ago.
The Florida School Supply Com-
pany are giving demonstrations, in
the schools of this section, of a
portable projector they have added
to their line.
Eduardo Arozamena, who suc-
ceeded Anthony Juran in the man-
agement of the Casion theatres in
Ybor City and West Tampa, a
short time ago, has imported some
Spanish films which are pleasing
the Latin people:
Clem Clay Price, a well known
Florida exhibitor, died suddenly
Saturday, March the 24th at his
home in Live Oak. During the last
six or eight years Mr. Price has
operated the Sans Souci, in Ybor
City ; the Dixie at Dunedin ; the
Royal at Tarpon Springs and the
Alimar at Live Oak. The deceased
is survived by his wife, three sons
and two daughters.
The Campobello, an exclusive
colored theatre in the Belmont
Heights section of Tampa, is put-
ting on musical shows in connection
with their picture programs. They
have a colored troupe known as the
"Charleston Revue.''
The Cuban Club gave a "movie
ball" last Saturday night, with
prizes for the best "get ups" on
cinema stars.
The Star theatre at Mulberry has
been sold and the new owners have
given it a complete overhauling and
re-opened under the name "Mul-
berry Theatre."
According to report received in
Jacksonville a new theatre, with
seating capacity of 1,000, is to be
built this Summer at Lake Wales,
Fla., by the Princess Realty Com-
pany, of which II. S. Norman is
president, and leased by the Lakes
Wales Investment and Amusement
Company, of which N. W. Remond
is president. Mr. Remond is now
operating the Scenic Theatre in
Lake Wales and the Royal at
Wauchula.
The new house is scheduled to
open about December 1. The ap-
proximate cost is given as $100,000.
A stage 20 feet deep, suitable for
vaudeville or small road shows, up-
holstered seats, modern ventilating
system, pipe organ and other equip-
ment will be used.
The Florida Theatre, Jackson-
ville, this week began distribution
of attractive new programs of 8
pages, carrying chatty reading ma-
terial and theatre schedules.
Lee Newsome, of the Florida
Gloria Swanson, star of United
Artists productions, whose latest re-
lease, "Sadie Thompson," netted her
many new friends at the box office.
Theatre, has been promoted to the
post of advertising manager, which
was vacated when Jack Hodges
went to the Avalon Theatre at
Avon Park, Fla., as manager. Mr.
Hodges first was reported going to
Winter Park.
Jesse Clark and Frank Dowler,
of Publix, were in Jacksonville this
week.
Friends of Manager Charles P.
Lester, of Universal exchange.
Jacksonville, will regret to hear
that he has been confined to his
home by illness for several days. It
is reported he has pneumonia.
Manager Scotty Chesnutt. oi
Paramount exchange, in Jackson-
ville, will go to Washington, D. C.
to attend the annual convention of
managers and district managers of
Paramount. He will take five mem-
bers of his office staff with him.
Jack Pickett, formerly of the
Empress Theatre, was transferred
this week to the Imperial Theatre.
Jacksonville, where he is assistant
manager. Fred Lake, formerly as-
sistant manager at the Imperial,
was transferred this week to the
Phiel Theatre at St. Petersburg, as
manager.
Manager John Crovo, of the Im-
perial, and William A. Krause, of
the Empress, left Jacksonville this
week for a trip to Palatka, St.
Augustine and Gainesville to ad-
vertise the premiere showing of
"Glorious Betsy" at the Imperial
all next week.
Announcement of a new de luxe
theatre for Tampa to seat 1.500
and to cost approximately ?200,(HCl
has just been made by Anthony
Shimko, president of Southern The-
atres, Inc. Construction has already
started on the new house which will
be located at La Fayette Street and
Grand Central Avenue.
Des Moines
J AMES GORDON of Manila,
la., who had the theatre there
until he sold over a year ago to D.
C. Jorgenson, stopped in at the
Paramount office to chat with Man-
ager Copeland. He still finds the
picture game fascinating and indi-
cated that he is thinking of return-
ing to the business again.
Park D. Agnew, who made a
heap of friends when he served as
booker and assistant office manager
for the Metro-Goldwyn-Mayer of-
fice in Des Moines, will return to
the exchange office after an absence
of a year, coming in his capacity
of traveling booker for the main
office. Mr. Agnew left the Des
Moines office to take up this work
last May. He comes to Des Moines
from Omaha.
Double headers were played in
the bowling tournament last week
and First National and Paramount
came out still in a tie. First Na-
tional won two out of three games
from Pathe and the same score
from Paramount. Universal lost
six games, three to Metro-Gold-
wyn-Maycr and three to F. B. O.
Everyone was most modest in their
reports of the games last week with
Paramount and First National each
conceding the lead to one another
and with Universal and Metro-
Goldwyn-Mayer in polite dispute for
last place. In spite of the fact that
D. G. West of the Metro-Goldwyn
team scored the best that he has yet
made with a nice 200, the team did
not have a previous record high
enough to insure them in a place in
first money. Anyway, there are
about a dozen more games to be
played before this thing is settled.
And the match with Omaha has
not been definitely set.
The business men of Hardy, la.,
are reopening the theatre there.
Cecil and Everette St. Peters, of
Moville, Iowa, have bought the
New Radio theatre at Correction-
ville. Iowa, which was owned by
Cecil Seff.
Mrs. Leona Conner, who has the
Columbia theatre at Milton, Iowa,
was in Des Moines to transact busi-
ness and called at the Paramount
office. Mrs. Conner is associated
with her husband in the theatre
business and takes charge of the
theatre almost entirely herself,
while Mr. Conner is engaged with
other business interests. Executives
of film row were very much pleased
with the visit of this energetic
woman manager.
A visitor in film row was L. C.
West of the Colonial theatre at
Grinnell, who, several months ago,
bought the Strand theatre at Mt.
Vernon from Mr. Sterns, who had
the theatre for a short time after
his purchase from L. D. Hendricks.
Mr. West will keep a manager in
charge of the theatre at Mt. Ver-
non.
The girls of the Metro-Goldwyn-
Mayer office had a dinner party last
Wednesday at the Ayreshire Apart-
ments, to which their friends were
invited. The girls cooked the din-
ner themselves
Walter Carroll of the Star at
Colfax, Jimmy Martin of the
Strand and Willard at Creston and
Waller and Michaels of Jefferson.
Scranton and Osceola, called at the
First National office.
J .H. Pabst has bought the Star
theatre at Davenport. This theatre
has been closed for some time. Mr.
Thornton was the previous mana-
ger of the Star.
At Klemmc. Iowa, tin- American
Legion will take over the manage-
ment of the theatre there, which is
known as the Idle Hour. The the-
atre was owned by M. O. Barr.
The DesMoines Poster Exchange
of which Ted Yarowsky is mana-
ger, have added several artists and
painters to the working s*.::'T.
Film Row callers were H. H.
Stanley of tiie Grand and Lyric at
Greenfield. Larry Simpson of the
Garden at Sigourney and the
Strand at McGregor. W. 1). Kak
of Truro. Mr. Keletis of the Co-
lumbia at Cedar Rapids; George
Weighman of the Strand at Boone,
Mr. Hall of Flcador.
Harry Musselman of the Audi-
torium theatre at Osceola reports
that last week a patron of his the-
atre, Clyde Peterson, became so
engrossed in the picture's theme
that he walked out of the theatre
and left behind his small son. The
baby was found peacefully sleeping
on a cot in an anteroom, where he
had been left by his daddy when
the theatre was opened up again
by Mr. Musselman at the request
of the frantic father.
The American theatre at Musca-
tine, owned by Raymond Novak, is
not one of the houses which was
included in the sale by Universal
to the Midland Circuit of Kansas
City. The Grand theatre at Musca-
tine was the house which was in-
cluded in this transaction.
1224
Motion Picture News
— '
Projection
Optics, Electricity, Practical Ideas & Advice
Inquiries and
Comments
Take Your
in Small
Education
Doses
0 T I 0 N picture projectionists
throughout the country are now
under a virtual educational bom-
bardment which seems to come
from every direction of the com-
pass. It appears that everybody is
out to educate the projectionist — whether
he likes it or whether he doesn't.
Trade journals, projectionist publications,
union schools and non-union schools have
suddenly sprung into existence and over
night, have taken up the cudgel for the sole
purpose, apparently, of making this hither-
to neglected and little known fraternity
swallow large doses of knowledge — and like
it.
Some of these enterprises are comanend-
able in that they are actuated by an honest
and sincere desire on the part of their pro-
moters, to render to the projectionist fra-
ternity a real service by disseminating use-
ful information of a practical nature so that
their members may eventually command
more respect — and a more appropriate finan-
cial return from the exhibitors.
Of the others, it can only be said that
they are tainted with a commercial aspect
for their principal object appears to be that
of rolling up a comfortable financial return
for their sponsors.
Whatever the object, whether selfish or
altruistic, the effects of these various edu-
cational endeavors are visible in a certain
restlessness among projectionists in general,
some of whom are taking it upon themselves
to step out from the ranks and reach for
the knowledge which they feel to be rightly
theirs and necessary to them in their every
day work.
The Top of the Ladder
Ever increasing numbers of projectionists
are applying for membership to the So-
ciety of Motion Picture Engineers with the
idea in mind that once membership in this
Society has been obtained they will have
reached the pinnacle of knowledge in addi-
tion to being able to claim a certain distinc-
tion between themselve- and the ordinary
run of projectionists.
The idea, in its general form, may be per-
fectly all right and a quite logical one for
the projection fraternity to entertain in that
it establishes a goal, or a mark, toward
which they may aim and it is useful as an
inspiration to assist in the acquirement of
knowledge essential to success. A number
of the applicants, however, are unfortu-
nately under the impression that by merely
putting in an application and then paying
thirty dollars, to cover the cost of the en-
trance fee and the first year's dues, they
can immediately raise themselves from the
projectionists ranks to a parity with recog-
nized professional men, practically all of
whom have spent years in preparing them
selves educationally for their life's work.
Even though these applicants were ac-
cepted, they would be unable to take ad-
vantage of the educational benefits which
the Society has to offer through its meet-
ings and printed transactions for the rea-
son that they would not have obtained the
knowledge and perspective which results
from an orderly and logical procession up
the ladder. No man can make broad jumps
without remaining in ignorance of what lies
in between the jumping points and sooner
or later he will reach the point where it
will be necessary for him to retrace his steps
in order to learn what Avas missed in his
earlier rapid progress.
Tt is far better to cover the ground
slowly and thoroughly so that the knowl-
edge acquired today may be used to digest
the knowledge which will be presented to-
morrow.
The ability to exchange ideas is the direct
result of the preliminary work men had to
do long before they ever thought of apply-
ing for membership to the Society. They
are in the Society not so much for the in-
formation which they receive but more for
the reason that they are able to make valu-
able contributions concerning the practical
end of projection.
Some of the Intermediate Steps
It may be logically asked wrhat the inter-
mediate steps are between the projectionist
ranks and membership in the Society.
Certainly the first one is a thorough
knowledge of the mechanical requirements
of projection which is obtained by acquir-
ing projection room experience in an intel-
ligent manner. In other words, complete
knowledge of the trade of motion picture
projection. We use the word "trade" de-
liberately because the mere act of project-
ing pictures and performing the routine
work incidental to the projection room is
simply that and nothing else.
The second step is the accumulation of
theoretical knowledge obtained by a wide
reading and study of projection problems,
as found in the trade press and the avail-
able books on the subject.
The third step is an active continuous
participation in union educational meetings,
where such are available. This is for the
purpose of keeping in intimate touch with
developments which directly affect the every
day work of the projectionist, and for the
purpose of obtaining detailed knowledge of
manufacturers equipment even though the
particular equipment is not being used by
the projectionist.
And the fourth step is membership in the
American Projection Society. This is prob-
ably most important of all.
Memembership in the American Projec-
tion Society is essential for a number of
reasons. In the first place, its printed pro-
ceedings are the official organ of the pro-
jectionist's craft. Its publication now con-
tains a wide variety of original informa-
tion on all phases of projection which is of
direct benefit to the projectionist and which
should assist him materially in his every-
day work.
The Society is recognized by practically
all equipment manufacturers as the logical
forum from which their respective equip-
ments may be explained and demonstrated
to the Society's memlbers for their better
handling of the equipment.
Most important of all — the American Pro-
jection Society is not conducted for per-
sonal gain on the part of any of its officers
since its object is the purely altruistic one
of obtaining greater respect for the motion
picture projectionist so that he (the pro-
jectionist) can in turn feel a greater re-
sponsibility and thus be inspired to give
the most that is in him.
Upon this feeling of responsibility rests
the future of the projectionist since the
union can only protect him from unfair in-
fringements on the part of his employer.
The American Projection Society is to-
the projectionist what the Society of Mo-
tion Picture Engineers is to the general the-
atre industry.
Any projectionist who fails to support
the former cannot possibly possess tnose
qualities which will make him a desirable
candidate for the latter.
And let it be said that financial reward
for pursuing such an educational program
will follow of its own accord.
Chinese Theatre in Phila*
Attracts Attention
Exhibitors from all parts of the city and
surrounding territory are visiting the new
Lindy Theatre, 69th St. and Elmwood Ave.,.
Philadelphia, the newest addition to the
Equity Theatre Corporation's circuit, and
have been loud in their praise of its beauty
of design and up to date equipment. The
new theatre is arousing particular interest
because it is the first house in the city to-
be designed in the Chinese style of archi-
tecture and furnishing.
The exterior is of terra cotta and in honor
of its name, a sign bearing a monoplane
similar to that used by Lindbergh on his
flight is mounted over the entrance of the
(Continued on follozving page)
April 14 , 19 28
1225
BUILT OW MERIT
340 West 41st Street
New York City
DRAPERIES
MOTION PICTURE SETTINGS
BUILT AND PAINTED SCENERY
ASBESTOS CURTAINS
RIGGING
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2-color Program, all Features writ-
ten up for you. Printed and Delivered to your
theatre at a small cost.
Write for Samples and Prices to
THE DERBY PRESS
2015 So. Vermont Ave. Los Angeles, Calif.
STOCK PROGRAMS
PROGRAM COVERS
For
Moving Picture Houses
Joseph Hoover G> Sons Company
Market and 49th Sts., Philadelphia, Pa.
Standard
VAUDEVILLE
for
Motion Picture Presentation
THE FALLY MARKUS AGENCY
A.* tor Theatre Building
N. W. Cor. 45th St. & Broadway
Lackawanna 7876
Radi0^n-;v;-Mat
■
0 |
r
TALK from your screen '
.1 UJ
WITH your quickly
cc
TYPEWRITTEN MESSAGES.
£ ;
v *
'S3
ac
WHITE. AMBER or GREEN,
;:eb
UJ
-J* .
Accept no substitute.
«C
ce
is the Stationery of the Screen
>
tiiuatre. The furnishings and decorations
of the theatre are Chinese throughout,
black, gold and red predominating in tin-
color scheme. The design of the ceiling is
made tip of dragons and the organ chambers
present the appearance of Chinese pagodas.
A Chinese effect has been attained in the
lighting system by the use of Chinese lan-
terns made of perforated iron and brass.
The drinking fountains are of tile with an
oriental peaked roof also of tile. The booth
equipment includes two modern projectors.
Color effect machines and a specially con-
trolled screen designed to minimize eye
strain.
\V. H. Lee was the architect who designed
the Lindy and the George Kessler Contract-
ing Company was responsible for the con-
struction of the house. Equity Theatres
Corporation, the owner, was organized last
year and already numbers thirty-five houses
in this territory. It is regarded as one of
the coming theatre groups of the section.
Acker & Lucas Open New
Florida Theatre
W. R. Pedreiek, builder of the new Etta
theatre at Ocala, has given that Florida
city a playhouse that will compare favor-
ably with those in cities several times the
size. The building, both in exterior and in-
terior, follows the semi-Spanish type and
is of concrete and tile construction. There
are two floors, the main floor seating 650
and the balcony 250. These 900 seats are
all of the spring cushion type.
The heating and cooling of the house is
regulated by the Muller system. The organ
is a Special Style E Wurlitzer. .Jimmy
Knight, of Jacksonville, handles this instru-
ment.
Although the house was intended for
pictures, a stage was provided so road at-
tractions could be handled, and ample space
was provided for the proper showing and
the comfort of the players. The stage is
(i0 feet in the clear from wall to wall, with
a depth of 34 feet. The picture sheet, hung
at the back of the stage, is a "Dalite" and
measures 15 by 20 feet.
The projection room, built of concrete at
the back of the balcony, is large, being 20
feet wide by 10 feet deep and the same
height, well lighted and ventilated. The ma-
chines are the DeLuxe Motiograph with re-
flecting arcs. The booth is in charge of
Oakley Busier, of Tampa, who installed the
equipment.
The house has been leased by Acker and
Lucas, both old-timers in the theatrical
business. Lester Lucas has a record of 15
years as a professional, nearly eight of
which he was with the Coburn Minstrels.
Bert Acker also has a stage record of many
years and will be remembered by many
through the South through his service as
leading man with the Hazel Burges» Play-
ers. He was known professionally as Bert
Leigh. The house has been very successful
since it opened a few weeks ago and with
the able management and high class shows
it is giving the people of Ocala, it will no
doubt continue.
Each
Month The
Showman
Issue of
Motion
Picture
News
Carries
announce-
ments of
Vital In-
terest to
All
Theatre
Owners
Pull Big Business
in Hot Weather
Cool theatres pull big
business. It pays to keep
your patrons cool — com-
fortable.
Fill your empty seats —
increase your box-office
receipts — draw crowds of
steady patrons with the
Typhoon Cooling System.
Write for Booklet X-i
Typhoon Fan Company
345 West 39th Street, New York
Offices in Principal Cities
1226
.1/ o t i o 11 P i c t a r e N cws
■1
FEATURE RELEASE CHART
Productions are Listed Alphabetically and by Months in which Released in order that the Exhibitor may
have a short-cut toward such information as he may need, as well as information on pictures that are coming.
(S. R. indicates Stale Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
SEPTEMBER
Feature Players Distributed by Length Reviewed
An->ie Laurie L. Gish-N. Kerry ...M-G-M 8730 feet. May 3'
Back to God's Country ... .R Adoree-R Frazer. .Universal 6761 feet July M
Barbed Wire P. Negri-C. Brook-E.
Hanson Paramount 6961 feet
Big Parade, The Gilbert-Adoree-Dane. M-G-M 11519 f»et Nov 28. '26
Blackjack B. Jones-B. Bennett. . Fox 4777 feet. . Mar. 3
Border Cavalier. The Fred Humes Universal 4427 feet . .
Born to Battle Bill Cody Pathe 4875 feet
Boy of the Streets J. Walker-M. Ben-
nett-B.Francisco.. Rayart (S. R.) 6059 feet
By Whose Hand? R.Cortez-E. Gilbert.. Columbia 6432 feet Jan. 7
CamiUe N. Talmadge-A. B.
Francis-G. Roland . First National 8692 feet. . May 6
Cancelled Debt, The R. Lease-C. Stevens . Sterling Pict (S.R.). b200 feet
-Cat and the Canary, The. . .L. La Plante-F. Stan-
ley-C. H a 1 e - T.
Marshall-G. AstorUniversal 7790 feet .May 20
Chang (Jungle Film) Special Cast Paramount 6636 feet . . May IS
Clancy's Kosher Wedding ,G. Sidney-M. Gordon-
S. I.vnn-R. Lease-
W. Armstrong F BO 6701 feet. Aug. 26
Cruise of the Helion, The.E. Murphy-D. Keith-
T. Santschi Rayart (S. R.) 6089 feet. Sept. 30
Drop Kick , The R. Barthelmess - D.
Revier-B. Kent . . . .First National 6819 feet . . Sept. 30
First Auto, The B. Oldfield-P. R. Mil-
ler-R. Simpson .... Warner Bros 6767 f eet . . July 8
Flying D Ranch, The Tyler-N.Lane F. B O. 4924 feet
Foreign Devils T. McCoy-C.Windsor M-G-M 4658 feet
Gay Retreat, The G. Cameron-S. Cohen-
T. McNamara Fox 6624 feet . . Sept. 23
Girl From Gav Paree, The . Sherman-Bedford-
McGregor-Blythe..Tiffany-Stahl 6233 feet. .Sept. 23
Girl Prom Rio, The Carmel Myers Lumas 6990 feet
Honor First (Re-issue) .... J. Gilbert-R. Adoree Fox 4851 feet
In a Moment of Temptation C. Stevens-C. Keefe-
K. Guard-G. With-
ers F. B. 0 56C5 feet. Nov. 11
Isle of Forgotten Women. .Tearle-Sebastian-A.
Calhoun-G. Gow-
land Columbia 6646 feet. .Jan. 21
Jaws of Steel Rin-Tin-Tin-H. Fer-
guson-J. Robards Warner Bros 6569 "eet.
Joy Girl, The O. Borden-N. Harail-
ton-M. Dressier . . . Fox 6162 feet.
Life of Riley, The C. Murray-G. Sidney-
S. Hardy-J. Marlowe. First National 6712 feet .
Lone Eagle, The R. Keane-B. Kent . . Universal 6862 feet .
Love* of Carmen Del Rio-McLaglen-D.
Alvarado Fox 8538 feet.
Mojive Kid, The B.iSteele-L. Gilmore . F. B. O 4924 feet.
Nevada G. Cooper-T. Todd . Paramount 6258 feet
Old San Francisco D. Costel'o-C. E. Mack-
W. Oland Warner Bros 7961 feet.
One Round Hogan M. Blue- J. J. Jeffries-
L. Hyams Warner Bros 6376 feet .
One Woman to Another. . .F. Vidor-Von Eltz Paramount 4551 feet
Out All Night R. Denny-M. Ni»on. Universal .6170 feet.
Out of the Past R. Frazer-M. Harris. .Peerless Pict. (S. R.).6701 feet
Painted Ponies H. Gibson-E. Claire. . Universal 6416 feet . Aug. 5
Prince of the Plains Tex Maynard Rayart (S. R.) 4134 feet
Racing Romeo, The "Red" Grange-J. Ral-
ston-T. Friganza. . . F. B. 0 5992 feet. . Dec. 16
Ragtime J. Bowers-M. de la
Motte First Division (S. R.) 6700 feet . Sept. 9
Red Raiders, The K. Maynard-A. Drew.First National 6214 feet. .Dec. 9
Road to Romance, The ... R. Novarro-M. Day-
R. D. D'Arcy M-G- M 6644 feet . Jan. 21
Sailor's Sweetheart, A L. Fazenda-C. Cook. Warner Bros 5685 feet Oct. 14
Sally in Our Alley S. Mason-A. B. Fran-
cis-R. Arlen Columbia 6892 feet
Slightly Used M. McAvoy-C. Nagel-
R. Agnew Warner Bros 6412 feet Sept. 30
Smile, Brother, Smile J. Mulhall-D. Mac-
•jaill First National 6669 feet Sept. 9
Soda Water Cowboy, The. . Wally Wales Pathe 4546 feet Nov. 4
Stork Love . Special Cast Paramount . 6203 feet . Mar. 11 '27
Swim, Girl, Swim B. Daniels-G. Ederle-
J. Hall Paramount 6124 feet Sept. 16
Tell It to Sweeney Conklin-Bancroft-
Hill-Luden Paramount 6006 feet . Oct. 28
Three Miles Up Al Wilson-E. Clair ..U niversal 4136 feet lune 10
Two Girls Wanted J. Gaynor-G. Tryon Fox 6293 feet Oct. 7
We're All Gamblers Meighan-M. Millner Paramount 6935 feet
Length Reviewed
Dec. it
.Mar. 3
. Sept. 30
Sept. 23
.Sept. 16
.Oct. 7
Aug. 12
Oct. 28
July 8
Oct. 7
Sept. 30
Oct. 7
.Jan.
Dec.
.Oct.
.Nov. 11
Nov. 2t
Oct. 1<
July »•
.Nov. 18
Dec. II
.Nov. i:
.Nov.
Oct
Oct.
Feature Players Distributed by
Cheating Cheaters B. Compson-K. Har-
lan Universal B623 feet
Cherokee Kid, The T. Tyler-S. Lynn F. B. 0 4837 feet.
Chinese Parrot, The M. Nixon-H Bos-
worth-E. Burns. . .Universal 7304 feet.
College Hero, The R. Agnew-P. Garon-
R. Leass-B. Turpin .Columbia 5628 feet.
College Widow, The D. Costello-Collier, Jr. Warner Bros 6616 feet
Combat G. Walsh-G. Hulette-
C. Adams Pathe 5100 feet .
Crystal Cup, The D. Mackaill-J. Mul-
hall First National 6386 feet.
East Side, West Side G. O'Brien-V. Valli-
F. McDonald Fox 8154 feet. . Nov.
Fair Co-ed, The M. Davies-J. M.
Brown M-G-M 6408 feet . . Nov.
Figures Don't Lie E. Ralston-R. Arlen. . Paramount 5280 feet. .Mar.
Finnegan's Ball B. Mehaffey-Landis-
C. McHugh-M.
Swain First Division (S. R.) . 6200 feet. . Dec.
Gentleman of Paris, A A. Menjou-S. O'Hara-
A. Marchall Paramount 5927 feet.
Gingham Girl, The L. Wilson-G. K. Ar-
thur . F. B. O 6301 feet
Girl in the Pullman, The. . .M. Prevost-H. Ford . .Pathe-De Mille .... 6990 feet
Gun-Hand Garrison Tex Maynard Rayart (S. R.) 4879 feet .
Harp in Hock, A Schildkraut-Coghlan-
M.Robson-B. Love. Pathe-De Mille. . . . 5990 feet.
Hiehschool Hero S. Phipos-N. Stuart. . Fox 6498 feet. ,
in Old Kentucky J. Murray-H. Costello M-G-M 6646 feet.
Jake the Plumber J. DeVorska-S. Lynn F. B. O 6186 feet.
Jazz Singer, The (Vita-
phone) Al Jolson-W. Oland-
McAvoy Warner Bros 7423 feet.
Jesse James F. Thomson-N. Lane Paramount 8656 feet.
Les Miserables Special Cast Universal 7713 feet.
Light in the Window, A Walthall-P. Avery-C.
Keefe Rayart (S. R.) 5960 feet .
Magic Flame, The Colman-Banky United Artists 8300 feet. .Sept 8<
My Best Girl M Pickford C Rogers United Artists 7850 feet. .Dec. "
No Place to Go M. Astor-L. Hughes. First National 6431 feet. .Mar. 17
Now We're in the Air W. Beery-R. Hatton-
L. Brooks Paramount 6798 feet.
Obligin' Buckaroo, The Buffalo Bill, Jr Pathe 4575 feet.
Once and Forever P.R.Miller-J.Harron.Tiffany-Stahl 6639 feet
Pajamas O Borden-L. Gray . . . Fox 6876 feet .
Pretty Clothes J. Ralston-J. Walker-
G. Astor Sterling Pict. (S. R.) 6652 feet.
Publicity Madness E. Lowe-L. Moran. . . Fox 5893 feei
Ranger of the North Ranger (Dog) F. B. 0 4977 feet.
Ride 'Em High Buddy Roosevelt Pathe 4542 feet. .Nov.
Ridin' Luck . Tex Maynard Rayart (S. R.)
Rose of the Golden West G. Roland-M. Astor . First National 6477 feet. .Oct. 7
Rough Riders, The F. Hopper-N. Beery-
Bancroft-M. Astor-
Mack-Farrell Paramount 9443 feet. . April 1
Sailor Izzy Murphy G. Jessel-A. Ferris. . .Warner Bros 6020 feet. .Oct. 88
Seventh Heaven J. Gaynor-C. Farrell-
D. Butler-G. Brock
well Fox 8500 feet . . Juno 1ft
Shanghai Bound R. Dix-M. Brian Paramount 6516 feet. .Dec. 9
Shanghaied P. R. Miller-R. Ince-
G. Astor F. B. O 5999 feet. .Aug. SC
Shootin' Irons J. Luden-S. Blane. . .Paramount 6179 feet
Silk Stockings L. La. Plante-O. Har-
lan-J. Harron Universal 6166 feet.
Silver Valley T. Mix-D. Dwan Fox 6011 feet.
Spring Fever Wm. Haines-J. Craw-
ford-G. K. Arthur . M-G-M 6705 feet .
Straight Shootin' Ted Wells Universal 4251 feet.
Tigress, The J. Holt- D. Revier. . .Columbia 6357 feet.
Underworld C. Brook-E. Brent-G.
Bancrof t-F. Kohlr. . Paramount 7643 f eet . . Sept. 9
Way of All Flesh, The E. Jannings-B. Ben-
nett-P. Haver-D.
Keith. . .Paramount 8486 feet.
Wheel of Destiny, The F. Stanley-G. Hale. .Rayart (S. R.) 6869 feet.
Wine (re-issue) Clara Bow Universal 7 reels
Wise Wife, The P. Haver-T. Moore-
J. Logan Pathe-De Mille 5610 feet. .Dec. 16
Wolf's Trail Dynamite (Dog)-E.
Cobb-D. Lamont. .Universal 4167 feet
Woman on Trial, The Negri-E. Hanson . . .Paramount 5960 feet. .Oct. 14
Women's Wares Brent-LyteU-L. Kent.Tiffany-Stahl 6614 feet. .Nov. 18
Wreck of the Hesperus, The. A. Hale-V. Bradford-
S. de Grasse Pathe-De Mille 6447 feet. Mar. 31
.Nov. 1J
Dec. 28
.Nov. 11
Dec. 2
Nov.
. Feb.
11
Aug.
.Oct.
Oct. 98
Aug. 19
. Mar. 17
July 8
Angel oi Broadway. The
Ben Hot _ ...
OCTOBER
Feature Players Distributed by Length Reviewed
American Beauty B. Dove-L. Hughes-
V. L. Corbin First National 6333 feet Oct. 21
L. Joy-V. Varconi Pathe-De Mille 6666 feet Dec. 16
Novarro-M cAvoy-
Bronson-F. X Bush-
ma n-C Myers M-G-M 11693 '«et Jan. 16, '26
Blondes By Choice Claire Windsor Lamas 6987 feet
Body and Soul A. Pringle-L. Barry-
mo re-N. Kerry M-G-M 6902 feet. Nov. 26
Boy Rider, The Buzz Barton F. B. O 4868 feet . . Sept. 80
Breakfast at Sunrise C. Talmadge-D. Al-
varado First National 6042 feet Dec. 16
Broadway Madness M. de la Motte- D.
Keith Excellent Pict. (S.R.) 6946 feet. . Oct. 14
NOVEMBER
Feature Players Distributed by Length Reviewed
Arizona Wildcat, The T. Mix-D. Sebastian .Fox 4666feet. Mar. 24
dacK to Liberty G. Walsh-D. Hall-E.
Breese Excellent Pict. (S.R.)
Bandit's Son, The B. Steele-A. Sheridan F. B. O
Becky S. O'Neil-O. Moore-
G. Olmstead M-G-M
Blood Will Tell B. Jones-K. Perry. . .Fox
Bowery CinaerelU, . . ..P. O'Malley-G. Hu-
lette Excellent Pict. (S.R0.6900 feet. .Nov. 88
Broadway After Midnight. p Bonner-C. Landis-
G Hughes-B. Ten-
ant Krelbar Pict. (S. R.)
Cheer Leader, The R Graves-Olmstead .Lumas
6980 feet
4789 feet
6433 feet
4556 feet. .Mar. 3
6199 feet. Nov. 4
6000 feet. Mar. 10
April 14
1 9 X 8
Length Reviewed
.Mar. 3
Sept. 18
Aug. 11
Nov. 11
Nov. 11
Nov. 11
.Dec. 16
Jan. 21
'. Sept. 16
Dec. 31
Dec. 23
Nov. 26
Dec. 2
Mar. 10
Nov. 26
Feature Players 1 hstributed by
City Gone Wild. The T. Meighan-L. Brooks-
M. Millncr-F.Koh-
ler Paramount 6408 f eet .
0 illeee B. tveaton-A. Corn-
wall-G Withers United Artists 5362 (eet
Death Valley C. Nye-R. Rae-R.
Wells First Division (S. R.) . 6880 feet
Discord G. Ekman-L. Dago-
ver Pathe 8886 feet
Dos ol the Regiment, A . . . Rin-Tin-Tin Warner Bros 6003 feet .
Dress Parade W. Boyd-B. Love . . . Pathe-De Mille 6699 feet
Forbidden Woman, The. . .J. Goudal-V. Varconi-
J. Schildkraut Pathe-De Mille 6568 feet.
Fortune Hunter, The S. Chaplin-C. Hor-
ton-H. Costello. . . . Warner Bros 6638 feet.
Galloping Fury H. Gibson-S. Rand Universal 5603 feet
Garden of Allah, The A. Terry-I. Petrovich . M-G 8200 feet .
Ginsberg the Great G. Jessel-A. Ferris . . . Warner Bros 6390 feet
Girl From Chicago, The . . . C. Nagel-M. Loy .... Warner Bros 5978 feet.
Gold From Weepah Bill Cody Pathe 4968 feet .
Good-Time Charley W. Oland-H. Costello Warner Bros 6302 feet.
Gorilla. The C. Murray-F. Kelsey-
T. Marshall-A. Day .First National 7133 feet.
Gun Gospel K. Maynard-V. B.
Faire First National 6288 feet.
Harvester The N. Kingston-O. Cald-
well P B.O 7045 feet.
Heroes in Blue J. Bowers-S. Rand . . . Rayart (S. R.) 6000 feet
His Foreign Wife W McDonald-E.
Murphy-G. von Rue Pathe 4890 feet
Home Made Johnny Hines First National 6524 feet
Hoof Marks Jack Donovan ... Pathe 4076 feet
Hook and Ladder, No 9.. . D. Ellis-E Hearne-
C. Keefe.. F. B. O 6240 feet
Judgment of the Hills V. Valli-F. Darro-O.
Caldwell F. B. 0 6481 feet
Ladies Must Dress V. Valli-L. Gray . Fox 6599 feet
Last Waltz, The (Ufa Film) W. Fritsch-S. Vernon Paramount 6940 feet
Lure of the South Seas, The First Division (S.R.) . .6700 feet
Main Event, The V. Reynolds-R. Schild-
kraut-C Delany.. Pathe-De Mille 6472 feet
Man Crazy Mulhall-Mackaili First National 6542 feet
Man, Woman and Sin J. Gilbert-J. Eagles-
G. Brockwell ... M-G-M 6280 feet
Night Life A. Day-J. Harron. . . Tiffany-Stahl 6236 feet
One Glorious Scrap Fred Humes Universal 4172 feet
On the Stroke of Twelve. . E .Torrence-J. Mar-
lowe-D. O'Shea . .Rayart (S. R.) 6970 feet
On Your Toes R Denny-B. Worth .. Universal 6918 feet
Opening Night, The C. Windsor-J.Bowers.Columbia 6524 feet
Open Range L. Chandler-B. Bron-
son-F. Kohler Paramount 6599 feet
Quality Street M. Davies-C. Nagel-
H. J. Eddy M-G-M 7193 feet
Reno Divorce, A M. McAvoy Warner Bros 6492 feet
Roarin' Broncs Buffalo Bill, Jr Pathe 4375 feet
Shame (Re-issue) John Gilbert Fox 6467 feet
She's a Sheik B. Daniels-R. Arlen
W. Powell Paramount 6015 feet
Skyhigh Saunders A. Wilson-E. Tarron . Universal 4393 feet
Small Bachelor, The Beranger-O. Harlan-
B Kent-C. Ger-
aghty Universal 6218 feet.
Spotlight, The E. Ralston-N. Ham-
ilton Paramount 4934 feet
Stage Kisses K. Harlan-H. Chad-
wick-J. Patrick Columbia 6435 feet.
Thirteenth Hour, The Bonaparte (Dog)-J.
Gadsdon-L. Barry-
more M-G-M 5252 feet.
Thirteenth luror. The F. X. Bushman-Nils-
son Universal 5598 feet.
Turkish Delight R. Schildkraut-J. Faye-
K. Thomson Pathe-De Mille 5397 feet.
Two Arabian Knights W Boyd-M. Astor-
L. Wolheim-I. Keith. United Artists 7850 feet.
Very Confidential M . Bellamy Fox 6620 feet.
Wanderer of the West, A. .Tex Maynard Rayart (S. R.)
Warning, The J. Holt-D. Revier Columbia 6791 feet. Jan. 7
Web of Fate Lillian Rich Peerless Pict. (S. R.) .6800 feet
Wild Beauty Rex (Horset-T. Mar-
io we-H. Allen Universal 6192 feet
Wild Geese B. Bennett-A. Stew-
art-D. Keith-J. Ro-
bards-E. Southern . Tiff any-Stahl 6448 feet
Wolf Fangs Thunder (Dog)-C.
Morton-C. Lincoln .Fox 5331 feet.. Dec. 16
. Feb.
11
. . Dec.
23
. Dec.
16
• Aug.
19
Dec. 23
. Dec.
30
. . Nov.
11
Dec.
30
. Dec.
2
. .Jan.
14
. .Mar. 17
. Mar. 10
. . Nov.
18
. .Nov.
4
. Dec.
30
Dec.
9
Dec. 9
Nov. 4
Dec. 16
Feature
Aflame in the Sky
Aftermath (European film)
Alice in Wonderland
Almost Human
Brass Knuckles
Buttons
Come to My House
Desert Dust
Dssert of the L"st
Desert Pirate, The
Devil's Twin, The
Dove, The
Pangs of Destiny
Fashion Madness
Flying Luck
Gay Defender, The
Get Your Man
Golden Clown, The
Grandma's Boy (re-issue).
Ham and Eggs at the Front
Haunted Ship, The
Hero for a Night, A
Her Wild Oat
Honeymoon Hate
Husbands for Rent
Mar. 24
Dec. 23
Mar. 31
Dec. 30
DECEMBER
Players Distributed by Length Reviewed
S. Lynn- J. Luden . . . F. B. 0 6034 feet . . Nov. 11
.Special Cast Collwyn Pict. (S.R. ). .6800 feet. Mar. 3
Sp°rial Cast Pathe 6 reels
V. Reynolds-K. Thom-
son Pathe-De Mille 6696 feet. .
M. Blue-B. Bronson. . Warner Bros 6330 feet. .
Coogan-L. Hanson-G.
Olmsted M-G-M 6060 feet .
O. Borden-A. Moreno Fox 6430 feet .
Ted Wells Universal 4349 feet . .
W. Wales-P. Mont-
gomery Pathe 4933 f eet . .
T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4764 feet. .
Leo Maloney Pathe 6478 feet.
N. Talmadge-G. Ro-
land-N. Beery United Artists 8400 feet. .
Dynamite (Dog)-E.
Cobb Universal 4296 feet. .
C. Windsor-R. Howes Columbia 6513 feet
Monty Banks Pathe 6403 feet. .
R. Dii-T. Todd Paramount 6376 feet. .
C. Bow-C. Rogers. . .Paramount 6889 feet.
G. Ekman-K. Bell . . . Pathe 7913 feet .
H. Lloyd-M. Davis . . Pathe-De Mille 4760 feet
. Fazenda-H. Conklin-
T. Wilson Warner Bros 5613 feet
D. Sebastian-M. Love-
R. Hallor-Santschi.Tiffany-Stahl 4763 feet . Feb. 4
G. Tryon-P.R. Miller.Universal 6711 feet. Dec. I
C. Moore-L. Kent-G.
Lee-H. Cooley First National 6118 feet. Feb. 11
F. Vidor-T. Carmen-
ati Paramount 6416 feet. . Feb. 11
H. Costello-O. Moore Warner Bros 6200 feet . Jan. 7
Jan.
Mar. 31
Nov. 18
Dec. 31
Mar. 24
Feature Players Distributed by Length
If I Were Single M. McAvoy-C. Nagel. Warner Bros 6320 feet
Irresistible Lover, The. ... N. Kerry-L. Moran Universal 6958 feet
Land of the Lawless J. Padian-P. Mont-
gomery-T. SantschiPathe 4131 feet
Law and the Man, The . . . . G. Brockwell-Santschi-
R. Ellis Rayart (S. R.) 6916 feet
Legionnaires in Paris Al Cookc-Kit Guard-
L. Lorraine F. B. 0 6771 feet
Little Mickey Grogan F. Darro-J. Ralston-
C. Nye F. B. 0 6516 feet
London After Midnight .... L. Chaney-C. Nagel-
M. Day- Walthall . . M-G-M 6687 feet
Lovelorn, The S. O'Neill-L. Kent-
M. O'Day M-G-M 6950 feet
Love Mart, The B. Dove-G. Roland-
N. Beery First National 7388 feel
Man'c Past, A C. Veidt-I. Keith-G.
Siegmann-B. Bed-
ford Universal 6138 feet
My Friend From India . . . . F. Pangborn-E. Faire Pathe-De Mille 6760 feet
Outcast Souls P.Bonner-C.Delaney. Sterling Pict. (S.R.) . 6210 feet
Polly of the Movies G. Short-J. Robards First Division (S. R.) . 6900 feet
<ush Hour, The M. Prevost-H. Ford Pathe-De Mille 6880 feet
San Francisco Nights M. Busch-P. Mar-
mont Lumas 7000 feet
Serenade A. Menjou-K. Carver-
L. Basquette Paramount 6209 feet
Silk Legs M. Bellamy-J. Hall . . Fox 6446 feet
Silver Slave, The L Rich-A. Ferris-H.
Herbert Warner Bros 6124 feet
Siren, The D. Revier-T. Moore-
N. Trevor Columbia 6996 feet
Slingshot Kid, The "Buzz" Barton J.
Morgan-F.Rice F. B. 0 4486 feet.
Sorrell and Son H. B. Warner-Nils-
son-M. McBain-A.
Joyce United Artists 9160 feet
South Sea Love P. R. Miller-L. Shum-
way-A. Brooks . .F. B. O 6388 feet
Spoilers of the West T. McCoy-M. Daw-
W. Fairbanks M-G-M 4784 feet
Streets of Shanghai P. Starke-K. Harlan-
J. Robards Tiffany-Stahl 6276 feet
Swift Shadow, The Ranger (Dog) F. B. 0 4892 feet
Tea for Three L. Cody-A. Pringle-O.
Moore- D.Sebastian M-G-M 6273 feet
Temptations of a Shopgirl B. Compsoo-Garon-
A. Kaliz First Division (S. R.) . 6604 feet
Texas Steer, A W. Rogers-L. Fa-
zenda-A. Rork . . . First National 7419 feet
Two Flaming Youths C. Conklin-W. C.
Fields-M. Brian . . . Paramount 5319 feet
Valley of the Giants M. Sills-D. Kenyon. . First National 6336 feet
Wild Born Tex Maynard Rayart (S. R.)
Wilful Youth K. Harlan-E. Murphy. Peerless Pict. (S.R.) 5644 feet
Wizard, The L. Hyams-E. Lowe-
G. Katsonaros-von
Seyffertitz Fox 8629 feet
keviewe*1
Dec. 81
Sept. 16
Dec. 80
Mar. 24
Mar. 8
Dec. 11
Dec. 80
Sept. II
Mar. 31
Mar. 10
Dec. 81
Dec. 31
Dec.
.Nov. it
Feb. 18
Mar. 24
Mar. 8
Dec. 18
Nov. 11
Nov. 18
Jan. 7
JANUARY
Feature Players Distributed by
Air Patrol, The Al Wilson Universal
Alias the Deacon J. Hersholt-J. Mar-
lowe-R. Graves . . . Universal .
Baby Mine G.K.Arthur-K.Dane. M-G-M
Ballyhoo Buster, The Buffalo Bill, Jr Pathe
Beau Sabreur E. Brtnt-G. Cooper-
W. Powell-N. Beery Paramount
Beware of Married Men . ,L Rich-R. Tucker-S.
Holmes-M. Loy. . .Warner Bros
Boss of Rustlers Roost, The D. Coleman-E. Gil-
bert Pathe
Branded Sombrero, The . . B. Jones-L. Hyams . Fox Films
Burning Up Broadway H. Costello-R. Frazer Sterling Pict. (S. R.)
Call of the Heart Dynamite (Dog)-E.
Cobb-J. Alden .... Universal
Casey Jones R. Lewis- J. Robards-
A. Sheridan Rayart (S. R.)
Circus, The C. Chaplin-M. Ken-
nedy United Artists
Cohens and the Kellys in
Pans, The G. Sidney-J. F. Mc-
Donald-V. Gordon-
K. Price-S. Carrol-
C. Delany Universal
Comrades H.Costello-G.Hughes-
D. Keith First Division (S. R.)
Coney Island L. Wilson-L. Mendez F. B. O
Cowboy Cavalier, The B. Roosevelt O. Has-
brouck Pathe
Dare Devil's Reward T. Mix-N. Joyce Fox
Dead Man's Curve Fairbanks, Jr.-S.
Blaoe F. B. O
Desperate Courage W. Wales-O. Has-
brouck Pathe
Divine Woman, The D. Garbo-L. Hanson-
L. Sherman M-G-M
Driftin' Sands Bob Steele F. B. O
Fearless Rider F. Humes-B. Worth. Universal
Four Flusher, The G. Lewis-M. Nixon . . Universal
French Dressing H. B. Warner-L. Wil-
son ... First National
Gateway of the Moon, The Del Rio-Fenton-W.
Pidgeon Fox
Gentlemen Prefer Blondes A. White-F. Sterling-
R. Taylor-Conklm-
Friganza-Swain . . .Paramount
Girl in Every Port, A V. McLaglen-M. Casa-
iuana-M. Loy-N.
Joyce-R. Armstrong. Fox
Heart of Broadway, The ... P. Garon-R. Agnew. . Rayart (S. R.) . . .
Laddie Be Good B. Cody-R. Blossom . Pathe
Lady Raffles E. Taylor-R. Drew-L.
Tashman Columbia
Last Command, The E.^annings-E. Brent-
Length Reviewed
4269 feet
6869 feet Oct. 11
6139 feet Jan. 14
4806 feet Dec. SC
6536 feet. Jan. 28
6421 feet. Jan. 18
4833 feet. Jan. 1*
6612 feet Jan. 14
5200 feet
6261 feet
6673 feet
6700 feet Jan. 14
7481 feet Feb. IS
.5970 feet
6390 feet
4826 feet.
4987 feet
6511 feet
4398 feet
7300 feet.
4770 feet.
4173 feet.
6193 feet.
6344 feet
6038 feet
Mar. 10
Feb. 16
Jan. IS
Jan. SI
Dec. Si
Jan. SI
Jan. SI
Jan! U
Jan. 14
Powell Paramount
Let 'Er Go. Gallegher J. Coghlan-H. Ford-
E. Fair Pathe-De Mille
Leopard Lady, The J. Logan-A. Hale . . Pathe-De Mille
Love G. Garbo-J. Gilbert. . M-G-M
Love and Learn E. Ralston-L. Chand-
ler-H. Hopper Paramount
Merry Wives of New York. . P. Garon ... First Division (S.R.) .
Noose. The R. Barthelmess-L.
Basquette-A. Joyce. First National
6871 feet. Jan. SI
6882 feet. Mar. S
6853 feet
4156 feet. Dec. 80
6471 feet
8234 feet Jan. SI
6888 feet
6660 feet.
Tan. 18
Mar.
10
7366 feet. Dec. 16
6737 feet Feb. 26
7331 feet Jan. 7
1228
Motion Picture News
Feature Players Distributed by Length Reviewed
On to Reno M. Prevost-C. LandisPathe-De Mille 6 reels
Peaks of Destiny, The
(Ufa film) E. Peterson-L. Rief-
enstahl-L. TrenkerlParamount 6682 feet. .Jan. 21
Perfect Gentleman, A M. Banks-R. Dwyer. .Pathe 5626 feet. . Ian. 14
Pioneer Scout, The F. Thomson-N. Lane. Paramount 6118 feet. Mar. 10
Private Life of Helen of Troy,
The M. Corda-L. Stone-R.
Cortez First National 7694 feet . . Dec. 23
Race For Lite, A Rin - Tin - Tin - V. B.
Faire-C. Nye Warner Bros 4777 feet. .Feb. 11
Rawhide Kid, The H. Gibson-G. Hale . . Universal 6382 feet
Sadie Thompson G. Swanson-L. Barry-
more-R. Walsh.. . .United Artists 8700 feet. .Feb. 11
Sailors' W:ves Astor-Hughes First National 5485 feet. .Mar. 10
Satan and the Woman C. Windsor-C. Keefe .Excellent Pict. (S. R.)6400 feet. . Mar. 10
Sharpshooters G. O'Brien-L. Moran Fox 6673 f eet . . Jan. 28
Shepherd of the Hills, The. .A. B. Francis-M.
O'Day-J. Boles First National 8188 feet Feb. 25
Striving for Fortune G. Walsh-B. Roberts .Excellent Pict. (S.R.) .5337 feet
Student Prince, The (In
Heidelberg) R. Novarro-Shearer-
J. Hersholt M-G-M 9666 feet . . Oct. *
That Certain Thing V. Dana-R. Graves. .Columbia 6047 feet. .Mar. 10
Tragedy of Youth, The Collier, Jr.-P. R. Mil-
ler-W. Baxter Tiffany-Stahl 6273 feet. .Mar. 31
West Point W. Haines-J. Craw-
ford M-G-M 8134 feet . . Jan. 7
What Price Beauty? N. Naldi-P. Gendron-
V. Pearson Pathe 6 reels .... Jan. 28
Wickedness Preferred L. Cody-A. Pringle. .. M-G-M 5011 feet
Wife Savers W. Beery-R. Hatton-
Z. Pitts Paramount 5413 feet. .Jan. 21
Wife's Relations, The S. Mason-G. Glass-B.
Turpin-A. Kaliz . . . Columbia 6508 feet
Wizard of the Saddle B. Barton-D. Thomp-
son F. B. 0 4805 feet ... Dec. 30
Woman Against the World,
A G. Olmstead-H. Ford-
G. Hale-S. Rand . . Tiffany-Stahl 6283 feet
Woman Wise W. Russell-J. Collyer-
fct W. Pidgeon Fox 6060 feet. . Mar. 10
FEBRUARY
Feature Players Distributed by Length Reviewed
Across the Atlantic M. Blue-E. Murphy. .Warner Bros
Age of Sex, The First Division (S.R.)
Alice Through the Looking
Glass Special Cast Pathe 6 reels
Apache Raider, The L. Maloney-E. Gil-
bert-D. Coleman. .Pathe 6765 feet. .Feb. 18
Bare Knees V. L. Corbin-D. Keith-
J.Winton-J. Walker Lumas 6800 eet. .Jan. 28
Battles of Coronel and Falk-
land Islands (English
film) Special Cast— Artlee Pict. (S. R.) 8400 feet. . Mar. 24
Blonde for a Night, A M. Prevost-H. Ford. .Pathe-De Mille 6 reels
Bronc Stamper, The D. Coleman-E. Gilbert Pathe 5408 feet. . Mar. 3
Chaser, The H. Langdon-G. Mc-
Connell First National
Clean Up Man, The T. Wells-P. O'Day. ..Universal 4232 feet
Crashing Through J. Padjans-S. Rand-
T. Santschi Pathe 4480 feet
Devil Dancer, The G. Gray-C. Brook United Artists 6765 feet
Devil's Skipper, The B. Bennett-M. Love-
McAllister-C. Lan-
dis Tiffany-Stahl 6510 feet
Doomsday F. Vidor-G. Cooper. .Paramount 6665 feet
Douglas Fairbanks as the
Gaucho D. Fairbanks-E. South-
ern-L. Valez United Artists 9266 feet
Enemy, The L. Gish-R. Forbes . . . M-G-M 8189 feet
Fangs of the Wild Ranger (Dog)-S. Nel-
son-D. Kitchen F. B. O 4578 feet
Finders Keepers La Plante-Harron . . .Universal 6081 feet
Feel My Pulse B. Daniels-R. Arlen-
W. Powell Paramount 6889 feet
Fleetwing B. Norton-D. Janis. . . Fox
Flying Romeos C. Murray-G. Sidney.First National 6184 feet
Free Lips First Division (S. R.)
Her Summer Hero D. Thompson-H.Tre-
vor-S. Blane-J.
Pierce F. B. O 6146 feet. . Dec. 3o
Latest From Paris, The N. Shearer-G. Sidney-
R. Forbes M-G-M 7743 feet. .Mar. 3
Little Snob, The M. McAvoy-R. Frazer-
A. B. Francis Warner Bros
Midnight Rose L. de Putti-K Harlan Universal . . 5689 feet. . Mar. 10
Nameless Men C. Windsor-A. Mor-
eno Tiffany-Stahl 6708 feet
Napoleon (French Film) . . . Special Cast . . . . M-G-M .
Night Flyer, The W. Boyd-J. Ralston.. Pathe-De Mille 6954 feet
Painted Trail, The Buddy Roosevelt Rayart (S. R.) 4571 feet
Passion Island Special Cast Pathe-De Mille 7 reels
Phantom Flyer, The Al Wilson Universal 4253 feet
Port of Missing Girls, The .B. Bedford-M. Mc-
Gregor Brenda Pict. Corp. . .7270 feet. .Mar. 3
Riding Renegade, The Bob Steele F. B. O
Rose-Marie J. Crawford-J. Mur-
ray-H. Peters M-G-M 7745 feet. . Feb. 18
Secret Hour, The P. Negri-Hersholt-K.
Thomson Paramount 7194 feet. .Mar. 17
Shield of Honor, The R. Lewis-D. Gulliver-
N. Hamilton Universal 6172 feet. .Dec. 30
Show Down, The Bancroft - Brent - N.
Hamilton Paramount 7616 feet. .Mar. 10
Smart Set, The W. Haines-A. Day-J.
Holt-H. Bosworth . M-G-M 6476 feet. .Mar. 10
Soft Living M. Bellamy-J. Mack
Brown Fox 6629 feet . . Mar. 3
So This Is Love V. Dana-W. Collier,
Jr. -J. Walker Columbia
Sporting Goods R. Dix-G. Olmstead. . Paramount 6961 feet. . Feb. 18
Stand and Deliver La Rocque-L. Valez-
W.Oland Pathe-De Mille 5423 feet. .April 7
Stronger Will, The P. Marmont-E. La
Bissioniere-R. Ca-
rewe Excellent Pict. (S.R.) 6600 feet
That's My Daddy R. Denny-B. Kent-J.
La Verne Universal 6073 feet
Tillie's Punctured Romance.C. Conklin-W. C.
Fields-Fazenda M.
Swain-D. Hill Paramount 6733 feet
Under the Tonto Rim R. Arlen-M. Brian-J.
Linden Paramount 6991 feet
Distributed by
Length Reviewed
.Feb. 11
Dec. 30
.April 7
.Dec. 2
Dec. 31
Jan. 14
Mar. 17
.Mar. 3
Feature Players
Valley of Hunted Men Buffalo Bill, Jr.-K.
Collins Pathe 4520 feet .. Mar. S
Wagon Show, The Ken Maynard First National
Wall Flowers H. Trevor-J. Arthur-
L. Todd F. B. O 6339 feet
Wedding March, The (road
show) von Stroheim-F.
Wray Paramount 12 reels
When the Law Rides T. Tyler-F. Darro F. B. O
Whip Woman, The E.Taylor-A. Moreno-
L. Sherman First National 5087 feet. Mar. 24
Woman's Way, A M. Livingston-W. Bax-
ter Columbia
You Can't Beat the Law L. Lee-C. Keefe Rayart (S. R.) 6260 feet
MARCH
Feature Players Distributed by Length Reviewed
Adventure Mad (Ufa film) . E. Barclay-N. Asther-
L. Hall-Davis Paramount 6897 feet
Arkansas Gardner James First Division (S. R.) . 6000 feet
Bachelor's Paradise S. O'Neill-R. Graves . Tiffany-Stahl
Beauty Doctor, The Adolphe Menjou. . . .Paramount
Beyond London's Lights.. .L. Shumway-G. El-
liott-J.Gadsden H.
Evans-A. Dore F. B. 0 5573 feet. .Feb. 28
Big City, The L. Chaney-M. Day-B.
Compson-J. Murray. M-G-M 6838 feet. . Mar. 31
Blue Danube, The L. Joy-R. LaRocque-
J. Schildkraut Pathe-De MiUe 7 reels
Bringing Up Father F. Macdonald-G. Olm-
sted-P. Moran M-G-M 6344 feet
Brunettes Preferred First Division (S. R.) . 6551 feet
Buck Privates de Putti-McGregor-Z.
Pitts Universal 6914 feet . . Feb. 4
Bullet Mark, The J. Donovan-M. Gray-
G. McConnell Pathe 4550 feet. .Mar. 31
Burning Daylight M. Sills-D. Kenyon. . First National 6500 feet .
Chicago P. Haver-V. Varconi. .Pathe-De Mille 9992 feet . Dec. 30
Chicago After Midnight. .. .J. Mendez-R. Ince-
Seiter F. B. O. 6249 f eet . . Mar. 17
Circus Rookies K. Dane-G. K. Arthur M-G-M
Crowd, The J. Murray-E. Board-
man-B. Roach M-G-M 8548 feet. .Feb. 26
Desert Bride, The B. Compson-A. For-
rest-O. Mattieson . Columbia
Domestic Troubles L. Fazenda-C. Cook-
B. Blythe-A. Ran-
kin Warner Bros
Dressed to Kill E. Lowe-M. Astor-C.
Morton-B. Bard. . .Fox 6566 feet. .Mar. 17
Faithless Lover, The G. Hulette-E. O'Brien Krelbar Pict. (S.R.).. 5600 feet. . Mar. 8
Forbidden Hours R.Novarro-R.Adoree .M-G-M
Four Footed Ranger, The. .Dynamite (Dog) Universal 4426 feet
Freckles J. Fox, Jr.-G. Stratton-
H. Bosworth F. B. 0 6131 feet . . Jan. 28
Garden of Eden, The C. Griffith-C. Ray-L.
Sherman United Artists 7300 feet. Jan. 14
Golden Shackles Priscilla Bonner Peerless Pict. (S.R.) .6600 feet
Heart of a Follies Girl, The. B. Dove-L. Kent- L.
Sherman-M Harris First National 6957 feet. .Mar. 17
Horseman of the Plains. . T. Mix-S. Blane Fox 4397 feet. Mar. 24
Legion of the Condemned,
The G. Cooper-F. Wray-L.
Chandler-F. Mc-
Donald-B. Norton . Paramount 7416 feet. .Mar. 24
Little Buckaroo, The Buzz Barton F. B. O
Love Me and the World Is
Mine Philbin-Kerry Universal 6813 feet. . Feb. 11
Mad Hour, The S. O'Neil-L. Kent-L.
Sherman-A. White.First National
Marlie the Killer Klondyke (Dog)-Bush-
man, Jr.-B. Mehaf-
fey Pathe 4600 feet. .Mar. •
Masked Angel, The B. Compson-W. Oak-
man First Division (S.R.) . .5700 feet. . Mar. 24
Matinee Idol, The J. Walker-B. Love-
A. Forrest Columbia
Midnight Madness J. Logan-C. Brook.. .Pathe-De Mille 6 reels
My Home Town G. Rockwell-G. Glass Rayart (S. R.)
Old Ironsides E. Ralston-C. Farrell-
W. Beery-G. Ban-
croft Paramount 7910 feet Dec. 18, '2»
Partners in Crime W. Beery-R. Hatton-
W. Powell-M. Brian Paramount
Patsy, The M. Davies-O. Cald-
well-L.Gray M-G-M 7289 feet
Phantom of the Turf, The. .H. Costello-R. Lease .Rayart (S. R.)
Powder My Back I Rich-A. Ferris-A.
Beranger-C. Nye . . Warner Bros
Put 'Em Up Fred Humes Universal 4200 feet
Ramona D.Del Rio-W. Baxter-
R. Drew-V. Lewis. . United Artists 8200 feet . . Feb. 4
Red Hair C. Bow-W. Austin- L.
Chandler Paramount 6331 feet. .Mar. 31
Red Signals W. McDonald-E. No-
vak-E. Williams . . . Sterling Pict. (S.R.) . . 5032 feet
Saddle Mates W. Wales-P. Mont-
gomery Pathe 4520 feet. . Mar. 17
Something Always Happens E. Ralston-N. Hamil-
ton Paramount
Souls Aflame G. James-G. Lard-R.
Wells First Division (S. R.)
Square Crooks R. Armstrong-J. M.
Brown-D. Dwan-D.
Appleby Fox 6397feet..Mar.Sl
Stop That Man A. Lake-B. Kent-E.
Gribbon Universal 6389 feet
Surrender M. Philbin-1. Mos-
kine Universal 8249 feet .. Mar. 1»
Tempest J. Barrymore-C. Horn
-Wolheim United Artists (about) 9000 feet..
Their Hour D. Sebastian-J. Har-
ron-J. Marlowe. . . .Tiffany-Stahl
Tracy the Outlaw Jack Hoey New-Cal (S. R.) 6000 feet. .Mar. 31
Trick of Hearts, A H. Gibson-G. Hale .. Universal 5495 feet
Turn Back the Hours M. Loy-W. Pidgeon-
S. Hardy Lumas 6500 feet. .Max. IT
Under the Black Eagle Flash (Dog)-M. Day-
R. Forbes M-G-M 6901 feet
Women Who Dare H. Chadwick-C. Dela-
ney Excellent Pict. (S.R.)
Wyoming T. McCoy-W. Fair-
banks-D. Sebastian.M-G-M
Across From Singapore ... . R. Navarro- J. Craw-
ford-E. Torrence. .M-G-M-
April 14, 19 28
1229
Length Reviewed
APRIL
Feature Players Distributed by
Actress, The N. Shearer-R. Forbes-
G. Lee-O. Moore-
D'Arcy M-G-M
Avenging Shadow, The.. . .Klondike (Dog)-R. Hal-
lor-M. Morris Pathe 4293 feet. Mar. 31
Bell o Avenue A First Division (S. R.)
Bit of Heaven, A B. Washburn-L. Lee Excellent Pict. (S.R.)
Breed of the Sunsets R. Steele-N. Drexel. F. B. O
Broadway Daddies J. Logan-R. Lease-A.
B. Francis Columbia
Canyon of Adventure K. Maynard-V. B.
Faire First National 5800 feet
Chinatown Charlie J. Hines-L. Lorraine. First National 6365 feet
Chorus Kid, The V. B. Faire-B. Wash-
burn-H. Hopper . . . Lumas 6 reels
Circus Rookies K. Dane-G. K. Arthur
L. Lorraine ... M-G-M
Cossacks, The J. Gilbert-R. Adoree-
E. Torrence-M. Al-
den M-G-M
Crimson City, The M. Loy-L. Hyams-R.
Tucker-J Miljan .. Warner Bros
Czar Ivan the Terrible Special Cast Amkino (S. R.) 8600 feet. .Mar. 24
Danger Patrol, The W.Russell-V.B.Faire .Rayart (S.R.)
Devil's Trade Mark, The. .B. Bennett-W. V.
Mong-M. Douglas .F. B O
Drums of Love E. Taylor-D. Alvar-
ado-M. Philbin-L.
Barrymore United Artists 9500 feet . . Jan. 28
Fagasa (South Seas Isle
film) L. Kelly-G. Kelton-
Mr. & Mrs. R. Wells . First Division (S. R.)
Five and Ten Cent Annie.. L. Fazenda-C. Cook-
G.Astor-W. Dema-
rest Warner Bros
Girl He Did'nt Buy, The. . . P. Garon-A. Simpson Peerless (S. R.) 6600 feet
Good Morning Judge R. Denny-M. Nolan-
D. Gulliver Universal 5645 feet
Gypsy of the North H. Gordon-G. Hale . Rayart (S. R.)
House of Scandal, The. . . .D. Sebastian-P.
O'Malley Tiffany-StabJ
Ladies' Night in a Turkish
Bath Mackaill-Mulhall .... First National 6592 feet
Last Moment, The O. Matieson-G. Hale-
L. La Verne Zakoro (S. R.) 5800 feet. . Mar. 31
Laugh Clown, Laugh Chaney-L. Young-N.
Asther M-G-M
Law of Fear, The Ranger (Dog)-P. R.
Miller-C. Byer F. B. 0 4769 feet. Mar. 10
Law's Lash, The Klondike (Dog)-R. El-
lis-M. Maberry. . .Pathe 4902 feet . Mar.IE
Lilac Time C. Moore-G. Cooper. First National Mar. 24
Little Shepherd of Kingdom
Come Barthelmess-G. James-
O'Day-Seyff ertitz. . First National 7700 feet
Love Hungry L. Moran-L. Gray . . . Fox
Phantom of the Range, The.T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4781 feet. .Feb. 11
Pinto Kid, The B. Barton-H. Trevor-
G. Lee F-B-O 4884 feet. .Jan. 7
Red Riders of Canada, The. P. R. Miller-C. Byer.. F. B. O 6419 feet. .Dec. 23
Riders of the Dark T. McCov-D. Dwan.. M-G-M
Scarlet Dove, The J. Borio-R. Frazer-L.
Sherman M. Liv-
ingston Tiff any-Stahl
Skyscraper, The S. Carroll- W. Boyd-
A. Hale-A. VaughnPathe-De Mille 7040 feet
Speedy H. Lloyd-A. Christy-
B. Ruth-B. Wood-
ruff Paramount
Steamboat Bill, Jr Keaton-E. Torrence. .United Artists (about) 6800 feet . .
Street of Sin, The E. Jannings-F. Wray . Paramount
Thanks For the Buggy Ride L. La Plante -G.
Tryon Universal 6197 feet. . Feb. 4
Thirteen Washington Square A. Joyce-J. Hersholt-
Z. Pitts Universal 6274 f eet . . Feb. 4
Three-Ring Marriage M. Astor-L. Hughes. .First National
Thunder Riders, The Ted Wells Universal 4353 feet
Two Lovers R. Colman-V. Banky . United Artists (about) 7500 feet . .
Won in the Clouds Al Wilson Universal 4348 feet
MAY
Feature Players Distributed by Length Reviewed
ilex the Great "Skeets" Gallaghei-
R. Dwyer F. B. 0 6872 feet Mar. 24
Arizona Cyclone, The Al Wilson Tin ;»Pr<;al 4076 feet
Clothes Make the Woman. E. Southern-W. Pid-
geon Tiffany-Stahl
Crooks Can't Win R. Lewis-T. Hill-S.
Nelson F. B. O
Harold Teen A. Lake-M. Brian-W.
Bakewell-J. Duffy First National
Hell Ship Bronson Mrs. W. Reid- R.
Howes-H. Foster-N.
Beery Lumas
Hold 'Em Yale R. La Rocque-J. Loff-
H. Allan Pathe-De Mille
It's All Greek to Me C. Murray-L. Fazen
da-T. Todd First National
Ladies of the Night Club. . .B. Leonard-R. Cortez. Tiff any-Stahl
Little Yellow House, The. . O. Caldwell-M. Sleep-
er F.B.O
Man in the Rough, The . . . B. Steele-M. King . F-B-O
Marry the Girl B. Bedford-R. Ellis-
D. W. Jennings . . . Sterling Pict. (S. R.). .6300 feet. . Mar. 10
Million for Love, A R. Howes-J. Dunn . Sterling Pict. (S.R.)
Pay As You Enter C. Cooke-L. Fazanda Warner Bros
Rinty of the Desert Rin-Tin-Tin-A. Fer-
ris-C. Nye Warner Bros
Skinner's Big Idea B. Washburn-M.
Sleeper-H.Trevor F. B. 0 6967 feet. Mar. 17
United States Smith Special Cast . . . Lumas 7000 feet
Walking Back S. Carroll-R. Walling Pathe-De Mille 6 reels
We Americans G. Sidney P. R. Mil-
ler-G. Lewis Universal 9161 feet. April 7
JUNE
Feature Players Distributed by
Dog Justice Ranger (Dog)-E.
Hearn-N. Martan. F. B. O
Lady Be Good D. Mackaill-J. Mul-
hall First National. ..
Length Reviewed
Feature Players Distributed by
Lingerie Tiffany-Stahl. .. .
Loves of Ricardo George Beban F. B. O
Man Higher Up, The Lumas
Roulette R. Barthelmess-M. Liv-
ingston-W. Oland-
L. Basquette First National . . .
Texas Tornado, The Tom Tyler F. B. O
Upland Rider, The K. Maynard-M. Doug-
las First National. . .
Length Reviewed
! . 7477 feet' Sept.4'2»
JULY
Feature Players Distributed by
Count of Ten, The C. Ray-J. Gleason Universal
Fighting Redhead, The Buzz Barton F. B. O
Flyin' Cowboy, A H. Gibson-O. Has-
brouck Universal
Head of the Family, The Lumas
Kelly's Kids Charlie Murray . . . First National . . .
Trail of Courage, The R. Steele-M. Bonner. F-B-O
Length Reviewed
AUGUST
Feature Players Distributed by
Bantam Cowboy. Tie Buzz Barton F. B. O
Barker, The M. Sills-B. Compson First National . ..
Oh Kay Colleen Moore First National...
Thru the Breakers Lumas
Length Reviewed
Coming Attractions
Feature
Players
Distributed by Length Reviewed
Abie's Irish Rose F. McDonald- J. Hers-
holt-N. Carroll-C.
Rogers Paramount
Abie of the U. S. A George Jessel Lumas
Ace High Hoot Gibson Universal
Adventurer, The T. McCoy-D. Sebas-
tian-C. Delany M-G-M 3709 feet
Adventures in Pygmy Land Jungle Film W. W. Hodkinson . . . 6800 f eet . . Mar. 24
After the Storm H. Bosworth-E. Gil-
bert-C. Delaney.. .Columbia
Albany Night Boat, The Tiffany-Stahl
Anne Against the World . . Edith Roberts Rayart (S. R.)
Baby Cyclone, The L. Cody-A. Pringle. . . M-G-M
Battle of the Sexes, The... B. Bennett- J. Hers-
holt-P. Haver-S.
O'Neill United Artists
Beggars of Life W. Beery-R. Arlen-L.
Brooks Paramount
Bellamy Trial, The L. Joy M-G-M
Better Man, The F. B. O
Betty's a Lady J. Ralston-C. Ray. . . . Universal
Beward of Blondes Columbia
Be Yourself R. Denny-M. Nolan. .Universal
Big Bow Mystery, The I. Rich-C. Brook F. B. O
Big Game Hunt, To>- W. Beery-R. Hatton. .Paramount
Big Gun. The George Lewis Universal
Big Noise, The A. White-C. Conklin-
S. Hardy First National
Big Sneeze, The W. Beery-F. Sterling-
Z. Pitts Paramount
Big Top, The M-G-M
Billionaire, The Al St. John-J. Robards Rayart (S.R.)
Black Ace, The D. Coleman-J. Loft* . . Pathe
Black Pearl, The Gladys Brockwell. . . . Rayart (S.R.)
Blossom Time ( Movietone) .J. Gaynor-C. Farrell. . Fox
Body Punch, The J. Dougherty-V. B.
Faire Universal
Boss of Little Arcady, The . C. Murray-D. Reed-
D. Dawson First National
Bride of the Colorado J. Boles-D. Blossom. .Pathe
Brides Will Be Brides. . . Laura La Plante Universal
Bright Aisle, The Lumas
Broken Hearts Hercules Film Prod. (S.R.)
Brotherly Love (tentative). . K. Dane-G. K. Arthur M-G-M
Butter and Egg Man, The . J. Mulhall-M. O'Day-
G. Astor First National
Certain Young Man, A. . . . Novarro-Adoree-W.
Marshall-G. Astor. M-G-M
Children of the Sun (South
Seas film) Special Cast Universal
Chinatown Lon Chaney M-G-M
City of Shadows, The J. Luden-S. Lynn F. B. O
Clown, The ( Vitaphone) . . Al Jolson Warner Bros
Cock-Eyed World, The V. McLaglen-E. Lowe Fox
Code of the Scarlet, The . .K. Maynard-G. Mc-
Connell First National
Companionate Marriage First Division (S. R.)
Cop, The W. Boyd-J. Logan- A.
Hale-R. Armstrong Pathe-De Mille
Craig's Wife Pathe-De Mille
Creole Love First Division (S. R.)
Crimson Hour, The L. de Putti-I. Moskine-
N. de Brulier Universal
Dance Fever (Ufa film) Brill, Inc
Dancing Daughters J. Crawford-J. M.
Brown-D. Sebas-
tian-N. Asther-A.
Page M-G-M
Date With a Duchess, A
(tentative) A. Menjou-E. Brent . .Paramount
Deadline, The Flash (Dog)-L. Lor-
raine-L. Gray . . M-G-M
Detectives K. Dane-G. K. Arthur-
M. Day M-G-M
Devil's Cage, The P. Garon-D. Keith . . . First Division (S.R.)
Devil's Chaplain, The Cornelius Keefe Rayart (S. R.)
Diamond Handcuffs C. Nagel-E. Board-
man-L. Gray-D.
Sebastian-S. Hardy M-G-M
Dirty Work Johnny Burke Pathe
Divine Lady, The C. Griffith-V. Varconi-
M. Dressier First National
Dolorosa Tiff any-Stahl
1ZM
M o t i o n Picture News
Feature Players Distributed by Length Reviewed
Domestic Relations Tiffany-Stahl
Don't Marry L. Moran-N. Hamil-
ton Fox
Doubling for Trouble H. Gibson-E. Gilbert.Universal
Down Grade, The Wm. Fairbanks-A.
Colhoun Lumas
Down Our Way V. Valli-F. Darro-O.
Caldwell F. B. O
Dragnet, The G. Bancroft-E. Brent-
W. Powell Paramount
Dreaded Bandit, The (for-
eign film) L. Albertine-E. Iina-
jeff Cinema Attractions . . 6000 feet
Eagle's Talons, The Tom Tyler F. B. O
Easy Come, Easy Go R. Dix-N. Carroll Paramount
Empty Saddle, The Fred Humes Universal
Escape, The V. Valli- W. Russell . . Fox
Eternal Silence, The Bushman, Jr.-N. Ham»
ilton- J. Marlowe. . . Universal
Excess Baggage Wm. Haines M-G-M
Fallen Angels N. Kerry-P. Starke-
K. Harlan Universal
Fangs of Fury Sandow (Dog) Pathe
Fangs of Justice Silverstreak (Dog)-J.
Walker-J Marlowe.Bischoff Prod. (S.R.) 6000 feet
Fazil CFarrelG Nissen-
M. Busch Fox
Fifty-Fifty Girl, The B. Daniels-J. Hall-W.
Austin Paramount
First Kiss, The F. Wray-G. Cooper. Paramount
Fools for Luck W. C. Fields-C. Conk-
lin-S. Blane-J. Lu-
den Paramount
Foreign Legion, The N. Kerry-L. Stone-J.
Marlowe Universal
Four Devils, The F. Macdonald-M Dun-
can-C. Morton-N.
Drexel-J. Gaynor. . Fox
Four Sons J. Hall-M. Mann-
Bushman, Jr.-C.
Morton-E. Foxe-J.
Collyer Fox 9412 feet. .Feb. 18
Four Walls John Gilbert M-G-M
Freedom of the Press L. Stone-M. Day-D.
Keith Universal
George Washington, Jr. . . .George Jessel Tiffany-Stahl
Girl Downstairs, The L. Moran-G. O'Brien.Fox
Give and Take G. Sidney-S. Lynn-G.
Lewis-J. Hersholt . Universal
Glorifying the American
Girl Ruth Elder Paramount
Glorious Betsy (Vita-
phone) D. Costello-C. Nagel. Warner Bros
Godless Girl, The L. Basquette-G. Dur-
yea - Prevost - N.
Beery. . .... Pathe-De Mille
Golf Widows V. Reynolds-H. Ford-
S. Rand Columbia
Green Grass Widows Walter Hagen Tiffany-Stahl
Gun Shy (tentative) Beery-Hatton-M.
Brian-G. James. . Paramount
Gypsy Love (tentative) Lumas
Half a Bride E. Ralston-R. Aden . Paramount
Handle With Care I. Rich-A. Ferris- W.
Collier, Jr Warner Bros
Hangman's House V. McLaglen-J. Col-
lyer-L.Kent-E.Foxe Fox
Has Anybody Here Seen
Kelly? ... T. Moore-B. Love. . . . Universal
Hawk's Nest, The M. Sills-D. Kenyon-
A. Stone-M. Love. . First National
Hawk, The M. Sills First Nations. . .
Heart to Heart C. Moore-E. Lowe.. .First National
Heat (tentative) Greta Garbo M-G-M
Hello, Cheyennel T. Mix-C. Lincoln Fox
Hell's Angels B. Lyon-J. Hail-G.
Nissen United Artists (about) 7 reels ....
He Learned About Women . W. Haines-E. Percy-
A. Page-Sojin M-G-M
Her Cardboard Lover M. Davies-W. HainesM-G-M
His Country R. Schildkraut-M.
Dressier Pathe-De Mille
His Third Master Henry B. Walthall . . . Rayart (S. R.)
Hit of the Show, The Joe Brown-G. Astor. F. B. O
Hold Everything (tentative) J. Hall Paramount
Home, James L. La Plante-C. De-
laney Universal
Honor Bound G. O'Brien-E. Taylor-
L. Hyams-Santschi Fox
Hoofbeats of Vengeance . . . Rex (Horse) Universal
Hot Heels G. Tryon-P. R. Miller Universal
Hyprocrite, The (Ufa film) Brill, Inc
I'll Tell the World Colleen Moore First National
Innocent, The Vilma Banky United Artists
Isle of Lost Men, The Tom Santschi Rayart (S. R.)
It Might Happen to Any Girl Sterling Pict. (S.R.I
Jazz Mad J. Hersholt-Nixon-G.
Lewis Universal
Jealousy (Ufa film) Brill, Inc
Tangle Rose Dolores Del Rio .... Fox
Jungle Triangle "Aesop Fables" May 6.1 reel
King of Kings, The. . . ..Special Oast Pathe-De Mille 13600 feet. April »•
Kit Carson Fred Thomson Paramount
Ladies Must Love Rod La Rocque Pathe-De Mille
Ladies of Leisure Tiffany-Stahl
Ladies of the Mob C. Bow-R. Arlen-M.
Alden Paramount
Ladies Prefer Bonds (ten-
tative) C. Nagel-M. McAvoy. Warner Bros
Land of the Silver Fox, The
(tentative) Rin-Tin-Tin-L. Hyams-
C. Nye-Santschi. . .Warner Bros
La Piava Lupe Valez United Artists
Last Cab, The Rudolph Schildkraut .Pathe-De Mille
Last Warning, The Laura La Plante Universal
Law of the Range, The.. . . McCoy-Crawford-R.
Lease M-G-M
Leave It to Me Glenn Tryon Universal
Life's Crossroads G. Hulette-M. Ham-
ilton Excellent Pict. (S.R.)
Lion and the Mouse, The
(Vitaphone) M. McAvoy-L. Barry-
more-A. B. Frances-
Collier, Jr Warner Bros
Little Wild Girl, The L. Lee-C. Landis-F.
Merrill Hercules Film Prod. (S.R.)
Lonesome G. Tryon-B. Kent. . .Universal
Feature Players Distributed by Length Reviewed
Madamoiselle Prom Armen-
tierep (English filmV K. Brody-I. Stuart M-G-M
Magnificent Flirt, The F. Vidor-L. Young-A.
Conti-M. Milner. . Paramount
Man About Town, The . . . . L. Cody-N. Trevor . . . M-G-M
Man From Headquarters,
The Cornelius Keef e Rayart (S. R.)
Man-Made Woman L. Joy-J. Boles-H. B.
Warner Pathe-De Mille
Man Who Laughs, The . . . C. Veidt-M. Philbin . Universal
Marriage of Tomorrow
(tentative) Tiffany-Stahl
Masked Stranger, The (ten-
tative) Tim McCoy M-G-M
Meet the Prince Glenn Tryon Universal
Meet the Prince J. Robards-A. St. John Rayart (S. R.)
Michigan Kid, The C. Nagel-R. Adoree. . Universal
Miracle Girl, The Betty Compson First Division (S. R.)
Modern Du Barry, The (Ufa
film) Maria Corda Brill, Inc 7000 feet
Modern Mothers H. Chadwick-Fairbanks,
Jr.-B. Kent Columbia
Mother Machree B. Bennett-V. McLag-
len-N. Hamilton-E.
Clayton Fox 6863 f eet . Mar. 17
Mr. Romeo F. Sterling-N. Carroll-
G. Meeker Fox
Naughty Duchess, The Tiffahy-Stahl
Aaugbty Marietta Marion Davies M-G-M
Navy Blues Arthur Lake Universal
News Parade, The N. Stuart-S. Phipps. . Fox
Night of Mystery, A A. Menjou-N. Lane-
Collier, Jr.-E. BrentParamount 5741 feet
Noah's Ark (Vitaphone) . . . D. Costello-G. O'Brien-
N. Beery-L. Fazen-
da Warner Brow
None But the Brave Lionel Barrymore Fox
Odd Fellows Fields-Conklin Paramount
Once There was a Princess Mary Astor First National
One Way Street, The (ten-
tative) M. Loy-C. Nagel-W.
Russell Warner Bros
Out of the Night C. Palmer-F. Stanley-
A. Ayres Rayart (S. R.)
Painted Post, The T. Mix-N. Kingston. Fox
Part-Time Marriage June Collyer Fox
fatent Leather Kid, The
(road show) R. Barthelmess-M.
O'Day First National 11412 feet . . Aug. 26
Patriot, The E. Jannings-L. Stone-
F. Vidor-N. Hamil-
ton Paramount
Pay As You Enter L. Fazenda-C. Cook. . Warner Bros
Phantom Buster, The Buddy Roosevelt ... Pathe
Phyllis of the Follies M. Nixon-C. Rogers Universal
r'igskin D. Rollens-S. Carrol . Fox
Plastered in Paris S. Cohen-J. Pennick-
M. Batelini Fox
Play Girl, The M. Bellamy-J. M.
Brown Fox
Play Goes On C. Vedt-M. Nolan. . Universal
Polly Preferred .... . . Marion Davies M-G-M
Port of Missing Children,
The Sierra Pictures (S. R.)
Power (tentative) D. Fairbanks, Jr.- J.
Ralston Tiffany-Stahl
Primanerliebe (German film) Special Cast Scenic Films 6500 feet. . Mar. 24
Prowlers of the Sea Tiffany-Stahl
yuick Lunch Fields-Conklin-M.
Alden-S. Blane-J.
Luden Paramount
Rachel P. Negri-G. Cooper Paramount
Racket, The T. Meighan-M. Pre-
vost Paramount
Red Dancer of Moscow,
The D.Del Rio-C. Farrell-
D. Revier Fox
Red Lips M. Nixon-C. Rogers . Universal
Red Mark, The G. von Seyff ertitz-N.
Quartaro Pathe-De Mille
Ridin' Like Fury Hoot Gibson Universal
Rip Van Winkle Rudolph Schildkraut Pathe-De Mille
River Woman, The Alma Rubens Lumas
Kobert Flaherty's Southern
Skies M. Blue-R. Torres . . M-G-M
Romeo and Juliet N. Kerry-M. Philbin .Universal
Saddle and Spurs "Buzz" Bar ton-L.
Eason ..F. B. O
Sally of the Scandals B. Love-A. Forrest.. F. B. O
Sally of the South Seas Hercules Film Prod. (S. R.)
Shadows of the Night Hercules Film Prod. (S. R.)
Shanghai Rose Mae Busch Rayart (S. R.)
Shooting Stars (English
film) Artlee Pict. (S.R.)
Show Boat Universal
Side Show, The Fields-Conklin-Brian.Paramount
Silks and Saddles M. Nixon-R. Walling-
M. Nolan Universal
Simba Jungle Film Martin Johnson Afri-
an Expedition Corp. 8000 feet. . Feb. 4
Sin Town H. Allen-E. Fair Pathe-De Mille
Sisters of Eve Mae Busch Rayart (S. R.)
Some Mother's Boy Mary Carr Rayart (S. R.)
Son of St. Moritz, The (ten-
tative) J. Gilbert-G. Garbo .. M-G-M
Span of Life, The Lon Chaney M-G-M
Sport Girl, The M. Bellamy-J. M.
Brown Fox
Sporting Age, The B. Bennett-C. Nye-H.
Herbert Columbia
Stocks and Blondes J. Logan-"Skeets"
Gallagher-G. Astor F. B. O
Stormy Waters E. Southern-M. Mc-
Gregor Tiffany-Stahl
Street Angel, The J. Gaynor-C. Farrell.. Fox
Streets of Algers (Ufa film) . Camilla Horn Brill, Inc
sunrise ... Gaynor-G. O'Brien-
Livingston Fox 8729 feet . . Oct. 14
Sunset Legion, The F. Thomson-E. Mur-
phy Paramount
Survival of Slim, The W. Wales-P. Mont-
gomery Pathe
Tartuffe, the Hyprocrite. . .Emil Jannings Brill, Inc ft. Aug. 5, '27
Tenderloin (Vitaphone) D. Costello-C. Nagel . Warner Bros 7782 feet
Tenth Avenue P. Haver-V. Varconi-
R. Schildkraut. . . .Pathe-De Mille
April 11, 1928
1231
Feature
Thief in the Dark, The.
Players Distributed by Length Reviewed
G. Meeker-D. Hill-G.
Lee Fox
Three Sinners P. Negri-W. Baxter . .Paramount
Thrill Seeker, The R. Clifford-J. Fulton. Superlative Pict. (S.R.) 4900 feet.
Tide of Empire J.Crawford-J.Murray M-G-M
Times Square TifTany-Stahl
Trail of '98 K Dane-P Stark e-R
Forbes-Del Rio. . M-G-M 11,100 feet. . Mar. 24
Two Brothers (Ufa film) Brill, Inc
Two Sisters, The Rayart (S. R.)
Uncensored Woman, The Lumas
Uncle Tom's Cabin Special Cast Universal Nov. 16
Undressed Sterling Pict. (S.R.)
Valley Beyond the Law, TheD. Coleman-J Loff . . Pathe
Vamping Venus C. Murray-Fazenda-
T. Todd First National
Janishing Pioneer, The. ... J. Holt-S. Blane Paramount
Victory George Bancroft Paramount
Viennese Lovers Philbin-Hersholt-R
Keane Universal
War in the Dark, The Greta Garbo M-G-M
Warming Up R. Dix-J. Arthur Paramount
Watch My speed . . R. Denny-B. Worth Universal
Western Suflragettes H.Gibson-G.Hale Universal
What Holds Men Leatrice Joy Pathe-De Mille
When Danger Calls W. Fairbanks-E. Sedg-
wick Lumas 6000 feet
When Dreams Come True .Lila Lee Rayart (S. R.)
When Fleet Meets Fleet
(British Film) H. Stuart-B. Goetzke-
N. Asther Hi-Mark (S. R.) 7963 feet
Whip, The D. Mackaill-L. Sher-
man-A. Q. Nilsson-
R. Forbes First National
Why Sailors Go Wrong S. Cohen Fox
Wild West Romance R. King-L. Gilmore..Fox
Wild West Show, The H. Gibson Universal
Wind, The L. Gish-L. Hanson . . M-G-M
Windjammers of Gloucester
The F. B. O
Wings (road show) C. Bow-B. Rogers. . .Paramount 12 reels. . . .Aug. 26
Woman Between, The Lumas
Woman Disputed, The. . . .N. Talmadge-G. Ro-
land United Artists
Yellow Contraband L. Maloney-G. Goatz Pathe
Yellow Lily, The B. Dove-C. Brook-
Seyferrtitz First National
You'll Never Get Rich First Division (S. R.)
Comedies and Short Subjects
BRAY PRODUCTIONS
Tit'e Star Rel. Date
Bare Co-Ed, The Murdock-Cavalier-Lancaster. . . Feb. 10.
Barnyard Rivals W. Lantz-M. Shaw-T. Ward.. .Mar. 10.
Cat Tales McDougall Kids Feb. 20.
Cutting Up McDougall Kids Mar. 20.
Daze of '49 J. Cooper-L. Carver Jan. 1.
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1.
Fat and the Canary McDougall Kids Dec. 20.
Fowl Play McDougall Kids April 20 .
Fresh and a Devil Clyde-Malone-Irving Sept. 1.
Here's Another One Novelty Oct. 15.
Here's Another One Novelty Dec. 15.
His Ticklish Predicament . . .Jack Cooper Oct. 1 .
Iron Derby, The Eddy Featherstone Oct. 10.
Lost in a Pullman Perry Murdock July 13.
Lost in the Lurch P. Murdock-N. Cavalier Mar. 1.
Magic Game, The McDougall Kids Nov. 20.
Mr. Pooh McDougall Kids Jan. 20.
Orphans, The McDougall Kids Sept. 6.
Way of All Fish, The J. Cooper-N. Cavalier Dec. 1.
EDUCATIONAL
Title Star Dist'r Rel. Date
Ain't Nature Grand Eddie Quillan Nov. 20.
All Bear Curiosities April 29 .
All Set W. Lupino-Sargent-L. Hutton . Jan. 29 .
Always a Gentleman Lloyd Hamilton Feb. 6.
Angel Eyes "Big Boy" Dec. 25.
At Ease Lloyd Hamilton Sent. 4.
At It Again Monty Collins May 13
Back Home Curiosities Sept. 25.
Batter Up George Davis Sept. 11.,
Between Jobs Lloyd Hamilton Mar. 18.
Blazing Away Lloyd Hamilton April 22.
Builders of Bridges — When
Twilight Comes Bruce Outdoor Sketch Feb. 26.
Brunettes Prefer Gentlemen. Jerry Drew Nov. 6.
Burning Timber — Rough
Country Bruce Outdoor Sketch Oct.
Call o ithe Sea, The (Color
Filml H. Hampton-M. Valles-N. Kel-
ley Jan. 1.
Character Studies Carter De Haven Nov. 20 .
Chilly Days "Big Boy" Feb. 19.
Circus Blues Dorothy Devore Mar. 25 .
Count Me Out Barney Helium Mar. 11.
Cry of Winter, The — Hot
Place, The Bruce Outdoor Sketch Sept. 18 .
Cutie Dorothy Devore Jan. 15.
Delving Into the Dictionary . Hodge-Podge Sept. 11.
Dog Days — The Sun and the
Rain Bruce Outdoor Sketch Jan. 29.
Dummies Larry Semon Jan. 1.
Eats for Two Dunham-Thompson Oct. 9
Pall In Monty Collins Jan. 1
Fandango Lupino Lane May 6.
Felix the Cat Hits the Deck "Sullivan Cartoon" Dec. 11
Length Reviewed
.2 reels. . . .Jan. 7
.2 reels. . . . Mar. 17
.2 reels
.2 reels. . . . Mar. 17
.2 reels. .. .Feb. 4
.2 reels. . . . Mar. 17
.2 reels. . . .Dec. 9
. 2 reels
.2 reels. . . Oct. 21
.lreel Oct. 7
. 1 reel Dec. 2
.2 reels. . . .Oct. 21
.2 reels. .. .Oct. 21
.2 reels
.2 reels. . . .Mar. 17
.2 reels Dec. 2
. 2 reels .... Jan. 7
. 2 reels
2 reels .... Dec. 9
Length Reviewed
. 1 reel Nov. 26
1 reel
lreel Feb. 4
.2 reels. . . Feb. 18
2 reels ... Dec. 31
2 reels. . . .Sept. 2
2 reels
1 reel Sept. 23
2 reels Sept. 16
2 reels
2 reels. . . April 7
1 reel Mar. 10
2 reels. . . .Oct. 28
Felix the Cat in Arabiantics . "Sullivan Cartoon" May 13.
Felix the Cat in Behind in
Front "Sullivan Cartoon" Dec. 25
Felix the Cat in Comicalities "Sullivan Cartoon" April 1.
Felix the Cat in Daze and
Knights "Sullivan Cartoon" Oct. 30
23 .2 reels Oct.
2 reels .... Dec. 31
1 reel Jan. 14
2 reels . . Feb. 18
2 reels . . . Mar. 17
1 reel Mar. 3
1 i eel Sept. 1
2 reels. . . Feb. 18
1 reel Sept. 2S
1 reel Feb. 25
2 reels. . . .Dec. 23
1 reel . . Oct. 1«
1 reel . . . Dec. 23
2 reels
1 reel . Feb. 11
1 reel
1 reel Jan. 14
1 reel
1 reel Nov. 18
Title Star
Felix the Cat in Draggin' the
Dragon "Sullivan Cartoon" Jan. 22
Felii the Cat in Eskimotive .. "Sullivan Cartoon" April 29
Kelix the Cat in Flim Flam
Films "Sullivan Cartoon" Sept. 18
Felix the Cat in In-and-Out-
Laws "Sullivan Cartoon" May 27
Felix the Cat in Japanicky . "Sullivan Cartoon" Mar. 4
Felix the Cat in No Fuelin' . "Sullivan Cartoon" Oct. 16
Felix the Cat in Ohm Sweet
Ohm "Sullivan Cartoon" Feb. 19
Felii the Cat in Polly-tics.. "Sullivan Cartoon" Mar. 18
Felix the Cat in Sure-Lock
Holmes "Sullivan Cartoon" April 15
Felix the Cat in the Oily Bird. "Sullivan Cartoon" Feb. 5
Felix the Cat in the Smoke
Screen "Sullivan Cartoon" Jan. 8
Felix the Cat Switches
Witches "Sullivan Cartoon" Oct. 2
Felix the Cat in Uncle Tom's
Crabbin' "Sullivan Cartoon" Nov. 13
Felix the Cat in Whys and
Otherwise "Sullivan Cartoon" Nov. 20
Felix the Cat in Wise Guise . "Sullivan Cartoon" Sept. 4
Feline Frolics — The Tonquin
Valley Bruce Outdoor Sketch Mar. 25
Fighting Orphans, The —
Evening Mist Bruce Outdoor Sketch
Follies of Fashion Curiosities Sept. 25
For Men Only Curiosities Oct. 30
Fox Tales Drew-Dunham Sept. 25
Green-Eyed Love Ruby McCoy-George Hall . . Apr. 8
Half-Pint Hero, A Lupino Lane Sept. 18
Hello Sailor Lupino Lane Dec. 25
Here and There in Travel
Land Hodge- Podge Oct. 16
He Tried to Please Monty Collins Aug. 12.
High Strung Jerry Drew Jan. 29
Hints on Hunting — A Day
By the Sea Bruce Outdoor Sketch April 22
His Maiden Voyage George Davis Feb. 26
Hope Hampton Displaying
Creations Parisienne in
Color (Color Film) Hope Hampton Dec. 4.
How to Please the Public . . .Hodge Podge Mar. 1 1
Indiscrete Pete Jerry Drew Mar. 11.
Injun Food — Moods of the
Sea Bruce Outdoor Sketch Dec. 25
It's Me Monty Collins Dec. 4
Kilties Dorothy Devore Oct. 9
Kitchen Talent George Davis April 15
Landlord Blues Curiosities May 27
Listen Sister Lupino Lane Mar. 25
Little Rube, The Dorothy Devore Nov. 20
Love's Springtime (Color
Film) H. Hampton-J. Catalaine Feb. 12
Lovingly Yours Curiosities Dec. 4 .
Lucky Dog P. Dunham-L. Billetts Sept. 11.
Many Wings — Beside the
Still Waters Bruce Outdoor Sketch Nov. 20.
Models in Mud Hodge-Podge Nov. 13
Mother Birds Curiosities Mar. 4
Mysterious Night, A Moniy Collins Feb. 12
Navy Beans "Big Boy" May 27
Never Too Late Wallace Lupino May 6
Hew Wrinkles Lloyd Hamilton Oct. 30
New York's Sweetheart. . . .Curiosities Jan. 1.
Nicknames Hodge-Podge April 8.
No Fare "Big Boy" April 8.
Nothing Flat George Davis Dec. 11.
OH Again J. Lloyd-B. Boyd Sept 25
Off Balance Monty Collins April 22
Oh, What a Man I Larry Semon Dec. 4.
Papa's Boy Lloyd Hamilton Dec. 18
Paris Fashions in Color (Col-
or Film) Hope Hampton Dec. 26.
Peculiar Pair of Pups, A —
Nobooy Homo Bruce Outdoor Sketch May 20.
enny Postals Curiosities April 1 .
Pretty Baby Monty Collins Feb. 26
Racing Mad Al St. John Jan. 8.
Recollections of a Rover .... Hodge-Podge Jan. 8 .
Red Hot Bullets Eddie Quillan Nov. 27.
Rest Day Monty Collins Nov. 27
Rubbernecking Curiosities Feb. 6
Running Ragged Lewis Sargent Jan. 29
Say Ah-h Charley Bowers Feb. 19
Scared Silly Johnny Arthur Nov. 13
Seeing Stars George Davis Oct. 16
Shamrock Alley "Big Boy" Nov. 27
She's a Boy "Big Boy" Oct. 2
Shooting Wild Jack Lloyd Oct. 23
Simple Sap, A Larry Semon Feb. 12
Slippery Head Johnny Arthur April 29
Some Scout Lupino Lane Nov. 6
Spring Has Came Monty Collins Mar. 26
Star Shots Hodge-Podge Feb. 5
Stunt Man, The Larry Semon Oct. 23
Sword Points Lupino Lane Feb. 12
There It is Charley Bowers Jan. 1
Thoughts While Fishing —
Silver Shadows Bruce Outdoor Sketch
Three Tough Onions Monty Collins May 20
Visitors Welcome Johnny Arthur Mar. 4
Wandering Toy, The Hodge-Podge May 6
Wedding Slips Monty Collins Jan. 16
Whirl of Activity, A Hodge-Podge Dec. 11..
Whoozit Charley Bowers April 1
Wildcat Valley Johnny Arthur Jan. 22
Wild Wool -Night Clouds. 'uce Outdoor Sketch
You'll Be Sorry Charley Bowers May 20
Rel. Date Length Reviewed
.1 reel . . Feb. 2»
.1 reel
lreel Oct. t
1 reel
. .1 reel Mar. 81
1 reel . . Not. 11
1 reel . . Mar. 17
1 reel
1 reel
. 1 reel Mar. 10
. .1 reel Feb. 18
.1 reel Oct. 21
. 1 reel Dec. J
1 reel Dec. 30
1 reel Sept. 28
. 1 reel Mar. 10
. 1 reel
1 reel
1 reel Oct. 21
.2 reels. . . Sept. 28
lreel... Mar. 24
.2 reels ... Sept 1
. 2 reels . . . Dec. 16
1 reel Oct. 28
1 reel
.2 reels. . . Feb. 4
1 reel Mar. 31
2 reels. . . .Feb. 18
lreel Dec. 9
1 reel Mar. 17
. 2 reels .... Mar. 10
1 reel. . . .Dec. 23
1 reel Dec. 9
2 reels. . . Oct. *
2 reels. . . . Mar. 31
1 reel
2 reels. . . Mar. 24
2 reels . . . Nov. 11
2 reels ... Mar. 17
lreel Dec. »
1 reel. . . . Sept. 23
lreel Nov. 4
1 reel Dec. 16
1 reel Feb. 18
1 reel Feb. 4
2 reels
1 reel
2 reels . Oct. Jl
1 reel Feb. 11
1 reel
2 reels. . . . Mar. 24
2 reels ... Dec. 16
1 reel .
1 reel. .
2 reels
2 reels.
Oct. 14
Nov 2»
Dec 9
. 1 reel Jan. 7
1 reel
. 1 reel. . .
1 reel. . . .
2 reels. . .
1 reel
2 reels . . .
1 reel
1 reel . . .
1 reel. . . .
2 reels. . .
2 reels. . .
2 reels . . .
2 reels . . .
2 reles . . .
1 reel
2 reels . . .
2 reels . . .
2 reels. . .
1 reel
1 reel
2 reels . . .
2 reels . . .
2 reels . . .
Mar. 17
Feb. 18
Jan. 28
Feb. 4
Nov. 18
Nov. 18
Feb. 4
Feb. 4
.Feb. 18
Nov. 11
Oct- 7
Nov. 16
Oct. 7
Oct. 21
Feb. 2»
Oct. 21
Mar. 17
Feb. 4
Sept. 30
Dec. SI
Jan. T
1 reel
1 reel
2 reels Mar. 10
1 reel
1 reel . . Feb. 11
1 reel Dec. 31
2 reels. . . Mar. 17
2 reels... Feb. 4
1 reel
2 reels
F B O
Title Star Rel. Date Length Reviewed
After the Squall Al Cooke April 16. .2 reels
\nce Cartoons (Released Twice a Month) 1 reel
All Alike Carr-Alexandcr-Ross April 9. .2 reels
All Washed Up Al Cooke 2 reels Feb. $8)
•t-loved Rogue, The Eason-Hill-Cooke-Guard Oct. 8 . 2 reels
Big Berthas Karr-Ross-Alexander May 14 2 reels
cnin He Loved to Lift Eason-Hill-Cooke-Guard Sent. 14 .2 reels
Come Meal Al Cooke May 28 2 reels
Fleshy Devils Carr-Alexander-Rosa Nov. 14 2 reels .... Oct. T
Fresh Hair Fiends Eason-Hill-Cooke-Guard Sept. 21. .2 reels
1232
Motion Picture News
Title
Star
Rel. Date
Krazy Kat Cartoons (released twice a month)
Mickey's Battle Mickey Yule Dec.
Mickey's Circus Mickey Yule Sept.
Mickey's Eleven Mickey Yule Nov.
Mickey's Little Eva Mickey Yule April
Mickey's Pals Mickey Yule Oct.
Mickey's Parade Mickey Yule Jan.
Mickey's Wild West Mickey Yule May
My Kingdom For a Hearse. Al Cooke April
New Faces for Old Eason-Hill-Cooke-Guard Oct. 12 .
Panting Papas Karr-Ross-Alexander Jan. 9 .
Peter's Pan Eason-Hill-Cooke-Guard Sept. 28 .
Rah I Rah I Rekie Al Cooke
Restless Bachelors Al Cooke April 30.
She Troupes to Conquer .... Easoo- Kill-Cooke-Guard O ct. 19 .
Silk Sock Hal Al Cooke May 14.
Social Error, A Al Cooke
Tanks of the Wabash Karr-Ross-Alexander . Oct 10 .
Three Missing Links Karr-Ross-Alexander Dec. 12.
Toupay or Not To Pay Eason-Hill-Cooke-Guard Sept. 7 .
Wanderers of the Waistline .Karr-Ross-Alexander Sept. 11 .
Length Reviewed
1 reel
.2 reels Dec. 9
.2 reels
.2 reels
.2 reels
.2 reels Oct. 1
.2 reels
. 2 reels
.2 reels
.2 reels .
.2 reels
. 2 reels ,
. 2 reels
.2 reels
.2 reels
. 2 reels
.2 reels. . . .Feb
.2 reels
.2 reels. . . .Nov. 11
.2 reels
.2r eels
Title
Star
Rel. Date
.Dec. 16
Nov. 20
Feb. 18
11
FOX FILMS
Titlr Star Rel Date Length Reviewed
Argentina, The Rich Variety Oct. 2 . . 1 reel Nov. 4
Arkansas Traveler Variety Jan. 8 . . 1 reel
Art Treasures of the Vatican .Variety Dec. 25. .1 reel
Capt. Kidd's Kittens Animal Comedy Oct. 23. .2 reels. .. .Nov. 4
Cow's Husband, A F. Spenser-M. J. Temple 2 reels
Desert Blooms, The Variety Feb. 6 . . 1 reel
Exploring Norway Variety Aug. 7 . . 1 reel
Pool and His Honey Tyler Brooke Sept. 25 . 2 reels .... Nov. 4
Four Faces West Tyler Brooke Nov. 6 . . 2 reels .... Dec. 16
Headhunters of Ecquador,
The Variety 1 reel Feb. 4
Her Blue Black Eyes M. Casajuana-E. Clayton Oct. 9.2 reels Nov. 4
Hold Your Hat S. Phipps-N. Stuart-T. Hill-A.
Housman 2 reels .... Mar. 24
Hot House Hazel T. Brooke-T. Hill Jan. 1 . . 2 reels
Jack and Jilted P. Cunning-M. King 2 reels
Jungles of the Amazon Variety 1 reel Jan. 21
Kiss Doctor, The T. Brooke-D. Thompson 2 reels Mar. 17
Lady Lion C. Lincoln-E. Clayton-B. Bletcher 2 reels
Lights and Shadows of Sicily. Variety Nov. 27 .. 1 reel
Lords of the Back Fence.. . .Variety Jan. 22. .1 reel
Love Is Blonde D. Ellis-D. Roilens Dec. 18. .2 reels Mar. 17
Low Necker, A Marjorie Beebe. . . 2 reels .Jan. 14
Moose Country, The Variety Nov. 13. .1 reel
Mum's the Word 2 reels .... Sept. i
Northern Alaska Today Variety Oct. 16 . . 1 reel
Old Wives Who Knew Hallam Cooley 2 reels
Over the Andes Variety 1 reel
Psyche and the Pskyscraper . "O. Henry" 2 reels
Romantic Alhambra, The. . .Variety Oct. 30. .1 reel
Silly Sailor, A G. Cameron Nov. 20. .2 reels
Sky Frontiers Variety Sept. 4 . . 1 reel
Solitudes Variety Dec. 11 . . 1 reel
Too Many Cookies T. Brooke-L. Miller 2 reels
Twenty Legs Under the Sea . R. Walling-J. Lorraine Sept. 11 . . 2 reels .... Oct. 7
Dnder Colorado Skies Variety Sept. 18 . 1 reel .
Wild Puppies Kid Comedy Dec. 4. .2 reels. .. .Jan. 28
itlr
17
4.
10.
5.
18.
19.
METRO-GOLDWYN-MAYER
Star Rel. Date
Aching Youth Charley Chase Mar. 17.
African Adventure, An Ufa Oddities Aug. 2 .
All For Nothing Charley Chase Jan. 21.
Amazing Lovers Ufa Oddities Mar. 10.
Assorted Babies Ufa Oddities Nov. 5.
Barnum and Ricgling, Inc. . ."Our Gang" April 7.
Battle of the Century Laurel-Hardy Dec. 31.
Bird Man, The Charley Chase
Blow by Blow Max Davidson Mar. 31 .
Buffalo Bill's Last Fight
(Technicolor) Special Cast Nov. 26 .
Call of the Cuckoo, The .... Max Davidson Oct. 15 .
Came the Dawn Max Davidson Mar. 3 .
Children of the Sun Ufa Oddities Feb. 11.
Czarina's Secret, The Tech-
nicolor) O. Baklanova-D. Mir-S. Rand. .Mar. 17.
Death Traps Ufa Oddities Oct. 22 .
Dog Days Ufa Oddities Oct. 8 .
Dog Heaven "Our Gang" Dec.
Dumb Daddies Max Davidson Feb.
Edison, Marconi and Co ... . "Our Gang" Mar.
Fair and Muddy "Our Gang" May
Family Group, The Charley Chase Feb.
Fight For Life, A Ufa Oddities Nov.
Fighting Feathers Max Davidson Dec. 10
Finishing Touch, The Laurel-Hardy Feb. 25
Fishing With a Microscope.. Ufa Oddities
Flag, The (Technicolor) E. Bennett-F. X. Bushman-J.
Walker-A.Calhoun Oct. 1
Forty Thousand Miles With
Lindbergh Aviation Film Mar. 4 .
From Soup to Nuts Laurel-Hardy Mar. 24.
Golden Fleeces Ufa Oddities May 19.
Happy Omen, A Ufa Oddities July 14.
Hats Off Davidson-Hardy Nov. 5 .
Heavenly Bodies Ufa Oddities
Heebee Jeebees "Our Gang" Nov. 19 .
Hidden Death Traps Ufa Oddities Oct. 22.
Jewels of Venus Ufa Oddities Sept. 10 .
Jungle Round-Up, A Ufa Oddities Jan. 28.
Lady of Victories, The (Tech-
nicolor) A. Ayres-O. Matiesen-G. Irving . Jan. 21 .
Leave 'Em Laughing Laurel-Hardy Jan. 28.
Let George Dolt Laurel Hardy ... .
Lighter That Failed, The . . . Charley Chase Oct. 1 .
Limousine Love Charley Chase April
Lion Hunt, The Ufa Oddities Dec. 17.
Love 'Em and Feed 'Em .... Max Davidson Nov. 12 .
Monarch of the Glen, The . . Ufa Oddities Mar. 24 .
Nature's Wizardry Ufa Oddities July 28.
Never the Dames Shall Meet Charley Chase Dec. 24.
Old Wallop, The "Our Gang" Oct. 22.
Palace of Honey, The Ufa Oddities June 16.
Pathfinders, The Ufa Oddities
Parasol Ant, The Ufa Oddities Dec. 31 .
Pass the Gravy Max Davidson Jan. 7 .
Perfume and Nicotine Ufa Oddities Jan. 14 .
Length Reviewed
.2 reels
. 2 reels .... Jan. 14
. 1 reel
. 1 reel Nov. 21
.2 reels
. 2 reels
. 2 reels
.2 reels
2 reels . . .
2 reels. . .
2 reels . . .
1 reel
Dec.
. 2 reels
1 reel
1 reel
2 reels. . . . Mar. 24
2 reels Feb. 25
2 reels . . . .April 7
1 reel
2 reels Feb. 18
1 reel
2 reels
2 reels . . . April 7
1 reel
. .2 reels Feb. 18
.3 reels
. 2 reels
. 1 reel
. 1 reel
.2 reels
. 1 reel
.2 reels. .. .Dec. 9
.1 reel Dec. 11
. 1 reel
.lreel Oct. t
.2 reels. .. .Feb 25
.2 reels
.2 reels. . . .Mar. 3
.2 reels
.2 reels
.1 reel Dec. 9
.2 reels. . . .Dec. 9
. 1 reel Jan. 21
. 1 reel
.2 reels. . . .Dec. 9
.2 reels. . . .Mar. 3
. 1 reel
. 1 reel
. 1 reel
.2 reels. . . .Jan. 14
. 1 reel
Pets and Pests Ufa Oddities Jan. 28 .
Primitive Housekeeping. . . .Ufa Oddities April 21.
Putting the Pants on Phillip. .Laurel-Hardy Dec. 3 .
Rainy Days "Our Gang" Feb. 11.
Sanctuary Ufa Oddities May 6 .
Second Hundred Years, The. Laurel- Hardy Oct. 8 .
Secrets of the Sea Dfa Oddities' Feb. 25.
Sleeping Death Ufa Oddities June 30.
Soaring Wings Ufa Oddities Sept. 24 .
Spook-Spoofing "Our Gang" Jan. 14.
Sting of Stings, The Charley Chase Sent. 3 .
Sugar Daddies All Star Cast Sept. 10
fallyHo Ufa Oddities
That Night Max Davidson
Their Purple Moment Laurel-Hardy
Tokens of Manhood Ufa Oddities June 2.
Os Charley Chase Nov. 26.
Way of All Pants, The Charley Chase Oct. 29.
What Every Iceman Knows. Max Davidson Sept. 17 .
Wicked Kasimir, The Ufa Oddities April 7 .
Winged Death Ufa Oddities Dec. 3 .
Wonders of the Blue Gulf of
Mexico Ufa Oddities
fale vs. Harvard "Our Gang" Sept. 24
PARAMOUNT
Title Star Rel. Date
Adoration Novelty Feb. 25.
Behind the Counter E. E. Horton Mar. 3 .
Bugs My Dear (Christie) . . .Bobby Vernon April 21.
Campus Curies Billy Dooley April 7.
Crazy to Fly (Christie) Bobby Vernon Sept. 17.
Dad's Choice E. E. Horton Jan. 7.
Dizzy Sights (Christie) Billy Dooley Dec. 17.
Easy Curves (Christie) Billy Dooley Nov. 12.
Fantasy Novelty Oct. 15.
Fighting Fanny (Christie) . . . Featured Cast Jan. 21 .
Find the King E. E. Horton Nov. 5.
For Crime's Sake Krazy Kat Cartoon Nov. 19.
French Fried (Christie) Neal Burns Sept. 3 .
Frenzy Novelty Jan. 14.
Gallant Gob, A (Christie) . ..Billy Dooley May 26.
Goofy Ghosts (Christie) . . . .Jimmie Adams April 28.
Grid Ironed Krazy Kat Cartoon Dec. 31.
Halfback Hannah (Christie) Ann Cornwall April 14.
Hold 'Er Cowboy (Christie) . Bobby Vernon June 2 .
Holy Mackerel (Christie) .. .Jimmie Adams Feb. 11.
Hot Papa (Christie) Jack Duffy Oct. 1 .
Hunger Stroke, A Krazy Kat Cartoon Feb. 25.
Ice Boxed Krazy Kat Cartoon Feb. 11.
Just the Type (Christie) Neal Burns Feb. 18.
Ko-Ko Kicks Inkwell Cartoon Nov. 26.
Ko-Ko*s Bawth Inkwell Cartoon Feb. 18 .
Ko-Ko Chops Suey Inkwell Cartoon Oct. 29 .
Ko-Ko Explores Inkwell Cartoon Oct. 15 .
Ko-Ko Hops Off Inkwell Cartoon Sept 17.
Ko-Ko's Jerm lam Inkwell Cartoon Feb. 4 .
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31.
Ko-Ko's Kink Inkwell Cartoon Jan. 7 .
Ko-Ko's Klock Inkwell Cartoon Nov. 12.
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21.
Ko-Ko's Smoke Inkwell Cartoon Mar. 3 .
KoKo's Tattoo Inkwell Cartoon Mar. 17 .
Ko-Ko's Quest Inkwell Cartoon Dec. 10.
Ko-Ko the Kid Inkwell Cartoon Dec. 24.
Ko-Ko the Knight Inkwell Cartoon Sept. 3.
Ko-Ko the Kop Inkwell Cartoon Oct. 1.
Loco Motifs Krazy Kat Cartoon Sept. 24 .
Love Sunk Krazy Kat Cartoon Mar. 24.
Long Hose (Christie) Jack Duffy Mar. 17.
Love's Young Sream (Chris-
tie) Anne Cornwall May 12.
Love Shy (Christie) Jimmie Adams Mar. 24.
Mad Scrambles (Christie). .Neal Burns Nov. 26.
Milk Made Krazy Kat Cartoon Dec. 3 .
Moony Mariner, A (Christie) Billy Dooley Sept. 24.
Nifty Nags (Christie) Jack Duffy Dec. 24.
Ocean Blues (Christie) Jimmie Adams Nov. 19.
Oh Mummy (Christie) Jimmie Adams Oct. 8.
Pie Curs, The Krazy Kat Cartoon Nov. 6 .
Pig Styles Krazy Kat Cartoon Jan. 14 .
Rail Rode Krazy Kat Cartoon Sept 24.
Save the Pieces (Christie). .Bobby Vernon Jan. 28.
Siy Uncle (Christie) Jack Duffy June 9.
Scared Pink (Christie) Jack Duffy Oct. 29.
School Daze Krazy Kat Cartoon Sept. 10.
Sea Food (Christie) Billy Dooley July 14.
Shadow Theory Krazy Kat Cartoon Jan. 28 .
Short Tail, A Novelty Sept. 10 .
Slick Slickers (Christie) . . . .Neal Burns July 7.
Slippery Heels (Christie) . . .Jimmie Adams June 16.
Splash Yourself (Christie) . .Bobby Vernon Dec. 3.
Stork Exchange, The Krazy Kat Cartoon Dec. 17.
Sweeties (Christie) Bobby Vernon Mar. 10.
Swiss Movements (Christie) Jimmie Adams Dec. 31.
Tired Wheels Krazy Kat Cartoon Oct. 8 .
Toddles Novelty Dec. 10.
Topsey Turvey Krazy Kat Cartoon Oct. 22 .
Uncle Tom's Caboose Krazy Kat Cartoon Oct. 22.
Water Buss(Christie) Billy Dooley Feb. 4.
Wedding Wows (Christie). .Bobby Vernon Oct. 22
Length Reviewed
. 1 reel Mar. 3
. 1 reel
, 2 reels .... Dec. 9
.2 reels
. 1 reel
2 reels
. 1 1 eel May 3
. 1 reel
. 1 reel
. 2 reels .... Jan. 14
.2 reels _
.2 reels
. 1 reel
.2 reels
2 reels
1 reel
.2 reels
. 2 reels
.2 reels
. 1 reel
.lreel Dec. 9
. 1 reel . .
.2 reels .
Wired and Fired .
.Krazy Kat Cartoon Mar. 10.
Title
Alien Antics
All Bull and a Yard Wide.
Animal Snap
PATHE-DE MILLE
Star Rel. Date
.Sportlight Nov. 13.
"Aesop Fables" .. - Oct. 9.
inaps Rarebits April 8.
Assistant Wives Charley Chase Dec. 4.
Barnyard Artists "Aesop Fables" April 29.
Barnyard Lodge No. 1 "Aesop Fables" April 8.
Battling Duet, The "Aesop Fables" April 15.
Beach Club, The Bevan-Hurlock Jan. 22.
Benares (Educational) Geographical Number Jan. 24.
Best Man, The Bevan-A. Bennett-V. Dent Feb. 19.
Bicycle Flirt, The Bevan-V. Dent-D. Farley-C.
Lombard Mar. 18.
Big Tent, The "Aesop Fables" Oct. 23 .
Blaze of Glory, A "Aesop Fables" Feb. 26.
Boats and Fishermen of the
Arctics and Tropics (Edu-
cational) Science Number Mar. 4 .
Length Reviewed
.2 reels
.2 reels
,2 reels
.2 reels
.2 reels
.2 reels
. 1 reel
.2 reels
.2 reels
.2 reels
.2 reels
. 1 reel
.2 reels
.2 reels
.2 reels
2 rees
. 1 reel
. 2 reels
.2 reels
.2 reels
. 2 reels
. 1 reel
. 1 reel
.2 reels
.1 reel
. 1 reel
. 1 reel
.1 reel Nov. 11
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
2 reels
.2 reels
. 1 reel
.2 reels
. 1 reel
.2 reels
.2 reels
. 2 reels
. 2 reels
. 1 reel
. 1 reel
.1 reel Oct. 4
. 2 reels
.2 reels
.2 reels
. 1 reel
.2 reels
. 1 reel
.2 reels
.2 reels
.2 reels
2 reels
. 1 reel
2 reels
. 2 reels
. 1 reel
. 1 reel Oct. 7
. 1 reel
. 1 reel
.2 reels
,2 reels
. 1 reel
Length Reviewed
. 1 reel Nov. 11
.lreel Oct. 7
. 1 reel
2 reels .... Dec. 2
. 1 reel
lreel April 7
. 1 reel April 7
2 reels. .. .Jan. 14
1 reel
2 reels Feb. 11
.2 reels .... Mar. 10
1 reel Oct. 21
. 1 reel
. 2 reels
April 14, 1928
1233
Title
Star
Rel. Date
Boy Friend, The "Aesop Fables" Jan. 22
Brave Heart, A "Aesop Fables" Oct. 30
Broncho Buster, The "Aesop Fables" Jan. 1.
Backing the Handicap Sportlight Dec. 25
Buddhists of Burma, The
(Educational) Geographical Number Feb. 8.
Bull Fighter, The Bevan-Hurlock Nov. 27.
Busy Bodies Sportlight Jan. 8 .
Calcutta (Educational) Geographical Number Dec. 11.
Carnival Week "Aesop Fables" Dec. 1
Chicken Feed "Our Gang" Nov. 6 .
Christmas Cheer "Aesop Fables" Dec. 18.
Clothes and the Game Sportlight April 15.
Comrades in Work Mabel Not mand.
County Fair, The "Aesop Fables" Mar. 4.
Crowned Heads Sportlight Feb. 19.
Caps and Contenders Sportlight Nov. 27 .
Catting a Melon "Aesop Fables" Sept. 11.
DiHv 8i>7 Ben Tarpia Oct. 23.
Defensive Ends, The "Football Sense" Nov. 27
Defensive Half, The "Football Sense" Nov. 6 .
Delhi (Educational) Geographical Number Feb. 2g
Do Detectives Think? Stan Laurel Nov. 20 .
Do Monkeys Manicure? .... Stan Laurel April 1 .
Down to the Sea Sportlight Oct. 30 .
Exploring England with Will
Rogers Travelesque Dec. 18.
Pair Catch, The "Football Sense" Nov. 13 .
Family Frolics Sportlight Jan. 22
Famous Playgrounds Sportlight May 13.
Fiddlesticks Harry Langdon Nov 7
Flying Age, The "Aesop Fables" April 22.
Flaming Fathers Max Davidson Dec. 18.
Flying Elephants Roach Stars Feb. 12 .
Flying Fishers "Aesop Fables" Nov. 27.
Football Field Officials "Football Sense" Oct. 23 .
For Sale a Bungalow Hurlock-Quillan Oct. 30 .
Forward Pass, The "Football Sense" Oct. 9
Hoi Hunt, The "Aesop Fables" Nov. 20 .
Frolics in Frost Sportlight Dec. 18.
Prom Soup to Nuts ...... . Rarebits Oct. 23 .
Fundaments of Football. . . .Sportlight Special Oct. 23.
Fun Afoot Sportlight Mar. 18.
Galloping Ghosts O. Carew-O. Hardy- J. Finlay-
son Mar. 11.
Girl From Everywhere D. Pollard-S. Halloway Dec. 11.
Girl From Nowhere, The . . . D. Pollard-S. Holloway-Swain. . Mar. 25 .
Gold Digger of Weepah, A . . .Bevan-Bennett-Burke Oct. 2 .
Golf Nut, The Bevan-Quillan-A. Bennett Sept. 4 .
Good Ship Nellie, The "Aesop Fables" Feb. 5 .
Have a Drink Rarebits Nov. 20 .
Hawaii, the Beautiful (Edu-
cational) Geographical Number Nov. 27.
High Stakes "Aesop Fables" Jan. 15.
Honeymoon Hints Rarebits Jan. 15.
Horses, Horses Sportlight Sept. 4.
How Man Suits His Life to
Differing Surroundings. . .Science Series
Houses of the Arctic and the
Tropics (Educational) . . . .Science Number Feb. 12.
Human Fly, The "Aesop Fables" Sept. 25 .
In Again. Out Again "Aesop Fables" Sept. 18.
Jungle Days "Aesop Cartoon" Mar. 25 .
Junk Man, The "Aesop Fables" Dec. 25.
Just Kidding Rare-Bits Dec. 18.
Kashmir, Old and New (Edu-
cational) Geographical Number Jan. 10.
Keeping Fit Sportlight Special Nov. 20.
Kick, The "Football Sense" Oct. 2 .
King Harold L. Baird-T. Holmes Nov.
Ladies' Day Sportlight Dec.
Lateral Pass, The "Football Sense" Oct.
Lindy's Cat "Aesop Fables" Oct.
Love at First Flight Pollard-Hurlock-Cowley Jan.
Love in a Police Station. . . E. Quillan-M. Hurlcok Dec.
Man Without a Face ( Serial) A. Ray-W. Miller Jan.
Mark of the Frog, The
(Serial) M. Morris-D. Reed Mar. 25
Masked Menace, The (Serial! L. Kent-J. Arthur Nov 6
Matching Wits Sportlight April 29
Nature's Cathedral (Educa-
tional Geographical Number Dec. 18
Now I'll Tell One Chase- Laurel Oct. 9
Olympic Games "Our Gang" Sept. 11
On the Ice "Aesop Fables" Mar. 11 .
Outwitting Time Sportlight Oct. 2.
Over the Bounding Blue with Will Rogers (Travelesque) . . .Feb. 12.
Playing Hookey "Our Gang" Jan. 1
Prowling Around France with
Will Rogers Travelesque Sept. 18 .
Rats in His Garret "Aesop Fables" Dec. 11
Reeling Down the Rhine
with Will Rogers Travelesque Jan. 15
River of Doubt, The "Aesop Fables" Oct. 2
Run Girl, Run Sennett Girls Jan. 15
Sailors, Beware I Stan Laurel Sept. 25
Saved By a Keyhole "Aesop Fables" Nov. 13
Scaling the Alps "Aesop Fables" April 1
Season to Taste Sportlight Mar. 4
Shalimar Gardens, The (Ed-
ucational) Geographical Number Mar. 18
Signs of Spring "Aesop Fables" Nov. 6
Should a Mason Tell? L. Baird-T. Holmes Sept. 18
Should Second Husbands
Come First? Max Davidson Oct. 23
Should Tall Men Marry?. . .Roach Stars Jan. 15
Small-Town Sheriff, The . . . "Aesop Fables" Sept. 4
Smile Wins, The "Our Gang" Feb. 26
Smith's Army Life Hiatt-McKee- Jackson Feb. 5
Smith's Bargain Hiatt-McKee- Jackson
Smith's Candy Shop Hiatt-McKee-Jackson Aug. 21
Smith's Cook Hiatt-McKee- Jackson Oct. 16
Smith's Cousin Hiatt-McKee- Jackson Nov. 13
Smith's Farm Days Hiatt-McKee- Jackson Mar. 4
Smith's Holiday Hiatt-McKee- Jackson Jan. 8
Smith's Modiste Shop Hiatt-McKee- Jackson Dec. 11
Smith's Pony Hiatt-McKee- Jackson Sept. 18
Smith's Restaurant Hiatt-McKee- Jackson April 1.
Soldier Man Harry Langdon
Son Shower, The "Aesop Fables" Mar. 18 .
Spider's Lair, The "Aesop Fables" Feb. 19
Sannyside (Re-issue) Charlie Chaplin Dec. 25.
Swim Princess, The D. Pollard-A. Clyde-C. LombardFeb. 26.
Tackles and Touchdowns . . . Sportlight Sept. 18
Tail Waggers Sportlight April 1
Their Second Honeymoon. . Baird-Holmes Oct. 16
Trees Rarebits Mar. 11
length Reviewed
. 1 reel
. 1 reel
. 1 reel
.1 reel Dec. 23
. 1 reel
.2 reels. . . .Dec. 2
.1 reel Dec. 31
1 reel
. 1 reel
.2 reels. . . . Nov. 4
. 1 reel
. 1 reel April 7
. 2 reels
. 1 reel
. 1 reel
.1 reel Nov. 20
.lreel Sept. »
.2 reels Oct. 21
. 1 reel
. 1 reel
. 1 reel
.2 reels. . . .Nov. 18
. 1 reel
.1 reel Oct. 28
. 1 reel Dec. 16
. 1 reel
. 1 reel Jan. 14
. 1 reel
2 reels . . Nov. 26
. 1 reel
.2 reels. . . .Dec. 16
.2 reels Feb. 11
. 1 reel
.1 reel Oct. 21
.2 reels Oct. 28
. 1 reel
. 1 reel
. 1 reel
.lreel Oct. 21
. 1 reel
. 1 reel
.2 reels. . . .Mar. 3
.2 reels. . . .Dec. 2
.2 reels. . . .Mar. 24
.2 reels. . . .Sept. 30
.2 reels
. 1 reel
.lreel Dec. 2
. 1 reel.
. 1 reel.
. 1 reel.
. 1 reel.
. 2 reels .
2 reels
. 1 reel Sept. 30
. 1 reel
.2 reels. . . .Mar. 31
. 1 reel
. 1 reel Dec. 23
11
9
14
28
21
. 1 reel. . . .
. 1 reel. . . .
. 1 reel. . . .
.2 reels. . . Nov.
. 1 reel Dec.
.1 reel Oct.
.1 reel Oct.
. 2 reels .... Jan.
.2 reels. . . .Dec. 23
10 episodes Jan. 14
10 episodes Mar. 24
10 episodes .Nov. «
.1 reel
. 1 reel
.2 reels Oct. 14
.2 reels. .. .Sept. 2
. 1 reel
. 1 reel
.1 reel Feb. 11
.2 reels
. 1 reel .
. 1 reel.
. 1 reel Jan. 7
. 1 reel Seot 30
.2 reels. . . .Jan. 14
.2 reels Sept. 30
. 1 reel
. 1 reel Mar. 31
. 1 reel
. 1 reel. .
. 1 reel . .
.2 reels.
. 2 reels . .
. 2 reels .
. 1 reel . .
.2 reels. .
. 2 reels . .
.2 reels. .
2 reels . .
2 reels .
.2 reels. .
. 2 reels. .
2 reels . .
2 reels. .
.2 reels. .
. 1 reel. . .
Oct. 21
Jan. 7
Srpt. 1
.Mar. 3
.Feb. 4
Oct. 21
Nov. 11
. Mar. 3
Dec. 31
. Dec. 9
. 1 reel
.1 reel Feb. 18
.3 reels
.2 reels . .Mar. 3
. 1 reel
. 1 reel
.2 reels
. 1 reel
Title Star Dist'r
Twenty-Four-Dollar Island. .Novelty
Up the Ladder Sportlight
Versatility Sportlight
Volcanoes (Educational) .. . .Geological Number
Wandering Minstrel, The. . . "Aesop Fables"
Weaker Sei, The Rarebits
Winging Around Europe With
Will Rogers Travelesque
Women Workers of Ceylon
(Educational) Geographical Number . .
Work of Running Water (Ed-
ucational) Geological Number
Yellow Cameo, The (Serial) Allene Ray
Young Hollywood Special Cast
Ret. Date
Oct. 16
.Feb. 6.
Feb. 19
Jan. 29
Sept. 26
Nov. 20.
Dec. 27.
Mar. 11
Nov. 27
Length Reviewed
. 1 reel Dec. 23
lreel Oct. 21
1 reel Jan. 28
1 reel
1 reel
1 reel
1 reel Nov. 18
1 reel
. 1 reel
10 episodes
2 reels . . ..Dec.
STATE RIGHTS
Title Star Disfr Rel. Date Length Reviewed
Bear Escape. A Parker-Reavis Capitol Prod 2 reel* . . Aug. 1
Berth Mark Tarbell-Finch-Shaw Red Seal 2 reels
Bet, The (story by Chekov) F. P. Donovan (produer) 2 reels
Cigareete Maker's Romance,
A (story by Crawford) .... F. P. Donovan ( producer) 2 reels
Dream of the Sea, A (Bioo-
color) Film Dist.
Corp 1 reel May 27
District Doctor, The (story by
Blazac F. P. Donovan (producer) 2 reels
Girl with the Golden Eyes,
The (story by Balzac) .... F. P. Donovan (producer) 2 reels
Helpless Helper Al Joy Cranfield-Clarke 2 reels
Here Comes the Bride . .Sketchograf Cranfield-Clarke 1 reel
Heroes of the Wild (Serial) Jack Hoxie N. Levine. Dec. 1 . . 10 episodes
His Off-Day . . Tommy Albert Cranfield-Clarke 2 reels
Isle of Sunken Gold, The
( Serial) A. Stewart Nat Levine Sept. 1 . 10 episodes
Ko-Ko Makes 'Em Laugh.. "Fleischer Cartoon" Red Seal 1 reel July 22
Lunches and Punches Sid Smith Capitol Prod 2 reels .... Sept. 1
Ma and the Auto (Guest Jewel) A. C. A 1 reel
Mysterious Airman, The
(Serial) Weiss Bros 10 episodes
Necklace, The M. Alden-M. Costel-
lo-E. Chautard. . .F. P. Donovan (pro-
ducer) 2 reels
Nothing to Live For Al Joy Cranfield-Clarke 2 reels
Piece of String, A (story by
De Manpassant) F. P. Donovan (producer) 2 reels
Police Reporter, The (Serial) W. Miller-E. Gilbert- . Weiss . . Mar 10 episodes
She Beast, The Sid Smith Capitol Prod 2 reels July 1
Silence of the Snows (Guest Jewel) A. C. A 1 reel
Sophomore, The G.O'Neil-L.Graydon.Hi-Mark
Spooky Money Al Joy Cranfield-Clarke 2 reels
Who's Who Al Joy Cranfield-Clarke 2 reels
Yellow Dog, The (Guest Jewel) A. C. A 1 reel April II
You Can't Win (Serial) Weiss Bros 10 episodes
TIFFANY-STAHL
Title
Bridal of Pennacock, The.
Star Rel. Date
. Color Classic Nov. 1 .
Comrades Color Classic Nov. 16
King of Sports ....Color Classic Sept 16
Marcheta Color Classic Mar. 1.
Medallion, The Color Classic Mar. 1 .
Memories Color Classic Oct. 1
Mission Bells Color Classic Mar. 15
North of Suez Color Classic Jan
Perfect Day, A Color Classic April
Roaming 'Round the Carib-
bean Color Classic Oct.
Romany Love Color Classic Dec.
Rose of Killarney Color Classic Dec.
Scarf ace Color Classic Ian.
Souvenirs Color Classic Feb.
Treasure Land Color Classic Feb.
UNIVERSAL
T.tlr Star Rel. Date
Africa Before Dark Oswald Cartoon Feb. 20.
All Balled Dp (O. R. Cohen
story) Charles Puffy Feb. 27
All For Dncle C. King-C. Doherty Oct 19
All Wet Oswald Cartoon Oct. 31
And How "The Gumps" Oct. 31.
Andy Knows His Onions. . ."The Gumps" Dec. 12.
Any Old Count "The Gumps" Jan. 23
Back to Nature Arthur Lake Feb. 27
Banker's Daughter, The .... Oswald Cartoon Nov. 28
Bare Fists Jack Perrin Jan. 14.
Battle Scarred Hero, A "The Gumps" Oct. 3
Battling Buckaroo, The
(Western) Bob Curwood Nov. 10
Battling Justice Fred Gilman Mar. 24
Big Bluff, A Long-Adams-Layman-McPhail May 2
Blind Man's Bluff Jack Perrin Nov. 19
Boss of the Rancho Bob Curwood Jan. 7
Brand of Courage, The. . . .B. Curwood-P. Mont-
gomery Feb. 4
Bright Lights Oswald Cartoon Mar. 19
Buckskin Days Newton House Feb. 18
Buster's Big Chance Trimble, Turner and Dog Jan. 11.
Buster Come On Trimble, Turner and Dog Sept. 14
Buster's Home Life Trimble, Turner and Dog Oct. 12
Buster Shows Off Trimble, Turner and Dog Mar. 14
Buster Steps Out Trimble, Turner and Dog Feb. 8.
Buster, What's Next? Trimble, Turner and Dog Nov 16
By Correspondence Arthur Lake Jan. 30
Case of Scotch, A "The Gumps" Jan. 9 .
Clearing the Trail (Western). Newton House Nov. 26
Cloud Buster, The "The Gumos" Feb. 6.
Code of the Mounted, The. Jack Perrin May 6
Crimson Colors Lewis-Gulliver Sept. 12
Dancing Fools C. King-C. Doherty-E. Clair. . Sept. 21
Danger Ahead (Western).. Jack Perrin Sept. 24 .
Dangerous Double, The
(Western) Bob Curwood Oct. 16
Dates for Two C. King-C. Doherty Jan. 18
Daze of the West (Mustang) Fred Gilman Sept. S. .
Dazzling Co-Eds Lewis-Gulliver Oct. 10
Disordered Orderly, The. . .Sid Saylor-Jean Doree. . . Nov. 9..
Empty Socks Oswald Cartoon Dec. 12.
Length Reviewed
. 1 reel Dec. 1
lreel Dec. 2
1 reel
. 1 reel
. 1 reel
1 reel Sept. 9
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel Feb. 18
1 reel
. 1 reel
. 1 reel
. 1 reel
Length Reviewed
. 1 reel. . . .April 7
2 reels. .. .Feb. 4
2 reels Oct. t
.1 reel
.2 reels
2 reels. . . .Dec. •
2 reels
1 reel . . .Feb. 11
2 reels
.2 reels. . . .Dec. 23
2 reels Sept. 30
2 reels
2 reels. . . .Feb. 28
2 reels .... April 7
2 reels Oct. 28
2 reels
2 reels .... Jan. 7
1 reel April 7
2 reels .... Jan. 28
2 reels. . . Dec. 23
.2 reels . . Sept. (
2 reels .... Sept. 30
2 reels
2 reels. . . .Jan. 28
2 reels Oct. 28
1 reel Jan. 14
2 reels ... Dec. 28
2 reels
2 reels ... Jan. 81
2 reels. . . April 7
2 reels . . . June IT
t reels ... Sept. i
2 reels .... Sept. 2
2 reels Sept. 28
2 reels Dec. 31
2 reels
2 reels
2 reels
1 reel
1234
Motion Picture News
Title Star Rel. Date
Fighting Finish, The. .' Lewis-Sullivan-Phillips Oct. 24.
Fighting Texan, The (Mus-
tang) Fred Oilman Sept. 10 .
Gauge of Battle, The Fred Gilman April 21.
George's False Alarm Sid Saylor Feb. 29.
George Steps Out Sid Saylor Sept. 28
Great Guns Oswald Cartoon Oct. 17 .
Haunted Island, The (Serial) Jack Daugherty-Helen Foster. Mar. 2G
Harem Scarem .. . Oswald Cartoon . . .Jan. 9.
Her Only Husband Long-Adams-Laymon-McPhaill April 4
Hidden Loot Bob Curwood April 28
High Flyin' George Sid Saylor Jan. 25.
His In Laws (O. R. Cohen
story) Charles Puffy Mar. 12 .
Horns and Orange Blos-
soms (O. R. Cohen story). Charles Puffy Jan. 29
Horse Play Long-Adams-Laymon-McPhaillJan. 4.
Hot Stuff Ben Hall Oct. 24
Indoor Golf Long-Adams-Layman-McPhail . Mar. 7 .
Keeping in Trim Long-Adams-Laymon-McPhail Sept. 7 .
King of Hearts (Northwest
Series) Jack Perrin Dec. 17.
Law Rider. The ^Western) . . Fred Gilman Nov. 5
Lone Ranger, The Fred Gilman Dec. 31.
Looters, The Bob Curwood Mar. 3 .
Love Wallop, The Arthur Lake Nov. 7 .
Madden of the Mounted. .. Jack Perrin Mar. 10.
Man of Letters, A Sid Saylor Feb. 15.
Married Bachelors (O. R.
Cohen story) Charles Puffy April 9.
Mechanical Cow, The Oswald Cartoon Oct. 3.
Mild West, The "The Gumps" Dec. 26.
Mistakes Will Happen Ben Hall Feb. 13.
Model George. .. Sid Saylor Dec. 28.
Money ! Money ! Money ! ... Ben Hall May 7 .
Monkey Shines Ben Hall Dec. 26
Neck n' Neck Oswald Cartoon Jan. 23.
Newlyweds' Advice Jan. 2.
Newlyweds Christmas Party,
The Snookums-Saylor-Clair Dec. 5 .
Newlyweds' Friends, The . . .Snookums-Bartlett-McPhaill. . . April 1 .
Newlyweds' Imagination,
The Snookums-Bartlett-McPhaill. . . May 7 .
Newlyweds' Mistake, The . . Snookums-Saylor-Clair Nov. 7 .
Newlyweds' Servant, The . . . Snookums-Bartlett-McPhaill . . Feb. 6.
Newlyweds Success, The. . .Snookums-Bartlett-McPhaill. .Mar. 5. .
Newlyweds' Surprise, The. .Snookums-Saylor-Clair Oct. 3.
Newlyweds' Troubles, The.. Snookums-Saylor-Clair Sept. 5.
No Blondes Allowed C. King-C. Doherty Mar. 21.
Ocean Bruises "The Gumps" Nov. 14.
Ocean Hop, The Oswald Cartoon Nov. 14.
Ole Swimmin' 'Ole, The Oswald Cartoon Feb. 6.
On Deck Sid Saylor-Jean Doree Nov. 30.
One Every Minute Arthur Lake April 23
Oh Mabel I C. King-C. Doherty Nov. 23.
Oh Teacher I Oswald Cartoon Sept. 19 .
On Special Duty (Western) . Fred Gilman Oct. 8.
Out in the Rain "The Gumps" Feb. 20 .
Ozzie of the Mounted Oswald Cartoon April 30.
Passing the Joneses Long-Adams-Laymon-McPhail Ncv. 2
Payroll Roundup, The Bob Curwood Mar. 31
Picking on George Sid Saylor Oct 26 .
Length Reviewed
.2 reels
.2 reels. . . .Aug. I*
.2 reels . . . .Mar. 24
.2 reels. .. .Feb. 4
2 reels
.1 reel Aug. 19
. 10 episodes
. 1 reel
.2 reels. . . Mar. 17
.2 reels. . . .Mar. 31
. 2 reels
.2 reels. . . .Feb. 18
.2 reels. . . .Jan. 7
.2 reels Dec. 16
1 reel Oct. 14
.2 reels Feb. 11
.2 reels. . . .Aug. 19
.2 reels. . . .Dec. 9
. 2 reels
.2 reels
.2 reels. .. .Feb. 4
1 reel
.2 reels Feb. 11
.2 reels. . . .Jan. 28
.2 reels. . . .Mar. 17
. 1 reel . . . .Aug. 19
.2 reels
. 1 reel Jan. 21
2 reels
. 1 reel
1 reels
. 1 reel
.2 reels Dec. 16
.2 reels. . . .Nov. 4
. 2 reels. . . . Mar. 10
2 reels
2 reels
.2 reels. .. Feb. 4
2 reels Feb. 11
.2 reels. . . . Sept. 10
.2 reels .... Aug. 19
.2 reels .... Feb. 25
. 2 reels .... Oct. 2>
.lreel Oct. 28
. 1 reel. . . . Mar 24
.2 reels
1 reel . . . April 7
.2 reels
. 1 reel Sept. t
.2 reels. . . .Sept. 30
. 2 reels .... Jan. 2f>
. 1 reel April 7
2 rf-els
2 reels. . . . Mar. 3
.2 reels. . . .Oct. 14
Title
Stai
Rel. Date Length Reviewed
Prince and the Papa (O. R.
Cohen story) Charles Puffv Feb. 12.
Racing Wizard, The Newton House Dec. 24.
Rattling Good Time, A Ben Hall Dec. 19.
Red Warning (Western) .... Newton House Oct. 29 .
Rickety Gin Oswald Cartoon Dec. 26.
Ride 'Em Plowboy Oswald Cartoon April 15.
Riding Gold Newton House Jan. 21.
Riding Whirlwind, The
(Western) ... ........... Newton House Oct. 1 .
Riding Wild Bob Curwood Dec. 10.
Ring Leader, The Jack Perrin April 7 .
Ringside Romeos Arthur Lake Mar. 26 .
Rival Romeos Oswald Cartoon Mar. 6.
Run Buster I Trimble, Turner and Dog Dec. 14.
Running Wild Lewis-Gulliver-Phillips Dec. 5
Sagebrush Sadie Oswald Cartoon April 1.
Sailor George Sid Saylor May 9.
Samson at Calford Lewis-Gulliver Ncv. 7 .
Saxo phobia Arthur Lake Oct. 10.
Scarlet Arrow, The (Serial— F. X. Bushman Jr.)
Scrambled Honeymoon, The Ben Hall Nov. 21.
Scrappin' Fool, The (Mus-
tang) Bob Curwood Sept. 17 .
Sealed Orders Jack Perrin Feb. 11
Shady Rest "The Gumps"
Showing Off Long-Adams-Laymon-McPhail Dec. 7.
Sliding Home Lewis-Gulliver- Phillips Jan. 16 .
Smiling Wolf, The (Western) Fred Gilman Dec. 3.
Social Lions Ben Hall Mar. 12 .
Society Breaks Long-Adams-Laymon-McPhail Oct. 5 .
Sodas and Shebas Arthur Lake Sept. 12 .
Some Babies (O. R. Cohen
story) Charles Puffy Mar. 26.
Some Pets Arthur Lake Jan. 2.
Son of the Frontier, A Newton House April 14.
So This Is Sapp Center Ben Hall Jan. 16 .
South of Northern Lights
(Western) Jack Perrin Oct. 22.
Special Edition Ben Hall April 9
Splashing Through Lewis-Gulliver-Phillips Dec. 19
Start Something Long-Adams-Laymon-McPhaill.Feb. 1
Swell Clothes Arthur Lake Dec. 6 ,
Taking the Count C. King-C. Doherty April 18.
Terrors of the Unknown (Serial)
That's That Trimble-Turner and Dog April 11.
There's a Will C. King-C. Doherty Dec. 21
Too Much Sleep "The Gumps" Sept. 19 .
Totai Loss, A "The Gumps" Nov. 28
Trail of the Tiger, The (Serial) Jack Daugherty Nov. 7.
Trolley Troubles Oswald Cartoon Sept. 5
Unexpected Hero, An F. Gilman-M. King Feb. 25.
Untamed, The Newton House May 12
Valiant Rider, The ( Western) .Bob Curwood
Vanishing Rider, The (Serial) Wm. Desmond Jan. 16
Watch George Sid Saylor Mar. 28
What a Party C. King-C. Doherty Feb. 22
When George Hops Sid Saylor April 25.
When Greek Meets Greek.. "The Gumps" Oct. 17
Winged Hoofs Newton House Mar. 17
Winning Five, The Lewis-Gulliver-Phillips Sept. 26 .
Winning Goal, The Lewis-Gulliver-Phillips Jan. 2
Winning Punch, The Lewis-Gulliver-Phillips Nov. 21
Wolves of the Range Fred Gilman Jan. 28.
. 2 reels .... Jan. 21
.2 reels
.1 reel Dec. II
.2 reels Oct. 14
.1 reel
.1 reel Mar. 24
.2 reels
.2 reels Sept. 23
. 2 reels
.2 reels. . . . Mar. 10
. 1 reel Mar. 10
.lreel April 7
.2 reels. . . .Dec »
.2 reels. . . .Nov. 18
. 1 reel
. 2 reels
.2 reels. . . .June IT
.1 reel Sept. 80
10 episodes
1 reel
Sept
Jan.
.2 reels . . .
. 2 reels . . .
2 reels . . .
.2 reels. . . .Nov. 18
.2 reels. . . .Dec. 80
2 reels
, 1 reel
2 reels ... Sept. 30
lreel Sept. »
2 reels. . . . Mar. 3
1 reel Dec. 16
2 reels. . . .Mar. 17
. 1 reel Dec. 80
.2 reels. . . .Oct. *
. 1 reel Mar. 17
.2 reels
. 1 reel Jan. 14
. 1 reel Nov IS
.2 reels. . . .Mar. 24
10 episodes .
2 reels.
2 reels .
.2 reels
. 2 reels
2 reels
1 reel
2 reels
2 reels
.2 reels. . .
10 episodes
2 reels. .
.2 reels .
2 reels .
2 reels
2 reels.
2 reels . .
2 reels . .
2 reels . .
.2 reels. .
. Mar. 17
Sept I
Aug. (
Aug. It
Jan. 28
Mar. 3
Feb. 4
. Mar. 31
Oc T
Fdb. 25
Sept. If
er Opinions onNeu? Pict
"The Private Life of He'en of
Troy" — First National,
Metropolitan Theatre,
Boston
Herald: "A treat, a joy and a
pleasure. Intelligence is evident
from the beginning to the end of
this film, alone with a nice sense
of humor. If one may timidly
venture that the film is better than
the book, one does. Maria Corda
is a lovely Helen. Her husband.
Alexander Korda, directed, and if
he is responsible, as most directors
are responsible, may we have more
of his work."
Traveler: "The whole thing is
amusing, entertaining satire. Pre-
sented by First National in their
most lavish and extravagant vein.
The titles are wisecracks from the
1927-28 season. Maria Corda is
the intriguing beauty of Professor
Erskine's novel. A splendid cast
assists. Alexander Korda, husband
of Maria, directed, demonstrating
that he knows how to handle his
wife better than her screen hus-
band."
Advertiser: "A very free and
exceedingly entertaining film tran-
scription of John Erskine's "Pri-
vate Life of Helen of Troy.' A
brilliant tour-de-force. Alexander
Korda, capital Hungarian director,
had the entire affair in charge and
produced some of the most beauti-
ful backgrounds ever seen on the
screen. He is also responsible for
maenificentlv staged scenes. For
Trojan Helen, the films have chosen
Maria Corda. probablv, the best
choice that the cinematic world
affords. She boasts beauty : cer-
tainlv she acts well. The tale it-
self is riotous, the scenes immensely
clever. A smart, sophisticated tale,
well barbed with satire, set on the
shadow sta<re deftly and wondrous-
Iv well. Infinitely amusing all the
time, a polished photonlav made by
and for intelligent people."
American: "'Helen of Troy' is
all to the merry. As a motion pic-
ture entertainment it is undoubt-
edly a good time. Photographicallv.
it is a huge success. The new nan-
chromatic process has been used
with splendid effect. Maria Corda
as the siren Helen srives bv far the
best performance. This is the same
sumptuous lady who so vividly or-
namented 'Moon of Israel.' Its pho-
tographv and its leading ladv are
the highlights — both well worth a
trip to the theatre."
Globe: "Delightful humor per-
vades the entire production of 'The
Private Life of Helen of Troy' and
the classics are burlesqued for more
than an hour and a quarter of fun.
It is something new in the way of
pictures. The sets are as large and
magnificent as though the picture
were truly meant to be 'an epic of
the Trojan war.' Yet the whole
film is the most delicious fun.
Maria Corda is exquisite as Helen.
She looks like a poem and she is
absolutely right for the part. One
can't imagine another actress who
could take the role with a tithe of
humor and beauty of this newcomer
to Hollywood."
Post: "The settings and cos-
tumes are all of the B. C. vintage
but the titles have been jazzed up in
modern slang, and these are respon-
sible for the laughs, making an
amusing and diverting piece."
Transcript : "In detail it is lav-
ish and diverting. Miss Corda's
Helen is assuredly the most re-
splendent and Air. Lewis Stone's
Menelaos the most adept of the
portraits. No one wears over many
•clothes — a detail which seems to
please all factions in the audience
at the Metropolitan."
"A Texas Steer" — First National,
Strand Theatre, Milwaukee
Sentinel: "Highly amusing and
laugh-provoking. If you enjoy the
Rogers brand of humor, you're sure
to like this picture, for Will wrote
all titles. Whole venture becomes
a perfect riot of nonsense."
Journal : "Bright little film with
plentv of funny spots and many
broad digs. Comedv sk'lfully
handled. Rogers walks through film
wreathed in smiles. Audience leaves
same way."
News: "Rogers alwavs has sup-
plied me with generous amount of
laughs. ... If first half drags
a bit, last certainly makes up for
it."
"The Private Life of Helen of
Troy" — First National, Circle
Theatre, Indianapolis
News: "Satire of delectable
quality. Film handled in a spec-
tacular manner, with many magnifi-
cent sets and beautiful photographic
effects."
Times: "Corking good slapstick
entertainment of high qualitv. Mod-
ernized burlesque. Some of smart-
est fun revealed upon screen. From
scenic and lighting standpoint,
'Helen' is a marvel. Some of scenes
are real art ; beautiful, every one of
them. You will have a grand and
glorious mental time seeing 'Helen
of Troy.' "
Star: "A story in picture. Not
a moral — but a story. Fans should
certainly chuckle over titles. If
they do not grin, then it is a case
for doctor. Picture should rank as
one of season's best."
Roy Press
Frxkihm
Preordained
" — the final result of the motion picture
on the screen was preordained from the
day that Edison got his first sample of
Eastman film."*
That was in 1889. And today the film
that made motion pictures practical is the
film that makes the most of the cinema-
tographer's art and carries all the quality
through to the screen — Eastman Film.
*Page 209 "A Million and One
Nights, the History of the Motion
Picture" — by Terry Ramsaye
EASTMAN KODAK COMPANY
ROCHESTER N . V.
^ cA Matchless f
Jyhisical Attraction
cAo feature of the magnificent
neu) j£qqW - United Artists - Penn
Theatre at Pittsburg u)as more en-
thusiastically received than the
uxmderful Robert Marten Philhar-
monk Unit Organ.
D^/ie World's leading showmen
everywhere -the more progressive
exhibitors, are taking advantage
of the box office Value of the'
Robert Mwton Unit Organ
Robert Mwton Organs are distinc-
tively different from all others. Unap -
proached grandeur and beauty of tone.
Greater orchestral and theatrical re -
sources and structural improvements iound
in no other instrument, make it the ^
supreme musical instrument of all time.
R*tert Mntan Organ 0>
New York.
156O Broadway
Chictgo
624 So MicK liar.
SinFrancisco
U* Golden Gate
Los Angeles
1044 SoVermont
m
11
Rotes* Mwton
w/r organ.
GENUINE OEA.GAN PERCUSSIONS USED
April 21, 1928
/ / ^
Reo. U. S. Patent Office
LON CHANEY, YOU ARE
WONDERFUL IN LAUGH
CLOWN, LAUGH"
1. XXXVII No. 16
Los Angeles
Entered as steoni
at the Pott Office at New York. N. Y..
ch 3, 1879
PRICE 20 CENTS
Chicago
The great Wurlitzer factories located at North Tonawanda, N. Y., are
unsurpassed in equipment and modern production facilities. It is a
matter of record that these factories are pointed to with pride by
America's foremost engineers as being among the first two or three
Institutions in America most worthy of inspection by European
experts visiting the United States for manufacturing ideas. They
stand as monuments dedicated to the ideals of Rudolph Wurlitzer, Sr.,
the founder of this, the world's largest musical organization. Here, in
these great plants, master craftsmen build the Wurlitzer Organ, the
accepted accompaniment for presentation of the highest class picture
plays installed in most of the finest theatres throughout the world.
Write for Beautiful Catalog of a few
Wurlitzer Organ Installations
WURLITZER Organ
W REG.U £ PAT OFF
REG . U S PAT OFF
FACTORIES, NORTH TONAWANDA, N. Y.
NEW YORK
CLEVELAND
PHILADELPHIA
ST. LOUIS
CHICACO
PITTSBURGH
BUFFALO
SAN FRANCISCO
CINCINNATI
DETROIT
KANSAS CITY
LOS ANGELES
why exhibitors
prefer PARAMOUNT
Read this letter-
about this ad
A FREO HINDS ENTERPRISE
<.».' NOBTUEkbTteU IOWft'6 MOST ffiS
BEAUTIFUL TUEATBE.
C NCSCO. lOt
Paramount Famous Lasky Corporation,
1117 High Street,
Dee l.'olnee, Iowa.
Dear Sirs:
When I entered the office thl9 corning, my
operator handed me AKUSE1ENTS, Indicating copy of the
Paramount ad on the front cover. "That' 9 Just exactly
what you've told me a hundred times',' was hie remark.
Yes, I guess I've told him that more than a
hundred tlmee. It also reminds me- that I have managed
nine theatree In the past 15 years, eight of which were
losing money when given me. All eight were made successful
and the ninth more successful than it had been—but I
always had Paramount pictures'. Without them I an
positive the story would have been different
I cannot make you a better wish than that
your future be as great as your paet".
I
(
I
:
i
^e^/^ruly,
g*s the
' Paramount
/Exhibitor
says:
wSlfRH. other companion make occasional
hits. But you can't live on three or four hit-, a \car am morr
than you can hr healthy on a Mjuare meal once a month.
<J What I like about Paramount j.« they deliver >nu ■ consistent!]
hijili <|iiality of entertainment ireeA- after irrck — and exactly oil
release dales. <J My public likes it too.
(iKNTLF-MEN PRE>LH BLONDES • LAST COMMAND • OLD tRUNSlDBf • BlAO GBm
i& BlAO Sabrevr « WAY Or ALL FIBS ♦ Undirxorld • Grr YorR Man
re
Week after Week" all before Aug. 1st
HAROLD LLOYD
in "Speedy"
U.lovd Prod. ParamouDl Relea**-)
EMIL JANNINGS
"Street of Sin"
CLARA BOW
"Ladies of the Mob"
RICHARD DIX
"Easy Come, Easy Go"
GEO. BANCROFT
"The Drag Net"
BEBE DANIELS
The Fifty-Fifty Girl"
and another
BEERY-HATTON
"The Big Killing"
\DOLPIIE MENJOl'
"Nighl of Mystery"
"Mis Tiger Lady"
POLA NEGRI
"Three Sinners"
ESTHER RALSTON
• Haifa Bride"
FLORENCE N IDOR
4kTh«- Magnificenl Flirt"
THOM \s MEIGH \\
"The Racket"
< '.nLlo I'rtnl.
FRED THOMSON
"' h i I ( at -on
"Sunset Legion'1
ZANE GREY-J U k HOLT
"The Vanishing Pioneer"
FIELDS-* lONKLIN
"Fools lor Luck"
Backbone of the Business
BUSINESS
OLYMPIA, NEW HAVEN
"SPEEDY" BROKE EVERY RECORD
OLYMPIA EVER HAD. CROWDS
STOOD IN RAIN WEDNESDAY NIGHT
WAITING TO GET IN AND LAST DAY
OF SHOWING WAS BIGGEST DAY
THEY HAD EXCEPT SATURDAY.
I s
4HP
RIVOLI, NEW YORK
"SPEEDY" FIRST WEEK BREAKS THE
HOUSE RECORD BY MORE THAN
FOUR THOUSAND DOLLARS.
GREAT!
A
sag
||P STRAND, PROVIDENCE
HAROLD LLOYD WINS THE GOLD
MEDAL FOR "SPEEDY". PLAYED TO
S. R. O. AT EVERY PERFORMANCE
ENTIRE WEEK. SH VTTERED ALL REC-
ORDS. BEST LLOYD EVER PATRONS
OPINION.
wires gettin' hot rushin'
news of records broken by
TORONTO, CAN. , «y
"SPEEDY" FIRST WEEK AT UPTOWN
BIGGEST WEEK THIS HOUSE HAS
EVER HAD BY AT LE4ST TWO THOU-
SAND DOLLARS. FIRST WEEK AT
TIVOLI BIGGEST WEEK EVER WITH
ONE EXCEPTION.
Harold Lloyd
* WO 1 99
in speedy
Produced by Harold Lloyd
Corp. A Paramount Release
And before August 1st — EMIL JANNINGS in "The Street of Sin," CLARA BOW
in "Ladies of the Mob," RICHARD DIX in "Easy Come, Easy Go," GEORGE BANCROFT,
BEBE DANIELS, BEERY- HATTON, ADOLPHE MENJOU, POLA NEGRI, ESTHER
RALSTON, FLORENCE VIDOR, THOMAS MEIGHAN, FIELDS-CONKLIN and more!
business is great -if you're
playing PARAMOUNT !
C&1
tf^* „ erf******
St ^ 0
180 " toi **** *
{S3
BO*
BS
- *****
1*
It's a Laemmle Special
with GEORGE SIDNEY,
Patsy Ruth Miller, George Lewis,
Beryl Mercer, Eddie Phillips, Al-
bert Gran, John Boles, Josephine
Dunn, Kathlyn Williams. From
the stage play by Milton Herbert
Gropper and Max Siegel. Super-
vised by Carl Laemmle, Jr.
Screen adaptation by Al Cohn.
AN EDWARD SLOMAN PRODUCTION
Again!— Universal has The Pictures!
Exhibitors Herald and Moving Picture World says:
"Now is the time for the alert theatre owner to begin to cash in on
the particularly high value of the Short Feature as an attrac-
tion for summer patronage.
"The so-called legitimate stage changes its programs
decidedly when summer arrives. The light, happy
type of play then comes into its own.
"Why should not the same be true in the
motion picture theatre to the ex-
tent of making more attractive
the program in which the
Short Feature holds
an increasingly
important
role ? "
>amej
►comedies"
CALL
COLOUR.
FASHION
NEWS
^2j5fc\ HAMlLTOi
o
Ml
mRMAlD
COMEDIES
WITH
"JERRY DREW
anO GEORGE DAVIS
(JACK WHITE PRODUCTIONS)
LOWER!
COMEDIES
EDUCATIONAL
FILM EXCHANGES, Inj^
Presider' /
45^
tt* ~ Member, Motion Picture Producers and
Distributors of America, Inc.
Will H. Hays, President
Jiay Be ?ayJ)ays
May days may be pay days — if your program is in harmony with the
spirit of spring.
The world wants to shed some of the serious pursuits and heavy
entertainments of winter with its red flannels — and be happy.
That's what started the first Maypole dance.
Your patrons may not all want to do a jig around a big
stick, but they do want to be light-hearted and gay.
They want to laugh. And if you want spring days
and summer days to be pay days for you,
you'll help them do it.
One of Educational 's clever, peppy
two-reel comedies is worth more
to you than a grand opera
these days. Educational
Pictures are in the spirit
of spring. They'll
make May days
pay days —
for you.
The
If CAROL
The
Biggest
Find in
Years
A Blazing - Flami^g'-
Romancc /of
mm /'
new sensation of the
screen arrives
i rv
Walking
rack
with SUE CAROL
by MONTE KATTE RJ OH N from
a GEORGE KIBBE TURNER story
BERTRAM MILLHAUSER Associate Producer
Directed by RUPERT JULIAN
DeMILLE studio production
Mile-a - Miiiute
Modern Youth
Pafhe
FULL DETAILS OF
NEW MODEL M
SIMPLEX PROJECTOR
IN NEXT ISSUE OF THIS PUBLICATION
International Projector Corporation
90 Gold Street New York, N. Y.
Builds
$2,000,000 Theatre
and Selects
PAGE DELUXE
UNIT ORGAN
A SK anyone in Fort Wayne about W. C.
Quimby and they will tell you he is a
multi-millionaire — a business man of sound
judgment — and the owner of the new $2,ooo,-
ooo Emboyd Theatre and Indiana Hotel.
Mr. Quimby is the highest type of progres-
sive exhibitor. He has not only made a finan-
cial success, but also is a power for good in hi^
community.
As the owner of five motion picture theatres
in Fort Wayne, he has had many years' experi-
ence with all types and makes of pipe organs.
That he has selected a Page DeLuxe Unit
Organ for his new theatre — one of the finest
in the mid-western states — is a tribute to Page
craftsmanship that words cannot measure.
Again let us say: "Not how much, but how
well!"
Mr. If'. C. Quimby, Pioneer Exhibitor,
Hanker. Business Man of Fort H ayne, Intl.
The Page Organ Company
521 N. Jackson Street
I «ima, ( )luo
Page Unit Organs
Drew capaci
nOUSes all week
at the Mark-Ritz
Albany, N. Y"—m. p. news
"Drew praise and
a teeming coffer at
Howard, Atlanta"
"Laughs — thrills
and heart throbs in
exceptional picture"
Buffalo Courier Exp.
— her greatest
picture!
Walter Morosco
b r e s en ~t s
BASED ON THE PLAY BY
R.U001.PH &ER.NAUER. &>
RUDOLPH OESTERJ3-EICHER.
LOWELL SHERMAN - LOUISE DRESSER.
and CHARLES RAY
Supervised btj John W Covisidivi e Jr.
UNITED ARTISTS PICTURE
i
THE PRODUCER OF-
The Dark. An^el"
Tne Ma9ic Flame
~T" L-v Ik. I ■ /-it-v+ C I y—v% /
Stella Dallas
The Winning of
Barbara Worth
SPEAKS!
\
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FRED
NIBLO
PRODUCTION
from
the novel
"LEATHER FACE
by
Baroness Orczy
zd
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d^ct'
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SAMUEL GOLDWyN
Presents
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BAN IKY
Two Jovers
444
"You're going to revel in this picture. Vilma
is more beautiful than ever. Will doubtless
find its way on every picture-goers list."
— American.
"Must bring a thrill to the sweethearts of to-
day. Thrilling love element, and exciting.
What a romance it is. All the movie patroniz-
ing world is going to love 'Two Lovers'.11
— Telegraph .
"Doubtless will remain throughout a good por-
tion of the summer. The story is a deeply
stirring one. One is held throughout.11
— Evening World.
"In 'Two Lovers' there is more melodrama
than mush, more pep than pash. Will de-
light the fans from Portland to Portland. W ow
finish.11
— Telegram.
"Magnificent photography. Scenes thrilling.
It is well worth seeing/'
— Tribune.
" 'Two Lovers' will delight all devotees of
romance. A thing of beauty and a joy. Stim-
ulating. Full of thrills, chills and ecstasies.*'
— Times \tid~Week Pictorial.
± rttsisC/tciure
SOLO INDIVIDUALLY ON MIRIT
Samuel Goldwyns Greatest Vwa'\
uction
If you're the smart showmen we think
you are, you'll step right out and nail the
GREATEST MONEY SMASH OF THE
SPRING SEASON BEFORE YOUR
OPPOSITION BEATS YOU TO IT.
It's the first run sweep of the hour.
Hundreds of wise showmen are grabbing
it CLARA BOW, the world's greatest
box-office name today, in Gene Stratton-
Porter's mightiest story, "The Keeper of
the Bees," IS AN ABSOLUTE AND
UNQUALIFIED PUSHOVER. . . .A
MONEY PROPOSITION IN THE
NICK OF TIME WHEN BUSINESS
MAY BE LAGGING WITH THE AP-
PROACH OF SPRING!
LAST MINUTE
Skouras Circuit Midwest Sax Circuit Saenger Circuit
FBO PICTURE
OF THE
BOW herself is a smash! Gene Stratton-
Porter's name is a smash! The show is
a PROVEN RECORD-BREAKER
HAILED BY EXHIBITORS AS ABSO-
LUTELY THE MIGHTIEST MONEY-
GETTER FOR SHOWMEN IN THE
HISTORY OF THE BUSINESS!
We are spreading ourselves with a wal-
loping line of brand new posters, a giant
press book packed with practical exploi-
tation, a flashy lobby display and all other
accessories to help you mop up. But
the big smash is CLARA .... This red-
headed sensation is the surest money
magnet of the age. . .the idol of young and
old alike AND IS RED HOT NOW!
.4 J. LEO MEEHA!\ PRODUCTW1\
PRESENTED ID JOSEPH I'. KEJV7VED1
BOOKINGS
^ & R Circuit Thru Texas Cooperative I louses, Detroit.
CORPORATION
In September
^ In every newspaper office in the land "Who's Who" is
a valuable and much used book.
^ Whenever a story breaks about an important personage —
such as captains of finance, leaders of the business world,
art, science and music — the man assigned to the story
frequently refers to the book for information and facts upon
which to base his story.
Newspapers and magazines are devoting much space to the
industry about productions and people connected with them.
Motion picture editors whose jobs it is to keep their readers
informed on the industry have written us that a book de-
voted to pictures and people exclusively would be a welcome
aid in their work.
^ We are now compiling such a book. It will be devoted to
pictures and people — that's what the editors want. It will
be made up in a convenient form and will be accurate and
usable.
^Information on all pictures released since September 1, 1927.
<l Biographical data on the leaders of the industry as well as
players, directors and writers.
^ It will be issued in September.
BOOKING GUIDE
AND
STUDIO DIRECTORY
Write for Biography Blank
MOTION PICTURE NEWS
729 Seventh Avenue, Hollywood Security Bldg.,
New York City, N. Y. Hollywood, Calif.
WAROLD TEEM - N
READ HIM AMD
WEEP / - PLAYED
GV ARTHUR.
LAKE
LI LLUM5 -TME
LOWE IMTEP.E5T
ANJQ WERY IMTERE5T-
(<0G, TOO / PLAYED
BY MAQy BPiAM
4
<
I'
MERVjYfJ LEQOY
DIRECTED A\JD TOM
GERAGHTY DID THE
ADAPTATION
A
IT S
^M AlAM DWAl\J>
PRODUCTION
0<
a9
^ -V S ALICE
V
WHITE A5
Giggles
dewberry —
height - 5 ft. 2
WAIXT _ 25 /No
NECK - YES
JACK DOFEy
PLAVi* GQANOPOP
TEEM - AM A/VJTIQUE
WITH A FRESH COAT
OF PAIMT AMD MEW,
BALL BEARlMGS
hoppep. ^ilSM^m^
CO
FttEE PUGUCITV
'everv PAY, BEFORE
AMD DORlMG YOUR,
RUM, ^f^OM THE STRIP
IT5ELF /
v it
DAD JENKS-
A GOOD MIXER.
AMD A HA/L
FELLOW ALWAY5
va;ET. - LUCIENJ
LITTLEFIELD
r',
3>
A-
«6>
#1
A,
COOJIM
HORACE - A I
GUM AT SCHOOL
SMALL CALIBRE,
BIG BOREo-
PLAVED BY
JACK £GAM
(i o 4
V ^
////
* ^ ~y ^
v\° <£& vO vOX
<C> > ^ *S>*
LEAPIMG
LEMA- A GOOI
GIRL GOME WROI
P LAVED BY TH€
Gl^L HEfeSELTy
Motion Pictui
Volume XXXVU
NEW YORK CITY, APRIL 21, 1928
No. K»
A Big Change Needed
"Not Next Year,
By William
HAT this business needs
is a corn-
year but
unionizing
Good-will
yy plete change, not next
right now.
"It needs good-will. It needs
of strength within the business,
is badly needed".
We take these words from a letter written
to us by Leon Jarodsky, of the Jarodsky En-
terprises, Paris, 111. They form the theme
of an extended analysis of the industry by
an exhibitor who has grown up with the
business and who looks at the whole matter
from the viewpoint of the public as he has
found it.
Mr. Jarodsky's letter is quite long, but it
is one of the ablest of the many exhibitor
communications we have recently received,
and we quote it pretty much in full text:
Dear Mr. Johnston:
It is with considerable surprise and still with a great
deal of interest that T read your editorial of April 7
which contained the analysis from M. H. Bryer of the
Akron Theatre Company, Akron, Ohio.
T quite agree in some respects with Mr. Bryer. On
the other hand, one of his statements, particularly one
of the meaty statements of his analysis, would spell
disaster to our business because as you might say it is
running from the ridiculous to the sublime, either of
which is not what we need in this business. Inciden-
tally, the writer has been engaged or rather connected
with, buying, advertising, and the operation of a mo-
tion picture theatre since coming out of knee breeches
and I am now 37. I have expected just such a thing
as we are now facing for a number of years. I can re-
member as a mere lad when I stood one day in the
office of Pop Plugh's Anti-Trust Film Exchange on
West Lake Street in Chicago, when it dawned on me
that some day the motion picture distributor would
build up a wonderful thing and then finally destroy it.
In reference to Mr. Bryer's statement that people
want melodrama and sob stuff and they don't seem to
be in a laughing mood this year — Mr. Bryer is abso-
lutely wrong as he can be in the latter part of his state-
ment. I'll o. k. the melodrama and I'll o. k. a part of
But Right Now"
A. Johnston
the laughing mood proposition but 1 will not o. k. the
sob stuff. People do not go to the theatre to cry. This
is positive. They go to the theatre to be entertained.
After all, the movie fan is merely a human being. They
want to follow the theme of the story in which they can
place themselves and the thrills, tenseness and excite
ment of the story, hold them and grip them, carry them
through the plot, put themselves in the shoes of the
artists on the screen. What does the young married
matron want? Lavish society dramas with plenty of
thrills to carry her through and hold her attention and
with excitement of good drama interwoven. W hat
does the young lady with her Beau Brummel want?
What she wants is the flapper type of story, flaming
with thrills and excitement and flaming scenes of city
life and dances and jazz parties. What do both of
the above parties want ? Love stories with a great deal
of dramatic interest to hold them. What is the alter-
native with which we can entertain this class of trade?
The mystery drama, thrilling and exciting, but, mind
you, with comedy relief, to create spontaneous relief
from the excitement.
What does the family trade want? As Mr. Bryer
says, melodrama — but they want it thrilling and they
want it with comedy relief. I quite agree with Mr.
Bryer in this one thing and I think he is perfectly
right. However, I do not think he has given enough
thought to his statements. Comedy Drama with com-
edy as a basis for the story is ruinous and disastrous
to our business. On the other hand, this business
doesn't want to lose sight of the fact that comedy is
one of the most valuable assets which we have in the
show business but people do not want comedy as the
basis of a story. They want it in two reel lengths or
they want it in the form of vaudeville on the stage.
The following types of pictures are disastrous and
the aftermath following them is very noticeable: sob
stuff, costume pictures, (generally — there are some ex
ceptions), epics and educational pictures as we call
them and pictures with sad endings. The argument
that we need sad pictures with sad endings because
they make the patron appreciate the other type of pic-
ture, is like saying that a man must eat a sour apple to
thoroughly appreciate a sweet one. Last, but not least,
among the business depressors is the straight comedy
drama.
(Continued on next page)
1258
Motion Picture News
A Big Change Needed — continued
People want to be thrilled, excited and held with
tensity to the story which they follow in the motion
picture theatre. But they positively do not want the
above types of pictures and don't forget that comedy
relief is exceptionally valuable but only as relief.
We have in this business destroyed the dyed-in-the-
wool movie fan's patronage by trying to cater to Har-
old Lloyd fans, Chaplin fans and the vaudeville fan
through comedy drama. I quite agree with Mr. Bryer
that the pictures this year are not as good as they have
been in past years, that they are thin, not particularly
trashy but poor stories, not meaning anything. The
producer came around this year demanding higher
rentals and he particularly abused the special in that
he marked off from his regular product, not selling
you the block, many, many, pictures which he called
specials and which were sold at two, three and even
four times as much as the product averaged. These
pictures have almost invariably and with one or two
exceptions turned out to be just ordinary program
product and not any too good at that and we have paid
extra prices for them and gone out and tried to sell
them with flaming posters and huge newspaper space
with the result that the public is losing confidence in
our business.
This business is losing its repeat value. People are
not coming back for more pictures. Even the weak
little entertainments in the high school auditorium are
attracting movie fans away from the motion picture
theatre.
What this business needs is a complete change not
next year but right now. It needs good will, it needs
reductions in the number of pictures produced. It
needs unionising of strength within the business, the
making of good pictures by good directors with good
stars and with good casts from good stories instead of
taking a good story and making it zveak by using a
weak cast, taking good stars and ruining them zuith
poor stories, by permitting a good director to waste his
time on unknown quantities and try to stretch out the
available product making three or four pictures out of
the same stuff from which one picture should have
been made.
Good will is badly needed and they need to quit pro-
moting brick and mortar because eventually the pro-
ducer must pay for every dollar's worth of brick and
mortar put into a theatre. When they break one of
the two exhibitors, which always happens in towns
of our size, they must suffer the loss on the brick and
mortar because the exhibitor cannot finance that loss
and the public is being drained to the full extent and
they cannot finance that loss.
My answer in regard to the talking picture, whether
it be Vitaphone or any other type of instrument which
reproduces voice or music, is that the fascination of
the motion picture lies in its silence. Good music helps
to enhance and increase the thought, accentuate the
emotions of the motion picture patron. However, I
will never believe that the mechanical reproduction of
synchronized music or voice will ever be of any greater
value to the industry more than just the novelty of it
at the beginning.
Hoping something constructive may come out of our
business after the turbulent times which we are going
through, I am with best wishes,
Yours very truly,
(Signed) L. Jarodsky
An Exhibitor's Views on Trade Paper Advertising
Mr. W. A. Johnston,
Motion Picture News,
729 Seventh Avenue, New York City.
Dear Mr. Johnston'.-
I'm inclined to think that the cutting
down on trade journal advertising by the
producers has had a great effect on exhibitors
whose enthusiasm is aroused and who are
sold on a picture that is well advertised.
Putting copy into your paper that would
help us exhibitors sell the picture would cer-
tainly not be amiss, but why not continue
good ads to sell us? We have to sell the
public and we cant do it by cutting out our
advertising; besides, we need to be "sold"
first on the picture.
Probably the best thing producers could
do to put over their pictures, would be to
run copy which would sell exhibitors as well
as give them much help in the exploitation
of pictures. This would react to great ad-
vantage, I believe. Certainly it wouldn't
hurt to give this idea a trial.
With best wishes and kindest regards,
Yours very truly,
{Signed) A. F. SAMS, Jr.
General Manager,
Forsyth Amusement Co., Inc.,
Piedmont Amusement Co., Inc.,
Winston-Salem, N. C.
April 21, 19 28
1259
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
Tie
JVlirrors
of
Filmdom
A SURVEY made by Film Daily and published by it
under copyright shows that 729 features are prom-
ised for next season from 36 companies. This
compares with 638 for the current season. Some com-
panies have not yet announced their plans, and taking
these into consideration, Film Daily believes the total may
reach between 750 and 765 for the season of 1928-9.
It is pointed out, quite correctly, that announced plans
for product do not always materialize in fact. Schedules
are cut down, or in some cases, increased according 1o
conditions.
It is obvious, however, that the new season will see just
as many pictures as, if not more than, the present one.
As we have pointed out many times, the industry is still
on tbe basis of numbers of pictures, more or less arbi-
trarily fixed by the producer, instead of being on the
sounder basis of consumer demand.
Consumer demand means, of course, what the public
wants and will absorb; the determining factor should be
the exhibitor. This is not a new idea, but it is just as true
as ever.
• • •
IN numerous editorials we have gone into a discussion of
this important subject, and perhaps there is no need to
stress it here, except to say that until the public is enabled to
pull pictures from the industry, instead of the industry's
pushing pictures onto the public, the correct economic basis
will not have been reached.
On the other hand, it is also obvious that there will be
plenty of product next season. As to quality, only the actual
verdict of the box-office will decide.
• • •
' ' U OW the Studio Spends a Dollar to Make a Picture"
is the title of an interesting chart in the report of
Adolph Zukor to Paramount stockholders for the year
ending December 31 last. The division is as follows:
Actors' salaries, 30c; supervision and general expenses,
19c; directors and cameramen, 13c; stories and scena-
rios, 13c; new sets, 12c; raw film stock, 5c; locations, 4c;
costumes, 4c.
# # #
A XOTIIER chart in the Paramount report deals with for-
^ eign gross rentals for 1927, exclusive of Canada, and
analyzed by languages. It is shown that 48.55% of the total
comes fi'om English-speaking countries. The Spanish countries
are second with 15.37%, and the others follow : German,
9.59%; Portuguese, 6.79%; French, 6.40% ; Italian, 3.56%;
Scandinavian, 3.51% ; Japanese, 3.09% ; Dutch, 1.55% ; Chi-
nese, .80%. ; Russian, .51% and Turkish .19%.
The Paramount foreign business showed an increase in
1927 of about 13% over 1926, the best previous year.
Domestic business in 1927 was 14% ahead of 1926 and 11%
ahead of 1925, the best previous year.
Mr. Zukor 's report also states that the number of holders of
the corporation's common stock increased from 1991 in 1924.
2736 in 1925, 4060 in 1926, to 5011 in 1927.
* * •
A DISPATCH from our Paris correspondent, L. C. Moen,
* commenting on the modifications proposed by tin-
French Commission regarding the quota law. says:
" Although the visit of Will Hays has not as yet re-
sulted in any definite modification of the French film
law, and although the commission has made no formal
announcement, it was learned this week from thorough
reliable sources close to the commission itself, thai tli<
body entrusted with the administration of the Ian had
practically decided, before Mr. Hays' arrival, to modify
its provisions for tbe current year only to permit Ameri-
can companies to bring into France for this year 50, or
perhaps 40, per cent of the number of films which they
imported last year, entirely outside of the quota itself.
"Then, at the end of the film year, the commission
will review the efforts of the various American companies
to encourage French production, and will lay their plans
for the following year accordingly.
"Visas are now being issued to French films, but are
not yet available for foreign films, American among them.
This will force a crisis shortly, as release dates must be
met, although all negotiations with French compamY* to
obtain visas through the acquisition of French films for
American release were dropped by the American com-
panies when Mr. Hays sailed, pending the outcome of his
visit."
• • •
HP HE Reverend J. J. Turnipseed, pastor of the Antioch
Primitive Baptist church of Powderly. Ala., in a state-
ment issued April 5th and published in the Birmingham.
Ala., Post, declares that the action of the Pastors' Union in
opposing Sunday motion pictures for Birmingham is inde-
fensible.
"I deeply deplore the action of the Pastors' Union in
opposing Sunday motion pictures and in trying to coerce all
the members of their churches to follow their dictates," he
said.
In his statement Rev. Turnipseed asks why amusements for
pay, such as East Lake Park, Cascade Plunge, Pair Park, and
the municipal golf courses are allowed to operate on Sunday
without a protest from the Pastors' Union.
"And yet the Pastors' Union makes violent objections to
Sunday moving pictures, which, in my opinion, would be a
real benefit to moral conditions of this city," the minister said.
Rev. Turnipseed, who lives at 1731 Jefferson Avenue, West
End., is a qualified voter of Birmingham and has resided
there for eight years, during which time he has been pastor
of the same Baptist church in Powderly. He is a native of Ala-
bama, and for the past twenty years has been preaching at
various Baptist churches throughout the state.
"Every man should be allowed to spend Sunday according
to the dictates of his own conscience so long as lie does not
interfere with the life, liberty and pursuit of happiness of
other people," the pastor continued.
"The best way to judge as to what will happen if we have
Sunday movies, is to investigate as to the results in other
cities. I am very familiar with the situation in Montgomery,
having been bom near that city and having visited the stale
Capitol many times. The results of Sunday movies in that city
are shown by the fact that Montgomery has the largest church
attendance in proportion to population of any city in the
United States, and it also has the largest Bible class in the
country in a city of less than 500.000 population. It is inter-
esting to know that the teacher of this class is a firm believer
in and a strong advocate of Sunday movies."
1260
Motion Picture News
W'illiam Beaudine, Universal director, uses a hammer to drive home a
few points before his engrossed listeners ivhom he has in conference
on scenes in "Give and Take." Wearing the wrapt expression of atten-
tion are: George Sidney, Julius Bernheim, supervisor; Sharon Lynn
and Jean Hersholt
Her guests at a tea given at the studios of Columbia Pictures, a group
of notables, face the camera with Dorothy Revier, Columbia star.
From left to right, they are: Leon Gordon, Jo Davidson, H. N. Swanson,
the charming hostess, Arthur William Brown and James Montgomery
Flagg
r
His is the hand that guides the
Educational comedies to their con-
clusion. Jack White, Educational
studio supervising director, is now
in Neiv York conferring with E. W.
Hummons, the Educational com-
pany's president
Once a knight of the road noiv he is the intimate of Hollywood
celebrities. Jim Tully, ex-hobo and author, visiting the Paramount
studio, chats awhile with Florence f'idor and Director IVilliam
Wellman
A neiv star who is growing brighter
and brighter. June Collyer, Fox
Films thespian, had a fragrant com-
pliment paid her ivhen an orchid
was named after her at the New
York flower show held recently
Lina Basquette makes a lovely
vision as the dainty heroine of
"The Godless Girl," Cecil B. De
Mille's latest production for Pathe
distribution. She is also in Dick
Barthelmess, "Roulette"
Back from a three-weeks' sojourn on the continent, Samuel Gold-
wyn and his wife, the former Frances Howard, obligingly pose
for a moment. While abroad the producer found a new leading
man for his United Artists productions
These tivo comics would make a
wooden Indian laugh. Stan Laurel
and Oliver Hardy, expert dolers of
tomfoolery, are co-starring in Hal
Roach comedies for release through
M-G-M
Pasqual Amato, Italian baritone and former Metropolitan Opera House Edmund Lowe is busy these days what with acting on both the Fox and
artist, wears the Napoleonic toga in "Glorious Betsy," Warner Brothers' First National lots. Colleen Moore chose him as leading man for "Heart
new Vitaphone feature in which Dolores Costello stars. Amato will be to Heart," which William Seiter, on the right, directed. Note the hirsute
able to render a few musical numbers via the device and Miss Costello adornment sported by Lowe for his role in the First National production,
and Conrad Nagel, leading man, will also be heard from through the Colleen's latest, ' Lilac Time," makes its appearance this month. "Dressed
same source to Kill" is Lowe's latest for Fox
April 21 , 19 28
1261
Paramount Again Makes Denial
of Commission's Charges
Amended "Report of Compliance" Declares Company Never a Party
to Any Conspiracy; "All or None" Policy Also Denied
PARAMOUNT Famous Lasky Corpo-
ration has filed its "report of com-
pliance" with the Federal Trade
Commission in reply to the commission's
order of July 9, 1927, and later modified, di-
recting the company to discontinue "certain
unfair methods of competition." In its
reply Paramount denies any conspiracy to
restrain trade and that unfair practices
have obtained in the block booking system
of distribution. The report of compliance
was filed April 14.
The report disclaims any attempt to dis-
tribute the company product in contraven-
tion of law and cites specific reasons for
practices now being pursued. This amended
report of compliance differs but little from
the report of the company filed last Novem-
ber, according to Commissioner Abram F.
Myers, who presided over the Trade Prac-
tice held in New York last October. The
first report was disapproved by the commis-
sion and the company was given until April
15 tn file an amended report.
Paramount contends that its policy of
selling is conducted along legitimate lines
that obtain in the wholesale distribution of
any other product, and that it believes its
booking policy is in conformity with the
views of the commission as to the manner
in which films are to be sold.
Tn denying that it has been a party to
any conspiracy for the purpose of lessening
or restraining competition or trade, the cor-
poration asserts that it has built, bought,
leased or otherwise acquired no theatres for
the purpose of intimidating or coercing ex-
hibitors to lease its product.
Explaining the method followed in the
leasing of films, the brief declares that "re-
spondents are not leasing or offering to lease
for exhibition in the theatre or theatres,
motion picture films in a block or group of
two or more films at a designated lump sum
price for the entire block or group only and
requiring the exhibitor to lease all such
films or be permitted to release none."
It is the impression in Washington that
the answer of Paramount paves the way for
a suit against the company by the Trade
Commission. In the event of such suit it is
thought the commission would confine its
case to efforts to outlaw block booking. At
the trade practice conference Commis-
sioner Myers stated that the commission
does not consider distributor theatre opera-
tion an unfair practice, so long as no un-
lawful acts in connection with it are com-
mitted.
It is said that an intensive study of the
Paramount reply will be made by the legal
staff of the commission preliminary to con-
sideration of the document by the commis-
sioners, with a view to deciding whether the
method of booking films outlined by the
company is a sufficient compliance with the
cease and desist order.
The text of the Paramount reply is as
follows :
Federal Trade Commission vs. Famous Players-
Lasky Corporation, et a!., Docket No. 835.
Further report pursuant to order dated July 9,
1927, Respondents Paramount Famous Lasky Corpo-
ration (formerly Famous Players- Lasky Corporation),
Adolph Zukor and Jesse L. Lasky, pursuant to order
entered herein July 9, 1927, as modified by order
entered herein September 7, 1927, and as modified by
order entered herein March 24, 1928, report further
as follows:
1. — Respondents not only have at no time made
(Continued on Page 1262)
First National Gets Sound Device
Joins Forces With Western Electric and Victor Talking
Machine for Producing Synchronized Pictures
FIRST NATIONAL PICTURES, INC.,
Electrical Research Products, Inc., a
subsidiary of the Western Electric
Company, and the Victor Talking Machine
Company, have joined forces to produce
motion pictures synchronized with sound
through what is to be called the Firnatone
process, according to an announcement
made by Clifford B. Hawley, President of
First National.
Electrical Research Products, Inc., has
granted First National Pictures a license to
use its patents for sound recording and re-
production. The Victor Talking Machine
Company, using its recording experts, its
artists and its orchestras, will produce the
synchronized scores and sound effects for
the Firnatone. The Victor Talking
Machine Company is the first phonograph
recording company to enter the business of
synchronizing sound with motion pictures.
The first Firnatone picture will be Colleen
Moore in "Lilac Time," which will be
shown on Broadway in June.
The question as to whether First Na-
tional Pictures and the Victor Talking Ma-
chine Company will produce for Firnatone
pictures in which the characters speak all
their lines has not yet been decided, accord-
ing to Mr. Hawley. "We own •The Squall."
the successful stage play," he said. "We
might find it worth while to make it com-
plete in a Firnatone production, having the
characters speaks the lines from the play.
We may produce 'No, No, Nannette,' the
musical play, with much of the original
material recorded.
"Corinne Griffith's picture 'The Divine
Lady" will contain a huge production of
the Battle of Trafalgar, which may lend it-
self to recording. We own the motion pic-
ture rights to 'La Tosca,' 'The Barker.' the
story of carnival life; 'Show Girl,' a back-
stage story of a chorus girl by J. P. Mc-
Evoy, all of which are being considered for
Firnatone. As to 'La Tosca' our plans are
indefinite so far.
"The Victor Talking Machine Company's
association with us gives us the finest
recording facilities. We will produce the
pictures; they will cooperate with us re-
garding what can best be recorded. Their
experts and the experts of the Electrical
Research Products, Inc., will go to our
studios in Burbank, Calif., and there make
a thorough study of the Firnatone possi-
bilities of each production. They will begin
first with 'Lilac Time' with synchronized
orchestration and special sound effect ~,
which will be particularly effective in the
airplane battles that are an important part
of the story."
The Firnatcne process records the sound
on a disc which is synchronized with the
machine which projects the film on the
screen. All theatres equipped with Elec-
trical Research Products' sound devices can
use Firnatone records with no additional
equipment, it is said.
Warner Bros, have registered a complaint
against Electrical Research Products, Inc.,
and Western Electric Company, and will
carry it to arbitration. The company
charges delay in installation of talking pic-
ture equipment in theatres to be used with
Vitaphone.
It is also claimed by Warners that Elec-
trical Research is charging too much for
installation, that it has been negligent in
its efforts to push sale of the equipment,
and that, as a result, between .500 and 400
Vitaphone short subjects and synchronized
scores for over 50 features are available
with a very limited outlet.
Warners named Samuel Untermever as
their arbitration representative, while the
defendants appointed Nathan Miller, former
Governor of New York State. These two
selected Justic Hiscock. formerly of the
Court of Appeals, as the third member of
the board. The hearings are under way.
Electrical Research Products, Inc., in ad-
dition to installing Vitaphone equipment in
the theatres, also installs Movietone. There
has been no complaint filed for the installa-
tion of Movietone.
1262
M o I iu n Pic t u r c New s
First National Re-elects Officers and
Board of Directors
AT the annual meeting of the First National Pictures, Inc., held during
the week at the company headquarters in Madison Avenue, New
York, all officers and directors were re-elected for the ensuing year.
An advisory board was also named in addition to the officers and directors.
The regular quarterly dividend was declared of 2 per cent on preferred
stock, payable July 1st to stockholders of record on June 13th, as well as
the regular 1^4 Per cent dividend on second preferred class A stock payable
July 1 to stockholders of record on that day.
The following officers were re-elected: Clifford B. Hawley, president;
Robert Lieber, chairman of board; R. A. Rowland, vice-president and gen-
eral manager; Samuel Spring, vice-president and treasurer; Robert W.
Perkins, vice-president and secretary; Abe Sablosky, vice-president; John
H. Kunsky, vice-president; Ned E. Depinet, vice-president in charge of
distribution; E. Bruce Johnson, vice-president in charge of foreign distri-
bution; Ralph W. Brown, assistant secretary; Warren C. Boothby, assistant
treasurer.
The Board of Directors is composed of the following: Barney Bala-
ban, Harry M. Crandall, Jacob Fabian, M. L. Finkelstein, Clifford B. HaAv-
ley, Richard F. Hoyt, Robert Lieber, John J. McGuirk, E. V. Richards, Jr.,
Irving D. Rossheim, Abe Sabloskly, Spyros Skouras, Albert L. Smith and
Morris Wolf.
Fox-F. & R. Deal All Off
Negotiations Are Ended When Financial Arrangements
Are Declared Unsatisfactory
THE much rumored deal between Fox
and Finkelstein & Ruben has finally
fallen through. William Hamm, head
of the F. & R. organization, announced this
week that negotiations had been discontin-
ued, and that F. & R. would continue to
operate its 130 houses in the northwest. At
the same time he made known plans for
new office building which F. & R. will build
this summer in Minneapolis to house its
administrative forces.
Here is the complete statement issued by
Finkelstein & Ruben:
"The F. & R. organization will continue
the operation of more than 130 theatres in
the northwest, as they have in the past, ex-
cept for the joint operation of 11 theatres
in St. Paul and Minneapolis in association
with the Publix theatres, the largest theatre
operating company in the United States.
"In carrying out their plans for enter-
taining people of the whole northwest, the
F. & R. organization will start immediate
construction of a general headquarters
building in Minneapolis. The structure will
be located on Sixth Street north, between
Hennepin Avenue and First Avenue north.
The entire home office personnel of the
F. & R. company will be housed in this
building.
"No other changes in the administration
of the firm's business will be made. Efforts
will be continued to further expand the
operations of the company."
"There has been a great deal of publicity
with reference to the F. & R. chain of the-
atres being sold to the Fox Film Company
of New York," Mr. Hamm explained, in
application of the statement. "Statements
have been made from time to time that a
<leal was all closed, with the exception of
a few minor details. These statements have
appeared in the New York press as well as
in the local papers and in trade papers.
"The position has been taken continually
by the F. & R. officials, including myself,
that there was nothing to be said on the
closing of this deal until it was actually
consummated, and that it would not be con-
summated until the papers were signed.
"Negotiations have been going on for a
period of time and one of the prerequisites
of Fox taking over the chain was the neces-
sary financing to be provided and completed
by them. The plans to finance, which have
been finally submitted have not been satis-
factory to us and for that reason we have
discontinued negotiations.
' ' Our arrangement on the 11 Twin City
theatres with Publix, including the new
Minnesota theatre, provides that operation
of these houses shall remain with the F. &
R. organization. We believe that the ar-
rangement which has been made for this
joint operation will prove beneficial to our-
selves and highly satisfactory to the pub-
lic."
Paramount Again Denies
Commission's Charges
(Continued from Page 1261)
or entered into any conspiracy for the purpose of
lessening or restraining competition or restraining trade
or commerce among the several States or with foreign
nations in the business of producing and distributing
such films, but they are not continuing in force, recog-
nizing, complying with, carrying into effect or en-
forcing any such conspiracy, and have no intention
of so doing.
II. — Respondents are not leasing or offering, to lease
for exhibition in a theatre or theatres motion picture
films in a block or group of two or more films at a
designated lump sum price for the entire block or
group only and requiring I the exhih'tor to lease all
such films or be permitted to lease none.
Pes'xmdents are not leasing or offering to lease for
exhibition such motion picture films in a block or
group of two or more at a designated lump sum price
for the entire block or group and at separate and
several prices for separate and several films or for a
part thereof less than the total, in such manner that
the total or lump price and the separate and several
prices bear to each other such relation as to operate
as an unreasonable restraint upon the freedom of an
exhibitor to select and lease for use and exhibition
only such film or films of such block or group as be
may desire and prefer to procure for exhibition, or
as to tend to require such exhibitors to lease such
entire block or group or forego the lease of any por-
tion or portions thereof, or as substantially to lessen
competition or tend to create a monopoly in the busi-
ness of production, distribution and exhibition of mo-
tion picture films to the public, or the business of
production and distribution, or of production or dis-
tribution of motion picture films for public exhibition.
Respondent Paramount Famous Lasky Corporation
makes every lawful effort to sell as much as possibie
of its products in every territory in which motion
pictures are exhibited, and as it is an essential factor
of the motion picture business that the same picture
can not be sold to two different exhibitors for exhibi-
tion in the same territory at the same time, said re-
spondent in determining to whom it shall sell or
lease its products gives consideration to the quantity
offered to be taken by the respective potential custo-
mers.
Upon purchases of products in quantity upon a single
sale the respondent grants reductions in price as com-
pared with the prices at which the same product of
the individual units, commensurate with a difference in
cost to the respondent of procuring the exhibition of its
products in the territory of the purchaser.
Furthermore, there are exhibitors with whom the
respondents, acting wholly for reasons of its own and
without consultation or agreement with any other pro-
ducer or distributor, does not care to do business at all
or whose business is so small in amount that said
respondent does not deem the business sufficiently
profitable to be accepted. Each sale of pictures to each
theatre is an independent negotiation, involving numer-
ous different factors affecting both quantity and quality
of the pictures under consideration, the time of the
proposed exhibition, and the character, location and
number of theatres in which the proposed buyer con-
templates their exhibition.
While many of said respondents' customers pur-
chase or lease all or substantially all of said respon-
dents' products, and while many such customers refuse
to purchase any of said respondent's products, if re-
spondent sells any of its product to any competing ex-
hibitor, the great majority of sales by respondent upon
a single negotiation are for materially less than all nf
the pictures at the time offered for sale or lease.
In October, 1927, at the invitation of the Federal
Trade Commission, a Motion Picture Trade Practice
Conference was held in New York City. It was re-
solved by the delegates there present that the matter
of drafting a new Standard Exhibition Contract be
submitted to a Contract Committee to be chosen by the
delegates representing the Distributors, the Exhibitors
affiliated with Distributors and the Unaffiliated Exhibi-
tors.
Accordingly, a Committee was selected consisting
of three members and three alternates chosen by and
representing, the Unaffiliated Exhibitors; three mem-
bers and three alternates chosen by and representing
the Affiliated Exhibitors and three members and three
alternates chosen by and representing the Distributors.
Tt was agreed that the three members and three alter-
nates representing the Affiliated Exhibitors should be
without vote.
After prolonged conferences held in the City of
Chicago in February, 1928, a new and radically differ-
ent form of Standard Exhibition Contract was unani-
mously agreed upon, a copy of which is attached hereto
and marked Exhibit A. Particular reference is called
to Articles Twentieth and Twenty-first of said con-
tract which are as follows:
"Twentieth: If the license herein granted shall
apply to an entire group of photoplays offered by the
distributor to the exhibitor at one time, and not
otherwise, the exhibitor shall have the right to exclude
from this contract up to but not exceeding 10 per cent
of the total number of such photoplays, but only if
the exhibitor shall give the d:stributor written notice
ot such effect at any time not later than fourteen (14)
days before the date fixed for the exhibition of any
such photoplav hereunder, and if at the same time the
exhibitor shall pay to the distributor one half of the
l;cense fee payable in respect of any such photoplay.
Tn computing such 10 per cent, fractions of less than
one-half shall be disregarded. If any such photoplay
shall, because of such exclusion, be hereafter licensed
by the distributor for the same run as that specified in
this contract, for exhibition at another theatre where
such excluded photoplay would not have been exhibited
if not so excluded: then one-half of the license fee fun
to but not exceeding the amount paid by the exhibi-
tor to the distributor as a condition of so excluding
such photoplay) received by tbe distributor for such
re-license shall be credited to the exhibitor by the dis-
tributor.
"If the license fee of any such photoplay so ex-
cluded is to be computed either in whole or in part
upon a percentage of gross receipts of the Exhibitor s
theatre then for the purpose of computing such one-
half of such license fee payable hereunder in respect
of such photoplav, such gross receipts for each day
that any such photoplay is licensed hereunder for ex-
hibition thereat shall be deemed to be the average
daily gross receipts of such theatre during the period
of thirty (30), operating days immediately prior to
such date of availability of such photoplav.
"Twenty-First: If the exhibitor shall claim that the
exhibition at the theatre hereinafter specified of any
pbntoplav licensed hereunder will be offensive to the
public in the place where such theatre is located be-
ra"se of racial or religious subject matter, and if the
c-h;bitor shall give written notice to the distributor
of such claim within a reasonable time prior to the
d->*e fixed for the exhibition thereof hereunder such
claim shall be immediately submitted to the Board of
Arbitration herein specified."
(Continued on Following Page*)
A pril 21, 192b
1263
Sapiro Outlines Views
at C. of C. Dinner
Declares Right of Selection of Pictures Belongs With
Exhibitors
Steffes Plans Airing of
Arbitration Question
WA. STEFFES, president of
the Northwest Theatre Own-
ers Association, is urging
that every theatre owner in the north-
west be present at the convention of
the association to be held in Minneapo-
lis on May 1 and 2. Mr. Steffes plans
to settle the question of compulsory
arbitration at the convention but feels
that a settlement made by a minority
cf exhibitors would not be acceptable
to the theatre bodies involved in the
question of arbitration. Mr. Steffes
thinks that he has devised a scheme
whereby it will be possible for the
Northwest Theatre Owners Associa-
tion to put a stop to the showing of
films in places of amusement other
than theatres. He expects to submit
this idea to the convention and con-
siders that another reason for urging
;is large an attendance as possible in
order to secure beneficial suggestions.
Paramount Denies Charges
of Commission
{Continued from Preceding Page)
"If such Board of Arbitration shall specifically de-
termine that the exhibition of such photoplay at such
theatre will be offensive to said public because of
racial or religious subject matter, then such photoplay
shall be excepted from this contract, and not other-
wise. The distributor may exhibit or license the
exhibition of any photoplay so excepted when and
where desired by the distributor free from all claims
of the exhibitor.
"If the distributor shall be of the opinion that any
photoplay licensed hereunder will be offensive because
of racial or religious subiect matter, to the public in
the place where the exhibitor's theatre is located, the
distributor shall have the right to except and exclude
such photoplay from this contract, upon cond;t>on that
such photoplay shall not thereafter be licensed for
exhibition in such place unless such racial or rel'gious
subject matter is eliminated therefrom in which case
such photoplay shall again be deemed licensed here-
under."
Attention is also called to the following provision of
said contract:
"* * • yQ «s;lort subjects* or 'news reels' shall
be included in any group of feature photoplays, and
the licensing of 'news reels' or 'short subjects' groups
shall not be made a condition of licensing the ex-
hibition of feature photoplays or vice versa. * * * "
Following the adoption of said form of Standard
Exhibition Contract, Mr. R. F. YVoodhull. President
of the Motion Picture Theatre Owners of America,
who acted as chairman of the delegates representing
the Unaffiliated Exhibitors at the Motion Picture Trade
Practice Conference, and Mr. R. H. Cochrane. Vice-
President of Universal Pictures Corporation, who was
chairman of the delegates representing the Distribu-
tors at the Trade Conference, issued the following
joint statement:
"We arc more than pleased with the really fine work
of the Contract Committee, the members of which gave
unstintingly of their time at a great sacrifice of their
personal interests to do a constructive piece of work
for the motion picture industry at large.
"It is the belief of the Committee that the new
Contract and Rules are a great improvement over
those which they will supersede, beginning May 1st.
1928,- — and that the new provisions and those which
were omitted from the old Contract and Rules, will do
much to eliminate many points of trade differences be-
tween exhibitors and distributors of motion pictures."
Respondent Paramount Famous La sky Corporation
has adopted and is using said form of Standard Ex-
hibition Contract and is fully complying with and will
continue fully to comply with its provisions.
The resolutions of the Motion Picture Trade Prac-
tice Conference creating the Contract Committee pro-
vided that after the adoption of the modified Stand-
ard Exhibition Contract it should be the purpose of
the Contract Committee to have periodical consideration
of the contract, to consider whether changes therein
were warranted by experience.
III.— Respondents have not built, bought, leased or
otherwise acquired or threatened to build, buy. lease
or otherwise acquire any theatre building or buildings
or theatre or theatres for the purpose and with the
intent or with the effect of intimidating or coercing
any exhibitor or exhibitors of motion picture films to
lease or book and exhibit motion picture films pro-
duced or offered for lease or leased by said respondent.
Paramount Famous Lasky Corporation, by Ralph A.
Kohn, treasurer: Adolph Zukor; Jesse L. Lasky, by
Elek John I.udvigh. attorney-in-fact.
AAEON SAPIRO, president of the In-
dependent Motion Picture Exhibitors
Association of New York was the
principal speaker at a dinner tendered him
by the Theatre Owners Chamber of Com-
merce at the Ritz Carlton Hotel in New
York on the evening of April 16th, at which
he outlined some of his views regarding the
motion picture industry.
After telling of the serious handicap the
radio has put on the exhibition phase of
pictures, Sapiro said the main trouble was
that the industry was dominated by the pro-
ducers and that the remedy for the evil
would be to give the exhibitors the right of
selection of the product they are to show in
their houses.
With regard to radio competition and cor-
rection of production evils, Sapiro said :
"This competition can be met in only one
way. The exhibitors must not waste their
time in talking and complaining. They must
get together — exhibitors of all kinds — and
they must see that the entertainment that
they provide for the public justifies itself
by interest and quality, so that the public
feels that it must have more and more. This
is a problem for all of the exhibitors — and
through the exhibitors a problem for the
producers.
"This industry is made of three primary
parties, the producers, the consumers, the
exhibitors. The industry is dominated by
the producers today. Yet in every other
form of business in the United States the
trend shows that the group that has the con-
tact with the consumer has more to say
than any other branch of the industry.
"The chain grocery stores are not domi-
nated by the manufacturers; nor are the
five-and-ten-cent chain stores controlled by
any producers. They have the contacts with
the public. They know what the public
want. They are the outlets through which
the producers must reach the public and
convert their product into cash.
"The exhibitor has his hand on the pulse
of the public and it is for the good of the
public, as well as the entire industry, that
the exhibitor should have something to say
about the type and quality of the pictures
that he is asked to show to the public.
The following tribute was presented to
Mr. Sapiro at the dinner:
"The Theatre Owners Chamber of Com-
merce of New York bids you welcome as
leader of the motion picture exhibitors,
proud and honored to have your counsel;
confident that your just and able leadership
will solve all problems of theatremen in a
way that will rebound to their security and
also to the mutual welfare of all the motion
picture industry and the American public."
It seems likely that this exhibitor coop-
erative buying movement first sponsored by
the Sapiro organization in New York will
be extended nationally. The trend is that
way. Sapiro delegated Leo Brecher to Pitts-
burgh during the week and the latter ad-
dressed the Western Pennsylvania theatre
owners on the subject. The president of the
New organization is also making a trip to
Buffalo to interest exhibitors there. The
New England territory has launched a
movement for organization along the same
lines.
Ohio Endorses Cleveland's
Fight Against Protection
J. J. Harwood, vice-president of the
M. P. T. 0. of Ohio, attended a board meet-
ing of the organization in Columbus last
week. Among the resolutions passed was
one endorsing the Cleveland M. P. T. 0. 's
fight for reduced first run protection. The
state organization also endorsed the Cleve-
land exhibitor association's attitude against
percentage bookings.
4 Re-Elected to Board of
Paramount Directors
At the annual meeting of the board of
directors of the Paramount Famous Lasky
Corporation, held April 17th, the following
were re-elected for a term of four year? :
Adolph Zukor, Jesse L. Lasky, Casmir I.
Stralen and William II. English.
Brookhart Hopes for Senate Hearing
This Year; Too Late for House
UPON completion of the coal hearings, which are now occupving the
attention of the Interstate Commerce Committee of the Senate. Sen-
ator Smith W. Brookhart will make an effort to secure action on
his bill to eliminate block booking, blind booking and arbitrarv allocation
of product. The coal hearings are expected to continue until Mav 1st.
It is said Senator Brookhart will offer one amendment to his bill to
provide for a new elective system of arbitration. The independent exhibit-
ors favor a system of one arbitrator selected by each side, the two agreeing
upon a third member.
It is said that if the committee decides to take up the Brookhart bill
within the next two weeks it is possible action may be secured on it in the
Senate, before the end of the session, but there is no possibilitv of it goiiu
before the House of Representatives this vear.
1264
Motion Picture News
S. Carolina Exhibitor Rally to Repeal
10% State Tax
SOUTH CAROLINA exhibitors are rallying their forces in a de-
termined effort to repeal the 10 per cent admission tax now imposed
on theatres of that state. Following the suggestion of A. H. Yoemans,
owner of the Rex theatre, Sumter, who recently sent out a letter urging
exhibitors of the state to meet and plan concerted action, a number of
the most alert and progressive theatre owners of South Carolina agreed
to assemble at the Jefferson Hotel in Columbia at 11:00 a. m., Wednes-
day, April 18, for a full discussion of the matter following which a definite
plan of action was to be adopted.
Exhibitor leaders fought desperately against the measure that im-
posed the state admission tax, but the bill was rushed through in the clos-
ing hours of the session some three years ago and enacted into law before
it was generally known that the measure was pending. South Carolina the-
atres had no real relief when the federal admission tax was removed, be-
cause the 10 per cent state tax was promptly levied.
Warners Set Convention
Annual Event in New York Will be Joint Conference
With Vitaphone Officials
SAM E. MORRIS, general manager of
distribution for Warner Bros, has
called the annual sales conference for
April 27 to 29 inclusive. It will be held at
the Pennsylvania Hotel in New York City
and will be attended not only by the sales
staff of Warner Bros., but by the Vitaphone
Corporation executives as well.
Division managers, branch managers,
sales managers and special representatives
came from all parts of the country to hear
the official announcement of the 1928-29
program and to discuss sales, publicity and
exploitation methods to be applied. Impor-
tant announcements regarding Vitaphone
are expected, as well as several of general
production significance, including the ele-
vation to stardom of several Warner play-
ers.
All of those who are to attend the con-
vention will reach New York Thursday af-
ternoon, April 29, in time to attend the pre-
miere of Warners new Vitaphone talking
picture, Dolores Costello in "Glorious
Betsy," to be given at the Warner Theatre
that evening.
The official opening of the conclave will
take place Friday morning, April 27th, at
9 :30 in the main convention room at the
Pennsylvania. A luncheon will be a feature
of the first day's activities. Executives who
will address the sales force on Friday in-
clude H. M. Warner, president of Warner
Bros., Sam E. Morris, General Manager of
Distribution, C. C. Ezell, Southern and
Western Sales Manager, Max Milder, Cen-
tral Sales Manager, Arthur Abeles, Eastern
Sales Manager, Albert Howson, Scenario
Editor, and George Quigley, vice-president
of the Vitaphone Corporation.
The second morning addresses will be
made by the three Division Managers, J. S.
Hebrew, Harry Lustig and H. E. Elder.
Other speakers will be A. P. Waxman, Di-
rector of Advertising and Publicity, Joseph
Hummel, Manager of the Contract Depart-
ment, A. C. Brauninger, Sales Promotion
head, H. M. Doherty, Auditor of Exchanges,
C. C. Ryan, Purchasing Agent, B. F. Lyons,
Sales Manager of the Canadian territory,
Samuel Carlisle, Comptroller and Paul
Swift, Sales Manager of Vitaphone.
Entertainment features have been
planned for Friday and Saturday evenings,
giving the visitors a choice of attending
several of the outstanding hits on Broad-
way.
On Sunday afternoon, April 29th, mem-
bers of the convention will be taken in spe-
cial busses to the Polo Grounds to see the
baseball game between the Giants and Bos-
ton. Following this a dinner will be held
at which time the convention will be
brought to a formal conclusion.
New England Adopts New
Arbitration Rules
New England Film Board of Trade at
Boston has adopted a new rule with rela-
tion to arbitration. There will be six in-
stead of seven arbiters and the chairman
will be selected from among the six
arbiters at each sitting. A new committee
will be chosen each month, and will select
its chairman.
In ease of a tie vote on any case under
consideration, a seventh arbiter will be
chosen outside the industry. Of the orig-
inal six arbiters, three will be distributors
and three exhibitors.
"Bill" Mack Entering Field
of Investment Banking
W. A. V. Mack, short subject sales man-
ager, Mid-West division sales manager, and
more recently director of publicity and ex-
ploitation for Pathe, is entering the invest-
ment banking field in Syracuse, N. Y., as
sales director of the Benjamin Baker Com-
pany. He has been active in the A. M. P. A.
Stanley Acquires Another
Theatre in Philadelphia
The new Commodore Theatre now in
course of construction at the southeast cor-
ner of 43rd and Walnut Streets, Philadel-
phia, has been acquired from F. D. and
Abraham Felt, owners, by the Stanley Com-
pany of America. The building will accom-
modate about 1,500. It is expected that the
house will be ready for occupancy in Sep-
tember.
The structure with a frontage of 190 feet
on Walnut Street and 75 feet on 43rd
Street will present an exterior fashioned in
Moorish style. Contract for the building,
together with its electrical, heating systems,
has been awarded the Haverstick Borthwick
Company in Philadelphia.
Pathe Distributing 2 New
Features in April
"Skyscrapers" and "The Avenging
Shadow" are Pathe 's feature offerings for
the current month.
The first, released April 8th, was directed
with Howard Higgins, and stars William
Boyd, with Alan Hale, Sue Carrol and Al-
berta Vaughn. The second, released April
29th, is a Fred J. McConnell production di-
rected by Ray Taylor with a cast that in-
cludes Klondike, the dog, Ray Hallor, Clark
Comstock, Howard Davies, Margaret Morris
and LeRoy Mason.
Gotham Producing Series
of Novelties on Bridge
A series of 52 one-reel novelty bridge
subjects was begun this wee'k by Gotham
Productions at the Cosmopolitan studios in
New York City. In each of the subjects
will appear Sydney S. Lenz, international
champion bridge and author of several vol-
umes on the game. It is planned to have
each of the releases carry an entertainment
note for the non-players as well as a novelty
aspect for players of bridge.
"Man Who Never Missed"
Next for Jannings
"The Feeder," a magazine story by Mil-
dred Gram, will be transposed to the screen
by Paramount as a feature for Emil Jan-
nings. Its screen title will be "The Man
Who Never Missed." The story, concern-
ing life in four-a-day vaudeville, is now in
the hands of Scriptmen Percy Heath and
Sam Mintz. Lothar Mendes will direct.
Ontario Adopts British
Classification of Films
THE newest innovation in film
circles of the Ontario Provincial
Government is the adoption of
regulations similar to those in vogue
in Great Britain of marking motion
picture releases either "A" for adult
consumption or "U" for universal con-
sumption, classifications for the type
of audience for which they are best
fitted in the estimation of the Ontario
Board of Moving Picture Censors.
Children are not prohibited from
witnessing the pictures bearing the
"A" designation but theatres are re-
quired to place the film classification
in their advertising and it is expected
by Premier Ferguson that parents will
take steps to see that their children
attend only those shows where "U"
features are being presented. This
new ordinance adopted in Ontario is in
direct contrast to Quebec, where the
law prohibits the admission of children
to all theatres.
April 21 , 19 28
1264-A
Minneapolis Arbitration
Harmony Prevails
Important Court Ruling Against Warners Holds Board
Can Ban Company Cases
1st National to Have
One Sales Convention
FIRST NATIONAL will hold one
big sales convention (his spring
instead of the three regional
meetings as at first proposed. The
change in plans has just been an-
nounced to the branch managers and
salesmen by Ned E. Depinet, general
sales manager. All branches in the
United States and Canada will, there-
fore, assemble in Chicago, where the
sessions will be held in the Drake Ho-
tel, from April 29th to May 3rd.
The decision to have one gathering
of First National's sales forces, in-
stead of three regional conventions, is
meeting with the approval of branch
managers and their salesmen, who feel
that it is inspiring to them to get to-
gether under one roof, to rub elbows,
to exchange experiences, to kindle new
ideas and to feel the strength and
enthusiasm that comes from contact
with one another.
Dorothy I. Grandall Weds
John J. Payette
Miss Dorothy Isabel Crandall, daughter
of Mr. and Mrs. Harry M. Crandall, was
\ wedded to John J. Payette, the son of Mr.
and Mrs. George N. Payette and supervisor
of Stanley Crandall theatres in several
cities, last* Wednesday, April 18th, at 6.30
P. M.j in the Sacred Heart Church in Wash-
ington, D. C. Monsignor Gaven officiated.
A supper for the bridal party after the
ceremony was followed by a reception at the
home of the bride's parents in AVashington.
On an evening before the marriage, Mr.
Payette bade farewell to liis bachelor days
with a party to his gentlemen friends at the
Crandall home. An automobile tour of
Canada is the plan of the couple.
All Quebec Cities Affected
by Law Banning Children
Official announcement has been made by
Premier L. A. Taschereau of the Quebec
Provincial Government thai the new law
prohibiting the admission of all children
from theatres, already in force, applied to
all cities and towns of the Province of Que-
bec and not to the theatres situated in the
City of Montreal alone.
Exhibitors in the smaller towns have
found it very difficult to make parents real-
ize that the law prohibits the admission of
all children from theatres whether accom-
panied by adults or not. Theatres in Hull,
Sherbrooke, Three Rivers, St. Hyacinthe
and other places have been hard hit by the
new statute.
Warners and National of
Berlin in Deal
A deal was completed this week between
Warner Bros, and National Films A. G. of
Berlin which will, it is said, increase War-
ner Bros.' activity abroad. The arrange-
ment, of a reciprocal nature covering pro-
duction and distribution, was negotiated by
Herman Starr, Warner executive. With de-
tails completed, Mr. Starr has left Berlin
for Paris, prior to his return to New York.
The Warner interests in Berlin will be en-
trusted to Gus Schlesingcr, Harold Kodncr
and Morris Levison, Warner representatives.
WITH the refusal of the Distriel
Court in Minneapolis to grant an
injunction to Warner Bros, re-
straining the arbitration board from de-
barring Warners from arbitration hearings,
harmony again prevails in the territory on
the part of exhibitors with regard to arbi-
tration matters.
This harmony meeting was held during
the week and marked a resumption of pro-
ceedings broken off January 13, at which
time exhibitors withdrew from arbitration
when Warners refused to comply with a de-
cision of the board and sought the injunc-
tion restraining the board from outlawing
the company cases.
The Minneapolis court ruling is an im-
portant one, for in its decision the Court
said it was "manifestly impossible" to
compel specific performance of a contract
of this kind, in view of the fact that the
board was a voluntary committee and not a
governmental agency, nor an official board
of any corporation.
"The suit was not brought for the speci-
fic performance of the arbitration clause in
film contracts because the parties to the
contracts are apparently willing to arbi-
trate, but the board, which is not a party
to the contracts, refuses to act," the Court
held.' "The board is not a governmental
agency, nor does it appear to be an official
board of any corporation. It appears to be
a mere voluntary committee, selected by
three corporations and governed by a set
of rules adopted by them.
"It is manifestly impossible for the court
to compel the specific performance of a con-
tract of this kind. The service to be ren-
dered is of such a distinctly personal na-
ture that its performance necessarily in-
volves the active, unconstrained co-opera-
tion of the defendants themselves. Their
mere presence at a hearing might be com-
pelled, but we cannot compel them to hear
and remember the testimony, or to use their
judgment in determining the issues. The
court does not act in a mediatory capacity.
It does not make orders unless it is able to
enforce them.
"Plaintiff forgets that it, and the parties
with whom it has controversies, are always
at liberty to submit their disputes to other
arbitrators. There is nothing official or ex-
clusive about this board, although it appar-
ently has considerable prestige in the mo-
tion picture world. The parties have not
been deprived of their rights to arbitrate
their disputes. They have merely been de-
nied the services of this board.
"It is urged that the plaintiff will occupy
an unfavorable position in the market if it
cannot include the privilege of arbitration
by this board in its future contracts with
theatre owners. But the right to command
the future services of the board is in any
event entirely beyond the purview of this
suit. If the board is under any legal obli-
gation to serve the plaintiff, such obligation
is based upon a series of implied contracts.
Each of such contracts is necessarily lim-
ited to a specific transaction. After the
passage of the resolution complained of
(the resolution denying further arbitration
on Warner Brothers' suits), no further con-
tractual obligations could be implied. The
board cannot be compelled to assume new
obligations indefinitely."
The Minneapolis meeting was held al-
most immediately following the announce-
ment of the court ruling and an equity and
justice proviso was made at once as a part
of the business on instigation of W. A.
Steffes, Northwest exhibitor unit president,
who asked that the ai-bitration agreement,
entered into by exhibitors and distributors
a year ago on suggestion of C. C. Pettijohn,
be read into the minutes.
Director of Canadian Film
Bureau Off on Trip
Captain Prank C. Badgley, M. C, director
of the Canadian Government Motion Pic-
ture Bm-eau, has left for England and the
continent on governmental business. While
there he will make a survey of the motion
picture industry, and particularly condi-
tions in the United Kingdom under the new
Film Quota Act. He will also arrange the
wider circulation of Canadian Government
films in Britain and Europe.
Pathe Plans Sales Convention at
Chicago Starting May 21
PATHE will hold its >alcs convent ion at the Drake Hotel. Chicago,
starting Monday. May 21st. At that time both the program of fea-
tures and the short subjects to he displayed during the 1028-29 sea-
son will he discussed. Definite details of the convention have not yet hecn
outlined.
Phil Rcisman. general sales manager, will preside at the sessions and
a large delegation of home office officials and executives will also attend.
While the purpose of the sales convention is a serious one to familiarize
the sales force with the product, the social side will not he forgotten. Elah-
orate plans are being formed to entertain the delegates at such times a*
the more serious ^ork i- suspended.
1264-B
Motion Picture News
Three "U" Conventions
Company Plans Annual Spring Sessions at Atlantic
City, St. Louis and San Francisco
A SERIES of three conventions have
been planned by Universal to outline
their program for the 1928-29 sea-
son and to discuss sales methods. The first
of these gatherings is set for Atlantic City
for the eastern representatives April 27 to
30, inclusive, the second at St. Louis from
May 2 to 5 and the third in San Francisco
from May 9 to 12. The Canadian exchanges
will be divided among the three conventions.
Eight of the ten Universal big features
for the season of 1928-29 already completed
will be screened at each gathering for the
assembled exchange managers and sales-
men. Also representative short subjects will
be shown. Universal 's lineup for the year
includes 68 feature productions and a large
number of short subjects.
Lou B. Metzger, general sales manager of
the company and his aides, will attend all
conventions. With him at Atlantic City
will be Ted Schlanger, eastern sales direc-
tor; M. Van Praag, western sales director;
Ben Y. Cammack, short subjects sales man-
ager; Morris Safier, road show manager;
Paul Gulick, publicity director; Nat G.
Rothstein, exploitation and advertising
manager; Sidney Singerman, program man-
ager; Harry Reichenbaeh, special represen-
tative; Douglas Leishman, supervisor of ex-
changes; Dave Bader, accessory manager;
Clair Hague, Canadian manager; Harry
Asher and M. E. Morey, of the American
Feature Film exchanges, New England, and
several other home office executives includ-
ing R. V. Anderson, sales manager for the
International Newsreel. Among the Uni-
versal officials expected to attend the At-
lantic City convention are R. H. Cochrane,
vice-president ; Beno Rubel, assistant to
Laemmle; P. D. Cochrane, secretary; E.
H. Goldstein, treasurer, and Julius Stern,
president of the Stern Film Corporation.
The St. Louis convention will be held in
the Coranado Hotel. Van Praag, Schlanger,
Cammack, Safier, Rothstein, Anders and
Leishman will accompany Metzger to St.
Louis, where this corps of sales experts will
be joined by Ralph Williams, southern as-
sistant division manager.
The San Francisco Convention will be
held in the St. Francis Hotel. G. Rosen-
wald, assistant western division manager
will be one of Metzger 's chief aides at this
sales pow-wow.
11 New Shorts on May List
of Educational
Four new two-reel comedies, two new
Cameos, two Felix cartoons, a Bruce scenic,
a Hodge Podge and a Curiosities are the
Educational releases for the month of May.
Lupino Lane is starred in "Fandango,"
a comedy with an Argentine setting which
has Anita Garvin and Marjorie Moore in
support. "Big Boy's" new vehicle is
"Navy Beans," in which the young star
gets into the navy. "You'll Be Sorry" is
the new Charley Bowers comedy, produced
by means of the Bowers' process. "At It
Again," a Mermaid comedy, introduces
Monty Collins in his first two-reeler; he is
teamed with Jack Miller.
The two one-reel comedies are "Never
Too Late," featuring Wallace Lupino, and
"Three Tough Onions," featuring Collins
with Estelle Bradley and Robert Graves.
"Felix the Cat in Arabiantics" and "Felix
the Cat in In and Out-laws" are the new
Sullivan cartoon releases. The Lyman H.
Howe Hodge Podge is "The Wandering
Toy," the new Bruce subject is "A Pecu-
liar Pair of Pups ' '— ' ' Nobody Home ' ' and
the Curiosities release for the month is
"Landlord Blues."
First National Announces
4 Features for May
Two comedies, a drama and a melodrama
constitute the feature releases coming from
the First National exchange during the
month of May.
"Lady Be Good," directed by Richard
Wallace from the musical comedy, co-fea-
tures Dorothy Mackaill and Jack Mulhall;
it will be generally released on May 6th.
"Vamping Venus," a farcical comedy of
the ancient days of Greece with Charlie
Murray, is the second May release, its date
being May 13th. On May 20th, "The Yel-
low Lily," presenting Billie Dove," will be
issued. The last release for the month,
coming on the 27th, will be "The Hawk's
Nest," featuring Milton Sills."
9 Pictures in Production at
Paramount Studio
Approximately 2,000 workers are now
employed at the Paramount studios in Hol-
lywood, working on the production of nine
new features. An additional three are to be
placed in work within the next week or so.
Now being filmed are "The Patriot,"
practically completed, "Warming Up,"
"The Drag Net," "Half a Bride," "The
Magnificent Flirt," "The Fifty-Fifty
Girl," "Fools for Luck," "The Vanishing
Pioneer" and "The Big Killing." The
three to be started shortly will be "Ladies
of the Mob," "The Wheel of Life" and
"The News Reel Girl."
ABA Releasing 2 Series
of Film Attractions
A series of stunt features starring Charles
Alden and a series of 12 two-reelers re-
leased under the title of "Gems of Great
Authors" are now being distributed by the
ABA Film Corporation of which Alexan-
der P. Axelrud is the head.
The "Great Authors" series includes pic-
turizations of Shakespeare's "Taming of
the Shrew" and "The Merry Wives of
Windsor," Goldsmith's "She Stoops to
Conquer," Sheridan's "The School of Scan-
dal," Sir Henry Irving 's "The Bells" and
others.
J. J. Gain Re-Signs With
Paramount Studio
J. J. Gain, executive manager of the
Paramount studio in Hollywood, will remain
at the coast plant having signed a new con-
tract with the company. He was formerly
executive manager of the Paramount studio
at Astoria, L. I., and went to the Coast
when it was decided to concentrate produc-
tion in the west.
Renee Adoree Chosen for
Lead in Kyne Film
The leading feminine role in "The Tide
of Empire," a story by Peter B. Kyne, will
be played by Renee Adoree, Metro-Gold-
wyn-Mayer star. Allan Dwan will direct
the production at the Culver City studios.
James Murray will portray the hero.
"After the Storm" April
Release from Columbia
"After the Storm," a sea story starring
Hobart Bosworth and directed by George
B. Seitz, is scheduled for national distribu-
tion by Columbia Pictures on April 19th.
Chaplin Appears as Extra
in Davies-Haines Film
In "Breaking into the Movies," the
Metro-Goldwyn-Mayer film co-starring Ma-
rion Davies and William Haines, a "bit"
will be played by Charlie Chaplin.
Goldwyn Has Prospects
in New Players
SAMUEL GOLDWYN, producer for
United Artists, brought back
from Europe with him the names
of two foreign importations. He re-
cently left for Europe for the purpose
of signing foreign players for his pro-
ductions starring Vilma Banky and
Ronald Colman.
Lili Damiti, star of the Felner Com-
pany in Berlin, has under considera-
tion a contract from the producer
which she has two more weeks either
to accept or reject. The producer's
second importation is Walter Butler,
an Englishman, whom Colman is
sponsoring.
M-G-M Making Several
Plays Into Pictures
FOR the season 1928-29, which
starts August 1st, several stage
plays will be converted into
screen features by Metro-Goldwyn-
Mayer.
Among them will be "Excess Bag-
gage," John McGowan's vaudeville ro-
mance which James Cruze will direct.
McGowan is now at the M-G-M studios
assisting in the adaptation of his work
to the screen. "Her Cardboard Lover,"
another production seen on the stage,
will serve as a vehicle for Marion
Davies. "Four Walls," the play of
prison life, will act as a starring ef-
fort for John Gilbert. "The Baby Cy-
clone," the George M. Cohan play, will
serve to co-star Lew Cody and Aileen
Pringle. "Engaged," by William J.
Hulbert, was also purchased for the
films. M-G-M has "The College
Widow," by George Ade, and "The Cri-
sis," by Winston Churchill, under con-
sideration as screen features. Two
other stories which will soon find their
way to the screen are "Ballyhoo," by
Beth Brown, and "Buddies," which will
be a Davies starring film.
April 21, 19 28
1264-C
Paramount Conventions
Three Sessions for Washington, Detroit and San Iran-
cisco to Discuss Sales Policies
Test Run for "Uncle
Tom" in Fla. Theatre
C i T T NCLE TOM'S CABIN" is
I soon to be put to the test
in St. Augustine, Florida.
The Universal special has been booked
into the Jefferson Theatre there for
three days, commencing April 26th
which is Memorial Day, sacred to the
Confederate heroes, and in many
southern cities a day on which school
children march with the surviving
veterans in grey.
However, the population of Florida
is made up largely of Eastern and
Northern people and few Confederate
veterans are to be found in the state.
Consequently, the celebration that
marks the day in towns of sister states
is lacking in St. Augustine.
Manager Roy Campbell is in charge
of the Jefferson, owned by Universal.
Button Resigns as National
Theatre Supply Head
H. A. R. Dutton, for some time president
of National Theatre Supply Company, has
resigned his position to head the National
Contract Purchase Corporation, which com-
pany will finance time-payment paper from
various businesses, although not the thea-
tre supply business. Dutton was head of
Exhibitors Supply Company when it was
developed into National Theatre Supply
Company two years ago.
In and Out of Town
BOBBY VERNON, star of Paramount-
Christie comedies, who has been vaca-
tioning in New York for the past two weeks,
left Tuesday for Havana, where he will
spend three days and then catch the boat
that will take him through the Panama Canal
for a sail to Los Angeles.
17* H. ALLEN, general manager, and Jack
-J* White, director-in-chief of the Educa-
tional Studios, are in New York City for their
annual conference with E. \Y. Ilammons, the
Educational president.
SAM SAX, president of Gotham Productions,
arrived in the New York office Wednesday,
April 18th. While in the city he will confer
with Budd Rogers, vice-president, on the com-
pany's product for 1928-29.
EDMUND GOULDING, M-G-M director,
arrived in New York also recently. He
plans to remain for at least three weeks,
working on a new story.
OTHER M-G-M players, who have arrived
in New York for trips abroad, are Ernest
Torrence and Eleanor Boardman.
FRED THOMSOM, Paramount western
star, arrived for a short stay in Nezv York
on the Tzventicth Century last zi-eek. He re-
turns to the west zvithin a week. He zvas ac-
companied by J. M. Jerauld of the Paramount
publicity forces.
CHARLES H. CHRISTIE, vice-president
and general manager of the Christie
Film Company, and Pat Dowling, publicity
and sales director, arrived in New York
Wednesday, April 18th. They came from
Hollywood to take in the annual Paramount
convention.
PARAMOUNT will have three conven-
tions this year for the discussion of
sales and production policies. They
will be held in Washington, D. C, Detroit
and San Francisco. The first meeting will
he held in the Carlton Hotel, at Washington,
from April 30 to May 3, inclusive, the second
at the Book-Cadillac Hotel, in Detroit, May 5
to 8, inclusive, and the third at San Fran-
cisco, May 13 to 16, inclusive.
Production and distribution executives
who will attend the Washington sessions
are: Adolph Zukor, Jesse L. Lasky, S. R.
Kent, Ralph Kohn, Walter Wanger, B. P.
Schulberg, C. J. Schaefer, J. D. Clark, John
Hammell, M. H. Lewis, Henry Salsbury,
Charles E. McCarthy, Russell Holnian, John
Butler, F. E. Meyer, L. Bamberger, C. B. J.
Frawley and A. 0. Dillenheck of the Hanff
Metzger advertising agency. Publix officials
who will attend are: Sam Katz, Sam Dem-
bow, E. J. Zukor and A. M. Botsford.
The Paramount foreign department will
he represented by E. E. Shauer, M. A.
Sliauer J. H. Seidelman, Dick Blumenthal,
George Weltner, Albert Deane, 0. R. Geyer,
from the home office, and T. D. Cochrane, A.
About", H. Novak, John Day and A. Pratch-
ett, from the foreign field. The short fea-
ture department representatives will be:
IN accordance with plans completed by
the Stanley Company to produce unit
shows for circuiting to the de luxe pre-
sentation houses in that chain, the new-
stage production department this week got
under full headway, with Joseph Plunkett,
formerly managing director of the Mark
Strand in New York, assuming charge of
the department, and Edward L. Hyman, for
the past eight years managing director of
the Brooklyn Strand, taking over the man-
agement of the New York house. Hyman
will continue as managing director of the
Brooklyn theatre and as well will produce
one unit every three weeks for the Stanley
circuit. Harry Crull, manager of the new
Stanley theatre in Jersey City, will be an
associate producer also, and will stage one
unit every week.
Hyman has moved his office from the
Brooklyn Strand to Broadway and i-; now
located at the New York house of the
Stanley Company at 47th St. and Broad-
way. Under this arrangement it is planned
to eliminate duplication of certain work
which heretofore has been done by each
house independently. In addition to his du-
ties as managing director of the Brooklyn
house, Hyman recently has been producing
units for the Earle theatre in Washington
and the Stanley in Baltimore.
The production department of the Stan-
ley Company, which has been placed under
the charge of Joseph Plunkett i< being
geared to stage unit shows for a circuit
ultimately destined to embrace twenty
Emanuel Cohen, Stanley Waite and Miles
F. Gibbons.
Outside producers releasing through
Paramount who will be present are: George
W. Weeks, Charles Christie and Pat Dowl-
ing, of the Christie Film Company, Leslie
Whalen, Creed Neeper, Frank Harris and
Leslie Adler, of the Lloyd office.
District managers, branch managers and
salesmen who will be present at Washing-
ton will represent the following exchanges:
Boston, New Haven, Maine, New York,
Brooklyn, New Jersey, Albany, Buffalo,
Philadelphia, Washington, Atlanta, Mem-
phis, Charlotte, Jacksonville, New Orleans,
Dallas and San Antonio.
Practically the same executives will at-
tend the Detroit sessions, at which will
also be present representatives of the fol-
lowing exchanges : Detroit, Milwaukee,
Columbus, Cleveland, Pittsburgh, Cincin-
nati, Indianapolis, Toronto, Montreal, St.
John, Winnipeg, Calgary and Vancouver.
The executive groups of Paramount, Pub-
lix and outside producers will journey to
San Francisco, where they will meet man-
agers and salesmen from the exchanges at
Kansas City, St. Louis, Oklahoma City, San
Francisco, Los Angeles, Seattle, Portland,
Salt Lake City, Denver, Minneapolis, Sioux
Falls, Des Moines and Omaha.
weeks playing time. The presentations are
to be staged on an elaborate scale, with spe-
cialty numbers introduced in the course of
miniature musical revues having choruses
and special scenery. Resident jazz bands
whose leaders will act as masters of cere-
mony will work in with the shows at the
houses on the circuit. There is a possibility
that the Stanley Company may produce
units for booking into other picture thea-
tres than those of its own circuit.
The Stanley theatre in Jersey City will
be the first house to play the unit show-;,
which will then be sent to the Strand in
New York, the Strand in Brooklyn, and
later on to Philadelphia, Pittsburgh, Wash-
ington and Baltimore.
The production activities will be concen-
trated in New York, where the performers
will be booked and the acts whipped into
shape for circulating over the chain.
Ames Theatre Co. Plans
New Ames. Ia., House
Joe Gerbaeht, general manager of the
Ames Theatres Company, in Ames, Iowa,
an affiliation of A. H. Blank, telegraphs that
contracts will be let in May for a l.lUU-scat
combination stage show and picture theatre
at Ames. It will contain all the latest im-
proved ideas in seating arrangements, pro-
jection, staging, music and lighting effects.
There will be a ladies' lounge and gentle-
men's smoking room. Negotiations are now
under way for the installation of Yitaphone.
Take New Stanley Posts
Hyman Managing Both New York and Brooklyn Strand;
Plunkett in Charge of Production Department
1264-D
.1/ o t i o n Picture News
Metropolitan in Philly
Leased by Stanley
A FIVE-YEAR lease on the Metro-
politan Opera House in Philadel-
phia, opened in 1908 by Oscar
Hammerstein, was signed last week by
Irving D. Rossheim, president of the
Stanley Company of America. The
house, located at Broad and Poplar
streets, will be completely renovated.
$100,000 will be expended, it is said,
upon improvements, including the in-
stallation of an organ and new chairs
and other furnishings. Actual occu-
pancy of the theatre is expected pos-
sible on September 1st. Motion pic-
ture presentation will be the policy, it
is declared. The present seating ca-
pacity is 4,000.
Lease of the Metropolitan followed
negotiations by Wolf, Block, Schorr
and Solis-Cohen, representing the
Stanley Company, and Edward Loeb
and William McKim, on the part of
Lulu Temple.
New Brand of Releases
From "U" Next Season
Universal plans a new brand of product
for next season. The group will be called
Laemmle specials and will consist of seven
productions: "The Foreign Legion," "The
Michigan Kid," "Give and Take," "The
Cohens and the Kellys in Atlantic City,"
"The Girl on the Barge," "Lonesome"
and "The Last Warning." Reginald
Denny's four productions will be rated with
the above by Universal. The Laemmle
group will be classed ahead of the Uni-
versal Jewel line-up.
"The Foreign Legion," "The Michigan
Kid" and "Give and Take" have been
completed, (he Cohens and Kellys story and
"The Girl on the Barge" are both being
prepared, "Lonesome" is reaching the com-
pleted stage, "The Last Warning" and the
Denny vehicles are yet to be filmed.
John Barrymores Next to
Be Directed by Lubitsch
When John Barrymore assumes his role
in his next production for United Artists, a
screen version of the Frederick Lonsdale
play, "The Last of Mrs. Cheyney," he will
be directed by Ernest Lubitsch. Camilla
Horn is mentioned as the probable feminine
lead. The adaptation of the play will be
done by Hans Kraly.
Barrymore is now in New York. John W.
Considine, Jr., supervisor of the star's next
vehicle, will join him on April 21st. Both
he and Barrymore will then return to Holly-
wood for conferences with Lubitsch.
Territories of Southern
F. N. Offices Increased
With the closing of the Louisville, Ky.,
branch of First National on April 1st, the
territory served by the company's Atlanta
office was increased this week to include the
state of Tennessee east of the Tennessee
River, as its share in the distribution of the
territory served by the distinct office.
The remainder of the Louisville territory
has been divided between St. Louis, which
will handle western Kentucky, and the Cin-
cinnati branch, which will cover eastern
Kentucky. Memphis will continue to serve
Tennessee east of the Tennessee River.
Comedy and Drama in
New First National Films
The stories of the new productions now
under way at the Burbank plant offer va-
riety and include comedies and dramas, re-
ports First National.
"Heart to Heart" is described as com-
edy mixed with drama, "Roulette" as
drama, "The Divine Lady" as a love story,
"The Hawk's Nest" as underworld drama,
"Once There Was a Princess" as a romance
"The Boss of Little Arcady" as comedy,
"The Butter and Egg Man" as comedy-
drama, "The Whip" as melodrama, Harry
Langdon's new vehicle as comedy, "The
Code of the Scarlet" as outdoor drama, and
Johnny Hines ' new feature as comedy.
Pathe Finishes Production
on "The Cop"
Donald Crisp completed shooting on "The
Cop" April 3rd at the De Mille studios on
the Coast. The picture is being cut by
Claude Berkeley. "Man-Made Woman"
has also been finished, edited and pre-viewed
at a local theatre in Hollywood. In this
feature the star, Leatrice Joy, weal's many
sartorial creations by Adrian, the De Mille
costumer. "Tenth Avenue," produced by
William De Mille, had its first pre-view on
April 6th.
St. Glair to Direct Van
Dine Murder Story
Paramount will film "The Canary Murder
Case," the S. S. Van Dine story which ran
serially in Scrib7ier's Magazine. Malcolm
St. Clair will preside over the megaphone
and William Powell will play the leading
role — that of the detective who solves the
case. Albert Shelby Levine has been as-
signed the adaptation of the story to the
screen.
A Correction
An article in the April 14th issue of Mo-
tion Picture News headed "Fox Earnings
$823,658 During 1927" named the Fox Film
Corporation as the concern to which the
financial statement, as printed, referred.
This was an error. The Fox Theatres Corp.
was the company which should have been
specified in the article, as the financial state-
ment referred entirely to that concern.
Al Boyd Buys Philly
House; to Start Chain
AL BOYD, for several years film
buyer for the Stanley Company
of America, has purchased a
2,500-seat theatre now going up at 19th
and Chestnut Street in Philadelphia.
He plans the house as the first of a
circuit of de luxe theatres. Operating
as the house will in opposition to
Stanley, Philadelphia looks forward to
competitive tactics.
The theatre is to be in readiness
Thanksgiving Day. First run pictures
and presentations will be shown, it is
said.
7 New Shorts Comprise
Pathe April 28 Program
"Matching Wits," a new Grantland Rice
Sportlight, "Barnyard Artists," an Aesop
cartoon, Pathe Review and Topics of the
Day No. 18, issues Nos. 38 and 39 of Pathe
News, and the sixth chapter of the Pathe
series, "The Mark of the Frog," comprise
the Pathe short subject program for the
week of April 29th.
The Review presents: "Nautical Naugh-
ties," and "Down on the Farm." The new
episode of the chapter play is entitled
"Cross Fire."
Lucy Doraine, Ufa Player,
Signed by Paramount
Paramount added another name to the
list of foreign-born players playing under
its banner when last week Lucy Doraine,
Hungarian actress, signed a contract.
A. Weiss Re-elected Head
Agfa Corporation
At the annual meeting of the Agfa Raw
Film Corporation which took place last
week Alfred Weiss was unanimously elected
president. The Board of Directors was in-
creased from three to five. The newly
elected directors are : Alfred Weiss, H.
Davis, E. Friedlander, H. Carson and 0.
Von Schrenk.
'Wings" Premiere in Six
Japanese Cities
Paramount 's aviation production,
"Wings," was simultaneously presented in
six of the principal cities in France on
March 30th. E. E. Shauer, general manager
of the Paramount foreign department, as-
serts that the house records of the six thea-
tres were broken by the aviation feature.
Detroit Company Passes
Into New Control
AN important independent film
distribution sale was consum-
mated recently in St. Louis
when Tom McKean, Walter Light and
John Walsh took over the Progress
Pictures Corporation established some
seven years ago by Tom Leonard.
Final details were completed in time
for the new owners, motion picture
salesmen operating in the St. Louis
territory, to take actual charge of the
exchange on April 1st.
N.Y. Upstate Showmen
Form a Co-operative
EXHIBITORS of upper New York
State will apply for incorpora-
tion of the Association for In-
dependent Motion Picture Exhibitors,
a buying co-operative similar to the
Independent Motion Picture Exhibitors
Association of New York, which Aaron
Sapiro heads. Sidney B. Pfeiffer, who
heads the organization upstate, an-
nounced the formation of the co-opera-
tive while in New York where he con-
ferred with Sapiro. Pfeiffer declared
his organization would function with
the New York association and that it
would have a membership of 350 and
would control about 500 theatres. "We
expect to purchase together with the
Greater New York group," said he.
April 2 1, 19 28
MP
Briefs
Stan Laurel's and Oliver Hardy's new
Roach comedy lias been titled "Their
Purple Moment . ' '
"In a Music Shoppe" is the title of the
special Movietone short subject which
James A. Fitzpatrick directed at the
Fox Films New York studio. The story,
written by Fitzpatrick, is based on the life
of Stephen Foster, whose songs are being
played and sung before the Movietone
camera. The cast includes Consuelo Flow-
erton, Tom Morgan, Emily Francis and the
Manhatters Male Quartette. Erno Rapee,
conductor of the Roxy orchestra, is direct-
ing the musical accompaniments.
Supporting Charley Chase in his next
Hal Roach comedy for M-G-M, as yet title-
less, will be Edna Marion, Ed Kennedy, Bull
Montana, Frank Hagney, S. J. Sanford,
Dorothy Wolbert and Sam Lufkin. Fred
Guiol is directing.
Arthur Lake, juvenile star featured in
Universal Sweet Sixteen Drugstore Cowboy
comedies, is to be featured in a feature
production, "Navy Blue," from an original
by Earl Snell. Nat Ross has been chosen to
do the directing:.
Marjorie Moore, a new leading player at
the Educational studio, takes the principal
feminine character in "Between Jobs," a
new Mermaid comedy.
George Marion will do the titles for
"Easy Come, Easy Go," a new Paramount
picture.
Tiffany-Stahl has engaged L. G. Rigby for
six stories, adaptations and continuities.
He is now working on the first of the six,
"A Grain of Dust," a story by David Gra-
ham Phillips which George Archainbaud
will direct.
title of Edward Laemmle's forthcoming
production for Universal. The cast of the
picture will be composed of Xorinan Kerry,
Pauline Starke, Marion Nixon, Kenneth
Harlan, Crauford Kent, Jack Raymond and
Bvron Douglas.
George Bancroft, Paramount star, has
purchased a new home from Joseph M.
Schenck. The house, of 12 rooms, faces on
the Pacific Ocean front at Santa Monica.
The actor intends to move into the house at
once.
Ralph Forbes will be the male lead in
"The Whip," Drury Lane melodrama,
which First National is producing. Albert
Gran and Arthur Clayton are others acting
in the production.
Two of Paramount 's screen writers have
just signed new contracts to continue at the
studio. They are: Donald Davis and
Ornitz. Josef Von Sternberg, director, has
also signed a new pact.
Gladvs McConnell has been added to the
cast of "The Perfect Crime," an F B 0
production now in work under the direction
of Bert Glennon. Clive Brook and Irene
Rich are starred in the film which also in-
cludes Edmund Breese, Carroll Nye, Ethel
Wales, Dick Bellfield, Phil Gastrock and
James Farley.
Wallace MacDonald, screen leading man,
will turn director. He has been signed to
a contract to direct a feature length drama
for First Division.
Harry Langdon's untitled comedy has
been shooting for more than three weeks.
It has been learned that Bud Jamieson is
again acting with the comedian. Earl Rod-
ney and Clarence Henneckc are supplying
"The Big Killing" has been selected as
the final title for a new Beery- 1 Iat t on com-
edy previously known as "Ready! Aim!
Fire!"
Wesley Rugglcs, Universal director, has
signed up with Universal on a long-term
contract. He has been with "U" for two
years and the new contract is said to last as
long. He is expected to make three La
Plante pictures during the coming months.
"The Perfumed Trap," based on a story
by Richard Washburn Child, will be made
as a special by Paramount with ('live Brook
atid Mary Brian the leads. Victor Schert-
zinger will direct. The continuity is now
being prepared by Howard Kstabrook. The
screen adaptation is by A. S. Levine.
Universal is in possession of the screen-
ing rights to "Cupid at Vassar, " the stage
play by Owen Davis. It will be used as a
vehicle for Laura La Plante.
Esther Ralston will play a girl evangelist
in "The Sawdust Paradise," an original
story by George M anker Watters which
Paramount will use as the basis for the film.
Watters and Louise Long are collaborating
on the continuity at present. Luther Reed
will do the directing.
Constance Talmadge's first United
Artists picture will be "East of the Setting
Sun," from the George Barr McCutcheon
story. Sidney Franklin will direct.
Joseph T. Rickard, or as he is better
known to exhibitors and fans, Kalla Pasha,
will have a featured role in "Breaking Into
the Movies," in which Marion Davies and
William Haines co-star for M-G-M.
Sam Wood, director, has been signed to a
new contract by M-G-M.
Olga Baklonova, Russian actress, and
William Powell will perform in "The Per-
fumed Trap," which Paramount is going to
film.
Antonio Moreno will play the featured
role in "The Midnight Taxi," a Warner
Bros, picture which will be started shortly.
John Adolfi will direct. The story, by
George Rogers, has been adapted bv Harvey
Gates.
William Boyd will act opposite Lupe
Vale/, in a forthcoming picture from United
Artists. The story will be adapted from
"La Piava" by Hans Kraly and will be di-
rected by Sam Taylor. Production will be
started inside of three weeks.
Ethlyn Clair will be Tom Tyler's femi-
nine lead in the new FBO western, "The
Battling Buckaroo," filming on which
started this week under the direction of
Robert De Lacy. The support has Frankie
Darro, Harry Woods and Barney Furey.
The story is an original by Oliver Darke,
who also did the adaptation.
"Man, Woman and Wife" will be the
Carmel Myers has been signed by Tiffany-
Stahl to play the feminine lead opposite
Ricardo Cortez in "Prowlers of the Sea."
Helen Lynch, Robert T. Haines and Lor-
raine Rivero have been added to the cast
of Paramount 's "Ladies of the Mob."
James Hogan will direct "Free Lips" for
First Division. Fred Windemerc, who was
to have directed, will write an original
story instead. Frank Hagney will be one
of the leads in "Free Lips."
Charlie Chaplin has added Henry Clive,
artist, to his technical staff. He once played
leading film roles, and has been technical
director for Syd Chaplin.
Richard "Skeets" Gallagher, star of the
stage recently turned to motion pictures,
will have the role of a newspaper reporter
in "The Racket," new Caddo production
for Paramount. Lee Moran and John Har-
row will also appear as reporter.-.
Barbara Kent, now completing the lead-
ing feminine role in "Lonesome," has been
re-signed by Universal.
Monta Bell has begun working on "The
Bellamy Trial" for M-G-M George Barrayd
will be a leading player in the picture and
Anita Page and Eddie Nugent, both M-G-
M "finds," will have reporter roles. Mar-
garet Livingston, Kenneth Thomson, Mar-
garet Seddon, Jack Raymond, Polly Ann
Young, Cosmo K. Bellow and Kalla Pasha
will have assisting parts.
Gustav von Seyffertitz will be the banker
in "The Woman Disputed," Norma Tal-
madge's second for United Artists. Henry
King is now directing the picture.
Carmel Myers will star in two pictures
for Gotham. The stories are "The Mod-
ern Sappho," by Seville Dorian and "The
Girl from the Argentine."
D. W. Griffith has begun camera work
on his newest United Artists picture, "The
Battle of the Sexes." The first >cene was
filmed in the tonsorial parlors of the Am-
bassador Hotel in Los Angeles,
Marceline Day has just been cast for the
role of the girl in "Brotherly Love," new
M-G-M comedy.
1266
Motion Picture N c zv s
Wide Range of Ideas Used in
Theatre Drives for "Speedy"
TF anyone thereabouts was ignorant of the
fact last week that Harold Lloyd in
| 'Speedy" was playing at Shea's Buffalo,
it was no fault of Charles B. Taylor, pub-
licity man for the theatre. In exploiting the
picture to a fare-you-well, he laid down a
barrage of publicity that was inescapable
by anyone with unimpaired eyesight or
hcai ing. Window displays of special cards
bally booing "Speedy Boy," the theme of
the picture, were featured in window dis-
plays of every Victor dealer in Buffalo,
and the music shops also chipped in with
their bit on this song. "Speedy Boy" also
was broadcast over the radio by Ted King
and the Buffalo theatre stage band through
WMAK, and also by Tom Grierson, the
Buffalo organist, with brief talks inter-
spersed, explai ning that the song was the
theme of "Speedy." Optical stores were
tied up with, their window displays featur-
ing the type of glasses Lloyd wears.
"Speedy Service" window stickers, num-
bering several hundred, were placed in con-
spicuous spots in candy and soda shops.
"Speedy" tire covers were put on the
busses of the largest sight-seeing company
in Buffalo.
Placards playing up the "Speedy" ser-
vice angle were hung in Postal Telegraph
offices in the downtown section. Many tire
stores put in special window displays harp-
ing on the speed of their tires and the speed
in the picture. Underwood typewriter agen-
cies displayed cards telling of the speed of
the machines and the speed of "Speedy."
Numerous other tie-ups were effected by
Taylor.
Using the radio to broadcast the laughter
that flooded the Colonial theatre, Harris-
burg, Pa., during the showing there of the
Harold Lloyd picture, "Speedy," was a
most effective plan of exploitation that was
introduced by Manager Lee Levy.
Levy placed several microphones in the
auditorium and connected them with a loud-
speaker stationed in the front lobby, im-
mediately above the ticket booth. By this
means every sound within the theatre was
transferred simultaneously to the street.
The street crowds thus caught the spirit of
fun that was rampant inside.
A coast-wide tieup on "Speedy" has been
arranged for all West Coast Theatres with
the General Petroleum Corporation. More
than twenty-two hundred 24-sheets will be
posted by the petroleum corporation.
Windows will be utilized to plug
"Speedy" which also is the name of the
corporations ' new gasoline product.
Twenty-five thousand "A" boards will be
used at gasoline stations and the house
organ of the company, with a million cir-
culation, will feature the tieup.
Newspaper advertising will be taken
dovetailing with play dates of the picture.
A special horse-car ballyhoo has started a
tour of the coast, leaving Los Angeles for
Seattle, and stopping in scores of cities and
towns.
It is one of the most wide arrangements
of its kind ever made.
Capitalizes on Auto Ads With
Group Drive for "Straight 9"
rpHE bookings for the Capitol Theatre,
*■ Oklahoma City looked unusually strong
to Manager Marsline K. Moore so he set
out to sell his pictures for the month in a
group. Automobile companies were all try-
ing to outdo each other in advertising their
"Straight Eights" so Moore went them one
better and called his month of big pictures
the "Straight Nine." When his teaser ad-
vertising broke, it created no little interest
for the public was eager to learn about the
"Straight Nine."
Moore began his campaign in the news-
papers with a small slug which he had spe-
cially drawn. The slug was in the form of
a " 9 " with a banner ribbon across the
middle upon which was lettered the word
"Straight." This trade mark was carried
out in all his advertising. It was used on
his posters, in the follow-up newspaper ads,
and on 3,000 teaser stickers, which adorned
automobile windshields and plate glass win-
dows.
The theatre front was elaboratelv deco-
rated for the month. A huge beaver board
"9" was fitted with electric lights and
faced two ways. This large electric sign
was a replica of the trade mark, Moore had
been using in the newspapers, and on his
billboards.
On the opening day of the "month of
months," Moore promoted the NeHi bottl-
ing company to build a booth in the lobby
of his theatre and serve free drinks to his
patrons. The NeHi company gave away
many bottles of their beverage and adver-
tised this feature in the newspapers.
When the manager made his plans clear
to the newspaper that he intended stepping
out on nine pictures in a row and advertise
them in a group, the newspaper was recep-
tive to the idea and showed their apprecia-
tion with a five column layout of the stars
who would appear in the pictures. In addi-
tion to the layout, the newspaper carried a
generous amount of extra stories relating
the merits of the attractions scheduled.
Showmanship
•Brief*
MANAGER GEORGE E. WATSON
used a device in the lobby that gave
the effect of shadow bathing to advertise
"Ladies Night in a Turkish Bath" at the
Garden Theatre, Davenport, la. This shadow
effect was thrown on a white sheet that hung
between two of the outer lobby doors. The
shadow was that of a girl going through the
motions of disrobing and taking a bath. This
stunt was used during the busy hours of the
day and at other times a beaverboard cut-
out was used back of the screen which pro-
duced almost the same effect without the
motion.
AS a stunt for the presentation of "Tillie's
Punctured Romance" at the Metropolitan
Theatre, Winnipeg, Manitoba, during the week
of March 26, Manager Walter F. Davis called
for written impressions of the first picture with
this title, starring Chaplin and Marie Dressier,
which was shown in 1914. Three prizes, start-
ing off with a first prize of 12 tickets, were
offered for the best replies. Contestants were
expected to state when and where they saw
the first "Tillie's Punctured Romance" and to
describe briefly how present film subjects com-
pared with those of 1914. The contest closed
the last night of the week.
MANAGER P. D. GRIFFITH had a
shadow box in his lobby that only showed
half of a leg to advertise "Silk Legs" at the
York Theatre. Chattanooga. Tenn. The shadow
box was a three-sheet frame. In the space
for the large photo, two leg forms with stock-
inets on them occupied this space with the back
of the frame draped. A card covered the upper
half of the space. Copy on this card read, "You
Can See Only Half of it Here — Come Inside
to See Madge Bellamy in Silk Legs."
MIANAGER FRED O. SLENKER— ten
days in advance of play date made an
announcement through the local papers
about a model airplane contest for which
prizes would be awarded. Other details of
the contest followed as did mention of "The
Legion of the Condemned" an airplane pic-
ture playing at the Columbia Theatre,
Davenport, la. The models entered in the
contest were used to give atmosphere to the
lobby display.
THE "birth" list furnished Bert Levy, man-
ager of the Columbia Theatre, Portland,
Oregon, was a lively exploitation idea on
"That's My Daddy." Each morning Mr. Levy
sent the new fathers a pass to the show. The
word of mouth publicity on this stunt made it
well worth while.
West Coast Department to
Furnish Bands in L. A.
A new department has been created under
the supervision of M. D. "Doc" Howe of
the vaudeville division of West Coast The-
atres, through which bands and orchestras
will be furnished the public. Uniformed or-
chestras, equipped with special arrange-
ments, are available. The new department
has its separate rehearsal hall. Offices are
at Washington and Vermont, Los Angeles.
Fans Supply Ideas for Campaign
on "The Patent Leather Kid"
Selects Fashion Show Models from
Entrants in Beauty Contest
M\\\UK KRNKST MORRISON, together vsiih 1 1.. Atlanta Con
Btitulion and the Ceorge Muse Clothing Co.. gained much puh-
licily for their fashion show hy running a newspaper eon!e»l foi
models. This fashion show was an added attraction to tin picture "Tin-
Garden of Kden" at the Howard Theatre, \tlanta. (ia.
Aside from receiving advance publicity for the -how it brought out
250 applicants from whom twenty were selected. The contest was started
two and a half weeks in advance of play dates and the newspaper carried
cuts and stories in advance.
A cut showing the applicants appeared in the paper four davs in ad-
vance and this was followed on the next day hy a 2-Column cut of the
twent} winners.
April 21 , 19 28
Auto Agency and Paper
Join "Red Hair" Stunt
Tin' local Chevrolet agency arid the news-
paper joined Manager H. K. Whitaker in
staging; a highly successful "Red Hair"
party to exploit the showing of the picture
of that title at the Hex theatre in Spartan-
burg, S. C.
The party was announced in an article
published by the newspaper, and was for all
girls having red hair of l.~> years and over,
'flic girls were the guests of the theatre al
a matinee showing of the Clara Bow picture.
C! iris wishing to attend the party were ad-
vised to meet at the Chamber of Commerce
between 2:45 and .'5:.'50 on the opening day
of the ''Red Hair'' engagement at the hex.
The Chevrolet agency asked for the privi-
lege of conveying the titian-haired beauties
to the theatre in their new models in which
nine cars were used to transport the 30 red-
haired guests. Banners were carried and it
seemed the longest way to the theatre was
the sweetest way because the cars traversed
the main street twice and visited all parts
of the city
"Chicago" Extra Sniped On
Copies of Newspaper
The Strand theatre in Ft. Wayne, Ind.,
made use of a novel exploitation idea to
advertise the showing there of "Chicago,"
when "extras" carrying a front page head-
lined with stories about IJoxie Hart, the
"Jazz Slayer" were distributed. Manager
Kalberer of the Strand purchased 1,000
copies of the "bulldog" edition of the local
paper and pasted over the front page the
special "Chicago" extra issued as one of
the advertising aids on the picture. The
papers thus sniped were distributed free in
front of the theatres of the Quimby Circuit,
which operates the Strand.
Newman's Trade Improves
With Policy Change
For several months, ever since the open-
ing of the new Loew's Midland theatre, the
fate of the Newman theatre, first run down-
town house of Kansas City and ranking
second to the Midland, has been much dis-
cussed. Business at the Newman "dropped
out of the bottom" after the opening of
the Midland. This week, however, a new
plan is being tried out. A new policy, two
ftrsl run changes in programs a week, in-
stead of weekly, as heretofore, may prove
a success, the management believes. Thus
far attendance has shown a slight increase.
A N interesting elaboration of the poster
and newspaper ad contest was brought
into play as a publicity medium for the
showing of "The Patent Leather Kid" at
the North Shore theatre, Gloucester, Mass.,
when Manager .1. I'. Kincade offered prizes
of theatre tickets for the best suggestion
as to how to advertise the Richard Barthel-
mess vehicle.
The offer was made in a paid ad in the
columns of the Gloucester Times. The ad
was headlined "Win a Prize. Help us ad-
vertise!" This display was two columns
wide by eight inches deep.
A quick response registered from the ad
and the day following publication of the
offer, Kincade received a number of sug-
gestions, some .quite obvious and of no im-
portance, and others decidedly worth while.
One was a poem on "The Patent Leather
Kid" from a woman living in Rockport.
DURING the first run of Douglas Fair-
banks in "The Gaucho" at the Still-
man Theatre, Cleveland, the management
and the Cleveland Press cooperated in an
elaborate tie-up which attracted city-wide
attention. The newspaper sponsored a
Douglas Fairbanks Jump Tournament,
which was also known as the "Gaucho"
Contest.
Entries from all the local gyms were as-
sembled by the Press to participate in these
three typically Fairbanks events; Running
high jump. Standing broad jump, and Hop,
skip and jump. Preliminaries were held on
March 12th, at various gyms, and the finals
were dated for March 21st, at a central
location. A. A. U. rules governed the con-
tests, and entries were limited to amateur
athletes under 10 years of age. The trophies
were silver loving cups to winners of the
first, second and third places in all events;
and, in the Special Fairbanks Trophy Con-
test, silver cups to three athletes making
best averages in three events.
A supervisor was appointed for the
tournament for each of seven groups, com-
1267
From Danvers issued a suggestion for a
one-sheet drawing of a pair of patent
leather shoes with a baby crawling out of
them — an idea adaptable to lobby and win-
dow display for a tie-up with a shoe store.
The contest developed the fact that a
surprisingly large portion of the picture-
going public has an appreciation of the
advertising methods used by a theatre as
well as a knowledge of entertainment values.
The publication in the newspaper of the
poem submitted and other ideas BUggesI ed
by readers gave added publicity to the idea
which Manager Kincade carried out in this
campaign.
The idea is a good one and the day or
two it ran brought much valuable adver-
tising for the theatre and the picture. From
the results developed in Gloucester, this
style of exploitation seems particularly
adapted and valuable in the smaller towns.
prising community centers, settlements,
municipal bath houses, Y. M. C. A. 's. Lake-
wood Recreation Dept., Cleveland Heights
Recreation Dept., and the Recreation
Council.
During the engagement of Douglas Fair-
banks in "The Gaucho," sorting goods
stores featured the tournament in window
displays and also replicas of the hoi as used
by Fairbanks in this picture.
Awards to Managers in
West Coast Drive
Special weekly cash prizes are being (riven
managers of West Coast Theatre- during
the life of the Managers' Opportunity
Drive, the interorganization campaign now
under way. The various theatres through-
out the coa.st have been split into tour
groups and the manager who lands at the
top of each group each week will receive nn
award. There will, of cour-e, be additional
prizes for the managers leading at the close
of the entire drive, which comes to an end
on June Kith.
Golf Driving Contest
Exploits Picture
THE Fort Worth Record-Telegram
and the Worth Theatre of Fori
Worth, Tex., jointly sponsored
a golf ball driving contest to aid in
the exploitation of "Sporting Goods."
There were three divisions including
men, women and boys and three prizes
were awarded to the first three in each
division.
Contestants teed off Thursda\ aft-
ernoon prior to play dates on the
Worth Hills Golf Course. The per-
son driving the little sphere the farth-
est was the recipient of the first prize
award and so on.
"Gaucho" Gym Tournament
Staged by Press and Theatre
1268
M o t io n Picture News
Key City Reports
Neiv York City
SOME of the big Broadway houses
cashed in very nicely on the week fol-
lowing the close of the Lenten season
but all in all the big splurge of looked for
business at this particular time did not ar-
rive— except in spots. Again it was the out-
of-the-ordinary attraction, picture or names
and picture with names that pulled the most
money. There wasn't any noticeable over-
flow to help out the weaker shows. The
outstanding attendance records for last week
among popular priced theatres went to the
Rivoli, Paramount, Roxy and Capitol, while
the Criterion, Astor and Gaiety divided
honors among the two-a-days.
Harold Lloyd in "Speedy" at the Rivoli
shattered any previous record for a week's
attendance at that house, topping the best
mark by 4,000 and by the looks of things
at the present writing this week's trade will
be just as heavy. "Speedy" is sure-fire. This
is the first time the Rivoli ever went over
$50,000 for a week's trade.
After spending almost five months at the
Embassy "Love" (M-G-M), the Gilbert-
Garbo necking film went into the Capitol
and did remarkable business — so good that
it was entirely justifiable to hold it for a
second week. No question about this pair's
popularity in this neck of the woods — and
elsewhere.
An elaborate Easter presentation bill and
a Fox picture "Why Sailors Go Wrong"
served to fill up the big Roxy theatre for
the week, the better of the honors going to
the show. This house has the last three
weeks as excellent ones to its credit. How-
ever, it was "The Jazz Singer" that pulled
the people in the other two. On account
of the calibre of the Al Jolson film, the show
was very noticeably cut.
At the Paramount Paul Whiteman and
"Skyscraper" (Pathe) helped the big Pub-
lix house along to another good week. This
time it was both Whiteman and the film
plus the regular show that did the trick.
The Rialto is still showing "The Legion of
The Condemned" to very fair business but
this film is expected to give 'way soon to an-
other picture. The Strand with "Ladies
Night in a Turkish Bath, a comedy, did a
bit better than average week for this house.
The little Cameo did not do so well with
Harry Langdon in "The Chaser," general
comment being that this comedy is not so
hot. It did not get the usual hold over and
Zakoro's "The Last Moment" came in.
The Hippodrome had Warner Bros. "Be-
ware of Married Men" and "We Americans"
(U) put in another week at the Colony.
Attendance marks for the latter at the Col-
ony are not in keeping with the worth of
the film. As mentioned before, this house is
in a tough spot on the Street. Somehow or
other, the customers walk right by — up or
down.
Among the specials Paramount's "Wings"
continues to cash in, both on account of
transatlantic flights and the excellence of
the production. It may be held well into
the warm weather. The Astor with M-G-M's
"Trail of '98" is apparently settled down
for a considerab'e run, business being con-
sistently good here ever since the film got
under way. "Uncle Tom," after battling
along for six months to an up and
down brand of trade is about ready to call
it quits. In spite of a lot of wisecracks among
the trade this film marie it a pretty good
run. At the Embassy "Two Lovers" (U. A.)
turned in another very good week's business
and this film will probably stay for two or
three more weeks.
The Gaiety with "Four Sons" is leading
the Fox films on Broadway at present with
"Street Angel" a runner up. The latter
came in for excellent comment at its recent
premiere and has not had sufficient time to
show its real strength. The customers have
not forgotten "Seventh Heaven" and the
Farrell-Gaynor team will undoubtedly pull
them in for some time to come. "Mother
Machree" at the Times Square appears to be
the weakest of the trio. Warner Bros, will
let "Tenderloin" and Vitaphone out of
Warner's theatre in time for the premiere
of "Glorious Betsy" on the evening of April
26. Vitaphone song numbers and conversa-
tion is also included in the latter.
The much talked of "Abie's Irish Rose"
comes to town this Thursday — for several
years, some say.
Chicago
' ' OPEEDY," at the Roosevelt, appears
O to have been the best box-office at-
traction of the week in Chicago.
"The Legion of the Condemned" also has
got on with the picture going public, and
McVickers did a satisfactory business. At
the Chicago "The Smart Set" was the feature
picture, with 'Tick Tock" as the stage show,
and Spitalny's orchestral attraction, "Easter
Chimes," rounding out the program which
resulted in fair box-office reports. Paul Ash,
whose second year at the Oriental is rapidly
nearing its end, offered his patrons "The
Song Shoppe," and on the screen "The
Cohens and the Kellys in Paris," business
being good.
"My Best Girl" was replaced at the United
Artists Theatre by "Sorrell and Son" on Fri-
day, business being somewhat off the first
part of the week, but reviving with the pre-
sentation of the new feature.
The Granada had a strong bill offering
Gi'da Gray in person and on the screen in
"The Devil Dancer," northside theatre-goers
turning out in goodly numbers. Another
northside house which featured its stage at-
traction was the Uptown, where the four
Marx Brothers appeared in person, and "A
Night of Mystery" was the picture. Here
also the pulling power of name acts ac-
counted for good business. "The Jazz Sing-
er" with complete Vitaphone accompaniment,
held up well during its second week at the
Marbro.
"The Student Prince" on the screen, and
Benny Kreuger and his band in '"Fast Mail,"
comprised a bill which did much to dispel
the dullness at the Tivoli, a fairly satisfac-
tory week being recorded. "The Jazz Sing-
er" was repeating its northside success dur-
ing its week at the Avalon, and at the Capi-
tol "Old Ironsides' on the screen with Del
Lampe and his orchestra in his inaugural
show, played to big business.
Minneapolis
THEATRE business picked up nicely the
week following Lent, and the crowds
were turning out to the movies again in a
way they had not done for two or three
months. The new Minnesota Theatre had
affected the business of other houses pretty
badly the first two weeks of its existence,
hut the third week the other theatres seemed
to feel the competition less keenly. This
may have been due to the close of Lent, or
merely to the fact that the newness of the
Minnesota was wearing off just a little.
Lent probably explained the increased gen-
eral business, however, for the Minnesota
continued to do a whale of a business with
Bebe Daniels in "Feel My Pulse," and the
Publix stage unit "Havana." The State made
an excellent showing with "The Private Life
of Helen of Troy," the first really good busi-
ness since it changed its policy three weeks
ago and featured the bigger attractions. The
Strand found Elinor Glyn's "The Mad Hour"
a nice drawing card, but Marion Davies, in
"Quality Street," was more or less of a flop
at the Garrick. This house, by the way,
closed its doors Friday night for the sum-
mer. Ordinarily it might have kept open
through May, but not with the Minnesota
for competition.
Pantages found "Dressed to Kill" was a
nice box-office attraction, and The Henne-
pin-Orpheum enjoyed good business with a
program which included "A Blonde for a
Night." The Lyric did a brisk trade with
Milton Sills in "Burning Daylight," while
Emil Jannings in "The Last Command"
came into the Grand for a second run show-
ing, and duplicated its previous success at
the Strand.
The neighborhood houses, as a rule, shared
the good business of the loop theatres. The
leading ones — the Lyndale, Loring, Ameri-
can, Rialto and Lagoon — were showing such
pictures as "Sorrell and Son," "City Gone
Wild," "The Dove" and "The Last Com-
mand."
Seattle
EDDIE PEABODY, dynamic musical di-
rector, master of ceremonies and banjo-
ist-entertainer de luxe, returned to the Fifth
Avenue Theatre here last week and took the
town by storm. Peahody has been away
from this house since last September, when
he finished a seventeen-week engagement
that put the Fifth Avenue on a big money-
making basis, and his return last week
proved that he was still the greatest indi-
vidual box-office magnet in the history of
Seattle show business. Assisting him in his
specialties Peabody had his "pal," Jimmy
Maisel; Gogo DeLys, charming vocalist; and
Eanchon-Marco's "Jungle Idea." which was
seriously considered one of the finest stage acts
even seen in a local picture house. "The Divine
Woman" on the screen pulled its share of
business through the name of Garbo, but
failed to get much audience enthusiasm. The
house did far and away more than any other
theatre, grossing close to $20,000 in one of
the biggest weeks in its history.
The Seattle Theatre, with four very big
weeks to its credit, showed a very noticeable
drop in gross, attributed to the remark-
able box-office power of the Fifth Avenue
show. "The Crowd" was the film feature
at the Seattle — it was pleasing to "think-
ing" audiences, but was slightly marred by
being cut to conform to the time available
for picture presentation. On the stage, Paul
Ash's "Mikado of Jazz" presentation by
Publix was pleasing to the eye, but lacked
the class and speed of previous Publix pre-
sentations. It got by very well with audi-
ences, however. A good week, but not big,
as has been the custom since the recent
opening.
With the exception of those two houses,
show business was decidedly off. The United
Artists Theatre, playing "Doomsday," fell
considerably below the average, with one of
the weakest engagements in recent months.
"Finders Keepers," at the Columbia Thea-
tre, was just an average attraction with fair
business to its credit. "The College Hero,"
April 21, 19 28
1269
at the Blue Mouse, with Vitaphone and Mo-
vietone features, attracted a little more busi-
ness than has been apparent for the last
three weeks, but still failed to hit anywhere
near the old gross of a few mouths ago.
"Streets of Shanghai" was the Embassy
attraction that played to average houses.
The Orpheum, with vaudeville and "Wall-
flowers," played to slightly improved gross
over the last two weeks, and "Sharpshooters"
at Pantages attracted the usual average busi-
ness but no more. The latter picture got the
break between the two vaude-lilm houses.
Reduced prices and bigger shows down-
town still shows their effect on the neighbor-
hood theatres, where business is quiet, but
the Egyptian still maintains a good pace with
its second-run Vitaphone films and Movie-
tone installation.
Harrisburg
BY far outstripping any other attraction
for the week in Harrisburg theatres, the
Harold Lloyd comedy, "Speedy," did a tre-
mendous business at the Colonial, where
they had to stand, waiting for seats
at every performance, including the mati-
nees. .Due to the fact that the Colonial's
manager, Lee Levy, had done some excellent
exploitation work for "Speedy" during the
week in advance of its showing, the house
was filled on the very first day. That was
enough to clinch the success of "Speedy" for
the entire week.
It is probable the exceptional success of
'"Speedy" was reflected in less business done
in other first-run houses. At Loew's Regent
the main attraction was William Haines in
"The Smart Set," and, while the play was
entertaining, the attendance was below the
usual average at that theatre. Zane Grey's
"Under the Tonto Rim," with all-star cast,
was the feature offering at the Victoria, and
met with a fair degree of patronage.
At the State the film attraction the last
half of the week was "Peaks of Destiny,"
a German film importation. The State did
a good business, stimulated by the presence
of a fashion revue, featuring Lucille, French
designer, with seven Atlantic City bathing
beauties as models
Albany
BUSINESS came back with a bang in
Albany and Troy last week, with cool
weather predominating and with excellent
attractions booked at practically all of the
first-run houses.
At the Mark Strand, in Albany, "Old Iron-
sides," preceded by a rather elaborate pro-
gram of exploitation, went over big, with
the crowds even standing at Monday's mati-
nee, something decidedly unusual for Al-
bany. What is more to the point, the crowds
represented money, there being but little
"paper" and that for a group of orphans. A
newsboy band of 32 pieces was also featured.
The Vitaphone presentations, including a
sketch by Irene Rich, as well as selections
by Gene Morgan and his orchestra, did not
score any too heavy.
The Leland, in Albany, played to packed
houses throughout the week with Norma
Shearer's "The Latest from Paris," coupled
with an Our Gang comedy, a Grantland Rice
Sportliglu picture, and a newsrecl. Clinton
Square, in Albany, played to good business
with double features, including "Soft Liv-
ing" and "Jaws of Steel."
At the Mark Ritz, in Albany, "The Little
Shepherd of Kingdom Come" ran ahead of
"The Noose," and served to pack the house
day in and day out, the week probably con-
stituting close to a record breaker. Her
manus Bleecker Hall, in Albany, continues
to be packed each night with a combination
of double features, together with three acts
of vaudeville, as well as "silver nights" and
"opportunity nights." There is no doubt
that many were drawn to Proctor's Grand
Theatre, in Albany, during the last of the
week by Milton Sills' "Burning Daylight,"
featuring Doris Kenyon, who is well known
in this city, and a favorite.
Neighborhood houses in Albany report
that business came back exceptionally well,
following Lent.
In Troy "The Last Command" ran for
four days at the Troy Theatre to very good
business, apparently everyone liking the pic-
ture. Kaster Sunday went over well. For
the last three days of the week, "The Smart
Set" proved a good box-office attraction at
the theatre. At the Lincoln, "Sporting
Goods" ran just fair for the first four days,
while "Dressed to Kill" did not do any-
thing to brag about.
Cleveland
THE movies had a slim week here last
week. There were several bright spots,
there were a lot of good pictures, and there
was every reason why folks should attend
the shows. Except one. They had no
money. They were either getting squared
up for the pre-Easter purchases, or they
were saving up for the post-Easter sales.
Anyhow you figure it, the result's the same,
and the box-offices were not decorated with
long lines of prospective patrons.
Everyone agreed that "The Crowd," play-
ing at the Stillman, was a great picture,
wonderfully worked out, interesting, and
food for thought. But it couldn't buck the
department store competition. "Speedy" did
do well at the State. There is always time
between purchases for a laugh, and
"Speedy," as good as all Harold Lloyd pic-
tures, managed to overcome the prejudice
against buying theatre admission tickets.
"Across to Singapore" did just fairly well
at the Allen, in spite of its endorsement by
local critics as "exciting melodrama." Keith's
Palace, which almost always plays to capac-
ity houses, did its usual business with "Sky-
scraper," interesting enmcdy-drama, and
"The $24 Island" as an added picture attrac-
tion. "Lady Raffles," well-done detective
story of the popular variety, pulled just fair
attendance at Reade's Hippodrome. Keith's
East 105th St. reported average results with
"The Night Flyer," a tense, exciting melo-
movie with good cast. "The German Side
of the World War," shown locally for the
first time at the Oriental, did fairly well.
"Wings," playing a first-run road show
engagement at the Colonial Theatre, played
to very satisfactory evening attendance, but
to light matinees.
Neighborhood theatres report that busi-
ness was below average for the week.
Legitimate theatre competition was normal.
Cincinnati
THE week in the Queen City looked like
a "Who's Who in Hollywood." insofar
as names are concerned. Competition among
the stars was unusually keen, and all houses
came in for a good share of the takings.
Al Jolson in "The Jazz Singer," in the
third and final week at the Capitol, main-
tained the high attendance record of the
preceding fourteen days. The engagement
could no doubt have been extended with
profit.
Another holdover, Harold Lloyd in
"Speedy," at the Lyric, did a big business,
the picture drawing as well the second week
as the first.
The Albee. with Lon Chaney in "London
After Midnight," together with a Gus Ed-
wards unit and other stage attractions, did
exceptionally well.
Keith's held over "The Legion of the Con-
demned" for a second week, with a slight
decline in returns toward the end of the run.
"The Night Flyer," at the Strand, drew well,
as did also Menjou in "A Night of Mystery"
at the Walnut. John Gilbert in "Shame,"
first half, and Shirley Mason in "Stranded,"
last half, got a good share of patronage on
both.
The N. V. A. benefit brought out large
crowds at the downtown houses, where this
event was featured.
Atlanld
PRETTY weather last week brought a
boom to Atlanta box-offices, with the
Qipitol leading, followed closely by the
1 loward.
The banner picture prize goes to "A Girl
in Every Port," with Victor McLaglen and
his eight beauties, which played to standing
houses at the Capitol all week.
Not far away Harold Lloyd in "Speedy"
at the Howard likewise drew 'em, and
shrieks of laughter sounded forth. Lloyd
has a sure box-office number in this fun-gsm.
Too bad the presentation was on the decline,
the plausible reason, perhaps, why McLaglen
came in first, for a special drawing card,
W alter C. Kelly, went over big on the Capi-
tol stage.
"Circus Rookies" did not fall so hard at
Loew's Grand, but comedy competition else-
where was too keen for Dane and Arthur.
At Keith's Georgia "The Shepherd of the
Hills," with a good vaudeville bill, brought
a neat gross.
The Rialto, playing the second showing
in Atlanta of "The Dove," and "Sorrell and
Son," enjoyed a good week, as good as weeks
at the Rialto go.
Three villain thirsty numbers, "Galloping
Thunder," "Where the Trail Begins," and
"Spoilers of the West," plus the innumerable
showing of the Dempsey-Tunney fight films,
scored for the Tudor.
Des Moines
' I 'HE Vitaphone pictures had their opening
1 at the Des Moines Theatre and had
capacity business as soon as the doors were
opened. "The Jazz Singer," which has just
started, bids well to be a popular attraction.
The Des Moines just completed a week
with "Speedy" and, on account of the fact
that the Vitaphone inauguration was played
up in its advertising, the Harold Lloyd pic-
ture showed some effect from the little at-
tention given it in advance advertising. The
picture was well liked, but did not do what
Harold Lloyd usually does.
At the Capitol the stage show was not up
to standard with "Circus Daze," and "The
Love Mart" must be held responsible for at-
tracting business on its own as the theatre
did not suffer any decrease in attendance
It did a good week. Billie Dove grows in
favor.
At the Strand "The Cohens and Kellys in
Paris," played without any special exploita-
tion, did a tremendous business.
"South Sea Love," with l'atsy Ruth Mdler.
finished the half week and did very nicely.
MUSIC FILMS
for
MUSIC WEEK
May 6-12
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Milwaukee
OME of Milwaukee's best, biggest and
busiest weeks in the downtown thea-
tres has just been closed. The weather was
moderate and clear, and the downtown at-
tractions brought out throngs. Business
over the week end at the beginning of the
run was not especially good, but things
picked up appreciably after Easter.
"Gentlemen Prefer Blondes" was featured
at the Wisconsin, and was in no small meas-
ure responsible for the excellent business
that theatre enjoyed. The Strand, showing
"The Legicn of the Condemned," was the
scene of a projection room fire on Monday
night, which in no way interfered with busi-
ness later in the week. The picture was well
attended, and is being held over for a second
week. "The Enemy," at the Merrill, was
very well received.
"The Gaucho," in its second week at the
Garden, justified its continued run, and busi-
ness here was far better than during the
preceding week. "The Hunchback of Notre
Dame" was re-presented at the Alhambra,
and resulting patronage was very satisfac-
tory. The Palace enjoyed unusually good
business throughout the week. The photo-
play, "ML'night Madness," was enthusi-
astically received.
Business in the neighborhod theatres
picked up considerably this last week. "The
Crowd" brought in good business to the
Oriental. "Wild Geese" was offered at the
Garfield, Uptown and Tower, and drew very
good houses. "The Private Life of Helen
of Troy" drew well at the Modjeska. "The
Dove" procured very satisfactory results at
the Venetian.
Baltimore
BUSINESS picked up considerably for the
first-run houses in Baltimore during the
week beginning Monday, April 9, with "The
Crowd," featuring Eleanor Boardman and
James Murray, going over with a bang at
Loew's Century, with Jack Partington's re-
vue and other vaudeville favorities on the
same bill. Audiences liked "The Crowd"
immensely.
A very good business was done by "The
Gaucho" starring Douglas Fairbanks at
Loew's Valencia, but the picture did not do
the business expected.
1 hroughout the week at the Stanley, "The
Heart of a Follies Girl," starring Billie
Dove, and the stage presentation act, "In
Granada," with Van and Schenck as added
feature, went over very big through the week
at the playhouse.
A nice business was done at the New
Theatre with "Dressed to Kill," co-starring
Edmund Lowe and Mary Astor, with the
Primrose Four also on the bill.
The jungle picture, "Simba," did pretty
good business at Ford's Theatre, a legitimate
house, where it was shown as a road show
attraction with prices at $1.50 at night and
$1 for matinees top prices.
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MOTION PICTURE NEWS
729 Seventh Ave., New York City
"Lady Raffles," starring Estelle Taylor,
did good business at Keith's Hippodrome
with five acts of Keith-Albee family-time
vaudeville.
At the New Garden "Love Me and the
World Is Mine," starring Norman Kerry
and Mary Philbin, only did a fairly good
business with eight acts of Keith-Albee high
class acts on the same bill.
"Buttons," starring Jackie Coogan, proved
a good business getter at Warners' Metro-
politan in the afternoons when many children
went to see it in this uptown house, and a
fair business was done at night throughout
the week. Vit^phone attractions were also
on the same bill.
At the Rivoli "Ladies' Night in a Turkish
Brth" was the feature film attraction, with
Jack Mulhall and Dorothy Mackaill. Arthur
Spizzi presented Howard Emerson and his
Rivolians. Business throughout the week
was fairly good.
Salt Lake City
SOME exceptionally heavy box-office re-
ceipts have been reported this past week
?t the Salt Lake downtown picture houses.
This having been L. D. S. Conference week
here, aided somewhat in attendance records,
as several thousand people came to this city
from the surrounding territories. Weather
conditions were none too good, as cold
winds and rain have been the rule through-
out the week.
The Capitol Theatre was forced to close
their box-offce window everv night after the
first two nights, at nine o'clock, due to the
bier staee attraction they put on in addition
to the picture performance. This stage offer-
ing was the Eight Famous Victor Artists,
who literally brought the house down, and
who filled it to overflowing, in conjunction
with Milton Sills and Doris Kenyon in Jack
London's "Burning Daylight."
Jackie Coogan, in "Buttons," played to
capacity houses at the Pantages in connec-
tion with their vaudeville performance,
which offered the noted Huston Ray, pianist,
as a feature attraction. A midget piano is
being given away at the Pantages as a tieup
with a local music dealer and Huston Ray,
which also added to the attendance record.
Charlie Chaplin, in "The Circus," went
over in a fine manner as an extended run at
the Paramount Fmpress. A special stage
production was also offered here.
The Victory Theatre enioved above the
average business last wesk during the pre-
sentation of "Dressed to Kill" with Edmund
Lowe and Mary Astor, according to Man-
ager Ray Hendry. Very satisfactory at-
tendance was the rule at the Americ?n Thea-
tre with "The Heart of Maryland."
The Gem Theatre presented Tom Mix and
Tonv in "Horseman of the Plains" to well
filled houses throughout the week.
San Francisco
ANOTHER big crowd patronized "The
Jazz Singer," which was shown with
Vitaphone at the Embassy Theatre for the
eiehth week. Many came from small town
districts to see this picture a second and
even third time. During the week prices
were reduced for children in many of the
motion picture theatres, as it was Easter
Week, and children were having vacation.
The Embassy was one of the first theatres
to announce lower prices for the week.
Loew's Warfield Theatre was crowded the
entire week. The picture shown was "The
Divine Woman," which, together with the
Fanchon and Marco presentation, "Jazzical
Justice," as interpreted by Rube Wolf, at-
tracted thousands. The Granada Theatre
also attracted many; "Circus Rookies" and
the Partington act, "Russian Revels."
The Golden Gate Theatre did very well
with "San Francisco Nights," and vaudeville,
and the Union Square Theatre did excep-
tionally well with "Tongues of Scandal" and
five acts of vaudeville; all special.
"Partners in Crime," a comedy, fairly well
filled the St. Francis Theatre the evenings
of the second week. "The Enemy," shown
at the California a second week, did very
poor then, as it did the first. It being held
over only because it was under contract, it
is said.
Residential Theatres continue to do well.
Among the outstanding ones being, The
Majestic Theatre, with "Les Miserables," the
Alexandria Theatre, with "Stark Love," and
the Coliseum Theatre, which showed "That's
My Daddy" on the screen and the "Varsi-
tonians," college book singers and dancers
from the University of Washington.
Dallas
THE attractions offered at the Dallas
theatres the past week were unusually
good, and, with the exception of two days
of continual rain, the first part of the week,
was good.
At the Majestic, "A Dog of the Regiment"
with Rin-Tin-Tin, and three of Hal Roach's
"Our Gang" kids in person, chalked up a
good box office week with most of the credit
going to Scooter Lowry, Johnny Downs and
Mary Korman, the kid actors, who more
than pleased the public.
"The Jazz Singer," with Al Jolson at the
Melba, brought the Melba its banner week,
since its opening as a Publix theatre. The
opening was slow due to the very bad
weather, but business increased rapidly and
the end of the week still had them standing.
"The Jazz Singer" continues for at least one
week longer.
At the Palace, Harold Lloyd in "Speedy"
got the business, and kept them standing
after a fair opening. The picture was well
liked and Lloyd drew all the business as the
Publix presentation was far below par.
"The Garden of Allah," with Alice Terry
and Ivan Petrovich, at the Capitol, brought a
good week's business, but not the amount
of business that was expected.
At the Old Mill, "Serenade," with Adolphe
Menjou, and "One Woman to Another,'"
with Florence Vidor, had a fair week's gross.
The Arcadia secured only fair business
with "French Dressing," with Lois Wilson
and H. B. Warner, and "The World at Her
Feet," with Florence Vidor.
Neiv Orleans
BOX-OFFICE receipts spurted in the
downtown motion picture houses with
the end of the Lenten season. During the
■40-day period of sack cloth and ashes, espe-
cially during Holy Week, business had ex-
perienced an awful drop.
The Saenger Strand Theatre took the
lead in receipts and attendance over New
Orleans' premiere houses, Loew's State and
the New Saenger. "The Patent Leather
Kid" was the feature attraction and the
house broke records. Every performance
was packed. So big was the demand that
the Strand held the Dick Barthelmess
feature over a week. Excellent publicity and
exploitation put the picture over in great
style.
Loew's State came next. "A Night of
Mystery," with Adolphe Menjou, was the
screen attraction that drew them to the
popular Canal Street playhouse. This photo-
play, coupled with five acts of excellent
vaudeville, was a fitting program for the
theatre's second anniversary and Easter
Week observance. The picture was well ex-
ploited and publicized.
The New Saenger Theatre did an excellent
week's business with Harold Lloyd in
"Speedy." This proved to be excellent en-
tertainment for patrons of the house. Seven
acts of Publix vaudeville were coupled with
"Speedy," but it was the film that attracted
them to the house.
April 2 1, 19 28
1271
"13 Washington Square," with Alice Joyce,
was the Orpheum feature film, but the N. V.
A. Week vaudeville bill pulled business to
the University Place Theatre.
J. ihu Gilbert, in "St. Elmo," was the
Crescent feature, and the week's business
was above average. A musical tabloid show
was presented in conjunction with the pic-
ture. Local film fans flock wherever Gilbert
is show n.
The Liberty showed "Love Me and the
World Is Mina," and the box-office cash
register clicked more times than it had done
at any time in several weeks.
William Russell continues to prove a popu-
lar actor in New Orleans, judging by the
way customers flocked to the Palace Thea-
tre, to see "Woman Wise." A musical com-
edy show is presented in addition to the him,
but, due to the fact that the past week's
show was one which had been presented a
few weeks previous, credit for the week's
business is credited to the Russell vehicle.
Pittsburgh
THE Penn, with William Haines on the
screen in "The Smart Set," and cm the
stage "Sun Shades,' a Frank Cambria unit,
did a very healthy business, with the Haines
picture keeping the audience in very good
spirits throughout the entire performance.
The feature picture at the Aldine was
"Baby Mine," with Karl Dane and George
K. Arthur, which was just fair. Jas. J. Cor-
bett and Bobby Barry headlined the vaude-
ville show, and drew a very nice attendance.
The Nixon opened this week with
"Wings," a picture that has been very much
exploited, and they had no trouble selling
this at tract i< in.
Stanley Theatre, with Clara Bow in "Red
Hair," did about the same average as the
Penn. Incidentally this is the first week for
stage units at the Stanley. There is room
for lots of improvement in this unit. "Sky
Blue" is the name of it.
The second week for Harold Lloyd in
"Speedy" at the Grand did not play up to
expectations. Pittsburgh is not so hot for
held-over attractions, excepting very big
productions such as "The Big Parade," etc.
For some reason or other, with the ex-
ception of the Penn and Stanley, things
were not what they should have been, con-
sidering the fact that this was the first week
after Lent.
Buffalo
ALL previous box-office records were shat-
tered decisively last week at Shea's
Buffalo by "Speedy," Harold Lloyd's newest
money-maker. With the picture ably ex-
ploited, crowds jammed the theatre from the
moment the first show started on the open-
ing day of the week, until the new bill was
ushered in seven days later. With two more
days of the weak yet to go, "Speedy" already
had topped the previous high box-office
mark, established by "The Big Parade."
Other previous box-office records, set at vari-
ous times by Paul Whiteman and his orches-
tra, Sousa and his band, and Gertrude
Ederle, melted into virtual insignificance
alongside "Speedy." The movie-going pub-
lic passed through the doors of the Buffalo
with a consistent regularity that delights the
heart of showmen. "Araby." the stage pre-
sentation, also "clicked," and the bill was
universally pronounced one of the best ever
brought to the Buffalo.
Not to be outdone, Shea's Hippodrome
also established a new box-office record, due
largely to the presence of the Harry Carroll
revue. "Ladies Night in a Turkish Bath"
was the picture. Carroll's revue set the tow n
by the ears, and the advertising given him
by word-of-mouth from Sunday's patrons
kept the crowds coming in all week long.
Excellent receipts came the way of the
Great Lakes, where the picture was "A Girl
in Every Port," and the stage bill, headlined
by Dorothy Ray in a syncopated revue.
"The Heart of a Follies Girl," and a vaude-
ville program headed by " The Four Brad-
nas," who perform real stunts with straw
hats, drew good crowds to the Lafayette.
Marion Davies in "The Patsy," and a stage
bill headed by Norton Brower in "Bughouse
Fables," were the attractions at Loew's
State, and the customers flocked to the house
in pleasing numbers throughout most of the
week.
Coming after the Lent season, the week
was one of the most profitable for Buffalo
houses in recent months, despite some un-
favorable weather and the presence of
George Arliss and "Hit the Deck" at the
legitimate theatres.
Tarn pa
EASTER SUNDAY started the week off
in great shape. The weather was ideal,
and, after the Holy Week vacation, all the
fans came back and gave the theatres record
attendance. "Speedy" was the feature of
the first half at the Tampa, and Lloyd
showed his speed by crowding the record
established by Clara Bow. Business was
big tor the full four days of the run. "The
Showdown" was featured the last half, and
it did very well.
"Tenderloin" and four special Vitaphone
presentations, held over for a second week
at the Victory, continued to draw very good
business. Sunday was big and the rest of
the week was very good.
The Strand had an immense business on
Sunday with "South Sea Love," and Monday
went over very good. "Finders Keepers,"
used the following three days, did not seem
to click.
News Reel Resume
The flight of the Bremen, from Ireland to
an island not far from the coast of Labra-
dor, is an achievement which receives due
recognition from the editors and cameramen
of our several newsreels. There are other
items to attract more than passing notice —
the opening of the baseball season; the un-
veiling of Lee Stone Mountain memorial
and stirring shots of the American and
British Meets on the high seas — but these
stories are a bit overshadowed by the one
relating to the latest conquerors of the
At lantic.
Paramount News No. 7.) first presented
shots of the Bremen in Dublin and then
went on to show the activities of the Ger-
mans with their gliders. Continuing the
reel were views of Sub. S-4, in which 40
lives were lost; the Stone mountain unveil-
ing; firemen review in Tokio; an annual
novelty; coast guard cutter off on an iceberg
hunt ; a daredevil and his risking of life.
Xo. 7(i: Airplane carrier Lexington in
drydock; sister of the builder of the
Bremen, fire-ladders tested in Germany;
Statue of President Andrew Jackson un-
veiled; reindeer training in Finland; Amer-
ican purchaser of "Alice in Wonderland";
a pelican pet; military parade before King
Albert of Belgium; taking passengers off
stranded vessel; Al Smith vacationing in
Southland; President Coolidge considers
summer white house otters; North Sea light-
house 33 miles from land.
Kinograms No. 5387 began with various
views of baseball activities; the crowds
awaiting the Bremen at Mitehel Field;
Tokio crowds honoring hero dead. Novelty
was had in an intimate scene of a 74-year
old llagpole climber and .lack Dcmpscy. The
British grand fleet in the North Sea; Charlie
Paddock sprinting and Lindbergh's mother
in Toronto were additional highlights.
In n3S8 were scenes of German ^words-
men training for the Olympics; destroyers
going into Brooklyn Navy Yard; ><a going
liner grounded in canal; Helen Wills; Swed-
ish explorer on expedition into the Gobi
Desert; a Coney Island in the heart of
Paris; sister of the designer of the Bremen
hopping off for Montreal; the relief pilot
who flew to the crew of the Bremen.
M-G-M News Vol. 1, No. 7(J: The Bremen
and its crew in Dublin; unsuccessful tryout
of vertical flying plane, the ceremonies at
Stone Mountain; a circus hippopotamus;
Soviet army in parade; newest styles from
Paris; destroyers battle rough ocean gale.
No. 71 showed China's starving liordes;
California youngsters learning the game of
golf; scenes attendant to the unveiling of
the Jackson statue in Washington; -teamer
driven ashore in Cape Cod Canal; Bill Til-
den and fellow tennis stars; the Lexington
undergoing a spring cleaning; Al Smith;
monkey antics; the trans-Atlantic fliers.
No. 33 of Paths News dealt with a review
of U. S. troops at Manila; American and
Mexicans engaged in tennis fray; Queen
Marie of Rouinania leaving for Mediter-
ranean vacation; Japanese fishermen haul
their boat through Honolulu streets; the Lee
memorial at Stone mountain; the S-4 in
which tragic naval disaster occurred; the
Prince of Wales thrown in race; Heeny,
who will mix with Tunney; the British licet
in maneuvers.
No. 34 reviewed the rescue of passengers
from grounded vessel; Helen Wills; Presi-
dent Jackson's statue; carnival in Philip-
pines; the largest cruiser which Fncle Sam
is building; trick billiard shots; the Bremen
crew and views of Greenley Island.
International News Vol. 10, No. 30:
'Frisco boy scouts in parade; submarine
S-4 repaired; New Haven inaugurates auto-
matic control of traffic; the Bremen and
crew in test flight; Chinese juveniles in a
minstrel show entertainment; a bunny
farm; England's fleet in battle practice.
No. 31 : The Bremen, its crew, relief pilot,
and sister of the builder, who flew from
Curtiss Field to meet them; a pageant in old
Seville; a pet. pelican; Governor Smith
visiting Asheville; Chinese praying to Con-
fucius for crops; passengers removed from
stranded steamer; the President attending
the Jackson eereinonies; the Portuguese
method of bull fighting.
No. 08, Vol. !> of Fox N. 'ws presented
news of the big league baseball teams; the
Coolidge dam nearing completion in Ari-
zona; sea gulls Hocking from the Irish Sea;
German war flags massed in old castle;
Death Valley pilgrimage honorim; desert's
victims; moslem festival at Jerusalem;
General Lee memorial unveiled; the U. S.
fleet on the Pacific and the British fleet
leaving Portland.
In No. 59 were additional shots of the
relief plane flying to meet the Bremen
crew; camera interview with F. D. Stair,
publisher of the Detroit Free Press; sound
liner ashore; Chinese dogs in exhibit; Al
Smith in Asheville; the Lexington in
'Frisco dry dock; trick cycle rider- in Ger-
many; ice jam in the Niagara Gorge; F. S.
defeating Mexico in tennis matches; boat
race from Albany to New York; M. P. T. O.
ball in Buffalo; citizens go aloft in the
Los Angeles, passenger air line opened on
the Pacific Coast.
1272
Motion Picture News
Opinions on Pictures
The Chaser
Slow and Poorly Executed
(Reviewed bv Chester J. Smith)
I I ARRY LANGDON, through this latest
I * opus, will lose a lot of the popularity
he gained when he quit the two-reel ranks
to star in feature length comedies. In ' ' The
Chaser" he is right back to the two reelers,
a two reeler that is padded and poorly
gagged out to feature length.
There is hardly the thread of a story in
this picture; there is no continuity and the
direction, by Langdon himself, is poor. The
gags are only fair and what there are of
them are poorly executed. They are allowed
to drag out to such length that they lose
what little humor there is to them.
Langdon, unfortunately, is the whole
works. There is not another role in the
story that is worthy of mention, and aside
from his usual comical makeup, he falls
absolutely flat. He slowed down what might
have been a fair two-reeler to the lackadai-
sical and languid pace of the personal char-
acter he always assumes. There are not as
many gags nor as much action in this full
feature length film as usually characterize
the two-reeler, though the picture is styled
after the two-reeler. Langdon needs better
material than this and far better direction
if he is again to assume the popularity he
once enjoyed.
Drawing Power: Only the past popular-
ity of the star may draw the customers to
the box-office window. The picture will get
little of the word of mouth publicity. It
has little to recommend it. Exploitation
Angles: There is little in the angles of the
story or the gags that can be exploited.
The star and the title seem to be the only
bets open.
THEME : Domestic comedy in which the
badly hen-pecked husband is sued for di-
vorce, but instead of granting it the Judge
sentences the husband to serve as the
kitchen maid which he does until he becomes
so humiliated he attempts suicide, but in do-
ing so takes castor oil by mistake. The wife
and mother-in-law think him dead when he
disappears, but he returns to make them
repent of their cruelty to him.
Produced by the Harry Langdon Corpo-
ration. Released by First National. Re-
leased February 12, 1928. Length 5,744 feet.
The Cast: Harry Langdon, Gladys McCon-
nell, Helen Hayward, William Jaimison,
Charles Thurston. Director, Harry Langdon.
A Night of Mystery
Gripping Story, Well Done
(Reviewed by Chester J. Smith)
TT is seldom that a heavy melodrama is
■*• so well done on the screen as is this one
that stars Adolphe Menjou. But for the
capable manner in which it is directed and
handled it might be just another picture
somewhat depressing and not too entertain-
ing, but this capable cast gives such a gen-
erally good performance that it holds one
fairly spellbound throughout.
The title might suggest another one of
those mystery plays or pictures, but that is
far from so. It is an out and out melo-
drama, but the story is so logical and con-
vincing that it is a real pleasure to see it
unravel to a most satisfactory conclusion.
Menjou is a splendid hero, as effective in
the more melodramatic sequences as he is in
the romantic ones, of which there are many
throughout the action of the picture. His
acting is really a splendid piece of work
that could be effective only if not overdone
and at no time does he overreach himself.
He is given splendid support by William
Collier, Jr., brother of the girl he loves, who
is unjustly convicted of a murder; and by
Evelyn Brent and Nora Lane, who divide
the feminine honors in an exceptionally
good picture.
Drawing Power: The melodramatic na-
ture of the story together with the splen-
did acting and the logical tale unfolded
should make it equally attractive at all
classes of houses. Exploitation Angles:
The tale is one that offers the best of rea-
sons for the abolishment of capital punish-
ment and the inconclusiveness of circum-
stantial evidence, both subjects of interest
to newspapers ; the star and the good sup-
porting cast offer exploitation angles, as
does the press book.
THEME: Dashing Captain is in love
with girl, whose brother is convicted of mur-
der which the captain saw committed by
another, but by his silence he protects a
former mistress who is now the wife of the
French trial judge. The girl refuses to
marry him because her brother is a mur-
derer. Eventually the murderer confesses
and there is a happy ending.
Produced and distributed by Paramount.
Released, April 7, 1928. Length, 5,741 feet.
The Cast: Adolphe Menjou, Nora Lane,
William Collier, Jr., Paoul Paoli, Evelyn
Brent, Claude King, Frank Leigh, Margaret
Burt. Directed by Lothar Mendes. Adapted
from ' ' Captain Ferreol, ' ' by Victor Sardou.
Adaptation by Ernest Vajda.
Love Hungry
Pleasing Comedy Romance
(Reviewed by E. G. Johnston)
rp HE title of this picture might possibly
* suggest a more animated quest on the
part of the love hungry person than what
really follows, for starving folks do get
vicious at times — but such is not the ease.
It's just a nice little program affair, with
the sincere and pleasing work of the princi-
pals standing out as the best thing about it.
Victor Heerman can also be credited with
a more or less adequate brand of direction —
but the film does drag through the first half.
"Love Hungry" can be placed under the
classification of what is termed in this field
an "audience picture." Not one bit of
naughtiness in it, and one that should make
the members of any censor board exclaim:
' ' What a nice, clean film ! ' ' There are some
really amusing situations, and some of the
subtitles are quite good. Lois Moran,
Lawrence Gray and Marjorie Beebe render
an excellent account of themselves.
There is nothing startlingly original
about the srory. A discouraged c-hoi^us girl,
the daughter of struggling parents, returns
to her home accompanied by a girl-friend.
They find a star boarder occupying one of
the rooms. Quite a bit of play is made on
the girl's arrival. Tom, the boarder, play-
ing his role as a great help to the family,
attempts to sell Joan the idea that she
should marry a wealthy man and, subse-
quently, introduces her to one. Joan is really
in love with Tom, who, in addition to hold-
ing down his regular work, is writing a
story entitled, "How to Marry on $40
Per ! ' ' Following a number of events, Tom
finally wakes up to the fact that they love
each other, and they decide to give the $40
a whirl.
Drawing Power: A clean, wholesome com-
edy romance, which will satisfy most audi-
ences.
Exploitation Angles: Play up title and
names of principals.
THEME: Comedy romance in which dis-
couraged chorine returns home. Plans mar-
riage with wealthy man, but ends with en-
gagement to man she loves, and they start
off life on $40 per.
Produced and Distributed by Fox Films.
Length, 5,792 feet. Released, April 8, 1928.
The Cast: Lois Moran, Lawrence Gray,
Marjorie Beebe, Edythe Chapman, James
Neill and John Patrick. Directed by Victor
Heerman.
Mad Hour
A Tale of Jazz and Repentance
(Reviewed by Chester J. Smith)
HIS "Mad Hour" is a well played and
1 more or less true-to-life tale of jazz,
its possible consequences and the repent-
ances that are apt to follow it. It becomes
harrowing and untasty as its climaxes de-
velop and it causes one to reflect if it is not
just what might happen as it does happen
in the picture, to any jazz-mad pair of
youngsters.
It is a horrible ending and one that hardly
seems justified in the closing sub-title, ' ' The
Wages of Sin Is Death," for, as a matter
of fact the girl, on whom the tragedy falls,
is not nearly so much the sinner as the
sinned against. However, it is an ending
that is entirely logical and it is somewhat a
relief from the usual happy fadeout. It is
just what might be expected in the circum-
stances when a poor flapper girl weds a hor-
rible cad who is the son of a wealthy father.
The girl is unjustly sent to jail, has her
mariage annulled and her child taken from
her all because she is without funds and is
deceived through her continued love for
the cad.
Sally O'Neil is just about the whole pic-
ture. She is equally effective as the jazz-
mad girl and the terribly oppressed young
wife and mother. Her work is altogether
commendable and the highlight of a pic-
ture that holds the interest throughout.
Donald Reed is the caddish young husband,
who is seen to better advantage in the jazz
sequences than in the more serious moments
as the story develops. Lowell Sherman does
April 21, 19 28
1273
well as the stylish crook, hut the role is a
comparatively small one. The direction of
the picture seems unusually pood.
Drawing Power: It is a story of jazz,
crooks, prison and other elements that have
their appeal to picture house patrons, and
being well acted should prove a good draw
in any type house. Exploitation Angles:
Elinor Glyn's name and the title will sug-
gest ways of exploitation, as will the jazz
and the prison angles and the popularity of
the leading players.
THEME: Son of wealthy and socially
prominent family weds daughter of poor
taxi-driver as result of wild jazz party. He
is disowned by father and the youngsters
are inveigled by a clever crook to unwit-
tingly return stolen jewels and receive the
large reward for him. She is captured, sent
to jail and while there gives birth to a son,
which is taken from her and her marriage
annulled. She is freed and returns on the
night of her former husband's second mar-
riage. In distraction she drives off at the
wheel of the wedding car and plunges over
a cliff to her death.
Produced and distributed by First Na-
tional. Released March 4, 1928. Length
6,625 feet. The Cast: Sally O'Neil, Alice
White, Donald Reed, Larry Kent, Lowell
Sherman, Norman Trevor, Eddie Clayton,
James Farley, Rose Dione, Tully Marshall,
Margaret Livingston, Jack Eagan, Kate
Price, Mary Foy, Iona Holmes. Story from
Elinor Glyn's ''The Man and the Moment."
Adapted by Tom Geraghty. An Alan Dwan
production. Directed by Joseph C. Boyle.
The Adorable Cheat
Fair Society Drama
(Reviewed by Chester J. Smith)
fT,lllS first Chesterfield production under
* the supervision of Lon A. Young tells
a story that has often been repeated and
sometimes in a more entertaining manner
than this one. It is altogether too slow mov-
ing and its climaxes are unconvincing; then
too, the incidental action is so stereotyped
that the tale is almost entirely without sus-
pense. It is too easy to foresee the culmina-
tion of the tale.
Lila Lee is starred in the picture and to
her credit it must be said that she is as
winsome as ever and she does well in a role
that gives her little opportunity to display
anything but her winsomeness. She is just
a sweet young society girl, very much in love
with the shipping clerk in her wealthy
father's establishment. She is the adorable
cheat because she goes to work as assistant
to the shipping clerk under an assumed
name and without the father having knowl-
edge of the fact. All of which means little or
nothing to the story except that it gives
her the opportunity of inviting the shipping
clerk to a week-end party at her home,
where the real action take- place.
The cast is a fairly well balanced one,
but everything about the picture is so com-
monplace there is little chance for any of
them to show real ability. Cornelius Keefe
is the young lover and is as attractive in
the role as is Miss Lee. The rule- of the
others are rather insignificant, but capably
handled.
Drawing Power: It is neither better nor
worse than the general run of these pictures
and should do fairly well in the neighbor-
hood houses. Exploitation Angles: Lila Lee
is probably the best bet you have along
exploitation lines.
THEME: Daughter of wealthy manufac-
turer falls in love with his shipping clerk
and unknown to her father gets a job as
shipping clerk's assistant under an assumed
name. The romance ripens and he is in-
vited for a week-end party to her home,
where her weakling brother through heavy
gambling losses, rifles the father's safe and
suspicion is turned' on the shipping clerk.
He proves his innocence, wins the place of
the wealthy man's general manager and
also the girl.
Produced and distributed by Chesterfield
.Motion Picture Corp. Released April 15,
1928. Length, 5,400 feet. The Cast: Lila
Lee, Cornelius Keefe, Burr Mcintosh, Regi-
nald Sheffield, Gladden .1; Harry Allen,
Alice Knowland, Virginia Lee. Director,
Burton King. Supervised by Lon A. Voting.
Story by Arthur Hoerl. Edited by Lee
Anthony.
The Little Yellow House
Oodles of Appeal Here
(Reviewed by Raymond Canly)
MR. AVERAGE FAN will enjoy the
homely appeal, the situations familiar
to ordinary folk that are to be found in
this story by Beatrice Burton. There
is sentiment — mother love, a sudden death,
a yearning lover — that at no time is maudlin
or far fetched. The simple little tale it
has to tell has been invested with a natural-
ness, a fervor that is close to the heart of
Main Street. Thousands of families ex-
perience trouble in such a guise as is pre-
sented here. Many a fan, then, will not
look with askance at the story. Exhibitors
are out to please the average patron.
Here's the type of story that will turn the
trick.
"The Little Yellow House" does not go
in for action, melodrama and live-wire
heroics. It is more of characterization and
every-day incident. Not soon will you for-
get Emmy (Martha Sleeper), petulant and
somewhat selfish; or Pop Milburn (William
Orlamond), nearly all the time gloriously
soused; nor Ma .Milburn (Lucy Beaumont),
his tired and patient wife; nor Grandma
Pentland (Edytlie Chapman), the cross and
stern grand-parent. The acting front all
hands is good. Leo Median's direction is
responsible to a great extent to the homely
appeal of which the picture smacks.
Drawing Power: A good picture which
will draw well. Exploitation Angles: The
average man and woman will find it recog-
nizable. Use a toy house for your lobby
display and have it glaringly yellow. Tell
your patrons it's an appealing film.
THEME: The story of a family, chiefly
about the girl, who despises her home and
regards it as a hovel. After she has lived
away from it for a time and discovered that
her love for luxury had aimost spoiled her
life, she returns to her mother well satis-
fied to accept the love of a staunch admirer.
Produced and Distributed by F I! 0. Re-
leased, April 24, 1 !»•_'*. Length, (i.4(i:i feet.
The Cast: Orville Caldwell, Martha Sleeper,
Lucy Beaumont, Wm. Orlamond. Edward
Peil. Jr., Freeman Wood, Edythc Chapman.
Story by Beatrice Burton. Adaptor,
Dorothy Yost. Continuity by Oha>. Kerr.
Cameraman, AJ Siegler. Director, Leo
Median.
The Crimson Citj
Okay us Program Fare
(Reviewed l>> Hawnond (»anlv)
MELODRAMA in the dive- of Singapore,
an Englishman on the road to degrada-
tion, a Chinese girl who lifts him up, schem-
ing Orientals — all these details and more
have been welded together to form a moder-
ately entertaining story. The acting of
Matthew Betz, of .John Miljan, of Anna
May Wong aids considerably in making
effective the scenes of scheming and plot-
ting, of degradation and sacrifice with
which the picture is plentifully stocked.
The scenes dealing with the water front
dive of "Dagger" Foo (Matthew Betz)
have been directed with vigor by Archie
Mayo. Naturally, they are the most in-
teresting of the story, but the figure pervad-
ing them — the lonesome little Chinese girl,
Myrna Loy — is not effective nor does she
ring so true. Miss Loy has the sloe-eyes,
the exotic features which, it would seem,
would make her well suited for her role.
However, she is strangely unemotional.
Betz is first-rate as the scheming dive-keep-
er, while Miss Wong, with what little she
has, proves that she is a capable Oriental
miss when it comes to acting. Sojin, in a
minor part, is quite effective.
With its knife-throwing, its strong
Oriental atmosphere, and many menaces,
"The Crimson City" is a fairly strong
story with which to attract the fans.
Drawing Power: Okay for houses cater-
ing to lovers of melodrama. Exploitation
Angles: Create an Oriental atmosphere in
your lobby. Carry out a campaign or bally-
hoo which has a strong Chinese flavor.
THEME: Melodrama in which Chinese
girl saves Englishman from clutches of
Chinese dive-keeper. The Englishman
thinks he is wanted by the police so he
dodges his own kind, and avoids the English
girl he loves. However, he is freed of guilt
when the real party confesses, and is re-
united to the white girl when the Chinese
miss renders him a valuable service.
Produced and Distributed by Warner
Bros. Released, April, l!»_>s. Length, Six
reels. The Cast: Myrna Loy, John Miljan,
Leila Hyams, .Matthew Betz, Anders Ran-
dolf, Sojin, Anna May Wong and Richard
Tucker. Story and scenario by Anthony
Coldeway. Director, Archie Mayo.
"Slippery Head"
( Educational — Two Reels)
(Reviewed by Raymond Ganly)
JOHXuW ARTHUR is the extremely dumb
and forgetful hubby, and Lucille Hutton, his
impatient wife, in this Tuxedo comedy written
and directed by Norman Taurog. The latter
has not succeeded in waking the star up and
giving him a snap and dash— at least not quite
as well as Harry Sweet, who made of "Visitors
Welcome," a recent Arthur vehicle, something
fast and comical.
The type of comedy that forms the bulk of
this newer piece is best described as rougbhouse.
They break everything in sight. One scene,
showing Arthur entertaining with a violin, while
Jack Miller accompanies on the piano, turns out
to he a veritable slam-bang, slapstick affair.
Arthur becomes entangled in his music stand,
his hands become enmeshed in fly paper, bis feet
become encased in violins, his general aspect is
awry. His accompanies! fares no better as he,
too. unfortunately falls inside of the baby grand
and emerges with a mass of wire and an aspect
<>f disorder. This rougbhouse type of comedy has
found favor with audiences in the past, and it
will probably collect a share of chuckles when
it is flashed on the screens of neighborhood and
similar houses for which it is best suited.
1274
Motion Picture N e iv s-
"Fighting Destiny"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
FRED GILMAN is starred in this western
featurette, which varies little if any, from
those that have gone before. It is made up of
intrigue, romance and fast riding, with the sus-
pense element lacking because you always know
just what is going to happen next.
Oilman is Dan Lincoln, the Texas Ranger,
who is in love with Mary Robins, owner of the
J. X. Ranch. Mary's brother has fallen in with
bad company, particularly the villainous fore-
man of Mary's ranch. The youth attempts to
hold up Mark Siddons, who has just sold an ad-
joining ranch and is returning with the proceeds
of the sale.
Young Robins is chased off by the arrival of
the ranger, but in the chase abandons his horse
to hide in the wagon being driven to the ranch
by his sister. He tells sister the holdup was
just a fake and she hides him. The ranger finds
the horse and sees that it is branded with the
J. X. brand.
Mary returns to the ranch and becomes con-
vinced the holdup was not a fake when she over-
hears the foreman calling down her brother for
his bungling. She persuades the youth to ride
to the Siddons' ranch and warn him that a fur-
ther attempt is to be made to hold him up, but
the foreman and his gang knock out the boy
and hasten to the holdup scene, for which Mary
has already started to sound the warning.
Meantime the ranger comes upon the uncon-
scious youth, who redeems himself by accom-
panying him to the Siddons ranch and effecting
the capture of the desperado band.
"Blow By Blow"
(M-G-M Comedy— Two Reels)
(Revieived by E. G. Johnston)
AS far as the throwing of food is concerned
this must be put on record as being the
most completely done thing of its kind the
writer has ever witnessed. As an accomplish-
ment in the way of hurling a full course of din-
ner— soup to nuts — in the several faces around
a dining table — it must be rated as a master-
piece of this sort of comedy making. Never,
we dare state, has food ever traveled faster
across a table— <ox with truer aim. Max David-
son is the head of a quarrelsome family. Daugh-
ter is entertaining the boy-friend amid the racket.
Boy-friend states that more laughs are needed in
the house as they gather at the table. Spec
O'Donnell playfully shoots a piece of butter to
the side of his father's face. From this point
on the game gathers headway, ending in a fusi-
lade of food throwing — of course providing the
missing humor in this household.
"Barnum and Ringling, Inc."
(M-G-M Comedy— Two Reels)
(Reviewed by E. G. Johnston)
WE heartily recommend this Robert Mc-
Gowan comedy as one which will delight
the younger generation. The kids really ought
to get a great kick out of it for as usual, "The
Gang" put on one of their prankish games.
This time it's a circus. That there is a dearth
of real animals does not daunt these young
showmen. Most of the zoological exhibit does
not quite run true to form, it may be admitted,
but its quite complete nevertheless. Complica-
tions, due to the fact that a Ritzy hotel is being
used to stage the show, arise in the person of
the house detective. The animals escape and the
corridors become full of scurrying guests and
animals.
"Women Chasers"
(Universal — Two Reels)
{Reviewed by Chester J. Smith)
IT is unfortunate that Mike and Ike are not
given better material with which to work.
They are a pair of hard workers, they are char-
acters that undoubtedly have an appeal, and they
have winning screen personalities, but they are
asked to put over a brand of humor that is too
silly for any but the smallest neighborhood
houses. If their stuff was toned down a trifle and
a little more attention was paid to story ma-
terial there is no doubt they would achieve great
popularity.
In this one they answer an advertisement for
two brave men and immediately get the posi-
tions. They are employed by a wealthy man
who is being blackmailed by a beautiful girl and
their job is to recover certain letters in her pos-
session. They hasten to a cafe where she visits
and disguise themselves as waiters. The letters
are concealed in the stocking of the girl. They
go through all sorts of antics in trying to re-
cover them and because of their actions the place
is thrown into an uproar, which eventually cul-
minates in a free-for-all fight and the complete
wrecking of the establishment.
"Limousine Love"
(M-G-M Comedy— Two Reels)
{Reviewed by E. G. Johnston)
CHARLEY CHASE can generally be de-
pended upon to come through with what
this writer considers the best in two reel comedy
making of the present day — and this one is not
an exception. Fred Guiol can also be credited
with the good direction. As in certain other
two reelers to his credit, Charley is on his way
to meet his bride. It is their wedding day.
From the time his car crashes into another the
story and action swiftly develops, being built
around the fact that a married woman, drenched
from a spill in a roadside pool by auto, has
invaded the rear of his limousine in order to dry
her clothing. Her husband comes along and
begs a ride from Charley. Her clothing van-
ishes down a stream when its rescue is attempted.
Suspense, as to the discovery of the wife by the
husband, is admirably kept up — right up to the
time of the ceremony. The cast includes Edna
Marian, Viola Richard, Edgar Kennedy and
Bull Montana. An excellent two reeler.
"Felix the Cat in Comicalities"
(Educational — One Reel)
NO wonder the little black is popular — when
they give him vehicles like this. It's been
a long time since the writer has witnessed an
animated cartoon that can boast so wide and
varied an assortment of gags, so snappy and
speedy a tempo. Space does not permit an
enumeration of the many clever touches that are
discernable in almost every sequence of the car-
toon. Suffice it to say that it is very good, one
of the best Felix cartoons yet. In their way
the comedy incidents are on a par with the
gags of a Llovd comedv. Thev've got finesse
and a tangible knack. — RAYMOND GANLY.
"The Flying Age"
(Fables-Pathe— One Reel)
A FEW jumps ahead of all of the modern im-
provements on flying machines, is this car-
toon of the Aesop Fables series. It has flying
trains and ferry boats ; it has flying perambula-
tors, and regular taxis in the flying service.
They even wind up old Al's legs and he ascends
as far as they will spin and then he is out
of luck and compelled to make a forced land-
ing. Some of these flying machines on which
there are open air swimming pools and other
unique devices are bound to be productive of
hearty laughs. There is no story in connection
with this one, but it is a distinct novelty even
for these fable cartoons. — CHESTER J.
SMITH.
"Nicknames"
(Educational — One Reel)
THE main idea of this Lyman H. Howe
Hodge-Podge real is to present the various
nicknames of the United States in a manner
that entails both sense and nonsense. The dif-
ferent states come in for a brief period of at-
tention. A shot or two of their natural
grandeur, like the dells of Wisconsin or the
Green Mountains of Vermont, a bit of clever
animation in the titles — all in all, the reel is a
fairlv suitable program filler.— RAYMOND
GANLY.
"From Soup to Nuts"
(M-G-M Comedy— Two Reels)
(Reviewed by E. G. Johnston)
THREE huge cakes and a banana peel ac-
complish the undoing of the Stan Laurel-
Oliver Hardy team in this one. The two come-
dians take a turn at "buttling" for a Ritzy host-
ess. The main trouble is that, their experience
as waiters, was gained at a railroad restaurant.
Many complications arise; misinterpretation of
orders to bring in a "salad undressed ' brings
Stan to the dining room in his underwear — the
underwear being a compromise, on his part, with
his conscience. Hardy tries three times to navi-
gate from the kitchen with the big cake, but the
banana peel wins each time. It's a very fair
two reeler. E. Livingston Kennedy directed and
it's a Hal Roach production. Besides the stars,
Anita Garvin and S. J. Stanford are in the cast.
"Hungry Hohoes"
(Universal-Cartoon — One Reel)
CARTOONIST WALT DISNEY displays
his usual skill and an unique brand of hu-
mor in this Oswald cartoon which bristles with
funny incidents and mechanical devices. It shows
Oswald as an adventurous hobo stealing a ride
with a companion on a freight and both very
hungry.
The freight is transporting a shipment of
livestock and a stray chicken comes the way of
the hobo pair while they are in transit. In the
absence of a match Oswald drags his companion
along the road-bed until his trouser's seat be-
comes so hot it serves as a broiler. At a stop-
ping place the hobo pair are chased by a train
attendant and in the chase all sorts of devices
are used until Oswald and his pal make their
getawav on another freight. — CHESTER J.
SMITH.
"Barnyard Artists"
(Fables-Pathe— One Reel)
IT all comes out in the wash, is the moral of
this cartoon in which Old Al and Henry Cat
turn artists and draw animated cartoons, which
are the basis of a show for all the animals.
Their finished product is flashed on the screen
and shows an aggressive pup.
Then comes a smart rabbit who defies the
pup and makes him take water. When the real
character of the pup is learned his former vic-
tims chase after him to the edge of a cliff,
where one of the elephants stumbles over the
cliff and the ensuing crash into the lake floods
over the screen, through the theatre and out
into the streets, taking the audience in its wake.
There are several bits of humor in it that makes
this one well above the average. — CHESTER
J. SMITH.
"All Bear"
(Educational — One Reel)
QUITE often the contention is heard that a
program of interesting short subjects
would beat the average movie program of fea-
ture, presentation and the rest if the two did
actually contest. Certainly you rarelv see sub-
jects as good as this Walter Futter Curiosities,
which Beth Brown has so delightfully edited and
titled. A program of shorts of the calibre of
this one would, the writer is sure, be worth the
time spent viewing it — more so than the average
feature program. There is a dash of fun in the
comical antics of the two lumbering bears.
Recommended as enjovable fare for audiences
anywhere.— RAYMOND GANLY.
"Matching Wits"
(Sportli<dit-Pathe — One Reel)
THIS is another of the refreshing Grantland
Rice "Sportlights"' and it should be an at-
tractive filler on any program. It is a matching
of wits between the sportsman and his prey, the
game fish and the game bird. Here is shown
some of the skill required in landing the fighting
steelhead trout, and again the devices necessary
for the hunter to outwit the fast-flving duck
and quail.— CHESTER J. SMITH.
April 2 1, 19 28
1275
Classified Ads
RATES: 10 cents a word for each insertion, in advance
except Employment Wanted, on which rate is 5 cents
Some spirited displays featuring a spirited per-
sonality. The ads reproduced above exploited
Clara Bow in "Red Hair" at several first run the-
atres, including the Des Moines. Des Moines;
Apollo. Indianapolis: Princess. Toledo; Alhee.
Cincinnati; Capitol. Salt Lake City, and the
Howard in Atlanta. The Princess, Apollo and
Howard ads are three-columns, the other three
are of two-column size.
Situation Wanted
PROJECTIONIST
I'XrOX. Young m;m with
broad experience, in motion
picture projection desires po-
sition. Capable, can make
^ond anywhere. Address Box
346, care Motion Picture
News, 729 Seventh Ave., New
York.
ORGANISTS and SING
ERS, thoroughly trained and
experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address, Chicago
Musical College, 64 E. Van
Buren, Chicago.
Help Wanted
WANTED Organist— Male.
Have Seeburg Piano-Organ
style S. State salary. Experi-
ence. Library. Liberty Thea-
tre, Johnston City, Tenn.
WANTED — Experienced
salesman to sell Pipe Organs
in middle west territory. Op-
portunity for a live wire to
make real money. Address
Box 340, care Motion Picture
News, 729 Seventh Ave., New
York.
Theatre Wanted
PAYING THEATRE
WANTED. Give details.
Box, 339, eare Motion Picture
News, 729 Seventh Ave. New
York City.
WANTED— To lease thea-
tres in towns of 1800 up. Ad-
dress Box 347 Motion Picture
News, New York City.
WANTED to buy used
Powers or Simplex Projec-
tors. Brinkinan, 607 West
137th St., New York.
or
Sal<
FOR SALE — Washington
Theatre, Granite City, Illi-
nois. Modern and up to the
minute in every detail; cost
half a million dollars and ow-
ing to sickness will sacrifice.
Seats 1900, can stand 700—
open air theatre next to build-
ing, seats 1600, can stand
1000 — Seven day town —
population over 30,000 and
from surrounding towns draw
30.000 more. Pay rolls 2y2
million a month. Two other
small theatres in town. Will
gladly show all records for
past five years which show
$50,000 a year profit. $125>-
000 cash will handle deal, bal-
ance in ten years. Address
Box 342, care Motion Picture
News, 729 Seventh Ave., New
York City.
FOR SALE— Two theatres
in Southwestern town of 15,-
000. Both located advantage-
ously. At a bargain for cash
sale. Address Box 341, care
Motion Picture News. 729
Seventh Ave., New York.
FOR SALE.— 1,100 second
hand, veneer theatre chairs in
first class condition at $1.10
per chair. Also 650 first class
upholstered opera chairs at
$3.00 per chair. Address Box
425. care Motion Picture
News, 729 Seventh Ave.. New
York.
1.300 P, A s B B A L L
CHAIRS for Ball Park. Air-
drome. Like new. $1.35 each.
2.500 LEATHER I'PIIOL-
STERED and VENEER The-
atre Chairs perfect condition.
S00 are RE-l'PIIOLSTERED
look like new. $1.50 up. Will
sell any amount. AMUSE-
MENT SUPPLY CO., INC.,
729 Seven) li Ave.. New York
City.
1276
Motion Picture News
onal News from Corresponden
IT is announced here, according
to figures just made public by
the federal reserve, that Salt Lake
is leading the cities of the 12th
federal reserve district in the in-
crease of its volume of "retail
trade." Seattle comes second in
the district and Oakland third.
Jack Proctor, who came to this
city from Los Angeles, and has
been acting as publicity manager
for the Louis Marcus Enterprises
throughout this territory, is re-
ported to have resigned this posi-
tion.
The rumor which was reported
recently as a probability regarding
the opening of a new Atlas ex-
change here by Barney Shooker
and Able Davis, is now announced
to have been erroneous, and future
arrangements will be announced
later.
A. L. Glassmann, who is taking
over the Orpheum theatre of Og-
den, Utah, April 15th, has been in
this city for the past week consult-
ing with various local concerns as
to the installation of a new venti-
lating system and other major im-
provements which are to take place
before the reopening of this house
about May 15th.
Glassmann is leaving for Los
Angeles right away to make final
arrangements for the installation
of the Vitaphone and the Movie-
tone.
Manager Fred Lind of the F. B.
O. exchange has returned from a
visit to the new shipping point re-
cently opened at Butte, Mont.
Dave Bershon, Western district
manager for United Artists, is re-
ported to be due in this city April
11th for a two days' visit.
Able Davis, well known in film
circles here, has just joined forces
with United Artists and is assigned
to the high points of the territory.
Davis will succeed F. M. Berman,
according to Manager Stern. John
Salt Lake City
Dickson is still working in the
Aloiitana section for Lnited Ar-
tists.
'1 he local Tiffany office, which
at present is in charge of Miss
Alary Peterson, is still temporarily
located at 252 East First street and
any future change in location will
be announced immediately.
E. M. Gibson, who has been in
charge of the local Tiffany ex-
change for the past few months, is
now selling for Universal, it is
stated.
Tony Hartford, manager for
Universal in this city, just re-
turned from a successful swing
through the Idaho branch. This
office is at the present writing in
second place in the Carl Laemmle
Anniversary Drive, which ends
Alay 5th, and great expectations
are held out here for the local of-
fice to be sitting on top when the
drive closes. Hartford is leaving
for Wyoming this week.
K. K. Pack, former booker for
Universal at Butte, Alontana, is
back in this city, according to an-
nouncement at the local Universal
exchange.
The Salt Lake friends of H. H.
Alilstein, who had charge of the
local Universal office for some time,
will be glad to know of his re-
cent promotion to one of the prize
offices of the United States for Uni-
versal, being now assigned to
Pittsburgh.
Exhibitor Hedstrum, associated
with A. R. Anderson of the Or-
pheum theatre at Twin Falls, Ida.,
was a visitor here this week, as
was Exhibitor Griggs, of Driggs,
Idaho.
Wayne Ball, manager for War-
ner Bros, in this city, has left for
Idaho and will also make Mon-
tana before returning. Salesman
Ed. C. Mix is making Idaho with
Ball and M. F. Keller is en route
to Butte.
Manager W. F. Gordon of the
Salt Lake Associated First Na-
tional office is still in Butte, Afont,
where he had charge of the special
Film Board of Trade meeting held
there.
Manager Clyde H. Messinger is
now making the Twin Falls branch
of Idaho for Educational.
Among the exhibitors visiting
this city within the past few days
was Ray Sutton of the Strand the-
atre at Provo, Utah; J. W. Nixon,
of the Bonita theatre at Provo,
Utah; E. Tietjen, of the Jewel
theatre at Santaquin, Utah, and
Mrs. E. H. Littlejohn, of the Ly-
ric theatre at Price, Utah.
John Stable, of the Bountiful
theatre at Bountiful, Utah, was also
in on a booking trip this week, it
is reported.
Ben F. Rosenberg, district man-
ager for Fox,, has left this city
for a short trip to Los Angeles.
Manager Charles Walker, of this
exchange, is making the Idaho sec-
tion.
In addition to Manager George
E. Carpenter, of the Capitol the-
atre, Carl A. Porter, of the Para-
mount Empress, and Ray Handy,
of the Victory theatre of this city,
Joe Koehler, of the Idaho theatre
at Twin Falls, Idaho, Harry Ash-
ton, of the Paramount at Ogden,
and Sam Levine, of the Paramount
of Provo, Utah, were in attending
the meeting held by the Louis Mar-
cus Enterprises, of which L. Alar-
cus, here, is president and general
manager.
"Hap" Fredericks, local manager
for Columbia Pictures at this ex-
change, is working in the Cache
Valley section of Northern Utah
this week, leaving Miss Nina Scott
in charge during his absence.
Fred Young, who has been in
Denver and the surrounding terri-
tory for the past few months, is
now in the Salt Lake territory for
a short time for Columbia.
Fred Brown, one of the owners
of the DeLuxe Feature Film ex-
changes in Denver and Salt Lake
City, left last week for Denevr, af-
ter having spent several months in
this city. James R. Keitz, branch
manager here, has left for a trip
into the Southern Utah territory.
Alanager O. Wog, of the local
Paramount-Famous-Lasky office, is
back from Butte, Alont., where he
attended the Montana Film Board
of Trade meeting.
L. C. Wingham is expected back
to his managerial desk at the Salt
Lake Metro-Goldwyn-Alayer ex-
change the latter part of the week
from Montana.
C. J. Sonin, purchasing agent for
Aletro-Goldwyn-Alayer, from New
York, is in this city visiting the
local office and leaves for Denver
right away.
At the semi-annual meeting of
the Motion Picture Theatre Own-
ers of Utah, held here a few days
ago, it was decided upon to hold
these meetings quarterly from now
on, according to report.
Mell Stringham, owner of the
Colonial theatre of Ogden, Utah,
is also among the exhibitor visit-
ors in this city at this time.
J. W. Simmons, of the Orpheum
theatre at Oakley, Idaho, and well
known in this section, is on a book-
ing tour here.
Milwaukee
THE latest Wisconsin addition
to the U-chain, the Venetian
theatre at Racine,, opened on April
12th, thereby adding 2750 seats to
the Alilwaukee theatre circuit. Ar-
thur Friedman is managing the the-
atre, as well as the Rialto.
A. L. Merritt, manager of the
Gem and Princess theatres at
Oconto, spent last Tuesday in the
city.
Fred Meyer, manager of the Al-
hambra theatre, has purchased a
new Franklin.
Ferdinand Felzman, formerly
on the sales staff of Paramount
and First National, is now repre-
senting Universal in northern Wis-
consin territory.
"Doc" Honeck, until recently
branch manager for Pathe, and
James Zanias, formerly manager
of the Apollo theatre at Janesvillc,
are associated in the distribution
of Regal Films, and have estab-
lished their office in the Educa-
tional exchange.
Burglars broke into the Riviera
theatre Sunday night and knocked
the combination off the safe in the
office on the second floor and then
fled without taking anything. One
thousand dollars in currency in the
safe remained untouched.
The Al. Ringling theatre, Bara-
boo, under management of A.
Roser, has installed a new organ.
Percy Palmer, manager of the
Rialto theatre at Edgerton, was a
recent caller at the various ex-
changes.
The Fox exchange has issued in-
vitation to their formal open
house at the new exchange for
Tuesday.
A film in the projection room of
the Strand caught fire at noon
Tuesday and seriously burned the
operator, Paul Magnott, about the
hands and face. About 300 patrons
at the first show filed out in orderly
fashion.
E. Berth, manager of the Pastime
at Kiel, spent Wednesday in the
city.
The Community Theatres, Inc.,
in taking over the Orpheum at
Burlington now control the town's
three theatres.
A. C. Accola, manager of the
Bonham theatre at Prairie du Sac,
flew to the city in his plane on
Friday, stopping off at the ex-
changes for a brief visit. Mr. Ac-
cola is on his way to Detroit to
attend the convention of flyers.
Alidwesco has recently made a
few changes on its staff. Charles
Alurray, formerly manager of the
Rialto at Minneapolis, is now
managing the Oriental. Jack Plant,
who managed the Oriental, is now
at the Garfield. Mr. Plant succeeds
George Deubach, who has been
given a short leave of absence, due
to illness. Louis Orloff, former
purchasing agent for Alidwesco, is
now managing the Mirth, and the
Mirth's former manager, Milton
Harmon, is running the Savoy.
Harry Perlewitz sold his interest
in the Savoy at the time Alidwesco
took over the Saxe theatres, but
continued to manage the house un-
til recently. Mr. Deubach, it is said,
will take over the duties of pur-
chasing agent for Midwesco very
soon.
Frank Borchert of the Door the-
atre at Sturgeon Bay was recently
seen in the exchanges.
Neil Duffy of the Elite, at Ap-
pleton made his visit on schedule.
April 2 1
1 9 2 8
Mil
Seattle
LO. LUKAN, one of the most
• popular film men ever to hit
tin- Pacific Northwest territory,
returned to Seattle last week as
manager of the First National ex-
change, much to the pleasure of
many of the film men and exhib-
itors of the district. Mr. Lukan,
jvho has hcen western district man-
ager for First National, relieves
Les Davis, who can now return to
his former manager's desk at Port-
land, which he left three weeks ago
to succeed Jack Bower in Seattle,
handling both exchanges for the
time being.
Announcement was made by
Herschel Stuart from West Coast
executive offices in Seattle last
week, to the effect that Joe Rob
erts has been added to the publicity
staff of West Coast Theatres in
this city, and will specialize in
radio publicity for the Wesco
houses.
Matt Aparton, manager of the
Universal branch exchange, has
been decidedly happy lately over
che report that the local office is
exactly 66 per cent ahead of its
business over the same three -
months period in 1927, according
to figures just compiled and au-
thenticated by the "U" home office.
George Lipschultz, former di-
rector of orchestras for West
Coast Theatres in California and
Seattle, returned from a vaudeville
tour last week and is now acting as
guest conductor for one of Seattle's
most popular dance aggregations
at the Butler Hotel in this city.
These engagements will be main-
tained until the opening of the
May (lower theatre, now under con-
struction, at which time Mr. Lip-
schutz will assume direction of that
house's large symphony orchestra.
Mr. and Mrs. F. F. Aircy, ex-
hibitors of Twisp and Winthrop,
Washington, spent a few days
among the film exchanges and the-
atres of this city last week — their
first trip to Seattle in fifive years !
During this period of time they
have continuously operated the-
atres, yet have met no exchange
managers at any time, and have
successfully conducted their busi-
ness entirely with salesmen to the
absolute satisfaction of all parties
concerned.
Two hundred and fifty members
and guests of the Olympic Break-
fast Club of Seattle were enter-
tained at their weekly Wednesday
morning breakfast at 7:30 a. m.
last week in the spacious foyer of
the new Seattle theatre. The the-
atre program was handled by Ted
Emerson, publicity director, and
Alex Levin and Bernard Hyncs,
manager and assistant manager.
F. F. Vincent, special exploita-
tion manager for Universal Chain
Theatres in the Seattle territory
for the last several months, took
his departure from the local office
last week and will rejoin the staff
of the Universal exchange in San
Francisco, his former location.
Bill Farrell of the Avenue the-
atre, Yakima, was a visitor on film
row last week, and reports very
successful business in Eastern
Washington.
Friends of Jack Sullivan, former
manager of the Fox exchange in
this city, were pleased last week to
learn of his appointment as film
buyer and director of bookings for
the West Coast Theatre circuits,
with offices in Los Angeles. He
succeeds Joe Goldburg, now con-
nected with Columbia.
Reports from Tacoma last week
indicate that the Circle Theatre
Company, coni|)osed of D. C. Mill-
ward of Seattle and associates,
have completed a deal for the ac-
quisition of the Palace theatre in
that city, formerly operated by L.
A. Drinkwine, who filed a bank-
ruptcy petition several weeks ago.
The Circle Company also controls
the Bijou theatre in Tacoma.
Manager Ben Fish, of the Metro-
Goldwyn-Mayer exchange, had as
his guest last week C. J. Sonin,
director of accessories for M-G-
M, with headquarters in New
York. He is on the final lap of
a national tour.
B. F. Shearer, president of the
B. F. Shearer Company, theat re-
equipment specialists, and Hey-
wood-Wakefield representatives in
the Northwest, returned last week
from a three weeks trip to Califor-
nia, arranging new contracts for
the equipping and furnishing of
several new Coast theatres.
George P. Endert, for the past
twenty years in the film business
in the Northwest, and manager of
the Famus Players exchange here
for the last ten years, last week
opened personal offices in the Se-
curities building, close to film row.
Mr. Endert will devote his time to
the operation of a "personal serv-
ice" plan for out-of-town exhibi-
tors, negotiating with exchanges,
supply houses, etc., and thus sav-
ing the exhibitor time and cost.
Robert W. Bender, manager of
the Columbia theatre, returned last
week from a brief business trip to
San Francisco and Los Angeles,
where he spent several days in con-
ference with Universal theatre and
film heads.
Wallace B. Rucker, manager of
the Educational exchange in this
city, has been receiving the con-
gratulations of his many friends
recently over the national publicity
he received a week or two ago in
one of the home office advertise-
ments published in Motion Pic-
ture News. Mr. Ruckcr's name
and the service of his local branch
was prominently commended in the
advertisement, in the form of a let-
ter from a local theatrical concern
to Education's home office.
C. E. Farrell and Harry Ulsh,
competing exhibitors from Ellens-
burg, Washington, were both visit-
ors on film row for a short time
last week.
Cincinnati
THE blue law fight which re-
cently attracted country-wide
attention at Dover, Ohio, is be-
ginning to have its counterpart at
Marion, Ohio, where Edward F.
Sharpless, manager of the Grand
theatre, is defying the minions of
the law. Sharpless was recently ar-
rested for having operated his the-
atre on Sunday. He was indicted
on four counts by a special grand
jury. When the case was tried, the
jury, after deliberating for two
hours, failed to agree, and was dis-
charged. Sharpless declares he will
continue to operate on Sunday, and
is backing up his statement with
regular Sunday programs, which
thus far have not again been seri-
ously interfered with.
Roy Boomer, who for the past
four months has been manager of
Schine's Ohio theatre, Sidney,
Ohio, has been transferred to the
Chicago district where he will have
charge of a chain of houses for the
Schinc interests. Jinunie Carter,
general manager of operations of
the Schine theatres, has come to
Sidney from New York, and will
remain for a few weeks until a
new manager is appointed.
Charlie Kuehle, who has been
connected with various exchanges
in Cincinnati, has organized a com-
pany to distribute Ufa German
films in Ohio, Michigan, Indiana
and Kentucky.
According to current reports.
Dayton, Ohio, is to have two new
houses to its already long list. The
Mills Realty Co., of that city con-
template the erection of a theatre
at Third and Kilmer streets to cost
around $150,000. Another company
headed by W. L. Clemmer, is said
to be in process of formation, to
build a house at Third and Mathi-
son streets.
The Harris Amusement Co.,
Steubcnville. Ohio, of which J. H.
Harris is president, has awarded a
contract to Thos. W. Lamb, of
New York City for the erection of
a new theatre.
Florida
RM. YOUNG, who operated
• the picture show in the high
school auditorium at Ocoee, for
Cecil A. Ross, of Apopka, has
branched out for himself, taking
over the Sylvan at Wildwood. He
reports business as being very
satisfactorv.
C. M. Winton and J. O. Vann
have purchased the Franklin, at
Bushnell, from the K. A. Miller
circuit. Four years ago, when Mr.
Vann was but 15 years old, he be-
came operator in this theatre. A
year later he was given the man-
agement of the house and now at
the age of 19 he is part owner and
has the honor of being the young-
est exhibitor in the State, he hav-
ing complete charge of the theatre
and doing all the booking.
Manager George Peck is deter-
mined to keep the Victory the
real "talkie" house of Tampa. He
has had the Vitaphone features and
special presentations for several
weeks and they have been very
successful. All showings have been
given a full week and two of the
offerings were held over for a sec-
ond week, establishing a record
for long runs in Tampa. Starting
next week he will add the Fox
News to his program with the
Movietone arrangement in con-
nection.
N. V. Darley. manager of the
Rivoli in Ybor City and the Royal
m Tarpon Springs, was in Atlanta
last week on a "booking trip."
George Frcllson has sold his in-
terest in the Alcazar at Venice and
will confine his activities to the
Rex in Lakeland.
1278
Motion Picture News
San Francisco
IN appreciation of his fealty and
splendid accomplishments, the
M-G-M Corporation have put in
motion a sales drive in which the
general sales manager, Felix F.
Feist, will be signally honored.
The dates are April 29th to May
12th, inclusive, and the celebration
is of national color, taking in the
entire territory under Feist's do-
main.
District Manager G. A. Hickey
and Branch Manager Grover C.
Parsons, together with the entire
personnel of the various branch of-
fice complements, are planning to
put the Pacific Division at the top
of the list in honor of the celebrant.
In the local exchange, W. R.
Cox, office manager ; Harry
Schmidt, head booker, with his as-
sistant, Ed Fryer, Nadine, Amos,
secretary, Parsons, Mae Sezaro,
are pepped up to the highest ten-
sion.
Eno Lion, of the Hester The-
atre, San Jose, has placed an order
for new seats.
A new theatre is to be opened at
Arroyo Grande, Calif., and com-
plete kine-booth equipment was
purchased from the National The-
atre Supply Company.
Dave Bershon, United Artists'
district manager, was on the row-
recently.
D. C. Millward, of Seattle, re-
cently visited the organ studio of
the National Theatre Supply Com-
pany. Millward's trip was entirely
for the purpose of purchasing an
organ for the new theatre he and
Gowan are building in Portland.
J. Frank Shea went through San
Francisco recently on his way to
Los Angeles.
J. Goldberg was at the local Co-
lumbia exchange for a few days.
He is making a tour of the western
offices.
Charles Sonin, manager of the
exploitation department for Metro-
Goldwyn-Mayer, recently made hi*
annual visit to the San Francisco
office.
Gus Johnson, of Newman; Harry
Poole, of Klamath Falls, Ore., and
H. E. Gilman. of Weed, were re-
cent out-of-town visitors.
Ole Olsen, film salesman, reports
his car was stolen while he was in
Reading.
Harry Schmidt, head booker at
M-G-M, had a birthday Saturday,
March 24. He received two boxes
of candy, C. O. D., which he re-
fused to accept.
Raoul Walsh, Malcolm Stewart
Stewart Boylan, W. R. Sheehan
and J. R. Grainger, officials of the
Fox Corporation, were recent vis-
itors in San Francisco.
The local First National ex-
change has lost L. O. Lukan as
their division manager as he has
taken over the Seattle exchange
and will act in the capacity of
manager of that exchange and will
also have the Portland office under
his supervision. The San Fran-
cisco office regrets losing Lukan.
Manager Louis Greenfield has
purchased the Orchestraphone
which is being shipped to the Con-
solidated Amusement Company of
Honolulu. Louis Greenfield pur-
chased the Orchestraphone not only
for the Consolidated Amusement
Company but it will also be in-
stalled in the American theatre,
San Francisco, and also in the
Harding theatre, San Francisco
THE Majestic theatre is now
celebrating anniversary week
after seven years of successful
business in the present location,
and a quarter of a century since
its beginning in Dallas. Karl Hob-
letzelle has received many con-
gratulations on his past record of
achievement as president of the In-
terstate Circuit, which operates the
Majestic theatre here and a chain
of theatres in Texas, Arkansas,
Oklahoma, Louisiana, Alabama and
Georgia. The Majestic was the
first theatre outside of New York
to install Movietone as a perma-
nent feature, and is Movietone's
largest user.
James O. Cherry, "ramrod" of
the Melba theatre, was agreeably
surprised with a birthday dinner,
arranged by Mrs. Cherry in honor
of his 31st birthday. This seems
to be Mr. Cherry's week as he
rolled up the largest week's gross
the Melba has enjoyed.
Frank Starz, publicity manager
for the Majestic theatre, expended
some unusually good publicity on
last week's program, and business
proved it to be sound publicity.
Don Carle Gillette, editor of
Billboard, is a Dallas visitor.
The Publix organization is now
installing Vitaphone in its Fort
Worth theatre. Ross A. Wiegand,
the "publicity dynamo" of the
Melba, is handling the installation
from his Dallas office, and expects
to present the installation about
April 15th.
Bennv Piermont of the Vita-
phone Corporation is in Dallas and
states that the Melba theatre, Dal-
las, has perfect accoustic proper-
ties for the Vitaphone. Mr. Pier-
mont considers the Melba his best
Vitaphone installation.
The King Theatre Supply Co.
has just finished editing and com-
piling a new catalogue of their com-
plete line of equipment.
Victor Lowery has been added
to the Melba staff as house mana-
ger under Mr. Cherry's supervi-
sion. Mr. Lowery has been engaged
in the insurance business for the
past seven years and is well known
in Dallas.
A. Hadyn Mason, managing di-
rector of the Palace theatre, was
host to the members of the Dallas
baseball team Monday night at the
theatre, with Harold Lloyd in
"Speedy." Special features were
given by Ken Whitmer. director of
the Palace Stage Band, and by
members of the Publix Stage Re-
vue. Six autographed baseballs
were given to patrons in the audi-
ence.
The Brownsville Amusement Co.,
a new theatre organization com-
posed of San Benito and Browns-
ville interests, is to be capitalized
at $70,000 and will operate the
Queen, Texas and Capitol theatres
in Brownsville.
Work has been started on the
new $100,000 theatre at Big
Springs, Texas, which will have a
seating capacity of 1500 and the
most modern heating, ventilating
and lighting equipment.
Hal Norfleet, director, is in the
Comal Sanitarium at New Brauns-
fels, Texas, and will undergo a
serious operation.
Canada
FRANK C. BADGLFY, director
of the Canadian Government
motion picture studio at Ottawa,
has sailed for England, where he
is to make a survey of the film
situation, particularly with regard
to the Film Quota Act, which went
into effect April 1. Mr. Badgley
expects to arrange for wide distri-
bution of Canadian Government re-
leases in the British Isles.
Mr. Badgley is making his head-
quarters at the office of Harrison
Watson, chief Canadian trade com-
missioner in England, London. He
will be absent from Ottawa about
six weeks.
The Federal Electric District
Commission, Ottawa, Ontario, has
agreed to pay $1,250,000 for the
Russell theatre property in the
downtown section of Ottawa and
the theatre closed its doors Satur-
day night, April 14. The area oc-
cupied by the theatre and the ad-
joining hotel is to be converted
into a Government Parkway.
For some time the Famous Play-
ers Canadian Corporation, Toronto,
had held a booking arrangement
with the Russell theatre. Famous
Players is now proceeding with the
erection of a new theatre in Ot-
tawa, costing $1,225,000. The com-
pany already has the Regent and
Imperial theatres in Ottawa.
S. Fardella of Fergus, Ontario,
has announced the construction of
the Grand theatre at Fergus, which
is to be opened August 1. The the-
atre is to be of solid stone, meas-
uring 43 by 120 feet. The cost
is 525,000 and the seating capacitv
is 475.
George Patton, director of the
Ontario Government Motion Pic-
ture Studio at Trenton, Ontario,
and Hon. J. D. Monteigh, Ontario
Provincial Treasurer, represented
Ontario at the spring convention of
the Society of Motion Picture En-
gineers at Hollywood, Calif.
Col. J. A. Cooper, president and
secretary of the Motion Picture
Distributors and Exhibitors of
Canada, is convalescing at Welles-
ley Hospital, Toronto, following
his serious accident at Regina,
Sask.. when he lost a foot and was
otherwise injured by a train. Col.
Cooper suffered severely from
shock and was unable to receive
visitors for some weeks.
W. C. Gehring, Toronto, Ca-
nadian district manager for the
Fox Film Corporation, has been
working energetically to put across
the special Fox-Grainger Week,
which is being observed simultane-
ously in Canada with the company
celebration in the United States.
The wife of Fred Schaefer, man-
ager of the big Pantages theatre,
Toronto, Ontario, is recovering
from a dangerous illness. Mr. and
Mrs. Schaefer formerly resided in
Buffalo, N. Y., where he was well
known as a theatre manager.
The Provincial Board of Trade
of Alberta asked the Alberta Gov-
ernment to abolish the amusement
tax on theatre tickets for children.
Premier Brownlee has replied tint
there will be no change in the
Amusement Tax Act in Alberta
this year.
April 21, 19 28
1279
Des Moines
P.ANS arc progressing for the
new $60,000 house at Nevada,
Iowa, which will he constructed by
Oscar Strcine for the Circle
Amusement Company which have
a number of houses in Iowa. Mr.
Strcine plans to name the new
house the Circle Theatre. It will
seat 840 people and will not be
ready for its opening until in
August. Mr. Strcine was formerly
an exhibitor at Belle Plain, Iowa.
His new theatre at Nevada will of-
fer competition to the Palace The-
atre under the management of W.
P. Gressman.
The bowling contest is Hearing
a close with some positions still
largely in doubt though it looks as
though First National will be con-
ceded first place. Universal and
Metro-Goldyn-Mayer both still
claim last place.
Irving Mersel is the new sales-
man at the office of Pathe. He
came from points west and this is
his first association with Pathe.
A H. Lehman, who is a new man
in the theatre business, has bought
the Majestic Theatre at Avoca,
Iowa. He bought the house from
M. A. Brewn.
W. J. Miller, theatre broker,
drew up the contract a short time
back for the transfer of owner-
ship for the Strand Theatre at
Toledo, Iowa. This theatre has
been in charge for the past year
and a half of R. C. Reagan who
came from Bowlder, Colo., to go
into the theatre game in Iowa. Mr.
Reagan sold the house to Clarence
Dayton of Stockport, Iowa, and
will return to Colorado and go in-
to business again at Bowlder. Mr.
as biller.
Dayton, who took possession of
the Toledo house on March 1, has
leased the house until June 1 to
H. M. Kirkman. After that date
be plans to take the active man-
agement of the house himself.
Tom North, representative for
Aesop's Fables and Timely Topics,
was at the office of Pathe this
week, as was also F. C. Aiken
of Grantland Rice Sportlights. Carl
Reese, who has been traveling for
Zone B. for Universal and who has
been associated with this territory
for the past seventeen years, has
left Universal here and will go to
Omaha to cover Nebraska terri-
tory for the Paramount office.
J. E. Ridgeway, of Coon Rapids,
who stops in about every two weeks
for a chat in Film Row, was in
last week and arranged for book-
ings and advertising. Mr. Young-
class, of the Grand and Foxy at
Perry, was also in calling upon
the exchanges to arrange theatre
business. W. A. Graham, who re-
cently took over the Grand at
Knoxville, came in to report things
going nicely at his house, and Wes
Mansfield, of Tama, Belle Plain
and Toledo, was also a welcome
visitor.
Harris P. Wolf berg, district
manager for Metro - Goldwyn -
Mayer, came last week to visit the
Des Moines office. Arthur Cohen,
sales development man in this ter-
ritory, was also here.
Anna Johnson, who was with the
office of Pathe as billcr's stenogra-
pher before the merger with Pro-
ducers, is now at the Pathe office
Park Agnew, who was assistant
office manager for Metro-Goldwyn-
Mayer here for a number of years
and left that position to take up
work as travelling booker for the
home office, was in Des Moines for
several days.
L. F. Legg, who had houses at
four Iowa towns, has disposed of
his theatre interests to CC. W.
Rowe, of Rockwell City. The
houses included in the deal are at
Kelly, Rhodes, Salter and Max-
well, Iowa.
The ordinance which prohibited
Sunday shows at Corydon, Iowa,
was voted out by the people of
that town last week. April 15 was
set as the opening date for the
Sunday shows.
A. H. Blank, who spends a good
part of his time commuting from
one coast to another in the in-
terests of his large theatre hold-
ings in Iowa, is in New York on
business.
Dorothy Day, who handles a
clever pen in advertising and pub-
licity, spent a couple of days at
Ames, Iowa, where the Sunday
show is to come up for referendum
vote on April 30. The city coun-
cil is favorable to the Sunday
show. Joe Benjamin Gerbracht,
who controls the three theatres at
Ames, Iowa, which are part of
the Commonwealth Theatres or-
ganization, is working hard to get
out the full voting strength of the
town.
P. D. Allman, who owns a half
interest in the A. H. Blank inde-
pendent theatres at Clinton, the
Rialto and the Strand, which arc
part of the Central States Theatre
chain, was in Dt-s Moines last week
and called at the A. II. Blank ex-
ecutive offices.
The new A. H. Blank theat-e
at Cedar Rapids which will be
ready for ojKning on June 1, is to
be known as the Capitol.
Walter Carroll, who has had the
theatre at Colfax. Iowa, for a
number of years has made a num-
ber of interesting changes in his
house recently. The building in
which the theatre is housed was
bought by Mr. Carroll within the
last few months and the upper
floor of the building was made into
modern apartments. The lobby and
the interior of the theatre was re-
decorated and a new canopy has
added much to the appearance of
the house.
Mrs. Tessie Coenders, who has
the Victory Theatre at Fairfield,
Iowa, spent a day last week in Des
Moines.
The ordinance prohibiting the
showing of Sunday movies at Ire-
ton, Iowa, which was passed by
the city council recently will be
met with protest it is reported. A
petition asking for a special elec-
tion at which the people may vote
upon the question is being put into
circulation.
The question of Sunday motion
pictures determined the result of
the recent city election at Forest
City, Iowa, when the slate which
endorsed the Sunday showings was
snowed under in a political land-
slide victory for the opposing
forces.
Atlanta
T. ("SHAG") JORDAN is
V_/«the new manager of the \t-
lanta branch of Universal Film
Exchanges, Inc., having assumed
the duties of the office the first of
the week. He succeeds Ben Y.
Cammack, who was transferred to
Uiu'versal's New York office sev-
cial weeks ago to be short product
and complete service contract sales
chief for the United States and
Canada.
Arthur Lucas, of Atlanta, Ga.,
head of Educational Film ex-
changes in the Southeast and
prominent theatre man, was host
the past week to a party of notables
at his picturesque log cabin camp
;it Point Peter, near here.
Preston Henn. of the Bonita The-
atre, Canton, Ga., was a recent
visitor.
W. W. Anderson, Atlanta
branch manager for Pathe, left
last Wednesday for South Georgia.
Charles Kessnich, southern dis-
trict manager for Metro-Goldwyn-
Mayer, left last Thursday for a
trip to the company's Southern
offices.
J. W. Hanlon, Atlanta branch
manager for Metro - Goldwyn -
Mayer, recently made a trip to
Florida.
Milton Starr, of the Bijou
Amusement Company, Nashville,
Tenn., visited exchanges last week.
C. W. Maxey, of the Royal The-
atre, Summerville, Ga., was visitor
to Film Row during the week.
M. V. Darley, of the Royal The-
atre, Tarpon Springs, Fla., and
Rivoli, Ybor City, Fla., made a
trip to Atlanta last week.
C. T. Jordan, Universal's At-
lanta branch manager, left last
Tuesday for Birmingham and
other points in Alabama.
George W. Fuller, under whose
supervision the Fox Atlanta office
was recently placed, made a visit
to the local branch last week.
Included among last week's ex-
hibition visitors were : L. G. Jen-
kins, of the Liberty Theatre,
Horaerville, Ga. ; Joe Steed, of
Ensley, Ala., head of the Joe Steed
Amusements; W. II. Welch, who
operates the Strand Theatre at
Dallas, Ga., and Ben Jafifee, who
operates the Norwood Theatre in
Birmingham, Ala.
Arthur C. Bromberg, president
of Arthur C. Bromberg Attrac-
tions, with headquarters in At-
lanta, returned to the city Friday
after a motor trip of several weeks
through the Florida territory.
Fred F. Creswell, district man-
ager of Arthur C. Bromberg At-
tractions, left Atlanta last week
for a trip to Florida.
C. A. Clegg, First National's
branch manager in Atlanta, re-
cently returned from a trip through
Florida territory.
Thomas E. Orr, head of Amuse-
ment Enterprises, which operates
theatres at Alberts ville, Boaz, Gun-
tersville and Attalla, Ala., was a
visitor last week.
C. B. Ellis, FBO's branch man-
ager at Jacksonville, Fla., visited
Atlanta last week.
William G. Minder, Southeastern
division manager of TitTany-Stahl
Productions, with headquarters in
Atlanta, recently visited Tennessee
territory.
C. F. Boyd, of Tri-Statc Amuse-
ments, is still adding to his circuit,
having taken over the Star The-
atre at West Point, Miss., the past
week, which theatre was formerly
Operated by J. S. McEachern. It
is reported that Mr. Boyd is also
dickering for a number of other
theatres in this territory.
Business in eastern Missi>sippi
appears normal and exhibitors, as
a class, are optimistic over possi-
bilities during 1928.
UNIFORMS att??h1s COSTUMES BROOKS UV&
1280
Motion Picture News
Buffalo
FILM folk of the Buffalo terri-
tory are still enthusing today
over the unqualified success of two
major events last week — the Movie
Ball and Carnival sponsored by the
Motion Picture Theatre Owners'
Association, and the local observ-
ance of National Vaudeville Ar-
tists' week.
The ball and carnival event took
place in Broadway auditorium,
Buffalo's most spacious convention
hall, last Thursday, and it was a
glorious affair, with more than
1,000 persons in attendance. From
virtually all towns and cities in the
section, from Utica to Jamestown,
members of the organization flocked
to this city for the occasion. An
official touch was given the affair
by the presence of Mayor Frank
X. Schwab. With the aid of 50
Kleig lights, cameramen from
Paramount, Fox, M-G-M and other
newsreels, "shot" the proceedings
at their height, around midnight.
The climax was reached when a
grand march was held, led by Miss
Martha Gueth, secretary of the M.
P. T. O. The pictures will be
shown in theares throughout the
Buffalo zone. The elaborate deco-
rations mutely attested to the the-
atrical love of color. Blue and
gold, and white and gold, were
the predominating schemes, and
the colorful spectacle was given an
added touch of charm by the drap-
ing of numerous American flags at
vantage points in the hall. Michael
Shea, veteran Buffalo showman,
was honorary chairman of the
event, and members of the general
committee included Jules H.
Michael, general chairman; Chas.
H. Hayman, Vincent R. McFaul
and Marian O. Gueth. Chairmen
of other committees were H. M.
Addison, manager of the Great
Lakes theatre, entertainment ;
Frank J. McCarthy, floor; B,en
Wallerstein, refreshments ; George
Rosing, reception ; Frank Nowak,
wardrobe; William H. Raynor,
manager of the Lafayette, deco-
rations ; Edward C. Garrity, man-
ager of Loew's State, music,
and John Carr, manager of Shea's
Hippodrome, movie features.
The N. V. A. program was held
the following night — Friday — in
Loew's State, and an overflow
crowd was present, headed by
Mayor Frank X. Schwab, other city
officials, and public men of all
ranks.
William Coller, real estate op-
erator of Williamsville, last week
completed negotiations for the pur-
chase of the Linden theatre here
from W. E. Curry.
Nathan Kaplan, on April 8th,
formally took over the Rivoli the-
atre in Rochester, formerly the
Jefferson, from Mrs. J. A. Briggs.
Simon Tishkoff, operating the
Palace theatre in Rochester, has
decided to close the house on
April 24 preparatory to effecting
sweeping alterations. He expects
to reopen the theatre next Septem-
ber.
Emery Cone, who used to oper-
ate the Rushville theatre at Rush-
ville, is now exhibiting in Middle-
sex, N. Y.
A compilation made last week
by Miss Marian Gueth, secretary
of the Buffalo Zone of the Motion
Picture Theatre Owners of New
York State, showed that the fol-
lowing theatres have recently
closed : Connette, at Ripley, C. W.
Rickenbrade, manager ; Ideal, at
Leicester, J. Strayline, manager ;
Clifton, at Rochester, C. Senny-
vessy, manager; Opera House at
Corfu, Phil Steves, manager ; Bi-
jou at Wolcott, C. Hamer, mana-
ger, changed into garage ; Court
at Binghamton, L. Goodman, man-
ager ; Temple at Syracuse, Mr.
Hexter, manager ; Town Hall, at
Nachias, N. Y., Miss E. Arm-
strong, manager ; Pullman at
Rochester, Tishkoff and Fogel, op-
erators ; Globe at Rochester, Bach-
muth & Lipson, operators ; Fire-
men's Hall at Alfred, N. Y.
(burned down), I. A. Conroe,
manager ; Austin Hall at Lacoma,
N. Y.
Motion picture and theatrical
circles here are mourning the pass-
ing of George H. Lighton, until
recently manager of the Erlanger
in Buffalo, who died last week in
Syracuse at the home of his sis-
ter, Mrs. Roswell T. Fredericks.
He became ill three weeks ago in
Buffalo and was removed to his
sister's home, where he succumbed
to heart disease while making plans
to go to New Hampshire in search
of his lost health. Lighton became
associated with the Shuberts in
1904 and since then has been with
them in New York City, Buffalo
and St. Louis.
Reports were current here that
the Riveria theatre in Rochester
soon will become a Vitaphone
house.
"Billy" West, old time exhibitor
who recently annexed the Elk the-
atre here, is taking over the Capi-
told at Niagara Falls from the
Spray Amusement Company.
M. R. Read of the Hollywood
theatre in Gowanda was in town
last week on his regular semi-
monthly visit to bet his May book-
ings.
Morris West, operating theatres
in Montreal and Rochester, was in
Buffalo last week making the
rounds of the exchanges and greet-
ing" old friends.
Mr. Liberman of the Capitol and
Liberty theatres in Rochester spent
several days in Buffalo last week,
making his May bookings.
Manager H. M. Adddison has
just booked Buck Jones, star of
countless numbers of western pic-
tures, for a personal appearance at
the Great Lakes here in Mav.
The M. P. T. O. will hold a
luncheon meeting at the Hotel
Statler at 12:30 o'clock, Wednes-
day, April 18, at which the guest
and speaker will be Aaron Sapiro
of New York City, head of the
Motion Picture Exchanges, Inc.
Miss Marian Gueth, M. P. T. O.
secretary, sent out 400 notices of
the meeting.
Frank Maxwell has joined the
R. C. Fox exchanges here as sales-
man. He formerly was with Tif-
fany and Associated Producers. He
will cover Buffalo particularly,
with occasional jaunts to outlying
sections.
Dave Miller, manager of the
Universal exchange here, and his
sales staff, Harry Young, of Buf-
falo; Otto Siegel, of Rochester;
Al Barnett, who covers the south-
ern tier, and J. J. Spandau, of
Syracuse, are getting set for the
trip to Atlantic City to attend the
annual convention of Universal
salesmen, which opens there on
April 26 and continues for three
days. Art Young, booker, will hold
the fort here while his colleagues
are away.
G. Schoedsack, Paramount cam-
eraman, of New York, stopped
over here for a day or two last
week, while passing through Buf-
falo. He is a brother of the pho-
tographer and co-producer of
"Chang."
R. C. Fox, of the R. C. Fox ex-
changes, put on a party at the
Broadway theatre on Monday night,
April 16th, at 11 P. M., at which
several hundred film folk wit-
nessed a preview of UFA's pro-
duction.
Jules Greenstone of the Empire
theatre at Rochester and Mr.
Shannon of the Lyndhurst at
Rochester were Buffalo exchange
callers last week.
S. Barrett McCormick, former
Pathe man, arrived here last week
from New York and is reported to
be promoting a skating rink in this
city.
Visitors at the Educational ex-
change here last week included
Messrs. Staley and Loritz, of the
Monroe theatre at Rochester, and
C. E. Caffery of the Clinton the-
atre, Rochester.
The Film Board of Trade will
hold a meeting next week to of-
ficially name and induct into office
the new officers of the organiza-
tion.
Miles L. Cohen of the Majestic
theatre at Jamestown dropped in
at the First Graph exchanges of-
fice here last week. Messrs. Shan-
non and Caffey of the Lyndhurst
and Clinton theatres, Rochester,
also were callers.
George Moeser, manager of
United Artists exchange here, is
on a two weeks' trip, covering all
of the Buffalo territory, gathering
in the remainder of last season's
products. In his absence, Booker
Young is being kept unusually
busy. Ernest Geyer, United Ar-
tists' publicity man, was in town
in connection with the ballyhoo on
"The Gaucho" and "Garden of
Eden," booked for early showings
in Buffalo.
K. A. Bissell, formerly of Uni-
versal, is in Buffalo in connection
with handling the state rights to
"The Port of Missing Girls."
Fred Rice, of Warsaw, who op-
erates the Oatka theatre, conferred
with Elmer Lux, general F. B. O.
booker, last week, in connection
with future dates.
M. Williams, who operates the
Dreamland at Bolivar, has just re-
turned from a three months otur
of the south. He admitted he toured
Dixie to escape the snowballs in
these parts during the chilly
months. He holds extensive oil
holdings around Bolivar.
Al Boasbcrg, freelance title
writer and author of comedy
sketcheSj stopped over in Buffalo,
en route from the coast to New
York, for a visit with Ted O'Shea
of the Metro-Goldwyn-Mayer ex-
change. Boasberg is a native Buf-
falonian.
Theatre owners in the vicinity
of Bolivar are said to be consid-
ering the installation of orchestra-
phones.
Albert Becker, manager of the
National Theatre Supply Company
offices in Buffalo, was visited last
week by Walter E. Green of New
York, vice-president of the com-
pany.
The Marathon theatre, at Mara-
thon, N. Y., has just purchased
from the National Theatre Supply
Company, through Frank Spreter,
salesman, two motiograph reflect-
ing arc lamps and two Unitron rec-
tifiers.
The Cameo theatre at Bingham-
ton, just completed, will throw
ooen its doors to the public on
April 21, according to an announce-
ment last week. The theatre has
bought two new Simplex machines
from the National Theatre Supply
Company.
Kansas City
\ CHECK for $100 for one hun-
* » dred tickets to the National
Vaudeville Artists' benefit, Wed-
nesday night, at the Mainstreet
theatre, Kansas City, was received
by Lawrence Lehman, manager of
the Mainstreet and chairman of the
benefit, from H. F. McElroy, city
manager of Kansas City.
The Isis theatre, Marysville,
Kans., has been purchased by H.
E. Weidemeyer and Sons from
Richard O'Connor and M. J. Boyle
and the theatre has been leased to
the Turnet Theatre Company,
which operates the Liberty theatre
of Marysville. The Isis will be
closed indefinitely.
R. R. Biechele, Kansas City,
president of the M. P. T. O. Kan-
sas-Missouri, made business at
least look prosperous this week
when he sallied down movie row
in a newly purchased Hupmobile 8.
Among the out-of-town exhibi-
tors in the Kansas City territory
this week were: O. K. Mason,
Newton, Kans.; C. M. Pattee,
Pattee theatre, Lawrence, Kans. ;
S. E. Wilhoit, Springfield, Mo.;
G. L. Hooper, Orpheum, Topeka,
Kans.
Tom Mix, Buddy Rogers and
A. H. McLaughlin, district mana-
ger for Tiffany, were Kansas City
visitors.
April 21, 19 28
1281
Baltimore
OFFICERS of the Musical
Union of Baltimore, Local
No. 40, A. F. of M., were elected at
the annual meeting of that organi-
zation held recently.
They are Henry Mayers, presi-
dent ; R. M. Packard, vice-presi-
dent ; Paul I. Grossi, treasurer ; Jo-
seph J. Henisk, financial secretary ;
William Chenoweth, recording sec-
retary.
Delegates selected to attend the
National Convention in Louisville.
Ky., in May, are Henry Mayers,
Oscar Apple and Paul I. Grossi.
The orchestra at the Stanley here
will he conducted by Felice S. Iula,
beginning Monday, April 23, when
-Mr. Iula will leave the Rivoli and
return to the Stanley. Emile S.
Odend'hal, who has been acting as
assistant conductor at the Rivoli
since Mr. Iula has been there after
leaving the Stanley, will return to
his old position as conductor.
According to Harry Morstein.
owner of the Queen theatre here.
Laura La Plante is one of the most
popular actresses in Jerusalem. Mr.
Morstein returned recently from
that Eastern city where he had been
for several months.
A private showing for Police
Commissioner Charles D. Gaither
and his force was given at the Met-
ropolitan theatre Fridav night
April 13, at 11.15 o'clock'by Jack
Levy, of Equity Theatres Corpora-
tion.
Thomas A. Little, of Charlotte.
N. G, has succeeded Henry Rose-
field as office manager of Metro-
Goldwyn-Mayer in Washington, D.
C. Mr. Rosefield is now a sales-
man for that company.
The productions formerly handled
by the Exhibitors' Film Exchange,
Washington, D. C, have been taken
oyer by Columbia Pictures in that
city.
Joseph Dc Maio, formerly
cashier at the United Artists Ex-
change, Washington, D. C, has
been succeeded by Miss Viola
Wills.
In order to promote the interests
of the Community Chest, of Cum-
berland, Md., Robert Sioie, man-
ager of the Strand theatre m tnat
city, made a motion picture which
depicted the working of the Chest
organization and showed it for an
entire week at the playhouse.
A bouncing boy came to the home
of Mr. and Airs. Thomas Little in
Washington, L>. C, about tile
middle of March to stay lor some-
time. Mr. Little is office manager
of Metro-Goldwyn-Mayer there.
A Wurlitzer organ nas been in-
stalled in Keith's theatre, Wasn-
ington, D. C, and the policy of
that house has been changed to that
of pictures and vauuevuie uisieau
of straight vaudeville.
The annual eastern div;sion con-
vention of Paramount will be held
in Washington, L». C, at the Larl-
ton Hotel starting Monday, April
3D. Among those who are to be
present, will be Adolphe Zukor,
Jesse Lasky, b. K. jvent, u imam
E. Smith, Percy Bloch and Mike
Landow and executives from
Europe.
Lawson and Maddix, owners of
the recently burned Arcade thea-
tre in Crisfield, Md., have started
to rebuild the playhouse, but no
announcement has been made by O.
D. Mitchell owner of tne Lyric
which was destroyed by fire,
whether it will be rebuilt.
The father of George A. Roberts,
manager of the National Theatre,
Richmond, Va., died in Boston re-
cently. He was 76. Mr. Roberts
attended the funeral in the Massa-
chusetts city.
Lack of patronage at the Rialto
theatre, Danville, Va., when an
orchestra was put in to furnish the
music recently, caused the the-
atre to go back to the old policy
of only organ musical accompani-
ment. There is a bad industrial
situation there at present, it is said.
Harry Van Hoven, who has
been publicity representative for
the Windehurst Theatrical In-
terests in Baltimore ever since
he left Carter's Amusement
Park some time ago, is still han-
dling the New theatre and has re-
turned to Carlin's, which opened
Saturday, April 7, as amusement
manager.
A talking Vitaphone trailer has
been introduced at Warners' Met-
ropolitan here during the past two
weeks by which coming produc-
tions are advertised.
Joseph Keith Shellman, daughter
of J. M. Shellman, motion picture
editor of the Baltimore Sun, suf-
fered a badly sprained ankle Easter
Monday, April 9, when she went on
a hike with the Girl Scouts.
The first anniversary of the
opening of the State theatre here
will be celebrated during the week
beginning Monday, April 16.
Since it opened this house has been
successfully managed by Frederick
SchmufT.
The Anawalt theatre, Welch,
W. Va., and several other build-
ings in that city, were destroyed by
fire recently, the loss amounting to
about $22,000.
A theatre to cost about $1,000,-
000 and seat about 2,500 persons,
will be built at Chattanooga, Tcnn..
by the Keith- Albcc-Orpheum \aude-
yille circuit, of which Dan Mikalov
is the Southern representative lo-
cated in Atlanta, Ga. The size of
the playhouse will be 116 bv 200
feet.
The Belmar theatre, a suburban
play house of this city located on
Belari Road at Glen Avenue, is to
be enlarged, according to the plans
of R. E. Tyr.
Plans are going forward by
Louis and Nathan Machat, of the
Motion Picture Guild, Inc., oper-
ating the Little theatres in Wash-
ington, D. C, and in Baltimore for
a playhouse on the same type to be
operated in Philadelphia.
M. Marsh, house manager of
the New theatre here, was taken
ill at his office Monday, April 'J,
and had to leave for his home.
Junior McGeehan. publicity rep-
resentative for Loew's houses in
Baltimore, spent Easter Day in
New York C ity.
Benjamin Cluster, manager of
the Cluster theatre, a 900-seat
neighborhood house, seems well
pleased with the results from in-
stalling Vitaphone.
Sammy Kaufman has succeeded
Boyd Senter as the master of cere-
monies for the stage presentation
arts at the Stanley theatre here.
The two fires which occurred re-
cently in Southern Maryland at
Crisfield, where two moving pic-
ture theatres were destroyed and
at Easton where one was destroyed,
have caused the committee of the
Chestertown Volunteer Fire Com-
pany of that city to have a new
truck built at Wilmington by which
water from farm wells can be used
and it will be equipped with a 250-
gallon chemical tank.
Cleveland
LOUIS ISRAEL, owner of the
Standard theatre, has signed a
fifteen vear lease for a theatre to be
built at 1628-32 Euclid Ave., by
Henry Kuenther and D. R. Davies.
The new theatre will be in the
Playhouse Square district, and will
have 1,000 seats. The theatre is to
cost approximately $125,000 and the
total amount of the lease is for
$400,000. The W. S. Ferguson
Company, headed by the city pub-
lic service director, is the archi-
tect and engineer. Work is to be
started within two weeks and the
theatre made ready to open under
the name of the Cinema about Sep-
tember 1st. The new picture house
will be directly opposite Keith's
Palace and Loew's State, and is in
the vicinity of the reported loca-
tion of the new Fox house.
Harry Gold, United Artist dis-
trict manager, has returned to
Cleveland after spending almost a
month in the Indianapolis terri-
tory.
Bert (Shorty) Stern is now
Pittsburgh branch manager for
United Artists.
M. J. Click is back with the local
Pathe sales outfit after an interim
of several weeks during which he
was with United Artists.
Bill Onie, of Security Pictures,
has returned from a week's visit in
New York. Bill saw all the new t ^;
pictures but didn't do any buying
for the new season.
Leo Devaney, Universal exchange
manager, is wearing a new medal.
He received it for winning a 100
per cent rating from Inspector A.
S. Dickerson, Director of Conser-
vation of the Hays organization.
Dickerson is making a tour of the
country investigating fire hazard
conditions in all exchanges.
Saul Frank, well known in the
distribution field in and around
Pittsburgh where he was branch
manager for Associated Exhibitors,
is now allied with A. A. Mill man
of International Film Exchange.
Cecil Maberry, sales manager for
Columbia, paid Cleveland a 24-hour
visit last week. Maberry took time
out to call on Bob Cotton, in addi-
tion to conferring with W. N.
Skirboll, local distributor of Co-
lumbia product.
Nat Charnas, Toledo exhibitor,
paid the local exchanges a visit in
person last week. This is an im-
portant note, as exhibitors were
scarce in the Film Building.
Business locally was not so good
the week after Easter. The down-
town houses managed to keep their
heads above water, but the neigh-
borhood houses reported that busi-
ness was way off. This is not un-
usual, but it does not help the gen-
eral situation much.
H. H. Hum, prominent film dis-
tributor, formerly with Hodkinsnn
and P. D. C. has lined up with Bob
Cotton and his new Playgotf com-
pany. Hum is sales manager for
the company in Chicago. Playgolt"
sells golf equipment and a Playgoif
machine for home use.
EMPIRE FILM VAULTS, INC.
723 Seventh Ave., N. Y. Bryant 5437-5736-2180
STORAGE OF MOTION PICTURE FILMS
1282
Motion Picture News
New York & New Jersey
AFTER putting in some seven
hours of business-like and effi-
cient labor, both mental and physi-
cal, three burglars walked out of
Loew's Eighty-sixth Street Thea-
tre at Third Avenue shortly after
dawn Monday, having made $2,893
on their investment of $1.20. the
price of three tickets admitting
them to the theatre the night be-
fore.
For four hours they had forced
the theatre watchman to continue
his rounds of the elaborate burglar
alarm system and to signal "all's
well !'" each hour, while they at-
tacked the safe with drills, nitro-
glycerine, sledge hammers and jim-
mies.
At 1 o'clock, two hours after the
final fade-out had sent the Sunday
night crowd home, the three yegg-
men came out of the smoking room,
where they had been hiding. Ed-
ward Hershey, of 2443 Goodwin
Street, Astoria, Queens, was punch-
ing the automatic signal clocks
which told a protective agency that,
everything was all right. Suddenly,
they confronted him with revol-
vers, disarmed him of his automatic,
and convinced him that his best
course was to do as told.
One of the burglars remained
with tin- watchman, sitting him in
the orchestra while the other two
labored over the safe in the man-
ager's office at the rear of the lobby.
Every hour, the watchman and his
captor would make the rounds.
Two charges of nitro-glycerine
were used on the safe before the
two workers resorted to sledges and
jimmies. The sound of the explo-
sions were minimized by thick wads
of plush hangings, which had been
ripped from the boxes over the pit.
A little past 3 o'clock, the two
workers came out perspiring but
smiling, and said to the third man :
"We've got it. Let's go."
Hershey then was bound and
gagged, his body made secure to an
orchestra seat, and he was left
alone. Forty-five minutes later he
broke loose and ran to the street.
At the corner he found Patrolman
Frederick J. Conklin, of the East
Sixty-seventh Street station, who
sent for detectives.
The Schmukler Circuit of thea-
tres, operating in New Jersey and
firooklyn, recently increased their
holdings with the acquisition of the
Rex theatre, East Rutherford, N.
J. The Rex is a picture and vaude-
ville house and has been booked by
Jack Linder. Ray Lestrange, well
known in the local film trade, will
act as manager and will have
charge of publicity and exploitation.
It is said that there was some
keen competition between two or
three circuits for the Rex but the
deal was finally clinched by Ned H.
Schmukler, son of Louis M.
Schmukler and managing director
of the circuit. Louis Schmukler is
president of this concern and Julius
Cellar, general manager. It is fur-
ther reported that the Schmuklers
plan to add several more theatres
to their chain during this year.
Jack Ungerfeld has unloaded the
Embassy theatre, Portchester, N.
Y., to former owner, Rogalsky, ac-
cording to a report.
Charles Fischer, who operates the
Sommers theatre, Sheepshead Bay,
is said to be planning the renova-
tion and reopening of the old LeRoy
theatre, Fulton Street, Brooklyn.
Rudnick and Feinberg have
opened their Embassy theatre, East
Third Street and South Fulton
Avenue, Mt. Vernon.
The new Hawthorne theatre,
Hawthorne, N. J., has as its man-
ager Charles Knapp, a well known
veteran of this industry.
Perth Amboy and Elizabeth, N.
J., are both reported to have new
motion picture projects under way.
The Elizabeth house will include
stores and offices and plans for the
Perth Amboy structure are said to
call for a two story, brick theatre.
The Elite theatre, Pitkin Ave-
nue, Brooklyn, is on a three day a
week schedule for the summer
months.
Sam Baker, head of the Play-
house Operating Company, a thea-
tre firm operating on Long Island,
recently acquired the Hicksville
theatre from Lyman and Leff.
Fanny Lightstone, well known
exhibitress of New York City has
seemingly forsaken the borough of
Brooklyn for the Bronx. Her lat-
est venture in this field is the
Apollo theatre, 747 East 180th
Street, a house which has been
closed for some time. The Apollo
has been put through the usual pro-
cess of renovation.
On Louis Schmukler's return
from Lakewood where he spent a
recuperative two weeks, his son,
Ned H., also concluded that he, too,
needed a rest and followed his
father's footsteps.
Eddie Smith, whom we wished
good luck in his new venture in the
managerial end of this business has
returned to his old position as
booker for Seider and Moley, pro-
ducers of neighborhood motion pic-
ture presentations. It is said that
the theatre work kept Eddie up too
late at night.
Harry Germain, well known
booker of entertainment for clubs
and lodges, died suddenly from a
heart attack last week.
Joe Morrison, after spending
several weeks in a hospital, is again
back on the job of handling the
Prudential Film Delivery in up-
town New York City.
The Fleetwood and Luxor thea-
tres, Consolidated Amusement Com-
pany houses, recently exchanged
managers. Louis Zangetti, for a
long term of years with Consoli-
dated, has gone to the Luxor and
Manager Smith is now at the Fleet-
wood.
San Diego
THE recent return to the New
California as master of cere-
monies of Al Lyons, after an ab-
sence in the north for several
months, was made the occasion for
a special welcome home week at
that house in honor of this popular
director. Mr. Lyons had recently
been connected with the Metropoli-
tan theatre in Los Angeles.
Another favorite of San Diego
fans, who has returned to local
fields, is Jamie Erickson, widely-
known as the boy organist, who
was formerly with the Savoy the-
atre. Coming back to San Diego,
he is now the organist at the West
Coast Cabrillo.
The building inspector and the
fire marshal recently ordered
closed the Palace theatre at Fourth
and E streets, which has been con-
ducted as a 10 and 15 cent house
for some years. It is claimed that
the house does not come up to the
present city requirements as to ex-
its, fire prevention facilities and
other details.
Manager Harry L. Hartman of
the local West Coast houses re-
cently acted as host, assisted by
Mrs. Hartman, at an elaborate din-
nerr dance at the Plata Real in the
U. S. Grant Hotel. Their guest list
included not only employees of the
theatres but also the stars who
were appearing in the program.
The Avalon, San Diego's newest
community theatre, with its seat-
ing capacity of 600, is doing a good
business. Its Mission style of arch-
itecture is well adapted to San Di-
ego's Mission history, this being
the site of the building of the first
of the long chain of Franciscan
Missions which finally stretched
from San Diego to San Francisco.
Associated with Melvin J. Walden,
the owner of the Avalon, is Wil-
liam F. Baxman, who has been con-
nected with amusement enterprises
for the past ten years. J. W. Nev-
ins has charge of the projection
room and Mrs. Anita Graham is
the organist. The interior decora-
tions show: California landscapes by
twilight, this effect being empha-
sized by the lighting arrangement.
Manager Dwight L. Hill, local
manager of the Pacific National
Theatres chain, presented the
movietone of President Coolidge
bestowing upon Col. Charles A.
Lindbergh the Congressional medal
as the feature of the program at
the Superba the week of Lind-
bergh's return to this city.
Central Penn
ANNOUNCEMENT is made
that the palatial new Colonel
Drake theatre, being erected in
Oil City, at a cost of about $1,000,-
000, by the Vemark Theatre Com-
pany, will be opened to the public
about June 1.
Part of the equipment of the
new Colonel Drake theatre, Oil
City, it is just disclosed, will be a
Wurlitzer pipe organ.
Two Shenandoah theatres fea-
tured Easter by holding midnight
shows, actually starting at 12.01
o'clock, Easter Monday morning.
Because of the competition they
offer to the picture theatres, the
dates for the Pennsylvania Central
Fair Circuit are of much interest
to theatre owners. They have just
been announced as follows : Kurtz-
town, August 14 to 17; Lancaster,
August 21 to 25; Lebanon, August
28 to September 1 ; Pottsville,
SSept. 3 to 17; Reading, Sept. 11
to 17; Allentown. September 18
to 22, and York, October 2 to 6.
A number of Central Pennsyl-
vania theatres observed Easter
week as National Vaudeville
Artists' celebration week. Among
them was the Capitol, in Scranton,
which put on special vaudeville
features in connection with the
picture shows.
As an added attraction to the
picture program in the new Park
Theatre, recently opened in Wil-
liamsport by Valentine Luppert,
the Keystone Choral Society, com-
posed of prominent amateur sing-
ers of that city, made its first
public appearance in the theatre
ihe week of March 26.
April 21 , 19 28
1283
Chicago
AMONlj thf \ isiti >rs i m film n >w
this week was S. S. Picker,
general manager of the [r on wood
Amusement Company of Iroriwood,
Michigan. Mr. Picker reports that
his new house in that city will be
open the latter part of May. He
was accompanied by Baync Com-
mins, organist of the Rex Theatre
of Ironwood, who will preside at
the console of the new Ironwood
Theatre.
D. J. Smith, formerly associated
with the Saxe Amusement Enter-
prises, Milwaukee, has been ap-
pointed managing director of the
Capitol Theatre, Racine, which is
scheduled to open on May 10th.
S. P. Kennedy, who formerly
managed the Madison Square The-
atre, this city, has gone to Min-
neapolis where he has been ap-
pointed as manager of the local
theatre.
H. O. Whelpley, manager of
Fischer's Appleton Theatre, Apple-
ton, Wisconsin, and Manager Kelli-
her of the Princess Theatre, Elk-
horn, Wisconsin, were visiting on
film row last week. Mr. Kelliher
informs us that his new house at
Klkhorn will open about June 1st.
The Fine Arts Theatre at Mon-
mouth, Illinois, was totally de-
stroyed by fire at 2:45 A. M. on
the morning of April 11th. .Mrs.
Louis Ring, wife of the manager
was the only occupant of the build-
ing at the time of the fire, being
asleep in a room off the lobby, but
she managed to escape. No plans
for rebuilding of this house have
been made up to the present time.
Harry O'Brien has been added to
Universal's sales force and assigned
to northern Illinois, territory. Mr.
( )'Brien is well known in Chicago
and throughout the state, having
been connected with Fox Film
Corporation for some time past.
Max Balaban has been confined
to his home with a severe cold for
several days, but expects to be back
on the job shortly.
Chicago Universal salesmen are
looking forward to their company's
convention which will be held at
the Coronado Hotel, St. Louis,
from May 2nd to the 5th, with great
interest, as this is the first time
they have had an opportunity to at-
tend a meeting of this character
outside of Chicago. The delegation
will be headed by Manager Herbel,
when it leaves for St. Louis, and
the entire sales staff will be in-
cluded in the party.
Maurice Choynski is continuing
on his trip around the world, and
according to the most recent post-
card from him he was in Batavia,
in the Indies on March 15th. Ac-
cording to plans made before leav-
ing Chicago, Mr. Choynski will be
away for five months more.
Al Soblcr has been engaged by
Fred Quimby, who is opening the
three thousand seat Embovd The-
atre at Fort Wayne, Indiana, the
second week in May, to handle the
publicity and see that the theatre-
gets away to a good start.
The M & M film exchange, Chi-
cago's newest independent, has been
opened by James Murtaugh and
Thomas F. Mitchell. The head-
quarters arc in the former office
of Progress Pictures, with which
Murtaugh has been connected for
the past ten years. Mr. Mitchell
is a genuine pioneer in the film
business, having been engaged in it
for twenty-two years and was man-
ager of what was probably the first
motion picture house in Chicago,
the Swanson, at 39th and Cottage
Grove Avenue.
D. J. Chrissis, south side thea-
tre man, while driving home from
church with $1,926.00 in funds col-
lected from the Faster bazaar, was
forced to the curb at 61st and In-
diana Avenue, by four men armed
with shotguns and revolvers and
robbed. In addition to the church
funds, the bandits took three dia-
mond rings from Mrs. Chrissis.
The Gary Theatre Company, of
Gary, Indiana, will take over the
( )akwood Theatre of Hammond,
effective April 26th. It is under-
stood that under the new manage-
ment this house will be booked by
Charles Casanave of the Associa-
ted Theatres, Inc.
Sam Rhodes has sold his Majes-
tic Theatre at Lanark, Illinois, to
Harry Puterbaugh, who operates
houses at Millagcville.
The thousand seat Eagle Theatre
at Galena, Illinois, has closed. It
is a new house and lias been open
for only a short time. It is re-
ported that it probably will be in
operation again in the near future.
Simansky & Miller have taken
over the Forest' Park Theatre, For-
est Park. The new owners are
making considerable improvements
in this house, including the instal-
lation of a new organ, the erection
of a new electric sign and decora-
tions throughout. This theatre,
which has been renamed the For-
est, brings the number of houses
operated by Simansky & Miller, up
to six.
It is reported that Ben Bervc
heads a company which is planning
to build an eighty thousand dollar
theatre of Spanish type at Rochelle,
Illinois. Mr. Berve has been oper-
ating the Majestic in that city for
some time past, and the new thea-
tre which is to be located within a
block of the Majestic, will have one
thousand seats.
President Carl Laemmle of Uni-
versal Film Company, is scheduled
to arrive in Chicago on Friday or
Saturday, en route from Los An-
geles to New York City. Mr.
Laemmle plans to spend two or
three days in Chicago, before con-
tinuing his trip to New York.
St* Louis
THE Victoria Theatre Realty
Company on April V filed an
application in the St. Louis Circuit
Court for permission to dissolve.
The company was organized in
1907 as the German Theatre Realty
Company and constructed the Vic-
toria Theatre on Delmar boule-
vard, just west of Grand boulevard,
for the presentation of German
stock dramas.
Liter William Fox took over
the house and changed the name to
the Liberty Theatre. It is now
being opi rated under that name as
a stock burlesque house.
The petition shows that the 1.000
stockholders in the company, which
was incorporated for $120,000, have
been paid and the company now has
a surplus of $137,288 with but S149
in outstanding liabilities.
The Farmington, Mo., Entertain-
ment Company on April 9 formerly
opened its new $40,000 motion pic-
ture theatre, which has been called
the Ritz Theatre. It replaces the
theatre which was destroyed by
fire about a year ago.
Charity ran afoul of the Little
Rock Ministerial Alliance on Sun-
day, Anril 8. and Ed Rowley, man-
ager of a local motion picture the-
atre, was ordered to court to show-
cause why he should not be pun-
ished for violating the blue laws.
Rowley gave two shows for the
benefit of the Arkansas Crippled
Children's Hospital.
Public sentiment was v e r y
strong in favor of the benefits and
the authorities apparently feared
to bring on an open break with the
people so no attempt was made by
the police to stop the performances.
However, the prosecuting attorney
and police sent representatives to
the theatre to get the names of the
manager and all employes. The
benefits netted several hundred
dollars for the very worthy charity.
Harry Greenman, resident man-
ager of the Loew's State Theatre
in St. Louis, Mo., has been ap-
pointed to the executive committee
of the Down Town Improvement
Association of St. Louis. He has
also been named on the special
committee to arrange for the for-
mal opening of the city's $2,000,000
down-town lighting system. Mayor
Miller and other city officials will
al«o participate.
St. Louis film stocks closed
•Vnril 7 as follows: Skouras \.
$36.50 and $40 asked. St. Louis
Amusement A. $36 asked.
The St. Louis. Mo., Columbia
exchange, headed bv Barney Rosen-
thal, has been setting the Dace [ *
the country since the Seventh An-
nual Victory Drive of Columbia
P'ctures got under wav. The St.
Louis office was out in front on
each of the three weeks the cam-
paign has been on.
A lone bandit held up Maurice
Stahl. manager of the Wellston
Theatre, 6228 Easton avenue.
Wellston, Mo., just after he left
the theatre at 10:15 p. m., April
8, robbing him of $79. The bandit
overlooked other money Stahl was
carrying at the time.
Nicky Goldhamnier, manager of
the St. Louis Warner Brothers of-
fice, leaves for New York April
25 to attend the convention of
Warner managers to he held at
Hotel Pennsylvania, New York,
April 27. 28 and 29.
Tom I^eonard, former owner of
Progress Pictures Corporation, in-
dependent exchange in St. T^onis.
contemplates a trin to California.
He has not decided on his nlans.
Harry Sherman. so"c»al rer>-c-
eentative of the A'Med Distributing
Corporation, distributors of Tame-;
Cru^c, Inc., was a visitor last
week.
Henrv Caulficld is the new office
manager for Metro - Goldwyn -
M.'ver nictures in St. Louis. He
bails from California and has
been b"sv the tvist wek CKOlaininf
to exhibitors and others interested
that he is not the Henrv Caulfiekl
who is the leading Republican can-
H'Hate for Governor of Missouri.
Like his namesake, he hasn't any
objection to being selected as the
next governor of Missouri, but he
has been in the state long enough
to qualify. Jack Harris, former
office manager, has returned to
the road for Metro-Goldwyn-
Mayer.
Out-of-town exhibitors seen
along Picture Row during the
week included Mrs. I. W. Rodgers,
of Cario, III.; "Doc" Tetlcy. of
Farmington, Mo., and Tom Reed,
of Duquoin, III.
Brooke Johns is in his last week
at Skouras Brothers Missouri The-
atre and after April 13 will move
over to Indianapolis. Pending the
arrival of Eddie Peabody from the
Pacific Coast. Eddie Pardo, a well-
known vaudeville entertainer, will
have charge of the stage shows at
the Missouri.
Tom Mix will make his vaude-
ville debut with a personal appear-
ance at the St. Louis Theatre,
Grand and Delmar boulevards, S».
Louis, on April 12. Accompany-
ing Mix will be his famous horse,
Tony.
Henri Chouteau, owner of the
Liberty and Odeon theatre build-
ires in St. Louis, who was the Re-
publican nominee for Congress
from the Eleventh Missouri Dis-
trict in 1926. has filed for the Re-
publican nomination for State Sen-
ator from the Thirtv-third District.
1284
M o tio n Picture N e ws_
South West
ANNOUNCEMENT was made
April 14th that the Capitol
Theatre in Oklahoma City would
(install a new Vitaphone which
would be introduced to the public
on May 5th. In addition to the
Vitaphone, the Capitol will also
install a new Vitaphone which
the very near future.
The Metro-Goldwyn-Mayer or-
ganization of Oklahoma City has
found it necessary to enlarge their
office space and have taken a room
adjoining them in the film ex-
change building on South Robin-
son street. The new additional
quarters will be occupied by the
booker and his assistants.
Pete Harrison, of the Gaiety
Theatre, Picher, Okla., made a
business trip to Film Row last
week.
C. W. Allen, branch manager for
Pathe in Okla. City, has returned
to his desk after an illness of ten
days. Mr. Allen celebrated his
recovery with a week-end trip to
Kansas City.
O. L. Hawk, of the Majestic
and Crystal theatres in Cherokee,
Okla., made a two days' visit to
Oklahoma City this week.
Sam Brunk, booker for FBO,
has been confined to his home the
past ten days with bronchial pneu-
monia. While his condition is not
considered especially serious, his
progress towrad recovery is much
slower than could be desired.
J. M. Lytle is reported to have
taken over the old Majestic The-
atre at Fort Gibson, Oklahoma, and
renamed it the Only Theatre.
Macdonald & McDowell, of
Wellington, Kansas, advise they
have purchased the lease and equip-
ment of the Empress Theatre at
Shattuck, Okla., from J. R. Davis,
and will assume charge of the the-
atre on May 1st. These gentlemen
also operate the Ashland and Ma-
jestic Theatres in Wellington.
C. C. Stanfield, who recently
purchased the American Theatre at
Ada, Okla., advises he has changed
the name of this house to The
Hamly.
Leo Upchurch is reported to
have opened a new theatre in Wal-
ters, Okla., which he has named
the Grand. Mr. Upchurch has been
connected with his father, M. C.
Unchurch, in Lone Wolf, Eldorado,
and several other towns in the
State, in the theatre business.
E. V. Weaver, of the Senate and
Osage Theatres at Shidler, Okla.,
reports that he has recently taken
over the Cozy Theatre there.
V. E. Long, Manager of the
Royal Theatre, Dow, Oklahoma,
advises he has closed his theatre for
an indefinite period.
The new Circle Theatre, now un-
der construction at Tulsa, has been
leased to Fred Smith, who also has
•the Main Street Theatre there. The
new house will seat 850 and has a
frontage of 50 feet and will be 140
feet deep. Location of the new the-
atre is at 10 S. Lewis Avenue.
Terry Brothers, of Woodward,
Okla., are drawing up plans for
the erection of a new §25,000 thea-
tre building in Woodward. This
will make the second new theatre
erected by these enterprising broth-
ers since they took over the theatre
interests in Woodward some three
years ago.
Ground has been broken for the
erection of a 1,000 seat theatre at
Elmwood Park, Oklahoma City.
T. A. Hoover is the owner and has
announced that the house will be
ready ' for occupancy by May 6th.
Opening program in the new house
will be the beginning of an 18-
week engagement of a dramatic
stock company. PZlmwood Park is
a very popular summer resort on
the interurban between Oklahoma
City and Norman.
During Holy Week the Criterion
Theatre in Oklahoma City was
turned over to the Ministerial Al-
liance for 45 minutes between
twelve and one o'clock each day.
Services were conducted by prom-
inent ministers of the city and
hymns were sung to the accompani-
ment of the Criterion Wurlitzer
organ.
Friends in Oklahoma film circles
were grieved to learn of the sudden
death of Mrs. J. U. Phillips, wife
of the owner of the Grand Theatre
at Stillwell, Okla. Mrs. Phillips
was well known over the state, hav-
ing been active in the management
of the Grand Theatre with her hus-
band for the past six years.
Paul Myers, formerly salesman
for Home State, is now managing
the Pendleton Oregon 1927 Round-
up pictures as a road show.
The opening baseball game of the
season was played last Tuesday
afternoon on the Capitol Diamond
with the Film Exchange Baseball
Team pitted against the Frisco
Railroad team. Final score 6 to 5
in favor of the Film Exchange
team.
Miss Mary Jane Harvey, who
operates the Princess Theatre at
Cement, Oklahoma, visited Okla-
homa City last week and purchased
a new organ for her theatre.
The Crystal Theatre at Broken
Arrow, Okla., has been redecorated
and greatly improved in appear-
ance.
Miss Helen Newman, former
stenographer for Pacific Mutual
Life Ins. Co., has been added to the
M-G-M office force at Oklahoma
City.
Albany
JAKE ROSENTHAL observed
his fifth anniversary last week
as owner of the Rose theatre in
Troy, and went the limit in the
way of giving plenty of entertain-
ment for his admission price.
After losing thirty pounds in
weight, in traveling over the terri-
tory, Vic Bendell decided last week
to resign from the Kaufmann Mat
Service, and is now back at his
old job of selling bonds.
James Wingate, head of the state
motion picture censorship commis-
sion, is doing- quite a bit of public
speaking these days, explaining
how his bureau functions.
After waiting all winter for the
spring and summer business, D. R.
MacAleese, of Cranberry Lake, has
been forced to close his theatre,
due to a decision on the part of
the Emporium Forestry Company,
to supply no more electricity for
the town.
No more traveling by train or
last year's car for Al Guteck, lo-
cal manager for F. B. O. Mr.
Guteck returned on Friday from a
swing through the southern tier of
New York state and two hours
later found him at a local sales-
room inspecting the latest creation
in motordom.
Abe Stone, now devoting all his
efforts to the Eagle theatre in Al-
bany, and incidentally filling the
house each night, spent Easter in
New York City. Jake Golden,
manager of the Proctor house in
Troy, spent a couple of days last
week with his parents in Boston.
John Leonard, who has been one
of the checkers at the Metro-Gold-
wyn-Mayer exchange in Albany,
resigned last week.
Lee Langdon and Fred Robke,
both formerly associated with Al-
bany's film exchanges, are in New
York, and Tony Veiller, who re-
cently resigned as manager of the
Mark Ritz in Albany, was seen
along Broadway last week.
Although Uly S. Hill, managing-
director of the Stanley houses in
Albany and Troy,, did not get out
last week on the first day of the
trout fishing season, he nevertheless
enjoyed a platter of the speckled
beauties. His son, Norman, was
out bright and early and returned
with a fine catch.
Plans are under way by the Film
Board of Trade for an installation
dinner to be given the new set of
officers that have assumed their
duties.
Frank Lupien. manager of the
Strand theatre in Ogdensburg, last
week celebrated his tenth anniver-
sary in the theatre business.
Morris Quinlan, assistant opera-
tor at the Bijou in Troy, died last
week from a combination of pneu-
monia and an abscess of the brain.
Visitors along Albany's film row
last week included Frank Fredaro,
of Glasgow; Mrs. Sequin, of
Rouses Point, and Sam Hochstin,
of Hudson. Mrs. Sequin reported
that there was a real estate boom
in her town, due to the probability
of a bridge from that point across
Lake Champlain to Vermont.
There was a change in ownership
in the Columbia of Rensselaer, last
week, when Ross F. Fayles sold
out to Joseph Kains.
Employees at the Universal ex-
change in Albany played the part
of Santa Claus last week, first pre-
senting a set of sherbet and other
glasses to Miss Esther Kenney,
billing clerk, who was married.
Almost immediately, they presented
Miss Helen Finegiass, the cashier,
with a house robe, Miss Finegiass
having resigned to be succeeded by-
Mrs. Lillian White, who was for-
merly connected with the First
National exchange. Then along
came James Tunney, the shipper,
with the announcement that he was
the father of an eight pound boy.
Everyone suggested that the boy
be named "Gene," but the father
decided on calling him "Irwin."
Several from Albany's film row
were in Schenectady one night last
week at a party given by William
Shirley, general manager of several
theatres in that city.
Fred Elliott, one of the old timers
among the exhibitors of Albany,
has returned from several days
spent at Atlantic City. Jack Bui-
winkel, who recently resigned as
local manager for First National,
has gone to New Haven, where he
will represent the United Artists.
Joe Saperstein, manager of Har-
manus-Bleecker Hall in Albany,
has increased his admission prices
now that he is including three acts
of vaudeville along with his pic-
tures. It is rumored that it is the
first step toward eventually mak-
ing this house a first run theatre
with vaudeville combined.
Candy machines have been in-
stalled lately in the Lincoln and
American theatres in Troy, and at
the Albany and Regent in Albany,
all Stanley houses.
Al LeMay will leave the latter
part of May for Detroit, where he
will represent the Troy local at
the national convention of the Al-
liance of Theatrical Stage Em-
ployees and Motion Picture Oper-
ators. James Lemke, former inter-
national president, and the present
head of the stage hands union in
Troy, will also attend the conven-
tion.
Harry Brooks, head of the mo-
tion picture machine operators
union in Troy, will probably be the
next sheriff of Rensselaer County,
having announced his candidacy
and with good chances of winning
out.
April 21, 19 28
1285
New England
1^1 1IC new Embassy Theatre at
Waltham, .Mass., formally
opened Monday. Guests included a
large delegation of state and city
officials. The theatre is managed
by W. H. Murphy and is one of
the largest and most beautiful out-
side of Boston.
The Academy Theatre at North
Anson, Me., has been sold to M.
L. Pullcn.
The Parrot Vaudeville Ex-
change has opened at Room 302.
204 Stuart street, Boston, with
Milt Glickman and Henry Chap-
man in charge.
Philip Fox has returned to his
desk as booker at Independent
Films, Inc., Boston, after a week's
absence with quinsy sore throat.
Herman Rifkin, 56 Piedmont
street, Boston, is planning to change
the name of his exchange, now the
Supreme exchange, to some other,
not yet announced.
The Arbitration committee for
Boston and vicinity for next month
has been named. It consists of
Charles Hodgdon of the Capitol,
Worcester; R. L. Ripley of Fram-
ingham, and Samuel Torgan of the
Strand, Lowell representing the ex-
hibitors, and Abe Montague of In-
dependent Films, Maurice N. Wolf
of Metro-Goldwyn-Mayer and M.
E. Morey of American Feature
Film distributors. This will be the
first of the new Arbitration boards
under the new plan for a different
board monthly.
The Jewell Theatre, Lowell,
Mass., which has been taken over
by Michael Hussen, has closed for
alterations and will be reopened
within two or three weeks.
The Union Theatre at Attleboro,
a new theatre, opened on Monday.
The New England Bookers As-
sociation hold their third annual
dance Friday, April 20th, at Loew's
State Ballroom, Boston.
The Albee Theatre at Provi-
dence closed Saturday for the sum-
mer. The theatre operates pic-
tures and vaudeville.
Miss Eleanor A'Hearn, of In-
dependent Films, broadcast over
WLOE Tuesday night in the Loew
variety hour. Miss A' I learn is a
talented lyric soprano.
Samuel Bischoff, of Los An-
geles, producer of the series of
"Events" for Metro-Goldwyn-
Mayer, was a guest at the Boston
exchange of that company during
the week.
Harry J. Martin, office manager
of the American Feature Film ex-
change, has been confined to his
home the past week by illness.
Maurice Masters, of the Masters
Motion Picture Bureau, is bereaved
by the death of his father on Mon-
day.
Miss Ann Rolfe, of the First
National exchange, is confined to
the Homeopathic hospital with
pneumi >nia.
The Orient Gardens theatre in
East Boston was damaged by lire
which started in a pool room ad-
joining and did damage of about
S5.000 to the theatre. Temporary
arrangements were made while re-
pairs are under way, so that there
has been no interruption to the
programs.
William H. Kocn, former own-
er of seven New England the-
atres, died at his home in Salem,
Mass., recently, at the age of 59.
He had been retired from active
business for about three years. He
formerly owned theatres in Salem.
Haverhill, Brockton, Somerville
and Newton. He sold his interests
to the Gordon Circuit, which has
since disposed of thpm to the
Publix circuit.
Green & Eilenberg have leased
the Strand Theatre, Everett, for
a period of years.
David Plett has been awarded
the contract for the new Audi-
torium theatre to be erected in
Lynn to replace the structure bad-
ly damaged by fire several weeks
ago. J. D. Newmark and J. Al-
pert are the owners and plans are
by J. Schwartz, of Lynn.
Nathan Vamins, leading exhibi-
tor of Fall River, who is rebuild-
ing two of his theatres in that
city destroyed by fire which wiped
out the business center of the city,
has been placed in charge of the
reconstruction of the Temple Beth
Eli. Yamins is also head of the
M. P. T. O. A. of New England
so that at present he has plenty
of business on hand requiring his
supervision. And for good meas-
ure he is operating the other Fall
River theatres which he owns.
The L. & S. Theatre Corpora-
tion has been organized and in-
corporated at Lowell, with capital
of $100,000. Incorporators are
Francis C. Lydon Nathan Silver
and Theodore Shaps, all well known
theatre men in Boston and vicinity.
The M. & S. Theatre Corpora-
tion, Boston, has been capitalized at
$10,000. Incorporators are Charles
and Reginald Morse, of Brockton,
and Frank J. Savasta, of Boston.
Seville Theatre, Inc., Boston,
has organized with capital of
$100,000. Incorporators are Jacob
Lourie, Nathaniel Pinanski and
Samuel Pinanski, all of Boston.
Through a change in arrange-
ments, the Metropolitan Theatre
of the Publix group, will, starting
May 1st, broadcast from Station
WBET of Boston and Medford,
Mass. The theatre has been broad-
casting, since it started its air
programs, through Station WNAC
of Boston.
The Massachusetts Supreme
Court has upheld the provisions in
the will of Charles S. Harris,
former theatrical manager and long
identified with the Keith-Albee in-
terests in New England and New
York.
Plans will be ready for figuring
about May 1st for the new Rialto
Theatre to be erected by Nathan
Yamins in Fall River, to replace
the structure destroyed by the big
fire. Darling & Parlin are the
architects now completing the
plans.
Contract has been awarded to
Benjamin Steinberg for a new
motion picture theatre in Central
Square, East Boston, by the New
England Theatres OiK-rating Corp.,
Boston, of which Samuel Pinan-
ski is president. It will seat 2,000.
This is the first new theatre in the
program of expansion of the com-
pany.
Heustis & Ilcustis, of Spring-
held, Mass., have been commission-
ed to prepare the plans for the
new theatre to be erected in Mem-
orial Square, Springfield, for
George L Rioux of 151 West
Alvord street, that city. There will
be a hotel, stores and offices in the
same building which is to house
the theatre. It is expected that
contracts will be awarded within
the next month or six weeks.
Agawam Amusement Corp.,
Springfield, Mass., has been in-
corporated with capital of §100,-
000. Incorporators are Michael 1.
Daley, John Martinelli and Frank
B. Perkins.
Frederick E. Thompson is to
build a new theatre in Westboro,
Mass., and architects Kilham,
Hopkins and Greeley, of Boston,
are drawing the plans. The new
theatre will be ready for estimates
within a month.
A new theatre is being planned
for Meridian street, East Boston,
for Carl Canner. Krokyn &. Bp >\\ ne,
of Boston, are drawing the plans.
Imperial Amusement Corp.,
Stamford, Conn., has been incorpo-
rated with capital of $50,000. In-
corporators are Samuel F. Mead-
ow and others of New Haven.
The midnight show at the Metro-
politan Theatre, Boston, for the
N. V. A. in connection with Na-
tional N. V. A. week netted $16,-
000, according to latest reports.
The SaSugus Theatre at Saugus
will be reopened the latter part of
the month.
The Plaza Theatre at Salem is
installing Vitaphone equipment.
George Roberts, from the Fox
Home office, a special representa-
tive, is at the Boston exchange for
a few days.
M iss Gertrude Sullivan, in
charge of the switchboard at the
Fox exchange, is ill at her home in
Maiden.
Jack Basch, non-theatrical and
educational manager of the Fox
exchange, Boston, lias a new Essex
coach.
The Park Theatre at Lebanon.
N. H., has been taken over by C.
L. Beede. The house was formerly
owned by Fred Sharby.
Minneapolis
ipiNKELSTEIN & RUBEN are
m to have an office building of
their own this summer when they
will construct a two-story fire-
proof building on Sixth street, be-
tween Hennepin avenue and l'ir-t
avenue N., Minneapolis at a cost
of §150,000. A long time lease has
been secured on the site, which has
a 100-foot frontage and extends
back 112 feet to an alley. It will
be necessary to raze a one-story
building now on the property to
erect the new structure, plans for
which are being completed. There
will be a basement and two floor.;
to the building. The first floor will
be divided into five stores, while
the second will be used to house
the executive and administrative
force of the F. & R. organization.
The city of St. James, Minn.,
expects a heavy vote at the city
election to be held in a few weeks
as the question of Sunday shows
is to be decided upon at that time.
There has never been Sunday mo-
tion pictures in St. James and the
owner of the local theatre is seek-
ing the sanction of the citizens for
Sunday shows. The city council
previously declined to put the ques-
tion on the ballot.
Morris Safier included Minne-
apolis in his recent tour of the
middle west in the interest of War-
ner Bros.
The Blue Mouse theatre at Pine
Island, Minn., fomrerly operated
by the Klug Bros., has been pur-
chased by L. C. Stucky.
A new theatre to seat 600 and
cost approximately §50,000 will be
built at White Bear, Minn., bv
Mrs. J. L. Jensen.
The Rex theatre at Hutchinson,
Minn., will be completely redeco-
rated by E. S. Norcen. New seats
will be installed of the same type
as those used in the new Minne-
sota theatre in Minneapolis.
Mr. and Mrs. Lind have sold the
Rex theatre at Clarissa, Minn., to
Ernest H. Anderson.
The Chamber of Commerce of
Brainerd. Minn., has announced
that F. & R. and Clyde E. Parker,
owners of the Park theatre in that
city, will spend approximately §50.-
000 this summer in remodeling.
1286
.1/ o t io n P i c t it r c .V e w s
Projection
Optics, Electricity, Practical Ideas & Advice
Inquiries and
Comments
He Fear? It to Be a Scheme to Sell
Equipment
H. CHASE, owner and manager of
a theatre in Michigan, has been
using' alternating current projec-
tion arcs for some time and gives
his reason for so doing that he be-
lieves the sale of direct current
apparatus to be a scheme on the part of
equipment manufacturers to "sell a lot of
extra equipment."
His only complaint in connection with the
use of alternating current for projection
purposes, is that he has not sufficient light
reserve to enable him to obtain a fairly con-
stant screen intensity with films of different
density.
He is now looking for ways and means of
obtaining higher screen intensities without
incurring too much expense, and he would
prefer continuing the use of his present al-
ternating current outfit if this could be done
at all because he strongly suspects the mo-
tives of the generator manufacturers.
Here is his letter:
Dear Sir:
J liave a small town 260 seat house and
would like to get some information regard-
ing my projection from some one who is
neutral and not interested in selling equip-
ment.
I am using the old style carbon arcs on
110 volt alternating current with compens-
arcs or inductors. Now everyone hollers
about direct current being a so much
steadier light with less flicker but I have
been in a lot of big city houses where direct
current is being used and in my judgment
they all get more flicker than I do. In fact,
people from the city come here and tell me
that my pictures don't hurt their eyes like
they do at home. My opinion is that this di-
rect current stuff is a scheme to sell a lot
of extra equipment.
The only trouble I have, and the question
I want you to answer, is if there is any
way I can get a brighter light without going
to a lot of expense. My light is very fair,
however, with the exception that when I
get a dense film, I have no way of making it
brighter.
My throw is 85 feet and the picture meas-
ures 9 x 12 feet.
Respectfully yours,
(Signed) H. H. Chase.
Schemes for Selling
Friend Chase, every manufactured article,
whether it be a motion picture projector, a
generator, a washing machine, electric re-
frigerator, automobile or what not, repre-
sents a scheme on the part of some one to
sell a lot of equipment for the very selfish
purpose of making money. If this were not
so then there would be no incentive for
persons to spend a considerable amount of
time inventing new things to lighten our
daily work and make our lives more enjoy-
able.
It is always the fond hope of every manu-
facturer that he will "sell a lot of equip-
ment" and in order to realize this ambi-
tion he does everything possible to make
his particular equipment the very best,
either in point of quality or in point of
value.
If you do not believe this to be so, then
we call your attention to the automobile in-
dustry as representing an excellent example
of present day marketing. Did you ever in
your life see so much value as is repre-
sented by the cars now on the market? Yet
every one of these automobiles is a scheme
on the part of the respective manufacturers
to "sell a lot of equipment" but in doing
so, the general public is the gainer because
never before has so much automobile been
offered for so little money.
And to show the beneficial results of mod-
ern manufacturing and marketing methods,
we quote government statistics to the effect
that in the United States, there is one car
for nearly every family. Nearly one-fifth of
the families of this country own two or more
cars.
Doesn't this look like an all-around profit-
able "scheme to sell a lot of equipment?"
And does the general riding public appear
to be worrying themselves sick because they
proved to be such easy marks for the auto-
mobile manufacturers ?
Modern life in this country is the direct
result of intensive manufacturing and sell-
ing schemes and it is well that this is so
because never before in the history of the
world has any country been as prosperous as
ours — even at this very moment when busi-
ness, by comparison with recent years, is
supposed to be slow.
We Are Not Neutral
And now, Friend Chase, as far as our not
being interested in selling equipment is con-
cerned, nothing could be farther fi-oni the
truth. We are entirely bound up in the
idea of seeing, and helping, the respective
manufacturers in the motion picture indus-
try sell their products. This includes you,
as a manufacturer of entertainment.
In the first place, we are anxious to see
all the producers sell barrels and barrels of
film — more power to them. In the second
place, we are just as anxious to see the
equipment manufacturers sell bushels and
bushels of projectors, generators, spotlights
and everything else that goes into the equip-
ping of a motion picture theatre.
And in the third place, we are even more
anxious to see all exhibitors as manufac-
turers of finished entertainment, sell oodles
and oodles of tickets so that they, in turn,
can buy even more film and equipment in
order that more, and yet more, tickets may
be sold.
Don't you think that is a pretty good
"schemle for selling equipment." Friend
Chase? Wouldn't you be willing to enter-
tain such a proposition? Manufacturers in
other fields are doing the same thing. Why
shouldn't you?
Look at the electrical industry? Isn't
that intensive selling? Yet, who cares?
Does the housewife conqdain because she
must use an electric washer, an electric iron
and a vacuum cleaner? Does the man of
the house groan when he comes home and
switches on his new seven tube all-electric
radio?
No trade paper which has the interests of
its industry at heart, can well afford not to
be intensely interested in the sale of the
products of the manufacturers which it rep-
resents. And your interests, as the ultimate
manufacturer of entertainment, lie even
closer to our heart.
The High Cost of Obsolete
Equipment
Do you realize, Friend Chase, that by con-
tinuing to use inefficient, obsolete equipment
you are throwing away every year, enough
money to buy the very latest type of highly
efficient projection equipment which will
give you a picture far better than you ever
dreamed of obtaining with an alternating
current arc?
The best recommendation Ave can make,
Friend Chase, is simply this. Your theatre
is quite small and projection equipment to
improve your projection can be installed at
a very reasonable cost.
For your theatre, we can recommend
the Mazda projection system, equipped with
Bausch & Lomb parabolic condensers and
Cinephor Series II projection lenses. This
equipment not only will give you far su-
perior projection results to what you now
secure, with not the slightest trace of
dicker, but it will provide an ample reserve
of illumination to enable you to maintain a
constant screen intensity, no matter what
the density of the film might be.
The equipment is quite simple to handle.
The use of this equipment should put you
in a position to save several hundred dol-
lars in operating expenses.
If the state of your finances cannot stand
the-outright purchase of this equipment, we
suggest that you purchase it on a time basis
from a supply house which has provisions
for buying on this basis. We do not hesitate
to say that by the time the final payment is
due, the equipment will have nearly paid
for itself and you will have presented your-
{Continued on follozving page)
April 21 , 19 28
1287
City Helps Universal Open
New Theatre
The Downtown Hushics* and Professional
Association celebrated the opening of Uni-
versal's heaufiful, new Venetian Theatre,
Pacine, Wiseonsin, with a bi<; parade in
which "Venetian" ni^lif displays, floats by
combined business men's organizations, the
American Legion Drum Corps, tbe Easles
marching and other attractions were fea-
tured.
"U" rushed tlie completion of the equip-
ment of this $1,000,000 house in time dor
the opening. Arthur Friedman who has
been managing director for the Rialto The-
atre, Racine, transferred his activities to
the Venetian. His new assignment is in line
with tlie "promotion-from-the-ranks"
policy adapted by the "U" chain.
The Venetian Theatre seats 2,200. The
land, building and equipment represents a
total outlay of over $1,000,000. In addi-
tion to the theatre proper, the building
houses a number of stores and offices. The
second and third floors of the commercial
building are under long term lease to the
local Eagles Lodge.
The Venetian was built by the United
Studios of Chicago to designs by Ralph L.
Reaudry. The theatre is in Italian atmos-
pheric style.
The auditorium is like an old Venetian
garden — surrounded by high walls realistic-
ally covered with vines and flowers. Effect
machines throw moving clouds on the sky
ceiling; twinkling stars carry out the idea
of a Mediterranean night.
Inquiries & Comments
{Continued from preceding page)
self with a nice pair of illuminators which
will be good for a number of years.
Such things as flicker and lack of screen
illumination should never cause you to
worry.
The Mazda, equipment can be connected
direct to your present 110 volt alternating
current lines without the need for additional
equipment .
D. C. Projection is Superior
As far as direct projection is concerned,
Friend Chase, it is far superior to alternat-
ing current in that it gives more light for
less money and should give a steadier, flick-
erless light.
We see no reason why flicker should be
encountered with a D. C. outfit unless the
projector was being operated so slowly as
to cause it. It is also possible that you
thought the sputtering of the arc, caused by
faulty carbons, to be in the nature of flicker.
If a direct current arc is operated in an
intelligent manner, however, it has no equal
as an illuminator. The best operation from
an A. C. arc is obtained by using a set of
National White Flame Carbons, placed in
line with each other and inclined backward
at an angle of about 25 degrees.
Your best bet, however, as pointed out
above is to arrange for a demonstration of
t he Mazda outfit.
People want
cool comfort-
-in hot weather,
going to meet
mand?
Are you
this de-
Proper air conditions in
the modern theatre are
just as essential as the ex-
cellence of its entertain-
ment.
Write for Booklet N-2
Typhoon Fan Company
345 West 39th Street, New York
Offices in Principal Cities
Each
Month The
Showman
Issue of
Motion
Picture
News
Carries
announce-
ments of
Vital In-
terest to
All
Theatre
Owners
-lubrication
scaled in
The mechanism cf your Gold
Seal Ticket Register has the
lubrication sealed in before it
leaves the factory. It will run
for years without attention —
except for an occasional drop
of oil at the joint of the knife
blades.
GOLD SEAL
Ticket Registers
and "Tickets That Fit"
Case-hardened steel surfaces where
the wear comes . . . bronze bush-
ings on the driving shafts . . .
only one driving mechanism, no
matter how many units there are
. . rust-proof steel . . . etc.
It is a multitude of such points of
mechanical superiority that enables
the Gold Seal to give year after
year of satisfactory service under
the most trying conditions. There
is only one BEST ticket register —
and that's the Gold Seal!
Our Reserved Seat Ticket Plants
in Boston and New York Can Save
You Money. Get Our Estimates.
AUTOMAT I C
Ticket Register
Corporation
723 Seventh \m .. New \ ork
Largest Printers in the World
of Folded Strip Tickets.
Radios ; ::Maj
TALK froa your screen
WITH your quickly
TYPEWRITTEN MESSAGES.
VH1TE. AMBER or GREEN
Accept no substitute.
^ is the Stationery ib^^ree^ 1 .
1288
Motion Picture News
New Theatres Announced
for Upstate N. Y.
Frederick Ullman and associates of Buf-
falo, N. Y., who operated the Elmwood the-
atre there and the Syracuse at Syracuse,
have just announced the steam shovel has
started excavation on the site of the New
Brighton theatre at 2607 S. Salina street,
Syracuse. This theatre will have a seating-
capacity of 1740, including 200 box seats in
front of the balcony. The building is to be
of gray stone front, with dimensions of 107
feet frontage and 132 feet depth. It will
contain four storerooms. One of the out-
DRAPERIES
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Astor Theatre Building
N. W. Cor. 45th St. & Broadway
Lackawanna 7876
STOCK PROGRAMS
PROGRAM COVERS
For
Moving Picture Houses
Joseph Hoover & Sons Company
Market and 49th Sts., Philadelphia, Pa'.
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2-color Program, all Features writ-
ten up for you, Printed and Delivered to your
theatre at a small cost.
Write for Samples and Prices to
THE DERBY PRESS
2015 So. Vermont Ave. Los Angeles, Calif.
standing features of the interior will be a
ceiling entirely of recess dome, lighted by
an inverted illuminating system, with dual
control from both stage and projection
room. The projection equipment will be fur-
nished by the National Theatre Supply com-
pany. The New Brighton is expected to
open on next September 1, and it will be one
of the foremost neighborhood houses in
Western New York State.
Work is expected to get under way soon
on the Jeffersonian theatre, a new playhouse
at 1350-1352 Jefferson Avenue, Buffalo. The
house will have a 1700 seating capacity and,
although the theatre will primarily be for
motion pictures and vaudeville presenta-
tions, the stage will be equipped for any
kind of theatrical performance. The con-
struction cost is estimated at $250,000 by
the owners, the Jeffersonian Holding Cor-
poration, a Buffalo concern. The interior
decorations will be of novel design, the ceil-
ing to be painted as a sky and a garden
will be sketched along the sides, thus giv-
ing an open-air effect. In addition to a full
orchestra and organ pit, there will be a pro-
vision for vitaphone synchronization. The
architects are Louis Greenstein and Myron
E. O'Neil, Jr.
J. Friedman announced plans for new
•$150,000 neighborhood house and business
building at Comer Ave. and Shelby St.
Permission of the park board to erect the
structure adjoining Garfield Park is delay-
ing operations. A 1200 capacity popular
price house is planned. Residents are re-
monstrating' the new house.
Proposed New Theatre
Construction
Will Rebuild Old Strand
at Sunbury, Pa.
Further pursuing its policy of increasing
the number of costly theatres in its chain
throughout Northeastern and Central Penn-
sylvania, the Comerford Amusement Com-
pany', of Scranton, which now controls 150
picture and vaudeville houses, announced
on February 7 plans for completely rebuild-
ing the Strand theatre, Sunbury, Pa., at an
expenditure of $200,000. The new building
will be erected on the site of the present
Strand theatre, on Market street, and work
of reconstruction will begin April 1. The
same interests made the further announce-
ment of plans for the elaborate remodeling
of the Chestnut street theatre, in the same
city, the work to be done in the summer.
The new Strand will be patterned after
the Capitol, which the Comerford company
opened a few months ago in Pottsville, and
the Capitol which it is now erecting in
Williamsport. The seating capacity will
be between 1,600 and 1,700, or twice the
size of the present Strand. There will be
ladies' and gentlemen's rest rooms on both
floor and a mezzanine near the balcony.
The new structure will extend 30 feet be-
yond the rear of the present building. Loge
seats will be added to the balcony and the
theatre will be equipi^ed with a modern pipe
organ and ventilating system. George Mor-
ris, of Scranton, designed the structure.
James M. Blanchard, the present manager,
will continue in charge of the house.
The Strand was originally built in 1909
by the Blanchard Amusement Company,
and was then known as the People's the-
atre. It was bought by the Comerford in-
terests in 1919 when the name was changed
to the Strand.
CALIFORNIA
Calexico — Owners, Principal Theatres, Inc.,
621 South Hope Street, Los Angeles, Calif.,
Architect, Carl J. Weyl, 6536 Sunset Blvd., Los
Angeles, Calif. Costing, $100,000.
Sierra Madre — Architects, H. Thompson & C.
N. Olsen, Los Angeles. Contractors, D. Long
and Company. Costing, §35,000. Seating, 400.
Venice — Owners, Turner & Dahnken, Los
Angeles, Calif. Architect, J. Paxton Perrine,
Los Angeles. Costing, $500,000. Location,
bound by Windward Avenue, Trolley Way,
Second Street and Venice Boulevard.. Seating,
2,000.
FLORIDA
Lake Wales — Owners, Princess Realty Co.
Lessees, Lake Wales Investment & Amusement
Corp. Architect, George J. Jacobs. Costing,
$100,000. Seating, 1,000.
ILLINOIS
Effingham — Owner, R. H. Clark. Costing,
$50,000. Location, Jefferson and Banker Sts.
Mounds — Owner, J. J. Blum. Operated bv
Wagner-Tobin Theatres Co. Costing, $40,000.
Seating, 800. Name, Egyptian.
Sullivan — Owner, H. S. Butler, Hillsboro,
111. Costing, $30,000. Location, north side of
Square. Seating, 600.
KANSAS
Junction City — Owner, Glen W. Dickinson,
Bowersock Bldg.. Lawrence, Kans. Architect,
Boiler Bros., 407 Huntzinger Bldg., Kansas
City, Mo. Costing, $70,000.
LOUISIANA
Slidell — Owners, A. Carolla and Peter Lalu-
mina. Lessees, B. Y. Sheffield and R. C. Rich-
ards, New Orleans. Costing, $40,000. Seating,
850.
MICHIGAN
Center Line— Contractors, Gallagher and
Fleming, Detroit, Mich. Costing, $110,000. Seat-
ing, 750.
Petoskey — Owners, W. S. Butterfield Thea-
tres, Inc., W. S. Butterfield, pres., 505 Insur-
ance Exchange Bldg., Detroit, Mich. Seating,
1.200.
NEW JERSEY
Bayonne — Owners, Walcott Holding & Co.,
J. Krumgold, in charge. 154 Ege Ave., Jersey
City, N. J. Architect, Harry Adehnan, 494
Broadway, Bavonne. Costing, $150,000. Loca-
tion, 35-37 W. 8th St. Including offices.
Belmar — Architect, C. B. Cook, Asbury Park
Trust Bldg., Asbury Park, N. J. Location,
Ocean Front. Including, Dance Hall, Pool and
Bath Houses.
NEW YORK
Buffalo — Owner, Jeffersonian Holding Corp.,
A. Frybush, 706 Mutual Bldg. Architect, L.
Greenstein, 1334 Prudential Bldg. Costing,
$150,000. Location, W. S. of Jefferson St., near
Glenwood St.
Buffalo — Owner, Bagg Amusement Corp.,
Grove Bagg, pres., 1514 Main St. Architect,
Bacon & Lurkey, 997 Main St. Costing, $150,-
000. Location, Main St., near Ferry St.
Ithaca— Owner, Harry S. Clark, 934 E.
State St. Designer, J. Peters, 139 E. State St.
Location, East Seneca St.
NORTH CAROLINA
Jl " inston-Salem— Owner, Paul Abraham, 1953
Waughtown St. Costing, $10,000. Location,
Waughtown St. between Junia and Dacian Sts.
Seating, 240.
OHIO
Akron — Owners, Loew's Theatres, Inc. Cost-
ing, $1,000,000. Location, South Main Street.
Seating, 3,000.
April 21, 192S
1_W
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liHilll!llll'HIIIHi!lilil
m
FEATURE RELEASE CHART
Productions are Listed Alphabetically and by Months in which Released in order thai the Exhibitor may
have a short-cut toward such information as he may need, as well as information on pictures thai are coming.
(S. R. indicates State Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
SEPTEMBER
Feature Players Distributed by Length Reviewed
Annie Laurie L. Gish-N. Kerry M-G-M 8730 feet. May It
Back to God'6 Country. . . .R. Adoree-R. Frazer. .Universal 6751 feet. .July SI
Barbed Wire P. Negri-C. Brook-E.
Hanson Paramount 6961 feet
Big Parade, The Gilbert-Adoree-Dane. M-G-M 11619 feet . Nov. 28. '25
Blackjack B. Jones-B. Bennett. . Fox 4777 feet. . Mar. 3
Border Cavalier, The Fred Humes Universal 4427 feet
Born to Battle Bill Cody Pathe 4876 feet
Boy of the Streets J. Walker-M. Ben-
nett-B. Francisco. .Rayart (S. R.) 6069 feet. .
By Whose Hand? R. Cortez-E. Gilbert.. Columbia 6432 feet Jan. 7
Camille N. Talmadge-A. B.
Francis-G. Roland . First National 8692 feet . May 6
Cancelled Debt, The R. Lease-C. Stevens . Sterling Pict (S.R.). t>200 feet
Cat and the Canary, The. . L. La Plante-F. Stan-
ley-C. H a 1 e - T.
Marshall-G. AstorUniversal 7790 feet. .May 20
Chang (Jungle Film) ...... Special Cast Paramount 6636 feet . May 13
Clancy's Kosher Wedding G. Sidney-M. Gordon-
S. Lynn-R. Lease-
W. Armstrong F B O 6701 feet . Aug. 26
Cruise of the Helion, The .E. Murphy-D. Keith-
T. Santschi Rayart (S. R.) 6089 feet . Sept. 30
Drop Kick, The R. Barthelmess - D.
Revier-B. Kent First National 6819 feet Sept. 30
first Auto, The B. Oldfield-P. R. Mil-
ler-R.Simpson. .. .Warner Bros 6767 feet .July 8
Plying U Ranch, The Tyler-N. Lane F. B O. 4924 feet
Foreign Devils T. McCoy-C.Windsor M-G-M 4658 feet
Gay Retreat, The G. Cameron-S. Cohen-
T. McNamara Fox 5624 feet Sept. 23
Girl From Gay Paree, The . Sherman-Bedford-
McGregor-Blythe. . Tiffany-Stahl 6233 feet Sept. 23
Girl From Rio, The Carmel Myers Lumas 6990 feet
Honor First (Re-issue). . . .J. Gilbert-R. Adoree.Fox 4851 feet
In a Moment of Temptation C. Stevens-C, Keefe-
K. Guard-G. With-
ers F. B. 0 5605 feet . Nov. 11
Isle of Forgotten Women. .Tearle-Sebastian-A.
Calhoun-G. Gow-
land Columbia 6646 feet . . Jan. 21
Jaws of Steel Rin-Tin-Tin-H. Fer-
guson-J. Robards . Warner Bros 5569 "eet. Sept. 30
Joy Girl, The O. Borden-N. Hamil-
ton-M. Dressier... Fox 6162 feet. .Sept. 23
Life of Riley, The C. Murray-G. Sidney-
S. Hardy-J. Marlowe. First National 6712 feet. .Sept. 16
Lone Eagle, The R. Keane-B. Kent . . . Universal 6862 feet
Loves of Carmen Del Rio-McLaglen-D.
Alvarado Fox 8538 feet Oct. 7
MoJive Kid, The BJSteele-L. Gilmore . F. B. O 4924 feet Aug. 12
Nevada G. Cooper-T. Todd. .Paramount 6258 feet Oct. 28
Old San Francisco D. Costel'o-C. E. Mack-
W. Oland Warner Bros 7961 feet July 8
One Round Hogan M. Blue-J. J. Jeffries-
L. Hyams Warner Bros 6375 feet Oct. 7
One Woman to Another. . .F. Vidor-Von Eltz Paramount 4561 feet Sept. 30
Out All Night R.Denny-M.Nixon. Universal . . 6170 feet .. Oct. 7
Out of the Past R. Fraier-M. Harris. .Peerless Pict. (S. R.).5701 feet
Painted Ponies H. Gibson-E. Claire. . Universal 6416 feet . . Aug. 5
Prince of the Plains Tex Maynard Rayart (S. R.) 4134 feet
Racing Romeo, The "Red" Grange-J. Ral-
ston-T. Friganza. . . F. B. 0 6992 feet. . Dec. 16
Ragtime J. Bowers-M. de la
Motte First Division (S. R.) . 6700 feet . . Sept. 9
Red Raiders, The K. Maynard-A. Drew.First National 6214 feet. . Dec. 9
Road to Romance, The . . . . R. Novarro-M. Day-
R. D. D'Arcy M-G-M 6644 feet . . Jan. 21
Sailor's Sweetheart, A L. Fazenda-C. Cook. Warner Bros 6686 feet Oct. 14
Sally in Our Alley S. Mason-A. B. Fran-
cis-R. Arlen Columbia 6892 feet
Slightly Used M. McAvoy-C. Nagel-
R. Agnew Warner Bros 6412 feet Sept. 30
Smile, Brother, Smile J. Mulhall-D. Mac-
taill First National 6669 feet . . Sept. 9
Soda Water Cowboy, The. . Wally Wales Pathe 4546 feet . Nov. 4
Stark Love Special Cast Paramount . . . . 6203 f eet . . Mar. 1 1 '27
Swim, Girl, Swim B. Daniels-G. Ederle-
J. Hall Paramount 6124 feet. Sept. 16
Tell It to Sweeney Conklin-Bancroft- _
Hill-Luden Paramount 6006 f eet . . Oct. 28
Three Miles Up Al Wilson-E. Clair . ..Universal 4136 feet. Tune 10
Two Girls Wanted J. Gaynor-G. Tryon. Fox 6393 feet Oct. 7
We're All Gamblers Meighan-M. Millner . Paramount 6935 feet
Feature
Players
Distributed by
Length Reviewed
Cheating Cheaters B. Compson-K. Har-
lan .
.Universal 6623 feet. Dec. tl
F. B. 0 4837 feet Mar. 3
OCTOBER
Feature
Distributed by
Length Reviewed
Players
American Beauty B. Dove-L. Hughes-
V. L. Corbin First National 6333' eet . Oct. 21
Angel ol Broadway. The . . L. Joy-V. Varconi Pathe-De Mille 6665 feet Dec. 16
Ben Hot M Novarro-McAvoy-
Bronson-F. X Bush-
man-C.Myers. .. .M-G-M 11693 feetjan. 16, '26
Blondes By Choice Claire Windsor Lumas 6987 feet
Body and Soul A. Pr ingle- L. Barry-
more-N. Kerry .... M-G-M 5902 feet Nov. 26
Boy Rider, The Buzz Barton F. B. O 4868 feet Sept 80
Breakfast at Sunrise C. Talmadge-D. Al-
varado First National 6042 feet Dec. 16
Broadway Madnen M. de la Motte- D.
Keith Excellent Pict. (S.R.). 6945 feet. Oct. 14
Cherokee Kid, The T. Tyler-S. Lynn. .
Chinese Parrot, The M. Nixon- H Bos-
worth-E. Burns. . .Universal 7304 feet Jan. 7
College Hero, The R. Agnew-P. Garon-
R. Lease-B. Turpin . Columbia 5628 feet Dec. t
College Widow, The D. Costello-Collier, Jr. Warner Bros 6616 feet Oct 18
Combat G. Walsh-G. Hulette-
C. Adams Pathe 6100 feet Nov. 11
Crystal Cup, The D. Mackaill-J. Mul-
hall First National 6386 feet . . Nov. St
East Side, West Side G. O Brien-V. Valli-
F. McDonald Fox 8154 feet Nov. 4
Fair Co-ed, The M. Davies-J. M.
Brown M-G-M 6408 feet Nov. 4
Figures Don't Lie E. Ralston-R. Arlen. . Paramount 6280 feet. . Mar. S
Finnegan's Ball B. Mehaffey-Landis-
C. McHugh-M.
Swain First Division (S. R.K6200 feet. Dec. S
Gentleman of Paris, A A. Menjou-S. O'Hara-
A. Marchall Paramount 5927 feet . . Oct. 14
Gingham Girl, The L. Wilson-G. K. Ar-
thur F. B. O 6301 feet July »l
Girl in the Pullman, The. . .M. Prevost-H. Ford . .Pathe-De Mille 6990 feet. . Nov. 18
Gun-Hand Garrison Tex Maynard Rayart (S. R.) 4879 feet
Harp in Hock, A Schildkraut-Coghlan-
M.Robson-B.Love. Pathe-De Mille 6990 feet Dec 18
Highscbool Hero S. Phipos-N. Stuart Fox 6498 feet. Nov. 11
In Old Kentucky J. Murray-H. Costollo M-G-M 6646 feet
Jake the Plumber J. DeVorska-S. Lynn F. B. O 6186 feet . Nov. 4
Jazz Singer, The (Vita-
phone) Al Jolson-W. Oland-
McAvoy Warner Bros 7423 feet . Oct SI
Jesse James F. Thomson-N. Lane. Paramount 8666 feet. .Oct. 28
Les Miserables Special Cast Universal 7713 feet
Light in the Window, A Walthall-P. Avery-C.
Keefe Rayart (S. R.) 6960 feet . Nov. 11
Magic Flame, The Colman-Banky United Artists 8300 feet . . Sept SO
My Best Girl M.Pickford C Rogers United Artists 7850 feet Dec. «
No Place to Go M. Astor-L. Hughes First National 6431 feet. Mar. 17
Now We're in the Air W. Beery-R. Hatton-
L. Brooks Paramount 6798 feet Dec. 23
Obligin' Buckaroo, The Buffalo Bill, Jr Pathe 4576 feet. Nov. 11
Once and Forever P.R.Miller-J.Harron . Tiffany-Stahl 6639 feet
Pajamas O. Borden-L. Gray ... Fox 6876 feet. . Dec. S
Pretty Clothes J. Ralston- J. Walker-
G. Astor Sterling Pict (S. R.) 5652 feet. Nov. 4
Publicity Madness E. Lowe-L. Moran. . .Fox 5893 feet. .Feb. 11
Ranger of the North Ranger (Dog) F. B. 0 4977 feet
Ride 'Em High Buddy Roosevelt Pathe 4642 feet. .Ncv. 11
Ridin' Luck Tex Maynard Rayart (S. R.)
Rose of the Golden West .G. Roland-M. Astor. First National 6477 feet. .Oct T
Rough Riders, The F. Hopper-N. Beery-
Bancroft-M. Astor-
Mack-Farrell Paramount 9443 feet. April I
Sailor Izzy Murphy G. Jessel-A. Ferris. . .Warner Bros 6020 feet . Oct. It
Seventh Heaven. J. Gaynor-C. Farrell-
D. Butler-G. Brock-
well Fox 8600 feet June 1C
Shanghai Bound R. Dix-M. Brian Paramount 6515 feet Dec. t
Shanghaied P. R. Miller-R. Ince-
G. Astor F. B. O 5999 feet Aug. 24
Shootin' Irons J. Luden-S. Blane. ..Paramount 6179 feet
Silk Stockings L. La. Plante-O. Har-
lan-J. Harron Universal 6166 feet. Aug. 26
Silver Valley T. Mix-D. Dwan . . Fox 6011 feet. .Oct 14
Spring Fever Wm. Haines- J. Craw-
ford-G.K.Arthur. M-G-M 6705 feet Oct SS
Straight Shootin' Ted Wells Universal 4261 feet. Aug. 19
Tigress, The J. Holt- D. Revier . . Columbia 6367 feet. . Mar. 17
Underworld C. Brook-E. Brent-G.
Bancroft-F. Kohlr.. Paramount 7643 feet. Sept •
Way of All Flesh, The E. Jaonings-B. Ben-
nett-P. Haver-D.
Keith Paramount 8486 feet . . July I
Wheel of Destiny, The F. Stanley-G. Hale . . Rayart (S. R.) 5869 feet
Wine (re-issue) Clara Bow Universal 7 reels
Wise Wife, The P. Haver-T. Moore-
J. Logan Pathe-De Mille 5610 feet Dec. 16
Wolf's Trail Dynamite (Dog)-E.
Cobb-D. Lamont. .Universal 4167 feet
Woman on Trial, The Negri-E. Hanson . . Paramount 6960 feet. .Oct. 14
Women's Wares Brent-Lytell-L. Kent Tiffany-Stahl 6614 feet Nov. II
Wreck of the Hesperus, The. A. Hale-V. Bradford-
S. de Grasse Pathe-De Mille 6447 feet Mar. 31
NOVEMBER
Feature Players Distributed by Length Reviewed
Arizona Wildcat. The T. Mix-D. Sebastian Fox 4666 feet. . Mar. 34
dack to Liberty G. Walsh-D. HaU-E.
Breese Excellent Pict (S.R.) 6980 feet
Bandit's Son, The B. Steele-A. Sheridan F. B. O 4789 feet
Becky S. O'Neil-O. Moore-
G. Olmstead M-G-M 6433 feet . . .
Blood Will Tell B. Jones-K. Perry . . Fox 4566 feet . . Mar. S
Bowery Cindereu. P. O'Malley-G. Ha-
lette Excellent Pict (S.R.). 6900 feet Nov. S*
Broadway After Midnight. P Bonner-C. Land-.s-
G Hugbes-B. Ten-
ant Krelbar Pict (S. R.). . 6199 feet Nov. 4
Cheer Leader, The R Graves-Olmstead .Lumas 6000 feet. Mar. 10
1290
Motion Picture N e iv s
Aug. 12
.Nov. 11
.Nov. 11
Nov. 11
.Dec.' 16
.Jan. 21
'.Sept. 16
.Dec.
.Dec.
.Nov.
.Dec.
.Mar. 10
.Nov. 25
11
Dec. 23
.Dec. 16
Aug. 19
Dec. 23
30
Feature Players Distributed by Length Reviewed
City Gone Wild, The T. Meighan-L. Brooks-
M.Millner-F.Koh-
ler Paramount 0408 feet. .Mar. 3
College B. Keaton-A. Corn-
waU-G. Withers.. .United Artists 6362 feet. Sept. 23
Death Valley C. Nye-R. Rae-R.
Wells First Division (S. R.) . 6880 feet
Discord G. Ekman-L. Dago-
ver Pathe 8586 feet
Dog of the Regiment, A. . .Rin-Tin-Tin Warner Bros 5003 feet
Dress Parade W. Boyd-B. Love Pathe-De Mille 6699 feet
Forbidden Woman, The. . .J. Goudal-V. Varconi-
J. Schildkraut Pathe-De Mille 6568 feet
Fortune Hunter, The S. Chaplin-C. Hor-
ton-H. Costello. . . . Warner Bros 6638 feet
Galloping Fury H. Gibson-S. Rand. .Universal 5503 feet
Garden of Allah, The A.Terry-I.Petrofich.M-G 8200 feet
Ginsberg the Great G. Jessel-A. Ferris . . . Warner Bros 6390 feet .
Girl From Chicago, The . . . C. Nagel-M. Loy Warner Bros 5978 feet
Gold From Weepah Bill Cody Pathe 4968 feet
Good-Time Charley W. Oland-H. Costello Warner Bros 6302 feet.
Gorilla, The C. Murray-F. Kelsey-
T. Marshall-A. Day . First National 7133 feet
Gun Gospel K. Maynard-V. B.
Faire First National 6288 feet
Harvester The N. Kingston-O. Cald-
well F.B. O 7045 feet
Heroes in Blue J. Bowers-S. Rand . . . Rayart (S. R.) 6000 feet
His Foreign Wife W. McDonald-E.
Murphy-G.von Rue Pathe 4890 feet. .Feb
Home Made Johnny Hines First National 6524 feet
Hoof Marks Jack Donovan Pathe 4076 feet
Hook and Ladder, No. 9. . .D. Ellis-E. Hearne-
C. Keef e F. B. O 6240 feet
Judgment of the Hills V. Valli-F. Darro-O.
Caldwell F. B. 0 6481 feet
Ladies Must Dress V. Valli-L. Gray Fox 6699 feet
Last Waltz, The (Ufa Film) ,W. Fritsch-S. Vernon. Paramount 6940 feet. . Dec
Lure of the South Seas, The First Division (S.R.). .6700 feet
Main Event, The V. Reynolds-R. Schild-
kraut-C Delany Pathe-De Mille 6472 feet
Man Crazy Mulhall-Mackaill First National 5542 feet
Man, Woman and Sin J. Gilbert-J. Eagles-
G. Brockwell M-G-M 6280 feet
Night Life A. Day- J. Harron Tiffany-Stahl 6236 feet
One Glorious Scrap Fred Humes Universal 4172 feet
On the Stroke of Twelve. . .E .Torrence-J. Mar-
I owe-D. O'Shea . . . Rayart (S. R.) 5970 feet
On Your Toes R . Denny-B. Worth . . Universal 5918 feet . . Jan. 14
Opening Night, The C. Windsor-J.Bowers.Columbia 6524 feet . . Mar. 17
Open Range L. Chandler-B. Bron-
son-F. Kohler Paramount 5599 feet. .Mar. 10
Quality Street M. Davies-C. Nagel-
H. J. Eddy M-G-M 7193 feet. .Nov. 18
Reno Divorce, A M. McAvoy Warner Bros 6492 feet . . Nov. 4
Roarin' Broncs Buffalo Bill, Jr Pathe 4375 feet. .Dec. 30
Shame (Re-issue) John Gilbert Fox 5467 feet
She's a Sheik B. Daniels-R. Arlen
W. Powell Paramount 6015 feet
Skyhigh Saunders A. Wilson-E. Tarron . Universal 4393 feet
Small Bachelor, The Beranger-O. Harlan-
B. Kent-C. Ger-
aghty Universal 6218 feet .
Spotlight, The E. Ralston-N. Ham-
ilton Paramount 4934 feet
Stage Kisses K. Harlan-H. Chad-
wick-J. Patrick Columbia 5436 feet .
Thirteenth Hour, The Bonaparte (Dog)-J.
Gadsdon-L. Barry-
more M-G-M 5262 feet
Thirteenth Juror, The F. X. Bushman-Nils-
son Universal 5598 feet.
Turkish Delight R. Schildkraut-J. Faye-
K. Thomson Pathe-De Mille 6397 feet.
Two Arabian Knights W. Boyd-M. Astor-
L. Wolheim-I. Keith. United Artists 7850 feet.
Very Confidential M. Bellamy Fox 6620 feet.
Wanderer of the West, A . Tex Maynard Rayart (S. R.)
Warning, The J. Holt-D. Revier Columbia 6791 feet. Jan.
Web of Fate Lillian Rich Peerless Pict. (S. R.) .5800 feet
Wild Beauty Rex (Horsej-J. Mar-
lowe-H.Allen Universal 6192 feet
Wild Geese B. Bennett-A. Stew-
art-D. Keith-J. Ro-
bards-E. Southern . Tiffany-Stahl 6448 feet
Wolf Fangs Thunder (Dog)-C.
Morton-C. Lincoln .Fox 5331 feet
. .Nov.
11
. .Dec.
30
. .Dec.
2
Dec.
.Dec. 9
Nov. 4
Dec. 16
Feature
Aflame in the Sky
Aftermath (European film)
Alice in Wonderland
Almost Human
Brass Knuckles
Buttons
Come to My House
Desert Dust
Desert of the ]>st
Desert Pirate, The
Devil's Twin, The
Dove, The
Fangs of Destiny
Fashion Madness
Flying Luck
Gay Defender, The
Get Your Man
Golden Clown, The
Grandma's Boy (re-issue).
Ham and Eggs at the Front
Haunted Ship, The
Hero for a Night, A
Her Wild Oat
Honeymoon Hate
Husbands for Rent
.Dec. 16
DECEMBER
Players Distributed by Length Reviewed
S. Lynn-J. Luden . . . .F. B. 0 6034 feet. .Nov. 11
Special Cast Collwyn Pict. (S.R.). .6800 feet. . Mar. 3
Special Cast Pathe 6 reels
V. Reynolds-K. Thom-
son Pathe-De Mille 5696 feet. .Mar. 24
M. Blue-B. Bronson. . Warner Bros 6330 feet . . Dec. 23
Coogan-L. Hanson-G.
Olmsted M-G-M 6050 feet. . Mar. 31
O. Borden-A. Moreno Fox 5430 ftet
Ted Wells Universal 4349 feet
W. Wales-P. Mont-
gomery Pathe 4933 feet. .Dec. 30
T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4754 feet
Leo Maloney Pathe 5478 feet
N. Talmadge-G. Ro-
land-N. Beery United Artists 8400 f eet . . Jan. 7
Dynamite (Dog)-E.
Cobb Universal 4296 feet
C.Windsor-R.Howes Columbia 5513 feet. .Mar. 31
Monty Banks Pathe 6403 feet. .Nov. 18
R. Dix-T. Todd Paramount 6376 feet. . Dec. 31
C. Bow-C. Rogers. . .Paramount 6889 feet
G. Ekman-K. Bell. ..Pathe 7913 feet. .Mar. 24
H. Lloyd-M. Davis .. Pathe-De Mille 4750 feet
. Fazenda-H. Conklin-
T. Wilson Warner Bros 5613 feet
D. Sebastian-M. Love-
R. Hallor-Santschi.Tiffany-Stahl 4753 feet. . Feb. 4
G. Tryon-P. R. Miller.Universal 6711 feet. .Dec. 2
C. Moore-L. Kent-G.
Lee-H. Cooley First National 6118 feet. .Feb.
F. Vidor-T. Carmen-
ati Paramount 6415 feet. .Feb.
H. Costello-O. Moore Warner Bros 5200 feet. . Jan.
Reviewed
. .Dec. 31
. . Sept. 16
. .Dec. 30
. .6916 feet. .Mar. 24
.6771 feet
. .6516 feet. .Mar. 3
. .Dec. 23
Dec. 30
Feature Players Distributed by Length
If I Were Single M. McAvoy-C. Nagel.Warner Bros 6320 feet
Irresistible Lover, The . . . . N. Kerry-L. Moran. . . Universal 6968 feet
Land of the Lawless J. Padian-P. Mont-
gomery-T. SantschiPathe 4131 feet
Law and the Man, The . . . . G. Brockwell-Santschi-
R. Ellis Rayart (S. R.) . .
Legionnaires in Paris Al Cooke-Kit Guard-
L. Lorraine F. B. O
Little Mickey Grogan F. Darro-J. Ralston-
C. Nye F. B. O
London After Midnight ... .L. Chaney-C. Nagel-
M. Day- Walthall . . M-G-M 6687 feet
Lovelorn, The S. O'Neill-L. Kent-
M. O'Day M-G-M 5950 feet
Love Mart, The B. Dove-G. Roland-
N. Beery First National 7388 feet
Man's Past, A C. Veidt-I. Keith-G.
Siegmann-B. Bed-
ford Universal 6135 feet
My Friend From India. . . . F. Pangborn-E. Faire Pathe-De Mille 6750 feet
Outcast Souls P.Bonner-C.Delaney. Sterling Pict. (S.R.) ..5210 feet
Polly of the Movies G. Short- J. Robards. First Division (S. R.) . .6900 feet
Rush Hour, The M. Prevost-H. Ford. .Pathe-De Mille 5880 feet
San Francisco Nights M. Busch-P. Mar-
mont Lumas 7000 feet
Serenade A. Menjou-K. Carver-
L. Basquette Paramount 6209 feet
Silk Legs M. Bellamy-J. Hall . . Fox 5446 feet
Silver Slave, The I. Rich-A. Ferris-H.
Herbert Warner Bros 6124 feet
Siren, The D. Revier-T. Moore-
N. Trevor Columbia 5996 feet
Slingshot Kid, The "Buzz" Barton J.
Morgan-F. Rice. . .F. B. 0 4486 feet.
Sorrell and Son H. B. Warner-Nils-
son-M. McBain-A.
Joyce United Artists
South Sea Love P. R. Miller-L. Shum-
way-A. Brooks . . . . F. B. O ,
Spoilers of the West T. McCoy-M. Daw-
W. Fairbanks M-G-M
Streets of Shanghai P. Starke-K. Harlan-
J. Robards Tiffany-Stahl 5276 feet
Swift Shadow, The Ranger (Dog) F. B. 0 4892 feet
Tea for Three L. Cody-A. Pringle-O.
Moore-D.Sebastian .M-G-M 6273 feet
Temptations of a Shopgirl. B. Compson-Garon-
A. Kaliz First Division (S. R.).6604 feet
Texas Steer, A W. Rogers-L. Fa-
zenda-A. Rork .... First National 7419 feet
Two Flaming Youths C. Conklin-W. C.
Fields-M. Brian.. .Paramount 6319 feet
Valley of the Giants M. Sills-D. Kenyon. . First National 6336 feet
Wild Born Tex Maynard Rayart (S. R.)
Wilful Youth K. Harlan-E. Murphy .Peerless Pict, (S.R.) . 5644 feet
Wizard, The L. Hyams-E. Lowe-
G. Katsonaros-von
Seyff ertitz Fox 6629 feet
.Sept. 16
.Mar. 31
.Mar. 10
Dec. 81
.Dec. 81
.Dec.
9150 feet. .Nov. 26
6388 feet. Feb. 18
4784 feet. .Mar. 24
.Mar. 3
.Dec. 28
.Nov. 11
. Nov. 18
Jan. 7
Mar. 10
Feb. 26
11
JANUARY
Feature Players Distributed by Length Reviewed
Air Patrol, The Al Wilson Universal 4259 feet
Alias the Deacon J. Hersholt-J. Mar-
lowe- R. Graves . . . Universal 6869 f eet . . Oct. SI
Baby Mine G.K.Arthur-K.Dane. M-G-M 6139 feet. .Jan. 14
Ballyhoo Buster, The Buffalo Bill, Jr Pathe 4805 feet. .Dec. 80
Beau Sabreur E. Brent-G. Cooper-
W. Powell-N. Beery Paramount 6636 feet. . Jan. 28
Beware of Married Men . . J, Rich-R. Tucker-S.
Holmes-M. Loy. . .Warner Bros 6421 feet. .Jan. 28
Boss of Rustlers Roost, The. D. Coleman-E. Gil-
bert Pathe 4833 feet. .Jan. 14
Branded Sombrero, The.. .B. Jones-L. Hyams. .Fox Films 6612 feet. .Jan. 14
Burning Up Broadway H. Costello-R. Frazer Sterling Pict. (S. R.).5200 feet
Call of the Heart Dynamite (Dog)-E.
Cobb-J. Aid en . . . .Universal 5261 feet
Casey Jones R. Lewis-J. Robards-
A. Sheridan Rayart (S. R.) 6673 feet
Circus, The C. Chaplin-M. Ken-
nedy United Artists 6700 f eet . . Jan. 14
Cohens and the Kellys in
Paris, The G. Sidney-J. F. Mc-
Donald-V. Gordon-
K. Price-S. Carrol-
C. Delany Universal 7481 feet. .Feb. 18
Comrades H.Costello-G.Hughes-
D. Keith First Division (S. R.),5970 feet
Coney Island L. Wilson-L. Mendez.F. B. 0 6390 feet
Cowboy Cavalier, The B. Roosevelt O. Has-
brouck Pathe 4526 feet. . Jan. 28
Dare Devil's Reward T. Mix-N. Joyce Fox 4987 f eet . . Jan. 21
Dead Man's Curve Fairbanks, Jr.-S.
Blane F. B. 0 6611 feet. .Dec. 2E
Desperate Courage W. Wales-O. Has-
brouck Pathe 4398 feet. .Jan. 21
Divine Woman, The D. Garbo-L. Hanson-
L. Sherman M-G-M 7300 feet. .Jan. 21
Driftin* Sands Bob Steele F. B. O 4770 feet
Fearless Rider F. Humes-B. Worth. .Universal 4173 feet
Four Flusher, The G. Lewis-M. Nixon .. Universal 6193 feet. Jan. 28
French Dressing H. B. Warner-L. Wil-
son First National 6344 feet
Gateway of the Moon, The . Del Rio-Fenton-W.
Pidgeon Fox 6038 feet . . Jan.
Gentlemen Prefer Blondes .A. White-F. Sterling-
R. Taylor-Conklin-
Friganza-Swain . . .Paramount 6871 feet. Jan.
Girl in Every Port, A V. McLaglen-M. Casa-
iuana-M. Loy-N.
Joyce-R. Armstrong.Fox 5882 feet. . Mar. 3
Heart of Broadway, The ... P. Garon-R. Agnew. . Rayart (S. R.) 5853 feet
Laddie Be Good B. Cody-R. Blossom . Pathe 4165 feet. .Dec. SO
Lady Raffles E. Taylor-R. Drew-L.
Tashman Columbia 5471 feet
Last Command, The E. Jannings-E. Brent-
W. Powell Paramount 8234 feet. . Jan. 23
Let 'Er Go. Gallegher J. Coghlan-H. Ford-
E. Fair Pathe-De Mille 5888 feet. Jan. 28
Leopard Lady, The J. Logan-A. Hale Pathe-De Mille 6660 feet. .Mar. 10
Love G. Garbo-J. Gilbert.. M-G-M 7365 feet. .Dec. 16
Love and Learn E. Ralston-L. Chand-
ler-H. Hopper Paramount 5737 feet. .Feb. 25
Merry Wives of New York. . P. Garon First Division (S.R.)
Noose, The R. Barthelmess-L.
Basquette-A. Joyce. First National 7331 feet. Jan.
14
21
April 2 1, 19 28
1291
Feature Players Distributed by Length Reviewed
On to Reno M. Prevost-C. LandisPathe-De Mille 6 reels
Peaks of Destiny, Tbe
(Ufa film) E. Peterson-L. Rief-
enstahl-L. Trenker|Paramount 6682 f eet . . Jan. 21
Perfect Gentleman, A M. Banks-R. Dwyer. .Pathe 5626 feet. .Jan. 14
Pioneer Scout, The F. Thomson-N. Lane. Paramount 6118 feet. .Mar. 10
Private Life of Helen of Troy,
The M. Corda-L. Stone-R.
Cortez First National 7694 feet. Dec. 23
Race For Life, A Rin - Tin - Tin - V. B.
Faire-C. Nye Warner Bros 4777 feet. .Feb. 11
Rawhide Kid, The H. Gibson-G. Hale. .Universal 6382 feet
Sadie Thompson G. Swanson-L. Barry-
more-R. Walsh... .United Artists 8700 feet. Feb. 11
Sailors' Wives Astor-Hughes First National 5486 feet. Mar. 10
Satan and the Woman C. Windsor-C. Keefe Excellent Pict. (S. R.)6400 feet. . Mar. 10
Sharpshooters G. O'Brien-L. Moran Fox 6673 feet Jan. 28
Shepherd of the Hills, The. .A. B. Francis-M.
O'Day- J. Boles.. . .First National 8188 feet. Feb. 25
Striving for Fortune G. Walsh-B. Roberts .Excellent Pict. (S.R.).6337 feet
Student Prince, The (In
Heidelberg) R. Novarro-Shearer-
J. Hersholt M-G-M 9566 feet . . Oct. »
That Certain Thing V. Dana-R. Graves . . Columbia 6047 feet . . Mar. 10
Tragedy of Youth, The Collier, Jr.-P. R. Mil-
ler-W. Baxter Tiffany-Stahl 6361 feet. .Mar. 31
West Point W. Haines-J. Craw-
ford M-G-M 8134 feet. Jan. 7
What Price Beauty? N. Naldi-P. Gendron-
V. Pearson Pathe 6 reels. .. .Jan. 28
Wickedness Preferred L. Cody-A. Pringle. . . M-G-M 6011 feet
Wife Savers W. Beery-R. Hatton-
Z. Pitts Paramount 6413 feet . . Jan. 21
Wife's Relations, The S. Mason-G. Glass-B.
Turpin-A. Kaliz . . . Columbia 6608 feet
Wizard of the Saddle B. Barton-D. Thomp-
son F. B. 0 4806 feet ... Dec. 30
Woman Against the World,
A G. Olmstead-H. Ford-
G. Hale-S. Rand. .Tiffany-Stahl 6283 feet
Woman Wise W. Russell-J. Collyer-
k W. Pidgeon Fox 6060 f eet . . Mar. 10
FEBRUARY
Feature Players Distributed by
Across the Atlantic M. Blue-E. Murphy. .Warner Bros.
Length Reviewed
Age of Sex, The First Division (S. R.)
Alice Through the Looking
Glass Special Cast Pathe 6 reels
Apache Raider, The L. Maloney-E. Gil-
bert-D. Coleman. Pathe 6766 feet. .Feb. 18
Bare Knees V. L. Corbin-D. Keith-
J. Winton- J. Walker Lumas 5800 eet. .Jan. 28
Battles of Coronel and Falk-
land Islands (English
film) Special Cast— Artlee .Pict. (S. R.) 8400 feet. .Mar. 24
Blonde for a Night, A M. Prevost-H. Ford. .Pathe-De Mille 6 reels
Bronc Stomper, The D. Coleman-E. Gilbert Pathe 6408 feet. . Mar. 8
Chaser, The H. Langdon-G. Mc-
Connell First National
Clean Up Man, The T. Wells-P. O'Day. ..Universal 4232 feet
Crashing Through J. Padjans-S. Rand-
T. Santschi Pathe 4480 feet. .Feb. 11
Devil Dancer, The G. Gray-C. Brook. . . . United Artists 6765 feet. . Dec. 30
Devil's Skipper, The B. Bennett-M. Love-
McAllister-C. Lan-
dis Tiffany-Stahl 5610 feet „..
Doomsday F. Vidor-G. Cooper . . Paramount 6666 feet . April 7
Douglas Fairbanks as the
Gaucho D. Fairbanks-E. South-
ern-L. Valez United Artists 9266 feet. . Dec. 2
Enemy, The L. Gish-R. Forbes . . . M-G-M 8189 feet. . Dec. 31
Fangs of the Wild Ranger (Dog)-S. Nel-
son-D. Kitchen F. B. O 4678 feet . . Jan. 14
Finders Keepers La Plante-Harron . . .Universal 6081 feet. .Mar. 17
Feel My Pulse B. Daniels-R. Arlen-
W. Powell Paramount 6889 f eet . . Mar. 3
Fleetwing B. Norton-D. Janis. . . Fox
Flying Romeos C. Murray-G. Sidney .First National 6184 feet . . April 14
Free Lips First Division (S. R.)
Her Summer Hero D.Thompson-H. Tre-
vor-S. Blane-J.
Pierce F. B. O 6146 feet . . Dec. So
Latest From Paris, The N. Shearer-G. Sidney-
R. Forbes M-G-M 7743 feet. . Mar. 3
Little Snob, The M. McAvoy-R. Frazer-
A. B. Francis Warner Bros
Midnight Rose L. de Putti-K Harlan Universal 6689 f eet . . Mar. 10
Nameless Men C. Windsor-A. Mor-
eno Tiffany-Stahl 5708 feet. .April 14
Napoleon (French Film) . . . Special Cast M-G-M
Night Flyer, The W. Boyd-J. Ralston. . Pathe-De Mille 6954 feet
Painted Trail, The Buddy Roosevelt Rayart (S. R.) 4571 feet
Passion Island Special Cast Pathe-De Mille 7 reels
Phantom Flyer, The Al Wilson Universal 4263 feet
Port of Missing Girls, The .B. Bedford-M. Mc-
Gregor Brenda Pict. Corp . . . 7270 feet . . Mar. 3
Riding Renegade, The Bob Steele F. B. O
Rose-Marie J. Crawford-J. Mur-
ray-H. Peters M-G-M 7745 feet .. Feb. 18
Secret Hour, The P. Negri-Hersholt-K.
Thomson Paramount 7194 feet. .Mar. 17
Shield of Honor, The R. Lewis-D. Gulliver-
N. Hamilton Universal 6172 feet . . Dec. 30
Show Down, The Bancroft - Brent - N.
Hamilton Paramount 7616 feet. Mar. 10
Smart Set, The W. Haines-A. Day-J.
Holt-H. Bosworth . M-G-M 6476 feet. .Mar. 10
Soft Living M. Bellamy-J. Mack
Brown Fox 6629 feet. . Mar. 3
So This Is Love V. Dana-W. Collier,
Jr. -J. Walker Columbia
Sporting Goods R. Dix-G. Olmstead. . Paramount 6951 feet. .Feb. 18
Stand and Deliver La Rocque-L. Valez-
W.Oland Pathe-De Mille 5423 feet. April 7
Stronger Will, The P. Marmont-E. La
Bissioniere-R. Ca-
rewe Excellent Pict. (S.R.) 6600 feet
That's My Daddy R. Denny-B. Kent-J.
La Verne Universal 6073 feet
Tillie's Punctured Romance. C. Conklin-W. C.
Fields-Fazenda M.
Swain-D. Hill Paramount 6733 feet
Under the Tonto Rim R. Arlen-M. Brian-J.
Linden Paramount 6991 feet
Feature Players Distributed by Length Reviewed
Valley of Hunted Men . . Buffalo Bill, Jr.-K.
Collins Pathe 4620 feet. . Mar. •
Wagon Show, The Ken Maynard First National
Wall Flowers H. Trevor-J. Arthur-
L. Todd F. B. O 6339 feet
Wedding March, Tbe (road
show) von Stroheim-F.
Wray Paramount 12 reels
When the Law Rides T. Tyler-F. Darro F. B. O
Whip Woman, The E. Taylor-A. Moreno-
L. Sherman First National 5087 feet Mar. 24
Woman's Way, A M. Livingston-W. Bax-
ter Columbia
You Can't Beat the Law . . . . L. Lee-C. Keefe Rayart (S. R.) 6260 feet
MARCH
Feature Players Distributed by Length Reviewed
Adventure Mad (Ufa film).E. Barclay-N. Asther-
L. Hall-Davis Paramount 6897 feet
Bachelor's Paradise S. O'Neill-R. Graves. Tiff any-Stahl 6147 feet
Beauty Doctor, The Adolphe Menjou .... Paramount
Beyond London's Lights ... L. Shumway-G. El-
liott-J.Gadsden H.
Evans-A. Dore. . . F. B. 0 8673 feet. Feb. 16
Big City, The L. Chaney-M. Day-B.
Compson-J. Murray. M-G-M 6838 feet . Mar. 31
Blue Danube, The L. Joy-R. LaRocque-
J. Schildkraut Pathe-De Mille 7 reels
Bringing Up Father F. Macdonald-G. Olm-
sted-P. Moran M-G-M 6344 feet
Brunettes Preferred First Division (S. R.) . 6551 feet
Buck Privates de Putti-McGregor-Z.
Pitts Universal 6914 feet. . Feb. 4
Bullet Mark, The J. Donovan-M. Gray-
G. McConnell . . Pathe 4660 feet. Mar. 31
Burning Daylight M. Sills-D. Kenyon. . First National 6600 feet
Chicago P. Haver-V. Varconi. Pathe-De Mille 9992 feet . . Dec. 30
Chicago After Midnight. .. .J. Mendez-R. Ince-
Seiter F.B.0 6249 feet. . Mar. 17
Circus Rookies K. Dane-G. K. Arthur M-G-M
Crowd, The J. Murray-E. Board-
man-B. Roach M-G-M 8648 feet. Feb. 26
Desert Bride, The B. Compson-A. For-
rest-O. Mattieson . Columbia
Domestic Troubles L. Fazenda-C. Cook-
B. Blythe-A. Ran-
kin Warner Bros
Dressed to Kill E. Lowe-M. Astor-C.
Morton-B. Bard . .Fox 6666 feet Mar. 17
Faithless Lover, The G. Hulette-E. O'Brien Krelbar Pict. (S.R. ).. 6600 feet. Mar. 3
Forbidden Hours R.Novarro-R.Adoree M-G-M
Four Footed Ranger, The. .Dynamite (Dog) Universal 4426 feet
Freckles J. Foi, Jr.-G. Stratton-
H. Bosworth F. B. 0 6131 feet. Jan. 28
Garden of Eden, The C. GrifEth-C. Ray-L.
Sherman United Artist* 7300 feet . . Jan. 14
Golden Shackles Priscilla Bonner Peerless Pict. (S. R.) .6600 feet
Heart of a Follies Girl, The . B. Dove-L. Kent- L.
Sherman-M Harris First National 6957 feet. Mar. 17
Horseman of the Plains. . . T. Mix-S. Blane Fox 4397 feet. Mar. 24
Legion of the Condemned,
The G. Cooper-F. Wray-L.
Chandler-F. Mc-
Donald-B. Norton . Paramount 7416 feet. . Mar. 24
Little Buckaroo, The Buzz Barton F. B. O
Love Me and tie World Is
Mine Philbin-Kerry Universal 6813 feet . . Feb. 11
Mad Hour, The S. O'Neil-L. Kent-L.
Sherman-A. White. First National
Marlie the Killer Klondyke (Dog)-Bush-
man, Jr.-B. Mehaf-
fey Pathe 4600 feet. . Mar. 8
Masked Angel, The B. Compson-W. Oak-
man First Division (S.R.). .5700 feet. Mar. 24
Matinee Idol, The J. Walker-B. Love-
A. Forrest Columbia
Midnight Madness J. Logan-C. Brook . . . Pathe-De Mille 6 reels
My Home Town G. Rockwell-G. Glass Rayart (S. R.)
Old Ironsides E. Ralston-C. Fairell-
W. Beery-G. Ban-
croft Paramount 7910 feet Dec. 18, '28
Partners in Crime W. Beery-R. Hatton-
W. Powell-M. Brian Paramount
Patsy, The M. Davies-O. Cald-
well-L.Gray M-G-M 7289 feet
Phantom of the Turf, The. .H. Costello-R. Lease Rayart (S. R.)
Powder My Back I Rich-A. Ferris-A.
Beranger-C. Nye. .Warner Bros
Put 'Em Up Fred Humes Universal 4200 feet
Ramona D.Del Rio-W. Baxter-
R.Drew-V.Lewis. . United Artists 8200 feet. Feb. 4
Red Hair C. Bow-W. Austin-L.
Chandler Paramount 6331 feet. Mar. 31
Red Signals W. McDonald-E. No-
vak-E. Williams . . . Sterling Pict. (S.R.) . . 5032 feet
Saddle Mates W. Wales-P. Mont-
gomery Pathe 4520 feet. .Mar. 17
Something Always Happens E. Ralston-N. Hamil-
ton Paramount
Souls Aflame G. James-G. Lard-R.
Wells First Division (S. R.)
Square Crooks R. Armstrong-J. M.
Brown-D. Dwan-D.
Appleby Fox 6397 feet. .Mar. 31
Stop That Man A. Lake-B. Kent-E.
Gribbon Universal 6389 feet
Surrender M. Philbin-I. Mos-
kine Universal 8249 feet . . Mar. 10
Tempest J.Barrymore-C. Horn
-Wolheim United Artists (about) 9000 feet..
Their Hour D. Sebastian- J. Har-
ron-J. Marlowe. . . . Tiflanv-Stahl 5662 feet
Tracy the Outlaw Jack Hocy Ncw-Cal iS. R.) 6000 feet. .Mar. 31
Trick of Hearts, A H. Gibson-G. Hale. .Universal 6496 feet
Turn Back the Hours M. Loy-W. Pidgeon-
S. Hardy Lumas 6600 feet . . Mar. 17
Under the Black Eagle Flash (Dog)-M. Day-
R. Forbes M-G-M 6901 feet
Why Sailors Go Wrong . . . S. Cohen-T. McNam-
ara-S. Phipps Fox 61 12 feet April 14
Women Who Dare H. Chadwick-C. Dela-
ney Excellent Pict. (S.R.)
Wyoming T. McCoy- W. Fair-
banks-D. Sebastian. M-G-M
1292
Motion Picture News
APRIL
Feature Players Distributed by Length Reviewed
Across From Singapore .... R. Navarro-J. Craw-
ford-E. Torrence . . M-G-M-
Actress, The N. Shearer-R. Forbes-
G. Lee-O. Moore-
D'Arcy M-G-M
Avenging Shadow, The Klondike (Dog)-R. Hal-
lor-M. Morris Pathe 4293 feet. . Mar. 31
Bell o Avenue A First Division (S. R.)
Bit of Heaven, A B. Washburn-L. Lee .Excellent Pict. (S.R.)
Breed of the Sunsets R. Steele-N. Drexel. .F. B. O
Broadway Daddies J. Logan-R. Lease-A.
B. Francis Columbia
Canyon of Adventure K. Maynard-V. B.
Faire First National 5800 feet
Chinatown Charlie J. Hines-L. Lorraine. .First National 6365 feet
Chorus Kid, The V. B. Faire-B. Wash-
burn-H. Hopper . . . Lumas 6200 feet. . April 14
Circus Rookies K. Dane-G. K. Arthur
L. Lorraine M-G-M
Cossacks, The J. Gilbert-R. Adoree-
E. Torrence-M. Al-
den M-G-M
Crimson City, The M. Loy-L. Hyams-R.
Tucker-J. Miljan . . Warner Bros
Czar Ivan the Terrible Special Cast Amkino (S. R.) 8500 feet. .Mar. 24
Danger Patrol, The W.Russell-V.B.Faire .Rayart (S. R.)
Devil's Trade Mark, The. .B. Bennett-W. V.
Mong-M. Douglas .F. B O
Drums of Love E. Taylor-D. Alvar-
ado-M. Philbin-L.
Barrymore United Artists 9500 f eet . . Jan. 28
Fagasa (South Seas Isle
film) L. Kelly-G. Kelton-
Mr. & Mrs. R. Wells . First Division (S. R.)
Five and Ten Cent Annie.. L. Fazenda-C. Cook-
G.Astor-W. Dema-
rest Warner Bros
Girl He Did'nt Buy, The. . . P. Garon-A. Simpson Peerless (S. R.) 5600 feet
Good Morning Judge R. Denny-M. Nolan-
D. Gulliver Universal 5645 feet
Gypsy of the North H. Gordon-G. Hale .Rayart (S. R.)
Harold Teen A. Lake-M. Brian-W.
Bakewell-J. Duffy. First National
House of Scandal, The. . . .D. Sebastian-P.
O'Malley Tiffany-Stahl
Ladies' Night in a Turkish
Bath Mackaill-Mulhall .... First National 6592 feet . April
Last Moment, The O. Matieson-G. Hale-
L. La Verne Zakoro (S. R.) 5800 feet. .Mar. 31
Laugh Clown, Laugh Chaney-L. Young-N.
Asther M-G-M
Law of Fear, The Ranger (Dog)-P. R.
Miller-C. Byer. . .F. B. 0 4769 feet. .Mar. 10
Law's Lash, The Klondike fDog)-R.El-
lis-M. Maberry. . .Pathe 4902 feet. Mar. IE
Lilac Time C. Moore-G. Cooper . First National Mar. 24
Little Shepherd of Kingdom
Come Barthelmess-G. James-
O'Day-Seyffertitz. . First National 7700 feet
Love Hungry L. Moran-L. Gray . . . Fox
Phantom of the Range, The. T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4781 feet . . Feb. 11
Pinto Kid, The B. Barton-H. Trevor-
G.Lee F-B-O 4884 feet .. Jan. 7
Red Riders of Canada, The .P. R. Miller-C. Byer. . F. B. O 6419 feet . . Dec. 23
Riders of the Dark T. McCoy-D. Dwan. . M-G-M
Scarlet Dove, The J. Borio-R. Frazer-L.
Sherman M. Liv-
ingston Tiffany-Stahl
Skyscraper, The S. Carroll- W. Boyd-
A. Hale-A. VaughnPathe-De Mille 7040 feet. April 14
Speedy H. Lloyd-A. Christy-
B. Ruth-B. Wood-
ruff Paramount 7960 feet. April 14
Steamboat Bill, Jr Keaton-E. Torrence. United Artists (about) 6800 feet..
Street of Sin, The E. Jannings-F. Wray . Paramount
Thanks For the Buggy Ride.L. La Plante .-G.
Tryon Universal 6197 feet . . Feb. 4
Thirteen Washington Square A. Joyce-J. Hersholt-
Z. Pitts Universal 6274 feet . . Feb. 4
Three-Ring Marriage M. Astor-L. Hughes. . First National
Thunder Riders, The Ted Wells Universal 4353 feet
Two Lovers R. Colman-V. Banky . United Artists (about) 7500 f eet . .
Won in the Clouds Al Wilson Universal 4348 feet
MAY
Length Reviewed
Feature Players Distributed by
Alex the Great "Skeets" Gallaghei-
R. Dwyer F. B. 0 5872 feet Mar. 24
Arizona Cyclone, The Fred Humes Universal 4076 feet
Clothes Make the Woman . E. Southern- W. Pid-
geon Tiffany-Stahl
Crooks Can't Win R. Lewis-T. Hill-S.
Nelson F. B. O
Hell Ship Bronson Mrs. W. Reid- R.
Howes-H. Foster-N.
Beery Lumas
Hold 'Em Yale R. La Rocque-J. Loff-
H. Allan Pathe-De Mille
Hot Heels G. Tryon-P. R. Miller Universal
Hound of Silver Creek, The Dynamite (Dog) Universal 4095 feet
It's All Greek to Me C. Murray-L. Fazen
da-T. Todd First National
Ladies of the Night Club. . .B. Leonard-R. Cortez.Tiffany-Stahl
Little Yellow House, The. .O. Caldwell-M. Sleep-
er F.B.O
Man in the Rough, The. . .B. Steele-M.King. . .F-B-O
Marry the Girl B. Bedford-R. Ellis-
D. W. Jennings. . . Sterling Pict. (S.R.).. 5300 feet. .Mar. 10
Million for Love, A R. Howes- J. Dunn . . . Sterling Pict. (S.R.)
Pay As You Enter C. Cooke- L. Fazanda Warner Bros
Rinty of the Desert Rin-Tin-Tin-A. Fer-
ris-C. Nye Warner Bros
Skinner's Big Idea B. Washburn-M.
Sleeper-H. Trevor. F. B. 0 6967 feet. .Mar. 17
United States Smith Special Cast Lumas 7000 feet
Walking Back S. Carroll-R. Walling. Pathe-De Mille 6 reels
We Americans G. Sidney P. R. Mil-
ler-G. Lewis Universal 9161feet.. April 7
Wild West Show, The H. Gibson Universal 6254 feet
JUNE
Feature Players Distributed by Length Reviewed
Dog Justice Ranger (Dog)-E.
Hearn-N. Marfan. .F. B. O
Green Grass Widows W. Hagen-G. Olm-
stead-J. Harron-H.
Hopper Tiffany-Stahl
Lady Be Good D. Mackaill-J. Mul-
hall First National
Lingerie Tiffany-Stahl
Loves of Ricardo George Beban F. B. 0 7477 feet . Sept.4'26
Man Higher Up, The Lumas
Roulette R. Barthelmess-M. Liv-
ingston-W. Oland-
L. Basquette First National
Stormy Waters E. Southern-M. Mc-
Gregor Tiffany-Stahl
Texas Tornado, The Tom Tyler F. B. O
Upland Rider, The K. Maynard-M. Doug-
las First National
Vamping Venus C. Murray-Fazenda-
T. Todd First National
JULY
Feature Players Distributed by
Albany Night Boat, The Tiffany-Stahl
Count of Ten, The C. Ray- J. Gleason Universal
Fighting Redhead, The Buzz Barton F. B. O
Flyin' Cowboy, A H. Gibson-O. Has-
brouck Universal
Grain of Dust, A Tiffany-Stahl. . .
Head of the Family, The Lumas
Kelly's Kids Charlie Murray First National...
Prowlers of the Sea Tiffany-Stahl
Trail of Courage, The R. Steele-M. Bonner.F-B-O
Length Reviewed
AUGUST
Feature Players Distributed by
Bantam Cowboy, Tue Buzz Barton F. B. O
Barker, The M. Sills-B. Compson First National . ..
Beautiful But Dumb Tiffany-Stahl. . .
Domestic Relations Tiffany-Stahl
Oh Kay Colleen Moore First National...
Thru the Breakers Lumas
Length Reviewed
Coming Attractions
Feature
Players
Distributed by
Length Reviewed
Abie's Irish Rose F. McDonald-J. Hers-
holt-N. Carroll-C.
Rogers Paramount
Abie of the U. S. A George Jessel Lumas
Ace High Hoot Gibson Universal
adventurer, The T. McCoy-D. Sebas-
tian-C. Delany M-G-M 3709 feet
Adventures in Pygmy Land .Jungle Film W. W. Hodkinson. . . 6800 feet. . Mar. 24
After the Storm H. Bosworth-E. Gil-
bert-C. Delaney . . . Columbia
Anne Against the World . . . Edith Roberts Rayart (S. R.)
Baby Cyclone, The L. Cody-A. Pringle. . . M-G-M
Battle of the Sexes, The...B. Bennett- J. Hers-
holt-P. Haver-S.
O'Neill United Artists
Beggars of Life W. Beery-R. Arlen-L.
Brooks Paramount
Bellamy Trial, The L. Joy-B. Bronson . . . M-G-M
Better Man, The F. B. O
Betty's a Lady J. Ralston-C. Ray.. . .Universal
Beward of Blondes Columbia
Big Bow Mystery, The I. Rich-C. Brook F. B. O
Big Game Hunt, Tnu W. Beery-R. Hatton. .Paramount
Big Gun. The George Lewis Universal
Big Noise, The A. White-C. Conklin-
S. Hardy First National
Big Sneeze, The W. Beery-F. Sterling-
Z. Pitts Paramount
Big Top, The M-G-M
Billionaire, The Al St. John- J. Robards Rayart (S. R.)
Black Ace, The D. Coleman- J. Loff. .Pathe
Black Pearl, The Gladys Brockwell.. . .Rayart (S. R.)
Blossom Time (Movietone) .J. Gaynor-C. FarrelL.Fox
Body Punch, The J. Dougherty-V. B.
Faire Universal
Boss of Little Arcady, The. C. Murray-D. Reed-
D. Dawson First National
Breaking Into the Movies
( tentative) M. Davies-W. HainesM-G-M
Bride of the Colorado J. Boles-D. Blossom. .Pathe
Brides Will Be Brides. . ..Laura La Plante Universal
Bright Aisle, The Lumas
Broken Hearts Hercules Film Prod. (S. R.)
Brotherly Love (tentative) . . K. Dane-G. K. Arthur M-G-M
Bushranger, The T. McCoy-G. Grey. . .M-G-M-
Butter and Egg Man, The . . J. Mulhall-M. O'Day-
G. Astor First National
Certain Young Man, A . . . . Novarro-Adoree-W.
Marshall-G. Astor .M-G-M
Children of the Sun (South
Seas film) Special Cast Universal
Chinatown Lon Chaney M-G-M
City of Shadows, The J. Luden-S. Lynn F. B. O
Clown, The (Vitaphone) . . .Al Jolson Warner Bros
Cock-Eyed World, The V. McLaglen-E. Lowe Fox
Code of the Scarlet, The . .K. Maynard-G. Mc-
Connell First National
Companionate Marriage First Division (S. R.)
Cop, The W. Boyd-J. Logan- A.
Hale-R. Armstrong Pathe-De Mille
Craig's Wife Pathe-De Mille
Creole Love First Division (S. R.)
Crimson Hour, The L. de Putti-I. Moskine-
N. de Brulier Universal
Dance Fever (Ufa film) Brill, Inc
April 21
19 28
Feature Players Distributed by Length Reviewed
Date With a Duchess, A
(tentative) A. Menjou-E. Brent Paramount
Deadline, The Flash (Dog)-L. Lor-
raine-L. Gray M-G-M
Detectives K. Dane-G. K. Arthur-
M. Day M-G-M
Devil's Cage, The P. Garon-D. Keith . . . First Division (S.R.)
Devil's Chaplain, The Cornelius Keefe Rayart (S. R.)
Diamond Handcuffs C. Nagel-E. Board-
man-L. Gray-D.
Sebastian-S. Hardy M-G-M
Dirty Work Johnny Burke Pathe
Divine Lady, The C. Griffith-V. Varconi-
M. Dressier First National
Dolorosa Tiffany-Stahl
Don't Marry L. Moran-N. Hamil-
ton Fox
Doubling for Trouble H. Gibson-E. Gilbert. Universal
Down Grade, The Wm. Fair banks- A.
Calhoun Lumas
Down Our Way V. Valli-F. Darro-O.
Caldwell F. B. O
Dragnet, The G. Bancroft-E. Brent-
W. Powell Paramount
Dreaded Bandit, The (for-
eign film) L. Albertine-E. Iina-
jeff Cinema Attractions . . 6000 feet
Eagle's Talons, The Tom Tyler F. B. O
Easy Come, Easy Go R. Dix-N. Carroll Paramount
Easy Money Lon Chaney M-G-M
Empty Saddle, The Fred Humes Universal
Escape, The V. Valli-W. Russell Fox
Eternal Silence, The Bushman, Jr.-N. Ham-
ilton-J. Marlowe. .. Universal
Excess Baggage Wm. Haines M-G-M
Fallen Angels N. Kerry-P. Starke-
K. Harlan Universal
Fangs of Fury Sandow (Dog) Pathe
Fangs of Justice Silverstreak (Dog)-J.
Walker-J Marlowe.Bischoff Prod. (S.R.) 5000 feet
Fazil C.Farrel G Nissen-
M. Busch Fox
Fifty-Fifty Girl, The B. Daniels- J. Hall-W.
Austin Paramount
First Kiss, The F. Wray-G. Cooper. . . Paramount
Fog Bound M. McAvoy-C. Nagel. Warner Bros
Fools for Luck W. C. Fields-C. Conk-
lin-S. Blane-J. Lu-
den Paramount
Foreign Legion, The N. Kerry-L. Stone-J.
Marlowe Universal
Four Devils, The F. Macdonald-M Dun-
can-C. Morton-N.
Drexel-J. Gaynor. . Fox
Four Sons J. Hall-M. Mann-
Bushman, Jr.-C.
Morton-E. Foxe-J.
Collyer Fox 9412 feet. Feb. 18
Four Walls John Gilbert M-G-M
Freedom of the Press L. Stone-M. Day-D.
Keith Universal
George Washington, Jr. . . .George Jessel Tiffany-Stahl
Girl Downstairs, The L. Moran-G. O'Brien. Fox
Give and Take G. Sidney-S. Lynn-G.
Lewis-J. Hersholt . Universal
Glorifying the American
Girl Ruth Elder Paramount
Glorious Betsy (Vita-
phone) D. Costello-C. Nagel. Warner Bros
Godless Girl, The L. Basquette-G. Dur-
yea - Prevost - N.
Beery. Pathe-De Mille
Golf Widows V. Reynolds-H. Ford-
S. Rand Columbia
Gun Shy (tentative) Beery-Hatton-M.
Brian-G. James . . . Paramount
Gypsy Love (tentative) Lumas
Half a Bride E. Ralston-R. Arlen. Paramount
Hangman's House V. McLaglen-J. Col-
lyer-L.Kent-E.Foxe Fox
Has Anybody Here Seen
Kelly? T. Moore-B. Love. . . . Universal
Hawk's Nest, The M. Sills-D. Kenyon-
A. Stone-M. Love. . First National
Hawk, The M. Sills First Nationa
Heart to Heart C. Moore-E. Lowe.. .First National
Heat (tentative) Greta Garbo M-G-M
Hello, Cheyenne I T. Mix-C. Lincoln . . . Fox
Hell's Angels B. Lyon-J. Hall-G.
Nissen United Artists (about) 7 reels ....
He Learned About Women . W. Haines-E. Percy-
A. Page-Sojin M-G-M
Her Cardboard Lover M. Davies-W. HainesM-G-M
His Country R. Schildkraut-M.
Dressier Pathe-De Mille
His Third Master Henry B. Walthall . . . Rayart (S. R.)
Hit of the Show, The Joe Brown-G. Astor. F. B. O
Hold Everything (tentative) J. Hall . Paramount
Home, James L. La Plante-C. De-
laney Universal
Honor Bound G. O'Brien-E. Taylor-
L. Hyams-Santschi Fox
Hoofbeats of Vengeance . ..Rex (Horse) Universal
Hyprocrite, The (Ufa film) Brill, Inc
PU Tell the World Colleen Moore First National
Innocent, The Vilma Banky United Artists
Isle of Lost Men, The Tom Santschi Rayart (S. R.)
It Might Happen to Any Girl Sterling Pict. iS.R.)
Jazz Mad J. Hersholt-Nixon-G.
Lewis Universal
Jealousy (Ufa film) Brill, Inc
Jungle Rose Dolores Del Rio Fox
Jungle Triangle "Aesop Fables" May 6. 1 reel
iting of Kings, The. . . ..Special Cast Pathe-De Mille 13B0u feet.Aptu II
Kit Carson Fred Thomson Paramount
Ladies Must Love Kod La Kocque Pathe-De Mille
Ladies of Leisure Tiffany-Stahl
Ladies of the Mob C. Bow-R. Arlen-M.
Alden Paramount
Ladies Prefer Bonds (ten-
tative) C. Nagel-M. McAvoy. Warner Bros
Land of the Silver Fox, The
(tentative) Rin-Tin-Tin-L. Hyams-
C. Nye-Santschi. . . Warner Bros
La Piava Lupe Valez United Artists
Last Cab, The Rudolph Schildkraut .Pathe-De Mille
Last Warning, The Laura La Plante Universal
Feature Players Distributed by Length Reviewed
Law of the Range, The .... McCoy-Crawford-R.
Lease M-G-M
Leave It to Me Glenn Tryon Universal
Life's Crossroads G. Hulctte-M. Ham-
ilton Excellent Pict. (S.R.)
Lion and the Mouse, The
(Vitaphone) M. McAvoy-L. Barry-
more-A. B. Frances-
Collier, Jr Warner Bros
Little Wild Girl, The L. Lee-C. Landis-F.
Merrill Hercules Film Prod. (S R.)
Lonesome G. Tryon-B. Kent . .Universal
Idadamo^elie From Armen-
tieren (English Film) E. Brody-J. Stuart . . M-G-M
Magnificent Flirt, The F. Vidor-L. Young-A.
Conti-M. Milner. . Paramount
Man About Town, The L. Cody-N. Trevor . . . M-G-M
Man From Headquarters,
The Cornelius Keefe Rayart (S.R.)
Man-Made Woman L. Joy-J. Boles-H. B.
Warner Pathe-De Mille
Man Who Laughs. The . . . . C. Veidt-M. Philbin. . Universal
Marriage of Tomorrow
(tentative) Tiffany-Stah!
Mask of the Devil John Gilbert M-G-M
Masked Stranger, The (ten-
tative) Tim McCoy M-G-M
Meet the Prince Glenn Tryon Universrl
Meet the Prince J. Robards-A. St. John Rayart S. R.)
Michigan Kid, The C. Nagel-R. Adoree . Universal
Miracle Girl, The Betty Compson First Division (S. R.)
Modern Du Barry, The (Ufa
film) Maria Corda Brill, Inc 7000 feet
Modern Mothers H. Chadwick-Fairbanks,
Jr.-B. Kent Columbia
Mother Machree B. Bennett- V. McLag-
len-N. Hamilton-E.
Clayton Fox 6863 feet Mar. 17
Mr. Romeo F. Sterling-N. Carroll-
G. Meeker Fox
Naughty Duchess, The Tiffahy-Stahl
Naughty Marietta Marion Davies M-G-M
Navy Blues Arthur Lake Universal
News Parade, The N. Stuart-S. Phipps. . Fox
Night of Mystery, A A. Menjou-N. Lane-
Collier, Jr.-E. BrentPararaount 5741 feet
Noah's Ark (Vitaphone) . . . D. Costello-G. O'Brien-
N. Beery-L. Fazen-
da Warner Brow
None But the Brave Lionel Barrymore Fox
No Questions Asked A. Ferris-Collier, Jr.-
Livingston Warner Bros
Odd Fellows Fields-Conklin Paramount
Once There was a Princess . Mary Astor First National
One Way Street, The (ten-
tative) M. Loy-C. Nagel-W.
Russell Warner Bros
Our Dancing Daughters. . J. Crawford-J. M.
Brown-D. Sebas-
tian-N. Asther-A.
Page M-G-M
Out of the Night C. Palmer-F. Stanley-
A. Ayres Rayart (S. R.)
Painted Post, The T. Mix-N. Kingston. Fox
Part-Time Marriage June Collyer Fox
Patent Leather Kid, The
(road show) R. Bartbelmess-M.
O'Day First National 11418 feet Aug. 36
Patriot, The E. Jannings-L. Stone-
F. Vidor-N. Hamil-
ton Paramount
Pay As You Enter L. Fazenda-C. Cook. . Warner Bros
Phantom Buster, The Buddy Roosevelt Pathe
Phyllis of the Follies M. Nixon-C. Rogers. Universal
Pigskin D. Rollens-S. Carrol. Fox
Plastered in Paris S. Cohen-J. Pennick-
M. Batelini Fox
Play Girl, The M. Bellamy-J. M.
Brown Fox
Play Goes On C. Vedt-M. Nolan . . . Universal
Polly Preferred Marion Davies M-G-M
Port of Missing Children,
The Sierra Pictures (S. R.)
Power (tentative) D. Fairbanks, Jr.-J.
Ralston Tiffany-Stahl
Primanerliebe (German film) Special Cast Scenic Films 6500 feet. Mar. 34
Quick Lunch Fields-Conklin-M.
Alden-S. Blane-J.
Luden Paramount
Rachel P. Negri-G. Cooper . Paramount
Racket, The T. Meighan-M. Pre-
vost Paramount
Red Dancer of Moscow,
The D. Del Rio-C. Farrell-
D. Revier Fox
Red Lips M. Nixon-C. Rogers Universal
Ked Mark, The G. von Seyffertitz-N.
Quirtaro Pathe-De Mille
Ridin' Like Furv Hoot Gibson Universal
Rip Van Winkle Rudolph Schildkraut Pathe-De Mille
River Woman, The Alma Rubens Lumas
Robert Flaherty's Southern
Skies M. Blue-R. Torres . M-G-M
Romeo and Juliet N. Kerry-M. Philbin Universal
Saddle and Spurs "Buzz" Barton-L.
Eason F. B. O
Sally of the Scandals B. Love-A. Forrest.. .F. B. O
Sally of the South Seas Hercules Film Prod. (S. R.)
Shadows of the Night Hercules Film Prod. (S. R.)
Shanghai Rose Mae Busch Rayart i S. R.)
Shooting Stars (English
film) Artlee Pict. (S.R.)
Show Boat Universal
Side Show. The Fields-Conklin-Brian. Paramount
Silks and Saddles M. Nixon-R. Walling-
M. Nolan Universal
Simba Jungle Film Martin Johnson Afri-
an Expedition Corp. 8000 feet . Feb. 4
Sin Town H. Allen-E. Fair Pathe-De Mille
Sisters of Eve Mae Busch Rayart (S. R.)
Some Mother's Boy Mary Carr Rayart (S. R.)
cipan of Life, The Lon Chaney M-G-M
Sport Girl, The M. Bellamy-J. M.
Brown Fox
Sporting Age, The B. Bennett-C. Nye-H.
Herbert Columbia
1294
Motion Picture News
.8729 feet. .Oct. 14
Feature Players Distributed by Length Reviewed
State Street Sadie C. Nagel-M. Loy-W.
Russell Warner Bros
Stocks and Blondes J. Logan-"Skeets"
Gallagher-G. AstorF. B. O
Street Angel, The J. Gaynor-C. Farrell. . Fox
Streets of Algers (Ufa film) . Camilla Horn Brill, Inc
Sunrise Gaynor-G. O'Brien-
Livingston Fox
Sun of St. Moritz, The .... J. Gilbert-G. Garbo. M-G-M
Sunset Legion, The F. Thomson-E. Mur-
phy Paramount
Survival of Slim, The W. Wales-P. Mont-
gomery Pathe
Tartuffe, the Hyprocrite. . .Emil Jannings Brill, Inc ft. Aug. 5, '27
Telling the World Wm. Haines M-G-M
Tenderloin (Vitaphone) D.Costello-C. Nagel .Warner Bros 7782 feet
Tenth Avenue P. Haver-V. Varconi-
R. Schildkraut Pathe-De Mille
Thief in the Dark, The G. Meeker-D. Hill-G.
Lee Fox
Three Sinners P. Negri- W. Baxter. .Paramount
Thrill Seeker, The R. Cliff ord-J. Fulton. . Superlative Pict. (S.R.) .4900 feet
Tide of Empire J.Crawford-J.Murray M-G-M
Times Square .. Tiffany-Stahl
Trail of '98 K Dane-P. Starke-R
Forbes-Del Rio. . . . M-G-M 11,100 feet. . Mar. 24
Two Brothers (Ufa film) Brill, Inc
Two Sisters, The Rayart (S. R.)
Uncensored Woman, The Lumas
Uncle Tom's Cabin Special Cast Universal Nov. 18
Undressed Sterling Pict. (S.R.)
Valley Beyond the Law, TheD. Coleman- J Loff . . . Pathe
Vanishing Pioneer, The J. Holt-S. Blane Paramount
Victory George Bancroft Paramount
/iennese Lovers Philbin-Hersholt-R.
Keane Universal
War in the Dark, The Greta Garbo M-G-M
Warming Up R. Dix-J. Arthur Paramount
Watch My Speed R. Denny-B. Worth . .Universal
Way of the Strong Anita Stewart Warner Bros
Western Suffragettes H. Gibson-G. Hale. . .Universal
What Holds Men Leatrice Joy Pathe-De Mille
When Danger Calls W. Fairbanks-E. Sedg-
wick Lumas 6000 feet
When Dreams Come True .Lila Lee Rayart (S. R.)
When Fleet Meets Fleet
(British Film) H. Stuart-B. Goetzke-
N. Asther Hi-Mark (S. R.) 7953 feet
Whip, The D. Mackaill-L. Sher-
man-A. Q. Nilsson-
R. Forbes First National
Wild West Romance R. King-L. Gilmore. .Fox
Wind, The L. Gish-L. Hanson. . . M-G-M
Windjammers of Gloucester
The F. B. O
Wings (road show) C. Bow-B. Rogers. . .Paramount 12 reels. . . .Aug. 26
Woman Between, The Lumas
Woman Disputed, The. . . .N. Talmadge-G. Ro-
land United Artists
Women They Talk About. ..I. Rich-A. Ferris-W.
Collier, Jr Warner Bros
Yellow Contraband L. Maloney-G. Goatz Pathe
Yellow Lily, The B. Dove-C. Brook-
Seyf errtitz First National
You'll Never Get Rich First Division (S.R.)
Comedies and Short Subjects
Star Rel. Date
Sullivan Cartoon" Feb. 6.
.Jan. 8.
.Mar. 26.
Title
Felix the Cat in the Oily Bird.'
Felix the Cat in the Smoke
Screen "Sullivan Cartoon". . .
Feline Frolics — The Tonquin
Valley Bruce Outdoor Sketch
Fighting Orphans, The —
Evening Mist Bruce Outdoor Sketch
Green-Eyed Love Ruby McCoy-George Hall Apr. 8 .
High Strung Jerry Drew Jan. 29.
Hints on Hunting — A Day
By the Sea Bruce Outdoor Sketch April 22.
His Maiden Voyage George Davis Feb. 26.
How to Please the Public . . .Hodge Podge Mar. 11 .
Indiscrete Pete Jerry Drew Mar. 11.
Kitchen Talent George Davis April 15.
Landlord Blues Curiosities May 27.
Listen Sister Lupino Lane Mar. 25 .
Love's Springtime (Color
Film) H. Hampton-J. Catalaine Feb. 12 .
Mother Birds Curiosities Mar. 4.
Mysterious Night, A Monty Collins Feb. 12 .
Navy Beans "Big Boy" May 27 .
Never Too Late Wallace Lupino May 6.
New York's Sweetheart. . . .Curiosities Jan. 1.
Nicknames Hodge-Podge April 8.
No Fare "Big Boy" April 8.
Off Balance Monty Collins April 22 .
Peculiar Pair of Pups, A —
Nobody Home Bruce Outdoor Sketch May 20.
Penny Postals Curiosities April 1 .
Pretty Baby Monty Collins Feb. 26.
Racing Mad Al St. John Jan. 8 .
Recollections of a Rover .... Hodge-Podge Jan. 8 .
Rubbernecking Curiosities Feb. 6 .
Running Ragged Lewis Sargent Jan. 29 .
Say Ah-h Charley Bowers Feb. 19 .
Simple Sap, A Larry Semon Feb. 12 .
Slippery Head Johnny Arthur April 29.
Some Scout Lupino Lane Nov. 6 .
Spring Has Came Monty Collins Mar. 25 .
Star Shots Hodge-Podge Feb. 5.
Sword Points Lupino Lane Feb. 12.
There It is Charley Bowers Jan. 1.
Thoughts While Fishing —
Silver Shadow; Bruce Outdoor Sketch
Three Tough Onions Monty Collins May 20.
Visitors Welcome Johnny Arthur Mar. 4.
Wandering Toy, The Hodge-Podge May 6.
w'edJing Slips Monty Collins Jan. 16 .
Whoozit Charley Bowers April 1 .
Wildcat Valley Johnny Arthur Jan. 22 .
Wild Wool — Night Clouds. . nice Outdoor Sketch
You'll Be Sorry Charley Bowers May 20.
Length Reviewed
1 reel Mar. 10
.lreel Feb. 18
.1 reel Mar. 10
1 reel
1 reel Mar. 24
.2 reels. . . .Feb. 4
1 reel Mar. 31
2 reels Feb. 18
1 reel Mar. 17
.2 reels. . . .Mar. 10
2 reels. . . .Mar. 31
1 reel
2 reels. . . . Mar. 24
2 reels .... Mar. 17
lreel Feb. 18
lreel Feb. 4
2 reels
1 reel
lreel Feb. 11
1 reel
2 reels. . . . Mar. 24
1 reel Zpril 14
. 1 reel
. 1 reel Mar. 17
1 reel Feb. 18
2 reels Jan. 28
lreel Feb. 4
lreel Feb. 4
lreel Feb. 4
2 reels Feb. 18
.2 reels. . . Feb. 25
2 reels
2 reels Oct. 2J
. 1 reel Mar. 17
lreel Feb. 4
.2 reels. . . .Dec. 31
2 reels. . . .Jan. 7
1 reel
1 reel
2 reels. . . Mar. 10
1 reel
.1 reel Feb. 11
2 reels. . . .Mar. 17
. 2 reels .... Feb. 4
1 reel
2 reels
F B O
Title Star Rel. Date
After the Squall Al Cooke April 16
All Alike Carr-Alexander-Ross April 9
AH Washed Up Al Cooke
Big Berthas Karr-Ross-Alexander May 14
Come Meal Al Cooke May 28
Mickey's Little Eva Mickey Yule April 2
Mickey's Parade Mickey Yule Jan. 2
Mickey's Wild West Mickey Yule May 7
My Kingdom For a Hearse . Al Cooke April 2
Panting Papas Karr-Ross-Alexander Jan. 9
Rahl Rahl Rekie Al Cooke
Restless Bachelors Al Cooke April 30
Silk Sock Hal Al Cooke May 14
Social Error, A Al Cooke
Length Reviewed
.2 reels
.2 reels
.2 reels Feb. $8
. 2 reels
.2 reels
. 2 reels
.2 reels
. 2 reels
.2 reels
.2 reels. . .
.2 reels . . .
.2 reels. . .
. 2 reels . . .
.2 reels. . .
Feb. 18
Feb. 11
BRAY PRODUCTIONS
FOX FILMS
Tit'e Star Rel. Date Length Reviewed
Bare Co-Ed, The Murdock-Cavalier-Lancaster. . . Feb. 10 . . 2 reels .... Jan. 7
Barnyard Rivals W. Lantz-M. Shaw-T. Ward.. .Mar. 10. .2 reels Mar. 17
Cat Tales McDougall Kids Feb. 20 . . 2 reels
Cutting Up McDougall Kids Mar. 20 .. 2 reels ... . Mar. 17
Daze of '49 J. Cooper-L. Carver Jan. 1 .. 2 reels ... . Feb. 4
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1 . . 2 reels. . . . Mar. 17
Fowl Play McDougall Kids April 20. . 2 reels
Lost in the Lurch P. Murdock-N. Cavalier Mar. 1 . . 2 reels .... Mar. 17
Mr. Pooh McDougall Kids Jan. 20. .2 reels ... .Jan. 7
EDUCATIONAL
Dist'r
Rel. Date
Title Star
All Bear Curiosities April 29 .
All Set W. Lupino-Sargent-L. Hutton . Jan. 29.
Always a Gentleman Lloyd Hamilton Feb. 6.
At It Again Monty Collins May 13 .
Between Jobs Lloyd Hamilton Mar. 18.
Blazing Away Lloyd Hamilton April 22.
Builders of Bridges — When
Twilight Comes Bruce Outdoor Sketch Feb. 26.
Call of the Sea, The (Color
Film) H. Hampton-M. Valles-N. Kel-
ley Jan. 1.
Chilly Days "Big Boy" Feb. 19.
Circus Blues Dorothy Devore Mar. 25 .
Count Me Out Barney Helium Mar. 11.
Cutie Dorothy Devore Ian. 16 .
Dog Days — The Sun and the
Rain Bruce Outdoor Sketch Jan. 29 .
Dummies Larry Semon Jan. 1 .
Fall In Monty Collins Jan. 1.
Fandango Lupino Lane May 6.
Felix the Cat in Arabiantics . ."Sullivan Cartoon" May 13 .
Felix the Cat in Comicalities "Sullivan Cartoon" April 1.
Felix the Cat in Draggin' the
Dragon "Sullivan Cartoon" Ian. 22 .
Felix the Cat in Eskimotive . . "Sullivan Cartoon" April 29 .
Felix the Cat in In-and-Out-
Laws "Sullivan Cartoon" May 27.
Felix the Cat in Japanicky . . "Sullivan Cartoon" Mar. 4
Felix the Cat in Ohm Sweet
Ohm "Sullivan Cartoon" Feb. 19 .
Felix the Cat in Polly-tics. . . "Sullivan Cartoon" Mar. 18.
Felix the Cat in Sure-Lock
Holmes "Sullivan Cartoon" April 15.
Length Reviewed
. 1 reel
.lreel Feb. 4
.2 reels Feb. 18
2 reels
2 reels
2 reels. . . .April 7
1 reel Mar. 10
.2 reels. . . .Dec. 31
2 reels Feb. 18
2 reels. . . . Mar. 17
1 reel Mar. 3
2 reels. . . .Feb. 18
1 reel Feb. 25
2 reels .... Dec. 23
1 reel Dec. 23
2 reels .... April 14
1 reel
1 reel
1 reel Feb. 25
1 reel
1 reel
1 reel Mar. 31
1 reel. ... Mar. 17
1 reel April 14
1 reel
Title Star Rel. Date Length Reviewed
Arkansas Traveler Variety Jan. 8 . . 1 reel
Cow's Husband, A F. Spenser-M. J. Temple 2 reels
Desert Blooms, The Variety Feb. 6 . . 1 reel
Exploring Norway Variety Aug. 7.. lreel
Hold Your Hat S. Phipps-N. Stuart-T. Hill-A.
Housman 2 reels .... Mar. 24
Hot House Hazel T. Brooke-T. Hill Jan. 1 .. 2 reels
Jack and Jilted P. Cunning-M. King 2 reels
Jungles of the Amazon Variety 1 reel Jan. 21
Kiss Doctor, The T. Brooke-D. Thompson 2 reels Mar. 17
Lady Lion C. Lincoln-E. Clayton-B. Bletcher 2 reels
Lords ot the Back Fence.. . .Variety Jan. 22. .1 reel
Low Necker, A Marjorie Beebe. . . 2 reels . . . . Jan. 14
Mum's the Word 2 reels. . . . Sept. %
Old Wives Who Knew Hallam Cooley 2 reels
Over the Andes Variety 1 reel
Psyche and the Pskyscraper . "O. Henry" . . 2 reels
Too Many Cookies T. Brooke-L. Miller 2 reels
METRO-GOLDWYN-MAYER
Title Star Rel. Date
Aching Youth Charley Chase Mar. 17. .
African Adventure, An Ufa Oddities Aug. 2 . .
All For Nothing Charley Chase Jan. 21. .
Amazing Lovers Ufa Oddities Mar. 10. .
Barnum and Ringling, Inc. . ."Our Gang" April 7. .
Bird Man, The Charley Chase
Blow by Blow Max Davidson Mar. 31. .
Came the Dawn Max Davidson Mar. 3..
Children of the Sun Ufa Oddities Feb. 11 . .
Czarina's Secret, The Tech-
nicolor) O. Baklanova-D. Mir-S. Rand. .Mar. 17.
Dumb Daddies Max Davidson Feb. 4. .
Edison, Marconi and Co .... "Our Gang" Mar. 10 . .
Fair and Muddy "Our Gang" May 5 . .
Family Group, The Charley Chase Feb. 18. .
Finishing Touch, The Laurel-Hardy Feb. 25. .
Fishing With a Microscope.. Ufa Oddities
Forty Thousand Miles With
Lindbergh Aviation Film Mar. 4 . .
From Soup to Nuts Laurel-Hardy Mar. 24. .
Golden Fleeces Ufa Oddities May 19. .
Happy Omen, A Ufa Oddities July 14 . .
Heavenly Bodies Ufa Oddities
Jungle Round-Up, A Ufa Oddities Jan. 28.
Length Reviewed
2 reels
2 reels .... Jan. 14
1 reel
2 reels
2 reels
2 reels
2 reels
1 reel
.Feb. 26
.April 7
2 reels. .
2 reels. . .
2 reels. . .
1 reel. . . .
2 reels Feb. IP
2 reels ... April 7
1 reel
3 reels
2 reels
1 reel
1 reel
1 reel
lreel Oct. t
April 21 , 19 28
1295
Title
Star
Rel. Date Length Reviewed
Title
Star
Dist'r
Rcl. Date
L»dy of Victories, The (Tech-
nicolor) A. Ayres-O. Matiesen-G. Irving . .Ian. 21.
Leave 'Em Laughing Laurel-Hardy Jan. 28.
Let George Do It Laurel Hardy
Limousine Love Charley Chase April
Monarch of the Glen, The . . Ufa Oddities Mar. 24
Nature's Wizardry Ofa Oddities July 28 .
Palace of Honey, The Ufa Oddities June 16.
Pathfinders, The Ufa Oddities
Pass the Gravy Max Davidson Jan. 7.
Perfume and Nicotine Ufa Oddities Jan. 14.
Pets and Pests Ufa Oddities Jan. 28 .
Primitive Housekeeping.. . .Ufa Oddities April 21.
Rainy Days "Our Gang" Feb. 11.
Sanctuary Ufa Oddities May S .
Secrets of the Sea Ufa Oddities Feb. 25.
Sleeping Death Ufa Oddities June 30.
Spook-Spoofing "Our Gang" Jan. 14.
TaliyHo Ufa Oddities
That Night Max Davidson
Their Purple Moment Laurel-Hardy
Tokens of Manhood Ufa Oddities June 2.
Wicked Kasimir, The Ufa Oddities April 7 .
Wonders of the Blue Gulf of
Mexico Ufa Oddities
.2 reels Feb 25
2 reels
2 reels. . . . Mar. 3
2 reels
. 1 reel Jan. 21
1 reel
1 reel
1 reel
. 2 reels . . . .Jan. 14
1 reel
. 1 reel Mar. 3
1 reel
. 2 reels
1 reel
. 1 reel May 3
. 1 reel
.2 reels. . . .Jan. 14
. 1 reel
.2 reels
2 reels
1 reel
1 reel
.1 reel
Run Girl, Run Sennett Girls Jan. 18
Scaling the Alps "Aesop Fables" April 1
Season to Taste Sportlight Mar. 4
Shalimar Gardens, The (Ed-
ucational) Geographical Number Mar. 18
Should Tall Men Marry?. . Roach Stars Jan. 15
Smile Wins, The "Our Gang" Feb. 26
Smith's Army Life Hiatt-McKee- Jackson Feb. 5
Smith's Bargain Hiatt-McKee- Jackson
Smith's Farm Days Hiatt-McKee-Jackson Mar. 4
Smith's Holiday Hiatt-McKee- Jackson Jan. 8
Smith's Restaurant Hiatt-McKee- Jackson April 1
Soldier Man Harry Langdon
Son Shower, The "Aesop Fables" Mar. 18
Spider's Lair, The "Aesop Fables" Feb. 19
Swim Princess, The D. Pollard-A. Clyde-C. LombardFeb. 26
Tail Waggers Sportlight April 1
Trees Rarebits Mar. 11
Length Reviewed
.2 reels. . . Jan. 14
.1 reel Mar. 31
. 1 reel
1 reel. . .
2 reels.
2 reels . .
2 reels . .
2 reels . .
2 reels. .
2 reels . .
1 red. . .
Jan.
.Mir.
Feb.
! Mar.'
Dec.
. 1 reel
.1 reel Feb. 18
.2 reels. . . . Mar. 3
. 1 reel
. 1 reel
Twenty-Four-Dollar Island. Novelty
Versatility Sportlight Feb
Volcanoes (Educational) .. . .Geological Number Feb
Wandering Minstrel, The. . . "Aesop Fables" Jan.
Work of Running Water (Ed-
ucational) Geological Number Mar. 11. . 1 reel. . . .
Yellow Cameo, The (Serial) Allene Ray 10 episodes
1 reel Dec. 23
S. .1 reel Jan. 28
19. 1 reel
29. .1 reel
PARAMOUNT
Title Star Rel. Date
Adoration Novelty Feb. 25.
Behind the Counter E. E. Horton Mar. 3 .
Bugs My Dear (Christie). . .Bobby Vernon April 21.
Campus Cuties Billy Dooley April 7.
Dad's Choice E. E. Horton Jan. 7.
Fighting Fanny (Christie) . . . Featured Cast Jan. 21 .
Frenzy Novelty Jan. 14.
Gallant Gob, A (Christie) ... Billy Dooley May 26 .
Goofy Ghosts (Christie). . . .Jiromie Adams April 28.
Halfback Hannah (Christie) Ann Cornwall April 14.
Hold 'Er Cowboy (Christie) Bobby Vernon June 2.
Holy Mackerel (Christie) . . . Jimmie Adams Feb. 11 .
Hunger Stroke, A Krazy Kat Cartoon Feb. 25.
Ice'Boxed Krazy Kat Cartoon Feb. 11.
Just the Type (Christie). . . . Neal Burns Feb. 18.
Ko-Ko's Bawth Inkwell Cartoon Feb. 18.
Ko-Ko's Jerm lam Inkwell Cartoon Feb. 4.
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31.
Ko-Ko's Kink . Inkwell Cartoon Jan. 7 .
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21 .
Ko-Ko's Smoke Inkwell Cartoon Mar. 3 .
KoKo's Tattoo Inkwell Cartoon Mar. 17 .
Love Sunk Krazy Kat Cartoon Mar. 24 .
Long Hose (Christie) Jack Duffy Mar. 17.
Love's Young Sream (Chris-
tie) Anne Cornwall May 12
Love Shy (Christie) Jimmie Adams Mar. 24 .
Pig Styles Krazy Kat Cartoon Jan. 14 .
Save the Pieces (Christie) Bobby Vernon Jan. 28.
Siy Uncle (Christie) Jack Duffy June 9
Sea Food (Christie) Billy Dooley July 14.
Shadow Theory Krazy Kat Cartoon Jan. 28.
Slick Slickers (Christie) Neal Burns July 7
Slippery Heels (Christie) . . .Jimmie Adams June 16.
Sweeties (Christie) Bobby Vernon Mar. 10.
Water Bugs(Christie) Billy Dooley Feb. 4 .
Wired and Fired Krazy Kat Cartoon Mar. 10.
PATHE-DE MILLE
Title
Star
Rel. Date
.April 8.
19
18
26
, 4.
22.
1.
5
8
Animal Snaps Rarebits
Barnyard Artists "Aesop Fables" April 29.
Barnyard Lodge No. 1 "Aesop Fables" April 8 .
Battling Duet, The "Aesop Fables" April 15.
Beach Club, The Bevan-Hurlock Jan. 22.
Benares (Educational) Geographical Number Jan. 24.
Best Man, The B;van-A. Bennett-V. Dent Feb.
Bicycle Flirt, The Bevan-V. Dent-D. Farley-C.
Lombard Mar
Blaze of Glory, A "Aesop Fables" Feb.
Boats and Fishermen of the
Arctics and Tropics (Edu-
cational) Science Number Mar.
Boy Friend, The . "Aesop Fables" Jan.
Broncho Buster, The ."Aesop Fables" Jan.
Buddhists of Burma, The
(Educational) Geographical Number Feb.
Busy Bodies Sportlight Jan.
Clothes and the Game Sportlight April 15
Comrades in Work Mabel Noimand
County Fair, The "Aesop Fables" Mar. 4.
Crowned Heads Sportlight Feb. 19
Delhi (Educational) . .Geographical Number Feb. 26
Do Monkeys Manicure? .... Stan Laurel April 1 .
Family Frolics Sportlight Jan. 22 .
Famous Playgrounds Sportlight May 13
Flying Age, The "Aesop Fables" April 22
Flaming Fathers Max Davidson Dec. 18.
Flying Elephants Roach Stars Feb. 12.
Fun Afoot Sportlight Mar. 18 .
Galloping Ghosts O. Carew-O. Hardy-J. Finlay-
son Mar. 11 .
Girl From Nowhere, The. . .D. Pollard-S. Holloway-Swain. Mar. 26.
Good Ship Nellie, The "Aesop Fables" Feb. 5 .
High Stakes "Aesop Fables" Jan. 15 .
Honeymoon Hints Rarebits Jan. 15.
How Man Suits His Life to
Differing Surroundings. . .Science Series
Houses of the Arctic and the
Tropics (Educational) .... Science Number Feb. 12.
Jungle Days "Aesop Cartoon" Mar. 25
Kashmir, Old and New (Edu-
cational) .. . Geographical Number Jan. 10
Love at First Flight Pollard-Hurlock-Cowley Jan. 29
Man Without a Face (Serial) A. Ray- W. Miller Jan. 15.
Mark of the Frog, The
(Serial) M. Morris-D. Reed Mar. 25
Matching Wits Sportlight April 29
On the Ice "Aesop Fables" Mar. 1 1
Over the Bounding Blue with Will Rogers (Travelesque) . . .Feb. 12.
Playing Hookey "Our Gang" Jan. 1 .
Reeling Down the Rhine
with Will Rogers Travelesque Jan. 15.
Length Reviewed
.2 reels
2 reels
2 reels
.2 reels
2 reels
.2 reels
2 reels
.2 reels
2 rees
2 reels
.2 reels
.2 reels
. 1 reel
. 1 reel
.2 reels
. 1 reel
. 1 reel
. 1 reel
. 1 reel
1 reel
. 1 reel
. 1 reel
. 1 reel
2 reels
.2 reels
. 1 reel
. 1 reel
. 2 .-eels
2 reels
.2 reels
. 1 reel
.2 reels
.2 reels
.2 reels
.2 reels
. 1 reel
I.eneth Reviewer
. 1 reel
. 1 reel
1 reel April 7
. 1 reel April 7
.2 reels. . . .Jan. 14
. 1 reel
.2 reels Feb. 11
2 reels . . .
1 reel. . . .
Mar. 10
2 reels .
1 reel. .
1 reel. .
1 reel
. 1 reel Dec. 31
1 reel April 7
2 reels
1 reel
1 reel
. 1 reel
. 1 reel
. 1 reel Jan. 14
. 1 reel
1 reel
. 2 reels .... Dec. 16
.2 reels. . . .Feb. 11
. 1 reel
.2 reels. . . .Mar. 3
2 reels. . . . Mar. 24
1 reel
1 reel
1 reel
2 reels .
2 reels
2 reels .... Mar. 31
.1 reel
2 reels . . .Jan.
10 episodes Jan.
10 episodes Mar. 24
. 1 reel
. 1 reel
.1 reel. . . Feb. 11
.2 reels
. 1 reel Jan. 7
STATE RIGHTS
Title Star Dist'r Rel. Date Length Reviewed
Bet, The (story by Chekov) F. P. Donovan (produer) 2 reels
Cigareete Maker's Romance,
A (story by Crawford) .... F. P. Donovan (producer) 2 reels
District Doctor, The 'story by
Balzac F. P. Donovan ( producer) 2 reels
Girl with the Golden Eyes,
The (story by Balzac) . . . .F. P. Donovan fDroducer) 2 reels
Mysterious Airman, The
(Serial) Weiss Bros 10 episodes
Necklace, The M. Alden-M. Costel-
lo-E. Chautard . . . F. P. Donovan (pro-
ducer) 2 reels
Nothing to Live For Al Joy Cranfleld-Clarke 2 reels
Piece of String, A (story by
De Maupassant) F. P. Donovan (producer) 2 reels
Police Reporter, The (Serial) W. Miller-E. Gilbert- . Weiss . ..Mar 10 episodes
Sophomore, The G.O'Neil-L.Graydon.Hi-Mark
Soooky Money Al Joy Cranfield-Clarke 2 reels
Who's Who Al Joy Cranfield-Clarke 2 reels
You Can't Win (Serial) Weiss Bros 10 episodes
TIFFANY-STAHL
Title
Star
Rel. Date
Marcheta Color Classic Mar. 1.
Medallion, The Color Classic Mar. 1 .
Mission Bells Color Classic Mar. 15
North of Suez Color Classic Jan. 1 .
Perfect Day, A Color Classic April 1 .
Scarface Color Classic Ian. 15
Souvenirs Color Classic Feb. 15
Treasure Land Color Classic Feb. 1 .
Length Reviewed
. 1 reel
. 1 reel
. 1 reel
.1 reel
. 1 reel
. 1 reel
.1 reel
.1 reel
UNIVERSAL
27
14
. 24
2
7.
4
19
.1 reel.
.2 reels.
2 reels.
. 2 reels .
. 2 reels .
.2 reels .
. 1 reel .
Title Star Rel. Date Length
Africa Before Dark Oswald Cartoon Feb. 20. .1 reel.
All Balled Up (O. R. Cohen
story) Charles Puffy Feb. 27 . . 2 reels .
Any Old Count "The Gumps" Jan. 23. .2 reels
Back to Nature Arthur Lake Feb.
Bare Fists Jack Perrin Jan.
Battling Justice Fred Gilman Mar,
Big Bluff, A Long-Adams-Layman-McPhail May
Boss of the Rancho Bob Curwood Jan.
Brand of Courage, The . . . . B. Curwood-P. Mont-
gomery Feb.
Bright Lights Oswald Cartoon Mar.
Buckskin Days Newton House Feb. 18. 2 reels.
Buster's Big Chance Trimble, Turner and Dog Jan. 11. 2 reels.
Buster Shows Off Trimble, Turner and Dog Mar. 14
Buster Steps Out Trimble, Turner and Dog Feb. 8
Buster's Whippet Race Trimble, Turner and Dog May 23
By Correspondence Arthur Lake Jan. 30
Case of Scotch, A "The Gumps" Jan. 9.
Cloud Buster, The "The Gumos" Feb. 6 .
Code of the Mounted, The. . Jack Perrin May 5
Dates for Two C. King-C. Doherty Jan. 18
Fighting Destiny Fred Gilman May 19
Framed Bob Curwood May 26
Gauge of Battle, The Fred Gilman April 21
George's False Alarm Sid Saylor Feb. 29 .
Haunted Island, The (Serial) Jack Daugherty-Helen Foster Mar. 26
Harem Scarem Oswald Cartoon Jan. 9 .
Her Only Husband Long-Adams-Laymon-McPhaill April 4
Hidden Loot Bob Curwood April 28
High Flyin' George Sid Saylor Jan. 26
His In Laws (O. R. Cohen
story) Charles Puffy Mar. 12
Horns and Orange Blos-
soms (O. R. Cohen story). Charles Puffy Jan.
Horse Play Long-Adams-Laymon-McPhaill Jan.
Hungry Hoboes Oswald Cartoon May
Indoor Golf Long-Adams- La yman-McPhail Mar.
Looters, The Bob Curwood Mar.
Reviewed
. .April 7
. . Feb. 4
.Feb. 11
Dec. 23
Feb. 28
April 7
. Jan.
. April
Jan.
Dec.
.2 reels. .
.2 reels. .
2 reels .
.1 reel Jan. 14
.2 reels Dec. 23
.2 reels. . . . Jan. 21
.2 reels. . . April 7
.2 reels. . . Dec. 31
2 reels .
2 reels
. 2 reels
. 2 reels .
10 episodes
.1 reel
Jan. 28
Mar. 24
Feb. 4
29
4.
14
7
3
. . 2 reels.
2 reels
. 2 reels .
.2 reels
2 reels.
.2 reels.
1 reel
2 reels .
2 reels.
Mar. 17
Mar. 31
Madden of the Mounted. .. Jack Perrin Mar. 10. .2 reels.
Man of Letters, A Sid Saylor Feb. 15 .2 reels.
Married Bachelors (O. R.
Cohen story) Charles Puffy April
Mistakes Will Happen Ben Hall Feb.
Money! Money! Money!. . .Ben Hall May
Neck n' Neck Oswald Cartoon Jan.
Newlyweds' Advice ... . .Jan.
Newlyweds' Friends, The . . Snookums-Bartlett-McPhaill . . April
Newlyweds' Imagination,
The Snookums-Bartlett-McPhaill
Newlyweds' Servant, The . . . Snookums-Bartlett-McPhult
Feb. 18
Jan. T
Dec. 18
Feb. 11
Feb. 4
Feb. 11
Jan. 28
Mar. 17
1 reel Jan. II
1 reel . April 14
.1 reel
3 reels Dec. 11
2 reels. . . . Mar. 10
2 reels .
May
Feb.
2 reels ... April 14
.2 reels. . . Feb. 4
Newlyweds Success, The .. Snookums-Bartlett-McPhaill Mar. 6 2 reels Feb. 11
No Blondes Allowed C. King-C. Doherty Mar. 21 2 reels Feb. 16
Ole Swimmin' 'OL«, The Oswald Cartoon Feb. 6 1 reel ... Mar 34
One Every Minute Arthur Lake April 23 1 reel ... April 7
Out in the Rain "The Gumps" Feb. 20 . 2 reels .... Jan. 28
12%
Motion P i c t it r e News
Title
Star
Rel. Date
Ozzie of the Mounted Oswald Cartoon April 30.
Payroll Roundup, The Bob Curwood Mar. 31 .
Prince and the Papa (O. R.
Cohen story) Charles Puffv Feb. 12 .
Ride 'Em Plowboy Oswald Cartoon April 15.
Riding Gold Newton House Jan. 21.
Ring Leader, The Jack Perrin April 7 .
Ringside Romeos Arthur Lake Mar. 26.
Rival Romeos Oswald Cartoon Mar. 5
Sagebrush Sadie Oswald Cartoon April 1
Sailor George Sid Saylor May 9
Scarlet Arrow, The (Serial — F. X. Bushman Jr.)
Sealed Orders Jack Perrin Feb. 11
Shady Rest "The Gumps"
Sliding Home Lewis-Gulliver-Phillips Jan. 16
Social Lions Ben Hall Mar. 12
Some Babies (O. R. Cohen
story) Charles Puffy Mar. 26
Some Pets Arthur Lake Jan. 2
Son of the Frontier, A Newton House April 14
So This Is Sapp Center Ben Hall Jan. 16
Length Reviewed
. 1 reel April 7
.2 reels. .. .Mar. 3
.2 reels. . . .Jan. 21
. 1 reel Mar. 24
.2 reels
.2 reels. . . .Mar. 10
.1 reel Mar. 10
.1 reel April 7
. 1 reel
. 2 reels .... April 14
10 episodes.
.2 reels. . . .Jan. 28
.2 reels
.2 reels. . . .Dec. 8C
. 1 reel
.2 reels. . . . Mar. 3
. 1 reel Dec. It
. 2 reels. . . . Mar. 17
. 1 reel. ._. . . Dec Sf
Title Stai Rel. Date Length Reviewed
Special Edition Ben Hall April 9 . . 1 reel Mar. 17
Start Something Long-Adams-Laymon-McPhaill.Feb. L.lreel Jan. 14
Summer Knights Arthur Lake May 21 . . 1 reel
Swell Clothes Arthur Lake Dec. 6.. 1 reel Nov. 18
Taking the Count C. King-C. Doherty April 18. .2 reels. . . .Mar. 24
Terrors of the Unknown (Serial) 10 episodes
That's That Trimble-Turner and Dog April 11. .2 reels Mar. 17
There's a Will C. King-C. Doherty Dec. 21 2 reels
Unexpected Hero, An F. Gilman-M. King Feb. 25. . 2 reels .... Jan. 28
Untamed, The Newton House May 12 . 2 reels .... April 14
ValiantRider,The(Western).Bob Curwood 2 reels
Vanishing Rider, The (Serial) Wm. Desmond Jan. 16. .10 episodes
Watch George Sid Saylor Mar. 28 . . 2 reels .... Mar. 3
What a Party C. King-C. Doherty Feb. 22 . . 2 reels Feb. 4
When George Hops Sid Saylor April 25. .2 reels. .. .Mar. 31
Winged Hoofs Newton House Mar. 17. .2 reels. . . .Fdb. 25
Winning Five, The Lewis-Gulliver-Phillips Sept. 26. .2 reels. . . .Sept. lj
Winning Goal, The Lewis-GulliverTPhillips Jan. 2 .. 2 reels
Wolves of the Range Fred Gilman Jan. 28. .2 reels
Woman Chasers C. King-C. Doherty May 16. .2 reels
erOpinionsonNeujPict
"The Gorilla" — First National,
Stanley Theatre, Philadelphia
Record: "Kind of picture that
causes sensation because it is a little
different from common run. Posi-
tively startling performance is this,
and only by clever manipulation
could so much funny stuff be inter-
woven with what is primarily
weird."
Evening Ledger: "Director has
succeeded in evoking atmosphere of
horror. Comic relief helps things
materially. Chuckles and roars fre-
quently heard."
Sun: "Generous supply of chills
and laughter. Has been made effec-
tive with Murray and Kelsey sup-
plying laughs. Gorilla stalks
through old mansion handing out
death — and plenty of scares."
Inquirer: "Supplied plenty of
excitement and offered guessing
contest to audience to discover just
who villain might be. Done in im-
pressionistic manner with huge
shadow of gorilla supplying sinis-
ter effect. Excellent cast.
Morning Ledger: "Emerges
from stage an effective picture. In
spite of generous laughter it re-
mains real thriller. Good entertain-
ment."
Bulletin: "Offers one of best
balanced casts assembled for some
time. Mystery melodrama of weird
and eerie happenings."
"The Love Mart" — First Nation-
al, Washington St. Olympia
Theatre, Boston
Traveler: "Billie Dove's beauty
remains undiminished from film to
film. No matter what period of the
picture is, her loveliness is just as
poignant. She also has an oppor-
tunity to do quite a bit of acting."
Herald: "Fitzmaurice takes New
Orleans and days of early 19th
century and brings all life and color
of this gay period to screen, adding
enhancement to picturesque scenes
with soft-focus photography which
has won him fame. Romantic stuff
which Fitzmaurice has handled
with master touch, lending realism.
Miss Dove makes a lovely picutre."
Post: "Beauty of star and pho-
tography, with added dash of ro-
mance and gallantry. Billie Dove
a gorgeous eyeful."
Transcript : "Miss Billie Dove
an 'eyeful.' It presents Miss Dove
as belle of city in all of revealing
simplicity of Empire gowns.
Neither Fitzmaurice nor Miss Dove
are novices at this entertaining busi-
ness."
"Coney Island" — F B O, Hippo-
drome Theatre, New
York City
American: "Full of color and
authentic atmosphere, lavish sets
and interesting story. Lois Wilson
plays with grace and charm, and
Lucila Mendez is sparkling jazz
baby. Miss Mendez is pictorial de-
light as well as talented young
actress and we hope to see more of
her."
Herald-Tribune : "Excellent ci-
nema spectacle. Moves with proper
rapidity, and setting is pleasingly
novel one. Titles, too, have credit-
able flavor or real talk."
Daily News: "Movie with title
that is as sure-fire to box office in
Kalamazoo as it is right here.
Good deal of trick photography, no
letup of action. Lucila Mendez
gives a bright-eyed, spirited per-
formance. In fact she is about best
thing in picture."
Morning Telegraph : "Exciting
melodrama. When Lucila Mendez
dances she's there and offers 'mean'
numbers. Cameron excellent in role
of millionaire play-boy. Picture
has been well photographed. 'Coney
Island' with its whirling and vari-
ous forms of amusements has been
graphically portrayed."
Graphic: "Good photographic
effects of whirling machinery that
furnishes dizzy, thrilling fun and
hot dance executed by Lucila Men-
dez. Good movie entertainment.
Type that small town movie patron
will enjoy. Miss Mendez as a
snappy dancing" girl quite steals
feminine laurels of film. Lucila's
vivid beauty screens well, and in
her abbreviated costumes she
showed one of reasons why she was
so popular on musical comedy
stage."
"Her Wild Oat"— First National,
Albee Theatre, Cincinnati
Commercial Tribune: "Colleen
Moore, box office magnet par ex-
cellence. The best thing she has
turned out in a long, long time.
Story amusing ; titles genuinely
clever and characterizations con-
vincing. Film lias unquestioned
amusement and entertainment
value."
Times-Star: Amusing romance.
Accorded breezy and delicate treat-
ment by Neilan that makes it most
enjoyable. Star shows more real
acting ability than ever previously
evidenced. Some unusually funny
sub-titles."
Post: "Colleen Moore did it that
time. Film farce which is every
bit good. Novelty, speed, action, ro-
mance and prettiness. Titles ma-
terially help fun along."
"Ker Wild Oat"— First National,
Grand Theatre, Pittsburgh
Sun-Telegraph : "Good enter-
tainment. Real comedy with a lot
of hilarity, scoring high in merri-
ment classification. Plenty of fun
develops."
Press: "Gives Colleen ample
opportunity to display her versa-
tility."
Post - Gazette: "Fast - moving
story. Light but entertaining."
"Her Wild Oat"— First National,
Wisconsin Theatre,
Milwaukee
Wisconsin Neivs: "Rollicking
comedy . . . screamingly funny
complications. Colleen's efforts
. . . sure fire mirth-provokers."
Mihvaukec Sentinel: "Colleen
Moore reaps harvest of chuckles
and bursts of laughter. Another
box office winner. Snappy titles
help to heighten comedy effects."
"The Private Life of Helen of
Troy" — First National, Am-
bassador Theatre, St. Louis
Times: "Both entertaining and
interesting ; entertaining for humor-
ous subtleties and situations and in-
teresting for enormous sets and new
style of photography. Contains
some of best scenic trick photog-
raphy we have seen. Titles ex-
tremely funny. Worth seeing.
Amusing and different."
Post Dispatch: "Diverting and
entertaining. Great mob scenes."
Star: "Epic of nonsense. Im-
pressive. . . . Fine settings."
"The Dove" — United Artists,
Rivoli Theatre, New York
Mirror: "A melodrama of merit.
Norma Talmadge, Beery and Ro-
land make fine showing. One in-
dubitably satisfying movie, based
on an equally satisfying play. A
first class movie."
American: "Film scores with
Beery and Miss Talmadge. Di-
rector Roland West has lost none
of the gay color and delightful
flavor of the original theme in his
translation of it to the silver sheet.
The story unreels smoothly. A
painstaking and interesting piece of
work. The picture's sets and
photography, too, are artistic and
beautiful."
"Hats Off"— Roach - M - G - M,
Metropolitan Theatre,
Los Angeles
Evening Herald: "The funniest
as well as most deeply touching
motion pictures make us cry — a
paradox which finds its way into
our everyday language as I laughed
so hard I cried. I can describe in
no other way my reaction to 'Hats
Off.'
"This glorious slapstick occupies
a subordinate position on the bill,
but it saves the day as far as en-
tertainment is concerned. It is no
exaggeration to say that the entire
audience bordered on hysteria at
the climax of this two-reeler.
"In my opinion, Roach has most
promising comedy team on the
funny staff. Laurel and Hardy
Record: "A comedy gem —
Laurel and Hardy with nothing
more than a washing machine and
a long, long flight of stone steps
mi which to work, do actually
funny stuff. Laurell and Hardy
in their new edition of Roach com-
edies are stealing the shows quite
frequently when matched against
feature pictures."
Times: "It is fairly obvious that
the two-reelers in which Roach is
so felicitously presenting Laurel
and Hardy are carefully mapped
out from fade-in to fade-out be-
fore ever the camera-crank is
turned : and the result is uproar-
iously funny. 'Hats Off,' as the
latest of the series is entitled, takes
the lead as the real laugh-hit of
the show."
Express: "Just as Stan Laurel's
and Oliver Hardy's 'The Battle of
the Century' was the custard pie
epic, so their new picture. 'Hats
Off.' is the screen's first brief for
bareheaded men. It is built on the
same general lines as the first one,
ending up with a street brawl that
has only known one or two
superiors. There are some real
laughs in it, as well as the cus-
tomary assortment of chuckles."
Times: "A picture of wonderful
beauty. Never has the camera been
used quite so effectively and ar-
tistically as in this subject. It is
indeed a picture which, possibly
more than any other, reveals the
strides made in motion picture
camera work. The story is admir-
ably worked out, with splendid sus-
pense."
Roy Press
Printim
Preordained
" — the final result of the motion picture
on the screen was preordained from the
day that Edison got his first sample of
Eastman film."-
That was in 1889. And today the film
that made motion pictures practical is the
film that makes the most of the cinema-
tographer's art and carries all the quality
through to the screen — Eastman Film.
*Page 209 "A Million and One
Nights, the History of the Motion
Picture" — by Terry Ramsaye
EASTMAN KODAK COMPANY
ROCHESTER, V Y.
TH£ I AST WORDlu Posters
FOR
The I AST WORD In Pictures
Made for Pathe
general Office: Cleveland, Ohio
B'anJl OffU*j NEW YORK and LOS ANGELES
PUntn Cleveland • New York City ■ Elmhurst. Lonc Island
April 28, 1928
Reg. U. S. Patent Office
Th
row
it Away
NO RED
INK!
EXTRA !
Diamond Handcuff*
is sensation in preview
by West Coast Theatres
THE BIG MONEY
PRODUCT OF COMING
WEEKS!
RAMON NOVARRO
Across to Singapore
LON CHANEY
Lauifh Clown laugh
NORMA SHEARER
The A ceres*
DANE-ARTHUR
Circus Rookie*
Detective*
SYD CHAPLIN
Skirts
Diamond Handcuffs
JOHN GILBERT
The CossacL*
Mile, from Armenticrc*
WILLIAM HAINES
Telling The World
and More! More! More!
There's never any
need for Red Ink
when you're an
M-Q-M Showman
THE
RICH get
RICHER
WHEN they
PLA
Metro-Go L!
TO THE RANK! TO THl
ol. XXXVII No. 1
Los Angeles
under o. t of March 3, 1879
/ Weekly— $2.(K) a Year
Xcxv York
lAYER
"HE BANK!
PRICE 20 CENTS
Chicago
■ •
II
Fireproof storage vaults
on every floor.
Shipping platform in
basement with ramps to
street.
Special projection
rooms and inspection
rooms.
Moderate rentals.
Low Insurance rates.
FILM CENTER, Inc.
Builders
Abe N. Adelson, President
will be ready
for tenants
Januaryl929
Ninth Ave. ^ New York City
44th to 45th Streets
THIS BUILDING has been designed under
the supervision of the Building Committee of
the Motion Picture Producers and Distributors of America,
especially for motion picture distributors, film exchanges
and executive offices for allied industries. It will permit the
concentration at one place of practically all the receiving and
delivery of films for New York City and vicinity.
Every approved device essential to convenience and safety
in the handling and shipping of films has been incorporated
in this building.
FIRST NATIONAL, METRO-GOLDWYN
and UNIVERSAL have already signed leases
and will move their exchanges into this building
on its completion.
Full information furnished on request to
Agents
Full commission to brokers
225 Fifth Avenue Ashland 4200
New York City
it's a great picture
they exploit it!
it breaks
box-office
records !
HAROLD
LLOYD
in
Speedy
11
Produced by Harold Lloyd
Corp. A Paramount Release.
T
)
V
A Special Section not designed to sell you wSpeedy" hut to sh<ro you
how to sell "Speedy" to your public. Sure-fire exploitation ideas used
all over the country to roll up record grosses for the biggest box-office
attraction of the year. Read them — use them — and profit! * «• «• - « *
TAKE NO CHANCES!
SEE
HAROLD
LLOYD
SPEEDY
K. RIVIERA NOW
com i n
"SPEEDY
- KB \ i I I
This sign used in Omaha,
Neb., at all main intersec-
tion points and on incom-
ing roads.
Sticker, practical tor <lrni:
.iixl confectioner] b tores.
15,000 of these distributed
in \<u > ork.
II \ It n I ii | i i ' \ n
- "SPEED Y"
IMDfl <» t»l« 1111
"Speedy" exploitation made new Lloyd records!
A "Ballyhoo" that proved a great attention-getter on
the Pacific Coast. This exploitation train made a
round trip from Los Angeles, Cal., to Seattle, Wash.
In addition, General Company covers entire West
Coast with billboards and newspaper display copy
prior to and during Los Angeles run.
Placard used effectively on
thousands of weighing ma-
chine; in Los Angeles and
Chicago, prior to openings.
Giant banner, co\cring the
entire front of theRivoli, New
York, where '"Speedy" broke
the house record first week
Novel window installed by
Western Costume Com-
pany, on Broadway, N.Y.
Striking window display on "Speedy Boy," official
theme song of "Speedy" arranged in conjunction
with Los Angeles engagement.
Tie-up with sporting goods store, Los Angeles, which
carried plenty of punch.
Display card
usedin exploit-
ing "Speedy"
book in New
York. Chicago
and Los An-
geles.
TMf *T0RVOfTHE
La*T LOVABlE
the whole
town talked "Speedy"
ft
GENERAL h T*r .wj, • Cwlm
"Wck the Billboards
iheTheaires.and the
Newspapers, for yto/
developments
GcncraJ I Vuuirum Corporation
Back cover of "Speedy'" roto used for
General, the "Speedy" gasoline.
Fronl view of mechanical 1 * > 1 > 1 > > dis-
play used at W orth Theatre, Fl . W orth
Iwlta 7W*u Sea :]
Film SOUlfcrl im Air 3
"Speeds." first mo-
tion picture to be
pre-viewed hy critii :s
in mid-air. Los
Angeles., Cal.
^HAROLD LLOYD
How the Paramount stock Ad Sales
sailor cap was used on "Speedy"1 in
Omaha.
Black and White Cab Company, At-
lanta, ties up 100'/e on tire rack
banners. Another Paramount \<l
Sales item.
Hack view (showing mechanical fea-
tures <>f novel lobby display.
Slow, bill «urc-firc exploitation. \n
old mule draws a dilapidated flivver
through the streets of Atlanta.
Co-operative page from Charlotte, N. C. Observer.
An always effective idea.
What they did
in Cleveland!
Speedy Sun dm The Standard Drug Oi. fca-
t u red a special "Speedy" Sundae in their thirty
stores throughout tin- city.
Speed} llool, The book "Speedy " i- being Mild
in .'$1 Marshall Drug Stores. They are using their
windows I" make 1 1 1 i ~ announcement, ami also
Speed]
playing at
announcement that
Loew *s State.
I'oslul Tefegtttph — The Postal Telegraph Co.
furnished with 22x28 cards, with display printing
€»n them, stating that the Postal service i~
••Speedy.'* also announcing date and theatre
« here "Speedy" is playing.
Shir I Containers — The New Method Laundry
Co. used I ">(H) shirt containers with the name of
theatre, picture, and date, to distribute to their
customers*
Sinn Doh ii ^/x rd\ — 350 cards have been placed
around gas stations in Cleveland, reading "Slon
I ><>u ii. Speedj ."
I\i>l it *>»•<• I ion — < >nc t h on sand Koto Sections on
"Speedy" distributed in downtown offices.
Slrrt-I (nr (in <ls — 1 50 cards on the street cars.
li'ldio — Kvery evening, for a week before the
opening date, radio announcement aibising that
"Speedy"' nas coming to l-ocw\s Mate.
/ i tiilt'r — » National Screen Service De I uxe trailer
in lib. line of the engagement.
ids- — We started our advertising with an under-
line in our ads two week* before the playdate. and
increased our space as time for opening drew
nearer.
M>< . ml iil^ — Campaign put on b) \< » York
gave us a half-page ad the day before opening; a
half-pauc ad the day after opening, and another
BOO-line ad on the third day of engagement.
Front of Million Dollar. Los
Angeles.
A brand-new idea in press-book com-
pilation. Packed with hundreds of
seat-selling ideas.
I IT REQUIRES
2 THEATRES
TO SHOW
BAR010
UoYd
UPTOWN andTIVOLI
Part of "teaser" cam-
paign used in Toronto.
"It smells like rain"
was the keynote carried
in all copy and had the
whole town wondering.
mow
UOVD
YOU WILL
LEARN THE
ANSWER TO
"IT SMELLS
LIKE RAIN"
Box office at Million Dollar, sug-
gesting the rear of a street car.
They got behind
it in Boston!
'd Tie-up with the two largest Ice Cream
Cos., and we received a very good break aa
far as advertising is concerned. *2 Extra
space in the newspapers and excellent pub-
licity from all. Tie-up with the largest de-
partment store in town with a special dis-
play of two large heads of Lloyd, and a
monstrous record 6 feet in circumference in
Hovey's Store in Summer Street. *J Two or
three individual Music Stores gave us excel-
lent displays on the records, The largest
laundry and cleaning Co. in Boston gave us
the use of their trucks, we furnishing the
canvas posters, twenty trucks in number,
with Lloyd's face on the side, saying "for
SPEEDY service use Lauderman's Laundry
and Cleansing Co." 1j This, in addition to
fifty twenty-four sheets, and the calliaphone
down town and in the suburban districts.
Lobby displays and numerous cuttings on
marquees, and 25,000 rotos distributed from
house to house and in the theatres.
you can break your record
too, if you get behind
Harold Lloyd
in ffSpeedy"
Produced by Harold Lloyd
Corp. A Paramount Release.
ft
1/
The star of "THE JAZZ
SINGER" who holds all
records for breaking records
Coming Soon In
"THE SINGING
FOOL"
\ new box-otf ice
record breaker
comedy stages.
Warner Bros., through the me-
dium of the screen, now make it pos-
sible for added millions to enjoy her.
No longer do Belasco, Ziegfeld
and Albee hold a monopoly on her
services.
Showmen everywhere can now
share in the golden harvest that
Fannie Brice attracts to every theatre
in which she appears.
The title of her first Warner Bros,
picture will shortly be announced.
Made to Top
ever made
Will flood your theatre with
a deluge of profits/
with
Noah Beery Helene Costello
Myrna Loy William V. Morig
Audrey Ferris Louise Fazenda
John Miljan Leila Hyams
and a Supporting Company of Hundreds
t Big Pictu
Dolores Costello
in
TENDERLOIN*
with Conrad Nagcl
Extended Engagements Everywhere! The first
six towns that played this attraction were all forced
to hold it over. Every engagement since then has
been a record breaker. And every play date has call-
ed for a return date! Ask the man who has run it!
'THE LION AND
THE MOUSE'
with May McAvoy,
Lionel Barrymore
and William Collier, Jr.
Extended Engagements Everywhere! This drama
of political intrigue and crossed love by Charles
Klein has enthralled hundreds of thousands of play-
goers. Great as a play. Greater as a picture! And
timely as the last edition of tonight's paper! A
box-office natural!
Availab
What WarnerBrosPromis
Extended Runs
Dolores Costello in
'GLORIOUS
BETSY'
with Conrad Nagel
Extended Engagements Everywhere! If ever a
picture was made for the greater glory of the box-
office, here it is. High intrigue in the gay Versailles
court checkered with the democratic ways of Balti-
more a century back.
"Glorious Betsy" glorifies the box-office.
Al Jolson in
'THE JAZZ
SINGER'
with May McAvoy
Extended Engagements Everywhere! Eighteen
weeks in Chicago, six weeks in one week towns, re-
turn dates everywhere. Records wrecked everywhere.
Holds the record for more broken records than
any other production ever made. Warner Bros. Su-
preme Triumph. How many times have you played it?
e Now
? - Warner Bros. Deliver /
Hade -tor \\\
\ft \Name
Warner Bros, offer 18 Warner Winners for
1928-1929. Eighteen money-making opportunities for
showmen.
Eighteen instead of 26 as in previous years, but
no reduction in the production budget. On the
contrary, more money will be spent for the 18
Warner Winners this year than previously spent
for the 26.
Fewer pictures, but better productions; better
stories, more time and thought on continuities,
better players, more lavish sets, greater variety of
locations, unlimited wardrobes, novel effects-in short,
18 Vimes uou w
ox - o-mce
vnncrs
more money to make fewer pictures bigger and
better box-office attractions.
Each of the eighteen pictures will be based on
a specially selected story. Each cast will contain
the finest stars and players available. Each director
will be assigned only because of his ideal fitness
for that particular type of picture. Each picture
will have unlimited funds assigned to it so that
each will be able to stand on its own merits as
an individual box office attraction.
Every entry in your date book will be an
entry in your bank book.
rt use red ink
VlTAPHON
E
IS
th riUi n£ ,
the World/
Specially synchronized prints on all Warner Bros,
productions for 1928-29 will be available to Vita-
phone exhibitors.
This means that the Vitaphone exhibitor is defi-
nitely assured of a synchronized print on each and
every Warner Bros. Picture.
It means that every Warner Winner — each of
the entire 18 — will have specially synchronized Vita-
phone scores, and that every Warner Bros. Road
Show Production and Extended Run Production for
1928-29 will have sequences in dialogue, songs, effects,
and in addition a specially synchronized musical score.
Vitaphone is -
Thrilling the World !
A BIG IDEA !
(No. 582 — Straight from the Shoulder Talk by Carl Laemmlef
President of the Universal Pictures Corporation)
THERE'S NOTHING BIGGER THAN A BIG IDEA. THERE'S NO LIMIT TO
what you can do with it.
A BIG IDEA WAS THE FOUNDATION ON WHICH WE BUILT "WE
Americans" — a picture you are going to remember for many a year. The New York
Daily Mirror says this picture has "mental magnitude." That's a flossy way of saying it's
a big idea.
THE NEW YORK MORNING TELEGRAPH SAYS "THERE MUST BE AN
enormous constructive idea behind it."
NOW, WHEN YOU HAVE A BIG PICTURE BUILT ON A BIG IDEA, YOU
can do big things with it. You have a perfect right to call on the biggest citizens of your
community to sponsor it.
YOUR MAYOR, FOR EXAMPLE. HE MUST BE A PUBLIC SPIRITED MAN
or he would hardly be mayor. Interest him in "We Americans." Tell him what it is
all about and his public spirit will do the rest. The president of your local Chamber of
Commerce is another man who can help you with such a big idea as this one. The
president of your Rotary Club or your Kiwanis Club! The president of your bank!
GET ALL SUCH MEN TOGETHER AND EITHER GIVE THEM A PRIVATE
showing of the picture or tell them about it. The Universal press sheets will give you
all the stuff to talk about. In your local advertisements, quote what your local celebri-
ties have to say about "We Americans."
DO YOU KNOW WHAT THE NEW YORK DAILY MIRROR SAID ABOUT
it? Just listen a moment:— "'WE AMERICANS' HAS LAUGHS, SOBS, DIGNITY,
PATRIOTIC APPEAL, HEART INTEREST. EVERYTHING TO MAKE A GREAT
MOVIE. IT SHOULD GET EVERYONE, HIGH OR LOW. WHEN YOU SEE IT
YOU DON'T FORGET IT— AND YOU DON'T WANT TO. ITS A LULU! "
GO AFTER IT WITH ALL YOUR MIGHT AND MAIN. TREAT IT AS THOUGH
you had to pay more rental for it than any picture you ever showed in your house.
GIVE IT THE INTENSIFIED ADVANCE CAMPAIGN THAT IT DESERVES.
It doesn't make a bit of difference what sort of theatre you own or what class of people
you cater to, because this is one of those rare occurrences — a picture which hits the
spot with simply everybody!
IT'S A BIG IDEA AND BIG IDEAS ARE SCARCE. WHEN YOU GET YOUR
claws on a big idea, make it work for you tor all it's worth!
NEW MODEL T^I
>S I >T P L E XL
OF THE NATIONAL THEATRE SUPPLY CO.
OR TO THE
INTERNATIONAL PROJECTOR CORPORATION
90 GOLD STREET, NEW YORK
4
A PROVED
BIG MONEY
MAKER
I N
NEW YORK- BOSTON
LOS ANGELES - WASH-
INGTON - NEW ORLEANS-
SAN FRAN CISCO -
OMAHA - DENVER-
PITTSBURG- BUFFALO-
TOLEDO - DES MOINES-
M I N N EAPOLI5 - SEATTLE
PORTLAND- SALT LAKE
ST. PAUL - CLEVELAND-
PHI LAr ROCHESTER-
TORONTO.
&&&&&
Jrom the story bi^
W SOMERSET MAUGHAM
Directed bu
w
hile the world i*
BOOK
THE PICTURE!
Get the big profits
that are being made
and will be made
with the best adver-
tised picture that has
ever been produced
Inspiration Pictures, Inc.
and Edwin Carewe present.
DOLORES
DEL RIO
in
Helen Hunt Jackson's
American Love Classic
SUPPORTED
Warner Baxter -Vera Lewis
Roland Drew-Michael Visaroff
EDWIN CARE WE
PRODUCTION
Screen play bi) finis fox
C
mite
I) ' V | D l A L L Y O
BOOK STORES
AS TIE-UPS
The vast popularity of
this f amous novel makes
it possible for any ex-
hibitor to obtain win-
dow displays with every
book store in his town
"Ramona" is now in
its 92nd edition, one of
the most popular books
ever written.
icture
book
it NOW
The picture with
the best known
title on the market
today —
MERIT
ringing RAMONA
THE RAMONA
WALTZ
One of the greatest song
hits written in years is
this Leo Feist, Inc.,
number that is sweep-
ing the country. Over
the radio, in dance halls,
theatres and night-
clubs this song is being
sung and played.
Every music store offers
free window displays for
you.
RAMONA
RECORDS
The Paul Whiteman-
Victor record is a tre-
mendous seller, also the
records made by Colum-
bia and Brunswick.
Every Phonograph deal-
er, therefore, will be
glad to assist in making
a tie-up display with
the picture.
3,000,000
WOMEN
The National Federa-
tion of Women's Clubs
has endorsed the pic-
ture ^Ramona". An-
other great tie-up for
bigger box-office busi-
ness.
This
vice
tun-
es'
-
NEW YORK CITY
"Chaplin's Circus
howling success. A
screaming delight
from fadein to fade-
out." — News.
AKRON, OHIO
"The funniest and
best any comedian has
turned out in several
years." — Times.
DETROIT, MICH.
"Funniest and best
of^all Chaplin's. Filled
with the most laugh-
able series of inci-
dents."— News.
[ SEATTLE, WASH.
"Brought capacity
houses of laughing
and enthralled Seattle
folks. More laughter
than heard here for
long time. — Post.
OMAHA, NEB.
"The most comical
Big picture Chaplin
has ever been made."
— Eve. Bee News.
CHICAGO, ILL.
"Ties audience into
laugh knots with riot-
ous Circus. House
rocked to shrieks and
roars." — American.
.V '
PHILADELPHIA, PA.
"Uproariously fun-
ny — funnier, better,
greater than ever. Hi-
larious shouts of
laughter." — Inquirer.
CLEVELAND, OHIO
"You'll have a reg-
ular circus at the Cir-
cus. State's biggest
booking for the sea-
son."— News.
PITTSBURGH, PA.
"Rollicking laughter
and thunderous ap-
plause greeted Chap-
lin's funniest.'' —
Press.
WASHINGTON, D. C.
"A fountain of joy,
laughter — merriment .
Not a dull moment. A
riot of episodes." —
Eve. Star.
TOLEDO, OHIO
"About as hilarious
a comedy as has ever
been made." — News
Bee.
BOOK
Ijhe worlds greatest a
show of mirth m
icture
MERIT
Patke Product
1.
climaxes current
season with astoun
mg perrormance
at electriiies
ind
u
stiy
Sensational Pathe
acid test of
CHICAGO
with
Phyllis Haver
VICTOR VARCONI
Virginia Bradford, Robert Edeson, Julia
Fave, May Robson and T. Roy Barnes
Adaptation and Continuity by Lenore J. Coffee
From the Play by Maurine Watkins
Produced Upon the Stage by Sam H. Harris
Directed by Frank Urson
Produced by DeMille Pictures Corporation
WILLIAM
BOyD
Dreii Parade
BESSIE LOVE
A Donald Crisp Production
Screen Play by Douglas Z. Doty
From the Story by Major Robert Glassburn, Major
^Alexander Chilton and Herbert David Walter
Produced by DeMille Pictures Corporation
ill i ami Boyd
/ n
Skyscraper:
with
ALAN HALE
SUE CAROL and ALBERTA VAUGHN
Adapted by Elliot Clawson and Tay Garnett
From the Story by Dudly Murphy
Directed by Howard Higgin
Ralph Block, Associate Producer
OeMille Studio Production
ROD
I^ROCQUE
STAN D
and DELIVER*
with
LUPE VELEZ and WARNER OLAND
A Donald Crisp Production
By Sada Cowan
Ralph Block, Associate Producer
Produced by DeMille Pictures Corporation
II
LEATRICE J0>
•"The
Blue Danube
with
JOSEPH SCHILDKRAUT and NILS ASTHER
Adaptation and Continuity by
Harry Carr and Paul Sloane
From John Farrow's Original
Directed by Paul Sloane
Ralph Block, Associate Producer
Produced by De Mille Pictures Corporation
The big money pictures are
Hits that meet the
the box-office
3 History- Making Hits
on the way
ivith Jeanette Loff, Tom Kennedy
Joseph Cawthorn and Hugh Allan
A Hector Turnbull Production
Adapted by George Dromgold
From "At Yale" by Owen Davis
Directed by Edward H. Griffith
DeMille StyJio ProJuciion
WALKING
B AC K"
i/v ith
Sue Carol
by Monte Katterjohn
from a George Kibbe Turner storv
Bertram Millhauser, Associate Producer
Directed by Rupert Julian
DeMi lie Studio IVoJuciion
A SHIP
COMES IN
with
Rudolph Schildkraut
LOUISE DRESSER
Robert Edeson, Milton Holmes,
and Louis Natheaux
Original Story and Adaptation h\
Julien Josepbson
Continuity by Sonva Levien
Directed by
William K. Howard
JfeMilte ScuJ.o Prod
now being delivered by PATHE
Producers International Corp., 130 \V. 46th Street. William M. Vogel, flen. Mgr., Foreign Distribute
Score — 124 to 1
An exhibitor* dropped in for a chat with us
the other day* He told us some mighty
interesting things — one in particular:
In canvassing 125 New England towns in
his search for new ideas to use in operating
his theatres, this exhibitor found MOTION
PICTURE NEWS in every single theatre
visited — with one exception*
And that exception was a banker operating
a theatre property as a side line*
What's true of New England is true of
every other section in the country* You
can pick any territory and you will find
the NEWS read just as universally as it
is in New England*
* Exhibitor's name supplied to any interested parties.
7
\
Announcing a new
Clax/ic for the great
e/t male Box-Office
/tar in Picture/ today
AT LAST! -The follow-up on "Tol'able David" that
you've been waiting for for years.
Barthelmess as the public likes him best — in the kind of
part that made him famous!
"Tol'able David" role... "Tol'able David" setting... And a
greater- than-" Tol'able David" STORY!
More than TWO MILLION have read John Fox, Jr.'s
classic romance of a lad who has the whole world
against him ... A yearning youngster playing a man's
part in that strange, hidden region beyond the hills
where men still fight to live — and live to fight!
1
An AlfRED
Ihe Lit*,
of KIiKId
D3
"Extreme beauty. ..A masterpiece, worthy of the best
screen tradition . . .Tremendously interesting and gen-
erally intelligent motion picture . . . Barthelmess' per-
formance is equal in excellence to any we have ever
seen." — Motion Pictures Today.
Presented by Richard A. Rowland
Story by John Fox, Jr.
Adaptation and Continuity by Bess Meredyth
A PERFECT SHOW FOR DECORATION DAY!
Motion Pictui
Volume XXXVII
NEW YORK CITY, APRIL 28, 1928
Following Through
Pictures Not Sold Until They Are Sold to Public
By William A, Johnston
THE important seasonal announcements
of new pictures are ready. Within the
next several weeks, Motion Picture
News will place before the exhibitor the
roster of new product from each important
producer; and these will be studied with
great interest and weighed with much care.
The selection of product is a matter of
supreme concern to every house in the land.
Also the sales conventions will shortly be
launched, and the selling season put into full
sway. One branch of the industry will lay
its wares before the other. It is the biggest
and most telling operation of the industrial
year.
But big and engrossing as it is, we wish
to call attention here to one still greater situ-
ation that must not be overlooked.
It is that the sale of pictures does not end
when exhibitors buy them. Pictures are not
sold, until they are sold to the consuming
public.
That is the keynote today of the entire
business world. No manufacturer of any
commodity whatsoever thinks of loading up
the dealers' shelves and then losing all in-
terest in his wares. If he quits at this point,
he will soon quit business himself. He
wants those goods moved to the public in
the shortest and most successful order, so
that he can send along more goods. Even
after they are sold he regards them as still
his own goods. And the consequence is that
he devotes his every resource to dealer helps
and increased consumer demand.
I can safely say that the largest and livest
interest of the entire manufacturing world
today is just .this one issue, namely of in-
creasing the consumption of goods by the
public.
The picture business is no exception to
this rule. On the contrary, it deals with the
most advertisable product in the world today,
and the one that most demands advertising,
an animate thing the very life blood of
which is advertising.
The interest, therefore, of the exhibitor is
not going to end after he has read and ap-
praised the box-office value of the various
programs offered him. He will want to
know just how much the producing com-
pany is going to help him get the people
into his theatre. And at the end of the sea-
son, he will rate the value of his program
bookings not merely by the attractions them-
selves but by the merchandising service that
went with them.
The best pictures this industry can pro-
duce will not go over as they could go on
the strength of the pictures themselves. And
between the range of good and poor exploi-
tation by the exhibitor lies a difference in
gross to producer and exhibitor alike of
hundreds of thousands of dollars.
Take the case of "Speedy", the recent
Harold Lloyd release, and in my own opinion
the best of all his notable productions; at
least we will all agree without argument that
it has all around and outstanding box-office
appeal. It ought to go over of itself, if any
picture could go over unaided. Tn last
week's "Key City Reports" in Motion Pic-
ture News you will find, however some sig-
nificant contrasts in "Speedy." Wherever
it went over big the report always adds that
manager So-and-So gave it a rattling good
(Continued on pnqc 1331)
1330
M o t i o n P i e t it r c Sews
News' Theatre Survey Sent Out to
150 Dailies by M. P. T. O. of Ohio
A STRIKING example of the importance of the trade
press in the industry's contact with the public is
shown in the fact that the recent survey on theatres
published in the April 14th issue of Motion Picture News
has been sent out to all the daily newspapers in Ohio
through an article prepared by P. J. Wood, Business Man-
ager of the M. P. T. O. of that state.
Mr. Wood's letter to William A. Johnston, under date
of April 24th, follows:
"Dear Mr. Johnston:
"The article in your issue of last week covering your
survey of the theatre situation contained so much valuable
information that I have taken the liberty of using the ma-
terial contained therein as the basis of a new release to
the 150 dailies in the State of Ohio.
"When the trade papers of the industry make it a prac-
tice to carry constructive stories like these instead of play-
ing up the animosity which exists within the industry, it
will be a great step forward."
Following is the article sent out to the Ohio dailies:
"According to P. J. Wood, Business Manager of The
Motion Picture Theatre Owners of Ohio, a survey re-
cently completed by the Motion Picture News shows that
during the year ending March 1st, 1928, Ohio led all other
states in the number of new theatres completed — namely
128. During this same period 122 theatres were dismantled,
or permanently closed, leaving 836 theatres in operation on
March 1st, 1928.
"The survey further shows a total of 14,235 theatres
in operation throughout the country on March 1st, 1928,
of which 5.9 per cent are in Ohio. This percentage is sub-
stantially the same as the ratio of Ohio's population to the
total population of the country.
"The survey reveals that the building of modern houses
of large capacities to replace small out of date and old
fashioned theatres is going steadily forward and although
there were 884 fewer theatres in operation on March 1st,
1928 than there were on March 1st, 1927, the number of
seats was practically the same. This is attributable to the
fact that the 2,095 theatres dismantled, or permanently
closed were small houses ranging from two to five hundred
seats whereas the 1,379 new theatres opened up were ot
capacities ranging from three hundred to four thousand
seats.
"According to Mr. Wood the number of theatres in
operation will be lessened every year, but the seatage will
increase. This condition will be brought about by the
abandonment of the small out-of-date theatre, and the erec-
tion of large capacity houses.
"With 1228 .theatres New York leads all other states,
followed by Illinois with 992, Pennsylvania with 960 and
Ohio with 836. Nevada and Delaware have the fewest
number of theatres with 24 and 31 respectively."
40 New York Communities
Adopt Daylight Saving
According to a statement made at the
headquarters of the New York State Con-
ference of Mayors in Albany 40 of the
60 cities in New York state have adopted
ordinances this spring favorable to daylight
saving from April 29 to the last Sunday in
September. So far as can be learned no
attempt was made by exhibitors in these
cities toward defeating the ordinance. A
number of other cities will operate under
daylight saving for shorter periods. These
include Canandaigua, where daylight saving
will run from May 29 to September 29;
Lockport, during June, July and August;
Jamestown, from June 3 to September 9;
Little Falls, Oneida, Rochester, Lockport
and Rome.
It is understood that about twenty cities
will continue on Standard time this summer.
About thirty incorporated villages in New
York will also have daylight saving this
summer, from April 29 to the last Sunday
in September, llion will run from May 8
to September 25, and East Rochester from
May 30 to September 29.
St. Louis Amusement Go.
Passes Quarterly Dividend
Because of the damage wrought to its
theatre during the tornado catastrophe
which overswept St. Louis last September
damaging several of its theatres, the board
of directors of the St. Louis Amusement
Company, a subsidiary of the Skouras
Bros., have decided to pass the customary
quarterly dividend of 75 cents per share on
the Class A stock of the company. In an-
nouncing the decision the board stated that
normal business has been resumed and that
within a reasonable time the company ex-
pects to resume payments on dividends.
Several Important Topics
Before Philly Convention
Among the topics for discussion which
will confront the three-day convention of
exhibitor units of Eastern Pennsylvania,
southern New Jersey and Delaware which
will be held in Philadelphia beginning Sun-
day will be competition from non-theatrical
sources, percentage bookings, the Brookhart
measure ajid the new uniform contract
which is effective the first of May.
New Massachusetts T. O.
Body Holds First Meet
The Allied Theatre Owners of Massa-
chusetts, an association in process of organ-
ization under the direction of Edward J.
Farrell, held its first meeting last Wednes-
day, and appointed committees to draw up
by-laws, to select headquarters and to make
other recommendations for a formal organ-,
ization meeting to be held later, when offi-
cers will be elected.
Birmingham Doesn't Want
Sunday Movies
Sunday motion pictures met defeat this
week in Birmingham, Ala., in a referendum
election by 3,000 votes. More than 20,000
persons went to the polls to cast the heav-
iest vote ever recorded in a Birmingham
referendum.
Apr il 2 8
1 9 X 8
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
The
JVlirrors
of
Filmdom
THE long-heralded screen version of "Abie's Irish
Rose" w;is given its world's premiere at the Forty-
Konrtli Street theatre. New York, late last week he-
fore a distinguished audience.
Daring, indeed, would be tin- critic who would attempt
to foretell what the ultimate box-office fate of this unusual
picture is to he. Remembering the almost universal pan-
ning which greeted the stage version from the New York
newspaper critics — after which the play proceded to run
for years — makes the prophet's role duhious.
Judged as a roadshow, the picture must be classified as
very different from the films that have scored big from
this angle. It does not have the spectacular features that
can he •"circused,,, ami which the roadshow experts deem
necessary for great success.
is a picture house regular attraction, it unquestionably
will score, on its own merits as well as hecause of the tre-
mendous exploitation value resulting from the play. The
title itself will count heavily even among those who never
saw the stage version— and plenty of people did — some
18,01)0,000, according to the Anne IN'ichoIs offices.
In its present form "Aide's Irish Rose" runs more than
two hours, and is principally comedy. Dominating the
acting is Jean Hersholt, with other principals — Charles
Rogers, Nancy Carroll, J. Farrell MacDonald, Bernard
Gorcey, Ida Kramer, Nick Cogley, Camillus Pretal — doing
good work.
The direction by Victor Fleming is. on the whole, good.
rP I ! E importance of the "sound movie" is emphasized al-
most weekly, the latest announcement being from First
National, which plans to synchronize pictures via the Firna-
tone process, with the Victor Talking Machine Company in
charge of the making of records.
It is significant also that Paramount has renewed the con-
tract of Roy Pomeroy, who is at work on a device for that
company.
The "talking picture," as it is called, has come to stay.
More than that — as The News pointed out months ago — it bids
fail- to revolutionize the production of pictures, and to alter
materially the scope of picture exhibition.
The industry is now only in the first stage of this revolu-
tionary development ; hut that it is revolutionary there can
be no doubt.
# # #
A SPECIAL cable to The New York Times from Paris
April 25 said: "The first official move by the Amer-
ican film industry to withdraw from the French market as
a protest against the new four-to-one quota regulations
probably will be made Saturday when the Paramount
Company is expected to announce suspension of all further
trade shows for the 1928-1929 season. Unless concessions
are made by the French Government all other Vmerican
companies will immediately follow the lead of the Para-
mount and the entire American film industry will close
down in France except for the carrying out of old con-
tracts.
"The adverse turn in the situation does not come as a
surprise to the majority of the American moving picture
men here (in Paris). They have been of the opinion
right along that M. Her riot, Minister of Public Instruction,
would not accept the proposals made to him In \\ ill II.
Hays. These proposals were forwarded to M. Herriot in
Lyons last Saturday, accompanied bj a request for a defi-
nite answer before Monday.
"Fixing of the date was interpreted by man\ as a soil
of ultimatum, since it was known that Mr. Hays intended
to sail for home two days after the expiration of the time
limit."
\t the Paramount offices in New York, when inquiry
was made by Motion Picture Mens, it was said that nothing
was known of the reported move to quit France.
The American attitude was stated by one of tin- high
officials of the industry to be this:
The American companies will not submit to duress in
the French situation. In other words, they cannot agree
to take an arbitrary number of French pictures in return
for the showing of American films in France. The right
of the French to make restrictions, based upon national
problems, is fully recognized by the Americans, but the
attempted forcing of film reciprocity bj the French is re-
garded as out of line with all fair trade practices.
#■ * *
T T was further pointed out that the American industry
* stands ready to bring French pictures here upon their
entertainment merits, but not under duress.
In other quarters, the present French situation is regarded
as "political," with the Americans, on one side, and the
French, on the other, engaged in jockeying for position. These
observers would not be surprised if the situation were finally
wot ked out sal isfactorily to both.
Following Through
By William A. Johnston
(Continued from page 1329)
exploitation; and where some other and in-
ferior attraction got the advertising play,
even "Speedy" was forced into second place.
In this connection I want to call attention
to some exploitation advertising on this same
picture in this issue of the News. It is the
kind of advertising we believe in and are
struggling to promote. Briefly, it tells ex-
hibitors how other exhibitors are putting
over the picture and calls attention to the
excellent campaign book on "Speedy" —ex-
cellent because the exploitation ideas emanate
directly from exhibitors themselves.
We shall have, in this same connection of
exploitation helps for exhibitors — in partic-
ular, the exhibitor in the smaller town and
city — a new department, to be announced
verv shortly.
1332
Motion Picture News
Charles "Buddy" Rogers and Rosabelle
Laemmle, on the right, after they had fin-
ished a round of tennis which Marion
Nixon and Carl Laemmle, on the left, wit-
nessed
Behind the scenes at a motion picture studio. John
McCarthy directs Eleanor Boardman and Lawrence Gray
in the initial scene in M-G-M's "Diamond Handcuffs."
Henry Sharp is the cameraman
The Lloyd family: Mrs. Lloyd, the former
Mildred Davis, Mildred Gloria, and Harold
himself. They came East to attend the
opening of "Speedy," the Paramount re-
lease, in Neiv York
A scene at the Tiffany-Stahl studio during the filming of
"The Scarlet Dove," which has to do with Imperial
Russia. At the right, on the scaffold, can be seen Robert
Frazer, who with Josephine Borio, is one of the romantic
leads
One of the many new lead-
ing ladies at the Educational
studios is Muriel Evans. She
acts in Mermaid comedies
The Columbia unit making "Golf Widows" and the Ford-
Stout plane used in the production. Left to right they
are: Sally Rand, Harrison Ford, fern Reynolds, Kath-
leen Kev. John Patrick, Director Erie C. Kenton and
Pilot Rodda
Mack Sennett, discoverer of many a feminine star, and J- S. Woody, a veteran in the film busi-
the group who welcomed him on his arrival in New York, ness, is now assistant to James R.
From left to right they appear: E. R. Pearson, first vice- Grainger, general sales manager of Fox.
president of Pathe; Mr. Sennett; W. B. Frank, Sennett's He will spend considerable time estab-
Eastern agent, and P. A. Parsons, chief of the Paramount lishing contact with exhibitors
publicity department
The principals of Warner Brothers' screen transcription
of the old play, "The Lion and the Mouse." In this Vita-
phoned production Lionel Barrymore shoidd be able to
use his speaking powers to advantage. From left to right:
Mr. Barrymore, May McAvoy, Jack Ackroyd, Director
Lloyd Bacon and Buster Collier, Jr.
A pr il 28, 19 28
1333
"Supervisor" Angle Looms Big
Executives Differ on Question of Responsibility for Produc-
tions, Many Favoring Director
By EDWIN SCHALLERT
Editor of The Los Angeles Times Preview and Special Correspondent of Motion Picture News
LOS AXGELES, April 21.— Whatever
the changes thai take place in pic-
tures in the near future, the ques-
tion of supervision is likely to he much
argued. There are those who look for a
complete return to the old system of actor,
writer and director, with the responsibility
placed directly on the last-named by the
executive office.
The name supervisor seems irksome.
Louis R Mayer recently condemned it in
talking t<> me, and said it should be changed
to "sympathizer." The duties of the super-
visor, according to Mr. Mayer, should be
comparable to those of a baseball coach.
''Tie is not equipped with the talent to
bat the ball himself or steal the bases, but
he should be able to encourage the actual
players in the game to do this."
"As far as I am concerned," Irving Thal-
berg told me shortly before leaving for
Europe, "there is no such word as 'super-
visor.' It is a vastly abused term. It is
applied to anyone who sits at a desk and
oversees. That 's not a supervisor at all in
the picture sense.
"There is a point where someone from
the outside has to step in and give advice
regarding the making of a picture, but it
is not for anyone to meddle in a production
that is progressing satisfactorily. A pic-
ture should be produced with the idea that
is determined to be satisfactory at the
outset and it should not be changed unless
it is absolutely proven that there is some-
thing wrong with it.
"The thing that seems funny to me is
the great mystery made about producers
and supervisors. We're all in the same
business together, and working for a com-
mon end, and that is to go out to tell a
story to the public that is interesting and
entertaining. Xo one man can do it alone;
it needs the well-coordinated efforts of
everybody. It isn't any one man that
counts, it's the picture that counts."
W'atterson Rothacker is very positive in
his support of the supervisor system, which
has worked successfully of late at First
National.
"I believe this — that as a rule a di-
rector's opinion, a star's opinion or a story
writer's opinion on the artistic merit of a
story represents a more dependable opinion
than that of the one not trained in any of
these things. Nevertheless I do think that
in some cases, perhaps a lot of cases, execu-
tives, who are not actors, and who are not
directors, but are accepted as understand-
ing motion pictures, from the executive
standpoint, can helpfully criticize. How-
ever, you can't go ahead and make a group
analysis and arrive at anything but a
theory.
Supervisor Relieves Director
"A good supervisor can relieve the di-
rector of a thousand and one distracting
details. He should be sufficiently story-
wise to secure material for future produc-
tions, and get this before the production
head for his decision. lie should be able to
coordinate everything under this supervi-
sion without directly interfering. He
should have a judicial and selective sense,
in addition to being a diplomat."
Mr. Rothacker also projected some in-
teresting thoughts regarding current diffi-
culties with pictures.
"The trouble with the picture business is
that it is either running at top speed or
low speed. If you once set a program for
the year, the thing to do would be to oper-
ate in the same fashion as with any other
factory — lay out your work so you will
have a comfortable regularity of flow
rather than spasmodic lulls or rushes. Such
lulls and rushes are destructive to normal
enterprise, and are equally destructive to
the morale of artists.
"We are coming somewhere near to
achieving this, but we can't lay it out as
one could if we were dealing in ordinary
manufactured products. An artistic out-
put presents certain obstacle-. Within the
bounds of practicability perhaps, there can
be an even flow of product, and the flow
should be regulated, but you will never have
the ideal condition in regard to pictures,
because there are a thousand and one things
to contend with not encountered in any
other industry.
"For example there might be four or
five pictures running along at the same time
and they might have been planned to end at
the same time. But when one is near
completion it would be discovered that it
had greater possibilities than anticipated.
That would change the whole aspect of
things. There must be sufficient elasticity.
It would be valueless, for example, to turn
out a production of mediocre quality, and
then console ourself with the fact that it
was under the budget."
Rothacker Talks Economics
Speaking of the economic situation, Mr.
Rothacker -aid :
"An arbitrary cut in salaries doesn't
mean anything. It would be better to fire
the people that are 100 per cent wrong,
and raise the others 10 per cent. You'd
still be 00 per cent to the good.
"As regards the salaries paid to stars,
up to a certain point there is a limit as to
what can be paid. Outside of that money
paid to stars, directors and supervisors
there must be some for that much discussed
item the overhead.
"Overhead perhaps should mostly be
placed under the Follies of T020. Rut just
the same it's reality. Where there's an
investment, there is decline in physical
values. We pay for experimenting. We
pay for bad guesses. It is overhead just
as with a factory. Depreciation on ma-
terial. Interest on the investment. Then
there is the sidling and exploitation. The
overhead in the picture business is the
same as the overhead in the salt business
or any other business.
"We have plenty of critics of the finan-
cial side of the picture industry today who
didn't pay much attention to it in the be
ginning. Nobody worried about this busi
ness when it looked like a loser. Now they
all want to get aboard the band wagon."
Production Showing Improvement
Hollywood production is showing steady
improvement. It is a year without the con-
ventional roseate predictions, but one of
plenty of possibilities. It is the sort of
period from which a number of good attrac-
tions may emanate, but the very finest ones
can at this time only with extreme difficulty
be conjectured. Fspecial attention will for
this reason center on forthcoming announce-
ments of programs at conventions of sales
forces.
A list of films distinguished by some note-
worthy interest include the following:
"The Patriot," starring Emil .Tannings,
and directed by Ernst Lubitsch.
"The Trail of Ninety-Eight" already
showing in Xew York, and shortly to open
in various other large centers.
"The Godless Girl," Cecil B. De Mille's
exposition of atheism versus religion.
F. W. Murnau's "The Four Devils."
"Abie's Irish Rose."
All of these will probably be of road-show
classification.
To them may be added specials like
"Lilac Time," starring Colleen More; "The
Battle of the Sexes," which D. W. Griffith
is now directing; "The Show Boat," "The
Woman Disputed," starring Norma Tal-
madge; "The Divine Woman," with Greta
Garbo; "The Divine Lady," starring Cor-
inne Griffith; "Under Southern Skies."
"Hell's Angels" and a few others. Several
of these are still to be started.
I hear much about "The Patriot." Those
who have seen the early previews say that
it is a perfect picture — one of the greatest
in acting, direction and story that has yet
come to the screen. This is not difficult to
imagine, what with the combined Lubitscb
.(armings talents.
"The Four Devils" and "The Godless
Girl" are still to be completed, although
the latter is virtually in shape. Of "Abie's
Irish Rose" I have already spoken in a
previous article, though it might be well to
reiterate the opinion then expressed that it
is going to be a sure-fire and big money-
maker. Of "The Trail of Ninety-Eight"
much has been told already in Motion IV -
ti ke News, and a personal view of it on
the screen but bears out the prophecies that
it will go splendidly everywhere.
Economically the situation in the studios
has not changed materially. There are fewer
mistakes being made, but at the same time
with a few exceptions no one is taking any
very hazardous chances. It is becoming a
recognized theory in the colony that only
the large organizations can afford to ven-
ture into experiments.
(To be concluded next week}
1334
.1/ o t i o n P i c t it f c N e w s
Ohio Exhibitor Arbiters Will Not Act
in Absence of Defendant
NEW angles are arising regularly in connection with cases to be pre-
sented before arbitration boards. From Cleveland comes word thai
Ohio exhibitor arbitration board members decline to act on anv
case at which the exhibitor defendant is not present. This stand was taken
this week when J. J. Harwood, Meyer Fine and M. B. Horwitz, board mem-
bers, declined to act in the absence of defendants. A recent ruling declared
action can be brought against arbitrators by the defendant exhibitor in
event he is absent when his case is arbitrated.
Out in California the Allied Industries, Northern California exhibitor
unit, has decreed that no cases involving non-members will be arbitrated by
organization members. Notice to this effect has been served by Thomas
D. Van Osten, business manager of the association.
Keen Competition Seen
In Talking Films
Western Electric and Radio Corporation Devices Being
Installed in Many Houses
WITH talking moving pictures he-
coming more firmly entrenched
each week and theatres all over
the United States filing their orders for
equipment to handle this product competi-
tion along these lines is developing with
gigantic strides, and promises to grow
keener as the weeks pass. One by one the
larger producing companies are making
their tieups with synchronizing machines,
the latest being First National and Victor
Talking Machine Company for the produc-
tion of talking pictures to be known as
Firnatone productions. These pictures are
to be handled under Western Elective
patents through that company's subsidiary,
Electrical Research Products Company.
The Radio Corporation of American re-
cently announced Photophone as ready for
the market, and its intention to supply the
equipment to theatres, churches, schools and
the home. The Western Electric and Radio
Corporation equipments are not inter-
changeable, so both are bending every effort
to push installments.
Additional announcements of production
tieups following that of First National with
Victor are expected shortly, as each of the
lending companies feels it necessary to syn-
chronize sound with their pictures. Jt is
understood several deals are pending for
the licensing of companies to use the West-
ern Electric Company patents.
Electrical Research Products Company,
subsidiary to Western Electric Company,
manufactures the equipment for both Vita-
phone and Movietone, and its device and
patents are open to all producers. It is re-
ported that there are upwards of 250 thea-
tres already equipped to produce sound with
the Western Electric equipment, and that
another 150 orders have been filed for the
equipment. With the average output of 60
systems a month, this carries the production
schedule of the company at capacity up to
June 1st.
The Radio Corporation of America, whose
devices were not ready for marketing as
early as those of the Western Electric Com-
pany, is now ready to proceed at full speed,
but is under the handicap of 250 theatres
already equipped and the 150 additional
orders placed. However, the field is a wide
one and the Radio Corporation expects
eventually to do a tremendous business with
installations in the home, as well as the
theatres, churches and schools.
German Censors Active
During February
There were 38 long feature films censored
in Germany during the month of February,
1928, of which 22 were German made and
16 foreign (11 from America), as compared
with 18 domestic and 27 foreign in January,
1928, and 26 domestic and 26 foreign in
December, 1927, state advices to the Depart-
ment, Washington, D. C, from Trade Com-
missioner George R. Canty, Paris.
The total length of all lilms censored dur-
ing February was 158,683 meters, as against
175,502 meters in January, 1928, and 198,-
854 meters in December, 1927. Of the total
length of 158,683 meters, 87,587 meters, or
55 per cent, were feature films, and the re-
mainder, or 45 per cent, were educationals
and newsreels. The German share of the
total number of feature films censored dur-
ing February, 1928, was 58 per cent.
Gomerford Plans Erection
of 13 New Theatres
This year 13 new houses will be added
to the Gomerford chain, according to plans
announced by the Scranton, Pa., organiza-
tion. They will be in addition to those
already in construction at Williamsport,
Sunbury, Wilkes-Barre, Scranton, Rome,
N. Y., and Parsons, Pa.
A $1,200,000 real estate deal, involving
transfer of properties on Public Square,
East Market and South Washington Streets
in Wilkes-Barre, has been consummated.
The property, owned by Wilkes-Barre
Deposit and Savings Bank, passes into the
hands of the Comerford company. The sale
of the Savoy Theatre building to the bank
has already been made.
New Quebec Organization
Is Incorporated
Announcement is made at Montreal, Que-
bec, of the incorporation of an organiza-
tion known as The Theatre and Cinema
Association of the Province of Quebec,
with headquarters at Montreal, without
share capital.
Among the stated objects of the associa-
tion is the aim to carry on educational
work in behalf of theatre members. The
association will also conduct charity per-
formances and is authorized to buy, sell,
rent or produce moving pictures. Another
object of the company is to encourage
Canadian pictures and "in a general way,
to promote tolerance, moderation, harmony
and peace religiously and nationally speak-
ing." Maurice Dugas is named as or-
ganizer.
In view of recent stringent legislation in
Quebec, the new association will have
plenty of scope for its activities.
Daylight Saving Approved
in Montreal Elections
It never rains but it pours in the case of
the exhibitors of Montreal, Quebec. Fol-
lowing the passing of the Quebec law pro-
hibiting the admission of all children to
theatres; the scrap over Sunday show's; the
adoption of a law providing for the censor-
ing of all theatre posters for the Province
of Quebec and other rules and regulations,
the rate payers of Montreal formally ap-
proved daylight saving in the recent civic
elections. This is the first time that a vote
on daylight saving had ever been taken in
Canada's largest city and the referendum
carried by a large majority.
Gastle Theatre in Guelph,
Ont., Destroyed by Fire
A serious theatre fire occurred at Guelph,
Ontario, when the well-known Castle The-
atre was destroyed along with four stores
in the building, the loss being $115,000.
Flames were discovered at 2.15 a.m. on
April 18 by a passing constable, no one be-
ing in the theatre at the time. The build-
ing was quickly gutted.
The owner of the Castle was Dave Mc-
Mullen, a well-known exhibitor, and the
theatre was operated under the auspices of
Famous Players. Insurance on the building
and equipment was $60,000.
Frank Currier, Actor,
Dies at 70
FRANK J. CURRIER, a veteran of
the stage and screen, died last
Monday evening, April 23, at his
home in Beverly Hills, after having
suffered for ten days from blood pois-
oning in his right hand. After three
blood transfusions, he had improved
considerably but a sudden turn for the
worse came and he could not rally.
He started acting at the age of 3.
After 35 years of work on the stage,
during which time he played with
many of the footlights great, he be-
came of prominence in the screen
world. A widow, a son and two sisters
survive him.
April 28 , 19 28
1335
Censoring Language Brings Suit
Vitagraph Files Bill Against Board Questioning Right to Censor
Vitaphone Accompaniment
IN a suit filed in the Courl of Common
Pleas No. 5 in Philadelphia, the Vita
graph Company challenges the righl of
the Pennsylvania Board of Motion Pic-
ture Censors to censor language used in
speaking devices employed with the show-
ing of motion pictures.
Taking the stand that the law authoriz-
ing censorship applies only to pictures pro-
jected by light, and therefore could not be
interpreted to include vocal accompani-
ments, Vitagraph submitted a film for cen-
sorship hut did not submit the dialogue
which was to accompany it on the Vita-
phone. The hoard refused to examine the
film I ause dialogue had not been sub-
mitted.
The bill in equity filed by Vitaphone sets
forth that on April 9 the censors notified
exhibitors and distributors that all applica-
tions for examination of films filed with the
hoard must state whether the film is to be
exhibited in conjunction with any mechani-
cal device or by use of persons for utter-
ance of language and it' so the language
must be submitted to the censor board.
Vitaphone asked the court for an injunc-
tion against Harry L. Knapp, Mrs. Edward
C. Niver and Harry Starr Richardson, the
three members of the board to restrain
them from enforcing any rule requiring the
submission of language reproduced by me-
chanical means and used in connection with
motion pictures.
For approximately IS months, the com-
plainant asserts, a large cumber of moving
picture films have been submitted by it to
the censors intended to be shown with ac-
companying language, but the Hoard of
Censors did not make any demand for the
submission of the language before the
notice of April 9.
The complainant further asserts that "by
virtue of the form of the records any elim-
inations ordered by the Board of Censors
would render them useless, causing the
company to suffer loss of $10,000 a week.
It is explained that the installation of ap-
paratus for reproducing language costs
$7,.r)00 for each installation and that per-
sons installing them agreed to pay $1(10 a
week to the company. It is said that there
are about 100 installations made or under
contract and that the Vitagraph Company
would suffer a great loss if the action of
the Board of Censors is upheld by the
Courts.
It is averred by the complainant that the
new rule is without legal justification and
arbitrary and that its enforcement would
constitute an abuse of discretion on the
part of the defendant. It is further averred
that if the statutes of Pennsylvania were
constructed to permit the adoption of the
ride for the censorship of the language pro-
duced on the Vitaphone, such construction
would be in violation of the Constitution of
both the State of Pennsylvania and the
United States.
The Fox Film Corporation, operating the
"Movietone" system, it is said, will sub-
mit to the censors a film which is to be ac-
companied vocally without the dialogue and
if examination is refused a test suit similar
to that of Vitagraph will probably be filed.
34 Planned by Tiffany-Stahl
Vice-President M. H. Hoffman Announces Productions to Be
Made for 1928-29 Season
BEFORE leaving for the Coast last
Monday, M. II. Hoffman, vice-presi-
dent of Tiffany-Stahl Productions an-
nounced that the company would make
thirty-four productions for the 1928-29 sea-
son. Of these, twenty-four come under the
classifications of "gems" and ten are
classed as super-special productions. In ad-
dition there will be twenty-four Tiffany
Color Classics-short subjects — and two
Third Dimension pictures.
John M. Stahl will produce four John M.
Stahl Specials, among them being " Loves
of Sappho" and "The Yellow Passport,"
the latter by Abraham Schomcr. There will
also lie four Reginald Marker Specials, the
first of which, "'fhe Toilers," is now being
completed. Another of the Barker Specials
will be "The Forward March." The two
others on the schedule have not yet been
titled. Completing the ten specials will be
"The Cavalier" and "Squads, Right."
Some of the stars who have been signed
by Tiffany-Stahl to appear in next season's
pictures are: Belle Bennett, Sally O'Neill,
George Jessel, Kicardo Cortez, Eve South-
ern, Buster Collier, Malcolm McGregor, Roy
D'Arcy, Montagu Love, Patsy Ruth Miller,
Claire Windsor, John Harron, Barbara
Leonard, Shirley Palmer and Georgia Hale.
On the directorial staff under the super-
vision of Mr. Stahl will be, among others.
George Archainbaud, Tom Terris, Arthur
Gregor, John G. Adolti, Edgar Lewis, Nor-
man Taurog, Al Raboch and Wallace
Worsley.
The scenario staff, under the supervision
of Raymond Schrock, assistant to John M.
Stahl, in charge of stories, is composed of
John Francis Natteford, Viola Brothers
Shore, L. G. Rigby, Frances Hyland, Harry
Braxton, Ben Grauman Kohn, E. Morton
Hough, Leete Renick Brown, Paul Edwards,
Philanthropies of Loew
Being Continued
THE philanthropical activities of
the late Marcus Loew are being
continued by his widow, Mrs.
Marcus Loew. who has personally
chosen 16 institutions for her bene-
faction, not including the Marcus Loew
Memorial Hospital in Los Angeles,
which she lately endowed.
The names of her beneficiaries are
as follows: The Actor's Fund of Amer-
ica; the Jewish Theatrical Guild; the
Catholic Actor's (• u ild of America;
Motion Picture Relief Fund of Amer-
ica; the Salvation Army: the New
Presbyterian Hospital; the Mount
Sinai Hospital; the American Red
Cross; National Vaudeville Artists;
(lien Cove Community Club: Hospital
for Joint Diseases; Jewish Consump-
tive Relief Society; Jewish Hospital,
Brooklyn; Northwood Sanitarium,
Saranac. and the Federation of Jewish
Charities.
At the time of his death Mr. Loew's
charitable gifts exceeded $200,000
yearly.
Frances Irone Reels, Jerome Wilson and
Agnes Pat McKenna.
The program of twenty-four "Gems" is
as follows :
"The Twelve Pound Look," by Sir James
Barrie; "The Younger Generation." sug-
gested by the Booth Tarkington story
"Ramsey Milholland " ; "The (inn Run-
ner," by Arthur Stringer; "The Naughty
Duchess," suggested by the Sir Anthony
Hope novel "The Indiscretion of the
Duchess"; "George Washington Cohen."
from the stage play "The Cherry Tree," by-
Aaron Hoffman; "The Million Dollar
Doll," by A. M. Williamson; "The Luck of
Geraldine Laird," by Kathleen Norris;
"Helen of London," by Sidney Cowing;
Four Jack London stories, two of them an-
nounced as "Son of the Wolf" and "Wife
of a King"; "Queen of Burlesque," by II.
1\. Duranl ; "The Power of Silence"; "The
Big Top"; "Times Square"; " .The Float-
ing College," by Stuart Anthony; "The
Ghetto"; "Three Keys to a Door," by Jack
Natteford; "The Devil'. Apple Tree": and
four by Peter B. Kvne.
K. Husberg, Swedish Film
Executive Dies
Knut Husl>crg, manager of the Stockholm
office of Producers International Corpora-
tion, foreign distributors of Cecil B. De
Mille productions, died in his home in Stock-
holm on the morning of April 4. He had
been ill for a few weeks.
1336
Motion Picture N ezys
First of Annual Sales Meetings Is
Set for This Week
PRACTICALLY all the companies that are to hold conventions have
set dates for the event, at which product for the coining season will
be discussed, as well as details of the new uniform contract. M-G-M,
Warners and Universal will be the first to get under way on April 27. War-
ners will meet at New York, M-G-M at Pittsburgh and Universal at At-
lantic City.
The Warner convention will be the only one held and will bring to-
gether officials and salesmen from all parts of the United States. It will
continue through April 29. Universale Atlantic City meeting is the first
of three. The others will be held at St. Louis May 2 to 5 and San Fran-
cisco, May 9 to 12. M-G-M's Pittsburgh session will be for two days, and a
second is scheduled for Kansas City April 30 and May 1.
First National will have but one convention from April 29 to May 3
at Chicago, while Paramount will hold the first of three meetings at Wash-
ington from April 30 to May 3. The others are Detroit, May 6 to 9 and
San Francisco, May 13 to 16. Pathe will hold one meeting at Chicago
opening May 21, and Fox has one meeting set for New York starting May
24. Educational is to meet some time in May in Montreal. Tiffany-Stahl
announces three conventions, the first to be held at Chicago, Friday and
Saturday of this week. The second and third will be held day and dale
in New York and Los Angeles.
Oppose Brookhart Bill
Arkansas Unit Commends Senator But Advances Three
Reasons Against Measure in Present Form
MA. LIGHTMAN as president of
the Motion Picture Theatre Own-
" ers of Arkansas has addressed a
communication to Senator Joe T. Robinson
of that state and a copy of the communica-
tion to Senator Caraway, offering three rea-
sons why the Brookhart bill should not be
passed in its present form. The letter com-
mends Senator Brookhart of Iowa for "a
sincere desire to be of assistance to the in-
dependent exhibitors of the United States,"
and, "to remedy an evil that exists in our
industry — block booking."
It then says in part :
"The bill invites opposition in every city,
town and hamlet in the United States, even
where opposition would mean utter ruin to
both parties. This would result because
any person desiring to interest an inex-
T. O. G. G. of N. Y.
Elects Officers
THE annual election of officers of
the Theatre Owners Chamber of
Commerce was held on April 24th
at the headquarters of the Chamber in
the Times Building in New York City.
The candidates for president were Sol
Raives, the present incumbent, and
Harry Suchman. The latter, however,
withdrew his candidacy in behalf of
Mr. Raives, who thereupon was de-
clared elected unanimously.
The other officers elected for the en-
suing year were : J. Louis Geller, vice-
president; Sam Sonin, Secretary; Max
Barr, treasurer, and Al Harstn, ser-
geant-at-arms. The Board of Directors
is composed of Charles Steiner, Adolph
Barr, Hyman Rachmil, Irving Gerber,
Dave Rosenweig, J. Arthur Hirsch,
William A. Landau and Marty
Schwartz.
perienced person to build a theatre in a
small community, could very easily do so by
advising him that he could get any picture
that is made, and, according to the Brook-
hart bill, this is absolutely true. Practically
no other branch of industry is controlled in
similar manner, nor could they exist if they
were.
"Another serious menace to the exhibitor
would be the fact that every moving pic-
ture offered for sale would be handled in
the same manner that so-called 'specials'
are now handled, and this would create an
auctioning of every picture that is made
where there is a competitive situation. In
other words the bill provides that every
pictm-e be sold to the highest bidder. Have
you ever heard of any business in the world
that has to buy every item that it has for
sale at auction?
"A third objection to the bill is that the
Federal Trade Commission would have the
right to settle every controversy that might
arise in the event of disputed valuations.
There are times when this would delay ihf
exhibition of a picture and impair its value.
In other words, our business is of a nature
that very often the age of the picture has a
great deal to do with the value of it.
"We fully appreciate the good intention
of Senator Brookhart, and also agree with
him that block booking is a serious handi-
cap, but we do not believe that the present
bill will accomplish enough good in reliev-
ing us of this evil to offset the bad that it
will do, as outlined above."
Many Firms Incorporated
in New York State
Companies incorporating in the motion
picture business at Albany in New York
State during the past week included the
following, the amount of capitalization and
the names of the directors being given in
each instance : Greenwich Village Presen-
tations, Inc., $20,000, Evelyn Krasniff,
Louis J. Seldin, Sol J. Shapiro, New York
City; Moving Exposition Corporation, $10,-
000, Joseph A. Byrne, James L. Carty, Ar-
thur Buxembaum, New York City; Henson-
ville Community Hall Corporation, Hen-
sonville, $20,000, Horton H. Smith, Alfred
T. Seeley, Charles A. Peck, Hensonville;
Park Plaza Theatre Corporation, $5,000,
Maurice Loebel, Daniel G. Rosenblatt,
David F. Cohen, New York City; Black
Birds Production, Inc., $50,000, Sidney Kal-
fus, Frank J. Friedman, Bertha Saner,
Brooklyn; Vox Populi Film Corporation,
$50,000, Hannibal and B. Holm Hanssen,
Hugo C. Blatt, New York City; Narcor Dis-
tributors, Inc., $20,000, Harry Goldman,
Bertha and Alexander Meyer, New York
City; Bakersfield Leasing Corporation,
$10,000, A. M. Wattenberg, L. E. Dresser,
Bernard Kaplan, New York City; Em-Bess
Corporation, capitalization not stated,
Philip Kltzkow, Evelyn Stern, Ruth Rosen-
blum, New York City.
The following paragraph was omitted
from last week's issue of the News:
Companies incorporating in the motion
picture business at Albany,, New York, dur-
ing the past week, included the following,
according to papers filed in the department
of state: Protecto Films, Incorporated,
$5,000, L. M. Cohen, Esther Cohen, Albert
Teitel, Corona, L. I.; Caneton Amusement
Corporation, capitalization not stated,
Charles B. Bixley, Edna B. Westacott, Clara
St. John, Batavia; Tompkins Amusement
Co., Inc., $20,000, Lewis I. Penisner, Freda
Fibger, David M. Sohner, New York City.
Daylight Saving Defeated
in Illinois Town
Daylight saving was defeated by a major
vote of 1,200, after one of the hardest cam-
paigns waged at Elgin, 111., in many years.
Newspaper ads, broadcasting and trailers in
motion pictures theatres were used to advan-
tage by the anti-daylight savings campaign-
ers, headed by Jules J. Rubens, president
of Great States Theatres, Inc., who took
a very active part in the fight. The results
were very gratifying to the theatre men,
who expect much better business during the
summer months, due to their adhering to
standard time.
1st Division Purchases
Land for New Studio
FIRST DIVISION, now making its
pictures at the Metropolitan
Studio, will next year erect a
motion picture plant on Ventura boule-
vard, about five miles beyond Univer-
sal City. Three acres of land in the
new studio colony adjacent to the new
Mack Sennett studio under construc-
tion have been purchased by First Di-
vision. Raymond and Lepitz, archi-
tects, are preparing plans and it is ex-
pected the studio will be in operation
by next May. Work on the project is
to start this summer.
April 28, 1928
1337
Paramount to Develop
Pomeroy Device
THE talking picture device spon-
sored by Roy J. Pomeroy, which
is used to provide the sound
effects for "Wings" will be developed
by Paramount, which has renewed
Pomeroy's contract. He has been con-
nected with the company for six years.
Victor Schertzinger has been signed
to a long-term contract to take charge
of production of the musical scores
made with the Paramount device.
Laboratories and sound-proof rooms
are now being constructed for this
work. All of the Paramount features
will be synchronized with the device, it
is explained.
Winners Announced in F.
N. Poster Contest
The four winners in First National's
poster contest offering $300 .in prizes to
pupils in 38 New York high schools sub-
mitting the best designs for a poster em-
bodying the idea of "The Spirit of First
National Pictures" were announced this
week. The posters were placed on exhibi-
tion in the auditorium of the Wanamaker
store in New York on Thursday and Friday.
The first prize of $50 was won by Wanda
Wiczkowska, Washington Irving High
School; the second prize of $25 by Viola
Kessler, Eastern District High School; the
third prize of $15 by Theodore Mazaika,
Morris High School; and the fourth prize
of $10 by Henrietta Schneiders, Washing-
ton Irving High School.
Texas M. P. T. O. Meets
in Dallas May 8 and 9
The M. P. T. 0. of Texas will hold the
convention in Dallas May 8th and 9th at
the Baker Hotel. The election of officers
will be an important feature of the con-
vention, and present plans call for the
election of 16 district directors in place of
the usual seven. This increase will be
made to give a better representation and
will also afford each of the l(i districts a
director. A large attendance is expected,
due to several controversies pertaining to
the exhibitors' business.
Townspeople of Ames, la.,
to Vote on Sunday Shows
Sunday movies will come before the peo-
ple of Ames, Iowa, for their favor or dis-
favor on April 30, the new city council of
the town having decided to bring the ques-
tion to a vote. Joe Benjamin Oerbracht and
Harry Weinberg, president of the Common-
wealth Theatres Company, which has three
theatres in Ames, have worked hard to
bring about a more friendly feeling toward
the Sunday shows and feel optimistic for
the success of the measure.
Hal Roach Studios Have
Finished Current Product
The entire production schedule of 40 re-
leases for Metro-Goldwyn-Mayer for the
current year has been completed by the Hal
Roach studio and the entire Roach staff are
now enjoying vacations which will continue
until the first of Mav.
Sapiro Tells Attitude
Toward Producers
Independent Exhibitors Organization Plans Cooperation
with National and Independent Companies
AARON SAPIRO, president of the In-
dependent Motion Picture Exhibi-
tors Association, Inc., of New York,
has issued statements telling the organiza-
tion's attitude toward National producing
companies and the independents, in which
he promises every co-operation with both.
With regard to the National companies
the Sapiro statement says in part: "We
expect to add to their development through
our purchasing power in the same way in
which we expect to grow ourselves, by
reason of increased business of our mem-
bers. Our relations with the big companies
will be wholly co-operative."
The statement regarding the independ-
ents is in part as follows: "It is our policy
that as an organization we will support as
many of the so-called independent pro-
ducers as make good pictures. Our policy
will be deliberately to work with them. We
will encourage the independent producer
by purchase and otherwise. It is pertinent
to say that our first study among our own
group in specific theatres has shown that
some of our members have made more
money out of independent pictures than
they have from the product of the larger
companies.
A third statement by Sapiro concerns the
gossip regarding the attitude of Metro and
the organization toward each other. Re-
garding this, Mr. Sapiro said :
"I have heard remarks attributed to the
local chiefs of the Metro-Loew iterests that
they deliberately intend to boycott this as-
sociation and have been actually urging ex-
hibitors to avoid this association, with sug-
gestions of special favors if they stay out.
I do not believe these things, not only be-
cause I do not want to believe them, but be-
cause such action would be so unwise from
such clever men. These rumors probably
have no basis in fact, but I make this state-
ment in order to stop any further circula-
tion of the kind of talk that embitters men
against the Metro-Loew concern."
From a source close to Mr. Sapiro the
Paramount Has Record
First Quarter
PARAMOUNT FAMOUS LASKY
CORPORATION estimates its
profit, after all charges and
taxes, including its undistributed share
of earnings of the Balaban and Katz
Corporation, a 65 per cent owned sub-
sidiary, for the first quarter of 1928 to
be $2,250,000.00, which amounts to
$3.27 per share on 687.379 shares of
common stock outstanding.
A comparison of the same quarters'
earnings for 192"). 1926 and 1927 fol-
lows: 1928— $2,250,000 : 1927— $2,067,000:
1926—$ 1.649.000; and 1925— $1,352,000.
The profit for the first quarter of
1928. estimated as above, is approxi-
mately 9 per cent greater than the cor-
responding quarter of 1927, the pre-
vious record first quarter for the com-
pany.
word comes that his organization will
eventually be extended nationally and that
he will be named National president. The
tendency seems to be along those lines,
with organizations being launched or pre-
liminary steps being taken in Pittsburgh,
Boston, Buffalo, New Jersey and out in
Seattle on the Pacific Coast.
Preliminary steps were taken toward the
organization of a Western New York As-
sociation at Buffalo when a meeting was
held at the Hotel Statler on April 18, with
fifty representative exhibitors present.
This organization is under the guidance of
Sidney B. Pfeifer, prominent Buffalo at-
torney. The gathering was addressed by
Mr. Sapiro, who explained the purposes and
functions of the body.
The Independent Motion Picture Exhibi-
tors Association of New York has ad-
dressed a communication to all producing
and distributing companies asking them to
confer with the association with regard to
the sale of product. With the communica-
tion was enclosed a list of the members of
the organization and a copy of the contract
the organization has with its members. It
is a part of the conditions of this contract
that the exhibitor agrees to do all his buy-
ing through the organization and will not
buy any product separately. A series of
meetings is being arranged with producer
and distributor groups.
Offer Reward for Arrest
of Seattle Bombers
A reward of $2,500.00 for the arrest and
conviction of the person or persons guilty
of perpetrating any of the several bomb
outrages against downtown non-union the-
atres in Seattle, Washington during the re-
cent weeks was offered last week by the
Motion Picture Theatre Owners of Wash-
ington, through their executive secretary,
.James M. Hone.
.Declaring it to be a time when other than
police action is necessary to curb the out-
rages that have wrought thousands of dol-
lars worth of damage to the State, Palace
Hip and Embassy Theatres, as well as ad-
joining properties, the M. P. T. 0. W. went
(irmly on the stand that their funds are
maintained for just such a purpose as this
emergency.
Free Shows Menace Ponca
City Showmen
Theatrical and moving picture men of
Ponca City, Okla., are faced with reduced
theatre grosses because of free shows,
which Lew Wentz. millionaire oil man, of-
fers four times a week. The business of
Fred Pickrel, a local exhibitor, has been
bard hit because of this form of competi-
tion and he has been forced to close two of
his theatres. The recent Oklahoma City
convention recently discussed the matter,
but has not taken anv action thus far.
1338
Motion Picture N eivs
New Plan for Layout of
Runs Suggested
Would Fix Definite Play Dates for Subsequent Runs
Prior to First Showings
STANLEY SUMNER, manager of the
University Theatre at Cambridge,
Mass., has mapped a plan for a lay-
out of runs on pictures for the Metropoli-
tan area of Boston. It provides definite
playdates and protection for first and
second run houses and gives subsequent
runs the privilege of fixing definite play-
dates during or just prior to first run Bos-
ton showings.
According to the Sumner plan the picture
showing would be divided into six runs with
definite playdates set for each run. In en-
tering into contracts the exhibitor would
buy his particular run and have the privi-
lege of dickering- for priority as at present,
provided he books within the particular
time specified by the run he buys.
As an illustration of how the Sumner
plan works a picture would be booked into
the Boston first runs, the Metropolitan,
State or Keith-Albee, for April 1 to 7 and
allows those houses twenty-one days' pro-
tection. This brings the second run dates
from April 29 to May 5 and allows them
seven days' protection. It provides these
showings for Allston, first Cambridge show-
ings, Scolley, Fields, etc. Third run show-
ings would be available the week of May
13 to 19 in Newton, Waltham, second Cam-
bridge showings and Roxbury. Fourth runs
would be from May 20 to 26 in Needham,
third Cambridge, first Somerville and Hyde
Film Center
NEW YORK is to have a Film Center
Building, which is now being erected
by Film Center, Inc., of which Abe
N. Adelson is president and principal
owner. It will cover the entire east block
front on Ninth Avenue from 44th to 45th
street and will be thirteen stories high.
Completion has been promised for January,
1929 by the R. H. Howes Construction Com-
pany, contractors for the enterprise. S. W.
Straus & Co., have underwritten an issue of
$1,900,000 first mortgage, 6 per cent real
estate bonds of Film Center, Inc., secured
by land and building to be erected.
Park and 'fifth runs from May 27 to June
2 in Dedham, Arlington, second Somerville
and Watertown. Sixth runs would be avail-
able anywhere from June 3 to 9.
By the definite selection of his playdate
the exhibitor would be obligated to play
within the week specified or lose his pri-
ority privilege, but this would greatly sim-
plify the booking problem for the distribu-
tor and assure regular play on pictures con-
tracted for.
The plan would of necessity, require the
booking of theatres outside the Metropoli-
tan area before and during the protection
of the first and second run and after the
peak represented by the third, fourth and
fifth Metropolitan runs.
Each of the outside theatres after the
second run would know within which par-
ticular week they must book the picture in
order to enjoy priority over competing the-
atres. This priority privilege is dependent
only upon the theatre booking the picture
when due, though the house is under no ob-
ligation to book at this time, but failure
to do so does not affect subsequent runs.
Mr. Sumner has sent an outline of his
plan to a majority of the exchanges and to
a number of exhibitors as a suggested
means of simplifying a problem that is an
ever increasing trouble to both exhibitor
and distributor.
Under Way
The building is designed to serve as a
film exchange and office building, permitting
the concentration in one place of prac-
tically all the receiving and delivery of mo-
tion picture films for New York and vici-
nity. It will provide facilities, not only for
producers and distributors, but for allied
film industries as well.
According to the plans of Buchman &
Kahn, architects, Film Center will have
18,000 square feet of floor space on each
of the thirteen floors. Every modern facility
for the handling and shipping of films will
be provided. All of the city departments
having contact with the film industry are
said to have passed on location, plans and
type of construction and have given their
approval.
A large number of vaults will be pi-ovided
on every floor. The installation of these
vaults will add materially to the cost of
construction, as every vault is to be sur-
rounded by a fireproof wall eight inches
thick, with a double fire-proof door that
automatically closes. They will confine the
entire hazard in case of fire to the point of
origin. Separate flues from each vault will
carry all fumes to the roof, while a specially
constructed system will provide for a dis-
charge of water greatly in excess of the
average sprinkler system.
Another innovation will be the thermo-
static control of the heating system in
rooms devoted to the shipping of films
where night work is essential. Heat will be
turned on as needed and automatically shut
off each hour. This will prevent wastage of
heat when rooms are not in use.
Leases are reported signed already for
large units in the building by Metro-Gold-
wyn Film Corporation, Universal Pictures
Corporation and First National. They will
move their exchanges there in January.
Spear & Company have been appointed
agents for the building.
10 Units Mark Time at
First National Studio
The First National studio at Burbank is
having one of its busiest periods at this
time. Ten companies are now at work, the
seven stages are filled with sets, new addi-
tions to the studio, stages, offices, wardrobe
and other buildings are in progress, and the
plant wears an aspect of activity in all its
departments.
Colleen Moore is making scenes for her
new picture which William A. Seiter is di-
recting. Corinne Griffith is starring in
"The Divine Lady," under the direction of
Frank Lloyd, alternating between studio
and location. "Roulette," "The Hawk's
Nest," "The Whip" and "The Butter and
Egg Man" are more productions in the
making. The screen version of "The Boss
of Little Arcady, " Harry Langdon's new
comedy, Billie Dove's vehicle and Mary
Astor's picture are also occupying the
stages.
4 May Features Due From
M-G-M During May
"Diamond Handcuffs" and "The Cos-
sacks," dramas, and "Skirts" and "A
Certain Young Man," comedies, are Metro-
Goldwyn-Mayer feature releases for May.
Eleanor Boardman, Conrad Nagel and
Lawrence Gray are featured in "Diamond
Bandcuffs." John Gilbert and Renee
Adoree are the principals in "The Cos-
sacks," a story of warfare with the Turks
in Southern Russia. "Skirts," a Syd
Chaplin vehicle made in England, is set for
May 18th. Betty Balfour, English actress,
is the feminine lead. Ramon Novarro is
starred in "A Certain Young Man."
Educational Plans Series
of 6 Drew Comedies
Jerry Drew, whom Educational has fea-
tured and starred in Mermaid comedies, is
to be featured in a new series of six two-
reel comedies in 1928-29. The series will
soon be given a brand name.
Drew rose to a stellar position in the
comedy field in about a year's time. He
was discovered by Jack White and served
as an assistant Cameo comedy director. He
has also directed a few of the Cameo and
some of the Mermaid and other Educational
brands of comedies.
Olive Borden Added to
List of Columbia Stars
Olive Borden, during the past few years
exclusive star for Fox Films, is the latest
addition to the roster of stars on the Co-
lumbia Pictures' program. She will begin
working immediately.
Warners Increase List
of Contract Players
EW additions have been made to
Warner Bros.' stock company
for the coining year.
Betty Bronson will play the lead in
three productions and stories are now
being chosen for her. William Collier,
Jr., is to play in five pictures for the
season. William Russell will appear in
at least three films to be made by the
Warners. Harry Wardell is another
new name added to the stock company.
New Thirteen Story Building Being Erected in New
York to House Exchanges
April 28, 1928
1338- A
Fox West Coast Control
Stirs Publix, Loew's
Rumor Says Latter Companies May Build Additional
Houses if Film Rentals Show Decrease
"U" City Improvements
Now in Progress
A PROGRAM of improvements —
new buildings, stages, roads, etc.
— is now being carried out at
Universal City in preparation for pro-
duction activities of the new season.
The shut-down of the studio has made
possible the undertaking of work that
heretofore had been hindered by pro-
duction activities.
One of the new improvement fea-
tures is the construction of a new
stage to cover more than two acres,
its walls to be removeable and each
of them to be constructed so as to
represent various periods of history.
Permanent lights will be built into the
walls and pillars of this new stage.
A new unit heating plant will keep all
sections of the stage at a uniform
temperature. An extensive sprinkler
system is also planned. The present
stages are to be slightly remodeled, a
large addition is planned for the cut-
ting room, several of the streets and
roads have been resurfaced and new
roads are to be constructed extending
to many new parts of the lot.
Fox Releasing 5 Features
During May
Five feature productions will be released
by Fox Films during the month of May. In
the order named, "Hangman's House,"
"Honor Bound," "Hello, Cheyenne," "A
Thief in the Dark" and "The News
Parade," will make their appearance dur-
ing that time.
"Hangman's House," produced by John
Ford, will be issued on the 6th, "Honor
Bound," directed by Alfred E. Green, and
"Hello, Cheyenne," a new Mix western,
will arrive on the 13th, "A Thief in the
Dark, ' ' a circus mvstery story, is set for the
20th, "The News Parade," directed by
David Butl er, is ready for issuance on the
27th.
Eugene O'Brien Plans to
Retire From Movies
Eugene O'Brien, leading man and fea-
tured player in motion pictures, has de-
cided to quit the screen field to devote him-
self to the legitimate stage, according to an
announcement made by O'Brien while ap-
pearing at Rhea's Hippodrome in Buffalo,
N. Y. He will devote the remainder of this
year and part of next year to vaudeville,
expecting to star in a plav about the middle
of 1929.
Cecelia De Mille Appears
in Her Father's Film
Cecelia De Mille, 21-vear-old daughter of
Cecil B. De Mille, lias advanced from
"extra" to "bit" girl and appears con-
spicuously in several scenes of "The God-
less Girl," which the producer lias made
for Pathe. She has played as an extra in
several of the De Mille productions.
"Golf Widows" Columbia's
First Release for May
Columbia Pictures' first Mav release will
be ' ' Golf Widows, ' » set for May 1st. Three
De Mille stars — Sally Rand, Harrison Ford
and Vera Reynolds — are featured.
THERE is considerable speculation on
the west coast as to just what is
going to happen in the theatre sit-
uation, with William Fox now the con-
trolling factor in West Coast Theatres and
Publix and Loew's considerably upset over
the Fox hold on the coast.
There are various rumors being circu-
lated, even to the extent that Joseph M.
Schenck and Louis B. Mayer are discussing
a survey of the territory with the idea of
livening up the competition if the Para-
mount and M-G-M rentals show too decided
a falling off over those of 1927.
Last year it is said that about 70 per-
cent of the total rentals paid by the West
Coast circuit were divided between Para-
mount and M-G-M, and speculation is rife
as to just what percentage these companies
will cut in with Fox now the dominant
figure. That the figures will be reduced is
a foregone conclusion, though M-G-M and
Paramount pictures, as well as those of
other companies, will, of course, be shown
in the West Coast Theatres. At any rate,
it is a certainty that Fox pictures will be
given the first call.
The theatre situation on the west coast
JESSE J. GOLDBURG, president of
First Division Distributors, Inc., an-
nounces his company will produce
eighteen pictures for the coming season and
will not depend upon outside producers for
product. He also said that work on a new
company studio would be started during
the summer in the San Fernando Valley,
several miles beyond Universal City, and
that it was hoped to produce a part of the
coming season's product in the new plant.
First Division will have its own contract
stars for the pictures announced and will
sign up other artists within the next few
J. S. Woody Becomes
J. R. Grainger's Aide
JS. WOODY, who has had ten
years of experience in the show
* business, has joined Fox Films
as assistant to the general sales man-
ager, James R. Grainger. Mr. Woody
was formerly general sales manager of
Select Pictures Corporation, general
manager of Realart, and president of
Associated Exhibitors. He will make
his office in New York, and during Mr.
Crainger's frequent absences from the
city will represent him in the handling
of sales problems. He begins work
Monday, April 30, on the new program
of Fox Films.
is a peculiar one and considerably involved,
with West Coast operating houses owned
by both Publix and Loew's. For instance,
Publix owns the Metropolitan and Million
Dollar in Los Angeles, both of which are
operated by West Coast. Loew's State is
also operated by West Coast, which is an
equal partner with Loew's in the operating
company.
A similar condition exists in the San
Francisco territory, where Publix owns the
St. Francis, Portola, Granada and Cali-
fornia, all of which are operated by West
Coast. Loew's Warfield is operated by
West Coast, with the latter owning 50 per
cent of the operating company.
In addition to the houses already oper-
ated by West Coast, Fox is building new
and big theatres in both San Francisco and
Los Angeles, so he is bound to have first
run outlet regardless of any action that
might be taken by Publix and Loew's. San
Francisco and Los Angeles are not the only
cities on the west coast in which complica-
tions have developed. In Seattle and Port-
land, West Coast, Publix and Loew's are
jointly interested in two new houses that
only recently were opened.
weeks. A staff of additional directors and
writers are also included in the lineup.
Two of the pictures on the program will be
produced in Europe. These will be special
productions and Mr. Goldburg will go
abroad to supervise them.
The balance of the pictures that are not
made in the company's new studios, will
be produced in the Metropolitan Studios in
Hollywood and will be in charge of Robert
S. Furst and Raymond Wells, respectively
treasurer and vice-president of the com-
pany. First Division recently consolidated
with Furst-Wells Productions.
The pictures announced for the 1928-29
season are:
"Whispering Wives," by Edward Bol-
ing; "The Pink Pearl," by Jacques La
Grange; "The Great God Jazz," by H. M.
E. Clamp; "The Mocking Chevalier," by
A. G. Hales; "Second Hand Husbands," by
Mary Mauley; "Kisses in the Dark." by
Lester Alden; "The Woman Tamer." by
Clavton Johnson; "Where the Law Ends,"
by Robert Sears; "Her Double Life," by
J. Robert Alwig; "Machine Gun Rosie,"
bv Charles Murphy; "Broadway Hound,"
by Lester Alden; "The Coast Guard," by
Robert Slocum; "Wall Street," by Addi-
son Emmett ; ' ' Power of Money, ' ' by Addi-
son Smith; "Movie Madness," by Gertrude
Long; "The Crystal Gazer," by Laura Hur-
ley; "Trapped," by Donald Mamies; "The
Bum," by Charles K. Harris and Edna
Sherry.
18 For First Division
Company Will Produce Own Product for Next Season;
Also Planning Own Studio
1338-B
Motion Picture News
Paramount Bans "Dawn" Showing in
All of Company Houses
4 i"P\AWN," the British-made film based on the death of Edith Cavell,
1 has been banned in all Paramount houses. The company has
announced that the picture would not be shown in any theatre
which it owns or controls throughout the United States. Adolph Zukor
expressed the opinion that it ought not to be shown because it seemed
likely to promote ill-feeling between nations. The move by Paramount
follows a similar one made by Loew's theatres.
James W. Gerard, former ambassador to Germany, has been active
in the fight to prevent the picture being shown in New York and other
cities. His conference with Mr. Zukor resulted in the announcement from
the Paramount office.
Arch Selwyn, holder of the American rights to "Dawn" has cabled
from London to Boris Kaplan, his manager here that May 15 has been
decided upon as the date when "Dawn" would have its American premiere
at the Times Square Theatre.
D. A. R. Not for Censors
Organization Plans Educating Communities to Want
and Support Good Pictures
THE D. A. R. has no thought of motion
picture censorship and apparently
sees no need for it so long' as there
are available many worthwhile pictures, it
was indicated in the report submitted to
the organization at its annual convention
April 18, by Mrs. Newton D. Chapman,
chairman of the committee on better films.
Lists of acceptable pictures are issued
monthly by the committee, it was stated,
and the committee is working on the plan
of educating the community to want and
to support the best motion pictures.
The production of state historical pic-
tures is the most important work being per-
formed by the committee, Mrs. Chapman de-
clared. The plan is to have prominent peo-
ple in each state sponsor a film showing
the history of the state, its physical geog-
raphy, the industrial life of its people, and
the public activities, such as roads, schools
and hospitals. These pictures are to be
shown throughout the country, but are not
to be commercialized, and copies would be
deposited in the state and national archives
and in the D. A. R. library.
The D. A. R. is encouraging motion pic-
ture producers to make a film of the life
THE style of program popular in for-
eign motion picture houses is play-
ing havoc with the sale of short sub-
ject films abroad, according to a trade bulle-
tin issued by the Department of Commerce
in Washington. A large majority of the
picture houses are playing the double fea-
ture, almost to the exclusion of the short
subject.
The type of program popular in most of
the moving picture theatres in the United
States, consisting of one long feature and
two short subject films, is the exception
rather than the rule outside of this country,
according to the report. The showing of
of George Washington, the organization was
told.
Mrs. Chapman also dwelt extensively up-
on developments within the motion picture
industry, speaking of the trade practice
conference held in New York last October,
the cooperation of the public relations de-
partment of the Hays organization, the de-
velopment of pedagogic films, visual educa-
tion, and the studio committee established
in Hollywood.
"It has been my duty frequently to ex-
press my opinion, to ask for information, to
make specific recommendations, to urge
changes or to encourage productions," she
declared, "and I have found in every in-
stance courtesy and helpfulness awaiting
me in the office of the Motion Picture Pro-
ducers and Distributors of America. Un-
biased opinions and constructive advice
have been given me every time I have
taken advantage of the open door policy of
that association. I earnestly urge each of
you to register your opinions and your
views — the good, remember, as well as the
adverse — with the department of public re-
lations. ' '
two long feature films makes it impossible
to introduce short subjects, and this situa-
tion has been reflected in the relatively
small footage of this type of film which we
ship abroad.
Last year we exported to foreign coun-
tries 231,000,000 linear feet of film, 155,-
000,000 of which went to countries other
than European. It is impossible to estimate
what part of this footage was made up of
short subject pictures, but in comparison
with feature films, it is known to have been
insignificant. More than 10,000 short sub-
jects, all of which were not separate titles,
as the same film often goes to different
countries, went to these European markets,
the average being around 400 for each coun-
try. Canada, Australia and Brazil were the
chief customers for the short American film,
each taking about 1,500.
As a general rule, the short films which
are most popular abroad are those full of
action requiring no mental effort to under-
stand. American producers, according to
the report, will find it to their advantage in
the long run to send to foreign countries
only the latest short subjects, having in
mind the tastes peculiar to each individual
area.
7 Releases on Pathe's
Program of Shorts
An Aesop cartoon, a Topics of the Day
reel, a new chapter of the current serial,
Pathe Review No. 19, a Rarebits release
and Issues Nos. 40 and 41 of the Pathe
newsreel are the subjects composing the
Pathe program of shorts scheduled for re-
lease the week of May 6th.
"A Jungle Triangle" is the title of the
Aesop jiumbef*, and "Framed" the title of
the seventh chapter of "The Mark of the
Frog." The new Pathe Review presents:
"The Caplin Fishers," "The Author of
Mother India," "Flower of Night" and
"The Man of the Hour."
"The Singing Fool" Title
of New Jolson Film
The story Al Jolson is starring in for
Warner Bros, has been definitely titled as
"The Singing Fool." It will be based on
the stage effort of Leslie S. Barrows. Jack
L. Warner has assigned the preparation of
the script to C. Graham Baker, who is now
at work on the adaptation. Jolson arrived
last week on the coast where he will remain
until the film is finished about the middle of
the summer. Photography is set to start
on June 1st.
6U' Resumes 'Collegians'
Series on May 1
The third series of Universal's "Col-
legians," two-reel productions of college
life, will go into work at the Laemmle
studio at Universal City on May 1st. The
initial subject will be titled "The Junior
Year" and will be directed by Nat Ross,
who directed the first and second groups.
George Lewis and Dorothy Gulliver will
again portray the principal parts. Carl
Laemmle, Jr., will supervise the new series.
Mix Will Make F B O
Series in Hollywood
ABANDONING temporarily the
plan to produce a series of Tom
Mix productions in the Argen-
tine, Joseph P. Kennedy, president of
F B O, has negotiated with Mix to star
in a series of western productions
which will be produced in Hollywood
and distributed by F B O. Contracts
were signed at Kansas City, where
Mix is fulfilling a vaudeville engage-
ment.
Mix ends his vaudeville tour in New
York in May. When he has finished he
will return immediately to Hollywood
to begin work on the first production
of the new series.
Short Subjects Abroad
Double Feature Programs in Foreign Houses Cut Down
U. S. Shipments of Short Film
April 28, 19 28
1338-C
"U" Has 26 in Exchanges
for '28- '29 Season
Company in Splendid Production Shape, Ready to Show
Features on May 1st
In and Out of Town
EW. HAMMONS, president of Educa-
. tional, returned to New York last
Saturday after a brief rest at Pinehurst, N.
C, where he enjoyed his favorite sport of
trapshooting.
JACK WHITE, director-in-chief at the Edu-
cational studios, left New York Sunday for
the Coast where preparations are under way for
the re-opening of the Educational plant. He
was accompanied by his wife, Pauline Starke.
JOSEF VON STERNBERG, Paramount
director, and Jules Furthman, scenarist,
will leave Hollywood for New York on
April 25 to gather material for the director'6
next production.
WC. FIELDS, Paramount comedian, left
• Hollywood last Saturday for a trip to
the east, arriving in New York last Tuesday.
VICTOR M. SHAPIRO, advertising and
publicity director for United Artists, will
leave New York on May \st for Hollywood
where he will confer with Joseph M. Schcnck
on the company's new product. The trip will
keep him away from New York for about six
weeks.
JOHN W. CONSIDINE, JR., production
supervisor at the United Artists studio
in Hollywood, arrived in New York on April
23rd from the coast.
LUPINO LANE, Educational comedy star,
who came east for a vacation, started off
for Los Angeles n-ith E. H. Allen, general man-
ager of the Educational studio, Lane going di-
rect to the coast and Allen making the trip by
way of Canada.
AGNES FRANEY, 18-year old Ziegfeld girl
signed by Warner Bros, to a screen con-
tract, left New York last week for Hollywood
to appear in a number of pictures for next sea-
son's release.
WILLIAM R. ERASER, general manager
of the Harold Lloyd Corporation, en-
trained for Hollywood last Thursday after
spending several weeks in New York supervis-
ing the premiere of "Speedy."
HERMAN STARR Warner Bros, execu-
tive who has been touring Europe, is
due back in New York in about two weeks.
He sails from England on the SS Majestic
■on May 2nd, arriving in New York, May 8th.
Five La Plante Vehicles
to Be Made Next Year
Five pictures for the 192S-29 releasing
schedule will be made by Laura La Plante,
Universal star. The titles of the forthcom-
ing vehicles are announced as "Home
James," "One Rainy Night," "That
Blonde," "Dangerous Dimples" and "The
Last Warning." The first has already been
completed.
Change in Warners' April
Releasing Schedule
A slight alteration in the releases set for
the present month was made this week by
Warner Bros. "Five and Ten Cent
Annie," originally set for the 21st, has been
moved up into the May releases and "Rinty
of the Desert" has been substituted on the
April date.
UNIVERSAL is in splendid shape for
the 1928-29 buying season which
gets under way May 1st. The
Laemmle organization is in the unusual and
enviable position of having twenty-six of
its 1928-29 season features already com-
pleted, printed and in the exchanges ready
to show exhibitors just as soon as May 1st
comes around.
Of the twenty-six completed, "Uncle
Tom's Cabin" holds precedence. After a
run of 350 performances at the Central
Theatre in New York it is ready to go on
tour of theatres throughout the country.
This production closed its New York
career only to admit "The Man Who
Laughs" to the Central. The latter, a Vic-
tor Hugo classic, is the third Universal has
distributed. It will have Mary Philbin and
Conrad Veidt in the leading roles. Paul
Leni directed.
Others of the twenty-six completed pic-
tures include "The Foreign Legion," with
Norman Kerry, Lewis Stone and Mary
Nolan, directed by Edward Sloman; "The
Michigan Kid," from the Rex Beach story,
with Renee Adoree and Conrad Nagel, di-
rected by Irvin Willat; "Give and Take,"
with George Sidney and Jean Hersholt, di-
rected by William Beaudine; "Lonesome,"
directed by Paul Fejos, with Glenn Tryon
and Barbara Kent; "Home, James," with
Laura La Plante, directed by William
Beaudine; "Fresh Every Hour," with
Glenn Tryon, directed by William Craft;
"Jazz Mad," with Jean Hersholt, Marian
Nixon and George Lewis; "The Grip of the
Yukon," with Francis X. Bushman, Neil
Hamilton and June Marlowe, under the di-
rection of Ernst Laemmle; "Silks and
Saddles," by Gerald Beaumont, with
Marian Nixon, directed by Bob Hill; "Red
Lips," with Charles Rogers and Marian
Nixon, directed by Melville Brown; "Free-
dom of the Press," by Peter B. Kyne, with
Lewis Stone and Marceline Day, directed
by George Melford; "Man, Woman and
Wife," with Kenneth Harlan, Pauline
Starke, Norman Kerry and Marian Nixon,
directed by Edward Laemmle; "Phyllis of
the Follies," with Matt Moore, Alice Day,
Program of 8 Pictures
Outlined by Notable
EIGHT stories and serials will
be filmed by Notable Pictures
Corporation as the company's
picture output for the season of 1928-
29. The first of these, "Pirates' Hope,"
a novel by Francis Lynde, will be com-
pleted on or about June 1."). The re-
maining seven will be: "Shadow
House," by C. P. Haywood; "After the
Manner of Men," by Lynde; "Dice of
Fate," by Louise Nickerson; •"Next
Door to Broadway," an original by A.
Hendricks, "Tangle Lives," by Nicker-
son; "The Man Worth While." by
Lynde. and "Lost Conscience," by Ad-
liene Leitzbach.
Edmund Burns and Lilyan Tashinan. di-
rected by Ernst Laemmle; "Honeymoon
Flats," by Earl Derr Biggers, with George
Lewis and Dorothy Gulliver, under the
direction of Millard Webb; "Anybody
Here Seen Kelly," with Tommy Moore and
Bessie Love, directed by William Wyler.
Other pictures that have also been com-
pleted include two with Hoot Gibson, "The
Danger Rider" and "Burning Wind-."
both directed by Henry Mac Rae; two avia-
tion pictures with Al Wilson, "The Cloud
Dodger" and "The Sky Skidder"; "The
Body Punch," with Jack Daugherty and
Virginia Browne Faire, directed by Leigh
Jason; "The Hero of the Circus," with
Maciste, European star, and three Jack
Pei-rin and Rex, the horse, vehicles, "The
Harvest of Hate," "Plunging Hoofs," and
"Wild Blood."
Darmour to Film "Barney
Google" Series for FBO
Barney Google, the cartoon strip by Billie
de Beck, is to be brought to the screen for
the first time by Larry Darmour in a series
of 12 two-reel comedies, which FBO will
release. Motion picture rights to the car-
toons were procured through E. B. Hattrick.
general manager of the Hearst picture in-
terests. A search is now under way to find
a person to play the role of Google.
Betty7 Compson Starring in
"Miracle Man" Sequel
A sequel to "The Miracle Man," the pro-
duction in which George Loan Tucker intro-
duced three stars to the movie world some
time ago, will be released by First Division
Distributors, Inc., with Betty Compson, a
star of the original, playing the chief femi-
nine part. The picture will be called "The
Miracle Girl" and will be produced by I. E.
Chad wick.
Johnny Hines Buys Story
by Jack Town ley
"Black Magic," an original story by Jack
Townley, has been purchased by Johnny
Ilines as material for his next feature com-
edy to follow "Chinatown Charlie," his
latest First National release. The author
will collaborate with the comedian and his
staff on the screen treatment, and pro-
duction is expected to start in four weeks.
Excellent Signs H. O. Hoyt
for Production Activities
Harry 0. Hoyt, director and writer, has
signed a contrnct with Excellent Pictures
to devote his exclusive services to the pro-
duction activities of the Excellent organ-
ization during the season of 1928-29.
Hoyt's latest work in films was on "The
Wizard" and "The Count of Ten."
1338-D Motion Picture News
hibite££ Service
Johnson's Benefit Show Raises
Funds for Local Relief Work
A BENEFIT performance staged by Man-
ager Fred E. Johnson of the C. and M.
Amusement Company at the Colonial thea-
tre in Cambridge, 0., proved one of the
most productive sources for supplies of food
and wearing apparel for the starving chil-
dren of Guernsey County, and won the
hearty support of those interested in this
local charity work.
Johnson's benefit performance was for
the children of the town and admission was
by contribution of articles of food or cloth-
ing or cash. All receipts and supplies were
turned over to Probate Judge Schlup for
relief work and community kitchens.
The benefit show was a morning matinee
which started at 10 o'clock. Children began
to arrive at the theatre at 9:15 with their
contributions. All had donations for the
children in the impoverished area. Many of
the children attending the shoAV were sent
by their parents with liberal contributions
of food stuffs, in addition to 10 cents ad-
mission charge. Quite a number of parents
or grown-ups accompanied small children,
the adults paying the regular admission fee
to help in the relief work. One woman hav-
ing no youngsters to attend the show, went
to the theatre lobby, made a liberal food
donation, and gave a dollar bill as her part
in the work. Others sent supplies and
money with neighbor children.
Potatoes were collected and placed into
large boxes and baskets, over 8 bushels be-
ing received. Apples in large quantities,
canned goods including, beans, peas, corn,
pears, peaches, tomatoes, soup, and other
varieties, sugar, coffee, tea, crackers, loose
beans, cereals, onions, prunes, and numerous
other eatables were donated. Jellies of all
kinds, delicious fruits and preserves were
among the donations.
Four reels of funnies and educational
movies first shown, were secured through
the Cleveland Film Board of Trade. A mes-
sage received by Manager Johnson said
"Shipping F. B. 0. comedies from educa-
tional exchange. We are glad to co-operate
with you in your fine plan to help the un-
fortunate children in your section. Always
feel free to call upon us in situations of
this kind."
Everything in Saturday morning's show
was donated, including the theatre, help,
and entertainment. Over 600 children were
present.
Following the movies, three acts of vaude-
ville were presented.
Catchline Featured in Various
Mediums Exploits "The Crowd"
A CATCHLINE based on the title of "The
Crowd" was an exploitation feature
upon which many advertising ideas were
worked out to create interest in the showing
of that feature at the Rialto theatre in
Tulsa, Oklahoma, recently. The line used
in a variety of stunts and co-operative ad-
vertising was "Join the Crowd and see
'The Crowd'."
As a street stunt the manager of the
Rialto engaged two girls of attractive ap-
pearance to distribute novelty envelopes.
The girls wore red capes and red caps. The
envelopes they distributed contained the fol-
lowing messages :
"Go where 'The Crowd' goes." Bottom
corner read: "See Inside." Inside on card,
was the following copy: "You are in dan-
ger of missing the Season's Best Screen
presentation at the Rialto if you miss King
Vidor's first picture since 'The Big Pa-
rade'—'The Crowd.' Join the crowd and
see it." Each envelope was sealed. These
young ladies visited the three leading hotels
in the city — The Mayo — Tulsa and
Ketchum, and their appearance created a
great deal of excitement and interest.
The theatre's local camera-man took pic-
tures. This film was made into a trailer
which was run at the theatre with the fol-
lowing caption: "See others as they see
you in 'The Crowd.' " Each day ten slides
were carried on the screen.
Arrangements were made with the Sit-
terly Department store for three windows
on men and women 's ready-to-wear apparel,
and large poster panels were placed in each
window with stills from the picture. Cards
carried the following caption: "Join 'The
Crowd ' of buyers and wear one of the latest
Easter creations." This same card was
placed in all windows. At the Hollywood
Shoe Store, thirty stills of the production
were placed in speeial frames set in all
windows,
Atmosphere Lobby Attract
Notice to "South Sea Love"
Manager Jack L. Hobby decorated his
lobby in a veritable South Sea Island set-
ting that was the talk of the town for
"South Sea Love" at the Strand Theatre,
Tampa, Fla.
The entire front was a mass of luxuriant
green palmettos with the floor of the lobby
strewn with pine needles which gave the
effect of grass.
On the left side of the lobby was a large
illuminated 24-sheet cut-out and on top of
the marquee was a shadow box with a mus-
lin cloth front, behind which was a sil-
houette effect of a hula dancer — using the
fan idea to make her shimmy.
The ushers were garbed in white pants
and white shirts with blue sashes and or-
ange colored garlands around their necks.
Showmanship
■ Brief F
PERSONAL endorsement cards, recom-
mending the anniversary show at the
Rialto and Plaza theatres in Waterloo,
were distributed by ushers at those houses
as one of the advance exploitation features
used in connection with the 8th anniver-
sary of Alexander Frank as manager of the
two houses. The cards were similar to those
similarly used by the Butterfield theatres
recently and reproduced in this department
of the March 31st issue of the NEWS.
KEYS found in a Portland, Ore., theatre,
are hung on a board where patrons can see
them and claim their property, says "Popular
Mechanics Magazine." A sign at the top of -the
board reads: "Is this your key?" Since the
introduction of the service, scores of grateful
patrons have derived benefit from the novel in-
stallation through the recovery of their keys.
JAMES O. CHERRY, manager of the Melba
theatre, Dallas, recently put on a radio en-
tertainment which exploited his showing of "The
Student Prince" and brought applause to the
broadcasting station WFAA of the Dallas News
and Journal. The radio program included an
orchestral concert by the Dallas Symphony Or-
chestra, which served as a background for a
running story of the picture zvith interpolated
dialogue between the characters of the Prince
and Kathi, impersonated by the station director
and one of the entertainers.
MANAGER R. E. MORRIS successfully
demonstrated to himself and staff what
a difference the box-office receipts show
when a picture is ballyhooed — which hap-
pened in the case of "The Gaucho" playing
at the Strand Theatre, Maiden, Mass. A
life-size wooden horse equipped with a
Mexican saddle and bridle was mounted on
a truck and driven to all parts of the city
and surrounding towns. A man dressed as
"The Gaucho" rode in the saddle.
EJ. NICKERSON put over a series of
• "Movie Balls" at the Cuban Club in Ybor
City that were very successful. At the first
ball he gave prizes for the best stunts and imi-
tations of movie stars and took motion pictures
of the dancers and contestants for a Beauty
Contest. The second week the finished pictures
were projected and the people voted for their
choice. Nickerson got a great laugh at the
finish of the showing of the pictures, when he
had the negative film run with all dancers and
contestants showing up in "black face."
NATE FRUDENFELD, manager, has pre-
pared a nice little stunt exploiting Herbie
Koch, Capitol Theatre organist at Des Moines.
He had some films of Herbie which were run
some time back. Now he has run off from the
film on special paper perforated like a film in
which Herbie's smile is shown in four succeed-
ing pictures. These will be given azvay to all
the patrons of the theatre at a near date.
JH. McLAUGHLIN, of the Franklin
. Theatre in Tampa, is putting out a "I
fit your pocket" program that is nifty. It is
printed on light cardboard, four pages about
3x4 inches in size. The front page gives
a little dope on the prices, dates and theatre
name. The two inside pages are devoted to
the weeks program and the back page has a
weekly writeup on the features of the house.
April 28, 19 28
U.Y>
Nine Shops Represented in Show
of Fashions at Theatre
Vitaphone Trailer Record Used as
Lobby Ballyhoo for Current Bill
FM. VAN AUKEN, in charge of exploitation for the Arcade Thea-
tre, West Palm Beach. Florida, has devised ;i new use for the
* Vitaphoned trailer that is a standard iicci— m\ on Warner Bros.
"Tenderloin." After featuring the trailer as advanced exploitation. Van
Auken worked out a way to put it into action during tin- picture's engage-
ment as a sidewalk ballyhoo.
The record from the trailer was run on an Kdison phonograph motor
and amplified to the marquee using amplifying apparatus and two loud
speakers.
This stunt can he used on any of the Vitaphone trailer- which W ar-
ner Bros, issue on all their sound specials.
Radio Presentation Used
for Broadcast Stars
Manager Chas. H. Amos had booked a
popular radio team in conjunction with the
showing of "Hose Marie" at the Riviera
Theatre, Knoxvillc, Tenn., and that gave
him the idea of tieing up with them.
Accordingly, Amos built a radio showing
two dials with a loud speaker on top — out
of beaverboard. Behind this mammouth
radio outfit was a net which practically
made the men behind the curtain invisible.
When the curtain opened, a buy in dress-
ing gown was at the radio and as he turned
the dials to different point.-, the act and
orchestra back of the scrim would imitate
the popular radio stations with music, voice
and especially the call announcements.
When quite a bit of this had been done,
the announcer back stage announced the
Riviera orchestra and act the lights were
brought up bringing the orchestra in view
and the scrim was pulled away.
Cafeteria Distributes Ads
for "Patent Leather Kid"
In exploiting "The Patent Leather Kid,"
during its roadshow engagement at the Cri-
terion Theatre, Los Angeles, a cooperative
tie-up with Chickle gum and Leighton's
cafeteria, proved a valuable publicity get-
ter. Ten thousand envelopes were printed,
advertising a brand of gum and the. Barthel-
mess sj>ecial on one side and Leighton's
cafeterias on the other. A stick of gum was
put in each envelope. As each customer pre-
sented his tray at the desk to receive a
check, one of the envelopes was dropped on
the tray. This was done at both of the
Leighton cafeterias.
The two restaurants also distributed daily
3,500 special menu cards advertising their
fifty cent chicken dinners and the showing
of "The Patent Leather Kid." The menus
were placed every day throughout the run
of the picture on every table in the com-
pany's two Broadway cafeterias.
Allen Promoted to Post as
Manager in Indianapolis
Wally Allen, formerly director of pub-
licity and advertising for the Loew thea-
tres in Pittsburgh has assumed his new du-
ties as manager of Loew's Palace theatre
at Indianapolis, the post to which he was
recently promoted.
A RATHER unusual combination of cir-
cumstanccs brought about the consum-
mation of one of the most extensive fashion
shows tied up with a motion picture pres-
entation, when B. F. Keith's theatre in
Washington, D. C, gave first place to the
feature film in exploitation conducted with
the cooperation of nine local shops for the
showing of "The American Beauty."
Roland Robbins, manager of Keith's,
staged the fashion revue in which the local
merchants participated with exhibits and
special advertising. The event was pre-
sented in connection with the Easter week
bill at Keith's. The prominence given the
picture through this campaign was con-
trary to the usual custom at this theatre of
featuring vaudeville above the film portion
of the bill.
Nine of Washington's shops participated
in this eye-feast of gorgeous feminine attire.
A heavy of professional mannikins ex-
quisitely beautiful themselves and all Wash-
ington girls, exhibited an array of the latest
advanced modes in superb evening gowns
and wraps, tailored wear, imported embroid-
ered frocks, classy sport attire, smart
millinery, novelty footwear, etc., and repre-
ALTHOUGH several managers have used
the "Find the Line" contest, Man
ager J. P, Harrison went a step or two
farther by calling it the new indoor sporl
and announcing it for an indefinite run.
For those who aren't entirely familiar
with the "Find the Line" contest, five lines
taken from five different ads in the Classi-
fied-Ad page are shown at one side of the
ad and contestants are required to find the
ads these lines come from and then send
them in to the Contest Editor who judges
them as to correctness, neatness and ar-
rangement.
Harrison got on the average of JO inches
free space daily and the letter- sent in bj
the contestants were so numerous that the
local Postmaster called up the Contest Edi-
tor to inquire how much longer the Contest
was going to last.
The stunt not only works to the advantage
of selling a picture but derives a certain
senting the firms of Agasta, Art era ft Shoes,
Francise, Inc., Gillespie, Hicks, Pluym's,
Rizik Bros., Serposs and Young's. -lame- A.
Keane, former director on the Ince lot and
well known consultant on fashion decrees
for various Hollywood producers, stages the
American Beauty Style Show in a master-
ful manner.
Each participating shop carried an-
nouncements in its regular advertising and
in addition went in for the full page co-
operative trucks tied in with Keith's Thea-
tre and the picture. Special window dis-
plays were made at each dealer's establish-
ment and Rizik Bros., using a well known
entertainer from the elassy Cafe Madril-
lon as his mannikin, brought in another
tieup feature whereby the Style Show was
advertised at this popular night club.
Emile, the Mecca of the elite of Washing-
ton society, installed a complete Beauty
Salon in the Promenade Lounge of Keith's
With a corps of beauty experts in attend-
ance, demonstrating the beauty secrete of
Billie Dove. Before and after each matinee
performance an advertised lecture was
given in the theatre on "American Beauty"
t reatments.
amount of prestige for the theatre as well.
Ten prizes in the form of passes are
awarded daily to the winners and no one
person can win more than twice in any one
week.
Lively Interest in Revival
Programs at Liberty
Following a custom adopted by exhibi-
tors in some other cities, Samuel Carver,
manager of the Liberty theatre, first run
downtown house in Kansas City, found a
lively response to a voting contest on the
revival of pictures shown in the last two or
three years. Each performance a "reader"
is thrown on the screen, explaining to the
audience that the management will show one
or two pictures receiving the largest num-
ber of votes, providing the pictures have
been shown in the last two or three years.
Fans Identify Stars in
This Teaser Campaign
A J. SHARICK, Universal exploi-
teer, played up to the public's
• fondness for guessing games in
the development of a novel teaser
campaign for the showing of "The
Cohens and Kellys in Paris" at the
Lumberg theatre, Niagara Falls. The
title of the picture was withheld for
the three days in which the identifica-
tion contest was carried in a local
newspaper. The fans were offered
passes to the show as prizes for nam-
ing the stars whose pictures were
printed in the paper without captions.
In addition to naming the stars, the
contestants were required to give the
titles of the latest pictures in which
the players had appeared.
"Find the Line" Game Popular
Stunt for Waco Theatre
1340
.1 / at i on Picture N ezv s
Briefs
The "Forest Ranger" group, a series of
12 two-reelers, is planned for filming this
year by Universal and is scheduled to enter
production May 15th. Edmund Cobb will be
the star.
The subject of the sixth and final Great
Events subjects which Dr. Herbert Kalmus
has been filming for M-G-M will be "Cleo-
patra." Casting and other preparations are
now in progress. R. William Neill will di-
rect.
Lon Chaney this week started work on
his new M-G-M starring vehicle, "While
the City Sleeps," an original by A. P.
Younger which Jack Conway is directing.
With the exception of Anita Page the cast
is made up of former stage artists. Assist-
ing the star are Lydia Yeamans Titus,
Richard Carle, musical comedy comic,
Polly Moran, Clarence Lyle, Wheeler Oak-
man, Carroll Nye and William Orlamond.
Hoot Gibson is now at work on a new
picture for Universal, "Clearing the Trail."
His unit is on location at Lone Pine, Gal.,
for exteriors. Dorothy Gulliver is the hero-
ine and in the support are Fred Gilman,
Cap Anderson, Philo McCullough, Andy
Wa.ldron and Duke Lee. Reaves Eason is
directing1.
Arvid Gilstrom, comedy director, has
signed a new contract with Al Christie to
direct comedies for the coming year. The
other Christie directors are Harold Beau-
dine, William Watson, Walter Graham and
Bill Holland.
"The largest cast of principals ever
assembled in the Culver City studio," is
M-(i-M's calculation regarding the size '>t
the cast appearing in "The Bellamy Trial."
19 pei'sons are featured in the film and all
appear in the same scenes in the courtroom
sequences. There are also 7'2 "bit" play-
ers. In the courtroom scenes Monta Bell
has 400 extras at work and 91 performers.
Jack Duffy will head his own unit this
year, making a series of eight pictures for
Al Christie.
Jack Luden and Fred Kohler have been
added to the cast of Paramount 's "The
Perfumed Trap," Kohler having recovered
from his brief illness.
Marion Davies will have less than 10
days' vacation between the completion of
"Show People" and •"Her Cardboard
Lover." Following the hitter production
the star is planning to take a European va-
cation and in the fall will make "Buddies."
William Haines will also he given a short
vacation.
Paul Lukas wall have the role of the
heavy in "Hot News," Paramount 's fea-
ture production based on the adventures of
newsreel photographers. Xeil Hamilton will
be leading- man.
Don Alvarado will be the "bov friend"
of Phyllis Haver in "The Battle of the
Sexes," D. W. Griffith's next production
for United Artists.
Ken Maynard's next starring vehicle for
First National will be "The Phantom
City." It is scheduled to go into work im-
mediately by Charles R. Rogers, producer
of the Maynard westerns for First National.
Martha Sleeper will be the feminine lead
opposite Warner Baxter in "Danger
Street," the F B 0 production.
Columbia now has "The Way of the
Strong" in work with Erie C. Kenton as
director and Huntley Gordon and Gaston
Glass as masculine leads.
"Out of the Ruins" the story by Sir
Philip Gibbs, will be Richard Barthelmess'
next stellar effort for First National. Ger-
ald Duffy is writing the continuity, John
Francis Dillon has been assigned to direct.
Filming is set for about May 21 upon the
return of the star from Hawaii. "Mutiny,"
by Scott Darling will be one of his vehicles
for the near future.
"Prowlers of the Sea" and "Green
Grass Widows," Tiffany-Stahl productions,
reached completion on the same day last
week.
Dorothy Mackaill, Betty Compson and
Douglas Fairbanks, Jr., have been cast in
the three important supporting' roles in
"The Barker," First National's Milton
Sills special.
Director Howard Bretherton has chosen
Hugh Herbert for a role in "Fools in the
Fog," a new Warner Bros.' production
which got under way last week. Herbert
replaces Tom Dugan in the cast.
William Beaudine will direct Mary Astor
in her next vehicle at the First National
studio.
Tully Marshall, character actor, has
joined the cast of "The Perfect Crime,"
now in filming; under the direction of Bert
Glennon for F B 0.
John Darrow, who changed his name from
Harry Simpson, has been added to the cast
of Howard Hughe's players in Caddo pro-
ductions. He is a brother of Allan Simpson,
screen actor.
Harvey Thew, who recently joined Co-
lumbia's writing staff, is making an adap-
tation of "Bridge," one of the four re-
maining' releases on the Columbia program.
A cast is now under consideration.
The new title for Colleen Moore's picture
now in work at the First National Burbank
studio will be "Happiness Ahead," instead
of "Heart to Heart." The latter title will
be given the new picture featuring Mary
Astor previously called "Once There Was
a Princess." "The Head Man" will be the
release title for the picture being made
from the storv, "The Boss of Little Ar-
cadv. ' '
George B. Seitz is directing Lois Wilson
in "Ransom," an adaptation from his own
story, "San Francisco," at the Columbia
picture plant.
First National has bought the screen
rights to "Diversion," the stage play by
John Van Druton. Richard Barthelmess
will be starred in the screen version.
"United States Smith," Gotham's tenth
production for thej current schedule^ is
ready for camera work. The three princi-
pals will be Eddie Gribbon, Lila Lee and
Mickey Bennett. Joseph Henaberry is di-
recting:.
H. B. Warner has been signed by First
National for a featured role in "The Divine
Lady."
Frank Capra, Columbia director, has re-
turned to the home lot after a brief sojourn
at M-G-M. He is now preparing to start a
new comedy. Byron Haskins, another Co-
lumbia director, is finishing the details of
an original story to go into work shortly.
Dorothy Knapp, Earl Carroll "Vanities"
beauty, will be the central figure of a bath-
ing beauty contest in "None But the
Brave." Fox Films will do the picture in
Technicolor. Charles Morton and Earle1
Foxe will be the chief male players. Albert
Ray will direct.
"The Other Tomorrow," the story of the
Georgia cotton belt by Octavus Roy Cohen,
has been purchased by First National as a
vehicle for Billie Dove.
Fox Films has scheduled for early pro-
duction "Chasing Through Europe," which
will continue the adventures in the life of a
news cameraman which form the story of
"The News Parade." Nick Stuart "and
Sally Phipps will be the leads. David But-
ler and William Oonselman, who wrote
' ' The News Parade ' ' story, have already
started preparations for the new picture.
C. C. Burr has commenced work on his
next First National feature starring Johnny
Hines, tentatively titled "Black Magic."
The story is by Jack Townley. Louise Lor-
raine has been signed for the leading femi-
nine role. Other players signed are Walter
James, Edmund Breese, Charles Giblyn,
Henry Herbert, Betty Egan and Kashi
Heraldi. Charles Hines is directing his
brother.
With shooting under way on "'The Way
of the Strong," Columbia has started on
the last lap of production for the current
schedule of releases. Three pictures are in
work, one has been completed and final
preparations are being made for the film-
ing of the remaining four.
In "The Deadline," M-G-M 's newspaper
romance, G. Raymond Bye will play the
role of the detective captain. Joyzelle Joy-
ner, dancer, will be seen as the cabaret girl.
April 28, 19 28
1341
Key City Reports
JSeiv York City
JUST a so-so showing for the majority
of the Broadway theatres last week
with nothing much out-of-the-ordinary
happening along in the way of outstanding
attendance marks. On the contrary, three of
the regulars dropped out after making as
brave a stand as possible.
Much wagging of tongues preceded the
premiere of Paramount's "Abie" at the 44th
Street theatre and many of the boys among
the local trade were "needled" to a point
where something in the way of a sensation
was expected from the screen version of the
widely known Anne Nichols' comedy. Over-
stimulation and a natural reaction from a
great ballyhoo may somewhat account for
a lack of enthusiasm from certain members
of the trade and diversity of opinion from
local newspaper reviewers a,s to the merits
of this highly-touted film. It will be recalled
that the premiere of the Nichols' stage play
received the same treatment from the press
— and others at the outset — but what hap-
pened is pleasant history for Miss Nichols.
Anyway, conjecture over "Abie" is rampant.
The box office will tell the story.
Among the popular priced houses the
Roxy and the Paramount led the proces-
sion but the big Fox first run house showed
a falling off from the previous week. The
feature picture was "Love Hungry" (Fox)
surrounded by the usual lavish Rothafel
bill. The Paramount had Paul Whiteman
and the Menjou feature "A Night of Mys-
tery" (Par.) and honors were about even
for a good week's attendance.
The Capitol did not do so well with a
second week of the Gilbert-Garbo team in
"Love" but this was to be expected after its
long run here and this fact coupled with the
decline only gave the house a fair return.
The Strand with "The Mad Hour" (F. N.)
turned in an average week's trade for the
house and the Rialto finished up with a
pretty fair run of "The Legion of the Con-
demned." Tin's airplane picture has received
a good rating but was a bit hard put to
compete with "Wings," another aviation film.
With the competition of the latter out of
the way the former might have stayed quite
a long time.
Harold Lloyd in his new picture,
"Speedy," did a consistent second week at
the Rivoli and went into the third with
strong indications that this film is in for
a good run. The Colony closed its doors
with the termination of the four week's run
of "We Americans" — and to a showing
hardly in keeping with the reported draw-
ing power of the picture. A tough spot on
the street is the real dope on this.
The Criterion is still prospering with
"Wings" (Par.) True, the picture feels the
ups and downs of the street, but continues
to display strength in its ninth month. The
popularity of the Farrell-Gaynor combina-
tion is getting in its wallop at the Gobe with
the result that "Street Angel" took a de-
cided spurt tor the week. It is probably the
strongest of the Fox two-a-dav line up
along the Street. "Four Sons" at 'the Gaietv
(Fox) can be rated as next in line with
trade for the week fair. "Mother Machree"
(Fox) lingers at the Times Square.
The Embassy with "Two Lovers" (U. A.)
turned in another week of average business
and still does not show signs of giving up
to another picture. Universal closed the run
of "Unc.le Tom's Cabin" at the Central and
will probably follow in with "The Man Who
Laughs" (U). As mentioned last week.
"Tenderloin (W. 1!.> will be succeeded at
Warner's with "Glorious Betsy" and Vita-
phone. Zakora's "The Last Moment" did
well enough for a week at the Cameo.
The Astor with M-G-M's "The Trail of
'98" continues to draw steady trade.
Dallas
DALLAS theatregoers discovered that
some good pictures were being shown
last week, and as the weather was ideal they
partook of the offerings, and the result was
that Dallas theatre business was very good.
The Melba is proceeding to do what could
not be done, and Al Jolson in "The Jazz
Singer" is going into the third week, with
two weeks of good business already chalked
up. Three-week runs are rare in Dallas, but
from present appearances it can be done.
At the Majestic. "Publicity Madness,"
with Lois Moran and Edmund Lowe, failed
to draw, but an unusually good vaudeville
bill, headed by "The Rookies," brought them
in and business for the week was good.
"The Showdown," with George Bancroft
and Evelyn Brent, at the Palace, brought
business down, and comment was not fa-
vorable. Although a profit was shown for
the week it was a bad bet for the Palace.
The Capitol, showing "Seventh Heaven"
in a return engagement, packed them every
night, and gross for the week was the larg-
est recorded this year. This picture would
have held up for a longer run.
"Stand and Deliver," with Rod La Rocque
and Lupe Valez, and "Wife Savers," with
Wallace Beery and Raymond Hatton,
proved good drawing cards at the Old Mill,
and business was very good.
"The Love Mart," with H ill ie Dove and
Gilbert Roland, and "Wild Geese," with
Belle Bennett and Eve Southern, added an-
other good week to the Arcadia's books.
St. Louis
WITH employment on the increase, tin-
Lenten season passed into history,
and fairish sort of entertainment on tap at
the various amusement palaces, St. Louis-
ians went to their favorite first-run picture
houses in greater aggregate than during the
average week of the past Winter in the
seven-day period that ended on April 20.
At Loew's State. Corinnc Griffith held
forth in "The Garden of Eden." and sup-
ported by a stage show entitled "Pinwheels,"
pulled in her share of the patronage passed
out during the week. Corinne has quite a
personal following in St. Louis and vicinity.
At the Missouri, Richard Dix was on the
screen. The title of the picture feature was
"Easy Come, Easy Go," while on the stage
Arthur Nealy was in charge as master of
ceremonies. On the whole it was a good
average week for this house.
Across the street. Vitaphone continued to
do very good business with "Tenderloin,"
which was held over for an extra week.
The St. Louis Theatre showed on its
screen Madge Bellamy in "Play Girl." Ses-
sue Hayakawa, the well-known motion pic-
ture star, was the vaudeville headliner of the
week. Receipts were up to standard set by
this popular house.
Downtown at Skouras Brothers' Ambassa-
dor. Esther Ralston, in "Love and Learn,"
and Ed Lowry on the stage "In Hollywood,"
had a very big week.
Minneapolis
THERE were some fairly good movie at-
tractions in Minneapolis last week and
business responded to them in nice style.
Harold Lloyd in "Speedy" was the stand-
out attraction of the week, and this film
comedy proved extremely popular at the
State. If it had been shown in some smaller
house it undoubtedly would have been held
over for a second week. Lon Chaney in
"The Big City" held forth at the new Min-
nesota, which supplemented its program
with the Publix stage unit show, "Dancing
Feet." The Minnesota enjoyed an excellent
business, although attendance is naturally
not up to the standard of the first two or
three weeks, when the town was fighting for
the opportunity to see its largest and hand-
somest picture theatre.
At the Strand "The Crowd" did a satis-
factory business, although not as big as this
very excellent picture deserved to do. Tom
Mix, in "Horseman of the Plains," was the
Pantages attraction, and Mix drew in the
crowds, as he always does. Pola Negri did
about the average business at the Lyric,
while "One Round Hogan" proved popular
at the Hennepin-Orpheum, where Ted
Lewis and his orchestra were the big at-
tractions. The Seventh Street showed Sally
Blaine in "Her Summer Hero."
The neighborhood houses were showing
some rather nice attractions and found that
they were still pulling. These included "The
Gaucho," at the Lagoon and Loring; "Sev-
enth Heaven," at the Rialto, and "The Last
Command," at the American.
The movies had two strong legitimate at-
tractions to contend with. One was "Broad-
way," at the Metropolitan, and the other was
"Chicago" at the Shubert, where Lillian Fos-
ter opened a three weeks' guest star engage-
ment with the Bainbridge Players.
Buffalo
BUSINMCSS at Buffalo playhouses last
week was fair, but nothing to write home
about, due largely to inclement weather.
Shea's Buffalo got normal patronage for
"The Garden of Eden" on the screen, and
1 1 ula Blues," an elaborate Publix revue, on
the stage. The receipts, however, did not
measure up to the previous week's, when
Harold Lloyd in "Speedy" broke all records.
"Tartuffe, the Hypocrite," a UFA produc-
tion, did not quite measure up to expecta-
tions at the Hippodrome, although Emil
Jannings, star of the picture, drew his fol-
lowers in good numbers. Prince I.ei Lani
and his Royal Samoans, singers, dancers
and musicians, topped the vaudeville bill.
The week started off excellently but fell off
gradually later.
At the Great Lakes, "The Leopard Lady"
on the screen and the Varsity Frcshies. a
collegian orchestra, which evoked favorable
comment, drew the customers in good fash-
ion. Loew's State had a very good week,
largely due to the personal appearance of
Jim Corbett, famous prize-light champion,
in a comedy skit, as head of the stage bill
The picture was "Bringing Up Father." The
crowds that (locked to Loew's, however,
went to see Corbett.
The Lafayette had a fair box-office turn-
over, with "The Port of Missing Girls"
the cinema attraction, and "Jerry and Her
Baby Grandes," featuring a quartet of fe-
male pianists, heading the vaudeville of-
fering.
1342
Motion Picture News
Cleveland
THE past week was generally satisfac-
tory from a box-office angle. No rec-
ords were broken. But, on the other hand,
all of the theatres report that business was
average, so there are no deficits to report.
"Wings," playing its second week of a
roadshow engagement at the Colonial The-
atre, continues to attract large crowds, es-
pecially for the evening performances. The
matinees are rather light. "The Patent
Leather Kid" did well enough at the Still-
man to justify holding it over for another
week. "Old Ironsides," playing its first
local popular prices' engagement at the Al-
len, did very well, boosted by exploitation
and contests.
The State Theatre had big crowds all
week. The feature attraction was "A Night
of Mystery," something a little different
from the usual Menjou picture. Keith's
Palace kept the house full for all perform-
ances of "The Mad Hour," a typical Elinor
Glyn picture, with a great punch at the
finish.
Harry Langdon's comedy, "The Chaser,"
pleased the l.angdon fans, with its slapstick
comedy and its gags. Reade's Hippodrome
had just a fair week. "Stop That Man" was
the feature attraction, a diverting comedy-
melodrama, which deserved greater appre-
ciation by the public. The Park played a
first-run neighborhood engagement of "The
Last Command" with most satisfactory re-
sults.
The Cameo continued with the second-run
downtown showing of "Speedy" with such
success that the run is being continued. And
"The Jazz Singer," like the brook, runs on
indefinitely at the Circle with Vitaphone.
This picture played the Stillman for five
weeks, and is now about to enter its third
week at the Circle
Neighborhood theatre business is not
satisfactory.
Albany and Troy
THERE was little cause for complaint
among the exhibitors of Albany last
week, in so far as business was concerned.
The weather remained cool throughout the
week, and there were no counter attractions
to seriously cut into receipts at the box
office. As a result, the majority of the the-
atres reported business as being up to nor-
mal, and in some cases almost reaching the
previous week, when the crowds came back
strong after the Lenten season. One of the
biggest business getters of the week in Al-
bany proved to be Harold Lloyd in
"Speedy.". . This picture had been liberally
advertised, and the fact that it was going
over well in New York City, 150 miles away,
seemed to be pretty well known in Albany,
and to have its effect. There were standing
lines each night, while the matinees ap-
peared to be above the average.
At the Leland, "A Girl in Every Port"
packed them in each night, although the pic-
ture was little above average from the stand-
point of entertainment. But it seemed to
please and the crowds came. At the Mark
Ritz, "Tillie's Punctured Romance" went
over exceptionally well throughout the week,
starting off with a bang and gaining day by
day. The Clinton Square Theatre, which
is playing first-run double features, did well
with "Pajamas,, and "The Streets of Shang-
hai." Proctor's Grand scored in having the
first pictures of Major Fitzmaurice, the
transatlantic flier. The theatre lost no time
in advertising the fact, and inasmuch as his
relatives reside in the neighboring city of
Troy, there was a big crowd on hand to see
the newsreel of the flier. Business contin-
ued good at Harmanus-Bleecker Hall, with
a combination of vaudeville and pictures.
Neighborhood houses, such as the Eagle,
Colonial, Arbor and other theatres in Al-
bany, which depend upon residential rather
than downtown business, reported business
as good.
In Troy, Gloria Swanson in "Sadie Thomp-
son" did not come up to expectations from
the standpoint of the box-office. In fact,
business was reported as poor. The picture
started off well, but for some reason did not
hold up, many complaining that they did not
care for the picture, which probably knocked
off business. At the Lincoln in Troy, "Wife
Savers" also played to poor business, prob-
ably due to the fact that Beery and Hatton
are not very popular in the Collar City. The
American used "Devil's Trade Mark" with
fair business.
The neighborhood houses in Troy assert
that business is off at the present time.
The situation in Troy may be due more to a
general business depression rather than to
lack of entertainment on the part of pictures
shown. And yet, on the other hand, the
Proctor Theatre, with its vaudeville and
pictures, is playing to capacity business.
Milwaukee
AFTER the unusually good business en-
joyed by Milwaukee theatres last week,
things looked rather dull, but were in reality
just about average. Weather was clear and
cold and did nothing to interfere with pat-
ronage at the down-town theatres.
Milwaukeeans were invited to take a
chance at the Wisconsin. Results showed
Miwaukeeans rather skeptical; the receipts
were short of average. "Mad Hour" was
the photoplay feature. Eolks here apparently
prefer to shop for their amusement. The
Orpheum drew capacity houses during the
entire week and "Freckles" here pleased
patrons greatly. "Rose Marie," at the Mer-
rill, brought in very satisfactory returns.
"Legion of the Condemned" was given a
second week's run at the Strand. Business
was fairly active here.
"The Irresistible Lover" was well attended
at the Alhambra. Two popular radio artists
from Chicago, Al Carney and Pat Barnes,
appeared on the Alhambra program on Mon-
day night and helped to a great extent to
swell receipts for that night.
Neighborhood theatres enjoyed average
business throughout the week. "The Smart
Set" was offered patrons of the Oriental and
was well received. "Husbands for Rent," at
the Egyptian, was a good business getter.
"That's My Daddy" played to good houses
at the Colonial. "Old Ironsides" was shown
at the Uptown, Tower and Garfield and met
with moderate success.
Cincinnati
BUSIMFSS last week was spotty, in so far
as the individual houses were concerned,
although in the final check-up the aggregate
averaged up quite satisfactorily.
Harold Lloyd in "Speedy" at the Lyric did
well during the second week of the engage-
ment, which will be extended for at least
another seven days.
"The Mad Hour" at the Albee draw excep-
tionally well, although the stage attractions
was no doubt responsible for considerable
of the patronage.
Norma Talmadge in "The Dove" at the
Capitol had a splendid week, and the picture
will be held over. This house has now in-
stalled Movietone, which is being featured
in addition to the Vitaphone.
Keith's, with Mary Pickford in "My Best
Girl," started off with a steady following,
which, however, increased materially as the
week wore on. The picture is held over for
an additional week.
"Baby Mine" at the Walnut did an ave-
rage business. Ditto for the Strand, with
Olive Borden in "Come To My House."
"Cheating Cheaters," first half, and
"Keeper of the Bees," with Clara Bow last
half, did an average business at the Family.
The special engagement of "Simba" at the
Grand Opera House undoubtedly diverted
considerable business from the regular
houses.
San Francisco
SAN FRANCISCO enjoyed a week of
ideal motion picture weather, it being
neither too warm nor too cold. Usually,
when it gets too warm in this city at this
time of the year, the people go to the beach
and when too cold or too rainy, as part of
the last weeks have had, the people stay at
home or only visit the residential houses.
Thirty thousand sailors visiting in 45 war-
ships also helped crowd the theatres.
The Embassy reported another good week
with the showing of "The Jazz Singer," on
for a tenth week, and, while not as big
crowds as the first six or seven weeks, the
houses did well.
"Across to Singapore," as shown at
Loew's Warfield theatre, with Rube Wolf on.
the stage with the presentation act "Pan-
Americana." crowded that theatre all week.
The Granada did well the first of the week
with "A Night of Mystery" and the presenta-
tion act "Hands-Up." The latter part of the
week the theatre did fairly well. "Speedy"
attracted many to the California theatre,,
many visiting sailors enjoying that picture.
"The Patent Leather Kid," as shown at the
St. 'Francis theatre, did big business.
The Golden Gate theatre did much better
than expected with the picture, "The Blue
Danube," which was shown there together
with vaudeville acts, and the Union Square
theatre reported very good business with
"Oh, What a Night," which was shown with
five acts of vaudeville.
Atlanta
ATLANTA theatres enjoyed substantial'
business last week, despite the opening
of a first class stock company at the Er-
langer, which naturally showed its effects.
The box-office winner was Paramount's
muchly advertised aerial picture, "The Le-
gion of the Condemned," playing at the
Howard.
Lon Chaney, in "Laugh, Clown, Laugh,"
brought good criticisms and drew fair
houses, but in the estimation of many his
work and the story was too far above the
appreciation of Loew's Grand audiences to.
do the business to which it was entitled.
Keith's Georgia played to very good
houses with Rod LaRocque in "Stand and
Deliver." It came second in the gross re-
ceipts at the box-office.
"The Little Snob" did better business for
the Capitol than was anticipated at the be-
ginning of the week. Great was the fall of
the Metropolitan with "Ham and Eggs at
the Front." The Rialto showed "A Woman's
Way" and "The Sporting Age" to fair
houses. Three numbers, "The Lost Bat-
talion," "Gold from Weepah" and "Wild
Beauty" held a steady gait for the Tudor.
Kansas City
ATTENDANCE continued to remain at
the "just fair" mark at practically all
down-town Kansas City theatres last week.
"The Little Shepherd of Kingdom Come,"
with Richard Barthelmess, at the Mainstreet
set the pace in attendance, although even
that theatre did not draw what it should
have. At Loew's Midland, Lon Chaney in
"The Big City" played to fair crowds all
week, which also can be said of "A Woman's
Way," at the Liberty.
"Across the Atlantic," at the Globe, did
not draw what was expected of it, but "Love
Hungry," at the Pantages, did better than
was predicted for it, playing to good af tend-
ance all week. Adolphe Menjou, in "A Night
of Mystery," at the Newman, played to busi-
ness below normal.
Aside from the Mainstreet, no special ex-
ploitation effort was made by any of the
theatres. The Mainstreet, however, doubled
its newspaper space.
April 28, 19 28
1343
Baltimore
THREE of the first-run theatres in Haiti-
more did excellent business throughout
the week beginning Monday, April 16.
They were the Metropolitan, where "Ten-
derloin," starring Dolores Costello, was pre-
sented, with Vitaphone accompaniment and
dialogue and other Vitaphone acts on the
bill; at the Little Theatre, where "Cyrano
de Bergerac, starring Pierre Magnier, shown
entirely in colors after the scenes wire re-
arranged and the production was tightened
up by Machat Brothers of the Motion Pic-
ture Guild, Inc. Business was so good that
the film was held for a second week. At
the Stanley, "The Noose," starring Rich-
ard Barthelmess, went over very big, with
a presentation act headed by Sammy Kauf-
man with an orchestra and other featured
vaudevillians.
Loew's Century did very good business
also with "Something Always Happens,"
starring Esther Ralston and a stage presen-
tation act entitled Rio Romance, with Ted
Claire and other vaudeville players.
"Skyscraper," starring William Boyd,
went over very good ai the New Theatre
with a stage act. This picture was generally
liked by the public and built up as the week
went on.
"A Perfect Gentleman," with Monty
Banks in the featured role, proved a good
drawing card at the Palace Theatre, where
burlesque is presented with pictures.
Business was fairly good throughout the
week at Keith's Hippodrome, with "The
Main Event" and five acts of Keith-Albee
family time vaudeville on the same bill.
At the Ri voli, "Doomsday," starring
Florence Vidor, proved only a so-so drawing
card, with a presentation act offered also
with Howard Emerson and his orchestra.
Business during the second week of "The
Gaucho" at Loew's Valencia, with Douglas
Fairbanks, proved only fair.
"The Gay Retreat was the picture attrac-
tion at the New Garden, with eight acts of
Keith-Albee high-class vaudeville, and busi-
ness there was fair during the week, and
went up on Friday and Saturday to good.
Seattle
IT^OR the second successive week, the
V Fifth Avenue theatre last week walked
away with a big majority of the city's show
business, in a week that was just about
normal for this time of year.
Again the Fifth Avenue owed its great
box office record to the super-showmanship
of Eddie Peabody, who continues to click
as the greatest box office attraction to ever
hit any Seattle theatre. Eddie, with Jimmy
Maisel and Gogo DeLys, staged a very en-
tertaining presentation. Borrah Minnevitch
and His Harmonica Rascals took care of
the traveling part of the stage show with
much success, and Oliver Wallace's "Holy
City'' organ presentation was a triumphant
rendition. "Richard Dix, in "Sporting
Goods" was the film attraction, sort of an
"added attraction" at that, but it was satis-
factory for this particular bill. Business
practically capacity, with gross around
$18,000.
The Seattle theatre came in second place
with "Partners in Crime," and Treasure
Ships" on the stage. The film was not very
popular, but the Publix revue, headed by
Val and Ernie Stanton, local favorites, aided
in putting the bill over. Local audiences
are getting rather disgusted with the recent
Reery-Hatton films, and don't patronize
them much any more. Just an average week
for this big house.
At the United Artists theatre, "Speedy"
made its appearance just a day ahead of the
national release date and New York pre-
miere. The picture was highly praised by
critics and well liked by audiences. Busi-
ness was very big for the first week — one
of the best grosses in recent months for
Manager Perutz's house, with go<'d ex-
ploitation and publicity.
"Brass Knuckles," at the Blue Mouse
theatre, was an average attraction that failed
to arouse much enthusiasm. Business was
fairly good -noticeably less than the usual
close-to-capacity business that was for-
merly the vogue at this house. It is quite
evident that strong films are essential, de-
spite Vitaphone and Movietone installa-
tions; program attractions don't click.
At the Columbia theatre, "Tell It to
Sweeney" failed to get much business.
"The Fourflusher," at the Orpheum, and
"Love Hungry," at the Pantages, were
satisfactory vaudeville house pictures. Busi-
ness was average.
"Stage Kisses," at the Embassy, rounded
out the downtown key first runs in a satis-
factory manner.
Harrisburg, Pa.
THE pictures that achieved the best box
office results in the first run theatres
during the week were "Speedy," which was
repeated from the previous week at the Col-
onial, and "The Legion of the Condemned,"
wartime aviation thriller, which packed the
Victoria at all performances, both afternoon
and evening. Though no extraordinary ex-
ploitation was attempted for "The Legion
of the Condemned," it seized the popular
fancy from the start, solely through its merit
as a gripping entertainment, and held it
throughout the six days.
It is very seldom that any Harrisburg the-
atre will take a chance by holding over a
film play the second week. Several times
when this has been done the picture, after
a successful first week, has petered out as
a money-earner in the second six days.
This did not prove true with "Speedy," how-
ever. After a week of phenomenal success
at the Colonial, the clever Lloyd comedy
scored almost as heavily during the addi-
tional engagement. Many persons saw the
picture two or three times.
The main attraction at Loew's Regent was
Gilda Gray and Clive Brook in "The Devil
Dancer." The play, however, seemed to
lack the punch to attract more than average
crowds, though Miss Gray's dancing was
admittedly very alluring. At the State the
film attraction the last half of the week was
"Square Crooks." The presence of Ger-
trude Ederle, the English Channel con-
queror, with the Baker sisters — an act that
was much advertised in advance — helped to
stimulate interest in program as a whole,
and the business done was exceptionally
large. The principal offering at the Broad
was "Rose Marie," which did a nice busi-
ness. The Grand got good results with
Colleen Moore in "Her Wlid Oat."
Indianapolis
CIRCLE and Indiana. Skouras-Publix
units, and the Loew's Palace are waging
a bitter fight for downtown movie business
since adoption of the stage production policy.
The Circle had a good opening week last
week with introduction of Eddie Pardo's
stage band and a local dancing chorus of
sixteen girls under Miss Marjorie Alton,
former Follies dancer. The Circle drew
some of Indiana's business the opening
week.
Loew's Palace presented "Sorrell and
Son" with Mort Harris production, "The
Baby Grands." Indiana's show was Harold
Lloyd in "Speedy," with Charlie Davis' stage
band.
Apollo reopened this week under new
management with "Tenderloin," installing
Vitaphone and Movietone. Competition in
the downtown houses has resolved itself to
the pictures.
Neighborhood houses are gaining slightly
in spring business.
Opening of Riverside and municipal parks
and golf courses Sunday will cut movie re-
ceipts.
Salt Lake City
THE box office reports at the down town
picture houses this past week averaged
fairly good as a whole here. The Capitol
theatre presented Richard Barthelmess in
"The Little Shepherd of Kingdom Come,''
which was quite a drawing card, as was the
indoor circus act presented by 'Fanchon and
Marco, which was headed by Lillian St.
Leon and company, and also featuring
Gobel's African Lions and their trainer
Herman Zcigler, and Eddie Kane acting as
master of ceremonies.
' The Latest from Paris" played to satis-
factory crowds at the Pantages theatre.
John Bowers and Marquerite De La Motte
appeared in person at the Pantages here this
week, also attracting a good deal of atten-
tion.
Dolores Del Rio, in "Ramona," has per-
haps headed the list at the Paramount
Empress here during the week, having been
received by packed houses, and in a very
favorable manner, it is reported.
The American theatre did fairly satis-
factory business during the week's presenta-
tion of Rin Tin Tin in "Jaws of Steel."
"The Blue Danube" is reported to have
gone over exceptionally well at the Gem
theatre.
Due to public demand here the Victory
theatre has presented the second showing
of "The Big Parade," with especial musical
accompaniment, and has done a satisfactory
business.
Des Moines
'I'HE Vitaphone pictures had their open-
1 ing at the Des Moines this week with
"The Jazz Singer" and were most enthusi-
astically received. All house records were
broken by this picture, which will hold over
for two weeks, a long run here. Theatre
patrons expressed themselves as having en-
joyed the picture more than anything they
had seen for a long time. Manager Levine
is well pleased with the unusually fine instal-
lation which was given to the Des Moines
theatre equipment. At Davenport, Iowa,
this feature also opened at the Columbia and
did very, very fine business.
At the Capitol theatre in Des Moines the
week's returns did not seem to suffer a bit
by the attraction of the Vitaphone next door.
William Haines in "The Smart Set" met
with success and the stage show "Arabian
Nights was colorful and full of mirth. At
the Strand theatre, "Freckles" was the fea-
ture and it did a good run. Snow in northern
Iowa has closed many roads, but the ex-
hibitors can be optimistic about the fact
that it helped the spring wheat.
"Chicago," at the Orpheum, billed over
the vaudeville, did a big week.
Pittsburgh
NIXON theatre, going into its third
week with "Wings," continued to do a
good business.
Penn theatre had Lon Chaney in "The Big
City" on the screen, and on the stage "Hey,
Hey," with Frank Devoe and Jack Powell,
Gibson Sisters and John Boyle's Hey, Hey
Girls. One of the cleverest and most beau-
tiful shows to play the Penn as yet. Busi-
ness very good. Penn Stage Band, Don Al-
bert directing, completes the show.
"Dressed to Kill" was the feature picture
at the Stanley theatre. This is a nice pic-
ture and would have done well if it had not
been for the Penn theatre playing Chaney in
the same type of picture. The stage show
is called "In Granada.-' an Edward Hyman
production featuring Chaz Chase, comedian.
This unit very weak. Phil Spitalny and his
band are featured with the show. Business
very poor.
Grand theatre., with Harold Lloyd in
"Speedy," did a fair business, as this was
their third week.
1344
Motion Picture News
Ottawa
OPINIONS regarding film features pre-
sented in Ottawa, Ontario, during the
week of April 16 were very much divided,
and as there was practically no opposition
there was considerable talk about the pic-
tures.
Take, for instance, "The Private Life of
Helen of Troy" at the Centre Theatre. This
sounded like the makings of a million dollar
production, but, after seeing it, we are forced
to the conclusion that the Ontario censor
clipped off $400,000 worth. Many enjoyed
the smart titles; the burlesque business
was well done and numerous shots were im-
pressive, but the censor had done his worst.
"My Friend From India" provided marked
variety for the general run of features at B.
F. Keith's, big crowds finding it a very dif-
ferent kind of farce.
Varied comment was heard regarding
"The Divine Woman" at the Regent. Some
thought Greta Garbo had done her best act-
ing in this while others were thrilled by the
story. There are those who cannot see
Greta at all. The Regent had a fairly good
week.
The Imperial pulled right up and called
itself a prosperous theatre with "The Patsy,"
starring Marion Davies. It was one of the
biggest weeks of the season at the Imperial.
The only Marion Davies picture here that
has not secured big business was "Quality
Street."
They fought to get into the Rex Theatre
to see the neighborhood run of "Beau Geste"
after it had played several big engagements
in Ottawa.
As usual with Tom Mix at the Fern The-
atre, the place was jammed to the ceiling
for "Silver Valley," the program also includ-
ing "Melting Millions."
The Columbia fared well with "Lightning
Lariats," this proving to be a popular neigh-
borhood release. The Princess also got its
share with "One Round Hogan," while the
Francais drew fair crowds with a double
bill, "Tracked by the Police" and "The
Tigress," Rin-Tin-Tin arousing the talk as
usual.
Boston
TYPICAL spring weather, with occasional
showers, has been a good omen for
Boston theatres, for the week's receipts are
among the best in months. All of the out-
of-door attractions have only helped to bring
the crowds into the downtown houses.
Opening of the baseball season was looked
upon with some doubt by theatre managers,
but it is a fact that with the opening of the
season there has been a substantial general
increase in all theatres.
"King of Kings" has taken up its home at
the Colonial theatre, Boston's leading legiti-
mate theatre, as a road show, and is the
city's only road show. There has been a
considerable interim since "Wings" departed
as the preceding road show for Boston.
The latter played to capacity audiences for
weeks at Tremont theatre, but the Tremont
has smaller capacity than the Colonial.
Early reports from "King of Kings" are to
the effect that the record made by "Wings"
may soon be surpassed.
Metropolitan's showing of "The Legion
of the Condemned" proved a real attraction
and receipts were well above par. Gene
Rodemich and stage band, with features, was
the presentation.
"The Smart Set," at Loew's State, played
to heavy business throughout the week.
Mile. Ledova and her company of dancers
provided the presentation number.
Modern and Beacon theatres, the twin
houses, have been happy in their selection
of films, for "The Port of Missing Girls"
had to be held over a second week at both
houses, playing to capacity business both
weeks.
Keith-Albee Boston theatre experienced
Farash to Erect $150,-
000 Scotia Theatre
PROPERTY on Mohawk Avenue,
Scotia, New York, has been
acquired by the Farash Theatres
Company, Inc., of Schenectady, on
which work will start at once on a new
$150,000 motion picture theatre. The
structure will be three stories high
and two stores and six offices will be
located in front. This house, announces
William M. Shirley, president and gen-
eral manager of the Farash company,
will be the beginning of a new chain of
theatres his company plans to acquire
or build within a radius of 100 miles
of Schenectady, the headquarters of
the chain.
The Scotia house will have a seating
capacity of 1,400 and is expected to be
ready for opening by Labor Day. It
will be similar in construction to the
Strand in Schenectady, although the
architecture will be slightly different.
one of the best weeks in its history with
"The Pioneer Scout" and a vaudeville bill
better than average.
Offerings at the other theatres were of
better than average selection, with the result
that business throughout the city and sub-
urbs was well above the usual spring pat-
ronage.
Among the leading theatres, films which
proved attractive were "Red Hair" at the
Scollay Square Olympia, "The Little Shep-
herd of Kingdom Come" at the Washington
Street Olympia, "Sadie Thompson" at the
Bowdoin Square, "The Devil Dancer" at
Loew's Orpheum, "The Forbidden Woman"
at the Howard, "The Showdown" at the
Fenway, "West Point" at the Field's Corner,
"Burning Daylight" at the Allston, "Red
Hair" at the Capitol, "The Cohens and
Kellys in Paris" at the Strand, and "Dooms-
day" at the Codman Square.
Tampa
LAST week Tampa celebrated the four
hundredth anniversary of the landing of
Panfilo de Narvaez on the shores of Tampa
bay. The pageant opened Sunday afternoon
and cut the matinee attendance in practically
every theatre quite materially. Then about
5.30 it started to rain, keeping up until
midnight, which put such a crimp into the
crowds that Sunday goes down as poor.
The Victory led the field last week. This
house was the only one to make much of a
showing against the pageant Sunday after-
noon. The big card was the opening of the
Movietone News and the special reels of the
President and Lindbergh after the "Lone
Eagle" returned from Paris. The feature
picture was "The Missing Link." There
were also four of the Vitaphone presenta-
tions. A corker of a show and big business
all week.
The Tampa started out with a poor Sun-
day, but the following three days went over
better. "Drums of Love" was featured,
but it did not seem to catch on with Tampa
fans. "The Noose," used the last half, did
better.
The Strand also had a poor Sunday, but
Monday came up nicely. "The Mad Hour"
was the feature used these two days. "Til-
lie's Punctured Romance" did nicely for
three days and "Soft Living" kept them com-
ing the last two.
Taking the week as a whole, the Franklin
went over better than average. "Chinatown
Charlie" and "Square Crooks" were the first
runs used and "Red Hair" brought back for
a second showing. All pictures did nicely.
Ottawa
(Previous Week)
WHAT a week there was for Ottawa,
Ontario, theatres following Easter!
Every theatre was jammed afternoon and
evening, thanks to the Easter vacation, ex-
cellent pictures and the release from Lenten
obligations.
Probably the finest of them all was
"Speedy" at the Regent Theatre. Even the
newspapermen had to take back seats in the
gallery to see it, and they were glad to get in
at all. The general verdict was that it was
Harold Lloyd's best.
Then it was another fight to get into B. F.
Keith's Theatre, the largest amusement
house in town, to see Richard Dix in "Sport-
ing Goods." This also was a comedy that
pleased everybody from golfer to mechanic.
N. V. A. Jubilee Week was being observed,
and the bill was good all round.
The women flocked to "The Love Mart"
at the Centre Theatre to be thrilled, and the
men to get an eye-full and nobody was dis-
appointed with Billie Dove. And Manager
D on Stapleton wasn't disappointed with the
box office returns either.
The Imperial Theatre had an old-time line-
up in front of the wicket all week for Regi-
nald Denny's "That's My Daddy." The title
didn't mean anything but there are plenty of
Denny fans in Ottawa and they liked him in
this story.
Manager Fred Benson had to run a mati-
nee daily at the Fern Theatre, neighborhood
house, and it was one of the best box-office
weeks there. "Foreign Devils" and "Melting
Millions" were the talk of the neighbors.
"The Great Mail Robbery" lived up to
expectations in the way of thrills at the Rex,
and Manager Ambrose Nolan was only sorry
that the Rex did not have rubber walls.
Typical holiday crowds also saw "Is Zat
So?" at the Columbia Theatre,
Supply Special Mats for
Featuring News Event
A special number containing several lay-
out designs to feature news reel pictures of
the reception to the Atlantic Flyers in New
York, this week was issued subscribers by
the Theatre Ad Mat Service of Uniontown,
Pa. This company, which specializes in
prepared mats for theatres, anticipated the
interest of the public in the event and the
prominence it Avill receive in the topical
films by rushing material for newspaper
displays to theatres taking the service.
Special "Uncle Tom" Show
for King Alfonso
A special and private showing of "Uncle
Tom's Cabin" has been requested for the
royal palace of the Spanish king. The Uni-
versal special has just had its premiere in
Madrid. A further bit of information from
Universal is to the effect that the Spanish
headquarters of Universal will resume its
ordinary routine shortly.
FBO Will Handle "King
of Kings" in Canada
FBO Pictures Corporation of Can-
ada, Limited, has just consum-
mated a deal with Cinema Cor-
poration of America whereby FBO will
distribute De Mille's "The King of
Kings" throughout the Dominion. The
first road-show engagement will be at
the Princess Theatre, Toronto, com-
mencing May 14th. The production
will be road-showed in all important
cities in Canada.
April 2 8
1 9 2 8
L345
Display advertising that helped to sell Harold
Lloyd's newest comedy in several cities. Ads re-
produced above include a four-column layout by
the Strand, Providence; three-column displays by
the Southern, Columbus, O.; the Hoicard, Atlanta:
the Strand, Syracuse, and an advance ad by the
United Artists theatre, Seattle; and a ttco-column
ad by the Metropolitan, Washington, D. C.
Classified Ads
RATES: 10 cents a word for each insertion, in advance
except Employment Wanted, on which rate is 5 cents
Help Wanted
WANTED — Experienced
salesman to sell Pipe Organs
in middle west territory. Op-
portunity for a live wire to
make real money. Address
Box 340, care Motion Picture
News, 729 Seventh Ave., New
York.
Situation Wanted
ORGANISTS and SINO
ERS, thoroughly trained and
experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address, Chicago
Musical College, 64 E. Van
Buren, Chicago.
PROJECTIONIST
UNION. Young man with
broad experience in motion
picture projection desires po-
sition. Capable, can make
good anywhere. Address Box
346, care Motion Picture
News, 729 Seventh Ave., New
York.
MANAGER 9 years in last
position. Broad experience,
married, best references,
wants position in motion pic-
ture theatre. Can make good
anywhere. Address Box 349,
care Motion Picture News.
729 Seventh Ave., New York.
Wanted to Buy
WANTED to buy used
Powers or Simplex Projec-
tors. Brinkman, 607 West
137th St., New York.
For Sale
FOR SALE, at your own
price, the following material.
The theatre is now in Opera-
tion and will he until May
15th. 700 chairs, upholstered
>eat,s; 2 Hertner Transvcrters,
25 cycle, 220 volts ; 2 Simplex
Machines, with Peerless Low
Intensity Lamps, and other
incidentals. Must vacate by
May 15th. For information
address National Theatre
Supply Company, 372 Pearl
St.. Buffalo. N. Y.
FOR SALE.— 1,100 second
hand, veneer theatre chairs in
first class condition at $1.10
per chair. Also 650 first class
upholstered opera chairs at
$3.00 per chair. Address Box
425, care Motion Picture
News, 729 Seventh Ave., New
York.
FOR SALE— Two theatres
in Southwestern town of 15,-
000. Both located advantage-
ously. At a bargain for cash
sale. Address Box 341, care
Motion Picture News, 729
Seventh Ave., New York.
1,300 BASEBALL
CHAIRS for Ball Park, Air-
drome. Like new. $1.35 each.
2,500 LEATHER UPHOL-
STERED and VENEER The-
atre Chairs perfect condition,
800 are RE-UPHOLSTERED
look like new. $1.50 up. Will
sell any amount. AMUSE-
MENT SUPPLY CO., INC.,
729 Seventh Ave., New York
City.
OFFERS INVITED
Managing director of one of
America's foremost theatres in
the heart of one of the very
largest cities contemplates an
early change. Long experience,
presentation, two-a-day and
combination houses in cities
from one hundred thousand to
larger than a million. Circuit
General Manager. Business
builder. Contract and set pro-
grams. Shrewd buyer. An or-
ganizer. Press and exploita-
tion second to none. Well known
as a radio announcer. Only a
high class proposition consid-
ered. Address Box 348, care
Motion Picture News, New
York City.
1346
M o t i o n Picture N ezvs
Opinions on Pictures
The Play Girl
Interesting and Fairly Amusing
(Reviewed by Laurence Reid)
tpVER since Madge Bellamy flashed
*—* across the screen as a young woman
who could disrobe (partly, you know) and
be discreet about it at the same time she
has been given one picture after another
to carry out this design. So "The Play
Girl ' ' enters the procession and Madge does
her bit in making it enjoyable. It is a
pretty thin plot. In fact, it has no plot at
all. But it has a deal of sparkle and the
scenes are really stimulating (at least to
the eye if not the mind).
Here the star plays a clerk in a florist
shop. When she is sent to a bachelor apart-
ment to deliver a certain bouquet and see
to it that the flowers are placed in water,
she gets the surprise of her life. At this
particular hotel and in this particular room
the girl notices that an attractive youth is
occupying the bath. From this point it is
easy to guess the romance. To make the
plot "intrikut" the girl loses her job and
she is advised to take up a gold-digging
career. After encountering a misunder-
standing here and there with the boy
friend the love interest comes right out into
the open and ends the picture. It is a
good little number and calculated to amuse
anyone for its hour on the screen.
Drawing Power: Suitable for average
houses. Good for first runs if supported
by well-balanced bill. Exploitation Angles:
Play up the appeal of star. Bill as clever
comedy of girl who knows how to get along
in the world.
THEME: Comedy-romance of florist
shop-girl who meets youth in embarrassing
moment and develops romance.
Produced and distributed by Fox Films.
Length, six reels. Released, April, 1928.
The Cast: Madge Bellamy, John Mack
Brown, Walter McGrail, Lionel Belmore,
Thelma Hill, Anita Garvin, Harry Tim-
brooke. Director, Arthur Rosson.
^ Burning Daylight
Very Ordinary Story, But Has Action
(Reviewed by Laurence Reid)
JACK LONDON'S story of gold-rush days
in Alaska carries a corking title, but it
tells nothing that hasn't been told many,
many times in celluloid. It hasn't much
feminine interest, the appeal catering al-
most entirely to masculine minds. Between
the covers of a book London made it vivid
and dramatic. But a lot of the yellow
metal has been dug out of the celluloid
Klondyke since the author's day. Which,
of course makes the film very familiar.
The picture is all Milton Sills and again
he has one of those strong, silent, he-man
roles. It is his job to rescue and protect
the innocent dance-hall girl and after some
orthodox scenes showing him prospecting
for gold, driving a dog team and crashing
San Francisco society he comes back to the
Yukon and finds peace. There is a deal
of villainy to overcome here. Leave that
to Sills to accomplish. But he has engaged
in bigger and better fights. And the action
shots here don't ring so genuine. The pic-
ture is atmospherically on the up and up
and it is cast in keeping with its back-
grounds. Doris Kenyon makes an appeal-
ing heroine and Stuart Holmes, Edmund
Breese and Howard Truesdale are com-
petent crooks.
Drawing Power: Suitable for average
houses. Title is good and Sills has his
favorites. Exploitation Angles: Feature
the title and the background of Alaska.
Exploit Sills as an action star.
THEME: Melodrama of Alaska with
hero rescuing dance-hall girl and falling in
love with her.
Produced and distributed by First Na-
tional. Length, 6,500 feet. Released, March,
1928. The Cast: Milton Sills, Doris Ken-
yon, Arthur Stone, Guinn Williams, Jack
McDonald, Jane Winton, Edmund Breese,
Howard Truesdale, Stuart Holmes, Harry
Northrup, Lawford Davidson. Director,
Charles Brabin.
The Lone Eagle
Routine Fireworks in the Air
(Reviewed by Raymond Ganly)
THOUGH it bears a title which calls to
mind that daring young man, this film
doesn't do a Lindbergh. It has not been
produced with any class, nor does it carry
sizzling airplane shots which would have
given it a kick. But it is an aviation film,
and therefore the recipient of tremendous
and free publicity from the daily press and
other agencies chronicling the exploits of
various aviation heroes who are following
one another with some rapidity throughout
the pages of the daily prints these days.
Bearing a good title and presenting a
setting which is alii'e to say the least, the
film has some pull for the wayward cus-
tomer who wanders by the marquee, cons
the posters which tell him what the feature
is about, and contemplates whether he will
enter or not. There are not any "names"
of above-the-average strength to make at-
tractive the cast, but this shortcoming is
offset by the theme of the picture.
Drawing Power: Fairly good program
fare. Good for neighborhood and second-
run houses. Exploitation Angles : Use pro-
pellers, small airplanes and aviator's togs
to make an attractive lobby display. The
title of the film calls forth visions of Lind-
bergh.
THEME: Young aviator joins corps of
daredevil fliers and loses his nerve in an
encounter with the enemy. A French girl
awakens his sleeping valor with the result
that he avenges the death of his fellow
fliers.
Produced and distributed by Universal.
Released, September, 1928. Length, 5,862
feet. The Cast: Raymond Keane, Barbara
Kent, Nigel Barrie, Donald Stuart, Jack
Pennick, Guyler Supple, Trixie, Frank
Campbell, Marcelle Daly, Eugene Pouyet,
Wilson Benge, Brent Overstreet, Lieut.
Egbert Cook. Story by Lieut. Ralph Blanch-
ard. Director, Emory Johnson.
Three Sinners
Just a Picture — Not Good Enough for
Negri
(Reviewed by Laurence Reid)
'TMIE newest picture to come Pola Negri's
* way doesn't shape up as anything that
can be called startling. It's quite prepos-
terous. Perhaps it had to be to get around
the censors. So it emerges as a work that
is quite old-fashioned in theme and treat-
ment. The star plays a German countess
who develops a liaison with a friend of the
family. And the story gets out of place in
trying to paint the lily white. When she
is reported dead after the train she is sup-
posed to take is wrecked, the countess bobs
up in Paris in a white wig.
From that situation it concerns her phil-
andering husband to fall in love with her
again without discovering her identity.
The moment arrives for the entry of an
American who rescues her from a situation
that threatens to become embarrassing. In
trying to make over the character of the
central figure they took away any oppor-
tunity for Miss Negri to suggest any vital
characterization. She becomes a clothes-
horse here and strikes some effective poses.
But the role is too weak for the actress
who made such a grand impression in
"Passion." Warner Baxter, Tullio Car-
minati and Paul Lukas have the other im-
portant parts. And do tolerably well by
them.
Drawing Power: Title is alluring. So
is Negri. Should do business in average
houses. Exploitation Angles: Play up
Negri and feature her in her white wig.
Bill as a drama of the Continent, etc.
THEME: Drama of domesticity with
triangle intervening to make a problem of
it.
Produced and distributed by Paramount.
Length, six reels. Released, April, 1928.
The Cast: Pola Negri, Warner Baxter,
Tullio Carminati, Paul Lukas, Olga Bak-
lanova, Ivy Harris, Anders Randolph, An-
ton Vaverka. Directed by Rowland V. Lee.
Shooting Stars
Novel Play Makes it Interesting
(Reviewed by Thomas C. Kennedy)
A NUMBER of rather novel dramatic situ-
ations, particularly those which de-
velop as the climax of this triangle play
dealing with motion picture actors, give this
English picture, produced by British In-
structional Films, Ltd., considerable audi-
ence appeal. The story has many fine situa-
tions for photoplay treatment and several
of these have received remarkably effective
treatment in the work of the director and
the camera man. On the other hand the
connecting thread leading from one drama-
tic highlight to another seems especially
wavy and weak. Meaningless motion and a
cluttering of insignificant detail handicap
the work.
The American edition of the film has been
edited and titled by Merritt Crawford.
"Shooting Stars" they are — these studio
people. The heroine, a star, is married to
her leading man and in love with a come-
April 28, 19 28
1.147
(linn. When it appears that her husband
will divorce her — thus creating a scandal
that will terminate a contract she has signed
to go to America — she substitutes a ball
cartridge for the blank cartridge in a gun
to be used on her husband in the last scene
of their last picture together. It is a two-
barrelled gun and the fatal shot is reserved
— by Fate and the plot — for the comedian,
whose director borrows the gun for a gag
on another set.
The acting is mediocre, save for that of
the hero, Brian Aherne. There are several
remarkable effective photographic stunts
employed in the course of the play. These
are mainly the result of a mobile camera
which follows action through space.
Drawing Power: Rather good if you can
impress your patrons with fact that it is a
story, a love story, dealing with film actors
and having an interesting studio back-
ground. Exploitation Angles: For news
paper ads, the studio scenes and melodra-
matic climax; prominent part of lip stick
in becoming mixed with fatal bullet may
offer drug-store tie-up; divorce angle for
newspaper or program essay contests.
THEME: A triangle melodrama with a
film studio background in which the wife,
a famous star, ends in obscurity following
a tragic shooting at studio by substituting
real for blank cartridge in prop gun.
Produced by British Instructional, Ltd.,
England. Distributed state rights in U. S.
by Artlee Pictures Corp. Released April,
1928. Length, 5,880 feet. The Cast: An-
nette Benson, Brian Aherne, Donald Cal-
throp. Story by Anthony Asquith. Scenario
by John Orton. Director, A. V. Bramble.
American release edited and titled by Mer-
ritt Crawford.
Two Lovers
Big Production, Good Story
(Reviewed by Chester J. Smith)
THIS is one of those period pictures that
goes back into the sixteenth century
for its action. It is a bigger production
than the title would imply, and, as a matter
of fact, there is nothing about the picture
that warrants any such title, for there is
comparatively little of the ardent love ex-
changed that has characterized others of
the Vilma Banky-Ronald Colman pictures.
It is far more melodramatic than ro-
mantic, for the romance is entirely one-
sided until nearly the end of the film, at
which time Miss Banky comes to realize
that she loves Colman. Miss Banky, as
usual, is beautiful, but she seems a trifle
miscast as a Spaniard, and one cold in love
at that. Colman gives a very impressive
performance as the romantic and fighting
Spaniard, both of which characteristics fit
him to a nicety.
The story is a splendid one of its type
and it is well directed, but it is questionable
if it will have a tremendous audience ap-
peal. It is brimful of melodrama, intrigue
and suspense, but it goes a long way back
for its melodramatic action in the over-
throwing of the cruel Spanish Duke — which
role is admirably played by Noah Beery —
and the freeing of Flanders from Spanish
dominance. There are many leisurely
moments between the highlights, and the
picture is rather slow in getting into its
stride. On the whole though, it holds the
interest through its intensely dramatic
climax.
Drawing Power: Should do well largely
because of the popularity of Miss Banky
and Colman. Exploitation Angles: The
names of the stars, the historical incidents
and the tremendous production.
THEME: The Flower of Spain is com-
pelled by her cruel uncle, the Duke, to
marry the hero of Flanders that he might
spy on a nationalist plot against the in-
vaders. She marries reluctantly, eventually
comes to love her husband and is the hero-
ine of the invasion.
Produced by Samuel Goldwyn. Released
by United Artists. Released August, 192S.
Length, S,;,iiil feet. The Cast: Ronald Cul
man, Vilma Banky, Noah Beery, Nigel de
Brulier, Virginia Bradford, Helen .Jerome
Eddy, Eugenie Besserer, Paul Lukas, Fred
Esmelton, Harry Allen, Marcella Daly. Di-
rected by Fred Niblo. Adapted from
Baroness Orczv's novel, ' ' Leatherface, ' ' by
Alice D. G. Miller.
Stop That Man
Snappy, Effective Farce
(Reviewed by Raymond Canly)
A FAST-MOVING farce and one that can
be labeled as satisfying humor. There
is not much letdown throughout its five and
one-half reels. The gait is so geared that
after the conclusion has been reached the
onlooker is conscious of the fact that the
piece has had flow and a fine welding to-
gether of gags and story. The players are
good, their material is effective comedy and
the tale is presented with deft, snappy
touches.
Young Arthur Lake falls into a mess of
trouble when he goes forth in public wear-
ing the uniform of his brother, a cop. He
drops his brother's badge in a .house while
helping a crook to enter therein. "When
some valuables are purloined the big
brother is blamed for the robbery. His
brother confronts arrest and the girl Ar-
thur had been making a hit with grows cold
so Arthur hires a thug to kill him, so great
is his despondence. With the return of the
girl Arthur's interest in life comes bubbling
up again and resolutely determining to re-
cover the stolen goods, capture the crook,
free his brother of suspicion and win the
girl in the bargain, he launches on a series
of adventures in which his dream of becom-
ing a hero is fulfilled.
Sparkling comedy.
Drawing Power: It is a bright, snappy
comedy and should please the patronage of
all houses. Exploitation Angles: Cops'
billy, safe-cracking tools, etc., can be used
to attract attention of passerby. Stage a
"'find the man" hunt. Use giant cut-outs
of pointing hands on which is printed "Stop
That Man."
THEME: Comedy of a young boy's
troubles when he poses in public with his
brother's police uniform to make a hit with
his girl. Unwittingly he admits a crook into
a house, which is later robbed. The brother
is blamed as his badge is found in the house.
The young fellow resolves to undo the dam-
age he has wrought; after a tussle with the
crook he recovers the money and everything
turns out nicely.
Produced and distributed by Universal.
Released, March, 1928. Length, 5389 feet.
The Cast: Arthur Lake, Barbara Kent,
Eddie Gribbon, Warner Richmond, Walter
McGrail, Geo. Siegmann, Joe Girard. Story
adapted from play by G. W. Hobart. Adap-
tation by Dick Smith. Director, Nat Ross
Abie's Irish Rose
Should lie a Big Draw at Popular
Priifs
(Reviewed I»y Laurence Reid)
THE perennial favorite of the Btage,
"Abie's Irish Rose," has finally
reached the screen, and despite its host of
imitations that have gone celluloid the or-
iginator of them all easily scales the top.
Tlie play that floored the dramatic critics
has been handled so that it will tug at all
the emotions. Even the war is introduced
in order that Abie and Rosie may develop
their romance. This prelude to the love
urge and the subsequent quarrels of the
Murphys and Levys is exceptionally well
done, ringing with touching pathos, humor,
and free from sentimentalities.
Of course everyone has seen the play.
Naturally the edge is taken off the picture.
And if this wasn't enough the other Irish-
Jewish stories have destroyed the suspense.
Yet in spite of its familiarity it carries
heart interest and romantic appeal — and
good, sound characterization. The whole
gist of it amounts to the youngsters at-
tempting to deceive their parents. As a re-
sult three marital ceremonies are depicted.
It is too long and could be profitably
shortened especially in the Christmas-tree
sequence where the male parents shout
"boo" at each other too often. But it
packs a lot of fun, and contains a good
vein of sentiment and pathos. As for the
acting the film belongs to Jean Hersholt,
whose study of the elder Levy is something
to be recorded among the rare portraits of
the screen. Nancy Carroll and Charles
Rogers acquit themselves very capably as
the youngsters, Farrell MacDonald does
well as Murphy and the comedy relief is
okay as handled by Bernard Gorcey and Ida
Kramer. Altogether a first rate picture,
though not belonging to the specials com-
manding top prices. It should make money
for its sponsors.
Drawing Power: Should draw through
fame of play, cast and if put out at popu-
lar prices. Exploitation Angles: The play,
the racial conflict. The cast. The war
scenes.
THEME: Comedy-drama of racial bar-
rier swept away by youngsters of opposite
faiths marrying and winning over their
parents.
Produced and distributed by Paramount.
Length, 12,103 feet. Release date indefinite.
The Cast: Jean Hersholt, Nancy Carroll,
Charles Rogers, J. Farrell MacDonald,
Bernard Gorcey, Ida Kramer, Nick Cogley,
Camillus Pretal, Rosa Rosanova. Director,
Victor Fleming.
"A Short Tail"
(Paramount — Two Reels)
(.Reviewed by Raymond Gonly)
THIS novelty is good enough to grace any
exhibitor's program. With simplicity, a
flair for artistry and a feel for the emotions, it
tells the story of two little lost dogs who pal
together while their owners broken-heartedly
search for them. Unhampered by the absence
of titles, the tale moves along in its appealing
groove. The camera, which is never turned on
the faces of the humans in the cast, captures
with good effect the dogs' expressions, their
wanderings along the streets and their lapping
of the contents of a broken whiskey bottle with
their subsequent intoxication. The dogs are an
odd assorted pair — a petted peke and a terrier
who bad never known soft pillows and other
luxuries. A nice little story, to say the least.
1348
Motion Picture News
Under the Tonto Rim
Average Western
(Reviewed by Raymond Ganly)
TH HIS version of a Zane Grey story pro-
*- dueed by Paramount shades the line of
mediocrity so near does it hinge on conven-
tional plot, conventional deeds of heroism
and fair acting from the cast. It is just
another western, replica of thousands of
others which have preceded it. The name
of Zane Grey, however, is a strong selling
angle which the exhibitor should not over-
look.
Richard Arlen and Mary Brian are the
lends, Harry T. Morey the heavy and Jack
Luden a sort of minor villain who
reforms at the close. Arlen 's dad had
been slain years before by a gam-
bler and the son has been seeking the killer
for several years, but without any degree
of success. Having staked a claim with
other miners, Arlen 's lot is threatened by
a gang leader who has the keeper of the
government register under his thumb. With
the latter forced to do his will, the villain,
who is really the killer, is fast hording up
the claims until Arlen forms a vigilance
committee and defeats his gang.
Drawing Power: For the average house.
Exploitation Angles: The name of Zane
Grey, the usual western action and the like.
THEME: Western action drama. His
father slain by gambler, young westerner
meets the killer years later when he is
endeavoring to steal his claim. The villain
has the keeper of the government records
under his control, and for a time points all
suspicion toward him. The hero eventually
learns the identity of the villain and, after
forming a vigilantes, defeats both him and
his gang.
Produced and distributed by Paramount.
Released, February, 1928. Length, 5,991
feet. The Cast: Richard Arlen, Mary Brian,
Jack Luden, Harry T. Morey, Harry Todd,
William Franey, Bruce Gordon and Jack
Byron. Zane Grey story scenarized by J.
Walter Rubin. Director, Herman C. Ray-
maker.
Foreign Devils
A Fair Action Drama
(Reviewed by Raymond Ganly)
TIM McCOY, Metro's Irish cowboy star,
is the stalwart hero in this action story
of the Boxer Rebellion in China. He per-
forms like the usual western hero carrying
on prodigious feats of valor, pitting nimble
headwork and agility against hordes of Chi-
nese. Action is planted in generous portions
and the Chinese setting offers a relief from
the usual doings of rustlers and bandits
whose activities are always on parade in
the western films.
A smattering of history flavors the scenes
of the rebellion although it cannot be said
that the Chinese empress at the time of the
uprising is painted in a favorable light.
There are plenty of battle scenes and phy-
sical encounters which McCoy does his share
to make interesting. Claire Windsor deco-
rates the scenes very nicely.
An attraction for houses other than first
runs.
Drawing Power: Okay for neighborhood,
second run and similar types of houses.
Lovers of action should find it entertaining.
Exploitation Angles: Different from the
usual dried-in-the-wool action picture. Men-
tion its historical incident which may prove
of interest to school pupils. Press Chinese
paraphernalia into service to create atmos-
phere.
THEME: Action drama. Attache at
American Embassy in Peking at the time
of the Boxer Rebellion becomes attached to
an English lady. He rescues her from the
hands of the priests of a Chinese temple
which she has gone to visit, entrusts her to
a friend to carry her to safety to the barri-
cade and alone battles the Chinese until
they have made their escape. Later on, he
brings news to the barricade of the ap-
proach of the allies and subsequently wins
the girl.
Produced and distributed by Metro-Gold-
wyn-Mayer. Released, September, 1927.
Length, 4,658 feet. The Cast: Tim McCoy,
Claire Windsor, Cyril Chadwick, Frank
Currier, Emily Fitzroy, Lawson Butt, Sojin
and F. Chew. Story by Peter B. Kyne.
Continuity by Marian Ainslee. Director,
W. S. Van Dyke.
The Wife's Relations
Bright Comedy
( IJeviewed by Raymond Ganly)
BEARING an inordinate assortment of
comedy highlights, a sprightly story,
capable performances, this little feature can
be relied on to please the majority of fans.
It mixes a deal of nonsense with a suspense-
ful plot, elicits laughs quite frequently and
in general shapes up as good entertainment.
The daughter of a rich man runs away
to escape an unwelcome marriage. While
running an elevator she meets a young in-
ventor and caretaker of an estate whom she
falls in love with and marries. Shortly
after the -wedding the inventor finds the
substance he has been searching for to per-
fect his varnish for automobiles, and the
wife suggests inveigling her rich father to
buy the process. They entertain her
parents at dinner and are getting along
very nicely in their bluff that they are well
to do, and that the young man is just trying
to get the father's interest in his invention
as a matter of friendship. But their bluff
is exposed by the owner of the house, the
chap whom the girl left flat by running
away, and it looks as if the father will re-
fuse to back the invention which, however,
does not come to pass.
Pep, snap and comedy mingling together
in the various scenes make this a good
picture.
Drawing Power: A suitable presentation
for the screens of all houses. Exploitation
Angles: The cast and comedy incident.
Ben Turpin as the cook.
THEME: Young girl runs away from
her wealthy home to escape marriage, but
falls in love with a poor inventor and care-
taker of a country estate. Having found
the missing substance to make his inven-
tion a success, the young couple entertain
the girl's father and are succeeding in get-
ting his backing for the invention when the
real owner of the house returns and unveils
their bluff. However, the father likes his
new son-in-law, and backs his invention.
Produced and distributed by Columbia.
Released, January, 1928. Length, 5,508
feet. The Cast: Shirley Mason, Gaston
Glass, Ben Turpin, Arthur Rankin, Flora
Finch, Lionel Belmore, Armand Kaliz,
Maurice Ryan, Jas. Harrison. Story by
Armand Kaliz. Director, Maurice Marshall.
Tenderloin
An Underworld Thriller
(Reviewed by Chester J. Smith)
THERE is always something fascinating
about a crook and underworld melo-
drama and this one is no exception. With
or without Yitaphone accompaniment it
should prove a good audience picture,
though the Vitaphone undoubtedly adds to
its effectiveness. It helps to drive home
more deeply some of the melodramatic se-
quences, of which there are an abundance.
However, the Vitaphone is applied on only
two or three occasions.
This is a picture of peaks; it jumps from
one exciting climax to another until it seems
as though it were interminable. In its high
spots it is intensely interesting, but there
is a lot in between the high spots that drags
out more or less tiresomely and makes one
wonder if he is going to be compelled to sit
there through the duration of the sentence
that is applied to the crooks. It would be
a better picture if it were shorter, even at
the expense of cutting out some of the high-
lights.
Dolores Costello, the cafe girl who is in
love with Conrad Nagel, the hard hearted
yegg who eventually goes straight for her,
is as usual, delightful. She does some of her
best work in this picture, though she is in-
clined to weep too frequently and too co-
piously in too many closeups. Nagel is ex-
cellent as the dapper yegg, while one of the
best portrayals is that of Georgie Stone, as
'"Sparrow," Nagel 's pal. The finish is
effective with Rose, Chuck, Sparrow and
Lefty singing "Sweet Adeline" on the
Vitaphone.
Drawing Power: .Should prove a splen-
did draw in all types of houses whether ac-
companied by Vitaphone or not. Exploita-
tion Angles: Play up the leading players
and the many underworld thrills. The press
book offers store tieup angles of many de-
scriptions.
THEME: Cabaret girl falls in love with
dapper crook, whose pals loot a bank and
the proceeds of the robbery supposedly fall
into the hands of the girl. The crook think-
ing she has the loot pretends to care for
her to recover it, finds she knows nothing of
it, really falls in love with her, goes
straight and they are wedded.
Produced and distributed by Warner
Bros. Released April 28, 1928. Length, 653
feet. The Cast: Dolores Costello, "Conrad
Nagel, Mitchell Lewis, Georgie Stone, Dan
Wolheim, Pat Hartigan, Fred Kelsey, G.
Raymond Nye, Dorothy Vernon, Evelyn
Pierce, John Miljan. Director, Michael
Curtiz. Story by Melville Crosman. Sce-
nario by E. T. Lowe, Jr.
"Fighting Fanny"
(Paramount — Two Reels)
(Reviewed by Raymond Ganly)
THIS Christie-produced comedy is fast and
snappy in pace, gagged with a fairly amus-
ing assortment of comedy incidents and made
interesting through the fine comedy of Jack
Duffy, who supports Ann Cornwall. The story
deals with the activities of girl students and
their hazing of Miss Cornwall. The high jinks
of the girls are not particularly amusing ; the
best gag and one which is seen several times is
that which follows the predicament of several
characters, who sit in a trick chair and disap-
pearing into its depths are dropped after a swift
descent into a pool of water. Another comedy
sequence deals with the star's athletic activities
in a sports event in which another girl does her
darndest to win a race. These two become rivals
and eventually mix in a boxing contest.
April 28, J 9 28
1349
Newsreel Resume
"At It Again"
(Educational — Two Reels)
(Reviewed by Raymond Gaidy)
MONTY COLLINS and Jack Miller are a
co-starring team in this Mermaid written
and directed by Norman Taurog with Lucille
Hntton and Eva Thatcher in support. As comedy
their efforts are fairly successfuly; boisterous,
slapstick and knockabout, their antics will pro-
voke laughter of a sort — not long, hearty
laughter, rather intermittent chuckles or brief
Spurts of hilarity. This chap, Collins, is coming
along with greater speed than any other come-
dian cavorting on the Educational lots.
They are starving, are Collins and Miller, and
their endeavors to grab something eatable while
in their boarding house is the cause for some
merriment. Eventually going into the street
they come across Miss Hutton, a department
store girl threatened with the loss of her job
unless she obtains some business. They decide
to help her and with rotten eggs, over ripe
fruit and vegetables they bombard passersby so
that they are forced to seek a fresh supply of
apparel in the nearby clothing store. Pursued
by their victims they take refuge in a wind ma-
chine, and with the propellor roaring are taken
aloft and introduce some more fairly good com-
edy while on their flight.
"Bluster's Whippet Race"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
BUSTER, Mary Jane and Tige stir up a lot
of trouble in this one and all but demolish
the Brown household. Buster and Mary are
busy getting Tige ready for the whippet race,
but Papa Brown won't let them go until they
straighten up the house. To hurry this Buster
calls in his friends from the neighborhood and
they make a mess of things before departing for
the starting line.
There are dogs of every description entered
in the race, in the course of which pedestrians
are knocked down and traffic halted. In the
final spurt the dogs dash through the window
into the Browns' living room, and the disorder
started previously, is completed. There is a lot
of rough and tumble comedy in it, but much of
a sameness throughout. Here and there a good
laugh is injected, however. It is hardly up to
the standard of some of the past ones of the
series.
"Summer Knights"
(Universal — One Reel)
ARTHUR LAKE, featured in this comedy,
and his pal, Buddy, get into difficulties
when a bull terrier extracts the seat from
Buddy's dress suit as they are on their way to
a party. They decide to go with one suit be-
tween them, each to hide for an hour while
the other dances and then to change. Buddy
forgets at the conclusion of the first hour, so
Arthur disguises himself as a girl and vamps
him into the garden, where he proceeds to beat
him up and take the suit. Buddy is left with
his B. V. D.'s, while Arthur enjoys the rest
of the dance. There are spots of comedy here
and there, with the picture about up to the
usual standard of the series.— CHESTER J.
SMITH.
"Never Too Late"
(Educational — One Reel)
ADO-OR-DIE attempt at humor is made in
this Cameo starring Wallace Lupino with
lack Miller and Robert Burns. The picture is
no sooner under way than one of the characters
gets his face smeared with ink — a pathetic brand
of comedy in constant evidence through the
course of the reel. Lupino has some moments
for solo comedy but his gags are of a thin
texture and his efforts, generally, fall flat. He
is a clerk in a department store who is threatened
with the loss of his job because of recurring
lateness. The next A. M., after a frantic effort
to appear on time, he arrives at the store only
to discover that it is Sundav. An intelligent dog
enlightens the scenes.— RAYMOND GANLY.
Competition was keen among I he news-
reels during the past week, each vicing with
the other to secure the first moving pic-
tures of Koehl and TTuonsfcld on Greenely
Island and Fitzmauriee on his arrival in
Quebec. Two of the reels — Paramount and
Pa (lie — scored over the others as they had
moving pictures of the Germans and the
Irishman, respectively, on Broadway before
their competitors. 'Ray Fernstrom. a Para-
mount cameraman, got through to the haven
of the Bremen after having filmed Fitz-
mauriee at Quebec and then winged his
way back to New York hearing the precious
negative which Paramount released in the
form of a 500-foot, special. Also showing
a startling rapidity in getting news pic-
tures before the public was Pathe, whose
cameraman, Tom Hogan, obtained a camera
interview with Fitzmauriee in Quebec and
flew hack to New York in time for ripe
showings along the rialto.
The other reels were also active. Through
an arrangement with Acme News Service,
still shots of the Bremen fliers marooned
on Greenely Island were released via the
films. Quebec is much more accessible than
the remote Greenely Island and so prac-
tically all of the reels had shots of the ar-
rival of the relief plane from New York,
views of Floyd Bennett, who was later to
so tragically pass away, and shots of Fitz-
mauriee and his welcome by Miss Herta
Junkers. Pathe also had scenes of the
Bremen's take-off for America from Dub-
lin and Lindbergh's mercy flight.
Another aviation story Avhieh broke be-
fore the hue and cry of the Bremen's flic-lit
bad died down was the flight of Captain
Wilkins over the polar wastes. M-G-M
News, Kinoerams and International had
pictures of Wilkins and bis plane in Alaska.
Another competitive period is undoubtedly
ahead with the various reels each trying to
he the first to release camera stories of
Captain "Wilkins at Spitzhergen.
A brief synopsis of the contents of each
reel follows:
Paramount News, No. 77: Koehl and
Huenefeld and the Bremen at Greenely
Island and Fitzmauriee at Quebec; ITolv
Week ceremonies in Jerusalem; a trick
German police dog; Helen Wills sailing for
Europe; a crack shot with a revolver: John
Coolidge's reported fiance; Indiana guests
of sailors on board U. S. dreadnanght .
No. 78: Views of the repair work being
done on the Bremen: Princess Mary of
England at Cairo; King Victor Emmanuel,
who escaped bomb plot; Harry F. Sinclair,
who figures in the Teapot Dome trial;
Chinese pay homage to national hero:
Mayor Walker; flood sufferers receive letter
of sympathy from French children; Pern's
new cruiser.
Kinograms, No. 5389 : Japan welcoming
French fliers; crowds at Yankee ball game
in New York; De Mar winning marathon
for sixth time; eccentric dances; Cam-
bridge students wage book battle; animal
marionettes : Biltmore steeplechase nt
Aqueduct track.
No. 5390: Captain Wilkins and his co-
pilot Lieut. C. B. Eielson and their plane
which flew over the arctic region; acquittal
of Sinclair in Washington; V. S. gunboat
built for Chinese rivers; French town un-
veils memorial to creator of Camembert
cheese; American breaking world's record
for speed; contest in Oregon to determine
handsomest iceman; six-day bike race in
Paris.
M-G-M News, Vol. No. 72: Fitzmauriee
landing near Murray Bay where he was
welcomed by Miss Junkers; pole vaulting;
desert tribesmen in dancing carnival; herds
of sheep in migration; religious pageant in
Seville; exciting pictures of ten parachute
jumpers quitting airplane in ten seconds,
a new record.
No. 73: Pacific squadron leaving for
Hawaii; ovation given Italian king after
his escape from bomb; dancing Chinese
boys; new auto speed record established in
Florida; Tunney and Heeney; racing season
at Jamaica track; relief plane leaving St.
Agnes Lake with supplies for the Bremen;
Captain Wilkins, his fellow pilot and plane
in flight.
International News: Vol. 10, No. 32:
Steeplechase at Aqueduct; Soviet child wel-
fare clinic; stilt dancers in Mongolian fes-
tival; woodsmen felling forest giants; De
Mar winning marathon race; Gabrielle
D'Annunzio; New York dinner for Aaron
Sapiro; monkey submitting to diet tests;
Fitzmauriee at Quebec.
No. 33 : Relief plane on its way to help
German fliers on Greenely Island; racing
scenes at Jamaica; American fleet puts to
sea for test of Hawaiian defenses; smashes
automobile speed record; newcomers in
English bulldog world; swimming stars in
lively workout; Captain Wilkins, who
hopped over the top of the world.
Fox News No. 60 : Throngs at race track
at Auteuil, France; gas explosion which
destroyed the lives of 37 in hall over Mis-
souri garage; movie kiddies attending
school between scenes; preparations for
relief of crew of Bremen; Arabs celebrate
ancient fete; New Mexico Indian who
cleverly moulds figures out of mud; Fitz-
mauriee flies to Quebec from Greenely
Island with Aviator Duke Schiller; the air-
plane Bremen and Koehl and Huenefeld at
Greenely Island.
No. 61: Fitzmauriee and relief plane
piloted by Byrd airman taking off for
Greenely Island; camera interview with
Clark Howell, owner of the Atlanta Con-
stitution; the Market Roxyettes rehearse
on roof; New Jersey anglers flock to trout
streams; King Albert of Belgium celebrat-
ing birthday; American smashes world
speed record ; German boats which can run
on dry land; the opening of the racing sea-
son in New York.
Pathe News, No. 35: The Bremen's
start from Dublin: Fitzmauriee arriving at
Quebec; high school artists form orchestra;
D. A. R. convention; seaplane for Paris
to N. Y. flight launched; eccentric dancers
in national contest; students construct
glider.
No. 36: The Byrd polar plane taking off
from Quebec for relief trip to the Bremen :
the late Floyd Bennett when he became ill
in Quebec; Germans repairing their plane,
the Bremen, on Greenely Island; Lind-
bergh taking off from New York with
serum for Bennett.
1350
Motion Picture News
iona! News from Correspond en
HOWARD F. BRINK, man-
ager of the Educational ex-
change here, was elected president
of the Film Board of Trade at the
organization's annual meeting last
week, succeeding Marvin W.
Kempner, chief of the Paramount
exchange. As a token of esteem,
the 30 branch managers and for-
mer branch managers who attended
gave the retiring president a genu-
ine Gladstone cowhide bag, costing
$65. The meeting was held at
Orchard Inn, in Canada, just across
the border, and those who attended
are still talking about the "wow"
of a time they had. The party did
not break up until three o'clock the
following morning. Other officers
elected for the ensuing year are
E. K. O'Shea, manager of the
Metro-Goldwyn-Mayer exchange,
vice-president ; Dave Miller, man-
ager of the Universal exchange,
treasurer ; and Miss Emma Adplan-
alp, secretary. Those named to the
board of directors are Mr. Brink,
Mr. O'Shea, Mr. Miller, Mr.
Kempner, and F. J. A. McCarthy,
manager of the First National ex-
change.
Joe Schurgert, who owns the Co-
lonial and Columbia theatres here,
literally went up in the air last
week. Long an aviation enthusiast,
he and Mrs. Schurgert took an air-
plane trip to Detroit to attend the
National Aircraft Exhibition there.
He is considering buying an air-
plane for his personal use and his
friends would not be a bit sur-
prised if he came back in his own
plane.
Two legitimate houses expect to
close for the season on Saturday,
April 28. They are the Shubert-
Teck, where Len Sang is manager,
and the Gayety, burlesque theatre.
The Erlanger, another legitimate
house, is expected to carrly on
through the summer, playing stock.
"Bill" Healy, formerly in the
motion picture business and now ad-
vance publicity man for Leon
Erroll's show, "Yours Truly," was
in town last week renewing ac-
quaintanceships with Buffalo's film
men.
Callers at the Educational ex-
change here last week included
Max Fogel of the Princess thea-
tre, Rochester.
Motion pictures of the recent
Movie Ball and Carnival which was
put on by the M. P. T. O. of the
Buffalo zone, totaling 700 feet of
film, are being shown in many of
the 400 member theatres in this
Buffalo
section of the state. Ben H. Wal-
lerstein and Jules H. Michaels,
whose happy faces are seen in
about 300 feet of the reel, are
easily the stars.
Charles Lieberman of the Capi-
tol and Liberty theatres in Syra-
cuse dropped in last week at the
F B O exchange to talk over book-
ing dates with Elmer Lux.
The Lumberg theatre at Niagara
Falls, which has been in existence
for 20 years, has been sold by Mar-
vin Atlas to the S. S. Kresge com-
pany who will build a store on the
site. Mr. Atlas, according to his
Buffalo friends, expects to open
another theatre in Niagara Falls in
the near future.
Howard F. Brink spent virtu-
ally the entire week covering the
Rochester and Syracuse territory
for Educational's national drive for
Mav.
Jimmy Kelly of the Riviera the-
atre at North Tonawanda put on
a "Surprise Week" last week and
packed the house with the stunt.
He gave the patrons five acts of
vaudeville and a good feature film,
in addition to some specialties, and
is all smiles over the success of the
idea.
Friends of Victor Lownes assis-
tant manager of the Victoria thea-
tre here, couldn't understand what
had gotten into Vic last week un-
til they learned that he had just
become the father of a boy. Then
they joined with him in rejoicing.
Members of the Paramount ex-
change staff here were buving new
shirts and ties and getting shoe
shines and haircuts last week, in
preparation for the trip to Wash-
ington to attend the annual Para-
mount convention which opens on
Sunday, April 29, and continues un-
til May 4. Those going from Buf-
falo include Marvin W. Kempner,
Paramount exchange manager; Bill
Bork, the quiet but efficient booker ;
E. A. Williams, advertising man-
ager ; and Earl Brink, Sid Stein.
Mickey Rose, and Ed. Kempner,
salesmen. In Bork's absence, his
capable young assistant booker, Art
Woodward, is going to pinch-hit for
him.
Fred Schweppe, of the Capitol
theatre, Elmira, and his sister, Leo-
nore, have written friends here
that they will drive to Buffalo next
week for business and pleasure.
.They are expected to make the
round of the exchanges to do their
May booking.
Announcement was made last
week of the engagement of Miss
Leona Karlinski, operator of the
Clinton and Walden theatres, to
Joe Dworzanowski, who owns the
Colonial theatre at Depew, N. Y.
J. Murphy, Universal home office
play-date representative, spent sev-
eral days last week in the Buffalo
exchange.
Several Schine Theatrical Com-
pany managers from Rochester
were here last week dating pictures
for which they have contracted.
The managers were Sol Shafer of
the Grand theatre ; M. Fogel of
the Webster ; Leon Shafer of the
State; W. L. Belcher of the
Riviera; and T. Schultz of the
Park.
More than 400 persons, including
prominent exhibitors of Buffalo
and Western New York, attended
a preview last week at the Broad-
way theatre, which Manager Ben
H. Wallerstein, with his character-
istic generosity, donated for the oc-
casion, "Dick" Fox, of the R. C.
Fox Exchanges, who is distribut-
ing hereabouts for UFA pictures,
was the host. F. A. Maxwell, the
chubby Fox Exchanges special
representative, was master of cere-
monies.
Out-of-town exhibitors who vis-
ited Buffalo exchanges last week
included James Rowe of the Turn
Hall, Syracuse; Fred J. Becker of
the Arcadia, Syracuse ; Jimmy Con-
stantino of the Elmwood, Syracuse ;
and Rapp B. Merriman of the
Franklin, Syracuse.
Jim Fater of First National ex-
change here, who regularly covers
the Rochester territory, spent last
week in using his salesmanship
talent in the Buffalo territory and
is preparing to attend the annual
First National convention at the
Drake Hotel, Chicago, on Monday,
April 30. Others going from the
Buffalo exchange include F. J. A.
AlcCarthy. branch manager ; and
H. A. Herman, salesman. R?..>
Powers, booker, will hold down the
fort here until his colleagues get
back.
William J. Lavery, who opened
the doors of his newly-completed
New Cameo theatre at Bingham-
ton on Saturday, April 21, was in
town last week arranging some
bookings. Advices received here
stated that the opening of Bill's
new house was highly successful.
Richard C. Fox of the R. C.
Fox Exchanges here is making an
intensive coverage of Utica, Al-
bany, Schenectady, and neighbor-
ing places.
Charlie Taylor, chief of the
Shea's Buffalo publicity staff, has
arranged some neat publicity stunts
for the week of April 22, when the
Publix revue, "Gallopin' On," will
be the stage presentation at the the-
atre.
J. J. Kelly, manager of Riviera
theatre at North Tonawanda,
knows that there's nothing like
proper mixing with the public to
bring him patronage. As a result,
he's in almost every civic move-
ment in the town and last week he
was elected secretary of the Ki-
wanis club there.
Charley Lund, the demon film de-
livery man between Buffalo and the
Tonawandas and Niagara Falls,
blew himself last week to a new
Chevrolet truck.
Harry Gilbert's new theatre at
Syracuse, on South Salina Street,
is under way and he expects it to
be opened on October 1. It will
be connected with the Theatrical
Utilities Service Corporation.
George Ferguson, Pathe sales-
man, has a six-year-old son who
celebrated his birthday last week
by adopting his dad's profession.
The youngster took his toy circus,
which was given him last Christ-
mas, outside and gave his play-
mates several shows after "selling"
them the idea that they ought to
pay him a few pennies for it.
Palmer Muntz of the Animated
Screen Service of Buffalo is on
a two-weeks' business trip, during
which he will visit St. Louis, Den-
ver and New Orleans.
Miss Rappaport, Warner Broth-
ers' exchange booker here, had
quite a few callers last week who
arranged booking dates for May,
including Mr. Schultz of the
Liberty, Rochester, Mr. Tishkoff of
the Webster, Rochester, and several
of the Schine's Rochester repre-
sentatives.
Philadelphia
ELI M. OROWITZ, who has
been assistant publicity di-
rector of the Stanley Company of
America, understudying Abe L.
Einstein, has been placed in charge
of exploitation for all of the Stan-
ley Company Circuit and will now
devote his time to visiting the large
key cities, mapping out exploitation
campaigns for the principal houses.
A number of the members of the
Philadelphia film fraternity went to
Washington recently to attend the
wedding of the daughter of Harry
Crandall, of the Stanley-Crandall
theatres of that city, to Jack
Payet, general manager of the cir-
cuit. The wedding was solemnized
in the presence of several hundred
persons. Among the Philadelphians
who attended were Irving D. Ross-
heim, John J. McGuirk, Frank W.
Buhler. Abe and Lew Sablosky,
Abe L. Einstein and Paul and Dan
Heenan.
Plans are now being made for
the opening of the new Mastbaum
theatre at 20th and Market streets,
Philadelphia, some time daring
Christmas week. The house will
have a seating capacity of 5,000
and will be the largest in Philadel-
phia. It will be devoted to pictures
with presentations. The most mod-
ern equipment obtainable will be
installed.
April 28, 19 28
1351
Seattle
\7ISITORS in Seattle last week
included the first 1928 dele-
gation of studio representatives
from Hollywood — this time a group
of three technical specialists rep-
resenting Director Frank Borzage
of Fox. The group included \Y.
F. Fitzgerald, Harry Oliver and
John Schmitz.
Again A. J. Sullivan, sales rep-
resentative for Ben Fish's local
Metro -Gold wyn- Mayer exchange,
is receiving the applause of the
local film crowd. For he is again
roosting in first place among the
M-G-M salesmen the nation over.
D. C. Mill ward, local film mag-
nate and exhibitor of the Pacific
Northwest territory, last week an-
nounced the redecoration, recarpet-
ing and refurnishing of the Bijou
theatre in Tacoma, recently ac-
quired. A new electric sign of
huge proportions is also contem-
plated by Mr. Millward.
Two former Portland film sales-
men arrived in Seattle last week to
join the sales staff of the local Uni-
versal exchange. They are Art
Adamson, formerly with PDC-
Pathe in Oregon, and Cal Pdwards,
Jj., who represented the First Na-
tional company in Portland.
Bill Danziger, one of the three
special representatives for Harold
Lloyd, working out of New York-
City, spent a few days here last
week with Neal Fast at the Para-
mount-Famous-Lasky exchange.
Two more new automobiles on
film row — despite the cries of
"poor business" among the ex-
changes! One is a new Hudson
sedan belonging to James Beale.
manager of the Tiffany-Stab! ex-
change, and the other a new Chev-
rolet, being driven by Percy Hurst,
sales representative for Fox.
Arthur Frahm, formerly of
Portland, arrived here last week to
take over the management of the
President theatre in this city, hous-
ing the Henry Duffy stock com-
pany. He replaces William B. Mc-
Curdy, who moves up to Vancou
ver, B. C, as manager of the new
Duffy house in that city, just
opening. Mr. Frahm's office in
Portland will be assumed by Mark
K. Bowman, well-known dramatic
and motion picture editor of the
Morning Oregonian.
Lester Theurkauf, well known
among the exhibitors of this terri-
tory, returned last week and is as-
sociated with the sales staff of the
local Pathe exchange.
Five hundred newsboys of the
Seattle Post-Tntelligencer were the
guests of Manager Robert Bender
of the Columbia theatre at a special
morning matinee one day last week.
Following closely upon the heels
of the appointment of James Beale
as Tiffany- Stahl manager in Se-
attle, came the news last week of
the selection of Charles D. Beale
as head of the Tiffany branch in
Portland. He was recently con-
nected with the sales staff of the
local Universal office.
A new policy for John Danz's
Strand theatre was put into effect
last week. Tt calls for the presen-
tation of a different second run fea-
ture each day at a reduced price
charge of 15c. An orchestra has
been added -to the house, and Tues-
days and Thursdays are nights for
additional vaudeville and revue pre-
sentations.
"Jockey" Carruthers, formerly
on the sales staff of the Fox ex-
change, left last week for a three
weeks' jaunt around the Eastern
Washington, Eastern Oregon and
Idaho territories, specializing in a
line of theatre ad mats.
Victor Nibler, exhibitor of
Idaho, whose theatre at Spirit
Lake, the Cozy, burned down a
few weeks ago, is in Seattle at
present, looking over possible lo-
cations for a house which he in-
tends to build in this city.
Charles W. Harden, former
United Artists branch manager and
now head of the territory for Ex-
hibitors' Mutual, journeyed to
Portland last week on a combined
business and golf trip.
Whitey Merwin of the Victory
theatre in Tacoma was seen on
film row last week for the first time
in several w-eeks. He is just re-
covering from the injuries sus-
tained recently in a fall from his
marquise.
Billy Hartford, popular local ex-
hibitor for many seasons, last week
announced his resignation as mana-
ger of the West Seattle suburban
theatres for Universal Chain The-
atres, Inc., and declares that he is
retiring from the show business.
He is being replaced by Arthur
Hile, manager of the Bagdad the-
atre in Portland.
Art Huot, branch manager for
F. B. O., had as his guest last week
J. Frank Shea, western sales man-
ager of the company, who spent
one day here en route from Butte
to California.
Another western district mana-
ger to put in an appearance here
was Les Weir of Pathe. He ex-
pected to spend a few days here
but was called to San Francisco by
wire for a business conference with
Phil Reisman.
A. M. Dunlop. manager of the
Beacon theatre for Universal, is
being transferred this week to the
Portola theatre in West Seattle,
another of the "U" chain houses
here.
W. Keith Beckwith, film repre-
sentative and "editor" of Seattle's
Row, last week was appointed to
the booker's desk of the local Fox
exchange by Manager George Bal-
lentine.
Harry Eagles, publicity special-
ist for Paramount in the California
territory, has been spending a few
weeks in Seattle recently, arrang-
ing exploitation and advertising
tie-ups for some of the speciaT
Paramount releases that are play-
ing local theatres during the
month of April.
Clarence Hill, former Universat
sales representative, is now sales
manager for a new automobile va-
porizer being manufactured ii»
Seattle.
Manager Al O'Keefe, of the lo-
cal Pathe exchange, is just back
from Butte, Mont., where he has
been attending the reorganization
meeting of the Montana Film-
Board of Trade. O'Keefe con-
ducted a sales meeting with the lo-
cal sales force last week.
Atlanta
THE Rialto theatre. Atlanta, is
preparing to step out with new
and important changes in policy
and presentation. Most important
will be the acquisition of Vitaphone
and Movietone. Mechanical equip-
ment for both these sound-repro-
ducing devices is now being in-
stalled by expert engineers. Only
first run pictures of the major
classification will find bookings at
the Rialto henceforth.
Vitaphone made its debut in Ma-
con, Ga., at the Rialto, a Publix
theatre, Monday, April 16, and
scored an unqualified success.
John M. Johnson, owner of the
Colonial theatre, Jasper, Ala., will
begin construction of a new theatre
there within the next few days.
The theatre will seat 1,400, which
is double the capacity of the Co-
lonial. The plans call for a large
stage adequate to accommodate
road shows or vaudeville.
Jacob Pries, for the past seven
years projectionist at the Metro-
politan theatre Atlanta, has severed
that connection to become affiliated
with Electrical Research Products.
Inc., in the capacity of installation
nperator and instructor for Vita-
phone and Movietone. Mr. Pries
received the appointment through
L W. Conrow, general installation
superintendent.
Benedict performances were held
by Nick Economou, of the Grand
theatre, Montezuma, Ga., on Wed-
nesday and Thursday afternoon
and evening as the initial step in
assisting the Macon-Schely County
Masons.
Marion C. Howard, of New
York, special representative of the
Lumas Film Corporation, releas-
ing organization for Gotham Pro-
ductions, was in Atlanta for several
days last week for a conference
with Thomas TI. Branon, president
of Fltabran Film Company, which
handles Gotham product in this
territory.
News was received in Atlanta
Wednesday evening of the sudden
death that afternoon at her home
in Springwood, Va.. near Roanoke,
of Mrs. E. A. Rhodes, mother of
H. P. Rhodes, booker, and Cecil
Rhodes, assistant in the shipping
department, of Liberty-Specialty's
Atlanta exchange.
Announcement was received last
week by Metro-Goldwyn-Mayer's
Atlanta office of the election of
Salesman Louis Ingram in the lo-
cal office to the company's high-
est honorary post, "Legion of
Honor." won only through meritor-
ious distinction.
R. H. Conway, cashier of Uni-
versale Atlanta branch, is receiv-
ing congratulations on winning
third place in the company's recent
cashiers' contest. Mr. Conway was
the recipient of a substantial cash
prize.
II. R. Kistler, formerly east
coast representative for Pathe, has
been made special representative
with all territories under his juris-
diction.
April 20th marked the opening
of Alexander City's new Strand
theatre, owned and operated by
Mack Jackson, and considered one
of the prettiest and most up-to-
date small houses in this section.
The present seating provides 400,
hut tlie building has been so erected
that 350 balcony seats can be added.
The new 1480-seat theatre at
Tupelo, Miss., being now under
construction for Green, Gregory
and Roberts, the property owners,
is rapidly nearing completion. No
policy has been determined upon as
yet but it is stated that the house,
when completed, will be leased by
a chain theatre organization. The
Saenger Amusement Company is
already represented in Tupelo with
the Strand Theatre.
Recent film row visitors included
Houston Thompson, of the Palace
theatre, Cedartown, Ga. ; C. W.
Maxey. of the Royal theatre. Sum
merville, Ga. ; J. M. Johnson, of
the Kathcrine theatre, Montecello.
Fla. ; Charles Oswald. Publix
lvx>ker, Jacksonville, Fla. ; Bill
Woods, of the Belle theatre, Gads-
den, Ala. ; C. T. Hopkins, of the
Colonial theatre, I^awrenccville.
Ga. : C. A. Crute, of the Lyric
theatre, Huntsvillc, Ala., and Joe
W heeler, who operates the Capitol
theatre at Montgomery, Ala., and
the Grand. Cedartown. Ga.
1352
Motion Picture News
New England
HORTICULTURAL Hall at
Manchester-by-the-sea, Mass.,
was gutted by fire during the early-
part of the week. The theatre is
too far damaged to be repaired and
will be torn down and a new the-
atre erected on the site. John Foy
is manager and is having plans
drawn for a new building. The
loss is estimated at about $30,000.
The stock season at the Albee
theatre in Providence has opened
and will continue through the sum-
mer. In the fall pictures will prob-
ably be resumed.
George Roberts of the Fox home
office, who was at the Boston ex-
change on business, was stricken
with a severe attack of the grippe
and has been confined to his room
at the Statler Hotel in Boston' for
a week.
Assistant Poster Clerk Charles
Kelley has been promoted to the
accessory department at Publix and
is succeeded in the poster depart-
ment at Fox by Matthew Mori-
arty.
Two visitors to Boston during
the week were Michael White of
the Orpheum, Dover, N. H., and
Lee Gorman of Portland, Me.
The Olympia theatre at New
Bedford has adopted a two changes
a week policy and has eliminated
presentations for the present. The
scale of prices has also been re-
duced.
The Empire theatre at New Bed-
ford has adopted a double feature
policy instead of the single feature
policy which has been in operation.
The Capitol theatre, New Bed-
ford, is now the only theatre which
is showing vaudeville, all of the
others showing straight pictures.
Lee Gorman, who operates sev-
eral theatres in Maine, has started
construction on a new theatre in
Portland, Me. It is to be one of
the largest theatres in the city with
2,500 seats.
The full bench of the Massachu-
setts Supreme Court has set aside
the verdict of $12,000 given John
J. Sweetman by a jury in Superior
Court against T. C. Barrows and
other officers and members of Lo-
cal 182 of the Moving Picture Op-
erator's Union. The Supreme Court
has ordered a new trial of the suit
on the ground that Sweetman is
entitled to recover against some of
the defendants but not from all of
them.
In February, 1923, the union en •
acted a plan of insurance by which
assessments were levied on its mem-
bers. Sweetman brought suit in
equity to test the legality of the
assessments and the court entered
a decree restraining the union from
collecting such assessments. In
February, 1925, a demand was
made by the union that Sweetman
pay the assessments. He refused
and was thereupon ousted from the
meeting, a police officer being
called in to remove him. The union
thereupon dropped him from its
rolls. He charges that because of
the action of the union he is pre-
vented from obtaining work and
sues for damages.
The M. & S. Theatre Corpora-
tion has been organized at Boston
with $100,000 capital. Incorporators
are Charles Morse, president ;
Reginald Morse, treasurer, and
Frank J. Savasto.
L. & S. Theatre Co., Lowell, has
incorporated with $100,000 capital.
Incorporators are Nathan Silver,
Francis C. Lydon and Theodore
Shaps.
A theatre is to be erected at
Scituate, Mass. Plans are being
drawn by George T. Kelley, Bos-
ton architect. The owners of the
building are Edward J. Donovan,
John P. Kane and William E.
Supple. The building will be of
wood, 60 by 140 feet.
Ralph T. Jackson, Boston archi-
tect, is drawinfi plans for a theatre
in Franklin, Mass., for the estate
of A. H. Morse. It will be
erected on the tract bounded by
Central, Cottage and Summer
streets and will have a seating ca-
pacity of 1,000. It will be one
story with mezzanine floor, 142 by
63 feet.
Central Penn
FIFTEEN hundred patrons of
the million-dollar State Thea-
tre, Harrisburg, Pa., remained
calm despite clouds of smoke that
poured into the rear of the build-
ing on the night of April 19, when
a big factory and warehouse, sepa-
rated from the theatre only by a
narrow alley, was being swept by
flames, due to the fact that C. M.
Gibble, the house manager, ap-
peared promptly on the stage and
assured the audience there was no
danger.
Several thousand dollars' dam-
age was done to the Strand Thea-
tre, Swoyerville, near Wilkes-
Barre, Pa., by a fire which wrecked
half a dozen dwellings on the after-
noon of April 19. The theatre is
owner by the Comerford Amuse-
ment Company, of Scranton.
Announcement is made that the
theatre in Rolling Green Park, near
Sunbury, has been bought by the
Sunbury & Selingsgrove Railway
Company from the Rolling Green
Amusement Company. The theatre
will be managed by J. I. Coldren.
Improvements are being made to
the Royal Theatre, Nazareth, in-
cluding the installation of a Page
organ and new seats. The theatre
is operated by D. E. Heckman, who
will make a slight increase in the
price of admittance after the im-
provements are completed.
Nicholas Falconi is erecting a
new picture theatre in Rosetta,
which, it is expected, will be ready
for dedication about June 10. It
will have a seating capacity of 500.
The Majestic theatre, Myers-
town, owned by Adam Kreiser, has
announced that hereafter there will
be shows only two nights a week
instead of five nights as hereto-
fore.
There is a report that Fred
Schuerman, who operates a theatre
in East Stroudsburg, is negotiating
for the purchase of a plot opposite
the old post office in Main Street,
Stroudsburg, for the erection of a
new picture house. He has not con-
firmed the report.
C. Floyd Hopkins, local repre-
sentative of the Wilmer & Vincent
Theatre Company, in cooperation
with the Social Service League of
Harrisburg and the management
of the Penn Harris Hotel of that
city, recently entertained 250 chil-
dren from four orphanages.
Published reports state that Ben
Levin, who formerly operated the
Globe theatre, Bethlehem, has pur-
chased the Pergola, a compara-
tively new theatre in Allentown,'
from William Bowen. The Pergola
has been a straight picture theatre,
but it is reported to be the inten-
tion of Mr. Levin to add vaudeville
to the programs.
Harry Troxell, former treasurer
of Adams County, and owner of
the Strand theatre, Gettysburg, was
a recent visitor to the Vine street
exchange district in Philadelphia.
Baltimore
A X ordinance which would
i. » grant a permit to build a com-
bined public library and moving
picture theatre at Edmondson ave-
nue and Edgewood Street, was in-
troduced into the City Council of
Baltimore Monday night, April 23,
by Thomas L. A. Musgrave, mem-
ber of the City Council from the
Fifth District.
Plans are under way by the Edge-
moor Land Office of which Walter
R. Tuckerman is president, to build
a theatre at Bethesda, Md.
A theatre having a seating ca-
pacity of 350 persons and to meas-
ure 34 by 100 feet is planned to be
built on Haygood road, Nashville,
N. C, by J. T. Bledsoe.
The theatre which was burned
recently in Anawalt, W. Va., is to
be replaced by another, one story
high measuring 49 by 90 feet,
which will cost about $15,000 to be
built by Anawalt Theatre, Inc.
A theatre to cost about $500,000
is to be built in Roanoke, W. Va.,
by the Enterprise Theatre Com-
pany, 119 Campbell Ave., that city.
J. C. Hester, formerly secretary-
treasurer of the Southern Amuse-
ment Company, has become man-
ager of the Rialto theatre, Dan-
ville, Va., succeeding A. W. Bar-
ber, w-ho has gone to Svracuse.
N. Y.
Ted Schlanger, formerly with
Universal Exchange, Washington,
D. C, has been promoted to sales
director for the Eastern and Ca-
nadian district of that company.
The Foley theatre, Midland, Md.,
is to be entirely renovated by Lionel
Clark, the manager. The floor will
be lowered and pitched, while new
lights, seats and other improvements
will be incorporated in the improve-
ments.
New matinee prices have been
inaugurated at the Colonial, Rich-
mond, Va., by Joel A. Levy, man-
ager. They are 25 cents for mati-
nees from 11 to 1 with the usual
price prevailing after that.
Boxing and wrestling bouts are
being staged at the Majestic thea-
tre, Danville, Va., by the South-
ern Amusement Company, on Fri-
day nights and the response has
been excellent it is said.
The Star Theatre, Inc., Norfolk,
Va., has been given a charter to
own and operate playhouses. It has
a capitol stock of $25,000. The
incorporators are R. B. Glasser, J.
G. Bernstein and Joseph Marcus, of
Norfolk, Va.
Apr il 28, 19 28
1353
Pittsburgh
SEVERAL closings and changes
in policies are in the offing
among the downtown theatres :
The Lyric theatre, opened more
than a score of years ago by Harry
Davis, will be closed this Saturday,
and the theatre will be remodeled
into a storeroom.
The Olympic, one of the large
first run houses, will be closed
some time this month and the build-
ing remodeled into a fivc-and-ten-
cent store.
The Cameo, now first run, will
>w itch to second run with a daily
change oa April 16.
The State, also first run, goes to
second run, writh three changes a
week. This to take place about the
middle of the month.
M. A. Sybert, prominent citizen
of Moundsville, W. Va., and one
of the best known theatre owners in
the local territory, passed away at
the age of 57 years in a Cleveland
hospital on March 25th, following
a long illness of heart trouble. De-
ceased was a pioneer theatre owner
in Moundsville, and also at Mc-
Meehen, conducting the Strand and
Park in the first named town, and
the Midway in the latter.
Harry Milstein is the new man-
ager of the Pittsburgh Universal
branch, succeeding Phil Dumas,
whose resignation became effective
two weeks ago. Mr. Milstein has
been with the Universal for the past
six years.
Phil Dumas, retiring manager,
made no announcement as to his fu-
ture plans, other than he was going
to the old home in Chicago, for a
rest before again entering the busi-
ness world.
Max Milder, division manager
for Warners' is m town for a few
days visiting many of the exhibi-
tors in company with Harold I >unn,
manager of the local branch. Max
reports that he recently had a nar-
row escape from death or serious
injury while in the St. Louis terri-
tory when an automobile in which
he was riding turned turtle. Ik-
escaped with a shaking up.
J. M. Reynolds, for many years
owner of the College theatre at
Crove City, has sold the house, the
new owners having re-opened the
house on March 29th after having
done some re-decorating. The the-
atre is now known as the Park.
The new owners are Joe and Rock
Puntureri and Augustine Leone.
Pat Bayer, who recently closed
his Family theatre at St. Mary's,
so as to do some extensive remodel-
ing, has had the work completed
and opened the house Easter Week.
Ted Schlangcr, Universal's popu-
lar eastern sales director, recently
spent several days at the company's
Pittsburgh branch.
A. H. Schnitzer, manager of the
FBO exchange, is spending sev-
eral days on the road calling upon
many of his exhibitor friends.
Charlie Johns, owner of the
Grand theatre at Republic, is re-
cuperating in a Hospital from in-
juries sustained recently in an auto-
mobile accident.
Bud Silverman, of the Gould
Amusements, has returned from his
honeymoon which he spent visiting
the picture studios on the west
coast. The bride was formerly
Miss Margaret Ourslander.
August Bair, former owner of
the Lyric theatre at Altoona, has
again taken over the theatre, after
having sub-leased it the past year.
He has just re-opened the house
after having it remodeled and re-
decorated. Seating capacity has
been increased to 600.
Al Sugarman, formerly manager
of the Pittsburgh Universal branch,
and now a salesman at the com-
pany's Cincinnati office, paid a visit
to bis old friends in the Steel City
last Tuesday and Wednesday.
A. I. Kent, traveling auditor for
the Columbia Pictures Corpora-
tion, spent the past week at the
Pittsburgh branch of the company.
Elmer Thomas manager of the
Bellevue theatre in Bellevue, is back
on the job after a ten-week vaca-
tion trip to the Bermuda Islands.
Ben Gould, who will be remem-
bered here as having been a Fox
salesman in the local territory sev-
eral years ago, has just been named
manager of the Fox branch at Los
Angeles.
Mr. Messina, former manager of
the Liberty theatre at Sharon, has
just taken over the Gable theatre
in the same town, until recently
conducted by Messrs. Sussman and
Greenblatt.
Cleve Adams FBO division
manager who makes Pittsburgh his
headquarters, is at present spending
some time in the local territory.
G. A. Mooney, who is erecting
the Clay theatre at Claysville, was
in Pittsburgh the past week and
reported that his house will be
ready for opening by the first of
May. The new structure is a two-
story brick building, housing a 400
seat theatre, with a storeroom on
either side of the lobby.
DISTRICT Representative L. L.
Savage is spending several
weeks at the Salt Lake Pathe of-
fice. It is stated here that he is
to be joined by Mrs. Savage and
that they will make their residence
in this city.
Manager Al O'Keefe is expect-
ing to leave for the Montana ter-
ritory with his Pathe subjects
within a short time. O'Keefe states
that "The King of Kings" is to
be sold to exhibitors commencing
next month.
George Hayes is working in
Southern Idaho this week for
Pathe, while Jack Connors is still
in the southern part of Utah.
John Miller of the Cameo the-
atre at American Fork, Utah, has
been visiting local branch managers
and lining up some new business
for his house this week, as has E.
O. Ostlund of the Rivoli theatre
at Springville, Utah.
A. W. Hartford, manager for
Universal here, is in the office after
a sales trip into the Southern Utah
section.
Salesman C. C. McDermond is
making Southern Utah this week
for Universal, and E. M. Gibson
has left for the Idaho branch.
Wayne Ball, Warner Brothers
exchange manager in this city, is
expected to return from Montana,
where he has been working with
Salesman M. F. Keller during the
past two weeks. Ball intends leav-
ing this coming week for New
York, where he will attend the Na-
tional Sales Convention held there
by Warner Brothers.
C. B. Nance, owner of the Ruth
theatre at Ruth, Nevada, left for
his home after spending a few days
here looking over picture produc-
tions and visiting his many friends.
C. M. Pace of the Pace theatre
at Delta, Utah, and Andy Mur-
dock of the Ideal theatre at TTeber
City, Utah, spent a few days in this
city recently.
Harmon and Louis Peery of the
Egyptian and Ogden theatres of
Ogden, Utah, were lining up some
of the latest production here last
week.
Ben F. Rosenberg, district repre-
sentative for Fox, came in from
Los Angeles last week and after a
brief visit left for Omaha.
Branch Manager Charles Walker
of the Fox exchange has been
working in the Idaho territory.
Harry Levey just drove his new
Chrysler into Idaho.
"Hap" Fredericks, manager of
the local Columbia Pictures ex-
change, came in a few days ago
from the Cache Valley section of
Northern Utah.
John Rugar, exhibitor visitor
from Park City, Utah, spent a few
days here last week in the interest
of the Egyptian, Orpheum and
American theatres of Park City.
Ed Ryan, well known exhibitor
from Brigham City, Utah, was also
in booking some new productions
for his Liberty and Alberta the-
atres.
A new manager has been ap-
pointed to take charge of the local
United Artists office in the person
of Sam Gage, who comes to this
city from San Francisco, where he
was for some time branch manager.
Gage is succeeding Harry Stern,
who had charge of this office for
the past year and who has resigned
to leave for Los Angeles.
Dave Bershon. district manager
for United Artists, recently spent
a few days in this city.
Ross Bluck. booker for F. B. O.
at the local exchange, is to make a
sales trip into the Price and Moab
sections of Southern Utah this
week. Bluck states that the name
"Kiva" has been decided upon for
•he new theatre constructed by Ed
Bluck, his father, at Durango,
Colorado.
The local F. B. O. exchange
management has added a new sales-
man to the organization in the per-
son of Thomas J. Walsh, who will
represent F. B. O. in Montana.
George Jensen is working in
Western Montana this week and
Walsh in Eastern Montana, but
it is stated that Jensen will be
transferred to cover the state of
Utah immediately after the F. B.
O. convention, which is to be held
some time during May.
Fred Brown, one of the owners
of the DeLuxe exchanges in Den-
ver and Salt Lake City is leaving
this week for Denver, it is stated.
Manager James R. Keitz of the
local Dc Luxe office, is making an
extended sales trip into the Idaho
country, and is leaving this week,
it is announced. This office has
just been completely redecorated
and renovated and an invitation is
being extended to all exhibitors to
feel at home at these quarters, ac-
cording to Brown and Keitz.
l>eonard Halstead, formerly with
United Artists as shipper, is now
connected with the local De Luxe
exchange.
Ben Ritchie, who was with
United Artists here for some time,
is now reported to be in the mov-
ing picture production business at
Idaho I "alls. Idaho.
UNIFORMS att«hII COSTUMES swwa BROOKS KVS
1354
Motion Picture News
Florida
PLENTY of news breaking in
Tampa this week. The lease
on the Grand expires with this
month and Consolidated Amuse-
ments will not renew it. They will
close down the show after the last
performance Saturday, the 28th,
remove all equipment and turn it
over to the new lessees on the first
of May. It will be remodeled and
used for a mercantile establishment.
The Grand has been Tampa's
two-bit house on the main stem for
many years, playing all second run
pictures. The Franklin, less than
two blocks away and also on the
main street, are using second runs
for two days each week. They have
have a 30c. price. The company
believes the Franklin can take care
of the Grand patrons.
Around the corner at the Strand
we find another change. Jack
Hobby, the manager, is to be trans-
ferred to Palatka, where he will
manage the Howell for the Publix.
Hobby is quite a favorite in Tampa
and his friends regret his leaving,
but his family are located in
North Florida and he is anxious
to get nearer to them so he can
visit them oftener. General Mana-
ger Carroll has not given out Hob-
by's successor yet.
A little further up Franklin
street we find J. E. Ramos, of the
Prince, is branching out. He has
taken a lease on the Palms at Sul-
phur Springs, is remodeling it at
expense of $8,000 and will open
that house on the 28th of this month
under the name of Nebraska the-
atre.
Still further up Franklin street
the Rialto goes dark this week.
This house has been operated about
two years. A musical comedy
stock company held the boards for
over a year. Then a dramatic stock
company tried it out but failed to
keep business coming, though they
>tarted out nicely. Two sex pic-
tures played the house a week each
to just ordinary returns. The house
house has been leased and the plans
of the new lessees are to bring
in a strong musical show, which
seems about the best bet.
Out in the Belmont Heights sec-
tion another house goes dark. This
is the fourth spell of darkness for
this house, the Campobello, an ex-
clusive negro theatre. Straight pic-
tures, vaudeville and tabs have all
been tried out there but nothing
seems to click.
John E. Campbell, popular cam-
eraman and exhibitor of Port
Tampa City, has had a busy week
shooting scenes of the Pageant of
Progress celebration staged in
Tampa this week. John is the
Pathe representative for this ter-
ritory.
Seen along Tampa's Rialto :
George Almon and his wife.
George sells First National pic-
tures. Mr. and Mrs. O. L. Morri-
son, who recently sold the Reli-
ance theatre in Clermont to Fred
A. Gleason. They are out for a
little vacation now. After giving
Tampa the once over, they went
to Clearwater Beach for a dip in
the Gulf.
When the "Senators," Washing-
ton's big league team, were in
Tampa for their, spring training,
an agitation was started to permit
ball games on Sunday afternoons.
The papers came out strong for it
and the Mayor endorsed the plan,
but the Tampa Ministers Associa-
tion were dead "agin it." This
week they passed resolutions and
formal committees to call upon
the city and county authorities ask-
ing them to force the closing down
of the theatres on Sunday and to
prohibit the playing of golf and
polo.
A trade paper published a report
that Fred L. Freeman had sold the
Alimar in Live Oak and bought
the Fay at Jasper. This report is
not correct. Mr. Freeman has not
sold out anything, but has simply
formed a company under the name
of Tri-County Amusement Com-
pany, who will handle both the Ali-
mar at Live Oak and the Fay at
Jasper. Mr. Freeman is the general
manager of the company and Mrs.
Eunice Kirkland is secretary and
assistant manager.
Jesse Clask, district supervisor
for Publix, spent several days in
Jacksonville last week.
The employees of the Universal
and F. B. O. exchanges enjoyed a
beach party and dance Wednesday
night.
Manager Charles Lester, who
has been ill, is now back at work
in the Universal exchange.
Frank Dowler, southeaster dis-
trict supervisor for Publix, was in
Jacksonville this week.
Milwaukee
AFTER serving in the capacity
of manager of Fox Film book-
ing offices and later as general man-
ager of Celebrated Players film
corporation covering a ten years'
period, Harry Hart has resigned
his position with Celebrated to take
effect April 28th. His future con-
nection has not yet been announced.
The new Fox exchange enter-
tained about 350 guests at their
house warming last Tuesday. The
exchange was beautifully deco-
rated with cut flowers.
The Lake theatre at Geneva has
been taken over by the Community
Theatres, Inc., and will be opened
on May 30th. The house has a
capacity of 725. This is the eighth
theatre to be acquired by Commun-
ity Theatres in southern Wiscon-
James Ambrose, United Artists
district manager, spent a few days
in Milwaukee early in the week.
A farewell dinner is being plan-
ned for Thomas Saxe, manager of
the former Saxe Amusement En-
terprises, to be given at the Schroe-
der Hotel on Monday night. Mr.
Saxe's many friends in the ex-
changes are planning the dinner.
Harvey Stock, sales representa-
tive, is no longer traveling for Fox.
Charles Guelson, manager of the
Bagder theatre at Stoughton, was ■
a recent visitor at the exchanges.
Exchange managers and kindred
souls are organizing a club, social
in nature, 'tis said, with club rooms
in the Commerce building on 4th
and Wells. The following men
have thus far been identified with
the venture: Ed Weisner of the
Columbia exchange, John Strain of
Midwesco, L. L. Ballard, United
Artist representative ; Charles Ne-
bel of Community Theatres, O. R.
Reifel of Paramount and F. G.
Sliter of Fox.
James R. Grainger, Fox general
sales manager ; Clyde W. Eckhardt,
district manager, and Max Roth,
personal representative of Mr.
Grainger, visited the new Fox ex-
change.
E. Kessler, manager of the Gran-
ada of Racine, was in the city on
Wednesday.
The bowling season is over. The
Serials took the $60 prize at the
last match on Tuesday. The Seri-
als has maintained a steady lead
over other teams for the greater
part of the season. Ed Zimmer-
man, F. V. DeLorenzo, Ray Smith,
Ernest Langmack and Glen Wood
comprise the team.
Miss Betty Wells and Miss Mar-
jory Cornelius have been trans-
ferred from the Indianapolis branch
of Fox to the Milwaukee office.
Miss Wells is contract clerk and
Miss Cornelius will be secretary to
F. G. Sliter, manager.
The Riverside theatre, Milwau-
kee's newest vaudeville theatre,
will be opened on April 29th. The
new house is located in the new
Empire building on the corner of
Wisconsin avenue and West Wa-
ter. It has a capacity of 3,000,
which makes it Milwaukee's larg-
est theatre. It is successor to the
present Majestic theatre and will
present combined Orpheum circuit
vaudeville and pictures.
San Francisco
' t'T'JE ROW" paid tribute to
1 one of its pioneers April
12th when a dinner was tendered
Howard J. Sheehan at the St.
Francis Hotel. Sheehan, who has
been for several years division man-
ager of Fox Film Exchanges, left
soon after for Los Angeles to be-
come an executive of the West
Coast Theatres, Inc.
Morgan Walsh of Warner Bros,
was toast master and master of
ceremonies. After speaking of what
the guest of honor had contributed
to the advancement of the indus-
try and giving a short history of
his career, Sheehan was presented
with a silver service. The presen-
tation came as a complete surprise.
Wiley R. Conley is now operat-
ing the Garden Theatre, Reedley,
and purchased complete booth
equipment.
Breaking of ground for a new
$150,000 theatre and store building
on Fourth Street, San Rafael on
April 7th, marked the fourth new
structure in course of erection on
the main business street.
F. A. Atkins, Lyryic Theatre,
Marysville, purchased a new venti-
lating system.
Rern Theatre, Oakland, owned by
C. Welch, purchased two Peerless
Arc Reflector Lamps.
W. G. Hull, Ely Theatre, Ne-
vada, has just purchased the latest
type projectors.
The Tokay Theatre in Lodi is to
reopen soon with new seats.
Harvey Gillman of the Club The-
atre, Weed, was a recent visitor.
The Nippon Theatre, Sacra-
mento, recently had a fire in the
operating room and complete kine-
booth equipment was sold to Man-
ager Nakatani by the National
Theatre Supply Co.
April 28
19 28
1355
New York & New Jersey
MANAGERS of the Small-
Strausberg Circuit have com-
pleted plans for the testimonial
dinner tendered to Henry Rosen-
berg, executive General Manager,
to be held at the Astor Hotel,
Tuesday evening, May 15th. Nor-
man Pearce, the Bachelor Poet, will
act as toastmaster. The entire pro-
gram of entertainment will be
broadcast through the courtesy of
WMCA. Martin J. Roscnbiirgh,
Paul Binstock and Sidney Larschan
represent the committee of arrange-
ments.
An experiment based on a 50-50
cut with the Stanley-Fabian chain
which, a year ago, took over the
operation of Al Hecht's Rivoli the-
atre at Rutherford, N. J. and the
Regent, Kearney, recently resulted
in Hecht again taking the two the-
atres under his control. It is said
that the deal was called off for the
reason that Mr. Hecht came to the
decision that he could make larger
profits with the houses under his
personal direction.
Clarence Cohen has resumed con-
trol of the Whitehall theatre, Bat-
tery Place, New York City. Harry
Harris, chain theatre operator of
uptown New York City, has been
associated with the Whitehall's di-
rection for the past year but is now
said to have withdrawn from man-
agerial affairs of this house.
The Armory theatre, 14th street
and 7th Avenue, Brooklyn, is re-
ported to be operating under a re-
ceivership on account of some diffi-
culties recently experienced by the
management.
All of Eddie Canter's friends will
be glad to know that he is at last
recovering from a long siege of ill-
ness which resulted in several
months' confinement to a local hos-
pital. Mr. Canter is still conva-
lescing but is expected to show day-
to-day improvement. His last the-
atre connection was with the Al-
hambra, Brooklyn.
Rumored negotiations between
Loew Theatres, Inc., and Universal
whereby the former might have
taken over the recently built Uni-
versal theatre, New Utrecht Ave-
nue, Brooklyn, are said to have
come to an end. A disagreement
over certain details of transfer is
the reason advanced for the failure
of the two parties to come to terms.
F. R. Carter is the new manager
of the Tivoli theatre, Adams Street,
Brooklyn. Mr. Carter succeeds Bill
Price, recently resigned.
Manager Giovanni, formerly
with Consolidated Amusement
Company's Jerome theatre, is now
at the helm of Joclson's Ritz thea-
tre, the Bronx.
After a three months' trial at
operating the Washington theatre,
474 Myrtle Avenue, Brooklyn, the
management called it a day and
closed the doors last Monday.
On his return from a vacation
spent in the Bermudas, Bill Price,
former manager of the Tivoli the-
atre, Brooklyn, is reported to have
concluded satisfactory negotiations
for the managership of Rudolph
Sander's newest theatre, Park
Slope section of Brooklyn.
When it comes to getting the
most out of a picture's exploitation
values it must be admitted that Jos.
M. Seider and his associates are
going about the matter in the right
sort of way. A recent idea of Mr.
Seider's — worked out by his
nephew Moe at the Regent thea-
tre, Bayshore, is such a good one
that we are passing it along to
others in next week's issue of the
Motion Picture News.
D. Boyd, former manager of
Loew's Circle theatre, is now in
charge of Loew's Rio.
Six reels of a popular feature
film recently walked itself out of
a Brownsville theatre and the own-
ers are still looking for it up to
the present writing.
Abe Peskin recently purchased
the Colonial theatre, 76th street and
5th Avenue, Brooklyn. Harry
Blinderman was the former owner.
Adolph Pincus is said to have
tendered his resignation as man-
ager of Samuel Lesselbaum's Fort-
way theatre. Brooklyn.
Eric Meyer, chief organist,
Small-Strausberg Meserole Thea-
tre, proudly announced the birth of
a daughter on April 14th. Her
weight on arrival was recorded as
nine pounds. Not titled yet. Mother
doing well. Eric is still on the job,
plugging all the baby melodies,
with "Pretty Baby" running in the
lead. Milk companies have already
had their solicitors on the 'loca-
tion.'
"The Paragon" is the new name
given to the old LeRoy theatre,
Fulton Street, Brooklyn, by Chas.
Fischer and associates. The house
will shortly be reopened.
Practically all of the boys of the
big U exchange will leave this
Thursday for their convention at
Atlantic City.
Jack Goldstein, well known edi-
tor and film salesman who has
lately been associated with the
Commonwealth exchange, has
joined the staff at the Big U and
will cover Brooklyn territory.
The next meeting of the Motion
Picture Operators Union, Local
No. 306, will be held at the Brook-
lyn Labor Lyceum, 947 Willoughby
Avenue, Brooklyn, May 2nd.
The Motion Picture Salesmen,
Inc., met last Saturday at the Ho-
tel Manger.
W. Savage, owner of the Rivoli
theatre, Hoboken, has plans under
consideration for the enlargement
of his house from 600 to 1,500
seats.
One of the Consolidated Amuse-
ment Company's theatres, the
Arena at 8th Avenue and 40th
Street, is adding vaudeville to its
program the latter part of the week.
This is said to be the first of this
circuit's theatres to play a program
of this kind.
Cleveland
THK Palace theatre, Lorain,
new 2000-seat house built by
the Universal - Variety circuit,
opened Thursday, April 19th. A
large delegation from Cleveland at-
tended the opening and participated
in the festivities. Harry Brown is
managing both the Palace, Lorain
and the Ohio, Mansfield, a new
house which the Universal- Variety
circuit opened several months ago.
Frank Nolan, former Cleveland
exhibitor, who bought the Orpheum
theatre, Canton, several years ago
from R. C. Steuve, has sold a half
interest in the house to R. C.
Steuve's son, Walter Steuve.
William Hart of the Norka the-
atre, Akron, has returned from
Colorado where he went several
weeks ago for his health.
The Webber theatre, Dover, is
open -again. A. V. Abel, formerly
of New Philadelphia, is running it.
Allen Simmons of Akron is a
busy man trying to figure out what
is his job and which are his hobbies.
He owns and runs the Allen thea-
tre, one of the leading first-run
houses of the town. He owns his
own airplane and has been a li-
censed pilot for some time. He has
now arranged to open a thing
school in Akron. And then, just to
keep his interest alive, he has or-
ganized a new taxicab company in
Akron. We haven't learned what
Simmons does in his spare time.
Ike Friedman, former partner of
Milton Bryer in a chain of Akron
motion picture theatres, has re-
turned to Akron after spending the
winter in California. He has not
succumbed to the call of the movie
business however, and is at present
selling real estate.
The Glen theatre, 9217 Turney
Road, is closed. The building will
be entirely remodelled for other
commercial purposes. Thomas
Brennon is the owner.
Harry Karl has turned over the
keys of the Opera House at Ash-
land to John Damm, who also has
the Strand at Wadsworth. The
Opera House belongs to the city
of Ashland and its lease is auc-
tioned off to the highest bidder at
stated intervals. In a recent bid-
ding contest, Damm got the house.
Reade's Hippodrome. Cleveland,
will inaugurate its summer policy
of straight pictures starting Sun-
day, April 29th.
Convention season has arrived.
The local Universal, F B O and
Warner Brothers' exchanges are all
pepped up over the prospects of
them. Leo Devaney, local Univer-
sal exchange manager, will com-
mand his army of salesmen with
Andrew Sharrick as first lieuten-
ant. The rostrum will include Joe
Krenitz, Dan Stearns, Jack Lcfky,
Cowan Bain, J. O. Schoeningcr
and J. O. Bartells. Al Mertz.
F B O exchange manager here, will
represent the office at the F B O
convention and Norman Moray and
Fred Scheuerman will attend the
Warner convention.
Nat Barach in charge of Vita-
phone sales in this territory, will
not be able to attend the Warner
convention. Barach is in Battle
Creek, Michigan, trying to get well.
Word has been received here that
Ed Reynard of the Grand theatre,
Marion, has been acquitted by a
federal jury for keeping open on
Sunday, by a vote of 9 to 3. It is
also stated that Reynard kept his
house open last Sunday and not
molested at all. Reynard had been
indicted for failing to observe the
blue laws.
The University theatre is the
name of the new 1200-scat motion
picture theatre that Max Lefkovitz
and his associates arc building on
Euclid Ave., just east of 105th St.
It gets its name from being in close
proximity to Western Reserve
University. This is the tenth house
to come under the Lefkoivtz ban-
ner. The University will be unique
in Cleveland. Its Euclid Avenue
entrance is at right angles to the
auditorium, so patrons entering
from Euclid Ave. will enter right
in the center of the auditorium. No
other local house has this feature.
Mark Goldman, Tiffany-Stahl
manager, is wearing a medal — re-
ward for Cleveland being at the
head of the list of offices in the
central division in sales.
Charles Hahn is the new owner
of the Happiness theatre at Sher-
wood, O. Hahn recently purchased
the house from R. A. Werner.
The Grand theatre, Mingo Junc-
tion, has changed hands. L. W.
Lisle has turned the house over to
the new owner, William B. Webber.
George Foster, well known ex-
hibitor for many years, has retired
from the field of active endeavor,
and last week sold his Oakland the-
atre to R. Maxson. Maxson hails
from Salina, O."
Paul Meullcr. formerlv asso-
ciated with the M. A. Shea Thea-
trical Enterprises, has been ap-
pointed manager of the Hillard
Square theatre, which this week
celebrated, its first birthday.
1356
Motion Picture News
South East
ITiOLLOWING out their pre-
P viously announced policy of
further expansion in the state of
South Carolina, Stevenson The-
atres, Inc., have j'ust closed a
lease for the new Carolina theatre,
Union, S. C.
R. P. Rosser, general representa-
tive of the Stevenson chain, states
that the Carolina has been closed
for a brief period to allow for cer-
tain important changes and for the
installation of additional new
equipment. The house will be con-
verted into a strictly modern the-
atre and will adhere to a first
run policy.
Changes in the management of
three Raleigh theatres were an-
nounced Monday by W. G. Enloe,
city manager for Publix-Saenger
Corporation, operators of the State,
Superba, Palace and Capitol the-
atres.
A. C. Kincey, of Selma, Ala., a
brother of H. F. Kincey of Greens-
boro, general manager for Publix-
Saenger in North Carolina, becomes
house manager of the Superba, suc-
ceeding Noble Arnold, who was
switched to the Palace to succeed
Howard Sugg, who was named
house manager of the Capitol.
Mr. Kincey is an experienced
theatre manager, having managed
picture houses in Alabama and
Tennessee. Mr. Enloe, who is
house manager of the State, is also
general manager for the Superba,
Palace and Capitol.
Angus P. Boatwright will take
over the Batesburo; theatre. Bates-
burg, S. C, early in May and close
it for two weeks for renovation
and redecoration. When it reopens
about June 1st Mr. Boatwright will
personally manage the house,
which he and his brother, Leonard
M. Boatwright, own jointly.
The receivers of the Carolina
Theatres, Inc., have sold the Lex-
ington theatre, Lexington, N. C,
and the Concord theatre, Concord,
N. C, to Charles M. Allbright.
It is also understood that Mr.
Allbright has practically completed
negotiations for the Carolina the-
atre at West Asheville.
Ollie H. Browne, of Aranson
and Browne, who recently disposed
of their theatre interests, has been
a visitor in Charlotte for several
days. Mr. Browne left Thursday
for Atlanta to meet Mr. Aranson
there to arrange details concerning
their future activities in the film
industry.
Kenneth Ward, manager of
Charles H. Arrington's Palace the-
atre in Rocky Mount, N. G, has
been in a hospital there for several
weeks on account of an operation
for appendicitis.
Sidney S. Stevenson, president
of Stevenson Theatres, Inc., Hen-
derson, N. C, has purchased two
Orchestraphones from the National
Theatre Supply Company. One
will be installed in his North State
theatre in Goldsboro, N. C, and the
other in the new theatre being com-
pleted in Union, S. C, which is
scheduled for opening at an early
date.
Visitors in Charlotte last week
were J. C. Webb, Webb's theatre,
Shelby, N. C. ; Jerry Simpson,
Ideal and Lvric theatres, Gastonia,
N. C. ; H. J. Paradis, Paradis The-
atre Circuit, Wilson, N. C. ; V. D.
Humphries, Lyric theatre, Bishop-
ville, S. C; D. Holt, Troy the-
atre, Troy, N. C. ; John Banner
and Early Benbow, Grand theatre,
Mount Airy, N. C. ; W. R. Robin-
son, Princess theatre, Belmont, N.
C. ; U. K. Rice, Colonial theatre,
Winston-Salem, N. C.
The Victoria theatre, Wilming-
ton, N. C, formerly owned and
operated b'y Howard & Wells,
has been taken over by S. S.
Campbell.
W. A. Murphey has sold the
Movie theatre (colored house) in
Yemassee, S. C, to J. J. Backett,
who is also planning to take over
the colored theatre at Beaufort,
S. C.
C. W. Drace, owner of Drace's
theatre, Greer, S. C, has taken over
the Grand theatre in that city,
which has been operated by Geo.
Hughes and J. A. Reynolds.
Sometime ago it was reported
that Robert Herry had purchased
the Brooklyn theatre, Wilmington,
N. C, from Tom McMillan. How-
ever, according to information just
received, K. D. Bagnall is the new
owner.
It is reported that V. D. Humph-
ries of the Lyric theatre, Bishop-
ville, S. C, is to open a new house
at Red Springs, N. C.
A. B. Huff, formerly owner of
the High Point Amusement Com-
pany, High Point, N. C, and now
owner of the Grand and Oasis the-
atres in Kingston, N. C, is building
a new theatre in Dunn, N. C. No
definite opening date has been an-
nounced.
S. S. Stevenson, president Ste-
venson Theatres, Inc., Henderson,
N. C, has been in New York on
business.
E. F. Dardine, branch manager,
Universal exchange, Charlotte,
made a trip to the eastern part of
the state last week.
Warren Irvin, manager of Pub-
lix's Carolina theatre in Charlotte,
made a trip last week to Augusta,
Atlanta, Knoxville and Chatta-
nooga, previewing presentations.
While in Charlotte last week on
his way to Union, S. C, to aid in
the completion of plans for the
opening of the Carolina theatre
there, George Stevenson, of Stev-
enson Theatres, Inc., of Henderson,
N. C, announced that his company
also would have several other the-
atres in South Carolina in the near
future. He was accompanied by
George Rosser, of Stevenson The-
atres, Inc. The Carolina at Union
was formerly owned by Roy Wilii-
ford.
Among exhibitors in Charlotte
last week were J. M. Black, Strand
theatre, Cherryville, N. C. ; Phelps
Sasseen, Iris theatre, Salisbury, N.
C. ; C. A. Peeler, Universal the-
atre, Lenoir, N. C, and the Rivoli
theatre, Hickory, N. C. ; D. Holt,
Troy theatre, Troy, N. C. ; Ken
Finley, Opera House theatre, Golds-
boro, N. C.
Albany
HE officers of the Albany Film
Board of Trade were honored
last Friday night at an installation
dinner to which all members of the
Film Board were invited. How-
ard Morgan, as president of the
board, presided at the occasion.
Harry Kirchgessner, representing
"Aesop's Fables" and "Topics,"
and who makes his home in New
York City, was in Albany and vi-
cinity during a portion of last
week, making his headquarters at
the Pathe exchange.
Abe Stone, who is devoting his
entire attention to the Eagle in Al-
bany at the present time, and who
has succeeded in turning what had
been regarded as a lemon into one
of the most successful of the low
priced houses in the city, was all
smiles last week, as he announced
that he had been excused from do-
ing jury duty.
When the baseball season opened
last week in Albany, C. H. Buck-
ley, owner of the Leland and Clin-
ton Square theatres, was right on
hand, as might be expected. But
Mr. Buckley was not alone, for
there were other exhibitors pres-
ent, and likewise many from the
exchanges along film row.
Harry Hellman is planning to
open his camp a short distance out-
side of Troy. Mrs. Hellman is now
assisting the son in handling the
Paramount, which is hitting its
stride these days and doing well.
Uly S. Hill and Herman Vine-
berg of Albany, together with
Henry Frieder of Hudson, repre-
sented the exhibitors last week at
the semi-monthly meeting of the
Board of Arbitration. It was Mr.
Vineberg's first appearance on the
board, he having but recently en-
tered the ranks of the exhibitors
through the acquisition of the Ar-
bor Hill theatre. Mr. Frieder is
not only an exhibitor, but also a
lawyer, and is much sought after
at board meetings.
Edward Hayes, who recently re-
signed as manager of the Pathe ex-
change in Albany, has gone to Buf-
falo.
E. H. Arnold, manager of the
Liberty theatre in Watertown, was
one of the speakers last week at a
meeting of the Parent-Teachers
Association in his city.
Amos Leonard, of Syracuse, for-
mer sales manager for the Pathe
exchange in Albany, but who re-
signed some weeks ago, is once
more back with his old organiza-
tion, serving as salesman for Pathe
in northern New York. He ac-
companied Manager Charles Stom-
baugh last week to Malone and
other places.
Kenneth Robinson, who recently
came to Albany to assume the man-
agement of the Paramount ex-
change, is much more contented,
his family, consisting of a wife
and two boys, having moved here
last week.
Two diamond solitaires ap-
peared last week at the Pathe
exchange and foreshadow wed-
dings. The rings appeared on the
hands of Miss Eleanor Foster and
Miss Rhea Carmody.
Mrs. Esther Brennan, formerly
Miss Kenney, is back from a
weel 's honeymoon spent in New
York City, and occupying her desk
at the Universal exchange.
Harry Bassett, connected with
the Paramount exchange in Al-
bany, suffered an accident one day
last week while hanging a mirror
at his home. Mr. Bassett is now
walking with the aid of a cane.
Mrs. A. E. Milligan of Schuy-
lerville, announces that she has in-
stalled two new motiograph ma-
chines identical with those of the
Roxy in New York City.
The Slotnick boys, Sam and Mor-
ris, journeyed down to Albany
from Utica last week, and did
much booking. One of the brothers
books for the Orpheum and the
other for the James and Lincoln
theatres. John Angelo, also of
Utica, was in town.
William Smalley, of Coopers-
town, is recuperating from his re-
cent illness and is spending two
weeks in Atlantic City. It has
been two months or more since Mr.
Smalley visited Albany exchanges.
Alice Herman, former manager
for First National, Albany, is now
working out of Buffalo, according
to reports filtering into Albany.
Ground lias been broken for the
new Kellet house in Rome. The
theatre will have a seating capacity
of about 2,500 and will occupy a
site in the center of the city.
John Christie, who operates a
theatre in Watervliet, announced
last week that he would close down
entirely as soon as hot weather set
in.
April 28, 1928
1357
Kansas City
THE best exploitation or pub-
licity always conies from un-
expected sources, the management
of one Kansas City theatre, at
least, believes. While workmen
were excavating twenty-four feet
below ground level on the new
Country Club Plaza theatre, which
will be a first run suburban house,
the tooth of a monster, believed to
have been a mastedon, was picked
up in a steam shovel.
Kansas City's film row virtually
went en masse to the funeral of
Walter Wallace, veteran Leaven-
worth, Kans., exhibitor and part
owner of the Orpheum theatre,
Leavenworth, who died last week.
The following were pall bearers :
Harry Tavlor, Roy Churchill, Tom
Byerle, H. E. Schiller, Ed Old-
smith, C. M. Parkhurst, Lee Doty,
Guy Nevarre, Elmer Rhoden, C.
A. Schultz, A. H. Cole, C. A.
Jones, Bob Withers, Russell Borg,
W. P. Bernfield, M. C. Sinift,
C. H. Hilgers and Russell Egner.
Kansas City's film row is busily
engaged in arguing "pro" and
"con" about a proposed Film Row
Baseball League. F. E. Ritter of
the Midwest Theatres, Inc., is the
voluntary organizer of the league
and is waiting for some response.
Mrs. Florence Koch, wife of
Stanley Koch, veteran exhibitor
and film salesman, who now is
manager of the Synchrophone Co.
in Kansas City, died Wednesday
after less than one day's illness.
The new Marshall theatre, oper-
ated by Ed Nugent, Marshall, Mo.,
seating 500 persons, was formally
opened last week to capacity
crowds, which have continued since
the opening day.
J. H. Campbell has taken over
the management of the Crystal the-
atre, Ottawa, Kans.
J. L. Waybill again has become
the owner of the Royal theatre,
Carrollton, Mo.
The Globe theatre, Tina, Mo.,
managed by J. G. Wetzel, has been
redecorated, as has the Liberty the-
atre, Sedalia, Mo., operated by A.
A. Karf.
The Star theatre, Cole Camp,
Mo., has been opened by C. P.
Junge.
The exterior of the Strand the-
atre, Bedalia, Mo., has been refin-
ished in black and orange.
The Hazleton theatre, Hazleton,
Kans., has been purchased from
Hyatt & Edwards by Charles S.
Williams.
The Lyric theatre, Houston, Mo.,
has been purchased by Noel Duff
and Don Garrison from L. R.
Burkhead.
The Legion theatre, Alton, Kans.,
which has been closed for more
than one month, has reopened.
Ben Blocky, Paramount district
manager of Minneapolis; Irwin,
Zeltner, representative of Tom
Mix, and Ed Alperson, division
manager for Warner Bros., were
Kansas City visitor last week.
Bill Burke, former sales represen-
tative of the First National branch,
Kansas City, has joined the Para-
mount sales force.
F. B. O. exchange entertained
exhibitors at a buffet luncheon,
Wednesday, Tom Mix, screen star,
being the guest of honor. Between
being a speaker at various lunch-
eons, attending many juvenile af-
fairs and parties, Mix had an ul-
tra active week in Kansas City.
Arthur A. Cole, manager of the
Kansas City Paramount branch,
resigned last week, giving ill
health as his reason. It is under-
stood Paramount has requested that
Mr. Cole take a rest and resume
his relations with the company.
A check-up of the attendance of
the annual benefit performance for
the National Vaudeville Artists at
the Mainstreet theatre, Kansas
City, showed the attendance to be
1,800 and the proceeds $2,500, ac-
cording to Lawrence Lehman,
manager of the theatre.
Cincinnati
SUIT for the recovery of Sorg's
Opera House, Middletown,
Ohio, has been brought by Sam
Finkelman, owner, against Gust,
and Theodore Crifos, lessees, on the
ground that the defendants have
breached their contract by under-
letting the house to the American
Legion for theatrical purposes
without consent of the plaintiff for
rentals in excess of $400.
The Regent theatre, Hamilton,
Ohio, which has been open only on
Sundays with vaudeville and pic-
tures, is now showing on Satur-
days and Sundays.
According to current rumor, a
new theatre financed by outside
capital will be built at New Lex-
ington, Ohio, on the site of the for-
mer Colburn hotel.
Roy Dickerson, a member of the
Madison theatre orchestra, at
Mansfield, Ohio, became suddenly
ill alter playing a performance one
night recently, and died three days
later. He was prominent in both
civic and fraternal circles.
A syndicate is being formed at
Massillon, Ohio, with Philadelphia
capital to erect a nine story theatre
and office building, which it is said,
will cost in the neighborhood of one
million dollars.
Ned Hastings, for nineteen years
manager of Keith's Cincinnati, and
who severed his connection with
that organization a few months ago,
has opened a booking and publicity
office in Cincinnati.
On Monday afternoon, April 30,
Harry V. Smoots and Hoy O.
Simons will open their new Fayette
theatre, Washington Court House,
Ohio. Invitation cards have been
issued.
St, Louis
CLAUDE McKEAN, vice-presi-
dent of the Premier Pictures
Corporation, 3308 Olive Street, St.
Louis, Mo., has vigorously denied
reports being circulated in certain
quarters that he contemplates sev-
ering his connection with Premier
to accept an important post with
a national distributing corporation.
"Nothing else is farther from
my mind", Mr. McKcan said. "I
am very happy in my connection
with Premier Pictures Corporation
and myself and associates are
looking forward to building up a
bigger and better organization.
There is absolutely no truth to the
report that I have resigned or con-
template doing so."
The Crescent Theatre in St.
Francisville, 111., was opened on
April 7. J. I.. Beauchamp is man-
ager.
The Wilson Theatre, 1415 Cass
Avenue, St. Louis, is reported to
be for sale. Negotiations for its
transfer to new owners may be
concluded within the next few
weeks.
Mable Miller has sold the Madi-
son Theatre, Madison, 111., to L.
Steinberg. The Madison seats 900
persons.
Joe Schmidt who operates houses
in Pocahontas and St. Jacobs, 111.,
has leased the Royal Theatre,
Trenton, 111., from Mrs. Hartley.
H. P. Jones has sold the Lyric
Theatre, Portageville, Mo., to the
Rader Sisters.
The Gem Theatre in Steeleville,
Mo., has been closed.
Out - of - town exhibitors seen
along Picture Row during the week
included Barney Dubinsky, Jeffer-
son City, Mo. ; William DeFresne,
Mexico, Mo. ; Ted Yemm, Duquoin,
111. ; Joe Hewitt, Robinson, 111. ;
Oscar Wesley, Gillespie, 111. ; S.
Roman, Benld. 111., and Joe
Schmidt of Pocahontas and St.
Jacobs.
Harry Greenman has resigned as
manager of Loew s State Theatre,
St. Louis, Mo.
Voters of Lawrenceville, 111., on
April 17 voted overwhelmingly in
favor of Sunday motion picture
shows when all aldermanic candi-
dates favoring Sunday movies re-
ceived large majorities. Boxing
was also legalized by large ma-
jorities in every section of the town.
The largest vote in the history of
Lawrenceville turned out to rout
the favorites of the blue nosed con-
tingent.
Construction was resumed the
past week on the 5,000-seat Wil-
liam Fox theatre being erected at
Grand and Washington boulevards
in St. Louis and the work will be
pushed to completion as quickly as
possible.
The Fine Arts Theatre formerly
the Pattee Opera House in Mon-
mouth, 111., was destroyed by fire
April 10. The loss was estimated
at $25,000. The theatre opened in
1892 and for the past two years
was used for motion pictures.
EMPIRE LABORATORIES INC.
723 Seventh Ave., N. Y.
Quality
Bryant 5437-5736-2180
DEVELOPING AND PRINTING MOTION PICTURE FILM
1358
Motion Picture News
Chicago
NATIONAL SCREEN SER-
VICE will move its Chicago
office to new and larger quarters at
810 S. Wabash Avenue on May 1.
This office takes care of fifteen
Middle Western States, and busi-
ness in the territory has expanded
to such an extent that it became ne-
cessary to secure larger quarters.
The new offices will have over five
thousand square feet, which will
greatly facilitate the handling of
business and the rendering of effi-
cient service .to the exhibitors of
this territory.
The Lyric Theatre, Springfield,
111., has installed Vitaphone and the
first complete presentation was on
Sunday. It is reported that the
Vitaphone proved a good business-
getter.
Lyman Massey, formerly man-
ager of the Valley at Spring Val-
ley, has been appointed manager of
the Empress Theatre at Decatur,
Isador Weinshank, formerly of
Kansas City, filling the vacancy at
the Valley. A. L. Anderson, for-
merly manager at the Empress, has
not announced his future plans.
Oscar Florine is now connected
with Educational Film exchange,
having resigned from Metro-
Goldwyn-Mayer to accept the new
position. Mr. Florine was for
many years with Pathe, and is re-
garded as one of the best short sub-
ject men in the business and is pop-
ular throughout the territory.
General Sales Manager Cecil
Maberry, of Columbia Pictures,
who has been touring the Central
West exchanges, stopped off in
Chicago, Monday, for a brief con-
ference with Manager Henri Ell-
man, and then took the train to his
New York City headquarters.
District Manager Shirley and
Exchange Manager Mendelsohn, of
Metro-Goldwyn-Mayer, are plan-
ning to go to New York City next
week for the M-G-M convention.
They will be away from the Chi-
cago office for several days.
F. J. McConnel passed through
Chicago this week, en route from
New York to the Coast, stopping
only long enough for a short visit
to Universal's exchange.
H. W. Shriner has reopened the
Mount Carroll Opera House whicii
has been closed for the last year
and a half.
R. C. Seery and Gradwell Sears
are busy this week making prepara-
tions for the national convention of
First National, which will be held
at the Drake Hotel, this city, from
April 29th to May 3d.
The two Maxes, Mazur and
Schwartz, of M-G-M, through con-
sistent and meritorious good work,
have earned the coveted legion of
honor decoration which goes to val-
ued employees of Metro-Goldwyn-
Mayer, and will receive their in-
signia at the Chicago meeting next
month, at which time Harry Shu-
mow, of Milwaukee, will also get
the decoration. Frank Ishmael and
District Manager S. A. Shirley
already are legion of honor men,
having received the decoration for
their work in 1926-27.
President Joe Pollack, of Na-
tional Screen Service, has returned
to his company's headquarters in
New York City after being in Chi-
cago for a week.
The Tivoli Theatre Company, of
Mishawaka, which is headed by
George Singer, has purchased the
Temple Theatre, Mishawaka, and
will operate it in conjunction with
the Tivoli. Mr. A'Hara, who has
operated the Temple for many
years and who is widely known
throughout the trade, may retire
from active business, it is under-
stood.
Local exchange managers are
making plans to entertain the Film
Board of Trade Secretaries when
they come through Chicago, en
route to the convention at Los
Angeles, and from present indica-
tions the visitors will have a happy
time in Chicago.
Salesman Edward Safier is again
connected with United Artists and
has been assigned to country ter-
ritory.
Hinsdale's Sunday closing advo-
cates received a hard jolt when the
voters of that Chicago suburb de-
cided that they wanted Sunday
movies and cast their ballots ac-
cordingly at the recent election. A
closed Sunday has been in effect in
Hinsdale for many years, and it
was only after a carefully planned
and well fought campaign that
Manager Kreuger, of the Hinsdale
Theatre, succeeded in getting the
okay of the voters for Sunday
shows. A feature of the battle was
a public debate between Manager
Kreuger on one side and a clergy-
man and another advocate on Sun-
day closing on the other, in which
Manager Kreuger is reported to
have had all the best of the argu-
ment.
Cigars are on Abe Bartelstein,
of the Annetta Theatre, Cicero,
and he is glad of it, for he is the
proud father of a baby boy.
Dallas
THE Shrine Ceremonial Parade
held in connection with Shrine
initiation included a good represen-
tation of the Dallas film and thea-
trical trade. Those in the parade
included E. K. Johnston, manager
Fox Film Exchange, Louis Bailey,
Pathe; J. I. Roberts, National The-
atre Supply Co. ; A. Haydn Mason,
managing-director Palace Theatre ;
James O. Cherry, manager Melba
Theatre ; Ralph Morrow, United
Artists ; Bob Mcllhearn, manager
Universal Film Exchange, and Les-
lie Wilkes, manager First National
Exchange. Mr. Mason of the Pal-
ace Theatre was "going through"
and for once had to furnish amuse-
ment in person, but was listed
among the survivors.
W. B. King of the King Scenic
and Theatre Supply Co., has re-
turned from M. P. T. O. of Arkan-
sas convention at Little Rock.
Ross A. Wiegand, publicity di-
rector for the Melba Theatre, made
a hasty trip to Houston by airplane
to deliver a film to the Kirby Thea-
tre for a midnight showing.
L. E. Schneider has returned to
Publix home office after an ex-
tended stay in Dallas and other
Texas cities.
A. M. Avery, manager of The
Rialto Theatre at Wellington, has
announced that the lobby and in-
terior of the theatre will be re-
modeled and a modern stage con-
structed. The changes will increase
the seating capacity 200 seats, and
work is scheduled to begin June 1st.
The Seymour Theatre at Sey-
mour, Texas, was destroyed by fire
on April 17th. the loss being esti-
mated at $20,000.
A charter was granted to the
Brownsville Amusement Co., with
capital stock of $70,600, and the in-
corporators named as Paco Betan-
court, J. C. Fanning, and E. F.
Brady.
Ray Mitchell, owner and man-
ager of the Plainview Theatre for
four years, has sold his theatre to
K. & K. Circuit, Kohrn Bros., who
own 15 theatres, most of w-hich are
located in the Texas Panhandle.
Mr. Mitchell will remain in charge
of the theatre.
Bob Mcllhearn, manager of the
Dallas Universal exchange, and
Milton Duncan, G. A. McDonnell,
Dave Lutzer, Jake Lutzer and Roy
Brauer, salesman for Universal,
will attend the annual sales conven-
tion in St. Louis May 2nd.
Jack K. Adams, president of
Home State Film Co., who has been
in Mineral Wells undergoing treat-
ment is expected to return to his
office in about a week.
The Arcadia, the de luxe subur-
ban theatre of Dallas has installed
a Carrier Air Washer and Humidi-
fier, which is distributed by the
Buffalo Engineering Co., Dallas.
Bids for the razing, excavating
and leveling of the site for the new
twelve story Majestic Theatre on
East Houston St. were opened in
San Antonio, Friday April 20th, ac-
cording to Carl Hoblitzelle, Presi-
dent of the Interstate Amusement
Co. It is said that the theatre will
be one of the largest and most
beautiful in the south. The theatre
and office building will cost be-
tween $2,500,000 and $3,000,000. and
will have a seating capacity of ap-
proximately 4000, and the building
will include 250 offices. The thea-
tre will have a steel frame, and the
office building will be of reinforced
concrete construction. The struc-
ture is to be of stone, brick, terra
cotta and Spanish tile trim on the
exterior and will be of Spanish
architecture of the ancient Spanish
and Aztec Indian period.
Minneapolis
WHEN the Northwest Theatre
Owners Association holds its
annual convention in the Nicollet
Hotel, Minneapolis, on May 1 and
2 an unusually large gathering is
expected to be present at what is
expected to be a thrilling fight for
officers. For the first time in eigh-
teen years of service W. A. Steffes,
who is the president, will seek re-
election.
On April 14 the new $87,000
Moorhead theatre at Moorhead,
Minn., was opened with a capacity
crowd present for the special pro-
gram. The theatre, which seats 800
is owned and operated by the
American Amusement Company of
Minneapolis. The manager is W.
L. Brown, who has for some years
been the manager of the Lyceum
in the same city.
J. H. Jacobs, former salesman at
the Minneapolis Universal branch
office, has succeeded C. O. Ulberg
as branch manager for Universal
at Sioux Falls, S. D. Jacobs will
be succeeded at the Minneapolis
branch, where he has served for
four years, by Archie Zacheral.
The Exhibitors Poster Service of
Minneapolis has been purchased by
J. R. Powers. It was formerly un-
der the ownership of D. P. Lowe
and associates.
Mrs. Irene Cahill has sold the
Princess theatre at Janesville,
Minn., to Mrs. C. O. Benson of
Minneapolis.
The Orpheum theatre at Aber-
deen, S. D., has been sold by A. H.
Brown to B. B. Ward at a re-
ported price of $75,000.
Max A. Stahl, acting manager of
the Educational branch in Minne-
apolis, has been called to Farrell,
Pa., by the sudden death of his
father.
It is understood that Mark Ross,
who has just returned from New
York, is slated for a Minneapolis
branch managership in the near fu-
ture. Ross was formerly manager
for the Minneapolis Universal
branch.
April 28, 1928
US')
Des Moines
I1 HE week of April 7 was the
biggest in the history of the
Des Moines exchange of Universal
and the oflice staff and salesmen
have certainly been on their toes.
Leone Mathews, secretary of the
Des Moines Film Board of Trade,
will start for the convention of
Film Board secretaries in Califor-
nia on May 16.
Harold Cohen, formerly of the
Kansas City office of Metro-Gold-
wyn- Mayer, is the new cashier at
the Des Moines office of M-G-M.
W. H. Davis, who has been
cashier at the Des Moines exchange
for years, is leaving the office here
and it is probable that he will go
into some other line of business.
Chris Nelson, who suffered fire
damage at his theatre several weeks
ago, is doing some redecorating.
His theatre, the Alamo, was dam-
aged by water. »
Joe and Meyer Stern, who su-
pervise the Des Moines Exhibitors
Poster Exchange from the Omaha
office, were over last week to look
over affairs here. The office in Des
Moines is in charge of Arthur
Minhoff, who came from the
Omaha office to take charge of the
work here.
John Anderson of the Princess
theatre at Boone, Iowa, bought two
new lobby display boards last
week.
The Sunday show fight is not
expected to be much of a battle at
Ames, Iowa, where, it is thought
that the people will give a big ma-
jority to the lifting of the ban
against the Sunday entertainment.
However, Joe Benjamin Gerbarcht,
manager of the three houses at
Ames, is working right along to
insure success for the measure and
1 tarry Weinberg, head of the Com-
monwealth Theatres organization
of which the theatres at Ames are
a part, went up for several days
to help Joe in the campaign. The
measure will come up for vote on
April 30.
Rube Wagle, booker of the office
of Education, suffered a loss
last week with the death of his
father.
Barnie Brotman, who is one of
the old standbys in the film trade,
having been an exhibitor at Moline,
111., over a period of years, was a
visitor in Des Moines last week.
He has the Plaza, the Mirror and
the Avoy at Moline.
Visitors in film row were Floyd
Perry of Eldon, F. G. Sterns of
Corydon, William Treloar of Og-
den, C. E. Carragher of Clear
Lake, Jake Cohen of Ottumwa, all
oi whom called at the Paramount
office. Also George Stephens of
Stephens and Puffer of the Or-
pheum at Webster City, F. P.
Hageman of Waverly, W. P.
Grossman of Nevada, who called at
the office of Metro-Goldwyn-Mayer.
Mr. Grossman, who has been an
exhibitor at Nevada over a period
of years and who recently secured
the vote for Sunday movies there,
says that he does not believe that
the deal for the building of the
$60,000 Circle theatre, which has
been reported as to be constructed
for opening in the fall by the Circle
Amusement Company, will go
through. Anyway, he says, he's not
worried about competition.
R. S. Ballentyne, who is now
manager of the Pathe office at
Omaha, was formerly manager for
several years in Iowa territory.
At Bloomfield, Iowa, Sunday
movies were voted down with an
unusually large majority. The Blue
Laws won by 240 vote majority.
The board of directors of the
Iowa M. P. T. O. A. has been
set for April 16. The meeting
will be held in Des Moines prob-
ably at the offices of E. P. Smith,
president of the association. The
drive for membership has been
very successful.
Suburban and second run houses
are carrying a listing of pictures
in the newspapers now.
The Princess theatre, playing
stock with the Ballamy Players,
has closed this week atter a suc-
cessful season. The Garrick the-
atre, which has been under the man-
agement of Omar Kenyon, one of
the most experienced showmen of
Des Moines, also concluded for the
season. The Garrick lias been
playing Mutual burlesque on Sun-
days only.
The Cozy theatre at Dyersville,
Iowa, will be opened soon. New
equipment has been bought and the
theatre has been remodeled.
"Stage and Screen" is the name
of a small magazine which is being
put out for the theatre patrons in
Des Moines, on hand in the the-
atre lobby or mailed free each
week. Willard Moore, director of
the Des Moines theatre orchestra;
Jimmy Ellard, personality man at
the Capitol theatre, and Dixie
Longely of the Capitol staff, all
had signed articles in the magazine
last week.
Canada
WHAT might have been a dis-
aster was turned into a
demonstration of cool efficiency
Which rebounded to the credit of the
theatre and its staff when fire
visited the Metropolitan Theatre,
Winnipeg, one of the largest Fam-
ous Players houses in Western
Canada, during a matinee perform-
ance on April 19.
The outbreak of flames occurred
in the projection room and Man-
ager Walter V. Davis immediately
proceeded to the orchestra pit
where he calmly asked the people
to leave. Patrons filed out so or-
derly that each person was given
a "pass out" check at the door. In
the meantime the fire department
arrived on the scene and the fire
was subdued.
Work has been started on the
construction of the General Brock
Hotel, a 26-story structure, on the
site of the Grand Theatre, Toronto.
Aid. William Somerville, pro-
prietor of the Prince of Wales and
Eastwood Theatres, Toronto, has
joined forces with Famous Players
Canadian Corp., and these fine new
houses are now operating under the
auspices of Famous Players. Wil-
liam O'Connor is manager of the
Eastwood while William Somer-
ville, Jr., has charge of the Prince
of Wales.
Aid. Somerville was formerly one
of the staunch independent exhibi-
tors of Toronto, having been vice-
president of the Ontario Division
of the M. P. T. O. Mr. O'Connor
was also an officer of that organi-
zation.
Exhibitors of Winnipeg, Mani-
toba, combined for the presentation
of a splendid concert at the Capitol
Theatre in aid of the Winnipeg
Firemen's Benefit Fund, the pro-
ceeds amounting to $2,4S8. Admis-
sion to the concert was by invita-
tion. The committee in charge was
H. Jernberg of the Province The-
atre ; E. A. Retallick. Capitol ;
George Law, Lyceum, and Walter
F. Davis, Metropolitan.
R. J. Harrison, manager of the
Capitol Theatre, St. Catharines,
Ontario, is directly identified with
sport activities of his town in a
way that has reflected considerable
credit on the theatre. Mr. Harri-
son is manager of the Athletic La-
crosse Club, one of the famous la-
crosse organizations of the Do-
minion.
The walls of the Dominion The-
atre, Ottawa, Ontario, destroyed by
fire some time ago were razed dur-
ing the week of April 16 by the
owners, Messrs Dymcnt and Da-
vidson. No announcement has been
made regarding constructional plans
yet. The Dominion was for years
a popular combination house.
L. J. Ladner, member for South
Vancouver in the Canadian Parlia-
ment at Ottawa, withdrew his
amendment to the Canadian Copy-
right Act on April 20. His resolu-
tion provided for changes which
would have enabled the Performing
Rights Society to function in
Canada, it is stated.
Manager Nolan of the Rex The-
atre, a smart neighborhood house
in Ottawa, Ontario, has installed
equipment for a number 'of stage
effects for use on appropriate occa-
sions with the film presentations.
Vaudeville has been added to the
Saturday performances.
Mr. Nolan, who has the Rex and
Columbia Theatres, has started the
actual construction of the Globe
Theatre at Bank Street and Second
Avenue in Ottawa. The plans for
this house call for badminton
courts and a roof garden.
Tenants of the seven stores on
Sparks Street, Ottawa, Ontario,
forming part of the site of Famous-
Players' huge theatre to cost $1.-
200.000 are moving to other prem-
ises to enable a start to be made
on the project.
The Russell Theatre at Ottawa,
which with the Russell Hotel was
recently expropriated by the Cana-
dian Government for $1,250,000 for
park purposes, had a spectacular
demise when a fire of unknown ori-
gin destroyed the hotel property on
the night that the theatre closed its
doors for keeps. The fire broke
out about one hour after the final
performance.
The Wonderland Theatre, Win-
nipeg. Manitoba, was visited by fire,
caused by defective wiring, late at
night while the theatre was empty,
causing damage to the extent of
$400 to the stage and screen. F. R.
Hyde is the owner of the theatre
and Henry Morton is the lessee.
The theatre was temporarily closed.
Henry Morton has added the Ar-
lington Theatre to his chain of
houses in Winnipeg, Manitoba,
comprising the Ga.ety, Crescent,
Carleton and Wonderland. Harry
Horwitz, nephew of Mr Morton,
has become the proprietor of the
Park Theatre, Winnipej,
L. C. Si raw, formerly manager
of the Colonial Theatre, Port
Arthur, Ontario, has been appointed
manager of the Capitol Theatre,
Winnipeg. Manitoba, one of the big
houses of Famous Players Cana-
dian Corp., in succession to E. A.
Retallick, a former Winnipeg news-
paperman.
Mr. Straw also had charge of
the Lyceum Theatre in Port Ar-
thur. His place at the two thea-
tres has been taken by A. G. Gra-
burn who has been with theatres
in Regina and Moose Jaw, being
manager of the Strand and Regent
Theatres in Calgary, Alberta, for
the past two years.
Spyros Megalacakis, partner of
A. Capadrites, proprietor of the
Cameo theatre, Montreal, died at
his home at the Saybrooke apart-
ments, Montreal, April 16th, of
pneumonia, after a brief illness of
one week. The funeral was held
last Wednesday at his home and
interment was made at Mount
Royal cemetery.
1360
Motion Picture News
Projection
Optics, Electricity, Practical Ideas & Advice
Inquiries and
Comments
The Value of Theatre Tests
PROJECTIONIST in West Vir-
ginia recently wrote to us
stating that his employer was
seriously contemplating the
purchase of two special shut-
ters for which a twenty per-
cent increase in light transmission was
claimed. He asked for a frank expression
of our opinion of these shutters saying that
while the salesman had willingly demon-
strated their operation by attaching them
to the projector, he believed the results,
considered from all angles, did not fully
justify the claims.
The "test" which was made was simply
a visual comparison of the lighted screens
obtained with one projector equipped with
the new shutter and the other projector
using the ordinary form of two-blade
shutter.
In view of the fact that the light sources
in each case were arc lamps and, further-
more, that the test was conducted under the
ordinary operating conditions in the theatre
by persons who can hardly be said to be
experienced in conducting such tests, the
results would not be likely to possess
enough significance to permit rendering a
decision either for or against the new
shutters.
Theatre Tests Usually Unfair
It frequently happens that theatre own-
ers, when approached by equipment sales-
men, ask for a practical demonstration in
the theatre, thinking that, thereby, they can
immediately prove or disprove the claims
of the salesmen on the basis that "seeing is
believing." The salesman, convinced of the
merits of his article, all too willingly agrees
to such a demonstration, since, in fact, it
usually is the only means available to him
for proving his statements.
And so a "test" is speedily arranged for
on the spot, the parties thereto being the
salesman, the exhibitor and his projection-
ist. Needless to say, such "tests" ordi-
narily prove nothing unless the article in
question stands head and shoulders above
the equipment being used by the exhibitor.
This, for the reason that none of the per-
sons are sufficiently experienced to be able
to conduct the test in a fashion which will
assure absolute equality of all the side
factors present so that any difference in the
results obtained can be positively attributed
to the two devices being tested. Illumina-
tion tests are particularly treacherous in
this respect and it is safe to say that there
are less than a dozen projectionists in this
country who are qualified to conduct any
illumination test with any degree of cer-
tainty that the results will be a true reflec-
tion of the actual characteristics of the
tested equipment.
So-called practical theatre tests, there-
fore, are unfair to both parties. They are
unfair to the salesman because his device
may really be a meritorious one, and yet
the test may fail to reveal it as such. They
are equally unfair to the exhibitor because
he may be led into making a decision which
will cause him to condemn a deserving piece
of equipment or, on the other hand, may
cause him to purchase something which is
no better than the thing he may be using.
Depending upon how the test is conducted,
it may show up a good device to poor ad-
vantage or a bad device to good advantage.
And yet neither side may be aware of the
fact that anything is off-color.
Expert Knowledge Is Required
As stated before, tests of this kind are
exceedingly tricky, and no matter how well-
intentioned both sides may be and how
sincere each is to obtain an honest decision,
things are certain to go awry unless some-
one possessing considerable experience in
such matters is on the job to cast a fishy
eye on all factors which are likely to in-
fluence the results. Even the presence of
one or more persons with a plentiful stock
of experience to their credit is no guarantee
that the results will be truthful because the
writer can recall quite a number of tests,
some conducted by experts, which were be-
lieved by all parties to be absolutely fair,
only to find, after a searching analysis of
the data, that factors had been overlooked
which, had they been considered when the
test was being conducted, would have com-
pletely changed the complexion of the re-
sults.
Even some laboratory tests, where every
facility for such work was available, were
found to be incorrect and so easy is it to
slip up in this respect that the honest in-
vestigator overlooks no item in the test in
order to insure that his conclusions will be
based upon fact and not upon supposition.
Indeed, the planning and preliminary
work frequently constitute the greatest part
of the effort since the actual work of test-
ing is a simple mechanical routine once the
objectives and the methods for reaching
them are thoroughly understood.
When experienced investigators who are
everyday occupied with such test work are
faced with the probability of serious error,
what chance have inexperienced ones such
as exhibitors, projectionists, and equipment
salesmen, for obtaining true results, espe-
cially when they are compelled to work in
the theatre where only the equipment inci-
dental to the everyday operation of the
theatre is available.
So true is this that many manufacturers
are extremely reluctant to broadcast the
intimate test figures on the characteristics
of their products for fear that projection-
ists will attempt to check these figures and,
failing to do so because of their lack of ex-
perience and proper equipment, will try to
hold the manufacturer responsible for their
failure, thinking that the quality of the
product is not as represented.
This is particularly true in the case of
those manufacturers engaged in making
light sources, such as carbons and incan-
descent lamps. The burning life of a par-
ticular carbon or incandescent lamp is, at
best, but problematical. No one is able to
say, beyond»guessing, just how long one of
these will burn because their life is abso-
lutely at the mercy of electrical conditions
under which they are burned. It is
only by means of endless tests, conducted
day in and day out, that figures can be
obtained which closely show the averaqe
burning life of the various types of incan-
descent lamps and the manufacturers,
only too well, the vast amount of work re-
quired in obtaining these figures and the
skill required of the investigators do not
relish the idea of placing themselves at the
mercy of any inexperienced person who may
conceive the brilliant thought of performing
his own tests, which would certainly result
from a publication of such detailed infor-
mation.
An Arbiter of Tests
It frequently happens that the claims of
two competing manufacturers of electrical
equipment may honestly conflict whereupon
a third party is called in to ascertain the
true state of affairs. This third party is
the Electrical Testing Laboratories in New
York City, and it is their work to test the
equipment thoroughly and then render an
absolutely unpartial report for the informa-
tion of the respective manufacturers.
A manufacturer's report from the Elec-
trical Testing Laboratories is an indisput-
able notice to purchasers that the par-
ticular equipment is exactly as represented.
It is only by means of these, or similar
tests, that actual performance can be
accurately judged.
Gomerford Will Build in
Wilkes-Barre, Pa.
The Comerford Amusement Company, of
Scranton, Pa., will erect a new theatre struc-
ture that will cost $1,000,000 in the Public
Square of Wilkes-Barre. For this purpose
the Comerfords have acquired for $1,200,-
000 certain properties on the Square and
East Market and South Washington Streets
that were owned by the Wilkes-Barre De-
posit and Savings Bank. The theatre will
be constructed on this site and adjoining
lots which the Comerford company also
owns. It will be shaped in the form of an
"L."
April 28, .1928
1361
$1,000,000 for Research
Society of Motion Picture Engineers Ends Lively Con-
ference in Los Angeles
Atlantic City Movie to
Be Stanley Controlled
ANEW theatre that will represent
an investment of nearly $1,000,-
000 and which will adjoin Shel-
burne Hotel at the corner of Arkansas
Avenue on the Boardwalk at Atlantic
City, will be begun July 15 of this year
for opening for the season of 1929.
The new addition to the resort's thea-
tres will be controlled by the Stanley
Company of America, a long term lease
having been entered into with the pur-
chaser of the property at an aggregate
rental of more than $3,000,000, it is
said. The theatre is to seat 5,000 and
to occupy a site 200 feet by 400 feet.
The sale was made by the Lansdowne
Realty Corporation and Frank P.
(iravatt, through the Stanley -Atlantic
Realty Company co-operating with
Mastbaum Brothers and Fleicher and
Joseph Bernhard. The purchaser is
Boardwalk Properties Company.
THE Society of Motion Picture Engi-
neers ended its Spring conference at
the Hotel Roosevelt in Los Angeles
over the past week-end. A wide variety of
subjects was covered during the week of the
sessions and the convention was voted one
of the best ever held by the society.
One of the big announcements made dur-
ing the week was that $1,000,000 would be
spent the first year in installing a research
laboratory to be sponsored by the Academy
of Motion Picture Arts and Sciences and
financed by the Motion Picture Producers
Association. A specialist will be engaged
this month to serve as research director.
This announcement was made at the banquet
tendered the engineers by the Academy.
Fred Niblo acted as toastmaster at the
banquet, at which Louis B. Mayer highly
praised motion picture technicians for the
work they have accomplished. President
Daniel B. Clark told of the aims of the
cinematographers, while other subjects
were discussed by Willard B. Cook, Milton
Sills, Dr. C. E. K. Meers and L. A. Hawkins.
Among subjects discussed at late sessions
of the conference were the following:
"Theatre Management," by Harold B.
Franklin, West Coast Theatres, Inc., Los
Angeles.
"Continuous Projectors," by J. F. Leven-
thal, New York.
"The Importance of Good Projection to
the Seating Capacity of the Theatre" and
"Application of the Tandem Condenser to
the High Intensity Projection Arc," by
Roger M. Hill, Consulting Engineer, At-
lanta.
"The Effect of Projecting Angle Upon
the Producer," by F. H. Richardson, New
York.
"Hollywood and the 16 mm. Film," by
J. B. Carrigan, Editor, "Amateur Movie
Makers."
"The Incandescent Tungsten Lamp in the
.Motion Picture Studio," by F. A. Benford,
General Electric Co., Schenectady.
"The Use of Incandescent Equipment in
Motion Picture Photography," by Peter
Mole, president, Mole-Richardson, Inc., Hol-
lywood.
' ' Report on Experiments on Mazda Light-
ing," sponsored by the Academy of M. P.
Arts and Sciences and prepared by the Re-
search Committee of the Society of Cinema-
tographers.
"The Aperture of Motion Picture
Lenses," by J. Dubray, Technical Editor,
' ' American Cinematographer. ' '
"Camera Lenses for Motion Picture Pho-
tography," by W. B. Rayton, Director of
Research, Bausch & Lomb Optical Co.,
Rochester.
New Boston House; Keith's
Nearly Completed
Boston is to have a $300,000 new theatre
in the Huntington avenue district in the
Back Bay. The owner's name is withheld
at present, but it is understood that it is
being erected for one of the large theatre
chains. Max M. Kalman, 294 Washington
street, Boston, is drawing the plans for the
structure and the plans will probably be
ready for contractors' estimates about the
(Continued on Following Page)
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Write for Booklet 3
Typhoon Fan Company
345 W. 39th Street New York, N. Y.
Offices in Principal Cities
SERVICE
RECOGNIZEE BY THEATRES
EVERYWHERE AS ABSOLUTELY
INDISPENSABLE TO THEIR SUCCESS
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SPECIAL SERVICE DEPARTMENTS
in charge of experts readvfc supply Special Announcements
ot any kind in film form at reasonable prices
ARTISTIC ANIMATED LEADERS
for your frature. Comedy. News. Ends, Trademarks
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GOLD SEAL
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and "Tickets That Fit"
Only the Gold Seal is built with
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only the Gold Seal will remain un-
rusted and untarnished.
Look for these other points of Gold
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case hardened bearing surfaces
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Our Reserved Seat Ticket Plants
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STOCK PROGRAMS
PROGRAM COVERS
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Moving Picture Houses
Joseph Hoover £> Sons Company
Market "and 49th Sts., Philadelphia, Pa.
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2-color Program, all Features writ-
ten up for you, Printed and Delivered to your
theatre at a small cost.
Write tor Samples and Prices to
THE DERBY PRESS
2015 So. Vermont Ave. Los Angeles, Calif.
middle of next month. The architect will
have charge of the awarding of contracts
and other details.
The new Keith Memorial Theatre in Bos-
ton is Hearing completion, and practically
all of the exterior work has been completed.
It will take a considerable length of time
to complete the interior details. No date
has been set for opening of the playhouse,
hut it would not be surprising if it was
opened late in the Fall or early in the
Winter.
New Simplex Stands At
Capitol Theatre
The Capitol Theatre of Broadway has'
always put the greatest emphasis on its pro-
jection department, never hesitating to ex-
periment and try out new equipment as well
as installing the latest approved designs in
order to assure the finest projection re-
sults.
A new addition has been made to the pro-
jection department of this theatre which
is tending to improve even the Capitol pro-
jection. This equipment is the new Simplex
stand, an improvement for Simplex Pro-
jectors which has just been announced by
the International Projector Corporation.
This new stand represents a decided ad-
vance in projector designs and has for its
main function the elimination of all un-
steadiness caused by excessive weights of
the modern designs in arc lamps and other
auxiliary equipment which is now being
placed on projectors. A full technical de-
scription of the new Simplex stand will be
published in the Showman Section next
week.
Proposed New Theatre
Construction
ALABAMA
Sheffield — Owners, Muscle Shoals Theatres,
Inc., Louis Rosenbaum, resident manager. Cost-
ing, $100,000. Location, Montgomery Avenue
between Sheffield National Bank and Alabama
Power Co.
GEORGIA
Atlanta — Owners, Yaarab Building Co.
Architects, Marye, Alger & Vinour. Contrac-
tors, C. A. D. Bavlev & Co. Lessee, Fox Thea-
tre Corp., New York City. Costing, $2,000,000.
Location, Peachtree, Kimball and Cypress Sts.
Seating, 5,000.
ILLINOIS
Chicago — Architects, R. Levine & Co., 822 W.
70th St. Costing, $225,000. Location, Devan &
Campbell Aves.
Standard
VAUDEVILLE
for
Motion Picture Presentation
THE FALLY MARKUS AGENCY
As tor Theatre Building
N. W. Cor. 45th St. & Broadwar
Lackawanna 7876
Chicago — Owner, John Bain, banker. Cost-
ing, $700,000. Location, Northeast corner of
63rd St. and Crawford Ave. Seating, 500.
Frecport— Owners, United Studios, Inc., W.
E. Roberts, 14 W. Lake St., Chicago, 111. Cost-
ing, $450,000. Location, 114-16 S. Galena St.
Including store and 12 suite apartment building.
INDIANA
Hammond — Owner, Hammond Theatre Corp.,
Win. Kleihege, 616 Hohman St. Architect,
Crosby Bernard, 1st Trust Bldg. Location, 617
Hohman Street.
IOWA
Humboldt — Owner, W. B. Franke, Humboldt.
Architect, F. W. Griffith, 400 Snell Bldg., Ft.
Dodge, la. Costing, $25,000.
MASSACHUSETTS
Boston — Owners, New England Theatre
Operating Corp., Samuel Pinanski, pres. Archi-
tects, Krokyn, Brown and Rosenstein. Loca-
tion, Central Square and Meridian Street. Seat-
ing, 2,000.
MICHIGAN
Howell — Owners, Schulte Amusement Co.,
Detroit, Mich. Contractor, Thos. S. Leith,
Howell. Costing, $100,000. Location, East.
Grand River. Seating, 1,000. Name, The New
Howell.
NEW JERSEY
Ocean City— Architect, L. L. Headley, N. W.
cor. 8th and Ashbury Ave. Costing," $75,000.
Seating, 1,000.
Teaneck — Owner, Cypper & Beckman, 823
Palisade Ave., Cliffside Park, N. J. Archi-
tect, Lucht & Anderson, 432 Palisade Ave., Cliff-
side Park, N. J. Location, Cedar Lane.
NEW YORK
Brooklyn — Owner, A. L. M. Dev. Corp., care
S. Lesselbaum, 3145 E. 4th St., Brooklyn. Archi-
tect, C. A. Sandblom, 145 W. 45th St., N. Y. C.
Costing, $350,000. Location, 1817-19 Avenue M.
OHIO
Kenton — Owners, Kenton Amusement Co.,
William Kraus, pres. Lessee, Schine Enter-
prises. Location, East of Weaver Inn on West
Franklin Street. Seating, 1,500. Name, Schine's
Ohio.
Toledo — Owners, 115th Street Development
Co., H. C. Horater, pres., Point Place (mail
Toledo), Ohio. Costing, $150,000. Location,
Summit and 115th St. Including five stores
and five apartment suites.
Waverly — Owner, Thomas Tones, Portsmouth,
Ohio. General contractors, O. B. Hankie and
G. A. Wrerner, Jackson, Ohio. Costing, $15,000.
Location, Water Street. Seating, 400.
PENNSYLVANIA
Philadelphia — Architect, R. B. Bencker, N. E.
cor. 13th and Chestnut Streets. Location, S. E.
cor. 52nd and Chestnut Streets.
TENNESSEE
Bristol — Owners, C. A. Goebel Theatre In-
terests. Seating, 1,800.
TEXAS
Port Arthur — Owners, Jefferson Amusement
Co. Costing, $500,000. Location, Waco Ave.
and 5th Street. Seating, 2,000. Including 12-
story hotel.
Next Issue of
The Showman
Out Next Week
April 28, 1928
1363
m
m
FEATURE RELEASE CHART
Productions are Listed Alphabetically and by Months in which Released in order that the Exhibitor may
have a short-cut toward such information as he may need, as well as information on pictures that are coming.
(S. R. indicates State Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
iii
. Sept. 30
SEPTEMBER
Feature Players Distributed by Length Reviewed
Annie Laurie L. G'sh-N. Kerry ...M-G-M 8730feet May l»
Back to God's Country ... .R Adoree-R Frazer. Universal 6761 feet July 8»
Barbed Wire P. Negri-C. Brook-E.
Hanson , Paramount 6961 feet
Big Parade, The Gilbert-Adoree-Dane. M-G-M 11619 feet Nov 28. "26
Blackjack B. Jones-B. Bennett. . Fox 4777 f eet . Mar. 3
Border Cavalier, 1 he Fred Humes Dniversal 4427 feet .
Born to Battle Bill Cody Pathe 4876 feet
Boy of the Streets J. Walker-M. Ben-
nett-B. Francisco Rayart (S. R.) 6059 feet
By Whose Hand? R. Cortez-E. Gilbert. . Columbia 6432 feet Jan. 7
Camille N. Talmadge-A. B.
Francis-G. Roland . First National 8692 feet Mar 6
Cancelled Debt, The R. Lease-C. Stevens . Sterling Pict (S.R.) . . 6200 feet
Cat and the Canary, The. . .L. La Plante-F. Stan-
ley-C. H a 1 e - T.
Marshall-G. AstorOniversal 7790 feet . May 20
Chang (Jungle Film) . .. Special Cast Paramount 6636 feet. May 18
Clancy's Kosher Wedding G. Sidney-M. Gordon-
S. Lynn-R. Lease-
W. Armstrong FBO 6701 feet
Cruise of the Helion, The. E. Murphy-D. Keith-
T. Santschi Rayart (S. R.) 6089 feet
Drop Kick, The R. Barthelmess - D.
Revier-B. Kent . . . First National 6819 feet
first Auto, The B. Oldfield-P. R. Mil-
ler-R. Simpson .... Warner Bros 6767 f eet . . July 8
Flying D Ranch, The Tyler-N. Lane F. B O. 4924 feet
Foreign Devils T. McCoy-C.Windsor M-G-M 4658 feet
Gay Retreat, The G. Cameron-S. Cohen-
T. McNamara Fox 6624 feet. Sept. 23
Girl From Gay Paree, The . Sherman-Bedford-
McGregor-Blythe..Tiffany-Stahl 6233 feet. Sept. 23
Girl From Rio, The Carmel Myers Lumas 6990 feet
Honor First (Re-issue). . . J. Gilbert-R. Adoree.Fox 4851 feet
In a Moment of Temptation C. Stevens-C. Keefe-
K. Guard-G. With-
ers F. B. 0 6605 feet . . Nov. 11
Isle of Forgotten Women. .Tearle-Sebastian-A.
Calhoun-G. Gow-
land Columbia 6646 feet . . Jan. 21
laws of Steel Rin-Tin-Tin-H. Fer-
guson-J. Robards . Warner Bros 6669 'eet. Sept. SO
Joy Girl, The O. Borden-N. Hamil-
ton-M. Dressier . . . Fox 6162 feet. . Sept. 23
Life of Riley, The C. Murray-G. Sidney-
S. Hardy- J. Marlowe. First National 6712 feet .Sept. 16
Lone Eagle, The R. Keane-B. Kent . . . Dniversal 6862 feet
Lovea of Carmen Del Rio-McLaglen-D.
Alvarado Fox 8638 feet. Oct. 7
Mojave Kid, The B.'Steele-L.Gilmore.F. B. O 4924 feet Aug. 12
Nevada G. Cooper-T. Todd . Paramount 6268 feet Oct. 28
Old San Francisco D. Costel'o-C. E. Mack-
W. Oland Warner Bros 7961 feet
One Round Hogan M. Blue-J. J. Jeffries-
L. Hyams Warner Bros 6375 feet
One Woman to Another. . . F. Vidor-Von Eltz Paramount 4661 feet
Out All Night R. Denny-M. Ni»on . Universal . . . 6170 feet
Out of the Past R. Frazer-M. Harris. .Peerless Pict. (S. R.).5701 feet
Painted Ponies H. Gibson-E. Claire . Dniversal 5416 feet . . Aug.
Prince of the Plains Tex Maynard Rayart (S. R.) 4134 feet
Racing Romeo, The "Red" Grange-J. Ral-
ston-T. Friganza...F. B. 0 6992 feet
Ragtime J. Bowers-M. de la
Motte First Division (S. R.) . 6700 feet . Sept. 9
Red Raiders, The K. Maynard-A. Drew. First National 6214 feet. Dec. 9
Road to Romance, The.. . .R. Novarro-M. Day-
R. D. D'Arcy M-G-M 6544 feet Jan. 21
Bailor's Sweetheart, A L. Fazenda-C. Cook. Warner Broa 6686 feet Oct. 14
Sally in Our Alley S. Mason-A. B. Fran-
cis-R. Arlen Columbia 6892 feet
Slightly Osed M. McAvoy-C. Nagel-
R. Agnew Warner Bros 6412 feet Sept. 30
Smile, Brother, Smile J. Mulhall-D. Mac- . _ . „
kaill First National 6669 feet Sept. 9
Soda Water Cowboy, The. . Wally Wales Pathe 4546 feet Nov. 4
Stark Love Special Cast Paramount 6203 feet. .Mar. 11 27
Swim, Girl, Swim B. Daniels-G. Ederle-
J. Hall Paramount 6124 feet. Sept. 16
Tell It to Sweeney Conklin-Bancroft- „ .
Hill-Luden Paramount 6006 feet Oct. 28
Three Miles Dp Al Wilson-E. Clair ... Dniversal 4136 feet. June 10
Two Girls Wanted T. Gaynor-G. Tryon..Fox 6293 feet. Oct. 7
We're All Gamblers Meighan-M. Mifjner Paramount 6936 feet
Length Reviewed
. . .6623 feet.
. 4837 feet.
Dec.
Mar.
. Jan.
Dec.
Oct
Nov. 11
Nov. 10
Nov. 4
Gentleman of Paris, A
Nov.
. Mar.
Dec.
Aug. 26 Gingham Girl, The.
Sept. 30
July
.Nov.
July 8
Oct. 7
Sept. 30
Oct. 7
Dec. 16
Dec. It
Nov. 11
Nov.
Oct
Oct.
Feature Players Distributed by
Cheating Cheaters B. Compson-K. Har-
lan Dniversal
Cherokee Kid, The T. Tyler-S. Lynn F. B. O
Chinese Parrot, The M. Nixon-H Bos-
worth-E. Burns. . .Universal 7304 feet
College Hero, The R. Agnew-P. Garon-
R. Lease-B. Turpin . Columbia 5628 feet
College Widow, The D. Costello-Collier, Jr. Warner Bros 6616 feet
Combat G. Walsh-G. Hulette-
C. Adams Pathe 5100 feet.
Crystal Cup, The D. Mackaill-J. Mul-
hall First National 6386 feet .
East Side. West Side . G. O'Brien-V. Valli-
F. Mc Donald Fox 8154 feet
Fair Co-ed, The M. Davies-J. M.
Brown M-G-M 6408 feet
Figures Don't Lie E. Ralston-R. Arlen. . Paramount 5280 feet.
Finnegan's Ball B. Mehaffey-Landis-
C. McHugh-M.
Swain First Division (S. R.).6200 feet.
A. Menjou-S. O'Hara-
A. Marchall Paramount 5927 feet . . Oct. 14
.L. Wilson-G. K. Ar-
thur F. B. O 6301 feet.
Girl in the Pullman, The. . .M. Prevost-H. Ford . .Pathe-De Mille 6990 feet.
Gun-Hand Garrison Tex Maynard. Rayart (S. R.) 4879 feet.
Harp in Hock, A Schildkraut-Cog'ilan-
M.Robson-B. Love. Pathe-De Mille 6990 feet.
Hiehschool Hero S. PhipDs-N. Stuart. . Fox 6498 feet.
In Old Kentucky J. Murray-H. Costello M-G-M 6646 feet .
Jake the Plumber J. DeVorska-S. Lynn F. B. O 6186 feet .
Jazz Singer, The (Vita-
phone) Al Jolson-W. Oland-
McAvoy Warner Bros 7423 feet .
Jesse James F. Thomson-N. Lane. Paramount 8656 feet.
Les Miserables Special Cast Universal 7713 feet.
Light in the Window, A. .. . Walthall-P. Avery-C.
Keefe Rayart (S. R.) 6960 feet .
Magic Flame, The Colman-Banky United Artists 8300 feet . . Sept 80
My Best Girl M.Pickford C Rogers United Artists 7850 feet Dec. »
No Place to Go M. Astor-L. Hughes. First National 6431 feet.
Now We're in the Air W. Beery-R. Hatton-
L. Brooks Paramount 6798 feet
Obligin' Buckaroo, The .... Buffalo Bill, Jr Pathe 4576 feet.
Once and Forever P.R.Miller-J.Harron. Tiflany-Stahl 5639 feet
Pajamas O Borden-L. Gray .. .Fox 6876 feet.
Pretty Clothes J. Ralston-J. Walker-
G. Astor Sterling Pict. (S. R.) 6652 feet Nov. 4
Publicity Madness E. Lowe-L. Moran. . Fox 6893 feet. Feb. 11
Ranger of the North Ranger (Dog) F. B. 0 4977 feet
Ride 'Em High Buddy Roosevelt Pathe 4543 feet. . Nov. 11
Ridin' Luck Tex Maynard Rayart (S. R.)
Rose of the Golden West .G. Roland-M. Astor. First National 6477 feet. Oct. T
Rough Riders, The F. Hopper-N. Beery-
Bancroft-M. Astor-
Mack-Farrell Paramount 9443 feet .
Sailor Izzy Murphy O. Jessel-A. Ferris. . .Warner Bros 6020 feet .
Seventh Heaven J. Gaynor-C. Farrell-
D. Butler-G. Brock-
well Fox 8500 feet
Shanghai Bound R. Dix-M. Brian Paramount 6516 feet.
Shanghaied P. R. MOler-R. Ince-
G. Astor F. B. O 6999 feet
Shootin' Irons J. Luden-S. Blane . . . Paramount 6179 feet .
Silk Stockings L. La. Plante-O. Har-
lan-J. Harron Universal 6166 feet.
Silver Valley T. Mix-D. Dwan . . . .Fox 6011 feet. .
Spring Fever Wm. Haines- J. Craw-
ford-G. K. Arthur . M-G-M 6705 feet .
Straight Shootin' Ted Wells Universal 4251 feet.
TigTess, The J. Holt- D. Revier . . . Columbia 6357 feet .
Underworld C. Brook-E. Brent-G.
Bancrof t-F. Kohlr. . Paramount 7643 feet
Way of All Flesh, The E. Jannings-B. Ben-
nett-P. Haver-D.
Keith Paramount 8486 feet . . July ■
Wheel of Destiny, The F. Stanley-G. Hale. Rayart (S. R.) 6869 feet
Wine (re-issue ) Clara Bow Universal T reels
Wise Wife, The P. Haver-T. Moore-
J. Logan Pathe-De Mille 6610 feet . Dec 16
Wolf's Trail Dynamite (Dog)-E,
Cobb-D. Lamont. .Universal 4167 feet
Woman on Trial, The Negri-E. Hanson .... Paramount 6960 feet. . Oct 14
Women's Warea Brent-Lytell-L. Kent. Tiffany-Stahl 6614 feet. Nov. II
Wreck of the Hesperus, The. A. Haie-V. Bradford-
S. de Grasse Pathe-De Mille . . 6447 feet . Mar. 31
Nov. 11
Mar. 17
Dec. 28
.Nov. 11
Dec. 2
April I
Oct. 28
June 10
Dec. t
Aug. 1«
Aug. 26
Oct. 14
Oct. 28
Aug. 19
Mar. 17
Sept. •
Feature
OCTOBER
Players Distributed by
Length Reviewed
American Beauty B. Dove-L. Hughes- „ „„
V. L. Corbin First National 6333 f eet . . Oct 31
Angel 01 Broadway, The . . L. Joy-V. Varconi . . . .Pathe-De Mille 6656 feet Dec 16
Ben Hot M Novarro-McAvoy-
Bronson-F. X. Bush-
man-C. Myers M-G-M 11693 feet Jan. 16, '26
Blondes By Choice Claire Windsor Lumas 6987 feet
Body and Soul A. Pringle-L. Barry- _
more-N. Kerry ... . M-G-M 6902 feet Nov. 25
Boy Rider, The Buzz Barton F. B. O 4858 feet . Sept. SO
Breakfast at Sunrise C. Talmadge-D. Al- _
varado First National 6042 feet Dec 16
Broadway Madness M. de la Motte- D. „
Keith ExceUent Pict. (S.R.).6946 feet Oct 14
NOVEMBER
Feature Players Distributed by
Arizona Wildcat, The T. Mix-D. Sebastian . Fox
Back to Liberty G. Walsh-D. Hall-E.
Breese Excellent Pict (S.R.)
Bandit's Sou, The B. Steele-A. Sheridan F. B. O
Becky S. O'Neil-O. Moore-
G. Olmstead M-G-M
Blood Will Tell B. Jones-K. Perry . . Fox
Bowery Cinderella, P. O'Malley-G. Hu-
lette Excellent Pict. (S.R.)
Broadway After Midcigbl. I1 Bonner-C. Landis-
C Hunhes-B. Ten-
ant Krelbar Pict (S. R.).
Cheer Leader, The R. Gravea-Olmstead Lumas
Length Renewed
4666 feet. Mar. 24
8980 feet
4789 feet
6433 feet
4566 feet Mar. S
6900 feet Nov. SI
6199 feet. Nov. 4
6000 feet. Mar. 10
1364
Motion Picture News
Mar. 3
Sept. 28
.Aug. 13
.Nov. 11
.Nov. 11
Nov. 11
.Dec.' 16
Jan. 21
'. Sept. 16
Feature Players Distributed by Length Reviewed
City Gone Wild, The T. Meighan-L. Brooks-
M.Millner-F.Koh-
ler Paramount 0408 feet .
College B. Keaton-A. Corn-
wall-G. Withers.. .United Artists 6362 feet
Death Valley C. Nye-R. Rae-R.
Wells First Division (S. R.) . 6880 feet .
Discord G. Ekman-L. Dago-
ver Pathe 8686 feet.
Dog of the Regiment, A . . . Rin-Tin-Tin Warner Bros 6003 feet .
Dress Parade W. Boyd-B. Love Pathe-De Mille 6699 feet.
Forbidden Woman, The. . . J. Goudal-V. Varconi-
J. Schildkraut Pathe-De Mille 6668 feet.
Fortune Hunter, The S. Chaplin-C. Hor-
ton-H. Costello Warner Bros 6638 feet.
Galloping Fury H. Gibson-S. Rand. .Universal 6603 feet
Garden of Allah, The A. Terry-I. Petrovich M-G 8200 feet.
Ginsberg the Great G. Jessel-A. Ferris . . . Warner Bros 5390 feet
Girl From Chicago, The . . . C. Nagel-M. Loy .... Warner Bros 6978 feet . . Dec. 31
Gold From Weepah Bill Cody Pathe 4968 f eet . . Dec. 23
Good-Time Charley W. Oland-H. Costello Warner Bros 6302 feet. .Nov. 26
Gorilla, The C. Murray-F. Kelsey-
T. Marshall-A. Day . First National 7133 feet . . Dec. 2
Gun Gospel K. Maynard-V. B.
Faire First National 6288 feet. .Mar. 10
Harvester The N. Kingston-O. Cald-
well F. B. O 7046 feet . . Nov. 26
Heroes in Blue J. Bowers-S. Rand . . . Rayart (S. R.) 5000 feet
His Foreign Wife W. McDonald-E.
Murphy-G. von Rue Pathe 4890 feet. .Feb. 11
Home Made Johnny Hines First National 6524 feet
Hoof Marks Jack Donovan Pathe 4076 feet. .Dec. 23
Hook and Ladder, No. 9. . . D. Ellis-E. Hearne-
C. Keef e F. B. O 6240 feet . . Dec. 16
Judgment of the Hills V. Valli-F. Darro-O.
Caldwell F. B. 0 6481 feet.
Ladies Must Dress V. Valli-L. Gray Fox 6599 feet.
Last Waltz, The (Ufa Film) .W. Fritsch-S. Vernon. Paramount 6940 feet.
Lure of the South Seas, The First Division (S.R.). .6700 feet.
Main Event, The V. Reynolds-R. Schild-
kraut-C Delany Pathe-De Mille 6472 feet.
Man Crazy Mulhall-Mackaill . . . First National 6542 feet .
Man, Woman and Sin J. Gilbert-J. Eagles-
G. Brockwell M-G-M 6280 feet .
Right Life A. Day-J. Harron Tiffany-Stahl 6236 feet.
One Glorious Scrap Fred Humes Universal 4172 feet.
On the Stroke of Twelve. . .E .Torrence-J. Mar-
I owe-D. O'Shea . . . Rayart (S. R.) 6970 feet .
On Your Toes R Denny-B. Worth . . Universal 6918 feet .
Opening Night, The C. Windsor-J.Bowers.Columbia 6524 feet .
Open Range L. Chandler-B. Bron-
son-F. Kohler Paramount 5599 feet.
Quality Street M. Davies-C. Nagel-
H. J. Eddy M-G-M
Reno Divorce, A M. McAvoy Warner Bros. .
Roarin' Broncs Buffalo Bill, Jr Pathe
Shame (Re-issue) John Gilbert Fox
She's a Sheik B. Daniels-R. Arlen
W. Powell Paramount 6015 feet . . Dec. 9
Skyhigh Saunders A. Wilson-E. Tarron. Universal 4393 feet
Small Bachelor, The Beranger-O. Harlan-
B. Kent-C. Ger-
aghty Universal 6218 feet
Spotlight, The E. Ralston- N. Ham-
ilton Paramount 4934 feet
Stage Kisses K. Harlan-H. Chad-
wick-J. Patrick Columbia 5436 feet
Thirteenth Hour, The Bonaparte (Dog)-J.
Gadsdon-L. Barry-
more M-G-M 5252 feet
Thirteenth Juror, The F. X. Bushman-Nils-
son Universal 6698 feet.
Turkish Delight R. Schildkraut-J. Faye-
K. Thomson Pathe-De Mille 6397 feet.
Two Arabian Knights W. Boyd-M. Astor-
L. Wolheim-I. Keith. United Artists 7850 feet.
Very Confidential M. Bellamy Fox 6620 feet.
Wanderer of the West, A . Tex Maynard Rayart (S. R.)
Warning, The J. Holt-D. Revier.. . .Columbia 5791 feet. .Jan. 7
Web of Fate Lillian Rich Peerless Pict. (S. R.) .6800 feet
Wild Beauty Rex (Horse)- J. Mar-
lowe-H. Allen Universal 6192 feet
Wild Geese B. Bennett-A. Stew-
art-D. Keith- J. Ro-
bards-E. Southern . Tiffany-Stahl 6448 feet
Wolf Fangs Thunder (Dog)-C.
Morton-C. Lincoln .Fox 6331 feet.. Dec. 16
.7193 feet.
. 5492 feet .
.4375 feet.
.6467 feet.
Aug. 19
Dec. 23
Dec. 30
Nov. 11
Dec. 30
Dec. 2
.Jan. 14
.Mar. 17
. Mar. 10
.Nov. 18
.Nov. 4
.Dec. 30
Dec. 9
Nov. 4
Dec. 16
Feature
Aflame in the Sky
Aftermath (European film)
Alice in Wonderland
Almost Human
Brass Knuckles .
Buttons
Come to My House .
Desert Dust
Desert of the D-st . .
Desert Pirate, The . .
Devil's Twin, The.
Dove, The
Fangs of Destiny
Fashion Madness
Flying Luck
Gay Defender, The
Get Your Man
Golden Clown, The
Grandma's Boy (re-issue).
Ham and Eggs at the Front
Haunted Ship, The .
Hero for a Night, A .
Her WUd Oat
Honeymoon Hate . .
Husbands for Rent.
DECEMBER
Players Distributed by Length Reviewed
S. Lynn- J. Luden F. B. 0 6034 feet . . Nov. 11
Special Cast Collwyn Pict. (S.R.) . .6800 feet . . Mar. 3
Special Cast Pathe 5 reels
V. Reynolds-K. Thom-
son Pathe-De Mille 6596 feet. .Mar. 24
M.Blue-B.Bronson. .Warner Bros 6330 feet. .Dec. 23
Coogan-L. Hanson-G.
Olmsted M-G-M 6060 feet. . Mar. 31
O. Borden-A. Moreno Fox 6430 feet
Ted Wells Universal 4349 feet
W. Wales-P. Mont-
gomery : . . . Pathe 4933 f eet . . Dec. SO
T. Tyler-D. TBomp-
son-F. Darro F. B. 0 4754 feet
Leo Maloney Pathe 6478 feet
N. Talmadge-G. Ro-
land-N. Beery United Artiste 8400 feet. .Jan. 7
Dynamite (Dog)-E.
Cobb Universal 4295 feet
C. Windsor-R. Howes Columbia 5513 feet. .Mar. 31
Monty Banks Pathe 6403 feet. .Nov. 18
R. Dix-T. Todd Paramount 6376 feet. .Dec. 31
C. Bow-C. Rogers. . .Paramount 6889 feet
G. Ekman-K. Bell. . .Pathe 7913 feet. .Mar. 24
H. Lloyd-M. Davis. Pathe-De Mille 4750 feet
. Fazenda-H. Conklin-
T. Wilson Warner Bros 6613 feet
D. Sebastian-M. Love-
R. Hallor-Santschi.Tiff any-Stahl 4763 feet . . Feb. 4
G. Tryon-P. R. Miller.Universal 6711 feet. . Dec. 2
C. Moore-L. Kent-G.
Lee-H. Cooley First National 6118 feet. .Feb. 11
F. Vidor-T. Carmen-
ati Paramount 6416 feet. . Feb. 11
H. Costello-O. Moore Warner Bros 5200 feet. . Tan. 7
Reviewed
.Dec. 31
. Sept. 1ft
.Dec SO
. Mar. 24
. .6771 feet
. .6515 feet. .Mar. 3
. . Dec 23
Dec. SO
Feature Players Distributed by Length
If I Were Single M. McAvoy-C. Nagel.Warner Bros 6320 feet
Irresistible Lover, The . . . . N. Kerry-L. Moran. . . Universal 6968 feet
Land of the Lawless J. Padian-P. Mont-
gomery-!. SantschiPathe 4131 feet
Law and the Man, The... .G.Brockwell-Santschi-
R. Ellis Rayart (S. R.) 6916 feet
Legionnaires in Paris Al Cooke-Kit Guard-
L. Lorraine F. B. O
Little Mickey Grogan F. Darro- J. Ralston-
C. Nye F. B. O
London After Midnight ... .L. Chaney-C. Nagel-
M. Day- Walthall . . M-G-M 6687 feet
Lovelorn, The S. O'Neill-L. Kent-
M. O'Day M-G-M 5950 feet
Love Mart, The B. Dove-G. Roland-
N. Beery First National 7388 feet
Man's Past, A C. Veidt-I. Keith-G.
Siegmann-B. Bed-
ford Universal 6136 feet
My Friend From India . . . . F. Pangborn-E. Faire Pathe-De Mille 6750 feet
Outcast Souls P.Bonner-C.Delaney .Sterling Pict. (S.R.) ..5210 feet
Polly of the Movies G. Short-J. Robards.First Division (S. R.) . .6900 feet
Rush Hour, The M. Prevost-H. Ford. .Pathe-De Mille 6880 feet
San Francisco Nights M. Busch-P. Mar-
mont Lumas 7000 feet
Serenade A. Menjou-K. Carver-
L. Basque tte Paramount 6209 feet
Silk Legs M. Bellamy-J. Hall . . Fox 6446 feet
Silver Slave, The I. Rich- A. Ferris-H.
Herbert Warner Bros 6124 feet
Siren, The D. Revier-T. Moore-
N. Trevor Columbia 6996 feet
Slingshot Kid, The "Buzz" Barton J.
Morgan-F. Rice. . .F. B. 0 4486 feet.
Sorrell and Son H. B. Warner-Nils-
son-M. McBain-A.
Joyce United Artists 9150 feet
South Sea Love P. R. Miller-L. Shum-
way-A. Brooks. . . .F. B. 0 6388 feet
Spoilers of the West T. McCoy-M. Daw-
W. Fairbanks M-G-M 4784 feet
Streets of Shanghai P. Starke-K. Harlan-
J. Robards Tiffany-Stahl 6276 feet
Swift Shadow, The Ranger (Dog) F. B. 0 4892 feet
Tea for Three L. Cody-A. Pringle-O.
Moore-D.Sebastian .M-G-M 6273 feet
Temptations of a Shopgirl. B. Compson-Garon-
A. Kaliz First Division (S. R.) . 6604 feet
Texas Steer, A W. Rogers-L. Fa-
zenda-A. Rork .... First National 7419 feet
Two Flaming Youths C. Conklin-W. C.
Fields-M. Brian.. .Paramount 6319 feet
Valley of the Giants M. Sills-D. Kenyon. . First National 6336 feet
Wild Born Tex Maynard Rayart (S. R.)
Wilful Youth K. Harlan-E. Murphy.Peerless Pict. (S.R.) . 6644 feet
Wizard, The L. Hyams-E. Lowe-
G. Katsonaros-von
Seyff ertitz Fox 5629 feet
. Sept. 16
. Mar. 31
. .Mar. 10
. Dec SI
. .Dec. 91
..Dec. 9
.Nov. 26
Feb. IS
. Mar. 21
.Mar. S
.Dec 28
.Nov. 11
.Nov. 18
.Jan. T
JANUARY
Feature Players Distributed by
Air Patrol, The Al Wilson Universal
Alias the Deacon J. Hersholt-J. Mar-
io we- R. Graves . . . Universal . .
Baby Mine G.K.Arthur-K.Dane. M-G-M
Ballyhoo Buster, The Buffalo Bill, Jr Pathe
Beau Sabreur E. Brent-G. Cooper-
W. Powell-N. Beery Paramount
Beware of Married Men . . .1. Rich-R. Tucker-S.
Holmes-M. Loy. . .Warner Bros
Boss of Rustlers Roost, The. D. Coleman-E. Gil-
bert Pathe
Branded Sombrero, The.. .B. Jones-L. Hyams. .Fox Films
Burning Up Broadway H. Costello-R. Frazer Sterling Pict. (S. R.)
Call of the Heart Dynamite (Dog)-E.
Cobb-J. Alden .... Universal
Casey Jones R. Lewis-J. Robards-
A. Sheridan Rayart (S. R.)
Circus, The C. Chaplin-M. Ken-
nedy United Artists
Cohens and the Kellys in
Paris, The G. Sidney-J. F. Mc-
Donald-V. Gordon-
K. Price-S. Carrol-
C. Delany Universal
' Comrades H.Costello-G.Hughes-
D. Keith First Division (S. R.)
Coney Island L. Wilson-L. Mendez.F. B. O
Cowboy Cavalier, The B. Roosevelt O. Has-
brouck Pathe
Dare Devil's Reward T. Mix-N. Joyce Fox
Dead Man's Curve Fairbanks, Jr.-S.
Blane F. B. O
Desperate Courage W. Wales-O. Has-
brouck Pathe
Divine Woman, The D. Garbo-L. Hanson-
L. Sherman M-G-M
Driftin' Sands Bob Steele F. B. O
Fearless Rider F. Humes-B. Worth. .Universal
Four Flusher, The G. Lewis-M. Nixon . . Universal
French Dressing H. B. Warner-L. Wil-
son First National
Gateway of the Moon, The . Del Rio-Fenton-W.
Pidgeon Fox
Gentlemen Prefer Blondes .A. White-F. Sterling-
R. Taylor-Conklin-
Friganza-Swain . . .Paramount
Girl in Every Port, A V. McLaglen-M. Casa-
iuana-M. Loy-N.
Joyce-R. Armstrong.Fox
Heart of Broadway, The ... P. Garon-R. Agnew. . Rayart (S. R.)
Laddie Be Good B. Cody-R. Blossom . Pathe
Lady Raffles E. Taylor-R. Drew-L.
Tashman Columbia
Last Command, The E. Jannings-E. Brent-
W. Powell Paramount
Let 'Er Go. Gallegher J. Coghlan-H. Ford-
E. Fair Pathe-De Mille
Leopard Lady, The J. Logan-A. Hale.. . .Pathe-De Mille
Love G. Garbo-J. Gilbert.. M-G-M
Love and Learn E. Ralston-L. Chand-
ler-H. Hopper Paramount
Merry Wives of New York. . P. Garon First Division (S.R.) .
Noose, The R. Barthelmess-L.
B quette-A. Joyce. First National
Length Reviewed
4259 feet
6869 feet.. Oct 11
6139 feet. .Jan. 14
4805 feet. .Dec. 80
6536 feet. .Jan. 88
6421 feet. .Jan. 88
4833 feet. .Jan. 14
6612 feet. Jan. 14
6200 feet
.6261 feet
6673 feet
6700 feet. Jan. 14
7481 feet.. Feb. 18
.5970 feet.
6390 feet.
4526 feet.
4987 feet.
6611 feet.
4398 feet.
7300 feet.
4770 feet.
4173 feet. .
6193 feet. .
Mar. 10
Feb. 28
Jan. 88
Jan. 81
Dec 8£
Jan. 81
Jan. 81
Jan! 28
6344 feet.
6038 feet.
Jan. 14
6871 feet. Jan. 81
6882 feet. .Mar. 3
6853 feet
4155 feet. .Dec. 30
6471 feet
8234 feet. Jan. 28
6888 feet. Jan. 28
6650 feet. .Mar. 10
7366 feet.. Dec 18
6737 feet. .Feb. 26
7331 feet. Jan. 7
April 2 8 , 19 28
1365
Feature Players Distributed by Length Reviewed
On to Reno M. Prevost-C. LandisPatbe-De Mille 6 reels
Peaks of Destiny, Tbe
(Ufa film) E. Peterson-L. Riet-
enstahl-L. Trenker Paramount 6682 feet. .Jan. 21
Perfect Gentleman, A M. Banks-R. Dwyer. Pathe 5626 feet. Jan. 14
Pioneer Scout, The F. Thomson-N. Lane. Paramount 6118 feet. Mar. 10
Private Life of Helen of Troy,
The M. Corda-L. Stone-R.
Cortez First National 7694 feet. . Dec. 23
Race For Life, A Rin - Tin - Tin - V. B.
Faire-C. Nye Warner Bros 4777 feet. . Feb. 11
Rawhide Kid, The H. Gibson-G. Hale. Universal 6382 feet
Sadie Thompson G. Swanson-L. Barry-
more-R. Walsh .. . . United Artists 8700 feet . . Feb. 1 1
Sailors' Wives Astor-Hughes First National 6486 feet . Mar. 10
Satan and the Woman C. Windsor-C. Keefe Excellent Pict. (S. R.)6400 feet. Mar. 10
Sharpshooters G. O'Brien-L. Moran Fox 5673 feet. . Jan. 28
Shepherd of the Hills, The. .A. B. Francis-M.
O'Day-J. Boles First National 8188 feet. Feb. 25
Striving for Fortune G. Walsh-B. Roberts Excellent Pict. (S.R.).5337 feet
Student Prince, The (In
Heidelberg) R. Novarro-Shearer-
J. Hersholt M-G-M. 9666 feet . Oct. T
That Certain Thing V. Dana-R. Graves. .Columbia 6047 feet. Mar. 10
Tragedy of Youth, The Collier, Jr.-P. R. Mil-
ler-W. Baxter Tiffany-Stahl 6361 feet. . Mar. 31
West Point W. Haines-J. Craw-
ford M-G-M 8134 feet. Jan. 7
What Price Beauty? N. Naldi-P. Gendron-
V. Pearson Pathe 5 reels .... Jan. 28
Wickedness Preferred L. Cody-A. Pringle. .. M-G-M 5011 feet
Wife Savers W. Beery-R. Hatton-
Z. Pitts Paramount 5413 feet . . Jan. 21
Wife's Relations, The S. Mason-G. Glass-B.
Turpin-A. Kaliz . . . Columbia 6508 feet
Wizard of the Saddle B. Barton-D. Thomp-
son F. B. 0 4806 feet ... Dec. 30
Woman Against the World,
A G. Olmstead-H. Ford-
G. Hale-S. Rand. .Tiffany-Stahl 6283 feet
Woman Wise W. Russell-J. Collyer-
W. Pidgeon Fox 6050 feet . . Mar. 10
FEBRUARY
Feature Players Distributed by Length Reviewed
Across the Atlantic M. Blue-E. Murphy. .Warner Bros
Alice Through the Looking
Glass Special Cast Pathe 6 reels
Apache Raider, The L. Maloney-E. Gil-
bert-D. Coleman. .Pathe 6766 feet. .Feb. 18
Bare Knees V. L. Corbin-D. Keith-
J. Winton-J. Walker Lumas 6800 eet. Jan. 28
Battles of Coronel and Falk-
land Islands (English
film) Special Cast— Artlee Pict. (S. R.) 8400 feet. Mar. 24
Blonde for a Night, A M. Prevost-H. Ford. .Pathe-De Mille 6 reels
Bronc Stomper, The D. Coleman-E. Gilbert Pathe 6408 feet . . Mar. 3
Chaser, The H. Langdon-G. Mc-
Connell First National 5744 feet. April 21
Clean Dp Man, The T. Wells-P. O'Day. . . Universal 4232 feet
Crashing Through J. Padjans-S. Rand-
T. Santschi Pathe 4480 feet . Feb. 11
Devil Dancer, The G. Gray-C. Brook United Artists 6765 feet .. Dec. 30
Devil's Skipper, The B. Bennett-M. Love-
McAllister-C. Lan-
dis Tiffany-Stahl 6510 feet
Doomsday F. Vidor-G. Cooper. .Paramount 6665 feet. .April 7
Douglas Fairbanks as the
Gaucho D. Fairbanks-E. South-
ern-L. Valez United Artists 9256 feet. . Dec. 2
Enemy, The L. Gish-R. Forbes. . .M-G-M 8189 feet. Dec. 31
Fangs of the Wild Ranger (Dog)-S. Nel-
son-D. Kitchen . . F. B. O 4678 feet. Jan. 14
Finders Keepers La Plante-Harron . . .Universal 6081 feet. .Mar. 17
Feel My Pulse B. Daniels-R. Arlen-
W. Powell Paramount 6889 feet. .Mar. 3
Fleetwing B. Norton-D. Janis. . . Fox
Flying Romeos C. Murray-G. Sidney. First National 6184 feet April 14
Her Summer Hero D.Thompson-H. Tre-
vor-S. Blane-J.
Pierce F. B. O 6146 feet. Dec. 30
Latest From Paris, The N. Shearer-G. Sidney-
R. Forbes M-G-M 7743 feet. . Mar. 3
Little Snob, The M. McAvoy-R. Frazer-
A. B. Francis Warner Bros
Midnight Rose L. de Putti-K Harlan Universal 5689 feet. . Mar. 10
Nameless Men C. Windsor-A. Mor-
eno Tiffany-Stahl 5708 feet. April 14
Napoleon (French Film) . . . Special Cast M-G-M
Night Flyer, The W. Boyd-J. Ralston. . Pathe-De Mille 5964 feet
Painted Trail, The Buddy Roosevelt Rayart (S. R.) 4671 feet
Passion Island Special Cast Pathe-De Mille 7 reels
Phantom Flyer, The Al Wilson Universal 4253 feet
Port of Missing Girls, The .B. Bedford-M. Mc-
Gregor Brenda Pict. Corp . . . 7270 f eet . . Mar. 8
Riding Renegade, The Bob Steele F. B. O
Rose-Marie J. Crawford-J. Mur-
ray-H. Peters M-G-M 7746 feet. Feb. 18
Secret Hour, The P. Negri-Hersholt-K.
Thomson Paramount 7194 feet. Mar. 17
Shield of Honor, The R. Lewis-D. Gulliver-
N. Hamilton Universal 6172 feet. Dec. 30
Show Down, The Bancroft - Brent - N.
Hamilton Paramount 7616 feet. .Mar. 10
Smart Set, The W. Haines-A. Day-J.
Holt-H. Bosworth . M-G-M 6476 feet. Mar. 10
Soft Living M. Bellamy-J. Mack
Brown Fox 6629 feet. . Mar. 3
So This Is Love V. Dana-W. Collier,
Jr.-J. Walker Columbia 6611 feet
Sporting Goods R. Dix-G. Olmstead. . Paramount 6961 feet. . Feb. 18
Stand and Deliver La Rocque-L. Valez-
W. Oiand Pathe-De Mille 6423 feet . . April 7
Stronger Will, The P. Marmont-E. La
Bissioniere-R. Ca-
rewe Excellent Pict (S.R.) 6600 feet
That's My Daddy R. Denny-B. Kent-J.
La Verne Universal 6073 feet
Under the Tonto Rim R. Arlen-M. Brian-J.
Linden Paramount 6991 feet
Valley of Hunted Men Buffalo Bill, Jr.-K.
Collins Pathe 4620 feet. . Mar. S
Wagon Show, The Ken Maynard First National
Wall Flowers H. Trevor-J. Arthur-
L. Todd F. B. O 6339 feet
Feature Players Distributed by Length Reviewed
Wedding March, Tbe (road
show) von Stroheim-F.
Wray Paramount 12 reels
When the Law Rides T. Tyler-F. Darro . . . .F. B. O
Whip Woman, The E. Taylor-A. Moreno-
L. Sherman First National 5087 feet. Mar. 24
Woman's Way, A M. Livingston-W. Bax-
ter Columbia
You Can't Beat the Law . . . . L. Lee-C. Keefe Rayart (S. R.) 6260 feet
MARCH
Feature Players Distributed by Length Re-viewed
Adventure Mad (Ufa film) . E. Barclay-N. Asther-
L. Hall-Davis Paramount 5897 feet
Bachelor's Paradise S.O'Neill-R. Graves. Tiffany-Stahl 6147 feet
Beyond London's Lights.. ,L. Shumway-G. El-
liott-J.Gadsden H.
Evans-A. Dore . . F. B. 0 6573 feet. Feb. 20
Big City, The L. Chaney-M. Day-B.
Compson-J. Murray. M-G-M 6838 feet. Mar. 31
Blue Danube, The L. Joy-R. LaRocque-
J. Schildkraut Pathe-De Mille 7 reels
Bringing Up Father F. Macdonald-G. Olm-
sted-P. Moran M-G-M 6344 feet
Brunettes Preferred First Division (S. R.) . 6561 feet
Buck Privates de Putti-McGregor-Z.
Pitts Universal 6914 feet. Feb. 4
Bullet Mark, The J. Donovan-M. Gray-
G. McConnell. . . Pathe 4660 feet. Mar. 31
Burning Daylight M. Sills-D. Kenyon. .First National 6600 feet
Chicago P. Haver-V. Varconi. Pathe-De Mille 9992 feet. Dec. 80
Chicago After Midnight. .. .J. Mendez-R. Ince-
Seiter F. B. 0 6249 feet. . Mar. 17
Circus Rookies K. Dane-G. K. Arthur M-G-M
Crowd, The J. Murray-E. Board-
man-B. Roach M-G-M 8648 feet . . Feb. It
Desert Bride, The B. Compson-A. For-
rest-O. Mattieson . Columbia 5425 feet
Domestic Troubles L. Fazenda-C. Cook-
B. Blythe-A. Ran-
kin Warner Bros
Dressed to Kill E. Lowe-M. Astor-C.
Morton-B. Bard . Fox 6566 feet. Mar. 17
Faithless Lover, The G. Hulette-E. O'Brien Krelbar Pict. (S.R.).. 6600 feet. Mar. 8
Forbidden Hours R.Novarro-R.Adoree M-G-M
Four Footed Ranger, The. .Dynamite (Dog) Universal 4426 feet
Freckles J. Fox, Jr.-G. Stratton-
H. Bosworth F. B. 0 6131 feet. Jan. 28
Garden of Eden, The C. Griffith-C. Ray-L.
Sherman United Artists 7300 feet . . Jan. 14
Golden Shackles Priscilla Bonner Peerless Pict. (S. R.) .6600 feet
Heart of a Follies Girl, The. B. Dove-L. Kent- L.
Sherman-M Harris First National 6957 feet. Mar. IT
Horseman of the Plains. . .T. Mix-S. Blane Fox 4397 feet. Mar. 24
Legion of the Condemned,
The G. Cooper-F. Wray-L.
Chandler-F. Mc-
Donald-B. Norton . Paramount 7416 feet. Mar. 24
Little Buckaroo, The Buzz Barton F. B. O
Love Me and the World Is
Mine Philbin-Kerry Universal 6813 feet. .Feb. 11
Mad Hour, The S. O'Neil-L. Kent-L.
Sherman-A. White. National 6626 feet. .April 21
Marlie the Killer Klondyke (Dog)-Bush-
man, Jr.-B. Mehaf-
fey Pathe 4600 feet. . Mar. I
Masked Angel, The B. Compson-W. Oak-
man First Division (S.R.).. 5700 feet. Mar. 24
Matinee Idol, The J. Walker-B. Love-
A. Forrest Columbia
Midnight Madness J. Logan-C. Brook.. Pathe-De Mille 6659 feet
My Home Town G. Rockwell-G. Glass Rayart (S. R.)
Old Ironsides E. Ralston-C. Farrell-
W. Beery-G. Ban-
croft Paramount 7910 feet Dec. 18, *2#
Partners in Crime W. Beery-R. Hatton-
W. Powell-M. Brian Paramount
Patsy, The M. Davies-O. Cald-
well-L. Gray M-G-M 7289 feet
Phantom of the Turf, The. .H. Costello-R. Lease Rayart (S. R.)
Powder My Back I Rich-A. Ferris-A.
Beranger-C. Nye. .Warner Bros
Put 'Em Up Fred Humes Universal 4200 feet
Ramona D. Del Rio-W. Baxter-
R. Drew-V. Lewis. . United Artists 8200 feet . . Feb. 4
Red Hair C. Bow-W. Austin-L.
Chandler Paramount 6331 feet. Mar. II
Red Signals W. McDonald-E. No-
vak-E. Williams . . . Sterling Pict. (S.R.) . . 6032 feet
Saddle Mates W. Wales-P. Mont-
gomery Pathe 4620 feet. .Mar. IT
Something Always Happens E. Ralston-N. Hamil-
ton Paramount
Souls Aflame G. James-G. Lard-R.
Wells First Division (S. R.)
Square Crooks R. Armstrong-J. M.
Brown-D. Dwan-D.
Appleby Foi 6397 feet. Mar. 31
Stop That Man A. Lake-B. Kent-E.
(".ribbon Universal 6389 feet
Surrender M. Philbin-I. Mos-
kine Universal 8249 feet. .Mar. 10
Tempest J. Barrymore-C. Horn
-Wolheim United Artists (about) 9000 feet..
Their Hour D. Sebastian- J. Har-
ron-J. Marlowe... .Tiffany-Stahl 5662 feet
Tracy the Outlaw Jack Hoey New-Cal (S. R.) 6000 feet. . Mar. 31
Trick of Hearts, A H. Gibson-G. Hale. .Universal 5496 feet
Turn Back the Honrs M. Loy-W. Pidgeon-
S. Hardy Lumas 6500 feet . . Mar. IT
Under the Black Eagle Flash (Dog)-M. Day-
R.Forbes M-G-M 6901 feet
Why Sailors Go Wrong S. Cohen-T. McNam-
ara-S.Phipps Fox 6112 feet. April 14
Women Who Dare H. Chadwick-C. Dela-
ney Excellent Pict. (SSL.)
Wyoming T. McCoy-W. Fair-
banks-D. Sebastian.M-G-M
Feature
Across From Singapore .
APRIL
Players Distributed by
. R. Navarro-J. Craw-
ford-E. Torrence. .M-G-M-
Length Renewed
1366
Motion Picture News
Length Reviewed
Feature Players Distributed by
Actress, The N. Shearer-R. Forbes-
G. Lee-O. Moore-
D'Arcy M-G-M
Adorable Cheat, The L. Lee-C. Keefe . Chesterfield (S. R.). . 5400 feet April 21
After the Storm H. Bosworth-E. Gil-
bert-C. Delaney . . . Columbia
Avenging Shadow, The Klondike (Dog)-R. Hal-
lor-M. Morris Pathe 4293 feet. . Mar. 31
Bell o Avenue A First Division (S. R.)
Bit of Heaven, A B. Washburn-L. Lee Excellent Pict. (S.R.)
Breed of the Sunsets R. Steele-N. Drexel F. B. O
Broadway Daddies J. Logan-R. Lease-A.
B. Francis Columbia 5400 feet
Canyon of Adventure K. Maynard-V. B.
Faire First National 5800 feet
Chinatown Charlie J. Hines-L. Lorraine. .First National 6365 feet
Chorus Kid, The V. B. Faire-B. Wash-
burn-H. Hopper . . . Lumas 6200 feet . . April 14
Circus Rookies K, Dane-G. K. Arthur
L. Lorraine M-G-M
Cossacks, The J. Gilbert-R. Adoree-
E. Torrence-M. Al-
den M-G-M
Crimson City, The M. Loy-L. Hyams-R.
Tucker-J. Miljan . Warner Bros 5388 feet. April 21
Czar Ivan the Terrible Special Cast Amkino (S. R.) 8500 feet. .Mar. 24
Danger Patrol, The W.Russell-V.B.Faire .Rayart (S. R.)
Devil's Trade Mark, The. .B. Bennett- W. V.
Mong-M. Douglas .F. B O
Drums of Love E. Taylor-D. Alvar-
ado-M. Philbin-L.
Barrymore United Artists 9500 feet. Jan. 28
Fagasa (South Seas Isle
film) L. Kelly-G. Kelton-
Mr. & Mrs. R. Wells . First Division (S. R.)
Five and Ten Cent Annie.. L. Fazenda-C. Cook-
G. Astor-W. Dema-
rest Warner Bros
Girl He Did'nt Buy, The. . . P. Garon-A. Simpson Peerless (S.R.) 5600 feet
Good Morning Judge R. Denny-M. Nolan-
D. Gulliver ....... Universal 5645 feet
Gypsy of the North H. Gordon-G. Hale. Rayart (S. R.)
Harold Teen A. Lake-M. Brian-W.
Bakewell-J. Duffy . First National
House of Scandal, The. . . .D. Sebastian-P.
O'Malley Tiffany-Stahl
Ladies' Night in a Turkish
Bath Mackaill-Mulhall First National 6592 feet . . April
Last Moment, The O. Matieson-G. Hale-
L. La Verne Zakoro (S. R.) 5800 feet. .Mar. 31
Laugh Clown, Laugh Chaney-L. Young-N.
Asther M-G-M
Law of Fear, The Ranger (Dog)-P. R.
Miller-C. Byer F. B. 0 4769 feet. Mar. 10
Law's Lash, The Klondike (Dog)-R.El-
lis-M. Maberry . . . Pathe 4902 feet. . Mar.IE
Lilac Time C. Moore-G. Cooper. First National Mar. 24
Little Shepherd of Kingdom
Come Barthelmess-G. James-
O'Day-Seyffertitz. First National 7700 feet
Little Yellow House, The. .O. Caldwell-M. Sleep-
er F. B. 0 6403 feet. April 21
Love Hungry L. Moore-L. Gray. . .Fox 5792 feet. April 21
Night of Mystery, A A. Menjou-N. Lane-
Collier, Jr. -E. BrentParamount 5741 feet. .April 21
Phantom of the Range, The.T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4781 feet. Feb. 11
Pinto Kid, The B. Barton-H. Trevor-
G. Lee F-B-O 4884 feet . . Jan. 7
Red Riders of Canada, The P. R. Miller-C. Byer. . F. B. O 6419 feet . . Dec. 23
Riders of the Dark T. McCoy-D. Dwan.. M-G-M
Scarlet Dove, The J. Borio-R. Frazer-L.
Sherman M. Liv-
ingston Tiffany-Stahl
Skyscraper, The S. Carroll- W. Boyd-
A. Hale-A. VaughnPathe-De Mille 7040 feet. April 14
Speedy H. Lloyd-A. Christy-
B. Ruth-B. Wood-
ruff Paramount 7960 feet. April 14
Steamboat Bill, Jr Keaton-E. Torrence. .United Artists (about) 6800 feet . .
Street of Sin, The E. Jannings-F. Wray . Paramount
Thanks For the Buggy Ride.L. La Plante .-G.
Tryon Universal 6197 f eet . . Feb. 4
Thirteen Washington Square A. Joyce- J. Hersholt-
Z. Pitts Universal 6274 feet . . Feb. 4
Three-Ring Marriage M. Astor-L. Hughes. . First National
Thunder Riders, The Ted Wells Universal 4353 feet
Two Lovers R. Colman-V. Banky . United Artists (about) 7500 feet . .
Won in the Clouds Al Wilson Universal 4348 feet
Feature
Alex the Great
Arizona Cyclone, The
Clothes Make the Woman.
Crooks Can't Win
Hawk's Nest, The
Hell Ship Bronson
Hold 'Em Yale
Hot Heels
Hound of Silver Creek, The
It's All Greek to Me
Lady Be Good
Ladies of the Night Club. .
Man in the Rough, The . . .
Marry the Girl
Million for Love, A
Pa; As You Enter
Rinty of the Desert
Skinner's Big Idea
United States Smith
Vamping Venus
MAY
Players Distributed by Length Reviewed
"Skeets" Gallagher-
R. Dwyer F. B. 0 5872 feet. .Mar. 24
Fred Humes Universal 4076 feet
E. Southern-W. Pid-
geon Tiffany-Stahl
R. Lewis-T. Hill-S.
Nelson F. B. O
M. Sills-D. Kenyon-
A. Stone-M. Love. . First National
Mrs. W. Reid- R.
Howes-H. Foster-N.
Beery Lumas
R. La Rocque-J. Loff-
H. Allan Pathe-De Mille
G. Tryon-P. R. Miller Universal
Dynamite (Dog) Universal 4095 feet
C. Murray-L. Fazen
da-T. Todd First National
D. Mackaill-J. Mul-
hall First National
B. Leonard-R. Cortez.Tiffany-Stahl
B. Steele-M. King . . . F-B-O
B. Bedford-R. Ellis-
D. W. Jennings . . . Sterling Pict. (S. R.). .6300 feet. . Mar. 10
R. Howes- J. Dunn . . . Sterling Pict. (S.R.)
C. Cooke- L. Fazanda Warner Bros
Rin-Tin-Tin-A. Fer-
ris-C. Nye Warner Bros
B. Washburn-M.
Sleeper-H. Trevor. F. B. 0 5967 feet. .Mar. 17
Special Cast Lumas 7000 feet
C. Murray-Fazenda-
T. Todd First National
Feature Players Distributed by Length Reviewed
Walking Back S. Carroll-R. Walling.Pathe-De Mille 6 reels
7
We Americans G. Sidney P. R. Mil-
ler-G. Lewis Universal 9151 feet. April
Wild West Show, The H. Gibson Universal 5254 feet
Yellow Lily, The B. Dove-C. Brook-
Seyferrtitz First National
JUNE
Feature Players Distributed by
Dog Justice Ranger (Dog)-E.
Hearn-N. Martan. .F. B. O
Green Grass Widows W. Hagen-G. Olm-
stead-J. Harron-H.
Hopper Tiffany-Stahl . . .
Lingerie Tiffany-Stahl... .
Loves of Ricardo George Beban F. B. O
Man Higher Up, The Lumas
Roulette R. Barthelmess-M. Liv-
ingston-W. Oland-
L. Basquette First National
Stormy Waters E. Southern-M. Mc-
Gregor Tiffany-Stahl. . .
Texas Tornado, The Tom Tyler F. B. O
Upland Rider, The K. Maynard-M. Doug-
las First National. . .
Length Reviewed
.7477 feet.Sept.4'26
JULY
Feature Players Distributed by
Albany Night Boat, The Tiffany-Stahl
Count of Ten, The C. Ray- J. Gleason . . . Universal
Fighting Redhead, The .... Buzz Barton . . F. B. O
Flyin' Cowboy, A H. Gibson-O. Has-
brouck Universal
Grain of Dust, A Tiffany-Stahl. . .
Head of the Family, The Lumas
Kelly's Kids Charlie Murray . . . .First National
Prowlers of the Sea R. Cortez-C. Myers. Tiffany-Stahl... .
Trail of Courage, The R. Steele-M. Bonner. F-B-O
Length Reviewed
AUGUST
Feature Players Distributed by
Bantam Cowboy. TLie Buzz Barton F. B. O
Barker, The M. Sills-B. Compson First National . . .
Beautiful But Dumb Tiffany-Stahl. . .
Domestic Relations Tiffany-Stahl
Oh Kay Colleen Moore First National...
Thru the Breakers Lumas
Length Reviewed
Coming Attractions
Feature
Players
Distributed by
Length Reviewed
Abie's Irish Rose F. McDonald-J. Hers-
holt-N. Carroll-C.
Rogers Paramount 12103 feet
Abie of the U. S. A George Jessel Lumas.
Adventurer, The T. McCoy-D. Sebas-
tian-C. Delany M-G-M 3709 feet
Adventures in Pygmy Land .Jungle Film W. W. Hodkinson . . . 6800 feet . . Mar. 24
Age of Sex, The. . ... First Division (S.R.)
Anne Against the World . . . Edith Roberts Rayart (S. R.)
Baby Cyclone, The L. Cody-A. Pringle. . . M-G-M
Battle of the Sexes, The... B. Bennett- J. Hers-
holt-P. Haver-S.
O'Neill United Artists
Battling Buckaroo, The . . . . T. Tyler-E. Clair . . . . F. B. O
Beauty Doctor, The Adolphe Menjou. . . .Paramount
Beggars of Life W. Beery-R. Arlen-L.
Brooks Paramount
Bellamy Trial, The L. Joy-B. Bronson-K.
Thomson-A. Page. .M-G-M
Beward of Blondes Columbia
Big Bow Mystery, The I. Rich-C. Brook F. B. O
Big Game Hunt, Too W. Beery-R. Hatton. .Paramount
Big Killing, The Beery-Hatton Paramount
Big Sneeze ,The W. Beery-F. Sterling-
Z. Pitts Paramount
Big Top, The M-G-M
Billionaire, The Al St. John-J. Robards Rayart (S. R.)
Black Ace, The D. Coleman- J. Loff . .Pathe
Black Pearl, The Gladys Brockwell Rayart (S.R.)
Blossom Time (Movietone) .J. Gaynor-C. Farrell. . Fox
Body Punch, The J. Dougherty-V. B.
Faire Universal
Boss of Little Arcady, The. C. Murray-D. Reed-
D. Dawson-L. Young .First National
Branded Man, The C. Delaney-J. Mar-
lowe-E. La Bisso-
niere Rayart (S. R.)
Bride of the Colorado J. Boles-D. Blossom. .Pathe
Brides Will Bo Brides. . ..Laura La Plante Universal
Bright Aisle, The Lumas
Broken Hearts Hercules Film Prod. (S. R.)
Brotherly Love (tentative) . . K. Dane-G. K. Arthur-
M. Day M-G-M
Bum, The (tentative) Percy Marmont First Division (S. R.)
Burning Winds H. Gibson-V. B. Faire Universal
Bushranger, The T. McCoy-M. Doug-
las M-G-M
Butter and Egg Man, The . .J. Mulhall-M. O'Day-
G. Astor First National
Certain Young Man, A . . . . Novarrc- Adoree- W.
Marshall-G. Astor .M-G-M
Children of the Sun (South
Seas film) Special Cast Universal
Chinatown Lon Chaney M-G-M
City of Shadows, The J. Luden-S. Lynn F. B. O
Clearing the Trail H. Gibson-D. Gulliver Universal
Clown, The (Vitaphone) . . .Al Jolson Warner Bros
Cock-Eyed World, The V. McLaglen-E. Lowe Fox
Code of the Scarlet, The.. .K. Maynard-G. Mc-
Connell Fir6t National
April 28, 1928
1367
Feature Players Distributed by Length Reviewed
Cohens and the Kellys in
Atlantic City, The Universal
Companionate Marriage. First Division (S. R.)
Cop, The W. Boyd- J. Logan- A.
Hale-R. Armstrong Pathe-De Mille
Craig's Wife Pathe-De Mille
Creole Love First Division (S. R.)
Crimson Hour, The L. de Putti-I. Moskine-
N. de Brulier Dniversal
Dance Fever (Ufa film) Brill, Inc
Danger Rider, The H. Gibson-E. Gilbert Universal
Danger Street F. B. O
Deadline, The Flash (Dog)-L. Lor-
raine-L. Gray M-G-M
Detectives K. Dane-G. K . Arthur-
M. Day M-G-M
Devil's Cage, The P. Garon-D. Keith . . . First Division (S.R.)
Devil's Chaplain, The Cornelius Keefe Rayart (S.R.)
Diamond Handcuffs C. Nagel-E. Board-
man-L. Gray-D.
Sebastian-S. Hardy M-G-M
Divine Lady, The C. Griffith-V. Varconi-
M. Dressier First National
Dolorosa Tiffany-Stahl
Don't Marry L. Moran-N. Hamil-
ton Fox
Doubling for Trouble H. Gibson-E. Gilbert.Universal
Grip of the Yukon, The Bushmab, Jr.-N. Ham-
ilton-.!. Marlowe. . .Universal
Down Our Way V. Valli-F. Darro-O.
Caldwell F. B. O
Dragnet, The G. Bancroft-E. Brent-
W. Powell Paramount
Dreaded Bandit, The (for-
eign film) L. Albertine-E. Iina-
jeff Cinema Attractions . . 6000 feet
Eagle's Talons, The Tom Tyler F. B. O
Easy Come, Easy Go R. Dix-N. Carroll ... Paramount
Easy Money Lon Chaney M-G-M
Empty Saddle, The Fred Humes Universal
Escape, The V. Valli-W. Russell. .Fox
Excess Baggage Wm. Haines M-G-M
Fallen Angels N. Kerry-P. Starke-
K. Harlan Universal
Fangs of Fury Sandow (Dog) Pathe
Fangs of Justice Silverstreak (Dog)-J.
Walker-J Marlowe.BischoB Prod. (S.R.) 6000 feet
FaiU C«Farrel G Nissen-
M. Busch Fox
Fedora P. Negri-N. Kerry-L.
Grant-O. Mattiesen Paramount
Fifty-Fifty Girl, The B. Daniels-J. Hall-W.
Austin Paramount
First Kiss, The F. Wray-G. Cooper. . . Paramount
Fools for Luck W. C. Fields-C. Conk-
lin-S. Blane-J. Lu-
den Paramount
Fools in the Fog M. McAvoy-C. Nagel. Warner Bros
Foreign Legion, The N. Kerry-J. Marlowe-
M. Nolan Universal
Four Devils, The F. Macdonald-M Dun-
can-C. Morton-N.
Drexel-J. Gaynor. . Fox ?
Four Sons J. Hall-M. Mann-
Bushman, Jr.-C.
Morton-E. Foxe-J.
Collyer Fox 9412 feet. .Feb. 18
Four Walls J. Gilbert-J. Crawford M-G-M
Freedom of the Press L. Stone-M. Day-D.
Keith Universal
Free Lips First Division (S. R.)
George Washington, Jr . . . . George Jessel Tiffany-Stahl
Girl Downstairs, The L. Moran-G. O'Brien. Fox
Girl on the Barge, The May Philbin Universal
Give and Take G. Sidney-S. Lynn-G.
Lewis-J. Hersholt. Universal
Glorifying the American
Girl Ruth Elder Paramount
Glorious Betsy (Vita-
phone) D. Costello-C. Nagel. Warner Bros
Godless Girl, The L. Basquette-G. Dur-
yea - Prevost - N.
Beery Pathe-De Mille
Golf Widows V. Reynolds-H. Ford-
S. Rand Columbia
Gun Shy (tentative) Beery-Hatton-M.
Brian-G. James. . Paramount
Gypsy Love (tentative) Lumas
Half a Bride E. Ralston-R. Arlen. Paramount
Hangman's House V. McLaglen-J. Col-
lyer-L.Kent-E.Foxe Fox
Has Anybody Here Seen
Kelly? T. Moore-B. Love. . . . Universal
Heart to Heart C. Moore-E. Lowe.. .First National
Hello, Cheyenne! T. Mix-C. Lincoln. . .Fox
Hell's Angels. B. Lyon-J. Hall-G.
Nissen United Artists (about) 7 reels. . . .
He Learned About Women. W. Haines-E. Percy-
A.Page-Sojin M-G-M \
Her Cardboard Lover M. Davies-W. HainesM-G-M
Hli Country R. Schildkraut-M.
Dressier Pathe-De Mille
His Third Master Henry B. Walthall . . . Rayart (S. R.)
His Tiger Lady A. Menjou-E. Brent . Paramount
Hit of the Show, The Joe Brown-G. Astor F. B. O
Home, James L. La Plante-C. De-
laney Universal
Honor Bound G. O'Brien-E. Taylor-
L. Hyams-Santschi Fox
Hot News B. Daniels Universal
Hyprocrite, The (Ufa film) Brill, Inc
I'll Tell the World Colleen Moore First National
Innocent, The Vilma Banky United Artists
Isle of Lost Men, The Tom Santschi Rayart (S. R.)
It Might Happen to Any Girl Sterling Pict. (S.R.)
Jazz Mad J. Hersholt-Nixon-G.
Lewis Universal
Jealousy (Ufa film) Brill, Inc
King of Kings, The Special Cast Pathe-De Mille 13500 feet. April J»
Kit Carson Fred Thomson Paramount
Ladies Must Love Kod La Kocque Pathe-De Mille
Ladies of Leisure Tiffany-Stahl
Ladies of the Mob C. Bow-R. Arlen-M.
Alden Paramount A
Ladies Prefer Bonds (ten-
tative) C. Nagel-M. McAvoy. Warner Bros
Feature Players Distributed by Length Reviewed
Land of the Silver Fox, The
(tentative) Rin-Tin-Tin-L. Hyams-
C. Nye-Santschi. . . Warner Bros
La Plava L. Valey-W. Boyd . . . United Artists
Last Cab, The Rudolph Schildkraut Pathe-De Mille
Last Warning, The Laura La Plante Universal
Law of the Range, The.. . . McCoy-Crawford-R.
Lease M-G-M
Life's Crossroads G. Hulette-M. Ham-
ilton Excellent Pict. (S.R.)
Lion and the Mouse, The
(Vitaphone) M. McAvoy-L. Barry-
more-A. B. Frances-
Collier, Jr Warner Bros
Little Wild Girl, The L. Lee-C. Landis-F.
Merrill Hercules Film Prod. (S R.)
Lonesome G. Tryon-B. Kent. . Universal
Madamoiselle From Armen-
tieres (English Film) E. Brody-J. Stuart . M-G-M
Magnificent Flirt, The F. Vidor-L. Young-A.
Conti-M. Milner. . .Paramount
Man From Headquarters,
The Cornelius Keefe Rayart (S. R.)
Man-Made Woman L. Joy-J. Boles-H. B.
Warner Pathe-De Mille
Han Who Laughs, The . . ..C. Veidt-M. Philbin Universal
Man -Woman and Wife . . N. Kerry-P. Starke-
K. Harlan-M. Nixon Universal
Marriage of Tomorrow
(tentative) Tiffany-Stahl
Mask of the Devil John Gilbert M-G-M
Masked Stranger, The (ten-
tative) Tim McCoy M-G-M
Meet the Prince Glenn Tryon Universal
Meet the Prince J. Robards-A. St. John Rayart (S. R.)
Michigan Kid, The C. Nagel-R. Adoree .Universal
Midnight Taxi, The A. Moreno Warner Bros
Miracle Girl, The Betty Compson First Division (S. R.)
Modern Du Barry, The (Ufa
film) Maria Corda Brill, Inc 7000 feet
Modern Mothers H. Chadwick-Fairbanks,
Jr.-B. Kent Columbia
Mother Machree B. Bennett-V. McLag-
len-N. Hamilton-E.
Clayton Fox 6863 feet Mar. 17
Mr. Romeo F. Sterling-N. Carroll-
G. Meeker Fox
Naughty Duchess, The Tiffahy-Stahl
Navy Blues Arthur Lake Universal
News Parade, The N. Stuart-S. Phipps. .Fox
Noah's Ark (Vitaphone) . . . D. Costello-G. O'Brien-
N. Beery-L. Fazen-
da Warner Brow
None But the Brave Lionel Barrymore Fox
No Questions Asked A. Ferris-Collier, Jr.-
Livingston Warner Bros
Odd Fellows Fields-Conklin Paramount
Once There was a Princess .Mary Astor First National
One Way Street, The (ten-
tative) M. Loy-C. Nagel-W.
Russell Warner Bros
Our Dancing Daughters. . .J. Crawford-J. M.
Brown-D. Sebas-
tian-N. Asther-A.
Page M-G-M
Out of the Night C. Palmer-F. Stanley-
A. Ayres Rayart (S. R.)
Painted Post, The T. Mix-N. Kingston. Fox
Patent Leather Kid, The
(road show) R Barthelmess-M.
O'Day First National 11412 feet. Aug. 26
Patriot, The E. Jannings-L. Stone-
F. Vidor-N. Hamil-
ton Paramount
Pay As You Enter L. Fazenda-C. Cook. . Warner Bros
Perfect Crime, The C. Brook-I. Rich-G.
McConnell C. Nye F. B. O
Perfumed Trap, The C. Brook-M. Brian-
W. Powell Paramount
Phantom Buster, The Buddy Roosevelt .... Pathe
Phyllis of the Follies M. Nixon-C. Rogers . Universal
Pigskin D. Rollens-S. Carrol. Fox
Plastered in Paris S. Cohen-J. Pennick-
M. Batelini Fox
Play Girl, The M. Bellamy-J. M.
Brown Fox
Play Goes On C. Vedt-M. Nolan. . Universal
Port of Missing Children,
The Sierra Pictures iS. R.)
Primanerliebe (German film) Special Cast Scenic Films 6600 feet. . Mar. 24
Quick Lunch Fields-Conklin-M.
Alden-S. Blane-J.
Luden Paramount
Racket, The T. Meighan-M. Pre-
vost Paramount
Ransom L. Wilson-E. Burns-
W. V. Mong Columbia
Red Dancer of Moscow,
The D. Del Rio-C. Farrell-
D. Revier Fox
Red Lips M. Nixon-C. Rogers . Universal
Red Mark, The G. von Seyffertitz-N.
Quartaro Pathe-De Mille
River Woman, The Alma Rubens Lumas
Robert Flaherty's Southern
Skies M. Blue-R. Torres M-G-M
Romeo and Juliet N. Kerry-M. Philbin Universal
Saddle and Spurs "Buzz" Barton-L.
Eason F. B. O
Sally of the Scandals B. Love-A. Forrest.. . F. B. O
Sally of the South Seas Hercules Film Prod. (S. R.)
Sawdust Paradise, The . . E. Ralston-R. Howes-
H. Bosworth-M.
Alden Paramount
Shadows of the Night Hercules Film Prod. (S. R.)
Shanghai Rose Mae Busch Rayart (S. R.)
Shooting Stars (English
film) Artlee Pict. (S.R.)
Show Boat Universal
Show World M. Davies-W. HainesM-G-M
Side Show. The Fields-Conklin-Bnan. Paramount
Silks and Saddles M. Nixon-R. Walling-
M. Nolan Universal
Simba Jungle Film Martin Johnson Afri-
an Expedition Corp. 8000 feet. . Feb. 4
Sin Town H. Allen-E. Fair Pathe-De Mille
1368
Motion Picture News
Feature Players Distributed by
Sisters of Eve Mae Busch Rayart (S. R.) .
Length Reviewed
Some Mother's Boy Mary Carr Rayart (S. R.) ,
Sport Girl, The M. Bellamy-J. M.
Brown Fox
Sporting Age, The B. Bennett-C. Nye-H.
Herbert Columbia ,
State Street Sadie C. Nagel-M. Loy-W.
Russell Warner Bros
Stocks and Blondes J. Logan-"Skeets"
Gallagher-G. Astor F. B. O
Street Angel, The J. Gaynor-C. FarrelL.Fox 9221 feet
Streets of Algers (Ufa film) . Camilla Horn Brill, Inc
8unrise Gaynor-G. O'Brien-
Livingston Fox 8729 feet. .Oct. 14
Sun of St. Moritz, The J. Gilbert-G. Garbo. . M-G-M
Sunset Legion, The F. Thomson-E. Mur-
phy Paramount
Survival of Slim, The W. Wales-P. Mont-
gomery Pathe 6053 feet
Tartuffe, the Hyprocrite. . .Emil Jannings Brill, Inc ft. Aug. 5, '27
Telling the World Wm. Haines M-G-M
Tenderloin (Vitaphone) D. Costello-C. Nagel . Warner Bros 7782 feet
Tenth Avenue P. Haver-V. Varconi-
R. Schildkraut Pathe-De Mille
Thief in the Dark, The G. Meeker-D. Hill-G.
Lee Fox
Three Sinners P. Negri- W. Baxter . .Paramount
Thrill Seeker, The R. Cliff ord-T. Fulton. . Superlative Pict. (S.R.) .4900 feet
Tide of Empire R. Adoree- J. Murray. M-G-M
TUlie'8 Punctured Romance. C. Conklm-W. C.
Fields-Fazenda M.
Swain-D. Hill Paramount 6733 feet
Toiler, The D. Fairbanks, Jr.-J.
Ralston Tiff any-Stahl
Trail of '98 K Dane-P Starke-R
Forbes-Del Rio. . . . M-G-M 11,100 feet. . Mar. 24
Two Brothers (Ufa film) Brill, Inc
Two Sisters, The Rayart (S. R.)
Uncensored Woman, The Lumas
Uncle Tom's Cabin Special Cast Universal Nov. 18
Undressed Sterling Pict. (S.R.)
Valley Beyond the Law, TheD. Coleman- J Loff . . . Pathe
Vanishing Pioneer, The J. Holt-S. Blane Paramount
Viennese Lovers Philbin-Hersholt-R.
Keane Universal
War in the Dark, The Greta Garbo M-G-M
Warming Up R. Dix-J. Arthur Paramount
Watch My Speed R. Denny-B. Worth . .Oniversal
Way of the Strong Anita Stewart Columbia
Western Suffragettes H.Gibson-G.Hale . .Universal
What Holds Men Leatrice Joy Pathe-De Mille
When Danger Calls W. Fairbanks-E. Sedg-
wick Lumas 5000 feet
When Dreams Come True.Lila Lee Rayart (S. R.)
When Fleet Meets Fleet
(British Film) H. Stuart-B. Goetzke-
N. Asther Hi-Mark (S. R.) 7953 feet
Whip, The D. Mackaill-L. Sher-
man-A. 0- Nilsson-
R. Forbes First National
Wind, The L. Gish-L. Hanson. .. M-G-M
Wings (road show) . . C. Bow-B. Rogers . . . Paramount 12 reels Aug. 24
Woman Between, The Lumas
Woman Disputed, The. . . .N. Talmadge-G. Ro-
land-G. von Seyf-
fertitz United Artists
Women They Talk About. ..I. Rich-A. Ferris- W.
Collier, Jr Warner Bros
Fellow Contraband L. Maloney-G. Goatz Pathe
ou'll Never Get Rich First Division (S. R.)
Comedies and Short Subjects
Title Star
Felix the Cat in Ohm Sweet
Ohm "Sullivan Cartoon" Feb. 19 .
Felix the Cat in Polly-tics.. ."Sullivan Cartoon" Mar. 18.
Felix the Cat in Sure-Lock
Holmes "Sullivan Cartoon" April 15.
Felix the Cat in the Oily Bird. "Sullivan Cartoon" Feb. 6.
Felix the Cat in the Smoke
Screen "Sullivan Cartoon" Jan. 8 .
Peline Frolics — The Tonquin
Valley Bruce Outdoor Sketch Mar. 25.
Fighting Orphans, The —
Evening Mist Bruce Outdoor Sketch
Green-Eyed Love Ruby McCoy-George Hall Apr. 8 .
High Strung Jerry Drew Jan. 29.
Hints on Hunting — A Day
By the Sea Bruce Outdoor Sketch April 22.
His Maiden Voyage George Davis Feb. 26.
How to Please the Public . . .Hodge Podge Mar. 11 .
Indiscrete Pete Jerry Drew Mar. 11.
Kitchen Talent George Davis April 15.
Landlord Blues Curiosities May 27 .
Listen Sister Lupino Lane Mar. 25.
Love's Springtime (Color
Film) H. Hampton-J. Catalaine Feb. 12.
Mother Birds Curiosities Mar. 4 .
Mysterious Night, A Monty Collins Feb. 12 . .
Navy Beans "Big Boy" May 27 .
Never Too Late Wallace Lupino May 6. ,
New York's Sweetheart .... Curiosities Jan. 1 .
Nicknames Hodge-Podge April 8.
No Fare "Big Boy" April 8 .
Off Balance Monty Collins April 22.
Peculiar Pair of Pups, A —
Nobody Home Bruce Outdoor Sketch May 20.
Penny Postals Curiosities April 1 .
Pretty Baby Monty Collins Feb. 26.
Racing Mad Al St. John Jan. 8 .
Recollections of a Rover. .. .Hodge-Podge Jan. 8.
Rubbernecking Curiosities Feb. 5 .
Running Ragged Lewis Sargent Jan. 29 .
Say Ah -h Charley Bowers Feb. 19.
Simple Sap, A Larry Semon Feb. 12 .
Slippery Head Johnny Arthur April 29.
Some Scout Lupino Lane Nov. 6 .
Spring Has Came Monty Collins Mar. 25 .
Star Shots Hodge-Podge Feb. 5 .
Sword Points Lupino Lane Feb. 12 .
There Itis Charley Bowers Jan. 1 .
Thoughts While Fishing-
Silver Shadows Bruce Outdoor Sketch
Three Tough Onions Monty Collins May 20.
Visitors Welcome Johnny Arthur Mar. 4 .
Wandering Toy, The Hodge-Podge May 6 .
vv eUvling Slips Monty Collins Jan. 15 .
Whoozit Charley Bowers April 1 .
Wildcat Valley Johnny Arthur Jan. 22 .
Wild Wool— Night Clouds . . Hruce Outdoor Sketch
You'll Be Sorry Charley Bowers May 20.
Rel. Date Length Reviewed
, 1 reel Mar. 17
1 reel April 14
1 reel
1 reel Mar. 10
.lreel Feb. 18
, 1 reel Mar. 10
. 1 reel
1 reel Mar. 24
. 2 reels .... Feb. 4
1 reel Mar. 31
2 reels Feb. 18
1 reel Mar. 17
.2 reels. . . .Mar. 10
2 reels. . . . Mar. 31
1 reel
2 reels. . . .Mar. 24
2 reels. . . .Mar. 17
lreel Feb. 18
1 reel Feb. 4
2 reels
1 reel
1 reel Feb. 11
1 reel April 21
2 reels. . . . Mar. 24
1 reel Zpril 14
1 reel
. 1 reel Mar. 17
lreel Feb. 18
2 reels Jan. 28
lreel Feb. 4
lreel Feb. 4
1 reel Feb. 4
2 reels Feb. 18
.2 reels. . . Feb. 25
2 reels. . . .April 21
2 reels Oct. 21
. 1 reel Mar. 17
lreel Feb. 4
2 reels. . . .Dec. 31
,2 reels. .. .Jan. 7
1 reel
1 reel
2 reels. . . .Mar. 10
1 reel
.1 reel Feb. 11
2 reels. . . .Mar. 17
. 2 reels .... Feb. 4
1 reel
2 reels
F B O
Title Star
After the Squall Al Cooke
All Alike Carr-Alexander-Ross .
All Washed Up Al Cooke
Big Berthas Karr-Ross-Alexander .
Come Meal Al Cooke.
Rel. Date
.. .April 16.
...April 9.
. May 14
.May 28
Mickey's Little Eva Mickey Yule April 2
Mickey's Parade Mickey Yule Jan. 2
Mickey's Wild West Mickey Yule May 7
My Kingdom For a Hearse . Al Cooke April 2
Panting Papas Karr-Ross-Alexander Jan. 9
Rah I Rah I Rekie Al Cooke
Restless Bachelors Al Cooke April 30.
Silk Sock Hal Al Cooke May 14.
Social Error, A Al Cooke
Too Many Hisses A. Cook-B. Helium
Length Reviewed
.2 reels
. 2 reels
.2 reels Feb. $8
.2 reels
. 2 reels
.2 reels
.2 reels
.2 reels
. 2 reels
.2 reels. .
. 2 reels . .
. 2 reels . .
.2 reels. .
.2 reels. .
.2 reels. .
.Feb. 18
.Feb. 11
BRAY PRODUCTIONS
TiOe Star Rel. Date
Bare Co-Ed, The Murdock-Cavalier-Lancaster. . .Feb. 10.
Barnyard Rivals W. Lantz-M. Shaw-T. Ward.. .Mar. 10.
Cat Tales McDougall Kids Feb. 20.
Cutting Up McDougall Kids Mar. 20 .
Daze of '49 J. Cooper-L. Carver Jan. 1 .
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1 .
Fowl Play McDougall Kids April 20 .
Lost in the Lurch P. Murdock-N. Cavalier Mar. 1 .
Mr. Pooh McDougall Kids Jan. 20.
Length
.2 reels.
.2 reels.
.2 reels .
.2 reels.
.2 reels .
.2 reels.
.2 reels .
.2 reels. . . .Mar. 17
.2 reels. . . .Jan. 7
Reviewed
.Jan. 7
. Mar. 17
. Mar. 17
.Feb. 4
.Mar. 17
Title
All Bear
All Set
Always a Gentleman. .
At It Again
Between Jobs
Blazing Away
Builders of Bridges — When
Twilight Comes ....
Call of the Sea, The (Color
Film)
Chilly Days
Circus Blues
Count Me Out
Cutie
Dog Days — The Sun and the
Rain
Dummies
Fall In
Randango
Felix the Cat in Arabiantics . .
Felix the Cat in Comicalities
Felix the Cat in Draggin' the
Dragon
Felix the Cat in Eskimotive . .
Felix the Cat in In-and-Out-
_ Laws
••elix the Cat in Japanicky . .
EDUCATIONAL
Star Dist'r Rel. Date
Curiosities April 29 .
W. Lupino-Sargent-L. Hutton.Jan. 29.
Lloyd Hamilton Feb. 6.
Monty Collins May 13.
Lloyd Hamilton Mar. 18.
Lloyd Hamilton April 22.
Bruce Outdoor Sketch Feb. 26.
H. Hampton-M. Valles-N. Kel-
ley Jan. 1.
"Big Boy" Feb. 19.
Dorothy Devore Mar. 25.
Barney Helium Mar. 11.
Dorothy Devore Ian. 15.
Bruce Outdoor Sketch Jan. 29
Larry Semon Jan. 1.
Monty Collins Jan. 1.
Lupino Lane May 6.
"Sullivan Cartoon" May 13.
"Sullivan Cartoon" April 1.
"Sullivan Cartoon" Ian. 22 .
"Sullivan Cartoon" April 29.
"Sullivan Cartoon" May 27.
"Sullivan Cartoon" Mar. 4.
Length Reviewer]
. 1 reel April 21
.lreel Feb. 4
.2 reels Feb. 18
2 reels
2 reels
2 reels. . . .April 7
. 1 reel Mar. 10
.2 reels . . . .Dec. 31
.2 reels Feb. 18
2 reels . . .Mar. 17
. 1 reel Mar. 3
.2 reels Feb. 18
. 1 reel Feb. 25
.2 reels. . . .Dec. 23
. 1 reel Dec. 23
2 reels. . . .April 14
1 reel
1 reel April 21
1 reel Feb. 25
1 reel
1 reel
1 reel Mar. 31
FOX FILMS
Title Star Rel. Date Length Reviewed
Arkansas Traveler Variety Jan. 8 . . 1 reel
Cow's Husband, A F. Spenser-M. J. Temple 2 reels
Desert Blooms, The Variety Feb. 5 . . 1 reel
Expioring Norway Variety Aug. 7 . . 1 reel
Hold Your Hat S. Phipps-N. Stuart-T. Hill-A.
Housman 2 reels .... Mar. 24
Hot House Hazel T. Brooke-T. Hill Jan. 1 . . 2 reels
In a Music Shoppe (Movie-
tone) Special Casr
Jack and Jilted P. Cunning-M. King 2 reels
Jungles of the Amazon Variety 1 reel Jan. 21
Kiss Doctor, The T. Brook e-D. Thompson 2 reels .... Mar. 17
Lady Lion C. Lincoln-E. Clayton-B. Bletcher 2 reels
Lords ot the Back Fence.. . .Variety Jan. 22. .1 reel
Low Necker, A Marjorie Beebe. . . 2 reels . . . . Jan. 14
Old Wives Who Knew Haliarn Cooley 2 reels
Over the Andes Variety 1 reel
Psyche and the Pskyscraper "O. Henry" 2 reels
Too Many Cookies T. Brooke-L. Miller 2 reels
METRO-C OLD WYN-M A YER
Title
Aching Youth
African Adventure, An
All For Nothing
Amazing Lovers
Barnum and Ricgling, Inc. . .
Bird Man, The
Blow by Blow
Came the Dawn
Children of the Sun
Czarina's Secret, The Tech-
nicolor)
Dumb Daddies
E iison, Mircoii and Co ... .
Fair and Muddy
Family Group, The
Finishing Touch, The
Pishing With a Microscope..
Forty Thousand Miles With
Lindbergh
Star Rel Date
Charley Chase Mar. 17.
Dfa Oddities Aug. 2
Charley Chase Jan. 21.
Ufa Oddities Mar. 10.
"Our Gang" April 7.
Charley Chase
Max Davidson M^r. 31.
Max Davidson Mar. 3.
Ufa Oddities Feb. 11.
O. Baklanova-D. Mir-S. Rand. .Mar. 17.
Max Davidson Feb. 4
"Our Gang" Mar. 10.
"Our Gang" May 5.
Charley Chase Feb. 18.
Laurel-Hardy Feb. 25
Ufa Oddities
Length Reviewed
2 reels
. . Jan.
April H
2 reels. .
1 reel. . .
2 reels .
2 reels . .
2 reels. . . .April 21
2 reels
1 reel
.Feb. 25
.April 7
.2 reels
2 reels
2 reels
1 reel
2 reels Feb. 18
2 reels. . . April 7
1 reel
Aviation Film Mar. 4. . 3 reels .
April 28, 1928
1369
28
21
28.
Title Star Rel. Date
Prom Soup to Nuts Laurel-Hardy Mar. 24.
Golden Fleeces Ufa Oddities May 19.
Happy Omen. A Ufa Oddities luly 14.
Heavenly Bodies Ufa Oddities
Jungle Round-Op. A Ufa Oddities Jan,
Lady of Victories, The (Tech-
nicolor) A.Ayres-O. Matiesen-G. Irving . .Jan.
Leave 'Era Laughing Laurel-Hardy Jan.
Let George Do It Laurel Hardy
Limousine Love Charley Chase April 14
Monarch of the Glen, The . . Ufa Oddities Mar. 24 .
Nature's Wizardry Ufa Oddities July 28.
Palace of Honey, The Ufa Oddities June 16.
Pathfinders, The Ufa Oddities
Pass the Gravy Max Davidson Jan. 7
Perfume and Nicotine Ufa Oddities Jan. 14.
Pets and Pests Ufa Oddities Jan. 28 .
Primitive Housekeeping.. . .Ufa Oddities April 21.
Rainy Days "Our Gang" Feb. 11.
Sanctuary Ufa Oddities May 5.
Secrets of the Sea Ufa Oddities Feb. 25
Sleeping Death Ufa Oddities June 30
Spook-Spoofing "Our Gang" Jan. 14.
TallyHo Ufa Oddities
Tell It to the Judge Max Davidson April 28.
That Night Max Davidson
Their Purple Moment Laurel-Hardy
Tokens of ivlanhood Ufa Oddities June 2.
Wicked Kasimir, The Ufa Oddities April 7 .
Wonders of the Blue Gulf of
Mexico Ufa Oddities
Your'e Darn Tootin' Laurel Hardy April 11
Length Reviewed
.2 reels. . . .April 21
. 1 reel
. 1 reel
. 1 reel
.1 reel Oct. '1
.2 reels Feb 28
2 reels
.2 reels . . .Mar. 3
. 2!reels. . . April 21
. 1 reel Jan. 21
. 1 reel
. 1 reel
. 1 reel
.2 reels. . . .Jan. 14
. 1 reel
. 1 reel Mar. 3
. 1 reel
. 2 reels
. 1 reel
. 1 leel May 3
. 1 reel
.2 reels. . . .Jan. 14
. 1 reel
. 2 reels
.2 reels ■
.2 reels
1 reel
. 1 reel
. 1 reel
.2 reels
Title Star Dist'r Rel. Date
Matching Wits Sportlight April 29
On tie Ice "Aesop Fables" Mar. 11
Over the Bounding Blue with Will Rogers (Travelesque) . . Feb. 12
Playing Hookey "Our Gang" Jan. 1 .
Reeling Down the Rhine
with Will Rogers Travelesque Jan. 18.
Run Girl, Run Sennett Girls Jan. 15
Scaling the Alps "Aesop Fables" April 1
Season to Taste Sportlight Mar. 4
Shalimar Gardens, The (Ed-
ucational) Geographical Number Mar. 18
Should Tall Men Marry?. . .Roach Stars Jan. 15
Smile Wins, The "Our Gang" Feb. 26
Smith's Army Life Hiatt-McKee- Jackson Feb. 6
Smith's Bargain Hiatt-McKee- Jackson
Smith's Farm Days Hiatt-McKee- Jackson Mar. 4
Smith's Holiday Hiatt-McKee- Jackson Jan. 8
Smith's Restaurant Hiatt-McKee-Jackson April 1.
Soldier Man Harry Langdon
Son Shower. The "Aesop Fables" Mar. 18 1 reel
Spider's Lair, The "Aesop Fables" Feb. 19 1 reel Feb. 18
S*>m Princess, The D. Pollard-A. Clyde-C. LombardFeb. 26 2 reels Mar. S
Tail Waggers Sportlight April 1 . 1 reel
Trees Rarebits Mar. 11.1 reel
Twenty-Four-Dollar Island. Novelty 1 reel Dec. 28
Versatility Sportlight Feb. 6.1 reel Jan. 28
Volcanoes (Educational) .. . .Geological Number Feb. 19. .1 reel
Wandering Minstrel, The. . . "Aesop Fables" Jan. 29 . 1 reel
Work of Running Water (Ed-
ucational) Geological Number Mar. 11. .1 reel
Yellow Cameo, The (Serial) Allene Ray 10 episodes
Length Reviewed
.1 reel April 21
1 reel
1 reel Feb. 11
.2 reels
.lreel Jan. 7
.2 reels. . . Jan. 14
. 1 reel Mar. 31
.1 reel
. 1 reel
2 reels. . . .Jan. 7
.2 reels. . . . Mar. 3
.2 reels Feb. 4
.2 reels
.2 reels. . . . Mar. 8
2 reels. . . .Dec. 31
. 1 reel
PARAMOUNT
Title Star Rel. Date
Adoration Novelty Feb. 25
Behind the Counter E. E. Horton Mar. 3 .
Bugs My Dear (Christie) . . .Bobby Vernon April 21.
Campus Cuties Billy Dooley April 7
Dad's Choice E. E. Horton Jan. 7.
Fighting Fanny (Christie) . . . Featured Cast Jan. 21 .
Frenzy . . Novelty Jan. 14
Gallant Gob, A (Christie) . . . Billy Dooley May 26
Goofy Ghosts (Christie) .... Jimmie Adams April 28 .
Halfback Hannah (Christie) Ann Cornwall April 14.
Hold 'Er Cowboy (Christie) . Bobby Vernon June 2
Holy Mackerel (Christie) .. .Jimmie Adams Feb. 11.
Hunger Stroke, A Krazy Kat Cartoon Feb. 25.
Ice Boxed. Krazy Kat Cartoon Feb. 11.
Just the Type (Christie) Neal Burns Feb. 18.
Ko-Ko's Bawth Inkwell Cartoon Feb. 18
Ko-Ko's Jerm Jam Inkwell Cartoon Feb. 4.
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31 .
Ko-Ko's Kink Inkwell Cartoon Jan. 7
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21.
Ko-Ko's Smoke Inkwell Cartoon Mar. 3
KoKo's Tattoo Inkwell Cartoon Mar. 17
Love Sunk Krazy Kat Cartoon Mar. 24.
Losg Hose (Christie) Jack Duffy Mar. 17.
Love's Young Sream (Chris-
tie) Anne Cornwall May 12
Love Shy (Christie) Jimmie Adams Mar. 24.
Pig Styles Krazy Kat Cartoon Jan. 14
Save the Pieces (Christie). .Bobby Vernon Jan. 28.
Say Uncle (Christie) Jack Duffy June 9
Sea Food (Christie) Billy Dooley July 14
Shadow Theory Krazy Kat Cartoon Jan. 28.
Slick Slickers (Christie) Neal Burns July 7
Slippery Heels (Christie) . . .Jimmie Adams June 16
Sweeties (Christie) Bobby Vernon Mar. 10
Water Bugs(Christie) Billy Dooley Feb. 4
Wired and Fired Krazy Kat Cartoon Mar. 10
Length Reviewed
.2 reels
.2 reels
.2 reels
.2 reels
.2 reels
.2 reels
.2 reels
.2 reels
2 rees
.2 reels
.2 reels
.2 reels
. 1 reel
. 1 reel
.2 reels
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
. 1 reel
.2 reels
.2 reels
. 1 reel
.1 reel
. 2 reels
.2 reels
.2 reels
.1 reel
.2 reels
. 2 reels
.2 reels
.2 reels
. 1 reel
STATE RIGHTS
Title Star Dist'r Rel. Date Length Reviewed
Bet, The (story by Chekov).F. P. Donovan (produer) 2 reels
Cigareete Maker's Romance,
A (story by Crawford) .... F. P. Donovan (producer) 2 reels
District Doctor, The (story by
Balzac F. P. Donovan (producer) 2 reels
Girl with the Golden Eyes,
The (story by Balzac) F. P. Donovan (producer) 2 reels
Mysterious Airman, The
(Serial) Weiss Bros 10 episodes
Necklace, The M. Alden-M. Costel-
lo-E. Chautard. . .F. P. Donovan (pro-
ducer) 2 reels
Nothing to Live For Al Joy Cranfleld-Clarke 2 reels
Piece of String, A (story by
De Maupassant) F. P. Donovan (producer) 2 reels
Police Reporter, The (Serial) W. Miller-E. Gilbert- . Weiss . . Mar 10 episodes
Sophomore, The G.O'Neil-L.Graydon.Hi-Mark
Spooky Money Al Joy Cranfleld-Clarke 2 reels
Who's Who Al Joy Cranfleld-Clarke 2 reels
Tou Can't Win (Serial) Weiss Bros 10 episodes
Title
TIFFANY-STAHL
Star Rel.
Date
Marcheta Color Classic Mar.
Medallion, The Color Classic Mar.
Mission Bells Color Classic Mar.
North of Suez
Perfect Day, A
Red Man's Home, The
Scarface
Souvenirs
Tom, Dick or Harry
Length
1 reel. .
1 reel. .
1 reel. .
1 reel . .
1 reel. .
Reviewed
.Color Classic Jan.
.Color Classic April
. Color Classic 1 reel
.Color Classic Jan. 15 lreel.
.Color Classic Feb. 15. lreel.
.. .Color Classic lreel.
Treasure Land Color Classic Feb. 1.1 reel
PATHE-DE MILLE
UNIVERSAL
Star
19
1
22
1
Rel. Date
Animal Snaps Rarebits April 8 .
Barnyard Artists "Aesop Fables" April 29.
Barnyard Lodge No. 1 "Aesop Fables" April 8.
Battling Duet, The "Aesop Fables" April 16.
Beach Club, The Bevan-Hurlock Jan. 22.
Benares (Educational) Geographical Number Jan. 24.
Best Man, The Bevan-A. Bennett-V. Dent Feb.
Bicycle Flirt, The Bevan-V. Dent-D. Farley-C.
Lombard Mar
Blaze of Glory, A "Aesop Fables" Feb.
Boats and Fishermen of the
Arctics and Tropics (Edu-
cational) Science Number Mar,
Boy Friend, The "Aesop Fables" Jan.
Broncho Buster, The "Aesop Fables" Jan.
Buddhists of Burma, The
(Educational) Geographical Number Feb. 5 .
Busy Bodies Sportlight Jan. 8 .
Clothes and the Game Sportlight April 15.
Comrades in Work Mabel Noimand
County Fair, The "Aesop Fables" Mar. 4
Crowned Heads Sportlight Feb. 19
Delhi (Educational) . ... Geographical Number Feb. 26
Do Monkeys Manicure? .... Stan Laurel April 1 .
Family Frolics Sportlight Jan. 22
Famous Playgrounds Sportlight May 13 .
Flying Age, The "Aesop Fables" April 22 .
Flaming Fathers Max Davidson Dec. 18
Flying Elephants Roach Stars Feb. 12
Pun Afoot Sportlight Mar. 18.
Galloping Ghosts O. Carew-O. Hardy-J. Finlay-
son Mar. 11 .
Girl From Nowhere, The . . . D. Pollard-S. Holloway-Swain. . Mar. 25 .
Good Ship Nellie, The "Aesop Fables" Feb. 5
High Stakes "Aesop Fables" Jan. 15 .
Honeymoon Hints Rarebits Jan.
How Man Suits His Life to
Differing Surroundings. . Science Series
Houses of the Arctic and the
Tropics (Educational). . . .Science Number Feb.
Jungle Days "Aesop Cartoon" Mar,
Jungle Triangle "Aesop Fables" May
Kashmir, Old and New (Edu-
cational) Geographical Number Jan.
Love at First Flight Pollard-Hurlock-Cowley Jan.
Man Without a Face (Serial) A. Ray-W. Miller Jan.
Mark of the Prog, The
(Serial) M. Morris-D. Reed Mar. 25
Length Reviewed
. 1 reel
,1 reel April 21
.lreel April 7
. 1 reel April 7
2 reels. . . .Jan. 14
1 reel
2 reels. . . .Feb. 11
2 reels .
1 reel .
. Mar. 10
.2 reels.
. 1 reel. .
1 reel. .
15.
1 reel
. 1 reel Dec. 31
1 reel April 7
2 reels
1 reel
1 reel
.1 reel
. 1 reel
. 1 reel Jan. 14
. 1 reel
1 reel April 21
2 reels .... Dec. It
.2 reels . . . .Feb. 11
. 1 reel
.2 reels .... Mar. 3
2 reels. . . . Mar. 24
1 reel
1 reel
, 1 reel
2 reels .
2 reels
2 reels. . . .Mar. 31
1 reel
1 reel
2 reels . . . .Jan. 21
10 episodes Jan. 14
10 episodes .Mar. 24
Title Star Rel. Date
Africa Before Dark Oswald Cartoon Feb. 20
All Balled Up (O. R. Cohen
story) Charles Puffy Feb. 27
Any Old Count "The Gumps" Jan. 23
Back to Nature Arthur Lake Feb. 27
Bare Fists Jack Perrin Jan. 14.
Battling Justice Fred Gilman Mar. 24
Big Bluff, A Long-Adams-Layman-McPhail May 2 .
Boss of the Rancho Bob Curwood Jan. 7 .
Brand of Courage, The . . . .B. Curwood-P. Mont-
gomery Feb. 4
Bright Lights Oswald Cartoon Mar. 19
Buckskin Days Newton House Feb. 18
Buster's Big Chance Trimble, Turner and Dog Jan. 11.
Buster Shows Off Trimble, Turner and Dog Mar. 14
Buster Steps Out Trimble, Turner and Dog Feb. 8
Buster's Whippet Race Trimble, Turner and Dog May 23
By Correspondence Arthur Lake Jan. 30
Case of Scotch, A "The Gumps" Jan. 9
Cloud Buster, The "The Gumos" Feb. 6
Code of the Mounted, The. . Jack Perrin May 6
Dangerous Trail, The Jack Perrin June 2
Dates for Two C. King-C. Doherty Jan. 18
Fighting Destiny Fred Gilman May 19
Framed Bob Curwood May 26
Gauge of Battle, The Fred Gilman April 21
George's False Alarm Sid Saylor Feb. 29
George's School Daze Sid Saylor May 30
Haunted Island. The (Serial) Jack D meherty-Helen Foster M ir. 26
Harem Scarem Oswald Cartoon Jan. 9 .
Her Onlv Husband Long-Adams-Laymon-McPhail I April 4 .
Hidden Loot Bob Curwood April 28
High Flyin' George Sid Saylor Jan. 25
His In Laws (O. R. Cohen
story) Charles Puffy Mar 12
Horns and Orange Blos-
soms (O. R. Cohen story). Charles Puffy Jan. 29
Horse Play Long-Adams-Laymon-McPhaill Jan. 4.
Hungry Hoboes Oswald Cartoon May 14
Indoor Golf Long-Adaras-Layman-McPhail Mar. 7.
Looters, The Bob Curwood Mar. 3.
Madden of the Mounted. . . .Jack Perrin Mar. 10.
Man of Letters, A Sid Saylor Feb. 15
Married Bachelors (O. R.
Cohen story) Charles Puffy April 9
Mistakes Will Happen Ben Hall Feb. 13
Money! Money! Money I . . .Ben Hall May 7
Neck n' Neck Oswald Cartoon Jan. 23
Length
. 1 reel.
Reviewed
. April 7
2 reels. . .
Feb. «
1 reel. . . .
Feb. 11
2 reels. . .
Dec. IS
2 reels . . .
Feb. 25
2 reels . . .
April T
2 reels . . .
2 reels . . .
Jan. 7
1 reel. . . .
April 7
2 reels . . .
Jan. 28
2 reels . . .
. Dec. 2S
2 reels. . .
2 reels . . .
Jan. a8
1 reel. . . .
Jan. 14
2 reels . . .
Dec. SS
2 reels . . .
Jan. 81
2 reels . . .
April T
2 reels
2 reels . . .
Dec. 31
2 reels . . .
April 31
2 reels . . .
Mar. 34
2 reels. . .
Feb. 4
2 reels. . .
Mar. 17
2 reels. . .
Mar. 31
2 reels . .
Feb. 18
2 reels. . .
Jan. T
2 reels . . .
Dec. IS
1 reel. . . .
April 31
2 reels . . .
Feb. 11
2 reels. . .
Feb. 4
2 reels . . .
Feb. 11
2 reels . . .
Jan. 38
2 reels. . .
Mar. 17
1 reel
Jan 81
1 reel
April 14
1 reel
1370
Motion Picture News
Title
Newlyweds' Advice
Newlyweds' Friends, The . .
Newlyweds' Imagination
The
Newlyweds' Servant, The . . .
Newlyweds Success, The. . .
No Blondes Allowed
Oh, What a Knight
Ole Swimm in' 'Ok', The
One Every Minute
Out in the Rain
Ozzie of the Mounted
Payroll Roundup, The
Prince and the Papa (O. R.
Cohen story)
Ride 'Em Plowboy
Riding Gold
Ring Leader, The
Ringside Romeos
Rival Romeos ,
Sagebrush Sadie
Sailor George
Scarlet Arrow, The (Serial — ',
Sealed Orders
Shady Rest
Sliding Home
Star Rel. Date
Jan. 2.
Snookums-Bartlett-McPhaill. . . April 1 .
Snookums-Bartlett-McPhaill. . . May 7 .
Snookums-Bartlett-McPhaill . . .Feb. 6 ,
Snookums-Bartlett-McPhaill . .Mar. 5. .
C. King-C. Doherty Mar. 21.
Oswald Cartoon May 28
Oswald Cartoon Feb. 6.
Arthur Lake April 23
"The Gumps" Feb. 20.
Oswald Cartoon April 30.
Bob Curwood Mar. 31
Charles Puffv Feb. 12.
Oswald Cartoon April 15.
Newton House Jan. 21
Jack Perrin April 7.
Arthur Lake Mar. 26.
Oswald Cartoon Mar. 5
Oswald Cartoon April 1.
Sid Saylor May 9.
F. X. Bushman Jr.*
Jack Perrin Feb. 11
"The Gumps"
Lewis-Gulliver-Phillips Jan. 16.
Length Reviewed
.2 reels. . . .Dec. 1*
.2 reels. . . .Mar. 1
2 reels .... April 14
.2 reels. .. .Feb. 4
2 reels Feb. 11
.2 reels. . . .Feb. 20
. 1 reel
.1 reel Mar. 24
1 reel. . . . April 7
.2 reels Jan. 2«
. 1 reel April 7
2 reels. ... Mar. 3
Rel. Date
. . .Mar. 12.
. 2 reels . . . .
. 1 reel
.2 reels .
.2 reels. . . .
. 1 reel
. 1 reel
. 1 reel
.2 reels. . . .
10 episodes.
.2 reels. . . .
. 2 reels
.2 reels. . . .
Jan. 21
Mar. 24
Mar. 10
Mar. 10
April 7
April 14
Jan. 28
Dec. 3C
Title Stai
Social Lions Ben Hall
Some Babies (O. R. Cohen
story) Charles Puffy Mar. 26.
Some Pets Arthur Lake Jan. 2 .
Son of the Frontier, A Newton House April 14.
So This Is Sapp Center Ben Hall Jan. 16.
Special Edition Ben Hall April 9 .
Start Something Long-Adams-Laymon-McPhaill.Feb. 1 .
Summer Knights Arthur Lake May 21.
Swell Clothes Arthur Lake Dec. 5 .
Taking the Count C. King-C. Doherty .'. . .April 18.
Terrors of the Unknown (Serial)
That's That Trimble-Turner and Dog April 11.
There's a Will C. King-C. Doherty Dec. 21.
Unexpected Hero, An F. Gilman-M. King Feb. 25.
Untamed, The Newton House May 12.
ValiantRider.The ( Western).Bob Curwood
Vanishing Rider, The (Serial) Wm. Desmond Jan. 16.
Watch George Sid Saylor Mar. 28.
What a Party C. King-C. Doherty Feb. 22.
When George Hops Sid Saylor April 25.
Winged Hoofs Newton House Mar. 17.
Winning Five, The Lewis-Gulliver-Phillips Sept. 26.
Winning Goal, The Lewis-Gulliver-Phillips Jan. 2 .
Wolves of the Range Fred Gilman Tan. 28.
Woman Chasers C. King-C. Doherty May 16.
Length Reviewed
1 reel
2 reels. ... Mar. 5
1 reel Dec. 16
2 reels. . . .Mar. 17
. 1 reel Dec. SO
. 1 reel Mar. 17
. 1 reel Jan. 14
1 reel
, 1 reel Nov. 18
2 reels. . . .Mar. 24
10 episodes
2 reels. . . .Mar. 17
2 reels
2 reels .... Jan. 28
2 reels. . . .April 14
,2 reels
10 episodes
2 reels. . . .Mar. 8
.2 reels. .. .Feb. 4
2 reels. .. .Mar. 31
.2 reels. . . Fdb. 25
2 reels Sept. lg
2 reels
2 reels
.2 reels. . . .April 21
Briefs
Throe new productions were finished last
week at the Warner Studio on the Coast.
They were "The Land of the Silver Fox,"
"State Street Sadie" and "No Questions
Asked."
G. Pat Collins, who played the role of the
cop who is slain in the police station in the
stage production of "The Racket," replaces
Warner Richmond in the cast of the Caddo
unit making the picture for Paramount.
Henry Sedley will be one of the heavies.
Anita Stewart will make her Columbia
debut as the feminine lead in "The Way of
the Strong," a mystery story. Director
and cast are now under consideration.
Ludwig Berger will direct Pola Negri in
"Fedora" for Paramount. Norman Kerry
will have the leading male role. Paul
Lucas, Lawrence Grant, Jack Luden and
Otto Mattieson will have parts. John Far-
row has written the continuity.
Douglas Gerrard will impersonate Al Jol-
son in a cafe scene in "Ladies of the Night
Club," a Tiffany-Stahl production.
Warner Bros, will loan Louise Fazenda to
First National for a role in "Once There
Was a Princess," which William Beaudine
will direct. At present she is working in
"Noah's Ark."
Edmund Burns, William V. Mong and
Blue Washington will support Lois Wilson
in Columbia's "Ransom," adapted from
the story "San Francisco."
Gertrude Olmstead will be leading lady in
"Green Grass Widows," the Tiffany-Stahl
film in which Walter Hagen, the golf champ,
plays his first screen role. Others in the
casl are Hedda Hopper, John Harron, Lin-
coln Stedman, Albert Conti and Ray Hallor.
"Women They Talk About" is the re-
vised title Warner Bros, have chosen for
the picture formerly called "Handle with
Care," starring Irene Rich.
Myrna Hoffman is being featured in a
new Tiffany-Stahl Color Classic entitled
"Tom, Dick or Harry." Mark Goldaine
is directing, and the story is by E. Morton
Hough. Rene Alsace is the male lead.
"Free Lips," the story Wallace McDon-
ald will direct for First Division, is an
original by Raymond Wells, who is also pre-
paring the continuity. Ray Heinz will be
in charge of the picture, planned as a spe-
cial. Jack Fuqua will do the camera work.
Mary Alden has been assigned two new
roles by Paramount. The first, a character
part, will be in "Ladies of the Mob," and
the second, a mother role, in "The Sawdust
Paradise." Carl Gerard has joined the cast
of the first production.
"Fools in the Fog" is the final title
selected by Warner Bros, for their picture
titled "Fog Bound."
Percy Marmont will play the lead in the
First Division picture temporarily titled
"The Bum," which will be the first picture
to be placed in production by the company
for next season. Marmont will start work
in June.
Betty Bronson will have a featured role
in M-G-M's "The Bellamy Trial," for
which a score of reporters and special writ-
ers have been borrowed from Los Angeles
papers for the courtroom scenes. New addi-
tions to the cast are Charles Middleton, Lee
Moran, Jacqueline Gadsdon, William Took-
er, Charles Mailes and Robert Dudley.
Joan Crawford will play opposite John
Gilbert in M-G-M's "Four Walls," shortly
to go into production under the direction of
William Nigh.
Traveling by motor caravan, Norma Tal-
madge's unit making "The Woman Dis-
puted" for United Artists release, left last
Tuesday, April 17, for a location site 20
miles from Tehachapi, Cal.
"His Tiger Lady" has been selected as
the title for a new Adolphe Menjou star-
ring vehicle for Paramount. It was for-
merly known as "A Date With a Duchess."
Marion Douglas, in private life the wife
of Director Al Rogell, will play the Austra-
lian heroine in the new M-G-M feature,
' ' The Bushranger, ' ' instead of Gloria Grey.
Dale Austen, Miss New Zealand, is a mem'
ber of the cast besides Russell Simpson,
Arthur Lubin and Edward A. Brady.
"Hot News" is the title announced by
Paramount for Bebe Daniels' new starring
vehicle. The previous title was "The News
Reel Girl." Chester Conklin will be fea-
tured also.
Loretta Young, one of First National's
newer contract players, will be feminine
load in "The Head Man."
Hoot Gibson, Universal star, has begun a
new western for next season. "Clearing the
Trail" is the title. The story by Charles
Maigne which Jack Natteford, scenarized,
is being directed by Reaves Eason. In the
cast are Dorothy Gulliver, Fred Gilman,
Gap Anderson, Philo McCullough, Andy
Waldron and Duke Lee.
Reed Howes will be leading man in "Saw-
dust Paradise," a new Paramount picture.
The cast has been enlarged with the addi-
tion of Tom Maguire, Hobart Bosworth,
George French, Allan Roscoe, J. W. John-
ston and Frank Brownlee.
King Vidor and his staff and cameramen
will appear in studio sequences of M-G-M's
"Show World," previously titled "Break-
ing into the Movies. ' '
Mitchell Lewis will play an important
part in "The Hawk's Nest" a feature
which First National is making.
A screen version of "Danger Street"
went into production last week at the F B O
studio. In supporting roles are Duke Mar-
tin, Frank Mills, Bob Perry, Harry Allen
Grant and Ole M. Ness.
A number of new names wTere added this
week by Warner Bros, to the cast of
"Noah's Ark." Nigel de Brulier, William
V. Mong, Armand Kaliz and Malcolm Waite
have been chosen to portray character parts.
Gustav von Seyffertitz has withdrawn be-
cause of illness.
Al Cohn, scenarist, has signed with Al
Christie to do the adaptations and scenarios
of stories being obtained for Christie-Doug-
las MacLean feature productions to be made
for Paramount release. Production on the
first of these films will be started during
June.
Preordained
" — the final result of the motion picture
on the screen was preordained from the
day that Edison got his first sample of
Eastman film."*
That was in 1889. And today the film
that made motion pictures practical is the
film that makes the most of the cinema-
tographer's art and carries all the quality
through to the screen — Eastman Film.
*Page 209 "A Million and One
Nights, the History of the Motion
Picture" — by Terry Ramsaye
EASTMAN KODAK COMPANY
ROCHESTER, N. Y.
m
m
cA Matchless
<Jffiisical Attraction
If
cAo feature of the magnificent
neu) J&qu) - United Artists - Perm
Theatre at Pittsburg u;as more en-
thusiastically received than the
iDonderful RoWt Mwten PMhar-
moxiic Unit Organ.
Ohe World's leading showmen
everywhere- themore profressiVe
exhibitors, are taking advantage
of the box office Vame of the"
Robert Mm*oji {//)/£ Organ.
Robert Morton Organs are distinc-
tively different from all others. Unap -
proached grandeur and beauty of tone.
Greater orchestral and theatrical re -
sources and structural improvements fond
in no other instrument, make it the ^
supreme musical instrument of all time.
Robert Mortal Organ Go, I
New York.
15 60 Broadway
C Vii c a go
624 So Michijaiv
SinFrancisco
16» Golden Gate
Los Angeles
19W SoVennont
ffl
May 5, 1928
/?<*</. J/. 5". Pfl/^if 0ft\v
"GOOD-NIGHT RADIO! WE NEVER
MISS AN M-G-M PICTURE!"
When you've got Metro-Goldwyn-Mayer product you've
got what the public wants more than anything else in
the world of entertainment.
THE IMPORTANT COMPANY
XXXVII No. 18
Los Angeles
i7 22. 19
under act of March i, 187
Published Weekly— $2.00 a Year
Xcw York
PRICE 20 CENTS
Chicago
y ike new -Richmond
MOSQUE THEATRE
The unequalled perfection of tone of
the Wurlitzer Organ is the result of
acoustic efficiency, developed by
seven generations of musical instru-
ment makers.
The Wurlitzer organ has unlimited
possibilities in tone coloring. For
sweetness, balance and breadth of
tone, as well as for ease of control,
reliability of action and versatility, it
is unsurpassed.
No other organ builders enjoy the
wealth of skill we employ in the
building and voicing of Wurlitzer
organs. Everything that goes into our
organs is built by us, insuring that
uniformly high quality demanded by
our rigid standards of inspection.
The Wurlitzer organ will be your in-
evitable choice if you will investigate.
A demonstration will convince you.
WuruTzer
Residence Organs, Church Organs
and Auditorium Organs
The same recognition of superiority
accorded the Wurlitzer Theatre Or-
gan is also conceded to the Wurlitzer
Residence Reproducing Organ — each
a masterpiece in construction and
tonal beauty — each type of organ dis-
tinctively designed for every installa-
tion.
ADOIiPH ZUKOR AMD JESSE L. LASKY PRESENT
NEW PARAMOUNT PICTURES
Mtttittn Picture Headquarter *, West Coast.
Administration Building, Paramount
Studios, at Hollywood* Cat.
^ 1928. A new world. New Fords in gay colors. Farmers play-
ing golf. Flyers crossing the Atlantic. Old established businesses
closing for failuie to please the modern swift procession. New con-
cerns leaping into amazing prosperity. 1§ 1928. A new world
especially in the picture business. Audiences are smarter, pick-and-
choosey. Ignoring ordinary pictures. Jamming theatres to see the
new, unusual, daring, modern pictures. Discarding a former
favorite star to rush to an Emil Jannings. Letting run-of-the-mill pic-
tures die and patronizing a"Chang", an "Underworld" or a "Legion of
the Condemned." ^ Paramount sensed this long ago. Paramount
geared up its production organization to produce exclusively
modern-type pictures and stars. Results? Product like the pictures
named above and "Last Command", "Way of All Flesh", ""'Beau
Geste", and the "Speedy" of the always up-to-the-minute Harold
Lloyd, topped all previous theatre grosses. Brilliant modern stars
pushed other company's personalities into the background. The
keen public of today saw the difference between Paramount
Pictures and the other kind. Grosses on Paramount productions
leaped so high above the rest of the field as to cause universal
comment. ^ Now 1928-9. A still newer world. Paramount is still
a year or more ahead of other companies! Paramount production
forces, under the master, Jesse L. Lasky, and the alert B. P.
Schulberg, are working day and night to give you the brilliant,
modern showmanship hits for a new world. ,4**4,44
FOR A NEW
■
WORLD « « «
\\\\\\\\\\\\WkWL\WL\\\\\\\V\\\\
5 New Blood! New Stars. Sparkling youth. Hurled to the front
by public demand. *J New blood in short features, too. Better,
swifter Paramount News captures news reel leadership. Sparkling
Christie Comedies. Real money makers. •! Here are the personal-
ties who will command the big money at the box office in 1928-9.
vTARS: Harold Lloyd (Lloyd Prods. Paramount releases), Clara Bow, Lmil
minings, Kiehard Dix, Bebe Daniels, Adolphe Menjou, Esther Ralston, George
Bancroft, Charles Rogers, Pola Negri, Wallace Beery, Florence ^ idor. Douglas
[acLcan, Thomas Meighan, Sir Harry Lauder.
EATURED PLAYERS: Richard Arlen, \\ ill iam Austin. Sally Blane,
Ivelyn Brent, Mary Brian, Give Brook, Louise Brooks, Nancy Carroll. Lane
handler, Chester Conklin, Gary Cooper, Ruth Elder, James Hall, Neil
lamilton, Ivy Harris, Doris Hill, Jack Holt, Arnold Kent, Fred Kohler, Jack
mien. Paul Lukas, William Powell, Iris Stuart, Ruth Taylor. Fa\ W ray.
)I RECTORS: Ernst Luhitsch. Erich von Strohcim, Victor Fleming. Malcolm
It. Clair, Josef von Sternberg, William WeUman, Rowland V. Lee, Clarence
adger, Frank Tut tie. Lothar Mendes, Luther Reed, Gregory La Cava, II.
'Abba die D'Arrast, Frank Strayer, Dorothy Arzner. Fred Newmeyer, John
aters, Victor Schertzinger, Ludwig Berger, Leonce Perret, (ieorge Pearson.
Largest staff of young showman-writers in the world. •! In
928-9, exhibitors who don't keep up with the modern demands
tust go down. Old stuff plays to empty seats today. There's one,
id only one, insurance for exhibitor prosperity in the coming
: ason : Paramount's Whole Show Program. * « « « « + «
OTE TO E\HII$ITORS. A new world. Tables ever changing. Paramount wants to
Ke advantage of new developments for your benefit. This announcement, being made in pari in
krance of the photoplays announced, is necessarily based upon present plan* and must Dot be
< isidered part of any written exhibition contract
Motion Picture HoadqumTlmr*.
Paramount tltiililinu at Tim"
\,„ 1 nrli I if.
II AIU) LD LLOYD
FOLLOWING "Speedy," now playing to packed houses
everywhere, Harold Lloyd plans two big productions
of his accustomed high standard during 1928-9. <J"Lloyd
tops the stars of all companies in drawing power," says
Variety after its annual check-up of all theatre records.
A mighty tribute. And true. t]J You never know your
theatre's real dollar capacity until you play Harold
Lloyd. i§ Lloyd pictures are produced by the Harold
Lloyd Corporation, and released by Paramount * * «
^/~kTT1Vrr\ 1^ IT'lTir ^^T^ ^1 f Before release to picture bouses, "Wings" will be synchronized with music score
^v-HJ-L^" JLr F JL1>( 1 ~ • and the 8en8ationai sound effects that have made ii> exhibition ili<- talk of a
ation. You yel in \our theatre exactly the same complete "Wings," with sound, ;is in the *2 triumph ! «
Vat
*%5
/Jt.
05
V/
*"//,.
A
THE MOST POPULAR 4 pi 1 11. ON THE SCREEN
AW
starring in long run specials
THREE WEEK ENDS. By Elinor
Glyn. Successor to "It" and "Red Hair." Same
combination, same brilliant box-office
qualities.
THE FLEET'S IN. Clara as the sailors'
sweetheart, with a man in every port. Fight-
ing for the freedom of the seize. Sure-fire !
THE SATURDAY NIGHT KID.
The red-headed life of the party on the night
the world makes merry. Daring, sparkling as
champagne. « « « « ■» * 4
APACHE LOVE. The story may be
changed. At present planned as a reckless
romance of the pleasure dens of Paris. «- *
Broadway's smash imj staqe hit
to be great cfe luxe special now 1
Elaborate and startlingly
new production details are
being worked out for "Bur-
lesque" which prevent its
sale to motion picture the-
atres at the present time
but which will enhance its
value many fold to exhibi-
tors when it is ultimately
released. ^ Watch for it!
It l it MuSIJl E
PARAMOUNT proudly announces the acquisition of the motion pic-
ture rights to the record-breaking comedy- drama stage success
of" the past two years! Opened September 1, 1927, at the Plymouth
Theatre, New York City, and still playing to crowded houses. By
George Manker Watters and Arthur Hopkins. Poignant loves, laughs
and heartaches of backstage life. A host of imitators, but only one
"Burlesque, " in a lifetime! <1 The well-known director and the all-star
cast of popular favorites will be announced soon. « « •» ,
RICHARD DDL
in two lavish
special productions
"REDSKIN"
Dix as u modern college - bred Indian youth in a mighty
drama produced upon the sweeping scale of "Tin- Vanishing
American." The public wauls him in a strong dramatic role.
"UNCONQUERED"
with FLORENCE VIDOR
A man and a woman — social opposites — flung upon a tropical
isle, stripped of civilization and barriers, fighting theirwa) to
a groat love. Two big stars! A splendid box office special!
tli roe splendid Dix
starring successes
"\\ ARMING UP." Dix i„ a 8wif,
athletic comedy-romance. Like "The
Quarterback." The male idol of the
screen as you like him. Directed l>\ Fred
Newmeyer, who made "Quarterback.11
"MOR \\ <>l THE MARINES."
Richard as a handsome, daredei il lea th-
erneck. First to fight, and l>> no means
last to love! W Uh our more citrkiii" Dix
release to be unnovmced* * * «
"THE MAN WHO NEVER
MISSED
99
The finest dramatic actor on
the screen, in another of ihe superb characteriza-
tions which made "Way of All Flesh" and "Last
Command" cleanups everywhere. Jannings in
eleetrie lights today means paeked houses in any
town. Cheered alike by elasses ami masses. •
ELLIS ISLAND " Whatamarvel-
ous theme lor a picture — the heartaches and
romance and laughs of the famous Gatewaj i<>
\meriea ! \S hal a role lor l In- <>ii<- and <>nl% Jannings!
A piece of human driftwood <»n the mighty im-
migrant tide thai surges through the I'orlal of
Opportunitj to — ?
(paramount (pictures
1
"TAHITI NIGHTS"
with Evelyn Brent and Clive Brook
A spectacular special weaving a tense
drama of regeneration in the romantic
South Seas. Isles of refuge for the
driftwood of humanity. Seeking forget-
f illness in the seductive charms of the
tropics. Featuring the two famous
lovers of "Underworld''1 fame, and a
strong cast. May easily prove the big-
gest box-office sensation of 1928-29. The
public wants strong drama this year!
ft
THE HARD BOILED
ANGEL"
with Gary Cooper and Nancy Carroll
The star of'Legion of the Condemned"
and the vivacious heroine of "Abie's
Irish Rose." In a sparkling but heart-
piercing drama of gay Broadway from
the inside. In which New York's
most sophisticated chorus girl dis-
covers that she has a heart. Prom-
inent director to be announced.
H
William Well man
PRODUCTION
John Monk Saunders
DIRECTOR an o AUTHOR
OF "WI NGS"
"1928 will be a dirigible
year," saj tin- experts. The
l>i«: ot-t-an Iiikts of tin* air will
flash into the limelight as 1 >r i I -
liantly a> did Lindbergh in
1027. I Paramount. r\«-r <irr»t
to s«-ii>»- box <»fli< ■<•. presents
the first spectacular special
dirigibles a- a thrilling
background. < Made bj the
producer and author of
•\\ Lugs" and "Legion of the
Condemned.'' * * <
The politician
whom she tried
to blackmail
Her ex-convict
dancing
partner
William Powell
as
PHILO VANCE
Detective
The millionaire
with the
perfect <ilibi
The famous
physician who
loved her
Wild KILLED THE MOST BEAUTIFUL WOMAN ON BROADWAY?
THE
CANARY MURDER
CASE
With William Powell as the famous Philo Vance,
and big all-star cast of favorites. A sure-fire
special. Mystery is the vogue of the hour.
From the sensational best
selling novel by S. S. Van Dine.
Read by millions as book, and
magazine and newspaper
serial. Most popular mystery
story in last five years. Sequel
to '"Benson Murder Case" and
"Greene Murder Case," other
Philo Vance classics, to be
produced in de luxe style by
Paramoun t as Mystery Series.
"TAKE ME HOME"
ami three more star hits
<J Beautiful llehe Daniels fills a unique and verj lucrative niche in exhibitors1
programs. She is the only comedienne on the screen to<la\ who can at the
same time supply laughs ami "it" — a combination which the public love-.
CJFour especially attractive Daniels vehicles are planned lor the coming season .
Cfl "Take Me Home" (tentative title) is the first. Casts and production values
will he poured into these pictures that should enable them to top the drawing
power of even Miss Daniels* famous "The Campus Flirt." -
1
THE STAR OF "UNDERWORLD" IN 4 STRONG DRAMAS
Public demand made George Bancroft a star. The taste
of the day is for strong, red-meat film fare. Bancroft
I supplies it ideally. The same virility, big casts and
I elaborate production value will surround Bancroft
pictures in 1928-9. Star pictures in the special class!
GEORGE BANCROFT
"THE DOCKS OF NEW YORK."
Josef von Sternberg production, director of
"Underworld." By John Monk Saunders,
author of "Wings" and "Legion of the Con-
demned." Bancroft as a tough stevedore.
"SWAG." Winner of $15,000 Paramount-
Photoplay Magazine Idea Contest, in
which 40,000picture fans entered. ByRena
Vale. And two more to be announced.
(paramount (pictures
by the famous author
of "Sadie Thompson"
THE
LETTER
5>5
with EVELYN BRENT
and CLIVE BROOK
«fl FromW. Somerset Maugham's astonishing
stage play hit of London and New York. A
flaming melodrama of the white ruling class
in the Malay Peninsula, in whieh the killing
of her admirer by a rich married woman
unleashes a torrent of scandal and intrigue.
a sparkling special with
two popular stars
"THE UPSTART
GENTLEMAN"
with RICHARD ARLEN
and MARY BRIAN
^1 By John Monk Saunders, author of
"Wings" and "Legion of the Condemned."
The action-romance of a male diamond in
the rough and the battles he fought for a
beautiful girl's heart and hand. With a
background of college life and brilliant
modern youth. A popular director and big
supporting cast.
THE
r
YOUNGER
SET
fa
CHARLES
ROGERS
BULLDOG YALE
" After
"Wings"
and "My Best Girl," Paramount yields to public
demand and presents Charles Rogers as a star.
Already his fan mail is second only to Clara Bow's,
the largest in Hollywood. The first Rogers picture,
"Bulldog Yale," a rousing comedy-drama of col-
lege life. Breezy with youth, snappy as a flapper's
smile. A Frank Tuttle Production. By Wells
Root. Both of Yale. Followed by three more
Rogers young-idea pictures! < ,
■ J
RUTH TAYLOR
JAMES HALL
ANNE NICHOLS'
"JUST MARRIED"
By unanimous request of the great American public
— two popular young favorites co-starring. Their first
"Just Married," from the Broadway comedy success
by Anne Nichols (author and producer of "Abie's
Irish Rose"). Big cast and special director will be an-
nounced soon. Three Taylor-Hall companionate
romances released in 1928-9. *******
TARS OF TOMORROW
Paramount, the star maker.
Enough promising youth on this
company's lot now to pack a col-
lege! Stars of tomorrow. Gorgeous
box office assets for exhibitors on
the way. With the one and only
Paramount training. * -> * «
1 HHBMH .trr-^w vfi, , ....<■ ' 9HBH
¥ PARAMOUNT S GLORIOUS YOUNG LOVERS ¥
MdHMHBl i lllllllllllllllllllllWlillllliMWII mi /ii^^HE ^ I
FAY WR AY GARY COOPER
^-f new an</ brilliant starring com-
bination with box-office pins
Fay W ray, heroine of "The ^ eli-
ding March" and "Legion of the
Condemned." Gary Cooper, hero
of "Legion of the Condemned."
THE FIRST KISS
Three lavishly produced hue dra-
mas starring Fay W ray and Gary
Cooper are coming in 1928-9
4 Radiant > on t li and romance glow in these twin stars,
ilread} Famous with tin- public due to successes in previous
pictures. 1928-9's great box-office pair of screen lovers.
< Their first co-starring picture, an elaborate production of
a popular Saturday Evening Post circulation, 3,200,000 serial
love storj b\ Tristram Ttipprr. C Tin- drama of a youth who
turns picturesque rix-r bandit for the honor of hi> family.
\nd tin- beautiful heiress who braves scandal and death in
her great love for him. < Strong pictures of this type are in
high favor with modern audiences.
ESTHER MAILSTOM
a mighty special!
THE CASE OF
LENA SMITH"
She was just a number in the files of a society formed
to rescue "bad'" girls — but what a story of strife, sacri-
fice and heartache behind that number! A part made
for beautiful Esther Ralston's flowering talent. Produced
by Josef von Sternberg, director of "Underworld". Story
by the famous novelist, Samuel Ornitz. Big cast. * •
four de luxe star pictures
"THE SAWDUST PARADISE'' Para-
mount's luscious blonde as an innocent-wise charmer.
HIGH SOCIETY" Miss Ralston as a rich
debutante shows society from the inside. And two more
pictures to be announced. *******
o^
to
a*
NX
V4
Suva
\o-
0£ Cbi^a-
o
ib scale
breast*
TWO BIG
ALL-STAR
SPECIALS
Siroii" dramas of the
seamy side of life, dis-
tinguished bj big,
realistic productions
and fine casts. In-
<■ 1 u d in g Wall a c «■
Beer 3 — t he tough
"hea vy " Beerj of
"Behind the Door"
fa in e , not I h e
comedian. •
CHRISTIK -JVlACLEAK
•ECIALS
DOUGLAS
HaiIJ AV
"WANTED: A WOMAN" Cood news for
exhibitors! The combined resources of the Douglas MacLean and
ihe Christie brothers production staffs will he united to make two
big feature pictures for Paramount release in 1928-29. *I The
pictures will he of the same audience quality as MaeLcan's "The
Hottentot" and Christie's "Charley's Aunt." <1 The first Mae-
Lean-Christie release is tentatively titled "Wanted: A Woman."
Big names will appear in the supporting east and a well known
director will he announced. Title of the second picture will be
available soon. C| W ith the drawing power of .MaeLcan's name
and the unlimited production faeilities back of him, a pair of
knockout pictures is assured!
A DISTINCTIVE STAR IN TWO
DE LUXE PICTURES
There is no other star quite like Florence Vidor in
motion pictures today. Class, exquisite gowns, an
adorable personality and expert acting abilit) char-
acterize her performances. CThe first Vidor picture
in 1928-29 is tentatively titled
"DIVORCE
BOUND"
In which Miss Vidor startlingl) demonstrates that
the "weaker sc\*" i> a misnomer. < Assisted bj an
augmented cast and a special director. Followed
by a second release of equal strength. Paramount
promises the strongest \ idor classics thai exhibitors
have yet received. Special exploitation \>ill be placed
behind her vehicles. ^Always a favorite with the
public, Miss Vidor in the coming season will be
found among the exclusive list of topnotch draw-
ing stars of the screen.
FLORENCE
VIDOR
I
THE CRIME OF
INTERFERENCE
tjFrom the tremendous stage success "Interference, " by Ronald
Pertwee and Harold Dearden. <JThe legitimate smash hit of London
and New York! To be produced on a spectacular scale by a special
director and a cast loaded with favorites. ^Sensational drama of a
society scandal that threatens to engulf an innocent woman and
how a "bad man" out of her past commits a crime to save her. The
most powerful woman picture of the year.
d (paramount (picture
\ \mik 1 1 ill . fti^i^i i
Opened October 18, 1927 at the Lyceum
Theatre. New York, and still playing to S. R. O.
■Hi HARHV
LAUIIEH
in
HUNTING
TOWER
With Vera Voronina.
From the famous novel
by John Buchan. Screen
play by Charles Whitta-
ker. Presented bj Welsh-
Pearson & (!«».. Ltd.
Directed by Ceo. Pearson.
the >| OH MEL. «»*'
MONTMAKTHE
Produced in Paris bj
Leonce Perret. Willi
[van Petrovitch (star
of "The Carden of
Allah"), beautiful
Louise La Crange as
the artist's model, and
Nita Naldi. *
BEHIND TNI GIHMAN LIMES
Revealing for the first time in official Cerman war
films the secrets of the Cerman battle Lines. The
truth about Big Bertha, Cerman efficiency, Bailie of
the Somme, etc. Astounding in realism, breath-tak-
ing in sweep and dramatic action. W illi amazing tech-
nical effects, of which "Metropolis" was onlj a hint!
Produced by Ufa, official
German government pho-
tographers during the war
THE
Wolf Somi;
CflFrom the tingling Red Book Magazine serial by
the famous novelist, Harvey Fergusson. With
Gary Cooper, and a east especially selected by
Jesse L. Lasky. Present plans call for Victor
Fleming, who made "The Way of All Flesh," and
Anne Nichols' "Abie's Irish Rose," as director.
€|The dashing, colorful romance of a young giant
of the Western mountains who practically abducts
a beautiful, rich Spanish girl. How he tames the
tigress and builds an empire in the wilderness is
unfolded in one of the big specials of the year.
(X (paramount Qicture
Thomas Yleighan i- planning bis
Btrongesl picture in years for
release through Paramount in
1928-9. Title, a supporting cast
packed with favorites and a u< II
known director will soon l>(-
announced. The new [VIeighan
entertainments are big draws
with all classes of audiences.
Produced by the Caddo Com-
pany, Inc.
with
RICHARD IRLEN,
M IR1 BR] V\
CHESTER CONKLUN
Tempestuous modern young
love, ii> hazards and heartaches,
portrayed in a l>iir special pro-
due lion with an appeal to every-
body who has ever been in love.
Ya 1 1 1 ri 11 n two stars of tomorrov
in their greatest roles. * * •
Production plans now completed
for this magnificen I special. Per-
sonally supervised by Florenz
Ziegfeld, world's greatest ma-
gician of feminine beauty. Story
of Broadway's garden of gaieties,
heartaches and temptations.
Featuring all-star cast and
famous Ziegfeld girls. Well
known director announced soon.
Ct (paramount (picture
Ok2
/AM; GREY
Special featuring
popular Jack Holt
THE WATER HOLE.
99
Produced partly in Technicolor with the same lavish
values that made "Wanderer of the Wasteland" so popu-
lar. Zane Grey's greatest story. Worthy of Class A first
run hookings. Followed by three Zane Grey-Paramount
pippins, of which the first tn o are: * * « « *
rrA V ALANCHE" \ ha*-triff* d-ma °f
the Kockies, with a
smash climax. Presenting Jack Holt in a strong role.
"SUNSET PASS." ?—
Orey novel now
enthralling magazine readers as a serial. With Jack Holt.
TRADE ^ -fr *k )f w MARK
*
★
^paramount
★
THE WHOLE SHOW
1928-29
you have been
reading about
the finest line-up
of specials
and star hits
ever announced
for release by
PARAMOUNT
or any other company
now learn about
the two road-show
sensations of 1928-29
and an amazing
short-features program
from PARAMOUNT
motion picture headquarters
Adolph Zukor and Jesse L. Lasky present
EMIL JANNINGS
in an
ERNST LUBITSCH
production
"THE PATRIOT"
with
Florence Vidor, Lewis Stone
and Neil Hamilton
Adapted by Hans Kraly. From the famous play by Alfred
Neumann. Ii. P. Schull>er<i. Associate Producer.
A Paramount Picture
Opening soon on Broadway at $2
admission, Not for sole to motion
picture theatres at the present
time.
I
PARAMOUNT' S
supreme
motion picture
achievement !
Jk
now playing to
S. R. O. at $2 top
44th St. Theatre
New York City
ST*
VICTOR FLEMING
production, with
Jean Hersholt, Charles
Rogers, Nancy Carroll
and all-star cast
not for sale to motion
picture theatres at
the present time.
VIKM I'H XI KOK AXI» .JESSE L. LVSKY PRESENT
(paramount (pictures
*I Paramount brought Para-
mount quality to the short
features market for the first
time in 1927-28. Releasing
horts that were not fillers
but little-giant money makers
rough sheer entertainment merit. Capturing
eadership in shorts as well as in features.
Paramount News, Christie Comedies and the
est quickly proved the class of the industry.
SHORT
FEATURES
Exhibitors responded with
enthusiasm. The volume of
contracts and praise ex-
ceeded our fondest hopes.
•I Paramount expresses it*
appreciation by offering for
1928-29 an even finer line-up of shorts. Read
the following pages. They'll convince you that
Paramount Short Features arc airain a mile
ahead of the field! Paramount, the Whole Show !
3
today's
news
reel
leader!
here are the reasons:
~| BUSINESS. Already more ac-
-■- counls playing Paramount
News than most other news reels
have taken a lifetime to get. Busi-
ness growing steadily, week after
week.
{\ RECORD. More scoops, more
big specials, more locals dur-
ing past year than any other reel.
Q ORGANIZATION. Worldwide.
Headed by Emanuel Cohen, 13
years editor of Pa the News. Larg-
est staff of expert cameramen in
the business. Backed by mighty
resources of Paramount. Special
Paramount News building in New
ork with lightning-speed equip-
ment.
/fl SPEED. All speed records
broken because of ultra-mod-
ern set-up, faster methods than
other reels.
SHOWMANSHIP. Breezy
titles. Fast tempo. Colorful
shots. What the public of today
wants.
r ULTRA-MODERN. Para-
^-^ mount News competes with
no old-fashioned news reel or news
reels working on old lines. Para-
mount News is different. As
different as television is from pom
express. Up to the second, progres-
sive. In a class by itself. THE
NEWS REEL OF TODAY! «
TWICE-
ArWEEK
Nine big local editions blanketing the United States.
showmen
hail
its
merit!
"The outstanding film evenl of
l°27-Jl is the way Paramount News
Leaped into first place among the
news reels,'* says a leading exhib-
itor. "My people tell me the) did
not know a news reel could be -m>
amazingly good!" Thousands of
showmen echo this opinion — and
back it up with contracts. * •
The eyes of the world
ParaiioixtAeus
Paramount News stations girdle the civilized globe
Good as i I was in l()27-}{. Paramoun t
News plans for l()2<t-«) are even
more startling! Paramounl is out
to clinch fir>t place in the news
reel business forever. Nothing can
slop us. High-powered national
advertising \»ill spread siill further
the merits of THE MW § Hi l l
LEADER. Paramount News is vital
to the SUCCeSS of I In- modern shoi* -
man. Tin- one indispensable news
reel !«««••««
PARAMOUNT - CHRISTIE COMEDIES
Cparamount-
° Christie
Comedies
CHRISTIE COMEDIES are the class of the short features fun field. That's proven by
exhibitor and audience reports and the widespread booking of the Christie product,
especially in de luxe houses. "Best theatres everywhere" is more than a slogan; it's a
fact. ^ Christie stars, backed by performance and years of national advertising, are as
popular with the public as the top-notchers among the feature stars. Personalities like
Bobby Vernon, Billy Dooley and Jack Duffy are greeted with roars whenever they bound
vipon the screen. Supporting players and particularly the famous Christie beauty
brigade of gorgeous girls are favorites with all types of audiences. *J "A Christie comedy,
Paramount News, a stage show and a feature make the ideal bill for a de luxe theatre,"
says Ed Beatty, general manager of the Butterfield Circuit, and smart showmen agree.
^ Christie set new high comedy standards in 1927-8; the 1928-9 line-up of Paramount-
Christie product promises to surpass this. Four series of eight releases each are outlined
on the following pages. ^ Look them over. They're the best comedy product that will be
offered you during the coming season by anybody. They're the class of the market !
PARAMOUNT - < IIKIS I II COMEDIES
BOBBY YE RMOM
Comedies
EIGHT boisterous burlesques and fun frolics from the
College Cut Comedian. Vernon is the perfect corned)
type — the little guy who gets kicked around. Teamed with
bouncing Bobby is Eddie linker, the big fellow with the big
wallop. W illi pretty Patricia Archer, "Miss Personality,"
as leading woman. Also Hannah "Oatmeal" Washington,
a dark "chile," Gloria Ivillian, Virginia Sale and others.
<]] Vernon plays more de luxe houses than praetieally an)
Other two-reel eomedian in the business! • • « «
BILLY DOOLEY
EIGHT more from the goofy gob, the dippy diver, Hilly
Dooley. His funny sailor suit is greeted with roars
whenever he ambles into view. "Dooley is the most pop-
ular comedian in the field of shorts. They keep asking
for him. Give us more," writes one big first-run exhibitor.
I| Well, here's more, brother — and how! Dooley is sup-
ported, as of yore, by luscious Vera Steadman. Also
"Admiral" Bill Blaisdell, Mary Ashley, Shirley Collins
and a shipload of nautical but nice beauties. • • •
PARAMOUNT - CHRISTIE COMEDIES
ADVENTURES OF
SANDY MACDUFF
featuring
JACK DUFFY
PLENTY of Scotch jokes— now the
first series of rollicking Scotch
comedies. With ihe famous "grandpop
with young ideas." They'll love fight-
ing, spendthrift Sandy Macduff. Sup-
ported by Neal Burns, Joan Marquis,
Eddie Barry, Bill Irving, Doris Martel
and others. 8 releases. • * * «
—III III llll 1 1 II II ll ( IIIM llll ,m>IIB HimillililllllllMIIIHII Ill
CONFESSIONS OF
A CHORUS OIRL
FUN backstage in 8 snappy comedies. The last word
in snap, dash and jazzy appeal. Featuring the most
beautiful girls in Hollywood, headed by adorable Frances
Lee. Also Billy Engle, Lorraine Eddy, Jimmy Harrison,
Betty Lorraine, Helen Fairweather, Jane Laurell and
Buddy, the dog. Fun spiced with peaches, sugar daddies,
high jinks and merriment. •
Paramount announces the release of a series of two-reel short features bringing to the screen more greal box
office star and author names than all the electric lights of filmdom couhl display ! Well-known directors, too.
Cream of the world's acting and writing genius united. Another greal coup for Paramount exhibitors!
EDW\RD EVERETT
HORTON
O comedy sparklers from this droll star.
"Call Again," or the hilarious adventures
of a bold had man in a girls' boarding school.
"Vacation Waves," or what happens when your
wife's mother goes along on your summer
vacation. De luxe style, popular casts. Pro-
duced by Hollywood Productions. A Paramount
Release. ««««««««
KRAZY K AT
IWENTY-SIX releases of this popular
cartoon series. Adapted from the famous
newspaper syndicate feature. Played in first run
theatres everywhere. Clever Krazy Kat, his
antics and his pals. Bigger and better than ever
in 1928-9. One every other week. • * *
Presented by Charles B. Mintz. Animated by
Ben Harrison and Manny Gould. • * *
INKWELL IMPS
ONE every two weeks. 26 in all. Featuring
Ko-ko, the komical klown, and his boy and
girl friends. Mirth -packed cartoon folks in
real-life settings. The public knows and loves
them. Nothing else like it on the market. «
Presented by Alfred Weiss. Produced by Max
Fleischer. Released by Paramount « •
COMMINDER
RICHARD E
BYRD'S
PARAMOUNT
announces the acquisition of
the exclusive motion picture
rights to the outstanding
world event of 1928-29! On
the front page of every news-
paper and on every tongue.
The one and only complete,
actual motion picture rec or d
Flight to the South (pole
A picture every audience
everywhere will clamor to see!
'"^Ihfc.'K ,,
REAMS OF
NEWSPAPER
STORIES
ALREADY
STARTED
SPECIAL FEATURES
RADIO
Jfottr fork $imc£.
SPECIAL FFATfRF.?
AUTOMOBILES
JB
SUNDAY. MARCH If. 10
LIFTING THE VEIL FROM THE ANTARCTIC
The Byrd Expedition Will Face Many Perils When Its Pilots Attempt to Penetrate the Great White
Continent With the Airplane— Fierce Storms and Bitter Cold Dominate This Unknown Area
•I An unbeatable array of forth-
coming big Paramount road shows,
specials and star hits. *IAnd now
with the best short features too
PARAMOUNT
The Whole Show
1928-29
De luxe entertainment in
the modern manner from
MOTION PICTURE
HEADQUARTERS
jl Broadside of Laughs
44
^0yiAJ Jfr^ax^-^ ^l^, presents /'A
BIG BOY '4
in
44
NAVY
BEANS
List every asset you look for in a
feature comedy . . .You'll find them
all in this spectacular two-reel laugh
hit. It's a "big" picture in Short
Feature length.
Keep your eye on "Big Boy.'' When-
ever his winning smile flushes on
the screen, an exhibitor makes ex-
tra profits.
BIG BOY
Juvenile
♦COMEDIES*
V — — * r\
"THE SPICE OF THE PROGRAM"
lumber, Motion Picture Producer!
•mi Dbtr.buton of Amcrim. Inc.,
WllX H. Hays. I'rr$ident
EDUCATIONAL
FILM EXCHANGES, Inc.
They're
singing - seeing
playing - praising
da nci ng - ta I ki n g
whistling - applauding
TO SENSATIONAL
BOX- O FFI C E RECO R D J
Inspiration Pictures, Inc.
and Edwin Care we present
olores
Helen Hunt
Jacksoris
qreat American
classic
Todays most popular picture title
EATTLE PITTSBURG
"Ramona a big hit here during
its week's run."
"Played to one of biggest week
Penn has ever had."
— United Artists Theatre
ENVER SALT LAKE
"Ran one week to big business
at the Rialto."
"Broke record at Paramoui
Empress of over two years' stan<
ins:.. — Louis Marcu
FRANCISCO Los ANGELES
"Three weeks to tremendous
business at the St. Francis."
"Played four weeks to bigge
business house has had."
— Bruce Fowle
United Artists Theatr
X0t
Set your date-forYOUR
biggest gate-9|ow/
RIO
+ th is
+this
WARNER BAXTER -VERA LEWIS-
ROLAND DREW- MICHAEL VISAROFF
RADIO
Millions hear this
song hit sung or
played at least ten
times a day over
the whole country
MUSIC
\and Records
Paul Whitcman —
Victor, Coluinhia
j and Brunswick rec-
ords are selling hi«r !
Also the Leo Feist,
Inc., sheet music.
BOOK
Sales
Are very big.
Kamona is now in
its 92nd edition
and going strong.
icincl a q re dfjjicture
UNITED ARTISTS PICTURE
EDWIN CAREWE/mxfocfi
It's never been done before
by ANY company!!
gain Universal has heTictutes
m
It's never been done before
by ANY company!!
ndWill how em toYouTIRS^k
JAMES CRUZE
PICTURES INC.
SEASON 1928-1929
TWENTY PRODUCTIONS
Including
4 JAMES CRUZE SPECIALS 4
ARE NOW ASSURED
Thanks to the Wholehearted Cooperation
of the Leading Independent Exchanges
of America
The Announcement of the personnel of the
Franchise Holders of This Most Valuable Product
Will Assure Dependability in Handling. Watch for it!
A FEW TERRITORIES ARE STILL AVAILABLE
TO RESPONSIBLE EXCHANQES.
JAMES CRUZE PICTURES, INC.
distributed by
ALLIED DISTRIBUTORS CORP.
729-7 th Ave. New York
TAKE A COUPLE OF AD
WRITERS, A HANDFUL OF
ARTISTS AND PLENTY OF
INK— stir carefully—
—and what have
you got?
GONE are the days when exhibitors thought they
could fill theatres just because somebody's bright An-
nouncement told them so. Thank heaven, pictures are
being bought differently today.
(continued on next page)
EXHIBITORS are buying their
product on the basis of experience.
AND the experience of the past
four years shows that Metro-
Goldwyn-Mayer is the most de-
pendable source of picture supply
every week in the year.
WE know what weVe got for
next season. But it's not next
season yet.
MAV
JUNE
S"« Hon Yu& uta f H til 6»T SUM HON Tj<S WiO Nl f«| ?AT
I ""1*1
JULY
AUGUST
Sun mux nip uieo nn mi s»r su« ho n met wio n «,
Gee ivhiz! I've got to fill my
house every day for May,
June, July and August I"
MEANWHILE well continue to devote ourselves to
helping your business right now. And weVe got the
pictures to do it. Nothing else counts!
ISN'T IT THE
TRUTH!
—exhibitors agree that the Metro-
Goldwyn - Mayer Annual An-
nouncement is the one they look
forward to with the greatest in-
terest because it represents the
facts (not talk) about the most
important product on the market.
"Whoopee! These M-G-A/f
pictures will do the trick!"
EVERY WEEK AN M-G-M HIT!
RAMON hlOVARRO, Across to Singa-
pore - LON CHANEY, Laugh Clown
Laugh — DANE - ARTHUR, Circus
Rookies — SYD CHAPLIN, Skirts —
JOHN GILBERT, The Cossacks -
DANE -ARTHUR, Detectives-
NORMA SHEARER, The Actress -
WILLIAM HAINES, Telling the World,
Mile, from Armentieres, Diamond Hand-
cuffs—AND MORE! MORE! MORE!
THE IMPORTANT
COMPANY
FACTS
One of the oldest and largest theatre circuits* in
the country has selected Motion Picture News and
entered subscriptions for every one of its 80 theatres.
If the manager of any one of these theatres wishes to
take any other trade paper they must, themselves, pay
for the subscription.
An important circuit* with headquarters in a key
city sends fifteen subscriptions to Motion Picture News
— one for circuit headquarters, one for the general
manager's home, and thirteen for the managers of each
chain theatre. Along with this order went cancellations
of subscriptions to all other trade papers. The General
Manager explains that he selected the News because
it is the best paper, because it gives comprehensive
service, and that he wants this one paper only in his
managers' hands so as to have uniformity of thought
and action.
: Names on file in this office.
America's Famous Leaders
ROOSEVELT
photo © U. a U.
TA F-T
WILSON
HAR.DING COOLIDGE
OUR. 29 PRESIDENTS And tbe^willbe
HTlE PRESIDENT GROUP
nominated bp
FIRST NATIONAL
£,1928-1929
as the (greatest 'Product ~Proqnm of
<&kven Qiears of 'Picture (Making
HERALDED - MOTION PI
<See
Member if Motion Picture Producets mi Distributors of America Inc~Wlll H.Hays fluUmt
YoluiiH XXXVII
NEW YORK CITY, MAY 5, J92«
No. IK
The Industry's Advance Agent
Trade Paper Advertising and the Film Salesman
With a Foreword By William A. Johnston
I AM substituting for an editorial already
written for this issue, a statement from
an experienced salesman of film ; it is the
result of years of contact with the exhibitor,
and the latter, I am sure, will read it with
interest and regard it as a practical present-
ment of a much misunderstood problem :
* * *
\\ e w ho form the personal contact end of the busi-
ness of supplying the public with the most satisfactory
form oi entertainment ever invented are in a position
to estimate at its full value the work of the advertising
and publicity men. Every w ide-awake film salesman
is especially interested in his company's estimate of
the value of trade paper advertising of the new prod-
uct which is about to be put on the exhibitor market
— for the trade paper either is his invaluable advance
agent, or a total loss.
If it presents to the exhibitor early and attractive
information about the new pictures, the salesman's
work is half done before he presents himself on the
scene. I f the home office has not attended to this im-
portant detail, the salesman "opens cold." lie must
begin at the beginning, using such information as the
branch office is able to supply him with, and probably
multiply his visits to an individual customer when one
visit should he sufficient to close the deal.
Every unnecessary visit to a given exhibitor rep-
resents an inexcusable addition to the normal and
proper expense of selling a picture or a group of pic-
tures. Any oversight at the home or branch office
which results in piling up the expense of delivering
film reacts in the direction of increasing film rentals.
Thus the exhibitor himself ultimately is a loser
through no fault of his own, and not a willing one — as
all salesmen are only too well aware.
Emphasis is here placed on the trade paper as a
medium tor this service because it cannot be success
fully denied that the important national trade organs
oi the motion picture industry have progressed side
by side with the industrv itself. The leading ones
are not only subscribed for by all enterprising theatre
owners or managers, but eagerly scanned a-- soon as
received for news about the latest picture releases
which thev feel thev can rely on. If they have already
bought this product, they want to be reassured regard-
ing its probable appeal to their patrons; if thev have
not yet bought it, naturally they want to satisfy them-
selves whether or not they owe it to their patrons to
make room for it on their booking sheet.
W hen such information, either in the shape of ad-
vertising displays or news matter, is supplied by a
responsible trade periodical with fixed dates of publi-
cation, it has much more weight with the exhibitor
than the same information circulated independently
by the interested producer-distributor. And at this
early stage of the placing of untried product the sales-
man's chief interest in advertising is in the kind that
bears directly on the making of the film contract.
Later on he will take the next advertising step: he
will endeavor to make his exhibitor customer satisfied
with his bargain by joining him in advertising and
publicity to the consumer, the theatre patron.
Film salesmen have reached two important con-
clusions with respect to the use of trade paper space.
First, they consider it essential in effectively present-
ing the company's formal announcement of the com-
ing year's list of new product — infinitely more effect-
ive than the independent issue of the costliest and m< >st
attractive art catalogues; so useful, in fact, and con-
vincing, that they would abandon the latter as rep-
resenting unwarranted expense Second, owing to
the meager information supplied by the production
department for the general announcement, thev point
to the advantage and actual need of a series of sub-
sequent displays on small groups and individual pic-
tures whenever detailed information is forthcoming.
Nowadays exhibitors do not have to be told that the
initial announcement of a new season's product is apt
to bristle with tentative titles for the simple reason
that production of those items on the list will not
begin for several weeks yet to come. To the same
circumstance is due the lack of certainty about stars
and the make-up of supporting casts. Even the settle-
ment of the story question is not always definite at
the time of the original announcement.
But this information is all the more acceptable to
the exhibitor prospect owing to the interest, or curi-
osity, that has been created by the many pages of art
(Co iii in ind pit Page i/Jj)
A New Service Feature!
"Box-Off ice Problems"
Conducted by An Exhibitor for Exhibitors
Publication of this important addition to trade paper jour-
nalism will begin in next week's issue of Motion Picture
News, Especial attention will be given in this department
to the needs of
The Exhibitor in the Smaller Town
Motion Picture News takes pleasure in announcing that it
has been fortunate in securing as the editor of this new
feature a Real Showman —
Charles E* Lewis
Managing Director, Capitol Theatre, Middletown, Conn.
Watch for the first article by Mr. Lewis. In exhibitor language
and strictly from the exhibitor viewpoint, he will discuss all
angles of theatre operation in the smaller town, which is a highly
important factor in the industry.
In Next Week's Issue of Motion Picture News
May 5 , J 9 28
1 .27
Paramount Plans 72 Features
Schedule Includes 25 Specials, 35 Starring Offerings, 11 Out-
side Productions, 3 Road Shows
PARAMOUNT has definitely decided
upon ;i production schedule of 74
feature length pictures for the 1928-
1929 season. This group is made up of 25
special features, 35 starring offerings, 11
pictures made by outside producers releas-
ing through Paramount, and 3 road show
product ions.
For the portrayal of these stories, such
Paramount stars as Clara Bow, Emil Jan-
nings, Richard Dix, Adolphe Menjou, Bebe
Daniels, George Bancroft and Wallace
Beery will he augmented by the graduation
of a number of young players into stardom
a result of their work in the company's
features during the past year.
Among these new luminaries who will be
starred or featured during the new season
are, Charles Rogers, who will be starred in
a series of four, Fay Wray and Gary
Cooper, who will be starred in a series of
three, and Ruth Taylor of "Gentlemen
Prefer Blondes" fame, and James Hall,
who will be co-featured in three comedy-
mtelodramas. Other young players who will
be given more important roles in the new
program are: Richard Arlen, Mary Brian,
Nancy Carroll, Lane Chandler, Ivy Harris,
Doris Hill, Jack Luden and Iris Stuart.
The following directors are under con-
tract to the company; Ernst Lubitsch,
Joseph von Sternberg. William Wellman,
Clarence Badger, Harry D'Arrast, Gregory
La Cava, Hobart Henley, Rowland V. Lee,
Mai St. Clair, Frank Tuttle and John
Waters.
Among the authors whose works will form
the basis for Paramount pictures are: Owen
Davis, Richard Washburn Child, John Monk
Saunders, James Montgomery Flagg, W.
Somerset Maugham, Kdna Ferber, Elinor
Glyn, George S, Kaufman, Jim Tully,
Ernest Va.jda. Dana Burnet, Tristram Tup-
per, Anne Nichols and S. S. Van Dine.
Three Road Shows
Clara Bow, Richard Dix and Esther
Ralston will be starred in a number of spe-
cial productions in addition to the regular
program pictures they will make. Wallace
Beery will also make two specials.
The list of feature length productions so
far arranged for the new season includes the
following:
There will be three road shows: "The
Patriot," an Ernst Lubitsch production
starring Emil Jannings, with a sup-
porting cast including Florence Vidor,
Lewis Stone and Neil Hamilton. The story
deals with the life of the mad Czar Paul
of Russia.
The second road show is "Wings," about
which little need be said because it has
already demonstrated its right to be in-
cluded in the class of road shows through its
box-office performance at the Criterion
Theatre, New York City, and elsewhere
throughout the world.
"Abie's Irish Rose," third of the trio, is
now being shown at the 44th Street Thea-
tre, New York City. Victor Fleming di-
rected the picture version under the super-
vision of Anne Nichols. The cast includes
Jean Hersholt, Charles Rogers, Nancy Car-
roll. J. Parrel] McDonald, Nick Cogley,
Kn-a Iv'osanox a, t 'amillus Prctal, Ida Kram
er and Bernard Gorcey.
Among the special productions which
Paramount will release during the coming
season are :
"The Wedding March," with Erich von
Stroheim as author, producer and star, and
with Fay Wray featured. Principal players
in support include Za/.u Pitts Maude
George, Dale Puller, Mathew Betz. George
Fawcett, George Nichols, Cesare Gravina,
I fughie Mack.
Jannings will make two other special
productions. One, "The Man Who Never
Missed," an adaptation of the Red Book
serial bv Mildred Cram, directer by Lot ha r
Mendes. The next is "Ellis Island."
First of the Wallace Beery specials will
be "Beggars of Life," a picturization of
the Jim Tully story in which Beery will do
PARAMOUNT has arranged a schedule
which provides for /the release of ap-
proximately 200 short subjects dur-
ing the 1928-29 season. This program will
include 104 issues of Paramount News, 32
two-reel Christie comedies, two two-reel
Edward Everett Horton comedies, 26 one-
reel Krazy Kat cartoons, 26 one-reel Ink-
well Imps cartoons and 12 two-reel "Great
Stars and Authors."
The Christie product will be produced in
two studios, at the original Christie plant
and at the new studio at Studio City. There
will be two novel series in this Christie out-
put, both of them made up of two-reelers,
one under the general brand of "The Con-
fessions of a Chorus Girl," with a group of
eight stories, and the other, "Sandy McDuff
Comedies," also eight in number.
Frances Lee will be featured in the
"Chorus Girl" series and the supporting
casts will include Nancy Dover. Billie Fugle.
Lorraine Eddy, Jimmie Harrison, .lane
Laurell, Betty Lorraine and many other-.
The "Sandy MacDutf Comedies" will be
a series of Scotch stories with .lack Duffy
in the name role. Duffy's supporting casts
will include the comedians, Neal Burns.
Eddie Barry and a new leading lady. .loan
Marquis, who recently graduated from the
Christie beauty brigade.
Bobby Vernon will start his tenth year
with the Christies, making a series of 8 two
reel comedies of the same type as in the
past. He will select a new leading lady
from the Christie aggregation.
Billy Dooley starts his third season with
the Christies and will be seen in a series of
8 two reel comedies. He will continue his
role of "sap sailor." Sid Smith, Bill Blais-
dell. Vera Steadman. Mary Ashley and
Shirley Collins will constitute his major
support.
The two Edward Everett Horton two reel
comedies, produced by Hollywood Produc-
a heavy role, his first in a long time. The
story will be adapted for the screen by
Benjamin Glazer, and William Wellman,
"Wings" director, will guide Beery through
his business. In the cast will probably be
Louise Brooks and Richard Arlen.
"The Tong War" will be the other star-
ring special, with the star again in a heavy
role. The picture will tell the inside story
of the Chinatown tong war, white slaves,
loves and battles.
Canary Murder Case Filmed
"The Canary Murder Case," based on the
murder of a famous Broadway beauty, will
also be a Paramount special. William
Powell will be featured in the role of Philo
Vance, the scientific detective who solves
the murder case. The storv is by S. S. Van
Dine.
(Continued on Parje 1485)
tions, will bear the titles, "Call Again"
and "Vacation Waves."
Emanuel Cohen, Director of the Para-
mount Short Feature Department, has ar-
ranged with Eugene Spitz, producer, to re-
lease a series of twelve two reel pictures
which will bear the brand name. "Great
Stars and Authors."
By an agreement between Spitz and the
Actor's Fund and Author's League of
America, Spitz will have the stories of such
tictionists as, Rita Wei man, George Ade,
Fanny Hurst, etc., and such stars of the
legitimate stage as Jane Cowl, Lenore 1*1-
ric. Holbrook Blinn. Catherine Cornell and
many others of equal importance. The pic-
tures are being made at the Cosmopolitan
studios in New York and will be elabo-
rately produced.
The first of the series, "Two Masters,"
has been finished. The story is an original
by Rita Weiman and the cast includes Mary-
Fa ton. star of "The Five 0 'Clock Girl."
now running in New York City, Rex Cherry-
man, leading man in "The Trial of Mary
Dugan," another New York stage success,
Guy Bates Post, Carroll McComas, Clark
Silvernail. Minnie Dupree, Tammany
Young, Fddie Nelson, Jenny Eustace, Ann
Sutherland and Eddie Robbins.
Paramount has contracted with Com-
mander Byrd for the exclusive pictures of
Byrd's Antarctic expedition. Two Para-
mount cameramen will accompany Byrd and
make a motion picture record of the ex-
pedition.
Paramount has renewed its contract with
Charles B. Mintz for the release of a series
of 26 one reel "Krazy Kat" cartoons. This
is the same number contracted for on the
present season's program.
Paramount has also renewed with Max
Fleischer for another series of 26 one reel
"Inkwell Imps" cartoons featuring the
cartoon character "Koko" and his dog.
200 Short Subjects Planned by
Paramount for '28- '29
1428
Motion Picture News
M-G-M Announces New Schedule
Company Lays Plans to Produce Approximately 44 Pictures
for the 1928-29 Season
DURING the coming year Metro-
Goklwyn-Mayer will produce and
distribute approximately 44 pic-
tures, according to announcement by
Nicholas M. Schenck, president of Loew's
Inc., and of M-G-M. This is a reduction
in quantity from the current season, but
the stories were carefully selected as being
best adapted to the interests of distributors
and exhibitors, according to the announce-
ment from the company.
The three outstanding productions on the
new schedule will probably be "Show
People," a King Vidor film co-starring
Marion Da vies and William Haines; "The
Carnival of Life," a story with a Viennese
setting, co-starring John Gilbert and Greta
Garbo, under Clarence Brown's direction,
and "The Loves of Casanova," a French
production described as dealing with some
of the romantic highlights in the career of
the world's most famous philanderer.
Greta Garbo, who rose to stardom within
such a brief period after coming to this
country from Sweden, will appear in three
individual starring productions during
1928-29, two of which will be "Tiger
Skin," an original story for the screen by
Elinor Glyn, and "The Single Standard,"
a picturization of the newspaper serial of
that name by Adela Rogers St. John.
John Gilbert will be seen in "The Devil's
Mask," a dramatic story of foreign ad-
SEVEN groups of short subjects are
announced for the 1928-2!) season by
M-G-M, which, including 104 news
reels will "bring the season's output of
.shorts close to the 200 mark. This will be
the second year the company has partici-
pated in this field and it will mark a con-
tinuance of the same program that has
proven so successful during the current
season.
Hal Roach will produce forty comedies as
his contribution ,to the M-G-M short subject
program. They will be divided into four
groups of ten pictures each. Charley Chase
will again star in one series; Our Gang will
continue with a new group, as will Stan
Laurel and Oliver Hardy. The fourth series
of ten will be the "All Star" scries in
which Max Davidson will be one of the
featured players.
The Charley Chase series will be identi-
cal with those in which the star has ap-
peared during the current season, while
Our Gang will continue its merry way with
its personnel of Joe Cobb, Farina, dune
Darling, Wheezer, Harry Spear and Spot,
the dog, augmented with the presence of
Mary Anne Jackson, diminutive star re-
cently signed to a long term contract. Pro-
duction will continue under the supervision
of Robert Mc Gowan, vice-president of the
Hal Roach studios.
Stan Laurel and Oliver Hardy have been
transferred from the All Star series, as they
venture, and in one other vehicle which
has not yet been announced.
Norma Shearer Has Four
Four Norma Shearer starring vehicles
are scheduled for the coming season, al-
though only one, "Ballyhoo," has been an-
nounced by title. "Ballyhoo" is an adapta-
tion of the novel of carnival adventure by
Beth Brown.
William Haines will appear in "Excess
Baggage," a picturization of the current
Broadway play, which . lames Cruze will
direct, and in three other pictures to be
announced later.
Lon Chaney, "the man of a thousand
faces," will have the role of a police de-
tective in "While the City Sleeps," a story
of a big city's "Chinatown," and will be
seen in three other photoplays during the
new season.
Buster Keaton, who recently signed a
long-term starring contract with Metro-
Goldwyn-Mayer, will do "The Camera
Man" and one other still unannounced
picture for the new season. "The Camera
Man" has as director Ed. Sedgwick, who
made "West Point" and "Circus Rook-
ies," and concerns the farcical adventures
of a newsreel man in search of new thrills.
Marceline Day has the feminine lead.
Lew Cody and Aileen Pringle, the co-
starring combination, will appear in "The
have proven during the past year that their
personalities overshadow any discriptive
title which might be applied to their come-
dies. They will continue next year in the
type of comedies that have proven so popu-
lar.
Edna Marian and Viola Richard, Hal
Roach comedy beauties, will appear again
in support of various stars but several addi-
tional beauties will also be cast in similar
roles.
The Ufa "Oddities," the one reel series
of strange things and people from every
part of the world, will again be present on
the M-G-M schedule during 1928-29. Next
year, however, the series will consist of
twenty-six releases which will provide a
regular release of one every other week,
instead of the series of twenty-five which
are now being released.
The Great Events Series will be continued
in the new year along the same lines estab-
lished at the present time. The series will
consist of six releases of two reels each
featuring great moments in the lives of
great people of history. Again the seiies
will be produced in Technicolor throughout
with supervision of production under the
personal attention of Dr. Herbert Kalmus.
R. William Neill, responsible for the direc-
tion of most of the current series, is ex-
pected to continue his association with Dr.
Kalmus.
That M-G-M News will be continued dur-
ing the coming year, goes without saying.
Baby Cyclone" and two other plays during
the coming season. "The Baby Cyclone"
is the film version of George M. Cohan's
recent farce, which not long ago finished
an engagement at the Henry Miller theatre,
New York.
"Gold Braid," which will have a back-
ground of the United States Navy, will be
one of Ramon Novarro's starring vehicles.
This will present the Latin star in the role
of an ensign. The other new Novarro pic-
ture is to be announced later.
Four comedy vehicles for the newly or-
ganized team of Karl Dane and George K.
Arthur are announced for the new season,
although the name of only one, "Camping
Out," is given at this time.
Lillian Gish will appear in one Metro-
Goldwyn-Mayer release for 1928-29. This
is "The Wind," a picturization of Dorothy
Scarborough's novel of the same name and
tracing the dramatic effect of the Texas
storm country on a girl from the East.
Three from Cosmopolitan
Cosmopolitan Productions, releasing its
product through M-G-M, has announced
three definite pictures for the new season,
"Our Dancing Daughters," an original
story by Josephine Lovett, has as director
Harry Beaumont, and in the three chief
feminine roles Joan Crawford, Dorothy
Sebastian and Anita Page. "Breakers
Ahead," the Cosmopolitan Magazine
serial by Fannie Hurst, will also be pro-
duced. Another Cosmopolitan film will be
the story tentatively titled "Mother and
Sons," an original story for the screen.
Included in the list of pictures an-
nounced by M-G-M are ' ' The Bellamy
Trial," Monta Bell's screen version of the
mystery story by Frances Noyes Hart. The
cast selected for this film includes Beatrice
Joy, Margaret Livingston, Betty Bronson,
and Kenneth Thompson. Other photoplays
are "The Wonder of Women," picturiza-
tion of Hermann Sudermann's novel,
"Stephen Trombolt's Wife," and "A Free
Soul," cinema version of the story by
Adela Rogers St. John, which was adapted
to the stage under the same name by Wil-
lard Mack.
Tim McCoy, new Western star, will enact
the central role in six pictures during the
coming season, titles of which are to be
announced later.
Short features to be produced during the
coming season include six new films in the
' ' Great Events ' ' series, made by Techni-
color process, 26 Ufa "Oddities," one-
reel camera studies of the same type as
those distributed so successfully last year,
10 Hal Roach "Our Gang" comedies, 10
Charley Chase comedy vehicles, 10 two-
reel comedies with Stan Laurel and Oliver
Hardy, 10 Ail-Star comedies, and 104 is-
sues of the M-G-M News Reel.
Schenck Makes Prediction
Nicholas M. Schenck, in announcing his
company's plans for the coming cinema
season, also made a prediction as to the out-
look for motion picture entertainment dur-
(Continued on Page 1487)
Seven Short Subjects Groups for
New M-G-M Season
May 5 , 19 2 8
1429
Four New Stars for First Natl
Company Announces New Season's Production Schedule at
Annual Meeting Held in Chicago
FROM out of the Firsl National sales
convention ;ii the Drake Hotel in
Chicago comes word of the com-
pany's productions for the H)'2S-12!) season
and also the announcement of tour new
stars — Corinne Griffith, Alice White, Doro-
thy Mackaill and .lark Mulhall.
A minimum of 54 productions will be
made by the company for the season, in-
cluding seventeen stage hits, nine important
novels, a number of recent outstanding short
stories and several original screen stories.
The season's product will be known as
the "President Group.'' The productions
will be sponsored by Richard A. Rowland,
general and production manager for the
past five years, who planned the group with
Watterson R. Rot hacker, managing direc-
tor of the studio; Al Rockett, west coast
production manager; John McCormick, pro-
ducer of the Colleen .Moore series; Sam K.
Rork, who has produced many hits for First
National release; E. M. Asher, Ned Marin,
Henry Hobart and Charles R. Rogers.
Among the directors who will be respon-
sible for the making of these productions
are: George Fitzinaurice, Alfred Santell,
Frank Lloyd, Charles Brabin, Richard Wal-
lace, John Francis Dillon and Mervyn Le
Roy.
Two late specials were announced by Mr.
Rowland. They are, "The Good-bye Kiss"
and "Toilers of the Sea." The former is
a Mack Sennett production with the World
War as a background. The leading role
will be played by Sally Filers, a newcomer
to the screen. Matty Kemp is the hero of
the story, while others in the cast are,
Johnny Burke, Alma Bennett, Carmelita
Geraghty, Wheeler Oakman and Lionel Bel-
more.
"Toilers of the Sea" is to be a Robert
Kane production from the Victor Hugo
novel and will be produced on a large scale.
Four for Colleen Moore
Colleen Moore will be seen in four pic-
tures, all of them specials produced by
John McCormick. Her first for the new
year will be "Lilac Time," which Direc-
tor George Pitzmaurice recently completed.
It is based on Jane Cowl's great stage suc-
cess. In the supporting cast are Gary
Cooper, Eugenie Besserer, Burr Mcintosh,
Arthur Lake, Dan Mason, Emil Chautard,
Lieut. Richard Grace and many others.
"Synthetic Sin" is another Colleen
Moore special. It is from the Broadway
play by Frederic and Fanny Hatton. "Baby
Face," from the Cosmo Hamilton story
and "The Richest Girl on Earth," written
by John Emmett, will he other Colleen
Moore specials.
The first Corinne Griffith picture, under
her new contract, will be a special, now in
work under the direction of Frank Lloyd.
It is "The Divine Lady," from E. Bar-
rington's novel. In the supporting cast are
Victor Varconi, Ian Keith, Montagu Love,
M arie Dressier, Dorothy Cummings, Wil-
liam Conklin and Julia Swayne Gordon.
"Outcast," from the stage success by Hu-
Walter Reade Acquires
Columbia in N. Y.
WALTER READE, prominent
New York and New Jersey the-
atre owner, has acquired the
Columbia Theatre at Broadway and
Forty-Seventh Street in New York.
The price paid for this leasehold, which
was owned by the Columbia Building
and Theatre Company, is said to have
totaled $750,000. It is said to be Mr.
Reade's intention to continue operat-
ing the house as a Burlesque theatre
for at least two years.
The acquisition of the Columbia
gives Mr. Reade control of four first
class theatres in Greater New York,
the Astor, Bijou, Morosco and Colum-
bia. He also controls houses in Asbury
Bark, Long Branch, Freehold, Red
Bank, Perth Amhoy, Plainfield, New
Brunswick and Trenton, New Jersey,
and in Kingston, New York.
bert Henry Davies, will serve Miss Grif-
fith as a starring vehicle.
Another vehicle for Miss Griffith will be
"Saturday's Children," the play by Max-
well Anderson. Miss Griffith will be seen in
two other pictures. "Paid For" is one of
these; no present announcement of the
other two can be divulged at this time.
Richard Barthelmess will be given a series
of stories of outstanding dramatic worth.
Not all of these can be announced at the
present moment. One of them will be "Di-
version," from the dramatic and tragic play
by John Van Druten.
"Mutiny," a story of the seas, an origi-
nal by W. Scott Darling, will be another
Barthelmess vehicle.
Milton Sills is at work on a special for
the new season, "The Barker," from Ken-
yon Nicholson's stage play. George Fitz-
inaurice is to direct it. A supporting cast
including Dorothy Mackaill and Betty
Compson is being assembled. There will be
four other Milton Sills productions, "Cap-
tain of the Strong," "The Eagle's Trail,"
"The Spotter" and "Hard Rock."
Billie Dove will be presented in a special
and in four star features. The special will
be "La Tosca," from Victorien Sardou's
drama. George Fitzinaurice will direct.
"The Other Tomorrow," from the new
novel by Octavus Roy Cohen, will offer Miss
Dove another dramatic role, that of a
Southern belle in Georgia.
"The Heart of a Princess," by Maxine
Alton, will afford Miss Dove the role of
another Russian princess who escapes the
revolution and becomes an actress in Xew
York. "Pleasure Bound," is another story
for Miss Dove. One other vehicle has been
purchased for Miss Dove'- use. It is from
an internationally successful play.
// ill Film Prize Story
Dorothy Mackaill and .lack Mulhall will
be jointly starred in two productions.
••Children of the Ritz," from Cornell Wool-
rich's novel which won the $10,(10(1 prize in
the First National-College Humor contest
last year, will be a vehicle for both Miss
Mackaill and Mr. Mulhall. "Waterfront."
a play by Will Chappell and Gertrude Orr.
has been bought for the joint stellar use of
Miss Mackaill and Mr. Mulhall.
"Applesauce," from Barry Conner's suc-
cessful stage comedy, will serve as a star-
ring picture for Jack Mulhall alone.
"When Irish Eyes Are Smiling," will
also star Mr. Mulhall alone. Gerald Duffy
is writing the story, basing it upon Ernest
Ball's ballad.
"Two Weeks Off," a play by Kcnyon
Nicholson, and Thomas Barrows, will star
Miss Mackaill alone as a department store
clerk. Miss Mackaill is to he starred alone
in "The Girl in the Glass Cage" by George
Kihhe Turner.
Alice White, who leaped from script girl
to star in two years' time, will be seen in
four pictures during the season.
"Show Girl," by J. P. McEvoy will be
one of them. "On the Air," from the book
of radio short stories by Paul Dereseo Augs-
burg, will give Miss White an opportunity
to reveal the more dramatic and emotional
sides of her acting ability. The two other
vehicles for Miss White are "Bluffers," a
short story by Robert S. Carr, and an origi-
nal screen story by Charles Beahan and
Garrett Fort called "Rosie of the Ritz."
Four stories have been selected as ve-
hicles for Charlie Murray.
Ralph Spence, has written an original
vehicle for Murray's use. It is "The Lying
Truth," in which Charlie will play the rede
of yokel who is tricked by a confidence man.
Ian Hay Beith's stage success, "The Sport
of Kings," has also been acquired for Mur-
ray's use. It is a race track comedy.
"Wine, Women and Song," the musical
comedy success, will be another Murray
vehicle. Also "Charlie's Night Out," an
original story.
First National has signed up for a new
scries of six Maynard pictures during the
coming season. Their titles are: "The (!lo-
rious Trail," "The Phantom City," "The
Royal Rider," "The Lawless Legion,"
"Cheyenne" and "Wells Fargo Express."
"The Whip," the English melodramatic
story of the turf, is now being filmed under
the direction of Charles Brabin. Sam E.
Rork is production supervisor. Bernard
McConville made the screen adaptation of
the play by Cecil Raleigh and Henry Hamil-
ton. Heading the cast are Dorothy Mac-
kaill, Ralph Forbes, Anna Q. Xilsson and
Lowell Sherman, with Marc McDermott.
Albert Gran, Louis Payne and Arthur Clay-
ton in other important parts.
A special will be made from the musical
comedy "No, No Nanette," which at one
time was being shown by five companies in
this country, by another in London and in
two or three other European countries.
"The Squall," Jean Bart's play of gypsy
lure will be another special.
"The Butter and Egg Man." from George
S. Kaufman's stage comedy, is now being
(Continued on Page 1486)
1430
Motion 'Picture News
Laemmle Announces "U" Lineup
Production Schedule for Next Season Calls for 68 Features, of
Which 5 Will Be Super-Productions
CARL LAEMMLE, president of Uni-
versal Pictures Corporation, has an-
nounced the full lineup of product
that his company will place on the market
for the 1928-29 season. It will be made up
of 68 features divided into so-called long-
run supers, Laemmle Specials, Universal-
Jewel productions and Western and Action
features. There will also be a long line of
short subjects, including one and two-reel
comedies, serials, Western featurettes, the
International Newsree! and two new series
of the Collegian two-reelers.
Universal will introduce two new innova-
tions. No pictures are to be held out as
road-shows. Instead, the so-called big
supers will be released immediately as long-
run pictures, with regular motion picture
houses getting the break of their pulling
power for extended engagements.
The second innovation is the creation of
a new brand of releases to be known as the
Laemmle Specials. These will be just
slightly short of super-production merit.
They will be handled individually and in
many cases as extended run product.
The five Universal long-run super-produc-
tions will be "Uncle Tom's Cabin," "The
Man Who Laughs," "Show Boat,"
•"Broadway" and "The Mating Call."
" Uncle Tom's Cabin" recently completed a
six-months' run at the Central Theatre in
New York. It was directed by Harry
Pollard, and adapted from the Harriet
Beecher Stowe famous story.
"The Man Who Laughs," directed by
Paul Leni, with Conrad Veidt and Mary
Philbin in the leading roles, only recently
-opened at the Central Theatre in New York.
Carl Laemmle bought the screen rights to
Edna Ferber's book, "The Show Boat,"
which since has been produced as a musical
play by Florenz Ziegfeld. It will be given
a big production by Universal under the
direction of Harry Pollard. "Broadway"
was another tremendous Broadway stage
success. It will be made into an elaborate
production with all the glitter, drama and
tragedy of night life along the Great White
Way.
' ' The Mating Call " is a Rex Beach story,
which appeared as a serial in the Cosmo-
politan Magazine, and it has just been
brought out in book form by Harper
Brothers. It will be made in a big way by
Universal.
Eleven Laemmle Specials
The new brand of Laemmle Specials will
include seven miscellaneous pictures and
four Reginald Denny Productions. The
lead-off picture will be "The Last Warn-
ing," another stage mystery play. It was
written as a play by Thomas F. Fallon from
the Wadsworth Camp novel, "The House of
Fear." It will have the same director and
star as "The Cat and the Canary," Paul
Leni, and Laura La Plante.
"The Cohens and Kellys in Atlantic
City," will be another Laemmle Special. It
will be the third of the Cohens and Kellys.
Much of it will be shot at the noted beach.
"The Michigan Kid." the next Laemmle
Special, was made from the Rex Beach story
of that name, with Renee Adoree and Con-
rad Nagel in the leading roles. Irvin Willat
directed it.
"The Foreign Legion," a French- African
drama, was taken from "The Red Mirage,"
by I. A. R. Wylie, and directed by Edward
Sloman, with Norman Kerry and Lewis
Stone co-starred, supported by Mary Nolan
and June Marlowe.
"Give and Take," from the Aaron Hoff-
man stage success, was made by William
Beaudine with George Sidney and Jean
Hersholt in the featured roles.
"The Girl on the Barge," to be made by
Edward Sloman, with Mary Philbin in the
lead, is being adapted from the story by
Rupert Hughes. It is a story of the Erie
Canal and a flower-like girl whose home is a
cabin on one of the canal boats.
"Lonesome" has just been completed by
Dr. Paul Fejos, who made "The Last
Moment. ' ' Mann Page wrote the story, and
Edward T. Lowe, Jr., adapted it. Glenn
Tryon and Barbara Kent are in the leading
roles.
Reginald Denny's four pictures for next
vear will be "The Night Bird," "Partners
for the Night," "Red Hot Speed" and
"His Lucky Day." He will start work on
the first, "Red Hot Speed," May 15th
under the direction of Fred Newmeyer.
The Jewel Line-up
The Universal-Jewel line-up includes four
Laura La Plante pictures, four Glenn Tryon
pictures, one starring Conrad Veidt, eight
Hoot Gibson pictures, and thirteen with
other stars or all-star casts.
The four Laura La Plante vehicles will be
"Home, James," from a story by Gladys E.
Johnson, directed by William Beaudine,
with Charles Delaney and others in the
cast; "One Rainy Night," directed by
Hess; "That Blonde" and "Dangerous
Dimples."
The four Glenn Tryon pictures will be
"Fresh Every Hour," directed by William
Craft, with Marian Nixon in the leading
feminine role; "The Gate Crasher," which
goes into production May 15th under
"U" Adds Six Midland
K. G. Houses to Chain
THE Midland circuit of theatres
has transferred six theatres in
the suburbs of Kansas City to
the Universal chain. The houses were
formally under the management of
Universal, but were taken over by the
Midland company about six months
ago. Universal now operates seven
suburban houses including the new
Uptown in Kansas City. The suburban
houses acquired by Universal are the
Isis, Linwood, Apollo, Lincoln, Gill-
ham and Gladstone. Midland now
operates about 50 theatres in Kansas,
Missouri and Iowa.
Craft 's direction ; ' ' The Kid 's Clever, ' ' and
"The Life of the Party."
Conrad Veidt, who is starred in ' ' The
Man Who Laughs," will be starred in a
Jewel release entitled "The Charlatan,"
from the Broadway stage success by Ernest
Pascal and Leonard Praskins.
The miscellaneous Jewels will be: "Jazz
Mad," directed by Harmon Weight, from a
Svend Gade story, with Jean Hersholt,
Marian Nixon and George Lewis featured;
' ' The Grip of the Yukon, ' ' directed by
Ernst Laemmle, from a story by Charles A.
Logue, with Francis X. Bushman, Neil
Hamilton and June Marlowe featured;
"Silks and Saddles," directed by Robert
"Thoroughbreds," with Marian Nixon fea-
tured; "Red Lips," directed by Melville
Brown, with Marion Nixon and Charles
Rogers starred; "The Freedom of the
Press," directed by George Melford, from a
Peter B. Kyne story, with Lewis Stone
starred, supported by Mareeline Day; "The
Shakedown," directed by William Wyler,
from a story by Charles Logue ; ' ' Sex Ap-
peal," directed by Ernst Laemmle, from a
story by Beatrice Van; "The Play Goes
On," from a story of the theatre; "Man,
Woman and Wife," directed by Edward
Laemmle, from a Charles A. Logue story,
with Norman Kerry, Pauline Starke, Ken-
neth Harlan and Marian Nixon in leading
roles; "Phyllis of the Follies," directed by
Ernst Laemmle, from a story by Arthur
Gregor, with Matt Moore and Alice Day at
the head of the cast; "Honeymoon Flats,"
directed by Millard Webb, from the Satur-
day Evening Post story by Earl Derr Big-
gers, with George Lewis and Dorothy Gulli-
ver in the leading roles ; ' ' The Olympic
Hero," directed by Wesley Ruggles, from a
story by Fred A. Rath, and "Has Anybody
Here Seen Kelly?" directed by William
Wyler, from a story by Leigh Jason, with
Tom Moore and Bessie Love featured.
Eight for Hoot Gibson
The Hoot Gibson productions, eight in
number, will be "The Danger Rider," di-
rected by Henry MacRea, from a story by
Arthur Staffer, with Eugenia Gilbert in
support; "Points West," from a story by
B„ M. Bower; "Burning Winds," with
Virginia Browne Faire in support; "Clear-
ing the Trail," "Smilin' Guns," "Blow for
Blow," "The Gateway" and "King of the
Rodeo."
Universal 's action features will include
a group of seven pictures starring Ted
Wells, six starring Jack Pen-in and Rex,
the equine star, two starring Al Wilson,
stunt aviator, and seven melodramas. The
Ted Wells features, in some of which he will
be supported by Miss Vonceil Viking,
plucky young horsewoman who rode her
horse from New York City to Los Angeles
last winter, will be entitled "The Crimson
Canyon," "Beauty and Bullets," "Born to
the Saddle," "Grit Wins," "The Ridin'
Demon," "The Smilin' Terror" and "The
Border Wildcat."
The Jack Perrin-Rex features are "The
(Continued on Page 1486)
May 5 , 19 28
1431
Road Shows Top Warner Product
Extended Run Productions and Features Are Announced at
New York Convention
WARNER BROS., through the presi-
dent, Hurry M. Warner, have an-
nounced its production schedule
for the 1928-29 season, which will reduce in
numbers the productions made during past
season, hut which, at the same time, will
increase production expenditures.
In addition to a group of road shows and
extended run productions, there will be
eighteen regular Warner feature pictures.
These productions will be based on the
works of well-known authors, and the A'ita-
phone will be used extensively in the syn-
chronization of sight and sound. Many
sound effects will he employed as part of
every road show attraction and Vitaphone
musical accompaniments will he available
on each of the eighteen features.
The road show group will be headed by
* 'Noah's Ark," which has been in produc-
tion for a long time on the Coast under the
direction of Michael Curtis. Dolores Cos-
tello is playing the star role, and is being
supported by George O'Brien in the leading
male role, Noah Beery, Myrna Loy, Paul
McAllister, Leila Byams, Helene Costello,
Audrey Ferris, Louise Fazenda, John Mil-
jan, Anders Randolf, William Y. Mong
and Armand Kaliz. The story of "Noah's
Ark'' is by Darryl Francis Zanuck( and
was adapted by Anthony Coldeway.
Al Jolson will again be seen in a road
show attraction in which the Vitaphone will
figure prominently. The picture is based
on Leslie S. Barrow's play, ''The Singing
Fool," which C. Graham Baker is adapting
to the screen. The starting date will be
early in June.
The first week in June another road show
will go into production. This picture will
star Fannie Brice. It will mark the screen
debut of an actress who is known through-
out the whole amusement world. She was
an international success with Ziegfeld in
musical comedy, with Belasco on the dra-
mat ic stage, and in hi<> i ime vaude\ ille.
The untitled story for Miss Brice is being
written by Robert Lord.
Three more features for l!)2S-2i> that in-
corporate Vitaphone sound in song and dia-
logue are already completed. The first of
these extended run productions is "Tender-
loin," starring Dolores Costello and featur-
ing Conrad Nagel, which has just termin-
ated a successful run on Broadway at the
Warner Theatre. The story, by Melville
Crosman, was directed by Michael Curtiz,
with a supporting cast including Mitchell
Lewis, Dan Wolheini and Georgie Stone.
Another of the trio is "Glorious Betsy,"
now playing at the Warner Theatre. Again
Dolores Costello is heard on the Vitaphone
as the star with Conrad Nagel. In this
vehicle she is directed by Alan Crosland,
and supported by l'asipiale Aniato, Marc
McDermott, Betty Blythe, Paul Panzer,
Andre de Segurcola, Clarissa Selwyn,
Michael Vavitch and John Miljan. The
story is taken from the play by Hida John-
son Young, and was scenarized by Anthony
Coldeway.
The third Vitaphone special already fin-
ished is a film version of Charles Klein's
play, "The Lion and the Mouse," with May
McAvoy, Lionel Barrymore and William
Collier, Jr. Alec Francis, Jack Ackroyd
and Emmet Corrigan are also in the cast.
Lloyd Bacon directed from a script by Rob-
ert Lord.
In addition to the six foregoing road
shows and extended run productions, sev-
eral more stories will be selected for this
group on the Warner Bros, program.
A reduction in the number of winners
does not mean a reduction in the produc-
tion budget. On the contrary, Warner
Bros, have allotted more money to be sent
for the eighteen than they have previously
invested in the feature group when it called
for twenty-six pictures.
With or Without Vitaphone
The Vitaphone accompaniments which
will be a part of each Warner feature will
be played by symphony orchestras. As in
the past, however, these pictures will be
available with or without the Vitaphone
scores, according to the individual needs of
each house.
A large portion of the features are al-
ready in the processes of production. Sev-
eral are entirely finished, others are being
titled and edited, still others are before the
cameras and the remaining stories are
being adapted.
Warner Bros have lined up an array
of names on the list of directors in whose
hands will be entrusted their program for
next season.
Among them are Michael Curtiz, Lloyd
Committee Testing New
Incandescent Lights
THE new incandescent lights, now
the object of experiments, will
lead eventually to the elimina-
tion of the old type from motion pic-
ture studios, it is thought by Frank
Murphy, head of the Warner Bros,
electrical engineering staff and in di-
rect charge of Vitaphone electrical
work. He is also chairman of the com-
mittee, which is composed of repre-
sentatives from the electrical depart-
ments and laboratories of all the other
large producing companies. Among its
members are Victor I.ilner, Joe Hubrav,
Arthur Edeson, Ed De Par, Tony
Gaudio, Hal Mohr, Frank (Jood and
Ned Van Buren, representing the
American Society of Cinematographers.
For the past few weeks tests and
demonstrations concerning the merits
of the new incandescent lights have
been in progress, with an average at-
tendance of 200 camera men and
technical experts at each demonstra-
tion.
Electrical engineering scientists
from the East have come to Holly-
wood to collaborate in the tests, in-
cluding Dr. M. Luckiesh and I. H. Van
Horn, of Cleveland; L. C. Porter, Har-
rison, N. J., and R. E. Farnham, New
Vork City.
Bacon, now at work on "Women They Talk
About," with Irene Rich; Archie L. Mayo,
at present completing "State Street
Sadie," with Myrna Loy, for the new pro-
gram and is to receive another assignment
shortly; Roy Del Ruth, whose next will be
a comedy drama, temporarily titled "No
Questions Asked," featuring Audrey Fer-
ris and William (Jollier, Jr.; Howard
Bretherton, whose present picture now
under way, is an untitled co-starring ve-
hicle for May McAvoy and Conrtad Nagel,
and Ray Enright, whose first work on the
1928-29 schedule will be "The Land of the
Silver Fox," starring Rin-Tin-Tin.
The Warner Bros, sales force, which
gathered at the Pennsylvania Hotel in New
York from all parts of the country last
week, returned home Sunday night after a
three days' convention, at which they heard
official announcements of stars, pictures
and policies for the coining year.
Branch managers, division managers,
sales managers and special representatives
of Warner Bros, as well as the Vitaphone
Corporation's field force, participated.
Sam E. Morris, general manager of dis-
tribution for the company, presided at the
sessions, at which the Vitaphone was ex-
plained completely by George Quigley, vice-
president of the Vitaphone Corporation.
Home office executives who attended in-
cluded Harry M. Warner, Albert Howson,
scenario editor; A. P. Waxman, director of
advertising and publicity; Joseph Hummel,
manager of the contract department ; 11. M.
Doherty, auditor of exchanges; C. C. Ryan,
purchasing agent; A. C. Brauninger, sales
promotion head; Samuel Carlisle, comp-
troller, and Paul Swift, sales manager of
Vitaphone.
W. I. Nolan Mentioned as
Successor to Al Steffes
W. I. Nolan, lieutenant governor of Min-
nesota, is being prominently mentioned as
a successor to Al Steffes, president of
Northwest Theatre Owners. W. W. Miller,
of Cloquet, Minn., indicated this week that
he would nominate Lieutenant Governor
Nolan for the position when the organiza-
tion convenes at the Nicollet hotel in Min-
neapolis next week. Mr. StetTes will also
be a candidate for the position. Mr. Nolan
receives $1,000 a year salary as lieutenant
governor, but if elected head of the theatre
owners, lie would receive a reputed $40,000.
M. P. T. O. A. Moved to
New Headquarters
The New York headquarters of the Mo-
tion Picture Theatre Owners of America
were moved from 74") Seventh Avenue to
1650 Broadway, Suite 808, on Monday,
April :10th. 1928.
These offices were formerly occupied by
Arthur Ilammerstein and provide the na-
tional organization with more spacious
headquarters. The telephone numbers. Cir-
cle 4037 and 4038 will remain the same.
1432
M o t i o n Picture News
Woodhull Commends Stand of Houses
Banning Showing of "Dawn"
RF. WOODHULL, president of the Motion Picture Theatre Own-
ers of America, has issued a statement regarding the picture
* "Dawn" in which he advises exhibitors to give careful thought to
the showing of this or similar pictures that might retard the worldwide
movement toward cordial relations among all countries.
In part the Woodhull statement says:
"It would be deplorable if the display of a picture or any other gesture
for a few paltry dollars would place the slightest stumbling block in the
way of the fine progress that is being made. In congratulating the man-
agement of the Publix, Universal and Loew theatres upon the decision
not to exhibit the war picture, 'Dawn,' I sincerely hope that all theatre
managers will give careful thought to the matter before rushing into this
or any other endeavor that might tend to retard the worldwide movement
for more cordial relations and better understandings."
Columbia Fixes Titles for
New Season
Thirty-Six Productions Already Announced to Include
Ten Specials
WHILE Columbia Pictures has al-
readv announced 36 productions
for the 1928-29 season, the com-
plete list of titles included in the lineup is
now made available. The new program,
which is designated as "The Perfect
Thirty-Six" is declared the most preten-
tious ever outlined by the company.
Included in the 36 are 10 productions that
will be released as specials under the fol-
lowing titles :
"The Younger Generation" from the
play and magazine story "It Is To Laugh,"
by Fannie Hurst; a story of Ghetto life
which had a successful run on Broadway
this season.
"The Fall of Eve" from the play of
John Emerson and Anita Loos, which had a
successful run both in Xew York and on
the West Coast.
' ' Trial Marriage ' ' from the Saturday
Evening Post serial by Elizabeth Alexan-
der; "The Donovan Affair," the mystery
play by Owen Davis, which had a successful
Broadway run.
"Court Martial," a drama which will
star Jack Holt. Many of the scenes will be
done in Technicolor.
"Acquitted" from the "Cosmopolitan"
story by Mary Roberts Rinehart; "Below
the Surface," by Norman Springer, author
of the "Blood Ship." This is a submarine
story — with unusual under-water shots;
"Father and Son," from the story, "Step-
mother" by Elmer Harris; "Redemption,"
from the play by Leo Tolstoi; "The Scar-
let Woman," starring Lya de Putti.
The remainder of "The Perfect Thirty-
Six" include a diversified list of attrac-
tions which runs the gamut from stark real-
ism to comedy. Because of the continued
popularity of the Lone Wolf another novel
"The Lone Wolf's Daughter," in this ser-
ies by Louis Joseph Vance has been se-
cured.
Other titles announced are: "Nothing to
Wear," a light drama; "A Broadway
Hoofer," the story of a Jazz Singer who
rose from obscurity to fame; "The Wild-
cat."
"The Street of Illusion" from the story
by ('banning Pollock; "The Sideshow;"
"The Love Captive;" "Runaway Girls;"
"Light Fingers," a mvsterv crook drama by
Alfred Henry Lewis; "The Flying Ma-
rine," a story dealing with aviation;
"Stool Pigeon," an underworld drama;
"Green Eves;" "The Spice of Life," a
drama of the Smart Set; " Object— Ali-
mony," by Elmer Hams; "Behind Closed
Doors," a mystery drama by Willard Mack;
"The Apache," a story of the Parisian
underworld; "Restless Youth," adapted
from the magazine story, "Restless Souls,"
by Cosmo Hamilton; "Hurricane," by Nor-
man Springer and starring Hobart Bos-
worth; "The Power of the Press," from
the Frederick A. Thompson short story pub-
lished in "McClure's."
"The Bachelor Girl," "The Wicked An-
gel," adapted from a story bv Gertrude
Atherton; "Greenwich Village," a drama
of life and love in the Bohemia of New
York; "The College Coquette," "Sinners'
Parade," written especially for Columbia
by David Lewis; "The Quitter," by Wil-
liam Hamilton Osborne, and "Driftwood,"
adapted from the adventure story by
Richard Harding Davis.
British Theatre Companies
Increase Activities
The Denman trust or the Denman Picture
House, Limited, a new public company with
a capital of £1,000,000 registered to acquire
theatres, film producing studios and other
property, is steadily increasing its control
of theatres, state advices to the Department
of Coir^neree, Washington, D. C, from
Assistant Trade Commissioner C. Grant
Isaacs, London. Last week two companies
of this group were announced. The Denman
(London) Cinemas, with a nominal capital
of £100,000, and the Denman (Midlands)
Cinemas, with a nominal capital of £135,-
000, both in £1 shares. The directors are:
H. C. and R. C. Bromhead of the Gaumont
Company. It is understood the ambitions
of this group are to acquire upwards to ap-
proximately 100 houses in the United King-
dom.
The General Theatres Corporation, Ltd.,
controlled by the Szarcasy-Gibbons group,
made a public issue for capital in the
amount of £3,500,000. This amount is
divided in 2,250,000 6y2 per cent first mort-
gage debenture stock at 95 per cent, and
I, 250,000 7y2 per cent cumulative prefer-
ence shares of £1 each at par. This com-
pany has been formed to acquire control of
approximately 56 cinemas and variety thea-
tres throughout the British Isles.
7 Motion Picture Firms
Chartered in Albany
Newly incorporated motion picture com-
panies chartered by the secretary of state
in Albany and entering the business in New
York state during the past week, included
the following: The Moneylender, Inc., $30,-
000, Joseph Yarbrough, Isidor Unger, Jacob
1. Rothstein, New York City; Hollywood
Industrial Film Corporation, capitalization
not stated, Hayes Cone, Erwin Joseph, F.
Robert White, New York City; Notable
Pictures Corporation, $20,000, L. E. Ever-
sole, W. A. Clay, R. B. Shoemaker, New
York City; Cameo Amusement Corp., Bing-
hamton, $10,000, William J. Lavery, Bing-
hamton; George L. Fenderson, Johnson
City; Harry B. Van Ness, Endicott ;
Findanza Enterprises, Inc., capitalization
not stated, Martin M. Klatsky, Harry B.
Lilienthal, Lucile Giacini, New York City.
Commonwealth Has Tenth
Birthday Next Year
Commonwealth Film Corporation ob-
serves in the forthcoming year its tenth
season as a territorial distributor, having
started business a decade ago with Clara
Kimball Young in "Eyes of Youth" as its
entire product. Samuel Zierler was then
president, general manager, general sales-
manager and general boss of work. He is
still the president.
David Rosengarten has joined Common-
wealth to take full charge of the sales de-
partment. He will have direction over sales
policies and distribution of the entire com-
pany product, which will include the sched-
ule of Excellent Pictures and other feature
pictures.
More Territorial Rights
Sold by Brenda Pictures
Walter E. Greene, president of Brenda
Pictures, Inc., announced this week the
sale of territorial rights to "The Port of
Missing Girls" to Watt L. Parker, of Char-
lotte, N. C, for North and South Carolina,
and to Nat Steinberg, of Premiere Pictures,
in St. Louis, for Eastern Missouri and
Southern Illinois.
Warner Bros. Announce 1
Release for May
There will be one release from Warner
Bros, for the month of May. This will be
a comedy entitled "Pay As You Enter." in
which Louise Fazenda and Clyde Cook are
co-stars. The date on which the produc-
tion will be released is May 12th.
We
Features
Pictorial Review
of Theatres.
Business Build-
ing T h e a t r e
Map.
An Exhibitor-
Made I'ress
Book Makes
Good
"Must" Credits
Bone of Conten-
tion h e twee n
Creative and
Selling Branches
of Industry.
Review of
Equipment
SHOWMAN
May, 1928
Grand Stairway of New Stanley
Introducing the f droit of the Stanley theatre. Jersey City, to the
interior beauties ami luxuries of that unusually impressive play-
house, is the dignity and spaciousness of the grand hall, a portion
of which is shensn in the photo above. The Stanley is an atmo-
spheric theatre in the Italian style.
(Other photos and description
on haqe 14351
1434
Motion Picture News
1
c
ROCKBESTOS
-the asbestos covered wive
JERSEY CITY BOASTS ONE OF AMERICA'S GREAT THEATRES
New Stanley, Beautiful Expression of Atmos pJieric Playhouse, Seats 5000 Persons
CALLED by its sponsors "one of
.America's great theatres." tin-
Stanley theatre in Jersey City. X. J.,
was opened to the public on Friday,
March J3. and impressed its first night
audience as it has the patronage of its
first-time visitors since
then- that this magnifi-
cent atmospheric audito-
rium with its accessory
rooms, foyers and prom-
enades, is really deserv-
ing of the qualifying line
which appears under its
name in the advertising
and publicity.
The Stanley has a
seating capacity of 5,000
persons and achieves a
brilliant note in the splen-
dors of its interior. Its
appointment and the
technical equipment in-
cluded in its design — the
very latest achieved by
the combined arts and
On the ri</ht is a view of
the stage and proscenium
arch, conforming to the
atmosphere of the Italian
courtyard setting of the
Stanley auditorium.
sciences of architects and engineers —
place it among the most commodious
and beautiful public resorts this coun-
try has to offer the patrons of its mo-
tion picture presentations.
The design is the work of F. \Y.
Wentworth and his associate, F. J.
Vreeland. architects who have de-
signed other theatres operated by the
Stanley-Fabian company, the builders
and operators of this new Stanley the-
atre.
The auditorium, repre-
senting an Italian court-
yard, is of the outdoor
type which characterizes
the atmospheric theatre.
The building is of fire-
proof construction.
Besides the auditorium
and balcony with their
5.000 seats, it has 35
rooms. 16 passageways
and corridors. 19 stair-
ways. 16 toilet rooms and
the lobbies, lounges, tele-
phone alcoves and pro-
jection room, numerous
vestibules and the eleven
buildings used in the re-
production of the Italian
courtyard.
Entering the luxurious
lobby, done in Italian
Renaissance architecture,
the patron faces the w:de
grand stairway leading to
the balcony and the mez-
1436
Motion Picture News
Above — the mezza-
nine promenade at
t h c Stanley affords
patrons a spacious
aiul luxurious wait-
ing place.
On the right is
shown another sec-
tion of the large
promenade, a section
fitted out as a music
r o o m, where piano
concerts entertain
hold-out crowds.
Below is shown a
portion of the main
lounge, located below
stairs from the (/rand
hall.
zanine lounges. On each side of
these stairs the entrances to the
main auditorium afford quick ac-
cess to seats. The balcony
is a clear span 125 feet wide
above the auditorium or orchestra
seats.
Above the balcony is stretched
a tropical awning' typical of
Southern Italy, with just another
touch of the famed Mediterra-
nean blue sky showing at its
edges.
The orchestra pit and the or-
gan console can be raised and
lowered independently as occa-
sion requires.
The temperature is controlled
exactly by the elaborate heating
and cooling systems, the air is
washed and humidified, the
drinking water filtered and chilled.
M ay 5, 1 '■> 2 8
14.57
THE CATHALM— A DE LUXE
COMMUNITY THEATRE
AT STATE COLLEGE, PA.
ABOVE — . / general view of the auditorium. The Chathaum theatre,
at State College, is owned and operated by Maurice Baum. This
distinctive moderate-sized house — its capacity is less than one-thousand
seats — provides features of convenience and beauty.
RIGHT — Looking toward the rear from the stage, a view which shows
the efficient design of the stadium type balcony, with stairways leading
to the rear of the auditorium.
BELOW — The exterior of the Cathaum, a finely constructed building
of brick and stone, executed in the Colonial style and conforming to the
traditions of its location. 'The building provides space for tzvo store
rooms flanking the main entrance.
If. C. HODGENS & A. D. HILL, ARCHITECTS
1433
M o ti o n Picture News
A NEW SPANISH ATMOSPHERIC THEATRE IN CLEVELAND
The Granada, Operated by Loew's, Has Seating Capacity of 2,500
THE popular Spanish style
of architecture, with all the
charm of the Old World was
utilized in the building of the
Granada theatre, Detroit and
West 117th St., Cleveland, the
newest 2,500-seat theatre built
by Loew's Ohio Theatres, Inc..
and the twelfth in the chain.
Preston G. Bradshaw, architect,
designed the Granada.
The threshold of the lobby is
the dividing line between new
America and old Spain, for the
lobby is a true Spanish patio or
courtyard, with columns sup-
porting massive arches, wrought
iron railings and wrought iron
lanterns. Rich brocaded shawls
and tapestries hang from the
railings, giving the warmth of
color against the stucco back-
ground.
Adjacent to the patio are the
rest rooms ; smoke rooms for
the men ; powder rooms for the
ladies, with a series of small
dressing tables and mirrors.
The auditorium is of the inti-
mate type, that is, much wider
than it is long. In addition to
being cozy, this arrangement
makes it possible for everyone
m the house to see and hear
equally well. The auditorium
decorations carry out the patio
General view of the Granada Theatre auditorium .
featuring an adaptation of Spanish architecture done in
the atmospheric style. Preston G. Bradshazv, architect.
Above, a close-up view of the proscenium arch and left
sidewall, surmounted by an illuminated arch.
idea. The outdoor effect is
gained by the use of mural dec-
orations and vine-hung walls
extending f rom the rear of the#
house down to the stage. Over-
head is a blue sky, with spark-
ling stars as nearly like the skies,
of Spain as modern electricians
and technical experts can make
them.
The proscenium is continued
in a typical Spanish style, being
ornate in a manner that ex-
presses the spirit of the build-
ing. At the right of the pros-
cenium is a giant wood screen
of Moorish designs which con-
ceals the organ. On either side
of this screen statues', in niches
make interesting details. On
the right side of the proscenium
is a richly lighted arch, over-
hung with vines and lit by hang-
ing lanterns.
The exterior of the Granada
anticipates its atmospheric in-
terior. Red tiled cornices at-
tract instant attention and draw
the eye upward to the old Span-
ish mission style tower topped
by its fascinating cupola. This
tower contains an old Spanish
bell imported from the moun-
tain town of Andrezzi where it
formerly served to call the wor-
shippers to church.
May 5 , 19 2 8
1439
1440
Motion Picture News
CHINESE DESIGN IN
ATMOSPHERIC
STYLE OF THEATRE
A RATHER novel adaptation of
the 'atmospheric" or out-door
type of motion picture auditorium is
accomplished in the Lindy theatre, lo-
cated at 69th street and Elmwood ave-
nue in Philadelphia. The decoration-
is in the Chinese style, with dragons,
birds and butterflies painted on the
lower reaches of the domed ceiling,
and pagodas and lanterns employed as
decorative effects over the organ
grilles and side exit doors.
The Lindy was designed 'by W. H.
Lee, architect of Philadelphia. Equity
Theatres, Inc., own and operate the
Lindy, which is the newest in a chain
of over fifty theatres in Philadelphia,
Baltimore, Reading, Bridgeton, New
Jersey, and Willow Grove.
The exterior is of terra cotta. A
model of the Spirit of St. Louis, Lind-
bergh's famed plane, is mounted over
the marquee, as a symbol of the the-
atre's name.
Above — View of the auditorium.
Lindy Theatre, Philadelphia.
Left — Left sidewall treatment.
W. H. LEE, ARCHITECT
May 5 , 19 2 8
1441
DECORATIVE DETAIL OF THE OHIO THEATRE
Provides a Notable Achievement in Design, Sculpture and Painting
Above — a detailed view of elaborate decorative treatment of the proscenium of Loezv's and United Artists
Ohio theatre, Columbus, Ohio. More than $35,000 worth of raw plastering material has gone into the
finishing of the interior. This figure includes cost of the plaster and accompanying materials only. Prac-
tically all the plaster work is decorated ivith gold leaf.
A section vieiv of the balcony. The striking character of the ceil-
ing treatment, featuring the Spanish star motif used in a great
variety of designs, is conveyed in this photo.
THOMAS W. LAMB,
View of the balcony loge with close-up study of decorative
detail worked in plaster. Spanish designs are faithfully carried
out in the decoration of this striking interior treatment
ARCHITECT
Motion Picture News
Will BESEM1NG Attract
// you have not yet re-
ceived our theatre seat-
ing catalogue, write for
a copy. It is a beautv
fully illustrated 44-page
hook showing our new
line of theatre chairs.
Ninety per cent of your patrons' time is spent in your theatre
seats ! What are you doing to make them comfortable ?
Perhaps a good-looking, luxurious, comfortable theatre chair
will increase your box office receipts 30% — as it did for Mr.
Rosenberg, whose letter is shown at the right. There is no mystery
in the increased business which many theatres have secured by
reseating, because any audience, comfortably seated, is easy to please.
In the Heywood-Wakefield line of theatre chairs there are many
de luxe and semi-de luxe models — each one built for genuine
comfort and troubleproof service.
Practical suggestions and detailed reseating plans are also avail-
able to you without cost or obligation on your part. Simply drop
a line to the nearest Heywood-Wakefield sales office.
HEYWOOD ^WAKEFIELD
May 5 , 19 28
1443
Mr. H. Rosenberg, owner
of the Magnet Theatre, Dor-
chester, Mass., is one of the
many progressive show-
men who have increased
box office receipts by
reseating. A 30% in-
crease in patronage
has been the result
of his replacing old
chairs with beauti-
ful, comfortable
theatre seats.
Baltimore, Md.
Boston, Mass.
Buffalo, N. Y.
Chicago, 111.
Detroit, Mich.
Kansas City, Mo.
Los Angeles, Calif.
Minneapolis, Minn.
New York, N. Y.
Philadelphia, Pa.
Portland, Oregon
St. Louis, Mo.
San Francisco, Calif.
Seattle, Wash.
THEATRE SEATING
1444
M o I i o n P i c t u r e X c w s
EAST MEETS WEST
IN SHANGHAI'S
CAPITOL THEATRE
WITH the opening rceently of
the Capitol theatre in Shang-
hai, S. E. Shahmoon & Co., launched
the first of a proposed chain of de
luxe cinemas in China. The Capitol,
located at 21 Mueum Road, is the
first theatre to be built in the down-
town business section of China, and
in its design and equipment reaches
modern standards of architecture
and engineering developed by lead-
ing specialists in the theatre field.
The theatre has a seating capacity
of 900 persons and is contained on
the ground floor of an eight story
office and apartment building.
On the left is a viezv of the balcony
of the nezc' Capitol in Shanghai, and
below a view of the auditorium look-
ing from the stage to the rear. Note
modern type of indirect lighting, which
is equipped with a dimmer control.
May 5 , 19 2 8
UNIVERSALE NEW THEATRE IN SHEBOYGAN
1445
Two views of the
Sheboygan thea-
tre. Sheboygan,
Wisconsin. This
new cinema is op-
erated by I Univer-
sal Theatres and
was built by the
United Studios,
under the per-
sonal supervision
of A. Gurnea.
T h e Sheboygan
seats 1800 persons
On the left is a
view of the main
lobby with double
staircase lead in a
to the mezzanine
lounge. Beloiv is
t h e auditorium .
presenting the ef-
fect of an out-
door garden with
sky and natural
foliage set back
of the enclosing
W all.
1446
Motion Picture N e w s
Theatre Building Business Map
Including Analysis of Key City Attendance Averages
OSTO/Y
£W YORK
Above Average Business
Average Business
Under Average Business
I I Very light new construc-
1 1 tion
1 1 Light new construction
f I Moderately heavy con-
I I struction
Heavy new construction
The map of the United States shown here is divided into seven terri-
tories, with colored shading indicating the division of new proposed
theatre building as represented for the period from March 15th to
April 15th. This new construction is represented in valuation of dollars
and cents rather than number of projects.
The shading is in four densities ; solid, which represents the greatest
value of proposed theatres ; heavy stipple, which is second in valuation
of new construction ; medium, which areas represent conservative build-
ing ; and the very light areas, where the investment in new theatre pro-
jects is very light. The information used in compiling the statistics
visualized by the map was obtained through several reliable sources, and
the map is to be considered as very nearly accurate in representing com-
parative theatre building activities in various sections of the country.
The circles shown on the map are located in key cities and illustrate
averages of theatre attendance during the three months' period from
March 15th to April 15th. The diagrams indicate the relative at-
tendance at the better theatres in these cities during the period covered.
These are given by "averages," with symbols to indicate "Above Average"
and "Under Average" box office returns. The term "average" as appiied
in this survey indicates satisfactory box office returns, based upon theatre
expectancies, which, in turn, are governed by past earnings under similar
or nearly similar conditions.
These attendance statistics were compiled from an analysis of the Key
City Reports, published weekly in Motion Picture News, and other
sources of information gathered by this publication.
TUTS report on new theatre projects covers the period of
thirty days from March 15th to April 15th and indicates
a slowing up in theatre construction, especially as far as
total amount of investment is concerned.
While the number of projects announced to be built during
this period is not a great deal less than shown in the thirty
days analyzed in our last report, the dollar value is approxi-
mately only one-half. The figures for the March-April build-
ing are as follows :
Forty-two new projects wil call for a seating capacity of
54,040 and an investment of $10,338,000. The average cost of
each theatre figures out to be $246,150, and the seating ca-
pacity 1,287. The cost per seat is $191.00.
Only two theatre projects announced are to cost over a mil-
lion dollars, while four wilt range betwen $500,000 and a mil-
lion dollars.
Comparing these figures with our February-March report
indicates the seating capacity of the average theatre is approxi-
mately only 100 less but the average cost per seat is down about
27 per cent.
This analysis shows a condition which may indicate a change
in the type of theatre being built, that is, from the large pa-
latial show places to the smaller and more eonomically con-
structed neighborhood and small town theatre.
Providing figures in our future reports continue to show the
condition as existing in this report, it may be considered that a
new era in theatre construction has been ushered in where
smaller theatres requiring more modest investments will be
built in great numbers and big theatres of the large centers only
at rare intervals. The Statistical Department of Motion Pic-
ture News has felt that a change in theatre building along these
lines was about due though it was beyond our powers of an-
alysis to predict the exact period wherein this change would
take place.
May 5 , 19 2 8
1447
ACTUAiLLY the change in building from the elaborate thea-
tre to the good smaller house need bring with it no decline
in business as far as the selling of equipment in this field goes. A
theatre that seats 1200 and calls for an investment of approxi-
mately $250,000 has practically the same requirements for most
types of equipment as has the more elaborate theatres. The
difference in investment between a million dollar house and a
$250,000 house lies mainly with building materials and refine-
ments rather than with the primary requisites of a motion pic-
ture theatre.
Our analysis shows that the Middle States lead in the amount
of investment required for this thirty-day report. In this ter-
ritory 17 theatres will require $3,640,000 and will have a seat-
ing capacity of 20.050. Furthermore, one theatre costing a
million dollars and two between one-half and one million will
be built. These figures show that in this section of the country
the average house will cost $214,100. with a seating capacity
of 1,180 and a cost per seat of $181.50.
The territory which falls next in line is the South Eastern
where three large theatres are announced. These three theatres
will cost $2,110,000 and will seat 6,240, giving the averages of
$703,300 per theatre, 2,080 seats and $338.00 the cost per seat.
In the North Atlantic States, eleven theatres will cost $2,-
025,000 with a total seating capacity of 13,250. In this terri-
tory it is found that the average theatre will cost $184,100,
having a seating ca]>acity of 1,205 a"d tne average cost per seat
$153.00.
In the South Western territory, five new projects will cost
■$978,000 and will seat 6,850. One of these projects will call
for an investment of over $500,000. The average cost of each
theatre in this territory is $195,600 and will have 1,370 seats
giving an average cost per seat of $143.00.
The West Coast territory falls next in line where four
projects, one of which will cost over a million dollars, calls for
a total investment of $935,000 and will seat 4,250. The aver-
ages for this territory are $233,700 per theatre with a seating
capacity of 1,100 and a cost per seat of $220.00.
Only one new theatre project was reported for the Western
States. This project will cost $350,000 and will seat 1,400,
giving the cost per seat of $250.00.
Likewise in New England. Only one new theatre is an-
nounced, where $300,000 will be invested in a 2,000 seat house.
The average cost per seat in this theatre will l>e $150.00.
THEATRE attendance failed to come up to expectations for
the period we are covering in the current map. After a
Lenten season which on the whole was not so bad, and earlier
indications that the picture houses might expect a rather flour-
ishing Spring business, the actual results disappointed.
A factor which asserts itself as perhaps the greatest single
•deterrent to theatregoing on the scale expected during the post-
lent days is the weather. The vagaries of the weather, as a
matter of fact, have been cited as one of the leading causes for
the below-normal business in all lines of commercial activity.
The key cities which show a downward move on the current
map as compared with the April report, are Los Angeles, which
dipped from an Average last month to Under Average this
month; Giicago.from Average to Under Average; Dallas from
Average to Under Average, and Seattle from Average to Un-
der Average. Boston and Salt Lake City, which on last month's
map were at Above Average rating, this month are at Average.
Upward changes are recorded by Des Moines and Baltimore,
from Under Average to Average; and Indianapolis from Aver-
age to Above Average. New York City, Atlanta, Cleveland.
Kansas City, Buffalo, Minneapolis, Central Pennsylvania,
Philadelphia, Albany. Tampa, Milwaukee, San Francisco and
Cincinnati, are static at Average ratings.
The decline from expectancy in theatre attendance over the
■country during this period, while tracing to conditions which
include purelv tenq>orary seasonal disturbances, such as bad
weather and in several towns to such influences as the appro-
priation of the bulk of the patronage by a new theatre, which
naturally greatly decreases the draw at the older established
houses, nevertheless follows the trend of general business. For
business in most lines for the first quarter of 1928 has shown
declines below the figures for the corresponding period of t927i
according to reports of earnings and sales by various compa-
nies. The reports by a large number of concerns in various lines
of commercial activity showed a predominence of declines from
last year's earnings, though several special lines showed in-
creases in both sales and earnings — among them the chain stores
which showed a gain of 13.1. As far as unemployment is con-
cerned, there is less heard about that now. and for the reason,
largely, that the latest figures show a gain in employment.
The majority of the pictures which scored as leading box
office attractions during the period are those same films which
in last month's rei>ort were the leaders — which may be one of
the contributing causes of the decline from expectancy, for
evidently the newest crop of releases is lacking in the strong
attraction qualitio* which marked the film supply offered the
exhibitors during the two previous months. Aside from
"Speedy" and "The Patsy,'' there are no pictures in the cur-
rent "best ten" group which have not figured in the previous
month's list.
THE Harold Lloyd comedy "Speedy" is far and away the
prize attraction for the past month at the key
city theatres. These reports show that "Speedy" is credited with
excellent business at the box office of 10 theatres— including a
number of new high house records — a highly satisfactory show-
ing at one house, and with a mark against it at one theatre. 1 his
single disappointment, so far credited, seems remarkable on the
surface of things, and investigation of the conditions which
surrounded the presentation shows that unusual factors were
present. "Speedy" disappointed at the Des Moines theatre in
Des Moines — it did business, but it went below the mark for
Lloyd's pictures in that town. Previous to the "Speedy" open-
ing and during its run, this theatre had been conducting a vig-
orous campaign for the Vitaphone presentation of "The Jazz
Singer," with newspaper publicity and poster billing coupled
in a concentrated drive to sell the sound device in connection
with Al Jolson's screen debut. The campaign had its effects and
built up an interest in Vitaphone which transcended any cur-
rent attractions the Des Moines had to offer its patrons. The
facts are worth mentioning, because they prove again that the
picture with potential drawing power cannot produce the results
of which it is capable, in a limited run. without the proper
exploitation.
The second picture on the list is "Red Hair," which also was
one o f last month's leaders. The Clara Bow vehicle scored in
several of the key city houses. The other eight leaders were
"The Jazz Singer.'" "The Circus," "The Gaucho." "The legion
of the Condemned," "The P.ig City," "The Patsy," "The Patent
leather Kid," and AVild Geese." A prominent place was earned
by "The Last Command," and "Ramona."
Among the month's pictures which received strong advertis-
ing backing and apparently figured importantly at the box offices
was $40,000 Miles with Lindbergh." a three-reeler offered by
M-G-M. It is unusual for the short subject to receive such
hearty backing in the exploitation and the results were entirely
satisfactory in this case.
Aside from these pictures, no outstanding accomplishments
were performed at the key city theatres by the general current
releases The Road show 'attractions which continue to play to
good crowds are "Wings." "The King of Kings." "Sunrise
and "Simba" on general tour and in New ^ ork "The Trail 01
98," "Street Angel," "Four Sons." "The Man Who Laughs'
and "Glorious Betsy."
The kev city theatres which have been forced to just travel
along and await the turn of the tide flowing to brand new houses
of the most elaborate style are located in Minneapolis, where
the new Publix Minnesota drew enormous crowds for four
solid weeks, and Seattle, where another new Publix theatre
held the center of the stage for three weeks, before there were
signs of a return to normalcy. While curiosity to see every
feature, architectural and amusement, of the new houses pre-
vails, there is little public reaction to shows alone, and. as a
result, the other theatres in those towns had to take things as
they came. Unless the older houses are greatly ante-dated by
the new establishment, matters generally settle back into the
usual stride, which happened in both of these cities.
1448
Motion Picture N e iv s-
WHEN Harold Lloyd offered cash
prizes for exhibitor ideas to
compile into a press book for
his new comedy "Speedy" and thereby
stood sponsor of a campaign outline "by"
as well as "for" the exhibitors, he tried an
experiment of more than passing interest
to those in the distribution and exhibition
end of the industry.
For as many years as it has been in
existence, the press book has been the
object of conflicting opinions on the part
of the exhibitors. Questionnaires sent
out by this publication to a large list of
exhibitors brought back returns which
showed divided opinion as to the value of
the average press book as a practical
manual for use in exploiting the pictures
of the distributors issuing the books.
Consequently, the Lloyd company's ex-
periment, to have exhibitors themselves
write the "Speedy" campaign, suggest the
kind of advance advertising the style of
exploitation stunts, the type of merchant
tieups. the lobby displays and the news-
paper layout, paved the way for a demon-
stration, which even if it is unproductive
of conclusive evidence that a similar idea
should be applied to all press books, at
least is an honest effort in the right di-
rection— that of giving exhibitors an ex-
ploitation campaign outline devised by ex-
hibitors and the publicity men actually on
the job at the theatres.
The result of the prize competition is a
press book which goes over the ground
as thoroughly as any book the distrib-
utors ever have compiled for the show-
men. The ideas of about 45 exhibitors,
writing from their experience and knowl-
edge of exploitation at their own theatres,
are published in the "Speedy" press book.
The list of contributors includes the
names of the most widely known exhibi-
tors in the business — men whose actual
performance and accomplishments have
won them more than local reputation as
keen judges of public taste and endowed
w ith unusual ability in devising clever ad-
vertising and exploitation in connection
with motion picture presentations.
Among these are H. E. Jameyson,
An unusually effec-
tive frontal display
was one of the im-
portant exploitation
features of the cam-
paign for "Speedy"
at the Community
Theatre, Miami
Beach. Fla.. shown
on the left
Miller theatre, Wichita; C. Harrison,
I 'alace, Cincinnati ; Clark Munson, Vir-
ginia theatre. Champaign ; Joe Meyer,
1 'alace, Hamilton, O. ; Oscar Doob,
An Exhibitor- Made
Press Book Is
Making Good
G. J. Meredith, Saenger theatres,.
Xew Orleans ; Harry E. Browne, New
Stanford, Palo Alto, Cal. ; H. E.
Schlicter, Liggett theatre, Madison, Kan.
E. F. Nutter, American, Rowlesburg, W.
Va. ; Roy L. Smart, Rivoli, Greenville,
S. C. ; Vernon Gray, Metropolitan, Bos-
ton; J. W. Creamer, Orpheum, Atchison,.
Kan. ; Harold D. Barnes, Rialto, Burling-
ton. Ia. ; Henri Tussenbroek, Majestic,.
Hartford, Conn.; George F. Teckemeyer,.
State, East Lansing ; Marsline K. Moore,
Capitol, Oklahoma City; Bob Kelley,.
Texas theatre, San Antonio ; J. R. Men-
denhall, Pinney theatre, Boise, Idaho r
Geo. E. Planck, Publix theatres, New
York City ; David F. Perkins, Merrimack
Sq. theatre, Lowell, Mass. ; A. Swanke,
Majestic, Stuttgart, Ark. ; G. W. Carlsonr
Savoy, Superior, Wis. ; C. T. Perrinr
Sterling, Greely, Colo. ; Joel A. Lew,
Wilmer and Vincent theatres. Richmond ;
Alvin Hostler, Strand, Altoona, Pa. ;
Ernie Smithies, Capitol, Kingston, Ont. ;
W. F. Howell, Al-Dun theatre, West
Point, Ga. ; E. M. RuLon, Rialto, Me-
chanicsville, La. ; Wallace R. Allen, Penn
theatre, Pittsburgh; S. L. Stokes, R and
R theatres. Kingsville, Texas ; James
Fotherinsdiam, Wellmont theatre, Mont-
clair, N. I.
T
Special marque display for the Lloyd
comedy, Palace Theatre, Wichita Kan.
Kunsky theatres, Detroit ; H. F. Storin,
Leroy theatre, Pawtucket; M. A. Ma-
laney, Loews theatres, Cleveland ; Russell
Moon, Paramount theatre. New York :
HOSE are names familiar to readers
of the trade journals through the
frequent publication of campaigns they
have staged for pictures of all types.
Many of them are originators of ideas
which have become almost standard ex-
ploitation stunts. Another important fea-
ture is that the small towns as well as the
large cities, the de luxe type of house and
the community theatre are represented in
the background for the various exploita-
tion campaigns written for "Speedy."
And that is the point of greatest con-
(Continucd on Page 1452)
One of the special poster displays exploiting "Speedy" in Los Angeles. Board on right
offers idea for tieup with realtors
May 5 , 1928
1449
I
t
Fred \V. Wentworth, Architect
77i£ Stanley, the Stanley-Fabian Corporation's beautiful new theater in Jersey City, where Manufactured
Weather* provides the same Healthful Comfort enjoyed by the Patrons of the following Stanley-
Fabian theaters: the Branford at Newark, the Stanley in Hoboken, and the Fabian in Paterson.
The New Stanley greets its patrons with
MANUFACTURED WEATHER*
A refreshing spring evening in an
Italian courtyard. This is the
perfect illusion in the new Stanley
Theater. Supplementing and per-
fecting this impression, so ably
produced by the architect, is Man-
ufactured Weather,* provided only
through the air conditioning de-
signs and equipment as produced
by Carrier Engineers.
One of the most unusual fea-
tures of this magnificent new
theater is the very unique instal-
lation of the air diffuser outlets, so
skillfully placed that not one is
visible to mar the perfect atmo-
spheric effect. The placing of these
outlets, always presenting a serious
problem in an atmospheric theater,
is an exclusive Carrier accomplish-
ment, further evidenced in the
constant gentle, draughtless, down-
ward diffusion of air throughout
the entire theater at all times.
As specialists in air conditioning.
Carrier Engineers are proud to
have contributed this health-giving
comfort to the Stanley, and to a
rapidly growing list of theaters
throughout the country, where the
exceptional results of Manufac-
rarrier
tured Weather* are being demon-
strated day in and day out.
The intimate cooperation of Car-
rier Engineers with the Architect,
the Owner and the Builder, and
the acceptance of complete re-
sponsibility for results has meant
the unqualified success of every
Carrier System.
The same system, including the
safe, simple, compact Carrier Cen-
trifugal Refrigeration System, is
now available for the fine small
theaters. Write for the book,
"Theater Cooling and Condition-
ing." Ask for a visit from one of
our engineers.
NEW YORK
PHILADELPHIA
BOSTON"
CHICACO
Carrier Fnqineerinq Corporation
Offices and Laboratories • 1
Newark, New Jersey
•IT ISN'T MANUFACTURED WEATHER UNLESS IT'S A CARRIER SYSTEM
CLEVELAND
KANSAS CITY
LOS ANGELES
WASHINGTON
1450
Motion Picture News
New Avalon of the National Theater
Corporation, Chicago, equipped with
C-H Dimmers. John Eberson, architect.
Switchboard (shown below) by The
Major Equipment Co*
Architectural Beauty
completed with GH Dimmers
in the New Avalon, Chicago
No longer do progressive theater own-
ers invest fortunes in decorative art and
risk losing part of its effectiveness
through haphazard lighting.
The New Avalon, Chicago, is but one
of the new theaters in which C-H "Sim-
plicity" Dimmers enhance and bring out
the architectural beauty. For the designer's
art can go only so far. Light must do the
rest. And successful showmen have dis-
covered that C-H Dimmers complete the
beauty of their theaters and help
make each presentation better.
Because of the results others have achieved,
you too, should know all about C-H Dim-
mers. Ask your architect or electrician how
easily any house can be improved — and
write for the booklet "Illumination Control
for the Modern Theater".
The CUTLER-HAMMER Mfg. Co.
Pioneer Manufacturers of Electrical Control Apparatus
1255 St. Paul Avenue, Milwaukee, Wis.
Why C-H "Sir
plicity'
are chosen
Dimmers
Dimming, smooth as night-fall, from full brit-
liancy to black out — freedom from ^burn-outs
and maintenance — adaptability to all theaters',
regardless of size or decorative scheme — design
'which makes future remodelling easy — these
are a fens) outstanding features of C-H "Sim-
plicity" Dimmers 'which make them first choice
■with leading theater owners, architects
and electricians.
CUTLER yAMMER
cPerfect Illumination Control for the Modern Theater
May 5, 19 28
1451
UPREME
{EM
The Only System of Its Kind
that Actually WASHES the Air
Does It Cool? It Does!
And How? Quietly!
U3r
Gives same results as the big expensive cooling systems
used in big-city theatres. Yet its cost is moderate.
The Supreme Cooling Blower
After the air has been washed and cooled
by the Air-Washing Unit, this 6 ft. all
steel cooling blower forces it into your
theatre at such speed and in such volume
that all the air is changed 30 to 60 times
an hour. No noise! No drafts! Just a con'
tinual inpouring of fresh, cooling breezes.
The Air -Washing Unit
The Supreme Turbo Air-Washing
Unit, a wonderful new feature of the
Supreme System, creates a foggy
water-mist through which the air must
pass before entering the coolmg blower.
It's amazing how that mist freshens
and cools the air.
Equipped with
Horton Variable Speed Pullev
At slight extra cost the Supreme Blower can be
furnished with the famous Horton Variable Speed
Pulley, instead of standard single speed pulley.
UP
K"
Get The Facts.'
Write for complete informa-
tion and convenient payment
plan. Send in the coupon —
TODAY.
Heater &l Ventilating Corp.
ST. LOUIS, U. S. A.
Supreme Heater fcV Seating
Ventilating Corp. v.m, V] _
191vl7-19PmcSt. Name 1X1 Capacity
St. Louis, Mo. of Theatre
Send complete informa- Address
tion and convenient '
payment plan on the
Supreme Cooling
System. City State
1452
.1/ o t i o n Picture N c zvs
tention in the charges which exhibitors
have brought against press books in gen-
eral. The complaint — we are speaking of
the average, not the special press book or
the productions of one or two particular
specialists — the general complaint, then,
is that the press books do not provide suf-
ficient material prepared from the stand-
point of the small town theatre operator,
or the operator of a small theatre in a
large town. Provision against this fault
would seem to be made in adequate
fashion by the compilers of the "Speedy"
book.
WE are still too close to release date
on "Speedy" to reduce to figures
the results produced by the book in fur-
nishing exact material used by the exhibi-
tors in their campaigns. What percentage
deviated from the plans presented in the
book and devised their own drives on
original lines, and what percentage relied
solely npon the book plans, is something
that cannot now be arrived at — there are
too many exhibitors still to be heard from
and too many others who have not yet
played "Speedy."
But a rough idea can be given by the
following :
Out of a total of 21 reviews of cam-
paigns actually staged for "Speedy" at
as many theatres scattered over the coun-
try, 1 6 drives used ideas specifically out-
lined in the press book, and 5 were based
on ideas not suggested in the press book.
A few of the exhibitors whose sug-
gested campaigns are included in the
"Speedy" book are represented in the
total of 21. It is natural to expect that
an exhibitor who outlines a campaign in
a prize competition would make use of the
ideas when he came to actually exploiting
the picture.
H. E. Jameyson. who handles publicity
and advertising for the Miller theatre,
Wichita, Kan., utilized most of the press
book suggestions for his engagement.
Incidently, Jameyson was first prize win-
ner of the Harold Lloyd Exploitation
Contest and automatically he confined his
activities to the host of suggestions he
Ideas suggested in the "Speedy" press
book were used in St. Louis and Char-
lotte, N. C. Left is taxi ballyhoo in St.
Louis, and on the right the street car
exploitation in Charlotte
submitted to the Lloyd office. His lobby
display was striking. He also arranged
for a double spread in the Town Crier,
which is the Sunday roto section of the
Wichita Beacon. Jameyson also used the
taxi cab covers and the teaser and adver-
tising copy suggested in the press book.
Carlos Harrison of the Palace theatre,
Cincinnati, also followed out the press
book suggestions.
The most elaborate campaigns to date
are those which were put on for the New
York run of "Speedy" at the Rivoli thea-
tre, and in Los Angeles.
THE Rivoli theatre's entire front was
covered with what is one of the larg-
est cloth banners ever displayed on
Broadway. The name of Harold Lloyd
is all that appears on it — yellow letters
across a blue background. Leslie Whelan.
in charge of exploitation for the Lloyd
Corporation, arranged a tieup with the
Horton Ice Cream Company in conjunc-
tion with the Rivoli showing. The Horton
Company's huge painted sign at Seventh
Avenue and 42nd Street was turned over
to the Rivoli for the length of the engage-
ment. Lloyd's head formed the feature
center display on the sign on which the
following text also appeared : " 'Speedy'
at the Rivoli now serves Horton's Ice
Cream." Tieups were also made with all
stores handling the "Speedy" book and
the music stores handling "Speedy Boy,"
the official theme song of the picture. An
attractive prologue was used in presenting
the picture.
The Los Angeles drive, engineered by
Joe Redely, Harold Lloyd's publicity di-
(Continucd on page 1470)
Co-operative page ad exploiting
"Speedy" at Riviera, Omaha, and
below the type of card used in
oil station tieup at Detroit
SPEEDY
says
UNITED
GAS
SPEEDIEST
On sale at all
UNITED OIL REFINING
STATIONS
See
Harold Lloyd in "Speedy"
At The ADAMS
M a v 5 . 1 9 2 8
1453
ill
IP
'''■'lii Li.
I
< iM
|iii||ii|iiilliiliiinii€*l nnrniiil
mmm
an
.inainiii*
1 V-r
X'llll'iiiilllll;!)
ii"
WW
THE tMP>RH TH.E-ATRE
ATLANTA.
lUroh 29th-
1 9 2 8.
* •» - rrn — — •
n... . tt. m>io ^ t^o.:Vu-op.r.^.
opinion, .ol.1T ^ „y pr..p..t.
Your* T«ry " I
- - - - - is very
easily operated
will double
gate receipts
. -excels in
tonal qualities
Hear It At Once! Or send for Booklet No. 124
which tells all about the ORCHESTRAPHONE.
Address
GENERAL OFFICE
624 South Michigan Boulevard, Chicago
^Vational^heatre Suppfy^ornjiany
; : mwM^
Miiiiliil'.liiii 9j^^JM^I
J 454
Motion Picture News
^Theatre Qoers are Comfort
*J Jovers theWorld Over!
Progressive theatre owners appreciate the tremendous attraction of
"comfort" to the theatre-going public. Whatever the program that is
being offered, the public looks first to the house where their comfort
is assured. American Seating Company offers theatre owners and man-
agers a wide selection of chairs whose qualities of beauty and comfort
stimulate box office receipts. Significant, too, is the exclusive use of this
company's seating by the nation's foremost exhibitors.
f
American Seating Chairs are in harmony
with the beauty of the Paramount Theatre
as illustrated in this interior view.
No. 4078 Special Chair— 3,56 1 of these
chairs were installed in the Paramount
Theatre. Seat upholstered in red Mo-
roccoline, with rose mohair back and
brown mahogany finished wood parts.
Aisle lights built into chair standards
and noiseless ball bearing seat hinges.
Lobby of Paramount Theatre, New York
City. One of the many fine theatres
equipped with American Seating Chairs.
C. W. and Geo. L. Rapp, Architects.
American Seating Company
10 E. Jackson Blvd.
113 W. 40th St., New York City I
77-D Canal St.,
Chicago, Illinois
1211-K Chestnut St., Philadelphia
Boston
Theatre Chair Builders to the American Public For Over 50 Years
May 5 , 19 2 8
1455
Creative and Selling Branches Still at
Odds Over "Must" Credits
Artists Demand Mention in All Advertising and Exhibitors Want Freedom to Use
or Eliminate Production Credit lanes
AMON(i the unchanged features of
the Standard Contract, which un-
derwent certain revisions at the
Chicago conferences last February and
which became effective May i, 1928, the
following provision covering theatre ad-
vertising, appears in paragraph the
twelfth :
"The exhibitor also agrees to adver-
tise and announce each photoplay as
a . In all newspaper advertising
and publicity issued by the exhibitor relat-
ing to said photoplays the exhibitor shall
adhere to the form of announcement con-
tained in the advertising matter issued by
the distributor. All advertising acces-
sories used by the exhibitor in connection
with the exhibition of said photoplays
must be leased from or through the dis-
tributor ."
And that provision, according to re-
liable information, was the bone of rather
heated and prolonged contention between
the exhibitor and distributor representa-
tives at the contract conference. That it
was one of the most difficult points the
conference was called upon to settle, it is
not hard to believe. The exhibitor does
not like to be in the position of having to
include "credits" or mention of names as-
sociated with the production which mean
little or nothing to the public he is ad-
dressing with his selling matter. On the
other hand, the distributor is bound by
contract to mention, according to specified
phraseology and often "per cent of size of
type" the names of others than the star
and the director — both of which are usu-
ally box-office factors — in all his advertis-
tising and publicity for the picture. This
is forced upon the distributor by the pro-
ducer who in turn is forced to include
certain credits for the players, scenarists,
authors and sometimes supervisors under
contract to him.
That being the case, the matter comes
down to a responsibility which the artist
must shoulder. But before bringing
charges of "personal vanity" against the
actor, author, director, etc., it is well to
remember that this picture business is a
personality business, and that the artist's
contribution provides something without
which there could be no finished work.
Frequently it is the skill of the scenarist
or others associated with a production
which supplies the vital spark accounting
for the outstanding quality of a star's
performance or a directorial achievement.
The fact that the artist finds it necessary
to his or her future opportunity to de-
velop talents and find that place in the
sun of popularity to which they are en-
titled, is the reason back of the demands
made by these specialists that their names
be used in connection with all billing.
If ever there is worked out a solution
of this problem — and from the stand]>oint
of the exhibitor and the theatre advertis-
ing man it is a most important matter —
the goal will be reached through a better
understanding all around bv everybody —
artists, producers, distributors and exhibi-
tors.
The artist's demand that his name ap-
pear in connection with billing for a pic-
ture he has contributed to, the producer's
demand and the distributor's demands
owing to these contractual obligations, are
legitimate. Equally legitimate is the ex-
hibitor's contention that the inclusion of
many credits or "must go'' lines often
defeats the purpose of his advertising,
which is to deliver a concise message
briefly.
One of the first rules the student of ad-
vertising learns is that only those selling
points which can aid in creating the de-
sired impression on the reader must be
included in the advertisement. The de-
sired impression for a theatre advertise-
ment to make, of course, is that the en-
tertainment is of a quality that will please.
Since the advertiser is forced to pay for
the space his ad is given in the paper, he
wishes to make the best possible use of
it and that from the advertising man's
standi>oint is to have sufficient white
space left after his essential selling lines
have been included.
BIT much more in the poster billing
than the newspaper advertising is
this "must go" copy a handicap. The ager-
age outdoor advertisement is visible only
for a short time. Therefore to be effective
it must not contain too much copy, be-
cause if there are too many words or too
many details the eye finds nothing to rest
upon and, while it wanders from one part
of the display to another the prospect
passes by the board and the message
which the poster is designed to convey is
lost.
These are the A B C's of advertising,
but at the same time it might lead to a
better understanding of the exhibitor's
problem with regard to advertising, if
they were considered by those who de-
mand the credits.
There are places where the entire credit
list may be used to good advantage — in
trade advertising, the leader on the film
and the printed program, the advance
trailer and in newspaper publicity notices,
or readers.
It would hardly be fair to the artist,
however, to ask him or her to leave to
the discretion of the exhibitor when and
how his or her name will be mentioned,
or whether it will be mentioned at all.
On the other hand, it is very much a
question if the credits which some of the
artists demand and get in such adver-
tising mediums as posters and newspa|)er
displays, bring them fame or popularity.
When a reputation has been established
the exhibitor is only too anxious to use
that name as a featured selling point in
his general advertising. Experience
seems to indicate that the artists establish
their reputations on the screen itself.
WE have the case of Rudolph Valen-
tino— as one of a great many — in
the presentation of "The Four Horse-
men." This actor had been in pictures
several years before Rex Ingram cast him
for the principle male role in the Ibanez
novel. He had played leading roles pre-
viously. When the Ingram spectacle was
released aVlentino was not played up in
the billing, but he was in his later works,
and for the very good reason that the
artist by his performance in that picture
established himself as a popular person-
ality.
The same picture "made" June Mathis,
a scenarist whose name took on magic
that made it an advertising feature as a
result of her association with the produc-
tion of "The Four Horsemen."
Frequently we hear criticism of the
posters and display material issued by the
distributors. In the majority of cases the
failure to produce posters that have sales
punch is due to the extensive use of
credits forced on the artist. And nobody
knows that better than the poster artists
themselves, many of whom have voiced
their protest against the practice.
What can be done to bring about an
end to the situation, it is not possible to
say. Ultimately all the conflicting forces
may be able to get together on a basis of
understanding one with the other, and a
classification of advertising mediums may
be made. Upon this classification the
contract with the artist may call for
"credit" in specified mediums of advertis-
ing. If the time comes when the poster
designer can limit the copy to the very
essentials, the copy writer and ad layout
man can include in his displays only the
features which he knows will sell the pic-
ture to the public, there will be rejoicing,
and they will — it is a safe bet — give better
than just adequate display to the names of
all players authors, scenarists, super-
vising directors, camera men. art direc-
tors, in direct by mail ads. publicity no-
tices, house programs, house organs, and
lobby display material — where the pub-
licity will mean something to the artist
1456
.1/ o 1 1 o )i P i c ture News
FULCO
SPECIALTIES
ARE
KNOWN and APPROVED
—WHEREVER
MOTION PICTURES
ARE SHOWN
FULCO DE LUXE ENCLOSED FIRE PROOF REWIND,
COMPLETE WITH MOTOR AND BELTS $140.00
FULCO BENCH REWINDS IN
SEVERAL STYLES AND PAT-
TERNS, INCLUDING OUR NO.
5 BALL-BEARING REWIND
NO. 1 — $ 7.50 COMPLETE
NO. 2 — 6.00
NO. S — 12.50
If You Haven't Already Sent in
a Request for Literature About
OUR
NEW PROJECTOR
Do So At Once. We Want You
to Have a Copy Just as Soon as
Our Printer Delivers Them.
MAIL THIS COUPON
E. E. FULTON CO.,
1018 S. Wabash Ave., Chicago
Please send to me, descriptive literature of your
new projector.
Name
Address
Theatre
FULCO ALL STEEL REELS
11" Diameter 5" Hub $2.25 Each
14" Diameter 4" Hub $3.25 Each
15" Diameter 5" Hub $3.50 Each
E. E. FULTON CO.
C. H. FULTON, President
F. A. VAN HUSAN, V. P. and Sales Mgr.
A. G. JARMIN, Treasurer
Executive Headquarters
1018 S. WABASH AVE.
CHICAGO, ILL.
Factory
3208 CARROLL AVE.
FULCO CARBON
SAVERS AND
ADAPTERS
FOR REGULAR AND LOW
INTENSITY LAMPS
IN MILLIMETRE SIZES
60c to $1.50 EACH
FULCO OLD RELIABLE
2 IN 1 FILM CEMENT
PRICES
1 oz $ .25
y2 Pt 1.00
1 Pt 1.75
BRANCH OFFICES
1018 S. Wabash Ave., Chicago, 111.
115 W. 45th St., New York
3403 Olive St., St. Louis, Mo.
151 Seventh St., Milwaukee, Wis.
340 N. Illinois St., Indianapolis, Ind.
255 Golden Gate Ave., San Francisco
FULCO FIREPROOF EQUIPMENT
FOR PROJECTION ROOMS
COMPLETE FROM $55.00 UPWARD
ay 5, 1928
W VARl- SPEED S
HYDRAULIC
CONTROL <
The Sad Plight <Me AWE
^AMATEUR. WEATHER. FORECASTER.]!
1927 was to be the year with NO sum-
mer! The A. W. F.'s had it all figured
out. According to the Sun Spots, the
Length of Fur on the North Side of a
Squirrel, and the Roundness of the
Rings in a Petrified Tree, there would
be no summer.
You can't fool an Amateur Weather
Forecaster — no, sir!
Quite a number of them, about to
install Arctic Nu-Air systems for cool-
ing and ventilating, decided to follow
the dope — and the dope said, "No sum-
mer." Then the usual hot spells hit,
and it was very sad — painfully sad.
The dope went haywire, and the
dopesters were bewildered.
Theater goers, having no scientific
instruments for weather forecasting,
simply stayed away from shows. They
spent their money for ice cream and
electric fans and gas for their cars.
The A. W. F.'s decided that some-
thing was radically wrong. They wired
rush orders for Arctic Nu-Air Systems.
512-514
So. 4th St.
SALES OFFICES
Atlanta
Boston
Chicago
Cleveland
Dallas
Detroit
Milwaukee
New York
Oklahoma City
Philadelphia
San Francisco
Seattle
EXPORT OFFICE
71 Murray St.,
New York City
They seemed to think that these systems
could be sent by parcels post. They
were annoyed to find so many empty
seats in their houses, and no Arctic Nu-
Air Systems coming in by special de-
livery mail.
It cost many of them several thou-
sand dollars each to "save" the modest
cost of a complete Arctic Nu-Air Sys-
tem. Some admitted that they could
have bought two or three systems and
still be money ahead.
Our suggestion for 1928 — buy your
Arctic Nu-Air System NOW, and then
do all the weather forecasting you like.
No matter how the Sun Spots, or the
Fur on the North Side of a Squirrel, or
the Tree Rings happen to work, you can
still do a bigger business all the year
around with the Arctic Nu-Air System
installed.
Ifear around Service
Originated with,-
FORECAST CHART
ifUlNO- SI/MM t« FAu-wimm
Arctic Nu-Air pioneered the speed
control for year-around ventilation.
The new Hydraulic Vari-Speed Con-
trol has won the hearty approval and
commendation of every architect and
engineer who has inspected it.
It gives finger tip control (remote,
if desired) that provides every needed
blower speed — from an easy 50 r. p. m.
to full speed capacity.
It is positive, simple, and has no
wearing or moving parts.
The pulley friction discs are subject
to wear; will last one or two seasons;
are replaceable in five minutes at a cost
of a few cents each.
After 3,000 hours of continuous test
operation this Control has proved un-
equalled for positive operation. It op-
erates on oil pressure, similar to hy-
draulic brakes, and needs no adjust-
ment or attention. It is self lubricating.
Guaranteed to hold speeds, and to give
complete satisfaction.
Available only on the Arctic Nu-Air
System.
i^— Minneapolis,
Minn.
It costs but a stamp to find out
how 3000 users are BUILDING
BUSINESS with this System.
This Coupon
brings word
of BIGGER
Summer
Prof i ts
Also Manufacturers of
SANIDAIRE
Humidi/ving Systems for
Homes, Hospital*, Schools, Offices, Apartments, Hotels and Industrie
1458
Motion Picture News
New Simplex Stand
Marks Advance in
Projector Design
THE International Projector Corpor-
ation has announced a new stand
for the Simplex Projector. This
stand is a decided advance in motion pic-
ture projector design and meets many
of the requirements created by the
present demand for better projection.
This stand was created by Augusto Dina,
Chief Engineer of the International Pro-
jector Corporation.
Not long ago progress in the Technical
Departments of the motion picture indus-
try was greatly hampered by lack of en-
gineering knowledge and indifference.
But of late, with the greater realization
by this industry of the importance of pro-
jection, has come an interest and willing-
ness on the part of users to pay for
worthwhile improvements and on the part
of manufacturers to devote their efforts
to improving equipment.
One of the problems that the engineers
of the International Projector Corpora-
tion have appreciated, has been the tend-
ency toward unsteadiness in projectors,
due to the excessive weight and bulk of
auxiliary equipment with which project-
ors have been equipped. The large lamp
house, high intensity lamp, Vitaphone,
Movietone and other apparatus which call
for special equipment to be placed on pro-
jectors were not to be reckoned with a
few years ago. This equipment is sub-
jecting projectors to demands and strains
which were not anticipated by the original
On the right is a
photo showing the
new Model M Sim-
plex Projector feat-
uring a newly de-
signed vibrationless
stand. The mechan-
ical features of the
new base are de-
scribed in detail in
the accompanying
article under desig-
nations correspond-
ing to the lettering
on the cut.
disturb the balance
of the projector
by any ordinary
means.
All parts of the
designers.
Attempts to overcome unsteadiness
caused by this additional equipment have
proved inadequate and weight and bulk
were largely depended upon to maintain
balance. The Simplex pedestal and five
point pedestal, which were employed to
secure steadiness, served for a period but
even these did not prove satisfactory.
Various braces were used but such de-
vices have their limitations and while it
is true that the defects of the earlier de-
signs were partially overcome by these
substitutes, they were unsatisfactory be-
cause they failed to supply true balance
and rigidity.
It was to secure this balance and rig-
idity that the new Simplex stand was de-
veloped. A detailed description of this
stand follows :
The four main assemblies of the New
Model M, Simplex Stand, the Pedestal,
Carriage, Adjustable Support and Base —
constitute a single symmetrical unit, with
ample weight so distributed that all un-
steadiness is eliminated. The stand rests
on six leveling points and the projector
is not attached to the floor or fastened to
the building in any way, but proper dis-
tribution of weight makes it impossible to
Simplex stand are
larger and heavier than in former models
and the pedestal or column is of sturdy
construction. The pedestal arm L ex-
tends under the full width of the mechan-
ism, not part way as heretofore, and the
mechanism is held by four screws in
place of two. This provides a very sub-
stantial table and the pedestal arm swings
easily but is firmly held by a steel bolt.
The underslung motor table O is close
to the base and the motor is readily ac-
cessible for oiling or regulating. It can
be raised or lowered on its supporting rod
by merely loosening two heavy wing
screws. The position of the motor on
the stand is an important factor in elim-
inating vibration.
TO tilt the projector, it is simply ne-
cessary to release locking handle A,
attached to the rear adjustable support,
loosen pedestal adjustment locking nuts
B and C and pedestal adjustment hand
wheel D can then be easily turned with
either hand to give desired angle. Mi-
crometer adjustment can be made by
means of the hand wheel, and compres-
sion spring E on the rear adjustable sup-
port make this extremely comfortable, as
these can be easily regulated by knurled
nuts to eliminate weight action or, if de-
sired, to deliver powerful upward pres-
sure. When A, B and C are again locked,
the projector is held rigidly in the proper
position.
The lamphouse can be placed in posi-
tion for slides very quickly and without
difficulty by loosening two knobs F and G,
and drawing slide over arm handle H for
the correct placing. Lamphouse carriage
K turns on the lamphouse pivot N and at
G and slides over carriage rod I and the
rear adjustable support. The operation
is simple as the long slide over arm J with
the auxiliary arm P, stablizes the move-
ment while permitting full flexibility of
action. When F and G are again locked,
lamphouse carriage K is held in position.
The lamphouse carriage of the stand
is much longer than heretofore, providing
greater distance between centers to insure
stability and supplying a full firm base
for the largest size lamphouse. This
carriage has adequate openings providing
ample ventilation.
The rear adjustable support is a new
feature of the Simplex and provides an
adequate rear support which is an inte-
gral part of the stand. This support is.
substantially constructed and so designed
that the largest lamphouse may be used
without disturbing the balance of the pro-
jector. It consists of an upper fork Qy
two rods R and a lower fork S and
swings on the pivot casting T.
When the locking handle A operates,,
it releases a friction lock and support rods
R are free to slip through the lower fork
S. When the locking handle A is released,,
the adjustable support ceases to act and
hangs idle from the swinging table.
When locked, the rods and two forks-
constitute a structure that firmly connects
the swinging table to the base. The ioo
ampere switch and switch box are at-
tached to the rear support.
The base is also a departure in design
and construction as it is much wider,
longer, and rests on six adjustable level-
ing points. A foot motor switch U for
starting and stopping the projector is sup-
plied.
May 5 , 1928
14.;,>
When You Flash This on
your screen
It Makes a BIG HIT!
AMID EVB
Electric
VENTILATOR
Your patrons can tell, the moment they enter your theatre, whether or
not you have a modern ventilating system. If the atmosphere is stulTy
and close, they will hesitate a long time before again giving you their
patronage. But — provide for them, and tell them about, the efficient sys-
tem of Lakeside ventilation that creates and maintains a cool, comfort-
able atmosphere through every minute of the performance, and you
may be sure of a steady stream of business.
Aggressive Houses Are Changing to This
Modern Method of Ventilation
Theatres throughout the country find that Lakeside Ventilators assure
the best equipment available today. Their tremendous power, quiet
operation, and easy installation mean the utmost in service with prac-
tically no up-keep. Then, too, a Likeside costs much less than many
of the complicated cooling and ventilating systems on the market. You
take no chances with Lakeside Equipment, because it is backed by a
reliable guarantee. It must "make good" in actual service.
Empty Seats Pay No Profits
Competition is keen. Your theatre must be modernized in every way.
You need an efficient ventilating system, and the Lakeside has been
approved by ventilating engineers throughout the United States. Lake-
side Ventilators are made in different sizes to meet every requirement
and, if you will let us know the size, capacity, etc., of your theatre, we
will be glad to submit suggestions and quotations without obligation
to you. Write today for information.
LAKESIDE COMPANY, 225 Main Street, Hermansville, Michigan
€lectric VENTILATOR
1460
.1/ o t i o n Picture News
New and Improved Equipment
A Review of the Latest Developments in Theatre Engineering
K-A Technician Develops
High Intensity Spot
A HIGH INTENSITY SPOTLIGHT
has been perfected by the Keith-
Albee-Orpheum Projection Department
in conjunction with Hall & Connolly Co.
The salient points of the new light,
which has been installed in the E. F.
Albee Theatre, Brooklyn, and will be
added to the equipment of the other
Keith-Albee-Orpheum houses as soon as
they can be made, are these :
Gives three times the amount of illu-
mination of the carbon arc light for a
given amount of current or amperage.
Projects a quality of light having all the
appearance of strong sunlight, and brings
out colors in stronger contrast.
Projects a perfect round spot.
So flexible that a number of effects can
he accomplished with great ease.
It can also be used as a flood light and
as an effect machine. The lamp and
lamphouse are mounted on a suitable ad-
justable and counter-balanced stand.
Moveable condenser lens carriage is pro-
vided in the lamphouse so that the light
may be focused without moving the lamp
burner. Various effects can be secured
by merely moving the operating handle.
' H. H. Stoll of the K-A technical de-
partment, has been working to perfect the
light for eighteen months.
Amplifier Phonograph Unit
for Theatres Announced
THE Platter Cabinet Co., North Ver-
non, Indiana, has introduced on the
market an amplified phonograph unit
especially designed for use in motion pic-
ture theatres. Two types of machines
have been designed for this purpose, one
The photo above shows the high Intensity Spotlight developed by the K-A-O technical
department in association with Hall & Connolly Co.
with the speaker unit included in the
cabinet and the other for use with the
Puro-Power giant horn.
The Platter Cabinet Co., are manufac-
turers of the Puropower air column
speakers, which are used in connection
with the reproducing unit. According to
an announcement by the company, their
engineers have been experimenting with
this development for the past two years.
The reproducing unit is equipped with
two turntables with electrical pickups and
a throw switch which enables the opera-
tor to cue pictures by instantaneous
change-over from one record to another
The turntables are motor driven, Gen-
eral Electric motors being used.
The illustration on this page shows the
number 765 Puro-Tone reproducing unit,
which contains a compartment for
records. Another unit offered by the com-
pany has a self-contained speaker at the
base of the cabinet.
overload cutouts giving motor protection;
cadmium plated, double break, roller type
contacts; and small size, safety, dust-
proof enclosing case.
The roller type contacts seem to be the
forerunner of an unusual trend in motor
control design. They are of the double
break type, cadmium plated, and by break-
ing the arc in two places, give several
times the life of ordinary contacts. In
addition, the contact rollers turn after
each operation to present a new contact
surface for the next operation.
Complete motor protection is obtained
during both the starting and running pe-
riods. The thermal overload cutouts pro-
vide the necessary time interval to take
care of starting inrushes without shutting
down the motor.
Puro-Tonc Musical Reproduction Unit for
Theatres
New A. C. Manual Starter Is
Offered by Cutler-Hammer
ANEW manual across the line A.C.
motor starter (CH-9115) is an-
nounced by The Cutler-Hammer Mfg.
Co., of Milwaukee, Wis. Designed to
meet the need for an inexpensive manual
starter, it includes such advantages as
Hey wood - Wakefield Issues
New Seating Catalogue
A 44-page catalogue illustrating the the-
atre chairs designed and manufac-
tured by the Heywood- Wakefield Com-
pany has been issued by the Theatre Di-
vision of that organization.
It is a de luxe edition carrying illus-
trations and descriptive matter concern-
ing the seats designed for the Roxy, Or-
pheum Circuit, Publix Theatre and other
theatre organizations.
May 5 , 19 2 8
1461
NEW MODEL
SIMPL
NOW READY
FOR DELIVERY
>1
FULL PARTICULARS WILL BE
UPON REQUEST TO ANY
OF THE NATIONAL THEATRE
FURNISHED
B RANCH
SUPPLY CO.
OR TO THE
INTERNATIONAL PROJECTOR CORPORATION
90 GOLD STREET, NEW YORK
1462
Motion Picture News
The Modern Picture Theatre — An Outline
of Management and Operation
By Harold B. Franklin
President West Coast Theatres
[Editor's Note — Motion picture theatre
management and operation as a highly spe-
cialized profession, the qualifications of the
successful managei and an outline of his
activities as the chief executive of a public
institution catering to the mass of the people
and functioning as an important factor of
the community in which it is located, are
outlined in Mr. Franklin's paper presented
before the members of the Society of Mo-
tion Picture Engineers at the recent conven-
tion of that organization in Los Angeles and
which is published here in part.]
THE management of motion picture
theatres has been developed to a
high degree and has risen to the
dignity of a profession. There are over
fifteen thousand persons in the United
States who are managing theatres of dif-
ferent types, and the experiences of these
men have developed certain definite meth-
ods, which has in a measure established a
practice which controls the different
phases of theatre management.
The operation of a successful theatre
requires men of versatile capacity. It is
a business requiring knowledge of many
elements of the theatre, and consists of
a highly detailed operation' The mana-
ger of a theatre has certain specific duties ;
to plan, to make decisions, to select ca-
pable assistants, to inspire a spirit of loy-
alty among his staff, and to strive to make
his theatre a public institution. Although
he takes guidance from the tendencies of
patrons toward amusement, he must be
the supersalesman in the respect that he
induces people to respond. He cannot
cater to patrons unless he is an alert, re-
sponsible executive, conscious of the
problems of his business, and is convers-
ant with details, though not ridden by
them. A man driving a team does not
pull the wagon — he holds the reins and
keeps an eye on the road.
Good management requires \busniess
judgment besides a familiarity with the
different departments of a theatre. It is
not necessary for a manager to be able to
understand the details of projection, for
example, but the successful manager
should be able to distinguish good from
bad projection, and the progressive mana-
ger keeps abreast with the improvements
that are brought forth in that field. In
the same way, the manager must know
when music is satisfactory or not. Many
managers attend to their own advertising
and publicity, and those who operate the-
atres large enough to employ advertising
experts, must distinguish the difference
between effective and wasteful advertis-
ing.
By planning future operations care-
fully, management avoids mistakes, and'
clarifies the policies of a theatre. Timeli-
ness in theatre operation is a considera-
tion almost impossible of overemphasis.
It is not enough to anticipate a holiday
and to plan a program accordingly. The
alert manager is on his toes to keep pace
with public-spirited movements. He must
breathe the spirit of the day and thus
capture the confidence of the public.
Just as it is the understood purpose of
the theatre to sell entertainment, so it is
the function of management to sell serv-
ice.
Since the theatre is a commercial enter-
prise, one of the managers' duties in re-
lation to the public is to have a keen no-
tion of competition. He must not be
lulled into a feeling of satisfaction or se-
curity, but must strive for better and bet-
ter results if his theatre is to maintain its
progress. When a manager finds himself
waiting for the competitor to show him
what to do, instead of going him one bet-
ter, he has fallen behind the march of the
times and dropped behind in the proces-
sion.
Management's objective can be summed
up in two words— GOOD WILL. No
theatre can be successful without good
will. Very few institutions are so sensi-
tive to good will as is the motion picture
theatre. The entire staff must have an
instinct for hospitality. Each employe
constitutes an important part that makes
the whole staff one perfect host.
SO far I have spoken almost entirely of
the manager, because it is upon him
that the emphasis falls. We know of
course that any number of people, from
a handful to hundreds, are needed to keep
the theatre going. But these people in
the final analysis, either spell one man-
agement, or the theatre has failed. The
girl who sells tickets is not working for
herself. If she is, the organization has
one decided weak link. She is that part
of management that sells tickets, and un-
less she understands that, she is incapable
of representing the theatre and furthering
its policy. And what applies to her, ap-
plies equally to the projectionists, the mu-
sicians or any one else on a theatre staff.
Every act of management, even to
hiring employes or buying supplies, must
be actuated by the urge to acquire good
will. The manager cannot conceivably
show each patron to his seat, so he en-
gages ushers to do it for him ; instead of
scrubbing floors with his own hands, he
keeps his theatre clean with the hands of
the porters and the scrubwoman. Every
element of the organization is an exten-
sion of the theatre policy.
The successful manager must have a
"show sense" or instinct as to the public's
amusement appetite, and should himself
be a man of taste. All of these qualifica-
tions spell the elements that make for the
word "showmanship." Not every mana-
ger can qualify as to these requisites, but
that's the kind of manager that the indus-
try is striving for, and men of this type
are being developed more and more as
we go on ; in the same degree that we en-
courage and develop managers who qual-
ify, so will the business itself continue to
grow and prosper, for with good manage-
ment, theatres and entertainments are
made more inviting, and patronage is in-
creased. Nothing tends toward stabiliz-
ing the business of theatre operation as
much as the development of the right
kind of man power.
THEATRE management is the deter-
mining factor as to the location, arch-
itecture, size and type of theatre, as well as
the financial set-up of such ventures. It
can readily be appreciated that sound
judgment on such matters can be deter-
mined only after careful analysis of the
needs of a community, and that snap
judgment is likely to result in huge losses.
For example, there can be no reason for a
theatre where there are too many seats al-
ready, and frequently theatres meet with
disaster, where the investment is too great
for a given community. Ripe experience
as well as judgment guard against such
mistakes. To insure success there must
lie the need for the theatre that is being
planned ; otherwise there is no founda-
tion on which to build a successful busi-
ness.
As a theatre approaches completion,
management's next step is the selection
of the operating staff. The type and size
of staff depends a great deal on the kind
of theatre that is to be rated. Manage-
ment must plan the type of entertainment
as well as the policy ; such factors are
greatlv determined by the location and
size as well as the clientele that is to be
catered to. Different types of theatres
differ in their requirements in this respect.
The problems, the possibilties, the inge-
nuities of management will show a thou-
sand and one distinctions between this
house and that, one manager to another —
to say nothing of the manifold differences
of music, advertising, service and even
sanitation which set off one amusement
center from all the rest.
Since these various groups are well de-
fined in the industry, it stands to reason
that management must bear in mind the
kind of patronage to be attracted, and
must act accordingly. Care must be taken
to insure the surroundings and accommo-
dations which will attract and hold the
desired patronage.
Careful analysis, determined through
sound judgment and experience, is es-
sential in establishing the definite policy
of the theatre. Mistaken judgment in this
respect may seriously affect its future.
After determining the policy, manage-
ment must plan the personnel, and care-
fully select those who will fill the posi-
(Continued on Page 1472)
May 5 , 19 2 8
146.3
c//// Amazing
Brenkert "F-6" Reflector Arc
for Dissolving Slide Projection
Reduces Operating Costs 50%
Produces Better Effects
Why use make-shifts and
mediocre equipment when
the best costs the least ?
(wet The Brenkert Illustrated
Catalog
A book every theatre
should have — a complete
catalog of latest effect-
lighting devices.
The Brenkert F-6 dissolving slide projector is today the out-
standing value in the motion picture field. No other single piece
of projection equipment offers so much and costs so little as does
this latest Brenkert creation.
It combines the lowest possible operating costs and the lowest
first cost, with projection results which are far superior to those
obtained with any other dissolving slide projector now on the
market.
Instead of two large cumbersome, hand-operated arcs, you now
are offered a single low-amperage, automatically fed, arc which
can be operated from small and large generators alike. In place
of yellow, poorly defined screen pictures, you now have brilliant,
snow-white, slide projection sharply defined from edge to edge.
This, and many other features combine to raise the quality of
slide projection to a level never before attained.
You simply cannot go wrong in choosing the Brenkert 'F-6
because, in addition to the above assurances of complete satisfac-
tion at a most reasonable price, you have the usual Brenkert
guarantee which stipulates that every Brenkert projector is a
product of the highest quality. If found not to be so, it is re-
turnable.
And remember, the Brenkert F-6 will pay for itself in the first
year's operation. Invest now, and let this machine be a present
to yourself one year from today.
BRENKERT LIGHT PROJECTION COMPANY
St. Aubin at East Grand Boulevard, Detroit, Mich.
mm
1464
Motion Picture News
The York carbon dioxide
compressor. This ma-
chine is safe, odorless
1 < ! and practically noiseless
in operation. It la fur-
nished in a wide rang*
of capacities.
is founded on years and facts
Tleputatiotv J
A^itc A -nil -C^n+c I
For nearly fifty years, the York organiza-
ation has specialized in the design, manu-
facture and installation of refrigerating
equipment for every commercial and indus-
trial purpose.
York systems have been, and are being
adopted by leaders of the various industries
having use for scientifically regulated re-
frigeration.
A reputation founded on years and facts
has been established.
The theatre operator today realizes the vital
importance of air conditioning as applied to
motion picture houses. Theatres so equipt
certainly make a stronger bid for patronage.
In the final analysis an air conditioning
system is a matter of good business.
York equipt houses are numerous — the list
is growing; — they are profitable houses.
Let the world's largest organization of re-
frigerating engineers figure on your require-
ments.
YORK
ICE MACHINERY CORPORATION
Y O
K
P E N N A
.1/ a v 5
1 9 2 8
1465
AsJi Quits Chicago After 3
Year Reign as Jazz King
I '.nil Ash, king of jazz, after three suc-
cessful years in Chicago, where his par-
ticular form of entertainmenl acquired
phenomenal popularity, will conducl his
farewell show at the ( )riental theatre on
.May 5th, and a week later will start play-
ing at the Paramount 'theatre in New
York City.
Paul Ash went to Chicago three years
ago, opening at McVickers Theatre,
where he occupied the stage for one solid
year and built up a tremendous follow-
ing. I [e was called ti]x>n to Open the new
< )riental Theatre and has been there for
the past two years, becoming a C hicago
institution.
Ash has conducted more than 4.500 per-
formances and it is estimated played to
more than 14,700,000 persons during his
Chicago engagements, which is said to be
an unequalled record. I lis fan mail often
totalled two thousand letters per week.
He will he succeeded at the < >riental
by llrooke Johns, who for many weeks
was the personality director at the stage
shows at Skouras Brothers Missouri the-
atre in St. Louis. Skouras Brothers nego-
tiated for the services of Johns for their
Circle theatre in Indianapolis, and failing
to bring the move to a successful issue
have sent Eddie Pardo there to act as
master of ceremonies.
The Missouri theatre shows are to he
presided over by Eddie Peabodv. one of
the most popular band leaders of the Pa-
cific Coast picture theatres, who will fill
the position formerly held by Brooke
Johns.
Pending the arrival of Peabodv. Arthur
Xealy is acting as master of ceremonies
at the Missouri.
The passing of Johns from the Mis-
souri theatre has caused some resentment
on the part of the fair young persons who
make up a very large part of that theatre's
audiences. Numerous letters of protest
have been received at the headquarters of
Skouras Brothers Enterprises during the
past weeks.
The official spokesman for Skouras
Brothers replied that it was similar to the
trade that sent Rogers llornsbv from St.
Louis after winning a world's champion-
ship and brought Frankie Erisch to St.
Louis.
"A\ e kindly ask our patrons to await
the coming of Eddie Peabodv. who will
open at the Missouri either on May 5 or
12 before passing final judgmenl on this
big deal," be said.
Plans Revolving Parquet
For Berlin 'Theatre
According to an A. P. dispatch from
Berlin. Walter Gropius, noted German
architect, is at work devising a new type
of theatre in which the parquet with its
audience can be turned at an angle of 180
degrees, thus moving mechanical devices
developed for the stage across the foot-
lights. The revolving parquet will have
the effect of transporting the audience
from one part of the round theatre to an-
other, where an entirely different stage
setting from that which they gazed upon
from a previous angle will greet the spec-
tator.
Gropius also plans to make arrange-
ments for motion picture representations
projected onto the vaulted ceiling. The
film scenes are to augment and comple-
ment the action on the stage.
these advanced theatrical devices are
being developed for the theatre which the
architect is designing for Erwin Piscator
of Berlin, director of the only Communist
theatre in Germany.
Chewing Gum More Deadly
to Rug Than Tread ot Feet
Chewing gum dropped by careless |>a-
trons of the Roxy theatre in New York
City has done more to damage the rug
laid in the foyer more than a year ago,
than the tread of feet of more than
6.500,000 people, according to C. W.
(iriswold, the manager, in a letter to the
makers of the rug. The rug was woven
at the Mohawk Carpet Mills in Amster-
dam. X. Y., and is the largest of its kind
in the world. The weight of the rug is
two tons and a half. The thickness is
one inch.
(Jhe Riviera 'Jheatre
Omaha, Neh.
Uses 2 BRANDTS
^howman or Cxhibitov^
Anybody can open a theatre but ii lakes a real showman to keep it tilled with
satisfied patrons. The public demands service — the showman sees that they get it.
That's why showmen almost invariably equip their box offices with the Rrandt.
It keeps the line moving quickly and smoothly. Any ticket seller can make
change a thousand times in an hour by simply pressing only one key. \'<. mental
calculations — no mistakes — the Brandt automatically makes the correct change and
delivers it direct to the patron.
CTTfve Jfew
THEATRE MODEL
Cr' Q ^/ With the Subtracting Ky board
Sold Direct
not through dealers
Use the
coupon
Brandt
Automatic
Cashier Co.,
Department C,
Watertown, Wn.
Please place with
us on Thirty Hays'
Free Trial your Brandt
Automatic Cashier. It is,
of course, understood that
we enn return it. ax we ac-
cept the trial without obliga-
tion or expense. Please check
whether used on □ rich! or □ let t
side of the Box Office.
Over
4000
Users
t'inne Xhiiii
Individual
1466
M o t i o n P i c t it r e N ews
T
he Time Has Come - - -
'A child can operate your curtains on Vallc:: Noise-
less All-Stecl Track."
No longer can the theatre be judged by its
brilliancy alone! The equipment upon which
perfect presentations unquestionably depend
must be considered.
That's why yon find Vallen Noiseless Cur-
tain Controls and Noiseless All-Steel Tracks
insuring profitable returns on investment,
c-v-e-r-y-zv-h-e-r-e.
All Vallen Controls now em-
body our new type electric
remote control switch, de-
signed by us. This switch
eliminates all possibility oi
trouble from high or low-
voltage or poor contact on
starting switch.
A variety of effective, yel
positive, curtain movements
enhance your presentation,
— the Vallen way !
"Is it moxnmj9
I can't hear it.
h I fallen
VALLEN ELECTRICAL COMPANY
Have you re-
c e i v e d your
"Quiet Book?"
It's Different.
'ALLEN
-fff] REMOTE ELECTRIC
// CURTAIN CONTROL
EQUIPMENT
225 Bluff St.
Akron, Ohio
U. S. A.
Roxy Honor Guest at Dinner
of Broadway Association
S. L. Rothafel was the honor guest at
a dinner and dedication ceremonial given
last Monday evening, April 30, by the
Broadway Association. The dinner,
which was held at the Manger Hotel, was
followed by the unveiling of a bronze
tablet in the lobby of the Roxy theatre.
The tribute was accorded Roxy in rec-
ognition of his civic contribution during
the period of his theatrical activities on
Broadway, during which he lead the ad-
vance of the de luxe motion picture thea-
tre.
Roxy came to New York from the
Middle West fifteen years ago and estab-
lished himself in the Regent theatre at
116th Street and Seventh Avenue, where
his unique methods of picture presenta-
tion soon attracted the attendance of
downtown theatre-goers.
A year later he was called to open the
Strand theatre on Broadway, the first de
luxe motion picture theatre to present pic-
tures with synchronization of music and
color. Subsequently, he directed the
opening of the Rialto and the Rivoli thea-
tres and later was called to institute his
presentation ideas at the Capitol.
Eberson Engaged to Design
3 More for Australasian
John Eberson has been engaged to de-
sign three new theatres to be built by
Australasian Films, Ltd., in Sydney, Aus-
tralia. Stuart Doyle, president of Aus-
tralasian will be in the United States soon
and will make arrangements with the ar-
chitect for these additional houses to be
built and operated by his company. Ac-
cording to an announcement from John
Eberson's office, the new houses will be
planned, decorated and furnished and the
supervision of the building will be di-
rectly handled by his organization. This
will necessitate Eberson's sending an ar-
chitect to Sydney in connection with the
work.
The Capitol theatre in Sydney, built by
Australasian and designed by Eberson,
was opened April 1 1, and met with an en-
thusiastic reception by the theatregoers
there.
UET AUT
IC SLIDE CO., INC.
THE NEWEST IMPROVED
SLIDE CARRIER.
EASY TO HANDLE.
SAVES TIME.
NO BREAK ON SCREEN
BETWEEN SLIDES.
2 LAFAYETTE STREET
(Patent Applied)
WORTH 1620
STRONG AND DURABLE.
NOTHING TO GET OUT
OF ORDER.
EASILY ATTACHED TO
ANY LAMPHOUSE.
FOR FURTHER PARTICU-
LARS AND PRICE WRITE
NEW YORK CITY
May 5 , 19 28
1467
of utmost importance!
lights will be lit when
needed. No theatre
can afford to have
stairway, exit and lob-
by lighting fail. One
S^5=skL ^ operator can control
all lights by means of snap switches.
"Diamond H" Remote Control Switches also
control large groups of lighting circuits with sin-
gle momentary snap switches, conveniently placed.
Our engineers will assist you in every way to get
this additional business.
Our Manual on Remote Control will post you in the
use and application of these "Diamond H" switches.
Sent free on request.
THE HART MANUFACTURING CO.
HARTFORD, CONN.
"Diamond H"
Remote Control Switches are the
watchdogs at the Selwyn Theatre,
New York City.
The lights of the signs, marquee, lobbies, stairways and
exits are controlled by "Diamond H" Remote Control
Switches. In case of failure of the main current sup-
ply, they automatically turn to the emergency circuit
so that the important
(above) — Interior
Selwyn Theatre,
New York City.
(below) — Exterior,
showing signs and
marquee control-
led by "Diamond
H" Remote Con-
trol Switches.
NEW YORK
BOSTON
CHICAGO
TORONTO
Magnetic Panel Board with Remote
Control Switches in Selwyn Theatre.
Installed by Thor Elec. Co.. Inc.,
N. Y. Panel bv Metropolitan Elec.
Mfg. Co., N. Y.
DIAMOND H SWITCHES
1468
Mot i on Picture News
Sta°;e Dialogue as Advance
Announcement for Film
A novel method of presentation em-
ployed to announce the following- week's
screen attraction was tried out with con-
siderate success at the Chicago theatre,
Chicago, recently. The announcement
was made in the form of a telephone con-
versation between a young man and a
young woman appearing in small settings
arranged at either side of the stage, and
gave the details of the coming attraction,
"The Crowd" in the course of a talk over
the wire. The method used in this pre-
sentation is best illustrated by the fol-
lowing dialogue, which ensued when the
Chicago New Haven
Baltimore Ios Angeles
Detroit Montreal, Canada
young man called a number and the young
woman answered the call at her phone
across the stage :
Betty: — (picks up receiver) "Hello!"
Jack :— "Hello, is this Betty?"
Betty: — "Yes, this is Betty, who's calling?"
Jack: — "This is Jack."
Betty:— ((Jubilant.) "Jack? Well, well,
well, when did you get back from Los Angeles?'
Jack: — "Just this morning, dear, and say,
Betty, while I was out in Los Angeles, what
,lo you think? I visited one of the moving pic-
lure studios in Hollywood where they were mak-
ing some of the scenes of that great picture —
'The Crowd ."
Betty : — " 'The Crowd' ? Say, I've heard a lot
of wonderful comments about the picture; in all
the write-ups I've read, the critics were unani-
mous in their praise of it."
Jack: — "Really, Betty, I think it's positively
Address
Company
City State
one of the greatest motion pictures that was ever
produced."
Betty: — "What is it like?"
Jack : — " 'The Crowd' is a story of every man
and his wife — their courtship — their marriage
and parenthood. Most dramas end with mar-
riage, but this one has its beginning with mar-
riage."
Betty : — "Tell me. Jack, who are the stars in
the picture?"
Jack: — "Eleanor Boardman and James Mur-
ray, and they give two of the best performances
of their careers."
Betty: — "Who produced 'The Crowd'?''
Jack: — "King Yidor, and its the first picture
he has directed since "The Big Parade," and in
this story, he has dared to expose marriage as
it has never been exposed before. 'The Crowd'
originally was shown at the Capitol Theatre,
New York, at popular prices, but after one
week of sensational success, it was moved to
the Astor Theatre at two dollars admission, the
first time in the history of motion pictures that
a screen production has achieved such an honor."
Betty : — "When will 'The Crowd' be shown
in Chicago, Jack?"
Jack : — "Next week, starting Monday at the
Chicago Theatre and at regular Chicago Thea-
tre prices. What night would you like to see it,
Betty?"
Betty : — "Any night you say."
Jack: — "All right, keep every night next week
open, for after you see it once, you'll probably
want to see it two or three times."
Betty : — "How about taking Mother and Dad
along?"
Jack : — "O. K., we'll take the crowd to see
'The Crowd."
Toward the end of this, the National
Screen Service trailer on "The Crowd"
was shown on the screen.
This is an example of good showman-
ship and was very well received by the
audience, as the presenting of the trailer
in this manner was most unusual and
brought forth much favorable comment.
This can be done on almost any pic-
ture, and by almost any size house, as the
expense involved is slight.
Bridge Authority to Appear
On Capitol Stage
Milton C. Work. Auction Bridge
authority, has been engaged to appear
on the stage of the Capitol theatre, New
York, during the week of May I2th. He
will appear on the stage immediately fol-
lowing the screening of the picture
"Auction Bridge," in which he stars. The
film, a two reel production in technicolor
is the first of its kind. Mr. Work will
deliver a brief talk on the game at the de
luxe performances. At the close of his
stage discourse, Mr. Work will retire to
the theatre foyer where he will answer
questions put to him by the theatre pa-
trons during the afternoon and evening
performances.
Kansas City Singers Enter
Theatre Competition
Louie Charninsky, manager, as well as
orchestra leader, of the Pantages theatre,
Kansas City, is reaping success with his
$1,000 contest for Kansas City singers.
The contest lasts ten weeks, with four of
the twenty winners of the elimination con-
test making an appearance on the Pan-
tages stage.
"\T^7"EIGH safety against the chance
you are taking now. Once you do,
you'll banish forever the risk of burglary
that now hangs over every unprotected
box office.
York engineers have perfected a safe
especially designed for theatre require-
ments. Small, convenient, inexpensive
to install.
This isn't simply an office safe — it's a
vault — on a miniature scale with the
same principles of protection that is
installed in your bank.
Write today for full information.
Protect
Y our
Receipts
with a
York
Safe
York Safe and Lock Company
Factory and Principal Office: York, Pa.
New York
San Francisco
St. Louis
Seattle
Houston
Cleveland
Washington
Tampa
Philadelphia
Boston
York Safe & Lock Co.,
York, Pa.
I am interested in your York Round Door Chest.
Send me descriptive pamphlet and interesting
data without obligation.
Name
May 5 , J 9 28
1 W)
PL&OTONE
^ SOUND lAEPFtCEUC*
ING DEVICEiiil,i,nflfif ,rul1 v
■LVEI\Y THEATRE: CfVNEI\
Cue your pictures intelli
^sntlii. THe best musical
talent atluj 1 1 1 avail at)l e.
HATTER CAt lNtT CP rJVf .rSI^S
Peppy breezes in your lobby to greet
people coming in —
Gentle breezes^cool and refreshing--
inside your house —
That's the way to pull big business all
summer — every summer.
It isn't the breeze alone that makes
Typhoon a winner. It's the tremendous
volume of pure, fresh air from outdoors — a
complete change once every minute — that
gets rid of the enormous amount of heat and
humidity given off by the audience. You
know wall fans won't cool your house — nor
will anything else that gives you just a
breeze.
The one-minute air change — A.ND the
breeze besides: That's what does the trick.
Quick action — NOW . Get our Booklet /V-5
TYPHOON FAN COMPANY
345 \V. 39th Street New York, N. Y.
Offices in Principal Cities
Stage Settings— Draperies
Built and Painted Scenery
Asbestos Curtains
Rigging
EXCELLENT
LOW
WORKMANSHIP
COST
340 West 41st St.
New York City
1470
Motion Picture News
The Exhibitor -Made Press Book is Making Good in
in Theatre Campaigns for "Speedy"
(Continued front Page 1452)
rector, was launched with a pre- view for
newspaper writers in an aeroplane. This
stunt, by the way, is one of the press book
ideas included in the suggested campaign
submitted by Oscar A. Doob, of the
Kunsky theatres, Detroit. The lobby of
the Million Dollar theatre was decorated
to suggest the rear of a horse car. An-
other press book suggestion here. One
of the biggest tieups accorded a picture
was arranged with the General Gasoline
Company, which advertised a product
known as "Speedy Gasoline." This also
was among the press book suggestions
and it is one which has been very widely
used by other theatres. The Los Ange-
les company put out thousands of spe-
cially designed posters, displaying them
at their stations in California, Oregon,
Washington and Arizona. One of the
outstanding accomplishments in the Los
Angeles campaign was a five-page co-
operative advertising and publicity sec-
tion which Reddy arranged with the Los
Angeles Express. This section appeared
in the regular edition of the Express the
day before the "Speedy" opening at the
Million Dollar theatre.
Bill Hollander and his assistant, Bill
Pyne, exploited "Speedy" at the Roose-
velt, Chicago, with an attractive theatre
front. But the stunt which seems to have
topped them all was the tieup arranged
with the Post-Office Department. Ban-
ners were placed on all mail trucks. This
was a variation of one of the press book
ideas. The display carried a large head
of Lloyd, in addition to suitable copy
which, in part, read, "Speedy Delivery."
A tieup was also arranged with the con-
cern controlling Weighing Machines at
all Subway and "L" stations, a sticker
being placed on each machine, copy on
which read: "Speedy says — Step on It."
This idea was also worked to advantage
in connection with the Los Angeles show-
ing.
F. W. McManus, who handles the pub-
licity and advertising for the Publix
Houses in which "Speedy" was shown
first run in Boston came through with a
glorious campaign. Featured among his
various exploits was a teaser campaign in
the subways and sniped all over Greater
Boston, copy reading as follows :
"Speedy says — Get the Hit-and-Run
Driver," and "Speedy says — Use the
'L' " A tieup was also worked out with
the leading ice cream company in Bos-
ton, in which was in the nature of a dup-
licate of the Horton tieup in New York.
Another tieup was arranged with the
Kresge Company music departments in
conjunction witlh a radio stunt. The
Checker Cab Company used a sticker on
the rear of every taxi window which
read : "Speedy says — Speedy Service." A
representative showing of billboards were
used, in addition to 25,000 roto sections.
Another campaign of extraordinary
merit and effect was put over in Atlanta.
Ga., in conjunction with the showing of
"Speedy" at the Howard Theatre. One
hundred tire covers were used on the
Black and White Company's cabs ; five
hundred drug store stickers carrying a cut
of Lloyd with suitable copy were distrib-
uted, while a street ballyhoo of an old
dilapidated flivver was drawn through the
main streets before and during the run.
The car was pulled by an old mule and it
carried heads of Lloyd and a banner an-
nouncing playdates. Two thousand stick-
ers announcing the extension of the mat-
inee until 6 :30 o'clock were placed on res-
taurant menus. Arrangements were made
whereby the Brunswick Recording Com-
pany donated thirty-five ".Speedy Boy"
records.
The campaigns cited by no means cover
the ground entirely as to the number of
press book ideas which found actual ap-
plication by the theatre men. However,
they are typical, and indicates the exten-
sive manner in which such tieups as the
street car company, ice cream company,
oil and gasoline distributors, and other
press book suggestions are being em-
ployed by the exhibitors in selling
"Speedy" to their public.
Builders of Fine Theaters
HERE
is your guide to
May 5, 19 2 8
1471
POST BASKET
This Post Basket is furnished in two parts; will be
made to fit either round or square post. Simply give
us the circumference or diameter of post.
Illustrated Catalogue
No. 7 of Artificial Flowers,
Plants, Vines, Trees, etc.
Mailed Free on Request
FRANK NETSCHERT, Inc.
61 Barclay Street New York, N. Y.
Instantaneous Control
with the Utmost Ease
KLIEGL leads again with new ideas in
spotlight design — centralizing all con-
trols conveniently at the rear of the hood,
providing for speedy and easy operation,
with the fine balance and flexibility that has
always been characteristic a
of Kliegl spotlights. „^
Referring to figures in above illus-
tration: (I) curtain shutter control:
(2) iris shutter control; (J) color frame
controls; (4) arc focus control; (5) arc
length control; (6) beam control:
(7) wing lock nut.
For a detailed description write for Bulletin No. I
Universal Electric Stage Lighting Co.. inc
321 West 50th Street
N EW YORK, N Y.
FOR ALL YEAR PROTECTION
Architects Specify Evenheeters
In Spring and Summer as well as in Fall and Winter
your organ needs protection, for dampness as well
as coldness harms the delicate mechanisms. Ward
off these enemies of organ welfare by installing this
efficient automatic electric heater in your organ
chamber.
Not only do Evenheeters warm
your theatre organ to any desired
temperature, but they maintain
that temperature throughout the
whole organ chamber.
Before you specify organ cham-
ber equipment, architects, investi-
gate this protective device that
insures correct organ welfare and
means longer organ life and less
maintenance expense. Walter
Ahlschlager, Rapp & Rapp and
Eberson & Eberson endorse and
specify Evenheeters for all the
organ chambers they plan.
CRAMBLET ENG. CORP
286-288 Milwaukee St.
Milwaukee, Wis.
"satisfied
USERS
SPELL
SUCCESS
Since M»J*J HOUSE in
lTAK OPERA ope.
PHILADELPHIA ^
rated a curiam 86 ^ C.
id SO Ejetb* h£yuRTAlN
AIJT0MAT1C E.Z
CONTROL and
TRACKS-
FOR PERFECT CURTAIN MOVEMENTS
A. D. C. AUTOMATIC CURTAIN CONTROL
AND
ROLL E-Z TRACK
AUTOMATIC DEVICES CO.
739 HAMILTON ST
ALLENTOWN. PA.
Also manufacturers ol the STABILARC MOTOR GENERATOR
1472
.1/ otio u P i c t u r c
N ezvs
The Modern Theatre — An Outline of Successful Man-
agement and Operation
By Harold IS. Franklin
(Continued from Page 1462)
tions. In the technical positions, only men
of experience should be considered, al-
though experience is not necessary in the
service department, providing those that
are considered, are apt, young and well-
educated. Naturally they must he well
recommended. The task of training this
start* becomes -a matter of great impor-
tance until the opening of the doors of
the new theatre. Every individual em-
ploye is instructed in detail, not merely
in the routine of his task, but in the man-
ner of performing it in accord with the
highest standards. Specific instructions
leave no doubt, and are administered to
new employes by every means possible :
word of mouth, written rules and bv ex-
ample as well as drill. The maintenance
of discipline is important in guaranteeing
proper service. The best discipline is one
that is not noticeable, but that neverthe-
less exists. The operation of a theatre
can be compared with that of a ship,
where every member of the crew, from
bridge to engine room, knows his place
and does his duty.
The operator of a small theatre hooks
his own pictures, buys his own supplies,
perhaps acts as cashier or doorman, and
sometimes projects his own pictures. His
theatre outgrows its possibilities, and he
moves to a larger building. This newer
theatre demands more time, maknig it
necessary for him to concentrate on man-
agement. He engages an assistant to
whom he delegates some of the responsi-
bility. In a larger theatre, the manager
has control of each department, even
though he delegates the actual work to
others. He, therefore, is able to concen-
trate on administration, while assistants
carry on the routine — that is organization !
In this way, theatre operation is divided
into departments, with clearly defined ob-
ligations. Each department head is gen-
erally an expert in his work. Eor every
function there is a department. No de-
partment of motion picture theatre opera-
tion is more important than projection,
and it is gratifying to note that constant
improvement in personnel as well as booth
equipment, is establishing a better uni-
form quality of projection. New inno-
vations and developments, fostered to a
great extent by the Society of Motion
Picture Engineers, have contributed to-
ward a result that is establishing definite
standards. This is fortunate, indeed, as
good projection is of utmost importance,
and there cannot be any compromise in
that respect.
The importance of color and its appli-
cation in relation to illumination, both for
decorative as well as stage effects, is of
great importance. The effective use of
light in the theatre is of great value when
its possibilities are carefully studied. The
proper use of color helps to put patrons
into moods sympathetic with the action
on the stage or screen. Light may be
used by the master electricians as music
by the composer, and he can render color
harmonies as if thev were woven into a
musical symphony. That there is a psy-
chological effect produced by certain col-
ors has been established bv illumination
engineers. No single color can produce
a satisfactory result, anv more than onp
note can produce melody in music. It is
the combination of shades and their vari-
ations which produce a harmonious effect.
Contrast, an excellent variant in any art,
may be achieved through the use of har-
monious colors in theatre lighting. Color
is used to good advantage in conjunction
with music during the playing of solos
and special stage numbers.
Advertising is the mouthpiece of the
theatre. Management must display show-
mansl**p in advertising just as much as on
the screen and on the stage. It can do
a great deal towards adding to or detract-
ing from the good will of a theatre. Need-
less to point out, advertising must always
be honest with the public. There can be
no exaggeration if it is to be effective.
Great strides have been made in the past
few years in the character of the adver-
tising of motion picture theatre. Extrav-
agant adjectives used to be very common-
place, and even today motion picture au-
diences read such ads with a great amount
of tolerance. Among more progressive
managements, however, advertising is
prepared by men who carefully plan their
campaigns, and every effort is made to
appeal honestly to the patron. Style has
replaced worn-out phrases, and good lay-
outs and illustrations have taken the place
of extravagant use of space.
THEATRE AD MAT SERVICE
SCOOPS WITH "BREMEN" ADSI
The moment news of the Bremen
arrival reached TAM offices, elaborate
preparations were made to give ex-
hibitors proper advertising to cash in
on the greatest event since Lindbergh.
Using every known method of speed
in photo-engraving, TAM delivered to
its clients, at no extra cost, a complete
press sheet and a dozen mats to adver-
tise the news reel special
Don't delay any longer — your Thea-
tre should have the original ad mat
service for Theatres.
Our latest issue awaits your inspec-
tion.
Theatre Ad Mat Service, Inc.,
Penn Theatre Bldg.,
Uniontown, Pa.
May 5 , 19 2 8
147.1
THE PERFECTION
HAS SOLVED THE
RHEOSTAT PROBLEM
For Most Theatres
It Will Do the Same for You
Sold by Your Supply Dealer
HOFFMANN & SOONS
387 FIRST AVE. NEW YORK CITY
Contracting Electrical Engineers
Moving Picture Theatre Electrical Specialists
Snap Reco Color
Hoods — half or full hoods — over
clear lamps of standard sizes,
and you instantly get rich, bril-
liant color that, won't fade
or wash out like dipped
bulbs do. Choice of seven
brilliant colors.
Write for bulletin
describing
Color Hoods
2628
W. Congress
Chicago
St
Manufacturers also of
Motors, Flashers, Traffic
Controls, Sienboard Reflec-
tors, Food Mixers. Vejetable
I'eelsrs, etc.
Standard
VAUDEVILLE
for
Motion Picture Presentation
THE FALLY MARKUS AGENCY
Astor Theatre Building
N. W. Cor. 45th St. & Broadway
Lackawanna 7876
Advertising in
THE SHOWMAN
Pays
For Long Continuous Use
Specify the Type CP.
TRANSVERTER
It operates daily with a minimum of attention by the projectionist because it de-
livers within V/< of its rated voltage without adjustment.
It operates for years quietly, economically and accurately because it is designed
and manufactured on engineering principles that ensure such satisfactory per-
formance.
"If you show pictures you need the Hertner Transverter."
Distributed in V . S. A. by The
National Theatre Supply Co.
THE HERTNER ELECTRIC COMPANY
1900 W. 112th St.
1i
CLEVELAND, OHIO, U. S. A.
AND NOW.'
The Gallagher Mobile
Stage Orchestra Lift
W rite for Particulars
GALLAGHER ORCHESTRA
EQUIPMENT COMPANY
616 W. Elm St., Chicago, 111.
West Const Office: 1 187 W. Washington Boulevard, !.<>» kngele
STOCK PROGRAMS
PROGRAM COVERS
For
Moving Picture Houses
Joseph Hoover & Sons Company
Market and 49th Sti.. Philadelphia. Pa.
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2-color Program, all Features writ-
ten up for you. Printed and Delivered to your
theatre at a small cost.
Write for Samples and Prices to
THE DERBY PRESS
2015 So. Vermont Ave. Los Angeles, Calif.
1474
M otio ti Picture N civs
— only one
driving
mechanism
Your car doesn't have a motor
for each wheel — one engine
drives them all. The Gold Seal
Register has only ONE driving
mechanism which operates
two, three, four, five or six
units as the case may be.
GOLD SEAL
Ticket Registers
and 'Tickets That Fit"
The Gold Seal is the only ticket
register that has only one driving
mechanism. The lubrication is
sealed in; so it never requires at-
tention. Case hardened steel pro-
tects the points of wear. There are
bronze bushings on the driving
shaft. The exposed steel is rust-
proofed.
These are a few of the many points
of superiority that make the Gold
Seal the best ticket register on the
market.
Our Reserved Seat Ticket Plants
in Boston and New York Can Save
You Money. Get Our Estimates
AUT O M A TIC
Ticket Register
Corporation
723 Seventh Ave., New York
Independent Printers of Quality
Tickets for Every Purpose.
RadiO^^-Mat
TALK from your screen
WITH your quickly
TYPEWRITTEN MESSAGES.
WHITE. AMBER or GREEN;
Accept no substitute.
is the Stationery of the Screen |
Index of Advertisers
and Information Request Blank
The following list of advertisers in the May Showman has been prepared for the
convenience of readers and, while compiled with the greatest of care to make it cor-
rect, it cannot be guaranteed against possible errors or omissions.
Adam Electric Co., Frank 1470
American Seating Co T454
Arctic Nu- Air Corp 1457
Automatic Devices Co 147 1
Automatic Ticket Register Corp. 1474
Bausch & Lomb Optical Co 1475
Brandt Automatic Cashier Co.. . 1465
Brenkert Light Projection Co.. . 1463
Brooks Costume Co 1474
Burt Automatic Slide, Inc 1466
Carrier Engineer Corp *449
Cramblet Engineering Corp 1471
Cutler-Hammer Mfg. Co 1450
Derby Press, The 1473
Fulton Co., E. E 1456
Gallagher Orchestra Equip. Co. 1473
Hart Mfg. Co., The 1467
Hertner Electric Co., The :473
Hey wood- Wakefield Co 1442-43
Hoffmann & Sons 1473
Hoover & Sons Co., Joseph. . . . 1473
International Projector Corp... 1461
Kliegl Bro. Universal Electric
Stage Lighting Co 147 1
Lakeside Co 1459
Markus Agency, The Fally *473
National Screen Service 1475
National Theatre Supply Co.... 1453
Netschert, Inc., Frank 147 1
Novelty Scenic Studios 1469
Platter Cabinet Co 1469
Radio Mat Slide Co 1474
Reisinger, Hugo !475
Reynolds Electric Co 1473
Rockbestos Product Corp J434
Stebbins, Leterman & Gates. . . . 1475
Supreme Heater & Ventilating
Corp 145 1
Theatre Ad Mat Service, Inc. . . 1472
Typhoon Fan Co 1469
Vallen Electrical Co 1466
York Ice Machinery Corp 1464
York Safe & Lock Co 1468
INFORMATION REQUEST BLANK
Showman Service Bureau
Motion Picture News
729 Seventh Ave.
New York City
Please obtain for me without obligation additional information
in connection with the advertisements or articles appearing in the
April issue of The Showman.
(insert above name of advertiser or title of article)
Name
Theatre
Street
City & State
UNIFORMS
FOR HOUSE
ATTACHES
COSTUMES
FOR STAGE
PRESENTATIONS
brooks r/s
.1/ a v 5
19 28
1475
D
EPENDABILIT
; only another name
/or
I
Y
*
• — ^ - 'I-'*"!"' ""I"1 ~J — ""I-1 - J" ~i* ""I* "I- "I" "I" '"I***!"' ""I"""?- "I"* ""J"1 ^I" "Ij ~ I — I' "I" "I" "I' "I' "I' ■■*"
CARBONS
HUGO REISINGER
11 BROADWAY NEW YORK
+
+
On Page 1476
An important announcement of
particular interest to all Theatre
Owners — Theatre Executives-
Theatre Managers — and Manu-
facturers and Distributors of
Theatre Building Materials and
Equipment.
f-f OR the purpose of better
serving our present clients
and, through association with
each other, to improve the facili-
ties for our growing business
We announce the Amalgamation of
ARTHUR W. STEBBINS
FORMERLY ARTHUR W. STEBBINS fli CO , Inc.
ELMER G. LETERMAN
and
ALBERT N. GATES
FORMERLY LETERMAN &! GATES, Inc
in the firm of
Stebbins, Leterman & Gates
INCORPORATED
Insurance Brokers
1540 BROADWAY
LOEW S STATE THEATRE BUILDING
Telephone Bryant 3040
LIFE
ACCIDENT
HEALTH
AUTOMOBILE
LIABILITY
r a
FIRE
BURGLARY
FIDELI I 1
SURETY
MISCELLANEOUS
r
B & L
LENS TALK
No. 5
(
Illumination
Possiblv the feature of the projected picture which
most affects the pleasure and comfort of the patron
is brightness.
This characteristic deserves more attention than it
generally receives, for the brightest picture is not
necessarily the most satisfactory. Glaringly bright
pictures are all too common in our theaters today.
Illumination depends upon many factors, among
which the lens is second only to the illuminant itself.
The extent to which illumination is affected by the
lens depends on the ratio of lens diameter to lens
focal length. This ratio is called the speed or "F-
Valuc" of the lens. A speed of approximately f:2.3
to f:2.5 has been employed for several years as
standard for high grade projection lenses.
The limit is set for lens diameter by the increasing
difficulty of correcting aberration, but even if this
were not the case, another consideration determines
an effective limit. This is the difficulty of obtaining
and maintaining sharp focus with lenses of too high
speed. Such lenses require a very accurate and sen-
sitive focusing adjustment, but, what is worse, be-
cause of the buckling of the film the picture seldom
appears in focus for more than a few seconds, no
matter what the adjustments may be.
BAUSCH & LOMB OPTICAL COMPANY
653 St. Paul St. ROCHESTER. N. Y.
RECOGNIZEE) BY THEATRES
EVERYWHERE AS ABSOLUTELY
I N DISPENSABLE TO THEIR SUCCESS
Q tjfuiler on 6ve/r/ Tidwrc Vcu TLcuj-
\ complete service -with Animated opening-
centaining name cf tlieatre - day sets
and Animated closing to match -
SPECIAL SERVICE DEPARTMENTS
in, diartfe of experts leadv to suppk Special Arificurcenjt rf *
of anf kind Tin film form at reasonable prices
ARTISTIC ANIMATED LEADERS
for your Feature, Comedy, News, Ends, Trademarks
mvtmv SCREEN SHMCF
CHICAGO ••
M5 S WAbASM \\l
N EW-TORK
126 -I JO W. -»fc™ ST.
LOS ANGELES
.1/ o t i o n P i c t u r e N c iv s
C~\N file in many of the offices of the world's leading theatre
owners, theatre architects and builders are complete
sets of the past issues of
Theatre Building &l Equipment
Buyers Guide
and in some instances to assure preservation against continu-
ous use these file numbers have been bound in leather.
Over 15,000 copies of Theatre Building & Equipment
Buyers Guide are distributed to all theatre owners and archi-
tects, theatre builders and electrical contractors. The entire
field watches for each new number of Buyers Guide, to get
the latest ideas of theatre design and up-to-date references
for the sources of purchase of all types of theatre equipment.
Twelve full pages of four color illustrations are used in
each issue of Buyers Guide. This true reproduction of fine
theatres is a feature that places Buyers Guide in a class by
itself as a trade publication.
Over 100 manufacturers advertised their products through
the pages of our 1927 issue of Buyers Guide — the most ef-
fective advertising medium that has ever been offered manu-
facturers of theatre equipment, appointments and building
materials. Buyers Guide assures the manufacturer that his
advertisement is constantly before all individuals responsible
in any way for the buying for new theatres or the re-equipping
of theatres in operation.
The vSpring Number of Theatre Building & Equipment
Buyers Guide is now in preparation. Complete details and
specimen copies of Buyers Guide will be gladly sent upon
request. Address, Motion Picture News, 729 Seventh Ave.,
New York City.
May 5, 19 28
\A77
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
Tie
JVlirrors
of
FiJmdom
T1IK "sound movie" lakes another forward step with
the showing of "Glorious Betsy." now current on
Broadway. The spoken sequences are generally
effective; hut the real high point of the picture is a
ballroom scene which is climaxed by the singing of the
""Marseillaise." rendered hv Andre de Segurola, former
opera star.
This is one of the natural sequences into which the
""sound movie" can go with great effect. In fact, the big
problem in the handling of sound is that of naturalness.
The picture itself is hokum, hut of the box-office variety.
It looks id us like a money-maker for the exhibitor, even
without Vitaphone.
ONE of tlif most remarkable shots ever recorded by ;i news
weekly is that in the Pal lie New s issue released Saturday.
April 2S. showing the wrecking of Lockhart's ear ;it Daytona
Beach, Florida, and the tragic manner in which this daring
holder of many world's driving records was hurtled to his
< lea th. It. is one of the most sensational flashes seen on a screen
and the marvel of it is that a cameraman could have kept
grinding while it w;is in progress. A full projection room
gasped its horror with the realism of it when it was shown.
Kay Hall, editor of Pat he Xews. declares it the most sensa-
tional shot he has seen in his twelve years of news reel ex-
perience.
Lockhart is first seen in a close-up at the start. He is then
shown in his first trial spin in which he made 193 miles an
hour. Then comes the dash in which he was making over 1200
miles an hour when a blowout shot the car some twenty or
thirty feet into the air. Not once, but five or six times the
car turned completely over and on the last turn Lockhart was
Catapulted some seventy-five feet and at least thirty feel high.
The mishap apparently took place immediately in front of the
camera, for its every detail is clearly recorded.
Ray Murray Joins News' Coast Staff
THE West Coast staff of MOTIOIS PICTURE
NEWS, headed by William McCormack, has
been augmented by the addition of J. Hay
Murray, who recently resigned his post as West-
ern Representative of the Exhibitor' 's Herald to
assume duties in connection with his new affilia-
tion.
Murray has enjoyed wide? experience in the
trade paper field, having been associated with
this branch of the industry for more than four-
teen years, during which time he served as Chi-
cago correspondent for Film Daily, covered dra-
matic attractions in the windy city for Dramatic
Mirror and later became editor of the motion
picture department of llillln>ard. in New \ ork. He
then edited a fan magazine, but returned to the
trade field when becoming associated with the
Herald, where he has remained tin* past three
u
NIVERSAL held the premiere of "The Man Who
Laughs" at the Central Theatre, New York City, last
week. The picture is being shown at top (trices on a two-a-
day schedule, and Universal has plans to roadshow it.
This Paul Leni production recalls the two other special
productions Universal made from the Victor Hugo novels —
"The Phantom of the Opera" and "The Hunchback of Notre
Dame." "The .Man Who Laughs" is a more powerful picture
than "The Phantom," and probably as good as the "Hunch-
back." Leni has duplicated his success with "The Cat and
the Canary" — and more.
There are some who will say thai "The Man Who Laughs"
is too gruesome a story to lie classed as good entertainment,
hill even they will never for a moment question the strength
of the production. And then as to gruesomeness — one mi'_rht
answer that with the final cheek up on the box office for "The
Phantom of the Opera." and further comment on the
army of fans that turn out to greet each new Lou Chancy
picture. Certainly. "The Phantom" was quite a bit gruesome.
THE film gets away with a hang, winch, of course, is a
strong point. It ends with a "smash finish" — which
is another strong point. There are some parts between
that lag. hut these easily could he speeded up. The film is
shown in two parts, and is plenty long enough to stand a
hit of cutting.
"The Man Who Laughs" must have cost Carl Laemmle
a lot of money. The lavishness of the production and the
length of time in its making will bear this out. But there
is an excellent chance of Universal receiving a nice return
on the investment.
* # * *
The Industry's Advance Agent
(Continued from l'<i<i< 1425)
work and reading matter which made up the formal
season's announcement. His appetite for all the par-
ticulars has been whetted. W hen it is a matter of a
sensational murder story in the daily paper, he know s
that he can trust the wise editor to come oul with a
crackerjack "second day story.'* and then, if the tacts
warrant, to follow tip with daily installments.
'Idie same principle holds good with exhibitors in
the case of the "first day" advertising story about new-
pictures, which is fascinating hut necessarily lacking
in detail. Mere is where the home office will score
heavilv through its salesmen with a "second day" ad
vertising Story bringing out additional and alluring
facts, and with as many additional "follow ups" as
truth and ingenuity can supply.
No. W hen the general manager, or the division
manager, or the district manager, or the branch man-
ager complains that salesmen do not know how to
cooperate with the firm's advertising, and won't learn,
that probably is an excuse for a contemplated re-
trenchment in the advertising outlay suggested by
some tired and overworked efficiency expert!
1478
M o t i o n P i c t u ) c N c zvs
The popular Richard Dix, one of Paramount's best star bets, is well
again. "H arming Up," the new picture he is making, will have the
baseball diamond for a background. Mike Donlin (shown with Dix
above) having made an indelible niche as a Ixdl player, will be
baseball technician
Scripts must be talked over many, many times. Director George
Archainbaud and Ben Grau.man Kohn debate the merits of scenes in
"Ladies of the Night Club." The story, an original by Kohn, stars
Ricardo Cortez. It is now being directed by Archainbaud for
TiffanyStahl
He owes liis rise to his own ability and their guidance.
Not so long ago Nick Stuart ivas acting in Fox comedies.
Now he is starring in Fox features, the latest, "The News
Parade," directed by Dave Butler, left, and supervised by
Truman Talley. right, chief of Fox News
Bill Boyd, De Mille stellar player, as
he looks Hearing the uniform of Neiv
York policeman in "The Cop." He
has also been assigned the leading
masculine role in I nited Artists'
"La Piava"
Paul Fejos, director, who
recently scored an achieve-
ment in Zakoro's "The Last
M o m e n t." His latest is
'Lonesome," for "U," with
whom he is under contract
Buster Collier will be seen
in 5 pictures from the ff ar-
ner studio next season. At
the present time he is ivork-
ing with Audrey Ferris in
"No Questions Asked"
Several important ''names" were
signed for the leads in F B O's pro-
duction in work, "The Perfect Crime."
Irene Rich and Clive Brook are the
two impassioned lovers. Gladys Mc-
Connell is also featured
Dorothy Devore plays a very elabo-
rate harmonica, made of ivory and
said to be exceptionally rare. It will
ex entually go to "Big Boy," in coiu
junction with ic/iose pictures Educa-
tional stages harmonica contests
Pretty Ann Page, M-G-M player opposite ft illiam Haines
in 'Telling the ff orld," introduces her mother to the star
and Director Sam U ood
Johnny Hines believes in doing things
on a big scale, as witness his notebook
and pencil. Before starting his new
First Natiomd comedy Johnny takes
some gag dictation from Dolores Del
Rio, United Artists star
M ay 5, 19 2 8
147"'
Courts to Determine Legality
of Industry Practices
Department of Justice Files Two Petitions in Equity
on Distribution, Arbitration and Credit
TDK courts are to determine the
legality of practices in the motion
picture industry having to <lo with
distribution, nrbitrat ion ;md credit. Two
petitions in equity have been Sled by the
Department of Justice designed to test the
legality of these practices. The defendants
named are the Motion Picture Producers
and Distributors of America, the .'!2 Film
Boards of Trade throughoul the country
and ten leading motion picture corpora-
tions. The suits are to be defended by the
law firm of Cadwalader, Wickersham &
Tat't, who in a statement said their clients
welcomed the opportunity to test the
legality of the activities in dispute. C. C.
Pettijohn, General Counsel for the Film
Boards of Trade, in a statement also denied
there had been any conspiracy in restraint
of trade and defended the system of arbi-
tration in vogue.
The firms named in the filing of the peti-
tion, in addition to the Motion Picture
Producers and Distributors of America and
the Film Boards of Trade are: Paramount
Famous Players Lasky Corporation, Metro-
Gold wyn- Mi yer I )ist ributing Corporation,
First National Pictures, Inc., Universal
Film Exchanges, Inc., United Artists Cor-
poration, Fox Film Corporation, Pathe P]x-
change, Inc., F. B. 0. Pictures Corporation,
Vitagraph, Inc., and Educational Film Ex-
changes, Inc. All members of all local
Film Boards of Trade are also made de-
fendants, although they are not named in-
dividually because of their great number.
The corporations named as defendants
are alleged in the petition to distribute ap-
proximately GO per cent of all the motion
picture films distributed annually in the
I'nited Stair- and that the members of
the Film Boards of Trade are declared to
represent the distributors of approximately
98 per cent of all such films.
Text of Announcement
Following is the fidl test of the depart-
ment 's announcement :
It is announced at the Department of
Justice that two petitions in equity were
filed, April 27, in the District Court of the
United states for the Southern District of
New York. There are three classes of de-
fendants to these actions. The first class
comprises ten defendant corporations which
are engaged in distributing motion picture
fihns throughout the United States, namely:
Paramount Famous Lasky Corporation,
Metro-Goldwyn-Mayer Distributing Cor-
poration, First National Pictures. Inc.. Uni-
versal Film Exchanges, Inc., United Artists
Corporation, Fox Film Corporation, Pat lie
Exchange, Inc., F. B. 0. Pictures Corpora-
tion, Vitagraph, Inc., Educational Film
Exchanges, Inc.
The Motion Picture Producers and Dis-
tributors of America, Inc., an association
of which all the defendant distributors are
members, is named as a defendant next
after the defendant distributors.
The third class of defendants includes
the 32 Film Boards of Trade located in the
principal distributing centers for motion
picture films throughout the United States.
All the members of each local Film Board
of Trade are made defendants to those ac-
tions although such members are so numer-
ous that they are not named individually.
Both petitions allege that the defendant
corporations distribute approximately 60
per cent of all the motion picture film dis-
tributed annually in the United States and
that the members of Film Boards of Trade
represent the distributors of approximately
98 per cent of all such motion picture films.
In August, 1 926, the Department an-
nounced that it had completed its investi-
gation of the Film Boards of Trade. Cer-
tain practices which had been adopted by
the local hoards were objected to by the
Department and at it- instance the Film
Boards of Trade amplified the rules and
regulations relating to arbitration, so as
(dearly to prohibit members of local boards
from pursuing such objectionable practices.
The operations of the credit committees of
the Film Boards of Trade were not cov-
ered by the first investigation by the De-
partment.
Found Arbitration Fair
Because, from its inquiry, the Depart-
ment found that the arbitration system con-
stituted a fair, just and economical method
of dealing with the disputes between ex-
hibitors and distributors, it was decided at
that time not to institute proceedings to
test the legality of the system, but rather
to observe its operations, effect, and prac-
tical workings.
In January, 1927, the Department insti-
tuted a thorough and comprehensive in-
vestigation into practically every phase of
the motion picture industry. This investi-
gation is still being pursued vigorously, but
due to the fact that it has covered a very
large field, it has required minute study of
A. G.Whyte Film Buyer
for Sapiro Group
FOR some time film buyer for the
Keith organization, Arthur (;.
Wh\te has resigned that post t.i
accept a similar one with the Indepen-
dent M. P. Exhibitors' Association and
plso to handle the allocution of pic-
tures with members of the Sapiro
group. The Independent M. I'. Exhibi-
tors' Association, of which Aaron Sa-
piro is president, now claims 18 own-
ers and circuits operating 7!t theatres
in Greater New York.
detailed data and information. Progress
of the work has been delayed also by care-
ful investigation of all complaints received
by the Department.
Frequently such investigation has re-
sulted only in loss of time, because the com-
plaints themselves have too often been
founded on rumors unsupported by evi-
dence and as a result have been misleading.
As the work progressed and as illegalities
have been disclosed, the Department de-
cided without delay to submit to the Court
the determination of specific questions, so
that stability and certainty could be estab-
lished in the industry.
It is a result of this investigation and
the plan outlined that the present actions
have been instituted. These actions are two
in number. The first is entitled United
States v. Paramount Famous-Lasky Cor-
poration et al. It is brought to test the
legality of the agreement between the dis-
tributors of motion picture films to contract
with exhibitors for the exhibition of mo-
tion pictures by contracts which contain all
the terms and provisions of a standard ex-
hibition contract and more particularly a
provision for the arbitration of all disputes
arising between exhibitors and distributors
under such contracts, and to test the
legality of the rides and regulations which
have been established and operated by the
Film Boards of Trade for enforcing awards
of the Boards of Arbitration.
The second action is entitled United
States v. First National Pictures. Inc., et
al. The purpose of this action is to test
the legality of the operations of the credit
committees of the Film Boards of Trade. It
is alleged in the petition that the purpose
and function of these credit committees is
to compel every one acquiring a motion pic-
ture theatre by transfer or purchase to take
over and to perforin all uncompleted con-
tracts for the exhibition of motion pictures
at such theatres which had been entered
into by the previous owners or operators
of the theatres.
Charge Hoards Failed to ici
It is also alleged that many local film
boards still operate with the practices
which they were instructed to discontinue
as a result of the original investigation. In
order to prevent the members of the Rim
boards from continuing such illegal prac-
tices, it is essential to secure a decree which
under penalty will enjoin them from sin h
continuance.
Another reason for testing out the work-
ing of the arbitration system is to have the
legality of rules and regulations for en-
forcing the awards of the Board of Arbi-
tration. This is particularly important be-
cause of similar questions in other indus-
tries. Here we have presented a question
as to whether or not substantially all the
( Continued on following page)
1480
Motion Picture New s
Department of Justice to Test Practices
Contends Distributors
in Disagreement on
Second Action
(Continued from preceding page)
distributors of motion picture films may
agree to require security from any exhibitor
who has failed to comply with an award of
the Board of Arbitration and to suspend
service to such an exhibitor until and unless
he complies with the award or makes the
deposit .
Concerning the second action it is the
contention of the Department that distribu-
tors of motion picture films can not agree
amongst themselves as to the terms and
conditions under which they will enter into
"titracts with the new owners or operators
of motion picture theatres. It is asserted
by the Department that the system as op-
erated does not pertain to credit as is
usually understood and does not purport to
furnish information on the basis of which
each member of each film board indi-
vidually may decide for himself whether
any new owner of a theatre is a suitable
credit risk with whom to do business.
Statement from Attorneys
The following; statement was issued by
Cadwalader, Wickersham & Taft, attorneys
for all of the defendants named in the ac-
tions brought by the Government against
Motion Picture Distributors and the Film
Boards of Trade :
"Our clients welcome the opportunity to
test the legality of the Film Boards of
Trade arbitration plan, which we are in-
formed has been the small exhibitor's
greatest single protection during the growth
of the motion picture industry and which
its sponsors regard as the outstanding con-
tribution by any group toward the develop-
ment of industrial arbitration in the
United States.
"The plan has been overwhelmingly
satisfactory inside the industry. Under its
provisions over 50,000 cases' have been
amicably settled, without litigation, during
the past five years. Resultant confidence
between seller and buyer has freed the
small exhibitor from the former onerous
necessity of posting large cash advances to
lease films.
"The arbitration plan, as successfully
practiced since 1923, was approved before
its adoption by us.
"We have entered an appearance for all
the defendants. Mr. George W. Wicker-
sham, formerly Attorney General of the
United States, will direct the defense joint-
ly with .Mr. Edwin P. Grosvenor, a mem-
ber of our firm, who. for many years, was
Special Assistant Attorney General in
charge of cases under the Sherman Anti-
trust Act.
"As we understand it, the question at is-
sue in one suit is the legality of the arbi-
tration plan adopted by the' industry and
also whether members of the Film Boards
of Trade have been operating strictly with-
in the plan as set up. In the other suit the
question is the legality of the credit rules,
the purpose of which is to obtain informa-
tion regarding transfers of theatres in total
disregard of existing contracts, and to af-
ford reasonable protection to distributors
against fraudulent transfers of theatres.
"The industry has furnished the De-
partment of Justice every facility during
its investigation. Its agents have been ac-
corded free access to the files of the Film
Boards and their members throughout the
country and have taken whatever they
wished.
"We shall cooperate with the Depart-
ment in an effort to obtain an early trial
of the cases."
Pettijohn Denies Conspiracy
The statement from C. C. Pettijohn, Gen-
eral Counsel of the Film Boards of Trade,
follows :
"We know there has been no conspiracy
and no restraint of trade. The Film Boards
of Trade stand ready to fit their policies
cheerfully to any ruling of the courts of
the land. Arbitration, in one form or an-
other, is the modern and proper trend. To
abandon it would be to slide back toward
the dark ages of business.
"Major capital for the conduct of the
motion picture industry, including all ex-
perimentation and improvement of the
product, must inevitably be furnished by
the producing companies. The average pic-
ture usually takes three months from the
beginning of production to completion, and
it is another two years before return of
capital expended, and problematical profit,
accrues to the producer.
"This means, in effect, that the producer
puts up vast sums on the promises-to-buy
comprised in his sales contracts with ex-
hibitors, large and small, throughout the
country. Such pictures as Old Ironsides,
Ben-Hur, The Hunchback of Notre Dame,
the delightful Barrie stories and Wings
could never be attempted unless the pro-
ducer had reasonable assurance that ex-
ecuted contracts would be fulfilled in good
faith.
"Before the present arbitration system
was put into effect five years ago, the sit-
uation was met by requiring the exhibitor
to put up a considerable portion of the
rental charge in advance. This was a great
hardship to the small theatre owner, and
arbitration has happilv ended its neces-
sity.
"Today exhibitor and producer agree, as
a basic part of their leasing agreement, to
submit to a board of arbitration, half of
whose members shall be exhibitors, any dis-
pute which may come up between them. In
the rare cases where these boards, com-
posed of six members, fail to reach a de-
cision, a seventh is chosen by them or ap-
pointed by the American Arbitration Asso-
ciation.
"The plan is extremely simple, and in
practice has exceeded the most optimistic
hopes of its proposers. In 1927, 14,356
claims were adjudicated by this method and
only sixty-two out of this great number
were carried by either side to courts of law.
"The obvious value to a producer in
knowing that contracts will be kept with-
out the necessity of long legal fights is
equalled, if not exceeded by the protection
to the small exhibitor. Formerly, he might
think he had a prior right, under his con-
tract, to a certain film. He could sue about
it. By the time the suit was settled, his
rival would long since have shown the pic-
ture and its value as a drawing card would
have been extinguished by time and the on-
ward march of the art. A motion picture
has box office value, except the rare clas-
sics, only during and immediately follow-
ing the promotional period. Today, the ex-
hibitor can appeal to his board of arbitra-
tion and get a decision within two weeks at
most. The distributor cannot close with a
rival theatre owner until the board makes
an award.
Complaints Under Arbitration
"The particular complaint discussed
above is known in the trade as a 'violation
of run.' Other complaints which the ex-
hibitor has the right to take before an ar-
bitration board for prompt award include:
" 'Miss-outs,' or failure to deliver pic-
tures on time.
" 'Violation of Protection,' or the show-
ing of a film in the exhibitor's immediate
territory before a specified time limit.
"Substitution of one picture for another
which was contracted for. The exhibitor
may appeal to an arbitration board for re-
lease of all obligation to show the sub-
stituted picture.
"Ambiguities in contract. Any point
which may seem not clear to the exhibitor
at any time may be submitted to an arbi-
tration board for immediate definition.
"There is fierce and unremitting com-
petition, all year round, and year after
year, between the companies which the Gov-
ernment has attacked, under the so-called
anti-trust law. Every great producer has
his own salesmen in the field, in number,
and the desire to settle peaceably any dif-
ference with a customer is based on lively
self-interest. If the exhibitor feels that
one producer has not given him the fullest
of fair play, he has a dozen other com-
panies clamoring- for his trade. That is
why in 1927 4,671 cases between exhibitors
and producers that were submitted to arbi-
tration boards were settled before they
came up for hearing. When men in dis-
agreement can be brought to talk together,
and when each is a factor in the other's
prosperity, amicable adjustment almost in-
variably follows and is infinitely preferable
to lawsuits.
"This principle of arbitration is one of
the most important developments in Amer-
ican economic and social life, and its appli-
cation in the motion picture industry is
more complete and more demonstratedly
successful than in any other field. It is a
pity, from the psychological standpoint,
that the Government has had to seem to
attack the principle itself. We believe the
net result will be a mere defining by the
court of how far concerted agreements to
arbitrate can go under our present federal
laws."
.1/ a y
19 20
1481
Will Campaign Against
Non- Theatrical Groups
THEATRE owners of (he north-
west are expected to launch a
vigorous campaign against the
showing of films for profit by non-
theatrical groups following the issu-
ance of an injunction by Judge B. F.
Wright of the Hubbard county district
court against the independent school
district of Park Kapids, Minn., pro-
hibiting it from conducting motion
picture shows in the school audi-
torium building. The request for the
injunction was sought by Harry W.
Ressler, a picture theatre owner of
Park Rapids. The injunction was
granted on the ground that a govern-
mental organization was entered a pri-
vate business. Al Steffes, president of
the Northwest Theatre Owners, this
week said that papers were being pre-
pared against the school board of
Spring Grove, Minn., in an attempt to
stop it from giving picture shows in
its high school auditorium.
Ruth Roland May Return
to Picture Making
Ruth Roland, who has done practically
no screen work for several years may re-
turn to the screen, it is said. The erstwhile
serial queen is reported to have been con-
sulting with Jesse J. Goldburg, president of
First Division Distributors, Inc., 'about mak-
ing her own productions for release through
the Goldburg company. The deal is in the
negotiating stage.
In and Out of Town
F "FLORENCE VIDOR, who will arrive in
New York on Saturday, May 5th, has
decided to stop off for a week while on her
way to Europe. She plans to sail May 12th.
MONTE Blue will arrive in New York with
Mrs. Blue on May 3rd. He will stay in
the city for about two days before embarking
for Europe on the S. S. La France on May
5th. His vacation trip abroad will last for two
months, bringing him back to Hollywood early
in June to begin his new pictures for Warner
Brothers.
AFTER a sales trip to Boston. Chicago and
Detroit in closing up territory for next sea-
son's product. Jesse J. Goldburg. president of
First Division, has returned to New York.
EVELYN BRENT, having finished work
on Paramount's "The Drag Net" with
George Bancroft, left Hollywood on Mon-
day for two weeks of vacationing in New
York.
JOSEF VON STERNBERG. Paramount,
director, arrived in New York last Sunday
for a short visit in connection with George Ban-
croft's next picture, which, if present plans ma-
terialise, will have a Neiv York background.
He attended Paramount convention in Washing-
ton. Jules Furthtnan will join Von Sternberg
here within a feiv days.
Hays in Conference With
French Commission
Woodhull Criticizes Sapiro for Cable Forwarded tc
Herriot, Minister of Education
By L. C. MOEN
Staff Correspondent, Motion Picture News
p.AKIS, May 3. Will E. Hays, head oi
' the Motion Picture Producers and Dis-
tributors of America, was in attendance to-
day at a conference with the Cinema Com-
mission specially called by Edouard Her-
riot, Minister of Education, in an effort to
bring about a solution of the quota prob-
lem.
This meeting was the result of a confer-
ence Hays had with Herriot on Tuesday.
Mr. Hays, seemingly unable to get little sat-
isfaction from the Cinema Commission, had
booked passage on the Majestic, sailing
Wednesday, but after a talk with Minister
Herriot, Tuesday, it was decided to bring
the Commission together Thursday for a
complete discussion of all details with Mr.
Hays.
In the meantime the American companies
have proceeded with their plan for a shut-
down, which it seems will go into effect at
once unless satisfactory arrangements can
be made with the Commission. The Ameri-
can companies have already started a re-
duction in their staffs, and will withdraw
from France unless the present law is modi-
tied. All trade showings have been can-
celled.
The outcome of Thursday's conference in
Paris between Will H. Hays and the French
Cinema Commission is being eagerly waited
in America by all branches of the industry.
Producers and distributors have been vit-
ally interested since the French quota law-
was first announced. Now the exhibitors
have entered into the argument.
There is considerable difference of
SAM SAX, president of Gotham, leaves
Tuesday for Hollywood, where he will
immediately complete arrangements for the
1928-29 season.
Penn Censors Win Over
Speaking Devices
THE Pennsylvania Board of Motion
Picture Censors came out ahead
in the first court skirmish when
Judge Alessandroni, in the Court of
Common Pleas, in Philadelphia, on
April 26, refused to grant a preliminary
injunction sought by Vitagraph, Inc., to
prevent the board from censoring
language used by speaking devices in
connection with the showing of motion
pictures.
Vitagraph, to test its legal right-, re
fused to submit the words of "Polly
Moran," a motion picture, to the
censors. The board sent out notices
that after April 16 all spoken motion
pictures would have to be passed upon.
The company refused and started the
court action, contending the board
arbitrarily was "extending its power of
censorship."
Morris Wolf, counsel for Vitagraph.
said after the court ruling, that negoti-
ations would be begun with the censors
in an effort to reach an agreement.
Judge Alessandroni continued the ease.
opinion between Aaron Sapiro, president "f
the Independent Motion Picture Exhibitors,
Inc., of New York, and R. F. Woodhull,
president of the Motion Picture Theatre
Owners of America, as to the attitude that
should be taken by Will II. Hays in France.
On Tuesday, Mr. Sapiro directed a cable
to Edouard Herriot, Minister of Education,
in which he informed him, in effect, that
American exhibitors were not interested in
production and distribution problems in
France, and that Mr. Hays was not in any
way representing the independent theatre
owners of America; that the independent
theatre owners were willing to book French
or any other foreign product providing it
was up to the American standard.
Mr. Woodhull takes exception to the
Sapiro cable in the following statement:
"The questions involved in the confer-
ence now going on in France between Will
Hays, representing American producers
and distributors, are production and dis-
tribution problems, and have so been re-
garded generally by theatre owners
throughout the United States. I read the
reported statement of Mr. Sapiro in his
telegram to Mr. Herriot this morning. It
is obvious that this telegram was not sent
to help the American production and dis-
tribution problems abroad as represented
by Mr. Hays in his negotiations on behalf
of the industry. There are more than 20,-
000 theatres in the United States. Mr.
Sapiro represents a buying organization of
less than 100 theatres in the City of New
York. That he should undertake, even in-
ferentially, to speak for all theatre owners
in the United States with reference to their
attitude towards negotiations in France,
without knowledge of what is actually hap-
pening from day to day is not clear to me.
"Theatre owners in America have not
made money on foreign-made film. The
real attitude of the American theatre owner
can be stated as follows:
"No theatre owner cares where the pic-
ture is made, or where it comes from, so
long as it is a good picture, pleases his pub-
lic and makes money for him at his box-
office. Past experience has demonstrated
that in rare instances only have foreign-
made pictures been suitable to the Ameri-
can market and profitable to the theatre
owner.
"If American distributors are forced to
buy these pictures and lay them on the
shelf, this loss would undoubtedly be loaded
on to rental charges to exhibitors for
American pictures. On the other hand,
should the foreign market for American
pictures or any considerable portion of
them be cut off, this loss of revenue over
there would be absorbed in the increased
price paid for American pictures by the
theatre owners of the United States or pro-
vided for by the cheapening of American
product to absorb this loss.
1482
Motion Picture News
Brookhart Bill Action Abandoned for
Present Congress Session
NO action will be taken on the Brookhart Bill at this
session of Congress. Senator Brookhart, author of
the measure, has abandoned hope of having the
measure taken up because of the short time that remains
before adjournment.
Senator Watson, chairman of the Interstate Com-
merce Committee, is engaged in campaigning in Indiana,
and will not return to Washington before about May 10,
Senator Brookhart said this week. It will be virtually im-
possible, he added, to secure action before Congress ad-
journs. The session will close early in June.
Senator Brookhart will seek to have a report made by
the Committee on the measure when Congress meets in
December.
Government Notables at
Paramount Dinner
Dawes, Hoover, Wilbur, and Robinson Guests; Otto
Kahn, Presides as Toastmaster
WITH a group of notable. Govern-
ment officials as speakers and
guests of honor, the Washington
sales convention of Paramount was fea-
tured by a banquet at the Carlton Hotel,
May 2. Otto H. Kahn, banker and art
patron, was toastmaster and chief speaker.
Other speakers were Herbert Hoover,
Secretary of Commerce; Curtis D. Wilbur,
Secretary of the Navy; Senator Joseph
Robinson, of Arkansas, Democratic leader
of the Senate; S. R. Kent, Paramount gen-
eral manager; and Adolph Zukor, President
of the Corporation.
Vice-President Dawes was a guest. The
speeches were broadcast by Station WMAL.
Commander Richard E. Byrd, who was
also to have been a guest, sent his regrets.
He is not making public appearances at
this time because of bereavement over the
death of Floyd Bennett.
An important development was the refer-
ence in Byrd's letter to his satisfaction over
the arrangement made with Paramount, by
which the pictorial record of the Byrd Ex-
pedition to the South Pole will be made
exclusively by Paramount News camera-
men.
All the Government officials paid high
tribute to the progress of the industry,
Mr. Wilbur referring to the place of the
motion picture in maintaining morale and
providing entertainment for men of the
Navy; Mi-. Hoover stressing the role of the
film internationally; and Senator Robinson
making an important declaration on "Self-
Government in Industry," in which he dis-
cussed Governmental regulation of private
business.
"The movie," said Mr. Kahn, who was
presiding officer as well as principal speaker
at the banquet, "has opened up for the
plain people, and, indeed, for people of all
stations, new wtorlds of knowledge, inter-
est and variety. It has taken the average
man and woman beyond the confines of local
experience to reveal to them the wonders
and infinite potentialities of the greater
world. It has been a great liberating force
both for the minds and emotions of the
people. In its essence and, I hope, and bel-
li eve, in its ultimate practical development,
the movie is a fifty-fifty dualism of business
and art."
Explaining early mistakes made because
of the industry's youth Mr. Kahn con-
tinued :
"I believe that this phase is passed, and
a new era is dawning. The financial posi-
tion of the leading concerns is now secure
beyond peradventure. The credit facilities
at their disposal are ample. Their securities
have a ready market. The public taste lias
advanced and become more discriminating.
"Mushy sentimentality and flamboyant
captions have lost much of their vogue.
Producers are finding out that the alleged
necessity of playing down to an assumed
level of fatuity on the part of the audience
is a bogey, that in this as in other matters
the instinct and tendency of the people are
to recognize the worth while thing and to
prefer it to the shoddy.
"It is astonishing," he declared, "to see
how much young talent is trooping to the
colors of the movies. The vast bulk of it
is composed of American-born, proving once
more what I have long claimed. — that in
this vast country is all the raw material of
great cultural and artistic achievement."
The Washington convention of Para-
mount opened this week at the Carlton
Hotel, with between '200 and 300 officials
and executives of Paramount and Publix in
attendance and with Sidney R. Kent pre-
siding. The executive group will continue
at the conclusion of the Washington ses-
sions to Detroit and San Francisco, where
other conventions are to be held.
Production and distribution executives
who attended the Washington sessions are :
Adolph Zukor, Jesse L. Lasky, S. R. Kent,
Ralph Kohn, Walter Wanger, B. P. Schul-
berg, C. J. Sehaefer, J. D. Clark, John
Hammell, M. H. Lewis, Henry Salsbury,
Charles E. McCarthy, Russell Holman, John
Butler, F. E. Meyer, L. Bamberger, C. B. J.
Frawley and A. O. Dillenbeck, of the Hanff
Metzger Advertising Agency.
Publix officials attending are : Sam Katz,
Sam Dembow, E. J. Zukor and A. M. Bots-
ford.
From the Paramount foreign depart-
ment: E. E. Shauer, M. A. Shauer, J. H.
Seidelman, Dick Blumenthal, Geo. Weltner,
Albert Deane, 0. R. Geyer, located in the
home office, and Tom D. Cochrane, A.
Abouf, H. Novak, John Day and A.
Pratchett from the foreign field.
The Paramount short feature department
is represented by Emanuel Cohen, Stanley
Waite and Miles F. Gibbons.
Players Selected for 2
Tiffany-Stahl Films
Alice White has been borrowed from
First National by Tiffany-Stahl for the
feminine lead in "Lingerie." The cast so
far as selected includes Malcolm Mc-
Gregor, Mildred Harris and Armand Kaliz.
Production will soon start under the di-
rection of George Melford.
"Marriage of Tomorrow" has started
work at the Tiffany-Stahl Studios under the
direction of James Flood. The cast se-
lected to support Patsy Ruth Miller includes
Lawrence Gray, Claire McDowell, John
Sainpolis, Ralph Emerson, Shirley Palmer
and Barbara Leonard.
New De Mille Picture in
Work, 2 in Preparation
In preparation and production for Pathe
at the DeMille studios in Culver City are
three following features:
"Power," starring William Boyd, in
preparation, Howard Higgin to direct.
"Annapolis," with Lina Basquette and
John Mack Brown, also in preparation,
Christy Cabanne to direct.
"Love Over Night," with Rod La Rocque
and Jeanette Loff, in production, E. H.
Griffith directing.
Editing is "The Godless Girl" and "The
Cop."
Madge Bellamy Will Star
in "Mother Knows Best"
Maduv I'.ellamv, whose current vehicle is
"The Play Girl," will be heard as well as
seen in ' ' Mother Knows Best, ' ' Fox Movie-
tone version of Edna Ferber's short story.
Louise Dresser will be the "mother" in the
picture.
Before entering films, Miss Bellamy ap-
peared on the stage in Daniel Frohman pro-
ductions, her first prominent part being the
title role of "Pollyanna."
Radin With Gotham as
Sales Executive
"Matty" Radin, one of the veteran
sales executives in the business, has joined
Gotham Pictures as eastern sales manager.
Radin is a pioneer exhibitor, exchange man
and sales executive in the field.
May 5, 19 2 8
14K3
Will Convene in Canada
Educational Sets Annual Sessions for Montreal from
May 22 to May 24, Inclusive
Bandits Slay Girl Usher in Chicago
Suburh Theatre
MVSKKI) bandits shot ami killed a sixteen \ear did ^irl n-lier during
a during hold-up at the Kit/, motion picture theatre. Berwyn, a
suburb of Chicago, and then escaped with SI. 100. The theatre i-
operated h\ Itilia Brothers. I he rohhery occurred (hiring the slims in-:
of the feature picture ami the audience of two thousand was panic stricken
as the sounds of shots echoed through the theatre.
Many rushed out into the lohhy hut the three rohhers who were
armed with shotguns ami revolvers, fired over the heads of the crowd,
intimidating the people ami made their escape in an automohile. which
was driven by a fourth niemher of the gang. Miss Pearl Kggleston of tin-
Oak Park was the slain girl. She was temporarily in the cashier- rage
assisting Miss Gertrude Plant, the cashier, who was counting the receipts,
Suddenlv three Noun" men. wearing neat hall ma-ks Mood hefore tin-
girls and commanded hands up. Accounts of what followed vary, hut it
is believed that one of the robber- shot down Miss Kggleston without an\
warning. Unperturhed hy his killing, the hamlit stepped over his victim -
body and strode into the cage where he calmly collected the paper cur-
rency, taking care to get it all. The silver he scorned, \nother of the gai;^
bad held Ernest Stelzer. the ticket taker, at hay with a shot gun. .lame-
Biha. one of the owners, arrived just as the robbers' car raced eastward
towards Chicago, and had the unfortunate victim of the rohher - gun
rushed to the ( )ak Park Hospital, hut -li<- was pronounced dead on the w a \ .
February Film Exports
Were Not High
Motion picture exports for February
reached the lowest value touched in ,-i num-
ber of iuonth> with a total of 2 1 ,()!).">, (12")
feet, valued at $.">9r>,89.'>, against 24,811,794
feet, valued at $7"27,lss in .January, ac-
cording to figures just compiled by the
United States Department id' Commerce in
Washington, I). ( '.
Shipments of positive film showed a de-
cided reduction, totaling 15,613,18] feet,
valued at $:i!).'i,414, for the month, against
18,57.'i,o24 feet, valued at *4<i<i,4()l, the pre-
ceding month, shipments of other classes
being: raw stocks, 4,630,:?7:3 feet, valued at
$113,834, against 4,654,500 feet, valued at
$128,49!) ; negatives, 661,735 feet, valued at
$77,084, against !)2."),302 feet, valued at
$115,524, and shipments to Porto Rico and
Hawaii, including 173,080 feet of raw
stocks, valued at $1,230, and (117.256 feet
of positives, valued at $10,333.
De Duisin With Columbia
as Foreign Agent
Columbia Pictures will hereafter have
A. V. de Duisin as special foreign rep-
resentative of the company.
Mr. de Duisin is credited with having or-
ganized the first film board in Porto Rico,
of which he was the first president. His
latest affiliation was with Fox Films, where
he was first connected with the Cleveland
office, and attached to the export depart-
ment as one of the foreign executives.
His first assignment for Columbia is an
intensive sales trip through South Amer-
ica, on which he started several weeks ago.
He has just finished his stay in Porto Rico
and Venezuela. Upon the completion of
his South American trip he will go to the
Far East.
Noah Beery Signed by
Gotham to Contract
Noah Beery, character actor, has signed
a Gotham contract. The contract calls for
several pictures, the exact number as yet
undetermined.
Beery 's first opus for Gotham will be
"Father and Son," one of the four specials
on the 1928-29 line-up. Three generations
of Beerys will take part in this production
— the star, his father, and his son, all three
bearing the surname Noah.
4 Tiffany-Stahl Specials
to Be Made by Barker
Reginald Barker will direct four special
productions for Tiffany-Stahl. His first
picture under a new contract will be "The
Forward March," a story of two conti-
nents. The director's latest production is
"The Toilers." L. G. Rigby. who wrote
the story of this latter production, will con-
tinue to write stories for Tiffany-Stahl.
Columbia Acquires Rights
to Owen Davis Play
In its line-up for the season of 1928-29,
Columbia will have "The Donovan Affair,"
the mystery play by Owen Davis, which has
just been acquired. The play was presented
in New York in 1920.
FOR the first time a big American film
concern will hold its annual sales
convention in the Dominion of
Canada, when Educational Film Exchanges,
Inc., executives and branch managers meet
in Montreal in a three-day session, starting
Tuesday, May 22, and continuing through
Thursday, May 24. Headquarters will be
at the Mount Royal Hotel, where all the
business meetings will be conducted.
E. W. Hammons, president of Educa-
tional, will greet the branch managers from
all of Educational's thirty-six exchanges
in the United States and Canada when he
calls the first meeting to order on the morn-
ing of May 22.
One of the most interesting announce-
ments Mr. Hammons will have to make at
the first session of the convention will be
detailed plans for at least two new series
of pictures for distribution in the season of
1928-1929.
Oscar Hanson, Canadian general manager
for Educational, and his group of six
branch managers, will greet the home office
delegation to the convention and the man-
agers and salesmen from branches in the
United States. The executives from the
home office who will accompany Mr. Ham-
mons to Montreal include A. S. Kirkpat-
rick, assistant general manager; .1. It. Wil-
son, domestic sales manager; Gordon S.
White, director of advertising and public-
ity, and Harvey Day, Kinograms sales man-
ager. Others in the party will include Capt.
G. McL. Baynes, head of the Kinogram
Publishing Corporation, and several of
Educational's special representatives,
among them being Arthur Lucas, of At-
lanta, Southern representative, and Jack
Skirball, of Ohio.
Montreal was selected as the location for
Educational's 1928 convention when a num-
ber of most cordial invitations to meet
there were received by Mr. Hammons from
Canadian officials during the progress of
Educational's meeting at Los Angeles last
year. These invitations came from Mac-
kensie King, Premier of Canada ; L. A.
Taschereau, Prime Minister of the Province
of Quebec; Mederic Martin. Mayor of Mon-
treal, and several other officials, as well as
a number of Canadian exhibitors.
Magazine Stories Bought
for Columbia Production
Columbia has made three more additions
to its line-up of story material for the
season of 1928-29. with the acquisition of
screening rights to "Trial Marriage,"
"The Power of the Press," and "Sinners'
Parade."
"Trial Marriage," by Elizabeth Alexan-
der, ran serially in "The Saturday Eve-
ning Post." "The Power of the Pre-." by
Frederick A. Thompson, appeared as a
short story in McClure's. "Sinners'
Parade," from the pen of David Lewis,
will be published in one of the national
magazines in the fall.
Lilli Damiti New Co-star
for Ronald Colman
Lilli Damiti, German screen star, def-
initely decided to accept Samuel (ioldwyn's
offer for an American career. She sail- on
the Berengaria, Saturday. May .~>th. and
will arrive in Xew York six day- later. She
succeeds Vilma Banky in leading feminine
roles opposite Ronald Colman. "Two
Lovers" is the last picture in which the
co-stars will appear jointly.
1484
Motion Picture News
Revenue Revision Bill to Exempt
Admissions to $3
ADMISSIONS not exceeding $3 are to be exempt from all tax, under
the revenue revision hill reported this week to the Senate by the
Senate Finance Committee. Refusing to accept the increase from
75 cents to $1, recommended by the Treasury and included in the revenue
bill passed by the House of Representatives December 15, last, the repub-
licans on the committee also refused to acceed to a demand of the demo-
crats that the admission tax be wiped off the books in its entirety, and by
a party vote of 11 to 9 succeeded in putting their $3 exemption through.
The democratic fight will be directed chiefly at the corporation tax,
which, under the bill as brought through by the majority, is to be re-
duced from 13 5^ to 12'/2 per cent. The bill as passed by the House calls
for a reduction to 11^> per cent, and the democrats in the Senate are
demanding that the House rate be accepted. The republicans also in-
creased the exemption of corporations from $2,000 to $3,000 but refused
to accept the sliding scale of tax for corporations with net income not
exceeding $15,000. Surtaxes were also revised on incomes between $18,000
and $70,000 and this revision was made applicable to 1927 income, which
will mean a return of some $25,000,000 to individual taxpayers.
It is planned to take the bill up May 3, with probabilities that it will
be passed before May 12.
Fox Plans Conventions
Silver Anniversary International Session Is Set ^ or New
York Starting May 23
JAMES R. GRAINGER, general sales
manager for Fox Film Corporation,
announces that his company will in-
augurate its Silver Anniversary season with
the annual international sales convention to
be held at the Park Central Hotel in New
York from May 23 to 31, inclusive. It will
bring together, in addition to home office
executives, district and branch managers
from all offices in the United States and
Canada and a number of foreign represen-
tatives of Fox Films.
Following the big New York meeting,
regional conventions will be held in New
York and Chicago, attended by district and
branch managers, assistant managers, sales-
men and bookers.
At the international meeting plans for
next season will be outlined by William
Fox, president; Jack G. Leo, vice-president;
Winfield Sheehan, vice-president and gen-
eral manager, and Mr. Grainger. At least
ten of the greater productions scheduled
for 1928-29 and Movietone Subjects will be
shown at the conventions.
Among those who will attend the conven-
tion will be Jack Sichelman, assistant sales
manager; Jack S. Woody, assistant to Mr.
Grainger ; Milton J. Schwartz, general sales
manager for Fox-Case Movietone Corpora-
tion; Courtland Smith, of Fox-Case Movie-
tone Corporation; E. C. Grainger, manager
of the play date department; Truman H.
Talley, editor-in-chief of Fox News; James
C. Darst, of Fox Varieties; Clayton P.
Sheehan, manager of foreign department;
Nat B. Finkler, manager of contract de-
partment; Louis Rosenbluh, manager of ac-
cessories; Glendon Allvine, director of ad-
vertising and publicity, and Roger Ferri,
editor, Fox Dynamo, who is in charge of
convention arrangements; Special Repre-
sentatives Max Roth and George A. Rob-
erts; Short Subject Sales Manager E. T.
Gomersall, and G. W. McKean, special rep-
resentative.
District Managers : L. B. Remy, Dallas ;
G. W. Fuller, Washington; Clyde W. Eek-
hardt, Chicago; Harry F. Campbell, Bos-
ton ; W. C. Backmeyer, Cincinnati ; J. P.
O'Loghlin, Canada, and Ben F. Rosenberg,
Denver.
Branch Managers : I. J. Schmertz, Al-
bany ; Paul C. Brvan, Atlanta ; ; John
Nolan, Buffalo; John W. Fuller, Charlotte;
Ira H. Cohen, Cincinnati; Ward F. Scott,
Cleveland; P. K. Johnston, Dallas; R. J.
Morrison, Denver; Jack L. Raper, Des
Moines ; Lester Sturm, Detroit ; George
Landis, Indianapolis ; Claire F. Hilgers,
Kansas City; Ben Gould, Los Angeles; Jack
C. Shannon, Memphis ; ; Fred G. Sliter, Mil-
waukee ; M. A. Levy, Minneapolis ; Sydney
Samson, New Haven; B. L. Dudenhefer,
New Orleans ; Harry H. Buxbaum, New
York; W. A. Ryan, Oklahoma City; Harry
Melcher, Omaha; Edgar Moss, Philadel-
phia ; W. J. Kupper, Pittsburgh ; J. M. Linn,
Portland; B. B. Reingold, St. Louis; C. L.
Walker, Salt Lake City; Fred W. Voigt,
San Francisco; G. M. Ballentine, Seattle;
Herndon Edmond, Washington; J. H.
Huber, Calgary ; Harry J. Bailey, Montreal ;
R. G. March, St. John; W. C. Gehring, To-
ronto; C. R. Dippie, Vancouver, and J. A.
Wilson, Winnipeg.
Atlanta Board Votes to
Reinstate T. A. Branon
At its regular meeting April 23, the At-
lanta Film Board of Trade voted to rein-
state Thomas A. Branon, president of Elta-
bran Film Company, with headquarters in
Atlanta, to membership in the Board in full
standing. Just what effect this action will
have on the injunction suit filed against the
film board by Mr. Branon the latter part of
March is not known, as a hearing in the
case has not been held.
At the time the suit was brought in Ful-
ton Superior Court, Judge Verilyn Moore
signed a temporary restraining order, and
set April 14 as the date for a hearing.
Later, it is understood, the case was con-
tinued at the request of attorneys repre-
senting the film board.
When seen this week, after the Board had
voted to reinstate him to membership, Mr.
Branon declined to make any statement,
other than to say that, in view of the fact
that no hearing in the court case had been
held, he deemed it improper for him to
make any comment.
$500,000 Suit on Disc
Record Patents
Talking picture patents wherein disc
records are used for synchronizing sound
with pictures are ithe subject of a suit for
a half million dollars instituted by Earle W.
Jones against Max Ettinger, Harrison W.
Rogers, Inc., and Harrison W. Rogers.
Jones alleges that Harrison W. Rogers, Inc.,
and Harrison W. Rogers entered into a con-
tract with him whereby they agreed to con-
vey all of their twenty patent rights to him
for a certain stipulated sum.
It is alleged by Jones that while his
agreement was pending the Rogers concern
and Rogers sold these patents to Ettinger
and refused to turn them over to Jones,
thereby interfering with a number of con-
tracts Jones had entered into with film com-
panies, and depriving him of a million dol-
lars in profit.
Excellent Signs 4 Stars for
1928-29 Season
Four stars have just been signed on the
roster of screen talent which will make
Excellent pictures for the 1928-29 season.
They are Conway Tearle, Lillian Rich,
Cornelius Keefe and Pauline Garon. They,
together with Mae Busch and Margaret
Livingston, make six additions to Excel-
lent's player line-up within the last fort-
night.
Sinclair Lewis Novel Is
Bought for Chaney
"Willow Walk," Sinclair Lewis's novel,
is to be one of Lon Chaney 's starring ve-
hicles for the coming season. Chaney will
play a dual role.
Details as to cast and director of the
screen play have not been decided on as yet.
Sennett Will Resume
Producing for Pathe
NEGOTIATIONS have been con-
cluded between Pathe and Mack
Sennett whereby Mr. Sennett
will continue to produce two-reel
comedies for distribution through
Pathe. These comedies will be the first
pictures to be made by the Sennett
organization in the new plant at Stu-
dio City, San Fernando Valley. The
new studio is practically completed
and the additional facilities there pro-
vided will make it possible for Mr.
Sennett to produce 38 comedies for
Pathe during the season 1928-1929.
During his five years of association
as a Pathe producer, Mr. Sennett has
made more than 200 comedies for that
company.
May 5 , 19 28
1485
Cleveland Exhibitors Ban Product
With 57 Days' Protection
CLEVELAND motion picture exhibitors have pledged themselves not
to buy any picture product for the 1928-1929 season under the 57
days' first run protection plan now locally in lone. The Cleveland
Motion Picture Exhibitors Association has sent a letter to it- membership
at large holding them to their pledge as given at the last open meeting
of the organization.
George W. Erdmann. secretary of the association ha- asked member,
not even to talk about films with any exchange until the word goes forth
from the protection committee. The protection committee is calling on
each exchange in an effort to secure reasonable protection. It is claimed
that in no other territory in the country is such extended protection
granted as in Cleveland.
Specials Include
Two Stage Plays
and Ziegfeld Opus
{Continued from Page 1427)
"The Crime of Interference," an adapta-
tion of the stage play hit, "Interference,"
will be another special production. Rowland
V. Lee will direct a cast which includes
Evelyn Brent, Clive Brook and William
Powell.
W. Somerset Maugham's stage play, "The
Letter," will form the basis for another
special. It will be produced with Evelyn
Brent and Clive Brook in the leading roles.
Another special co- featuring Miss Brent
and Clive Brook will be "Tahiti Nights."
"Glorifying the American Girl" will go
into production under the supervision of
Florenz Ziegfeld. Mr. Ziegfeld will per-
sonally select the supporting cast for Louise
Brooks and Nancy Carroll.
A magazine story by Richard Washburn
Child will be made into a Paramount special
under the title of "The Perfumed Trap,"
Victor Sehertzinger will direct, and the cast
thus far selected includes Clive Brook, Mary
Brian, William Powell and Ogla Baclanova.
"The Wolf Song," written by Harvey
Fergusson, will be a special directed by
Victor Fleming. Gary Cooper will have the
leading role.
Paramount will produce the first picture
of the dirigible. The story is by John
Monk Saunders, author of "Wings," and
William Well man will direct.
Richard Arlen and Nancy Carroll will be
co-featured in the special, "The Man I
Love," a story by Herman Mankiewicz. It
is the tale of a prizefighter. Mai St. Clair
will direct.
"The Hard-boiled Angel," another spe-
cial, tells the story of a soldier, and a
chorus girl. Gary Cooper is the soldier and
Nancy Carroll the chorus girl.
"Living Together," a comedy-melodrama
with Richard Arlen, Mary Brian and
Chester Conklin featured, will be produced
as a special. Another special, featuring
Richard Arlen and Marv Brian, will be
"The Upstart Gentleman."
The Clara Bow specials for the new sea-
son will be "Three Week Ends," an Elinor
Glyn story; "The Fleet's In," a story of
sailors and sailors ' sweethearts ; ' ' The
"Saturday Night Kid," and, "Apache
Love," as yet a tentative title.
Richard Dix will appear in two specials
and three starring pictures. First of the
specials is "Redskin," a picture of
"The Vanishing American" type. "Un-
conquered," will be the second, and in this
picture will be featured Florence Vidor.
Two Dix starring pictures have been se-
lected, "Warming Up," a baseball story,
and "Moran of the Marines."
George Bancroft will be starred in four
pictures, two of which have been selected.
The first is, "The Docks of New York," a
story by John Monk Saunders, which will
be directed by Joseph von Sternberg. The
second picture is "Swag," written by Rena
Vale, the winner of the $15,000 Photoplay
Magazine Idea Contest. Evelyn Brent will
appear opposite Bancroft.
Four for Bebe Daniels
Bebe Daniels will also be starred in four
pictures.
Esther Ralston will make one special and
four starring pictures. The special will be
"The Case of Lena Smith," a story by
Samuel Ornitz. Joseph von Sternberg will
direct. "The Sawdust Paradise," a girl
evangelist tale, will be Miss Ralston 's first
starring picture in the new program. George
Manker Watters wrote the story and Luther
Reed will direct. Reed Howes and Hobart
Bosworth will support the star.
"High Society" will be the title of the
second Ralston vehicle. It will be the low-
down on high society, written by a man on
the inside. The last two pictures will be
announced later.
There will be one Zane Grey special and
three regular program offerings on the new
Paramount program, all featuring Jack
Holt. The special production is "The
Water Hole," a picture partly in Techni-
color, which will be directed by John
Waters.
"Avalanche," the first regular offering,
is an adaptation of a serial which appeared
in The Country Gentleman. "Sunset Pass,"
an adaptation of a serial now running in the
American Magazine, is the title of the sec-
ond Zane Grey regular offering. The third
story is yet to be chosen.
Pola Negri will make two pictures for the
new program. One will be ' ' Loves of an
Actress," written by Ernest Vajda and di-
rected by Rowland V. Lee. Nils Asther and
Paul Lukas will appear in support of the
star. "Fedora," is a tentative title for
the second picture. Ludwig Berger will
direct, and the leading roles will be played
by Norman Kerry, Paul Lukas, Lawrence
Grant and Jack Luden.
Fay Wray and Gary Cooper will be co-
featured in three pictures, first of which is
"The First Kiss," an adaptation of a story
written by Tristam Tupper. The other two
stories will be annuonced later. Florence
Vidor will be starred in two pictures.
"Divorce Bound" is the title of the first.
Charles Rogers will be starred in four,
one of which has been selected. It is a story
of college life titled "Bulldog Yale."
James Hall and Ruth Taylor will be co-
featured in a series of three pictures.
Adolphe Menjou will appear in three. "His
Private Life," a tentative title, will be the
first.
The pictures to be made by outside pro-
ducers releasing through Paramount include
one, and possibly two from Harold Lloyd,
and two from Christie Film Company, star-
ring Douglas MacLean. "Wanted — A
Woman," is the tentative title of the first
MacLean picture.
There will be three foreign pictures. The
first will be "Behind the German Lines,"
official pictures of the World War, which
will be released as a special. The second
will be Sir Harry Lauder in "Hunting-
tower," written by John Buchan.
"The Model of Montmartre," third of
the foreign pictures, was produced in Paris
under direction of Leonce Perret. Henri
Bataille, French novelist, wrote the story.
The cast includes Ivan Petrovitch, star of
"The Garden of Allah," Louise La Grance,
beautiful French artists' model.
Higher Admissions Are Seen As Pos-
sible Outcome by Ohio Exhibitors
AS the outcome of present selling methods, higher admissions are seen,
according to representatives of the Cleveland Motion Picture Exhibi-
tor's Association. These views were expressed by exhibitors at a
meeting of the Federated Women's Clubs, held last week in Cleveland.
The exhibitor-speakers take exception to recent remarks on block booking
by Carl E. Milliken.
These points in refutation of Governor Miiliken's remarks were made
by Geo. W. Erdmann and M. B. Horwitz. Gov. Milliken had stated that
block blind booking was like buying a subscription to a magazine. The
exhibitors contended that a magazine went to everybody simultaneously,
that it is purchased to please only the buyer and that a subscription is a
convenience to the subscriber rather than a money saver.
1486
First Nat'l Announcement
Three Foreign Successes Included Among Product for
Season of 1928-29
{Continued from Page 1429)
made at the Burbank studios with Richard
Wallace directing. Jack Mulhall plays the
featured role, with Greta Nissen, Gertrude
Astor and Sam Hardy in the cast.
"The Changeling," from Donn Byrne's
story of that title, will be another of the
George Fitzmaurice specials for the season
of 1928-29.
Three Foreign Successes
During the season three foreign produc-
tions will be released. One of these is
"Dancing Vienna," the Defu production
directed by Friedrich Zelnik. Lya Mara,
Viennese film star, and Ben Lyon are the
stars.
"The Strange Case of Captain Ramper"
is a Defu picture produced by Friedrich
Zelnik under the direction of Max Reich-
man. It is an adaptation of Max Mohr's
play, "Der Ramper." Paul Wegener, one
of the outstanding screen actors of Ger-
many is the star. Others in the cast are
Kurt Gerron, Herman Vallentin and Mary
Johnson.
The third foreign picture to be distributed
by First National during the coming season
is "The Ware Case," a British First Na-
tional-Pathe production from George Pley-
dell Bancroft's novel of that title. Stewart
Rome and Manning Haynes act the two
principal roles.
First National will release three film mys-
tery melodramas. "The Haunted House,"
the mystery farce by Owen Davis, has been
purchased for one, for which the cast has
not yet been chosen.
Two Outlaws, ' ' directed by Henry MacRea,
with Kathleen Collins as the heroine;
"Guardians of the Wild," also directed by
MacRea, with Ethlyne Clair in support;
"Wild Blood," another MacRea picture
with Miss Clair in support ; ' ' The Harvest
of Hate," MacRea, with Helen Foster
as heroine; "Plunging Hoofs," same di-
rector, with Barbara Worth as the girl, and
"Hoof beats of Vengeance," also a MacRea
picture, with Helen Foster in support.
The two Aviation picture with Al Wilson
starred are, "The Cloud Dodger," directed
by Bruce Mitchell, with Gloria Grey as the
girl, and "The Sky Skidder," also directed
by Mitchell, with Helen Foster as heroine.
The eight melodramas are : ' ' The
Body Punch," directed by Leigh Jason,
from a Harry 0. Hoyt story, with Jack
Daugherty and Virginia Browne Faire fea-
tured ; Maciste, the strong-man, in ' ' The
Hero of the Circus," "Phantom Fingers,"
"The Midnight Mystery," "Wolves of the
City," "Beyond the Law" and "The Price
of Fear."
Heading Universal 's Short Subjects for
next year will be two new series of twelve
two-reelers each of the Collegians, directed
by Nat Ross, and starring George Lewis
Another is "Seven Footprints to Satan,"
by A. Merritt, while the third is, ' ' Ssh, The
Octopus" by Ralph Murphy and Donald
Gallaher, now playing in New York.
Executives of First National who at-
tended the Chicago convention included :
Ned E. Depinet, vice president and gen-
eral sales manager who presided; Clifford
B. Hawley, president; Richard A. Rowland,
general and production manager; Watterson
R. Rothacker, managing director of studios ;
Al Rockett, W. Coast production manager;
A. W. Smith. Jr., Eastern and Canadian
sales manager; Stanley W. Hatch, Western
sales manager, W. E. Callaway, Southern
Sales Manager and others.
The delegation from the company's home
office in New York included: Charles M.
Steele, supervisor of exchanges; Jerome
Beatty, director of advertising, publicity
and exploitation ; Florence Strauss, scenario
editor; Lynde Denig, assistant manager of
publicity; Walter Lindlar, assistant man-
ager of exploitation; R. C. Seery, West
Coast Representative; Jerome M. Loeb of
the purchasing department; Sol Shernow of
the print department ; and Charles Kemke,
Charles A. Baily and Joseph Kelly of the
sales department.
From the Burbank Studios the following
attended: Al Rockett, West Coast produc-
tion manager; John McCormick, producer
of the Colleen Moore pictures; Ned Marin,
unit production manager; Charles R. Rog-
ers, producer of the Ken Maynard pictures ;
and George Landy, director of studio pub-
licity.
with Dorothy Gulliver and the other
Collegian favorites in support.
Stern Brothers Comedies
Next in the Universal line-up is a new
series of "The Newly weds and Their
Baby" comedies,, made by the Stern
Brothers with Snookums, the baby star, in
the featured role. These comedies, 13 in
number, will be released as Universal-Junior
Jewels, the same as the Collegians.
Three other Stern Brothers series are
listed, of thirteen comedies each: "Sid Say-
lor in the "Let George Do It" comedies,
adapted from the George McManus cartoon
strips; "Mike and Ike" series, adapted
from the Rube Goldberg cartoons; and a
new series of the Buster Brown Comedies,
adapted from the R. F. Outcault cartoons.
Five serials are listed by Universal for
next year. Three will be in twelve chapters
each. They are: "Tarzan the Mighty,"
made from Edgar Rice Burroughs' Tarzan
book, "Jungle Tales of Tarzan"; "The
Final Reckoning," made from G. A.
Henty's boy's book; and "The Pirate of
Panama," made from William McLeon
Raine's story. There will be two of ten
Motion Picture News
chapters each, "The Mystery Rider," a
sequel to the Riddle Rider series of serials,
starring William Desmond, and ' ' The Dia-
mond Master," from the story by Jacques
Futrelle.
In the one-reel comedy field, Universal will
release twenty-six of the Oswald the Lucky
Rabbit cartoons, as well as 26 other come-
dies, thirteen "Horace in Hollywood"
comedies starring Arthur Lake, and thirteen
Laemmle Novelties.
There will be five series of Western fea-
turettes, 12 Texas Ranger dramas starring
George Chandler, 12 Stunt Cowboy pictures
starring Bob Curwood, 12 Northwest
Mounted Police pictures starring Edmund
Cobb ; 8 Harry Carey re-issues, and 8 Jack
Hoxie re-issues.
Completing the Universal Short Product
lineup will be the regular two-a-week issues
of the International Newsreel.
3 Features, 8 Shorts From
FBO in June
Three features and five short subjects
will be released by F B 0 during June. On
June 10th, "Dog Justice," starring Ranger,
willi be shown. "Loves of Ricardo" a
George Beban production, with Mr. Beban
in the leading role, will be distributed on
June 17th. This picture played the Rivoli
Theatre in New York. "The Texas Tor-
nado" starring Tom Tyler will be shown
on June 24th.
"Mickey In Love," a Mickey McGuire
comedy, and Larry Darmour production, will
be shown on June 4th. "Almost a Gentle-
man," a two reel comedy with Al Cooke in
the leading role, will be ready on June 11.
Another June 11th release will be "Heavy
Infants," a Standard Fat Men comedy.
Two Newslaffs will be distributed on June
11th and 25th.
Dooley Extends Contract
With Christies
Billy Dooley, comedian in Christie Come-
dies, has extended his contract with the
company for a long period and is definitely
set to star in a series of eight comedies dur-
ing the coming season. Dooley has just fin-
ished his second year in motion pictures,
having completed work in his last two
comedies.
Kaufman Now Lasky's
Aide in Production
ON the eve of his departure last
Sunday for a company conven-
tion in Washington, Jesse L.
Lasky, announced the appointment of
Albert A. Kaufman, at present direc-
tor of Paramount theatres in Europe,
to be his assistant in the Paramount
Famous Lasky Corporation production
department.
Mr. Kaufman has been long in the
employ of the Paramount organization.
He was manager of Paramount's Met-
ropolitan Theatre in Los Angeles.
After a short period in Los Angeles he
was sent to London to build and open
the Plaza Theatre there. Later he as-
sumed charge of all Paramount houses
in Europe.
After attending the three Paramount
Lasky conventions, Mr. Lasky will join
Mr. Kaufman in Paris to make a sur-
vey of European production activities.
Carl Laemmle Announces New
Universal Line-up
(Continued from Page 1430)
M ay 5 , 19 28
1487
FBO Convention Planned
Company Product Will Be Announced at Sessions to
Be Held in Chicago May 14 to 21
Lichtman Lists Nine on Schedule of
U. A. for New Season
A I, I.ICHTM \\ lia- announced nine of the I uiled \rli-l- pictures foi
next season, sonic of which are already made, others in work, while
still others have passed the planning stage. On the Lichtman li-t
arc the following:
"The Woman Disputed, starring !Norma I ahnadge now in production.
D. W. Griffith is at work on "The Battle of the Sexes" \\ iili Ph) Hie Haver,
Jean Hersholt, Belle Bennett. Don Alavardo and Sally O'Neil. "Hell'a
Angels" with Ben Lyon, Greta Nissen, James Hall, George Cooper and
Thelma Todd is almost finished. "The Innocent," Vilma Banky'e first star-
ring picture goes into production this week with Victor Fleming directing.
"Revenge" is Dolores Del Rio's newest. Edwin Carewe is directing. "La
Paiva" is about to start with Lupe Velez and William Boyd co-featured
and Sam Taylor directing. "Two Lovers" with Colman and Bank; will be
released nationally in the fall as will "Steamboat Bill. Jr.." Marring Bu-icr
Keaton and "Tempest," starring John Barrymore.
Producer-Owner Blamed
for Film Inferiority
Tumble in the quality of pictures was
blamed on producer-owned theatres by
Charles Metzger, Mecca Theatre owner and
state exhibitor president, lie fore Indiana
convention at the Claypool hold, Indiana-
polis. Metzger declared the practice
of producers operating their own houses
was the "greatest mistake in the motion
picture industry." Mrs. Davis Ross was re-
elected president of the Indianapolis branch
of indorsers.
The following resolution was passed.
"Whereas, There are three distinct
groups for which pictures should be em-
phasized, church, school and theatre.
"Whereas, The school picture is to teach
and emphasize the fundamental of all class-
room subjects, only such pictures should be
in use in schools which pertain to these
topics.
"Whereas, The functions of the church
arc to teach and emphasize the spiritual side
of life the church should only show such
pictures as pertain to this phase of life.
"Whereas, The theatre is our place for
recreation the theatre should show pictures
especially for entertaining purposes.
Therefore, be it
"Resolved, That these three distinct
groups of pictures in churches, schools and
theatres be observed. Therefore, be it
"Resolved, That the Indiana Indorsers of
Photoplays support and promote these three
distinct groups."
New Schedule Announced
by M-G-M
{Continued from Page 1428)
ing the coming season of 1928-29. .
Declaring that all the leading picture
companies have now developed their studio
facilities to a point where the general av-
erage of product is higher than ever bfore,
Mr. Schenck said that a high production
standard is made necessary by the unpre-
cedented popularity of motion pictures and
the demand of the public for consistently
good lilms.
During the past year, he pointed out, at-
tendance records in virtually every key
city theatre were shattered in playing
some of the outstanding productions of
1927-28.
Felix F. Feist, sales manager for M-G-M,
presided at both the Eastern regional con-
vention, held at the Hotel William Penn,
Pittsburgh, April 27-28, and at the West-
ern gathering, sessions of which took place
at the Hotel Baltimore, in Kansas City, on
April 80 and May 1.
The roster of home office executives at-
tending the two conventions is as follows :
Felix F. Feist, General Sales Manager;
Paul Burger, Sales Development Mgr.; Fred
C. Quimiby, Short Subject Sales Mgr. ; How-
ard Dietz, Director of Advertising, Pub-
licity and Exploitation, and Allin Cum-
mings, Exchange Operations Mgr.
FBO has set convention date- for Chi-
cago from May 14 to 21, at which
time the production program for the
1928-29 season will be presented to the
company's branch managers at the Drake
Hotel. Joseph P. Kennedy, president, and
J. I. Schnitzcr, vice-president in charge of
distribution, will make detailed announce-
ments of the new product and discuss sales
policies.
Lee Marcus, general sales manager for
the company, will preside at the sessions,
and among the home office executives who
will attend are, Edward P>. Derr, secretary
and treasurer; Clinton J. Scollard, assistant
treasurer and manager of exchange opera-
tions; Hyatt Dabb, director of publicity and
advertising, and S. E. Fitzgibbon, director
ot sales promotion.
The following division managers and
branch managers will also be present :
Charles Rosenzweig, New York State
sales manager, E. J. O'Leary, New England
sales Manager, Cleve Adams, Central sales
New Stanley House to
Go Up in West Philly
THE Mercantile and Theatres Pro-
perties, Inc.. has entered into a
long-term lease with the Stanley
Company of America and has agreed to
erect at the southeast corner of 52nd
and Chestnut, Phila., a theatre which
will represent an investment close to
$2,000,000 and compare favorably with
the present Stanley at Nineteenth and
Market Streets. It is expected that Un-
building operations will begin within
30 days and that the house will be com-
pleted for the season of 1929.
Negotiations for the Stanley Com-
pany were brought to a conclusion by
Mastbaum Bros, and Fleisher. Joseph
Bernhard represented Mercantile and
Theatres Properties. The property
was acquired some years ago by the
Stanley organization. The lot is 117 by
227 feet. A seating capacity of 1,000 is
assured. The architect is Ralph B.
Bencker of Philadelphia.
manager, Jerome Safron, Eastern Pennsyl-
vania and Southern New Jersey sales man-
ager and J. Frank Shea, Western sales
manager.
A. .J. Gutek, manager at Albany; C. L.
Peavy, Atlanta; H. T. Dixon, Buffalo; Wil-
liam Conn, Charlotte; A. H. Washburn,
Chicago; H. J. Michalson, Cincinnati; A.
J. Mertz, Cleveland; L. E. Harrington, Dal-
las; S. D. Weisbaum, Denver; Harry R.
Frankle, Des Moines; A. M. Elliott,* De-
troit; Claud Penrod, Indianapolis; C. B.
Ellis, Jacksonville; R. E. Churchill, Kansas
City; H. C. Cohen, Los Angeles; P. M.
Baker, Memphis; S. H. Abrams, Milwaukee;
M. J. Frisch, Minneapolis; John J. Lane,
Now Haven; Paul H. Tessier, New Orleans;
Sam Benjamin, Oklahoma City; S. W.
Fitch, Omaha; A. H. Schnitzer, Pittsburgh;
W. T. Withers, Portland; W. E. Matthews,
San Francisco; Harry Weiss, St. Louis; A.
H. Huot, Seattle; Fred Lind, Salt Lake
City; Roy Zimmerman, Sioux Falls and F.
L. McNamee, Washington.
P. C. Taylor, general manager of FBO
of Canada, will attend, as will Vernon
Dixon, manager at Calgary; E. It. Wells.
Montreal; A. L. Gaudet, St. Johns; B. D.
Murphy, Toronto; A. E. Rolston, Vancouver
and S. H. Decker, Winnipeg.
7 New Pathe Shorts Set
for Week of May 13
"Famous Playgrounds," new Grant land
Rice Sportlight, heads the Pathe short fea-
ture program for the week of May 13th,
which includes Pathe Review No. 20;
"Coast to Coast," an Aesop's cartoon;
Topics of the Day No. 20; "A Life at
Stake/' chapter 8 of "Mark of the Frog,"
and issues Xos. 42 and 43 of Pathe News.
The Sportlight release produced by John
L. Ilawkinson, presents Lake Placid. Palm
Beach. Pinehurst, Newport, Southampton.
Atlantic City and Del Monte and the sports
associated with each. Pathe Review con-
tains: "Something About Golf," "Way-
side Vendors," "After the Storm," and
••Men of Affairs."
1-4X8
M o t i o n Picture N e zv s
Key City Reports
New York City
A GLOOMY, rainy Saturday, Sunday
and Monday cut heavily into Broad-
way theatre attendance last week
and practically every house along the Row
shared in the had news. And to make mat-
ters still worse there's a good, stiff fight on
among the leaders right at this time in the
matter of gathering the loose coin around
town. The only boys who are having an
easy time of it are those working the theatre
crowds with the fake 25c watches and it
must make many a showman sad to see the
way the customers fight to secure a time-
piece without any works — and right under
the eyes of Mr. Warren's watchdogs, too.
Any other week the Paramount would
have hit its usual stride with Pola Negri
in "Three Sinners" and no doubt the
weather was responsible for a slight de-
crease. A fair week, anyway. Fox's Roxy
slid into one of the worst weeks the big
6,200 seater has had since it opened in
spite of the fine Rothafel presentation which
accompanied "The Play Girl" (Fox). Or,
as regards the picture, it may be that the
public is getting wised up to the fact that
a large number of mere program films are
being used as first run attractions, bolstered
with strong presentations. At least, the
local newspapers have harped on this sub-'
ject long enough to instill some such thought
in the minds of the customers.
Very favorable comment greeted Marion
Davies in "The Patsy" at the Capitol, sev-
eral critics stating that this picture was one
of the comedy hits of the season. However,
the newspaper boys did not help overcome
the prevailing conditions as returns were
just fair. The depression was also felt at
the Strand where Milton Sills' picture,
"Burning Daylight," brought that house a
below average week's trade. The Griffith
film, "Drums of Love," came into the Rialto
and gave that house very fair business after
doing about the same pace when it played
the Liberty at top prices. The other Publix-
U. A. house, the Rivoli, brought Harold
Lloyd's "Speedy" another week of pretty
fair business but hardly consistent with the
strong pace set the first week.
Two newcomers invaded the ranks of the
specials last week when "The Man Who
Laughs" came into the Central and
"Glorious Betsy" premiered at Warners.
The former, taken from the Victor Hugo
story, has apparently gotten off to a very
good start. There can be no doubt but that
Hugo has been widely read. This was
proven some time ago when "Les Miser-
ables" was on the street. The Leni produc-
tion is rated as a strong but gruesome one.
As the home of most Vitaphone pictures,
Warners' theatre has come into a rather
steady trade from those who like "talkie"
films and the new Costello-Nagel picture did
a pretty good business for a wet week-end.
At the Astor, "The Trail of '98" is still
pulling steady trade and the same can be
said for "Wings" at the Criterion. Plenty
of activity around both these houses. The
44th Street, with "Abie's Irish Rose," has
received a bad break on many things at-
tending its recent premiere and has still to
show just what it will do as one of the $2
attractions. Everyone concedes that it will
go great as a regular release but some doubt
its worth as a special. The Embassy, where
"Two Lovers" has been for the past several
weeks, also felt a slight depression the past
week.
Fox's line up along Broadway continues
to be led by "Street Angel" at the Globe
and "Four Sons" at the Gaiety, both show-
ing good returns. "Mother Machree" is not
doing as well at the Times Square.
Off Broadway, the Hippodrome with a
popular priced show which included an ex-
cellent comedy drama "The Matinee Idol"
(Columbia) and the regular K-A vaudeville,
did another profitable week's business. The
Cameo, with "A Woman Tempted" ( Ay won)
did below average.
Minneapolis
SPRING weather descended on Min-
neapolis with a vengeance last week,
and of course the result was to cut into
theatre attendance here and there. The
new Minnesota kept up a fast pace at the
box office, and this in spite of the fact that
the house is rapidly ceasing to become a
novelty. The picture attraction was Adolphe
Menjou in "A Night of Mystery" and the
stage attraction was the Publix Unit show,
"The Fast Mail," produced by Frank Cam-
bria.
"Ramona," at the State, did an exception-
ally good business, measuring up in good
style to the standard of "Speedy," which
preceded it the week before. The State
suffered quite a bit as the result of competi-
tion from the Minnesota at first, but a good
run of pictures is gradually helping to bring
the crowds back. Gilda Gray, at the Strand,
made a nice showing, and Reginald Denny's
comedy, "That's My Daddy," pleased good
crowds at the Lyric.
Neither Pantages or the Hennepin-
Orpheum had much to brag about in the
way of pictures, the former showing Madge
Bellamy in "The Play Girl' and the latter
S?.lly O'Neil in "Becky." Buck Jones, in
"The Branded Sombrero," was a good pro-
gram attraction at the Seventh Street.
Clara Bow came into the Grand for a second
run in "Red Hair" and seemed to please
the crowds.
The Lagoon, a neighborhood house,
showed "Legion of the Condemned" and
made a very good showing with it, but some
of the other outlying houses found business
only fair.
The movies had very little in the way of
competition this week, most of it being
provided by the Shubert, which was offer-
ing Lillian Foster in "Bless You, Sister."
Atlanta
DESPITE metropolitan opera holding
forth in splendid gala and a first class
stock company drawing laurels, Atlanta
moving pictures enjoyed a good week, offer-
ing a varied bill-of-fare.
"Ramona," at the Howard, drew well.
Too, it being Ray Teal's farewell week, plus
an unusually fine presentation, the Howard's
box-office struck a high mark.
Next door, Ramon Novarro brought
Lcew's Grand a substantial net in his latest,
"Across to Singapore."
The Capitol had another sure-hit Fox
opus, "Silk Legs," which, as Fox numbers
usually do, went over big.
Keith's Georgia did not lag behind with
Bebe Daniels in "Feel My Pulse." This
was the comedy hit of the week.
At the Metropolitan, Milton Sills, in "The
Valley of the Giants," drew well.
Buffalo
NORMAL business prevailed last week
in Buffalo theatres, and box office
records were not threatened, although some
of the houses, notably Loew's State, closely
approached record-breaking proportions.
Douglas Fairbanks, in "The Gaucho," was
not a world-beater by any means at Shea's
Buffalo, although he kept the public coming
through the entrance doors in goodly num-
bers. The picture lacked the action appeal
for children that his previous efforts
abounded in. "Gallopin' On," the stage
presentation, went over nicely, due in large
measure to the appearance in the cast of
Agnes Helliwell, who used to be a sheet
music clerk here until a theatrical contest
got her a chance behind the footlights.
A fair run of business came the way of
Shea's Hippodrome, where the screen fea-
ture starred "The Covered Wagon Girl,"
Lois Wilson, with "Mixed Pickles,"
a C. B. Maddox revue, occupying the vaude-
ville spotlight. The Great Lakes chalked
up a nice week's receipts with "That's My
Daddy," as the cinema attraction, and a
superb vaudeville program headlined by
Kitty Doner, the well-known male imper-
sonator.
The film, "Across to Singapore,' started
off with a bang at Loew's State, along with
an excellent stage bill featuring Buck and
Babbles, negro entertainers, but toward the
middle of the week the patronage sagged,
only to pick up like a whirlwind in the last
few days. Loew's State recorded receipts
during the week which, in proportion, prob-
ably exceeded those of any other house in
town. The Lafayette had a very good week,
also, with "Ham and Eggs at the Front"
on the screen, and Nonette, singing violinist,
heading the vaudeville section of the bill.
Harold Lloyd returned for a week's show-
ing of "Speedy" at Shea's Kensington, a
neighborhood house, and packed the theatre-
goers in every night.
Los Angeles
THEATRE business was generally good
throughout the city the past week, de-
spite the fact a new theatre was opened and
was bidding strongly for the trade. Warner
Bros, opened their new theatre in Holly-
wood and through advertising and exploita-
tion in connection with the opening, theatre
business was generally stimulated.
At the new Warner theatre, "Glorious
Betsy" is showing at popular prices and do-
ing very good business. At the United
Artists theatre Corinne Griffith, in "The
Garden of Eden," played to satisfactory at-
tendance.
Grauman's Chinese closed a successful
run of "The Circus." "The Trail of '98"
moves in next week. "Street Angel," at
the Carthay Circle, is doing very well. This
theatre has just changed its policy and is
featuring the Movietone instead of pro-
logues. The management reports the new
line-up of entertainment has reacted favor-
ably with the public.
"Wings" is still drawing at the Biltmore,
but is advertised to close in two weeks.
At the Million Dollar, Harold Lloyd, in
"Speedy," continues to draw big business.
"Laugh, Clown, Laugh," at Loew's State,
and "Sunrise," now playing at popular prices
at the Criterion, played to satisfactory at-
tendance.
May 5 , 19 28
1489
Chicago
ALTHOUGH some impi'' >vemcnt has
been noticed generally in Chicago the-
atre business since Easter, practically all
the small and medium sized houses and
some of the de luxe neighborhood theatres
continue to complain of mid week attend-
ance, full houses being exceptional except
on Saturday and Sunday.
The Chicago did a normal business with
"The Enemy" as its screen feature and usual
stage and musical show. At McVickers,
"The Legion of the Condemned" went into
its last week and held up fairly well.
"Speedy" continued to do good business
at the Roosevelt, and at the Oriental, where
Paul Ash's engagement is rapidly drawing
to a close, his "Jazz Minstrels of 1928" and
"Three Sinners" pulled strongly.
"Sorrell and Son" continued to pull well
at United Artists theatre and accounted for
a satisfactory week.
Average business was reported at both
the Granada and Marbro theatres, the for-
mer offering "The Play Girl," Vitaphone,
and Charles Kaley's stage hand, the latter
"Why Sailors Go Wrong," Vitaphone, and
Bennv Meroff.
The Capitol had Gilda Gray on the screen
in "The Devil Dancer" and in person, Del
I.ampe and his orchestra, Vitaphone and
Movietone News, the combination going
over big.
"The Patent Leather Kid," plus Benny
Kreuger and his band in "Tick-Tock," ac-
counted for fair business at the Tivoli, and
the Uptown, with the same feature, com-
bined with Frankie Masters and his band,
had a satisfactory week.
St. Louis
TOM MIX and his celebrated horse, Tony,
was the big attraction at the St. Louis
theatre. Grand and Delmar boulevards, and
as a result, everything considered, the the-
atre enjoyed one of the best weeks in a very
long time.
The film stars were given a big reception
in St. Louis. On Monday at the aviation
field in Forest Park thousands of school
children gathered to see Mix and his horse
and to participate in various contests that
had been arranged. Tom also held a recep-
tion for exhibitors at the St. Louis F. B. O.
exchange during his stay.
"Simba," Mr. and Mrs. Martin Johnson's
pictorial travelogue of a lion hunt in Africa,
enjoyed a nice week's business at the Amer-
ican theatre. The musical accompaniment
for this picture was furnished by a pana-
trope.
"The Crowd," at Loew's State, proved
very good entertainment and enjoyed a good
week, considering general conditions at this
season of the year.
At the Missouri, Adolphe Menjou, in "A
Night of Mystery," was the screen attrac-
tion. It enjoyed but an average week.
The Ambassador theatre put on a "Take
a Chance Week" and thousands did. One
local critic was unkind enough to compli-
ment Skouras Brothers for keeping the name
of the screen feature a dark secret, but Ed-
die Lowry and his stage show proved
enough to make a visit to the house worth
while.
San Francisco
WARNER BROS.' "The Jazz Singer"
continues to break records at the Em-
bassy theatre, being in its tenth week. This
is the first time a motion picture has ever
played for that length of time in San Fran-
cisco and it is reported that this film will
be held for still another week.
M-G-M's "Laugh, Clown, Laugh" and a
pleasing presentation drew very well all
week at Loew's Warfield and the Granada
also reported excellent business with "Easy
Come, Easy Go" and an imitation Paul Ash
act. It is said that many of the customers
were disappointed on nut finding the former
San Francisco maestro there in person and
some voiced their opinion that the advertis-
ing was misleading.
Harold Lloyd's "Speedy" let down some-
what in its second week at the California,
and one reason advanced was that many
consider that a poor musical program is be-
ing offered at this house. Neither did "The
Patent Leather Kid" fare so well in its
second week at the St. Francis theatre, and
it is claimed that San Franciscans are get-
ting fed up on war pictures.
The Union Square reported excellent trade
with "Chicago After Midnight," "Pretty
Clothes" and five acts of vaudeville. The
feature. "Rich Men's Sons" was also popu-
lar at the Golden Gate, which also included
vaudeville.
In the residential theatres, "Legionnaires
in Paris," "A Sailor's Sweetheart," "Sorrell
and Son" and "The Forbidden Woman" all
did very well.
Dallas
RECEIPTS at the Dallas theatres were
only fair the past week, although all
first run houses managed to show a little
profit for the week.
The Melba, showing Al Jolson in "The
Jazz Singer" for the third week, showed
good receipts for the last seven days, and
the last night still had them coming. The
three week's run showed a nice profit and
did much to establish the Melba with the
theatre goers.
"Gateway to the Moon," with Dolores Del
Rio, at the Majestic, enjoyed a good gross
for the week, and Little Mitzi, heading the
vaudeville, proved a good attraction.
At the Palace "Laugh, Clown, Laugh,"
with Lon Chaney, did not get the usual
Palace crowds, and business for the week
was only fair. The title of the picture helped
keep business down.
"We Americans," with Patsy Ruth Miller
and George Sidney, did not get the expected
business, although it was well advertised,
and receipts for the seven-day run were only
fair.
At the Old Mill. "Ladies' Night at a Turk-
ish Bath," with Jack Mulhall and Dorothy
Mackaill, and "The Lovelorn," with Molly
O'Day, Sally O'Ncil and Larry Kent,
brought average business.
"West Point," with W illiam Haines and
Joan Crawford, and "The Big City," with
Lon Chaney. brought a good week's business
to the Arcadia, which is not unusual.
Milwaukee
ANOTHER week of average business was
enjoyed by Milwaukee theatres this
past week. The weather was ideal for
good picture business.
The Wisconsin offered "The Big City"
and found results from this showing exceed-
ingly satisfactory.
"Speedy" was very popular at the Merrill
and is being held over tor a second week.
"We Americans" did moderately well at
the Alhambra. "The Whip Woman," at
the Strand, was accorded fair patronage.
"If I Were Single" was the feature at the
Garden and was very well attended. The
two vaudeville houses, the Orpheum and
the Majestic, enjoyed unusually good pat-
ronage. "Skyscraper" was the photoplay
feature at the Orpheum and "Her Summer
Hero" was offered at the Majestic.
Neighborhood theatres found business
slightly accelerated this last week. "French
Dressing" was featured at the Garfield, Up-
town, and Tower theatres and drew very
well. "Baby Mine" found favor with pa-
trons of the Colonial. "The Joy Girl" was
fairly well attended at the Oriental.
< Ottawa
MORE! than ordinary interest was aroused
in various film presentations in Ottawa,
Ontario, during the week of April 23 because
of the coincidental observance of Empire
Shopping Week in Canada, with which the
features were tied.
"Sorrell and Son" was the attraction at
the Regent theatre, Ottawa, and Manager
Ray Tubman reported that it had enjoyed
practically as much business as "Ben Hur,"
the record-holder tor the house.
"The Battles of Coronel and Falkland
Islands" at the Centre theatre was particu-
larly linked up with the Empire Week in
special exploitation and the result was very
satisfactory to Manager Don Stapleton.
Never before was there such a line-up in
front of B. F. Keith's theatre as there was
for the first day of the Saturday-opening
policy, when "Old Ironsides" was the fea-
ture attraction. Incidentally, the change in-
volved increased prices, but the street line-
up extended for 100 yards. There was big
patronage all week.
The Imperial theatre continued its upward
trend with "The Enemy," starring Lillian
Gish, and this house had one of its best
weeks in years. The unusual anti-war theme
of the picture aroused wide comment, but
no objections were raised.
The neighborhood houses all packed them
in with appropriate features. "Outlaws of
Red River" brought all the patronage to the
Columbia theatre that it could stand, while
"After Midnight," starring Norma Shearer,
was a popular hit at the Fern theatre.
Monte Blue, as "The Brute," was seen and
appreciated by capacity crowds at the Rex
theatre.
Manager Donat Paquin offered plenty at
the I .aurier theatre, Hull, Quebec, and se-
cured plenty as a result. The bill included
"The Heart of a Follies Girl," "Sharp-
shooters," and the "Beauty Parlor" series —
the patrons got their money's worth.
Cleveland
THIS was an average week at the local
theatres. There were no high spots of
a sensational character. Neither was there
a single Hop. Business, on the whole, was
fairly good for a week of bad weather.
"Laugh, Clown, Laugh" was undoubtedly
one of the outstanding pictures of the week.
It played at the Allen to discriminating
audiences and did satisfactory business.
"Dressed to Kill" went over big at Keith's
Palace. Underworld pictures are very popu-
lar in this locality right now, and this one
received the approval of the populace. "The
Patent Leather Kid" brought its two weeks'
engagement at the Stillman to a close. It
was consistently popular with the public
during the entire run.
"Circus Rookies" made the State theatre
echo with laughter all week. Business was
highly satisfactory.
"Wings" continued to play to good houses
at the Colonial, where it is being shown at
$1.65 top. "The Siren," strong melodrama,
played to very big houses, local interest be-
ing keenly awakened by the personal ap-
pearance of Peaches Browning as the fea-
ture vaudeville attraction.
Keith's East 105th Street theatre played
to very nice business with a clever mystery
play, "13 Washington Square." as the fea-
ture. The Park had nice business with a
first-run neighborhood showing of "Red
Hair," while the Cameo played to a satis-
factory business with a continued engage-
ment of "Speedy," which was its third week
downtown.
Neighborhood business was decidedly
poor, according to neighborhood theatre
owners, and legitimate theatre competition
was just average.
1490
Salt Lake City
BOX office receipts at the downtown pic-
ture theatres of this city averaged fairly
good this past week. A week of cool early
spring made weather conditions favorable.^
A very good week was had at the Capi-
tol theatre, the picture having been Richard
Dix in "Easy Come, Easy Go," and the stage
presentation being Fanchon and Marco's
"Jungle Idea." Both of these attractions
proved to be big drawing cards.
The Paramount Empress had fairly good
results during the presentation of Adolphe
Menjou in "A Night of Mystery," and above
the average business was reported at the
Victory, by Manager Hendry, during the
picture presentation "The Heart of a Follies
Girl," starring Billie Dove.
Laura LaPlante and Glenn Tryon, in
"Thanks for the Buggy Ride," was shown
at the American theatre with only fair re-
sults, while Marie Prevost, in "A Blonde
for a Night," is reported to have gone over
to crowded houses.
"Beau Sabreur" was shown as a second
run at the Rialto theatre with satisfactory
results.
"The Naked Truth," at the Hub, has been
held over for a week, it is reported.
The Towers theatre, a neighborhood
house, featured "Sorrell and Son" during
the fore part of the week with very good
business being the result.
The Pant ages- theatre picture offering
during the past week was Lon Chaney, with
Betty Compson, in "The Big City," and the
attendance was very good.
Albany and Troy
LAST week, in Albany, was one character-
ized by good business at practically all
of the first run houses, the outstanding fea-
ture being the excellent business done by
the Mark Strand, with "The Crowd." While
this picture came to Albany unheralded, it
pleased so much on the opening day that it
was quickly noised around town and each
day brought an increased number of patrons.
The fact that the theatre also showed some
excellent views of the Bremen and the Ger-
man aviators no doubt played a part in
bringing long waiting lines to the theatre
each night. The two Vitaphone presenta-
tions did not measure up to expectations
and contributed but little to the evening's
enjoyment. The two presentations included
Montagu Love and the Florentine choir.
"King of Kings," which came to the Cap-
itol for a week's run at prices ranging from
50 cents to $1.65, panned out exceptionally
well. Although all of the theatres suffered
to some extent on Monday night, due to a
severe rainstorm, "King of Kings" played
to capacity, the entire house having pre-
viously been sold out to the City Club.
There was a slight drop on Tuesday, but
the remainder of the week picked up fast
and the picture did capacity business.
The Capitol is given over mainly to the
legitimate, although "Simba" will be shown
next week and "Wings" has been booked for
September.
The Leland went over exceptionally well
with Elinor Glyn's "Mad Hour." The house
was crowded to its doors each night and,
as usual, with any of Elinor Glyn's produc-
tions, the matinees were heavy. The Mark
Ritz did not do anything to brag about with
"The Love Mart." The Clinton Square the-
atre in Albany is showing a wonderful re-
sponse these days to first run double fea-
tures, and last week, with "Square Crooks"
and "Lightning," the house played to capa-
city business. One theatre in Albany, in
speaking of business generally, stated that a
comparison between last Friday night's re-
ceipts and those of a Saturday night on
the corresponding week a year ago, showed
a considerable increase.
Proctor's Grand is also playing up its
picture part of the program these days, with
the result that "The Silver Slave" contrib-
uted its full share and more to the program
of entertainment. Harmanus Blecker Hall,
in Albany, is still packing them in with a
combination of vaudeville and pictures.
The neighborhood houses in Albany re-
port business as being satisfactory, such
theatres as the Paramount reporting that
business has shown a considerable improve-
ment during the last week or so.
In the neighboring city of Troy, "Old
Ironsides," while playing to good business,
did not come up to expectations. The pic-
ture had a handicap the fore part of the
week by a couple of rainy days, both Sunday
and Monday being characterized by weather
that simply kept the people indoors. Dur-
ing the last part of the week, "The Heart
of a Follies Girl" ran to just fair business.
The Lincoln did well with "The Little
Shepherd of Kingdom Come" for the first
part of the week, but not so good with "Fly-
ing Romeos" the latter part. The American
used "Their Hour" the first part of the
week, and "Skinner's Big Idea" the last of
the week with fair success.
Cincinnati
THE past seven days in Cincinnati might
well be termed "Hold Over Week," so
many pictures having been held over from
the previous week.
Norma Talmadge, in "The Dove," in the
final week, kept up the good attendance
record previously established at the Capitol,
where Movietone and the Vitaphone are
now additional features to the regular pro-
gram.
Harold Lloyd, in "Speedy," at the Lyric,
terminated the engagement after being held
over, and the takings for the final week
showed that the extension of the run was
fully justified.
The Albee, with "The Smart Set," aided
and abetted by elaborate stage presenta-
tions, enjoyed another of its justly pros-
perous weeks.
Mary Pickford, in "My Best Girl," another
holdover, at Keith's, did not hold up quite
as well as during the early part of the en-
gagement.
The Walnut, with "Love Hungry," had a
fairly prosperous week. The days of this
house are numbered, and it will close with-
in a fortnight.
The Strand, with "Stand and Deliver,"
had a fairly successful week, as did also
"South Sea Love" at the Family, first half,
and "Million Dollar Mystery," last half.
The Palace, combination vaudeville and
pictures, did a big business, but the legiti-
mate houses complain of a decided slump
in patronage, despite the excellence of their
attractions.
Des Moines
\ T the Des Moines the Vitaphone proved
i. ». its popularity again by holding over
"The Jazz Singer" for a full two weeks' run.
It was planned to hold it for two weeks,
as advertised, but it was not expected that
the theatre would run out the second week
with capacity houses as it did. Many people
came to see it the second time. At the
Capitol theatre the world premier of "Laugh,
Clown, Laugh," with Lon Chaney, suffered.
The tragic endings of his pictures are
thought to have affected his popularity.
"The Big Parade," coming for its third
showing at the Strand theatre, did a tremen-
dous business and it was considered to play
it for the full week. "Tillie's Punctured Ro-
mance," which was played on the previously
arranged schedule there, did poor business.
It started well, but flopped as soon as the
word got around. At the Garden, "Damaged
Goods" starved to death. The Drake Re-
lays helped the weekend business regardless
of what was on.
Motion Picture N c w s
Baltimore
PATRONAGE at the first-run moving
picture theatres here was curtailed very
much during the week beginning Monday,
April 23, by the heavy rainstorms which
occurred on Monday, Friday and Saturday.
Coming on the three biggest days of the
week, they made the receipts of the theatres
drop off considerably.
However, at three houses business was
excellent despite that fact, holding up on
the rainy nights very well considering the
downpour.
The three included Loew's Century, with
"The Divine Woman," featuring Greta Gar-
bo and Lars Hanson with a stage presenta-
tion entitled "Nick-Nacks" ; Warners' Met-
ropolitan, where Vitaphone dialogue and
musical accompaniment in "Tenderloin" held
forth for its second week, with Dolores Cos-
tello and Conrad Nagel and other Vitaphone
attractions on the bill; and at Loew's Val-
encia, where Harold Lloyd's latest starring
vehicle, "Speedy," proved a big favorite with
the public. "Speedy" was aided also by
extra large advertising space in the news-
papers previous to the showing.
Business at the Stanley with "Partners in
Crime," and a presentation act entitled "Sky
Blues," was very good.
"The Satin Woman," starring Mrs. Wal-
lace Reid, proved a good puller at the Keith-
Albee New Garden with eight acts of high
class vaudeville.
"Cyrano de Bergerac," the French produc-
tion in colors, proved a good attraction at
the Little theatre during its second week
there. "A Woman's Way" proved a fairly
good attraction at Keith's Hippodrome, with
five acts of Keith-Albee family time vaude-
ville.
"Kreimhilde," the Ufa production, was
presented at the Lyric for one night on
Wednesday and pulled very good.
"Square Crooks" proved a poor business
getter at the New theatre, with a stage act
including 'Fluerette Joeffrie, 18, who has a
beautiful voice and looks to match.
"The Little Firebrand," featuring Lou
Tellegen, went over fairly well at the Pal-
ace, where burlesque is shown on the same
bill, but "The Vamping Venus," at the
Rivoli, with Charlie Murray and Louise
Fazenda, did not go so well, with Howard
Emerson and his orchestra doing their stuff
on the stage.
Tampa
NOTHING very startling in the way of
business the past week. The Victory
again leads the field with their Vitaphone
and Movietone presentations. The fea-
ture was "Across the Pacific" and the
Movietone newsreel with the opening of
the baseball season. Very good show and
very good business.
"Ramona" failed to pull the usual Sun-
day business for the Tampa, but business
picked up daily for the four days' run. The
first pictures of the Bremen landing on
Greenly Island were added to the program
on Tuesday and they added to the draw.
For the last half, "Partners in Crime" was
featured and it did very good. This comedy
team, Beery and Hatton, are clicking nicely
with Tampa fans.
The Strand had an average week. "Lady
Raffles" for two days, "Burning Daylight^
for three days, and "That Certain Thing"
for two. The Sills picture showed up best
at the box office.
The Franklin had an off week with re-
ceipts running a little under average.
"Alex the Great" and "Under the Black
Flag" were first runs, with "The Student
Prince" in for a second showing. This
theatre is now bringing back one of the
big features for a two days' showing each
week and in many cases they draw better
than the first runs.
M ay 5 , 19 2 8
1491
Ferry Ramsaye Editor
of Pathe Review
TERRY RAMSAYE is the new
editor <>r I'athe Review. His edi-
torial labors on I'athe Review
begin with No. 2<J, now in progress.
There will he, he says, no radical
changes in the policy of the reel but
more likely some new methods will be
introdticd which will aim at enhance-
ment of box office valuer.
Ramsaye has lately piven his editor-
ial attention to "Simba," "The Cruise
of the Speejacks," and other films.
Harrisburg, Pa.
ABOMINABLE weather conditions the
latter part of the week cut deeply i n t < •
the business of the I Farrisbiirg- theatres,
particularly on Saturday, the "big" day,
when the city was buried under a belated
snowstorm followed by a rain that reduced
the snow to slush.
The Colonial theatre, where "The King
of Kings" was shown all week, suffered least
from the adverse weather conditions be-
cause Manager Levy had departed from the
usual custom and had held advance seat
^aUs for this spectacle.
Under this plan the house was sold out
for tlie latter half of the week, several days
ahead of the bad weather.
"The King of Kings," notwithstanding the
prices were advanced to $1.65 for the best
seats, did a splendid business all week, and
the house was crowded to seating capacity
at all performances, whether afternoon or
evening.
"Across to Singapore," at Loew's Regent,
did splendid business so long as the weather
remained good, but suffered on Friday and
Saturday. At the Victoria, Pola Negri, in
"Three Sinners," had strong popular appeal
until the wretched weather interfered witli
the attendance. At the State the feature
film was Ralph Graves in "That Certain
Thing," and it proved a fairly strong attrac-
tion.
"The Lone Eagle," on a repeat booking
for Harrisburg, showed with a fair degree of
financial success at the National, while the
Broad's offering was Lon Chaney in "The
Big City." The Grand feature film was
"The Love Mart," with Gilbert Roland,
Noah Beery and Billie Dove. Miss Dove
has a big following in Harrisburg. The
Royal showed Buzz Barton in "The Bucka-
roo Kid." Tom Mix and Dorothy Divan, in
"Silver Valley," was shown with success at
the Russell.
Seattle
AGAIN it was the Fifth Avenue theatre
that took a major share of the city's
downtown show business last week, with
one or two other houses as close runner-
ups.
The Fifth Avenue offered a program with
several featured stage and screen offerings.
First there was Cliff Edwards, "Ukulele
Ike," who scored a tremendous hit with his
"Follies" specialty. Then came Eddie Pea-
body, with his pals, Jimmy Maisel and Gogo
DeLys, in a series of new offerings. Then
there was 'Fanchon-Marco's "Ship Ahoy"
Idea, Walace on the Wurlitzger, and Bee
Starr, far-famed aerialist. And as the
screen attraction came George Bancroft in
"The Showdown." All in all, it was a
mighty program that was pleasing to every
patron in every regard. Business very big.
Second in the running came the Seattle
theatre, with "Old Ironsides" in program
show form, and a pleasing Publix stage re-
vue, "Blue Plate.'' The film was pleasing
to the extreme, despite the fact that it was
terribly cut to conform to time schedules at
a presentation house. Those that had not
seen it in road show form enjoyed it, how-
ever, and there were many. The act was
satisfactory. Business good — better than the
previous two weeks.
At the United Artists theatre, "Speedy,"
in its second week, fell down considerably.
The first week was very good, but the
second seven days brought the total gross
down below what it should have been for
an attraction of this calibre. It seems, from
experience, that this house would be a big
money getter if it played the big pictures
on a straight one-weck-only policy, with
possible road show film exceptions.
"13 Washington Square," at the Columbia
theatre, failed to arouse any great excite-
ment among the movie-goers, and played to
a fair week only. The same might be said
about "Beware of Married Men," which
was the attraction at llamrick's I!lue
.Mouse. This house has not had a big week
since "The Jazz Singer" left six weeks ago,
and the return of "The Jazz Singer" next
week is expected to show an immediate in-
crease in business.
The vaudeville houses both played very
good film attractions. "Dressed to Kill," at
the Pantages, was a very pleasing picture of
its type, and played to fairly good houses.
At the Orpheum, "Skyscraper" bolstered up
a bill headed by Fannie Ward. The latter
film did not get the business that it should
have had, due primarily to the fact that it
was the first real good picture the Orpheum
has played in months, and audiences have
been afraid of the films at this house.
"Nameless Men" at the Embassy,
"Freckles" at the Winter Garden, and
"Share and Share Alike" at the Palace Hip
were all secondary attractions that played
to fair business only.
M-G-M's May List of
Shorts Totals 7
Headed by a new issue of the great
events scries of Technicolor shorts, the
Metro-Goldwyn-Mayer short subject sched-
ule is composed of six other subjects — two
Ufa Oddities and four Hal Roach comedies.
The fifth of the historical issues is "The
Virgin Queen," in which Forrest Stanley
is seen opposite Aileen Manning, with
Dorothy Dwan, in another feature role; di-
rection was by R. William Xeill; scheduled
for May 12. "Sanctuary," set for May 5,
is the 19 of the series of Ufa Oddities. An-
other issue of the series, "Golden Fleece,"
will be seen on May Id.
The first of the Roach two-reelers is
"Fair and Muddy," starring "Our Hang."
Charley Chase stars in •'The Fight Pest,"
set for May 12, and Stan Laurel and Oliver
Hardy are co-featured in "Their Purple
Moment," listed for May 19. Max David-
son is seen in the final release for the
month, "Should Women Drive."
"Country Store" Is Held
Not Lottery
Adolph Dickson and Frank Ricketson,
owners of the Queen ami Egyptian theatres
of Denver were again victorious in success-
fully defending their "country store" oper-
ations in Denver. This is the second time
they have had criminal charges filed against
them for alleged violations of the state law
prohibiting lottery in Colorado.
flic defendant exhibitors were discharged
when Judge Julian II. Moore directed a ver-
dict in favor of the exhibitors, it being his
belief that the state's case did not consti-
tute a violation of the law within the mean-
ing of the statute,
Last January a directed verdict was al>o
given by Judge Dunklee upon a similar set
ol facts. It is now believed that the ques-
tion is settled as far as Denver is con-
cerned.
North Dakota Exhibitors
Plan Statewide Meet
North Dakota exhibitors arc planning to
hold a statewide meeting in the near fu-
ture, according to plans decided ii]Kin at a
meeting of about 'JO exhibitors held re-
cently in Fargo. Matters of vital im-
portance to the business in North Dakota
is to be discussed and action taken.
3 Indianapolis Theatres
Bought by R. R. Bair
K. K. Hair, owner of an Indianapolis
local chain of houses, hits purchased the
Uptown, Ritz and Dream theatres in In-
dianapolis at a consideration of about
^750,000.
The deal is one of the largest neighbor-
hood transactions there, and increased the
Pair chain to six houses. The Uptown was
purchased from the Circle Theatre Com-
pany and the Dream and Ritz from Mark-
um and Son, represented by Louis Markurn.
The deal gives the Bair chain 7,000 seats,
making him the largest theatre owner out-
side of the downtown area.
Complete remodeling and installation of
organs, pianos and orchestras planned.
Weshner Raised to New
Stanley-Fabian Post
David E. Weshner has been appointed
director of advertising and publicity of the
group of Stanley-Fabian theatres in Hud-
son County, New Jersey. These houses in-
clude the 5,000-seat Stanley in Jersey City,
the National, Central and Ritz, also in Jer-
sey City, the Lincoln and Roosevelt in
Union City, the DeWitt in Bayonne. and
the U. S. Theatre in Hoboken.
Weshner came with the Stanley-Fabian
interests recently to supervise the publicity
on the pre-opening campaign of the new
Stanley.
MOTHER LOVE
Is the Big Thought
in
James A. FitzPatrick's
"THOUGHTS
FOR
MOTHER'S DAY"
A Four Minute Film Tribute
to the
MOTHERS OF THE WORLD
Prints Now Available
for
SHOWING " MOTHER'S DAY'
WEEK"
May 12th-19th
FITZPATRICK PICTURES, Inc.
729 Seventh Ave. New York City
(Tel. Bryant 8139)
1492
Motion Picture News
Classified Ads
RATES: 10 cents a word for each insertion, in advance
except Employment Wanted, on which rate is 5 cents
Situation Wanted Wanted to Buy
Organist, Gentleman. No
finer soloist available for best
theatre using organ exclusive-
ly. Present and past record
substantiate this beyond
doubt. Just completing solid
year "best show in town" of
25,000. Southern states pre-
ferred. Write or wire Organ-
ist, 18 Cumberland Apart-
ments, Johnston City, Tenn.
A-l Male Organist at liber-
ty. Wurlitzer specialist. Or-
ganist, 1112 Lee St., Charles-
ton-Ka., W. Va.
ORGANISTS and SING
ERS, thoroughly trained and
experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address, Chicago
Musical College, 64 E. Van
Buren, Chicago.
PROJECTIONIST
UNION. Young man with
broad experience in motion
picture projection desires po-
sition. Capable, can make
good anywhere. Address Box
346, care Motion Picture
News, 729 Seventh Ave., New
York.
PROJECTIONIST at lib-
erty; thirteen years' experi-
ence. Married ; reliable. Wire
best offer at once. David S.
Mayo, Felder St., Americus.
Ga.
MANAGER 9 years in last
position. Bi-oad experience,
married, best references,
wants position in motion pic-
ture theatre. Can make good
anywhere. Address Box 349,
care Motion Picture News,
729 Seventh Ave., New York.
WANTED Theatres in
Towns of 5,000 population
and up, must bear the closest
investigation and be at right
price, South preferred. Ad-
dress Box 334, care Motion
Picture News, 729 Seventh
Ave., New York City.
For Sale
FOR SALE— Two theatres
in Southwestern town of 15,-
000. Both located advantage-
ously. At a bargain for cash
sale. Address Box 341, care
Motion Picture News, 729
Seventh Ave., New York.
Single Phase Watton Motor
Generator set, 35 Amp. Like
new, $150.00 complete. Gen-
eral Electric Rectifier, 30
Amp., with 2 tubes, $75.00.
Box 485, Rochester, N. Y.
FOR SALE— New theatre
in Pacific Coast City of 400,-
000, located advantageously.
Address Box 350, care Motion
Picture News, 729 7th Ave.,
New York.
FOR SALE— 2 Simplex
Projectors, like new $250.00
each. Box 485, Rochester,
New York.
FOR SALE — 2 Peerless
Reflector Arcs, perfect condi-
tion, $385.00 pair. Box 485,
Rochester, N. Y.
FOR SALE— Marlowe The-
atre, Buffalo, N. Y. 750 seats,
$45,000. $12,000 cash re-
quired. For details write Da-
vid Krieger, 257 Virginia
Street, Buffalo, N. Y.
For Rent
FOR RENT.— Motion Pic-
ture Theatre seating seven
hundred. Town of fourteen
thousand. Reduced rental. J.
A. Strife, Chambersburg, Pa.
A group of five well executed newspaper displays
featuring "Wild Geese'"' appear in the layout
above. These reproductions of ads for the attrac-
tion at first run theatres include displays used by
the following houses: Liberty, Spokane; Majestic,
Dallas; Arcade, Jacksonville; Grand, Pittsburgh.
May 5 , 19 2 8
1493
Opinions on Pictures
Glorious Betsy
Excellent Picture, Excellently Told
(Reviewed by Laurence Reid)
(~\ NCE in a while a picture happens along
that has sheer romance written all over
it. Such a picture is "Glorious Betsy,"
which tells a charming love story — and tells
it with Tine simplicity, too. It has an at-
mosphere entirely in keeping with Dolores
Costello 's personality. Romances of this
type need never go begging while she re-
mains on the screen.
There is a deep well of pathos in this
story of Napoleon's brother and the love
affair which sprung up between him and the
belle of Baltimore. Betsy Patterson was
something of a coquette but she became
serious when she fell in love with her
French tutor only to discover his identity.
However, they marry and go to France but
Napoleon orders the girl home and has the
marriage annulled. After a deal of senti-
ment (none of which gets out of key)
Jerome Bonaparte escapes from France and
rejoins his wife.
Such a story as this needed sympathetic
treatment. And this is just what it received.
Had it been handled with an eye to the sobs
it would have become maudlin. Alan Cros-
land has directed it with fine restraint. The
photography is excellent — with all of the
backgrounds in good taste. The Vitaphone
accompaniment is much more satisfying
than with the previous Costello film, "Ten-
derloin."
Drawing Power: Title and appeal of star
should attract them. Suitable for any type
of house. Exploitation Angles: Feature as
romance of Napoleon's brother and Balti-
more girl. Play up the costumes. Feature
as star's most romantic picture.
THEME : Romance.
Produced and distributed by Warner
Brothers. Length, eight reels. Released,
April, 1928. The Cast: Dolores Costello,
Conrad Nagel, Betty Blythe, Pasquale
Amato, Marc MacDermott. Director, Alan
Crosland. Story by Rida Johnson Young.
Scenario by Anthony Coldeway.
Across to Singapore
An Average Picture, Fairly Good
Action
(Reviewed by Laurence Reid)
A GOOD, old-fashioned tang of the deep
** is carried in this tith — which might
suggest much nautical action of the "shang-
hai" brand. But it behaves itself pretty
well even if it doesn't release the realism
anticipated. Had it been cast in its central
role with someone less the romanticist than
Ramon Novarro it might have struck more
melodramatic chords. But Ernest Torrence
is present — and the story keeps going. It
couldn 't do otherwise.
It tells of the youngest of four brothers
who sets out for Singapore — and leaving his
home-town girl behind him. One of the
other boys is in love with her too. And this
precipitates much suspense before the most
youthful can say it with romance. The pic-
ture naturally, uncovers a storm at sea
which is tolerably active and eye-compell-
ing. The story isn't so hot, nor on the
other hand can it be called so cold. It
might be summed up as just a movie — car-
rying a good cast dominated by Torrence.
Joan Crawford makes an attractive heroine.
Drawing Power: Title should have pos-
sibilities. Star and Joan Crawford will at-
tract them, too — to say nothing of Tor-
rence. Exploitation Angles: Play up title
and bill as melodrama of the sea.
THEME: Melodrama of brother against
brother with more sympathetic character
winning the girl.
Produced and distributed by Metro-Gold-
wyn-Mayer. Length, <i.\ nils. Released,
April, 1928. The Cast: Ramon Novarro,
Joan Crawford, Ernest Torrence, Frank
Currier, Duke Martin, Edward Connelly,
James Mason. Author, Ben Ames Williams,
Scenario by Richard Shaver. Director, Will
Nigh.
Partners In Grime
Tolerably Amusing
(Reviewed by Laurenoe Reid)
\A7 ALLACE BEERY and Raymond Hat-
* ton are still cutting up didoes and
acting as foils for each other. In their
present conceit, "Partners in Crime." they
play the part of a boob detective and news-
paper reporter and since they dominate
most every sequence (truly, every impor-
tant one) the picture succeeds in being
amusing. But it isn't any great shakes if
you are hunting for a plot, nor is it as tunny
as some of the earlier Beery-TIatton num-
bers. One gets to know their stuff after a
time and, of course, it becomes fairly easy
to call the turn.
The piece wavers between straight, out-
and-out melodrama and slapstick farce —
the heavy scenes being injected in all prob-
ability to furnish suspense. Both stars are
very intensive in their high jinks and ex-
pressions and as they are seasoned troup-
ers you can put your bet down on them.
They won't let you get bored.
Drawing Power: All depends on ability
of stars to draw them. Exploitation Angles:
Feature title and bill stars as furnishing
more comedy of their own particular brand.
THEME : Comedy of boob detective and
newspaper reporter.
Produced and distributed by Paramount.
Length, ti.iiiin feet. Released, Mar. 1~. L928.
The Cast: Walla.-.' Beery, Raymond Hat-
ton, Mary Brian, William Powell. Jack Lu
den, Arthur Housman, Albert Koccardi,
George Irving, Jack Richardson. Story and
scenario by Grover Jones and Gilbert Pratt.
Director, Frank St raver.
"Felix in Sure-Locked Holmes"
( Educal ional— < )ne Reel I
THE black cat is pursued by phantoms in
this new cartoon creation from the Sulli-
van Studio. Replete with laugh material, it is
cleverly conceived with a bid for thrills. Men-
acing shadows, the silhouette of an ape always
pursuing are the source of much terror to Felix.
Quite a bit of entertainment, some fine draw-
ings and backgrounds.
The Matinee Idol
Comedy Drama Will Click
fRe\icvkcd by E. G. Johnston)
TIFKF i~ a picture which we firmly be-
* ■ lieve will click as an all around box-
office attraction. It seems to have all that
any good motion picture needs — good story,
good direction, good photography and a
most excellent portrayal of roles by the
featured players and other members of the
cast. Some honest-to-goodness, amusing
situations have been worked out, and we
predict your patrons will get just as real
laughs when they occur. It's not all comedy
— real touches of pathos are also intro-
duced. But all turns out well at the end.
We will have to take our hat off to Bes-
sie Love. She does the best we ever saw
her do in this picture, even allowing for the
fact that her role is easily the strongest.
As "Ginger Bolivar," star of a pathetically
poor tent show troupe innocently brought
to Broadway for the sole purpose of bur-
lesque, her efforts reach real heights. Most
every one but the yokels and the troupe are
aware that Bolivar players are terrible, but
when Don Wilson (Johnny Walker) goes to
the sticks for a short rest from the arduous
labor of being a star black-face and is ac-
cidently included among applicants for a
vacancy in the show, his manager seizes
the opportunity to sign them all for his
Broadway revue. The star's identity is
kept secret until the first appearance of
the show in New York, when the Bolivars
turn the performance into a riot of laugh-
ter. "Ginger" at last finds out their real
worth and then the tears begin to fall.
Don, however, eventually straightens mat-
ters out.
Drawing Power: A lirst rate, first run
attraction for the majority of theatres.
Exploitation Angles: Play up names of
cast and promise your patrons that you
have a real treat for them. The writer
sincerely believes that you can go that far.
Stress the theatrical theme of the film.
THEME: Comedy-drama. Star comedian
of Broadway show becomes involved with
tent show troupe. Against his wishes, man-
ager signs them to appear in New York re-
vue. Their pathetic efforts to stage a Civil
War drama literally stops the show and
girl then realizes that the troupe had been
duped. The star eventually wins her affec-
tion.
Produced and Distributed by Columbia
Pictures. Length. 5,925 feet. Released
March 14, 1928. The Cast: Bessie Love,
Johnny Walker, Lionel Belmore. Frnest
Milliard, Sidney D'Albrook and David Mir.
Produced by Harry Colin. Excellently di-
rected by Frank Capra. Also credit Peter
Milne and Ernest Harris for the adaptation
and continuity of Lord-Pagano story.
1494
Motion Picture News
"George's School Daze"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
THIS is a two-reeler of the silliest sort of
knockabout comedy, very similar to all the
others of the series in which Sid Saylor is the
featured player. It is unfortunate that more
attention is not given to story detail for this
comedian, as he is undoubtedly capable and en-
titled to better material.
In this one George is the teacher's pet and
given charge of the class in her absence. The
silliest sort of comedy is injected, until George,
to escape being tossed in a blanket runs into
police headquarters, where, by mistake, he is pu/
through with a class of rookies. Because of the
frequency with which he helps himself to a
peddler's wares, the vendor dopes one of his
apples and hands it to George.
At just this time a sweet young thing loses
her purse and George dashes into a low den to
recover it. He is followed almost immediately
by a raiding squad. They clean out the place as
George slumbers, but he is given credit for the
cleanup because he paved the way for it, and also
because, in his sleepy actions he accomplishes
the undoing of many of the thugs.
"A Dangerous Trail"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
THIS dangerous trail is the same one that
runs through all of this series of western
featurettes. It leads to the undoing of the vil-
lain by the dashing young member of the North-
west police.
Pierre Lafitte, manager of the trading post
gets young Bob Truesdale into his clutches by
fleecing him at gambling, and thus gets the
youngster's permission to make love to his
sister.
Pierre attempts to force his attentions on
Mary, but Paul O'Malley of the Mounted runs
him off the premises. The infuriated Pierre then
determines to win young Bob's ranch from him,
but the dealer double-crosses Pierre and Bob
wins. Pierre shoots the dealer as O'Malley
arrives, but the blame is placed on Bob. The
dying dealer, however, points to the real mur-
derer, as Pierre makes his escape. The latter
encounters Mary on the road and makes her ac-
company him. O'Malley gives chase and after
a terrific fight overpowers Pierre and rescues
the girl, with whom he has always been in love.
"Sadie Sagebrush"
(Universal-Cartoon — One Reel)
OSWALD cuts some funny capers in this
Walt Disney cartoon, when as a bold, bad
cowpuncher he rescues Sadie from the design-
ing villain. Oswald arrives at the Sagebrush
Saloon in a cloud of dust as Sadie appears and
implores him to come away. He scorns her
entreaties and is just entering the saloon when
the villain bolts out of the door, fells Oswald
and makes away with Sadie. Regaining con-
sciousness, Oswald gives chase, and, overtaking
the pair, routs the villain and rescues Sadie from
the side of a precipitous cliff. — CHESTER J.
SMITH.
"The Frame-Up Man"
(Universal — Two Reels)
( Reviewed by Chester J. Smith)
BOB GURWOOD is featured in this western
tale of romance, intrigue and rough riding
which is above the average, though very like all
other stories of the series. Bob is in love with
Inez, beautiful daughter of Senor Hernandez,
wealthy ranch owner. Howard Drake, the vil-
lain is also in love with the girl and he frames
to plant a stolen wallet in the pocket of Bob.
The trick works and the victim of the robbery
identifies the wallet found in Bob's pocket.
Bob makes a daring getaway in order that he
might prove his innocence. The next day Drake
comes to the girl, tells her where her lover is
in hiding and that he wants to see her. He
offers to take her, but she sees him signalling
to his pals and becomes suspicious. She phones
her father of her suspicions and he hurriedly
organizes a posse. Drake, instead of going to
the regular destination, makes a dash with the
girl for the border, but Bob gets wind of it,
overtakes them and after a desperate battle,
subdues Drake and turns him and his gang over
to the sheriff.
"Oh What a Knight"
(Universal-Cartoon — One Reel)
OSWALD is a gallant knight who woos a
fair maiden under the most trying condi-
tions and encounters many obstacles, some of
which provide some fair comedy. His serenade
brings the young lady to her balcony, and de-
spite a warning that the irate parent is at home,
Oswald scales the balcony and enters. In the
midst of his ecstacy he is interrupted by the
parent and a hot duel between them ensues. An
army of knights engages Oswald, who seizes the
girl and steps from an open door in the tower
into space. Fortunately the fair one's skirts
serve as a parachute and they drop to safety —
CHESTER J. SMITH.
"A Peculiar Pair o' Pups" —
"Nobody Home"
(Educational — One Reel)
THE two terriers who were seen in "Dog
Days," a recent subject, are shown again
in this new number. Their frolics with two
black bears whom they meet in the woods are
good for a number of laughs.
The other half of the reel shows scenes of
the city, of the people bustling to and fro, and
of the country where vacationists are making
pleasure trips.
Another good Bruce film.— RAYMOND
GANLY.
News Reel Resume
The rousing reception of New York to
Huenefeld, Koehl and Fitzmaurice was the
most played-up event in the week's new
newsreels. Another event that received more
than the ordinary amount of celluloid were
the memorial services held over Floyd Ben-
nett in Washington, D. C. Exciting and
realistic shots of Lockhart 's sudden deatli
were obtained by news cameramen close at
hand to the tragedy. The aviation shots
were not confined to American sites, as the
wreleome of Costes and Le Brix also came
in for fat footage.
In Issue, No. 79, of Paramount News were
the Costes-Le Brix reception in Paris; a
dress parade at Annapolis; Gen. Nobile's
dirigible heading north from Milan; the
Bremen left behind on Greenely Island
while her fliers go on to New York; vivid
pictures of the death of Lockhart while
driving at breakneck speed; the funeral of
Floyd Bennett in Washington.
No. 80 viewed the reception given the
Bremen fliers in New York; U. S. cavalry
in cross-country training; Moslem cere-
monies in Jerusalem honoring Moses ; an
excursion steamer at Atlantic City wrecked
by storm; the King and Queen of Den-
mark; cow punchers rounding up herds
from the mountains; the annual Penn re-
lays at Philadelphia and starring athletes.
No. 5391 of Kinograms recorded the
lea ve-taking of the Bremen fliers from
Greenely Island and the ovation given them
by New York; the burial of Bennett; a
shaving race for blindfolded barbers; the
dirigible Italia at Stolp, Germany; three
sisters celebrate their golden weddings;
circus clowns performing for invalid
children; Costes and Le Brix hailed in
Paris; new U. S. minister to Bolivia as he
sailed.
In No. 5392 were views of the triumphal
procession and reception tendered the
Bremen airmen; the celebration of Bud-
dha's birthday in Japan; Tom Heeney ar-
riving from Europe; appropriate pictures
for Baby's Week; track stars competing at
the Penn Meet; 2,500 athletes who con-
tested in the Drake Relays in Des Moines.
M-G-M News, Vol 1, No. 74 : Rome gives
demonstration of sorrow for bomb victims
and joy that King Emmanuel escaped the
plot; speedy motor craft in English tests;
Eleanor Seal's setting her new walking rec-
ord; circus performers cherring up hospital
children; the Lockhart tragedy on Daytona
Beach, Fla. ; festivals in Japan in celebra-
tion of birthday of Buddha; the late Floyd
Bennett ; Lindbergh, who flew to the dead
flier's rescue; Bremen heroes welcoming the
relief plane at Greenely Island.
No. 75 showed the wonderful acclamation
New York made in honor of the Bremen
crew; canoeists shooting the rapids of the
Ramapu River; a football tussle at Wem-
bley, England ; steamer hurled on beach by
hurricane; western girls hail spring with
pretty dances ; college stars racing in mud
at the Penn relay games; mid-west stars
meeting in the Drake relay contest.
The welcome of the Bremen's crew was
also the high light of International News,
Vol. 10, No. 35, which had, too, the Penn
relay games and the Drake relay meet, be-
sides the spring festival of the western
lasses and the canoeists riding the rapids.
Other items of interest were shots of an
Italian multitude singing the new labor
marching song; students as exponents of
the changes in style; reindeers in the Lap-
land.
Pathe News, No. 37, began with the ar-
rival in New York of the Bremen trio; Ben-
nett's funeral cortege; the Bremen crew at
the burial of Bennett; the welcome given
Oostes and Le Brix by Paris; a canoe ride
through the New Jersey rapids ; the 2488th
birthday of Buddha observed in Japan;
Lockhart meeting his doom in auto wreck.
Fox News, Vol. 9, No. 62, reviewed the
rejoicing French throngs welcoming Costes
and Le Brix; the Bremen fliers arriving in
Quebec from the island; motor cycles rac-
ing in California desert; circus brings cheer
to ailing children; Mexicans in ancient
Judas fete; folk from Tyrol in the Alps
journey to Vienna to view war memorial;
litters of new collie arrivals; California
yachts on San Francisco Bay.
"Tempest" Premiere at
Embassy, May 17
t i rjry EMPEST," John Barrymore's
new United Artists' film, will
have its world premiere
Thursday night, May 17th, at the Em-
bassy Theatre in New York. "Two
Lovers," Samuel Goldwyn's final Ron-
ald Colman-Vilma Banky picture, will
have completed a run of eight weeks
by then.
It took a year to produce "Tempest,"
and the film cost $1,000,000, it is said.
The picture was pre-viewed at the
Strand Theatre, Yonkers, on Tuesday
night of last week.
May 5, 1928
1495
onal Newsfrom Correspondents*!
AN imposing moving picture
theatre, one of the finest in
the North Country, is being erected
at Nortli Bay, Ontario, by L.
Rosenbaum of Sturgeon Falls, On-
tario. Winn completed next fall,
the house will be operated by Mr.
Rosenbaum under the auspices of
Famous Players Canadian Corp.,
Toronto.
The structure will have a 60-foot
frontage, with a depth on the side
street of 100 feet. The second floor
will have offices and the ground
floor will include two stores, all
being fireproof. The theatre will
have a stage for special presenta-
tions.
An artistic suburban theatre has
been opened in the Notre Dame dc
Grace section of Montreal, Quebec,
by the (.'(in federation Amusement
Theatres, Limited. Montreal. This
newest house has been called the
Empress. Vaudeville is presented
along with film programs.
Although. Montreal, Quebec, has
its Sunday shows, there is a strong
tendency locally for the Saturday
openings. The Capitol theatre, un-
der Manager Harry Dahn, moved
its weekly opening day from Sun-
day to Saturday a short time ago
and now. starting May 5, Manager
George Rotsky of the Palace the-
atre has adopted the same policy.
Manager Rotsky has also re-
'centlv reduced the admission scale
of the Montreal Palace, which is
one of the largest there.
J. M. Franklin, manager of B.
Canada
F. Keith's theatre, Ottawa, On-
tario, spent the week of April 23 in
New York City to attend the ban-
quet of the Vaudeville Managers
Protective Association and also to
look over forthcoming film re-
leases.
W hile he was away, the Ottawa
Keith house had one of its great-
est weeks, thanks to the adoption
of the Saturday opening policy and
also to the raising of the standards
of current shows, along with an in-
crease in the admission prices.
The public absorbed the price ad-
vance without a kick.
After a layoff of some weeks,
the Regent theatre, Toronto, oper-
ated as a two-a-day moving picture
house by Famous Players Canadian
Corp., reopened April 30th with a
special feature picture engagement.
Along about this time each year,
it has been the custom of Shea's
Hippodrome, Toronto, Ontario, to
announce a summer policy with
changed shows and reduced prices.
This spring Manager C. J. Appel
has come out with the declaration
that there will be no so-called
"summer policy" and that the big
theatre will continue right on with
regular programs and regu-
lar prices. The bill includes fea-
ture and short length film subjects
and five acts of vaudeville.
Thomas Lamb, famous New
York theatre architect, made a fly-
ing trip to Ottawa, the Canadian
capital, on April 26, for the pur-
pose of arranging plans for the
erection of the big new Capitol the-
atre there by Famous Players Ca-
nadian Corp.
The I^aurier theatre, Hull, Que-
bec, was the scene of the annual
Kiwanis Revue on Wednesday and
Thursday, April 25 and 26. Donat
Paquih, proprietor of the Laurier
theatre, is a member of the Hull
Rotary Club but placed the theatre
at the disposal of the Kiwanians.
Mrs. Marjorie Marier, pianist of
the I-nirier theatre orchestra, Hull,
Quebec, has achieved distinction as
the composer of two song selec-
tions which have just been pub-
lished, one in England and the
other French. They are "By the
Coral Sea" and "Coeur de Maman,"
both of which have been enthusias-
tically received.
A brand new radio station has
been opened atop the Imperial the-
atre. St. John, N. B., this being
Station CFBO, controlled and op-
erated by C. A. Munro, Limited,
and conducted with the active co-
operation of the Imperial theatre,
which is owned by E. F. Albec of
New York.
The Imperial theatre follows the
policy of presenting moving pic-
tures exclusively, along with high
class music, the house being under
the management of Walter H.
Golding.
A recent visitor in the Canadian
territory was S. S. Neal, general
sales manager of the Theatre Ad
Mat Service, Inc.. for the purpose
of placing this service with Cana-
dian theatres. Houses already mak-
ing use of the feature include the
Imperial theatre. Montreal, How-
ard Conover, manager; Loew's
theatre, Toronto, John McManus,
manager ; and Keith's, Ottawa, J.
M. Franklin, manager.
The Canadian Department of
Trade and Commerce, Ottawa, has
been looking for a film editor for
its moving picture studio at Ot-
tawa. A man with at least two
years experience is wanted and the
salary to start is $2,520. Applica-
tions are being received by the sec-
retary of the Civil Service Com-
mission, Ottawa.
The Perkins Electric Company,
one of the pioneer theatre supply
and radio establishments in Mon-
treal, has been incorporated under
a Canadian Federal charter as a
limited company with a capitaliza-
tion of §150,000. G. F. Perkins is
the head of this concern.
Milwaukee
THE new Sprague theatre at
Elkhorn, a 700 seat house, will
be opened on about May 15th, ac-
cording to Don Kelliher, manager.
Mr. Kelliher expects to close the
Princess theatre at Elkhorn at this
time.
The Chicago M-G-M exchange
visited the Milwaukee branch on
Saturday and Sunday of last week
for the express purpose of seeing
the new exchange.
Mike Brumm will take over man-
agement of the Ritz at North Mil-
waukee on May 15th from George
Fischer.
Charles B. Paine, of the Universal
home office, returned to New York
after having attended the opening
of the Venetian theatre at Racine
recently.
"Dad" Wolcott of Racine was a
recent film row visitor.
Vocafilm will be installed in 25
of Milwaukee's theatres by June
1st.
John Ludwig of the Ludwig ex-
change is driving a new Chandler
cou|>e. F. G. Frackman of Frack-
man Films is also driving a brand
new car, a Chewy sedan.
John Stecport, manager of the
Home theatre at Chilton was seen
visiting the exchanges last Tues-
day.
Dan Lederman, in charge of con-
struction for Universal, is suffering
a slight attack of pneumonia.
M. A. Kahn, formerly with Chi-
cago Tiffany branch, is now trav-
eling the Wisconsin territory for
Tiffany.
II. A. Gallup, general manager
of the Delt Circuit of upper Michi-
gan, was in the city last Thursday.
Sam Miller, booker for the
Fischer theatre circuit, spent a few
hours in local exchanges early in
the week.
J. E. Rosen, manager of the lo-
cal Tiffany branch, attended the
Tiffany Regional Sales Meeting at
Chicago on Saturday and Sunday.
Park Waterhury has announced
that he will close the Idle Hour
theatre at Jefferson after May 2nd.
Xeil Duffy, manager of the Elite
theatre at Appleton, was in the city
recently on business.
X. M. Evans, manager of the
E.agle theatre at Eagle River, was
a recent visitor at exchanges.
E. H. Malone has been chosen
by the city council to manage the
Community theatre which is owned
by the village of Hammond. It is
the custom of the council of this
town of 368 to appoint a new man-
ager for the Community each year.
The Majestic theatre at Alpha,
Michigan, has a new manager, J.
Eubesio, who has taken the theatre
over from W. J. Berkin.
Charles Guclson of the Badger
theatre at Stoughton called on sev-
eral exchanges last Wednesday.
S. H. Ahrams, manager of the
F B O exchange, is in New York
visiting relatives.
Frank Cook, manager of the Gem
theatre at Sheboygan, was a recent
caller at the exchanges.
R. T. Smith, manager of War-
ners exchange, is attending the con-
vention in New York.
E. J. Brcchner, manager of the
()]>era House, Fennimore, was in
the city recently on business.
H. J. Terry, better known to
Wisconsin exhibitors as "Pop"
Terry, is covering southern Wis-
consin for Warners.
II. J. Fitzgerald, general mana-
ger of Midwesco, has made some
additional changes in the personnel
of the circuit to those mentioned
in these columns recently. B. R.
Griffiths, a former Milwaukee
newspaper man and later associated
with the Fischer circuit at Madi-
son and I^a Salle, has been ap-
pointed manager of the Tivoli the-
atre succeeding Donald Smith.
Bob Frcnzcl. accountant, has
been added to the auditing depart-
ment as assistant to the auditor-in-
chief.
P. W. Palmer, manager of the
Rialto theatre at Edgerton, was in
the city Tuesday on business.
E. Kueppers, formerly with F. &
R. at Minneapolis, is now assistant
director of publicity.
F. R. Thompson, until recently a
member of the West Coast organi-
zation as manager of the Ritz the-
atre at Los Angeles, has succeeded
R. W. Hyde in charge of the Ret-
law theatre at Fond du Lac.
Charlie Murray replaces J. Wil-
liam Deubach as manager of the
Oriental. Mr. Murray was for-
merly with F. & R. at Minneapolis.
Cliff Gill, trained on various
Hollywood publications, has been
added to the advertising department
in charge of publicizing of Mid-
wesco neigiiborliood houses.
George F. Crismann, previously
in the buying department of Bala-
ban and Katz, has been made as-
sistant in the reorganization of the
purchasing department.
Russell Leddy, well known in
legitimate circles as a member of
the cast of Harry I-angdon's last
vaudeville skit, "Johnny's New
Car," is now assistant production
manager under the direction of E.
J. Weisfeldt.
1496
Motion Picture N e ivs
Buffalo
SEVERAL more theatre closures
were recorded in the past week
in the Buffalo territory. The Fill-
more, a Buffalo neighborhood
house, closed its doors on April 23.
Max Rosing operated it. The Fill-
more used to be a good money-
maker, but, since Rosing opened the
beautiful new Roosevelt Theatre
only a few blocks away, patronage
at the Fillmore began dropping off
until it was decided to discontinue
operations.
Jim Wallingford, one of the
veteran exhibitors in Buffalo, has
just sold his Orpheum Theatre to
W. E. Currie, who recently dis-
posed of the Linden, also a Buffalo
neighborhood house. Wallingford,
however, will continue to do the
booking and buying for the
Orpheum.
Word reached film row in Buf-
falo last week that S. Bosidlo has
closed Everybody's Theatre in
Syracuse.
Morris Fogel, who operates the
Princess at Rochester, notified the
Buffalo exchanges last week that
he will shut down the house on
May 31 for alterations.
The Langan Theatre at Syra-
cuse, after having been closed for
nearly a year, has just reopened
its doors under the management of
F. M. Croop, a newcomer to the
exhibition ranks. Mr. Croop was
showered with the good wishes of
Western New York's filmdom in
his venture.
The Geddes Theatre in Syracuse,
which has been closed for some
time, has reopened again, under the
management of C. J. Forrest.
Well-authenticated reports were
circulated here last week that nego-
tiations have reached an advanced
stage for the construction of a first-
run house at La Salle. N. Y., just
outside of Niagara Falls. It is
known that plans for the project
were conceived some time ago, and
have been going forward steadily
since. Bids have been asked for,
and everything is set to wind up the
preliminary details before actual
construction work begins. The
backers of the project, however, do
not want their names made known
at this time.
Convention season is on in full
bloom and those from Buffalo's
movie circles who have not yet at-
tended any conventions this year
are preparing to do so pretty soon.
H. T. Dixon, manager of the F B
O exchange, is planning to leave
about May 12 for Chicago to at-
tend the F B O national sales con-
vention there on May 14 at the
Drake Hotel. Oscar Hanson, chief
of the Pathe exchange here, will at-
tend Pathe's national convention a
week later, on May 21, also in the
Drake at Chicago.
One of the distinguished visitors
to film row here last week was
"Dad" Fitzer, father of the famous
Four Fitzer Brothers, who have
followed his footsteps in cutting out
careers for themselves in the thea-
trical business. The Fitzers have
extensive holdings in various cities,
notably Syracuse and Kenmore.
Howard Brink, commander-in-
chief of Educational's forces in this
corner of the forests, breezed in last
Saturday from an extended tour
through the Rochester and Syra-
cuse territory, and announced he
already has bought a new pair of
pajamas in stocking up his ward-
robe before entraining for Montreal
in May to attend Educational's na-
tional sales convention.
A majority of the exhibitors in
the Buffalo zone reported last week
that the unseasonable cool weather
thus far this spring has greatly
stimulated business. "Let the peo-
ple kick about the late spring," said
one of the showmen, "we don't
mind it so long as they keep coining
to the movies."
William H. Raynor— "Bill" to
his film-folk buddies — returned last
week from another one of his fly-
ing trips to New York and an-
nounced that he had done quite a
bit of business for his Lafayette
Square Theatre.
Meyer Part, of the Variety
Theatre, at Baldwinsville, and Jim
Cranides, of the Palace, at Olean,
visited the Warner exchange here
last week and the genial Miss
Rappaport, booker extraordinary,
helped them arrange bookings for
May and June.
C. E. Almy, manager of the
Warner Brothers exchange, spent
three days in New York City last
week attending a sales convention.
The police department recently
declared war on traffic law vio-
lators. And about ten of the boys
in film row are now out $5 each.
Elmer Lux, who combines his
booking activities at the F B O ex-
changes here with selling jaunts to
the nearby bushes, started out in
his famous flivver last week for the
"Lake Shore sticks." He never got
there, however. Somewhere in
South Buffalo the trusty machine
began falling apart, piece by piece.
Elmer came back on his roller
skates and had the machine towed
in.
Rumors were current last week
that the Universal exchange may
soon forsake the quarters it now
occupies in the old Film Building
at 257 Franklin Street, and take a
lease on space in the new Film
Building at 505 Pearl Street. If
this eventuates, only two exchanges
— Warner Brothers and R. C. Fox
exchanges — will be left in the old
Film Building, which, until a few
years ago, housed every exchange
in town.
Visitors at the R. C. Fox ex-
changes last week included Bill
Tishkoff, of the Murray Theatre, at
Rochester ; and M. Fogel, of the
Princess Theatre, at Rochester.
They were here to arrange book-
ings.
Anna Murphy resigned last week
as poster clerk of the Universal
exchange to take a similar job with
the R. C. Fox exchanges.
Col. Bray, of Bray Productions,
was in town last week, on his way
from New York City to the Pacific
Coast, and visited some of the ex-
changes to chat with old friends
and, incidentally, talk business. He
spent quite a bit of time at the
First Graphic Exchanges offices.
Mr. Schlaifer, district manager
nf United Artists, shook the dust
of the home office in New York
last week for a few days to come
to Buffalo and hold a sales meeting
at which he told the boys just how
it's done.
Miss H. Samuels, bookkeeper at
the R. C. Fox exchanges, celebrated
her birthday last Friday by working
hard all day.
V. G. (Verygood) Sanford, go-
getter salesman for the Buffalo
office of the National Theatre
Supply Company, took a trip to
Geneseo last week and came back
with an order for two Peerless
lamps and a 30-ampere Unitron
which A. Aprill is adding to the
Kinebooth equipment of his house,
the Rex.
Miss Esther Fetes, secretary to
Fred Zimmerman, of the Theatrical
Utilities Enterprises, was under the
weather last week for a few days
with a heavy cold. She shook it
off, however, and got back to her
desk in time to greet Mr. Zimmer-
man on his return from Pittsburgh,
where he acted as master of cere-
monies at a get-together party of
exhibitors.
Henry Wilkinson, recently ap-
pointed general manager of the
Pittsburgh offices of the Theatrical
Utilities Enterprises, came back
with Mr. Zimmerman to make ar-
rangements for moving his family
and furniture to Pittsburgh.
Film row welcomed Charles
Hayman, owner of the Cataract and
Strand Theatres, at Niagara Falls,
back to the stamping grounds last
week. Mr. Hayman, an officer of
the Motion Picture Theatre Own-
ers, spent two months abroad, and
recently returned.
Ted O'Shea, chief of the Metro-
Goldwyn-Mayer exchange here,
spent last Friday and Saturday in
Pittsburgh attending a regional
sales convention of the organization.
Alex Weissman, city salesman
for Metro - Goldwyn - Mayer, an-
nounced last week that he was re-
signing to return to New York
City and Incandescent Row. The
blazing lights have too strong a
lure for him, he said, to remain in
Buffalo.
Lou Phillips, of New York City,
attorney there for Paramount-
Famous-Lasky, and formerly secre-
tary of the New York City Film
Board of Trade, spent a couple of
days here last week on official busi-
ness.
H. W. Shannon notified Miss
Marian Gueth, secretary of the
Motion Picture Theatre Owners,
last week, that he is no longer con-
nected with Piccadilly Theatre in
Rochester. He is now manager of
the Lyndhurst at Rochester. Wil-
liam Callahan is the new manager
of the Piccadilly, which is operated
by the Regorson Corporation.
Miss Mildred Caskey, who, by
virtue of being a blonde, is much
sought after by the gentlemen, will
have charge of the Film Board of
Trade office during the absence of
Miss Emma Abplanalp when the
latter goes to California in May to
attend the convention of Film
Boards of Trade secretaries. Miss
Caskey is Miss Abplanalp's
assistant.
Bernard Getz, assistant booker
of the Pathe exchange here, re-
signed last week to accept a similar
position with Independent Exhibi-
tors in New York City. He had
been right-hand man to Lou
Schindler for some time. Al
Teschemacher, former booker of
Fox Film Corporation's exchange
here, was signed to replace him.
Thus "Tesch" returns to his old
familiar post, for he had been book-
ing for Pathe for a dozen years be-
fore. A few years ago, he decided
to become an exhibitor and took
over the Casino Theatre here.
Jack Berkowitz, manager of First
Graphic Exchanges, here, got the
traveling urge last week, and
boarded a train for New York City
to transact some business there.
Shea's Buffalo will join in the
observance of National Music
Week on May 6. Herbert Straub
and the theatre's symphony orches-
tra will play special music numbers,
along with Tom Grierson, organist,
and they also will broadcast special
music programs over the radio.
Southeast
MRS. GERTRUDE SHORT,
who has been connected with
M-G-M's Charlotte exchanges as
secretary to the manager, has re-
signed and is now with National
Theatres Supply Company.
D. W. Townsend, who has
owned the Princess theatre in Fay-
etteville, N. C, for many years but
which he had leased to Donald M.
Eaves, of Eaves Theatre Circuit,
Union, S. C, for the past several
months, has again taken active
charge of that house.
E. R. Medd has sold his Bijou
theatre, Florence, S. C, to J. M.
O'Dowd, who also has the O'Dowd
theatre in that city.
J. A. Reynolds and George
Hughes, formerly owners of the
Grand theatre, Greer, S. C, have
purchased the Columbia theatre, Al-
bermarle, N. C, from Mrs. Sadie
Smith LeFeaux.
The Carolina theatre, Chester,
S. C. (which is the old Chestonian
theatrfe),, has been transferred
from Mrs. L. D. Eaves, of Union,
S. C, to F. M. Hamilton.
N. C. Black has sold the New
theatre, Bamberg, S. C, to F. A.
Hand, Jr.
H. H. Mongo has purchased the
Jefferson theatre, Jefferson, S. C.
T. F. McCaskill is the former
owner.
The Gem theatre, Reidsville, S.
C, colored house, has been pur-
chased by W. S. Scales, who owns
the Lincoln theatre in Winston-
Salem. J. B. McGee was the for-
mer owner.
May 5 , 19 2 8
1497
San Francisco
A THING quite apart from the
usual theatre opening was
that of the new T. & D., Jr., Enter-
prises new State Theatre premiere
at Oroville, April 7th, when all was
actually in readiness.
The house opened at a matinee
to break in the newness and to
have assurance that every detail
was complete.
Manager VV. A. Crank, who is to
be the local manager of the T. &
D. Jr.'s new theatre at Chico,
which opened April 28th. was
master of ceremonies. Mr. Crank
had been on the job several days
prior to the opening, with Fred
Fink who will be the manager of
the new house.
That nothing to mar the success
of the initial performance had been
left undone was evidenced by the
perfect smoothness of the night
performance. The usherettes han-
dled the huge throng of people like
veterans in the business.
A break in the motion picture
program was made at 9 p. m. when
W. T. Baldwin, Mayor of Oroville,
was introduced and, following a
brief address, accepted the beauti-
ful theatre as a public temple of
amusement for the citizens of the
prosperous community.
Mayor Baldwin was followed by
Charles F. Dcuell, Assemblyman
from Butte County and a resident
of Chico, who paid the T. & D.
Jr. Enterprises Corporation a high
compliment lor their great faith in
the future of Oroville in "provid-
ing such a magnificent place of
amusement for the pleasure of the
people of the community.
Mr. Crank introduced President
M. A. Naify of the T. & 1). Jr.,
and R. A. McNeill, the latter ad-
dressing the audience on behalf of
the corporation. There are many
new and up-to-the-minute features
about the house. The lighting is
unique and original. The fixtures
and designs were installed by Thos.
Day Company o'f San Francisco.
Electrical work was done by W.
G. Gill.
T. L. Pflueger and J. R. Miller
were the architects and Faggoni
Studios did the decoration. The
general scheme is of Aztec design
and is particularly interesting. A
Wurlitzer organ was an innovation
to Oroville theatre-goers and was
admirably played by James E.
Lynch.
C. F. Weber & Co. supplied all
of the seats and opera chairs of the
very latest design and comfort.
A thoroughly complete stage
equipment and scenery set was fur-
nished and installed by the Ameri-
can Studios of San Francisco.
Artist Fitzkee quite outdid himself
in the elaborate scenic investiture
and modern stage equipment which
is planned to accommodate the
largest stage productions and road
shows which will appear from time
to time in the house.
The artistic draperies were de-
signed and hung by the Newman
Drapery Shop of Polk street, San
Francisco.
Jack F'icr of National Screen
Service announces that George N.
Montgomery and the Supreme Film
Co. of San FYancisco and Los An-
geles are no longer connected with
the National Screen Service estab-
lishment. Louis Reichert has been
appointed their Northern Califor-
nia sales representative with tem-
porary offices at 298 Turk street.
Reichert is well known by the
entire film colony and exhibitor
fraternity in the district.
Contracts have been signed for a
theatre location and building at
Placerville by the M. Blumcnfeld
Theatre Circuit. Plans have been
accepted and work will begin at
once to have the house completed
for early fall opening this year.
Columbia has completed arrange-
ments to take over the entire office
at 177 Golden Gate avenue, and it
now is as up-to-date as any Film
Exchange in San Francisco.
E. B. Anderson, formerly of the
Coalinga Theatre, was in San
Francisco looking over the theatre
situation.
J. 11. Goldberg, Columbia's Dis-
trict manager, was recently in San
Francisco going over local situa-
tions with Branch Manager Wein-
stcin. Goldberg went on to Port-
land and Seattle and returned here
the following week.
Chas. Frailer has sold his inter-
est in the Tracy Theatre to the
Principal Theatre Corporation, of
which S. II. Levin is general man-
ager.
G. C. Parsons has returned from
a trip in the San Joaquin Valley.
M. Blumenfield's interest in the
Strand at Gilroy and the Morgan
Hill Theatre at' Morgan Hill has
been acquired by Hyman Levin and
son, Ben. The theatres will con-
tinue under the same motion pic-
ture policy as was in effect by the
Blumenfeld Circuit. Ben Levin
will remain as local manager, with
headquarters at Gilroy.
A 2-story Class-C theatre build-
ing to have a capacity of 1,500 is
to be erected in Merced for the
Merced Theatre Company, Frank
J. Alberti, manager, at a cost of
$100,000.
Sammy Carr, former banjo so-
loist at the Warfield, has signed up
for a tour of the country, accord-
ing to word from Los Angeles.
K. W. Eminermacher, head of a
Hamburg, Germany, film company
was at the Palace, recently.
The Film Inspection Machine
Co. of New York has put out an
automatic inspection machine and
they are being installed in the local
Fox Exchange.
South West
THE annual election of officers
was held on Monday at the
meeting of the Oklahoma City
Film Board of Trade. Officers for
the vear I une 1, 1928, to June 1,
1929, are : President, R. M. Clark,
Liberty-Specialty Film Co. ; Vice-
President, E. D. Brewer, First Na-
tional Pictures, Inc. ; Secretary, C.
W. Allen, Pathc Exchange, Inc. ;
Treasurer, W. J. Cammer ; Educa-
tional Film Exchange and Board
of Directors, Wallace Walthall,
Home State Film Co., W. P.
Moran, Universal Film Exchange,
Roy E. Heffner, Paramount Fa-
mous Lasky, Ottoe Rohde, Warner
Bros.-Vitagraph and R. M. Clark,
Liberty Specialty Film Co.
K. 11. Blakely, who operated the
Criterion theatre at Crescent, Okla.,
before he sold same to George
Graft', is looking for a new loca-
tion. Mr. Blakley has been calling
on friends on Film Row the past
week.
G. R. Kapeheart, who has been
operating the Lyric theatre at
Wellston, Okla., for the past year,
has sold same to Mr. O. H. Coxen.
V. A. Hardin, owner of the Ma-
jestic theatre at Allen, Okla., has
sold his theatre to Mr. Frank
Nordean.
E. W. Ballentine, auditor from
the home office of F.B.O., has been
visiting the local F.B.O. office for
the past few weeks.
Sanders & Stanford, of the Folly
theatre at Sasakwa, Okla., have
sold their interest in this theatre to
Lee Cooper. Mr. Cooper at one
time operated the Blue Mouse thea-
tre at Atoka, Okla.
The members of the Oklahoma
City Film Board of Trade were
guests of the Secretary, Chas. R.
Zears, at a stag dinner Monday
evening.
Miss Mildred Stone, former Edi-
tor of the Oklahoma Preview, who
has been in Los Angeles since Jan-
uary 1st, is expected to return to
Oklahoma City this week. Miss
Stone was forced to abandon her
work on account of ill health and
her many friends on Film Row are
glad to know she is now able to re-
turn to her home here.
Wallace Walthall, manager of
Home State, went to Muskogee.
Okla., last week.
H. N. Walker and W. O. Green
have opened a motor line for trans-
mission of films between Oklahoma
City and Ada, Okla., and inter-
mediate points.
Walter Dolin has been added to
the Metro-Goldwyn-Mayer service
at Oklahoma City.
Lee Upchurch has opened a new
theatre, the Grand, at Olustce,
Okla.
The Pleasant Valley theatre at
Pleasant Valley, Okla., and the
Gem at Loco, Okla., has been
closed.
The Royal theatre at Dow, Okla.,
has closed indefinitely.
The name of the Majestic thea-
tre at Ft. Gibson, Okla., has been
changed to "Only."
Toy White has purchased the
Liberty theatre at Ada, Okla., from
J. M. Lytic.
M. Walker has leased the Cozy
theatre at Miami, Okla.. from Mrs.
F. 11. Smith.
The Rialto theatre at Hobart,
Okla., is being remodeled and re-
decorated.
C. A. Taylor has purchased the
Roberson theatre at Dierks, Okla.,
from E. C. Roberson.
McDonald & McDonald have
purchased the Empress theatre at
Shattuck, Okla.
Santos Garza has purchased the
Star theatre at Del Rio. Texas.
The K. & K. Circuit has pur-
chased the Plainview theatre at
Plainview, Texas.
I Iughcs & Kemp has purchased
the New theatre at De Queen, Ark.
Ed. Rowley was acquitted of
Sunday violation of law at Little
Rock, Ark., when municipal judge
Harb ruled that inasmuch as the
show had been operated for Arkan-
sas Crippled Children's Hospital,
no violation of either state or city
law has been violated.
Sol Davidson has opened the
Davidson Theatre Supplv House
at 108-110 South Hudson Street,
Oklahoma City aid will carry
equipment for both large and sman
theatres.
M. K. Moore, manager for Pub-
lix theatre, the Capital at Okla-
homa City, has been transferred to
the Joy and New theatres at Fort
Smith, Ark., and will be succeeded
by Norman Prager.
Chink Conners of the Rex thea-
tre, Purcell. Okla., is in an Okla-
homa City hospital, battling writh
appendicitis.
The Walters theatre at Walters,
Okla.. is being remodeled.
The Cozy theatre at Newkirk,
Okla.. is being repaired.
C. W. Allen, local Pathe man-
ager. Oklahoma City, has re-
covered from a recent siege of ill-
ness.
1496
Motion Picture N e zv s
Buffalo
SEVERAL more theatre closures
were recorded in the past week
in the Buffalo territory. The Fill-
more, a Buffalo neighborhood
house, closed its doors on April 23.
Max Rosing operated it. The Fill-
more used to be a good money-
maker, but, since Rosing opened the
beautiful new Roosevelt Theatre
only a few blocks away, patronage
at the Fillmore began dropping off
until it was decided to discontinue
operations.
Jim Wallingford, one of the
veteran exhibitors in Buffalo, has
just sold his Orpheum Theatre to
W. E. Currie, who recently dis-
posed of the Linden, also a Buffalo
neighborhood house. Wallingford.
however, will continue to do the
booking and buying for the
Orpheum.
Word reached film row in Buf-
falo last week that S. Bosidlo has
closed Everybody's Theatre in
Syracuse.
Morris Fogel, who operates the
Princess at Rochester, notified the
Buffalo exchanges last week that
he will shut down the house on
May 31 for alterations.
The Langan Theatre at Syra-
cuse, after having been closed for
nearly a year, has just reopened
its doors under the management of
F. M. Croop, a newcomer to the
exhibition ranks. Mr. Croop was
showered with the good wishes of
Western New York's filmdom in
his venture.
The Geddes Theatre in Syracuse,
which has been closed for some
time, has reopened again, under the
management of C. j. Forrest.
_ Well-authenticated reports were
circulated here last week that nego-
tiations have reached an advanced
stage for the construction of a first-
run house at La Salle, N. Y., just
outside of Niagara Falls. It is
known that plans for the project
were conceived some time ago, and
have been going forward steadily
since. Bids have been asked for,
and everything is set to wind up the
preliminary details before actual
construction work begins. The
backers of the project, however, do
not want their names made known
at this time.
Convention season is on in full
bloom and those from Buffalo's
movie circles who have not yet at-
tended any conventions this year
are preparing to do so pretty soon.
H. T. Dixon, manager of the F B
O exchange, is planning to leave
about May 12 for Chicago to at-
tend the F B O national sales con-
vention there on May 14 at the
Drake Hotel. Oscar Hanson, chief
of the Pathe exchange here, will at-
tend Pathe's national convention a
week later, on May 21, also in the
Drake at Chicago.
One of the distinguished visitors
to film row here last week was
"Dad" Fitzer, father of the famous
Four Fitzer Brothers, who have
followed his footsteps in cutting out
careers for themselves in the thea-
trical business. The Fitzers have
extensive holdings in various cities,
notably Syracuse and Kenmore.
Howard Brink, commander-in-
chief of Educational's forces in this
corner of the forests, breezed in last
Saturday from an extended tour
through the Rochester and Syra-
cuse territory, and announced he
already has bought a new pair of
pajamas in stocking up his ward-
robe before entraining for Montreal
in May to attend Educational's na-
tional sales convention.
A majority of the exhibitors in
the Buffalo zone reported last week
that the unseasonable cool weather
thus far this spring has greatly
stimulated business. "Let the peo-
ple kick about the late spring," said
one of the showmen, "we don't
mind it so long as they keep coming
to the movies."
William H. Raynor — "Bill" to
his film-folk buddies — returned last
week from another one of his fly-
ing trips to New York and an-
nounced that he had done quite a
bit of business for his Lafayette
Square Theatre.
Meyer Part, of the Variety
Theatre, at Baldwinsville, and Jim
Cranides, of the Palace, at Olean,
visited the Warner exchange here
last week and the genial Miss
Uappaport, booker extraordinary,
helped them arrange bookings for
May and June.
C. E. Almy, manager of the
Warner Brothers exchange, spent
three days in New York City last
week attending a sales convention.
The police department recently
declared war on traffic law vio-
lators. And about ten of the boys
in film row are now out $5 each.
Elmer Lux, who combines his
booking activities at the F B O ex-
changes here with selling jaunts to
the nearby bushes, started out in
his famous flivver last week for the
"Lake Shore sticks." He never got
there, however. Somewhere in
South Buffalo the trusty machine
began falling apart, piece by piece.
Elmer came back on his roller
skates and had the machine towed
in.
Rumors were current last week
that the Universal exchange may
soon forsake the quarters it now
occupies in the old Film Building
at 257 Franklin Street, and take a
lease on space in the new Film
Building at 505 Pearl Street. If
this eventuates, only two exchanges
— Warner Brothers and R. C. Fox
exchanges — will be left in the old
I7ilm Building, which, until a few
years ago, housed every exchange
in town.
Visitors at the R. C. Fox ex-
changes last week included Bill
Tishkoff, of the Murray Theatre, at
Rochester ; and M. Fogel, of the
Princess Theatre, at Rochester.
They were here to arrange book-
ings.
Anna Murphy resigned last week
as poster clerk of the Universal
exchange to take a similar job with
the R. C. Fox exchanges.
Col. Bray, of Bray Productions,
was in town last week, on his way
from New York City to the Pacific
Coast, and visited some of the ex-
changes to chat with old friends
and, incidentally, talk business. He
spent quite a bit of time at the
First Graphic Exchanges offices.
Mr. Schlaifer, district manager
of United Artists, shook the dust
of the home office in New York
last week for a few days to come
to Buffalo and hold a sales meeting
at which he told the boys just how
it's done.
Miss H. Samuels, bookkeeper at
the R. C. Fox exchanges, celebrated
her birthday last Friday by working
hard all day.
V. G. (Verygood) Sanford, go-
getter salesman for the Buffalo
office of the National Theatre
Supply Company, took a trip to
Geneseo last week and came back
with an order for two Peerless
lamps and a 30-ampere Unitron
which A. Aprill is adding to the
Kinebooth equipment of his house,
the Rex.
Miss Esther Fetes, secretary to
Fred Zimmerman, of the Theatrical
Utilities Enterprises, was under the
weather last week for a few days
writh a heavy cold. She shook it
off, however, and got back to her
desk in time to greet Mr. Zimmer-
man on his return from Pittsburgh,
where he acted as master of cere-
monies at a get-together party of
exhibitors.
Henry Wilkinson, recently ap-
pointed general manager of the
Pittsburgh offices of the Theatrical
Utilities Enterprises, came back
with Mr. Zimmerman to make ar-
rangements for moving his family
and furniture to Pittsburgh.
Film row welcomed Charles
Hayman, owner of the Cataract and
Strand Theatres, at Niagara Falls,
back to the stamping grounds last
week. Mr. Hayman, an officer of
the Motion Picture Theatre Own-
ers, spent two months abroad, and
recently returned.
Ted O'Shea, chief of the Metro-
Goldwyn-Mayer exchange here,
spent last Friday and Saturday in
Pittsburgh attending a regional
sales convention of the organization.
Alex Weissman, city salesman
for Metro - Goldwyn - Mayer, an-
nounced last week that he was re-
signing to return to New York
City and Incandescent Row. The
blazing lights have too strong a
lure for him, he said, to remain in
Buffalo.
Lou Phillips, of New York City,
attorney there for Paramount -
Famous-Lasky, and formerly secre-
tary of the New York City Film
Board of Trade, spent a couple of
days here last week on official busi-
ness.
H. W. Shannon notified Miss
Marian Gueth, secretary of the
Motion Picture Theatre Owners,
last week, that he is no longer con-
nected with Piccadilly Theatre in
Rochester. He is now manager of
the Lyndhurst at Rochester. Wil-
liam Callahan is the new manager
of the Piccadilly, which is operated
by the Regorson Corporation.
Miss Mildred Caskey, who, by
virtue of being a blonde, is much
sought after by the gentlemen, will
have charge of the Film Board of
Trade office during the absence of
Miss Emma Abplanalp when the
latter goes to California in May to
attend the convention of Film
Boards of Trade secretaries. Miss
Caskey is Miss Abplanalp's
assistant.
Bernard Getz, assistant booker
of the Pathe exchange here, re-
signed last week to accept a similar
position with Independent Exhibi-
tors in New York City. He had
been right-hand man to Lou
Schindler for some time. AI
Teschemacher, former booker of
Fox Film Corporation's exchange
here, was signed to replace him.
Thus "Tesch" returns to his old
familiar post, for he had been book-
ing for Pathe for a dozen years be-
fore. A few years ago, he decided
to become an exhibitor and took
over the Casino Theatre here.
Jack Berkowitz, manager of First
Graphic Exchanges, here, got the
traveling urge last week, and
boarded a train for New York City
to transact some business there.
Shea's Buffalo will join in the
observance of National Music
Week on May 6. Herbert Straub
and the theatre's symphony orches-
tra will play special music numbers,
along with Tom Grierson, organist,
and they also will broadcast special
music programs over the radio.
Southeast
MRS. GERTRUDE SHORT,
who has been connected with
M-G-M's Charlotte exchanges as
secretary to the manager, has re-
signed and is now with National
Theatres Supply Company.
D. W. Townsend, who has
owned the Princess theatre in Fay-
etteville, N. C, for many years but
which he had leased to Donald M.
Eaves, of Eaves Theatre Circuit,
Union, S. C, for the past several
months, has again taken active
charge of that house.
E. R. Medd has sold his Bijou
theatre, Florence, S. C, to J. M.
O'Dowd, who also has the O'Dowd
theatre in that city.
J. A. Reynolds and George
Hughes, formerly owners of the
Grand theatre, Greer, S. C, have
purchased the Columbia theatre, Al-
bermarle, N. C, from Mrs. Sadie
Smith LeFeaux.
The Carolina theatre, Chester,
S. C. (which is the old Chestonian
theattte),, has been transferred
from Mrs. L. D. Eaves, of Union,
S. C, to F. M. Hamilton.
N. C. Black has sold the New
theatre, Bamberg, S. C, to F. A.
Hand, Jr.
H. H. Mongo has purchased the
Jefferson theatre, Jefferson, S. C.
T. F. McCaskill is the former
owner.
The Gem theatre, Reidsville, S.
C, colored house, has been pur-
chased by W. S. Scales, who owns
the Lincoln theatre in Winston-
Salem. J. B. McGee was the for-
mer owner.
May 5 , 19 28
San Francisco
A THING quite apart from the
usual theatre opening was
that of the new T. & D., Jr., Enter-
prises new State Theatre premiere
at Oroville, April 7th, when all was
actually in readiness.
The house opened at a matinee
to break in the newness and to
have assurance that every detail
was complete.
Manager VV. A. Crank, who is to
he the local manager of the T. &
D. Jr.'s new theatre at Chico,
which opened April 28th. was
master of ceremonies. Mr. Crank
had been on the job several days
prior to the opening, with Fred
Fink who will be the manager of
the new house.
That nothing to mar the success
of the initial performance had been
left undone was evidenced by the
perfect smoothness of the night
performance. The usherettes han-
dled the huge throng of people like
veterans in the business.
A break in the motion picture
program was made at 9 p. m. when
\V. T. Baldwin, Alayor of Oroville,
was introduced and, following a
brief address, accepted the beauti-
ful theatre as a public temple of
amusement for the citizens of the
prosperous community.
Mayor Baldwin was followed by
Charles F. Deuell, Assemblyman
from Butte County and a resident
of Chico, who paid the T. & D.
Jr. Enterprises Corporation a high
compliment for their great faith in
the future of Oroville in "provid-
ing such a magnificent place of
amusement for the pleasure of the
people of the community.
Mr. Crank introduced President
M. A. Naify of the T. & D. Jr.,
and R. A. McNeill, the latter ad-
dressing the audience on behalf of
the corporation. There arc many
new and up-to-the-minute features
about the house. The lighting is
unique and original. The fixtures
and designs were installed by Thos.
Day Company of San Francisco.
Electrical work was done by W.
G. Gill.
T. L. Pflueger and J. R. Miller
were the architects and Faggoni
Studios did the decoration. The
general scheme is of Aztec design
and is particularly interesting. A
Wurlitzer organ was an innovation
to Oroville theatre-goers and was
admirably played by James E.
Lynch.
C. F. Weber & Co. supplied all
of the seats and opera chairs of the
very latest design and comfort.
A thoroughly complete stage
equipment and scenery set was fur-
nished and installed by the Ameri-
can Studios of San Francisco.
Artist Fitzkee quite outdid himself
in the elaborate scenic investiture
and modern stage equipment which
is planned to accommodate the
largest stage productions and road
shows which will appear from time
to time in the house.
The artistic draperies were de-
signed and hung by the Newman
Drapery Shop of Polk street, San
Francisco.
Jack Fier of National Screen
Service announces that George N.
Montgomerx and the Supreme Film
Co. of San Francisco and Los An-
geles are no longer connected with
the National Screen Service estab-
lishment. Louis Reichert has been
appointed their Northern Califor-
nia sales representative with tem-
porary offices at 298 Turk street.
Reichert is well known by the
entire film colony and exhibitor
fraternity in the district.
Contracts have been signed for a
theatre location and building at
Placerville by the M. Blumenfeld
Theatre Circuit. Plans have been
accepted and work will begin at
once to have the house completed
for early fall opening this year.
Columbia has completed arrange-
ments to take over the entire office
at 177 Golden Gate avenue, and it
now is as up-to-date as any Film
Exchange in San Francisco.
E. B. Anderson, formerly of the
Coalinga Theatre, was in San
Francisco looking over the theatre
situation.
J. II. Goldberg, Columbia's Dis-
trict manager, was recently in San
Francisco going over local situa-
tions with Branch Manager W'ein-
stein. Goldberg went on to Port-
land and Seattle and returned here
the following week.
Chas. Frailer has sold his inter-
est in the Tracy Theatre to the
Principal Theatre Corporation, of
which S. II. Levin is general man-
ager.
G. C. Parsons has returned from
a trip in the San Joaquin Valley.
M. Blumenfield's interest in the
Strand at Gilroy and the Morgan
Hill Theatre at Morgan Hill has
been acquired by Hyman Levin and
son, Ben. The theatres will con-
tinue under the same motion pic-
ture policy as was in effect by the
Blumenfeld Circuit. Ben Levin
will remain as local manager, with
headquarters at Gilroy.
A 2-story Class-C theatre build-
ing to have a capacity of 1,500 is
to be erected in Merced for the
Merced Theatre Company, Frank
J. Alberti, manager, at a cost of
$100,000.
Sammy Carr, former banjo so-
loist at the Warficld, has signed up
for a tour of the country, accord-
ing to word from Los Angeles.
K. \V. Emmermacher, head of a
Hamburg, Germany, film company
was at the Palace, recently.
The Film Inspection Machine
Co. of New York has put out an
automatic inspection machine and
they are being installed in the local
Fox Exchange.
South West
THE annual election of officers
was held on Monday at the
meeting of the Oklahoma City
Film Board of Trade. Officers for
the year June 1, 1928, to June 1,
1929, are : President, R. M. Clark,
Liberty-Specialty Film Co.; Vice-
President, E. D. Brewer, First Na-
tional Pictures, Inc. ; Secretary, C.
W. Allen, Pathe Exchange, Inc. ;
Treasurer, \V. J. Cammer ; Educa-
tional Film Exchange and Board
of Directors, Wallace Walthall,
Home State Film Co., W. P.
Moran, Universal Film Exchange,
Roy E. Heffner, Paramount Fa-
mous Lasky, Ottoe Rohdc, Warner
Bros.-Vitagraph and R. M. Clark,
Liberty Specialty Film Co.
K. II. Blakely, who operated the
Criterion theatre at Crescent, Okla.,
before he sold same to George
Graff, is looking for a new loca-
tion. Mr. Blakley has been calling
on friends on Film Row the past
week.
G. R. Kapeheart, who has been
operating the Lyric theatre at
Wellston, Okla., for the past year,
has sold same to Mr. O. H. Coxen.
V. A. Hardin, owner of the Ma-
jestic theatre at Allen, Okla., has
sold his theatre to Mr. Frank
Nordean.
E. W. Ballentine, auditor from
the home office of F.B.O., has been
visiting the local F.B.O. office for
the past few weeks.
Sanders & Stanford, of the Folly
theatre at Sasakwa, Okla., have
sold their interest in this theatre to
Lee Cooper. Mr. Cooper at one
time operated the Blue Mouse thea-
tre at Atoka, Okla.
The members of the Oklahoma
City Film Board of Trade were
guests of the Secretary, Chas. R.
Zears, at a stag dinner Monday
evening.
Miss Mildred Stone, former Edi-
tor of the Oklahoma Preview, who
has been in Los Angeles since Jan-
uary 1st, is expected to return to
Oklahoma City this week. Miss
Stone was forced to abandon her
work on account of ill health and
her many friends on Film Row are
glad to know she is now able to re-
turn to her home here.
Wallace Walthall, manager of
Home State, went to Muskogee.
Okla., last week.
H. N. Walker and W. O. Green
have opened a motor line for trans-
mission of films between Oklahoma
City and Ada, Okla., and inter-
mediate points.
Walter Dolin has been added to
the Metro-Goldwyn-Mayer service
at Oklahoma City.
Lee Upchurch has opened a new
theatre, the Grand, at Olustce,
Okla.
The Pleasant Valley theatre at
Pleasant Valley, Okla., and the
Gem at Loco, Okla., has been
closed.
The Royal theatre at Dow, Okla.,
has closed indefinitely.
The name of the Majestic thea-
tre at Ft. Gibson, Okla., has been
changed to "Only."
Toy White has purchased the
Liberty theatre at Ada, Okla., from
J. M. Lytle.
M. Walker has leased the Cozy
theatre at Miami, Okla., from Mrs.
F. H. Smith.
The Rialto theatre at Hobart,
Okla., is being remodeled and re-
decorated.
C. A. Taylor has purchased the
Roberson theatre at Dierks, Okla.,
from E. C. Roberson.
McDonald & McDonald have
purchased the Empress theatre at
Shattuck, Okla.
Santos Garza has purchased the
Star theatre at Del Rio, Texas
The EC & K. Circuit has pur-
chased the Plainview theatre at
Plain view, Texas.
Hughes & Kemp has purchased
the New theatre at De Queen, Ark.
Ed. Rowley was acquitted of
Sunday violation of law at Little
Rock, Ark., when municipal judge
Harh ruled that inasmuch as the
show had been operated for Arkan-
sas Crippled Children's Hospital,
no violation of either state or city
law has been violated.
Sol Davidson has opened the
Davidson Theatre Supply House
at 108-110 South Hudson Street,
Oklahoma City and will carry
equipment for both large and smal\
theatres.
M. K. Moore, manager for Pub-
lix theatre, the Capital at Okla-
homa City, has been transferred to
the Joy and New theatres at Fort
Smith. Ark., and will be succeeded
by Norman Prager.
Chink Conners of the Rex thea-
tre, Purcell, Okla., is in an Okla-
homa City hospital, battling with
appendicitis.
The Walters theatre at Walters,
Okla., is being remodeled.
The Cozy theatre at Ncwkirk,
Okla.. is being repaired.
C. W. Allen, local Pathe man-
ager, Oklahoma City, has re-
covered from a recent siege of ill-
ness.
1498
Motion Picture News
Seattle
JOHN HAMRICK, owner and
general manager of the Blue
Mouse Theatres in Seattle, Port-
land and Tacoma, returned to his
local office last week after a three-
week's trip to Hollywood on a com-
bined business and pleasure voyage,
most of the time being spent
around the Warner studios and of-
fices. After a few days here, Mr.
Hamrick packed up again and de-
parted for New York, where he had
scheduled conferences with Harry
Warner to discuss next season's
product for his Blue Mouse The-
atres and the new Music Box The-
atre in this city.
Pete Carroll, well-known film
man of the Northwest territory,
lately a special representative for
Metro-Goldwyn-Mayer's short sub-
ject department, last week assumed
the management of the local Co-
lumbia Films Exchange. He suc-
ceeds L. J. McGinley, who an-
nounced his resignation last week
and will announce a new connec-
tion within the next few weeks.
Ernest Gill, for several seasons
associated wit lithe music staffs of
Pacific Northwest Theatres and
West Coast Theatres, Inc., last
week was appointed director of
music for Broadcasting Station
KOMO in Seattle.
Ray Felker, former supervisor
of Universal's suburban theatres in
the Pacific Northwest, last week
announced his resignation with
that company, and he has been suc-
ceeded by Mike Newman, former
"U" field representative. Mr. New-
man returns to this territory after
an absence of several years, and
takes up offices in the Winter Gar-
den Theatre.
Jesse Goldburg, one of the high
officials of First Division Pictures,
Inc., was a visitor in town last
week, conferring with several local
regional distributors.
Ben F. Shearer, president of the
B. F. Shearer Company, Inc.,
local theatre equipment firm, re-
turned last week from California,
and after about three days in his
office here, turned around and
hopped the train again for South-
ern climes, where he has a num-
ber of contracts in work.
The Crescent Amusement Com-
pany, headed by D. C. Millward,
has taken over another house, ac-
cording to announcements made
this week. This time it is the
Capitol Theatre in Port Angeles,
formerly owned by Charles H.
George. W. C. Gowen, one of the
Crescent Amusement leaders, has
been sent from Tacoma to Port
Angeles to manage the house.
According to announcements
made here last week, minor changes
in the projection room of the Fifth
Avenue Theatre are now being
made, preparatory to the installa-
tion of Movietone as a regular
weekly feature at the big house.
This will be the third Seattle the-
atre to feature the ."talkie," and
the fourth will be Hamrick's
Music Box, now in the course of
construction.
Dr. T. M. Johnson, former oper-
ator of the Loi, Theatre at Top-
penish, Washington, spent a short
time in Seattle last week, and an-
nounces that he will soon market
his newly-perfected rotary valve
motor which has been in work for
many months.
Auditor C. MacKain of Colum-
bia Exchanges returned to the local
office last week from Butte, where
he closed the regular office and left
a shipping office instead. Branch
Manager Charles Knickerbocker of
Butte was transferred to Kansas
City, and E. R. Caddy, Jr., has
been placed in charge of the ship-
ping office. Mr. MacKain leaves
this city this week for California.
Walter McNeish, former owner
of the Bijou Theatre in Tacoma,
is now manager of the Bijou and
Palace Theatres in that city, both
of which houses belong to D. C.
M ill ward's Crescent Amusement
Company.
Rolla Duncan's new Avalon The-
atre in Olmpia was last week
scheduled for formal opening the
latter part of April. It is an 850-
seat first run picture house.
St. Louis
CONSTRUCTION has started
on the theatre Lonnie Mc-
Clure will erect on North Main
street, Dardanelle, Ark. T. N.
Downs, architect, is supervising the
construction. The house, one-story
in heieht, will cover a site 40 by
100 feet and cost about $25,000.
Lee Brothers will soon award
the contract for the construction
of their Amuse U theatre in Eng-
land, Ark. This house will have a
main and balcony.
St. Louis film stocks closed on
the St. Louis Stock Exchange
April 28 as follows : Skouras A,
$41.75 bid and $42.50 asked, a gain
of $2 for the week. A year ago
the stock was held at $40 a share.
St. Louis Amusement A, $32 asked.
A year ago $43. During the week
500 shares of Skouras stock
changed hands, but there were no
sales of St. Louis Amusement
stock.
Miss Edith Skouras, daughter of
Mr. and Mrs. Charles Skouras, won
a gold medal for the best individ-
ual address delivered in a recent
debate at Hosmer Hall.
Charles Skouras is vice-presi-
dent of Skouras Brothers Enter-
prises.
Mrs. Jennie D'Antoni is taking
bids on the new theatre she plans
to erect in Picayune, Miss. The
house will be two-story and base-
ment, 140 by 140 feet. There will
be seven stores on the ground floor
and 12 offices on the second.
A. M. Menee plans to erect a
theatre on South Jackson street,
Amory, Miss.
Contract has been awarded for
the construction of the Strand the-
atre in Homboldt, la. J. Franke
is the manager. The house will be
one story, 40 by 114 feet, and cost
$25,000.
The Oskaloosa, la., Opera House
will be remodeled.
Cincinnati
THE Walnut Theatre, Cincin-
nati, originally built for and
playing legitimate attractions sev-
eral years ago, but for the past 15
years devoted to pictures, is to close
the middle of May, according to an
announcement from the offices of
the Keith-Libson-Harris-Heidings-
feld combinations, into the pos-
session of which interests the house
passed some months ago. No rea-
son is assigned for the closing, and
no definite information has been
given out as to the future of the
house, but it is reported that the
present owners will not reopen
same. The Walnut has a seating
capacity of 2,200.
The Grand Opera House, Cincin-
nati, broke attendance records with
recent one week's showing of
"Simba," the Johnson animal pic-
ture. The house was entirely sold
out for all but two performances.
G. B. Lively, Gloversville, N. Y.,
has been appointed manager of the
Ohio Schine Theatre, Sidney, Ohio,
to succeed Roy Boomer, who was
transferred to Detroit to look after
one of the Schine houses.
The Colonial Theatre, Dayton,
Ohio, is the latest house in this
neck o' the woods to install Movie-
tone. It will be featured in addi-
tion to the Vitaphone, which was
installed several months ago.
The Rialto Theatre, Dayton,
Ohio, in which extensive improve-
ments have recently been completed,
now boasts of a new Wurlitzer type
"Z" organ, of which Manager E. E.
Coleman is unusually proud.
Friends of Howard S. Reeves,
manager of the Lyric Theatre,
Miamisburg, Ohio, are extending
sympathies over the death of his
mother, which occurred recently.
Fd E. Keen, the enterprising
manager of the Oxford Theatre,
Oxford, Ohio, recently played a
benefit for the Kiwanis Club of that
city, which was very largely at-
tended.
For the first time in its history,
the Miami Valley Chautauqua,
which is an annual event near
Franklin, Ohio, will show movies
this year. Ten first-run pictures
have been selected.
Griff. Granger, manager of the
Kaypee Theatre, Mt. Gilead, Ohio,
the smallest first-run theatre in the
state, who has many novel innova-
tions to his credit, has now organ-
ized a baseball team, named after
his house.
John Schwalm, manager of the
Rialto Theatre, Hamilton, Ohio, re-
cently played host to a number of
local kiddies at a special Saturday
morning matinee.
Fred Hilton, 75, former manager
of the Orpheum Theatre, and
Opera House, Mansfield, Ohio, died
at his home in Toledo, Ohio, fol-
lowing a lingering illness. He re-
tired from theatrical life several
years ago.
Minneapolis
1*HE Orpheum theatre at Fer-
gus Falls, Minn., has been re-
modeled and is now reopened.
Bennie Berger of Grand Forks,
N. D., has purchased the Grand
theatre at Bemidji, Minn., and leased
the Elko theatre in the same city.
Robert Redburn is the new man-
ager of the Wapazo theatre at Re-
delm, S. D, which has just been
reopened.
May 5, 1928
1499
New York & New Jersey
THE Motion Picture Operators
Union, local 306, has chosen
Sam Kaplan, Charles Eichorn,
Frank Day, David Engel, Max
Feinberg, Simon Terr, John Le-
fantc and F. E. Castle as dele-
gates to the convention of Interna-
tional Alliance of Theatrical and
Stage Employees and Motion Pic-
ture Operators to be held at De-
troit, June 4.
Several changes have occurred
among the Consolidated Amuse-
ment Company's local theatres since
the appointment of Rudolph
Kuelm as general manager of the
Lawrence Bolongino Theatre Cir-
cuit. Wm. Miskell succeeds Frank
Giovanni at the Jerome and Chas.
Mittlemark replaces Louis Mitnick
at the Mt. Eden. As mentioned in
last week's News, Frank Giovanni
has joined with the Joelson-Such-
man circuit at the Ritz theatre.
Other changes are expected to be
made in the Consolidated houses.
"Cove Theatres" is reported to
be the new name for the Joelson-
Sucbman Theatre Enterprises.
No doubt thinking to duplicate a
■feat by which the safe of another
uptown New York City theatre was
recently hauled away on a truck
by yeggmen, a gang tried the trick
on the Jerome theatre last week
but was unsuccessful in the under-
taking.
Harry Thomas, of First Division
Pictures, celebrated a birthday last
week.
Fox is reported to have extended
the lease on the Gaiety theatre un-
til July 1. The arrangement was
made with Patbe, the present
holder.
Joe Weinstock has purchased the
new theatre recently constructed by
Julius Joclson at 167th street and
lerome avenue. The house will
seat 2,300.
Al Gould is reported as having
disposed of his interest in the Con-
course theatre, upper New York
City, to G. A. Ryan.
Al Horsten is the new managing
director of the Park Lane theatre,
controlled by Charles O'Reilly and
Al Gould.
Morris Blinder's Tuxedo theatre
is scheduled to open Decoration
Day.
Louis Ganz, formerly with the
Consolidated Amusement Company
as assistant general manager, is
now in charge of Al Jotlson's Tre-
mont theatre.
After an illness of six weeks
Herman Starr, purchasing agent
for the Joelson-Suchman Circuit,
is again back at his desk.
Chester Sawyer, well known ex-
ecutive of Howell's Cine Equip-
ment Co. when that company was
managed by Joe Hornstein, has re-
turned from a four weeks' trip to
Cuba.
Jack Steinman recently purchased
new equipment for his Metro the-
atre from National Theatre Sup-
ply. Joe Hornstein also recently
equipped the new Edison Auditor-
ium, Trcmont avenue and 177th
street.
The Stanley-Fabian Circuit has
remodeled the Strand theatre,
Bayonne, N. T.
The Fox City theatre is running
a strigbt picture program.
The Park Plaza has included
vaudeville with its program.
The Greenwich Village theatre
has reopened with a straight pic-
ture program.
After several years as salesnioii
for Big U, Joe Weinberg lias
joined F. B. O. and will cover
Manhattan and the Bronx.
O. H. Yorence is in charge >>i
Ixiew's Willard at Woodhaven
while Manager George Cann is
laid up with an eye infection.
George Reddy, formerly with the
Pathe publicity office, is working
with various theatres in the Loew
circuit.
Dave Solomon, of National The-
atre Supply, sent us a long >t«>ry
about how successful Manager
Morris Suchman was in putting
over a Vitaphone picture at Syd-
ney Cohen's Empire theatre with-
out any Vitaphone. Dave told the
writer that it was a great story
— and it may be — but after reading
an entire page of typewritten copy
we found that Dave had neglected
to state just how Morris accom-
plished this stunt. Therefore, while
taking for granted that Mr. Such-
man gave a worthy presentation of
the picture and passing along to
him compliments, it will be neces-
sary to await further information
from Mr. Solomon.
Baltimore
TWO Baltimore first run mov-
ing picture houses closed on
Saturday night, April 28. One is
•the Palace, which has been show-
ing moving pictures with burlesque
on a grind policy, which will not
reopen until the fall, according to
present plans. The other is the
Rivoli, which, according to an an-
nouncement outside the playhouse,
the reopening date will be an-
nounced later.
The reason for the Rivoli clos-
ing, which is under the management
of Frank Price. Jr., and operated by
the Wilson Amusement Co., has not
been announced, but business has
fallen off there considerably during
the past season and particularly
since the Rivoli has not been ad-
vertising in two newspapers and
has curtailed all advertising in oth-
ers.
Gaertner Brothers, who operate
the Ritz and Red Wing theatres
here, has just opened their new
Yilnia theatre, in the suburban
section of the city.
They are officers in the Yilma
Amusement Company, which will
operate the playhouse. The the-
atre was designed by John C.
Eyring, architect. It cost about
$125,000 and has a seating capacity
of 900 persons. The interior is
•decorated in ivory, grey and gold.
Charles A. Koerner has been ap-
pointed assistant office manager of
the Frank H. Durkee moving pic-
ture interests operating the Palace,
Bdnord, Grand. Boulevard and
other Baltimore theatres.
Harry Webb, formerly president
of the Parkway Theatre Company,
before it was sold to the White-
hurst Interests, and Frank H. Dur-
kee, president of several theatre
companies here, are said to be in-
terested in the new moving picture
theatre and public library room
which is planned to be built at Ed-
mondson avenue and Edgemont
street, according to a bill which has
been introduced into the City Coun-
cil here.
An unfavorable report on Day-
light Saving for Baltimore, which
was submitted to the City Council
by the special committee of ten ap-
pointed to investigate public senti-
ment on the matter was adopted by
the Council Monday night, April
23, by a unanimous vote. A public
hearing had been held by the com-
mittee the Friday afternoon pre-
vious to the voting and it was on
the result of that hearing that the
unfavorable report was based.
M. Lang, formerly manager of
the Capitol theatre, Richmond, Va.,
has been appointed resident mana-
ger for the Equity Theatres Corp.,
of the Metropolitan theatre here.
Jack Levy, theatre manager of
Equity, has been in Baltimore for
some time operating the house. He
has returned to his duties in Phila-
delphia.
The Supreme Bench of Baltimore
City has taken under consideration
the motion for a new trial in the
Sunday Blue Law case against
John G. Callan and his associates.
John Phillip Hill, former Con-
gressman, one of the attorneys for
Mr. Callan, argued the new trial
motion before the Supreme Bench
in the case of Callan "and his as-
sociates" to show movies in Balti-
more on Sunday recently, with
Paul B. Mules.
Mr. Callan. who is president of
the Liberty Defense League, and
was a former member of the House
of Delegates, was present at the
hearing, before the nine judges of
the bench.
Joshua W. Levering and Dr. W.
W. Davis, of the Lord's Day Al-
liance, were present at the hearing
also.
It is contended by the attorneys
that the law which requires an
opera house to be kept closed on
Sunday is not applicable to a mo-
tion picture theatre. Sunday con-
certs have been given in Baltimore
at the Lyric and motion pictures
have been shown in churches on
Sunday also and it should have
been permitted them to show them
at the former trial it was argued.
Within the meaning of the Sun-
day law, the sale of an admission
ticket is not a sale of goods or
merchandise.
Assistant State's Attorney Hil-
lary W. Gans argued against
granting a new trial.
In his argument also Mr. Hill
explained that stereopticon views
of the Holy Land have been shown
in churches on Sunday and only
in the speed with which the views
have changed does that differ from
showing of motion pictures.
The quarters of J. Louis Rome,
general manager of the Associated
Theatres Company, and his brother
Hvman, were badly damaged when
the Clyburne Court apartments
owned by Hyman, were dam-
aged recently when the floor and
roof were burned.
A ventilating air cooling system
is being installed in the Apollo the-
atre here, operated by the Associ-
ated Theatres Company, J. Ixims
Rome, general manager.
An operation to have his tonsils
removed was performed recently
on George W. Jacobs, manager of
the Goldfield theatre.
J. M. Shellman, motion picture
editor of the Baltimore Sun. has
started work on his fourth novel,
entitled "Hell Changes Manage-
ment."
EMPIRE FILM VAULTS, INC.
723 Seventh Ave., N. Y. Bryant 5437-5736-2180
STORAGE OF MOTION PICTURE FILMS
1500
J\I o t i o n Picture N e%v s
Dallas
CHARLES E. KESSNICH,
southern division manager for
Metro-Goldwyn, and Leroy Bickel,
manager of the Dallas M-G-M ex-
change attended the M-G-M Sales
Convention in Kansas City.
R. B. (Pug) Jones, managing di-
rector of the Worth Theatre, Ft.
Worth, made his usual trip to Dal-
las to get a few pointers on theatre
operation from the Palace Theatre,
Dallas.
C. B. Stiff, southern district man-
ager for Publix, John Friedel, man-
ager Publix De Luxe division, and
J. J. Deitch, district booker, are in
Washington, I). Q, attending the
Paramount Sales Convention.
E. H. Kleinert, musical director
of the Melba Theatr is in New
York City on business.
Julia Dawn, organist at the
Melba Theatre, Dallas, is guest or-
ganist at the Denver Theatre, Den-
ver, Colorado, and will remain there
during the next month.
Al Lichtman, general sales man-
ager for the United Artists was a
guest of the United Artists Dallas
Exchange and Mr. Ralph A. Mor-
row, manager of the local U. A.
office.
W. W. Rucker, assistant man-
ager of the Famous Players Lasky
Dallas Exchange reports that busi-
ness is unusually good, and every-
thing indicates that it will continue
to be good. Mr. Rucker is in
charge of the local office at the
present time, due to the transfer
of Oscar Morgan to the Kansas
City branch. Up to the present
time Mr. Morgan's successor has
not been named.
J. B. Duggan, Hugh Owen, Cecil
House, John Muchmore, Neil
Houston, Sid Simpson, M. I.
Honeycutt and Ralph Larnedare at-
tending the Paramount Sales Con-
vention at Washington.
J. E. Elder, purchasing agent for
the southern division for Publix,
has just returned from a purchas-
ing agents' convention at Chicago.
Word has been received from F.
F. Smith, manager of Loew's The-
atre at Richmond, Va., that Lloyd
Hill, organist, and Sigmund Bogus-
lowsky, concert leader, are both
employed at his theatre. Mr. Bo-
guslowsky formerly directed the
orchestra of the Palace Theatre,
Dallas. Mr. Hill was also a Dal-
las organist.
Ross A. Wiegand, former pub-
licity manager for the Melba The-
atre, left for Oklahoma City Thurs-
day to assist in putting over the
Yitaphone campaign on "The Jazz
Singer" at the Capitol Theatre in
that city. Mr. Wiegand will not
return to the Melba Theatre, and
James O. Cherry, managing direc-
tor of the Melba, and Victor Low-
ery, new house manager, will have
charge of publicity for the present
time.
Barry Burke, former managing
director of the Palace Theatre, Dal-
las, and now managing director of
the Publix Denver theatre was a
four day guest of the Worth The-
atre at Ft. Worth during its open-
ing.
Mrs. Sarah Rehfeldt, who has
been cashier of the Paramount Dal-
las exchange for the past ten years
is resigning her position due to ill
health. Mrs. Rehfeldt has proved
herself to be a valuable asset to the
Dallas exchange, and it is with
much regret that the office force
gives her up. Mrs. King, who has
been employed at the local exchange
for the past four years will assume
Mrs. Rehfeldt's duties.
M. R. Williams, manager of the
Rialto Theatre at Midland, Texas,
was a visitor on Film Row, and
stated that conditions in his part of
the country are very favorable, and
good future business is expected.
Mr. Williams made a wonderful
success of his showing of Harold
Lloyd in "Speedy."
Midwest Amusement Co. of Kan-
sas City will erect a $150,000 thea-
tre at Edinburg, Texas. The build-
ing will be three stories high and
75 by 142 feet. It is to be a brick
structure, trimmed with terra cotta,
with a seating capacity of 1800.
An unusual honor was bestowed
upon Arthur A. Keyes, exhibitor at
Quanah, Tex., when he was selected
as district governor for the Rotary
Club in his district. Mr. Keyes al-
ways occupies a prominent place in
civic affairs of his community, and
due to his untiring aid to every
movement, he has won for himself
an envied position in his commu-
nity.
The first Sunday afternoon show
at San Angelo, Texas, furnished
grounds for several attacks from
the San Angelo churches, and Rev.
J. A. Richardson, pastor of the
Methodist Protestant Church an-
nounced that he will take legal steps
to prevent the exhibitors from hav-
ing Sunday shows if necessary.
The R. & R. Enterprises will
erect a $150,000 theatre at Del Rio,.
Texas, according to a recent an-
nouncement. Plans call for thor-
oughly modern theatre equipment,
and will have a seating capacity of
1500.
Central Penn
E. L. TRENCHARD, for eight
years head of the Grand the-
atre, Lancaster, as manager, be-
came assistant director of all pub-
licity for the Stanley Theatre Com-
pany, of Philadelphia, controlling
a big chain of theatres in the lat-
ter city, Lancaster and elsewhere,
on April 30. He is now in the of-
fice of A. L. Einstein, Earle the-
atre building, Philadelphia.
Plans for the erection of a the-
atre to cost $200,000 in the central
business section of Kulpmont, a
rapidly growing town in the Cen-
tral Pennsylvania hard coal mining
regions, were announced on April 23
by the Arcade Amusement Co., a
new corporation organized by busi-
ness men of Kulpmont and Mount
Carmel. The corporation has pur-
chased a site at Chestnut and Ninth
Ed R. Moore, manager of the
York and Orpheum theatres, in
York — part of the Nathan Appell
chain of theatres — on April 24, was
the subject of a first page jingle in
thg "Velvet Hammer" column,
which is a daily feature of the
Harrisburg Evening News.
The Victoria theatre, Mahanoy
City, has adopted a policy of sub-
stituting vaudeville for pictures one
night each week. Pictures are not
eliminated entirely from the pro-
gram on that day, however, as one
feature film is offered. The vaude-
ville nights are Wednesdays,
streets, adjacent to the Dime De-
posit Band building. The structure
will be of brick and marble, and
will be designed for motion pic-
ture, vaudeville and road show ex-
hibitions. A feature will be the
installation of a Vitaphone device.
Plans have been drawn and con-
struction will begin at once and will
be rushed with the idea of opening
the building for business in the
early fall.
Among the charters issued to
amusement corporations in Penn-
sylvania at the capitol in Harris-
burg, the week of April 23, was
one to the Asbury Park Company,
of Washington, Pa., organized to
"acquire, sell and lease real estate
and construct thereon buildings for
amusement and recreation to pa-
trons and the public." The nominal
stock is $5,000, consisting of 100
shares with a par value of $50-
each. The treasurer of the new
corporation is W. M. Asbury, of
227 West Spruce street, Washing-
ton, Pa., who is also one of the in-
corporators, owning eight and one-
third shares of stock. The other
incorporators are Thornton As-
bury, 225 West Spruce streetr
Washington, 25 shares, and Eph-
raim Corbin, of Washington.
Cleveland
FRANK DREW, local M-G-M
branch manager, reported in
Pittsburgh last Friday whereat the
eastern division of M-G-M con-
vened. District managers, branch
managers and home office represen-
tatives gathered. William F. Rog-
ers, eastern division manager, pre-
sided. Representatives of New
York, New Haven, Boston, Albany,
Buffalo, Philadelphia, Washing-
ton. Pittsburgh, Cleveland Cincin-
nati, Detroit and Charlotte were
present at the meeting.
The local Universal family left
here early Thursday morning for
Atlantic City to attend the annual
"U" convention. Leo Devaney,
branch manager, headed the troupe
of seven from Cleveland.
Warner Brothers also had Cleve-
land representatives at their con-
vention in New York last week.
Norman Moray, branch manager,
and Fred Scheuerman, assistant
manager were present.
Carl Lesserman, First National
exchange manager, was in Chicago
a week ahead of the F. N. conven-
tion. He was called there on ac-
count of the illness of Mrs. Lesser-
man. He will stay until after the
convention.
Independent producers are begin-
ning their trek across the country.
Last week T. U. Curran of Rayart
productions was here. So was
Henry Goldstone. Milton Simon,
formerly with Rayart and now
turned producer on his own, was
also a visitor.
George Folberth has appointed
himself manager of the Almira the-
atre. Folberth owns the theatre.
Until now he was satisfied just to-
own it. Now he wants to run it as
well.
Security Pictures has moved into
new quarters in 702 Film Exchange
Bldg. It's larger, and offers better
buying and selling facilities.
Albany
rIM 1 1- Bijou, in Troy, which has
J been run for the past several
years by Rose and Windekenecht,
was sold last week to Louis Ben-
ton, of Ballston Spa, a brother of
William Benton, who has a chain
of several theatres in northern New
York. Mr. Benton has been
handling his brother's house in
Ballston, but will now branch out
in business for himself.
The regular monthly inspection
of film exchanges was made early
last week by the Albany Film
Board of Trade, with Harry Seid,
local manager for Warner Broth-
ers, escorting Miss Edna Pfister,
secretary of the Board, to the vari-
ous exchanges. Conditions were re-
ported as very satisfactory.
Abe Van Dusen, booker at the
F. B. 0. exchange in Albany, is
anticipating a nice slice of money
in the near future, having led the
entire United States for two
straight weeks in the 1". B. 0.
brokers' drive.
Many of the film exchange man-
agers in Albany, as well as the
salesmen, are packing their bags
these days and leaving for various
conventions. Nat Levy, manager of
the I'niversal exchange, and his
three salesmen, Ray Smith, Fred
Duffy and Leon Herman, left on
Thursday for the Universal con-
clave. Alec Herman, former mana-
ger for First National, in Albany,
is attending the First National blow
■out. Howard Morgan, manager
for Educational, is getting all set
to attend his company's convention
in Montreal on May 22.
According to reports reaching
Albany, Mike Banmasauer, of Ma-
lone, is doing so well these days
that he has received an offer of
$50,000 for the theatre which is
said to have cost him but $17,000
a year or so ago. The offer is said
to have come from an opposition
house.
W. T. Finn, who operates the-
atres in si\ small places, in the
vicinity of Cooperstovvn, and who
is postmaster of his village, has
been laid up in bed for several
days with an attack of grippe.
Toiry Veiller, who recently for
sook the motion picture theatre for
the garment house, reports that he
is well pleased with his change
and to all intents and purposes he
will remain in his new line of en-
deavor. He formerly handled the
Mark Ritz in Albany.
A negro, singing "The Old Irish
Mother ( )' Mine" in one of Al-
bany's motion picture theatres, one
night last week, as a participant in
the amateur |>art of the program,
nearly broke up the show, and all
but caused a riot among some of
the Irish patrons.
Hill Smalley has returned to his
home in Cooperstow'.i after a week
or two in Atlantic City and has so
far recovered his health that he
will again become active in the
management of a string of a dozen
or more theatres.
The Schine Enterprises have cre-
ated two new districts in New
York state and have appointed L.
J. Carkey as head of the Mohawk
Valley district, with headquarters
at Gloversville. Walter M. Powers,
one time a resident of Albany, has
beeen placed in charge of the newl)
created northern district, with head-
quarters at Oswego, and which will
include houses in nine plices in
northern New York. Mr. Powers
has been manager of the Strand in
Oswego for the past four years.
C. E. Taylor, who recently ac-
quired a theatre in Antwerp, is
spending considerable money these
days in improving the house. He
has installed a $4,000 organ, as well
as redecorated the theatre through-
out.
Abe Stone, owner of the Fagle
theatre in Albany, is installing a
new ventilating system as well as
a couple of new projection ma-
chines. He is also improving the
smoking room and other portions
of the theatre.
Charles Stombaugh, local mana-
ger for Pathe, returned last week
from a swing through northern
New York, during which he found
exhibitors busy at many other lines
of endeavor and which necessitated
his calling at machine shops, feed
stores and creameries. Exhibitors
in nearly all of the smaller towns
do not depend entirely upon their
theatres for a livelihood.
The new Smalley theatre in
Johnstown, which will replace the
one burned several months ago, is
rapidly Hearing completion and it is
now planned to open the house on
May 15.
After several weeks of rather
poor business, the Central theatre
in Albany, closed its doors last
week and may not reopen next
fall. The house is owned by
Walter Emigh and according to
some reports it is planned to recon-
struct it into a garage.
Amos Curry, who now has Sun-
day movies at Norwood, was in
Albany a few days ago booking
features. He expressed himself as
well pleased at the outcome of the
recent village election.
C. H. Buckley, owner of the Le-
land and the Clinton Square the-
atres in Albany, blossomed forth
last week not only with a new Cadil-
lac, but also a new chauffeur, and
proceeded to announce that he will
shortly take a trip to either New
York or Montreal.
Tom Thornton, owner of the the-
atre in Saugerties, is branching out
these days and using vaudeville
quite frequently. Last week Mr.
Thornton had a vaudeville show
of no less than 32 persons.
Louis Buettner, of Cohoes, is
rapidly recovering his health and
is able to be out for short periods
each day. Isidore Schmcrtz, local
manager for Fox, drove to Cohoes
the other day and spent an hour or
so with Mr. Buettner.
Dick Hayes, of the Paramount
exchange, was out on the road for
his company last week, taking the
place of another employee who is
temporarily laid up with several
bones fractured in one foot.
"Al" Guteck, local manager for
F.B.O., will leave on or about May
14 for Chicago, where he will at-
tend his company's convention.
Alec Feltmann, who recently sold
his holdings in Schenectady the-
atres, is ill and confined at a sani-
tarium. Mr. Feltmann had been
suffering with foot trouble for sev-
eral months.
Abe VanDusen, of Albany, who
is a red hot baseball fan, decided
to drive down to New York last
Sunday for one of the big games.
It rained all the way to Pough-
keepsie, then cleared up for a few
minutes, just long enough to induce
Mr. VanDusen to continue on to
the metropolis, where he iound the
rain continuing.
Carl Fahrenholts, booker at the
local Fox exchange, was in New
York city on Sunday. Abe Dwore
and son, of Schenectady, exhibitors,
were along Albany's F?lm Row
during the week. Ben Tahnadge.
of Windham, runs the motion pic-
ture theatre in his town, and is a
lawyer besides. G. M. Lounsbury,
who has a theatre in Grand Gorge,
works in the village bank. I.
Miller, who runs a theatre in
Kingston, is a New York city
lawyer and it is almost impossible
for film salesmen to catch him ex-
cept on Saturday and Sunday.
William Haines, of Cairo, is get-
ting his theatre in readiness to open
for the summer season. Pete
Dana, local manager for Tiffany,
spent last week in calling on the ex-
hibitors of the Catskill r g:on.
Des Moines
FIRE gutted the motion picture
house at Bennett, Iowa last
week. The fire was of unknown
origin. The theatre is known as
the Opera House and is owned by
Ross and Willey. They have
suspended business activities tempo-
rarily and have made no announce-
ment as to whether they will build
a new construction or move to new
epiarters.
The Auditorium Theatre, at Ox-
ford, Iowa, owned by H. F. Hein-
field, closed last w eek. Business has
been very slow in that district.
Visitors in film row were P. W.
Kale, of tlie Crown Theatre, at
Truro, Iowa ; George Wigman, of
the Strand, at Boone ; S. E. Robert-
son, of the Gem. at Lohrville; F.
W. Holt, of Montezuma ; George
Hake, of the Lyric at Belmond; all
of whom registered at the 1" B ()
exchange. H. G. Simpson, of Si-
gourney, called to see executives of
Metro-Goldwyn-Mayer. and, among
those who called at the Paramount
office were W. P. Grossman, of
Nevada; G. W. Cecil, of Bedford;
George Schwencker, of Guthrie
Center.
Paramount's team won the cham-
pionship of Des Moines bowlers.
Although they were in the lead by
but two games they so decidedly de-
feated the First National team,
which won second place in the last
games which they played with them,
that everyone was ready to concede
the Paramount crack team the
money. The first prize is seventy-
five dollars, which will be awarded
to the Paramount team later with
appropriate ceremony. The report
is that the Paramount team plans to
give a celebration party when they
receive their prize, especially re-
membering the girls of their office
who have aided from the rooting
section, and the reporters who have
been following the contest from
week to week.
An election, at Ames, over the
question of Sunday movies, is
scheduled for April M). both fac-
tions making a final effort toward
victory. A forecast favors the cause
of the exhibitors.
Casey Jones and Jay Mills, who
have been alternating at Davenport
and the Riviera at Waterloo as
stage band directors, will come to
Des Moines this week to be on the
Capitol stage. Jimmy Ellard, who
has been the personality man here
for two months, is now on vacation.
Casey Jones, at his first perform-
ance, received a big hand.
The theatre business at Coon
Rapids. Iowa, has recently been
transferred from Nebraska to Iowa
territory. J. E. Ridgeway is the
exhibitor there.
Eloise Bolton, who has charge of
the 'phone at the office of M-G-M,
is ill. She has an attack of ap-
pendicitis.
F. W. Holt, of Montezuma, came
into Des Moines on film business
last week.
1502
Motion Picture News
Chicago
BLAND BROS, have moved
their offices from 730 South
Wabash avenue to the eighth floor
of the Gunther building, 1018 So.
Wabash. Both the exchange and
their theatre office, which is in
charge of General Manager Aaron
Saperstein, will be located at the
new address.
The go-getters of F. B. O.'s
Chicago exchange look like sure
winners of the Managers Spring
Clean-Up Drive, and Manager Her-
bert Washburn and the sales staff
will split the thousand dollar cash
prize which was hung up in this
contest. The St. Louis exchange,
under the management of the old
time Chicago exchange man,
Harry Weiss, ran our local boys a
tough race but was nosed out in
the last week.
Balaban & Katz are offering some
strong local favorites on the bill
at the Oriental the week of May
6th, in an effort to counteract the
departure of the Rajah of Jazz,
Paul Ash, for New York City,
where he will head the stage show
at the Paramount theatre. Van &
Schenck are billed for the stage
show that week and Jesse Craw-
ford is being brought on from New
York to preside at the Oriental
organ.
Henri Ellman of Columbia Pic-
tures exchange went to New York
on a combined business and pleas-
ure trip. Mr. Ellman is expected
back at his Chicago office the first
of next week.
Tom Mix and Tony are proving
a big drawing card at the State-
Lake theatre, where the western
star is making a personal appear-
ance and for the first time in sev-
eral months standouts were noticed
for a half hour before the doors
opened and all during the day. On
Tuesday, Mr. Mix showed the
children of Chicago some riding
stunts at Soldiers' Field, and on
Wednesday he was the guest of
honor at F. B. O.'s exchange, the
exhibitors of Chicago territory be-
ing invited to meet him. At the
exchange party, Manager Wash-
burn delegated Ted Meyers to dis-
pense with refreshments and Ted,
in his cowboy costume, gave a real
western atmosphere to the recep-
tion.
Manager Herbel and nine sales-
men from the Chicago exchange
left for Universal's convention at
the Coronado Hotel, St. Louis, on
Tuesday night and returned to Chi-
cago on Sunday morning.
District Manager Shirley and
Exchange Manager Mendelshon of
Metro - Goldwyn - Mayer, are
among the exchange men who are
busy with conventions this week,
both being at their company's
Kansas City meeting.
Meyer Saperstein has recovered
from a severe attack of flu, which
kept him home for the past two
weeks, and is back at his post at
the Lexington theatre, where he is
manager.
Divisional Manager Wallace of
United Artists is back from a
week's trip to New York City.
First National executives, ex-
change managers and salesmen
from all parts of the country were
in attendance at the convention
which opened Monday at the Drake
Hotel and continued until Thurs-
day. Important announcements of
the convention included the 1928-29'
production schedule and sales poli-
cies for the new season's product.
The Filmack Company, makers
of special announcement trailers,
heralds and programs, have leased
the entire floor of their present
quarters at 730 South Wabash ave-
nue, in order to secure additional
space made necessary by the grow-
ing business. Irving Mack, head
of the Filmack Company, states
that the increased office space will
enable him to enlarge his art de-
partment and make several other
changes, designed to expedite the
service rendered by his company.
Denver
THERE was a lot of excitement
along Curtis street last week
right in the midst of movie row,
when a fire broke out in the Plaza
Theatre near Seventeenth and
Curtis. Much credit is due to Dave
Jinacio, projectionist who, taking a
chance on the seriousness of the
fire, continued to operate the ma-
chine as though it were a small
matter. The organist, Hannabell
Bloomfield, also shares in the glory
by continuing to play the organ
while the patrons made their exit
from the building. Although there
was considerable smoke the damage
will not exceed $200. The Plaza is
one of the Fox theatres of Denver,
and is under the management of
R. V. Conner.
Sam H. Cain, Universal branch
manager, is confined at his home
for a few days as a result of a
minor operation at St. Luke's
hospital last Thursday. He will
soon be back at his desk.
Harry E. Huffman, Aladdin
Theatre owner, of Denver, and
Max Schubach, of the Midwest
Theatres Co., have been appointed
by the M. P. T. O. here as alternates
to serve on the Board of Arbitra-
tion when called upon under the
rules.
Mrs. Sarah Jane Hamen, an
Orpheum Theatre patron, was
seized with a heart attack last Sun-
day night while watching the per-
formance. She died soon after-
ward.
Mrs. Viola K. Lee, well known
organist of the Aladdin Theatre,
gave birth to an eight-pound son at
the Presbyterian hospital last
Thursday. Mrs. Lee is the wife of
Ralph D. Lee, popular member of
the Wilkes Players, of the Denham
Theatre.
Ed Bluck's new theatre in Du-
rango, Colo., is progressing rapidly
in construction, and will be ready
for opening early in June. The
theatre will have about 700 seats
and be up-to-date in all the latest
ideas of construction.
Mrs. Julia White, mother of
Ralph White, manager of the Vic-
tory Theatre, of Craig, Colo., died
at a Denver hospital last Thursday
after a lingering illness.
Burns Ellison, well known exhib-
itor here operating the Federal
Theatre, and Geo. Staples, formerly
associated with Wm. Ostenberg,
Jr., of Scottsbluff, Neb., have
leased the Gem Theatre, of Johns-
town, Colo., and will open in the
next few days.
Joseph H. Ashby, First National
branch manager, has just returned
to his desk after spending the past
ten days visiting exhibitors in the
southern part of the Denver terri-
tory.
Ed Schulte, Casper, Wyo., thea-
tre manager, was seen along film
row last week transacting some
business.
C. W. Hine, owner of the
Princess Theatre, of Ault, Colo.r
was a Denver visitor last week. He-
attended a meeting of the Board of
Arbitration
Robert Saunders, manager of the
Liberty Theatre, of Salt Creekr
Wyo., spent a few days visiting ex-
changes here during the latter part
of last week.
Contrary to first reports the fire
at the Alexander Industries, Inc.,
plant in Englewood, Colo., last Fri-
day was not a film fire, but a fire in
the painting plant of the airplane
department. Alexander makes the
animated advertising so familiar to-
exhibitors in these parts.
Frank Edwards, former exhibi-
tor of Seattle, Wash., and now
mayor of that city, called on J. T.
Sheffield, Columbia exchange owner
here, last Thursday. Mr. Edwards
spent only a few minutes in Denver
that being between trains during his
journey to Chicago.
Detroit
FOLLOWING a report made
against him by a special guard,
a man was arrested in the Granada
Theatre on a warrant charging him
with malicious destruction of pro-
perty. Albert Schukowski, the
guard, reported finding two stench
bombs in a small box in the men's
rest room shortly after one had al-
ready been thrown in the theatre.
He said he emptied the bombs, re-
placed them and hid. A short time
later, he stated, the man appeared
and carried them off. Schukowski
then phoned the police. Recently the
theatre has been the prey of van-
dals, who, operating during the
busiest hours, have ripped uphol-
stery in the seats and broken
stench bombs on several occasions.
Work on the new Fox has been
resumed after a sympathy strike, in
connection with the new Fox thea-
tre being erected in St. Louis. It
was a strike conducted by steel
workers affiliated with the Interna-
tional Association of Bridge, Struc-
tural and Ornamental Iron Work-
ers.
It is reported that Henderson M.
Richey, the general manager of the
M.P.T.O. of Michigan, is back
again from the Battle Creek sani-
tarium, and that his health has im-
proved rapidly although he is still
on a strict diet.
An Acme Portable Projector was
stolen from the McArthur Theatre
Equipment company at 2305 Cass-
Avenue the other night.
Pat O'Brien, a former Detroit
film exchange clerk, who has ap-
peared in serials and westerns, has-
returned to Hollywood after spend-
ing the Easter holidays with his
family and many friends in this
city.
May 5 , 19 28
1503
Atlanta
T^HE oustanding event of the
I week was the opening of the
new Royal theatre on Rose Hill,
Columbus, Ga., Monday evening,
April 30, at 8 o'clock at which
time notables in the film industry
from all over the state and outside
gathered to view the new house
built by R. E. Martin at a cost of
approximately $300,000.
The Royal is situated nearly two
miles from the business section of
the city in a locality quite accessible
to all residential parts and has a
seating capacity of 2,800. which is
larger than any theatre in Atlanta.
Mr. Martin is one of the most
prominent showmen in this section
of the country. To show the ap-
preciation of the city for what he
has done for Columbus, the Co-
lumbus Ledger newspaper will
carry a 14 page special edition on
the Roval theatre next Sunday.
April 29.
John Ezell, manager of Warner
Brothers exchange in Atlanta, was
re-elected to the presidency of the
Atlanta Film Board of Trade at
the regular semi annual election of
officers held Monday, April 23.
This is the fifth time that Mr.
Ezell has been chosen for the post.
Other officers of the new admin-
istration include Dave Prince,
branch manager for Paramount -
Famous-Lasky, vice-president ; Jas.
W. Hanlon, M-G-M branch man-
ager, secretary, and E. L. Cole,
executive secretary and treasurer.
The election of officers Monday
followed the regular meeting of
the full board when the following
directors were elected : John T.
Ezell, Warners ; W. VV. Anderson,
Pathe; Dave Price, Paramount;
Jas. W. Hanlon, M-G-M., and Ar-
thur C. Brombcrg, Arthur C.
Bromberg Attractions.
Serving on the Arbitration Com-
mittee will be John \V. Maugham,
Liberty-Specialty, chairman ; Jas.
W. Hanlon, Dave Prince, Paul C.
Bryan, Fox, and R. S. Beacham,
United Artists, were chosen as al-
ternates.
According to information reach-
ing Atlanta last week, the Joe
Steed Amusement Company sold its
Plaza theatre in North Birming-
ham ; the Grand theatre in VVylam,
Ala., and the Gary theatre in Fair-
field, Ala., to A. P. Sloss.
The DeKalb theatre in Lithonia,
Ga., formerly operated by W. J.
Brooks, has been bought by J. T.
McDonald.
O. P. Corall, salesman for Ar-
thur C. Bromberg Attractions, had
a narrow escape from drowning
last week when his car went into a
stream, swollen to flood propor-
tions by the recent heavy rains.
After having been in New York
on important business, W. G. Un-
derwood, of Dallas, Texas, vice-
president and general manager of
Liberty-Specialty Film Distribut-
ing Company, spent Tuesday of
this week in Atlanta conferring
with John W. Mangham, Jr., At-
lanta branch manager, and M. E.
Wiman, manager of the Charlotte
exchange.
Fred C. Aiken, representative of
Grantland Sportlight subjects, with
headquarters in New York, was a
visitor's to Pathe's Atlanta office
last week.
Due to more time required to
install Vitaphone and Movietone
and to a more extensive plan for
elaborate redecoration of the the-
atre, the Rialto will reopen May 7,
instead of April 30, it was an-
nounced Wednesday by Manager
W. T. Murray.
George Steele, who, for the past
four years, has been connected
with the Interstate Amusement Co.,
is now manager of the company's
Tianon theatre, Birmingham.
For the purpose of giving their
Florida accounts even better serv-
ice in the future, Arthur C. Brom-
bcrg Attractions will, on May 1,
establish an exchange in Tampa,
according to announcement made
last week by Arthur C. Bromberg,
president of the company.
The branch will be located at 714
Twigg street and will be in charge
of Mrs. George Chester, wife of
George Chester, who represents
Bromberg Attractions in the Flor-
ida territory.
J. II. Butncr, Atlanta branch
manager of Educational, spent last
week in South Georgia.
Fred F. Creswell, district mana-
ger of Arthur C. Bromberg At-
tractions, with headquarters in At-
lanta, left last Tuesday for a visit
to the company's New Orleans ex-
change.
C. E. Long, manager of Joe
Wheeler's Grand theatre at Cedar-
town, Ga., was a visitor on film
row last week.
E. A. Rambonnct, special repre-
sentative connected with the Char-
lotte exchange of Arthur C. Brom-
berg Attractions, was a recent vis-
itor in Atlanta.
William G. Minder, Southeastern
division manager for TirTany-Stahl
Productions, with headquarters in
Atlanta, left last Saturday for a
visit to the Alabama territory.
Recent visitors to Atlanta in-
cluded W. D. Patrick, who recently
bought the Trojan theatre, Troy,
Ala., from C. H. Carney ; B. F.
Mutch, of the Dixie theatre, Birm-
ingham, Ala. ; F. W. Redmond, of
the Scenic theatre, Lake Wales,
Fla. ; Joe Wheeler, of the Capitol
theatre, Montgomery, Ala, ; S. M.
Levinson, of the Park-Seventh the-
atre, Sarasota, Fla. ;Mrs. Irving
Dietz, of the Star theatre, Coving-
ton, Ga. ; Mr. and Mrs. II. E.
Edenfield, of the Dreamland the-
atre, Augusta, Ga. ; F. G. Adams,
of the Ritz theatre, Montgomery,
Ala.; P. H. Sharkey, of the Nel-
son theatre, Nelson, Ga. ; L. D.
Joel, of the New Casino theatre,
Jacksonville, Fla. ; F. G. Craig, of
the Ideal theatre, Ashburn. Ala. ;
L. G. Hobgood, of the Dixie the-
atre, Bovvden, Ga., and Wendell
Welch, of the Strand theatre, Dal-
las, Ga.
Friends of Jim Young, First Na-
tional salesman out of the Atlanta
office, will regret to learn that he
is ill.
Salt Lake City
MORE than one hundred or-
phans of this city were the
guests of the Capitol theatre man-
agement April 21st. In connection
with Louis Marcus and Manager
George E. Carpenter, Fire Chief
Waller S. Knight, arranged the
theatre party.
A. L. Classman, who recently
leased the theatre unit of the old
Grand Opera house building of
Ogden, Utah, gave a farewell din-
ner in honor of Joe Goss, manager
of the house, now known as the
Orphcum, at the Chamber of Com-
merce of Ogden the evening of
April 22nd. Twenty friends were
present. Goss is retiring from the
theatre business.
Jack Proctor, former exploita-
tion manager of the Louis Marcus
Enterprises throughout this section,
and who resigned recently to re-
turn to Los Angeles, is to be mar-
ried here this week to Miss Kay
Harms, a local newspaper woman.
Among exhibitor visitors spend-
ing some time along Film Row
here last week was S. L. Gillette
of the Strand theatre at Tooelle,
Utah. The Ritz theatre which has
been operated by the Gillettes at
Tooelle, is to be closed this month,
it is reported.
E. G. Innis has been assigned the
position of assistant office manager
at the local DeLuxe exchange here.
Innis came to this city from Butte,
Mont., where he was connected
with Columbia Pictures, and takes
ihe place here of Leonard Mitchell,
it is stated.
The Paramount Famous-Lasky
Utah salesmen F. S. Gulbransen
and Jos. English, are in the local
office for a short stay this week,
and will return to this section
right away, it is reported here.
Louis Hoffman has just come
back from a trip throughout Idaho.
Manager L. C. Wingham of the
Metro - Goldwyn-Maycr exchange
here, will attend the National Con-
vention to be held at Kansas City.
Pathe's District Manager L. L.
Savage is still visiting the local ex-
change.
Manager Al O'Keefe will make
a trip into Montana within the
next week for Pathe.
A. W. Hartford, local manager
for Universal, is making the terri-
tory at present. C. C. McDermond
was in for a brief stay.
Manager W. F. Gordon, who just
returned from an extended trip into
Montana, left last week for the
Associated First National Conven-
tion to be held in Chicago. Sales-
men Vete Stewart and Claude
llawkcs are to accompany Gordon.
Wayne Ball, who has charge of
the local Warner Brothers ex-
change, attended the National Con-
vention held in New York last
week.
Clyde H. Messinger, local man-
ager for Educational Pictures, re-
cently returned from Southern
Utah.
Manager Charles Walker, of the
Fox exchange in this city, returned
a few days ago from an extensive
sales trip into Montana.
Richard Roberts, of the Onyx
Theatre at Cokeville, Wyoming,
paid a visit to film row here last
week, as did S. W. Hutchings, of
the Royal Theatre, at Lehi, Utah.
The new State Theatre, being
constructed by Joe Lawrence and
associates, at South State Street
here, is nearing completion, and
will be ready for the opening about
May 1st, it is reported.
T. M. Giesler. of the Princess
and Gem Theatres, of Bingham.
Utah, was among film row visitors
lining up new business here this
week.
Mrs. E. H. Littlejohn. of the
Lyric and Star Theatres, at Price,
Utah, was also in for a booking
trip, according to the Columbia
office report.
Manager Fred Lind. of the F B
O exchange, came back last week
from Southern Utah.
The Peery Brothers, of the
Egyptian and Ogden first-run thea-
tres of Ogden, spent a short time
at the local film mart in the inter-
est of their houses, a few days ago.
Tony Duval 1, of the Gem Thea-
tre, at Murray, has conferred with
local branch managers last week, as
did Earl Steele, of the Venice
Theatre, at Xephi. Utah. Ernest
K. Pappas, of the Diana, at Cop-
perfield. Utah, was also in, it is
reported.
Manager Fred Gage, of the local
United Artists exchange, recently
returned from a trip into Montana
territory. Salesman Johnny Dick-
son is now in Montana, and Able
Davis is making Idaho.
David Bershon. Western Sales
Manager for United Artists, left
here a short time ago for Los
Angeles.
1504
.1/ o t i o n P i c t u r e .V e ws
Kansas City
OLF may not yet be the game
I of an exhibitor or an ex-
change man, but it would have
taken an expert to have determined
that fact by witnessing the annual
motion picture golf tournament
over the Excelsior Springs course
near Kansas City last week. Good
scores, bad scores, and "no scores
at all" were turned in.
The prize winners :
First prize — Low gross score,
silver cup presented by Newman
Theatre — Oscar Morgan.
Second prize — Low net score,
cocktail shaker presented by
Gotham Productions — Lawrence
Breuninger.
Third Prize — Blind bogy, poker
set presented bv Consolidated
Amusement Co. — Fred Meyn.
Fourth prize — Second low net
•score, wrist watch presented by
Mainstreet theatre — Ralph Heft.
Fifth prize — Second low gross
score, caddie bag presented by
Main Street Bank — Charley Knick-
erbocker.
Sixth prize — Longest drive (first
hole). Chieftain driver presented
by Midwest Theatres— Jack Lan-
gan.
Seve.ith prize — Longest drive
(tenth hole), caddie bag presented
by Film Inn — Cecil Vaughn.
Eighth prize — Blind bogy (first
nine), tire and tube to fit winner's
car presented by Ritz Tire Shop-
Bill Warner.
Ninth prize — Blind bogy (second
nine), Playmore brassie presented
by Film Row Cigar Store— Law-
rence Lehman.
Tenth prize — Lowest stroke any
hok- (first nine), Playmore spoon
presented by Hollywood Inn — Lee
Jones.
Eleventh prize — Lowest stroke
any hole (second nine), mashie
iron presented by The Reel Jour-
nal— Roland Thompson.
Twelfth prize — Third low net
score, Playmore spoon presented
by Hooper & Jencks — Lionel
Ritchie.
Thirteenth prize — Low score
blind hole (first nine), putter, pre-
sented by Bill Fite— A. G. Smith.
Fourteenth prize — Low score
blind hole (second nine), sweater
and stockings presented by Charlie
Vaughn — Tom Baldwin.
Fifteenth prize — Third low gross
score, one dozen golf balls presented
by Flinton Jones — Ed Dubinsky.
Sixteenth prize— Second worst
score, mashie presented by Exhib-
itors Film Deliverv — Han v Schil-
ler.
Seventeenth prize — Longest
drive (18th hole), driver presented
by Johnny Sanford — Lester Levy.
Eighteenth prize — Worst score,
toy mashie presented by the com-
mittee— Russell Borg.
Nineteenth prize — Greatest num-
ber of strokes on any one hole, one
dozen golf balls presented by the
committee — G. A. M alone y.
The Capitol theatre, downtown
house of Kansas City which closed
several months ago as a motion
picture and musical stock house,
has reopened again with the same
type of show, the stage features
being by the Manhattan Musical
Comedy Company.
Leo J. Doty, assistant manager
of the United Artists exchange of
Kansas City, has been elected vice-
president of the Kansas City Film
Board of Trade to succeed Arthur
Cole, who resigned as branch man-
ager of Paramount. Oscar Mor-
gan, newly appointed branch man-
ager of Paramount, was elected to
the board of directors of the film
beard.
The Cozy theatre, Fulton, Kans.,
has been purchased by Charles R.
Smith and new seats, projection
machines and scenery installed.
The steel work of the new Country
Club Plaza theatre, Kansas City,
has been completed.
Bill Warner, First National
branch manager at Kansas City,
in returning from Excelsior
Springs, Mo., to Kansas Citv, met
with a road accident with bis
Cadillac. None of the occupants,
including Mrs. June Metcalf, sec-
retary of the M. P. T. O. Kansas-
Missouri, and Miss 11. Menaugh.
of the Kansas City Film Board of
Trade, was injured seriously.
Indianeapolis
SAFE blowers broke into the
manager's office at Rivoli thea-
tre, neighborhood house, and stole a
safe containing $500. Sheriff Omer
Hawkins believed a truck was used
to transport the safe to the road-
side where it was found.
Manager Roy E. Harrold of the
Princess, Rushville, Ind., has in-
stalled a new Wurlitzer unit pipe
organ.
Granada Theatre at Virginia
Ave. and Fountaine Square, had ca-
pacity crowds at opening perform-
ances Sunday. The theatre is the
latest addition to the U. I. Chain
Theatres, Inc. The south side house
and the Rivoli, east side, are under
management of W. W. Grist, Jr.
Manager Mort Harris has
formed a dancing class to select a
dancing ensemble at the Palace.
The ballet will replace Chester
Hale girls who will return to New
York as soon as the new troupe
is ready.
Articles of incorporation for the
Newcastle Amusement Company,
which will lease the new Capitol
theatre, have been filed with Secre-
tary of State. Harry Muller, Harry
Goldberg, Joseph Cosco, Randall I.
Van Winkle and Chas. L. McDor-
man are incorporators.
The Apollo theatre had splendid
opening week with Yitaphone and
Movie tone. The house has been
remodeled.
The Circle opened last week un-
der Skouras-Publix management
with stage band policy. Eddie
Pardo is master of ceremonies.
Miss Marjorie Alton is directing a
chorus of local girls.
Margaret Powers is new Ohio
organist. Billie Spangler is an ad-
dition to Connie's band at the Ohio.
The Hoosier Theatre Company
is planning a neighborhood house
at West Michigan St. and Holmes
Ave. The proposed theatre seating
1800 is expected to be begun in
June. Completion is planned this
fall.
A legal battle on "Sunday mov-
ies" is in prospect at Bedford, Ind.
A. J. Arnold, manager of the Von-
ritz, is under arrest on charge of
breaking the Sabbath. Released on
$100 bond.
E. B. Thornton is leading the
fight to close on Sundays. Both
sides have retained counsel. Dan-
ville town board recently sanc-
tioned Sunday shows, following
which Thomas Barnett opened the
Royal on Sunday.
The new Fountain Square thea-
tre, Shelbv and Prospect Sts., cost-
ing $850,000, is expected to be
opened soon. Louis B. Golden is
president of the new house with
1800 capacity.
William M. Swain, 70, pioneer
motion picture man here, died Sat-
urday. Burial was in Crown Hill.
He was a native of Cincinnati and
came here thirty-eight years ago.
He was one of the first to operate
neighborhood houses.
Anderson is to have a new 2,000
capacity house. Keith interests will
occupy the theatre.
The old Wabash theatre at Attica
has been renamed the Orpheum.
The house will be remodeled.
Jeffersonville witnessed formal
opening of the Le Rose theatre
April 19. The Switow Theatre
Company built the new house.
Philadelphia
EDMUND J. BAMBERGER,
personnel manager of the
Stanley Company of America, died
in University Hospital, Philadel-
phia, on April 24th. Mr. Bam-
berger was a member of a promi-
nent Philadelphia family and had
been connected with the Stanley
Company for a number of years.
He had been ill only a short time
and his death came as a shock to
his family and friends.
Percy A. Bloch, Philadelphia
branch manager for Paramount
Pictures Corporation, has returned
to his duties after two weeks' spent
at his home in New Orleans. Mr.
Bloch, accompanied by Mrs. Bloch,
made the trip to New Orleans by
boat and returned by rail.
B. F. Keith's Chestnut Street
theatre, which has been following
a policy of popular priced vaude-
ville, closed on April 28th for an
indefinite period. The Keith-Al-
bee executives are considering re-
opening the house very soon with
a super picture policy at popular
prices. The possibility of stock
and comic opera has also been
taken under consideration but it is
believed that the picture policy will
be adopted in a short time. Joseph
C. Dougherty will remain at the
bouse during the summer months
as manager.
With work on the new Mastbaum
theatre at 20th and Market streets
making steady progress and plans
for the new Fox theatre, at 17th
ami Market streets Hearing com-
pletion, the third large house for
(
the showing of motion pictures is
now getting under way. This is the
Boyd, which is being erected on
the site of the former Aldine Ho-
tel at 19th and Chestnut streets,
and will be managed by Al Boyd,
a former executive of the Stanley
Company. The Boyd will seat 2,-
500 persons and will be an up-to-
date house devoted to first-run
films and stage presentations. It
will probably' be ready for opening
before the end of the year.
M a v
1 9 2 8
1505
piiiiiiiiiiiiiiiiiiiiiiiii^^
FEATURE RELEASE CHART
Productions are Listed Alphabetically and by Months in which Releised in order that the Exhibitor may
hare o short-cui toward such information as he may need, as well as information on pictures that are coming
(S. R. indicates Slate Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
Jan. 7
Mar 6
. May 2i
May IS
Sept. 30
Sept 23
5605 feet. Nov. 11
SEPTEMBER
Feature Players Distributed by Length Reviewed
Ao«ie Laurie L. Gish-N. Kerry ...M-G-M 8730feet May fl'
Back to God's Country . . R Adoree-R Frazer .Universal 5751 feet July SI
Barbed Wire P. Negri-C. Brook- E.
Hanson .... Paramount 6961 feet
Big Parade, The Gilbert-Adoree-Dane. M-G-M 11619 feet Nov 28. '25
Blackjack B. Jones-B. Bennett. . Fox 4777 feet . . Mar. 3
Border Cavalier, The Fred Humes Universal 4427 feet
Born to Battle Bill Cody Pathe 4876 feet
Boy of the Streets J. Walker-M. Ben-
nett-B. Francisco .Rayart (S. R.) 6069 feet
By Whose Hand? R. Cortez-E. Gilbert . Columbia 6432 feet
Camilla N. Talmadpe-A. B.
Francis-G.Roland First National 8692 feet
Cancelled Debt, The R. Lease-C. Stevens . Sterling Pict (S.R.). .0200 feet.
Cat and the Canary, The. . L. La Plante-F. Stan-
ley-C. H a 1 e - T.
Marshall-! i. Astor Universal 7790 feet
Chang (Jungle Film) . Special Cast Paramount 6636 feet.
Clancy's Kosher Wedding G. Sidney-M. Gordon-
S Lynn-R. Leas»-
W. Armstrong FBO 6701 feet .
Cruise of the Helion, The E. Murphy-D. Keith-
T. Santschi Rayart (S. R.) 6089 feet . Sept. 30
Drop Kick, The R. Barthelmess - D.
Revier-B. Kent First National 6819 feet
first Auto, The B Oldfield-P. R. Mil-
ler-R. Simpson .... Warner Bros 6767 f eet . . July 8
Flying U Ranch. The Tyler-N. Lane F. B. 0 4924 feet
Foreign Devils T. McCoy-C.Windsor M-G-M 4658 feet
Gay Retreat, The G. Cameron-S. Cohen-
T. McNamara Fox 5624 feet . . Sept. 23
Girl From Gar Paree, The . Sherman-Bedford-
McGregor-Blythe. . Tiffany-Stah] 6233 feet
Girl From Rio, The Carmel Myers Lumas 6990 feet
Honor First (Re-issue). ...J. Gilbert-R. Adoree.Fox 4851 feet
In a Moment of Temptation C. Stevens-C. Keefe-
K. Guard-G. With-
ers F. B. O
lale of Forgotten Women. .Tearle-Sebastian-A.
Calhoun-G. Gow-
land Columbia 6646 feet
laws of Steel Rin-Tin-Tin-H. Fer-
guson-J. Robards . Warner Bros 6669 "eet
Joy Girl, The O. Borden-N. Hamil-
ton-M. Dressier . . . Fox 6162 feet
Life of Riley, The C. Murray-G. Sidney-
S. Hardy-J. Marlowe. First National 6712 feet
Lone Eagle, The R. Keane-B. Kent . . . Universal . . 5862 feet
Love* of Carmen Del Rio-McLaglen-D.
Alvarado Fox 8538 feet
Mojave Kid, The B..Steele-L. Gilmore . F. B. O 4924 feet
Nevada G. Cooper-T. Todd. Paramount 6258 feet
Old San Francisco D. CostePo-C. E. Mack-
W Oland Warner Bros 7961 feet
One Round Hogan M Blue-J. J. Jeffries-
L. Hyams Warner Bros 6376 feet . . Oct. 7
One Woman to Another . . . F. Vidor-Von Eltx Paramount 4561 feet Sept. 30
Ont All Night R. Denny-M. Ni*on. Universal 6170 feet. .Oct. 7
Out of the Past R. Frazer-M. Harris. .Peerless Pict. (S. R.).6701 feet
Painted Ponies H. Gibson-E. Claire .Universal 6415 feet
Prince of the Plains Tex Maynard .. Rayart (S. R.) 4134 feet
Racing Romeo, The "Red" Grange- J. Ral-
ston-T. Friganza. . . F. B. 0 6992 feet. . Dec
Ragtime J. Bowers- M. de la
Motte First Division (S. R.) . 6700 feet
Red Raiders, The K. Maynard-A. Drew.First National 6214 feet.
Road to Romance, The . . . . R. Novarro-M. Day-
R. D. D'Arcy M-G-M 6644 feet
Sailor's Sweetheart, A L. Fazenda-C. Cook. Warner Bros 6686 feet.
Sally in Our Alley S. Mason-A. B. Fran-
cis-R. Arlen Columbia 5892 feet
Slightly Used M McAvoy-C. Nagel-
R. Agnew Warner Bros 6412 feet . . Sept. 30
Smile. Brother, Smile J. Mulhall-D. Mac-
'-aill First National 6669 feet . . Sept 9
Soda Water Cowboy, The. . Wally Wales Pathe 4646 feet . . Nov. 4
Stark Love Special Cast Paramount 6203 feet . . Mar. 1 1 '27
Swim, Girl, Swim B. Daniels-G. Ederle-
J. Hall Paramount 6124 feet. Sept 16
Tell It to Sweeney Conklin-Bancroft-
Hill-Luden Paramount 6006 f eet .
Three Miles Dp Al Wilson-E. Clair. ..Universal 4136 feet.
Two Girls Wanted J. Gaynor-G. Tryon..Fox 6293 feet.
We're All Gamblers Meighan-M. Millner .Paramount 5935 feet.
Jan. 21
Sept. 30
Sept. 23
Sept. 16
Oct.
Aug.
Oct.
July 8
Aug.
. Sept.
Dec.
Jan.
Oct.
16
Oct. 28
lune 10
Oct. 7
OCTOBER
Feature Players Distributed by Length Reviewed
American Beauty B. Dove-L. Hughes-
V. L. Corbin First National 6333 f eet. . Oct 21
Angel oi Broadway. The . . L. Joy-V. Varconi Pathe-De Mille 6566 feet. Dec. 16
Ben Hoi — Novarro-McAvoy-
Bronson-F. X Bush
man-C Myers. . . M-G-M 11693 feet Jan. 16, '26
Blondes By Choice Claire Windsor Lumas 6987 feet
Body and Soul A. PTingle-L. Barry-
more-N. Kerry .... M-G-M 6902 f eet . . Nov. 25
Boy Rider, The Buzz Barton F. B. O 4868 feet . . Sept. SO
Breakfast at Sunrise C. Talmadge-D. Al-
varado First National 6042 feet. Dec. 16
Broadway Madness M. de la Motte- D.
Keith Excellent Pict. (S.R.) 6945 feet. Oct. 14
Feature
Cheating Cheaters. .
Cherokee Kid, The .
Chinese Parrot, The .
College Hero, The .
College Widow, The.
Combat
Crystal Cup, The
East Side, West Side
Fair Co-ed, The
Figures Don't Lie .
Finnegan's Ball . . .
Gentleman of Paris, A A
Aug. 26 Gingham Girl, The.
Girl in the Pullman, The.
Gun-Hand Garrison
Harp in Hock, A
Highschool Hero
In Old Kentucky
Jake the Plumber. . . .
Jazz Singer, The (Vita-
phone)
Players Distributed by
. B. Compson-K. Har-
lan Universal
. T. Tyler-S. Lynn . . . . F. B. O
. M. Nixon-H Bos-
worth-E. Burns. . .Universal
R. Agnew-P. Garon-
R. Lease-B. Turpin Columbia
D. Costello-Collier, Jr. Warner Bros
,G. Walsh-G. Hulette-
C. Adams Pathe
D. Mackaill-J. Mul-
hall First National
G. OBrien-V. Valli-
F. McDonald Fox
. M. Davies-J. M.
Brown M-G-M
. E. Ralston-R. Arlen Paramount
B. MehafJey-Landis-
C. McHugh-M.
Swain First Division ( S. R.)
Menjou-S. O'Hara-
A. Marchall Paramount
L. Wilson-G. K. Ar-
thur F. B. O
M. Prevost-H. Ford . Pathe-De Mille ....
Tex Maynard Rayart (S. R.)
Schildkraut-Coghlan-
M.Robson-B. Love. Pathe-De Mille
S. Phipos-N. Stuart. Fox
J. Murray-H. Co3tjllo M-G-M
J. DeVorska-S. Lynn F. B. O
Length Reviewed
6623 feet
4837 feel
Dec. II
Mar. S
7304 feet . Jan. 7
Dec. »
Oct. It
6628 feet
6616 feet
. 6100 feet
6386 feet
8154 feet
6408 feet
5280 feet
Nov. 11
Nov. II
Nov. 4
. Nov. 4
Mar. S
6200 feet . . Dec. I
6927 feet. Oct. If
6301 feet July t*
6990 feet. Nov. 18
4879 feet
6990 feet Dec 16
6498 feet Nov. 11
6646 feet
6186 feet Nov. 4
Jesse James
Les Miserables
Light in the Window, A.
Magic Flame, The
My Best Girl
No Place to Go
Now We're in the Air.
Obligin' Buckaroo, The . .
Once and Forever
Pajamas
Pretty Clothes
Publicity Madness
Ranger of the North
Ride 'Em High
Ridin' Luck
Rose of the Golden West.
Rough Riders, The
Sailor Izzy Murphy .
Seventh Heaven
Shanghai Bound .
Shanghaied
Shootin' Irons . . .
Silk Stockings . . .
Silver Valley.
Spring Fever .
Straight Shootin'
Tigress, The. . . .
Underworld
Way of All Flesh. The .
Wheel of Destiny, The.
Wine (re-issue)
Wise Wife, The
Wolf's Trail
Woman on Trial, The
Women's Wares
Wreck of the Hesperus, The
Feature
Al Jolson-W. Oland-
McAvoy Warner Bros 7423 feet
F. Thomson-N. Lane Paramount 8666 feet.
Special Cast Universal 7713 feet .
Walthall-P. Avery-C.
Keefe Rayart (S. R.) 5960 feet .
Colman-Banky United Artists 8300 feet .
M.Pickford C Rogers United Artists 7850 feet.
M. Astor-L. Hughes First National 6431 feet
W. Beery-R. Hatton-
L. Brooks Paramount 6798 feet.
Buffalo Bill, Jr Pathe 4576 feet.
P.R.Miller-J.Harroo Tiffany-Stahl 6639 feet
O. Borden-L. Gray . . . Fox 6876 feet
J. Ralston-J. Walker-
G. Astor Sterling Pict. IS. R.) 6652 feet
E. Lowe-L. Moran. . Fox 5893 feet
Ranger (Dog) F. B. 0 4977 feet
Buddy Roosevelt .... Pathe 4542 f eet .
Tex Maynard Rayart (S. R.)
G. Roland-M. Astor. . First National 6477 feet .
F. Hopper-N. Beery-
Bancroft-M. Astor-
Mack-Farrell Paramount 9443 feet .
O. Jessel-A. Ferris. . .Warner Bros 6020 feet .
J. Gaynor-C. Farrell-
D. Butler-G. Brock
well Fox 8500 feet
R. Dix-M. Brian Paramount 6615 feet
P. R. MiUer-R. Ince-
G. Astor F. B. O 6999 feet
J. Luden-S. Blane . . . Paramount 6179 feet .
L. La. Plante-O. Har-
lan-J. Harron Universal 6166 feet.
T. Mix-D. Dwan Fox 6011 feet
Wm. Haines-J. Craw-
ford-G. K. Arthur . M-G-M 6705 feet
Ted Wells Universal 4251 feet.
J. Holt- D. Revier . . . Columbia 6367 feet
C. Brook-E. Brent-G.
Bancrof t-F. Kohlr. . Paramount 7643 feet .
E. Jannings-B. Ben-
nett-P. Haver-D.
Keith Paramount 8486 feet .
F. Stanley-G. Hale. Rayart (S. R.) 6869 feet
Clara Bow Universal 7 reels . . .
P. Haver-T. Moore-
J. Logan Pathe-De Mille 6610 feet.
Dynamite (Dog)-E.
Cobb-D. Lamont. .Universal 4167 feet.
Negri-E. Hanson . . Paramount 6960 feet.
Brent-Lytell-L. Kent Tiffany-Stahl 6614 feet.
A. Hale-V. Bradford-
S. de Grasse Pathe-De Mille 6447 feet
Oct. II
Oct. 28
Nov. 11
Sept 80
D»c. »
Mar. 17
Dec. 21
Nov. 11
Dec. 2
Nov. 4
Feb. 11
Nov. 11
Oct. T
April I
Oct M
June 10
Dec. t
Aug. M
Aug. 26
Oct 14
Oct. 18
Aug. 19
Mar. 17
Sept •
July ■
Dec. 16
Oct. 14
Nov. 18
Mar. 31
NOVEMBER
Players Distributed by
Arizona Wildcat, The T. Mix-D. Sebastian Fox
Back to Liberty G. Walsh-D. Hall-E.
Breese Excellent Pict (S.R.)
Bandit's Son, The B. Steele-A. Sheridan F B O
Becky S. O'Neil-O. Moore-
G. Olmstead .... M-G-M
Blood Will Tell B. Jones-K. Perry. . .Fox
Bowery Cinderella, a. ..P. O'Malley-G. Hu-
lette Excellent Pict (S.R.)
Broadway After Midnight. P Bonner-C. Landis-
G Hughes-B. Ten-
ant Krelbar Pict. tS. R.).
Cheer Leader, The R. Graves-Olmstead Lumas
Length
4665 feet.
5980 feet
4789 feet
6433 feet.
4556 feet
Reviewed
Mar. 24
.6900 feet
6199 feet
6000 feet
Mar. 3
Nov. II
. Nov. 4
.Mar. 10
1506
Motion Picture News:
Length Reviewed
.Mar. 3
Sept. 23
Aug. 13
Nov. 11
Nov. 11
Nov. 11
.Dec. 16
Jan. 21
'. Sept. 16
Feature Players Distributed by
t ) Gone Wild, The T. Meighan-L. Brooks-
M. Millner-F. Koh-
ler Paramount 0408 f eet .
College B. Keaton-A. Corn-
wall-G. Withers.. .United Artists 6362 feet
Death Valley C. Nye-R. Rae-R.
Wells First Division (S. R.) . 5880 feet .
Discord G. Ekman-L. Dago-
ver Pathe 8586 feet.
Dog of the Regiment, A. . .Rin-Tin-Tin Warner Bros 5003 feet.
Dress Parade W. Boyd-B. Love .... Pathe-De Mille 6699 feet .
Forbidden Woman, The. . .J. Goudal-V. Varconi-
J. Schildkraut Pathe-De Mille 6568 feet.
Portune Hunter, The S. Chaplin-C. Hor-
ton-H. Costello.. . .Warner Bros 6638 feet.
Galloping Fury H. Gibson-S. Rand. .Universal 5503 feet
Garden of Allah, The A. Terry-I. Petro? ich .M-G 8200 feet .
Ginsberg the Great G. Jessel-A. Ferris . . . Warner Bros 5390 feet.
Girl From Chicago, The. . .C. Nagel-M. Loy Warner Bros 5978 feet. .Dec. 31
Gold From Weepah Bill Cody Pathe 4968 feet . . Dec. 23
Good-Time Charley W. Oland-H. Costello Warner Bros 6302 feet. .Nov. 26
Gorilla, The C. Murray-F. Kelsey-
T. Marshall-A.Day. First National 7133 feet. .Dec. 2
Gun Gospel K. Maynard-V. B.
Faire First National 6288 feet. .Mar. 10
Harvester The N. Kingston-O. Cald-
well F. B. O 7045 feet . . Nov. 25
Heroes in Blue J. Bowers-S. Rand . . . Rayart (S. R.) 5000 feet
His Foreign Wife W. McDonald-E.
Murphy-G. von Rue Pathe 4890 feet. .Feb. 11
Home Made Johnny Hines First National 6524 feet
Hoof Marks Jack Donovan Pathe 4076 feet. Dec. 23
Hook and Ladder, No. 9.. .D. Ellis-E. Hearne-
C. Keefe F. B. O 6240 feet. Dec. 16
Judgment of the Hills V. Valli-F. Darro-O.
Caldwell F. B. 0 6481 feet.
Ladies Must Dress V. Valli-L. Gray Fox 6599 feet.
Last Waltz, The (Ufa Film) .W. Fritsch-S. Vernon. Paramount 6940 feet.
Lure of the South Seas, The First Division (S.R.). .6700 feet .
Main Event, The V. Reynolds-R. Schild-
kraut-C Delany Pathe-De Mille 6472 feet.
Man Crazy Mulhall-Mackaill First National 6542 feet.
Man, Woman and Sin J. Gilbert- J. Eagles-
G. Brockwell M-G-M 6280 feet .
Right Life A, Day-J. Harron Tiffany-Stahl 6235 feet.
One Glorious Scrap Fred Humes Universal 4172 feet.
On the Stroke of Twelve. . .E .Torrence-J. Mar-
I owe-D. O'Shea . . . Rayart (S. R.) 6970 feet .
On Your Toes R Denny-B. Worth . . Universal 6918 feet .
Opening Night, The C. Windsor-J.Bowers.Columbia 6524 feet .
Open Range L. Chandler-B. Bron-
son-F. Kohler Paramount 5599 feet.
Quality Street M. Davies-C. Nagel-
H. J. Eddy M-G-M 7193 feet.
Reno Divorce, A M. McAvoy Warner Bros 6492 feet .
Roarin' Broncs Buffalo Bill, Jr Pathe 4376 feet.
Shame (Re-issue) John Gilbert Fox 6467 feet.
She's a Sheik B. Daniels-R. Arlen
W. Powell Paramount 6015 feet.
Skyhigh Saunders A. Wilson-E. Tarron. Universal 4393 feet.
Small Bachelor, The Beranger-O. Harlan-
B. Kent-C. Ger-
aghty Universal 6218 feet .
Spotlight, The E. Ralston- N. Ham-
ilton Paramount 4934 feet
Stage Kisses K. Harlan-H. Chad-
wick- J. Patrick Columbia 6436 feet.
Thirteenth Hour, The Bonaparte (Dog)- J.
Gadsdon-L. Barry-
more M-G-M 5262 feet .
Thirteenth Juror, The F. X. Bushman-Nils-
son Universal 6698 feet.
Turkish Delight R. Schildkraut-J. Faye-
K. Thomson Pathe-De Mille 6397 feet.
Two Arabian Knights W. Boyd-M. Astor-
L. Wolheim-I. Keith. United Artists 7850 feet.
Very Confidential M. Bellamy Fox 6620 feet.
Wanderer of the West, A . Tex Maynard Rayart (S. R.)
Warning, The J. Holt-D. Revier Columbia 5791 feet. .Jan. 7
Web of Fate Lillian Rich Peerless Pict. (S. R.) .6800 feet
Wild Beauty Rex (Horsei-J. Mar-
lowe-H.Allen Universal 6192 feet
Wild Geese B. Bennett-A. Stew-
art-D. Keith-J. Ro-
bards-E. Southern . Tiff any-Stahl 6448 feet
Wolf Fangs Thunder (Dog)-C.
Morton-C. Lincoln Fox 6331 feet . . Dec. 16
Aug. 19
Dec. 23
Dec. 30
Nov. 11
Dec. 30
Dec. 2
.Jan. 14
. Mar. 17
. Mar. 10
.Nov. 18
. Nov. 4
.Dec. 30
Dec. 9
Dec. 9
Nov. 4
Dec. 16
Feature
Aflame in the Sky
Aftermath (European film)
Alice in Wonderland
Almost Human
Brass Knuckles .
Buttons
Come to My House .
Desert Dust
Desert of the L~st. .
Desert Pirate, The .
Devil's Twin, The. .
Dove, The
Fangs of Destiny
Fashion Madness
Flying Luck
Gay Defender, The
Get Your Man
Golden Clown, The
Grandma's Boy (re-issue).
Ham and Eggs at the Front
Haunted Ship, The .
Hero for a Night, A .
Her Wild Oat
Honeymoon Hate . .
Husbands for R»nt
DECEMBER
Players Distributed by Length Reviewed
. S. Lynn-J. Luden . . . .F. B. 0 6034 feet. . Nov. 11
.Special Cast Collwyn Pict. (S.R.) . .6800 feet . . Mar. 3
Special Cast Pathe 6 reels
V. Reynolds-K. Thom-
son Pathe-De Mille 6596 feet. .Mar. 24
. M. Blue-B. Bronson. . Warner Bros 6330 f eet . . Dec. 23
. Coogan-L. Hanson-G.
Olmsted M-G-M 6060 feet. .Mar. 31
.O. Borden-A. Moreno Fox 5430 feet
, Ted Wells Universal 4349 feet
W. Wales-P. Mont-
gomery Pathe 4933 feet. .Dec. 30
.T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4764 feet
Leo Maloney Pathe 5478 feet
N. Talmadge-G. Ro-
land-N. Beery United Artists 8400 f eet . . Jan. 7
.Dynamite (Dog)-E.
Cobb Universal 4296 feet
. C. Windsor-R. Howes Columbia 5613 feet. . Mar. 31
Monty Banks Pathe 6403 feet. .Nov. 18
R. Dix-T. Todd Paramount 6376 feet. .Dec. 31
. C. Bow-C. Rogers . . . Paramount 6889 feet
G. Ekman-K. Bell . . . Pathe 7913 feet . . Mar. 24
H. Lloyd-M. Davis. .Pathe-De Mille 4750 feet
. Fazenda-H. Conklin-
T. Wilson Warner Bros 6613 feet
D. Sebastian-M. Love-
R. Hallor-Santschi.Tiffany-Stahl 4763 feet. . Feb. 4
G. Tryon-P. R. Miller.Universal 6711 feet. . Dec. 2
C. Moore-L. Kent-G.
Lee-H. Cooley First National 6118 feet. .Feb. 11
F. Vidor-T. Carmen-
ati Paramount 6416 feet. .Feb. 11
H. Costello-O. Moore Warner Bros 5200 feet. . Tan. 7
Feature Players Distributed by Length Reviewed
If I Were Single M. McAvoy-C. Nagel. Warner Bros 6320 feet. . Dec. 91
Irresistible Lover, The . . . . N. Kerry-L. Moran. . . Universal 6958 feet. Sept. 16
Land of the Lawless J. Padian-P. Mont-
gomery-T. SantschiPathe 4131 feet. .Dec 30
Law and the Man, The... .G.Brockwell-Santschi-
. R.Ellis Rayart (S.R.) 5916 feet. Mar. 24
Legionnaires in Paris Al Cooke-Kit Guard-
L. Lorraine F. B. 0 5771 feet
Little Mickey Grogan F. Darro-J. Ralston-
„ C.Nye F. B. 0 6515 feet. . Mar. S
London After Midnight .... L. Chaney-C. Nagel-
M. Day-Walthall . . M-G-M 6687 feet. . Dec 23
Lovelorn, The S. O'Neill-L. Kent-
M. O'Day M-G-M 6950 feet. Dec. SO
Love Mart, The B. Dove-G. Roland-
N. Beery First National 7388 feet
Man'e Past, A C. Veidt-I. Keith-G.
Siegmann-B. Bed-
ford Universal 6135 feet . . Sept 16
My Friend From India F. Pangborn-E. Faire Pathe-De Mille 6750 feet. .Mar. 31
Outcast Souls P.Bonner-C.Delaney. Sterling Pict. (S.R.) ..6210 feet
Polly of the Movies G. Short-J. Robards.First Division (S. R.) . .6900 feet
Rush Hour, The M. Prevost-H. Ford. .Pathe-De Mille 6880 feet Mar. 10
San Francisco Nights M. Busch-P. Mar-
mont Lumas 7000 feet. .Dec 31
Serenade A. Menjou-K. Carver-
L. Basquette Paramount 6209 feet. .Dec 81
Silk Legs M. Bellamy-J. Hall . .Fox 5446 feet
Silver Slave, The I. Rich- A. Ferris-H.
Herbert Warner Bros 6124 feet . . Dec. 9
Siren, The D. Revier-T. Moore-
N. Trevor Columbia 5996 feet
Slingshot Kid, The "Buzz" Barton J.
Morgan-F. Rice. . .F. B. 0 4486 feet
Sorrel] and Son H. B. Warner-Nils-
son-M. McBain-A.
Joyce United Artists 9150 feet. .Nov. 26
South Sea Love P. R. Miller-L. Shum-
way-A. Brooks F. B. 0 6388 feet. Feb. IS
Spoilers of the West T. McCoy-M. Daw-
W. Fairbanks M-G-M 4784 feet. . Mar. 24
Streets of Shanghai P. Starke-K. Harlan-
J. Robards Tiffany-Stahl 5276 feet. . Mar. 3
Swift Shadow, The Ranger (Dog) F. B. 0 4892 feet. .Dec 23
Tea ior Three L. Cody-A. Pringle-O.
Moore-D.Sebastian .M-G-M 6273 feet. .Nov. 11
Temptations of a Shopgirl. B. Compson-Garon-
A. Kaliz First Division (S. R.) . 5604 feet
Texas Steer, A W. Rogers-L. Fa-
zenda-A. Rork First National 7419 feet. .Nov. 18
Two Flaming Youths C. Conklin-W. C.
Fields-M. Brian . . . Paramount 6319 feet . . Jan. T
Valley of the Giants M. Sills-D. Kenyon.. First National 6336 feet
Wild Born Tex Maynard Rayart (S. R.)
Wilful Youth K. Harlan-E. Murphy. Peerless Pict. (S.R.) . 5644 feet
Wizard, The L. Hyams-E. Lowe-
G. Katsonaros-von
Seyff ertitz Fox 5629 feet
JANUARY
Feature Players Distributed by Length Reviewed
Air Patrol, The Al Wilson Universal 4259 feet
Alias the Deacon J. Hersholt-J. Mar-
lowe-R. Graves. . .Universal 6869 feet. .Oct. SI
Baby Mine G.K.Arthur-K.Dane. M-G-M 6139 feet. Jan. 14
Ballyhoo Buster, The Buffalo Bill, Jr Pathe 4806 feet. .Dec SO
Beau Sabreur E. Brent-G. Cooper-
W. Powell-N. Beery Paramount 6636 feet. . Jan. 38
Beware of Married Men . . .1. Rich-R. Tucker-S.
Holmes-M. Loy. . .Warner Bros 6421 feet. .Jan. IS
Boss of Rustlers Roost, The. D. Coleman-E. Gil-
bert Pathe 4833 feet . . Jan. 14
Branded Sombrero, The.. B. Jones-L. Hyams. Fox Films 6612 feet. .Jan. 14
Burning Up Broadway H. Costello-R. Frazer Sterling Pict. (S. R.) .6200 feet
Call of the Heart Dynamite (Dog)-E.
Cobb- J. Alden .... Universal 6261 feet
Casey Jones R. Lewis-J. Robards-
A. Sheridan Rayart (S. R.) 6673 feet
Circus, The C. Chaplin-M. Ken-
nedy United Artists 6700 feet . . Jan. 14
Cohens and the Kellys in
Paris, The G. Sidney-J. F. Mc-
Donald-V. Gordon-
K. Price-S. Carrol-
C. Delany Universal 7481 feet. .Feb. 18
Comrades H.Costello-G.Hughes-
D. Keith First Division (S. R.).5970 feet . . Mar. 1&
Coney Island L. Wilson-L. Mendez.F. B. 0 6390 feet. .Feb. 26
Cowboy Cavalier, The B. Roosevelt O. Has-
brouck Pathe 4526 f eet . . Jan. SS
Dare Devil's Reward T. Mix-N. Joyce Fox 4987 feet. .Jan. SI
Dead Man's Curve Fairbanks, Jr.-S.
Blane F. B. 0 6511 feet . . Dec. SC
Desperate Courage W. Wales-O. Has-
brouck Pathe 4398 feet . . Jan. SI
Divine Woman, The D. Garbo-L. Hanson-
L. Sherman M-G-M 7300 feet. .Jan. SI
Driftin' Sands Bob Steele F. B. O 4770 feet
Fearless Rider F. Humes-B. Worth. .Universal 4173 feet
Four Flusher, The G. Lewis-M. Nixon . . Universal 6193 feet . . Jan. 28
French Dressing H. B. Warner-L. Wil-
son First National 6344 feet
Gateway of the Moon, The . Del Rio-Fenton-W.
Pidgeon Fox 5038 f eet . . Jan. 14.
Gentlemen Prefer Blondes .A. White-F. Sterling-
R. Taylor-Conklin-
Friganza-Swain . . .Paramount 6871 feet. .Jan. 21
Girl in Every Port, A V. McLaglen-M. Casa-
iuana-M. Loy-N.
Joyce-R. Armstrong.Fox 5882 feet. . Mar. S
Heart of Broadway, The ... P. Garon-R. Agnew. . Rayart (S. R.) 5853 feet
Laddie Be Good B. Cody-R. Blossom . Pathe 4166 feet. .Dec 84
Lady Raffles E. Taylor-R. Drew-L.
Tashman Columbia 5471 feet
Last Command, The E. Jannings-E. Brent-
W. Powell Paramount 8234 feet . . Jan. SS
Let 'Er Go. Gallegher J. Coghlan-H. Ford-
E. Fair Pathe-De Mille 6888 feet. Ian. S8
Leopard Lady, The J. Logan-A. Hale Pathe-De Mille 6660 feet. .Mar. 10»
Love G. Garbo- J. Gilbert. . M-G-M 7366 feet . . Dec 14
Love and Learn E. Ralston-L. Chand-
ler-H. Hopper Paramount 6737 feet. .Feb. S4
Merry Wives of New York. . P. Garon First Division (S.R.)
Noose, The R. Barthelmess-L.
B quette-A. Joyce.First National 7331 feet. .Jan.'
May 5 , 19 28
1507
Jan. 21
Ian. 14
Mar. 10
Dec. 23
Feb. 11
Feature Players Distributed by Length Reviewed
On to Reno M. Prevost-C. LandisPathe-De Mille 6 reels
Peaks of Destiny, The
(Ufa film) E. Peterson-L. Riet-
enstahl-L. Trenker Paramount 6682 leet.
Perfect Gentleman, A M. Banks-R. Dwyer. .Pathe 5626 feet.
Pioneer Scout, The F. Thomson-N. Lane Paramount 6118 feet.
Private Life of Helen of Troy,
The M. Corda-L. Stone-R.
Cortez First National 7694 feet.
Race For Life, A Rin - Tin - Tin - V. B.
Faire-C. Nye Warner Bros 4777 feet.
Rawhide Kid, The H. Gibson-G. Hale Universal 6382 feet
Sadie Thompson G. Swanson-L. Barry-
more-R. Walsh... United Artists 8700 feet. Feb. 11
Sailors' Wives Astor-Hughcs First National 6485 feet. . Mar. 10
Satan and the Woman C. Windsor-C. Keef*- Excellent Pict. (S. R.)6400 feet. Mar. 10
Sharpshooters G. O'Brien-L. Moiau Fox 6673 feet. Jan. 28
Shepherd of the Hills, The. A. B. Francis-M.
OM)av-J. Roles First National 8188 feet. Feb. 26
Striving for Fortune G. Wakh-B. Roberts .Excellent Pict. (S.R.).5337 feet
Student Prince, The (In
Heidelberg) R. Novai ro-Shearer-
J. Hersholt M-G-M 9666 feet . Oct. T
That Certain Thing V. Dana-R. Graves . . Columbia 6047 feet . Mar. 10
Tragedy of Youth, The Collier, Jr.-P. R. Mil-
ler-W. Baxter . . . Tiffany-Stahl 6361 feet . . Mar. 31
West Point W. Haines-J. Craw-
ford M-G-M 8134 feet. Jan. 7
What Price Beauty? N. Naldi-P Gendron-
V. Pearson Pathe 6 reels .... Jan. 28
Wickedness Preferred L. Cody-A. Pringle. .. M-G-M 6011 feet
Wife Savers W. Beery-R. Hatton-
Z. Pitts Paramount 5413 feet . . Jan. 21
Wife's Relations, The S. Mason-G. Glass-B.
Turpin-A. Kaliz . . . Columbia 6508 feet
Wizard of the Saddle B. Barton-D. Thomp-
son F. B. 0 4806 feet... Dec. 30
Woman Against the World,
A G. Olmstead-H. Ford-
G. Hale-S. Rand. .Tiffany-Stahl 6283 feet
Woman Wise W. Russell- J. Collyer-
W. Pidgeon Fox 6060 f eet . .Mar. 10
FEBRUARY
Feature Players Distributed by Length Reviewed
Across the Atlantic M. Blue-E. Murphy. .Warner Bros
AJice Through the Looking
Glass Special Cast Pathe
Apache Raider, The L. Maloney-E. Gil-
bert-D. Coleman. Pathe
Bare Knees V. L. Corbin-D. Keith-
J. Winton-J. Walker Lumas
Battles of Coronel and Falk-
land Islands (English
film) Special Cast— Artlee Pict. (S. R.) . . .
Blonde for a Night, A M. Prevost-H. Ford. Pathe-De Mille
Bronc Stomper, The D. Coleman-E. Gilbert Pathe
Chaser, The H. Langdon-G. Mc-
Connell First National . .
Clean Up Man, The T. Wells-P. O'Day. .. Universal
Crashing Through J. Padjans-S. Rand-
T. Santschi Pathe
Devil Dancer, The G. Gray-C. Brook United Artists .
Devil's Skipper, The B. Bennett-M. Love-
McAUister-C. Lan-
dis Tiffany-Stahl..
Doomsday F. Vidor-G. Cooper. .Paramount. . . .
Douglas Fairbanks as the
Gaucho D. Fairbanks-E. South-
ern-L. Valez United Artists . ,
Enemy, The L. Gish-R. Forbes . . . M-G-M
Fangs of the Wild Ranger (Dog)-S. Nel-
son-D. Kitchen F. B. O
Finders Keepers La Plante-Harron . . .Universal
Feel My Pulse B. Daniels-R. Arlen-
W. Powell Paramount. . . .
Pleetwing B. Norton-D. Janis. . . Fox
Flying Romeos C. Murray-G. Sidney. First National . .
Her Summer Hero D.Thompson-H.Tre-
vor-S. Blane-J.
Pierce F. B. O 6146 feet . . Dec. 3o
Latest From Paris, The N. Shearer-G. Sidney-
R. Forbes M-G-M 7743 feet. . Mar. 3
Little Snob, The M. McAvoy-R. Frazer-
A. B. Francis Warner Bros
Midnight Rose L. de Putti-K Harlan Universal 6689 feet . . Mar. 10
Nameless Men C. Windsor-A. Mor-
eno Tiffany-Stahl 6708 feet. April 14
Napoleon (French Film). . .Special Cast M-G-M
Night Flyer, The W. Boyd- J. Ralston. . Pathe-De Mille 6964 feet
Painted Trail, The Buddy Roosevelt Rayart (S. R.) 4671 feet
Passion Island Special Cast Pathe-De Mille 7 reels
Phantom Flyer, The Al Wilson Universal 4253 feet
Port of Missing Girls, The. B. Bedford-M. Mc-
Gregor Brenda Pict. Corp. . .7270 feet. .Mar. 3
Riding Renegade, The Bob Steele F. B. O
Rose-Marie J. Crawford- J. Mur-
ray-H. Peters M-G-M
Secret Hour, The P. Negri-Hersholt-K.
Thomson Paramount. . .
Shield of Honor, The R. Lewis-D. Gulliver-
N. Hamilton Universal
Show Down, The Bancroft - Brent - N.
Hamilton Paramount. . .
Smart Set, The W. Haines-A. Day-J.
Holt-H. Bosworth . M-G-M
Soft Living M. Bellamy-J. Mack
Brown Fox
So This Is Love V. Dana-W. Collier,
Jr.-J. Walker Columbia
Sporting Goods R. Dix-G. Olmstead. . Paramount
Stand and Deliver La Rocque-L. Valez-
W. Oland Pathe-De Mille
Stronger Will, The P. Marmont-E. La
Bissioniere-R. Ca-
rewe Excellent Pict. (S.R.)
That's My Daddy R. Denny-B. Kent-J.
La Verne Universal
Under the Tonto Rim R. Arlen-M. Brian-J.
Linden ..Paramount
Valley of Hunted Men Buffalo Bill, Jr.-K.
Collins Pathe
Wagon Show, The Ken Maynard First National
Wall Flowers H. Trevor-J. Arthur-
L. Todd F. B. O 6339 fee:
6 reels
6765 feet. Feb. 18
5800 eet. Jan. 28
8400 feet. Mar. 24
6 reels
6408 feet. Mar. 3
5744 feet. April 21
4232 feet
4480 feet. Feb. 11
6765 feet. Dec. 30
6510 feet
6665 feet . April 7
9266 feet. Dec. 2
8189 feet. Dec. 31
4578 feet. Jan. 14
6081 feet. Mar. 17
6889 feet. .Mar. 3
6184 feet April 14
7745 feet.
Feb.
IS
7194 feet.
. Mar.
17
6172 feet
Dec.
30
7616 feet.
. Mar.
10
6476 feet.
. Mar.
10
5629 feet.
. Mar.
3
5611 feet
6961 feet. Feb. 18
6423 feet. .April 7
6600 feet
6073 feet
6991 feet
4520 feet. Mar. 3
Feature Players Distributed by Length Reviewed
Wedding March, The (road
show) von Stroheim-F.
Wray Paramount 12 reels
When the Law Rides T. Tyler-F. Darro . . . . F. B. O
Whip Woman, The E. Taylor-A. Moreno-
L. Sherman First National 6087 feet. Mar. 24
Woman's Way, A M. Livingston-W. Bax-
ter Columbia
You Can't Beat the Law L. Lee-C. Keefe Rayart (S. R.) 6260 feet
MARCH
Feature Players Distributed by Length Reviewed
Adventure Mad (Ufa film).E. Barclay-N. Asther-
L. Hall-Davis Paramount 6897 feet
Bachelor's Paradise S.O'Neill-R. Graves. Tiffany-Stahl 6147 feet
Beyond London's Lights ... L. Shumway-G. El-
liott-J.Gadsden H.
Evans- A. Dore F. B. 0 6573 feet . . Feb. IS
Big City, The L. Chaney-M. Day-B.
Compson-J. Murray. M-G-M 6838 feet. . Mar. 31
Blue Danube, The L. Joy-R. LaRocque-
J. Schildkraut Pathe-De Mille 7 reels
Bringing Up Father F. Macdonald-G. Olm-
sted-P. Moran .... M-G-M 6344 feet
Brunettes Preferred First Division (S. R.) . 6651 feet
Buck Privates de Putti-McGregor-Z.
Pitts Universal 6914 feet . . Feb. 4
Bullet Mark, The J. Donovan-M. Gray-
G. McConnell Pathe 4550 feet . . Mar. 31
Burning Daylight M. Sills-D. Kenyon. . First National 6600 feet
Chicago P. Haver-V. Varconi. Pathe-De Mille 9992 feet. Dec. SO
Chicago After Midnight. .. .J. Mendez-R. Ince-
Seiter F. B. 0 6249 feet . . Mar. IT
Circus Rookies K. Dane-G. K. Arthur M-G-M
Crowd, The J. Murray-E. Board-
man-B. Roach M-G-M 8548 feet . . Feb. 14
Desert Bride, The B. Compson-A. For-
rest-O. Mattieson . Columbia 6425 feet
Domestic Troubles L. Fazenda-C. Cook-
B. Blythe-A. Ran-
kin Warner Bros
Dressed to Kill E. Lowe-M. Astor-C.
Morton-B. Bard . Fox 6666 feet . . Mar. 17
Faithless Lover, The G. Hulette-E. O'Brien Krelbar Pict. (S.R.) . 6600 feet. Mar. S
Forbidden Hours R.Novarro-R.Adoree M-G-M
Four Footed Ranger, The . .Dynamite (Dog) Universal 4426 feet
Freckles J. Fox, Jr.-G. Stratton-
H. Bosworth F. B. 0 6131 feet. Jan. 28
Garden of Eden, The C. Griffith-C. Ray-L.
Sherman United Artists 7300 feet Jan. 14
Golden Shackles Priscilla Bonner Peerless Pict. (S. R.) 66CO feet
Heart of a Follies Girl, The. B. Dove-L. Kent- L.
Sherman-M Harris First National 6957 feet. Mar. 17
Horseman of the Plains. . .T. Mix-S. Blane Fox 4397 feet. Mar. 24
Legion of the Condemned,
The G. Cooper-F. Wray-L.
Chandler-F. Mc-
Donald-B. Norton . Paramount 7416 feet . Mar. 24
Little Buckaroo, The Buzz Barton F. B. O
Love Me and the World Is
Mine Philbin-Kerry Universal 6813 feet. Feb. 11
Mad Hour, The S. O'Neil-L. Kent-L.
Sherman-A. White. National 6625 feet. April 21
Marlie the Killer Klondyke (Dog)-Bush-
man, Jr.-B. Mehaf-
fey Pathe 4600 feet . Mar.
Masked Angel, The B. Compson-W. Oak-
man First Division (S.R.). .5700 feet. . Mar. 24
Matinee Idol, The J. Walker-B. Love-
A. Forrest Columbia
Midnight Madness J. Logan-C. Brook.. Pathe-De Mille 5659 feet
My Home Town G. Rockwell-G. Glass Rayart (S. R.)
Old Ironsides E. Ralston-C. Farrell-
W. Beery-G. Ban-
croft Paramount 7910 feet Dec. 18, '24
Partners in Crime W. Beery-R. Hatton-
W. Powell-M. Brian Paramount
Patsy, The M. Davies-O. Cald-
well-L. Gray M-G-M 7289 feet
Phantom of the Turf, The. .H. Costello-R. Lease Rayart (S. R.)
Powder My Back I Rich-A. Ferris-A.
Beranger-C. Nye . . Warner Bros -
Put 'Em Up Fred Humes Universal 4200 feet
Ramona D. Del Rio-W. Baxter-
R. Drew-V. Lewis. . United Artists 8200 feet . . Feb. 4
Red Hair C. Bow-W. Austin-L.
Chandler Paramount 6331 feet . Mar. SI
Red Signals W. McDonald-E. No-
vak-E. Williams . . . Sterling Pict. (S.R.) . . 6032 feet
Saddle Mates W. Wales-P. Mont-
gomery Pathe 4620 feet. . Mar. IT
Something Always Happens E. Ralston-N. Hamil-
ton Paramount
Souls Aflame G. James-G. Lard-R.
Wells First Division (S. R.)
Square Crooks R. Armstrong-J M.
Brown-D. Dwan-D.
Appleby Fox 6397 feet Mar. SI
Stop That Man A. Lake-B. Kent-E.
Gribbon Universal 6389 feet
Surrender M. Philbin-I. Mos-
kine Universal 8249 feet. . Mar. 10
Tempest J. Barrymore-C. Horn
-Wolheim United Artists (aboutl 9000 feet . .
Their Hour D. Sebastian- J. Har-
ron-J. Marlowe. . . Tiffany-SUhl 5662 feet
Tracy the Outlaw Jack Hoey New-Cal (S. R.) 6000 feet . . Mar. SI
Trick of Hearts, A H. Gibson-G. Hale. .Universal 6496 feet
Turn Back the Hours M. Loy-W. Pidgeon-
S. Hardy Lumas ' 6500 f eet . . Mar. IT
Under the Black Eagle Flash (Dog)-M. Day-
R. Forbes M-G-M 5901 feet
Why Sailors Go Wrong S. Cohen-T. McNam-
ara-S. Phipps Fox 6112 feet. April 14
Women Who Dare H. Chadwick-C. Dela-
ney Excellent Pict. (S.R.)
Wyoming T. McCoy-W. Fair-
banks-D. Sebastian. M-G-M
APRIL
Feature
Players
Distributed by
Length Reviewed
Across From Singapore ... . R. Navarro-J. Craw-
ford-E. Torrence . . M-G-M-
1508
Motion Picture News
Length Reviewed
Feature Players Distributed by
Actress, The N. Shearer-R. Forbes-
G. Lee-O. Moore-
D'Arcy M-G-M
Adorable Cheat, The L. Lee-C. Keefe Chesterfield (S. R.)..5400 feet April 21
After the Storm H. Bosworth-E. Gil-
bert-C. Delaney . . . Columbia
Avenging Shadow, The.. . Klondike (Dog)-R. Hal-
lor-M. Morris Pathe 4293 feet. .Mar. 31
Bell o Avenue A First Division (S. R.).. .
Bit of Heaven, A B. Washburn-L. Lee Excellent Pict. (S.R.)
Breed of the Sunsets R. Steele-N. Drexel .F. B. O
Broadway Daddies J. Logan-R. Lease-A.
B. Francis Columbia 6400 feet
Canyon of Adventure K. Maynard-V. B.
Faire First National 5800 feet
Chinatown Charlie J. Hines-L. Lorraine. .First National 6365 feet
Chorus Kid, The V. B. Faire-B. Wash-
burn-H. Hopper . . . Lumas 6200 feet. . April 14
Circus Rookies K. Dane-G. K. Arthur
L. Lorraine M-G-M
Cossacks, The J. Gilbert-R. Adoree-
E. Torrence-M. Al-
den M-G-M
Crimson City, The M. Loy-L. Hyams-R.
Tucker- J. Miljan . . Warner Bros 5388 feet. .April 21
Czar Ivan the Terrible Special Cast Amkino (S. R.) 8500 feet. Mar. 24
Danger Patrol, The W.Russell-V.B. Faire .Rayart (S. R.)
Devil's Trade Mark, The. .B. Bennett-W. V.
Mong-M. Douglas .F. B O
Drums of Love E. Taylor-D. Alvar-
ado-M. Philbin-L.
Barrymore United Artists 9500 feet . . Jan. 28
Fagasa (South Seas Isle
film) L. Kelly-G. Kelton-
Mr. & Mrs. R. Wells . First Division (S. R.)
Five and Ten Cent Annie.. L. Fazenda-C. Cook-
G.Astor-W. Dema-
rest Warner Bros
Girl He Did'nt Buy, The. . . P. Garon-A. Simpson Peerless (S. R.) 6600 feet
Good Morning Judge R. Denny-M. Nolan-
D. Gulliver Universal 5645 feet
Gypsy of the North H. Gordon-G. Hale . Rayart (S. R.)
Harold Teen A. Lake-M. Brian-W.
Bakewell-J. Duffy First National
House of Scandal, The. . . .D. Sebastian-P.
O'Malley Tiffany-Stan!
Ladies' Night in a Turkish
Bath Mackaill-Mulhall .... First National 6592 feet . . April
Last Moment, The O. Matieson-G. Hale-
L. La Verne Zakoro (S. R.) 5800 feet . . Mar. 31
Laugh Clown, Laugh Chaney-L. Young-N.
Asther M-G-M
Law of Fear, The Ranger (Dog)-P. R.
Miller-C. Byer F. B. 0 4769 feet. Mar. 10
Law's Lash, The Klondike fDog)-R.El-
lis-M. Maberry. . .Pathe 4902 feet. .Mar. IE
Lilac Time C. Moore-G. Cooper. First National Mar. 24
Little Shepherd of Kingdom
Come Barthelmess-G. James-
O'Day-Seyffertitz . First National 7700 feet
Little Yellow House, The. .O. Caldwell-M. Sleep-
er F. B. 0 6403 feet . . April 21
Love Hungry L. Moore-L. Gray. . .Fox 6792 feet. April 21
Night of Mystery, A A. Menjou-N. Lane-
Collier, Jr.-E. BrentParamount 5741 feet. .April 21
Phantom of the Range, The.T. Tyler-D. Thomp-
son-F. Darro F. B. 0 4781 feet. .Feb. 11
Pinto Kid, The B. Barton-H. Trevor-
G. Lee F-B-O 4884 f eet . . Jan. 7
Red Riders of Canada, The P. R. Miller-C. Byer. . F. B. O 6419 feet Dec. 23
Riders of the Dark T. McCoy-D. Dwan. . M-G-M
Scarlet Dove, The J. Borio-R. Frazer-L.
Sherman M. Liv-
ingston Tiff any-Stahl
Skyscraper, The S. Carroll- W. Boyd-
A. Hale-A. VaughnPathe-De Mille 7040 feet. .April 14
Speedy H. Lloyd-A. Christy-
B. Ruth-B. Wood-
ruff Paramount 7960 feet. April 14
Steamboat Bill, Jr Keaton-E. Torrence. .United Artists (about) 6800 feet . .
Street of Sin, The E. Jannings-F. Wray . Paramount
Thanks For the Buggy Ride.L. La Plante .-G.
Tryon Universal 6197 feet . . Feb. 4
Thirteen Washington Square A. Joyce-J. Hersholt-
Z. Pitts Universal 6274 feet . . Feb. 4
Three-Ring Marriage M. Astor-L. Hughes. . First National
Thunder Riders, The Ted Wells Universal 4363 feet
Two Lovers R. Colman-V. Banky . United Artists (about) 7500 f eet . .
Won in the Clouds Al Wilson Universal 4348 feet
Feature
AJex the Great .
Arizona Cyclone, The ....
Clothes Make the Woman
Length Reviewed
.5872 feet . Mar. 24
.4076 feet
Crooks Can't Win . .
Hawk's Nest, The. .
Hell Ship Bronson. .
Hold 'Em Yale
Hot Heels
Hound of Silver Creek, The
It's All Greek to Me
Lady Be Good
Ladies of the Night Club.
Man in the Rough, The . .
Marry the Girl
Million for Love, A .
Pay As You Enter . .
Rinty of the Desert.
Skinner's Big Idea . .
United States Smith.
Vamping Venus
MAY
Players Distributed by
, "Skeets" Gallagher-
R. Dwyer F. B. O
Fred Humes Universal
,E. Southern-W. Pid-
geon Tiffany-Stahl
R. Lewis-T. Hill-S.
Nelson F. B. O
. M. Sills-D. Kenyon-
A. Stone-M. Love. . First National
.Mrs. W. Reid- R.
Howes-H. Foster-N.
Beery Lumas
. R. La Rocque-J. Loff-
H. Allan Pathe-De Mille
G. Tryon-P. R. Miller Universal
Dynamite (Dog) Universal 4095 feet
C. Murray-L. Fazen
da-T. Todd First National
D. Mackaill-J. Mul-
hall First National
B. Leonard-R. Cortez.Tiffany-Stahl
B. Steele-M. King . . . F-B-O
B. Bedford-R. Ellis-
D. W. Jennings . . . Sterling Pict. (S. R.). .6300 feet. . Mar. 10
R. Howes-J. Dunn . . . Sterling Pict. (S.R.)
C. Cooke- L. Fazanda Warner Bros
Rin-Tin-Tin-A. Fer-
ris-C. Nye Warner Bros
B. Washburn-M.
Sleeper-H. Trevor. F. B. 0 6967 feet. .Mar. 17
Special Cast Lumas 7000 feet
C. Murray-Fazenda-
T. Todd First National
Feature Players Distributed by Length Reviewed
Walking Back S. Carroll-R. Walling Pathe-De Mille 6 reels
We Americans G. Sidney P. R. Mil-
ler-G. Lewis Universal 9151 feet. .April 7
Wild West Show, The H. Gibson Universal 5254 feet
Yellow Lily, The B. Dove-C. Brook-
Seyferrtitz First National
JUNE
Feature Players Distributed by Lengtn Reviewed
Dog Justice Ranger (Dog)-E.
Hearn-N. Marfan. .F. B. O
Green Grass Widows W. Hagen-G. Olm-
stead-J. Harron-H.
Hopper Tiffany-Stahl
Lingerie Tiffany-Stahl
Loves of Ricardo George Beban F. B. 0 7477 feet Sept.4'26
Man Higher Up, The Lumas
Roulette R. Barthelmess-M. Liv-
ingston-W. Oland-
L. Basquette First National
Stormy Waters E. Southern-M. Mc-
Gregor Tiffany-Stahl
Texas Tornado, The Tom Tyler F. B. O
Upland Rider, The K. Maynard-M. Doug-
las First National
JULY
Feature Players Distributed by
Albany Night Boat, The Tiffany-Stahl
Count of Ten, The C. Ray-J. Gleason . . . Universal
Fighting Redhead, The Buzz Barton F. B. O
Flyin' Cowboy, A H. Gibson-O. Has-
brouck Universal
Grain of Dust, A Tiffany-Stahl . . .
Head of the Family, The Lumas
Kelly's Kids Charlie Murray First National... .
Prowlers of the Sea R. Cortez-C. Myers Tiffany-Stahl. .. .
Trail of Courage, The R. Steele-M. Bonner.F-B-O
Length Reviewed
AUGUST
Feature Players Distributed by
Bantam Cowboy, Tue Buzz Barton F. B. O
Barker, The M. Sills-B. Compson First National...
Beautiful But Dumb Tiffany-Stahl. . .
Domestic Relations Tiffany-Stahl
Oh Kay Colleen Moore First National...
Thru the Breakers Lumas
Length Reviewed
Coming Attractions
Feature
Players
Distributed by
Length Reviewed
Abie's Irish Rose F. McDonald-J. Hers-
holt-N. Carroll-C.
Rogers Paramount 12103 feet
Abie of the U. S. A George Jessel Lumas
Adventurer, The T. McCoy-D. Sebas-
tian-C. Delany M-G-M 3709 feet
Adventures in Pygmy Land .Jungle Film W. W. Hodkinson . . . 6800 f eet . . Mar. 24
*ge of Sex, The First Division <S. R.)
Anne Against the World . . . Edith Roberts Rayart (S. R.)
Baby Cyclone, The L. Cody-A. Pringle. . . M-G-M
Battle of the Sexes, The. ..B. Bennett-J. Hers-
holt-P. Haver-S.
O'Neill United Artists
Battling Buckaroo, The . . . . T. Tyler-E. Clair . . . . F. B. O
Beauty Doctor, The Adolphe Menjou. . . .Paramount
Beggars of Life W. Beery-R. Arlen-L.
Brooks Paramount
Bellamy Trial, The L. Joy-B. Bronson-K.
Thomson-A. Page. .M-G-M
Beward of Blondes Columbia
Big Bow Mystery, The. . . .1. Rich-C. Brook F. B. O
Big Game Hunt, Too W. Beery-R. Hatton. .Paramount
Big Killing, The Beery-Hatton Paramount
Big Sneeze ,The W. Beery-F. Sterling-
Z. Pitts Paramount
Big Top, The M-G-M
Billionaire, The Al St. John-J. Robards Rayart (S. R.)
Black Ace, The D. Coleman- J. Loff. .Pathe
Black Pearl, The Gladys Brockwell.. . .Rayart (S. R.)
Blossom Time ( Movietone) .J. Gaynor-C. Farrell. . Fox
Body Punch, The J. Dougherty-V. B.
Faire Universal
Boss of Little Arcady, The. C. Murray-D. Reed-
D. Dawson-L. Young .First National
Branded Man, The C. Delaney-J. Mar-
lowe-E. La Bisso-
niere Rayart (S. R.)
Bride of the Colorado J. Boles-D. Blossom. .Pathe
Brides Will Be Brides. . . .Laura La Plante Universal
Bright Aisle, The Lumas
Broken Hearts Hercules Film Prod. (S. R.)
Brotherly Love (tentative) . . K. Dane-G. K. Arthur-
M. Day M-G-M
Bum, The (tentative) Percy Marmont First Division (S.R.)
Burning Winds H. Gibson-V. B. Faire Universal
Bushranger, The T. McCoy-M. Doug-
las M-G-M
Butter and Egg Man, The . . J. Mulhall-M. O'Day-
G. Astor First National
Certain Young Man, A. . . . Novarro-Adoree-W.
Marshall-G. Astor. M-G-M
Children of the Sun (South
Seas film) Special Cast Universal
Chinatown Lon Chaney M-G-M
City of Shadows, The J. Luden-S. Lynn F. B. O
Clearing the Trail H. Gibson-D. Gulliver Universal
Clown, The (Vitaphone) . . . Al Jolson Warner Bros
Cock-Eyed World, The V. McLaglen-E. Lowe Fox
Code of the Scarlet, The.. .K. Maynard-G. Mc-
Connell First National
May 5 , 19 2 S
1509
Feature Players Distributed by Length Reviewed
Cohens and the Kcllys in
Atlantic City, The Universal
Companionate Marriage First Division (S. R.)
Cop, The W. Boyd-J. Logan- A.
Hale-R. Armstrong Pathe-De Mille
Craig's Wife Pathe-De Mille
Creole Love First Division (S. R.)
Crimson Hour, The L. de Putti-I. Moskine-
N. de Brulier Universal .
Dance Fever (Ufa film) Brill, Inc
Danger Rider, The H. Gibson-E. Gilbert Universal
Danger Street F. B. O
Deadline, The Flash (Dog)-L. Lor-
raine-L. Gray M-G-M
Detectives K. Dane-G. K. Arthur-
M. Day M-G-M
Devil's Cage, The P. Garon-D. Keith. . . First Division (S.R.)
Devil's Chaplain, The Cornelius Keefe Rayart (S. R.)
Diamond Handcuffs C. Nagel-E. Board-
man-L. Gray-D.
Sebastian-S. Hardy M-G-M
Divine Lady, The C. Grifiith-V. Varconi-
M. Dressier First National
Dolorosa Tiffany-Stahl
Don't Marry L. Moran-N. Hamil-
ton Fox
Doubling for Trouble H. Gibson-E. Gilbert.Universal
Grip of the Yukon, The Bushmab, Jr.-N. Ham-
ilton-!. Marlowe. . Universal
Down Our Way V. Valli-F. Darro-O.
Caldwell F. B. O
Dragnet, The G. Bancroft-E. Brent-
W. Powell Paramount
Dreaded Bandit, The (for-
eign film) L. Albertine-E. Iina-
jeff Cinema Attractions. .6000 feet
Eagle's Talons, The Tom Tyler F. B. O
Easy Come, Easy Go R. Dix-N. Carroll .... Paramount
Easy Money Lon Chaney M-G-M
Empty Saddle, The Fred Humes Universal
Escape, The V. Valli-W. Russell. .Fox
Excess Baggage Wm. Haines M-G-M
Fallen Angels N. Kerry-P. Starke-
K. Harlan Universal
Fangs of Fury Sandow (Dog) .... Pathe
Fangs of Justice Silverstreak (Dog)-J.
Walker- J Marlowe.Bischoff Prod. (S.R.) 5000 feet
Faiil C.FarrelG Nissen-
M. Busch Fox
Fedora P. Negri-N. Kerry-L.
Grant-O. Mattiesen Paramount
Fifty-Fifty Girl, The B. Daniels-J. Hall-W.
Austin Paramount
First Kiss, The F. Wray-G. Cooper. . Paramount
Fools for Luck W. C. Fields-C. Conk-
lin-S. Blane-J. Lu-
den Paramount
Fools in the Fog M. McAvoy-C. Nagel. Warner Bros
Foreign Legion, The N. Kerry-J. Marlowe-
M. Nolan Universal
Pour Devils, The F. Macdonald-M Dun-
can-C. Morton-N.
Drexel-J. Gaynor. . Fox
Four Sons J. Hall-M. Mann-
Bushman, Jr.-C.
Morton-E. Foxe-J.
Collyer Fox 9412 feet. Feb. 18
Four Walls J. Gilbert-J. Crawford M-G-M
Freedom of the Press L. Stone-M. Day-D.
Keith Universal
Free Lips First Division (S. R.)
George Washington, Jr . . . . George Jessel Tiffany-Stahl
Girl Downstairs. The L. Moran-G. O'Brien. Fox
Girl on the Barge, The May Philbin Universal
Give and Take G. Sidney-S. Lynn-G.
Lewis-J. Hersholt . Universal
Glorifying the American
Girl Ruth Elder Paramount
Glorious Betsy (Vita-
phone) D. Costello-C. Nagel Warner Bros
Godless Girl, The L. Basquette-G. Dur-
yea - Prevost - N.
Beery Pathe-De Mille
Golf Widows V. Reynolds-H. Ford-
S. Rand Columbia
Gun Shy (tentative) Beery-Hatton-M.
Brian-G. James. . Paramount
Gypsy Love (tentative) Lumas
Half a Bride E. Ralston-R. Arlen . Paramount
Hangman's House V. McLaglen-J. Col-
lyer-L.Kent-E.Foxe Fox
Has Anybody Here Seen
Kelly? T. Moore-B. Love. . . . Universal
Heart to Heart C. Moore-E. Lowe.. .First National
Hello, Cheyennel T. Mix-C. Lincoln. . Fox
HeU's Angels B. Lyon- J. Hall-G.
Nissen United Artists (about) 7 reels ....
He Learned About Women. W. Haines-E. Percy-
A.Page-Sojin M-G-M
Her Cardboard Lover M. Davies-W. HainesM-G-M
Hit Country R. Schildkraut-M.
Dressier Pathe-De Mille
His Third Master Henry B. Walthall . . . Rayart (S. R.)
His Tiger Lady A. Menjou-E. Brent . Paramount
Hit of the Show, The Joe Brown-G. Astor. F. B. O
Home, James L. La Plante-C. De-
laney Universal
Honor Bound G. O'Brien-E. Taylor-
L. Hyams-Santschi Fox
Hot News B. Daniels Universal
Hyprocrite, The (Ufa film) Brill, Inc
rilTell the World Colleen Moore First National
Innocent, The Vilma Banky United Artists
Isle of Lost Men, The Tom Santschi Rayart (S. R.)
It Might Happen to Any Girl Sterling Pict. (S.R.)
Jazz Mad J. Hersholt-Nixon-G.
Lewis Universal
Jealousy (Ufa film) Brill, Inc
King of Kings, The Special Cast Pathe-De Mille 13800 feet . Apiil 1»
Kit Carson Fred Thomson Paramount
Ladies Must Love Rod La Kocque Pathe-De Mille
Ladies of Leisure Tiffany-Stahl
Ladies of the Mob C. Bow-R. Arlen-M.
Alden Paramount
Ladies Prefer Bonds (ten-
tative) C. Nagel-M. McAvoy Warner Bros
Feature Players Distributed by Length Reviewed
Land of the Silver Fox, The
(tentative) Rin-Tin-Tin-L. Hyams-
C. Nye-Santschi. . . Warner Bros
La Plava L. Valey-W. Boyd. . United Artists
Last Cab, The Rudolph Schildkraut Pathe-De Mille
Last Warning, The Laura La Plante ... . Universal
Law of the Range, The .... McCoy-Crawford-R.
Lease M-G-M
i'e's Crossroads G. Hulette-M. Ham-
ilton ... Excellent Pict. (S.R.)
Lion and the Mouse, The*
(Vitaphone) M. McAvoy-I . Barry-
more-A. B. Frances-
Collier, Jr Warner Bros
Little Wild Girl, The L. Lee-C. Landis-F.
Merrill Hercules Film Prod. (S R.)
Lonesome G. Tryon-B. Kent. . .Universal
Madamoisellr From Atmen-
tieres (English Film) .. E. Brody- 1. Stuart M-G-M
Magnificent Flirt, The F. Vidor-L. Young-A.
Conti-M. Milner. . .Paramount
Man From Headquarters,
The Cornelius Keefe Rayart (S.R.)
Man-Made Woman L. Joy-J. Boles-H. B.
Warner Pathe-De Mille
Man Who Laughs. The C. Veidt-M. Philbin Universal
Man — Woman and Wife . . N. Kerry-P. Starke-
K. Harlan-M. Nixon Universal
Marriage of Tomorrow
(tentative) Tiffany-Stahl
Mask of the Devil John Gilbert M-G-M
Masked Stranger, The (ten-
tative) Tim McCoy M-G-M
Meet the Prince Glenn Tryon Universal
Meet the Prince J. Robards-A. St. John Rayart (S. R.)
Michigan Kid, The C. Nagel-R. Adoree . Universal
Midnight Taxi, The A. Moreno Warner Bros
Miracle Girl, The Betty Compson First Division (S. R.)
Modern Du Barry, The (Ufa
film) Maria Corda Brill, Inc 7000 feet
Modern Mothers H. Chadwick-Fairbanks,
Jr.-B. Kent Columbia
Mother Machree B. Bennett-V. McLag-
len-N Hamilton-E.
Clayton Fox 6863 feet Mar. IT
Mr. Romeo F. Sterling-N. Carroll-
G. Meeker Fox
Naughty Duchess, The Tiffahy-Stahl
Navy Blues Arthur Lake Universal
News Parade, The N. Stuart-S. Phipps . Fox
Noah's Ark (Vitaphone) . . . D. Costello-G. O'Brien-
N. Beery-L. Fazen-
da Warner Brow
None But the Brave Lionel Barrymore Fox
No Questions Asked A. Ferris-Collier, Jr.-
Livingston Warner Bros
Odd Fellows Fields-Conklin Paramount
Once There was a Princess . Mary Astor First National
One Way Street, The (ten-
tative) M. Loy-C. Nagel-W.
Russell Warner Bros
Our Dancing Daughters. . .J. Crawford-J. M.
Brown-D. Sebas-
tian-N. Asther-A.
Page M-G-M
Out of the Night C. Palmer-F. Stanley-
A. Ayres Rayart (S. R.)
Painted Post, The T. Mix-N. Kingston. Fox
Patent Leather Kid, The
(roadshow). R Bartbelmess-M.
O'Day First National 11412 feet. . Aug. 2*
Patriot, The E. Jannings-L. Stone-
F. Vidor-N. Hamil-
ton Paramount
Pay As You Enter L. Fazenda-C. Cook. . Warner Bros
Perfect Crime, The C. Brook-I. Rich-G.
McConnell C. Nye F. B. O
Perfumed Trap, The C. Brook-M. Brian-
W. Powell Paramount
Phantom Buster, The .... Buddy Roosevelt .... Pathe
Phyllis of the Follies M. Nixon-C. Rogers . Universal
Pigskin D. Rollens-S. Carrol . Fox
Plastered in Paris S. Cohen-J. Pennick-
M. Batelini Fox
Play Girl, The M. Bellamy-J. M.
Brown Fox
Play Goes On C. Vedt-M. Nolan . . Universal
Port of Missing Children,
The Sierra Pictures (S. R.)
Primanerliebe (German film) Special Cast Scenic Films 6800 feet. .Mar. S*
Quick Lunch Fields-Conklin-M.
Alden-S. Blane-J.
Luden Paramount
Racket, The T. Meighan-M. Pre-
vost Paramount
Ransom L. Wilson-E. Burns-
W. V. Mong Columbia
Red Dancer of Moscow,
The D. Del Rio-C. Farrell-
D. Revier Fox
Red Lips M. Nixon-C. Rogers Universal
Ked Mark, The G. von Seyffertitz-N.
Quartaro Pathe-De Mille
River Woman, The Alma Rubens Lumas
Robert Flaherty's Southern
Skies M. Blue-R. Torres . M-G-M
Romeo and Juliet N. Kerry-M. Philbin Universal
Saddle and Spurs "Buzz" Barton-L.
Eason F. B. O
Sally of the Scandals B. Love-A. Forrest.. . F. B. O
Sally of the South Seas Hercules Film Prod. (S. R.)
Sawdust Paradise, The ... E. Ralston-R. Howes-
H. Bosworth-M.
Alden Paramount
Shadows of the Night Hercules Film Prod. (S. R.)
Shanghai Rose Mac Busch Rayart (S. R.)
Shooting Stars (English
film) Artlee Pict. (S.R.)
Show Boat . .Universal
Show World M. Davies-W. HainesM-G-M
Side Show, The Fields-Conklin-Bnan. Paramount
Silks and Saddles M. Nixon-R. Walling-
M. Nolan Universal
Simba Jungle Film Martin Johnson Afri-
an Expedition Corp. 8000 feet. Feb. A
Sin Town H. Allen-E. Fair Pathe-De Mille
1510
Motion Picture News
Feature Players Distributed by Length Reviewed
Sisters of Eve Mae Busch Rayart (S. R.)
Some Mother's Boy Mary Carr Rayart (S. R.)
Sport Girl, The M. Bellamy-J. M.
Brown Fox
Sporting Age, The B. Bennett-C. Nye-H.
Herbert Columbia ,
State Street Sadie C. Nagel-M. Loy-W.
Russell Warner Bros
Stocks and Blondes J. Logan-"Skeets"
Gallagher-G. AstorF. B. O
Street Angel, The J. Gaynor-C. Farrell. . Fox 9221 feet
Streets of Algers (Ufa film) . Camilla Horn Brill, Inc
Sunrise Gaynor-G. O'Brien-
Livingston. Fox 8729 feet. .Oct. U
Sun of St. Moritz, The J. Gilbert-G. Garbo.. M-G-M
Sunset Legion, The F. Thomson-E. Mur-
phy Paramount
Survival of Slim, The W. Wales-P. Mont-
gomery Pathe 6053 f eet . . .
Tartuffe, the Hyprocrite. . .Emil Jannings Brill, Inc ft. Aug. 5, '27
Telling the World Wm. Haines M-G-M
Tenderloin (Vitaphone) D. Costello-C. Nagel . Warner Bros 7782 feet
Tenth Avenue P. Haver-V. Varconi-
R. Schildkraut Pathe-De Mille
Thief in the Dark, The G. Meeker-D. Hill-G.
Lee Fox
Three Sinners P. Negri-W. Baxter . .Paramount
Thrill Seeker, The R. Cliff ord-T. Fulton. . Superlative Pict. (S.R.) .4900 feet-
Tide of Empire R. Adoree-J. Murray. M-G-M
Tillie's Punctured Romance. C. Conklin-W. C.
Fields-Fazenda M.
Swain-D.Hill . . Paramount 5733 feet
Toiler, The D. Fairbanks, Jr.-J.
Ralston Tiffany-Stahl
Trail of '98 K Dane-P Starke-R
Forbes-Del Rio. .. . M-G-M 11,100 feet. .Mar. 24
Two Brothers (Ufa film) Brill, Inc
Two Sisters, The Rayart (S. R.)
Uncensored Woman, The Lumas
Uncle Tom's Cabin Special Cast Universal Nov. 18
Undressed Sterling Pict. (S.R.)
Valley Beyond the Law, TheD. Coleman- J Loff . . . Pathe
Vanishing Pioneer, The J. Holt-S. Blane Paramount
/lennese Lovers Philbin-Hersholt-R
Keane Universal
War in the Dark, The Greta Garbo M-G-M
Warming Up R. Dix-J. Arthur Paramount
Watch My Speed R. Denny-B. Worth . .Universal
Way of the Strong Anita Stewart Columbia
Western Suffragettes H. Gibson-G. Hale . . Universal
What Holds Men Leatrice Joy Pathe-De Mille
When Danger Calls W. Fairbanks-E. Sedg-
wick Lumas 6000 feet
When Dreams Come True .Lila Lee Rayart (S. R.)
When Fleet Meets Fleet
(British Film) H. Stuart-B. Goetzke-
N. Asther Hi-Mark (S. R.) 7953 feet
Whip, The D. Mackaill-L. Sher-
man-A. 0- Nilsson-
R. Forbes First National
Wind, The L. Gish-L. Hanson. . . M-G-M
Wings (road show) C. Bow-B. Rogers. . .Paramount 12 reels. . . .Aug. 26
Woman Between, The Lumas
Woman Disputed, The. . . .N. Talmadge-G. Ro-
land-G. von Seyf-
f ertitz United Artists
Women They Talk About. ..I. Rich-A. Ferris-W.
Collier, Jr Warner Bros
Yellow Contraband L. Maloney-G. Goatz Pathe
ou'U Never Get Rich First Division (S. R.)
Comedies and Short Subjects
Title Star
Felix the Cat in Ohm Sweet
Ohm "Sullivan Cartoon" Feb. 19.
Felix the Cat in Polly-tics.. ."Sullivan Cartoon" Mar. 18.
Felix the Cat in Sure-Lock
Holmes "Sullivan Cartoon" April 15.
Felix the Cat in the Oily Bird."Sullivan Cartoon" Feb. 5.
Felix the Cat in the Smoke
Screen "Sullivan Cartoon" Jan. 8 .
Feline Frolics — The Tonquin
Valley Bruce Outdoor Sketch Mar. 25.
Fighting Orphans, The —
Evening Mist Bruce Outdoor Sketch
Green-Eyed Love Ruby McCoy-George Hall Apr. 8 .
High Strung Jerry Drew Jan. 29.
Hints on Hunting — A Day
By the Sea Bruce Outdoor Sketch April 22.
His Maiden Voyage George Davis Feb. 26.
How to Please the Public .. .Hodge Podge Mar. 11.
Indiscrete Pete Jerry Drew Mar. 11.
Kitchen Talent George Davis April 15.
Landlord Blues Curiosities May 27.
Listen Sister Lupino Lane Mar. 25.
Love's Springtime (Color
Film) H. Hampton-J. Catalaine Feb. 12.
Mother Birds Curiosities Mar. 4 .
Mysterious Night, A Monty Collins Feb. 12 .
Navy Beans "Big Boy" May 27.
Never Too Late Wallace Lupino May 6.
New York's Sweetheart. . . .Curiosities Jan. 1.
Nicknames Hodge-Podge April 8.
No Fare "Big Boy" April 8 .
Off Balance Monty Collins April 22.
Peculiar Pair of Pups, A —
Nobody Home Bruce Outdoor Sketch May 20.
Penny Postals Curiosities April 1 .
Pretty Baby Monty Collins Feb. 26 .
Racing Mad Al St. John Jan. 8.
Recollections of a Rover .... Hodge-Podge Jan. 8 .
Rubbernecking Curiosities Feb. 5 .
Running Ragged Lewis Sargent Jan. 29 .
Say Ah-h Charley Bowers Feb. 19 .
Simple Sap, A Larry Semon Feb. 12 .
Slippery Head Johnny Arthur April 29.
Some Scout Lupino Lane Nov. 6 .
Spring Has Came Monty Collins Mar. 25 .
Star Shots Hodge-Podge Feb. 5 .
Sword Points Lupino Lane Feb. 12 .
There It is Charley Bowers Jan. 1.
Thoughts While Fishing-
Silver Shadows Bruce Outdoor Sketch
Three Tough Onions Monty Collins May 20.
Visitors Welcome Johnny Arthur Mar. 4 .
Wandering Toy, The Hodge-Podge May 6 .
wedding Slips Monty Collins Jan. 15.
Whoozit Charley Bowers April 1 .
Wildcat Valley Johnny Arthur Jan. 22 .
Wild Wool— Night Clouds . . "nice Outdoor Sketch
You'll Be Sorry Charley Bowers May 20.
Rel. Date Length Reviewed
. 1 reel Mar. 17
. 1 reel April 14
. 1 reel
1 reel Mar. 10
.lreel Feb. 18
. 1 reel Mar. 10
. 1 reel
1 reel Mar. 24
.2 reels. .. Feb. 4
1 reel Mar. 31
, 2 reels Feb. 18
.1 reel Mar. 17
.2 reels. . . . Mar. 10
.2 reels. . . .Mar. 31
. 1 reel
.2 reels. . . .Mar. 24
2 reels. . . .Mar. 17
1 reel Feb. 18
1 reel Feb. 4
2 reels
1 reel
lreel Feb. 11
1 reel April 21
2 reels. . . . Mar. 24
1 reel Zpril 14
. 1 reel
. 1 reel Mar. 17
.lreel Feb. 18
.2 reels ... Jan. 28
.lreel Feb. 4
. 1 reel Feb. 4
.lreel Feb. 4
.2 reels Feb. 18
.2 reels. . . Feb. 25
.2 reels. . . April 21
.2 reels. . . Oct. 21
. 1 reel Mar. 17
. 1 reel Feb. 4
.2 reels. . . .Dec. 31
. 2 reels ... Jan. 7
. 1 reel
. 1 reel
.2 reels. . . .Mar. 10
. 1 reel
.1 reel Feb. 11
.2 reels. . . .Mar. 17
.2 reels Feb. 4
. 1 reel
.2 reels
F B O
Title Star
After the Squall Al Cooke
All Alike Carr-Alexander-Ross .
All Washed Up Al Cooke
Big Berthas Karr-Ross-Alexander.
Come Meal Al Cooke.
Rel. Date
.. .April 16.
...April 9.
.May 14
. May 28.
Mickey's Little Eva Mickey Yule April 2
Mickey's Parade Mickey Yule Jan. 2
Mickey's Wild West Mickey Yule May 7
My Kingdom For a Hearse. Al Cooke April 2
Panting Papas Karr-Ross-Alexander Jan. 9
Rah! Rah I Rekie Al Cooke
Restless Bachelors Al Cooke April 30.
Silk Sock Hal Al Cooke May 14
Social Error, A Al Cooke
Too Many Hisses A. Cook-B. Helium
Length Reviewed
.2 reels
. 2 reels
.2 reels Feb. $8
.2 reels
.2 reels
.2 reels
. 2 reels
.2 reels
. 2 reels
.2 reels.
.2 reels.
.2 reels.
.2 reels.
.2 reels,
.2 reels ,
...Feb. 18
. . .Feb. 11
BRAY PRODUCTIONS
FOX FILMS
Title Star Rel. Date
Bare Co-Ed, The Murdock-Cavalier-Lancaster. . . Feb. 10 .
Barnyard Rivals W. Lantz-M. Shaw-T. Ward.. .Mar. 10.
Cat Tales McDougall Kids Feb. 20.
Cutting Up McDougall Kids Mar. 20.
Daze of '49 J. Cooper-L. Carver Jan. 1 .
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1 .
Fowl Play McDougall Kids April 20.
Lost in the Lurch P. Murdock-N. Cavalier Mar. 1 .
Mr. Pooh McDougall Kids Jan. 20.
Length
.2 reels.
.2 reels.
.2 reels.
.2 reels.
.2 reels .
.2 reels.
. 2 reels .
.2 reels.
.2 reels.
Reviewed
...Jan. 7
. . . Mar. 17
!"Mar.'i7
...Feb. 4
. . . Mar. 17
. Mar.
.Jan.
EDUCATIONAL
Star
Dist'r
Rel. Date
Title
All Bear Curiosities April 29.
All Set W. Lupino-Sargent-L. Hutton . Jan. 29.
Always a Gentleman Lloyd Hamilton Feb. 6.
At It Again Monty Collins May 13 .
Between Jobs Lloyd Hamilton Mar. 18.
Blazing Away Lloyd Hamilton April 22.
Builders of Bridges — When
Twilight Comes Bruce Outdoor Sketch Feb. 26.
Call of the Sea, The (Color
Film) H. Hampton-M. Valles-N. Kel-
ley Jan. 1.
Chilly Days "Big Boy" Feb. 19 .
Circus Blues Dorothy Devore Mar. 25 .
Count Me Out Barney Helium Mar. 11.
Cntie Dorothy Devore Tan. 15.
Dog Days — The Sun and the
Rain Bruce Outdoor Sketch Jan.
Dummies Larry Semon Jan.
Fall In Monty Collins Jan.
Fandango Lupino Lane May
Felix the Cat in Arabiantics . ."Sullivan Cartoon" May 13 .
Felix the Cat in Comicalities "Sullivan Cartoon" April 1.
Felix the Cat in Draggin' the
Draeon "Sullivan Cartoon" Jan. 22 .
Felix the Cat in Eskimotive . . "Sullivan Cartoon" April 29 .
Felix the Cat in In-and-Out-
Laws "Sullivan Cartoon" May 27.
Felix the Cat in Ja panicky . . "Sullivan Cartoon" Mar. 4 .
29
1.
1
6
Length Reviewed
. 1 reel April 21
.lreel Feb. 4
.2 reels Feb. 18
2 reels
2 reels
2 reels. . . .April 7
1 reel Mar. 10
.2 reels. . . .Dec. 31
2 reels. . . .Feb. 18
2 reels . . . Mar. 17
1 reel Mar. 3
.2 reels Feb. 18
, 1 reel Feb. 25
2 reels .... Dec. 23
. 1 reel Dec. 23
2 reels. . . .April 14
1 reel
1 reel April 21
1 reel Feb. 25
1 reel
1 reel
1 reel Mar. 31
Title Star Rel. Date Length Reviewed
Arkansas Traveler Variety Jan. 8 . . 1 reel
Cow's Husband, A F. Spenser-M. J. Temple 2 reels
Desert Blooms. The Variety Feb. 6 .. 1 reel
Exploring Norway Variety . . .Aug. 7. .1 reel
Hold Your Hat S. Phipps-N. Stuart-T. Hill-A.
Housman 2 reels .... Mar. 24
Hot House Hazel T. Brooke-T. Hill Jan. 1 . . 2 reels
In a Music Shoppe (Movie-
tone) Special Casr
Jack and Jilted P. Cunning-M. King 2 reels
Jungles of the Amazon Variety 1 reel Jan. 31
Kiss Doctor, The T. Brooke-D. Thompson 2 reels Mar. 17
Lady Lion C. Lincoln-E. Clayton-B. Bletcher 2 reels
Lords ot the Back Fence. . . . Variety Jan. 22 .. 1 reel
Low Necker, A Mar jorie Beebe 2 reels ... . Jan. 14
Old Wives Who Knew Hallam Cooley 2 reels
Over the Andes Variety 1 reel
Psyche and the Pskyscraper . "O. Henry" 2 reels
Too Many Cookies T. Brooke-L. Miller 2 reels
METRO-GOLDWYN-MAYER
Titlr Star Rel. Date
Aching Youth Charley Chase Mar. 17.
African Adventure, An Ufa Oddities Aug. 2.
All For Nothing Charley Chase Jan. 21.
Amazing Lovers Ufa Oddities Mar. 10.
Barnum and Ricgling, Inc. . ."Our Gang" April 7. ,
Bird Man, The Charley Chase
Blow by Blow Max Davidson Me.r. 31.
Came the Dawn Max Davidson Mar. 3.
Children of the Sun Ufa Oddities Feb. 11. .
Czarina's Secret, The Tech-
nicolor) O. Baklanova-D. Mir-S. Rand . Mar. 17.
Dumb Daddies Max Davidson Feb. 4..
Edison, Marconi and Co... ."Our Gang" Mar. 10. .
Fair and Muddy "Our Gang" May 5.
Family Group, The Charley Chase Feb. 18. .
Finishing Touch, The Laurel-Hardy Feb. 25
Fishing With a Microscope. . Ufa Oddities
Forty Thousand Miles With
Lindbergh Aviation Film Mar. 4 .
Length Reviewed
2 reels
2 reels. . . .Jan. 14
1 reel
2 reels . . .April 21
2 reels. . . .
2 reels. . . April 21
2 reels
1 reel
2 reels
2 reels Feb. 28
2 reels . . . .April 7
1 reel
2 reels Feb. 18
2 reels. . . April 7
1 reel
3 reels.
May 5, 19 2 8
1511
Title Star Rel. Date
Prom Soup to Nuts Laurel-Hardy Mar. 24.
Golden Fleeces Ufa Oddities May 19.
Happy Omen, A Ufa Oddities July 14.
Heavenly Bodies Dfa Oddities
Jangle Round-Dp, A Dfa Oddities Jan. 28.
Lady of Victories, The (Tech-
nicolor) A. Ayres-O. Matiesen-G. Irving .Ian. 21.
Leave 'Em Laughing Laurel-Hardy Jan. 28.
Let George Do It Laurel Hardy
Limousine Love Charley Chase April 14
Monarch of the Glen, Tho . . Dfa Oddities Mar. 24 .
Nature's Wizardry Dfa Oddities July 28.
Palace of Honey, The Dfa Oddities June 16.
Pathfinders, The Dfa Oddities
Pass the Gravy Max Davidson Jan. 7.
Perfume and Nicotine Dfa Oddities Jan. 14.
Peta and Pests Dfa Oddities Jan. 28.
Primitive Housekeeping.. . .Dfa Oddities April 21.
Rainy Days "Our Gang" Feb. 11.
Sanctuary Dfa Oddities May 6.
Secrets of the Sea Dfa Oddities Feb. 25
Sleeping Death Dfa Oddities June 30.
Spook-Spoofing "Our Gang" Jan. 14.
TallyHo Dfa Oddities
Tell It to the Judge Max Davidson April 28.
That Night Max Davidson
Their Purple Moment Laurel-Hardy
Tokens of Manhood Dfa Oddities June 2.,
Wicked Kasimir, The Dfa Oddities April 7 .
Wonders of the Blue Gulf of
Mexico Dfa Oddities
Your'e Darn Tootin' Laurel Hardy April 11.
PARAMOUNT
Title Star Rel. Date
Adoration Novelty Feb. 25.
Behind the Counter E. E. Horton Mar. 3.
Bugs My Dear (Christie) . . . Bobby Vernon April 21 . .
Campus Cuties Billy Dooley April 7.
Dad's Choice E. E. Horton Jan. 7.
Fighting Fanny (Christie) . ..Featured Cast Jan. 21.
Frenzy . Novelty Jan. 14.
Gallant Gob, A (Christie) . ..Billy Dooley May 26.
Goofy Ghosts (Christie) .... Jimmie Adams April 28 . .
Halfback Hannah (Christie) Ann Cornwall April 14.
Hold 'Er Cowboy (Christie) Bobby Vernon June 2.
Holy Mackerel (Christie) .. .Jimmie Adams Feb. 11.
Hunger Stroke, A Krazy Kat Cartoon Feb. 25.
Ice Boxed Krazy Kat Cartoon Feb. 11.
Inst the Type (Christie) Neal Burns Feb. 18.
Ko-Ko's Bawth Inkwell Cartoon Feb. 18.
Ko-Ko's Jerm lam Inkwell Cartoon Feb. 4.
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31 .
Ko-Ko's Kink Inkwell Cartoon Jan. 7.
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21 .
Ko-Ko's Smoke Inkwell Cartoon Mar. 3 .
KoKo's Tattoo Inkwell Cartoon Mar. 17 .
Love Sunk Krazy Kat Cartoon Mar. 24 .
Long Hose (Christie) Jack Duffy Mar. 17.
Love's Young Sream (Chris-
tie) Anne Cornwall May 12.
Love Shy (Christie) Jimmie Adams Mar. 24.
Pig Styles Krazy Kat Cartoon Jan. 14 .
Save the Pieces (Christie). .Bobby Vernon Jan. 28.
Say Dncle (Christie) Jack Duffy June 9 .
Sea Food (Christie) Billy Dooley July 14.
Shadow Theory Krazy Kat Cartoon Jan. 28.
Slick Slickers (Christie) . . . .Neal Burns July 7.
Slippery Heels (Christie) . . .Jimmie Adams June 16.
Sweeties (Christie) Bobby Vernon Mar. 10.
Water Bugs(Christie) Billy Dooley Feb. 4.
Wired and Fired Krazy Kat Cartoon Mar. 10.
Length Reviewed
.2 reels. . . .April 21
. 1 reel
. 1 reel
. 1 reel
. 1 reel Oct. '1
.2 reels Feb 25
.2 reels
.2 reels . . . Mar. 3
.21reels. . . .April 21
. 1 reel Jan. 21
. 1 reel
. 1 reel
. 1 reel
. 2 reels . . . .Jan. 14
. 1 reel
. 1 reel Mar. 3
. 1 reel
. 2 reels
. 1 reel
. 1 reel May 3
. 1 reel
.2 reels. . . .Jan. 14
. 1 reel
. 2 reels
.2 reels
.2 reels
1 reel
. 1 reel
. 1 reel
.2 reels
Length Reviewer"
2 reels
2 reels
2 reels
, 2 reels
2 reels
.2 reels
2 reels
2 reels
2 rees
2 reels
,2 reels
2 reels
1 reel
1 reel
2 reels
. 1 reel
1 reel
1 reel
, 1 reel
1 reel
. 1 reel
. 1 reel
1 reel
2 reels
.2 reels
1 reel
, 1 reel
2 reels
2 reels
.2 reels. .
1 reel
. 2 reels
. 2 reels
2 reels
.2 reels
. 1 reel
Title
Star
Dist'r
Rel. Date
Length Reviewed
Matching Wits Sportlight April 29. .1 reel April 21
On the Ice "Aesop Fables" Mar. 11 . . 1 reel
Over the Bounding Blue with Will Rogers (Travelesque) . . .Feb. 12. .1 reel Feb. 11
Playing Hookey "Our Gang" Jan. 1 2 reels
Reeling Down the Rhine
with Will Rogers Travelesque Jan. 15.. 1 reel Jan. 7
Run Girl, Run Sennett Girls Jan. 15. .2 reels. . . Jan. 14
Scaling the Alps "Aesop Fables" April 1 . . 1 reel Mar. 31
Season to Taste Sportlight Mar. 4.1 reel
Shalimar Gardens, The (Ed-
ucational) Geographical Number Mar. 18. .1 reel
Should Tall Men Marry?. . .Roach Stars Jan. 15. .2 reels. .. Jan. 7
Smile Wins, The "Our Gang" Feb. 26. . 2 reels . . . . Mar. 3
Smith's Army Life Hiatt-McKee-Jackson Feb. 5.2 reels .... Feb. 4
Smith's Bargain Hiatt-McKee-Jackson 2 reels ....
Smith's Farm Days Hiatt-McKee- Jackson Mar. 4. .2 reels. ... Mar. 3
Smith's Holiday Hiatt-McKee- Jackson Jan. 8.2 reels .... Dec. 31
Smith's Restaurant Hiatt-McKee-Jackson April 1 . . 1 reel
Soldier Man Harry Langdon
Son Shower, The "Aesop Fables" Mar. 18 . 1 reel
Spider's Lair, The "Aesop Fables" Feb. 19. . 1 reel Feb. 18
S*im Princess, The D. Pollard-A. Clyde-C. LombardFeb. 26. .2 reels. . . . Mar. 3
Tail Waggers Sportlight April 1 . . 1 reel
Trees Rarebits Mar. 11. .1 reel
Twenty-Four-Dollar Island. .Novelty 1 reel
Dec. 28
1 reel Jan. 28
1 reel
1 reel
Versatility Sportlight Feb. 5.
Volcanoes (Educational) .. . .Geological Number Feb. 19.
Wandering Minstrel, The. . . "Aesop Fables" Jan. 29 .
Work of Running Water (Ed-
ucational) Geological Number Mar. 11. .1 reel
Yellow Cameo, The (Serial) Allene Ray 10 episodes.
STATE RIGHTS
Title Star Dist'r Rel. Date Length Reviewed
Bet, The (story by Chekov).F. P. Donovan (produer) 2 reels
Cigareete Maker's Romance,
A (story by Crawford) ... .F. P. Donovan (producer) 2 reels
District Doctor, The (story by
Balzac F. P. Donovan (producer) 2 reels
Girl with the Golden Eyes,
The (story by Balzac) . . . .F. P. Donovan (producer) 2 reels
Mysterious Airman, The
(Serial) Weiss Bros 10 episodes
Necklace, The M. Alden-M. Costel-
lo-E. Chautard. . .F. P. Donovan (pro-
ducer) 2 reels
Nothing to Live For Al Joy Cranfield-Clarke 2 reels
Piece of String, A (story by
De Maupassant) F. P. Donovan (producer) 2 reels
Police Reporter, The (Serial) W. Miller-E. Gilbert- . Weiss . . . Mar 10 episodes
Sophomore, The G.O'Neil-L.Graydon.Hi-Mark
Spooky Money Al Joy Cranfield-Clarke 2 reels
Who's Who Al Joy Cranfield-Clarke 2 reels
You Can't Win (Serial) Weiss Bros 10 episodes
TIFFANY-STAIIL
Title Star Rel. Date
Marcheta Color Classic Mar. 1
Medallion, The Color Classic Mar. 1.1 reel .
Mission Balls Color Classic Mar. 15. . 1 reel.
North of Suez Color Classic Jan. 1 . . 1 reel .
Perfect Day, A Color Classic April 1.1 reel .
Red Man's Home, The Color Classic 1 reel.
Scarface Color Classic Jan. 15 . . 1 reel .
Souvenirs Color Classic Feb. 15 . . 1 reel .
Tom, Dick or Harry Color Classic 1 reel.
Treasure Land Color Classic Feb. 1.1 reel .
Length Reviewed
1 reel
PATHE-DE MILLE
UNIVERSAL
T'tl- Star
Animal Snaps Rarebits .
Rel. Date
April 8 .
Barnyard Artists "Aesop Fables" April 29.
Barnyard Lodge No. 1 "Aesop Fables" April 8 .
Battling Duet. The "Aesop Fables" April 15.
Beach Club, The Bevan-Hurlock Jan. 22.
Benares (Educational) Geographical Number Jan. 24.
Best Man, The Bevan-A. Bennett-V. Dent Feb. 19 .
Bicycle Flirt, The Bevan-V. Dent-D. Farley-C.
Lombard Mar. 18 .
Blaze of Glory, A "Aesop Fables" Feb. 26.
Boats and Fishermen of the
Arctics and Tropics (Edu-
cational) Science Number Mar. 4.
Boy Friend, The "Aesop Fables" Jan. 22 .
Broncho Buster, The "Aesop Fables" Jan. 1 .
Buddhists of Burma, The
(Educational) Geographical Number Feb. 5.
Busy Bodies Sportlight Jan. 8.
Clothes and the Game Sportlight April 15.
Comrades in Work Mabel Notmand
County Fair, The "Aesop Fables" Mar. 4 .
Crowned Heads Sportlight Feb. 19.
Delhi (Educational) Geographical Number Feb. 26
Do Monkeys Manicure? .. . . Stan Laurel April 1
Family Frolics Sportlight Jan. 22 .
Famous Playgrounds Sportlight May 13 .
Flying Age, The "Aesop Fables" April 22.
Flaming Fathers Max Davidson Dec. 18.
Flying Elephants Roach Stars Feb. 12 .
Fun Afoot Sportlight Mar. 18.
Galloping Ghosts O. Carew-O. Hardy- J. Finlay-
son Mar. 11 .
Girl From Nowhere, The . . . D. Pollard-S. Holloway-Swain. . Mar. 25 .
Good Ship Nellie, The "Aesop Fables" Feb. 6 .
High Stakes "Aesop Fables" Jan. 15
Honeymoon Hints Rarebits Jan. 15.
How Man Suits His Life to
Differing Surroundings . Science Series
Houses of the Arctic and the
Tropics (Educational). .. Science Number Feb. 12.
Jungle Days "Aesop Cartoon" Mar. 26 .
Jungle Triangle "Aesop Fables" May 6.
Kashmir, Old and New (Edu-
cational).. . Geographical Number Jan. 10
Love at First Flight Pollard-Hurlock-Cowley Jan. 29
Man Without a Face (Serial) A. Ray-W. Miller .Jan. 15.
Mark of the Frog, The
(Serial) M. Morris-D. Reed Mar. 25
Length Reviewed
1 reel
1 reel April 21
. 1 reel April 7
1 reel April 7
2 reels. . . .Jan. 14
1 reel
2 reels. . . .Feb. 11
2 reels.
1 reel . .
. .Mar. 10
.2 reels.
. 1 reel. .
1 reel. .
1 reel
. 1 reel Dec. 31
1 reel April 7
2 reels
1 reel
1 reel
. 1 reel
. 1 reel
. 1 reel Jan. 14
. 1 reel
. 1 reel April 21
.2 reels .... Dec. 18
.2 reels Feb. 11
. 1 reel
. 2 reels .
2 reels .
1 reel. .
1 reel. .
1 reel. .
.Mar. 3
.Mar. 24
2 reels .
2 reels .
2 reels.
1 reel. .
.Mar. 31
.1 reel
2 reels. . . .Jan. 21
10 episodes Jan. 14
10 episodes .Mar. 24
27
23
27
14
Title Star Rel. Date
Africa Before Dark Oswald Cartoon Feb. 20
All Balled Dp (O. R. Cohen
story) Charles Puffy .Feb.
Any Old Count "The Gumps" Jan.
Back to Nature Arthur Lake Feb.
Bare Fists Jack Perrin Jan.
Battling Justice Fred Gilman Mar. 24.
Big Bluff, A Long-Adams-Layman-McPhail . May 2
Boss of the Rancho Bob Curwood Jan. 7
Brand of Courage, The . . . . B. Curwood-P. Mont-
gomery Feb. 4.
Bright Lights Oswald Cartoon Mar. 19
Buckskin Days Newton House Feb. 18.
Buster's Big Chance Trimble, Turner and Dog Jan. 11
Buster Shows Off Trimble, Turner and Dog Mar. 14
Buster Steps Out Trimble, Turner and Dog Feb. 8
Buster's Whippet Race Trimble, Turner and Dog May 23
By Correspondence Arthur Lake Jan. 30
Case of Scotch, A "The Gumps" Jan. 9.
Cloud Buster, The "The Gumos" Feb. 6 .
Code of the Mounted, The. . Jack Perrin May 5
Dangerous Trail, The Jack Perrin June 2
Dates for Two C. King-C. Doherty Jan. 18
Fighting Destiny Fred Gilman May 19
Framed Bob Curwood Mav 26
Gauge of Battle, The Fred Gilman April 21.
George's False Alarm Sid Saylor Feb. 29.
George's School Daze Sid Saylor May 30
Haunted Island, The (Serial) Jack D.iugherty-Helen Foster Mar. 26
Harem Scarem Oswald Cartoon Jan. 9 .
Her Only Husband Long-Adams-Laymon-McPhaill April 4
Hidden Loot Bob Curwood April 28
High Flyin' George Sid Saylor Jan. 25
His In Laws (O. R. Cohen
story) Charles Puffy Mar 12
Horns and Orange Blos-
soms (O. R. Cohen story). Charles Puffy Jan.
Horse Play Long-Adams-Laymon-McPhaill Jan.
Hungry Hoboes Oswald Cartoon May
Indoor Golf Long-Adams-La yraan-McPhail Mar.
Looters, The Bob Curwood Mar.
Madden of the Mounted... - Jack Perrin Mar. 10
Man of Letters, A Sid Saylor Feb. 15
Married Bachelors (O. R.
Cohen story) Charles Puffy April
Mistakes Will Happen Ben Hall Feb.
Money! Money! Money! . . . Ben Hall May
Neck n' Neck Oswald Cartoon Jan.
29
4.
14
7
3
9
13
7.
23.
Length Reviewed
. 1 reel. . . April 7
.2 reels. . . .Feb. A
2 reels
1 reel Feb. 11
.2 reels. . . .Dec. 38
2 reels. . . .Feb. 28
2 reels. . . .April 7
2 reels
.2 reels. . . .Jan. T
1 reel April 7
2 reels. . . .Jan. 28
.2 reels. . . .Dec. 23
2 reels
2 reels. . . .Jan. 28
2 reels
. 1 reel Jan. 14
. 2 reels .... Dec. 23
2 reels .... Jan. 21
2 reels. . . April 7
2 reels
2 reels .... Dec. 31
2 reels. . . .April 21
. 2 reels
.2 reels . . . Mar. 24
.2 reels. . . .Feb. 4
. 2 reels
10 episodes
. 1 reel
. 2 reels. . . . Mar. 17
2 reels. . . . Mar. 31
.2 reels
.2 reels. . . Feb. 18
2 reels .... Jan. 7
.2 reels .... Dec 18
. 1 reel April 21
2 reels Feb 11
2 reels. . . .Feb. 4
2 reels. . . Feb. 11
2 reels . . . .Jan. 28
2 reels. . . . Mar. 17
1 reel Jan S
. 1 reel April 14
. 1 reel
1512
Motion Picture News
Title
Newlyweds' Advice
Newlyweds' Friends, The . . .
Newlyweds' Imagination
The
Newlyweds' Servant, The . . .
Newlyweds Success, The. . .
No Blondes Allowed
Oh, What a Knight
Ole Swimmin' 'Ole, The
One Every Minute
Out in the Rain
Ozzie of the Mounted
Payroll Roundup, The
Prince and the Papa (O. R.
Cohen story)
Ride 'Em Plowboy
Riding Gold
Ring Leader, The
Ringside Romeos
Rival Romeos
Sagebrush Sadie
Sailor George
Scarlet Arrow, The (Serial-
Sealed Orders
Shady Rest
Sliding Home
Star
Jan. 2.
Snookums-Bartlett-McPhaill. . . April 1
Rel. Date Length Reviewed
.2 reels Dec. 16
. 2 reels. . . . Mar. 1
Title
Stai
Snookums-Bartlett-McPhaill. . . May 7.
Snookums-Bartlett-McPhaill . . .Feb. 6.
Snookums-Bartlett-McPhaill . .Mar. 6. .
C. King-C. Doherty Mar. 21.
Oswald Cartoon May 28.
Oswald Cartoon Feb. 6
Arthur Lake April 23
"The Gumps" Feb. 20.
Oswald Cartoon April 30
Bob Curwood Mar. 31
Charles Puffv Feb. 12.
Oswald Cartoon April 15.
Newton House Jan. 21
Jack Perrin April 7 .
Arthur Lake Mar. 26.
Oswald Cartoon Mar. 5
Oswald Cartoon April 1
Sid Saylor May 9.
F. X. Bushman Jr.^
Jack Perrin Feb. 11
"The Gumps" .
Lewis-Gulliver-Phillips Jan. 16
. 2 reels . . . .April 14
.2 reels. . . Feb. 4
2 reels Feb. 11
.2 reels Feb. 26
. 1 reel
. 1 reel. . . . Mar. 24
1 reel. . . . April 7
.2 reels. . . .Jan. 2>
. 1 reel April 7
2 reels. . . . Mar. 3
. 2 reels . . .
. 1 reel. . . .
. 2 reels . . .
.2 reels. . .
. 1 reel . . . .
. 1 reel. . . .
. 1 reel ....
. 2 reels . . .
10 episodes
2 reels. . .
. 2 reels . . .
.2 reels. . .
Jan. 21
Mar. 24
Mar. 10
Mar. 10
April 7
April 14
.Jan. 28
. Dec. 80
Social Lions Ben Hall
Some Babies (O. R. Cohen
story) Charles Puffy Mar. 26 .
Some Pets Arthur Lake Jan. 2 .
3on of the Frontier, A Newton House April 14.
So This Is Sapp Center Ben Hall Jan. 16.
Special Edition Ben Hall April 9.
Start Something Long-Adams-Laymon-McPhaill.Feb. 1.
Summer Knights Arthur Lake May 21.
Swell Clothes Arthur Lake Dec. 6.
Taking the Count C. King-C. Doherty April 18.
Terrors of the Unknown (Serial)
That's That Trimble-Turner and Dog April 11.
There's a Will C. King-C. Doherty Dec. 21.
Unexpected Hero, An F. Gilman-M. King Feb. 25.
Untamed, The Newton House May 12.
ValiantRider,The(Western).Bob Curwood
Vanishing Rider, The (Serial) Wm. Desmond Jan. 16.
Watch George Sid Saylor Mar. 28 .
What a Party C. King-C. Doherty Feb. 22 .
When George Hops Sid Saylor April 25.
Winged Hoofs Newton House Mar. 17.
Winning Five, The Lewis-Gulliver-Phillips Sept. 26 .
Winning Goal, The Lewis-Gulliver-Phillips Jan. 2.
Wolves of the Range Fred Gilman Ian. 28.
Woman Chasers C. King-C. Doherty May 16 .
Rel. Date Length Reviewed
. . .Mar. 12. .1 reel
2 reels. . . . Mar. 3
1 reel Dec. 16
2 reels. . . . Mar. 17
1 reel Dec. 80
1 reel Mar. 17
1 reel Jan. 14
1 reel
1 reel Nov. 18
2 reels. . . Mar. 24
10 episodes .
2 reels
2 reels
2 reels
2 reels
. 2 reels
10 episodes
Mar. 17
Jan. 28
April 14
2 reels.
.2 reels.
. 2 reels .
.2 reels.
. 2 reels .
.2 reels.
. 2 reels .
.2 reels .
.Mar. S
Feb. 4
. Mar. 31
. Fdb. 20
. Sept. 1»
.April 21
tudio Briefs
Patsy Ruth Miller will play the leading
role in' Tiffany-Stahl 's "Marriage of To-
Morrow, " which James Flood will direct.
With the addition of Ethel Grey Terry,
George Irving, Alan Roscoe and Gene Stone
the cast of Columhia's "Modern Mothers"
has heen completed. The film is entering
the final week of producion under the di-
rection of Phil Rosen.
Buster Keaton began working last week
on his new M-G-M comedy, "The Camera
Man," working on City Hall scenes in New
York City. Marceline Day is the feminine
lead.
F B O will feature Anna Q. Nilsson in two
features for the new program. The first
will he "Blockade," an original by Louis
Sareckv and John Twist.
Anita Page, one of the M-G-M newcomers'
whose first featured part is the feminine
lead in "Telling the World," will play op-
posite Lon Chancy in "Easy Money."
Norman Taurog, who has been directing
for Educational, has been signed specially
to direct George Jessel in his two pictures
for Tiffany-Stahl. The star has arrived in
Hollywood after a vaudeville tour.
Columbia has signed Elmer Clifton to di-
rect a new picture in which John Boles, also
signed, will be the leading man. The story,
which will present Olive Borden as a Co-
lumbia player, has not been assigned a title
as yet.
Ramon Romeo, author and playwright,
has been signed to a F B O contract to
write a series of originals for screen pro-
duction. He is at present producing his
own play, "Rhapsody," at the Beaux Arts
Playshop, " in which he plays the leading
male role.
Production has been started at the Cos-
mopolitan studio on "Two Masters" by
Rita Wieman, the first of a series of Para-
mount two-reelers for the Actors Fund of
America and the Authors League Fund.
Edmund Lawrence is directing from the
script by Adeline Leitzbaeh. The cast in-
cludes Mary Eaton, Guy Bates Post, Clarke
Silvernail, Carol McComas, Ann Sutherland,
Edward Bobbins, Minnie Dupree and others.
Tiffany-Stahl has signed Montague Love
to act in four pictures for the new season's
program. Roy D'Arcy has also been signed
to play in four.
Two studio extras, Mirra Rayo and Rus-
sell Harlan, are credited players in Para-
mount's "Half a Bride." Esther Ralston
was instrumental in their promotion from
the extra ranks.
George Archainbaud is resting at Lake
Ta.hoe between the completion of the Tif-
fany-Stahl production, "Ladies of the
Night Club" and the commencement of "A
Grain of Dust . ' '
The names of Julanne Johnston, Jed
Prouty and Chappell Possctt last week
completed the cast of "Name the Woman,"
the Columbia picture now in work.
Paul Perez, who at one time titled four
pictures in two weeks, will write the titles
for "Ladies of the Night Club." Leslie
Mason is doing the titles for "Prowlers of
the Sea" and "Stormy Waters," both Tif-
fany-Stahl productions.
Jackie Levine and Lorraine Rivero, who
have supported "Big Boy" in his recent
starring vehicles, again will be seen with
the star in "Navy Beans," one of the new
Educational comedies.
A May release from First Division will be
"The Devil's Cage," featuring Pauline
Garon directed by Wilfred Ney from a story
by Isadore Bernstein. Support comes from
Donald Keith, Ruth Stone, Armand Kaliz
and Lincoln Stedman.
Betty Cauldwell and Jack Lipson, two
recent, additions to the players' ranks at
the Educational studios, take the principal
supporting parts in "You'll Be Sorry,"
Charley Bower's new starring comedy for
Educational.
Ernie Shields will play the part of the
rat in "Free Lips," First Division's feature
production which will he made at the Met-
ropolitan studio under the direction of Wal-
lace McDonald. June Marlowe is starred.
Jane Novak also has an important support-
in"' role.
Robert Graves, who is usually cast in
heavy roles in Educational comedies, has a
different sort of role in "Three Tough
Onions," .Monty Collins' forthcoming
Cameo comedy. Lucille Hutton is the come-
dian's leading lady in "At It Again," a
new comedy in which Jack Miller is also
one of the featured players.
Harry T. Morey and Francis McDonald
have been given acting assignments in "The
Perfumed Trap," new underworld story
whicdi Paramount is producing. It is proba-
ble that it will he newly titled before re-
lease.
"The Cameraman" is the title chosen for
Buster Keaton 's initial comedy at the
M-G-M studio, location work on which was
recently finished in New York. The unit
is now finishing interiors at Culver City.
Camera work on "Hot News," a new
Paramount photoplay, has begun at the
studio, the first scene to be filmed finding
Bebe Daniels as a newsreel camera girl at
a baby show.
Ricardo Cortez will play the role of the
motion picture star in "Excess Baggage,"
M-G-M film.
The cast of "Hot News" continues to
grow with the picture already in produc-
tion. Added to the Paramount unit are
.Mario Carillo, Ben Hall, Jack Woody, John
Kole, May Wallace, Gino Corrado and
Maude Turner Gordon.
Richard Barthelmess has completed
"Roulette," his latest starring picture for
First National Pictures, and has left for
Honolulu on his lirst vacation in a year.
Nora La in' has heen selected as leading
woman for Fred Thomson in his Paramount
special, "Kit Carson." The role calls for
tlie portrayal of Senorita Jaramille, beau-
tiful Spanish girl, who married Carson.
•lack Oakie has heen cast for an import-
ant role in "The Fleet's In," in which
Richard A Hen has the leading male assign-
ment. Malcolm St. Clair will direct and
Clara Bow will star.
Rdy Press
Pri n TF.RS
Preference
means Profits
The theatre that stresses screen
quality is well on the way to
popular preference. And that
preference means profits.
Specify prints on Eastman
Positive— the film that preserves
every bit of photographic qual-
ity for your screen.
EASTMAN KODAK COMPANY
ROCHESTER, N. V.
THE SUN NEVER SETS ON A METRO - G O LD W YN - M AYE R 24 - SHEET
HERE'S THE
REASON !
The whole world now concedes
M-G-M to be the Important
Company in this business —
M-G-M took
WORLD leadership
BY producing
THE best pictures
AND by
TELLING the world
ABOUT them.
Coming: Ramon Novarro, Across to Singapore; Lon Chaney,
Laugh, Clown, Laugh; Dane-Arthur, Circus Rookies; Syd Chaplin,
Skirts; John Gilbert, The Cossacks; Dane- Arthur, Detectives; Norma
Shearer, The Actress; William Haines, Telling The World, Mile,
from Armentieres, Diamond Handcuffs, and more! more! more!
^"GILBERT"
SSACKs i
RroeeAdcxce Ernest Toiiencc
5E
a Metro,^yo/cfHyt\'M«yer Picture
//
KARL DANE -
GEORGE K ARTHUR
-G
it
acrv.
U V)
ABOVE: A few of the great 24-sheets on new M-G-M hits. All M-G-fj
posters are manufactured by the Morgan Lithograph Co., General Officj
Cleveland, O. Branches: New York City, Los Angeles. Plants: Cleveland
O., New York City, Elmhurst, L. I.
May 12, 1928
iMoitgji^im?
Ren. U. S. Patent Offic
THE IMPORTANT
ANNOUNCEMENT
from
THE IMPORTANT
COMPANY
next week
METRO-GOLDWY
oi. :
Los Angeles
under act of March 3, 1879
Published Weekly— $2.00 a Year
Nezv York
Allays any danger oj panic
says.^Jire Chie
CITY OF
vittsbdRgH
Pennsylvania
rwT oF PUBLIC SAFETY
^oh 10*. i92B
„„ THE
vtoe Preset rQl
Sentry s»xSXrry streeta
13th. and ^erry a>
Philadelphia,
to Dear Sir*- Qn4e/Tdt?8 °*
est HSss^sT- s. --Brc s.r *
I th*0* **« t Sat I tave ever eeen
8tatC Safety standpoint that ^
lrom a safety Meoladi« any danger x
Sot only Pr€°%l80 allaya any ? e
baL Lnlo among the au e4 from vlng
Chief.
Bureau of Fir-
!A(F UTT f ES) NfiFlKillDIL
c o « p o R >
13th and Cherry Sts., PHILADELPHIA 1560 Broadway, NEW YORK
And AU Branches of
NATIONAL THEATRE SUPPLY COMPANY
The positive fire preventer. Can be attached to any projector. Costs only a few cents a day.
THE DYNAMO
OF THE INDUSTRY
"of course I'm buying Paramount;
it's the backbone of my business"
^ That's what you live-wire exhibitors tell the opposition salesman when he goes to sell you product.
This year more than ever. It's only common sense. Paramount has been making the most and
the best pictures in this industry for 17 years. Paramount Pictures are the only ones the public
asks for by the brand name. ^ Theatre grosses on Paramount productions this season have been
so far ahead of the average for other companies as to cause universal comment throughout the trade.
Returns on specials like Harold Lloyd, Clara Bow, "Underworld," "Last Command" and others,
taught exhibitors what superior attractions can do. ^ Naturally the whole talk about 1928-9
is Paramount. This company had a tough job surpassing its 1927-8 line-up. But we've done it.
Buying for next season is simplified. All the big stuff — specials, stars, features, newsreel, shorts — is
in one group: Paramount's Whole-Show Program. Paramount, the Dynamo of the Industry!
PARAMOUNT'S WHO
Specials
LE-SHOW PROGRAM
Star Hits
Harold Lloyd
Wedding March
4 Clara Bow
3 Richard Dix
2 Emil Jannings
Canary Murder Case
Beggars of Life
The Tong War
Crime of Interference
The Letter
Tahiti Nights
Glorifying American Girl
Perfumed Trap
Wolf Song
Dirigible
Man I Love
Hard Boiled Angel
Living Together
Upstart Gentleman
Behind German Lines
Burlesque
Road Shows
Wings
Abie's Irish Rose
The Patriot
3 Richard Dix
4 Geo. Bancroft
4 Bebe Daniels
4 Esther Ralston
2 Pola Negri
3 Wray-Cooper
2 Florence Vidor
4 Chas. Rogers
3 Taylor- Hall
3 Adolphe Menjon
3 Zane Grey
1 Thomas Meighan
2 MacLean-Christie
I Sir Harrv Lauder
1 Model of Montmarte
Shorts
104 Paramount News
8 Vernon Comedies
8 Dooley Comedies
8 "Macduff" Comedies
8 "Confessions of a
Chorus Girl" Comedies
12 Great Stars and Authors
26 Krazy Kat
26 Inkwell Imps
2 Horlon Comedies
Extra! Byrd's Flight to
the South Pole
ask the
PARAMOUNT salesman about this
big money with two
really big specials!
the screens
most
hilarious
trauvestry
on the _
Mississippi
UNITED
ARTISTS
PICTUBf.
ft
fin? sCr*T*lc>r»
:eem with a continuous
iutticane of laughter
'ACAD N-An
&cUuxztioria£, Short Feature
Saves the
Show
Gil
The New York Daily
hiirror, reviewing a Broad'
way first^run show includ*
ing the LUPINO LANE
Comedy "SWORD POINTS,"
says:
A Lupino Lane comedy re-
deems the movie part of the
program. It is a short Educa-
tional, playful and cuckoo, with
its period established during the
days of flowery knighthood,
wine bibbing and jousting.
Lupino is funny and his slap-
stick misadventures as a noble
Knight provoke howls.
4upuur!(ci
one
"THE SPICE OF THE PROGRAM"
Lupino Lane as a swashbuckling
cavalier in "Sword Points"
Impersonating a school girl in
"Listen Sister"
Member, Motion Picture Producers
and Distributors of America. Inc.,
Will H. Hays. President
Lupino Lane as
a toreador in "Fandango"
■ EDUCATIONAL
FILM EXCHANGES, Inc.
Page 3
In ONE of the
biggest — finest —
most spectacular
and magnificent
Specials of the age
LILAC
TIME
A stirring spectacle of unprecedented mag-
nitude, staged in the amphitheatre of the air.
a George Fitzmaurice
Production
Presented by John McCormick
From the famous stage hit by Jane Cowl and
Jane Murfin which ran 54 weeks on Broadway
and the road. With Gary Cooper. Adaptation by
Willis Goldbeck. Scenario by Carey Wilson.
A Colleen Moore-George Fitzmaurice SPECIAL!
H Also a Series of 3 Other
SPECIALS
QL PresI^n?' Group
SYNTHETIC SIN"
A Los Angeles and New York stage success
by Frederic and Fanny Hatton, authors of
'The Great Lover", "Lombardi. Ltd." and
other hits. Underworld and back-stage in
New York, scandalous situations that are
hilarious at well a* thrilling, and a girl trying
to "sin and suffer" because she wants to be
an actress.
In "BABY FACE"
Colleen's drawing-power will be coupled
with that of COSMO HAMILTON, one of
the roost popular of modern authors, with
such successes as "Scandal", "Blindness of
Virtue", and half-a-dozen best-selling novels
to his credit. "Baby Face" was published in
Hearst's International Magazine, reaching
half-a-million readers.
And "THE RICHEST GIRL
ON EARTH"
will show her at her gayest ard peppiest, as
a girl who suddenly finds she is worth m Li-
lions, and has the time of anybody's life fig-
uring out the most exciting things the can
do with them.
harlici MACKAILL-
MULHALL
Page 15
HURRAY
i; 1 Page 14
1 NO!
NANETTE
Page 16
NO! - Molly ^ BUTTER & 4 I N T E R - + A 1 i c e A
JG MAN SUCCESSES
Page 18 T Page 19
O'DAY
♦ Page 17 ▼
WHITE
Page 20
MYSTERY
MELODRAMAS
Page 31
Ar Hie Ueighr
of His Fame
H
"Richard is himself
again /The PATENT
LEATHER KID* is
the hit of Barthelmess'
-Liberty Mag.
Barthelmess' great success
in 'THE NOOSF and 'THE
PATENT LEATHER KID'
should establish him as one
of the greatest male stars in
pictures". — Max Balaban*
"In 'The PATENT LEATHER
KID* Barthelmess excells any
performance he has heretofore
— N. Y. Times.
"THE PATENT LEATHER KID*,
THE DROP KICK', and THE
NOOSE'— three exceptional succes-
within six months — definitely
established BARTHELMESS as the
best male box-office star in pictures
today, beyond any doubt!"— John F.
Kumler, Pantheon Theatre, Toledo.
Colleen
C orinne
i The
^ Biliie +
MOORE
GRIFFITH
WHIP
DOVE
Page 2
Page 6
' Page 8 •
Page 9 ▼
Ken
MAYNARD
Page io
♦ LATOSCA i
George
FITZMAURICE
specials
Page ii
Milton
SILLS
Page 12
The
SQUALL
Page 13
Page
After
"The PATENT LEATHER
KID"..."The NOOSE"...The
LITTLE SHEPHERD of
KINGDOM COME"
Barthelmess stands at the top of the list of
romantic screen heroes. By the verdict of key
exhibitors, the best male star-draw in pictures
today! Each of his three latest record-breakers
has added millions to the following he won
with "Tol'able David", "Broken Blossoms",
"Way Down East". And these millions have
their admission money all ready and waiting
for the showmen who play him in 1928-*29, in
a series of great pictures headed by
"DIVERSION"
From the brilliant Broadway
production of 1928
ROUP
DIVERSION"
By John Van Druten
Author of the long-run hit
"Young WoodUy"
Barthelmess as a dramatic character juvenile
with society background. A clean kid, hopelessly
caught in the net of a wanton temptress, kills her
in a flash ol fury when he finds she has been
playing with his love. ..Suicide seems to be the
only way out of disgrace to an honored name —
and the only one who can make death absolutely
painless is the boy's lather, a famous surgeon.'
< h a r lie
1URRAY
Page 14
MACKAILL-
MULHALL
Page 15
^NO!
NANETTE
Page 16
NO! - Molly + BUTTER &.+ INTER
EGG MAN NATIONAL
O'DAY
Page 17
Page 18
SUCCESSES
Page 19
Alice-1
WHITE
Page 20
MYSTERY
MELODRAMAS
Page 21
'he DIVINE LADY
\4d A GIGANTIC SPECIAL
by E. BARRINGTON
Greatest literary discovery of recent years. An
overnight sensation with 3 best-sellers in a
row — "The Divine Lady", "Glorious Apollo",
"The Chaste Diana"
THE orchid beauty of the screen returns to First National
to repeat the triumphs of "Black Oxen", "Classified",
and "Lilies of the Field". Her first of a series of brilliant
vehicles will be'THE DIVINE LADY", sweeping romance
made nationally famous by its publication in Cosmopolitan
Magazine, with five million readers; its sale of 70,000 copies
in book form; and its syndication in 800 newspapers with
a total circulation of 4,278,000.
Will be directed by FRANK LLOYD, who gave you "The
Sea Hawk". Cast will include Victor Varconi of "King of
Kings" and Marie Dressier. Adaptation by Forrest Halsey,
Continuity by Agnes Christine Johnston, Presented by
Richard A. Rowland.
A Frank. Lloyd Production
A First "National Special
QfcPRES
Richard
BARTHELMESS
Page 4
* The
| Biilie ■
Ken |
LA TOSCA
| Milton ■
WHIP
DOVE
MAYNARD
George
FITZMAURICE
specials
Page ii
SILLS
- Page 8 ■
• Page o
Page io t
t Page 12 ■
The
SQUAL1
Page 13
ii
Page
Mistress of Princes
^Mastered by Fate!
Humble of birth — superb in beauty, The
Divine Lady marches across the sepul-
chres of many loves to the very steps of
a throne. Passed from hand to hand
among the nobility of an empire, each
conquest brings her to a new and greater
one, until at last she has all England at
her feet! And then in the center of the
English court at the splendid height of
its 19th-century decadence, she begins
her supreme affair with Lord Nelson —
only to have the whole nation turn upon
her in fury when England's greatest
naval hero forgets duty, honor, and all
else in the glory of her love.
The Battle
of Trafalgar
For the first time in screen history First
National will film England's greatest
naval battle, famous in song and story,
as the big scene of "The Divine Lady".
Scores of sea monsters at death grips...
Flaming frigates plunging to destruction
. . . The kind of spectacle they tell their
friends about.
» I
/
And 4 Others, including —
"OUTCAST"
The Play made famous by
Elsie Ferguson, on Broadway
and road show run.
This play by Hubert Henry Davies provides a tenderly
appealing central pan for Corinne Griffith A girl of
the streets who comes into a rich man's life as the play-
thing of a night — and stays for a year as his adored com-
panion... But always there hangs over them the terrible
cloud of her Pas' to which some day she must return.
also
"PAID FOR"
and tuo others
111 a r 1 i e
luRRAY
■ Page 14
MACKAILL-
MULHALL
Page 15
> NO! NO! -
NANETTE
Page 16
Mollys BUTTER &. + INTER-A
GG MAN SUCCESSES
Page 18 t Page 19
O'DAY
Page 17
Alice
WHITE
Page 20
MYSTERY
MELODRAMAS
Page 21
Page 10
KEN
KING
of all
OUTDOORS! *
Absolutely established as the
ace of all daredevils in 10A&2
of the country's finest theatres.
The Thunder of galloping hoofs, the
mystery of the Prairies, the thrills of fight
and romance from the start of day 'till the
fall of night — not a heart but beats to
the chivalry of this buccaneer of the out-
doors and his feats of daring and heroism—
Maynard and his horse Tarzan have so firmly
set themselves in Class "A" theatres that now
they stand with the biggest draws of the game.
If you played "The Wagon Show", "Gun Gospel",
"The Red Raiders", "Land Beyond Law", you
want Maynard right away in these SPECIAL
stories built for thrills, comedy, spectacular
scenes —
THE GLORIOUS TRAIL
THE PHANTOM CITY
THE ROYAL RIDER
THE LAWLESS LEGION
CHEYENNE
WELLS FARGO EXPRESS
^ Every Maynard booker becomes a Maynard booster—
you'll never fenoui bou> much profit it's possible to
make on romantic thrillers until you play Ken Maynard
and that white streak of horse-lightnin' Tarzan
Presented by CHARLES A. ROGERS
Colleen
MOORE
Richard
BARTHELMESS
C orinne
GRIFFITH
The
WHIP
Billie
DOVE
Milton
SILLS
The
SQUALL!
cr/x ▼ r»_
Judged hy any standard
The Fame of its Author —
VICTORIEN SARDOU is one of the most celebrated of modern dramatists, with a dozen
great international successes to his credit including "A Scrap of Paper", "Divorcons",
"Diplomacy", "Fedora".
Its sensational Stage Success —
Nearly 1000 performances of "La Tosca" were given by Sarah Bernhardt alone in
Europe and America. And it has served as a vehicle for such other famous actresses as
Eleanora Duse and Fanny Davenport.
Its pre-eminence as an Opera —
For 28 years one of the principal attractions in all the leading opera houses of the world.
Phonograph and radio have made its name andtmusic familiar to millions.
Its tensely dramatic story —
Tosca — once ragged, half wild waif — who becomes the cele-
brated beauty — dynamic, temperamental, darling of Rome.
Greater than "Carmen" with a sudden, surprising climax
that makes it one of the world's masterpieces of dramatic
stagecraft.
Its celebrated Star —
BILLIE DOVE
— established as a fan-favorite by her performances in "The
Love Mart", "American Beauty", and "The Stolen Bride" —
will play the title role in the screen version of LA TOSCA.
MACKAILL-
MULHALL
♦ NO!
NANETTE
r> _
NO! f Molly ^ BUTTER & + 1 NTER
O'DAY EGG MAN
e •»■
SUCCESSES
A 1 i c
WHITE
MYSTERY
MELODRAMAS
MILTON SILLS
HE-MAN OF THE HOUR!
MILTON SILLS
In a crashing, momentous SPECIAL from
the celebrated Broadway and road success
"THE BARKER"
with Betty Compson
"Nifty" Miller, scarred, double-crossing
terror of the Side Show . . . just ONE
soft spot, his kid! . . . But the kid falls
for a litde Hula dancer. And then! —
It's real — real — REAL! — And all the
time this kaleidoscopic carnival back-
ground, and picturesque comedy from
the strangest lot of hard boiled charac-
ters ever filmed!
A GEORGE FITZMAURICE PRODUCTION (he di-
rected "Lilac Time", "The Dark Angel" ."Night of Love").
From, the play by John Kenyon Nicholson and Charles
L. Wagner. Adaptation by Benjamin Glazer. who has
"Seventh Heaven". "Flesh and the Devil", "The Trail
of '98", to his credit
Then 4 others gauged specially to appeal
to women as well as to Sills' tremendous
male following: —
"CAPTAIN the STRONG
"THE EAGLE'S TRAIL
"THE SPOTTER
£0 >S0
"HARD ROCK
99
99
99
li]
Colleen
MOORE
D „
Richard
BARTHELMESS
T>n,
C orinne
GRIFFITH
The
WHIP
Pnc
Billie
DOVE
Ken
MAYNARD
LA TOSC/ci
George |
FITZMAURICE \\\\
• pedals
19271
Introduces
THE MOST TEMPESTUOUS
TEMPTRESS THE SCREEN
HAS EVER KNOWN!
NUBI — gypsy gafe °f passion! An ill wind that
blows no man good when, whirlwind-wild, she
rages untamed across a sunny slope of Spain .... Born
of the storm, this half-clad human hurricane takes love
where she will — from old, from young; from father,
from son. Cyclonic in her caresses .... Venomous,
voluptuous, super-vampire .... The fury of her passion
lays waste the souls of men!
With the coquetry of Carmen .... Primitive as
Desire .... This Spanish siren is box-office appeal
personified. Her multiple love story was
THE TALK OF BROADWAY
FOR ONE SOLID YEAR!
^Presented by Richard A. Rowland
Charlie * MACKAILL- *NO! NO! * Molly * BUTTER & + I NTER.i Alice* MYSTERY
MURRAY
I
in
MULHALL
_
NANETTE
O'DAY
Pave
EGG MAN
18
NATIONAL
SUCCESSES
Vase 10
WHITE
MELODRAMAS
Pi v 91
'age U
Group
^ BIG-BUY
VEHICLES!
SUREST thing you know in
Comedy.... Has he EVER gone
back on you at the Box -Office?—
"Life of Riley", "Lost at the Front",
"Vamping Venus " winners every
Now figure what heU
do with the fame of great stage
successes and the reputation of
author -celebrities to back him!
The star of the immortal "McFadden's Flats" is
set for the Greatest Season of his career with—
An original by the most famous of all writers
for the screen, RALPH SPENCE, author of
UA Connecticut Yankee", "The Gorilla" and
dozens of other film successes —
"THE LYING TRUTH"
▼ ▼ T
A celebrated sure-fire musical comedy hit—
"WINE, WOMEN, AND SONG*'
An hilarious stage success by Ian Hay Keith,
celebrated author of "The First Hundred
Thousand". A race-track comedy that was one
of London's & New York's greatest farce hits—
"THE SPORT OF KINGS"
? ▼ t
And an original story with unlimited laugh
possibilities —
"CHARLIE'S NIGHT OUT"
Colleen
MOORE
Page 2
Richard
BARTHELMESS
Page 4
? ▼ ▼
T T T
| Corinne + The
■ Billie •
Ken
GRIFFITH
WHIP
DOVE
MAYNARD
T Page 6
'r Page 8
Page 9
Page io
LA TOSC/
George
FTTZMAU RICE
special*
Page ii
h*/-f no A
op®
CYPRES
16
Group
TWO Stars for the
Price of ONE!
The only established man-and-woman comedy-
romance team on the screen. Four-time winners In
1927 with "Ladies' Night", "Smile, Brother, Smile",
"Subway Sadie", "See You In Jail". What won't
they do with four famous story buys like—
"CHILDREN of the RITZ"
SHE married in haste — and divorced for leisure.
HE was fired as a husband — then hired as chauffeur of
her second spouse.
It's the answer to "What's wrong with this younger
generation?"
From Cornell Woolrich's famous sensational prire
novel which won College Humor's nation wide contest.
Serialized to a million readers. A best-seller in book. form.
APPLE S AU C E"
A 40-horse power personality in a one-horse town. ..He
thought trouble was applesauce until he stole Rollo's girll
From Barry Conner's Broadway hit, which has been
running 3 years in New York and on the road, with
I^^N ^ roat* companys and Chautauqua Circuit bookings.
y^f^j "TWO WEEKS OFF"
A good-looking plumber who poses as a movie star. He
claims he knows all the "joints" in Hollywood — but
he's a terrible bust in his first big love scene!
From the play by Kenyon Nicholson — author of "The
Barker" — and Thomas Baros.
"WATERFRONT
Sparkling Human interest comedy by Will Chappel and
Gertrude Orr.
lilt on
j ILLS
age 12
The
SQUALL
Page 13
♦ NO! NO! f Molly 4 BUTTER &. * I N T E
EGG MAN NATIONAL
NANETTE
Page 1 6
O'DAY
* Page 17
Page 18
SUCCESSES
Page 19
Alice * MYSTERY
WHITE
Pajee 20
MELODRAMAS
Page 21
F«f« 16
Q&Pres
Famous
New York, London, Chicago
Success^
THE whole world has whistled "I Want
to Be Happy" and "Tea For Two" —
the whole town will flock to the
screen version of the musical comedy that
made these two song hits famous. Popular
appeal proved by thousands of capacity
performances abroad and on tour over all
the U. S. FIRST NATIONAL will make
it in the class with "Sally" and "Irene" —
just as big a hit — Tremendous comedy
with America's Playground, Atlantic City
for Background.
ByOttoHarbach, Frank Man del, Vincent
Youmans, Irving Caesar. From the
non - musical hit "My Lady Friend*",
by Emil Nyitray and Frank MandeL
A CAST OF BIG NAMES
Molly O'Day of
"The Patent Leather Kid", "Shepherd of
the Hills", and "The Little Shepherd
of Kingdom Come" will play Nanette.
Presented by Richard A. Rowland.
FIRST NATIONAL SPECIAL
Colleen
MOORE
Richard
BARTHELMESS
* Corinne
The
Billie ■
Ken
GRIFFITH
WHIP
DOVE
MAYNARD
Vnr,a 53
•
P/7 nf c\ *
Pnafl in
LA TOSC
George
FITZMAURICE
■peciali
Page 17
f
v
mouY
NOW a definite and distinct Box'office
attraction on the strength of her sen'
sational reception by the public in "The
Patent Leather Kid", "The Shephet^
the Hills" and "The Little Shepherd of
Kingdom Come", will be presented by
First National as the
ST
of 2 President Qroup Pro
The latest idol of the fans ... A NEW name to
feature in youj^ lights and ads . .ftutovelty for
the pubU^P^-""^,. [Jf
First National enables you'to get full benefit of
the wide following she has won in three succes-
sive hit* arid the great publicity that has followed
her enthusiastic "welcome by the critics as the most
brilliant star-find of 1917 1
Her first starring vehicles will show her for the
first time in super -smart gowns and society set-
tings, magnifying her irresistible lure and beauty.
CYPRES
Group
e 1
•"3-.
"The Qirl in the Qlass Cage"
By George Kibbe Turner, famous Saturday Evening Post
writer. The story of a beautiful "Love Nest" fledgling
trying to live down the notorious sins of her mother.
Calumny and suspicion trail her . . . Gossip lays wicked
hands on silken shoulders. But she's a smart girl — 'till
love makes a Fool of her, and involves her in a tangled
murder mystery which climaxes this great romance.
This novel was serialized to five million in Collier'/ and
had a wild sale and publicity in book form.
"When Irish Eyes are Smiling"
Original story by Gerald Duffy, who titled "The Patent
Leather Kid", "Her Wild Oat", "See You in Jail" and
many others. An ideal character for MOLLY O'DAVS
type as the heroine of the world-famous ballad by Ernest
Ball made famous by Chauncey Olcott.
The world has sung the song for a decade — now the
romance of its melody will be caught in a truly great
production.
■
■Milton a
JILLS
The iCharliei MACKAILL-
SQUALL
MURRAY
MULHALL
BUTTER &.
EGG MAN
INTER.
NATIONAL
SUCCESSES
* A 1 i c e
WHITE
MYSTERY
MELODRAMAS
Page 18
Richard A. Rowland flFfe
mm
3%
I
Written by J
the co-author of |F
"Dulcy", "Merton f
of the Movies" — A
George S. Kaufman ^
Directed by the
man who made "Mo m
FadderVs Flats"— '
Richard Wallace ^
ABUTTER AND EGG MAN-who-came-back
— and came bade hard!.... A worm who
turned against the New York wise guys who
thought they had "taken" him....ONE Broad-
way sucker who got MORE than an even break.
Rich with racy, unique types of Broadway
Insiders'*. Intimate revelations of the inner
workings of play production. And sure-fire
comedy in the attempts of a small- town boy
to act tough and wise like "a regular New
Yorker".
with JACK MULHALL
GRETA NISSEN, GERTRUDE
ASTOR, SAM HARDY
Cfiic Pres
Group
>NTHS ON
BROADWAY
as a stage play.
Hailed by every
New York critic
as one of the
funniest of mod-
ern comedies!
Colleen
MOORE
Richard
t Corinne •
The
Billie
Ken
\ LATOSCA |
BARTHELMESS
GRIFFITH
WHIP
DOVE
MAYNARD
George
FITZMAURICE
- " _ <- -
T-l . 1-1 .
.,_js\
mi
special*
. r«
SILLS
Pace 19
eries
AS
Tnter~
NATIONAL
SUCCESSES
Sensations in
LONDON, ROME, PARIS
BERLIN, MADRID
A yT"IXH famous continental and American stars;
▼ V hy internationally known authors; directed by
men who kave set nev standards in the industry.
These successes •will come to you -with proved
power. Best hy test. — each picture will pass the
requirements of road show quality tefore you get it.
And the first of a series of three wi
BEN LYON anJ LYA MARA m
DANCING VIENNA
Continental youth on the rampant. tlie jaxz age as
it hits beautiful Vienna*— a trip ahroad to the city
of Waltzes in one of the finest productions that ever
came from the other side. Received with great
>1 ause ", \iTelt Am Abend, Berlin. Great en-
thusiasm at the premiere , Berliner
JLolcalanzeiger. Evoked storms of
applause", Firm-Kurier, Berlin.
t the
applause
CYPRES!
Group
The
SQUALL
Charlie
MURRAY
MACKAILL-
MULHALL
NO! NO!
NANETTE
Molly
O'DAY
Alice
WHITE
MYSTERY
MELODRAMAS
"SHOW GIRL
will openyour eyes to THE REALTHINQin chorus
girls — something they've never seen before!
Pre-sold to the public by serialization in
22,000,000 copies of Liberty Magazim,
where it ran for 14 weeks; by publication in
book form; and by the national popularity
of the author, J. P. McEVOY, famous for his
widely syndicated newspaper feature, "The
Potters", Ziegfield Follies Hits, and the
musical comedy sensation "Americana".
"ON THE AIR"
will capitalize the Radio craze in the story
of a prizefighter's sweetie who was pure
Gold, though her man was just plain Yellow.
From a short story in the widely circulated
book "Mon Homme", by J^aul Deresco
Augsburg.
AND TWO OTHERS
QfePRESl
Group
One look at her, and hundred* of Show-
men said, "Here is a
/NEW STAR!
Spotted as "sure-firf»* in "Th« Sea Tiger",
"Gentlemen Prefer Blondes", "The Mad
Hour", "Harold Teen".
The incarnation of youthful lure, she is the
perfect star type of Tomorrow.
Shreuid showmen are already visioning the
rich new business they will build from the
new fan following of this flaming personality!
'3
/
0
ft
Colleen
MOORE
Richard
BARTHELMESS
rrr> a
* C orinne
GRIFFITH
T^/y /»/» A.r
I
The ■
\ Billie i Ken
\ LATOSCA j
Milton
WHIP
DOVE
MAYNARD
George
FITZMAURICE
•pedals
SILLS
o.. ...
FIRST NATIONAL
n$wer§ the Iremendouf
emand for
MELODRAMA!
WITH
3 SENSATIONAL
1 he world is mystery mad;
Each year the craving for this type of entertainment becomes
greater and greater until now, from the public libraries,
comes the statement that mystery fiction ranks 74' < in de-
mand above the nearest competitor. Of thirty-five successful
plays on Broadway last season eleven were mysteries; book
publishers are scouring the field for mystery stories; nightly
millions sit thrill -bound before the radios of the world
drinking in the thrills of detective yarns — and the best mag-
azines are turning to mysteries as circulation builders. Wha
a shrewd move of showmanship to give you three production^
from baffling stories at the time when this craze
The
QUALL
Charlie
MURRAY
MACKAILL-
MULHALL
NO! NO!
NANETTE
Molly
O'DAY
BUTTER &
EGG MAN
INTER-
NATIONAL
SUCCESSES
IOU get a run for your money in First National
Pictures, You get Extended Runs for the money you
put into First National accessories. . .they'll come on
the jump when these 24-sheet Salesmen get to work!
JOHN M-CORMICK
Fp
Colleen MOORE
Lilac Time
GARY COOPER
JAN I COWi,
GEORGE HTZMAUWCE
PRODUCTION
A FIRST NATIONAL PICTURE
WIU-IS GOLD BSC*.
Paper to
match the
greatness of
the product.
First National
service never ends
with the sale —
great publicity and
advertising ties
up all the way to
the last runs.
Every picture will
have the greatest
exploitation cam-
paign behind it
that showman
brains can devise.
The public knows
the line efA First
National Picture"
means the only
show to see.
***** * PICHAM) A OOWt AND
a j\TAt national Picture
National adver-
tising will herald
the President
Group into the
far corners of the
earth.
QiGKA&D A-
ROWLAND
The First Nat-
ional spirit is
spreading like
wildfire — the
public knows who
makes the con-
sistent hits.
iiS
Otet DOROTHY MACKAJfc
ahd LOWELL SHERMAN
AOtARv
B<UBW PRODUCTION
^ICTU
/ADVERTISING is half tl le business
battle.. .and FIRST NATIONAL advertising is universally
recognized as the Best in the Business. for 1928^29 you
can count on more intensive national exploitation and ad-
vertising than was ever given a great product in the past.
°vmade in the greatest studio in
the world! — with eleven great
stars and sixty noted featured
players — with fourteen sensa-
tional stage hits — eleven tre-
mendous best sellers and nine
outstanding Specials, will crash
through with the greatest major-
ity ever polled at the box office.
Public-made favorite, First Na-
tional carried 1927 with unani-
mous vote — the choice of the
people — the demand of showmen.
Now, riding the tide of tre-
mendous popularity, having
passed the acid test of the box
office with a phenomenal land-
slide of exhibitor endorsement,
First National AGAIN gives you
the key to Golden Profits.
Those who know will climb
aboard the bandwagon of
record breaking successes
and STAY there !
'This announcement,
being made in part
in advance of produc-
tion of the photoplays,
is based upon present
information and plans
and must not be con-
sidered as part of any
contract licensing the
exhibition of any
photoplay."
1
I
CONTINUOUS
PERFORMANCE
PRINTED IS V. S. A. BY I.. KtHLMANN CO.. N.Y,
DON'T ENVY AN M-G-
EXHIBITOR— BE ONE!
Check Over These Hits:
<i few of the many M-G-M
current season winners
BEN- HUR. THE BIG PARADE.
THE STUDENT PRINCE, LOVE,
THE ENEMY, THE FAIR CO-ED,
DIVINE WOMAN. WEST POINT.
THIRTEENTH HOUR. ADAM
AND EVIL, THE SMART SET,
BABY MINE. LONDON AFTER
MIDNIGHT. THE BIG CITY.
LATEST FROM PARIS, etc.. etc.
and in
coming ireeks
ACROSS TO SINGAPORE
2nd Big Week of Ramon
Novarrohit at Capitol, N.Y
LAUGH CLOWN LAUGH
(Chano)
CIRCUSROOKIES(Danc-Arthur)
THE ACTRESS (Shearer)
SKIRTS {Syd Chaplin)
THE COSSACKS (Gilbert)
DIAMOND HANDCUFFS
TELLING THE WORLD(Ha.ne»)
DETECTIVES (Dane-Arthur)
MLLE. FROM ARMENTIERES
and More! More! More!
The Rich Get Richer When They Play Metro - Goldtvyn - Mayer '.
1,500 new
EXHIBITOR accounts
SWITCHED to
IVI ETRO-Goldwyn-Mayer
IN the past year —
10,000 exhibitors
ARE now buying
M-G-M service—
WE'VE won your confidence
BY consistent performance!
M-G-M pledges that
IN 19284929
IT will again merit
YOUR confidence with
THE greatest line-up
OF M-G-M history!
Me"
GOLDWYN-
Mayer
The Metro-Gohf uvn-Maver Annual Announcement of Features, Short
Subjects and Newsreel uf>f>ear«? in Exhibitors Herald, May 1 2th, and in
Motion Picture News, May 1 9th.
FIRST/
Pafhe News
FIRST
in
man power, camera equipment and
laboratory facilities
FIRST
in regional offices at strategic points ♦
FIRST
in
the quantity and quality of "locals." .
FIRST
in
FIRST
in
FIRST
in
glamour, tradition and romance
FIRST
to
blaze new trails and set new standards.
FIRST
in
FIRST
in
the hearts of the public
FIRST
at
the barrier— first at the finish .
THE SCREEN NEWS THE PUBLIC KNOWS
AND DEMANDS
Volume WWII
NEW YORK CITY. VI U 12. I<>2«
No. <>
Coming: A Revolution
It Behooves Everyone Concerned to Put His House in Order
By William A. Johnston
WRITING from Los Angeles a year
ago, the writer made a prediction :
that the sound movie would revolu-
tionize and realign the entire industry of
motion pictures.
Just now — this week in fact, the largest
producers with their great financial and
studio resources are in haste, — too much
haste, perhaps, to tie in with the forces hold-
ing the mechanical facilities of sound in
pictures.
The object of this editorial is, in no wise,
an effort to say: "I told you so." It is only
written to say as forcefully as possible to
exhibitors, directors, writers, players and all
concerned that the day of the sound movie
is directly before us. And it behooves every
one concerned to get his house in order.
Not since the inauguration of feature pic-
tures and the subsequent reordering of the-
atres, distribution and production, has there
dawned so distinct and vital an era in the
amusement world.
Or, to put it in other words: there's a new
band wagon in motion pictures, in enter-
tainment in general, and the wise ones will
hop on.
j|C 5(C 5^
I have said that the sound movie would
revolutionize and realign: it will also, 1
believe, rejuvenate; rejuvenate the public
interest in motion pictures and. let us hope,
the vitality of the industrv that, with all its
economic faults, has made such a rattling
good job of motion picture entertainment.
The sound movie won't come all at once.
It will develop with all the experimental
steps that defined the years of development
in feature production. It will take time,
money, brains — a new talent in direction,
acting, writing; new studio apparatus; new
theatre apparatus and operation; new ad\er-
tising methods.
Nor w ill its advent throw black and white
pictures into the discard — by a long shot.
The baby will creep long before it w alks, ami
only then with the help of the w ell-dev eloped
resources of the machine that has put motion
picture entertainment to the forefront.
a|c s|c a|e
Some big questions arise.
There's the one of patents.
The woods are full of talking movie
processes. Main are unheard of generally.
There's the film method and the disc method.
Then, it is one thing to record sound and
quite another to take if off the record. In
the background loom such powerful organ-
izations as General Electric, Western Klec-
tric, Westinghouse and Radio C orporation.
Will patents rule or big business? No one
knows. And there is no elucidation. Those
who recall the earlier days of this industrv
can see the shadows overhead of patent
litigation and domination, of secret service
w < >rk.
If I were an exhibitor. I could certainly
appreciate some definite announcements.
* ♦ *
One thing we do know: The public has
tasted the sound movie, and wants more —
and more for years to come.
And another thing: sound movies will be
as good as they are made good. The novelty
itself won't last. There's a lot of production
work ahead. Just what are the studios
doi'ivr
1550
M o t i o n Picture News
Conducted by
AnEiCbibitorJorE^bibitor^
BOX OFFICE
PROBLEMS
By @harle$ E.Lewis
Managing Director, Gapitol JheafreMiddletow/), Cbpj?., and Palace JEeatre, Nor wiehCow.
Before going too
What It's AH f» "!'." ! s?4bJ'ec1 V1,
tin- kind, it would
About perhaps be best to
devote a little time
and space to the subject itself and particu-
larly to those whom this department can
best serve.
Primarily, it is our purpose to appeal di-
rectly to those theatres, theatre managers
and theatre owners located in the smaller
towns and cities. So much has already been
said about the larger and key cities that it
is time some publication devoted a depart-
ment to the "Small Town" theatres.
Some of our readers might well ask,
"What is a Small Town Manager?" Others
might ask for an explanation of the differ-
ence between the "Big" and "small" town
managers. And if you do not think there is
a big difference between them, then you are
very much mistaken.
Take the average manager of a theatre
in one of the larger cities and carefully
analyze bis responsibilities, his duties and
the sum total of what he can accomplish.
Compare all of these things with the small
town manager, then your respect for the
"small towner" is going to increase by
leaps and bounds.
In the first place,
The Manager in a manager in the
° small towns and
the Smaller Towns cities is a man
who devotes every
moment of his working hours to his
theatre. This can hardly be said about the
big city man, because being in a big city
there is much to occupy his time and atten-
tion while he is away from his theatre, he
has his regular days off, and finds ample
time to relax. Not so for the small towner.
Especially if he is a man who goes into the
town from some other location. His is a
beaten track between the hotei and the thea-
tre. He has no days off, or they are so few
and far apart that you would never call it
that. He gets up in the morning and imme-
diately after breakfast you will find him at
his theatre. He must look after his book-
ings, his lobby (display, his advertising and
the theatre in general. Don't forget that he
must depend upon distant points for his
show and other material and failure to re-
ceive any part of it means serious delays and
substitutions because a delayed shipment is a
bad handicap. He must see that his thea-
tre is advertising over an area that reaches
into many miles around the town, while the
big city manager reckons his area by city
blocks. If during the night the fire alarm
sounds he is up with the speed of a fire-
man and hoping it is not the theatre. Can
you picture a big city manager getting out
of bed when he hears the fire engines? He
just turns over and goes back to sleep.
Y Y ERE is a new and
important de-
partment. It is
conducted for exhibitors
by exhibitors. Charles
E. Lewis starts the ball
rolling and will keep it
rolling. But he wants
the help, and so do we,
of the live, ub-to-the-
minute showmen of the
business.
We intend to make
this the clearing-house
of the best box-office
ideas of the day — ex-
ploitation, house oper-
ation, community con-
tacts, etc. Due credit
will be given for all
ideas used. Send along
your photo with your
contribution.
A word about Mr.
Lewis, the editor of this
department: he operates
theatres in two typical
American towns. He's
a practical and success-
ful showman, with wide
experience , including
the big city, but it's the
smaller houses to which
this department is espe-
cially directed.
William A. Johnston.
Now the managers and theatre owners
that we are trying to reach and aid are ir.su
within the scope already outlined an.l to
each of them we say — "Here is a depart-
ment created to and for your interest." In
it you will find, as time goes by, many valu-
able suggestions based upon careful investi-
gation, on actual experience and on posicivs
facts.
. Let us acquaint
Introducing a Ger- you with just one of
tain Type of the managers that
Manager w ™ e 1 °n °ur
travels and if you
see, in him, a picture or description of your-
self, then perhaps our suggestions to him
will be of some material help to you. His
problems and your problems are alike.
What applies to him, will in most cases,
apply to you.
We will call him "Mr. Jones." He was
I he manager of a 1,200 seat theatre in a fine,
active town of about 14,0011 population, and
we found him comfortably seated in his own
little office over the lobby of the theatre.
His theatre is typical of thousands of thea-
tres in similar towns, and run about the
same way.
In the course of a friendly conversation,
(since we were brother managers, it was
friendly) he tells us that business is fair
and that bis theatre has been averaging
about $200 a week profit. Whether this is
a fair return on the investment we will not
go into at this time. He was doing a certain
amount of business but was resigned to the
old fashioned idea that his theatre could
only do just that and no more. He admitted
that once in a while it might fluctuate a
little up and down, depending on the
weather (notice he puts the weather first)
or perhaps the picture. He particularly in-
formed us that even a Lloyd or Chaplin
picture created little or no excitement in his
town. Yes, he had opposition, a little 700
seat house located in the foreign section of
the town. He was keenly amused when we
asked him if he did not think that business
could be increased by some special effort in
exploitation, advertising, etc. In fact, when
he stopped laughing he again emphasized
the fact "that in HIS opinion the town
could do just so much business and no
more." And what's more he was quite con-
tented to leave things alone and keep right
on going in the rut be was in. And rut
it is.
Ee'oro going into
Some Problems o f Mr- Jones ' Prob!emB
and how we propose
the Smaller Towns to heip him, let us
see what is happen-
ing to the small towns. First — The good-
roads campaign is resulting in many mag-
nificent highways being built all over the
country. The average family in the small
town has a car and they are getting the
habit of driving to the nearest bigger city
for their entertainment and amusement.
This department claims you can keep the
majority of these folks where they belong —
in your own town and theatre.
Second — The average theatre-goers today
are "theatre-wise." By this we mean, they
read the big city papers, their business takes
May 12, 19 2 8
1551
them into larger towns and they most
always know which are the good and which
are the had pictures. You can't "pull the
wool over his eyes." He is show- wise and
must he appealed to in the right way if you
would have him satisfied to get his enter-
tainment in town.
Third — Small town advertising methods
are ancient. The average small town man-
ager is not keeping ahreast of the times in
his newspaper or out-door advertising. And
this is one of the most deplorable of all
conditions because it is absolutely unwar-
ranted. There never was and never will be
a business or an industry that turns out so
many valuable aids and suggestions in ad-
vertising as this business of ours.
Fourth — Projection and house manage-
ment in most of the small towns have not
altered or improved as the years go by. We
found many theatres, during our travels,
that after walking through the lobby doors
was like turning back the years to the days
when theatres were nickelodeons. And the
strangest part of this angle is that it is
cheaper, in tke long run, to use modern
projection and efficient operation than to be
old-fashioned. Is it any wonder that the
small towns are crying that their business is
going out of town?
Fifth — The local angle, and the most valu-
able of all, is being neglected or overlooked
when it can be turned into business and
dollars And here is a point that will be the
subject of many interesting points for
future discussion.
We have only
Adapting Ideas to touched upon some
r or the subjects that
Local IMeeds are foremost in our
mind right at this
time; to attempt to go into them deeply
would require more space than we want to
devote in this issue, and when we do go into
them we want to gut it up to you in such a
way that you must see the advantages that
are yours for the asking, if you would but
take them.
It is our contention that every idea
sponsored can be remoulded and remodeled
to suit your individual requirements and
suitable for any town or city. But we go
further and say that the small town has a
far better chance of putting over a success-
ful "stunt" than the average big city. The
small town manager is master of his whole
community, and with proper judgment,
proper methods and proper tact, he can
accomplish wonders and increase his busi-
ness tremendously. On this point we are
completely sold and we propose to "sell"
vou on it too.
How You Can Use
This Department
We have only
touched upon some
of the points that we
want to bring home
to you and in a gen-
eral way outlined some of the things that
are running through our mind.
If, after you read this page, you believe
that we have echoed thoughts and ideas that
might have been applied to you, your town
or your general condition, then let us hope
that we have created sufficient interest so
that you will look forward every week to
this department of the NEWS and to do so
with an open mind. With the thought that
we are not criticising, but are trying to
help. With the idea that there is money to
be made from the suggestions we will offer.
Turn to Pages 1601-06 in this issue.
There you will find
A New and Improved
Release Chart
Arrangement of pictures is given
by companies, following suggestions
from a great number of exhibitors who
prefer this form. Motion Picture
News offers complete listing of re-
leases; features, short subjects and
coming attractions under the name of
the distributor in each case.
This department is in line with the
constant effort of Motion Picture
News to provide
Better Service for
Exhibitors
The Release Chart carries, as usual,
information on players, footage and
review dates. The Chart will cover,
by next September, the listings of the
complete season of 1927-28. At that
time will appear the greatly enlarged
Booking Guide and
Studio Directory
Thus, Motion Picture News gives
to its exhibitor readers in complete and
ready form, service of permanent
value and picture information vital to
the successful conduct of the theatre.
1552
Motion Picture News
Like thousands of fans in almost every land, William Haines
and Marion Davies sit entranced before the silent drama.
They are teamed for the first time in M-G-M's ''Breaking Into
the Movies"
Estelle Bradley, besides being one
of the best-looking blondes in pic-
tures, is also the wife of Charles
Lamont, Educational director. She
is an important reason ivhy Monty
Collins, Johnny Arthur and other
Educational comedians, fall all over
themselves trying to win her
Lealrice Joy in the garb of "The
Man-Made Woman," a Pathe fea-
ture in which she is starring at the
De Mille studio. 'What Holds
Men" will be the title of her next
for De Mille. She is also one of
the leads in M-G-M's "Bellamy
Trial"
Alice White, about 15 month f
ago unknown, is now an-
nounced to star in 4 First
National films
Mr. and Mrs. Harold Beaudine, returning from a Euro-
pean tour, were greeted upon arriving in Hollywood by
friends including W'illiam Beaudine, the travelers
brother and director for Universal, and his wife
A Shetland pony, one hour old, becomes the pet of
Colleen Moore, the First National star. The pony was
born at the First National studio, but he hasn't expressed
any interest in picture making, at least, not to date
Agnes Franey, ex ■ Follies
dancer, who is about to try
her luck in Warner Bros,
pictures
Luther Reed, who directed Caddo's
"Hell's Angels" for distribution
through United Artists. He will
direct "Sawdust Paradise" for Para-
mount
Young Frankie Darro prepared for any stirring western action.
In F B O films, he has made a name for himself as a good
little trouper
Fay W ray, the lovely new Para-
mount star, who will make a ser~
ies of romances ivith Gary Cooper.
The initial co-starring vehicle ivill
be "The First Kiss"
May 12, 1928
1553
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
The
JVlirrors
of
Filmdom
THE compromise in tin* French film situation reached
hy Will H. Hays and M. Herriot, Minister of Educa-
tion, means, in effect, as our Paris correspondent
points out, that France will now have a contingent system,
like Germay and England.
In all essential points, Mr. Hays won out. The French
stand for enforced exports is virtually abandoned.
There can be no question that the great popularity of
American pictures in France was a decisive factor in the
situation. After all, the public had to be considered; and
it is difficult to see how French theatres could have con-
tinued to operate on a successful scale, if deprived of
American pictures.
It seems to us that Mr. Hays made an excellent job of
a difficult situation.
# # # #
'T'HE problem of reciprocity remains what it has always
been, insofar as a solution fair to all is concerned. There
is, and can be, no real reciprocity except upon the basis of
entertainment quality. In other words, nothing would be ac-
complished by forced exports or forced imports, for the very
good reason that no picture is actually worth anything unless
the public wants it.
Reciprocity in which the public cannot share; trade deals
for the mere sake of deals, will get nobody anywhere for long.
On the other hand, it has always been our contention that
the avenues should be kept clear so that no quality picture,
whatever its origin, will fail to get its fair chance here.
It is obvious enough that Europe means to figure much more
largely in the world film market, than it has ever done before.
But this is not a matter of artificial barriers or governmental
restrictions. It is a plain matter of making pictures which the
public will not and cannot do without.
It is, nevertheless, true that the film has become a large item
in the channels of international diplomacy. This arises, not
from the entertainment aspect, which is the main one so far
as the public is concerned, but because the film carries com-
mercial propaganda as a by-product.
The irony of this situation is that if the American pro-
ducers had started out to make pictures deliberately for the
sake of boosting American commerce, they would have failed
dismally. What they did, and are doing, is making entertain-
ment films; the publicizing of American clothes, furniture
and manners of life to the world is, so far as the producer
goes, entirely incidental to the main purpose, which is sell-
ing entertainment.
Governments, however, are concerned with the film as a
trade agent and a most important agent it is. That is why.
when all is said and done, you have barriers and restriction,
quotas and contingents.
* * # »
'"FHE other day I had a talk with a representative of the
big hosiery makers of this country. He recited at
length how this American product dominates the consum-
er markets of the world; in Argentina, for instance, over
90 per cent of hosiery sales today are of American make.
"I wonder," I said, "if these gentlemen realize how
much they owe to the American motion picture as the ad-
vance agent of their goods."
He smiled. "You bet they do!" he answered.
And then one recalls the paltry sum Congress saw fit
to give to the motion picture division of the Department
of Commerce. It doesn't amount to a single order for
American hosiery from a new agent in Central America.
I might add another item of information from the ho-
siery industry to the motion picture industry. The manu-
facture of hosiery is probably the most highly competitive
business in the United States today; this country is filled
with mills. So the margin of profit is scant. Yet this busi-
ness sees fit and is able to assess the gross sales 7 per cent
for advertising — 5 per cent for trade and consumer adver-
tising space and 2 per cent for window cards and other
dealer helps.
What's the matter with the picture business?
* # # *
ZOOMING back to our own industry, we are interested to
^ see that Nelson B. Bell, photoplay editor of The Washing-
ton Post, stresses in his column the vital fact that what this
business is selling is entertainment. He says: "It is to be
hoped that these able gentlemen will not lose sight of the fact
that basically what they have to sell is entertainment. Not a
group of names; not a particular quality of photography;
not a specialized type of incandescent lighting; not 'camera
angles' and weird effects, but a happy coalition of these essen-
tial elements in a composite that may reasonably be looked to
to afford stimulating mental refreshment.
"It has often seemed to me that the producers of our silent
drama do not always utilize all of their resources in such a
way as to realize their highest possible value."
* # # *
A SALES convention listening to an address on Art —
A that is a story in itself, and a true story. For that is
what happened at the recent Paramount convention in
Washington; rather, at the dinner which concluded the
sessions.
The speaker was Otto II. Kahn. banker and art patron.
He was listened to with profound attention, as we happen
to know. And what Mr. Kahn said was not in the least
highbrow or high falutin*.
* # * •
W/E quote at random from Mr. Kahn's speech: "Permit
me to urge upon you, gentlemen^ of the selling force,
not to turn up your noses at the element of art in the movie.
It is perfectly possible to be hard headed without being hard
boiled, to be business-like without being a stand-patter, to be
a hustler without underestimating the spiritual things of life.
"But, in 'boosting' art to you, I am doing so not merely
from the point of view I have indicated, but equally so from
the point of view of practical advantage. Art pays.
"Art means far more to the people than is generally
realized by those who are but superficially acquainted with
the lives and sentiments of the broad masses. . . . Art is
not the plaything of opulence. Neither is it high-brow stuff.
It is robust, red-blooded, deep-rooted and democratic.
"Art is on the march in America — vigorously so. The inter-
est in it and the cultivation of it. are steadily broadening and
deepening. There is unmistakable evidence that a spiritual
stirring and moving is going on in the land, a searching for
the attainment of a fuller and richer and more comprehensive
life. The scoffer at art is gone out of fashion. Success is
found far more often by aiming high than by aiming low.
"All that, gentlement of the selling force, is not high-
falutin' after-dinner fanfaronading. It is the sober talk of a
business man based upon pretty wide observation and perhaps
a little vision."
rhe complete
line-up pre
sented in de-
tail on the
following 10
ages— is ab-
solute proof
that
Unam Umnpreal ha € fhs'Pirhirpcl
5 Great Carl Laemmle Super Productions
7 Smashing Laemmle Specials
4 Big Money Dennys
22 Universal Headliner Jewels
including
4 Laura LaPlantes
4 Glenn Tryons
8 Hoot Gibson Jewels
22 Five-Reel Western and Thrill Features
5 Amazing Super Serials
including Tarzan the Mighty
Universalis Complete Service Contract
International Newsreel
The Best Short Subjects in the World
2W Will Om.
UNCLE TO
Carl Laemmle's $2,000,000 Production of
Harriett Beecher Stowe's immortal classic.
THE GREATEST HUMAN DRAMA
EVER SCREENED!
THE MAN W
Victor Hugo's immortal romance of hate, pas-
sion and love.
A PAUL LENI PRODUCTION
Starring Mary Philhin and Conrad Veidt
Now selling out every performance at Central
Theatre, Broadway, N. Y. Admission $2.00 top.
BROADWAY
It's a Carl Laemmle Super Production
As a stage play it made over $2,000,000 for its
producers; as a motion picture it will crash
records for thousands of theatres !
Filmed from the Jed Harris stage production
written by Philip Dunning and George Abbot.
It's the one and only Broadway!
THE MAT
The REX BEACH Cosmopolitan Magazine
made into a great
It's a Carl Laemmle
amm
M'S CABIN
The world's sensation direct from its six
months run on Broadway at $2.00 top.
A HARRY POLLARD PRODUCTION
/t\s a Carl Lacmmle Super Production
HO LAUGHS
"The Man Who Laughs proves that there IS
such a thing as a two-a-day movie worth every
penny of the admission price."
— New York Evening Telegram.
It's a Carl Laemmle Super Production
SHOW BOAT
A HARRY POLLARD PRODUCTION
Tremendous— as Edna Ferber's best selling novel—
as the sensational Florenz Ziegfeld musical show-
in story value and dramatic punch— as a box office
attraction— in exploitation values and advance pub-
licity. It's a Carl Laemmle Super Production
ING CALL
Story and tremendously popular novel
box office picture.
Super Production
THE
FOREIGN
LEGION
starring
NORMAN KERRY
and
LEWIS STONE
with Mary Nolan, June Marlowe, etc.
An Edward Sloman Production
Adapted from I. A.R. Wylie's Novel
"The Red Mirage"
It's a Laemmle Special
GIVE AND
TAKE
GEORGE SIDNEY
and
JEAN HERSHOLT
in the William Beaudine Production
from the Broadway stage success
by Aaron Hoffman
It's a Laemmle Special
RENEE ADOREE
and
CONRAD NAGEL
in "a Rex Beach story bigger than
'"THE STORM"
It's a Laemmle Special
THE GIRL
ON THE BARGE
A glamorous romance of everyday folks
from the Cosmopolitan Magazine story
by RUPERT HUGHES
It's a Laemmle Special
LONESOME
GLENN TRYON
and
BARBARA KENT
in a page from the lives of a girl and
a boy — a fresh breeze from the studios
— an entirely new and distinctly diff-
erent type of picture.
Directed by the now famous Dr. Paul Fejos
It's a Laemmle Special
1nmn Ihihwrral ha c the 'Pictured
1 K JCO 1
THE COHENS
AND KELLYS
IN ATLANTIC
CITY
Another Red-Letter Day for Exhibitors!
All the riotous color of the
World's greatest playground plus an
avalanche of new gags and side
splitting situations !
It's a Laemmle Special
THE
LAST
WARNING
from Thomas F. Fallon's sensational
Broadway mystery play.
with LAURA LA PLANTE
and a Great Cast
Directed by PAUL LENI
the same combination that made
"THE CAT AND THE CANARY"
Ids a Laemmle Special
The Magic Name/
Reginald
DENNY
Four Big Money
Denny 's that will hit
every Denny fan
right where he lives
and make thousands
of new Denny fans
for you!
he-man stories
with speed in
every picture!
Red Hot Speed
The Night Rird
His Lucky Day
Clear The Decks
®UM5
LAURA
LaPLANTE
The Screen's Great Comedienne! Now
at the height of her glorious career in
these four delightful romantic
comedies:
HOME JAMES
A William Beaudine Production
with Charles Delaney
ONE RAINY NIGHT
A Wesley Ruggles Production
THAT BLONDE
DANGEROUS DIMPLES
THE GRIP OF
THE YUKON
William MacLeod Raine's powerful story of
the frozen north, with NEIL HAMILTON,
FRANCIS X. BUSHMAN, June Marlowe,
Burr Mcintosh.
An Ernst Laemnde Production
PHYLLIS
OF THE FOLLIES
Rich — Spicy — Daring. MATT MOORE,
ALICE DAY, Lilyan Tashman, Edmund Burns.
An Ernst Laemmle Production
FREEDOM
OF THE PRESS
with LEWIS STONE, MARCELINE DAY,
Henry B. Walthall, Malcolm MacGregor,
Hayden Stevenson. A Qcorge Melford Pro'
dnction, backed by Tremendous Exploitation.
MAN, WOMAN
AND WIFE
Underworld Atmosphere with a new twist,
starring NORMAN KERRY with PAULINE
STARKE, Kenneth Harlan, Marian Nixon, etc.
An Edward Laemmle Production.
THE CHARLATAN
Shivery — chilling — gripping! From the cele-
brated stage play by Ernest Pascal and
Leonard Haskins.
JAZZ MAD
starring JEAN HERSHOLT with Marian
Nixon and George Lewis. Story by Svend Gade.
Directed by Harmon Weight
THE
PLAY GOES ON
Powerful — thrilling — dramatic. Beautiful legs
— dazzling lights — red hot lips — back-stage life!
ANYBODY HERE
SEEN KELLY
with TOM MOORE, BESSIE LOVE, Kate
Price, Tom O'Brien and others.
A William Wvler Prodttction
RED LIPS
Youth at a temperature of 212 degrees. Charles
Rogers, Marian Nixon, Hayden Stevenson
and others.
A Meifille Broir/i Production
HONEYMOON
FLATS
A showman's picture with a real showman's
title. With George Lewis, Dorothy Gulliver,
Bryant Washburn, Eddie Phillips, Ward Crane,
Kathlyn Williams, Jane Winton, Jackie Combs,
Phillips Smalley.
A Millard Webb Production
THE
SHAKEDOWN
The double - action, money -making kick of
show-business and underworld atmosphere.
Story by Charles A. Logue.
A William Wyler Production
COME ACROSS
A smashing melodrama of the underworld!
Silks and satins in the shadow of the law.
A William W\/er Production
GLENN
TRYON
His face is your fortune. Watch him
burn 'em up for you with his four
new knockouts:
FRESH EVERY HOUR
THE GATE CRASHER
THE KID'S CLEVER
The LIFE of the PARTY
He's Carl Laemmle's Sensational
Screen Find
SILKS AND
SADDLES
from Gerald Beaumont'sgreatstory"Thorough-
breds" with MARIAN NIXON, Richard
Walling, Montague Love, Otis Harlan, Mary
Nolan, Sam DeGrasse, Hayden Stevenson,
David Torrence, Claire MacDowell and the
famous Jockey, Johnny Fox, Jr.
A Robert Hill Production
YOU CAN'T BUY
LOVE
Fast moving drama of the restless spirit of
youth. Story by Beatrice Van.
A Ernst Laemmle Production
HOOT GIBSON
Proven at the box office absolute King of all Western Stars
in 8 Great Gibson Jewels^with more action — more speed
— more western atmosphere than ever before
The Danger Rider
fc$y Arthur Starter
' Directed by Henry McRae
Burning The Wind
Smilin' Guns
The Getaway
Points West
from 4ie stdry
by B. M. Bower
Clearing The Trail
Blow For Blow
King Of The Rodeo
UNIVERSALIS
COMPLETE SERVICE
CONTRACT
For the Profit, Prosperity and Continued
Success of Thousands
of Exhibitors !
The Exhibitors only real assurance of Complete
Box Office Programs as he wants them
— when he wants them — and at a
price he can afford to pay ! /
Universal Head
AMAZING NEW UNIVERSAL SUPER f
SERIALS THAT TOP ALL COMPETITION #
TARZAN the MIGHTY
from the world-famous stories by Edgar Rice Burroughs
12 Tremendous Episodes. Greater than
BLAKE OF SCOTLAND YARD
The Final Reckoning
by G. A. Henty
World's most popular writer of stories for boys
12 Thrilling Episodes
The Mystery Rider
George Morgan's gripping story
made into a great chapter play
10 Episodes *
The Piratesof Panama
by William MacLeod Raines
whose stories of adventure are enjoyed by millions
12 Smashing Episodes
The Diamond Master
Jacques Futrelle
the great writer at his tip-top best
10 Action-Crammed Episodes
22
REEL UNIVERSAL
WESTERN and Thrill
FEATURES !
7 Ted Wells Western Dramas
7 Thrilling Melodramas
2 Aviation Pictures
with Jack Wilson
Loaded with action- crowded with drama — packed tight with thrills
6 Rex, The Wonder Horse
with Jack Perrin
liners ~> J926~>2,9
THE COLLEGIANS
CARL LAEMMLE Jr's
Universal Junior Jewels
2 Bigger, Better and Grander Series
12 Two-Reelers in Each
starring GEORGE LEWIS, with
Dorothy Gulliver, Eddie Phillips,
Churchill Ross, Hayden Stevenson
INTERNATIONAL
NEWS REEL
First in the judgment of more than
9000 exhibitors I
First in the eyes of millions of people
— it's the Jewel of the NewsreelsJ
2 each week — 104 a year
Released thru Universal
STERN BROTHERS
2-REEL COMEDIES, including
SNOOKUMS
the World's Wonder Baby
and outstanding box-office
draw of the short subjects in
George McManus' famous
newspaper comics
"The Newly weds and Their Baby"
Universal Junior Jewels
2 reels each — 13 in the series
OSWALD
the Lucky Rabbit
First choice of all cartoon comedies
among thousands of exhibitors
26 in the series — one reel each
Created by W.alt Disney
Winkler Productions
Horace in Hollywood
starring Arthur Lake
13 One-Reelers
Laemmle Novelties
something new under the sun
13 in the series, one reel each
MIKE and IKE
"Rube" Goldberg's
tremendously popular cartoon comics
LET GEORGE DO IT
George McManus'
big syndicate newspaper comic strip
BUSTER BROWN
R. F. Outcault's Newspaper Kid Headliners
All two reels each, 13 in each series
52 ACTION
FEATURETTES
Pure, unadulterated, concentrated
thrills — 2 reels each
12 TENDERFOOT THRILLERS
with George Chandler
12 FOREST RANGER PICTURES
with Edmund Cobb
12 STUNT COWBOY SERIES
with Bob Cur wood
8 HARRY CAREY Reissues
8 JACK HOXIE Reissues
1566
Important Changes Made
in Theatre Field
Universal and Publix Chains Figure in Announcements
of Reported Transactions
MANY important theatre changes are
being recorded in all parts of the
United States, with some of the
larger circuits acquiring additional houses
and the individually owned houses passing
into new hands. Publix and Universal fig-
ure more or less prominently in the dis-
patches coming from different points dur-
ing the week.
The following wires tell of changes made
recently.
Jacksonville, Fla. — The Lyric and Baird
theatres in Gainesville, Flla., have been,
taken over by E. J. Sparks, it was an-
nounced this week, and both houses will re-
ceive his personal supervision. It was also
stated that a standard plan as to prices
and policy would become immediately ef-
fective at the two theatres.
These houses were formerly operated by
the Publix Theatre Corporation and the
Saenger Amusement Company of New Or-
leans.
J. Newton Treece, formerly at the Rialto
and Imperial theatres in Jacksonville, and
in charge of other operations for Publix in
Florida, will continue as resident manager
for Sparks Enterprises, with Harris Davies
also retained as assistant.
According to announcement carried in
the Gainesville press, admission prices in
Gainesville will be standardized under the
policy of operation to be instituted by the
Sparks organization. Special features on
Mondays and sometimes for the first two
days of the week, will carry slightly higher
prices than on other days. Popular prices
will prevail at the Baird as in the past, it
was stated.
The same arrangement with Publix that
prevails in other cities in Florida is under-
stood to govern in the Gainesville houses.
Kansas City, Mo. — Arrangements were
concluded by M. B. Shanberg, general man-
ager of the Midland Circuit of Theatres,
and C. B. Plaine of New York, representa-
tive of Universal Chain Theatrical Enter-
prises, Inc., whereby the Isis, Apollo, Lin-
wood, Lincoln, Gillham and Gladstone the-
atres will be returned to the Universal
chain. With the Uptown, now under Uni-
versal management, Universal will have a
string of seven suburban houses in Kan-
sas City. George Steiner, manager of the
Uptown, will be local manager. The Mid-
land operates about fifty theatres in Mis-
souri, Kansas and Iowa, but, with this
change, will be interested only in Loew's
Midland in Kansas City.
New London, Conn. — Announcement is
made of the purchase of the Garde Theatre,
the newest and largest theatre in New
London, Conn., which was taken over a
short time ago by W. Garde from the origi-
nal lessee by A. Goddesman, who owns a
number of theatres in the Connecticut area.
Coincident with this announcement comes
that from the New England Theatres Oper-
ating Corp. of Boston that it has acquired
from Walter Murphy, the Crown Theatre in
New London, Conn. This is the first thea-
tre which the New England Theatres Oper-
ating Corp. has purchased in Connecticut
and marks the entrance of this $25,000,000
corporation into that state.
Boston, Mass. — Crescent Gardens Theatre
at Revere, Mass., and the Central Square
Theatre at East Boston have been sold by
M. F. Cronin to Joseph Levenson, Boston.
Mr. Levenson heads the Mark Strand enter-
prises in New England and it is believed
that the two theatres are acquired for that
circuit.
Minneapolis, Minn. — Two Minneapolis
neighborhood houses were acquired by
Finkelstein & Ruben this week. One of
them, the new Granada, is now under con-
struction at Hennepin Avenue and Lake
Street. The other theatre is the Arion at
Twenty-third Street and Central Avenue
northwest. Both theatres were leased by
F. & R. from Louis Rubenstein and A. A.
Kaplan, operators of several neighborhood
houses in Minneapolis. Mr. Rubenstein will
be retained by F. & R. to manage both
houses.
Construction of the Granada was begun
last fall by William Berg, Minneapolis
contractor, who leased the building to the
Granada Amusement Co., represented by
Mr. Kaplan and Mr. Rubenstein. F. & R.
have announced that the new building,
which cost $100,000 will be rushed to com-
pletion immediately. The Arion theatre will
be redecorated and other improvements
made.
Profits of Montreal Chain
Indicate an Increase
United Amusements, Limited, operating
12 moving picture theatres in Montreal,
Quebec, has issued a report which shows
that the earnings of the company for the
first six months of the fiscal year of 1927-
1928 are more than 70 per cent of the
revenue for the entire year ending' August
31 last.
Net earnings for the half year, after ad-
ministrative expenses and mortgage inter-
est, were in excess of five times bond in-
terest and left a substantial surplus for
dividends. Outstanding capitalization of
the company, in which Famous Players Ca-
Motion Picture News
nadian Corp., owns a substantial common
stock interest, consists of $1,500,000 six
per cent first mortgage bonds and 60,036
shares of no par value.
George Nicholas Ganetakos has been
managing director of United Amusements
Limited, for many years.
Skouras Made Profit of
$62,345 During Quarter
The annual report of Skouras Brothers
Enterprises, Inc., shows that during the
quarter ending on March 31, 1928, the com-
pany made a net profit of $62,345.46. The
following is a summary of earnings for the
first quarter ending March 31, 1928 :
Net profit before deducting depreciation,
$75,295.75; depreciation and amortization,
$12,950.29; net profit for 3 months, $62,-
345.46.
In the capital stock account, which in-
cludes 13 months, and is of January 31,
1928, is given balance as of December 1,
1926, $1,943,161.21, from which $22,911.67 is
deducted for adjustments applicable to
prior years and to which is added $149,-
651.25 for net profit in the 13 months be-
fore deducting depreciation and amortiza-
tion amounting to $142,384. These two
adjustments being completed, there re-
mained $1,927,516.03, from which $123,736
is deducted for dividends on A and B stock,
leaving a balance of $1,803,779.23 as of
January 31, 1928.
O. B. Shepard, Theatre
Owner of Toronto, Passes
O. B. Shepard, theatre owner and long
a leader in municipal and theatrical affairs
in Toronto, died there on April 30 after
a short illness. He was 79 years old and
had numerous friends in theatrical circles
in Western New York. He also was widely
known among theatre men throughout the
continent. A half century ago he entered
the show business as treasurer of the Grand
Opera house, and in recent years he was
one of the best known of Canadian theatre
managers.
Quirk Buys "Smart Set"
and "McClure's"
Smart Set Magazine and McClure's
Magazine have been purchased by James R.
Quirk from William Randolph Hearst.
Quirk is owner and publisher of Photoplay
Magazine.
The transfer of ownership and operation
of the publications is effective immediately.
The magazines will continue under their
present editorships, William J. Lengel of
Smart Set and Arthur Sullivan Hoffman of
McClure 's.
Tom Mix Recovering from
Recent Illness
News from the Congress Hotel, Chicago,
where Tom Mix, FBO's new western star,
has been seriously ill for several days with
influenza, indicates that the star is recover-
ing and hopes to resume his vaudeville tour
within a few days. The star is expected in
New York on May 20th.
New Posts for Clarke
and Green
RL. CLARKE, president of the
National Theatre Supply
* Company, has also been
elected to the presidency of that com-
pany, succeeding H. A. R. Dutton, who
resigned to become president of the
National Contract Purchase Corp.
Walter E. Green, vice-president of
National Theatre Supply Co., has been
made general manager of that company.
Mr. Green will make his headquarters
in Chicago and New York.
May 12, 19 2 8
1567
Paramount Report Is Rejected
Sole Question Between Company and Federal Trade Commis-
sion Now Hinges on Block Booking
THE Federal Trade Commission li;is re-
jected P;ir;unouiit \s second report ot*
compliance in reply to the commis-
sions order regarding block booking of mo-
tion pictures, and the company disputes that
it " block books" in the sense clia rged by the
commission. That seems to be the only
dispute between the commission and Para-
inaunt at present, as the other parts of the
report, relating to alleged conspiracy to
restrain trade and acquisition of theatres
for alleged intimidation of exhibitors in
connection with booking trims, were ac-
cepted bv the commission as unobjection-
able.
There are two moves that now seem im-
minent. The commission has the right to
petition for enforcement in a Tinted States
Circuit Court of Appeals, and the indica-
tions are that this step will be taken, and
the respondents have the right to petition
for vacation of the commission's order.
Paramount has not yet decided what step
it will take.
The orders of the Federal Trade Commis-
sion not being self-executing, to uphold its
order it must institute proceedings in the
Cleveland
Action Against Ten
AS! IT of much importance to the in-
dustry will be up for hearing in the
court of Federal Judge D. C. West-
enhaver, in Cleveland, on May 14. It
charges ten producers and distributors with
violation of the Sherman Ant i-TrusI Act,
and violation of the Clayton Act, alleging
conspiracy in restraint of trade.
The suit was brought by the U-B The-
atrical Enterprises, Inc., against the Cleve-
land Film Board of Trade, I'nited Artists
Corporation, First National Pictures, Inc.,
Warner Bros.. Vitagraph, Inc., Standard
Film Service Company, Fox Film Corpora-
tion, Ohio Exchange for Educational Pic-
tures, Inc., Pa the Exchange, Inc., Universal
Exchanges, Inc., and Para unt-Famous-
Lasky Corporation. The petition asks for
a temporary injunction, and that upon final
hearing such injunction be made permanent.
The U-B Theatrical Enterprises, Inc.,
states in its petition that on February 14,
1 027, it contracted with United Artists for
two pictures. It played one of the pictures
with considerable financial loss and there-
upon refused to play the second picture,
claiming it was a failure at other theatres.
United Artists invoked the provisions of
the arbitration clause in the standard
exhibition contract. The questions sub-
mitted to the Joint Board of Arbitration
were the liability of the U-B Theatrical
Enterprises for failure to pay for the first
film and the refusal to accept the second
film. United Artists won an award of $800,
three members of the Board voting in favor
Federal Court. Xo decision has yet been
made as to whether court proceedings are
to follow upon the commission's rejection
1 1 1 I '.-i I'amount '- report .
The respondent 's report on block book-
ing was rejected by the commission because,
it was announced, ''the facts alleged as to
the manner and form in which respondents
are complying, and have complied with
paragraph two of said order to cease and
desisl .ire insufficient to show a compliance
with said paragraph two."
It is believed that the action of the com-
mission was based largely upon the fact
that in it- report Paramount stated that
it had adopted the new standard contract
as drawn up and recommended by a com-
mittee appointed for that purpose last Oc-
tober at the trade practice conference held
in Xew York, but did not explain how that
action was in compliance with the order.
The full text of the commission's statement
follows :
The commission rejected the report of
compliance in so far as it related to block
booking, stating that "the facts alleged as
to the manner and form in which respond-
Leading Producers
for Hearing Monday
of an award, two voting against an award,
and one not voting at all.
The petition states that United Artists
Corporation ami the Film Board of 'trade
attempted to resumbit the questions to a
second arbitration. There being no pro-
vision for a second submission in the con-
tract, the U-B Theatrical Enterprises re-
fused to recognize the legality of such
action.
It is charged that immediately following
the award and "as a means of coercing
compliance therewith and for the purpose
of denying the plaintiff the right to
challenge the same in proper judicial pro-
ceedings the United Artists Corporation,
the only party to the contracts with the
plaintiff and the only party among the
defendants in said arbitration, called to its
aid all the other defendants with whom the
plaintiff had outstanding executory con-
tracts for the leasing and exhibition of
pictures."
It is alleged that each of the other de-
fendants thereupon demanded of the U-B
Theatrical Enterprise security payment on
each of its contracts. The amount of these
security payments is said to approximate
$."),()()()." It' is further stated that this
security demand is entirely independent of
Credit rating, but is a threat used by the
producer- ami distributors through con-
spiracy and combining together in restraint
of trade.
The petition sets forth in detail the
alleged burdens of block and blind booking,
ents are complying, and have complied wilh
paragraph two (that in which block book-
ing is prohibited) of said order to cease
and desist," are "insufficient to show a
compliance with said paragraph two."
The Paramount Famous-Las ky Corpora-
tion stated in its report of compliance sub-
mitted April 15 that it had adopted the new-
standard contract as drawn up, and recom-
mended by a committee appointed for that
purpose last October at the trade practice
conference of the motion picture industry
held in Xew York under auspices of the
commission.
The next step has not been determined.
The commission has the right to petition
for enforcement in a United States Circuit
Court of Appeals, and the respondents have
the right to petition for vacation of the
commission 's order.
The commission declares in its "order
rejecting in part respondent 's report of com-
pliance" that "the sole question to be de-
cided by the commission upon said report
of compliance, is the sufficiency of the facts
alleged in said report to constitute com-
(Continucd on payc 1568)
and Distributors Up
and the elleged ability of the producers and
distributors to put an exhibitor out of busi-
ness by means of conspiracy and combining
together either to cut off service to an
exhibitor, or to demand excess security
deposits.
The temporary injunction filed by the
U-B Theatrical Enterprises asks to restrain
the defendants from discontinuing service
for films under contract; to restrain the de-
fendants from interfering with the per-
formance of any contract by any defendant
to supply films to the plaintiff; to restrain
the defendents from attempting to enforce
against the plaintiff any award by the Joint
Arbitration Board referred to in the peti-
tion; to restrain the defendants from con-
spiring, acting or combining together to im-
pose restraints upon or to interfere with
picture films being transmitted in interstate
commerce from any of the defendants to
the plaintiff, or to restrain the defendants
from effectuating any such conspiracy, com-
bination or agreement whenever made.
Cleveland may possibly be the scene of
the first move on the part of the Depart-
ment of Justice of the United Stales in its
investigation of the motion picture indus-
try. Following the tiling of this petition of
the U-B Theatrical Enterprises, Inc.. United
states District Attorney A. E. Bernstein is
said to have ordered Wilfred .1. Mahon, his
chief assistant, to work with the agents of
the department in probing the local situa-
tion. A copy of U-B Theatrical enterprises,
Inc., petition was sent to Washington.
Conspiracy Suit Due
1568
Motion Picture News
Warners Announce Titles
for New Season
Lineup is Completed for Eighteen Features Included in
Program for 1928-29
HARRY M. WARNER, president of
Warner Bros, has announced the
titles of the eighteen pictures that
will make lip the company's program for the
1928-29 season, or at least as many of them
as have been given titles. They are as fol-
lows :
"Kid Gloves," with Conrad Nagel; "The
Little Wildcat," by Gene Wright, with
Audrey Ferris ; Rin-Tin-Tin in three pro-
duct ions, Monte Blue in "The Greyhound
Limited" and "From Headquarters;"
"One Stolen Night," by D. D. Calhoun;
Audrey Ferris in "Fancy Baggage;" Irene
Rich and Audrey Ferris in "Women They
Talk About;" *May McAvoy in "Stolen
Kisses ; " " She Knew Men ; ' ' Audrey Fer-
ris and William Collier, Jr., in "No Ques-
tions Asked;" Myrna Loy in "Hard
Boiled Rose;" May McAvoy and Conrad
Nagel in a mystery melodrama, the title of
which has not yet been decided upon; An-
tonio Moreno and Helene Costello in "The
Midnight Taxi;" Monte Blue in "No De-
fense;" Conrad Nagel and Myrna Loy in
"State Street Sadie."
Warners intend to keep well ahead on
their production schedule for the new sea-
son, and, in fact, have already completed
a number of pictures, while others are now
under way. All productions are to have
Vitaphone synchronizations, but will be
available to exhibitors with or without Vita-
phone.
Two of the coming season's features were
completed last week at the company's Hol-
lywood studios. These are a co-starring
vehicle for May McAvoy and Conrad Nagel,
temporarily titled, "Fools in the Fog," and
Irene Rich, William Collier, Jr., and Audrey
Ferris in "Women They Talk About."
Howard Bretherton directed "Fools in
the Fog" from Charles Condon's script of
a story by Jerome Kingston. The support-
ing cast to Miss McAvoy and Nagel in-
cludes, Mack Swain, Charles Gerrard, Ruth
Cherrington, Emil Chautard and Hugh
Herbert.
"Women They Talk About" was directed
by Lloyd Bacon. It is an Anthony Colde-
way story for which Robert Lord prepared
the scenario. In the supporting cast are,
Claude Gillingwater, Anders Randolf, Jack
Santoro and John Miljan.
Monte Blue's first starring vehicle for
next season will be ' ' The Greyhound Lim-
ited," by Albert Howson, Warners scenario
editor. Its adaption has been assigned to
Anthony Coldeway. Helene Costello will be
leading lady. The picture will go before
the cameras about the first of July when
Blue returns from Europe.
Production is under way on "The Mid-
night Taxi," in which Antonio Moreno and
Helenje Gosfello have the leading roles.
John Adolfi is directing and the story is by
Robert Agnew. Featured in the supporting
cast are Robert Agnew, Myrna Loy, William
Russell and Hugh Herbert.
Dubinsky Buys 3 Theatres
of Late Walter Wallace
Ed Dubinsky, manager of the Regent
theatre, Kansas City, has purchased the
Orpheum, Lyceum and Strand theatres of
Leavenworth, Kas., from the estate of the
late Walter Wallace, who died recently.
They are the only three theatres in Leaven-
worth, a city of 30,000 people. The pur-
chase of the three houses increases Mr.
Dubinsky's string of theatres to ten.
Merritt Crawford Editing
New Aywon Special
Merritt Crawford has been engaged by
Nathan Hirsh, president Aywon Pictures,
to edit and re-title for roadshowing "A
Daughter of Israel," starring Betty Blythe,
anil directed by Eduard Jose from Pierre
Benoit's famous novel, "Jacob's Well."
The film when shown will be about 7,500 ft.
long, and is scheduled for its American
premiere at the Cameo.
Neilan Will Make Several
Films for FBO
Marshall Neilan, director, will make sev-
eral pictures for FBO, the first to be
"Taxi 13," a comedy-drama, which will
star Chester Conklin with Martha Sleeper
supplying the feminine romantic interest.
The director is now casting the production,
and work will commence within the next
few days.
Mr. Neilan 's association with the Ken-
nedy organization means that his contem-
plated trip to England, where he is sched-
uled to make a series of pictures for an
English company, is postponed indefinitely.
Paramount Report Rejected
by Trade Commission
(Continued from preceding page)
pliance with so much of said order to cease
and desist as requires respondents to file a
written report or written reports as to the
manner and form of their compliance with
paragraphs one, two and three of said order
to cease and desist; the question of actual
compliance with said order, or any part
thereof, not being determined by the com-
mission, but being left open at all times to
investigation, challenge, allegation and
prtoof, under the terms of the Federal
Trade Commission Act."
Two Parts of Report Accepted
On the basis of the foregoing paragraph
the commission further declares:
"Within the limitations and for the sole
purpose suggested in the first paragraph
of this order, the commission determines
and orders as to the several parts of said
report, as follows :
1. "The commission accepts as unobjec-
tionable the allegations of so much of said
report as relates to compliance with para-
graph one of said order to cease and de-
sist."
(Paragraph one of the order prohibits
(he corporation and individuals from con-
tinuing a conspiracy to lessen competition
and restrain trade interstate and foreign
commerce in motion picture films.)
2. "The commission rejects the allega-
tions of so much of said report as relates to
compliance with paragraph two of said
order to cease and desist, as being insuffi-
cient to show that respondents have com-
plied, or are complying, with said para-
graph two. ' '
(Paragraph two of the order prohibits
the respondents from the practice of block-
booking; that is, leasing films in a block or
group and compelling the picture house
which shows the films to take all pictures in
the group or block, or none at all, without
regard to the character of the pictures or
the wishes of the picture house.)
3. "The commission accepts as ;inob-
jectionable the allegations of so much of
said report as relates to compliance with
paragraph three of said order to cease and
desist."
(Paragraph three of the order prohibits
respondents from acquiring, or threatening
to acquire, theatres for the purpose of in-
timidating or coercing an exhibitor of films
to book and exhibit films of the corpora-
tion.)
The commission's order to cease and de-
sist was issued July 9, 1927, with the pro-
vision that a report of compliance was to be
submitted within 00 days. The commission
granted the corporation two extensions of
time at its own request, and the present re-
port of compliance is the second one sub-
mitted by Paramount.
American, Salt Lake,
Bought by Glasmann
THE American Theatre, at 241
South street, Salt Lake City, was
sold this past week to A. L.
Glasmann of Ogden, Utah, for a price
in excess of $500,000, it is announced.
The property was purchased from the
Dahnken Theatre company through
Carsten Dahnken, general manager
and the transaction was handled by D.
E. Schayer, associated with the
Dahnken interests for the past two
and a half years.
Dave Schayer, it is announced, will
remain at the American as exploitation
manager under the new ownership.
Glasmann is also purchasing from
the Dahnken Theatre company the 20-
year lease on the Egyptian Theatre at
Boise, Idaho. This theatre was built
by Boise interests, headed by Leo J.
Falk, and was opened a year ago this
month.
The Orpheum Theatre, of Ogden,
Utah, was also recently taken over by
Glasmann, who also has newspaper in-
terests in Ogden, and it is stated that
he intends to establish a large chain of
theatres in the intermountain terri-
tory.
May 12, 1928
1569
Great Activity in "Sound" Field
Two Companies Join Forces in Movement to Develop Sound
Device for Synchronization of Pictures
WITH the trend of affairs in the mo-
tion picture Industry all toward
talking movies, the various com-
panies having tie-ups with the electric com-
panies and the Radio Corporation of Amer-
ica, which control amplifying devices, all
continue busy with their experiments or
with the production of talking pictures.
Now comes the news that Paramount and
Metro-Goldwyn-Mayer are in the field
jointly for experimental purposes. They
are together equally for experimenting
with the Roy .1. Pomeroy device which is
used for recording the sound effects in con-
nection with the picture, "Wings."
This information regarding the joining:
forces of Paramount and Metro-(!oldwyn-
Mayer was conveyed by Paul Bern, assist-
ant to Irving Thalberg and supervisor in
the purchase of stories for M-G-M. Mr.
Bern, in the course of an interview, de-
clared that Paramount and Metro had been
experimenting: for some time with talking
picture devices, that they were in the
proposition on an equal footing, and that
their experiments were largely with the
Pomeroy device.
Paramount recently renewed the contract
of Pomeroy, who has been with the com-
pany for the past six years. His sound
recording equipment and system is different
than that employed by other devices in that
the sound is recorded neither on a disc nor
on the same film with the picture. It is on
an entirely separate film with synchroniza-
tion running concurrently with the picture
film.
The Pomeroy machine so far, has been
used only in connection with "Wings." It
does away with back-stage effects and syn-
chronizes machine gun fire, airplane whir-
ring, and other accompanying noises with
the running picture.
Pomeroy has established his studio at
the Lasky studios and with the Metro and
Paramount engineers is conducting' his ex-
periments and continually striving to make
improvements. The switchboard and
recording equipment set up at the studio
last week is said to resemble the kind used
in a small telephone exchange. There are
four hundred wire leads, with plug-in
sockets running into the board. When
photographing sound on a film, this board
enables the recorder or director to plug-in
for increased volume or plug-out for mod-
eration.
W arners seem to be developing the talk-
ing" motion picture more rapidly than the
other companies with their Vitaphone. The
company plans extensive activities along
these lines during the coming season. An
announcement from their office -ays that
they will make the picture, "The Terror,"
without a single title of any kind, and that
it will be predicated entirely upon Vita-
phone. The presentation credit -beet will
be discarded and the credits announced by
Vitaphone, as will the cast and presenta-
tion company.
Warners also announce a complete Vita-
phone musical comedy with the making of
the popular musical show, "The Desert
Song." It will constitute the first full-
length musical play to be produced with
sound effect on the screen, and will be made
as a road show on the Warner program for
1928-29.
Another progressive step in connection
with talking: movies was made by Donald
Crisp at a dinner of the Writers' Branch
of the Academy of Motion Picture Arts and
Sciences. He advocates the making of talk-
ing pictures here by French, German and
Russian companies to insure a market be-
yond the English speaking countries.
From Albany comes word that Eastman
Teaching Films, Inc., has been organized as
a subsidiary to the Eastman Kodak Com-
(Continiicd on Payc \?77)
Hays Wins French Compromise
Compromise Modifies French Restrictions and Permits U. S.
60 Per Cent of Last Year's Films Free in France
PARIS. May !).— Will II. Hays is re-
turning on the Berengaria due in
New York Thursday night or Friday
morning-, after having won an important if
not complete victory in his concluding
session with the French Cinema Control
Commission. As a result of this session the
French have abandoned the principle of
enforced exports.
The plan now becomes a contingent sys-
tem such as is in force in Germany. For
each French fifm received in American
seven permits will be granted to import
foreign films, with two additional permits
for American distribution. America can
also import free sixty per cent of last
year's number of releases, Just before his
departure on the Berengaria, Mr. Mays ex-
pressed complete satisfaction over the
modified regulations.
Aftcir a sijries of disappointments in
which it seemed the visit to France of Will
H. Hays might be entirely unfruitful, and
just at the time when it seemed a meeting
with Edouard Berriot, Minister of Educa-
tion, would not materialize, Mr. I la vs ac-
complished his mission and returns to
America. The modified quota law as briefly
outlined in cabled dispatches from France
meets with the entire approval of tin- in-
dustry in America.
By L. C. MOEN
Staff Correspondent , Motion Picture News
and that American distributors may by
As a result of this compromise American
films will be admitted to France free of all
restrictions up to sixty per cent of last
year's American releases in France.
French imports in excess of sixty per cent
will be under the regulation requiring
American concerns to release at least one
French picture for every seven of their own
distributed in France.
Immediately upon the announcement of
the compromise effected American distribu-
tors who had threatened to withdraw from
Fiance resumed their activities and ex-
changes are again operating at full force.
The compromise brought about by Mr.
Hays is said to have come out of a confer-
ence of a special sub-committee appointed
by the French Comtmission and representa-
tives of American firms, with Mr. Hays as
the dominenl figure. Among other clauses
is one that provides that American pictures
previously banned owing to French nation-
alistic feeling will be given a clean bill of
health.
It is not yet known just in what manner
the modified regulations will be enforced,
but it is thought that the difficulties will
not be any greater than those now exi-tant
under the quota law in England. It is fell
that the French law will be quite elastic.
buying a permit exhibit seven pictures
without actually taking over any French
pictures. It is also said that they mighl
buy a French picture for actual exhibition
in France and thus secure the right to re-
lease seven pictures, since every French pic-
ture carries one permit.
Another elastic condition is thought to
provide that if a French picture is bought
for showings in France and also in the
United States, distributors will secure the
light to release nine American pictures in
France. Just what will constitute Ameri-
can distribution of French pictures leaves
some room for argument, but it is thought
that scattered showings in a few American
theatres owned or controlled by producer-
distributors will be considered sufficient to
constitute an observance of the French
regulations.
Another important concession won in the
modified arrangement is one that American
companies organized under the laws of
France will, tor production pur]x>ses, be
considered as French companies. It is fig-
ured that about 234 pictures will be sub-
mitted to France this year from America
before the purchase of additional French
pictures are required for license-.
[570
Motion Picture News
Steffes Re-named Head
of Northwest Owners
Exhibitors Will Refuse to Arbitrate With Producers
Selling to Non-theatrical Agencies
WA. STEFFES, of Minneapolis,
was re-elected to the presidency
• of the North-west Theatre Own-
ers' Association at the annual meeting of
that organization held last week at the
Nicollet Hotel, at Minneapolis. The re-
election of Mr. Steffes was accomplished
without opposition, a determined effort to
replace him with Lieutenant-Governor W.
I. Nolan, of Minnesota, failing completely
at the last minute.
W. M. Miller, of Clocpiet. who had started
the move to go outside the organization for
a president, and to establish the Lieutenant-
Governor as Northwest theatre czar, did an
"about face," and moved that the nomina-
tions be closed after Steffes name had been
put up. Mr. Nolan had stated previously
that he was in no sense a candidate for the
position if there was to be a contest for it
in the convention, but said that he would
consider the post if it were tendered to him
unanimously. The position pays about
$10,000 yearly.
Vice-presidents elected were: Otto Baths,
St. Paul; Theodore Hays, Minneapolis;
Mrs. James Leslie, Clark, S. D.; and Mrs.
M. C. Riggs, Owatonna, Minn. H. E. Hoff-
man, of St. Paul, was elected treasurer in
place of Harry Dreyer, also of St. Paul,
who declined to serve, and A. A. Kaplan, of
Minneapolis, was re-elected secretary. The
organization also chose 20 directors.
About 300 exhibitors from Minnesota,
North Dakota and South Dakota attended
the convention. A resolution adopted early
in the meeting provided that members re-
fuse to arbitrate with any producing com-
pany which sold films to non-theatrical
agencies. This resolution was passed after
several speakers had pointed out that one
company's manager (United Artists) had
declared that he would sell pictures to
schools, churches or tent operators if he
wished to.
Later the organization went on record as
favoring arbitration of exhibitor disputes
as provided in the uniform contract drafted
by the Hays organization. Mr. Miller led
the tight against the arbitration clause,
claiming that it Avorked a hardship on ex-
hibitors, while Mr. Steffes spoke in favor
id' arbitration, expressing the opinion that,
while the present system was far from per-
fect, it was as satisfactory an arrangement
as could be obtained from the producers at
this time.
The convention also went on record as
supporting any exhibitor who sought to
cancel a film he considered immoral or in
any way unsuited to his audience. It was
pointed out that theatre owners are at the
mercy of the producers, as under their con-
tracts for the output of any large producing
company they are compelled either to play
objectionable pictures or pay for them, thus
suffering heavy financial losses.
Speakers at the convention included
Mayor George E. Leach, of Minneapolis,
who made the welcoming address, the Rev-
erend John DuniJiy, of the Ascension
Church, and the Rev. Phillips E. Osgood, of
St. Marks Episcopal Church.
Tampa Wrought Up Over
Censorship Question
An agitation against the exhibition of
what they term "offensive motion pic-
tures," was begun last week by the moral
welfare committee of the Hillsboro County
Federation of Women's Clubs of Tampa,
Florida. The protest was started by a pic-
ture shown recently in Tampa, which
brought letters of condemnation from resi-
dents. The Women's Clubs have been as-
sured by John B. Carroll, general manager
of Consolidated Amusements, of his coop-
eration in every way possible.
Daylight Saving Battle Is
Imminent in K. G.
Kansas City seems destined to have an-
other fight on the question of daylight sav-
ing. Exhibitors and others in the film busi-
ness are vigorously opposing the introduc-
tion of the time system which Kansas City
tried out years ago but eventually gave up
in disgust. Now it looks as though the plan
will have another trial, as the Kansas City
Clearing House Association, the banks and
golf clubs are in favor of the change in
time.
R. R. Biechele, president of the M. P. T.
0. -Kansas-Missouri, terms the change to
daylight saving time as "ridiculous."
"Such a move," he said, "would greatly
injure the theatre business and, as far as I
can see, would do no one else any good."
Daylight Saving Battle in
Progress in Indianapolis
Theatre interests of Indianapolis led a
bitter fight on daylight saving before the
city council in Indianapolis. Labor inter-
ests also joined in the battle led by Charles
Metzger, president of Associated Theatre
Owners; Helen Brown, secretary, Ace
Berry, of the Skouras-Publix interests and
Patricia Lynch, of the Film Board of
Trade. The indications are that Mayor L.
Ert Slack will veto the measure when pre-
sented to him by council. He is personally
opposed to daylight saving, but has not
taken a stand officially.
The council fight was led by Herman P.
Lieber, formerly associated with Circle
Theatre Company. He changed his vote at
the April 29 meeting so he could call for
reconsideration. A petition of 12,000 re-
monstrators was obtained in local movie
houses.
Long-Term Contracts Given
New De Mille Players
Geoi'ge Duryea and Lina Basquette, the
two starring players in "The Godless Girl,"
the new Cecil B. De Mille production for
Pathe, have both been signed to new long-
term contracts by the director. They will
be featured in a number of forthcoming pro-
ductions on the Pathe program.
Duryea 's screen experience prior to his
engagement by De Mille was limited to a
few educational films made by a New Eng-
land firm. He has been loaned to M-G-M for
a role in "The Tide of Empire." Miss
Basquette was recently premiere danseuse
of the Ziegfeld Follies; she began screen
work less than a year ago.
Papers of Incorporation
Granted to 4 at Albany
Newly incorporated motion picture com-
panies entering the business in New York
state during the past week and receiving
charters from the secretary of state at Al-
bany, included the following: Oscaria The-
atre Corporation, $20,000, Minnie Thorne,
Augustus Thorne, New York City; Ella
Holden, Brooklyn ; Industrial Pictures Cor-
poration, capitalization not stated, Samuel
and Pauline Epstein, Evelyn Stern, New
York City; Hoboken Theatrical Company,
Inc., capitalization not stated, Mabel G.
Crawford, Frances Davis, Toby Cohen, New
York City.
J. I. Schnitzer Returns
to Desk After Illness
J. I. Schnitzer, senior vice-president of
F B O supervising distribution, has returned
to his desk fully recovered from a severe
attack of pneumonia. He will attend the
F B O convention in Chicago, which starts
on May 14.
Efforts to Eliminate
Admission Tax Balked
EFFORTS by the Democrats led by
Senator Simmons, of North
Carolina, to eliminate entirely
the admission tax on May 8 were de-
feated after considerable debate in the
Senate and the provision for an in-
crease in the exemption from 75 cents
to $3 was accepted.
A peculiar situation arose in connec-
tion with the consideration of the ad-
mission tax, a vote on Senator Sim-
mons' amendment to repeal it in its
entirety resulting in a tie at 40 to 40.
Upon announcing the result of the
vote the attention of Vice-president
Dawes, in the chair, was called to the
fact that under the Constitution he is
required to cast his vote when there
is a tie, and he voted with the Republi-
cans. The ballot was questioned as to
legality and something of a parlia-
mentary wrangle ensued which was
concluded by Senator Smoot, of Utah,
asking unanimous consent that the
vote be taken over, which was granted.
Upon the second vote Senator McNary,
of Oregon, switched from yea to nay,
and Senator Cutting, of New Mexico,
made his appearance in the Senate and
voted with the Republicans, resulting
in a vote of 42 to 39 to reject the
Democratic proposal.
U ay 12, 1 928
1571
Educational Outlines Program
Company Will Produce at Least 52 Two-reelers, and 50 One
reelers, As Well As Kinograms
EW. MAMMONS, president of Edu-
cational Film Kxchanges, Inc., an-
* nounces a lengthv list of short sub-
jects for the 1928-29 season. Details of the
company's production program were com-
pleted only last week, and it is revealed
that there will be at least 52 two-reel come-
dies, while the single reel product will in-
clude at least 50 subjects, in addition to the
twice-a-week release of the newsreel, Kino-
grams.
Lupino Lane will assume a position of
even greater importance on the company
program for next season with eight come-
dies in two-reel length, intended to be of
the finest feature character as regards
stories, settings and direction. Big Boy
will also be seen in eight Big Boy Juvenile
Comedies.
One new series of two-reel subjects will
be introduced by Educational under the
brand name of "Ideal Comedies." These
will feature Jack White's newest "find,"
Jerry Drew, who figured prominently in
Mermaid Comedies during the past season.
There will be eight of these "Ideal
Comedies."
Dorothy Devore, the only girl starring in
her own series of two-reel comedies, will
continue in the Educational line-up, with
six Dorothy Devore Comedies.
There will be sixteen two-reel Mermaid
Comedies, which will feature such come-
dians as Monty Collins, George Davis, Al
St. John and others. It was the Mermaid
Comedy series with which .Jack White be-
gan his association with Educational more
than eight years ago.
Wallace Lupino and other popular stars
will be seen in the new group of Tuxedo
Comedies, of which there will be six.
In the single reel product Educational
introduces a new and modern screen maga-
zine to be called "The World Today."
There will be one release each month of this
new screen magazine, which will aim to
give a broad view of our old world in the
newest and snappiest method of screen
presentation.
Cameo Comedies, which for several years
have occupied an important position on the
company's schedule, will continue on Edu-
cational's program with twenty-six releases
for the season.
The Lyman H. Howe organization will
again produce twelve of the Hodge-Podge
releases of "some sense and some non-
sense." The Kinograms newsreel continues
with Educational on its long-term contract.
"For several seasons," said Mr. Ham-
mons, "it has been our practice to add to
Educational 's releases as the season pro-
gressed, the best of the special subjects
w hich became available in the short feature
field. Such special releases have included
many beautiful subjects in color, such as
the Romance Productions and "The Voice
of the Nightingale," and many other ex-
ceptionally interesting subjects of varied
character. We expect, in addition to the
program of comedy, novelty and news re-
leases already planned, to add to our re-
leases in later months a few of the best
special short features, which may be pro-
duced throughout the world."
All of Educational 's two-reel comedy
product and single reel Cameo Comedies
will be produced at the Educational Studio-
on Santa Monica Boulevard, Los Angeles.
This comedy plant has been still further
improved during the last year by the erec-
tion of a large new stage building and other
extensive physical developments.
Jack White, as director-in-chief of the
Educational Studios, will be surrounded by
a large staff of well known comedy di-
rectors. These will include several men
who have contributed very materially to the
success of Educational 's comedy product
during several seasons, among them being
Stephen Roberts, Charles Lamont and Jules
White. To this staff other prominent com-
edy directors are to be added in the near
future.
Fox Films Announces 52 Features
Twelve Productions Already Completed on Silver Anniversary
Program of Company
FOX FILM CORPORATION, celebrat-
ing its Silver Anniversary after its
twenty-live years existence announces
a pretentious program of 52 pictures for
the 192S-29 season. These pictures will be
produced under the general direction of
Winfield Sheehan, general manager of the
company.
Of the fifty-two productions contem-
plated, twelve are completed and ready for
screening and four of these are already
known to Broadway. These four are "Sim-
rise," F. W. Murnau's song of two humans,
which was shown twice daily for twenty-
eight weeks at the Times Square Theatre;
"Mother Machree," its successor at that
theatre; "Four Sons," the John Ford pro-
duction now in its thirl cent li week, and
"Street Angel," in its fifth week at the
Globe Theatre.
"The Street Angel" will be followed
within two weeks by "The Red Dance,"
fifth of the Fox specials at a theatre still
to be announced. The latter is a Raoul
Walsh production featuring Dolores Del
Rio, Charles Parrel] and [van Linow.
The sixth special offering designed for
reserved seat showings this summer is Edna
Ferber's story, "Mother Knows Best,"
produced by J. (i. Rlystone. In it Madge
Bellamy plays a stage entertainer who is
managed from birth to maturitv bv her
ubiquitous Mama. This picture is now be-
ing photographed at the Fox studios with
a cast including Louise Dresser, Farrell
Macdonahl and Marjorie Beebc.
It will be followed by three other spe-
cials, of which "Fazil" is now completed
and ready for screening. This is a Howard
Hawks production, based on the English
and French dramatic versions of "L'lnsou-
mise" by Pierre Frondaie. Charles Farrell
plays the role of Prince Fazil, who aban-
dons his desert principality because of the
siren enchantments of the alluring Greta
Xissen. Mae Busch, Tyler Brooke and John
Boles will also be seen in this picture.
Frank Borzage is now at work on "Back-
wash," based on the novel "The River,"
by Tristram Tapper, to be published by J.
B. Lippincott next week. This is the first
important picture for Mary Duncan, who
will be remembered for her stage work in
"The Shanghai Gesture."
Something unusual is expected from
"The Air Circus," which Howard Hawks
is now directing, with Sue Carol actually
teaching Arthur Lake and David Rollins
how to fly,
Raoul Walsh is now at work on "Me,
Gangster," the novel bv Charles Francis
Cop, tracing some of the exploits of the
gangs of X"w York, with a cast including
June Collver, Nick Stuart ami Ben Bard.
"Dry Martini," the novel by John
Thomas, is being directed by H. D'Abbadie
D'Arrast, from a scenario bv Douglas Z.
Doty.
The new comedy team of Sammy Cohen
and Jack Pennick is now completing "Plas-
tered in Paris," made under the direction
of Benjamin Stoloff with Lola Salvi in one
of the chief supporting roles.
Irving Cummings arrived in New York-
last Wednesday, with his cameraman and
assistants, to shoot scenes in New Bedford
for a motion picture based on Tom dish-
ing's stage play, "La Gringa."
These twelve pictures, either completed
or well along in production, are the only
titles at present revealed by the Fox or-
ganization, which will hold its annual sales
convention May 2.1rd at the Park Central
Hotel in Xew York. On that date will be
announced the forty additional pictures
offprpd for rplease between August 1, 1028
and July 30, 1929.
Victor McLaglen will be starred in "The
River Pirate," according to an announce-
ment from the William Fox West Coast
Studios. Production has just begun on this
underworld drama, which is based on
Charles Francis Cop's novpl of the same
name. William K. Howard is directing.
Lois Moran and Nick Stuart have been
cast in leading roles.
1572
M o t i o n P ic t u r e N e w s
% s "The Check- Up" s :
"The Check-Up" is a presentation in the briefest and most convenient form of reports received from ex-
hibitors in every part of the country on current features, which makes it possible for the exhibitor to see what the
picture has done for other theatre managers.
The first column following the name of the feature represents the number of managers that have reported
the picture as "Poor." The second column gives the number who consider it "Fair"; the third, the number who
consider it "Good" ; and the fourth column, those who consider it "Big."
The fifth column is a percentage figure giving the average rating on that feature, obtained by the following
method: A report of "Poor" is rated at 20% ; one of "Fair," 40% ; "Good," 70% ; and "Big," 100%. The per-
centage ratings of all of these reports on one picture are then added together, and divided by the number of re-
ports, giving the average percentage — a figure which represents the consensus of opinion on that picture. In this
way exceptional cases, reports which might be misleading taken alone and such individual differences of opinion
are averaged up and eliminated.
No picture is included in the list which has not received at least ten reports.
Title of Pictar*
Title of Picture
COLUMBIA PICTURES
Alias the Lone Wolf
Blood Ship, The
By Whose Hand
College Hero, The
Romantic Age, The
Sally in Our Alley
Warning, The
F B O
Arizona Nights
Breed of Courage, The
Clancy's Kosher Wedding . .
Coney Island
Coward, The
Gingham Girl, The
Great Mail Robbery, The...
Harvester, The
Judgment of the Hills
Legionnaires in Paris
Moon of Israel
Mother
Not for Publication
Racing Romeo, The
Shanghaied
Silver Comes Thru
FIRST NATIONAL
American Beauty
Breakfast at Sunrise..
Broadway Nights
Camille
Devil's Saddle.
Framed
Her Wild Oat
Home Made
Life of Riley, The
Lonesome Ladies
Lost at the Front
Love Mart, The
Mad Hour, The
Man Crazy
Naughty, But Nice
Noose, The
No Place to Go
Patent Leather Kid, The
Poor Nut, The
Prince of Headwaiters, The. ..
Red Raiders
Rose of the Golden West
Sailors' Wives
—
3
28
4
"71
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6,301
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6,507
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68
5,488
Ft.
1
6
26
3
66
6,802
Ft.
1
8
20
1
61
6,588
Ft.
1
4
20
2
66
5,282
Ft.
1
3
18
T
65
6,344
Ft.
1
6
27
6
69
7,133
Ft.
2
5
32
64
7,443
F.t
?
8
15
6
65
7,694
Ft.
7
24
7
70
6,118
Ft.
1
1
8
62
6,524
Ft.
4
30
2
68
6,720
Ft.
6
13
61
5,718
Ft.
4
16
2
67
5.255
Ft.
2
29
2
70
7,388
Ft.
1
9
67
6,625
Ft.
1
2
21
2
66
5,542
Ft.
2
25
5
73
6,520
Ft.
3
20
5
72
7,331
Ft.
1
8
7
1
55
6,431
Ft.
2
21
12
79
11,412
Ft.
7
15
2
64
6,897
Ft.
1
6
18
61
6,400
Ft.
2
18
67
6,214
Ft.
9
19
4
65
6,477
Ft.
2
9
65
5,484
Ft.
Shepherd of the Hills, The... -
Smile, Brother, Smile —
Stolen Bride, The —
Sunset Derby, The —
Tender Hour, The —
Texas Steer, A —
Three's a Crowd 1
Valley of the Giants —
Whip Woman, The 2
White Pants Willie 2
FOX
Arizona Wild Cat, The —
Blackjack —
Circus Ace, The —
Colleen —
Come to My House 1
Cradle Snatchers —
Dressed to Kill —
East Side, West Side —
Gateway of the Moon, The.. —
Gay Retreat, The —
High School Hero, The —
Hills of Peril —
Joy Girl, The —
Ladies Must Dress —
Loves of Carmen —
One Increasing Purpose 2
Outlaws of Red River —
Paid to Love —
Pajamas —
Publicity Madness 1
Rich but Honest —
Secret Studio, The 2
Seventh Heaven —
Sharpshooters —
Silk Legs 1
Silver Valley —
Slaves of Beauty 1
Sunrise —
Tumbling River —
Two Girls Wanted —
Very Confidential —
What Price Glory —
Wizard, The —
Wolf Fangs —
METRO-GOLDWYN-MAYER
Adam and Evil —
After Midnight —
Annie Laurie —
Baby Mine 2
Becky —
Ben Hur -
Big City, The —
Big Parade, The —
Bodv and Soul 2
Bugle Call, The —
Buttons —
California —
Reporting
Reporting
Reporting
Percentage
Length
20
6
74
8.188
Ft.
5
25
2
68
6,669
Ft.
3
31
3
72
7,179
Ft.
3
13
—
64
5,000
Ft.
8
20
3
65
7,400
Ft.
6
23
1
65
7,419
Ft.
5
1(1
1
60
5,666
Ft.
2
25
2
70
6,336
Ft.
?
6
54
5,087
Ft.
5
18
2
63
6,499
Ft.
3
14
—
65
4,665
Ft.
?
8
—
64
4,777
Ft.
3
17
3
70
4,810
Ft.
4
10
2
66
5,301
Ft.
4
12
—
60
5,430
Ft.
3
20
3
70
6,281
Ft.
2
7
2
77
6,566
Ft.
1
23
5
74
8,154
Ft.
4
14
1
65
5,038
Ft.
1
22
9
78
5,524
Ft.
2
16
4
73
5,498
Ft.
2
16
67
4,943
Ft.
6
21
63
6,162
Ft.
3
12
2
68
5,599
Ft.
8
30
9
71
8,538
Ft.
4
8
1
57
7,677
Ft.
3
27
3
70
5,327
Ft.
4
16
1
66
6,888
Ft.
1
13
2
72
5,876
Ft.
7
15
59
5.893
Ft.
2
8
2
70
5,480
Ft.
2
12
60
5,870
Ft.
4
51
35
80
8,500
Ft.
4
12
1
65
5,573
Ft.
2
18
2
68
5,446
Ft.
T
16
1
70
5,011
Ft.
2
5
2
65
5,412
Ft.
1
8
1
70
8,729
Ft.
3
17
1
67
4,675
Ft.
6
12
2
64
6,293
Ft.
2
13
66
5,620
Ft.
55
47
84
11.109
Ft.
3
14
65
5.629
Ft.
3
7
1
65
5,331
Ft.
5
24
65
6,667
Ft.
6
39
4
69
6,312
Ft.
9
30
4
67
8,730
Ft.
6
17
1
63
5,139
Ft.
5
19
2
67
6,433
Ft.
9
35
45
82
11,693
Ft.
2
13
3
72
6,838
Ft.
3
38
35
83
11,519
Ft.
8
20
2
61
5.902
Ft.
3
23
4
71
5,821
Ft.
1
11
4
76
6,050
Ft.
3
6
1
64
4,912
Ft.
May 12, 19 28
1573
Title of Picture
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$
1
25
7
75
5.875
Ft.
9
32
2
65
7,395
Ft.
3
23
6
73
7.3(H)
Ft.
2
13
1
65
8,189
Ft.
—
38
11
77
6,408
Ft.
1
9
—
67
4,658
Ft.
2
12
1
65
4.082
Ft.
10
28
7
66
8.200
Ft.
9
23
3
65
6,646
Ft.
1
16
1
70
7,743
Ft.
4
26
9
74
5,687
Ft.
7
11
1
59
5,950
Ft.
8
30
5
66
6,280
Ft.
9
31
3
64
5,057
Ft.
6
7
—
56
5,671
Ft.
8
2
76
7,289
Ft.
10
16
2
61
7.193
Ft.
9
27
4
66
'..5-14
Ft.
1
17
68
7,745
Ft.
1
12
1
70
6.476
Ft.
5
35
4
68
6,507
Ft.
1
20
16
82
9,563
Ft.
2
14
—
66
5.273
Ft.
6
20
1
64
5.252
Ft.
5
34
10
73
7,899
Ft.
5
26
10
74
5.517
Ft.
1
24
13
79
8.134
Ft.
2
28
5
73
6.951
Ft.
4
31
18
75
9,879
Ft.
8
18
5
63
6,704
Ft.
6
30
9
72
6,536
Ft.
8
17
2
63
5. 4 08
Ft.
4
7
—
59
5,665
Ft.
6
22
4
68
5,907
Ft.
6
16
2
65
5,889
Ft.
2
27
3
71
5.386
Ft.
7
28
7
69
5.399
Ft.
3
30
2
68
6.376
Ft.
6
26
3
67
6,017
Ft.
7
19
6
69
6.871
Ft.
2
32
5
72
5.889
Ft.
4
12
—
63
5,415
Ft.
1
32
14
78
5.862
Ft.
4
23
2
65
8.656
Ft.
—
21
15
83
8.234
Ft.
3
9
1
65
6,032
Ft.
3
12
—
61
6,940
Ft.
—
11
6
81
7.415
Ft.
3
12
2
68
5,737
Ft.
8
20
—
60
7.180
Ft.
4
35
8
73
5,617
Ft.
6
19
6
64
8,039
Ft.
2
25
2
70
6,258
Ft.
2
13
2
70
5.741
Ft.
6
36
8
71
5,798
Ft.
5
28
8
72
7.910
Ft.
4
11
1
59
4.551
Ft.
21
—
67
5.599
Ft.
T
9
—
72
6,600
Ft.
4
9
—
61
6,118
Ft.
—
10
8
83
6,331
Ft.
3
19
1
65
6,249
Ft.
6
42
7
66
9.443
Ft.
3
20
2
65
6.368
Ft.
1
10
—
67
7.149
Ft.
4
16
2
67
5,209
Ft.
6
18
6
68
6.170
Ft.
7
32
6
69
5.515
Ft.
2
25
3
71
6.015
Ft.
4
8
1
63
7.616
Ft.
6
14
1
60
6,838
Ft.
1
9
9
83
7.960
Fl
2
21
2
70
5,951
Ft.
1
13
3
71
4.934
Ft.
1
14
62
6 203
Ft.
1
44
4
72
6.124
Ft
8
20
67
6 (XV)
Ft.
4
22
3
69
6 407
Ft.
3
~5
51
5.733
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7
11
55
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14
4
77
5 310
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2
9
1
68
5.991
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7.643
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5.935 Ft.
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5,866 Ft.
1
7
18
3
64
5.413 Ft.
6
20
2
66
5,960 Ft
2
4
12
1
60
6,555 Ft.
3
12
3
70
9,992 Ft.
1
19
3
73
7,500 Ft.
5
26
4
69
6,599 Ft.
1
20
1
68
8.002 Ft.
1
11
2
72
5,990 Ft
3
10
63
5.999 Ft.
4
4
2
64
6.035 Ft.
6
8
57
4,660 Ft.
1
2
11
62
6.650 Ft.
\
7
3
75
5,888 Ft
4
14
1
65
o,472 Ft.
2
7
1
67
5.954 Ft.
—
1
7
3
75
5.844 Ft
2
12
66
5.423 Ft.
—
2
15
2
70
5,610 Ft.
2
26
2
70
6.447 Ft.
2
24
3
69
7.920 Ft.
1
2
7
59
7,000 Ft.
—
8
3
78
6.049 Ft.
1
9
1
70
5.276 Ft.
1
25
3
72
6,448 Ft.
2
15
24
86
6.700 Ft.
5
17
6
71
5,362 Ft.
4
12
5
71
6,765 Ft.
8
20
9
71
8.400 Ft.
1
28
14
79
9,256 Ft.
—
39
6
74
8.300 Ft.
4
43
17
76
8.500 Ft.
—
1
25
9
77
8.700 Ft.
2
23
16
80
9,000 Ft.
i
i
16
80
8 250 Ft.
1
4
12
60
6.869 Ft.
1
5
20
62
5.751 Ft.
1
7
12
1
59
5,670 Ft.
3
47
14
75
7.190 Ft.
1
5
15
5
68
7,304 Ft.
1
3
5
1
59
5.252 Ft.
2
18
9
77
7.481 Ft.
16
3
75
5.684 Ft.
1
9
67
6.193 Ft.
14
2
74
5.711 Ft.
3
15
1
67
6.958 Ft.
3
22
3
70
7.713 Ft.
14
1
67
5.862 Ft.
4
14
63
6.135 Ft.
4
14
63
5.918 Ft.
1
2
20
2
68
6.170 Ft.
23
4
74
6.045 Ft.
1
11
72
5.680 Ft.
—
3
17
!
67
6.166 Ft.
10
3
70
6.073 Ft.
3
■
67
5.598 Ft.
3
16
1
67
5.803 Ft.
1
15
68
6.281 Ft.
6
7
56
6.621 Ft
■>
26
1
69
6,616 Ft.
t
10
65
5.807 Ft
2
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1
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6.408 Ft.
!
9
67
6,638 Ft.
4
14
63
5.978 Ft.
2
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2
70
6.302 Ft.
i
7
1
67
5.613 Ft.
4
25
1
67
5.868 Ft.
6
15
91
9,117 Ft.
4
14
1
65
6,310 Ft
—
5
19
3
68
6.485 Ft.
6
33
4
69
7.961 Ft.
1
20
69
6.375 Ft.
6
14
61
6.412 Ft.
1
36
6
73
10.081 Ft.
Callahans and the Murphys... —
Captain Salvation —
Divine Woman, The —
Enemy, The 1
Fair Co-Ed, The —
Foreign Devils —
Frontiersman, The 1
Garden of Allah, The 2
In Old Kentucky —
Latest From Paris, The —
London After Midnight —
Lovelorn 1
Man, Woman and Sin 2
Mockery 2
On Ze Boulevard —
Patsy, The —
Quality Street —
Road to Romance, The —
Rose- Marie —
Smart Set, The —
Spring Fever 1
Student Prince, The —
Tea for Three —
Thirteenth Hour, The —
Twelve Miles Out —
Unknown, The —
West Point —
PARAMOUNT
Barbed Wire —
Beau Geste 3
Beau Sahrenr 3
Chang —
City Gone Wild, The —
Doomsday —
Drums of the Desert —
Feel My Pulse —
Figures Don't Lie —
Firemen, Save My C hild 1
Gay Defender, The 1
Gentleman of Paris, A —
Gentlemen Prefer Blondes.... —
Get Your Man —
Honeymoon Hate —
Hula —
Jesse James 2
Last Command, The —
Last Outlaw, The —
Last Waltz, The 1
Legion of the Condemned —
Love and Learn —
Madame Pompadour 1
Man Power —
Metropolis 4
Nevada —
Night of Mystery, A —
Now We're in the Air —
Old Ironsides 1
One Woman to Another 2
Open Range —
Partners in Crime —
Pioneer Scout, The —
Red Hair _
Rolled Stockings 1
Rough Riders. The 5
Running Wild 2
Secret Hour, The —
Serenade —
Service for Ladies 1
Shanghai Bound 1
She's a Sheik —
Showdown, The —
Soft Cushions 1
Speedy —
Sporting Goods —
Spotlight. The 1
Stark Love 2
Swim. Girl. Swim —
Tell It to Sweeney 1
Ten Modern Commandments.. —
Tillie's Punctured Romance... 2
Time to Love 2
Two Flaming Youths —
Under the Tonto Rim —
Underworld —
Way of All Flesh. The —
We're All Gamblers
Whirlwind of Youth, The...
Wife Savers
Woman on Trial, The
PATHE-DEMILLE
Angel of Broadway, The....
Chicago
Country Doctor, The
Dress Parade, The
Fighting Eagle, The
Girl in the Pullman
Harp in Hock, A
Heart Thief, The
His First Flame
lxopard Lady, The
Let 'Er Go Gallegher
Main Event, The
Night Flyer, The
Rejuvenation of Aunt Mary. .
Stand and Deliver
Wise Wife, The
Wreck of the Hesperus, The.
Yankee Clipper, The
STATE RIGHTS
Satin Woman, The
TIFFANY-STAHL
Lightning
Streets of Shanghai
Wild Geese
UNITED ARTISTS
Circus, The
College
Devil Dancer, The
Dove, The
Gaucho, The
Magic Flame, The
My best Girl ,
Sadie Thompson
Sorrell and Son
'I' wo Arabian Knights
UNIVERSAL
Alias the Deacon
Back to God's Country
Beware of Widows
Cat and the Canary, The ,
Chinese Parrot. The
Claw, The
Cohens and Kellys in Paris. . . ,
Fast and Furious
Four Flusher, The
Hero for a Night, A
Irresistible Lover, The
I^es Miserables
Lone Eagle, The
Man's Past. A
On Your Toes
Out All Night
Painting the Town
Prairie King, The
Silk Stockings
That's My Daddy
Thirteenth Juror, The
WARNER BROS.
Black Diamond Express, The.
Bush Ix-agucr, The
Climbers. The
College Widow. The
Dearie
Desired Woman, The
Fortune Hunter, The
Girl from Chicago, The
Good- Time Charley
Ham and F.ggs at the Front.,
Heart of Maryland
lazz Singer, The
Million Bid. A
Missing Pink. The
( >ld San Francisco
One Round Hogan
Slightly Used
W hen a Man !>>ves ,
1574
Motion P ic tur e News
More Trade Paper Advertising Urged
by Exhibitors of Northern Minnesota
AT a meeting of northern Minnesota exhibitors held
last week, prior to the convention of the Northwest
Theatre Owners' Association in Minneapolis, a reso-
lution was adopted advocating more trade paper advertis-
ing, according to a dispatch to Variety.
The resolution adopted by the meeting called upon
producers and distributors to patronize the advertising
columns of trade papers more liberally in order to keep
theatre owners more fully informed concerning forthcom-
ing productions.
The resolution stated that it is the sense of the body
that trade papers "are of vital importance to the industry"
and views with alarm the present move to curtail trade
paper advertising.
Salt Lake School Sued
Exhibitors Protest Regular Commercial Picture Shows
With Admission Fee Charged
sponsoring the entertainments. The affairs
are given by an organization known as the
Student Body of North Summit High
School. The entertainments, it is alleged,
form no part of the school curriculum and
are not confined to students of the high
school, but the general public is invited and
urged to attend.
It is charged that the entertainments add
greatly to the school district for fuel, light,
heat, janitor service and the general upkeep
of the building, and that no part has ever
been paid from the proceeds. The defen-
dants are alleged to be allowing the use of
the trucks owned by the school district for
use in transporting students to and from
the entertainments without charge.
The purpose of the suit is to prevent
school districts which are tax exempt and
exempt from purchasing a theatre license,
from entering into competition with legiti-
mate privately owned theatres. The exhibi-
tors charge that it is un-American and un-
fair to permit public institutions which are
supported and maintained by taxation to
enter into the field of commercialism and
into competition with taxpayers. The case
will undoubtedly be appealed to the Su-
preme Court of the state regardless which
side gets a favorable decision. It is the con-
tention of the defendants that they should
be permitted to furnish entertainments to
the students in order to utilize their leisure
time.
Educational Program for
June Contains 12 Films
Educational 's line-up of short features
for June contains 12 subjects.
Lupino Lane does a travesty on wild
western thrill drama in "Hectic Days."
"Big Boy" is cast as an orphan in "The
Gloom Chaser." "Rah, Rah, Rah!" is
the new starring comedy for Dorothy
Devore. Lloyd Hamilton is pictured as a
soda jerker in "A Home Made Man."
George Davis and Monty Collins form the
ALT LAKE CITY is involved in a suit
which will determine the right of high
^ — ™ schools to exhibit commercial type
pictures in their auditoriums for profit. The
complaint charges that the Board of Educa-
tion has permitted North Summit High
School building to be used for the exhibi-
tion of ordinary commercial pictures, ly-
ceum entertainments, minstrel shows, dra-
mas and operas. It is alleged that all of
these entertainments have been held for
private commercial purposes for profit.
The case was instituted by George Beard
as a taxpayer and theatre owner, and mem-
ber of the Motion Picture Theatre Owners
of Utah. It was brought against the Board
of Education of the North Summit High
School district, a body corporate, and the
individual members of said board. All of
the evidence has been submitted and Judge
M. L. Ritchie has it under advisement.
It is alleged that at the entertainments
an admission fee is charged and that none
of the proceeds have gone to the treasury
of the school, but to the person or persons
West Coast Manager Is
Slain by Bandit
JOSEPH F. MALOY, 25 years old,
assistant manager of the West
Coast California Theatre at San
Diego was killed by a bandit last Sun-
day night when his office was entered
with intent to secure the Sunday re-
ceipts. The bandit evidently lost his
nerve after shooting Maloy through
the jugular vein and fled the scene in
a car with another man.
The police were soon in pursuit and
the bandits abandoned their car and
separated, following a gun battle with
the officers. One of the bandits was
killed and one officer shot through the
shoulder, but the killer, thought to be
wounded, escaped. Maloy, the slain
man was a native of Pennsylvania and
had been with West Coast for four
years.
comedy team of "Who's Lyin"?"
Two Cameo Comedies, "Crown Me," fea-
turing Wallace Lupino, and "Sailor Boy,"
featuring Monty Collins, are on the pro-
gram. There will be the usual Lyman H.
Howe's Hodge-Podge and Curiosities re-
leases. A summer month release is the
Bruce Outdoor Sketch, "Thoughts While
Fishing" — "Silver Shadows." The two
Felix the Cat animated cartoon comedies
are "Felix the Cat in Outdoor Indore" and
"Felix the Cat in Futuritzy."
St. Louis Merchants Wage
War on Blue Law
A threat to force St. Louis police and
court officers to strictly enforce Missouri's
ancient blue laws if the St. Louis Sunday
closing ordinance against delicatessen own-
ers is applied, has been made by J. W.
Stokes, president of the Delicatessen and
Confectionery Merchants' Association, Inc.
The delicatessen men plan to carry their
tight to the Supreme Court, and if they lose
there they will then demand that all of
Missouri's blue laws be observed to the
letter. That means that all the motion
picture theatres and other amusement
places of St. Louis will be forced to close
their doors.
Stokes' threat was the result of a deci-
sion handed down April 30' by Circuit
Judge Robert W. Hall dissolving the
temporary injunction granted the delica-
tessen men and enjoining the police from
enforcing the closing ordinance.
Berlin and Silvers to Do
Music for Jolson Film
Irving Berlin will write a special song
number for Al Jolson in "The Singing-
Fool," which is to be started at the War-
ner Bros, studio on June 1. The remainder
of the music incidental to the new Vita-
phone film will be composed by Lou Silvers,
who wrote a special song for "The Jazz
Singer" and arranged the score. An item
of interest in connection with "The Singing
Fool" is that Lloyd Bacon will be its di-
rector.
Vitaphone activities on the 18 Warners'
pictures for next year as well as the spe-
cials the company will put out will be
supervised by Mr. Silvers, appointed
musical director general of the Vitaphone
Symphony Orchestra.
First Division Opening Own
New England Exchanges
Its own exchanges in Boston and New
Haven will shortly be opened by First
Division Distributors in connection with
Harry G. Segal. The new exchanges will
be directly in charge of Mr. Segal with
headquarters in Boston, and will offer First
Division product to six New England states.
Chester Conklin Renews
Paramount Contract
Chester Conklin, screen comedian, signed
this week a new contract with Paramount.
He recently was teamed by Paramount with
W. C. Fields. Plans are now being made
for new starring vehicles for him.
May 12, 19 28
1575
Columbia Sets Sessions
Season s Product and Sales Policies to Re Discussed at
Los Angeles, New York and Chicago
7 New Films to Start
in May at Burbank
THE current month which has
Been film inn begin on three new
First National pictures, will see
four more get under way before the
end of the month.
Colleen Moore will begin work on
"Oh Kay!" immediately upon her re-
turn from Hawaii. She is expected
back at the studios about the middle
of May. Richard Harthelmess, who is
also in Hawaii, is expected to return to
the studios a week after Miss Moore's
home-coming, to begin at once filming
"Out of the Ruins." Billie Dove will
start on her next picture, from a
Parisian play, within a week, under the
direction of Alexander Korda.
The first joint stellar production for
Dorothy Mackaill and Jack Mulhall,
"Applesauce," will pet under way to-
wards the end of the month. No di-
rector has yet been assigned. Photog-
raphy was started last week on "The
Phantom City" and "Heart to Heart."
Lois Wilson and Horton
Acting in Stage Play
Between stages of their picture work,
Lois Wilson and Edward Everett Horton
are appearing in "The Gossipy Sex," a
stage comedy, at the Vine Street Theatre
in Hollywood. Miss Wilson entered the
cast opposite the comedian on Friday night,
April 27. She is assuming the place of
Harrietta George, who was suddenly called
to New York. At the close of the play Miss
Wilson will immediately start work on a
new screen vehicle.
Horton and his brother, Winter D., have
taken lease on the Vine Street.
Filming on "The Whip"
Finished by Sam Rork
First National's race track special, "The
Whip," from the Drury Lane melodrama,
has been completed insofar as photography
is concerned. The final sequences, a typical
English fox hunt, was filmed last week.
Cutters and titlers are now at work whip-
ping the film into the proper order and
length. Sam E. Rork supervised this pro-
duction.
M-G-M to Screen Novel
by Hermann Sudermann
"Stephen Tromholt's Wife," a novel by
Hermann Sudermann, German author, has
been purchased by Metro-Goldwyn-Mayer,
and will be filmed' under the title of "The
Wonder of Women." The story will be the
second Sudermann novel to be filmed at the
M-Gr-M studio, th<> firsl being "Flesh and
the Devil."
Mary Brian Signs New
Paramount Contract
A new contract has been signed by Para-
mount and Mary Brian, who is at present
working in "The Perl'inned Trap. " Dur-
ing the season she is scheduled to appear
in a series of films with Richard Arlen, in-
cluding "The Upstart Gentfenian.'"
THREE conventions will be held by
Columbia Pictures Corporation tin-
year, at which will be outlined the
1928-29 program and the company's sales
and production policies. The meetings are
to be held from May 10 to 12 in Los An-
geles, from May 17 to 19 in New York and
from May 21 to 22 in Chicago. Columbia
will increase its product for the coming
season from thirty to thirty-six features, the
most pretentious program ever conducted by
the company.
The western division will open its series
of sessions on May 10 with Harry Cohn,
vice-president, and Joe Goldburg, recently
appointed west coast sales manager presid1
ing. The gathering will be at tended by pro-
duction and sales executives now in Cali-
fornia, and by the branch and sales man-
agers and the most important members of
the sales forces of Columbia's four west
coast exchanges.
The delegation will be headed by I. E.
Tillman, Portland branch manager; L. J. Mc
Ginley, Seattle branch manager; Jack Bow-
ers, Los Angeles branch manager and Phil
Weinstein, San Francisco branch manager.
Harry Cohn will open the meeting with an
outline of the company's production plans,
which include ten specials and twenty-six
program pictures. Elmer Harris, head of
the scenario department, will outline the
stories, and Joe Goldburg will tell of the
sales policies.
The second meeting in New York will
bring together the representatives of the
eastern division. This session will be pre-
sided over by Cecil Maberry, Columbia sales
manager. Others who will address the meet-
ing are, Jack Cohn, treasurer of the com-
pany; General Manager Macgowan, and
Alex Moss, director of advertising and pub-
licity.
The Mid-West Division will hold its meet-
ing at Chicago starting May 21. It will be
attended by all branch and sales managers
who are not present at the other two. Jack
Cohn, Cecil Maberry, Claude Macgowan and
Alex Moss will form the home-office delega-
tion.
The three division get-togethers will be
followed by a series of smaller meetings
in each territory. They will be presided over
by Cecil Maberry, who will start on a tour
of the country immediately after the close
of the Chicago convention.
Columbia announces the following stars
under contract for the coming season; Jack
Holt, Hobarl Bosworth, Lois Wilson. Pert
Lytell, Lva de Pntli, Petty Compson and
Margaret Livingston. Among the directors
signed are, (ieorge B. Seitz, Frank Oapra,
Walter Lang and Irwin Willat.
Dietz Now Visiting Culver
City Studios of M-G-M
Howard Diet/,, Metro-Goldwyn-Mayer di-
rector of publicity, advertising and ex-
ploitation, is now on his annual visit to the
M-G-M Culver City studio, lining up pro-
motion plans for the coming year. He pro-
ceeded directly to the coast from the West-
ern regional convention of M-G-M at Kan-
sas City, which was concluded May 1st.
During his absence, Silas F. Seadler, ad-
vertising manager, is in charge of the New
York office.
Dorothy Devore Signs for
New Educational Series
Dorothy Devore, who has been in New
York City for some time on an extended
vacation, has been signed by Educational
to make a series of six two-reel starring
comedies next season.
Miss Devore returned to Short Feature
comedies last season after playing for sev-
eral years in feature length production-.
Previous to that she had played in one and
two-reel comedies.
3 New Paramount-Christie
Releases for June
Bobby Vernon, starring in "Hold Kr
Cowboy," heads the June Christie comedy-
releases on the Paramount schedule. The
other Christie comedies for the month are
"Say Uncle," featuring Jack Duffy, and
"Slippery Heels," starring Jfmmie Adams.
R. H. Cochrane Assures "U" Salesmen
Company Is Not for Sale
RH. COCHRANE vice-president of Universal, in a message to the
company convention in San Francisco this week assured the Bales-
* men ami executives present that all rumors i<> the effect thai I ni-
vers;il might he sold were groundless and that Carl Laemmle would not -.11
under any circumstances.
Mr. Cochrane also informed the salesmen that Mr. Laemmle had
turned down a profit of $500,000 which In- had been offered for the picture
rights to tin- Ziegfeld musical show, "Showboat," which I ni versa] will
produce on a large -talc, \nother offer which Mr. Laemmle had turned
down, said Mr. Cochrane was one of $100.(100 for the rights to "Broad-
way," for which S22.">.000 was paid last Summer. The San Francisco con-
vention is the last of three held 1»> the company, the other- having been
ai Atlantic City ami St. Louis.
1576
Motion Picture News
Schenck Denies That M-G-M Will
Distribute Hoover Films
IN response to inquiries by the press as to the selection of Metro-Gold-
wyn-Mayer by the Herbert Hoover Campaign Headquarters to produce
a campaign picture. Nicholas M. Schenck, President of Metro-Gold-
wyn-Mayer, stated:
"I have read in the morning papers the news story that 'arrangements
have been made with the Metro-Goldwyn-Mayer Pictures Corporation to
prepare a campaign film." This is an error of reporting, since we have
never been approached in such a matter either in the East or at our studios
in California. The statement in today s press is the first we have heard
of such a plan."
"J. D." to Invade U. S.
Is Ready to Distribute Five British Productions Here
and in Canada
By Arrangement with Kinematograph Weekly
LONDON, April 26.— Since the incep-
tion, a few weeks ago, of United Mo-
tion Picture Producers, Ltd., J. ]).
Williams, the managing director, has been
very busy securing .recent British pictures
for distribution in Tj. S. and Canada, and
has been successful in obtaining half a
dozen.
The names of these will be shortly made
known. In conversation with "J. D." this
week, the Kine, learned that the most im-
portant is "A South Sea Bubble," now in
its final editing stages by T. Hayes Hunter.
This Gainsborough picture, starring Ivor
Novello, is, of course, based on Roland
Pert wee's story which ran in the Saturday
Evening" Post. • '•
Mr. Williams declared that this film is
calculated to appeal widely on the other
,-,ide, ,-ind will enhance Novello 's reputation
enormously.
This project has far-reaching potentiali-
ties. "J. D:," who made the Elstree stu-
dio possible, has never wavered from his
conviction that production, to be successful,
must be made for a world market. He is a
fervent advocate of British effort in this
direction, and his aims are a great deal
wider than the mere handling of completed
product.
It is his intention of developing on the
other side the first real organization en-
tirely devoted to the exploitation of British
and other European films. Hitherto all
such attempts have failed in the face of
insuperable obstacles.
"J. D. " declares that America is seeking
novelty in settings, and that European men-
tality, properly schooled in the technique
of story presentation, is going to be eagerly
welcomed. He regards the all-British insu-
larity of certain firms as a real obstacle to
their own advancement; for Hollywood's
present predominance can be largely attri-
buted to its freedom from this narrow na-
tional attitude.
"J. D.'s" venture is a bold one, and it
is frankly difficult to think of another man
better qualified to carry it into effect. His
record in the industry is one of a man who
has several times achieved apparent impos-
sibilities, and his knowledge of the Ameri-
can exhibiting angle is unique.
Burr Adds Players to
"Black Magic" Cast
A number of plavers have been cast for
"Black Magic," C." C. Burr's forthcoming
First National picture starring Johnny
Hines. The production is now well under
way before the battery of cameras at the
Tec Art Studio, in Hollywood. Among
those figuring prominently are Edmund
Breese, Charles Giblyn, Henry Herbert,
Walter James, Betty Egan, Kashi Heraldi
and Fred Kelsey.
Columbia Will Release
"Modern Mothers" May 13
Columbia's second release for May is
"Modern Mothers," officially ready for ex-
hibition on May 13. Helene Chadwick ap-
pears as the actress mother in this pro-
duction. Barbara Kent is the daughter and
Douglas Fairbanks, Jr., is the boy.
Change Titles of 2 Alice
White Pictures
The titles of two of the four First Na-
tional pictures in which it has been an-
nounced that Alice White will be starred
during the season of 1928-29 have been
changed. "Hot Stuff" will be the title
under which Robert Carr's Smart Set story
of "Bluffers" will appear upon the screen.
"Ritzy Rosie" will be the release title for
the vehicle announced as "Rosie of the
Ritz, " an original by Charles Beahan and
Garrett Fort. Another White film will be
"On the Air," story by Paul D. Augusburg.
Miss White's first picture for the new
season will be ' ' Show Girl, ' ' from the J. P.
McEvoy story serialized in Liberty Maga-
zine. Alfred Santell has been assigned the,
direction. James T. 0 'Donahue is writing
the adaptation and continuity. *
\ ' ' 1
"Blue" Sunday Question
Stirs Tampa, Fla.
Tampa is in the throes of a "blue" Sun-
day agitation. Arising a couple of weeks
ago when Sunday baseball came up, the
question has been prodded into life. The
Tampa papers, the Mayor and several civic
societies came out in favor of the Sunday
baseball games which were vigorously op^
posed by the Tampa Ministers' Association.
The public showed their favor for the Sun-
day sport by forming- the largest crowd
ever to attend a baseball game in Tampa
when the game was held last Sunday. Both
teams and officials were arrested following
the game but were later released after
bonds were posted. The cases will be tried
soon in the Court of Crimes.
A committee formed by the ministers met
with the managers of the ball teams and
then appeared before the Board of Repre-
sentatives of Tampa demanding the passage
of an ordinance prohibiting all forms ' of
Sunday amusement, or td call am ejection
and have the people vote on the issue. The
Tampa Ministers' Association took the
stand that all activities shall be prohibited
in Tampa except their own.
Roach Studio Reopened;
Chase Comedy in Work
Actual production has been started at
the Roach studios, following the reopening
last Monday after a five weeks/ vacation.
The Charley Chase unit started -a society
comedy for M-G-M release the .first part of
the week. A supporting cast chosen by
Leo McCarey includes Ed. Kennedy, Gene
Morgan, Vivien Oakland, and Anita Gar-
vin. Hal Yates is directing.^
Anita Stewart Will Wear
Mask in Columbia Film
In "Name the Woman," her new picture
for Columbia, Anita Stewart will have her
face covered by a Behda-like Mask. She
will depend entirely on her hands and the
movements of her body to put over her re-
actions. The mask will play an important
part in building up the suspense of the
mystery story. 1 ' 1
"War in the Dark" Now in
Production
Conrad Nagel was selected last week for
the leading male role in "War in the
Dark," Greta Garbo's new starring vehicle
for Metro-Goldwyn-Mayer , and this film
has gone into production under the direc-
tion of Fred Niblo. Bess Meredyth did the
adaptation.
F. J. McConnell Heads
"U" Serial Department
FRED J. McCONNELL, who several
years ago left the short subject
department of Universal to enter
the trade paper field, has re-enrolled
under the Laemmle banner and will
devote his attention to serials. He last
week addressed the sales convention of
Universal workers in San Francisco.
Mr. McConnell has lately produced
independently for Pathe. In the new
line-up of Universal serials he will deal
with five productions. They are: "Tar-
zan the Mighty," story by Edgar Rice
Burroughs, to star Frank Merrill ; "The
Final Reckoning," by Henty; "The Pi-
rate of Panama," by William McLeod
Raine; "The Mystery Rider," by George
Morgan, and "The Diamond Master,"
by Jacques Futrelle.
y 12, 19 28
1577
Producers Show Profits
Paramount, Warner and M-G-M Financial Statements
Indicate Banner Year in Industry
Board of Trade Bans Non-Theatrical
Sales by Imposition of Fines
EXCHANGES in Oklahoma City and Dea Moines are cooperating with
exhibitors and refusing to sell pictures to schools and churches for
non-theatrical use. From Oklahoma comes word thai practically all
exchanges have discontinued sales to non-theatrical houses and thai \sitb
few exceptions pictures hooked for non-theatrical hou-»> arc coming
through houses outside of Oklahoma.
The Board of Trade at Des Moines has issued instructions to it- mem-
bers not to sell product to schools and churches for non-theatrical use.
A penalty has been set at $25 for the first offense. $50 for the second and
expulsion from the board for the third.
Great Activity in Talking
Movie Field
(Continued from Page 1569)
pany, with the object of producing films
for instructive purposes in schools and uni-
versities. The corporation papers were filed
last week with a capital stock of $1,000,000.
Dr. Thomas E. Finegan, formerly with
the New York State Education Dept. and
at one time head of the state school system
of Pennsylvania, is head of the new East-
man unit and is general manager as well.
Dr. C. E. K. Mees, director of the Eastman
Kodak Research Laboratories, is vice-presi-
dent. The directors are: L. B. Jones, M. B.
Folsom, E. P. Curtis, Dr. Mees and Dr.
Finegan.
Organization of the company follows ten-
weeks' experiments involving 12,000 pupils
and 176 teachers. The experiments were
made in Chicago, Denver, Detroit, Kansas
City, Lincoln, Newton, Mass.; Oakland,
Cal.; Rochester, San Diego, Atlanta and
Winston-Salem.
Forty films are ready and plans are under
way for 100 additional.
"U" Will Use Sound
in "Show Boat"
Universal is planning to employ a sound
device in connection with the making of
their big attraction, "Show Boat." It
is said that the sound effects will he em-
ployed for about one-third the length of the
picture. There will also be recorded the
effects of a steamboat traveling down the
Mississippi, of the negroes singing, and the
band leaving the boat and marching up the
town's main street.
"Show Boat" is to be put into work
June 1. It is not yet known just which of
the sound reproducing devices will be
utilized in the making of the picture.
"The Tale of Two Cities"
for Ronald Golman
"The Tale of Two Cities," the Charles
Dickens' novel, will be made by Samuel
Goldwyn into a motion picture for United
Artists. Ronald Column will star, playing
the role of Sidney Carton. Lilli Damite,
the new Goldwyn leading lady, will sail
from Europe on Slay 5 to play opposite
Colman. The direction will be by Herbert
Brenon,
Pathe to Issue Immigrant
Feature on June 4
De Mille's production, "A Ship Comes
In," formerly called "His Country," will
be issued by Pathe on June 4. Featuring
the trio, Rudolph Schildkraut, Louise Dres-
ser and Robert Edeson, the picture deals
with the basic theme of patriotism.
Wyler Signed Up Again
by Universal
Having finished the Universal feature,
"Anybody Here Seen Kelly," William Wy-
ler has signed a new long-term agreement
with the Laemnde studio.
IT seems evident from statements issued
by Paramount, Mctro-Goldwyn-Mayer
and Warner Bros, that 1928 is to be a
banner year in the history of the industry.
At least the financial statement by Warners
for the first half of their fiscal year, by
Paramount for the first quarter and by
M-G-M for a 28-week period indicate that
business is exceptionally good.
The Warner statement for the first six
months shows a net profit of .$611,184 and
Harry M. Warner, president of the com-
pany, predicts that each of the two remain-
ing quarters will net about $450,000, making
a total for the year of approximately
$1,500,000, after interest and charges.
Estimated profits for 1928 will be equal
to approximately .$7.50 a share for the 199,-
780 shares of Class A, and to about $3 a
share on the $550,000 shares combined Class
A and Common stocks.
'flic Paramount first quarter statement
indicates a record year in prospect with
figures that will even eclipse the high mark
of last year, 'flic estimated earnings for
the first quarter of this year are $2,250,000,
after deduction of all charges and taxes,
including the undistributed share of earn-
Plans for Opening of
"U" Studio Announced
PLANS lor the resumption of fea-
ture production at Universal
City, the big studio plant of Uni-
versal Pictures, were made public this
week.
The first picture to go into work will
be a Reginald Denny Production en-
titled "Red Hot Speed," slated to *tart
on May 15th, under the direction of
Fred N'ewmeyer.
At the same time Glenn Tryon "ill
start work on his first feature, "The
Gate Crasher," under the direction of
William A. ( raft. Tryon is now on his
way to St. Louis to make a personal
appearance at I'niversal's Middle West
Sales Convention.
Picture production started at Uni-
versal City this week on "The Diamond
Master," a serial adapted from a
Jacques Futrelle story and to be di-
rected by Jack Nelson.
ings of Balaban & Katz Corporation. This
is equal to $.'127 a share on the 687,379
shares of common stock outstanding, com-
pared with $2,007,000 or $3.01 a share in
the same three months in 1927.
The M-G-M statement for the 28-week
period ended March 11, shows net profits of
$3,032,838. Gross profit was $6,307,096;
operating expenses, $3,592,308; net operat-
ing profit, $2,714,78S and miscellaneous in-
come $318,050.
6 Short Subjects Form
Pathe May 20 Schedule
Headed by Pathe Review No. 21. the
Pathe short feature program for the week
of May 20 consists of five other subjects:
"A Race with Death," chapter nine of the
current serial, "The Mark of the Frog";
"A War Bride," an Aesop cartoon; Topics
of the Day Xo. 21, and issues Nos. 44 and
45 of the Pathe newsreel.
In the new Review are: "Interesting Peo-
ple—A Master of Murals," "Nice Babies,"
"The Legend of Laughing Waters" and
"The Time, The Gown, and The Girl."
Change Title Barthelmess
Picture for New York
"Kentucky Courage" will be the title of
First National's Richard Barthelniess pic-
ture founded upon "The Little Shepherd
of Kingdom Come," in the New York ter-
ritory. Elsewhere it will be released under
the title of the novel. It will have its New
York premiere at the Mark Strand theatre,
New York, beginning Saturday. May 12th.
F. N. Buys "Saturday's
Children" for Griffith
"Saturday's Children." the play by
Maxwell Anderson, has been bought for
motion pictures by First National. It will
serve as one of Corinne Griffith's stellar
productions under her new contract with
First National. The play played 41 weeks
on Broadway.
1578
Motion Picture News
Censorship of Talking Pictures to
Be Tested in N. Y.
THE question as to whether the New York state censorship board has
jurisdiction over sound in motion pictures will be tested in a friendly
suit with one of the companies producing this type of film.
James Wingate, director of the censorship commission, said this week
that the board maintains it has jurisdiction over the "talkies." The point
has already been raised in Pennsylvania, where Vitaphone was denied a
temporary injunction against the censorship board of that State, but the
final disposition of the case has not yet been made.
Mr. Wingate is closely observing developments in the Pennsylvania
situation.
M-G-M Assigns Directors
Many of New Seasons Features Under Way With
Others in Preparation for Starting
METRO - GOLDWYN - MAYER has
made a. number of directorial as-
signments for pictures to be pro-
duced on the 1928-29 program. There are
twenty-four of these directors at the studio
busy turning out pictures or preparing to
do so.
Aside from those announcements already
made of directorial assignments, Tod
Browning will direct Lon Chaney in "West
of Zanzibar," as well as in other pictures
during the season. "While the City
Sleeps," another Chaney vehicle of New
York underworld life, will be directed by
Jack Conway.
Nick Grinde, recently signed as a direc-
tor, will direct several Tim McCoy West-
ern films, the first of which will be "Beyond
the Sierras." William Nigh has been as-
signed to the direction of "Four Walls,"
an adaptation of the stage play.
Edward Sedgwick is engaged in directing
Buster Keaton's, "The Cameraman," and
is likely to direct other comedies during the
course of the year. Victor Seastrom ap-
pears on the Metro-Goldwyn-Mayer release
schedule for 1928-29 with' the Lillian Gish
starring picture, "The Wind," an adapta-
tion of Dorothy Scarborough's novel. Lars
Hanson has the male lead.
Sam Wood, who directed "Rookies," the
Karl Dane-George K. Arthur picture, and
William Haines in "Telling the World,"
will have as his first picture for next season
"Ballyhoo," with Norma Shearer as the
star.
diet Withey is directing Tim McCoy in
the first of the coming year's series of Mc-
Coy outdoor adventure films, and Frank
Capra is to direct ' ' Brotherly Love, ' ' a new
Karl Dane-George K. Arthur co-starring
comedy. Malcolm St. Clair has completed
"Beau Broadway)" a Lew Cody-Aileen
Pringle co-starring comedy for the new sea-
son, and Edward Sutherland has completed
"The Baby Cyclone," another Lew Cody-
Aileen Pringle vehicle adapted from the
George M. Cohan stage farce.
New First National Films
Employ Many Extras
Long lines of extras now crowd First Na-
tional's Burbank studios, where several pic-
tures calling for large sets are in produc-
tion.
The finishing touches are being given to
"Happiness Ahead." An elaborate setting
is being employed for Corinne Griffith's
"The Divine Lady." Nearly 500 extras
are working in one of its scenes. "The
Barker" is utilizing an entire carnival for
certain sequences. "The Whip" will be
presently completed.
Jack Mulhall is making some dramatic
scenes for "The Butter and Egg Man."
Charlie Murray is working on scenes for
"The Head Man." Harry Langdon has
been staging parades and other scenes for
his new comedy. Billie Dove is about to
start "The Night Watch." Finally, Mary
Astor and Lloyd Hughes are ready to begin
work on "Heart to Heart."
Phil Gleichman Heads
Ohio Amusement Go.
Phil Gleichman, for many years active in
Detroit exhibition, has acquired a substan-
tial interest in the Ohio Amusement Co.,
which operates 13 neighborhood houses. In
addition to Gleichman, who has been elected
president, other new officers are : Leo Kel-
ler, vice-president; Arthur Keller, secretary
and treasurer; Max Greenhut, chairman of
the board of directors. Greenhut is also a
new shareholder in the firm.
The company plans to acquire and build
new houses in Cleveland and surrounding
towns. Changes in the policies of houses
in the circuit will be made following an
analysis of each situation.
Sixteen Loew Houses
Open in Sept.
Sixteen houses, all under construction,
will be opened throughout the country by
Loew, beginning in September. Their capa-
cities will range from 2,400 to over 4,000.
As yet their individual policies have not
been determined.
The list includes seven houses in New
York and one each in the following cities :
Jersey City, Providence, Louisville, Roan-
oke, Va. ; London, England; Akron, Ohio.
The Providence and Louisville theatres will
open in September, the others later.
Sam Wood to Megaphone
"Ballyhoo" for M-G-M
Sam Wood, director of M-G-M features,
will take over the megaphone on "Bally-
hoo," a future vehicle for Norma Shearer.
He will collaborate with Frances Marion on
the adaptation and it is anticipated that
the picture will enter production on June 1.
In and Out of Town
AL LICHTMAN, vice-president and gen-
eral manager of distribution of United
Artists, John W. Considine, Jr., general man-
ager of production of Art Cinema Corpora-
tion, and Victor M. Shapiro, advertising and
publicity director for United Artists, left
New York City last week for Hollywood.
They are going West to confer with Joseph
M. Schenck, president of United Artists.
WILLIAM M. PIZOR, president of Capi-
. tol Productions, left New York on a
motor sales tour which will take him to every
exchange center in the United States.
EVELYN BRENT, Paramount featured
player, arrived in New York last Eriday
from the Coast for a short vacation and shop-
ping tour.
FLORENCE VIDOR, Paramount star,
and her eight - year - old daughter,
Suzanne, arrived in New York last Friday,
also. They are here from the Coast for a
week's stay before boarding the S. S. Paris
for Europe, where they will spend a two-
months' vacation.
RAY HALL, editor of Pathe News, is visit-
ing his local men in various mid-Western
cities, and perfecting plans for the coming sea-
son.
MR. AND. MRS. HAL ROACH arrived
in New York on Tuesday, May 8, on
the S. S. Majestic, thus coming to the last
lap of their 'round-the-world voyage, which
was started in January. They will make a
brief stay in the city and then return to
Los Angeles.
SAM EFRUS, president of the Peerless Pic-
tures Corporation, has left New York for
the Southwest territory on a sales trip.
Standard Contract Is
Adopted by Canada
THE standard form of moving pic-
ture booking contract, as drawn
up recently in the United States,
has been adopted for use in Canada
with minor alterations, according to
official announcement of Col. J. A.
Cooper, president of the Motion Pic-
ture Distributors and Exhibitors of
Toronto, Canada. Changes of names
and the inclusion of reference to Ca-
nadian Customs duties on films had
been made in the form of contract for
the Dominion, but otherwise the agree-
ment was essentially the same in both
countries.
Canadian contracts are to be filed
with the Motion Picture Distributors
and Exhibitors of Canada and are iden-
tified by the signature of the president
of the Canadian association. The
names of Canadian key cities are in-
serted.
May 12, 1928
1579
Golf Tourney Lining Up
Thirty-five Already Entered for Event to Re Contested
at Roekville Center May 24
Ghas. J. Eastman Dies
After Long Illness
A LOYAL and devoted employee
was lost to Motion Picture News
when, on Friday, May 4, Charles
J. Eastman died in St. Luke's Hospital
after an illness of about ten weeks.
Services were held Sunday afternoon
at the Bender Funeral Parlor, 851 Am-
sterdam Avenue, and the body was
taken to Keene, New Hampshire, for
interment in the family plot.
Mr. Eastman was born in St. Albans,
Vt., and was 77 years old. At one time
he was an executive of the Cheshire
Railroad in New England, and for some
years he worked with Funk and Wag-
nalls. Surviving is a daughter.
Affectionately known in the News
office as "Colonel," he was with us for
nine years. So friendly was his nature
and considerate his heart that he com-
manded the respect of all those with
whom he came in contact. A large
circle of friends mourn his loss.
Theatre Price War in
Omaha
The theatre price war in Omaha has
broughl things jusl aboul down to the bone.
At least four of the downtown houses have
made one or two cuts during the past three
months. The last move was for the Riviera,
the Publix de luxe house, to cut its week-
day matinee from 40c to 3.">c, and to offer
n- balcony at night, except Saturday and
Sunday, for 40c. Downstairs seats remain
at 60c'
Latest quotations on leading theatres,
then, are :
Riviera fiOc, 40c, 35c and 25c
Orpheum 50c, 35c, 25c
World 50c, 35c, 25c
The Moon, a second-class house, is con-
templating running matinee prices until 7
p. m., while the rest already have let the
bars dow n nnt il li :30.
The Riviera's cut was the first made
since the opening, but the Orpheum has
conic down twice recently. The World has
gone up after installing Vitaphone and
.Movietone.
Band Will Play "4 Sons"
Theme on Mother's Day
The theme song of "Four Sons" has
found its way through the air to the White
House, where it so appealed to Mrs. Cool-
idge that she has requested the U. S. Navy
Band to play "Little Mother" on Mother's
Day, May 13th, it is said.
Featured Players Join Cast
of M-G-M's "4 Walls"
Carmel Myers and Vera Gordon will have
roles in "Four Walls," which M-G-M is
making into a film from an adaptation of
the stage play of that name.
Barbara Kent Re-signs
With Universal
Rarbara Kent has signed a new L'niversal
contract. Her latest role is in "Lone-
some," in which she plays opposite Glenn
Tryon.
WITH the annual Spring film golf
tournament still two weeks away,
thirty-five enthusiastic golfers
Have already filed their entries with the
tournament committee. The event is to be
contested on the course of the Roekville
Center, Long Island, Country Club on May
24 and with 200 members to be heard from
the tournament committee anticipates a
record breaking entry list.
The inclement weather of the past few
weeks has retarded the progress of the
golfing fraternity, but the regulars have
taken advantage of every opportunity for
practice and each is confident that he will
walk away with the best gross score.
The committee in charge of the event is
busy now gathering together all of the
available prizes possible so that even those
whose low gross is registered in the 140 's
will be rewarded for his efforts. There will
be cups and trophies of every description,
prizes and special prizes for foursomes,
two-somes, birdies, eagles, for morning and
Eight from
CBESTERFIKLD MOTION PICTURE
CORPORATION, of which George
Batcheller is president, announces
that its production activities for the com-
ing season will be concentrated on eight
feature productions to be released region-
ally at six weeks intervals.
The pictures bear the following titles:
"The Adorable Cheat," "The House of
Shame," "Campus Knights," "Circum-
stantial Evidence," "South of Panama,"
"The Roaring Forties," "Below the Dead-
line" and "The Peacock Fan."
All of these features are to be made un-
der the personal supervision of Lon
Young, production supervisor of the com-
pany. The first of the group has already
been completed and trade-shown. It is
"The Adorable Cheat," an adaptation by
Arthur Hoerl of an original story by Ade-
leine Leitzbach, which Burton King di-
Cleveland Not in Favor
of Double Features
THE Cleveland Motion Pictures
Exhibitors Association has voted
thumbs down on double features.
Members of the association believe
that double featuring cannot do any-
body any good, and is bound to do a
lot of harm. Although nothing is be-
ing done to compel members to refrain
from showing double features, pres-
sure of opinion is being brought to
bear to bring the practice to an end
in Cleveland. Examples of double fea-
turing were given by the association
such as "The Circus" and "West Point"
— "Sadie Thompson" and "Sharp Shoot-
ers."
afternoon play and for putting and ap-
proaching. There will be prizes for pro-
ducers, distributors and even exhibitors
and then there will be more prizes for those
who might not even be inclined toward golf.
Among the individuals and organization-:
who have donated trophies to date are the
following; Jules Brulator, Columbia Pic-
tures, Keith-Albee, Carl Laemmle, Morn-
ing Telegraph, Motion Picture News, J. P.
Mueller Agency, National Theatre Supply
Company, Pathe Exchange, Inc., Stanley
Company of America, Stebbins, Ledermas
& Gates, The Film Daily, and others.
The New York Motion Picture Club will
supply two de luxe buses for convenience
of golfers, running them from in front of
the Astor Hotel. One will leave at 8.30
A. M. and the other at 4.30 P. M.
The tournament committee in charge of
the event is made up as follows: Elmer
Pearson, Bruce Gallup, William A. Johns-
ton, Don Mersereau, Arthur Stebbins, Nat
Rothstein, John Spargo and Jack Alicoate.
Chesterfield
rected. Lila Lee is the featured player,
while in the supporting cast are, Burr Mc-
intosh, Cornelius Keefe, Gladden James,
Reginald Sheffield and others.
The second production, "The House of
Shame," will 1m> ready in July. The story
is by Lee Aut lunar. Third on the list is
"Campus Knights," by Bernard Anthony
and described as a college story without
football.
It is announced that "Circumstantial
Evidence" will be ready in October. It is
a drama by Adeleine Leitzbach. Following
in the order named will be "South of
Panama," "The Roaring Fortie-.-* by
Fanny D'Morgal; "Below the Deadline,"
an underworld drama by Ada Lee. and
"The Peacock Fan," by Arthur Hoerl.
A number of well known screen person-
alities are now being signed for principal
roles, and continuities on the seven re-
maining stories are under way. George
Batcheller, president of Chesterfield, will
leave for California within the next few
weeks, accompanied by Lon Young, who
will remain on the coast until production
has been completed.
Cummings on Location
With Fox Unit
Irving Cummings has left for New Bed-
ford, Massachusetts, where he will photo-
graph types and settings characteristic of
a New England shipping town for the Fox
pieturization of Tom dishing 's play, "La
Grihga." .lames Tinting will be in New
York for a week while photographing traf-
fic and congestion scenes for "Red Lights
and Green."
Company Announces Productions that Will Be Released
Regionally During Coming Season
1580
M o t i o n Picture N ezvs
Sees Cut in Studio Costs
Westinghouse Engineer Points Out Changes in Lighting;
Tests Conducted
EW. BEGGS, Illuminating Engineer
of the Westinghouse Lamp Com-
* pany, has just returned from an
extensive inspection trip through all of the
large motion picture studios of California.
Mr. Beggs, at the request of motion picture
studio owners and electric lighting organi-
zations, conducted an extensive test as to
the proper lighting for studios in order that
full efficiency in lighting equipment could
be obtained at all times.
When asked about his California trip,
Mr. Beggs said, "Hollywood of the 'mov-
ies' is the scene of a revolution that will
one day affect all of us. It is not apparent
to the casual observer; in fact, many of
the citizens of Hollywood itself are not fully
aware that it is in progress. It is an in-
dustrial convulsion of the type seen only
seldom; that is, only when an infant indus-
try reaches maturity. The results will be
simply better motion pictures at less cost.
In speaking of the changes in studio
lighting Mr. Beggs said: "During these
same years which have seen the changes in
film and lenses, the incandescent lamp has
been developed to a point where scarcely
any other light source is needed for our
lighting. These lamps are available in sizes
ranging from that of a grain of wheat of a
fraction of a candlepower to a 10-inch bulb
of 30,000 candlepower. Even greater ones
are being made experimentally. The result
is that now the studio finds Mazda lamps
ready for use just as it finds itself ready
to call upon them.
"The result of all this is bound to show
in reduced film producing cost. Early re-
ports indicate a saving of over one hundred
dollars per day per stage set due to elimi-
nation of the trimmers and the use of less
intense and better controlled light. The in-
direct costs resulting from delays while
carbons were changed, delays during which
the entire studio personnel, including stars,
director, cast, orchestra, etc., were forced
to stand idly by, can hardly be calculated.
These too are eliminated. Also, since the
intensity of the light can now be readily
Spargo Exec. Secretary
of M. P. Club
UPON the eve of his departure on
a trip to the coast, Al Lichtman,
President of the Motion Picture
Club, announced the engagement of
John S. Spargo as Executive Secretary
of the Motion Picture Club of New
York. Mr. Spargo formerly New York
Editor of the Exhibitors Herald and
World will enter upon his new duties
immediately and until the club house
is open, will make his office at 1560
Broadway.
President Lichtman also called a
meeting of the Board of Directors of
the Club for May 10th. The purpose
of this meeting was to pass upon bids
which have been received by Lee Ochs,
Chairman of the Construction Com-
mittee, and by David Chadkin and
Emil Jensen.
measured, the danger of a "retake" being
necessary to reduce to a minimum.
"These matters of cost are now very
important because the motion picture is
facing relatively hard times," said Mr.
Beggs. "The automobile, plus good roads,
leads to huge theatres where one single film
amuses thousands instead of hundreds.
This reduces the number of productions or
prints needed to supply the demand. The
radio is also producing a noticeable effect
on movie attendance. These two influences,
and perhaps the fact that the novelty of
the motion picture is wearing off, have
made serious inroads into the enormous
profits returned by the movies. The studios
are striving to meet the situation. They
are economizing, and they are producing
better pictures.
' ' This better picture idea has introduced
colored and also sound movies. They are
not perfect as yet, but they are progressing
very well.
Fox News Chief Arrives
in Paris
Truman H. Talley, head of Fox News and
Fox Varieties, has arrived in Paris to con-
fer with his organization there. His pre-
vious stop was in Berlin, where an import-
ant audition of the Movietone was given
before a distinguished official audience.
Important developments are understood to
be on foot in connection with Movietone.
Jack Connolly, formerly of the Hays of-
fice, and for some time handling Movietone
activities in Europe, has returned to
America.
New Title Selected for
"Southern Skies"
"White Shadows in the South Seas" has
been selected as final title of the Metro-
Goldwyn-Mayer picture formerly known as
"Southern Skies." Exteriors for this film
were recently completed under W. S. Van
Dyke after five months on the island of
Tahiti. A farewell banquet was tendered
the M-G-M unit by the native islanders.
Extra Dividend Voted on
Loew Common
The board of directors of Loew's, Inc.,
this week voted an additional dividend of
25 per cent on the common. It is payable
June 18 to stockholders of record June 9.
Yesterday's declaration supplements the
regular dividend of 50 cents, payable June
30 to stockholders of record June 20.
F B O Executives Entrain
for Chicago Meet
Home office executives entrained May 11
for Chicago, where the annual sales conven-
tion will be held at the Drake Hotel, start-
ing Monday, May 14th.
Joseph P. Kennedy, president, and J. I.
Schnitzer, senior vice-president, will ad-
dress the assembled sales forces, which will
be presided over by Lee Marcus, general
sales manager.
Other home office executives who en-
trained for the convention today include :
E. B. Derr, secretary and treasurer; Clinton
J. Scollard, assistant treasurer and man-
ager of exchange operations; Hyatt Daab,
director of advertising and publicity; S. E.
Fitzgibbon, director of sales promotion;
Ambrose Dowling, assistant to the presi-
dent; William Dahler, manager of sales ac-
counting department, and E. A. Home,
manager of print and negative department.
The New York exchange will be repre-
sented by Charles Rosenzweig, New York
State sales manager, and Phil Hodes, ex-
change office manager. Other branch man-
agers who have already entrained for the
meeting are :
E. J. O'Leary, New England sales man-
ager; Cleve Adams, Central sales manager;
Jerome Safron, Eastern Pennsylvania and
Southern New Jersey sales manager, and J.
Frank Shea, Western sales manager.
Alberta Vaughn Returns
to F B O
Alberta Vaughn has been signed by
Larry Darmour to play the leading femi-
nine role in "Racing Blood," a series of
twelve two-reel productions which he is
making for Standard Cinema Corporation,
to be released by F B 0.
Work on the "Racing Blood" series is
scheduled to start within a few days.
Fred Kohler Signs New
Paramount Contract
Ivy Harris and Tom Ricketts have been
added to the cast of "Just Married," first
Paramount team vehicle for Ruth Taylor
and James Hall. William Austin is the
fifth player thus far selected for the pic-
ture. Arnold Kent, originally a member
of the cast, has been withdrawn.
More Additions to Cast
of "Just Married"
Fred Kohler, villain in Paramount pic-
tures, this week signed a new contract. He
is at present at work with Mary Brian and
Clive Brook on "The Perfumed' Trap."
Australian Film Man
Visting Britain, U. S.
FILM exchanges and centers in
England and the United States
will be visited by O. J. Fenwick,
ex-president of the Queensland Motion
Picture Exhibitors' Association, who
left Australia on May 4 for a holi-
day. While away he will act as the
accredited representative of the
Queensland body of exhibitors, carry-
ing with him special letters of intro-
duction from Australian exchanges to
the managing directors of the coun-
tries he will visit.
Mr. Fenwick is the proprietor of a
first-run theatre in Brisbane, which he
has personally managed over a period
of 13 years.
May 12, 19 28
1581
Sapiro Offers U. S. Aid
Organization Will Give Full Co-operation to Govern-
ment in Suit Against Industry Practices
F. N. Signs First Studio
Salvage Fngineer
ANEW figure has entered motion
pictures — the salvage engineer.
There are only 2."> members of
this profession in the I'nited States,
Kasburn I'ettay Powell, the only one
West of Detroit, has just been em-
ployed by First National at Hurbank.
Powell will systematize the salvage
work, highly important in motion pic-
ture plants, where sets are erected and
destroyed each week, and where many
unusual properties and fittings are
assembled and discarded every work-
ing day.
"As soon as a set is abandoned it
will be carefully checked over to see
what may be reclaimed and what may
be scrapped, and sold," states Mr.
Powell.
"Jeanne D'Arc" Opens in
Copenhagen Theatre
One of tlie most significant French pro-
ductions to date, "La Passion do Jeanne
d'Arc," was given its world premiere in
Copenhagen on April 21, thai city being
selected because the director, Carl Dreyer,
i- Danish. Press comments were enthusi-
astic.
Mile. Falconetti, who plays Jeanne, was
present at the opening. The film lias been
produced by the same company that made
"The Miracle of the Wolves.''
Hungary Is Favorable to
American Pictures
Hungary, according to Flek Horvath,
Hungarian Secretary of State, who was in
Hollywood recently to arrange for booking
of lilms under his country's present quota
law, is anxious for showing of American
lilms in his theatres.
The Secretary of State was impressed by
the speed and efficiency of Hollywood pro-
duction. He visited his countryman, Di-
rector Paul Fejo<, who recently completed
" Lonesome " for Universal.
Heavy Increase Shown in
Paris Film Receipts
Total receipts at Paris motion picture
theatres showed an increase in 1D27 of 32
million francs ($1,280,000) over 1026, fig-
ures just made public by the Service du
Controle de 1 'Assistance Publique. The
total for 1926 was 145,994,959 francs; for
1027, 177,655,896 francs — a very substan-
tial increase for a single year.
Much of this gain is credited to newer
and better theatres and to increased use
of exploitation.
M-G-M Studio Working on
8 Feature Films
Eight stories with a New York locale are
in the process of filming at the M-G-M stu-
dios. Thev are: "Four Walls," "While the
City Sleeps," "The Bellamy Trial," "The
Camera Man," "Our Dancing Daughters,"
"Fxcess Baggage," "The Baby Cyclone"
and "The Deadline."
AA.RON SAPIRO, presidenl of the In-
dependent Motion Picture Exhibi
tors Association, Inc., of New York,
has forwarded a communication to Charles
IT. Tuttle, United States Attorney, offering
the complete co-operation of his organiza-
tion to the government in pressing its suit
to determine the legality of practices in
the motion picture industry having to do
with distribution, arbitration and credit.
Two petitions in equity have been filed
by the Department of Justice designed to
test the legality of these practices. The
defendants named are the Motion Picture
Producers and Distributors of America, the
32 film boards of trade throughout the
country and ten leading motion picture cor-
porations.
The Sapiro letter to TJ. S. Attorney Tut-
t le follow s in part :
"The [ndependenl Motion Picture Es
hibitors Association, Trie, is directly inter-
ested in the actions which have been insti-
tuted by the I'nited States of America
against the combination of Motion Picture
Producer- and Distributors, generally op-
crating under the direction of Will Mays,
commonly known as the Hays Organization.
In the trial of these actions the Govern-
ment will undoubtedly desire testimony
from various exhibitors throughout the
United States to show how objectionable
has been the practice of coercing the exhibi-
tors into the execution and acceptance of
arbitrary contracts and coercing them into
the acceptance of arbitration arrangements
and objectionable credit conditions.
"This Association desires to place itself
at your disposal.
"We will gladly co-operate with you in
providing proof that the Independent Ex-
hibitor- have been unable to secure pictures
unless they signed the so-called Standard
Hays Organization Contract; and that they
could not secure pictures at all, to any prac-
tical extent, unless they got the pictures
from members of that organization.
Ingram's U. A. Film
Will Be "3 Passions"
REX INGRAM and I'nited Artists
have definite!] settled arrange-
ments for release throughout
the world of "The Three Passions." an
Ingram film version of the new and
unpublished novel by Cosmo Hamilton,
which will be the first of a series of
productions that the director will
make in Europe.
Alastair Mackintosh, former assist-
ant general manager of Les Artistes
Associes. distributors of I'nited Ar-
tists Pictures in Continental Europe,
will be production head of the Ingram
company that will film this story in
England and France. The cast will in-
clude Alice Terry, Ivan Petrovich,
Claire Fames. Sha>lc Gardner and
Gerald Fielding. Production will be
started before the end of May and the
film will be released bj I nited Artists
in the Fall.
"The Three Passions" will be pub-
lished shortly serially in the London
Dailj Mail.
"We will also supply proof to the ef-
fect, that arbitration provisions of the con-
tract were thus forced upon the exhibitor-,
and that these arbitration provisions con-
tain terms which are absolutely inequitable
and improper.
"We will provide proof that procedure
of. the 'Boards of Arbitrator-, particularly
in ca6es of default, have been worse than
arbitrary; and that the provisions for the
suspension of service by all distributors be-
cause of a quarrel with one company is one
of the most high-handed and arrogant pro-
visions that lawyers have ever met in con-
t racts.
"We will further provide proof that the
Film Boards of Trade have been accepted
only because the exhibitors had to take
any system forced on them by the combina-
tion of producers and distributors acting
through the Hays Organization; and that
the statement of the 'overwhelming satis-
faction' with the plan is based wholly upon
the fact that the exhibitors have had no
choice and have been compelled to take any-
thing in the line of contractual arrange-
ments that the Hays Organization chose to
impose upon them."
With regard to the attitude of the Sapiro
organization to the Hays organization, the
former issued the following statement,
which is printed in part:
' ' The I. M. P. E. A. was formed as a co-
operative body. It is eager to co-operate
with bodies representing other elements of
this business for the welfare of the in-
dustry exactly as its own members co-
operate for their own welfare. We are not
out to fight anybody or any other organiza-
tion. We do propose, however, to have the
exhibitor take his rightful place in the
councils of the industry; we intend to make
the exhibitor a force as strong as his pro-
portionate service and investment in the
industry entitle him to be, and we believe
that the exhibitor will hereafter speak for
the exhibitor in the discussion of problems
of the industry.
"The Hays organization has served its
members well; but the interest of those
members and the interest of the whole in-
dustry, including Independent Exhibitors,
have not always been the same. The
I. M. P. E. A. respects the accomplishments
of the Hays organization; but the exhibitor
has had little chance in any deal or business
contact with it. Henceforth, the exhibitor,
particularly the exhibitor-members of the
I. M. P. E. A., intend to get all that is
coming to them, without any attempt to
take a thing from the other fellow."
Drop of $350,000 in
Admission Taxes
Washington, D. C. — A drop of approxi-
mately $350,000 in collection of theatre
taxes is shown for the nine months ended
with March 31, compared with the corre-
sponding period last year, in figures just
Compiled by the Bureau of Internal
Revenue. The total collection for the
period was $1.{,()0J.S:{8, against $1.!..1.V_V>70.
1582
Motion Picture N e w s
ibitors Service Bureau -
"Student Prince" Drive
Blanketed City
Wide Variety of Ideas Used in Campaign Staged by
Pantages Theatre in Salt Lake
Showmanship
JN point (if getting thorough coverage
of the town through a wide variety of
exploitation connections, the campaign
for "The Student Prince," put on by-
Grand Pemberton of Pantages Theatre, Salt
Lake City, stands out as one of the most
remarkable drives executed in behalf of this
picture in any of the first-run presentations.
Pemberton was assisted by an M-G-M ex-
ploit eer.
In addition to the scope of the publicity
drive, the campaign was notable in the
respect that the interest in "The Student
Prince" was worked up well in advance of
playdate. Among the highlights of the
drive were the following displays and co-
operative stunts which acquainted Salt
Lake picture patrons with the presentation
of "The Student Prince" at Pantages
Theatre.
A circular flasher, lettered "Coming —
Ramon Novarro and Norma Shearer in
'The Student Prince/ " was placed at the
rear of the orchestra floor two months in
advance of play date.
A fifteen-foot shadow-box reading:
" 'The Student Prince' witb Ramon No-
varro and Norma Shearer — Coming," ap-
peared in three dailies for three weeks be-
fore the opening.
Full-sheet pastels of Novarro, Shearer
and Hersholt were displayed in the theatre
lobby for ten days in advance. Ten lobby
alcoves were covered with cathedral-like
windows lettered at the base: "Coming —
'The Student Prince.' "
House Advertising
The theatre ushers, whose uniforms are
quite familiar to those worn by the Old
Heidelberg studentry, further enhanced the
« licet by yellow shoulder ribbons, lettered
"The Student Prince." These ribbons were
used for one week in advance of opening,
and later did duty at Liggett 's Drug Store,
where they were worn by the fountain girls
in connection with the Student Prince
Sundae as featured at the store. The Uni-
versity of Utah Drug Store also concocted
this special sundae.
Heralds were attached to the house pro-
grams a week prior to opening.
Station KDYL broadcast "The Student
Prince" Question Contest. This included a
description of the picture's highlights, as
well as a questionnaire relative to cast, di-
rector, producers, etc., of "The Student
Prince." Theatre tickets were offered to
the contest winners.
Station KSL stated that "The Student
Prince" music could not be broadcast ow-
ing to a ruling of the Composers' Associa-
tion.. They advised their radio friends
accordingly, adding that while this was a
condition with which they could not cope,
it would still be possible to hear all selec-
tions from "The Student Prince" operetta
by attending the Pantages Theatre.
A ten-foot high flasher sign, reading:
"Stop and see 'The Student Prince'," was
placed in front of the box-office during the
engagement of the picture.
Three by eight foot pastel heads of No-
varro and Shearer were used at either side
of the theatre entrance.
A Panatrope was placed directly behind
the picture screen and used during the
drinking and love sequences of "The Stu-
dent Prince." "Deep in My Heart" and
•"The Drinking Song" were the selections
played.
Preceding the showing of the picture, a
singer rendered: "Deep in My Heart" to
the organ accompaniment.
The opening night of "The Student
Prince" was also the opening night of the
German play "Alt Heidelberg." Before
the curtain descended on the last act, an
announcement in German was made from
the stage descriptive of "The Student
Prince" at the Pantages Theatre.
A "Student Prince" Contest was con-
ducted at the East High School. The prin-
cipal permitted the display of a full-sheet
mat in the main hall of the school, advising
of the contest. The five boys receiving the
largest number of votes because of their
qualifications in athletics, scholarship and
popularity, were guests of the school paper.
The Salt Lake Telegram sponsored the
Want-Ad Jingle, the Scrambled Ad and the
Essay Ad Contests, all of which netted
three hundred and seventy-three inches of
space, covering a period of nine days.
Special cards were used on the dash space
of seventy-five street cars during the run
of the picture.
Napkins, printed with an announcement
of the film, were distributed at restaurants
and soda fountains.
Music store window displays were ob-
tained at Glen Bros., Roberts,, Daynes-
Beebe, and the Consolidated Music Co.
Crippled Youngsters See
Themselves on Screen
The children from the Junior League
1 Ionic tor Crippled Children in Nashville,
Tenn., saw themselves in a motion picture
as well as seeing First National's Milton
Sills picture, "Burning Daylight," when
the manager of the Knickerbocker Theatre
in that city tied up with the Daily Tennes-
sean to give a party for them. A motion
picture was taken of the children at the
home and run oft' in conjunction with the
feature picture.
Itrief*
CHARLIE TAYLOR, of Shea's Buffalo,
laid himself out a nice campaign for
exploiting "Legion of the Condemned,"
which plays at this theatre during the week
of May 6. Some of his tie-ups included an
arrangement with the U. S. Army recruiting
station whereby 25 Army boards with 1-
sheets on each side were prominently dis-
played, stating in effect that the kind of
heroes seen in "Legion of the Condemned"
are the kind the Army turns out. He also
arranged with the Spalding sports goods
stores to put aviation coats in their show
windows, the cards mentioning the picture.
The Courier-Express was advertising that it
soon would begin a story called "Aces Up,"
all about America's flyers in the world war,
and Charlie grabbed the chance to tie up
with the paper on that.
MANAGER H. M. ADDISON of the
Great Lakes theatre, Buffalo, isn't over-
looking any bets on capitalizing the forthcoming
personal appearance at his theatre of Buck Jones
and his famous movie horse. "Addy" already
has arranged for Jones to meet the Mayor, attend
luncheons, talk on the radio, visit crippled chil-
dren and orphans and, in his spare time, do his
stuff three times daily on the Great Lakes
stage, during the week of May 13. Another of
Addison's recent stunts has been to reduce the
admission price for children under 12 to 25
cents up to 6 o'clock during the summer.
THE Victoria Theatre management, in Ma-
hanoy City, Pa., has introduced a flan of
giving coupons at certain performances which
entitle children to admittance to the show ad-
vertised for the following week, at a reduced
rate. These coupons are given at all perform-
ances on the days designated, and the plan has
the effect not only of attracting parents to the
theatre with the idea of getting the coupons,
hut also of increasing the number of children
attending the following zveek.
ON April 22 the West Coast California
Theatre in San Diego, completed its
first year and Manager H. L. Hartman made
the celebration a feature of the week. He
sent complimentary tickets to many of the
prominent social and business people of the
community for one evening. Another angle
was covered by the gift of tickets to all
couples whose wedding anniversaries came
in the week, and pictures of these people
were used in the daily publicity in the news-
papers. A giant birthday cake was an at-
traction in the theatre lobby during the week.
T N order to stimulate business during June,
1 Abe L. Einstein, publicity director for the
Stanley Company, is outlining a campaign to be
known as "Stanley Theatres Jubilee Week,"
which will start off the summer picture season
by calling special attention to the hot weather
comforts of Stanley houses.
OUT in Rock Island, III., they figure a mule
is faster than a horse as was evidenced by
Manager Everet R. dimming s using a mule to
pull a specially-built troley car through the
streets to adzrrtise "Speedy" at the Fort Arm-
strong Theatre.
May 12, 1928
1583
Curtain Announcer for "Patent
Leather Kid" at Imperial
Lyric, Dover, Mass., Celebrates
Nineteenth Anniversary
THE Lvric theatre in Dover. Mass.. celebrated it- 10th anniversary
during the week of May first, with special programs arranged in
honor of the event. The Lyric has long held a prominenl place in
the community Life of the town and consistently has enjoyed a success
that gives it rank among the most flourishing picture houses in the countn
This theatre, now operated hy Pnhlix, is managed hy Iona M. Redden,
who has the distinction of heing the only woman manager of a theatre in
the circuit. During the past several year- Manager Redden has been
conspieiiouslv associated with the community life in her connection as
chief executive of the Lyric theatre. She received her training in theatre
management and operation under the tutelage of her aunt. Mrs. John
Dolan. a pioneer in the development of tin; motion picture business in
New England.
Changes in Personnel of
Midwesco Organization
A realignment of the managerial line-up
of the Midwesco Theatres, Inc., has been
made by EL J. Fitzgerald, general man
ager of the circuit. J. William Deubach,
formerly manager of the Oriental theatre
in Milwaukee, has been appointed purchas-
ing agent, with George V. Crismann, until
recently associated with H. & K. as assis-
tant.
Louis Orlove, who has been in charge of
the purchasing, is manager of the Mirth
theatre in Milwaukee, succeeding Milton
Ilarman, who has been transferred to the
Savoy. The Savoy post recently was va-
cated by Harry Perlewitz, who has taken
over the .lack-on, Murray and Astor thea-
tres in Milwaukee in association with John
Ludwig. B. K. Griffiths, formerly with the
Fischer circuit, is managing the Tivoli,
succeeding Donald Smith, who is in charge
of the new Capitol theatre in Racine.
Deubach 's former managerial post at the
Oriental is being tilled by Charlie Murray,
formerly with F. & R. at Minneapolis. Rus-
sell Lcddy has been appointed assistant
production manager under direction of E.
J. Weisfeldt, while Cliff Gill has been
added to the advertising department in
charge of publicizing the circuit's deluxe
neighborhood houses.
Prizes for Best Drawing
of Hat for Colleen
The Knickerbocker Theatre, Nashville,
Tenn., tin' I, check department store, and
the Nashville Tennessean tied up in a Col-
leen Moore hat contest to publicize her pic-
ture, •'Her Wild Oat."
The public was asked to choose a spring
hat for Miss Moore — that is, to draw and
color a hat to tit the face of Miss Moore
which was published in the Tennessean
along with the announcement of the contest,
rules, prizes, etc.
'flic drawing of Miss Moore's face was to
be cut out, pasted on cardboard or heavy
paper and a fitting hat drawn and colored.
The first prize was a $10 spring hat from
the millinery department of Lebeck's;
second prize, one $5 hat awarded by the
same firm; the third prize, $2.50 in cash
awarded by the Knickerbocker Theatre.
Prizes Xos. 4 to S inclusive was one dollar
in cash. Prizes Xos. 9 to 25 were two tickets
each to the Knickerbocker Theatre.
Hugo's Works Subject of
Essay Contest
An essay contest sponsored by the Liberty
theatre, Youngstown, Ohio, for local schools
recently in connection with the presentation
of "The Hunchback of N'otre Dame" is of
Special interest because the same idea can
be applied to any picture based on a story
by Victor Hugo, or for the matter of that
any picture based on a story by any promi-
nent novelist. The Youngstown content was
on the subject "Do you think "The Hunch-
back of Notre Dame' is Hugo's greatest
Hook.'" It was arranged by A. .1. Sharick,
I'niversal exploited-, and the management
of the Liberty theatre.
Prizes were offered for the best letter of
not more than 250 words on the question.
MANAGER T. R. EARL used a novel
way of getting advance advertising
on "The Patent Leather Kid" by using a
curtain at the Imperial Theatre, Asheville,
N. C.
Letters made out of compoboard and done
in silver were placed on a black oil cloth
drop, 'fhe thin lines appearing in each let-
ter was a sparkle bronze which gave out
colored reflections when hit by the spot
light.
Two weeks in advance, the letters on the
drop read, " Coming — The Patent Leather
Kid." The following week the word 'Com-
ing" was dropped and in its place was
' Next Week. '
The set was hung on a trolley and pre-
sented to the patrons between each show.
All house lights were out in order to bring
about the best color effect and add to its
attractiveness. A spot from the booth was
thrown directly on the title and four col-
ored 1000 watt tloods were used from the
side and proscenium.
This was rather a novel way of advertis-
T TNTIL it was aci iplished by Manager
^ C. T. Perrin of the Sterling theatre in
Greeley Colo., the idea of having a couple
wed on the stage of a theatre in that town
was generally considered a most improbable
occurrance, if not an impossible one. How-
ever, Greeley has witnessed a stage wed-
ding of a local couple. That more did not
view the event is due entirely to the lack
nt' -pace to accommodate all that attempted
to be on hand.
The wedding took place on the opening
night of the Adolphe Menjou picture "A
Night of Mystery" at the Sterling.
Twenty local merchants rendered full
and absolute co-operation in publicizing the
idea by breaking the news with a full page
ing "The Patent Leather Kid" as it was
the first time a coining attraction had ever
been presented to the patrons from the
stage. Those who saw it — and there were
many — were most enthusiastic in their
praise and complimented the theatre staff
upon the idea as well as the colorful way
in which it was presented.
The lobby was unusually attractive. The
cut-outs and panels which were placed on
both sides of the lobby were given a var-
nish finish and as a result, greatly re-
sembled oil paintings.
•lust over the box-office — a little to the
front was an electric sign. By leaving the
outer lobby lights cut off, the electric sign
was very effective.
•Just in front of the box office was a frame
bidding six 11 x 14 stills from the picture
with a small heart cut-out on top showing
Richard Barthelmess and Molly 0 Day and
title of picture.
An oil cloth banner was hung completely
around the marquee on which contained
the title of picture in large square letters.
spread on the morning the picture opened.
The merchants also contributed appro-
priate and substantial gifts to the bride and
groom and further advertised the wedding
by placing their gifts on display in the
windows together with neatly lettered cards
about the wedding, picture, theatre and
play dates.
Even the opposition theatre profited by
the wedding by taking care of the people
who were unable to get inside the Sterling.
It was safely estimated that S00 people
were turned away.
The beauty of the whole thing was that
the wedding didn't cost the theatre any-
t hing.
Perrin Engineers First Stage
Wedding in Greeley, Colo.
1584
Motion Picture News
Key City Reports
New York City
REGULAR customers and others of the
Broadway houses got their first taste
of Spring last week and that, coupled
with the advent of daylight saving time, did
not help matters. Business was just about
on a par with the preceding week, pretty
good in spots but on the whole a trifle slow
and not at all unusual for this time of the
year. At this season theatres always feel
the competition of outdoor amusements and
the big town has always demonstrated that
it can take its movies or let them alone.
The strongest of the shows were pretty well
patronized and perhaps this can explain an-
other angle of the decline — none too many
of the strong ones around just at present.
A bright spot along the Street was where
the Capitol held fort|h with "Across to
Singapore." Business here was good — good
enough for the M-G-M house to hold the
picture over for a second week. Joan Craw-
ford, Ramon Novarro and Ernest Torrence
were the featured players and the trio made
a strong combination. At the Roxy, business
picked up a bit over the preceding week
with a good Rothafel presentation and a
Fox film, "Honor Bound." Of late it has
been the presentation end of the Roxy pro-
gram which has been the means of sending
the customers away in a satisfied state of
mind. The big Publix house, the Paramount,
also had a touch ot Spring fever with the
result that the Wallace Beery-Raymond
Hatton comedy, "Partners in Crime" gave
this house a little below average week. This
week-end, the famous Paul Ash of Chicago,
comes to town to make his debut at the
Paramount and many are wondering whether
New York will give this maestro the same
big hand the mid-west metropolis gave him.
"Hello New York" is the apt title of the
first Ash venture .
It was just a regular Strand week at the
Stanley house where Pathe's "Blue Danube"
and the first Stanley-patterned presentation
were offered to the public. The Strand has
its ups and downs and last week business was
even a bit below average — attractions not
strong enough to offset general conditions.
The Rialto and Rivoli, the Publix-U. A.
houses, each did a fair week's trade with
"Drums of Love" and Lloyd's "Speedy,"'
respectively. They both will go out at the
end of the week, the former being replaced
by "Steamboat Bill, Jr.," and the latter
by "Ramona." The little Cameo had
a German made picture. "The Raider
Emden" for very fair returns.
It is reported that Paramount's "Wings"
will be held at the Criterion through the
entire Summer. This is not surprising in
view of the fact that this picture has been
doing consistently good business ever since
it opened. Universal's "The Man Who
Laughs" is getting along nicely at the Cen-
tral, demonstrating thus far at least that
Hugo has been widely read and that this
type of picture has entertainment value in
spite of a rather oui-of the ordinary theme.
"Abie's Irish Rose" at the 44th Street has
still to show what it will do. Business here
has not been any too good. It is possible
that the present conditions along Broadway
have something to do with it but on the
other hand it is also possible that the large
crop of Irish-Jewish pictures indulged in by
several producers has also had the effect
of glutting the market with this type of
entertainment. Fox' "Four Sons" and
"Street Angel" are doing very fair business
at the Gaiety and Globe, respectively. At
the Times Square, "Mother Machree" does
not show so well. U.-A.'s "Two Lovers" at
the Embassy is sagging a bit but has made
a pretty fair run of it. At Warner's, "Glo-
rious Betsy" continues to get very fair re-
turns.
Harrisburg
TWO warm days, with temperatures close
to ninety, interfered with the business of
the picture theatres in Harrisburg the latter
part of the week to an extent that made the
net results, financially speaking, somewhat
below normal.
"The Heart of a Follies Girl," starring
Billie Dove, at the Colonial, did a fairly good
business, the hot weather notwithstanding,
while Phyllis Haver, in the much-exploited
"Chicago," at Loew's Regent, enjoyed fair
patronage. At the Victoria, Richard Dix in
"Easy Come, Easy Go," netted only fair box-
office receipts.
The State offered as its film attraction, in
addition to the regular vaudeville the last
half of the week. "The Desert Brida," star-
ring Betty Compson, with only a moderate
degree of financial success. The Broad
Street stimulated business with a double bill
consisting of two features, "Almost Human,"
with Vera Reynolds, and Tex Maynard in
"Gun-Hand Garrison." The Grand presented
"Rose of the Golden West," with Mary Astor
and Gilbert Roland in the principal roles, and
the Capitol showed Fred Thomson in
"Arizona Nights."
Manager C. M. Gibble. of the State, was
quick to sense the effect of the sudden re-
appearance of hot weather by inserting in his
newspaper advertisements the statement that
"our refrigerated air plant keeps you com-
fortable hot afternoons and evenings."
The Royal attracted good-sized juvenile
audiences with Fred Thomson and his
horse, Silver King, in "Don Mike," while the
National offered a double program including
George Bancroft in "The Showdown," and
Charlie Chaplin in "The Fireman."
Los Angeles
BOX office receipts dropped off this week
following a hot wave that shot thermom-
eters up over the 90 mark. Downtown
hnuses reported a falling off in business,
while the first run theatres in Hollywood
held up under the first hot spell of the sea-
son.
Grauman's Chinese closed with "The Cir-
cus" after a successful run and will open
next week with "The Trail of '98." At the
new Warner theatre "Glorious Betsy" with
Vitaphone presentations is doing excellent
business.
"Sunrise" at the Criterion is playing to
satisfactory business.
Good business is reported for "Street
Angel" at the Carthay Circle.
"Potemkin" at the Broadway Palace is
attracting considerable attention.
"Wings," now in its seventeenth week at
the Biltmore, is advertised to close in eight
days.
"The Good-Bye Kiss" at the Million Dol-
lar is not registering at the box office.
Bebe Daniels in "50 '50 Girl" at Loew's
State and Pola Negri in "3 Sinners" at the
Metropolitan are doing satisfactory business.
Atlanta
WARM weather showed its effect on At-
lanta box-offices this week. Despite a
line-up of heralded features, on the whole
business was off.
The management of the Howard received
a surprise in George Bancroft's latest, "The
Showdown," which started taking a slide on
the opening day and continuing throughout
the week. Although a great picture from
point of acting, directing and technical per-
fections, it proved very unfavorable to a
feminine audience — hence the slump. Men
thought it a real picture, but women, with
few exceptions, couldn't give it a semblance
of a good hand.
Next door Norma Shearer in "The
Actress," brought Loew's Grand fair busi-
ness, but not what was expected of this
popular actress.
"We Americans," the Universal long
heralded special, failed to live up to its pre-
diction at the Capitol. Although pronounced
a splendid feature picture, filled with human
interest, it did not draw the title of a special.
Business at the Capitol was very good, but
most of the credit must be given to the
vaudeville, one act in particular , which
showed some native children in a sketch
under the supervision of Virginia Semon,
daughter of Manager Martin Semon, of the
Capitol.
Keith's Georgia had a good house, on the
whole, to see William Boyd in "The Sky-
scraper." Perhaps Keith's may rightfully
claim the high mark for the week.
"Mad Hour" played to fair business at the
Metropolitan.
The Tudor, with three westerns, enjoyed
a usual week, while the New Alamo, with a
bill of second runs and reissue of "Wine,"
pulled well.
Dallas
DALLAS theatres enjoyed another good
average week's business, although no
big receipts were registered at any of the
first run houses.
At the Majestic "A Girl in Every Port"
with Victor McLaglen and Louise Brooks
brought in above the average attendance
for the past seven days. A good vaudeville
bill completed the very satisfactory program.
"The Noose" with Richard Barthelmess
at the Melba secured good patronage and
was well received. This picture was the first
to be shown by the Melba using the Vita-
phone with a non-synchronized score, and
proved more than satisfactory.
The Palace showing "The Patsy" with
Marion Davies fell a little below the Pal-
ace's usual weekly gross, but business was
on the safe side of the ledger for the seven
day run.
At the Capitol "13 Washington Square"
with Jean Hersholt and Alice Joyce failed
to bring them in, and the week's attendance
was only fair, with the largest crowds at
( he end of the week.
"Doom's Day" with Florence Vidor and
Gary Cooper, and "Skyscraper" with Wil-
liam Boyd and Sue Carol registered the
usual fair business at the Old Mill.
At the Arcadia "Man, Woman and Sin"
with John Gilbert, "Seventh Heaven" with
John Farrell and Janet Gaynor, and
"Freckles" with Hobart Bosworth and John
Fox, Jr., accounted for another good week
at Dallas' suburban theatre de luxe.
May 12, 19 28
1585
Milwaukee
MfLWAUKEE downtown theatres just
completed a rather slow week. The
weather was the languid, spring-fever variety
that keeps folks out on the country roads
touring about in the family fiiwer without a
thought of the attractions offered in down-
town theatres. The Riverside opening on
Saturday attracted a very large portion of
theatre-goers throughout the week. The
photoplay feature at the Riverside was "The
Big Noise," which was greatly appreciated
by the throngs of Milwaukeeans, who
crowded to the new theatre.
The Wisconsin offered "A Girl in Every
Port" to moderate houses.
"Speedy" was held over for a second week
at the Merrill, and continued to draw ex
ceedingly well. "The Gay Retreat" was
ottered at the Strand, and was accorded very
slim patronage.
"The Jazz Singer" continues to do very
good business at the Garden, where it has
been returned for a brief engagement. This
was its sixth week in Milwaukee.
Gilda Gray spent a week in her home town
at the Davidson, appearing in conjunction
with her picture, "The Devil Dancer." The
performances were very well attended. An
unusually strong bill was offered at the
Orpheum, where "Blue Danube" was the
photoplay feature, and the house was
crowded at every performance.
Neighborhood houses also found business
rather dull throughout the week. "The Joy
Girl" was featured at the Tower, Garfield.
Uptown and Modjeska. Business was fair.
"Quality Street," offered at the Oriental,
drew fairly well.
"Cheating Cheaters," at the Venetian, did
good business.
Minneapolis
BUSINESS was about average in Minne-
apolis last week, with the new Minne-
sota still taking away much of the trade
from the other theatres. This theatre showed
"Across to Singapore," with Ramon No-
varro, and did about the best week of any
since its opening in March.
The State had "We Americans," which
did just a fair business, while the Strand
was making a fairly good showing with "Til-
lie's Punctured Romance."
Pantages lost a big attraction when the
city council placed a ban on the personal
appearance of Fatty Arbuckle, but it had a
rather nice drawing card in the film, "The
Escape," with Virginia Valli and William
Russell. The Hennepin-Orpheum rounded
out its vaudeville program with Sally
O'Neil and Owen Moore in "Becky."
Doug Fairbanks in "The Gaucho" came
into the Grand for a second run showing,
and ran up a big gross for the week.
Among the neighborhood houses the La-
goon found "The Smart Set" to be a popular
attraction, while the American, Lyndale and
Rialto did from fair to good business with
such pictures as "Stand and Deliver," "Bush
Leaguer" and "The Cohens and Kellys in
Paris."
Indianapolis
BUSINESS was "spotty" in Indianapolis
last week. Afternoon business was off
and evening attendance was "just fair," indi-
cating a 25 to 30 per cent drop in box-office
receipts.
Berkell stock opened season at English's
with "Mary's Other Husband," drawing
heavily from movie crowds. Enormous ad-
vance sale for Stuart Walker's opening week
at Keith's this week. "Why Marry?" is
opening bill.
"Tenderloin," with Dolores Costello, set
the pace in attendance, although it was held
the second week. Movietone newsreel and
Vitaphone vaudeville acts also on bill.
Sclls-Floto circus Tuesday night drew its
share of business. Weather was fair.
"The Smart Set" with William Haines,
Charlie Davis and Indian Stage band, led
major downtown houses for the week. "Love
and Learn" at Circle, and "Laugh, Clown,
Laugh" at Loew's Palace, played to fair
crowds. Dave Silverman, guest conductor
at Circle, is proving popular. Eddie l'ardo's
stage band, which was introduced three
weeks ago at the Circle, is proving an at-
traction.
No special exploitation effort made by any
houses.
Cleveland
NOTHING very startling happened in lo-
cal movie circles last week. None of
the theatres reported any broken records.
And, (jn the other hand, none of them re-
port ed any flops. Taken by and large, it
was a moderately successful week, as judged
by the box office.
"Ramona" was sufficiently well liked by
patrons of the Stillman to justify holding the
picture over another week. The Allen drew
good crowds with "The Actress" as the fea-
ture picture. "Something Always Happens,"
unusually well sustained mystery play, main-
tained the general high average at Keith's
Palace.
The State theatre also reports that busi-
ness was average for the week with "Lady
Be Good," good comedy, full of breezy ac-
tion and a satisfactory love ending. Reade's
Hippodrome did pretty well for the first
week of the new all-picture program. "The
Sunset Legion" was the feature attraction,
unanimously agreed to be good standardized
popular entertainment.
"Wings" built up consistently during its
fourth week at the Colonial, where it is being
roadshowed at $1.65 top. Keith's East
105th had a fair week with a fair picture,
"Love and Learn." The Park and the
Cameo played second rim engagements of
"The Gaucho," following a continued down-
town run of the picture. Both houses did
well, but nothing extraordinary.
Competition was keen as the Metropolitan
( lipera drew capacity attendance to the Pub-
lic Auditorium.
Neighborhood house business was below
average.
Buffalo
BOX-OFFICE receipts were not startling
at any of the leading Buffalo theatres
last week, although, for the most part, they
were on a par with average weeks.
Loew's State had a very good week, due
largely to the personal appearance of Francis
X. Bushman, which attracted the old-time
theatre-goers who remembered him as the
Beau Brummel of the screen in years gone
by when he played alongside Beverly Bayne.
Bushman's appearance in a dramatic sketch
was accompanied by a screen comedy, "Cir-
cus Rookies," in which Karl Dane and
George K. Arthur added to their local popu-
larity.
Shea's Buffalo had a darb of a Publix revue
in "Sun Shades," featuring Joe Jackson, the
pantomimist, with Richard Dix on the screen
in "Easy Come, Easy Go," which wasn't
particularly "hot." The house had a normal
box-office turnover.
The Great Lakes drew good crowds all
week, with "Sharp Shooters," featuring
George O'l'rien and Lois Moran, proving
a good film attraction, and eight vaudeville
acts helping to entice the public. Shea's
Hippodrome had a money-maker on the
cinema in "Doomsday," with Florence Yidor,
which drew much favorable comment. The
stage bill also was good, with "A Chameleon
Caprice," a talented company, headlining.
"French Dressing," with H. B. Warner, and
a well-balanced vaudeville offering, attracted
normal audiences to the Lafayette.
Neighborhood houses reported normal
business throughout the week.
Albany
MARION DAVIES did wha/ had been
regarded as impossible at the Leland
in Albany last week, when "The Patsy"
scored a knockout over daylight saving,
packing the theatres not only for one show
but for both shows each evening and with
matinees running extremely heavy. Miss
Davies is extremely popular in Albany, and
a large personal following did the trick. At
the Mark Strand, "The Legion of the Con-
demned" likewise played to good business
with daylight saving making little or no
inroads at the box office. Richard Dix in
"Easy Come, Easy Go," went over fairly
well at the Ritz. "Simba," playing at the
Capitol at prices ranging from 50 cents to
$1.65 went over fairly well, although not up
to "King of Kings," which had been the at-
traction at the theatre the previous week.
Some good preliminary work had been done
through the schools and the newspapers in
building up business for "Simba."
The Clinton Square theatre went over well
with a Tom Mix picture the "Horseman of
the Plains" and another feature entitled
"Domestic Troubles."
Neighborhood houses reported business as
being slightly off on account of daylight
saving. Proctor's Grand continues to use
exceptionally good pictures with its vaude-
ville.
The outstanding feature the past week
in Troy was the excellent business done by
"Speedy." Business that ran far ahead in
many instances of other weeks when there
was no handicap in the way of daylight sav-
ing. Coupled with the feature were two
excellent Vitaphone presentations which in-
cluded the Rose and Taylor orchestra and a
comedy entitled "Papa's Vacation."
At the Lincoln in Troy, "The Mad Hour"
ran to good business for four days while
"Bringing Up Father" did only fair for
three.
Business held up well at the American in
Troy with "Beyond London's Lights" for
four days and with "Heroes in Blue" drop-
ping a bit for the three remaining days.
The smaller theatres in Troy reported
business as being good.
Tarn i ><i
NOTHING shown in Tampa the past
week developed what you could call a
real draw, but the week as a whole was satis-
factory. "Easy Come, Easy Go" failed to
keep receipts up to the average of the
Tampa. Dix is well liked here, and his pic-
tures usually draw excellent business, but
this one didn't seem to click. It was used
the first four days. "The Crowd," featured
the last half, did better, but it was not a
draw.
At the Victory the business continues very
good with Vitaphone productions and
presentations, and the added attraction of
the Movietone news reel. The feature last
week was "The Silver Slave."
"Wickedness Preferred" started the week
off very nicely tor the Strand. Following
this, "The Enemy" was used for three days,
and it went over very good. "Homeless
Men" completed the week, and brought aver-
age returns. The gross for the w eek was a
little better than average.
The Franklin gave the entire week to the
showing of "The Red Kimono." The mati-
nees were exclusively for women, and the
night shows for men. Children were not
admitted and a straight price of 50c was
made. The business was fairly good, but
nothing that could be considered big.
The Seminole, Tampa's finest neighbor-
hood house, had "The Big Parade" for two
days, and "stood 'em up" at every show. As
this is about the fourth showing of this pic-
ture in Tampa the business was really re-
markable.
1586
Motion Picture News
Baltimore
INROADS on the patronage of the first-
run moving picture theatres for the week
beginning Monday, May 7, were caused by
the opening of the races here and the annual
visit of the circus, for two days.
However, with the exception of only a
few theatres, business was good generally
and in several cases excellent. At Loew's
Century "Rose Marie," featuring Joan Craw-
ford and James Murray, held up very well
with The Maryland Collegians on the same
bill. Business throughout the week was ex-
cellent, due in part to various nights being
arranged for pupils at the various colleges.
"Speedy," featuring Harold Lloyd, did
excellently at Loew's Valencia during its sec-
ond week at that playhouse.
"Lucrecia Borgia," at the Little theatre,
presented by the Motion Picture Guild, Inc.,
proved a good business getter with Conrad
Veidt and Paul Wegener, who have been
seen in American made productions, playing
two of the principal roles.
At Keith's Hippodrome, "The Sporting
Age," starring Belle Bennett, went over
fairly well with five acts of Keith-Albee
family time vaudeville, doing a better busi-
ness than during the previous week.
At the Keith-Albee New Garden "The
Shield of Honor," featuring Neil Hamilton
and Ralph Lewis, proved a fairly good pull-
ing vehicle with seven acts of Keith-Albee
high class vaudeville.
"Tenderloin," starring Dolores Costelo and
Conrad Nagel, witli Vitaphone accompani-
ment and dialogue and other Vitaphone at-
traction-, proved a good business getter at
Warners' Metropolitan for the second week
of its engagement. It was held fur a third
week.
The Stanley only had fair patronage
throughout the week with "The Showdown,"
featuring George Bancroft and Evelyn Brent
and a stage presentation, entitled Around
the Clock.
However, it must be remembered that it
takes 4,000 persons to fill the Stanley when
every seat is taken.
Boston
WITH the inroads of daylight saving off-
set by continued cool weather, Boston
theatres had about an even break during the
week. The expected falling off from day-
light saving may have occurred, but if it did
the weather brought up the box-office
receipts to figures which are eminently satis-
factory.
Conditions have not yet been favorable to
the opening of the summer resort theatres,
and, until these are opened, Boston man-
agers do not expect any material slowing
down of programs. It has not been neces-
sary to advertise the cooling plants yet,
although it may become so any day now.
Metropolitan Theatre had an unusually
good week with "Stand and Deliver" as its
feature, coupled with Paul Whiteman and his
band. The combination brought capacity
houses all week, and were it possible to hold
over a Metropolitan show for a second week,
there would be no question as to what would
happen.
"Garden of Eden" was the feature at
Loew's State, and played to the large audi-
ence, which has become a habit at this play-
house.
"Something Always Happens" attracted
rather better than average audiences to the
Keith-Albee Boston Theatre, and receipts
were highly satisfactory.
"The Silver Slave" and "The Night Flyer"
were the double features at the twin theatres,
the Modern and Beacon, following features
which have been held over from one to eight
weeks. The films drew far better than the
average houses at these two theatres for a
good week's business.
"The Circus" and "The Showdown"
divided honors at the Exeter for a good mid-
Bpring week. "Motherhood" and "Flying
Romeos" at the Fenway provided the box
office with plenty of material.
Other films of the week drawing good
houses were: "The Smart Set," at Loew's
Qrpheum; "Man, Woman and Sin" and
"Sadie Thompson," at Loew's Columbia;
"Buck Privates," at the Scollay Square
Olympia; "Heart of a Follies' Girl," at the
Washington Street Olympia; "Skyscrapers"
and "Wife Savers," at the University; "The
Circus," at the Allston; "Little Shepherd of
Kingdom Come," at the Capitol; and "The
Circus," at the Central Square.
San Diego
ONE of the longest runs given any picture
at any local house has been the four
weeks' showing of "The Jazz Singer," featur-
ing Al Jolson, at the Plaza the last three
weeks of April and the first week of May.
Manager Dwight Hill says it has been one
of the best business getters he has had, even
though its predecessor, "Chicago," did a big
business for three weeks.
"That's My Daddy" would have had a
specially good run at the West Coast Cali-
fornia, based on its merits, even though little
Jane La Verne, known as "Pudge," the tiny
juvenile star in the play, had not made a
personal appearance at the house during the
week. Jane became an instantaneous
favorite and proved a big attraction in her-
self.
"Beau Sabreur" proved to be a good at-
traction at the California and, as one of the
house staff put it. "everybody liked it."
"Feel My Pulse," featuring Bebe Daniels,
also was shown to good houses, for Bebe
always goes well in San Diego.
While a special local appeal was expected
when "Gentlemen Prefer Blondes" was
shown at the Cabrillo, because of the fact
that Anita Loos, its author, was a former
San Diego girl, it did just a fair business.
"The Last Command," at the Cabrillo, did
well for the two weeks it was on the screen.
"We Americans," at the West Coast Cali-
fornia, the film attraction during the first
anniversary week celebration for the house,
did a very good business, with its lesson on
Americanization, and its touch of the World
War patriotic appeal.
One of the best films featuring Harold
Lloyd, from the standpoint of popularity,
was his "Speedy," which filled the Cabrillo
for every showing, with a waiting queue as a
general thing.
"Seventh Heaven," which came back to
San Diego after its first showing at Pan-
tages, was one of the biggest drawing cards
ever shown at the community houses, de-
clared Kent Bush, of the Bush Theatres,
Inc., who had it at the Egyptian.
Des Moines
A T the Des Moines Theatre "The Little
Shepherd of Kingdom Come" was the
attraction, and it opened up with a rushing
business. It may have been the good record
that Barthelmess made in "The Patent
Leather Kid," or the fact that the audiences
expected it to be a Vitaphoned picture, but
the first shows were big; the week did not
hold up so well.
At the Capitol business was good with
Richard Dix in "Easy Come, Easy Go," a
pleasant comedy, and a good stage show.
Casey Jones, stage hand director, made a
good personal drawing. At the Strand "The
Crowd" caused much comment with opinion
about evenly divided. The ones who were
for it were strong for it, and those opposed
felt as decidedly. The week finished with
Fred Thomson in "The Sunset Legion," and
did very well. At the Garden "The Student
Prince" did big business on a second run,
and held up well for a half-week run. Some
objection was made to the sentimental bits
in the picture, while others were most en-
thusiastic about the charm of the picture.
Ottawa
CONTINUED coolness and rather copi-
ous rain have tended to help the the-
atres in the Ottawa, Ontario, district and
every type of film attraction has been get-
ting attention from the public.
A very interesting program was presented
by Manager Ray Tubman at the Regent the-
atre, Ottawa, during the week of April 30.
This comprised "Red Hair," starring Clara
Bow, and "40,000 Miles with Lindbergh."
The latter aroused much interest because of
Lindbergh's visit to Ottawa last year. "Red
Hair" was fair.
There was plenty of fun around B. 'F.
Keith's theatre with "The Fortune Hunter"
with Syd Chaplin. Big crowds were the rule
and they were generally satisfied with the
picture.
Heavy patronage was registered at the
Imperial, where "Bringing Up Father" was
the attraction. The cast of this picture
proved to be a strong argument for the older
people while, of course, the juveniles rushed
to see it because of its cartoon fame.
At the Centre theatre "A Girl in Every
Port" was the feature and opinions were
rather divided but the theatre got big busi-
ness all week.
Rin-Tin-Tin packed them in at the Co-
lumbia theatre as usual, the vehicle this time
being second run of "A Dog of the Regi-
ment." The canine actor always draws a
crowd at the Columbia. The program also
included a serial, news weekly and comedy.
There was another well-balanced program
at the Fern theatre, another bustling neigh-
borhood house, and the capacity crowds
were eager and noisy. The bill included
"The Frontiersman," the serial "Melting
Millions," and Lloyd Hamilton's comedy,
"Somebody's Fault."
"The Stolen Ranch" was just the type of
feature to make the Rex theatre popular.
On top of this, Manager Nolan had second
run of the pictures showing the Bremen and
crew at Greenly Island, with a serial chap-
ter and comedy. Both the crowds and the
theatre got their money's worth.
San Francisco
AL JOLSON, in "The Jazz Singer," which
just finished playing its eleventh week at
the Embassy Theatre, broke a record for any
picture ever shown in San Francisco, not
only from the standpoint of weeks, but also
because the theatre held its crowds so
wonderfully the entire number of weeks the
picture was shown. This was due to the
fact, that many went two or three times to
see this picture, and were such good boosters
for it. Many were surprised "The Jazz
Singer" did so well, as the theatre is not as
centrally located as some of the other
houses.
"Ladies' Night in a Turkish Bath," shown
at the Loew's Warfield Theatre, proved very
popular. On the stage, "Moscow Ideas" and
Rube Wolf and his orchestra. The Granada
Theatre was comfortably filled with the pic-
ture, "Skyscraper," the Publix Stage Revue
with the presentation act, "Treasure Ships,"
helping to draw. "The Patent Leather Kid,"
was shown a third week at the St. Francis
Theatre, where it did as well the third as the
second week. "Speedy," at the California
Theatre, was held over for a few days more
than the second, but this picture did not do
well those days.
The Union Square Theatre reported
excellent business with "Pretty Clothes,"
"Painty Pappas" and five acts vaudeville.
The Golden Gate Theatre reported big busi-
ness with "The 13th Hour," partly due to the
popularity of Barrymore in this city and the
vaudeville acts.
The residential theatres, as a whole, re-
ported good business. The Coliseum show-
ing "Coney Island," together with "The
Varsitonians," who play on the stage, and
the Alexandria showing the picture "French
Dressing."
May 12, 19 28
1587
Newsreel Resume
Salt Lake City
ATTENDANCE at the Salt Lake City
downtown theatres has varied some this
past week, according to reports. Good
weather conditions prevailed, the week hav-
ing been cool and clear throughout.
Exceptionally big crowds were enjoyed at
the Capitol Theatre, the main feature
apparently being Moss and Frye, "The
original blackbirds," in the stage presenta-
tion "How High Is Up?", a Fanchon &
Marco offering, which caused a great deal
of merriment. Poli Negri in "Three Sin-
ners" was also very well received at thi^
house.
The Paramount Empress Theatre did a
highly satisfactory business on "Speedy,"
Harold Lloyd's latest comedy. "Two Girls
Wanted" went over to fairly large crowds at
the Victory.
Special lobby displays and a good deal of
exploitation was employed at the American
Theatre during their presentation of "We
Americans," which though it did not play to
extremely large houses, was received with a
good deal of favorable comment by those
who were in attendance, and the box-office
receipts were above the average.
Beatrice Fairfax's romance, "The Love-
lorn," was the picture offering shown at the
Pantages Theatre this past week, with fairly
satisfactory results. This house also pre-
sents Pantages vaudeville.
"Chicago After Midnight" proved to be
quite a good drawing card at the Gem Thea-
tre, with crowded houses being the rule.
"The Shepherd of the Hills," with Molly
O'Day, was the second-run offering at the
Rialto last week, having been very well re-
ceived in consideration of this fact.
The Mission, a suburban house here, did
very well with John Gilbert and Greta Garbo
in "Love."
Kansas City
A WEEK of warm weather, a novelty thus
far this spring, last week sent a large
part of Kansas City's population scurrying
into the country with motor cars at night,
with the result that business at none of the
downtown houses measured up to the previ-
ous week, despite the fact that the line-up
of pictures was strong. The condition
merely was temporary, however, most ex-
hibitors agreed.
At Loew's Midland, Emil Jannings in
"The Last Command" played to fair houses,
but fell short of what was expected of it, in
so far as attendance was concerned. "Under
the Tonto Rim," at the Newman, played to
meager crowds, but "Why Sailors Go
Wrong" held up fairly well at the Pantages
Theatre, as did "Harold Teen" at the Main-
street.
"Tenderloin," at the Globe, did only a
small business. A return engagement of
"The Merry Widow," at the Liberty, how-
ever, played to an average attendance.
There was nothing unusual in the way of
exploitation at any of the houses.
Gomerford Will Improve
House in Honesdale, Pa.
Purchase of the Lyric theatre, Hones-
dale, Pa., lor $65,0,06, by the Comerford
Amusement Company, of Scranton. whieh
controls ;i chain of 150 theatres, was an-
nounced on April .'10, when negotiations in
the transactions were closed. The house
will be modernized by an expenditure of
$25,000 when the new owners take posses-
sion July 1. Improvements will include the
installation of a Vitaphonc device, better-
ment of the acoustic properties, addition
of more seats and extensive interior decora-
tions.
No. 39 of Pathe News takes in the Shrin-
ers parade in Miami; the Bremen crew hon-
ored in New York and at Washington;
West Pointers instructed in gunnery at
Aberdeen, Md.; the Sinclair oil refinery
swept by fire; the President and Mrs.
Coolidge attending the circus; pursuit
planes maneuvering in the clouds. This last
mentioned hit shows a dazzling display of
airplane skill. Some splendid shots were
obtained by the newsreel man.
The airplane tragedy in which Leonard
Bonney met his death while trying out new
plane; the West Point cadets , on parade;
the quakes in Greece and Bulgaria; the
King's troops in march review before the
Duchess of York; and the war games at
Langley Field, Va.; were the important
features of No. 40 of Pathe News. Two
additional items concerned the May festival
at Welhvdey College and the back-yard
show put on by the kids of New York's
East Side.
Issue No. 81 of Paramount News dealt
with the visit of King Emmanuel to Tripoli;
army pilots in war play at Langley Field;
the West Pointers receiving gun instruc-
tion, and the fliers received in Washington.
Other stories were about the salvaging of a
liner wrecked off the Massachusetts coast;
the Shriners impressive procession at
Miami, and the new seaplane service from
Nice to Monaco along the Riviera.
No. 82 had views of Italian workmen
hailing Mussolini; the dam at Greeneville,
S. C, which imperils neighboring valley;
and the crash of Iionney's plane. The re-
mainder of the shots were of motor bike
stars in a tricky hill climbing contest; the
annual spring regatta at the "Venice of
Mexico"; the West. Point cadets in pa-
rade; tin1 builder of the Bremen plane;
German woman athlete practicing for the
Olympics; Walter Hagen defeated on
British links, and a daredevil exploit by
girl who jumps successfully from airplane.
No. 76 of M-G-M News reported the West
Pointers studying the big guns at Aberdeen;
the capital's tribute to the Bremen fliers;
the Coolidges attending the circus, and the
march of the Shriners at their national con-
clave at Miami. Interspersed throughout
the reel ware other stories — diving and
other water sports at Austin, Tex.; the huge
throng attending the Pimlico opening; air-
man sets a new record for upsidedown (ly-
ing; pelicans come out of doors alter long
winter sojourn.
No. 77 presented the smartly d rosed
West Point cadets on the parade grounds;
the May day celebration at Welleslcy Col-
lege; the visit of the Italian king to North
Africa; and the plane demonstrations at
Langley Field. Helen Wills in France and
a round up of wild horses in Oregon also
contributed to the interest of the reel.
Kinograms No. 5393 offered scenes of
Koine's mayor visiting New York and the
Bremen fliers received at Boiling Field, Va.
Also viewed were shots of the colt, Alac-
rity; the huge derrick which collapsed in
New York's street; Helen Finklcy training
for Olympic Gaines; jiu jitsu experts in a
match.
No. 5394 related more scenes of enthu-
siasm aneilt the Bremen fliers as they attend
a ball game in New Y'ork. In the line of
news were more items: the I)uchc>s of York
inspecting her regiment ; English boys
trained in gymnastics; Walter Hagen
beaten in golf match in England; Welles-
ley students saluting the seniors; Chicago
drivers racing on the Rohy Speedway; the
West Pointers parading; the army fliers
staging a "battle" in the air.
Fox News, Vol. 9 No. 63 began with
scenes of Rome and the celebration of the
city's 2,681 birthday. Also on hand was
1 he New Y'ork welcome to the Bremen crew.
Other events that obtained notice were the
bestowal of prize cups to Spanish polo
plavers, carnival at Columbus, Ga., in honor
of its 100 birthday; track stars in the Penn
relays.
No. 64 showed the West Point corps
getting instruction at Aberdeen and the
Bremen airmen decorated by the Presi-
dent. On hand also were items relating to
a kid's top spinning contest in the south;
Lindy Landing at Washington in the
"Spirit of St. Louis"; California athlets
training for the Olympic-;; Danish prince,
who is leaving California to return home;
Dixie girls in the dress of Cleopatra 's time;
Pike's Peak emerging from the winter
shows.
En the Fox Movietone, Vol. 1 No. 23,
were heard the voices of the Bremen Biers
responding to their reception in New York;
a squad of motor cyclists performing diffi-
cult feats and an aviation cadet undergo-
ing a rigorous test in an "orientator. "
A REVELATION OF CHARACTER f
ACTING ON THE SCREEN •
"Czar Ivan the Terrible "
Produced by
SOVKINO o£ MOSCOW
(Producers of "Poteiiikin")
For bookings apply exclutivelj i<>
AMKINO CORPORATION
723 SEVENTH AVE., NEW YORK CITY
Bryant 7(>7K
1588
Motion Picture N e zvs
Opinions on Pictures
The Big Noise
Film Travesty, Neatly Done and
Amusing
(Reviewed by Laurence Reid)
T T ERE is a neat Little piece of satire
' which is exceptionally well clone —
which serves in introducing a smart take-
off on the tabloid type of journalism. Yet
beneath its outer shell of humor one can
spot a deal of pathos — which shapes up as
genuinely human. There is a background
of something which might register as utter
futility of life. And this note is what
makes it click so well. There- are points
about it which suggest several recent films.
It takes its character around New, York's
East Side and West Side, too. And on to
Coney Island. After carrying out a touch
of the humdrum existence of its characters
it settles down into a story somewhat ap-
proaching ' ' Chicago. ' '
Chester Conklin plays the central figure
— that of a subway guard. He is a meek
chap who never feels any importance until
he puts on his uniform. It develops that a
mayoralty campaign is on which exploits
the uplift of the overworked subway guard.
After the candidate gets elected on this par-
ticular platform the subway guard is for-
gotten. And he becomes the work-slave
again. Here is real pathos. And here is
reality. What is presented here could reas-
onably happen. It is all very good — and
acted very deftly by Conklin and the others
of the cast. Your patrons should enjoy
this number. It is far from being the usual
dime of the day.
Drawing Power: Needs heavy exploita-
tion, but word-of-mouth advertising should
put it over. Exploitation Angles: Feature
Conklin as having ideal role. Bill as true
slice of big city life.
THEME: Comedy-drama of subway
guard exploited by politicians.
Produced and distributed by First Na-
tional. Length, six reels. Released, May,
1928. Cast: Chester Conklin, Alice White,
Bodil Rosing, Sam Hardy, Jack Egan, Ned
Sparks, David Torrence. Director, Allan
Dwan.
The Escape
A Fair-To-Middlin'' Melodrama
(Reviewed by Laurence Reid)
AN effort to capture the highlights of
the original of this picture which met
with tolerable success on the stage hasn't
been very successful. It can't be cata-
logued as very interesting, nor, on the other
hand, very poor. It just serves up an av-
erage line of action concerning bootleggers
and night clubs, with other ingredients to
keep it moving. Being absorbed with much
incident the plot does become complicated
■ — so much so toward the climax that it be-
comes rather difficult to follow.
There is a hospital interne in the story
who is sent out on a poverty case. When
he arrives at the house he is compelled to
use the phone next door to report the mat-
ter to his hospital. And by using the phone
he meets the "little mother." And thus
starts the romance. The heroine's father
is a bootlegger and when he is bumped off
in a raid she gets a job as hostess in a
night club — a racket run by the very man
responsible for her dad's death, though the
girl is ignorant of it.
Along comes the young doctor, who, after
getting discharged from the hospital, takes
up with furnishing liquor for the club.
After this episode, well the story runs into
a. flock of episodes before it fades into a
happy ending. Miss Valli is appealing as
the heroine, but the other characters are
kind of lost in the shuffle. Just a so-so
film.
Drawing Power: For average houses.
Exploitation Angles: Feature as film ver-
sion of successful play. Feature Miss Valli.
Bill as serving up lots of action, etc.
THEME: Melodrama of bootleggers, etc.,
and the appeal of innocent girl to bring
boy friend away from wayward path.
Produced and distributed by Fox.
Length, six reels. Released, May, 1928.
Cast: Virginia Valli, William Russell,
Nancy Drexel, George Meeker. Directed
by Richard Rosson.
Easy Gome, Easy Go
Good Enough Entertainment Here
(Reviewed by Laurence Reid)
AS a play this wasn't so hot, but it
presented sufficient high jinks to keep
most any audience in a good frame of
mind. Coming to the screen it carries on
with some creditable comedy — and shapes
up as the best picture Richard Dix has had
in some time. He could stand even better
ones than this — as its plot is kind of vapid.
The idea revolves around the goings-on in
a sanitarium where the star follows his girl
friend. The hero has been fired by his
father from the job of radio announcer.
He becomes the innocent accomplice of an
aged bank crook. And during the trip to
the sanitarium where he has followed the
girl friend he is suspected of lifting the
loot from the passengers on the train.
And that's about all there is to it. Dix
makes the piece hum with plenty of inci-
dent, and his personality makes the piece
really enjoyable. There are many amusing
complications, though several of them are
hoary with age. Altogether it shapes up as
a pi-etty spritely film, though it could stand
some trimming here and there. Nancy Car-
roll makes an attractive heroine, though
the role is limited.
Drawing Power: Title and popularity of
star. Okay for average houses and first
runs, too. Exploitation Angles: Tease the
title and go after Dix's popularity. Feature
Nancy Carroll of "Abie's Irish Rose"
fame.
Produced and distributed by Famous
Players. Length, six reels. Released, May,
1928. Cast: Richard Dix, Nancy Carroll,
Charles Sellon, Frank Currier, Arnold
Kent. Directed by Frank Tuttle.
The Man Who Laughs
Strong Drama Finely Acted and
Directed
(Reviewed by E. G. Johnston)
'T'HIS is the third of Victor Hugo's
*■ stories to be. made into special produc-
tions by Universal and the author's char-
acteristic outbursts are once more admir-
ably conveyed to screen drama — this time
by a master-craftsman of lights and shad-
ows, Paul Leni. This is strong drama — a
big production almost faultlessly made as
far as motion pictures go. Any adverse
criticism to this picture must be directed
at its theme. Some of Hugo's novels have
not been pleasant ones and this one falls
under this classification. There were in-
stances when his tirades were against hor-
rifying states of affairs and this deals with
one — the imperialistic regimes of King
James the Second and Queen Anne. There
were cruel practices those days and this
quality must necessarily run through the
picture in order to preserve story value.
When these occur they are treated deli-
cately as circumstances permit and the re-
sult is — we repeat — a really, fine motion
picture even though it may have its grue-
some moments.
Conrad Veidt does excellently as the
clown who, in childhood, was the victim of
Comprachicos, a marauding band of gyp-
sies whose surgeon distorted the boy's fea-
tures to a wide grin at the order of James
II. The father of the boy had incurred the
King's displeasure, he was executed and
all property of the peer passed into the
hands of the Duchess Josianna. Time
passes and the boy develops as a famous
clown. Olga Baclanova has the role of the
Duchess and along with Veidt, Brandon
Hurst, Caesar Gravina and Mary Philbin,
contributes what this writer thinks to be
an exceptional piece of work. As the de-
fiant and wayward Duchess she fits the role
to perfection.
The disfigured child grows up in the
home of Ursus (Gravina) who capitalizes
on the boy's ability to make the public
laugh. A blind girl (Mary Philbin) rescued
when a baby by the boy, is also used as a
member of the family show troupe. From
childhood, romance develops between the
clown and the girl who cannot see her
lover's distorted features. This affair,
which is about to materialize into marriage,
is almost upset by the Duchess' entry in
the field and the discovery that the clown is
the rightful heir to her estate. Josianna is
not in good standing at Court and Queen
Anne orders that she marry the clown and
that the latter be made a peer of England.
The turbulent court scene follows — the
clown escapes and rejoins old Ursus and
the blind girl after a violent scene at the
docks where his enemies seek to prevent the
departure. The somewhat incongruous entry
of a police dog at this point aids the es-
cape.
Drawing Power: Is of extended run
calibre for the larger cities. As a more
popular priced attraction for the smaller
May 12. 19 2 8
1589
cities it should go big. It may have ;i lack
of appeal i<> some a£ the feminine sex— this
is questionable. Exploitation Angles: Les
Miserable* and the Hunchback of N'otre
Dame have proved beyond a doubt that Vic-
tor Hugo has been widely read. Capitalize
on this. It is ;i most unusual story — play
up this and also names in the excellent
cast.
THEME: The romance between a disfig-
ured clown and a blind girl who are thrown
together in early youth. Fate decrees that
they go through life together — the man
sensitive to the point where he attempts to
stifle his love for the girl even though she
cannot see his distorted countenance. Many
tribulations beset the two due to the dis-
covery that the clown is rightful heir to a
peerage. They escape their enemies and
the ending is as happy a one as can be
made — the two in each other's arms and
their decision to brave life together. The
real story ends much more tragically
Produced and Distributed by Universal.
Length, eleven reels. Released, Fall of 192S.
The Cast: Conrad Veidt, Mary Philbin,
•George Siegmann, Torben Myers, Brandon
Hurst, Josephine Crowell, Olga Baclanova,
Caesar (iravina, Stuart Holmes, Sam De
Grrasse, Edgar Norton, Nick De Ruiz, Zimbo,
tin' dog and Julius Molner. Story by Victor
Hugo. Directed by Paul Leni. Adaptation
-and screen play by .1. Grubb Alexander.
Hellship Bronson
A Melodramatic Sea Story
(Reviewed by Chester J. Smith)
rTMllS is ;m unlovely, almbsl revolting gea
* story with a mother-love appeal in it
that will win feminine audiences, whilo the
underworld sequeipjjs and the brutality4 ex-
hibited aboard the sailing ship are bound to
have the wrap! attention of the males'. So
with these various elements making up the
action it should prove a good audience
pic! ure.
It is inclined to be slow in spots with
entirely too much of the brutality injected,
and is too long in working up the feminine
appeal, but it is a powerful story, well con-
ceived, with some remarkably strong situa-
tions and climaxes well worked out.
The cast is a splendid one, and does its
work well. In the leading roles are Noah
Beery, Mrs. Walhu'e Weid and Weed Howe-.
Beery is the unbelievably cruel, sinister cap-
tain of the sailing craft, who brings his son
Up to hate his mother, whom he has
deserted, because of an unwarranted belief
that she had been unfaithful to him. Beery,
as usual, proves himself the capable actor,
but the work of Weed Howes, the chip of the
old block, hard, fighting, and versed only in
the ways of the sea, is going to surprise his
most ardent admirers. It is perhaps the
best Howes has ever done. Mrs. Weid makes
the most of the sad, oppressed mother,
whose patience and tenderness wins out in
the end.
Drawing Power: It ha- .-ill of the ele
ments that appeal to an audience, and
should prove a good draw in all types of
houses. Exploitation Angles: The under
world sequences of San Francisco's old
waterfront; the storm at sea and the popu-
larity of the leading players.
THEME: Sea captain, believing his
young wife has been unfaithful to him,
takes his young son and rears him in the
ways of the sea at the same time instilling
him with hatred for his mother. After an
absence of twenty years the mother locates
the missing pair, stows away on their ship,
and, before the voyage is completed, wins
the love of her son and forgiveness of her
husband.
Produced and Distributed by Gotham
Product ions. Length, 7,000 feet. Released,
May "I, 1928. The Cast: Noah Beery, Mrs.
Wallace Reid, Weed Howes, Helen Foster,
.Tallies Bradbury, Jr., Jack Anthony. Di-
rector, Joseph' Henabery. Screen play by
Louis Stevens. Supervised by Harold
Shumate.
"YouVe Darn Tootin'"
(M-G-M-Comedy— Two Reels)
(Reviewed by E. G. Johnston)
DON'T miss this Stan Laurel-Oliver Hardy
comedy. It's a cuckoo if there ever was
one in this line of entertainment. When an
ennuied bunch of film reviewers fairly laugh
their heads off — even hard-boiled old Jack Har-
rower— then we'll go the limit toward congratu-
lating this popular Roach comedy team — and
their director, Edgar Kennedy. It's good all the
way through, but the choice highlight is the
employment of a simple gag which is admirably
built up to a point where, if it doesn't produce
some of the best laughs you ever heard, then put
Ibis writer down as one who doesn't know what
it's all about.
Laurel and Hardy have a job with a concert
band and they're not so good and this is what
starts all the trouble. A boarding-house bill also
contributes to their difficulties.
With the musical theme some good effects
might be introduced by your theatre orchestra.
"Fair and Muddy"
(M-G-M-Our Gang— Two Reels)
( Reviewed by E. G. Johnston)
THFRK'S a great dial too much mud-throw-
ing in this Gang comedy to bring it up to
the level of other McGowan-directed two-reelers,
which deal with these prankish kids. A little
mud would have been alright, but when the film
develops into just one mud-heave after another
it becomes very monotonous entertainment. The
story has to do with a child-hating spinster who.
in order to receive a bequest from a rich uncle,
must somehow acquire a child of her own by a
certain date. An orphanage furnishes "The
Gang,'' its director instructing the kids to make
life as miserable as possible for the lady when
they all start for a day's outing via auto. The
mud-throwing turns out to be just the means of
softening her attitude toward children, and she
adopts the whole crew.
I f you like "The Gang" plus lots of mud, take
a chance.
"Three Tough Onions"
(Educational — One Reel)
(Reviewed by Raymond Ganly)
THF ancient institution of marriage comes in
for a few breaks in this new comedy of
the Cameo scries starring Monty Collins. Monty
works as energetically as ever. He is one come-
dian who puts everything he has into his work.
As the hen-pecked husband, pestered to death
with his wife's relations, considerately come to
live with him. he has several opportunities for
comedy and they are for fans occasions for
effective laughter. Estellc Bradley, Robert
Graves and Katherinc Parrisb are the assistant
players. They were directed by Jules White.
Most of the reel consists of Monty's troubles
in bis own home, where the in-laws have taken
possession of everything. Some of this comedy
is good, other portions of it are just about fair.
All in all, it will provide an entertaining ten
minutes for the program of the average ex-
hibitor.
"Navy Beans"'
(Educational — Two Reels)
(Reviewed by Raymond Ganly)
' 'Dlt. BOY," Educational's smallest player,
■L) (smallest in size but not in fame or
popularity by a long shot)/ has a fairly strong
laugh vehicle in this one, which deals with the
navy. Teamed with little Lorraine Rivero and
Jackie I.evine in the first few hundred feet, the
scene of his activities shifts to shipboard when
he bides inside a sailor's kit, and is accidentally
carried on board ship, where a peck of trouble
ensues for him. While not as competently
gauged for laughs and as nicely proportioned
as some of the star's other comedies, "Navy
Beans" can be counted on to draw a' goodly
share of chuckles.
The gags on board ship have a certain repeti-
tion, but that will be overlooked in the average
theatres where the fans are not critical minded
and ready to burst into a laugh. The kid actor
has troubles with the captain of the vessel and
the fun culminates in a scene of gun inspection
wherein "Big Boy" is revealed as a culprit, but
nevertheless is taken to heart by the captain and
the crew.
Other performers are Lewis Sargent, Robert
Graves and Lila Leslie. As usual, Charles La-
mont directed "Big Boy." William Byer did
the photography, which is very much in evidence
in a slow motion scene of the boy sea sick.
"Whose Wife"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
MIKE and Ike have a better vehicle than
usual in this one. It affords them an op-
portunity to display some knockabout comedy
that is better than the average, and it has some
humorous situations. Mike takes just the wrong
time to make up his mind to get married, against
the judgment of Ike.
As the wedding ceremony is concluded a wire
arrives from Mike's uncle saying that if Mike
is still single on his immediate arrival, he will
make Mike his sole heir. Uncle arrives as the
wedding party is about to board the train, and
Mike deceives him into believing that Ike is
the real bridegroom. Uncle decides to join the
party on the honeymoon, and insists upon Mike
occupying the upper over him, leaving the ad-
joining lower to the bride and Ike. to the keen
embarrassment of all concerned.
Complications come thick and fast as Mike,
Ike and the bride endeavor to untangle the situa-
tion, which eventually is accomplished when
Mike and his bride fall out of the compartment
window as the train lurches. Uncle then realizes
that the joke has been on him and the happy
couple are permitted to do their honeymooning
alone.
"The Newlyweds' Happy Day"
(Universal — Two Reels)
(Reviewed by Chester J. Smith)
THE Xewlyweds with their young hopeful,
Snookums, go through some funny antics
on a hunting trip, during the progress of which
Snookums and his dad are chased by a bear.
They take refuge in a tree, and Snookums saves
the situation by dropping a pine cone on the
bear's bead and chasing him off.
. On their arrival back home they find a tele-
gram from Snookum s wealthy grandfather say-
ing he will arrive immediately. This brings to
the Xewlyweds' home all of the poor relations,
each seeking to win the favor of grandfather.
Snookums gets into all sorts of mischief, and
all but drives the entire assemblage to distrac-
tion. His parents fear for results as grand-
lather is the victim of many of the youngster's
misdeeds.
Mrs. Xewlywed i^ in tears over Snookums'
behavior, but these tears quickly change to smiles
of joy when grandfather announces that Snook-
ums is bis sole heir. There are a few real good
laughs in the two reels.
1590
Motion Picture News
Classified Ads
RATES: 10 cents a word for each insertion, in advance
except Employment Wanted, on which rate is 5 cents
Position Wanted
WINNER OF $50 PRIZE
in Harold Lloyd's "Speedy"
Exploitation Contest, as an-
nounced in January 28th
issue of Motion Picture News,
desires position as manager or
publicity man. Have operated
own theatres for past eleven
years. Now disposing of all
interests, with view of making
connection with theatre cir-
cuit State salary, etc. Ad-
dress Box 310, care of Motion
Picture News, New York City.
THEATRE MANAGER—
Five years experience manag-
ing vaudeville and picture
houses, chain and indepen-
dent, advertising and exploi-
tation. Age 25 — married.
Any location with permanent
connection. Address Box 333,
care Motion Picture News,
729 Seventh Ave., New York
City.
PROJECTIONIST
UNION. Young man with
broad experience in motion
picture projection desires po-
sition. Capable, can make
good anywhere. Address Box
346, care Motion Picture
News, 729 Seventh Ave., New
York.
A-l Male Organist at liber-
ty. Wurlitzer specialist. Or-
ganist, 1112 Lee St., Charles-
ton-Ka., W. Va.
ORGANISTS and SING
ERS, thoroughly trained and
experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address, Chicago
Musical College, 64 E. Van
Buren, Chicago.
For Sale
FOR SALE— Washington
Theatre, Granite City, Illi-
nois. Modern and up to the
minute in every detail; cost
half a million dollars and ow-
ing to sickness will sacrifice.
Seats 1900, can stand 700—
open air theatre next to build-
ing, seats 1600, can stand
1000 — Seven day town —
population over 30,000 and
from surrounding towns draw
30,000 more. Pay rolls 2*/2
million a month. Two other
small theatres in town. Will
gladly show all records for
past five years which show
$50,000 a year profit. $125,-
000 cash will handle deal, bal-
ance in ten years. Address
Box 342, care Motion Picture
News, 729 Seventh Ave., New
York City.
FOR SALE— Marlowe The-
atre, Buffalo, N. Y. 750 seats,
$45,000. $12,000 cash re-
quired. For details write Da-
vid Krieger, 257 Virginia
Street, Buffalo, N. Y.
FOR SALE — 400 leather
upholstered opera chairs, also
grand chandelier. Good con-
dition. Wire for prices. Nor-
folk Daily News, Norfolk,
Nebraska.
Theatre Wanted
THEATRE WANTED. —
Country Town or Suburban,
will lease or buy. Give par-
ticulars. H. R. W., 8 Down-
ing Ave., Downington, Pa.
WANTED— To lease thea-
tres in towns of 1800 up. Ad-
dress Box 347 Motion Picture
News, New York City.
WANTED — Two Experi-
enced Theatre Managers as
FOURTH OWNERS to lo-
cate as resident associates.
One in Ohio City, other in
New York State. Full par-
ticulars with Bank References
upon request. Address Ross
A. McAvoy, 252 Lafayette
Ave., Geneva, N. Y.
Reproductions of some first run theatre displays
featuring First National's "Shepherd of the Hills."
The group includes a 3 -column layout in half-tone
for the Circle theatre, Indianapolis; a 3-column
ad for the Imperial, Columbia, S. C; a 4-column
display for the Pantheon and a 4-column ad for
the Southern, Columbus, O., and a 2-column ad
for the Orpheum in South Bend, Ind.
May 12, 19 28
1591
onal News from Coirespondemi <
LLLL
FIRE swept Loew's Yongc
Street theatre in Toronto on
Fridav, May 4, destroying a pipe
organ' valued at $12,000, and dam-
aging the building and furnishings
to the extent of approximately $18,-
000. The loss was fully covered by
insurance, but the performances will
have to be given on a roof garden
on the same property until repairs
can be made.
Alex Weissman, who recently re-
signed from the sales staff of the
Metro - Goldwyn - Mayer exchange
here, has joined the Hollywood
Pictures outfit in New York City,
according to word reaching his
Buffalo friends.
Bernstein Brothers of Elmira
broke ground last week for their
new theatre at Ithaca. It will be
a 2000-seat house, playing both pic-
tures and vaudeville. Expectations
are that the theatre will be com-
pleted and formally opened to the
public about November 1, next.
The Fox Film Corporation ex-
change here was visited last week
by Max Roth of New York City,
home office representative.
Buffalo exchange salesmen re-
turning for the weekend from Syra-
cuse report that Harry Gilbert,
former owner of the Regent theatre
there, and who is now building a
new and imposing-looking house
on South Salina Street in Syracuse,
expects to open up on September 1.
Joe Miller, manager of the Tif-
fany exchange here, left for New
York on Friday to attend the na-
tional sales convention of his or-
ganization on May 5 and 0.
On May 3, Nicholas Kuhn, for
57 years identified with theatre
work in Buffalo, died in his Buf-
falo home after a ten days' illness.
Jim Kelly, Tonawanda theatre
owner, is initiating the Kivvanis
Buffalo
club there into the habit of becom-
ing show addicts.
Miss Ruth Kappaport, booker for
the Warner Brothers exchange, had
to remain in bed several days last
week on account of a heavy cold.
The film folk know that Spring,
a long time in coming, has arrived
with a bang. John Sitterly was
seen on Film Row last week all
dolled up in a new suit.
Fred Zimmerman, Bobbie Albert
and Maurie Cohen were among
those seen at the opening of the
baseball season here last week.
Charlie Johnston, from the Ridge
theatre at Lackawanna, expects to
have his car on the road again
soon. He had a severe smashup re-
cently.
Manager C. E. Aliny of War-
ner Brothers exchange here has
just returned from his organiza-
tion's national sales convention.
Mrs. F. J. A. McCarthy, wife
of the manager of the First Na-
tional exchange here, is recovering
from a severe attack of the flu.
The Model theatre at Syracuse,
managed by R. Stevens, the Dew
Tell at South Dayton, operated by
Tickup & Cunningham, and the Sa-
vonia at Savonia, managed by
Walter Deming, have been closed
recently, according to word reach-
ing Buffalo film folk last week.
Joseph Kooperman has sold the
Liverpool theatre at Liverpool to
Victor L. Parsons, who appointed
F. E. Roberts as manager.
J. Meyer Schine of Gloversville,
head of the Schine Theatrical En-
terprises, paid a brief visit to Buf-
falo last week, and then entrained
for Rochester to look over the field
there.
Manager Dave Miller and the
salesmen of the Universal exchange
here are out in the field selling the
1928-29 product following their re-
turn last week from the national
convention of Universal at Atlantic
City.
Charlie Hayman, owner of the
Cataract and Strand theatres in
Niagara Falls, and one of the most
widely known exhibitors in thi^
part of the country, who returned
recently from a three months' Euro-
pean trip with his wife, is now
planning on a trip soon to Califor-
their city residence for the season
Mr. and Mrs. Behling of the
Fillmore-Palace, the Ellenterry, and
the Sylvia theatres, have given up
their city residence for the season
and are now at their summer home
in Waverly Beach, Canada.
F. D. Rundell, manager of the
Capitol theatre at Waverly, is
highly enthusiastic over the results
noted since the recent installation
there of a Vitaphone. Rundell also
manages the Tioga theatre at Os-
wego.
Elmer Lux, booker for F B O,
got too intimate last week with a
cold and, as a result, was forced
to spend several days in bed.
John Nolan, manager of the Fox
Film Corporation exchange here,
spent most of last week in New
York, conferring w"ith officials in
the home office.
F B O exchange here enlarged
its staff last week. Leo Murphy
resigned from the Tiffany ex-
change sales force to join F B O's,
and Eddie Walsh, formerly of First
National, also was added to the
F B O staff. Max Rowley, who has
been with F B O for many years,
has resigned to become a farmer,
having purchased some acreage at
Silver Creek.
Charles Martina of Mt. Morris,
who recently took over the Acade-
my theatre at Nunda, gave V. G.
Sanford, National Theatre Supply
company salesman from the Buffalo
office, an order last week for two
new Peerless reflector arc lamps
and one Unitron.
Manager John E. Carr of the
Hippodrome won the hearts of the
Boy Scouts here last week by turn-
ing the theatre over to them one
morning free of charge so they
could stage a play of their own.
The American Seating company,
catering to theatres, has just opened
an office in Buffalo in the Huyler
Building, across the hall from the
Film Board of Trade offices. John
R. Bentley is in charge.
The Photoplay theatre at Castile
has closed indefinitely, the Palace
and Webster theatres at Rochester
have closed for repairs and will
be reopened in the fall, and the
Connette at Ripley has closed inde-
finitely.
Miss Jennie Barone of the Fox
Film Corporation was stricken with
a cold last week and had to remain
away from the office several days.
John A. Flewellyn, 56, for more
than 35 years a stage employe at
Niagara Falls and Lockport thea-
tres, died in Niagara Falls on April
28 of pneumonia.
Chicago
upvOC" NED RAFELSKI,
JLv manager of Bland Bros.'
Rogers and Magnolia theatres, was
held up by two armed men and
robbed of his automobile and five
hundred dollars on Sunday night,
"Doc" was driving home when the
robbers leaped on his running board
at Canton and Maplewood avenues
and forced him to turn over the
money, which comprised the re-
ceipts of the Rogers theatre for the
evening. They tossed "Doc" out
at Homan avenue and Augusta
street, but fortunately he escaped
injury.
Pat Garyn of National Screen
Service, who has been on the west
coast, making an extensive trade
survey, stopped in Chicago last
week for a conference witli Mana-
ger H. C. Young of the local of-
fice and left Tuesday for his New
York City headquarters.
A feature of Tom Mix's success-
ful week's visit to Chicago was the
exhibitors' reception given for him
at F. B. O.'s exchange, by Mana-
ger Her!) Washburn and staff.
The luncheon committee was in
charge of Ted Meyers and Len
Ullrich. Monte Blue was also a
visitor of F. B. O. on that day and
took part in the festivities.
M. Marcus, of the C. C. Quimby
Enterprises in Fort Wayne, Ind.,
made a flying trip to Chicago last
week. When seen on film row he
stated that the new Emboyd theatre
is expected to open on the 12th of
this month. According to Mr.
Marcus, this theatre will be one of
the largest and most beautiful de
luxe houses in the state of Indiana.
Al W. Sobler, well known Chicago
publicity expert, is handling the ex-
ploitation and publicity in connec-
tion with the opening of this house.
E. Braum, who has recently
taken over the Ritz theatre in
North Milwaukee, was in Chicago
this week on business. The Ritz,
which is classed as one of Milwau-
kee's finest suburban houses, was
formerly operated by George
Fischer, but Mr. Braum will take
the house back on May 15th. Mr.
Braum, by the way, was the first
exhibitor to sign a regular service
contract at the new office of the
National Screen Service.
B. N. Judell, of B. N. Judell,
Inc., announces that he is opening
a new office at 828 S. Wabash ave-
nue, on May 8th.
Edward Lindeman, special rep-
resentative for 1). W. Griffith, has
been in the city for several days on
business, and is making his head-
quarters at United Artists ex-
change.
Simansky & Miller opened the
Forest theatre at Forest Bark, 111.,
on Saturday night and got away to
a good start. The house, which
was formerly owned by Ascher
Brothers, has been completely re-
decorated and refurnished, since
acquired by Messrs Simansky and
Miller, and presents a very hand-
some appearance. Mike Siegel has
been appointed manager and E. D.
Miller, Jr., assistant manager.
Al Lichtman, Victor Shapiro,
manager of publicity, and Producer
John Considine, visited the local
United Artist exchange last week
and then left for the west coast,
where they will remain for several
weeks.
James Morrissey, managing di-
rector of Midwesco theatres in
Kenosha, Wis., has resigned that
position to become associated with
his former employer, Tom Saxe,
as Detroit manager of White
Tower, Inc., and will supervise the
installation of a chain of these
White Tower hamburger stands in
Michigan.
1592
Motion Picture News
Baltimore
THE Garden Roof, atop the
New Garden theatre here, will
be kept open as a dance hall
throughout the entire summer ac-
cording to the present plans, which
is the first time in the history of
the place that this has been done,
so far as is known.
Fred Rohbins, who has con-
ducted the orchestra there, has gone
to Carlin's Dance hall for the sum-
mer and the orchestra to play
throughout the summer will be a
Charles Farson unit under the di-
rection of Oscar Apfel.
Joe Robbins, father of Fred and
Sam Robins, both leaders of or-
chestras, has gone to Virginia
Beach, Va., to superintend the
opening of his concessions there.
B. Marsh, veteran theatrical man,
who has been assistant manager of
the New Theatre for several
weeks, has resigned.
Stanley Turo, formerly concert
master at Loew's Valencia, has re-
signed that position.
Bernard E. Schnapper, who has
been for five years with the Balti-
more Daily Post here, and for
several years of that time handling
motion picture advertising, has been
appointed Classified Manager of
that paper, but still handles movie
display.
T. M. Cushing, movie critic of
the Morning Sun here, had charge
of the Colonial Day Pageant, at St.
Johns College, Annapolis, Aid.,
which took place recently.
The Brooklyn Theatre, here,
seating 500 persons, was opened
recently by Louis Tunick, who also
operates the Overlea Theatre.
The Grand theatre, Highland-
town, Baltimore, Md., operated by
the Frank H. Durkee Interests, and
managed by C. Elmer Nolte, will
be closed during the summer for
extensive alterations.
William A. Busch, formerly as-
sistant manager at the Stanley here,
and previous to that First National
salesman, has recovered from an
illness which he suffered recently.
George W. Jacobs, manager of
the Goldfield theatre, here, has gone
to Mt. Clemens, Mich., for his
health.
Mrs. Charles Rich, wife of a
salesman for Warners Exchange,
Washington, D. C. presented her
husband with a baby girl recently.
The annual conference of the
Film Boards of Trade, to be held
mi the West Coast, will be at-
tended by James B. Fitzgerald, sec-
retary of the Washington, D. C,
Film Board of Trade.
J. W. Wickham has succeeded
Leroy Breitbarth as manager of
the Elite Theatre, Washington, D.
C. Mr. Brietbarth has become man-
ager of the Hippodrome there.
M. Bechtold has been succeeded
as cashier of the United Artists
Corporation Exchange, Washing-
ton, D. C, by George E. Bonesteef.
Joe Kronman has succeeded Mrs.
Clara Cunningham as cashier of
the Metro-Goldwyn-Mayer Ex-
change, Washington, D. C.
Another theatre is planned for
Catonsville, Md., a suburb of Bal-
timore, by the Catonaville Theatre
Corporation, A. C. Brueckman,
president. The theatre will cost
about $100,000 and plans are being
drawn by J. J. Zink, architect.
A new theatre is to be built at
Bethesda, Md., by Walter R. Tuck-
erman. It will measure 85 by 100
feet and will cost about $90,000.
Vitaphone mechanism will be in-
stalled in the Colony Theatre.
Portsmouth, Va.
The Regent Theatre, colored,
Baltimore, Md., operated by Isaac
Hornstein, has had Vitaphone
mechanism installed.
Bernard Depkin, Jr., formerly
manager of the Stanley here and
then production manager for that
house, has been promoted to handle
the stage production work for both
the Earle in Washington, D. C.
and the Stanley in Baltimore. He
stages the productions which are
brought from New York at the
Earle and then they are taken to
the Stanley in Baltimore for the
following week.
The Liberty Theatre, Cumber-
land, Md., managed by Thomas H.
Burke, will be rebuilt this summer.
The ceiling will be raised, rest
rooms and 600 more seats will be
added. A vacant space adjoining
the theatre measuring 90 by 135
feet will be used in the remodeling.
The Aladdin Theatre, Baltimore,
Aid., has been reopened as a col-
ored house by Harry Morstein, who
operates the Queen theatre here.
Salt Lake City
\ MONG exhibitor visitors
spending some time at the lo-
cal exchange mart last week were
Steve Deal of the Star Theatre at
Springville, Utah, George Lindsay
of the Star theatres at Eureka and
Payson, Utah, and O. E. Ostlund
of the Rivoli at Springville, Utah.
Mr. and Mrs. William Worman
who have a circuit of theatres out
of Ogden, Utah, have been lining
up some new pictures here of late,
as have Mr. and Mrs. Littlejohn of
the Star and Lyric theatres at
Price, Utah.
J. Frank Shea, District Man-
ager for F B O spent several days
in this city from San Francisco
last week. Sid Wiesbaum, Denver
Branch Manager for FBO was
also here.
Manager Al O'Keefe spent last
week at the Butte Pathe office.
Lee Stallings of a circuit of the-
atres out of Richfield, Utah, was a
visitor here last week.
Ben Fish, Seattle Manager for
M-G-M, stopped off in this city
enroute to the convention being held
at Kansas City.
Manager L. C. Wingham, Metro-
Goldwyn-Mayer exchange manager
here, also attended the convention
at Kansas City.
Manager George E. Carpenter of
the Capitol Theatre here expects to
make a two weeks' trip to the
Pacific Coast within the coming
month, accompanied by his golf
bag.
The Victory Theatre manage-
ment here announced that prepara-
tions are being made now for the
installation of the Vitaphone and
Movietone.
The National Theatre Supply
Company of this city has recently
sold an up-to-date booth equipment
and a screen to C. C. Voeller, man-
ager of the new theatre now under
construction at Buhl, Idaho.
A. K. Shepherd, Montana sales
representative tor Paramount-Fam-
ous-Lasky at the local exchange,
was in for a few days.
O. J. Hazen, representative here
for the National Theatre Supply
Company, after completing a four
weeks' trip throughout the state of
Idaho, has returned to the local
office, it is stated. This company
has just completed the installation
of Reflector Arc Lamps and Gen-
erator equipment in L. M. Zug's
Rialto Theatre at Jerome, Idaho.
APEP-TOMIST Club is being
organized by the Palace the-
atre, Dallas, the members of the
club being the wives of the theatre
staff, and their mission will be to
take an active part in Dallas civic
movements in behalf of the Palace
theatre. Last year the theatre was
instrumental in placing over three
hundred needy children in vacation
camps and the club will continue
this good work during the year,
and will endeavor to see that needy
children receive attention. A.
Haydn Mason is managing director
of the Palace.
Homer Phillips, head pianist of
the Palace stage band, will play at
the Elizabeth Gerard benefit at the
Fair Park Auditorium.
Leroy Bickel, manager of the
Dallas Metro-Goldwyn-Mayer ex-
change, has been awarded a place
in the Legion of Honor, M-G-M's
prize sales organization, for his
effective work in developing an ex-
ceptionally fine sales organization,
and for his unusual executive abil-
ity over a long period of years.
William Zoellner, manager of
the Oklahoma City M-G-M ex-
change, received a similar award
for securing distribution on all
classes of products and for holding
second place in short subjects sales.
James O. Cherry, managing di-
rector of the Melba theatre, has
proved himself to be no "mean" ar-
ranger of scores for feature pic-
tures by arranging a non-synchro-
nized vitaphone score.
L. E. Schneider, western divi-
sional manager for Publix, has re-
turned from the Washington con-
vention and will attend the opening
of the Majestic in Austin.
UNIFORMS att«hII COSTUMES EJ&tSi BROOKS !,4V&
May 12, 19 28
1593
Albany
MISS EDNA PFISTER, who
who has served as a very
efficient secretary of the Albany
Film Board of Trade for the past
year leaves on May 15 for Los An-
geles, as a delegate to the national
convention of Film Boards of
Trade.
The Farash Theatre Company is
planning to build a new house in
Scotia, across the river from Sche-
nectady. Officials of the company
say that the new house will be the
first of a chain that will be either
bought or constructed within a ra-
dius of 100 miles of the Electric
City.
Mrs. Charles Stombaugh, wife
of the manager of the Pathe ex-
change in Albany, has returned east
after spending several weeks in
Minneapolis.
At least three theatres have de-
cided to close their doors during
the summer months. The trio in-
cludes the Bright Spot and the Co-
lumbia in Rensselaer, owned by
Ross Fayles, while the Queen the-
atre in Saranac Lake has also
closed.
Jack Golden, whose work as
manager of Proctor's theatre in
Troy, contributed to the S. R. O.
sign being out practically every
night, is once more back on the
job after spending several days in
New York city.
The meeting of the Albany Film
Board of Trade as well as the Ar-
bitration Board, was held on Mon-
day of last week and lasted for sev-
eral hours on account of the large
number of cases up for considera-
tion.
Charles Marshall, of Ausable
Forks, believes that he has one of
the best combinations from a busi-
ness standpoint, of any exhibitor
in all New York state. During the
winter months, Marshall applies
himself to his duties as owner of a
theatre, while during the spring
and summer he spends the greater
part of his time in selling automo-
biles.
The Vitaphonc has been installed
at the Broadway theatre in Kings-
ton and had its premiere on Mon-
day of this week. The house is
owned by Harry Lazarus, a former
resident of Albany.
It now looks as though there
would be a new theatre built soon
in Plattsburg. It is said that there
are three after the house, these in-
cluding William Benton of Sara-
toga Springs, the Publix theatres,
and the Scbine organization.
Subsequent run houses in Sche-
nectady appear to be doing a good
business this spring, in fact mak-
ing a better showing when over-
head is considered, than the bigger
houses. When business slows up
at the huge manufacturing compa-
nies in Schenectady, and people be-
nin to pinch their pennies a bit,
the smaller houses gain business.
Al Gutek, local manager for
F B O, made a business trip through
the Adirondacks last week and re-
ported that many of the mountain
towns are getting in shape to open
for the summer tourists.
The biggest event of the week
so far as C. H. Buckley of Albany
is concerned was the arrival of the
stork one day last week and with
it a boy nine and a quarter pounds.
Sue Weller has decided to devote
all of her time to her theatre at
Alexandria Bay, and plans to sell
the large garage which she has
owned and operated for several
years there.
Watervliet had its first carnival
of the season last week, much to the
disgust of exhibitors in that city.
The carnival also drew from both
Troy and Albany.
Elizabeth Friedlander, a booker
at the Educational exchange in Al-
bany, is recovering from a sickness
of several weeks standing.
[. Shancupp, who is connected
with the State theatre in Utica,
and Sam Goldstein of Springfield,
Mass., were along Albany's Film
Row during the week. Henry
Frieder of Hudson and Maurice
Chase, president of Chase Pictures,
were also in town.
The theatre in Lake George,
which has been run for several
years by Mrs. Carpenter, will re-
open next week under the same
management.
Lew Fischer of Fort Edward, ar-
rived on Albany's Film Row last
Monday, and dropped in at several
of the exchanges. Fischer an-
nounced that he had just bought a
new organ for his house in Hoosick
Falls.
Probably no one in this section
was more greatly affected by the
tragic death of Congressman Sweet
than Jake Golden, who served sev-
eral years as a newspaperman at
the State Capitol, and whose work
then brought him in close touch
with Mr. Sweet who was then
Speaker of the Assembly.
Among local film managers,
either out of town or just back
from conventions, are Kenneth
Robinson, of the Paramount ; H. O.
Worden, of Metro; Harry Seed,
local manager for Warner Broth-
ers ; Nat Levy, of Universal, and
R. S. Wehrle, manager for First
National. The sales force from
each of these exchanges also at-
tended the conventions.
From the speed that is being
shown these days in preparing the
way for the new theatre that is to
be built by the Stanley interests in
Albany, it is evident that the house
will be in shape to open this com-
ing fall.
The town hall in Ellisburg, has
closed as a motion picture theatre
for the summer months. The Hud-
son theatre in Albany, damaged by
fire some weeks ago is still closed.
A new priest has arrived in Altona.
and will show pictures one night a
week.
Louis Sapcrstein handles the
American theatre in Troy and
boasts that he hasn't had a day off
in months. Under his direction the
house has become one of the best
known and likewise best paying
subsequent run theatres in the Col-
lar City.
The Temple Theatre in Pulaski
will serve for a month or so as
the meeting place for members of
the First Baptist church, as the re-
sult of a courtesy extended by Man-
ager Frank W. Lane. The church
is in process of being repaired.
Pete Dana, of Albany, manager
for Tiffany, spent a few days last
week attending the Tiffany-Stahl
convention.
Pete Gordon, who has the thea-
tre in Keeseville, is nursing a frac-
tured wrist sustained in a recent
fall from a ladder, while engaged
in house repairs.
Clara Page, who has charge of
the ticket office at the Troy thea-
tre, has returned to her duties after
a week's illness with grippe. The
young ladies serving as ushers at
the Troy theatre, appeared in new
uniforms last week.
Jack Campbell is back on the
job at the Griswold theatre in Troy,
after a short illness. He is con-
tinuing his Monday "opportunity
nights" and they seem to be going
over well.
Minneapolis
A VOTE is to be taken soon in
Clark, S. D., to settle the
Sunday show question. Sentiment
in the community seems to be
strongly in favor of the shows.
Studios have been opened at 624
Hennepin avenue, Minneapolis, by
the Ted Brown Producing and
Booking Agency in order to better
serve their clientele and to have a
larger number of productions avail-
able.
Hitchcock and True, of the Prin-
cess theatre. Minneapolis, have re-
cently installed one of the latest
models of the Robert Morton Unit
organs with the result, according
to the owners, that business has in-
creased 50 per cent. C. B. Cooper,
Northwest representative of the
Robert Morton Company, handled
the entire transaction.
\Y. L Hamilton, salesman out of
the Minneapolis office for Pathe,
was able to leave the hospital this
week after undergoing a serious
operation. He expects to return to
cover the Wisconsin territory
shortly.
Another exchange man to return
to his desk after a serious illness
is T. A. Burke, manager of the
Minneapolis First National office.
Burke's illness was apparently due
to overwork and he is now doing
part time at his desk.
Ben Blotchy, district manager
for Paramount, has just completed
a three weeks' trip of the company
offices in the middle west.
The Opera House at Brooten,
Minn., is again showing motion pic-
tures under the direction of Law-
rence Reine.
J. E. Nason, Minneapolis archi-
tect, has been secured to draw the
plans for a new S30.000 theatre at
Phillips, Wis. John Estrel of Park
Falls, Wis., expects to start work
on the theatre this summer.
W. H. Bannister closed his
Grand theatre at Hallock, Minn.,
the last of April.
The third annual Vodvil Dance
of the St. Paul Movie Managers'
Club was held the first of the
month in St. Paul. A large crowd
reported a fine time.
The Sandon theatre at Jackson,
Minn., is to be closed. It was re-
cently purchased by Frank A. Ma-
tuska, owner of the State theatre
in the same town.
The State theatre at Fairmont,
Minn., has been purchased by Fink-
elstein and Ruben and W. L. Nich-
olas and will be closed.
J. W. Woodman, an exhibitor at
Frederick. S. D., died recently at
his home in Frederick.
John Yogt, who was formerly
with F. & R., has been appointed
manager of the Fischer- Paramount
Company's Rialto theatre at Glad-
Stone, Mich.
Extensive improvements in the
building and equipment of the Gem
theatre at McYille, N. D. have ne-
cessitated the closing of the house
for six weeks.
The Bettendorf theatre at Bct-
tendorf. Iowa, has been purchased
by L. J. Ashwin of Minneapolis.
A new theatre is to be installed
in a building at Adrian, Minn., by
Joe Fischenich and M. E. Carri-
gan.
While I. J. Craite is in Milwau-
kee on an extended business trip,
the Lyric theatre at Little Falls.
Minn., will he under the manage-
ment of R. L. Ncdry of Chicago.
The Eagle theatre at Austin.
Minn., has been sold by W. J. Ham-
ilton to John Konz of Osseo, Wis
1594
Motion Picture News
Indianapolis
MISS MARION McCUL-
LOUGH, now assistant sec-
retary at Cincinnati, Ohio, will re-
turn to Indianapolis as permanent
secretary of the Indianapolis Film
Board of Trade about June 1. She
had charge of the Indianapolis of-
fice last year before accepting a
position as traveling representative
for the National Board.
She will come to Indianapolis
May 12 and leave May 16 for the
Los Angeles convention. Miss Pa-
tricia Lynch, who will relinquish
her post to Miss McCullough, will
join the Portland, Oregon, board.
W. W. Williamson, resident
manager of Metro-Goldwyn-Mayer
exchange, returned this week from
the Kansas City convention, where
he conferred on the new selling
season.
Dudley Williston, local manager,
attended the Warner Bros, conven-
tion last week.
Fred Sanders announced the
Sanders neighborhood house at
Fountain Square was permanently
closed May 4.
Dr. Carl Osterheld has sold the
Broad Ripple theatre, north side
neighborhood house, to W. M. Tur-
ner.
The Lyric at Lafayette has been
purchased by R. C. Watson. C. W.
Thompson formerly owned the
property.
The Liberty at Morristown,
owned by O. R. Cane, has been
sold to E. B. Copeland.
L. W. Marriott, sales manager,
and Owen Donham, office manager,
have returned from the Tiffany-
Stahl sales convention at the Ste-
vens Hotel, Chicago, April 28-
May 1.
Tamler Bros., Indianapolis chain
owners, have purchased the Ta-
coma, on E. Washington street,
from Floyd Beitman. The neigh-
borhood house makes the fourth
theatre under Tamler control. The
others are the Savoy, Garfield and
Tuxedo.
C. E. Penrod, F. B. O. of A., lo-
cal manager, will leave May 13th
for the Chicago convention.
Morris Horwitz, of Louisville,
has joined the Capitol Film Ex-
change sales staff.
Irving W. Mandel, Chicago,
owner of Security Pictures, con-
ferred with E. A. Sipe, local man-
ager, last week, about the coming
season.
Phil Dunas, of Pittsburgh, is
new sales manager of United Ar-
tists Corp., replacing Ralph Ab-
bett. Dunas formerly was with
Universal.
The Fountain Square theatre,
new presentation playhouse on the
south side, was opened Saturday
night.
Louis B. Goulden of the Goul-
den-Feldman Theatres, Inc., con'
ducted the formal opening. Wes-
tin B. Masters, formerly of West
Coast Theatres chain, was the
concert organist. Goulden is presi-
dent and general manager and Mor-
ris Horowitz, treasurer. This 1500
seat house is the finest south side
theatre.
Tim Crawford, until recently
featured organist at the Indiana
theatre, appeared at R. R. Bair's
Uptown theatre Sunday.
The Wabash theatre at Clinton
is closed for a month for extensive
cleaning and repairs.
Work on a two-story Spanish
design theatre to cost $45,000 has
been begun at Spencer, Ind., E. M.
Yiquesney, sculptor, announced.
The Ideal theatre, in the Jennings
building, on Broad street, opened
last Thursday. Walter Green is
manager of the new house, which
seats 250.
The Emboyd theatre at Ft.
Wayne will open May 14th. The
new house was designed by A. M.
Strauss and Charles Eberson.
architects.
Atlanta
A CCORDING to reports which
±\ reached Film Row this week,
the Liberty Theatre at Roanoke.
Ala., was badly damaged bv fire
last Monday night, April 30. The
house was operated by Dr. C. B.
Welch. It is understood that Dr.
Welch plans to start immediately
to repair the house for an early
reopening.
An approaching wedding of in-
terest to members of the film circle
is that of Carter Barron, manager
of the Metropolitan theatre, to Miss
Velma Snelling, of Bostwick, Ga.,
which will be solemnized June 6.
Carl F. Mock, well known to ex-
hibitors throughout the Southern
territory, has established a connec-
tion with the Atlanta branch of
Educational as salesman and will
cover Alabama territory.
James Lynch joined the sales
force of Arthur C. Bromberg At-
tractions this week and left Wed-
nesday for the Tennessee territory,
to which he was assigned by Fred
F. Creswell, district manager of the
company.
E. L. Coel, secretary to the At-
lanta Film Board, will leave May
15 for Chicago, where he will join
the main party going to the con-
vention of the Film Board Secre-
taries in Los Angeles.
Universal's Atlanta delegation to
the company's second regional sales
convention left early last Tuesday
morning. The meeting took place
in the Coronada Hotel in St. Louis,
beginning Wednesday, May 2, and
will last through Saturday. The
members of the Atlanta party ar-
rived the morning the convention
opened. In the delegation were R.
B. Williams, Southern district man-
ager ; "Shag" Jordan, Atlanta
branch manager ; Earle E. Griggs,
district publicity director ; and
Salesman Frank W. Salley, C. G.
Harrell, Heyward and Harry M
Williams.
John W. Mangham, Jr., man-
ager of Liberty-Specialty, returned
last week from a trip on the west
coast of Florida.
George F. Blethen and Alex Cal-
len, Liberty-Specialty representa-
tives, were in the Atlanta office for
the week-end.
Flynn Haygood, of the Grand
Theatre, Waynesboro, Ga., was a
recent visitor to Film Row.
C. R. Beacham, M. Blick and
George Almon, First National rep-
resentatives who attended the com-
pany's sales convention in Chicago,
returned last Friday.
C. A. Clegg, manager of First
National's Atlanta branch returned
last Monday from a trip to the
company's home office.
"Buster'' Miller, of the Conyers
Theatre, Conyers, Ga., made a trip
to Atlanta last week.
Recent visitors to Film Row in-
cluded E. T. Hopkins, of the Strand
Theatre, Lawrenceville, Ga. ; W. F.
Wells, of the Opera House, New-
berry, S. C. ; Major C. F. Rhodes,
of the South Amusement Corpora-
tion, Fair Park, Birmingham, Ala. ;
C. H. Carney, formerly operator
of the Trojan Theatre, Troy, Ala.,
who will operate the new theatre^
yet unnamed, at LaFayette, Ala.
Mr. Carney expects to open his new
house on June 1st.
M. Mitchell, Pathe salesman, at-
tended the opening of the new
Royal Theatre in Columbus, O.
Tracy Mathewson, Pathe news-
reel cameraman returned to At-
lanta last Tuesday from Columbus,
Ga., after attending the opening of
R. E. Martin's new theatre, the
Royal.
C. L. Peavey, Atlanta branch
manager for F B O, made a trip
into South Georgia last week.
Canada
LOEWS theatre, Toronto, one
of the largest theatres in the
Dominion, suffered serious loss by
fire early on the morning of May
4, when flames destroyed the pipe
organ, piano, orchestra instruments,
along with the orchestra pit, a
number of rows or orchestra seats,
as well as rooms under the stage.
Decorations and furnishings of the
theatre were also damaged by
smoke and water while the starting
of the automatic sprinkler system
by the heat also caused some loss
back stage.
That the well-known theatre was
not destroyed was probably due to
the quick judgment on the part of
Isaac Thompson, night watchman.
Manager J. Bernstein transferred
the week's show to Loew's Winter
Garden, which is atop the theatre
which was damaged.
Property damage, apart from the
mural decorations and furnishings,
was estimated at $30,000, the pipe
organ representing a loss of $12.-
000. The cause of the fire is un-
known.
J. M. Franklin, manager of B.
F. Keith's theatre, Ottawa, Ontario,
who has been an officer of the Ro-
tary Club for a number of years,
has again been elected a director
of the Ottawa branch of the or-
ganization for the fiscal year just
starting.
Incidentally, Mr. Franklin has
found the Saturday opening plan
for Keith's theatre in Ottawa to
be highly successful in its opera-
tion and resulting in profits.
A special free show for children
was given at Keith's theatre Sat-
urday morning under the direct au-
spices of the Ottawa Humane So-
ciety, of which Manager Franklin
is a director.
P. J. Nolan, proprietor of the
Rex and Columbia theatres, Ot-
tawa, Ontario, has taken out a
building permit for the erection of
a third suburban theatre in Ottawa,
this being the Globe theatre at Bank
street and Second avenue. The
house, which is costing $50,000, is
designated as fireproof. Construc-
tion has already been started.
May 12, 1 'J 2 8
1595
New England
Tl I E Strand theatre at Oakland
Beach, R. I., is to open soon
under the management of John
Carey, formerly of the Cranston
Palace theatre.
Branch Manager R. C. Cropper
of the Pathe exchange at Boston
is recovering from an attack of the
grippe at his home.
Ed Urschel, hooker at the Pathe
exchange, Boston, has taken up his
residence at Whitehead avenue,
Nantasket Beach, for the summer
season.
L. J. Hacking, former district
manager of Pathe- Producers, now
special home office representative
for Pathe, with headquarters in
New York City, was a visitor in
Boston during the week.
Ralph Quive, formerly salesman
at the Pathe exchange, Boston, has
been appointed manager of United
Artists office at Winnipeg, Mani-
toba, and left early in the week to
take charge there.
Ernest Warren of the sales force
at Pathe exchange has returned to
duty after being laid up with a
badly injured knee, sustained in
trying to crank a balky auto.
Miss Rosamond Cohen, assistant
•contract clerk at the Fox exchange
at Boston, is confined to her home
with the grippe.
AT Afton, Iowa, a petition in
favor of Sunday movies is be-
ing circulated among the citizens
here. The churches and the W. C.
T. U. are fighting the measure and
Mayor John Porter has expressed
his disapproval. He also stated
that he believed the council would
vote the proposition down.
Prefaced with some of the warm-
est campaigns in the history of the
city, voters of Ames went to the
polls to express again their senti-
ments on whether movie theatres
shall be opened on Sunday, and
voted the measure down by a vote
of 2037 against 1999. The city
council recently elected was favor-
able to the Sunday shows and the
loss of the measure by thirty eight
votes was a disappointment to those
•who had spent some hard work on
the campaign.
Chris Nelson who has been oper-
ating the Empress Theatre over a
period of years at Pella, Iowa, sold
his house last week. The theatre
has been in the process of being re-
decorated since a fire in the build-
ing over the theatre caused much
damage from water to the interior
of the theatre. The house has been
completely reseated. The new owner
of the Empress is E. P. Hosack.
Mr. Hosack has been an exhibitor
at Flston, Iowa, where he had the
Community Theatre until he sold it
some time back to Miller and
Fauser.
W. E. Ban ford, manager of the
Metro-Goldwyn-Mayer exchange,
Harriet is the new arrival at the
home of Mr. and Mrs. Saul Si-
mons. Mr. Simons is advertising
manager for Independent Films,
Inc., Boston.
Tom Lewis, of the Town Hall
at Westboro, Mass., is seriously ill
at his home.
District Manager M. N. Wolf of
Metro-Goldwyn-Mayer exchange,
has been in Pittsburgh attending
the convention of that company.
First National exchange, Bos-
ton, was represented at the Chicago
convention by District Manager
Thomas B. Spry, Jack Mangan,
Dave Purcell and Frank Scully.
They returned Saturday after hav-
ing been absent from Boston since
the preceding Saturday.
Charles Williams, of Boston, who
recently took over the Victory the-
atre at Lowell, a house which has
changed hands several times in the
past few months, is making a suc-
cess of the theatre.
Cunningham Park, at East Mil-
ton, of which William Caldwell is
manager, closes this week for the
summer season.
Charles Repec, assistant booker at
Metro-Goldwyn-Mayer exchange,
has returned to his desk after a
week's absence from illness.
Sam Bischoff, formerly of Bos-
ton and now a producer on the
West Coast, was welcomed to Bos-
ton for a week's visit the past week.
Harry Segal, manager of Royal
Films and First Division Films, is
m New York on business. First Di-
vision Films are now being handled
through the Royal exchange.
Louis Rottenberg, well known
theatre operator, is confined to his
home by illness.
The Red Seal exchange, 46
Church street, Boston, has been ex-
tensively remodeled and new equip-
ment added.
Miss Mina Chamsky, formerly
of First Division films, is now sec-
retary of the Royal Film exchange,
Boston.
Miss Sylvia Walkon has been
promoted to booker at the Red
Seal exchange, Boston.
Dave Adams, of the Auditorium
theatre at Concord, N. H., was in
Boston during the week for sum-
mer bookings.
Joseph Sully, formerly projec-
tionist at Pathe exchange, Boston,
is now operator at the Paramount
exchange, Boston.
Miss Martha Ferris of the New
England Film Board at Boston and
Miss Katherine Sullivan of the
New Haven Film Board expect to
leave May 14th for the convention
at Los Angeles of the Film Board
Secretaries.
District Manager H. F. Camp-
bell of the Fox exchange, Boston,
was in New York last week for
an important conference with Dis-
trict Sales Manager James R.
Grainger.
The Community theatre at Mont-
gomery Center, Vt., formerly
owned and operated by Merton D.
Craig, has been bought by L. D.
Hart, who will continue along the
same lines as the former owner.
The Royal theatre at Olneyville,
R. I., which has been operated by
M. Acker, has been taken over by
Philip J. Smith. Mr. Smith was
formerly manager of the National
theatre at Boston. He is now op-
erating the Strand theatre, South
Boston, and will continue both the-
atres.
The recent dance of the New-Eng-
land Bookers Association at Loew's
State ball room was a big success
and is expected to add in the vicin-
ity of $2,000 to the organization's
philanthropic fund.
Herman Rifkin and George Sol-
omon, who operated the film ex-
change known as Supreme Films,
on Piedmont street, Boston, have
named their exchange the Bayart
Film Exchange.
of the Motion Picture Theatre
Owners of Iowa, on a trip to Mis-
souri. Mr. Ewing sold his theatre
about six months ago.
E. Levine, manager of the Des
Moines Theatre, Des Moines, is
leaving this week to return to New
York to take up again his work as
instructor at the Paramount School.
Mr. Levine was in charge of the
school for a year before he came
to take charge of the Columbia at
Davenport and after that of the
Des Moines. Announcement will
be made next week of his successor.
Abe Frankcl, who has the Casino
Theatre in Des Moines and is one
of the oldest exhibitors of Des
Moines, announces that Riverview
Amusement Park of which he is
manager, will open on May 9.
At Corydon, Iowa. J. G. Sterns
has secured permission to show on
Sundays.
Jess Day, who has been with the
A. H. Blank organization for nearly
ten years, is leaving to take the
management of the Oshkosh The-
atre at Oshkosh, Wis., for the
Midwesco Theatres. Mr. Day has
been manager of the Strand Thea-
tre in Des Moines.
Des Moines
returned from the conference of
branch managers and district man-
agers at Kansas City last week.
Nine of the sales and executive
staff of the Paramount office have
left for the national convention in
San Francisco. A. W. Nichols, dis-
trict manager will join the Des
Moines group which is made up of
R. M. Copeland, branch manager,
E. J. Frase, C. W. Robbins, H. J.
Kitchenerer, H. H. Savereide, E. R.
Rushing, of the sales staff, and M.
E. Anderson, booking manager, L.
M. Pahnquist, ad sales manager.
Casey Jones, who has been acting
as personality man at the Capitol
Theatre, Des Moines, while Jimmy
Ellard is on vacation, expected this
week to alternate with Jay Mills
who is at the Columbia at Daven-
port. Mr. Mills, however, was
rushed to the hospital at Daven-
port with an attack of appendicitis.
Casey Jones made a good record
his first week here and will now
stay for the second week.
Representing the Des Moines
office of Universal at the Conven-
tion at St. Louis were Jack Osser-
nian, branch manager, and Frank
Crawford. Plerb Case, J. C. Wolfe
and J. J. Jacobson.
W. H. Eddy, owner of the Emp-
ress Theatre at Indianola, and also
secretary and treasurer of the
Iowa theatre owners association, is
at Lutheran Hospital, Des Moines.
He is able to see visitors and a
daily delegation from Film Row-
stop in.
Visitors at the office of Para-
mount were E. Michaels of Jeffer-
son, L. C. West of Mt Vernon, A.
B. Pettit of Winterset and Wes
Mansfield of Tama.
Morris Smith who formerly had
the Royal Theatre at Sioux City,
is booking pictures in North and
South Dakota.
Carl Reese left the Des Moines
office of Paramount to take up a
place with Universal out of the
Omaha office.
Miss Lena Dissoli who has the
management of the U. and I. The-
atre, a suburban theatre in south-
ern Des Moines, has reopened the
theatre for the new season.
Ross Ewing, formerly owner of
the Rex Theatre at Newton, Iowa,
accompanied E. P. Smith, president
EMPIRE LABORATORIES INC.
723 Seventh Ave., N. Y.
Quality
Bryant 5437-5736-2180
DEVELOPING AND PRINTING MOTION PICTURE FILM
1596
Motion Picture
News
New York & New Jersey
F^IRE did $40,000 damage to
J nelson and Suchmari's Blen-
heim theatre on Tuesday of last
week when a blaze started in the
organ chamber and swept through
the stage, damaging two hundred
chairs before being brought under
control. The origin of the fire is
said to have been due to a short
circuit. It will probably be from
four to six weeks before the Blen-
heim is able to resume business
operations. The Blenheim is lo-
cated at 167th Street and Park
Avenue.
Alter a severe siege of the grippe,
W. T. Bainbridge, proprietor of the
Dale theatre, Farmingdale, L. I.,
is again able to resume his trips to
Film Row.
Chas. Fischer opened the Para-
gon theatre, Fulton Street and
Eastern Parkway, last Thursday
evening. Ray Lestrange, lately con-
nected with one of the Schmukler
theatres, will manage the house.
General manager Cellar, also of
the Schmukler circuit, will do the
buying for the Paragon. This house
was originally named the Ritz.
Frank Philocco will manage the
recently reopened Tip Top theatre,
357 Wilson Avenue, Brooklyn.
Frank Busceni is the owner.
J. Greene has resigned from
management of the Tiffany theatre,
Chester Street, Brooklyn.
Bratter & Pollak will open their
new house at Nyack, N. Y., May
15. All equipment was supplied
from National Supply Company.
National Supply also recently
supplied new Hall & Connollj
lamps for the Parthenon theatre,
Brooklyn.
Sam Baker's new Hicksville the-
atre, Hicksville, L. I., opened on
Tuesday evening, May 8.
Sam Sonin's West End theatre at
Long Beach will start the season
next Sunday.
Schwartz and Mueller's Roose-
velt at Richmond Hill recently
treated itself to a new screen,
bought from National Supply.
Manager Rosay is now at Sam
Burman's Senate theatre, Brook-
lyn.
Bill Price has started in on his
new job as manager of Rudy San-
ders' Globe and Sanders theat.es,
Brooklyn. Mr. Price recently re-
turned from a trip to Cuba.
Small and Straussberg are re-
ported as having closed their Globe
theatre, Sumner Avenue, Brooklyn,
for the Summer months.
Harry Sid White is a new asso-
ciate of Seider and Moley's and
will attend to the job of selling the
S. & M. acts for neighborhood the-
atres. White is now installed in
his new office at 745 7th Avenue.
He moved there from 1658 Broad-
way.
After ten years service as man-
ager of the New Plaza theatre, 156
High Street, Brooklyn, Billy Mauro
recently resigned.
The Filmland theatre, Church
and Nostrand Avenues, Brooklyn,
lVcently hung up a brand new
sign with the name Crescent on it.
It is said that a new corporation
has been formed to control the
house. Manager Garfield remains
in charge.
Jack Steinhauer has resigned
from the Consolidated Amusement
Co.'s Oxford theatre, New York
City.
John de Mato, owner of the
Washington theatre, 474 Myrtle
Avenue, is trying his hand at op-
erating the house.
Eddie Canter, after a long siege
of sickness, was seen around the
Film curb last week. He is slowly
regaining his health — but very
slow. It is reported that a benefit
is under way by some of the boys in
this business to provide funds for
a special treatment of Canter's
malady.
It is rumored that Harry Harris
will close his West End theatre for
the Summer months.
The Atlantic Playhouse, closed
for a long time, will probably be
reopened for the Summer. The
house is located at 7th Avenue and
52nd Street, Brooklyn.
Aaron Freedman, formerly as-
sistant manager of A. H. Schwartz'
Marine theatre, Flatbush Avenue,
Brooklyn, has lately assumed the
management of the new Marboro
theatre, a recent addition to the
holdings of Rapf Enterprises and
spoken of as one of Brooklyn's
most beautiful theatres. Aaron is
probably New York City's young-
est theatre manager, having only
recently passed his 21st milestone.
W. M. Home, formerly Home
Office representative of Universal
and manager of the contract de-
partment for Warner Bros., and
previously, exchange manager for
the Standard Film Co. of Pitts-
burgh, has joined Zakoro Film Cor-
poration as Manager of Saies for
State-Rights.
Cincinnati
rPHE Fayette theatre, Washing-
1 ton, C. H. Ohio, built by
Harry V. Smoots, Mt. Vernon, O.,
was formally opened the early part
of May. The new house, located
on South Fayette street, has a seat-
ing capacity of 750. It is built
along the Spanish style of archi-
tecture, with antique ivory and gold
as the predominating colors in the
finish treatment. A special cos-
metic room for lady patrons is lo-
cated on the mezzanine floor. The
lobby, which is 16 feet in width, is
finished in Italian marble. A Page
"Old Master" organ has been in-
stalled. Hoy O. Simmons has
been appointed manager. The house,
designed by Harry Holbrook, arch-
itect, Columbus, Ohio, is one of
the most complete in point of mod-
ern conveniences and furnishings
in this section of Ohio.
According to the latest rumor
the Keith- Albee interests will soon
have a house at Portsmouth, Ohio,
a 30-day option having been taken
on property at Washington and
Chillicothe streets, in that city.
John A. Schwalm, manager of
the Rialto theatre, Hamilton, ( >.,
recently set apart a certain night
to be known as Hi-Nite, at which
time the house was turned over to
students of the local high school.
J. L. Kohler, manager of the
Ohio theatre, Prospect, Ohio, an-
nounces that his house will here-
after operate on Sunday. Kohler
has always observed the Sunday
closing law, but since the theatres
at Marion, Ohio, a few miles dis-
tant, are now open Sundays,
Kohler says his Saturday patron-
age has diminished as his patrons
seem to prefer Sunday entertain-
ment, and have been going to Mar-
ion to get it.
Herbert Elkins, house superin-
tendent of the Palace theatre,
Hamilton, Ohio, has been absent
for the past several weeks, due to
an appendicitis operation.
John G. Gregory, of Springfield,
Ohio, and George Revelis, of
Washington, C. H. Ohio, have pur-
chased additional ground on which
an extension may be built to the
new Washington theatre, which is
now under construction in that city.
The house is to have a seating ca-
pacity of 1,300, while the plans call
lor the addition of a balcony should
the owners later decide to build it.
Gregory and Revelis now operate
the Palace theatre at Washington
C. H.
Loew's theatre, Dayton, Ohio, re-
cently held a special midnight show,
the proceeds of which were turned
over to a local committee in
charge of a drive for funds to
erect a new hospital.
Thomas Jones and Miss Kath-
eryn Rousch, of Portsmouth, O.,
are building a new house at Wa-
verly, O.
Florida
THE A. C. Bromberg Attrac-
tions, of Atlanta, opened a
branch in Tampa last week on
Twiggs Street near the Union de-
pot. The exchange is under the
management of George T. Chester
with Carl Floyd as booker and
office man. This is the first film
exchange, handling a line of re-
leases, to be operated in Tampa
since the "Mutual" went out of
business a dozen years ago.
Tom Bigger and his brother,
owners of the Winter Garden the-
atre at Winter Garden, visited in
Tampa last week. They reported
business holding up fairly good and
stated they intend to increase their
capacity during the summer so as
to handle the crowds better during
the winter season.
Colleen Moore, a former Tampa
girl, one of the First National stars,
remembered her alma mater with a
check for $1,000, as her contribu-
tion hi the building fund of the
new Holy Name academy which is
now under construction on the Bay-
shore boulevard.
Manager Charles Lester, of Uni-
versal^ Jacksonville exchange, and
Salesmen Simpson and Simrell, re-
turned Wednesday from the Uni-
versal convention, held at the Ritz-
Carlton Hotel in Atlantic City.
C. B. Ellis, manager of F B O's
exchange in Jacksonville, is plan-
n'ng to attend the company's sales
convention, which will be held at
the Drake Hotel, Chicago, from
May 14 to May 21.
Scotty Chestnut, manager of
Paramount's Jacksonville exchange,
and his salesmen attended the com-
pany's convention in Washington,
D. C. They reported an interest-
ing meeting and an enjoyable time
in the capital city.
May 12. 1928
1597
South East
rp HE Grand Theatre, Greer, S.
1 C, which was recently taken
over by C. W. Drace from J. A.
Reynolds and George Hughes, was
totally destroyed by fire on Mon-
day, April 20. No plans have as
yet been announced regarding the
rebuilding of the theatre.
E. E. Whitaker, former manager
of the Imperial Theatre in Char-
lotte was in the city last week, He
is now manager for Publix in
Spartanburg, S. C.
George Ovcrend, manager of the
Warner Brothers Broadway Thea-
tre, Charlotte, spent three days last
week in New York.
Fred C. Aiken, general repre-
sentative of the Grantland Rice
Sportlight, was in Charlotte this
week visiting the local Pathe ex-
change. Mr. Aiken left Thursday
for Washington, D. C.
Mrs. Edward L. McShanc, wife
of the manager of Pathe exchange,
left Monday night for Washington
to visit friends.
The Board of Directors of the
North Carolina Motion Picture
Theatre Owners Association, con-
sisting of Charles W. Picquet,
president; Nat. L. Royster, secre-
tary, and L. L. Drake, Percy Wells,
W. E. Stewart, A. F. Sams, Jr., and
U. K. Rice met in Charlotte Wed-
nesday for an important confer-
ence. A tentative date, June 26, was
set for their summer convention at
Wrightsville Beach, Wilmington,
N. C.
The Imperial Theatre, Charlotte,
opened Monday after having been
closed for a week for complete
redecoration and installation of
Movietone.
Rufus A. Davis, of National
Theatre Supply Company, left last
Tuesday night for Atlanta.
Mrs. Jack Dorland, whose hus-
band is connected with Paramount
as salesman, left last Sunday for
a week's visit to Augusta, Ga.
The Rivoli Theatre, Greenville,
S C, which is owned by Publix
and has only been operating two
days a week for the past few weeks,
will close next week for the sum-
mer.
Walter Griffith, of the Horlacher
Delivery Service, left Sunday night
for New York on business.
On May 20, W. S. Scales, who
operates the Lincoln Theatre, Win-
ston Salem, X. C. (a colored
house) will take over the Eagle
Theatre, (Colored) High Point,
N. C., from Jack Dillard.
E. C. Davenport has sold the
Amuzu Theatre, [nm an, S. C, to
J. C. Crowe.
Visitors on Film Row last week
were F. E. Mauley, Omar Theatre,
Spartanburg, S. C. ; C. I. Cresham,
Artcraft Theatre, Mooresville, X.
C. ; U. K. Rice, Colonial Theatre,
Winston Salem, X. C. ; A. F. Sams,
Jr., Piedmont Amusement Com-
pany, Winston Salem, N. C. ; L. L.
Drake, Ansonia Theatre, Concord,
X. C. ; Percy Wells, Bijou Amuse-
ment Company, Wilmington, X. C. ;
Charles W. Picquet, Carolina The-
atres in Hamlet and Pinehurst, N.
C. : Walter Griswold, Manager of
the Playhouse, Broadway and Cres-
cent Theatres, Statesville, N. C. ;
V. D. Humphries, Lyric Theatre,
Bisbopville, S. C. ; and Dan Yar-
borough and his mother, Cameo
Theatre, Goldville, S. C.
Philadelphia
THE new Fern theatre at 5th
and Fern streets, Philadelphia,
will be ready for opening about the
first week in July. The new the-
atre, which has a seating capacity
of 1,400, will he under the man-
agement of Christopher Stamper.
Jack Greenburg, secretary of the
local Film Board of Trade, will at-
tend the annual convention of Film
Board Secretaries in Hollywood
from May 21 to 24.
Ground has been broken for a
new theatre to be operated by the
Stanley-Benn Company in Colling
dale, just outside of Philadelphia.
The new theatre will be built by
the Mercantile Theatre & Prop-
erties Company, which is now con-
structing a number of large bouses
for the Stanley Company. The new
theatre will have a seating capacity
of 1,000 on one floor and it is ex-
pected will be ready for opening
about August 1st.
Friends and relatives of Jack
Rosenthal, chairman of the Enter-
tainment G mmittee of the M. P.
T. O. of Eastern Pennsylvania.
Southern Xew Jersey and Dela-
ware, tendered him a surprise party
on April 14th in honor of his for-
tieth birthday. The affair was held
at the Colonial Cafe, Fifth and
South streets, and Mr. Rosenthal
was the recipient of many beautiful
and useful gift-.
Mr. and Mrs William Freihofer
will sail on May 11th for a three
months' tour of Europe. It is re-
ported that Mr. Freihofer will meet
Fred G. Nixon-Xirdlinger in Paris
to discuss the Stanley- Freihofer-
Nirdlinger agreement covering
West Philadelphia theatres.
The Great Northern theatre,
Broad street and Erie avenue,
Philadelphia, which reverted to
William Freihofer, the owner, when
the Stanley Company lease expired
on April 1st, has been completely
renovated and redecorated and re-
opened under the present ownership
on April 30th. A new organ, new
booth equipment and lighting sys-
tem were installed and the theatre
was redecorated throughout.
Walter Stuempfig, veteran Ger-
mantown theatre owner, was elected
to honorary membership in the
Lions Club of Gcrmantown on May
2nd. Mr. Stuempfig opened the
first theatre in Germantown and
was lauded as the "man who has
done most for Germantown during
the past year."
The Stanley Company of Amer-
ica is now making tentative plans
for closing and change of policy in
some of its houses for the coming
summer. The Broadway, Cross
Keys and Orpheum, which have
been running vaudeville and pic-
tures, will probably revert to popu-
lar priced pictures. The Grand
Opera House, which has hereto-
fore run as a vaudeville house and
always closed for the summer, may
remain open as a picture house, al-
though the Stanley Company al-
ready has one picture theatre, the
Liberty, practically just around the
corner.
Milwaukee
HH 111-'. Milwaukee Theatre Circuit
I has recently made a few
changes in management of local
theatres. Marvin Harris who was
formerly at the Lake theatre is
now managing the Venetian in the
place of Emil Franke who has re-
turned to the State. Harry Ton-
dreau former manager of the State-
is now managing the Lake theatre.
Leonard Grossman who has been in
charge of the Juneau theatre in
Milwaukee for the past six months,
has been transferred to the Rialto
theatre at Racine. Eugene Arnstein
has been transferred from the Kos-
ciuszko to the Juneau theatre, and
Edwin Koeuigsreiter is now man-
ager of the Kosciuszko.
E. M. Saunders, general man-
ager for M-G-M spent Saturday in
the new exchange here.
Francis Kadow, manager of the
Mikado theatre at Manitowoc was
a recent visitor at exchanges.
Miss Rosemary Grant of the
M-G-M exchange has spent the
past week at a sanitorium recover-
ing from a nervous break down.
Irvin Rink of the Rink Adver-
tising Service is at his home seri-
ously ill. He is not expected back
at bis office for about two weeks.
Edwin Berth, manager of the
Pastime at Kiel was a visitor at
exchanges last Wednesday.
Al Robarge, manager of the
Cosmo theatre at Merrill came to
Milwaukee last Tuesday and
stopped in at several of the ex-
changes.
E. E. Hemming is no longer rep-
resenting M-G-M in northern Wis-
consin.
George Levine, western sales
manager for Universal was in St.
Louis attending the Universal con-
vention.
About 25 Mil waukeeans, mem-
bers of the Film Board and Ex-
hibitors association went to Racine
on May 1st to be present at the
opening of F. E. Wolcott's new
theatre, the Majestic. They were
the guests of the Kiwanis club of
Racine while there and were very
royally feted. Mr. Wolcott was
given an elaborate desk and chair
by the Kiwanis club of Racine and
the Uptown Business men's Asso-
ciation presented him with an at-
tractive grandfather clock.
J. IL Mclntyrc has been trans-
ferred from the Milwaukee to the
Minneapolis branch of Pathe as
manager. W. A. Ascbmann who
was branch manager before Mr.
Mclntyre's regime, is back again
piloting the Milwaukee branch.
Loss Baldwin, formerly booker, is
now covering the territory for
Pathe in southern Wisconsin.
Max Schwartz, Giicago city
salesman for M-G-M, came up on
Saturday to look over the new ex-
change.
1598
Motion Picture News
South West
PERMIT to operate a new motor
bus line between Oklahoma City
and Ada, Oklahoma, for the pur-
pose of transporting motion picture
films, has been' granted the Blue-
Bird Motor Express Company.
This company was organized sev-
eral months ago by H. N. Walker,
W. Z. Spearman, manager of the
Barton and Cozy Theatres at
Stroud, Okla., and president of the
M. P. T. O. of Oklahoma, has re-
covered sufficiently from a recent
illness to permit him to make his
tri-weekly visits to Film Row
again.
E. W. Johnson, manager of the
Orpheum Theatre, Tulsa, Okla.,
spent last Monday and Tuesday
visiting friends on Film Row.
Mr. and Mrs. W. T. Brooks, of
Broken Arrow, Okla., spent Mon-
day and Tuesday in Oklahoma City.
Mrs. Brooks has been operating the
Crystal Theatre at Broken Arrow
for the last nine years, and devoted
her time while here to looking after
her bookings, while Mr. Brooks en-
joved himself attending the State-
wide Republican Convention at the
Coliseum.
Joe Dock advises he has closed
his Midway Theatre at Schulter,
Okla., for an indefinite period.
A. M. Abbott, of the Ki-he-kah
Theatre, Pawhuska, Okla. ; Charles
Mahone, of the Cozy and Palace
Theatres, Hobart, Okla., and Leon-
ard White, of the Bungalow The-
atre, Weatherford, Okla., were in
Oklahoma City the latter part of
the week attending the State Ro-
tary Convention.
Edw. G. Kadane, of the Criter-
ion and Gem Theatres, Frederick,
Okla., spent several days in Okla-
homa City last week. While here
Mr. Kadane made the announce-
ment that he had purchased the
A-Mu-Su Theatre at Frederick,
and would assume charge imme-
diately. The A-Mu-Su was but re-
cently taken over by West Harris
from Mrs. Grace Brown.
The Gem Theatre at Loco, Okla.,
has closed until after the summer
months.
G. T. Williams, formerly of the
Quannah Theatre, Commanche,
Okla., has recovered his health
sufficiently to leave the sanitarium
where he has been for several
months.
Joe Bloustein, former checker
for Metro-Goldwyn, has now been
added to the sales force as junior
salesman.
J. C. Hinds, manager of the Or-
pheum Theatre, Haskell, Okla., to-
gether with Mrs. Hinds, were call-
ers on Film Row last Monday and
Tuesday.
Win, Redfcarn, manager of the
Dixie Theatre at Tulsa, Okla.,
spent the early part of last week
in Oklahoma City attending to
bookings for his theatre.
Leonard White, whose Bungalow
Theatre at Weatherford, Okla.,
was destroyed by fire recently, ad-
vises work on his new theatre is
progressing rapidlv.
A. R. Bender, of the Melba The-
atre, Cleveland, Okla., spent sev-
eral days recently on Film Row.
Ruth Tolbert, who operates the
Rialto Theatre at Hobart, Okla., is
remodeling and redecorating her
theatre.
F. H. Cochran advises he has
leased the Cozy Theatre at Lamont,
Okla., from W. C. Snyder.
C. Badger Reed has purchased
the Hancock Opera House at Aus-
tin, Tex.
The Dorbandt Theatre at Jack-
sonville, Tex., has reopened after
having been closed for repairs.
Charles Bros, have placed orders
for new scenery for their theatre
at Alice, Tex.
Jack Adams, president, Home
State Film Co., at Dallas, Tex.,
has returned from Mineral Wells,
Tex., where he has been recuper-
ating.
Authorities at Oklahoma City
have requested all theatre owners
to remove advertising signs from
the sidewalks in front of their
houses, in accordance with city
ordinance.
The operation of the first movie
show at San Angelo, Tex., last
week, caused considerable stir and
opposition, and the preachers are
going to test the matter out.
The Midwest Amusement Com-
pany will erect a new theatre at
Edinburg, Tex., in near future.
James Moyer, assistant manager
at Loew's State Theatre, Houston,
Tex., has been promoted to assist-
ant manager of the new Loew and
United Artists Theatre in St.
Louis, Mo.
The Dixie Theatre at Athens,
Tex., is being remodeled.
Rubin Frels will erect a new the-
atre at Cuero, Tex., in near future.
The Home Theatre at Valley
View, Tex., was recently destroyed
by fire.
Cleveland
GEORGE RYDER, manager of
Loew's Mall theatre, and prior
to that manager of Loew's Liberty
theatre, died last Sunday after an
illness of more than a year. Ryder
had been connected with the local
Loew organization for almost ten
years. He is survived by a son
and a daughter.
Reade's Hippodrome last week
inaugurated its summer policy,
showing a straight motion picture
program. Presumably vaudeville
will be resumed in the fall. Sum-
mer prices have been cut to 25c. for
adults and 15c. for children.
Sam Gorrell has been appointed
manager of the Cincinnati office of
Security Pictures Corporation.
Gorrell resigned as city salesman
for Standard Film Service Com-
pany to take on his new duties.
Gorrell is well known all through
the territory and has the confidence
of the exhibitors. His success in
Cincinnati is assured.
Tom Mix will meet his film
friends in the local F. B. O. ex-
change Wednesday afternoon, May
16th. "Tony" will not attend the
party. Mix and "Tony" will head-
line the bill at Keith's Palace the
week of May 13th.
Ed. Johnson's car was stolen the
other night at Superior and East
105th streets. Golf sticks were in
the car. Johnson isn't interested
particularly in the return of the
car but he does want his sticks
back.
Mrs. George Moffett, secretary
of the Cleveland Film Board of
Trade, leaves here May 21st for
Los Angeles, to attend the gather-
ing of the secretaries of all the film
boards.
Harry Lande has closed his local
independent exchange, the Lande
Film Distributing Co., and is said
to have retired from the picture
business.
Ben Wise has let a contract for
the complete rebuilding of his Na-
tional theatre, East 55th street and
Lexington avenue. Only the out-
side walls of the theatre will re-
main intact. When completed the
National will have a greater seat-
ing capacity than formerly. It is
expected to be finished by July 1st.
The Oliver Moving Picture Sup-
ply Company has taken on the dis-
tribution in Ohio of the monrona-
phone, a musical instrument.
Thomas H. Gardner has sold the
Circle theatre, Toledo, to William
Rehklau. The new owner took pos-
session May 6th.
Central Penn
THE Grand Theatre, Lancaster
will be closed temporarily on
July 1 to permit extensive improve-
ments which will include the in-
stallation of a new pipe organ,
chairs, draperies and projection
booth equipment. The house is a
link in the chain of theatres con-
trolled by the Stanley Company of
America, of Philadelphia.
L. Mainker, who recently pur-
chased the Franklin Theatre, Allen-
town, announces his intention to ex-
pend $25,000 to remodel and im-
prove the house.
Luke Gring, owner of the Capi-
tol and Strand theatres, Qiambers-
burg, has announced that he and
Mrs. Gring have adopted a nine
months' old baby who has been
named John David Gring.
L. J. Chamberlain, of the Cham-
berlain Amusement Company, of
Shamokin, which controls a chain
of picture theatres in the hard coal
mining regions of Pennsylvania,
was a recent visitor to the film ex-
change district in Vine Street,
Philadelphia, where he booked a
number of film attractions for his
theatres. Another recent Vine
Street visitor was Louis Appell, of
the Appell Amusement Enterprises
of York, which control practically
all the theatres in that city and
several in York county and adjacent
counties.
Between $50,000 and $60,000 is
being expended by J. Beilin, owner
of the Palace Theatre, Bethlehem,
in improving the property. A new
pipe organ is being installed and a
new front is being put in the thea-
tre together with an ornate marquee
extending to the sidewalk. The
lobby will be enlarged and many
decorative features will be incorpo-
rated. The seating capacity will be
increased and there will be new
flooring and a number of rest
rooms.
Theatres of Pottsville are head-
ing a movement to raise funds for
the widow and child of Patrolman
Morgan E. Skidmore, who was
slain by a bandit on April 16.
C. Floyd Hopkins, district head
of the Wilmer & Vincent theatres
in Reading and Harrisburg, donated
the use of the State Theatre, in the
latter city, on May 8, for a public
meeting that was addressed by
Rabbi Stephen S. Wise, of New
York City.
May 12, 19 28
1599
Projection
^ Optics, Electricity, Practical Ideas & Advice
Inquiries and
Comments
Aerial Image May Cause Loss of
Light
PART I
KW projectionists realize that it
is practically impossible with
present arc systems of illumina-
to obtain the full effectiveness
of projection lenses even when
the lens is completely filled with
light and presumably, is working at its full
•aperture.
For example, a quarter size lens, or one
having a free aperture of 1% inches may be
used in conjunction with an ordinary arc-
condenser illuminator and this lens may ap-
pear to be completely filled with light which
would indicate that it was working to full
advantage. Yet it is possible and indeed,
quite likely, that this lens is only about
fifty per cent effective under the conditions
which means that it is transmitting to the
screen only fifty per cent of the light it
eould really deliver were it used under the
right conditions with every arc lamp illu-
minator, a virtual loss of light occurs be-
yond the projection lens. This loss is occa-
sioned by the formation of the aerial image
which is nothing more than an image of the
condenser formed by the projection lens at
a distance which may vary from 6*4 to 10
or more inches ahead of it (the projection
lens).
The presence of the aerial image does not
necessarily imply a loss of light under all
conditions because with some light sources,
notably the incandescent lamp, it is possible
to design the projection system so that the
aerial is (mite harmless in this respect.
With all of the ordinary forms of arc
lamp systems, however, the conditions are
such that the aerial image seriously effects
the screen illumination because it acts as a
restriction to prevent the full passage of
light from the entire area of the projection
lens.
Size of Aerial Image Determines
Loss
The size of the aerial image determines
whether or not a loss of light occurs and if
so, the extent of this loss.
In order to insure complete effectiveness
of the projection lens for the purpose of
screen illumination, it is necessary that the
aerial image be larger than the free opening
of the lens; how much larger, will be de-
termined by the size of the screen picture,
the throw, and the distance of the aerial im-
age from the projection lens.
For best results, the aerial image should
be of such size that a straight line drawn
from the top of the projection lens to the
top of the screen picture, will touch the
top of the aerial image and a similar line,
drawn from the bottom of the lens to the
bottom of the screen picture, will touch the
bottom of the image. In other words, the
aerial image must subtend the same angle
as the screen, as the latter is viewed by the
lens.
Small Aerial Image Acts as
A perture Restriction
Where the aerial image is smaller than
the required size, as above determined, or,
where it is smaller than the projection lens
(presumed to be working at full aperture),
a virtual loss of light occurs because we
are then faced with the problem of making
a lens project light to a screen through an
aperture which is smaller than the lens and
the screen.
In other words, the conditions are similar
to those found at the condenser and of the
system where a set of condenser lenses are
used to project light through the aperture
plate and into projection lens. Here also,
the aperture is smaller than the condenser
lenses and projection lens so that it is im-
possible for the condenser lenses to work at
maximum efficiency in providing light to the
projection lens.
I n effect, the aerial image acts a secon-
dary light source for providing illumination
to the screen. It derives its brightness from
the projection lens and its size from the
imaging of the condenser by the same lens.
Obviously, then, if the aerial image is
small, it will have low illuminating powers
and if large, it will have illuminating pow-
ers in proportion to its increased area. Its
effective size can never exceed the limits im-
posed upon it by the projection lens for the
reason that it is dependent upon the latter
for its virtual brightness.
Indeed, it appears that the aerial image
can never be in the nature of advantage and
the best that can be done is to see that it
does not become a disadvantage.
Like Peck's Bad Boy, it can only be re-
strained from making a nuisance of itself —
and that, only at times.
It may seem ambiguous to say that a
small aperture placed in an optic system
prevents the free passage of light between
two elements such as two lenses, but un-
less the projectionist understands just why
this is so, it will be difficult for him to see
how the formation of a small aerial image
can also act as a real aperture to prevent
the free passage of light from the projec-
tion lens to all points on the screen surface.
This may best be explained by comparing
it with the action of the condenser in pro-
viding light to the projection lens.
If a typical set of conditions were drawn
up to scale, so that the condenser, aperture,
and projection lens were correctly shown
iu their relative sizes and distance from
eacli other it would readily be evident that
the aperture acts to prevent all points on
the rear element of the projection lens from
seeing a complete view of the condenser
placed on the other side of the aperture.
Only the center points on the projection
lens would have the advantage of this com-
plete view but those points on the edge
would see but a small part of the condenser.
Under the best conditions, the edge points
of the projection lens would see somewhat
less than half of the complete condenser
area. This simply means that those points
not favored with such a complete view
would receive light in direct proportion to
the amount of condenser area which was
visible from the particular point.
Thus, if only one-quarter of the entire
condenser were visible from a given point
on the projection lens, this point would re-
ceive but a quarter of the total light which
the condenser was capable of delivering.
Those points at and near the center of the
projection lens would enjoy a complete view
of the condenser and so would receive the
full benefit of the condenser illumination.
If the condenser were extremely large,
not even the center points on the projection
lens would be able to see its entirety so
that the aperture really acts to limit the
size of the condenser which can be used for
any given set of conditions. This condition
has not yet been reached, however, because
no condenser now used — not even the mir-
rors of reflector arc systems — is of such
size that the center point on the projection
lens cannot see its full surface under ordi-
nary conditions.
Aerial Image Hides Lens from
Screen
While no real aperture is placed at the
aerial image, the image itself acts as an op-
tical aperture to prevent the free passage
of light between the projection lens and the
screen.
In this respect, the conditions are similar
to those just described for the condenser
system and the results, too, are exactly
the same as if a real aperture were placed
before the projection lens.
If the aerial image is appreciably smaller
than the tree diameter of the project ion
lens, it will be impossible for all points on
the screen (within the confines of the pic-
ture) to see a full view of the projection.
This means that those points not so favored
will be illuminated to a lower degree than
the screen points which enjoy such a com-
plete view. Here, too, only the central
screen points will have a full view of the
projection lens so that the center of the
screen will be bright while on the edges,
where only a partial view can be had, the
intensity will be materially low. For this
reason, the old form of arc-condenser sys-
(Continucd on pane 1600)
1600
Motion Picture News
— like a fine
automobile;
On the driving shafts of your
Gold Seal Register you'll find
bronze bushings at the bear-
ing surfaces . . . just the same
as in your automobile. They
are put in for the same purpose
in each case — to ensure longer
and more satisfactory service.
GOLD SEAL
Ticket Registers
and "Tickets That Fit"
Only in the Gold Seal will you find
brcnze bushings on all the driving
shafts . . . case hardened steel
surfaces where the wear comes
... a master lock for the whole
mechanism . . . rust proof steel
. . . one driving mechanism for
any number of units . . . lubrica-
tion sealed in . . .
No other ticket register even ap-
proaches Gold Seal for quality and
longevity of service.
Our Reserved Seat Ticket Plants
in Boston and New York Can Save
You Money. Get Our Estimates
AUT O M A TIC
Ticket Register
Corporation
723 Seventh Ave., New York
Independent Printers of Quality
Tickets for Every Purpose.
STOCK PROGRAMS
PROGRAM COVERS
For
Moving Picture Houses
Joseph Hoover & Sons Company
Market and 49th Sts., Philadelphia, Pa.
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2-color Program, all Features writ-
ten up for you, Printed and Delivered to your
theatre at a small cost.
Write for Samples and Prices to
THE DERBY PRESS
201 S So. Vermont Ave. Los Angeles, Calif.
Inquiries & Comments
(Continued from page 1599)
tems found it impossible to give even screen
illumination.
This condition has been considerably im-
proved through the use of reflector arcs but
the ultimate has not yet been reached.
In extreme conditions, where the aerial
image is quite small, not even the central
screen points have a full view of the con-
denser so that the intensity over the entire
screen area is reduced.
The effect of the aerial image on various
systems, now used, will be discussed in the
concluding article.
(To be continued)
Standard
VAUDEVILLE
for
Motion Picture Presentation
THE FALLY MARKUS AGENCY
Astor Theatre Bnilding
N. W. Cor. 45th St. & Broadway
Lackawanna 7876
Warners Open New West
Coast Theatre
Another achievement of importance for
Warner Brothers and for the home of their
combined endeavors, Hollywood, was real-
ized on the night of Thursday, April 26,
when the door's to the new Warner Brothers
two million dollar theatre were officially
opened to the public and the world premier
of their special production, "Glorious
Betsy," followed a prologue of unusual
entertainment value.
For several days previous to this event,
streets adjacent to Hollywood Boulevard
and Wilcox Avenue, were generously deco-
rated with flags and banners. Indeed, the
city at large paid the builders of this mag-
nificent edifice almost unprecedented
tribute.
Preliminary ceremonies and the entire
presentation of Warner Brothers' Vita-
phone features included in the prologue, as
well as the projection of "Glorious Betsy,"
moved along smoothly and the combined
opening of the theatre and a world premier
may be modestly described as a triumphant
success.
The most impressive feature about the
interior of the Warner Brothers Theatre
in Hollywood, is its charming and dignified
simplicity, it is a marvelouslv spacious
structure of Spanish architecture and de-
sign, with a seating capacity of three
thousand and is equipped with every mod-
ern convenience from a hospital to an elec-
tric plant. Hollywood already has several,
theatre palaces; the new Warners is a
worthy addition.
Each
Month The
Showman
Issue of
Motion
Picture
News
Carries
announce-
ments of
Vital In-
terest to
All
Theatre
Owners
Pull Big Business
in Hot Weather
Cool theatres pull big
business. It pays to keep
your patrons cool — com-
fortable.
Fill your empty seats —
increase your box-office
receipts — draw crowds of
steady patrons with the
Typhoon Cooling- System.
Write for Booklet N-l
Typhoon Fan Company
345 West 39th Street, New York
Offices in Principal Cities
May 12, 19 28
1601
COMPLETE RELEASE CHART]
Productions are listed according to the names of Distributors in order that tlw Exhibitor may have
a short-cut toward such information as he may need, as well as information on pictures that are coming.
Features which are finished or are in work, but to which release dates hare not been assigned, are listed in
"Coming Attractions" (S. R. indicates State Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
BRAY PRODUCTIONS
Title
Bare Co-Ed, The
Barnyard Rivals
Cat Tales
Cuttino Up
Daze of '49
Duke's Dirty Doings
Fowl Play
Lost in the Lurch
Mr. Pooh
Star
Rel. Date
Longth
Reviewed
Murdock-Cavalier- Lancaster
. Feb. 10
2 reels
Jan.
7
W. Lantz-M. Slaw-T. Ward
Mar. 10
2 reels
Mar.
17
McDougall Kids
Feb. 20 .
2 reels
McDougall Kids
Mar. 20. .
2 reels
Mar.
17
J. Ccopcr-L. Carver
Jan. 2 . .
2 reels
Feb.
4
P. Murdock-N. Cavalier
Feb. 1
2 reels
Mar.
17
McDougall Kids
April 20
2 reels
P. Murdock-N. Cavalier
Mar. 1
2 reels
Mar.
17
McDougall Kids
Jan. 20
2 reels
Jan.
7
COLUMBIA
FEATURES
Title Star Rel. Date
After the Storm Bosworth-Gilbert-Delaney April 19
By Whose Hand? Cortez-Gilbert Sept. 15
Broadway Taddies Logan-Lease April 7
College Hero, Tte Agnew-Lease-Garon Oct. 9
Desert Bride, The Compson- Forest Mar 26
Fashion Madness Windsor-Howes Dec 8
Golf Widows Ford-Reynolds-Rand May 1
Isle of Forgotten Worren Tearle-Sebastian Sept. 27
Lady Raff'es Taylor-Drew Jan. 25
Matinee Idol, The Walker-Love Mar. 14
Opening T igl t. The Windsor-Bowers .. Nov. 14
Sally in Our Alley Mason-Arlen Sept. 3
Siren, Tte Re\ier-T. Moore Dec. 20
So This Is Love Mason-Collier-Walker Feb. 6
Sporting Age, The . . Bennett-Herbert-Nye Mar.
Stage Kisses Harlan-Chadwick Nov. 2
That Certain Thing Graves-Mason Jan. 1
Tigress, Tre Holt-Revier Oct. 21
Warning, The Holt-Revier Nov. 26
Wife's Relations, The Mason-Glass Jan. 13
Woman's Way, A Livingston-Baxter Feb. 18
Length
5459 feet
5432 feet
54CG feet
5628 feet
5425 feet
5513 feet
5645 feet
5471 feet
5925 feet
5524 feet
5892 feet
5996 feet
5611 feet
5467 reet
5435 feet
6C47 feet
5357 feet
5791 feet
5508 feet
5472 feet
Reviewed
Jan. 7
Dec. 9
Mar. 31
Jan. 21
Mar. 17
Mar. 10
Mar. 17
Jan. 7
April 28
Coming
Star
Attractions
Title
Beware of Blondes
Modern Mothers Chadwick-Fairttanks, Jr.-Kent
Name the Woman Stewart-Glass
Length Reviewed
Title
All Bear
All Set
Always a Gentleman
At It Again
Between Jobs
Blazing Away
Builders of Bridges
Call of the Seas, The
Chilly Days
Circus Blues
Count Me Out
Cutie
Cog Days Sun and Rain
Dummies
Fall In
Fandanco
Felix the Cat in Arabiantics
Felix the Cat in Comicalities .
Felix the Cat Craccin' Dragon
Felix the Cat in Eskimotive
Felix in In-and-Out-Laws
Felix the Cat in Japanicky
Felix in Of m Sweet Ohm
Felix the Cat in Folly-tics .
Felix in Sure-Lock Holmes
Felix the Cat in tte Cily Bird
Fe'ix in the Smoke Screen
Feline Frolics; Tonquin Valley
Fighting Orpfans Evening Mist
Green-Eyed Love
High Strung
Hints on Hunting Day by Sea
His Maiden Voyage
How to Please the Public
Indiscrete Pete
Kitchen Talent
Landlord Blues
Listen Sister
Love's Springtime
Mother Birds
Mysterious Night, A
Navy Beans
Never Too Late
New York's Sweetheart
Nicknames
No Fare
Off Balance
Peculiar Pair of Pups. A
Penny Postals
Pretty Baby
Racing Mad
Recollections of a Rover
Rubbernecking
EDUCATIONAL
Star
Curiosities
W. Lupino-Sargent-L. Hutlon
Lloyd HarriHon
Monty Collins
Lloyd Hamilton
Lloyd Hamilton
Bruce Outdoor Sketch
Hope Hampton
"Big Boy"
Dorothy Devore
Barney Helium
Corothy Devore
Bruce Outdoor Sketch
Larry Semon
Monty Collins
Lupino Lane .
"Sullivan Cartoon"
"Sullivan Cartoon"
"Sullivan Cartoon"
"Sullivan Cartoon"
"Sullivan Cartoon"
"Sulli\an Cartoon"
"Sullivan Cartoon"
"Sullivan Cartoon"
"Sullivan Cartoon"
"Sullivan Cartoon"
"Sullivan Cartoon"
Bruce Outdoor Sketch
Bruce Outdoor Sketch
Ruby McCoy-George Hall
Jerry Drew
Bruce Outdoor Sketch
George Davis
Hodge Podge
Jerry Drew
George Davis
Curiosities
Lupiro Lane
H. Hampton-J. Catalaine
Curiosities
Monty Collins
"Big Boy"
Wallace Lupino .
Curiosities
Hodge-Podge
"Big Boy '
Monty Collins
Bruce Outdoor Sketrh
Curiosities
Monty Collins
Al St. John
Hodge-Fodge
Curiosities
Rel. Date
April 29
Jan. 29
Feb. 5
May 13
Mar. 18
April 22
Feb. 26
Jan. 1
Feb. 19
Mar. 25
Mar. 11
Jan. 15
Jan. 29
Jan. 1
Jan. 1
May 6
May 13
April 1 .
Jan. 22
April 29
May 27
Mar. 4
Feb. 19
Mar. 18
April 15
Feb. 5
Jan. 8
Mar. 25
April 8
Jan. 29
April 22
Feb. 26
Mar. 11
Mar. 11
April 15
May 27
Mar. 25
Feb. 12
Mar. 4
Feb. 12
May 27
May 6
Jan. 1
April 8
April 8
April 22
May 20
April 1
Feb. 26
Jan. 8
Jan. 8
Feb. 5
Length
1 reel
1 reel
2 reels
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
1 reel
2 reels
1 reel
2 reels
1 reel
2 reels
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
2 reels
1 reel
2 reels
1 reel
2 reels
2 reels
1 reel
2 reels
2 reels
1 reel
1 reel
2 reels
1 reel
1 reel
1 reel
2 reels
1 reel
1 reel
1 reel
1 reel
2 reels
1 reel . .
1 reel
Reviewed
Feb. 4
Feb. 18
April 7
Mar. 10
Dec. 31
Feb. 17
Mar. 1 r
Mar. 3
Feb. 18
Feb. 25
Dec. 23
Dec. 23
April 14
Feb. 15
Mar. 31
Mar. 17
April 14
Mar. 10
Feb. 18
Mar. 10
Mar. 24
Feb. 4
Mar. 31
Feb. 18
Mar. 1 7
Mar. 10
Mar. 31
Mar. 24
Mar. 17
Teb. 18
Feb. 4
Feb. 11
Mar. 24
April 14
Mar. 17
Feb. 18
Jan. 28
Feb. 4
Feb. 4
Title Star Rel. Date Length
Running Ragged Lewis Sargent Jan. 29 1 reel
Say Ah-h Charley Bowers Feb. 19 2 reels
Simple Sap. A Larry Semon Feb. 12 2 reels
Slippery Head Johnny Arthur April 29 2 reels
Spring Has Came Monty Collins Mar. 25 1 reel
Star Shots Hodge-Podge Feb. 5 I reel
Sword Points Lupino Lane Feb. 12 2 reels.
There It Is Charley Bowers Jan. 1... 2 reels
Thoughts While Fishing . Bruce Outdoor Sketch . .1 reel
Three Tough Onions Monty Collins May 20 1 reel
Visitors Welcome Johnny Arthur Mar. 4 2 reels
Wandering Toy, The Hodge-Podge May 6 1 reel
Wedding Slips . ... Monty Collins Jan. 15 1 reel . . . .
Whoozit Charley Bowers April 1 2 reels...
Wildcat Valley . ... Johnny Arthur Jan. 22 2 reels
Wild Wool Night Clouds Bruce Outdoor Sketch 1 reel
You'll Be Sorry Charley Bowers May 20. . . 2 reels
EXCELLENT PICTURES (S. R.)
FEATURES
Title Star
Back to Liberty Walsh-Hall
Bit of Heaven, A Lee-Washburn
Bowery Cinderella, A O'Malley-Hulette
Rel. Date
Nov. 10
April
Nov. 1
Broadway Madness De La Motto-Keith Oct. 1
Satan and the Woman Windsor-Keefe
Striving for Fortune Walsh-Roberts
Stronger Will Marmont-Carewe
Women Who Dare Chadwick-Delaney
Dec. 15
Jan.
Jan. 15
Mar.
Length
5980 feet
69C0 feet
63CC feet
640f feet
5337 feet
66C0 feet
Reviewed
Feb. 4
Feb. 18
Feb. 25
Mar. 17
Feb. 4
Dec. 31
Jan. 7
Mar. 10
Feb'. 1 1
Mar. 17
Feb. 4
Reviewed
Nov. 25
Oct. 14
Mar. 10
Title
Life's Crossroads
Coming Attractions
Star
Hulette-Hamilton
Length Reviewed
F B O
FEATURES
Title Star
Aflame in the Sky Lynn-Luden
Alex the Great GaMagher-Dwyer
Bandit's Son, The Steele-Sheridan
Bantam Cowboy, The Buzz Barton
Beyond London's Lights Shumway-Cadsdon
Boy Rider, The Buzz Barton
greed of the Sunsets Bob Steele
Cherokee Kid, The Tyler-Lynn
Chicago Alter Midnight Mendez-lnce
Clancy's Kosher Wedding Sidney-Lease-Lynn
Coney Island Wil'rn-Mendez
Crooks Can't Win Lewis-Hill-Nelson
Dead Man's Curve Fairbanks. Jr.-Blane
Desert Pirate, The Tyler-Thompson
Devil's Trade Mark, The Bennett-Mong-Douglas
Ranger-Hearn
Bob Steeie
Ranger-Nelson
Buzz Barton
Tyler-Lane
Bosworth-Fox, Jr.
WiiSon-Arthur
Kingston-Caldwell
Thompson-Trevor-Blane
Ellis-Keefe-Hearn
Dog Justice
Driflin' Sands
Fangs of tfe Wild
Fighting Redhead. The
Flying U Ranch. The
Freckles
Gingham Girl, The
Harvester. The
Her Summer Hero
Hook and Ladder No. 9
In a Moment f Temptation Stevens-Keefe
Jake the Plumber Devorska-Lynn
Judgment of the Hills . . Valli-Caldwell
Law of Fear, The Ranger-Miller-Nyer
Legionnairesin Paris . Cooke-Guard
Little Buckaroo, The Buzz Barton
Little Mickey Grogan Darro-Ralston-Nye
Little Yellow House. The Sleeper-Caldwell
Loves of Ricardo, The George Beban
Man in the Rough, The Steele-King
Mojave Kid, The Steele-Gllmore
Phantom of the Range Tyler-Trompson-Darro
Pinto Kid. The
Racing Romeo, The
Ranger ot the North
Red Riders ot Canada
Riding Renegade, The
Sally of the Scandals
Shanghaied
Skinner's Big Idea
Slingshot Kid, The
South Sea Love
Swift Shadow, The
Texas Tornado. The
Trail of Courage. The
Wall Flowers
When the Law Rides
W izard of the Saddle
Tit'e
After the Squall
All Alike
All Washed Up
Big Berthas
Barton-Trevnr-Lee
Grange-Ralston
Ranger dog
Miller-Byer
Bob Steele
Love-Forrest
Miller-lnce
Washburn-Sleeper-Trevor
Barton-Morgan-Rice
Miiler-Shumway-Brooks
Ranger dog
Tom Tyler
Steele-Bonner
Trevor- Arthur-Todd
Tyler-Darro
Barton-Thompson
SHORT SUBJECTS
Star
Al Ccoke
Carr-Alexander-Ross
Al Cooke
Karr-Ross-Alexander
Rel.
Dec.
May
Nov.
Aug.
Mar.
Oct.
April
Oct.
Mar.
Sept.
Jan.
April
Jan.
Dec.
May
June
Jan.
Feb.
July
Sept.
Mar.
Oct.
Nov.
Feb.
Nov.
Sect.
Oct.
Nov.
April
Jan.
Mar.
Dec.
April
June
May
Sept.
April
April
Sept.
Oct.
April
Feb.
July
Oct.
May
Dec.
Dec.
Dec.
June
July
Feb.
Feb.
Jan.
Date
18
13
20
12
18
23
1...
30
4
17
13
7
15
25
28
10.
1. .
5
1 ....
4
21
2
23
12
13
18 .
16
6
8
31
11
27
24
17
20
25
22
29
1 . . .
9
15
19
15
19
11
4. . .
10
11
24
8
16
26
22
Lenqth
GC34 feet
5872 feet
4769 feet
Reviewed
Nov. 11
Mar. 24
5573 feet
4858 feet
4837 feet
6249 feet
57C1 teet
6390 feet
5511 feet
4754 feet
Feb. 25
Sept. 30
Mar. 3
Mar. 17
Aug. 2677
Feb. 25
Dec 23
4770 feet
4578 feet
Jan. 14
4924 feet
6131 feet
6301 feet
7C45 reet
5146 feet
5240 feet
E6C5 feet
5186 feet
6481 teet
4769 feet
5711 feet
6515 feet
6403 feet
7477 feet
4924 reet
4781 feet
4884 feet
5992 feet
4977 feet
6419 feet
5999 feet
5967 feet
I If 6 teet
63Ff feet
4892 feet
6339 feet
4805 feet
Jan. 28
July 29 '27
Nov. 25
Dec. 30
Dec. 16
Nov. 11
Nov. 4
Aug. 1927
Mar. 10
Mar. 3
April 21
Sept. 4 '26
Aug. 12'27
Feb. 11
Jan. 7
Dec. 16
Dec. 23
Aug. 26 27
Mar. 17
Feb. 18
Dec. 23
Dec. 30
Rel. Date Length
April 16 2 reels
April 9 2 reels
2 reels
May 14 2 reels
Reviewed
Feb. 18
1602
Motion Picture News
Reviewed
Title Star Rel. Date Length
Come Meal Al Cooke May 28 2 reels
Mickey in School Mickey Yule Feb. 6 2 reels
Mickey's Little Eva Mickey Yule April 2 — 2 reels
Mickey's Parade Mickey Yule Jan. 2 2 reels
Mickey's Wild West Mickey Yule May 7 2 reels
My Kingdom For a Hearse Al Cooke April 2 2 reels
Oui Oui Heidelberg Karr-Ross-Alexander Feb. 13 2 reels
Panting Papas Karr-Ross-Alexander Jan. 9 2 reels
Rah! Rah! Rekie Al Cooke 2 reels
Restless Bachelors Al Cooke April 30 2 reels
Silk Sock Hal Al Cooke May 14 2 reels
Social Error. A Al Cooke 2 reels — Feb.
Attractions
Feb. 18
Coming
Title Star
Big Bow Mystery, The I. Rich-Brook
City of Shadows, The Luden-Lynn
Down Our Way Valli-Caldwell-Darro
Eagle's Ta'ons, The Tom Tyler
Hit of the Show, The Brown-Astor
Saddle and Spurs Barton-Eason . ...
Stocks and Blondes Logan-Gallagher
Length Reviewed
Title Star Rel. Date Length Reviewe-t
Holiday Lane Jan. 22
Horsemen of the Plains Mix-Slane Mar. 4397 feet . Mar. 24
Joy Girl, The Borden-Hamilton Sept. 18 6162 feet Sept. 23
Ladies Must Dress Valli-Gray Nov. 20 5599feet Dec. 23
Love Hungry Moran-Gray April ... 5792 feet . . April 21
Loves or Carmen Del Rio-McLaglen Sept. 4 . 8538 feet . ... Oct. 7
News Parade, The Stuart-Phi ops May 27
Pajamas Borden-Gray Oct. 23 . 5876feet Dec. 2
Play Girl, The Bellamy-Brown April 5200feet April 28
Publicity Madness Moran-Lowe Oct. 2 . . 5893 feet . Feb. 11
Seventh Heaven Gaynor-Farrell Oct. 30 8500feet June 10
Shame re-issuet John Gilbert Nov 5467 feet
Sharpshooters O'Brien-Moran Jan. 15 5573 feet Jan. 28
Silk Legs Bellamy-Hall Dec. 18 5446feet
Silver Valley Mix-Dwan Oct. 2 5011 feet Oct. 14
Soft Living Bellamy-Brown Feb 5629 feet . Mar. 3
Square Crooks Brown-Armstrong-Dwan Mar. 4 5397 feet Mar. 31
Two Girls Wanted Gaynor-Tryon Sept. 11 6293 feet Oct. 7
Very Confidential Madge Bellamy Nov. 6 5620 feet Dec. 16
Why Sailors Go Wrong Cohen-McNamara Mar. 5112 feet April 14
Wizard, The Lowe-Hyams Dec. 11 5629 feet
Wolf Fangs Thunder-Morton-Lincoln Nov. 27 5331 feet Dec. 16
Womanwise Russell-Collyer-Pidgeon Jan. 8 5050feet Mar. 10
FIRST DIVISION (S. R.)
Title Star Rel. Date Length
Comrades Keith-Hughes-H. Costello Jan. 1 5970 feet
Death Valley Nye-Weils-Rae Nov. 15 5880 feel
Devil's Cage, The Garon-Keith May
Fagasa Kelly-Kelton-Wells Mar
Firnegan's Ball Landis-Mehaffey Oct. 1 6200 feet
Masked Angel, The Compson-Oakman Feb. 1 ... 5700 feet
Merry Wives of New York Pauline Garon Jan.
Polly of the Movies Short-Robards Dec. 15... 6900 feet
Ragtime De La Motte-Bowers Sept. 15 6700 feet
Sculs Aflame James-Wells-Lard Mar
Temptations of a Shop Girl Compson-Garon-Kaliz Dec. 1 5604 feet
FIRST NATIONAL
FEATURES
Star Rel. Date
Reviewed
Mar. 10
Aug. 12
Dec. 9
Mar. 24
Sept. 9
Title
Rel.
American Beauty Dove-Hughes Oct. 9
Barker, The SKIs-Compson Aug. 19
Big Noise, The Conklin-Hardy-Wt.ite Mar. 25
Breakfast at Sunrise Talmadge-Alvarado Oct. 23
Burning Daylight Sills-Kenyon Mar. 11
Camille Talmadge-Roland Sept. 4
Canyon of Adventure Maynard-Faire April 29
Chaser, The Langdon-McConnell Feb. 12
Chinatown Charlie Hines-Lorraine April 15
Crystal Cup, The . Mackaill-Mulhall Oct. 16
Drop Kick, The Barthelmess-Kent Sept. 25
Flying Romeo Sidney-Murray Feb. 26
French Dressing Warner-Brook- Wilson Jan. 15
Gorilla, The Murray-Day-Kelsey Nov. 13
Gun Gospel Maynard-Faire Nov. 6
Harold Teen Lake-Brian-White May 27
Hawk's Nest, The Sills-Kenyon May 27
Heart of a Follies Girl Dove-Kent Mar. 18
Her Wild Oat Moore-Kent Dec. 25
Home Made Hines-Daw Nov. 20
Kelly's Kids Charlie Murray July 29
Ladies' Night in Turkish Bath Mackaill-Mulhall April 1
Lady Be Good Mackaill-Mulhall May 6
Life of Riley, The Sidney-Murray Sept. 18
Lilac Time Moore-Copper April 22
Little Shepherd of Kingdom Come Barthelme^s-O'Oay April 8
Love Mart, The Dove-Roland Dec. 18
Mad Hour, The O'Neill-Kent Mar. 4
Man Crazy Mackaill-Mulhall Nov. 27
Noose, The Barthelmess-Joyce Jan. 29
No Place to Go Astor-Hughes Oct. 30
Oh Kay Colleen Moore Aug. 26
Patent Leather Kid, The Barthelmess-O'Day
Private Life of Helen of Troy Corda-Stone-Cortez Jan. 8
Red Raiders, The Maynard-Drew Sept. 4
Rose of the Golden West Astor-Roland Oct. 2
Roulette Barthe'mess-Basquette June 10
Sailors' Wives Astor-Hughes Jan. 22
Shepherd of the Hills Francis-O'Day Jan. 1
Smile, Brother, Smile Mackaill-Mulhall Sept.11
Texas Steer, A Rogers-Fazenda Dec. 4
Three-Ring Marriage Astor-Hughes . April 29
Upland Rider, The Maynard-Douglas June 3
Valley of the Giants Sills-Kenvon Dec. 11
Vamping Venus Murray-Todd-Fazenda May 13
Wagon Show, The . Maynard-Faire Feb. 19
Whip Woman, The Taylor-Moreno Feb. 5
Yellow Lily, The Dove-Brook May 20
Coming Attractions
Title Star
Butter and Egg Man Mackaill-O'Day
Code of the Scarlet Maynard-McConnell
Divine Lady, The Griffith-Varconi
Head Man, The Murray-Reed-Dawson
Heart to Heart Astor
I'll Tell the World Colleen Moore
Whip, The Mackaill-Nilsson-Forbes
Length
6333 feet
Reviewed
Oct. 21
. 604? feet
Dec. 16
65Crfeet
April 28
1... £69? feet
May 6
. 580r feet
5744 feet
April 21
6365 feet
6386 feet
Nov. 25
. . 6819 feet
Sept. 30
. 6187 feet
April 14
. . 6344 feet
7133 feet
Dec. 2
. 6288 feet
Mar. 10
7500 feet
5957 feet
Mar. 17
. . .6118 feet
Feb. 11
6524 feet
6592 feet
April 14
671 2 feet
Sept. 16
Mar. 24
7700 feet
7388 feet
. 6625 feet
April 21
554? feet
Dec. 30
7331 feet
Jan. 7
6431 feet
Mar. 17
11 41 2 feet
Auo. 26. '27
. . 7694 feet
Dec. ?3
. 6214 feet
Dec. 9
6477 feet
. . Oct. 7
. 5485 feet
Mar. 10
. 8188 feet
Feb. 25
6669 feet
Sept. 9
7419 feet
6336 feet
5087 feet
Mar. 24
Length Reviewed
FOX FILMS
FEATURES
Title Star Rel.
Arizona Wildcat, The Mix-Sebastian Nov.
Blackjack Jones-Bennett Sept.
Blood Will Tell Jones-Perry Nov.
Branded Sombrero, The Jones-Hyams Jan.
Come to My House Borden-Moreno Dec.
Dare Devil's Reward Mix-Joyce Jan.
Dressed to Kill Lowe-Astor Mar.
East Side, West Side O'Brien-Valli Oct.
Fleetwing Norton-Janis Feb.
Gateway of the Moon Del Rio-Pidgeon Jan.
Gay Retreat, The Cohen-McNamara Sept.
Girl in Every Port, A McLaglen-Armstrong Jan.
Hello, Cheyenne Mix-Lincoln May
High School Hero Phipps-Stuart Oct.
Date Length
20 4665 feet
25 4777 feet
13 4556 feet
8 5612 feet
25 543r feet
15... 4987 feet
6566 feet
9 . . 8154 feet
1 5038 feet
25 . 5524 feet
29... 5882 feet
13
16... 5498 feet
Reviewed
Mar. 24
Mar. 3
Mar. 3
Jan. 14
Jar. 21
Mar. 17
Nov. 4
Jan.'ii
Sept. 23
Mar. 3
Nov. 11
SHORT SUBJECTS
Title Star Rel. Date
Arkansas Traveler Variety Jan. 8 1
Cow's Husband, A Spenser-Temple 2
Desert Blooms, The Variety Feb. 5 1
Hold Your Hat S. Phipps-N. Stuart-T. Hill 2
Hot House Hazel T.Brooks-T.Hill Jan. 12
Length Reviewed
reel
reels
reel
reels Mar. 24
reels
reels
reel Jan. 21
reels Mar. 17
reels
reel
reels Jan. 14
reels Sept. 3
reels
reel
reels
reels
Jack and Jilted P. Cunning-M. King 2
Jungles of the Amazon Variety 1
Kiss Doctor, The T. Brooke-D. Thompson 2
LaJy Lion Lincoln-Clayton-Bletcher 2
Lords ot the Back Fence Variety Jan. 22 1
Low Necker, A Marjorie Beebe 2
Mum's the Word 2
Old Wives Who Knew Hallam Cooley 2
Over the Andes Variety 1
Psyche and the Pskyscraper "0. Henry" 2
Too Many Cookies T. Brooke-L. Miller 2
Coming Attractions
Title Star Length Reviewed
Cock-Eyed World, The Lowe-M;LagIen
Don't Marry Moran-Hanilton
Escape, The Valli-Russell
Fazil . Farrell-Nissen-Busch
Four Devils, The Macdonald-Gaynor-Morton
Four Sons... Mann-Hill-Bushman 9412feet Feb. 18
Girl Downstairs. The Moran-O'Brien
Hangman's House McLaqlen-Collyer-Kent
Mother Machree Bennetl-McLaqlen 6863 feet Mar. 17
Mr. Romeo Sterling-Carroll-Meeker
None But the Brave
Painted Post, The Mix-Kingston
Pigskin Rollens-Carol
Plastered in Paris Cohen-Pennick
Red Dancer of Moscow, The Del Rio-Farrell-Revier
Street Angel, The Gaynor-Farrell 9221 feet
Sunrise Gaynor-O'Brien 8729 feet... Oct. 14
Thief in the Dark, The Meeker-Hill-Lee
LUMAS
FEATURES
Star Rel. Date
Corbin-Faith Feb. 1
Claire Windsor Oct. 1...
Graves-Olmstead Nov. 1
Faire- Washburn April 10
1...
Title
Bare Knees
Blondes By Choice
Cheer Leader, The
Chorus Kid, The
Girl From Rio, The Myers-Pidgeon Sept,
Head of the Family, The July
Hell Ship Bronson Mrs. W. Reid-Howes-Beery May
Man Higher Up June
San Francisco Nights Marmont-Busch Jan. 1
Thru the Breakers Aug.
Turn Back the Hours Loy-Pidgeon Mar. 12
United States Smith Gribbon-Lee-Har!an May
Length
5800 feet
6987 feet
6000 feet
6200 feet
6990 feet
Reviewed
Jan. 28
Mar. 10
April 14
7000 feet Dec. 31
6500 feet Mar. 17
Coming
Star
George Jessel
Attractions
Title
Abie of theU. S. A
Down Grade, The Fairbanks-Calhoun
Gypsy Love (tent.)
River Woman, The Alma Rubens
Uncensored Woman, The
When Danger Calls Fairbanks-Sedgwick
Woman Between, The
Rel. Date Length Reviewed
Title
METRO-GOLDWYN-MAYER
FEATURES
Date
Star Rel.
Across to Singapore Novarro-Crawford Mar. 24
Actress, The Shearer-Forbes-O. Moore April 28
Annie Laurie Gish-Kerry Sept. 17.
Baby Mine Arthur-Dane Jan. 21.
Becky O'Neill-O. Moore Nov. 12
Ben Hur Novarro-McAvoy Oct. 8
Big City, The Chaney-M. Day-Compson Feb. 18
Big Parade, The Gilbert-Adoree Sept. 10
Body and Soul L. Barrymore-Pringle-Kerry. Oct. 1
Bringing Up Father Macdonald-Olmsted-Moran Mar. 17
Buttons Coogan-L. Hanson Dec. 24
Certain Young Man Novarro-Adoree May 19
Circus Rookies Dane-Arthur Mar. 31
Cossacks.The Gilbert-Adoree Apiil 14
Crowd, The Boardman-Murray Mar. 3
Diamond Handcuffs Boardman-Gray-Nagel May 5
Divine Woman, The Garbo-Hanson Jan. 14
Enemy, The Gish-Forbes Feb. 18
Fair Co-Ed Davies-Brown Oct. 15
Forbidden Hours Novarro-Adoree June 16
Foreign Devils McCoy-Windsor Sept. 3
Garden of Allah Terry-Petrovich Nov. 5
In Old Kentucky H. Costello-Murray Oct. 29
Latest from Paris, The Shearer-Forbes Feb. 4
Length Reviewed
6805 leet
b998 feet
8730 feet May 27 '27
5139 feet Jan. 14
6433 feet
11 693 feet Jan. 16, '26
6838 feet . . Mar. 31
11519 feet Nov. 28 '25
5902 feet . . Nov. 25
6344 feet 25
6050 feet . Mar. 31
5661 feet
. . 8548 feet
Feb. ..
. . .7300 feet. .
. 8189 feet .
. . 6408 feet. .
Jan. 21
. Dec. 31
Nov. 4
.. . 4658 feet. .
..8200 feet .
. 6646 feet
April 28
Sept. 16
.7743 feet..
Mar. 3
May 12, 19 28
1603
Title Star Rel. Dnte
Laugh, Clown, Laugh Chaney-Young-Asther April 7
London After Midnight Chaney-M. Day-Nagel Dec. 3
Love Garbo-Gilbert Jan. 2
Lovelorn. The O'Ncill-Kent-O'Day Dec. 17
Man, Woman and Sin Gilbert-Eagels Nov. 19
Patsy. The Davies-Caldwell-Gray Mar. 10
Oualily Street Davies-Nagel Dec. 31
Riders of the Dark McCoy-Dwan April 00
Road to Romance. The Novarro-M. Day Sept. 24
Rose-Marie Crawfnrd-Murray-Peters Feb. 11
Skirts Chaplin-Balfour May 19
Smart Set. The Haines-Holt-A.Day Feb. 25
Spoilers of the West McCoy-Daw Dec. 10
Spring Fever Haines-Crawrord Oct. 22
Student Prince. The Nnvarro-Shearer Jan. 30
Tea for Three Cody-Pringle-O. Moore Dec. 10
Thirteenth Hour, The L. Barrymore-Gadsdon Nov. 26
Under the Black Eagle . Flash-M. Day-Forbes Mar. 31
West Point Haines-Crawford Jan. 7
Wickedness Preferred Cody-Pringle Jan. 28
Wyoming McCoy-Sebastian Mar. 24
SHORT SUBJECTS
Length Reviewed
5687 feet
Dec.
23
. 7365 feet .
Dec.
16
5950 feet
Dec.
3D
,. 6280 feet
7289 feet
. 7193 feet
Nov.
18
. 6544 feet
Jan.
21
7745 feet
Feb.
18
Title
Aching Youth
All For Nothing
Amazing Lovers
Barnum and Ringling, Inc
Bird Man, The
Blow by Blow
Came the Dawn
Children of the Sun
Czarina's Secret, The
Dumb Daddies
Edison. Marconi and Co. .
Fair and Muddy
Family Group, The
Finishing Touch, The
Fishinq With a Microscope
Forty Thousand Miles with Lindbergh
From Soup to Nuts
Golden Fleeces
Happy Omen, A
Heavenly Bodies
Jungle Round-Up, A
Lady of Victories, The
Leave 'Em Laughing
Let George Do It
Limousine Love
Monarch of the Glen, The
Nature's Wizardry
Palace of Honey, The
Pathfinders, The
Pass the Gravy
Perfume and Nicotine
Pets and Pests
Primitive Housekeeping
Rainy Days
Sanctuary
Secrets ot the Sea
Sleeping Death
Spook-Spoofing
Tally-Ho
That Night
Their Purple Moment.
Tokens of Manhood
Wicked Kasimir. The
Wonders of Blue Gulf Mexico
Star Rel. Date
Charley Chase Mar. 17
Charley Chase Jan. 21
Ufa Oddities Mar. 10
"Our Gang" April 7. .
Charley Chase
Max Davidson Mar. 31 . .
Max Davidson Mar. 3...
Ufa Oddities . . Feb. 11.. .
Baclanova-Mir-Rand Mar. 17. .
Max Davidson Feb. 4...
"Our Gang" Mar. 10
"Our Gang" May 5 .
Charley Chase Feb. 18
Laurel-Hardy Feb. 25. .
Ufa Oddities
Aviation Film Mar. 4 . .
Laurel-Hardy Mar. 24
Ufa Oddities May 19
Ufa Oddities July 14
Ufa Oddities
Ufa Oddities Jan. 28 . .
A. Ayres-O. Matiesen-G. Irving Jan. 21 .
Laurel-Hardy Jan. 28
Laurel Hardy
Charley Chase April 00
Ufa Oddities Mar. 24
Ufa Oddities July 28
Ufa Oddities June 16
Ufa Oddities
Max Davidson Jan. 7.
Ufa Oddities Jan. 14
Ufa Oddities Jan. 28
Ufa Oddities April 21
"Our Gang" Feb. 11
Ufa Oddities May 5
Ufa Oddities Feb. 25
Ufa Oddities June 30
"Our Gang" Jan. 14
Ufa Oddities
Max Davidson
Laurel-Hardy
Ufa Oddities June 2
Ufa Oddities April 7
Ufa Oddities
6476 feet.
Mar. 10
4784 feet
Mar. 24
6705 feet
Oct. 22
9566 feet
Oct. 7
6273 feet
. Nov. 11
5252 feet
5901 feet
8134 feet
...Jan. 7
5011 feet
4435 feet
Length
Reviewed
2 reels
2 reels
Jan. 14
1 reel
2 reels
1 reel
2 reels
2 reels
Feb. 25
2 reels
April 7
1 reel
2 reels
Feb. 18
2 reels , ... April 7
1 reel
3 reels
2 reels
1 reel
1 reel
1 reel
1 reel Oct. 9
2 reels Feb. 25
2 reels
.2 reels Mar. 3
2 reels
1 reel Jan. 21
1 reel
1 reel
1 reel
2 reels Jan. 14
1 reel
1 reel Mar. 3
1 reel
2 reels
1 reel
1 reel Mar. 3
1 reel
2 reels Jan. 14
1 reel
2 reels
2 reels
1 reel
1 reel
1 reel
Coming Attractions
Title Star Length Reviewed
Adventurer, The McCoy-Sebastian 4709 feet
Baby Cyclone, The Cody-Pringle
Bellamy Trial, The Joy-Bronson
Brother Love tentative) Dane-Arthur
Bushranger. The McCoy
Deadline. The Flash-Lorraine-Gray
Detectives Dane-Arthur
Excess Baggage Haines
Four Walls Gilbert-Crawford
He Learned About Women Haines-Page-Percy
Law of the Range, The McCoy-Crawford
Madamoiselle from Armentieres E. Brody-J. Stuart
Masked Stranger, The McCoy
Napoleon Special Cast
Our Dancing Daughters Crawford-Brown-Sebastian
Show Peoale Davies-Haines
Southern Skies Blue-Torres
Telling the World Haines.
Tide of Em-Jire Adnree-Murray
Trail of '98. The Del Rio-Forbes .11100 feet Mar. 24
War in the Dark Greta Garbo
Wind. The Gish-Hanson
PARAMOUNT
FEATURES
Title Star
Adventure Mad Barclay-Asther
Barbed Wire Negri-Brook
Beau Sabreur Brent-Cooper
Big Killing. The Beery-Hatton
Rel.
Mar.
Sept.
Jan.
May
Chang Jungle Film Sept.
City Gone Wild, The Meighan-Brooks Nov.
Doomsday Vidor-Cooper Feb.
Draq Net, The Bancroft-Brent May
Easy Come. Easy Go Dix-Carroll April
Feel My Pulse Daniels-Arlen Feb.
Figures Don't Lie Ralstnn-Arlen Oct.
Firty-Fifty Girl. The .... Daniels-Hall May
Fools for Luck Fields-Conklin May
Gay Defender, The Dix-Todd Dec.
Gentleman of Paris, A Menjnu-O'Hara Oct.
Gentlemen Prefer Blondes Taylor-Sterling-White Jan.
Get Your Man Bow-Rogers Dec.
Honeymoon Hate Vidor-Carmanati Dec.
Jesse James Thomson-Lane Oct.
Last Command, The Jannings-Brent. . . . Jan.
Last Waltz, The Fritsch-Vernon Nov.
Legion of the Condemned Cooper-Wray Mar.
Love and Learn Ralston-Chandler Jan.
Nevada Cooper-Todd Sept.
Date
31
10
7
19
3 . .
12
18
26
21. .
25 .
8
12. .
5
10
15
28
10
3...
22
21
26
10...
14 .
10 .
Length Reviewed
5897 feet
6591 feet
6704 feet
Jan.
28
6536 feet May 13 '27
5408 feet
Mar.
3
5652 feet
April
7
7720 feet
5364 feet
5RC8 feet
Mar.
3
5280 feet
Mar.
3
7720 feet
5758 feet
6376 feet
Dec.
31
592 7 feet
Cel.
14
6*71 feet
Jan.
21
5998 feet
5415 feet
Feb.
11
8656 feet
Oct.
28
8154 feet
Jan.
28
6940 feet
Dec.
311
7415 feet
Ma.\
24
5737 feet
Feb.
25
6258 feet
Oct.
28
Title Star Rel. Date Length Reviewed
Night of Mystery, A Menjou-Brent April 7 5741 feet April 21
Now Wo'ro In the Air Beery-Hatton Oci. 22 5798 feet Dec. 23
Old Ironsides Ralston-Farrell-Beery . Mar. 3 7900feet Dee. 18 '26
One Woman to Another Vidor-Von Eltz Sept. 24 . 4551 feet Sept. 30
Open Range Chandler-Bronson Nov. 5 5599 feet Mar. 10
Partners In Crime Beery-Hatton-Brian Mar. 17 . . 6600feet
Peaks of Oestiny Special Cast Jan. 28 ... 5582feet Jan. 21
Pioneer Scout, The Thomson-Lane Jan. 21... 6118feet Mar. 10
Red Hair Bow-Chandler Mar. 10 6336feet Mar. 31
Rough Riders. The N. Beery-Bancroft Oct. 1 .. 9443 feet April 1 '27
Secret Hour, The Negri-Thomson Feb. 4 7194 feet Mar. 17
Serenade Menjou-Carver-Basquette Dec. 24 52(9 feet . Dec. 31
Shanghai Bound Dix-Brian Oct. 15 5515 feet Dec. 9
She's a Sheik Daniels-Arlen Nov. 12 . . . 6015 feet Dec. 9
Shootin' Irons Luden-Blane Oct. 8 .. 5179feet
Show Down, The Bancroft-Brent Feb. 25 . 7616 feet Mar. 10
Somothing Always Happens Ralston-Hamilton Mar. 24 4729feet
Speedy Lloyd-Christie April 7 7960 feet April 14
Sporting Goods Dix-Olmstead Feb. 11 5951 feet Feb. 18
Spotlight, The Ralston-Hamilton Nov. 19 4934 feet
Stark Love Special Cast Sept.17 . . 6200feet Mar. 11 '27
Street of Sin, The Jannings-Wray May 26 —
Sunset Legion, The Thomson-Murphy April 21 6763 feet
Swim, Girl. Swim Daniels-Hall Sept.17... 6124 feet Sept. 16
Tell It to Sweeney Conklin-Bancroft Sept 24... 6006 teet... Oct. 78
Three Sinners — Negri-Baxter April 14 . . 7029 feet April 28
Tillie's Punctured Romance Fields-Conklin Mar. 3 . 5733feet
Two Flaming Youths Conklin-Fields Dec. 17 5319 feet Jan. 7
Under the Tonto Rim Arlen-Brian Feb. 5991 feet April 28
Underworld Bancroft-Brent-Brook Oct. 29 7643 feet Sept. 9
Way of All Flesh Jannings-Bennett-Haver Oct. 1 8486 feet July 8
Wedding March, The Von Stroheim-Wray Feb.
We're All Gamblers Meighan-Millner Sept. 3 5935 feet
Wife Savers Beery-Hatton Jan. 7 5413 feet Jan. 21
Woman on Trial Negri-E. Hanson Oct. 29 5S60 feet Oct. 14
Rel. Date
SHORT SUBJECTS
Title Star
Adoration Noveltv Feb. 25
Behind the Counter F. E. Horton Mar. 3
Bugs My Dear Christie) Bobby Vernon April 21
Camtus Cuties Billy Dooley April 7
Dad's Choice E. E. Horton Jan. 7..
Fighting Fanny 'Christie) Featured Cast Jan. 21
Frenzy Novelty Jan. 14
Gallant Gob, A (Christie) Billy Dooley May 26
Goofy Ghosts (Christie) Jimmie Adams April 28
Halfback Hannah Christie) Ann Cornwall April 14
Hold 'Er Cowboy (Christie) Bobby Vernon June 2
Holy Mackerel (Christie) Jimmie Adams Feb. 11
Hunger Stroke. A Krazy Kat Cartoon Feb. 25
Ice Boxed Krazy Kat Cartoon Feb. 11
Just the Type (Christie) Neal Burns Feb. 18
Ko-Ko's Bawth Inkwell Cartoon Feb. 18
Ko-Ko's Jerm Jam Inkwell Cartoon Feb. 4
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31
Ko-Ko's Kink Inkwell Cartoon Jan. 7 .
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21
Ko-Ko's Smoke Inkwell Cartoon Mar. 3
Ko-Ko's Tattoo Inkwell Cartoon Mar. 17
Love Sunk Krazy Kat Cartoon Mar. 24
Long Hose 'Christie! Jack Duffy Mar. 17
Love's Young Scream Anne Cornwall May 12
Love Shy Christie) Jimmie Adams Mar. 24
Pig Styles Krazy Kat Cartoon Jan. 14
Save the Pieces Christie) . ... Bobby Vernon Jan. 28
Say Uncle Christie) Jack Duffy June 9
Sea Food Christie) Billy Dooley July 14
Shadow Theory Krazy Kay Cartoon Jan. 28
Slick Slickers Christie) Neal Burns July 7
Slippery Heels (Christie) Jimmie Adams June 16
Sweeties (Christie) Bobbv Vernon Mar. 10
Water Bugs (Christie) Billy Doolev Feb. 4
Wired and Fired Krazy Kat Cartoon Mar. 10
Coming Attractions
Title Star
Abie's Irish Rose Hersholt-McDonald
Beggars of Life Beery-Arlen-Brooks
His Tiqer Lady Menjou-Brent
First Kiss. The Wrav-Cooper
Glorifyinq the American Girl Special Cast
Half a Bride Ralston-Arlen
Kit Carson Fred Thomson
Ladies of the Mob Bow-Arlen
Maqnificent Flirt, The Florence Vidor
Odd Fellows Fields-Conklin
Patriot, The Jannings-Stone-Vidor
Quick Lunch Fields-Conklin
Racket, The Melqhan-Prevost .
Side Show. The Fields-Conklin
Vanishing Pioneer, The. Holt-Blane
Warming Up Richard-DIx
Wings Bow-Rogers
Length Reviewed
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
1 reel
1 reel
2 reels
. 1 reel
1 reel
1 reel
1 reel
1 ree1
1 ree.
1 reel
. 1 reel
2 reels
2 reels
1 reel
1 reel
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
2 reels
1 reel
Length
12103 feet
Reviewed
April 28
12 reels Aug. 26 '27
Title
PATHE
FEATURES
Star
Rel. Datel Length Reviewed
Alice in Wonderland Special Cast . Dec. 25 5 reels
Alice Thru Looking Glass Special Cast Feb. 12 5 reels
Almost Human Reynolds-Thomson Dec. 26 5596 feet Mar. 24
Angel o. Broadway. The Joy-Varconl Oct. 3 6555 feet Dec. 16
Apache Rider. The Leo Maloney Feb. 12 5755 feet Feb. 18
Avenging Shadow. The Klondike-Hallor-Morris April 29 4 293 feet Mar. 31
Ballyhoo Buster. The Buffalo Bill, Jr Jan. 8 4805 feet Dec. 30
Blonde for a Night, A Prevost-Ford Feb. 26 6 reels
Blue Danube, The Joy-La Rocque Mar. 11 7 reels
Born to Battle Bill Cody Sept. 11 4875 feet
Boss of Rustlers Roost Dan Coleman Jan. 22 4833 feet Jan. 14
Bronc Stomper. The Dan Coleman Feb. 26 5408 feet Mar. 3
B illet Mark. The Jack Donovan Mar. 25 4550 feet Mar. 31
Chicago Kaver-Varconl Mar. 4 9992 feet Dec. 30
Combat Walsh- Adams- Hulette Oct. 23 . 5100 feet Nov. 11
Cowboy Cavalier. The Buddy Roosevelt Jan. 29 4526 feet Jan. 28
Crashing Through Jack Pad jan Feb. 5 4480 feet Feb. 11
Desert of the Lost. The Wally Wales Dec 18 4933 feet Dec. 30
Desperate Courage Wally Wales Jan. 15 4398 feet Jan. 21
Devil's Twin, The Leo Maloney Dec. 11 5478 feet
Discord Ekman-Dagover Nov. 20 . 8586feet Nov. 11
Dress Parade Boyd-Love Nov. 11 6599 feet Nov. 11
Flying Luck Monty Banks Dec. 4 64C3 feet Nov. 18
1604
Motion Picture News
Title Star Rei.
Forbidden Woman, The Goudal-Varconi Nov.
Girl in Me Pullman Prevost-Ford Oct.
Golden Clown. The Ekman-Bell Dec.
Gold From Weepah Bill Cody Nov.
Grand na's Boy re-issue) Harold Lloyd Dec.
Harp in Hock. A R. Schildkraut-Coghlan Oct.
His Foreign Wire McDonald-Murphy Nov.
Hold 'Em Vale La Rocque-Loff May
Hoof Marks Jack Donovan Nov.
Land of tne Lawless Jack Padjan Dec.
Laddie Be Good Bill Cody Jan.
Law's Lash, The Klondike-Ellis-Maberry April
Leopard Lady, The Logan-Hale Jan.
Let 'Er Go Gallegher Coghlan-Ford Jan.
Main Event, The Reynolds-R. Schildkraut Nov.
Marlie the Killer Klondike-Bushman, Jr. Mar.
Midnight Madness Logan-Brook Mar.
My Friend From India Pangborn-Fair Dec.
Night Flyer, The Boyd-Ralston Feb.
Obligin' Buckaroo, The Buffalo Bill, Jr Oct.
On to Reno Prevost-Landis Jan.
Passion Island Special Cast Feb.
Perfect Gentleman, A Monty Banks Jan.
Ride 'Em High Buddy Roosevelt Oct.
Roarin' Broncs Buffalo Bill. Jr Nov.
Rush Hour, The Prevost-Ford Dec.
Saddle Mates Wally Wales Mar.
Skyscraper Boyd-Carrol April
Soda Water Cowboy, The Wally Wales Sept.
Stand and Deliver La Rocq ie-Valez Feb.
Turkish Delim it R. Schilakraut-Fay-Robson Nov.
Valley of Hunted Men Buffalo Bill. Jr Feb.
Walking Back ..... Carrol-Walling May
What Price Beauty? Nita Naldi Jan.
Wise Wife, The Haver-T.Moore-Logan Oct.
Wreck of the Hesperus Bradford-Marion Oct.
Date
7 . .
31 .
18
20
10
27...
13
13
25
1.
22.
22
15
18.
4
25
19
5
16
1.
15
9.
27
12
11
SHORT SUBJECTS
Title Star
Animal Snaps Rarebits
Barnyard Artists "Aesop Fables"
Barnyard Lodge No. 1 "Aesop Fables"
Battling Duet, The "Aesop Fables"
Beach club. The Bevan-Hurlock
Rel.
April
April
April
April
Jan.
Date
8
29
8
15
22
24
19
13
26
4
22
1
5
Benares Educational) Geographical Number Jan.
Best Man. Tne Bevan-A. Bennett-V. Dent Feb.
Bicycle Flirt, The Bevan-V. Dent-D. Garley Mar.
Blaze of Glory, A "Aesop Fables" Feb.
Boats ana Fishermen Science Number Mar.
Boy Friend, The "Aesop Fables" Jan.
Broncho Busier, The "Aesop Fables" Jan.
.Buddhists of Burma, The • Educational Geographical Number Feb.
Busy Bodies Sportlight Jan.
Clothes and the Game Sportlight April
County Fair, The. "Aesop Fables" Mar
Crowned Heads Sportlight Feb.
Del .i (Educational) Geographical Number Feb.
Do Monkeys Manicure? Stan Laurel April
Family Frolics Sportlight Jan.
Famo s Playgrounds Sportlight May
Flying Age. die "Aesop Fables" April
Fiying Elephants Roach Stars Feb.
Fun Mfoot Sportlight Mar.
Galloping Ghosts Carew-Hardy Mar.
Girl From Nownere. Tne Pollard-Holloway-Swain Mar.
Good S up ulellie, Tne "Aesop Fables" Feb.
High Staxes "Aesop Fables" Jan.
Honeymoon Hints Rarebits Jan.
How Man S-iits His Live Science Series
Houses of Arctic and Tropics Science Number Feb.
Jungle Days .. "Aesop Cartoon" Mar.
Ka> imir. Old and iMew Geographical Number Jan.
Love at First Flight Pollard-Hurlock-Cowley Jan.
Man Witnout a Face ' Serial ! A.Ray-W.Miller Jan.
Mark or tne Frog, The M. Morris-D. Reed Mar.
Matching Wits Sportlight April
On tie Ice "Aesop Fatle." Mar.
Over the Bounding Blue witn Will Rogers Travelesque' . . .. Feb.
Playing Hookey "Our Gang" Jan.
Reeling Down the Rhine Travelesque Jan.
Run Girl, Run Sennett Girls Jan.
Scaling the Alps "Aesop Fables" April
Season to Taste Sportlight Mar.
Snalimar Gardens, The Geographical Number Mar.
Should Tall Men Marry? Roacn Stars.. Jan.
Smile Wins, Tne "Our Gang" Feb.
Smith's Army Life Hiatt-McKee-Jackson Feb.
Smith's Bargain Hiatt-McKee-Jackson
Smith's Farm Days Hiatt-McKee-Jackson Mar.
Smith's Holiday Hiatt-McKee-Jackson Jan.
Smitn's Restaurant Hiatt-McKee-Jackson April
Soldier Man Harry Langdon
Son Slower, The "Aesop Fables". Mar.
Spider's Lair, Tne "Aesop Fables" Feb.
Swim Princess, Tne Pollard-Clyde-Lombard. Feb.
Tail Waggers Sportlight April
Trees Rarebits Mar.
Twenty-Foar-Dollar Island Novelty
Versatility Sportlight Feb. 5
Volcanoes i educational) Geological Number Feb. 19
Wandering Mi istrel. The "Aesop Fables" Jan. 29
Work of Running Water . Geological Number Mar. 11
Yellow Cameo, Tne Serial) . Allene Ray
Length
6568 feet
5867 feet
791 3 feet
4968 feet
4750 feet
5990 feet
4890 feet
4076 feet
4131 feet
4155 feet
4902 feet
6650 feet
5888 feet
6472 feet
4600 feet
8 reels
575C feet
5954 feet
4575 reet
6 reels
7 reels
5626 leet
4542 reet
4375 feet
5880 feet
4260 feet
704C feet
4546 feet
5423 feet
5397 feet
4520 feet
6 reels
5 reels
5610 feet
6447 feet
Length
.1 reel
1 reel
1 reel
1 reel
2 reels
.1 reel
2 reels
2 reels
1 reel
2 reels
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel ...
1 reel
1 reel
1 reel
2 reels
1 reel
2 reels
2 reels
1 reel
1 reel
1 reel
2 reels
2 reels
2 reels
1 reel
2 reels
10 episodes
10 episodes
1 reel
1 reel
1 reel
2 reels
1 reel
2 reels
1 reel
1 reel
1 reel
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
1 reel
Reviewed
Dec. 16
Nov. 18
Mar. 24
Dec. 23
Dec. 9
Feb. 11
Dec. 23
Dec. 30
Dec. 30
Mar. 31
Mar. 10
Jan. 28
Nov. 11
Mar. 3
Mar. 31
Nov. 11
Jan. 14
Nov. 11
Dec. 30
Mar. 10
Mar. 17
April 14
Nov. 4
April 7
Mar. 3
Jan. 28
Dec. 16
Mar. 31
Reviewed
April 7
April 7
Jan. 14
Feb. 11
Mar. 10
Dec. 31
April 7
Jan. 14
Feb. 11
Mar. 3
Mar. 24
Mar. 31
Jan. 21
Jar. 14
Mar. 24
Feb. 11
Jan. 7
Jan. 14
Mar. 31
Jan.
Mar.
Feb.
Mar. 3
Dec. 31
1 reel
1 reel Feb. 18
2 reels Mar. 3
. 1 reel
1 reel
1 reel Dec. 23
1 reel Jan. 28
1 reel
1 reel
1 reel
10 episodes
Coming Attractions
Title Star
Bride of the Colorado Boles-Blossom
Cop, Tne Boyd-Logan
Godless Girl, Tne Basquette-Prevost
His Country . R. Schildkraut-Dressler
King of Kings, The Warner-Logan
Ladies Must Love Rod La Rocque .
Man-Made Woman Joy-Boles-Warner
Red Mark, The von Se/ffertitz
Sin To#n Allen-Fair
Survival of Slim, Tne Wally Wales
Tenth Aieue Haver-Varconi
Valley Be/ond tie Law Coleman-Loff .
What H ilds Men Leatrice Joy
Yellow Contraband Leo Maloney
Length Reviewed
13500 feet April 29 '27
PEERLESS PICTURES (S. R.)
Title Star
Golden Shackles Priscilla Bonner
Out of the Past O'Malley-L. Rich
Web or Fate, The Lillian Rich
Wilful Youth Harlan-Murphy
Rel.
Mar.
Sept. 26
Nov. 7
Dec.
Date
Length Reviewed
5600 feet
6000 feet
5800 feet
5800 feet
RAYART (S. R.)
Title Star
Boy of the Streets, A Walker-Bennett
Rel.
Sept.
Casey Jones Lewis-Robards Jan.
Cruise of the Hellion Murphy-Keith . Sept.
Danger Patrol, The Russell-Faire April
Gun-Hand Garrison Tex Maynard Oct.
Gypsy of the North Gordon-Hale April
Heart oi Broadway, The Garon-Agnew . Jan.
Heroes in Blue Bowers-Rand Nov.
Law and the Man, The Santschi-Brackwell Jan.
Light in the Window, A Walthall-Avery-Keefe Oct.
My Home Town Brockwell-Glass Mar.
On the Stroke or 12 E. Torrence-Marlowe-O'Shea Nov.
Painted Trail, The Buddy Roosevelt Feb.
Phantom of the Turf, The H. Costello-Lease Mar.
Prince of the Plains Tex Maynard Sept.
Ridin' Luck. Tex Maynard Oct.
Wanderer of the West, A. . Tex Maynard Nov.
Wheel of Destiny, The Stanley-Hale Oct.
Wild Born Tex Maynard Dec.
You Can't Beat the Law Lee-Keefe Feb.
Date Length Reviewed
. . .5059 feet
6673 feet
6089 feet Sept. 30
!!!!4879 feet!!!! !!!!!!!
. . . . 5853 feet . . . . . .
5000 feet
... 5916 feet Mar. 24
.. . 5960 feet Nov. 11
...5970 feet.!"!!.!!!.
. . . 4571 feet
!r! .iiM'fVet! !!!!!!!!!!
". '. '. 5869 feet! . '.
!!!!52M feet!!!!!!!!!!!
STERLING PICTURES (S. R.)
Title
Star Rel. Date
Pretty Clothes Ralston- Walker Oct. 15...
Outcast Souls P. Bonner-Delaney Dec. 15
Burning Up Broadway H. Costello-Frazer Jan. 30. . .
Marry the Girl Bedford-Ellis Mar. 1
Million For Love, A Dunn-Howes May
Length Reviewed
5652 teet.. . .Nov.
521 P feet
5201' feet
5300 feet. . Mar. 10
Title
It Might Hanpen to Any Girl
Coming Attractions
Star
Length Reviewed
STATE RIGHTS
Title Star
Aftermath Special Cast
Battles of Coronel Special Cast
Broadway After Midnight Bonner-Landis
Broken Hearts
Czar Ivan the Terrible Special Cast
Dance Fever Corda-Varconi
Faithless Lover, The O'Brien-Hulette
Fangs of Justice Silverstreak-Walker
Jealousy Lya de Putti
Last Moment, The Matieson-Hale
Little Wild Girl. The Lee-Landis
Modern Du Barry, A Maria Corda
Port of Missing Children Special Cast
Port of Missing Girls Bedford-McGregor
Primanerliebe German Cast
Sally of the South Seas
Sealed Lips Swedish Cast
Shadows of the Night
Shooting Stars English Cast
Simba Jungle Film
Streets of Algiers Camilla Horn
Thrill Seekers Clifford-Fulton
Tartuffe the Hyprocrite Jannings-Dagover
Tracey the Outlaw Jack Hoey
Two Brothers Conrad Veidt
When Fleet Meets Fleet English Cast
Dist'r Rel. Date
Collwyn Dec.
Artlee Feb.
Krelbar Nov.
Hercules
Length
680r feet
84CP feet
6199 feet
Reviewed
. Mar. 3
Mar. 24
Nov. 4
April
Mar.
56CC feet
5CC0feet
April . 58CCfeet. . Mar. 31
June 1 7CC0feet
£ mkiro
Brill
Krelbar
Bischoff
Brill
Zakoro
Hercules.
Brill
Superlative
Brenda 727Cfeet
Scenic Films 65CC feet
Hercules
Colwyn 6000 feet
Hercules
Artlee April 5800 feet
Capitol Pict 8000 feet
Brill 7 reels
Superlative 490C feet
Brill 7 reels
New-Cal Mar. . 60C0feet
Brill
Hi-Mark 7953 fee;
85CC feet Mar. 24
Mar. 3
Mar. 3
Mar. 24
April 28
Feb. 4
Aug. 5 '27
Mar. 31
SHORT SUBJECTS
Star Dist'r Rel. Date Length Reviewed
F.P.Donovan producer) 2 reels
F.P.Donovan producer) 2 reels
F. P. Donovan producer) 2 reels
Title
Bet The
Cigarette Maker's Romance
District Doctor, The
Girl with the Golden Eyes, The F. P. Donovan producer) 2 reels
Weiss Bros 10 episodes
F. P. Donovan producer Mary Alden 2 reels
Al Joy Cranfield Clarke 2 reels
F. P. Donovan producer 2 reels
W. Miller-E. Gilbert Weiss Mar. . lOepisodes
G. O'Neill-L. Graydon Hi-Mark
Soookey Money Al Joy Cranfield-Clarke 2 reels
Who's Who Al Joy Cranfield-Clarke 2 reels
You Can't Win Serial) Weiss Bros lOepisodes
Mysterious Airman, The
Necklace, The
Nothing to Live For
Piece of String, A
Police Reporter The Serial i .
Sophomore, The.
Tille
TIFFANY-STAHL
FEATURES
Star Rel.
Title Star
5irl He Didn't Buy, The Garon-Simpson
Rel.
April
Date Length
5601 feet.
Reviewed
Bachelor's Paradise O'Neill-Graves Mar.
Clothe; Mi'<e tie Woman . Southern-Pidgeon May
Devil's S'<i ner. The Bennett-Love-Landis Feb.
Girl From Gay Paree Bedford-McGregor Sept.
Green Grass WiJows Hagen-Harron-Olmsted June
H mated S lip, The Love-Sebastian-Santschi Dec.
House of Scandal Sebastian-O'Malley April
Ladies of Night Club Cortez-Leonard May
Lingerie White-McGregor June
Nameless Men Windsor-Moreno Feb.
Night Life Harron-A. Day Nov.
Once and Forever Miller-Harron Oct.
Prowlers of the Sea . Cortez-Myers July
Scarlet Dove, The Frazer-Borio April
Stormy Waters Southern-McGregor June
Streets of Shanghai Starke-Harlan Dec.
Their Hour Harron-Sebastian . Mar.
Tragedy of Youth Baxter-Miller-Collier. Jr. Jan.
Wild Geese Bennett-Southern-Keith Nov.
Woman Against the World Ford-Hale-Olmsted Jan.
Women's Wares Brent-Lytell-Kent Oct.
SHORT SUBJECTS
Title Star Rel.
Marcheta Color Classic Mar.
Medallion, The Color Classic Mar.
Date Length Reviewed
15 . 6147 reet
1
1 5510 feet
15. .. .5233 feet. . . Sept. 23
10
1 . . .4753 feet . Feb. 4
1
15
20
15 5708 feet April 14
1 . 6235 feet Dec. 2
15 5639 feet
20
15
1
15 . 5276 feet Mar. 3
1 5652 feet
15 6361 feet Mar. 31
15 . . 6448 feet
1 5283 feet
1 5614 feet Nov. 18
Date Length
1 .... 1 reel
1....1 reel
Reviewed
May 12, 1928
1605
Title Star Rel. Date
Mission Bells Colm Classic Mar. 15
North ot Suoz Color Classic Jan. 1
Perfect Day, A Color Classic April 1
Scarface Color Classic Jan. 15
Souvenirs Color Classic Feb. 15
Treasure Land Color Classic Fch. 1
Length Reviewed
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
Coming Attractions
Star
Title
Albany Night Boat .July 10
Beautiful But Dumb Auy. 1
Domestic Relations Auy. 15
Grain ot Dust, A July 1
Lingerie June 20
Marriage of Tomorrow Miller-Gray
Toilers, The Ralston-Fairbanks, Jr.
UNIVERSAL
FEATURES
Title Star Rel. Date
Rel. Dato Length Reviewed
Air Patrol, The Al Wilson Jan. 1
Alias the Deacon Hershnlt-Marluwc Jan. 22
Arizona Cyclone, The Fred Humes May 6
Back to God's Country Adoree-Frazer Sept. 4
Border Cavalier, The Fred Humes Sept. 18
Buck Privates De Putti-McGregor June 3
Call of the Heart Dynamite-Cobh-Alden Jan. 29
Cat and the Canary La Plante-Hale-Stanley Sept. 11
Cheating Cheaters
Chinose Parrot, The
Clean Up Man, The
Cohens and Keltys in Paris
Count of Ten, The
Desert Dust
Compson-Harlan Oct. 9
Bosworth-IVixon Oct. 23
Wells-O'Day Feb. 12
Sidney-Macdonald Jan. 15
Ray-Ralston June
Ted Wells Dec. 18. .
Fangs of Destiny Dynamite-Cobb-Caldwell Dec. 4
Fearless Rider, The Humes-Worth Jan. 15..
Finders Keepers La Plante-Harron Feb. 5
Flyin' Cowboy, The Gibson-Hasbrouck June
Four Footed Ranger, Tne Dynamite idog) Mar. 25
Four Fliisnors, Tne Lewis-Nixon Jan. 8
Galloping Fury Gibson-Rand Nov. 20
Good Morning Judge Denny-Nnnn April 29
Hero For a Night, A Tryon-Miller Dec. 18
Hot Heels Tryon-Miller May 13
Hound or Silver Creek Dynamite idog' May 20
Irresistible Lover, Tne Keane-.Vloran Dec. 4...
Les Miserable* Special Cast Oct. 30
Lone Eagle, The Keane-Kent Sept. 18
Love Me and World Is Mine Philbin-kerry Mar. 4. ..
Made to Order Hero Ted Wells June 3...
Man's Past, A Veidt-Beoford Dec. 25
Midnight Rose De Putti-Harlan Feb. 26 .
One Glorious Scrap Fred Humes Nov. 20
On Your Toes Denny-Worth Nov. 27
Out All Night Denny-Nixon Sept. 4. ..
Painted Ponie? Gioson-Claire Sept. 25
Pnantom Flyer, The Al Wilson . Feb. 26
Put Em Up Fred Humes Mar. 11
Rawhide Kid, The Gibson-Hale Jan. 29
Shield of Honor, The Lewis-Gulliver-Hamilton Feb. 19
Silk Stockings La Plante-Harron Oct. 2
Sky Hand Saunders Al Wilson Nov. 6
Small Bachelor, The Kent-Beranger Nov. 6
Stop That Man Lake-Kent Mar. 11
Straight Siootin" Ted Wells Oct. 16
Surrender Philbiri-Moskine Mar. 4
Thanks For Buggy Ride La Plante-Tryon April 1
That's My Daddy Denny-Kent Feb. 5
Thirteentn Juror, The Nilsson-Busrman ...Nov. 13
Tnirteen Was .ington S luare Hersholt-Joyce April 8
Three Miles Up Al Wilson Sept. 4
Thunder Riders, The Ted Wells April 8
Trick Of Hearts, A Gibson-Hale Mar. 18
We Americans Sidney-Miller-Lewis. . . May 6
Wild Beauty Rex-Allen-Marlowe . ... Nov. 27
Wild West S low. The Gibson-Gulliver May 20
Wol.'s Trail Dynamite-Cobh-Lamont Oct. 2
Won in t ie Clouds Al Wilson April 22
Length
4259 feet
6869 feet
4C76feet
5751 feet
4427 feet
6171 feet
4345 feet
7190 feet
5623 feet
73C4,eet
4232 feet
7481 feet
Reviewed
Oct. 21
Aug. 29
Feb. 4
May 20
Dec. 2 3
Jan. 7
Feb. 18
4349 feet
42Elfeet
4173 feet
6C81 feet
442 f. feet
61 93 feet
5503 feet
5645 feet
571 1 feet
Mar. 17
Jan. 28
Dec. 2
II f5 feet
6958 feet
Sept. 16
7713 feet
58G2 feet
. April 2fl
6813 reet
Feb. 11
4121 feet
61 35 feet
Sept. 16
EC89feet
Mar. 10
4172 feet
5918 feet
Jan. 14
6170 feet
Oct. 7
5416 reet
Aug. 5
4253 feel
42 0C feet
5382 feet
6172 feet
Dec. 20
6166 feet
Aug. 26
4393 feet
6218 feet
53S9 feet
April 28
4251 feet
Auy. 19
82 4f feet
Mar. 1 f,
6197 feet
Feb. 4
6073 feet
55SC feet
Cec. 19
627? feet
Feb. 4
4136 feet
July 11
4353 feet
5495 feet
9151 feet
April 7
5192 feet
525i1 feet
4167 feet
4348 feet
SHORT SUBJECTS
Title Star
Africa Before Dark Oswald Cartoon
All Billed Up Charles Puffy
Any Old Count "The Gumps"
Back to Nature Arthur Lake
Bare Fists Jack Perrin
Battling Justice Fred Cilman
Big Blurf, A Long-Adams- Layman-McPhail
Boss of t ie Rancho Bob Curwood
Brand of Cojrage. The B. Curwood-P. Montgomery
Bright Lights Oswald Cartoon
Buckskin Days Newton House
Buster's Big Chance Trimble. Turner and Dog
Buster Shows Off Trimble, Turner and Dog
Buster Steps Out Trimble, Turner and Dog
Buster's Whippet Race Trimble, Turner and Dog
By Correspondence Arthur Lake
Case of Scotch. A "The Gumps"
Cloud Buster, Tne "The Gumps"
Code of the Mounted, The Jack Perrin
Dates for Two C. King-C. Doherty
Fijithg De.tiny Fred Gilman
Framed Bob Curwood
Gauge of Battle, The Fred Gilman
George's False Alarm Sid Saylor
Haunted Island, The Serial J ick Daugherty-Helen Foster .
Harem Scarero Oswald Cartoon
Her Only Husband . Long-Adams-Laymon-McPhaill
Hidden Loot Bob Curwood
High Flyin' George Sid Saylor
His In Laws Charles Puffy
Horns, Orange Blossoms. Charles Puffy
Horse Play Long-Adams-Laymon-MrPhaill
Hunyry Hoboes Oswald Cartoon
Indoor Golf Lony-Adams-Layman-McPhaill
Looters. The Bob Curwood
Madden of tie MtiiteJ. . Jack Perrin
Man of Letters, A Sid Saylor
Married Bachelors Charles Puffy
Mistakes Will Happen Ben Hall
Money! Money! Money! Ben Hall
Re!. Date
Feb. 20
Feb. 27
Jan. 23
Feb. 27
Jan. 14
Mar. 24
May 2
Jan. 7
Jan. 7
Mar. 19
Feb. 18
Jan. 11
Mar. 14
Feb. 8
May 23
Jan. 31
Jan. 9
Fo\ 6
May 5
Jan. 18
May 19
May 26
April 21
Feb. 29
Mar. 26
Jan. 9
April 4
April 28
Jan. 25
Mar. 12
Jan. 29
Jan. 4
May I 1
Mar. 7
Mar. 3
Mar. 11
Feb. 15
April
Feb. 13
May 7
9 2
Length
1 reel
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
2 reels
2 reels . .
1 reel
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
10 episodes
1 reel
2 reels
2 reels
2 rels
2 reels
.2 reels.
2 reels
1 reel
2 reels
2 reels
2 reels .
2 reels
reels
1 reel
1 reel
Reviewed
April 7
Feb. 4
Feb. 11
Dec. 23
Feb. 25
April 7
Jan. 7
April 7
Jan. 28
Dec. 23
Jan. 28
Jan. 14
De.-:. 23
Jan. 21
April 7
Dec. 31
Mar. 24
Feb. 4
Mar. 17
Mar. 31
Feb. 18
Jan. 7
Dec. 16
Feb. 11
Feb. 4
Feb. 11
Jan. 28
Mar. i"
Jan. 21
April 14
Title Star
Neck n' Neck Oswald Cartoon
Newlyweds' Advice
Newlyweds' Friends, The Snookums-Bartlett-McPhaill
Newlyweds' Imagination, The Snookums-Bartlett-McPhaill
Newlyweds' Servant. The Snookums-Bartlett-McPhaill
Newlyweds Success, The Snonkums-Bartlctt-McPhai'l
No Blondes Allowed C. King-C. Doherty
Ole Swlmmln' 'Ole, The Oswald Cartoon
One Every Minute Arthur Lake
Out in the Rain "The Gumps"
Ozzie of tne Mounted Oswald Cartoon
Payroll Roundup. The Bob Curwood
Prince and the Papa . . Chanes Puffy
Ride 'Em Plowboy Oswald Cartoon
Riding Gold Newton House .
Rioy Leader, The Jack Perrin
Rinyside Romeos . Arthur Lake
Rival Romoes Oswald Cartoon
Sagebrush Sadie Oswald Cartoon
Siilor George Sid Saylor
Scarlet Arrow, The Serial . F. X. Bushman, Jr
Sealed Orders Jack Perrin
S lady Rest "The Gumps"
Sliding Home Lewis-Gullivcr-Phillips.
Social Lions Ben Hall
Some Babies . Charles Puffy
Some Pets . Arthur Lake
San of the Frontier, A Newton House
So This Is Sapp Center Ben Hal.
Special Edition Ben Hall
Start Something . Long-Adams-Laymon-McPhaill
Summer Knights Arthur Lake
Swell Clothes Arthur Lake
Taking the Count C. King-C. Doherty
Terrors of the Unknown Serial)
That's That Trimble-Turner and Doy
There's a Will C. Kiny-C. Doherty
Unexpected Hero, An F. Gillman-M. Kiny
Untamed, The Newton House
Valiant Rider, The Western! . Bob Sherwood
Vanishing Rider, The 'Serial' Win. Desmo.id
Watch George Sid Saylor
What a Party C. King-C. Doherty
When George Hops Sid Saylor
Winged Hoofs Newton House
Winning Five, The . Lewis-Gulliver-Phillirjs
Winning Goal, The Lewis-Gulliver-Phillips
Wolves of the Range Fred Gilman
Woman Chasers . C. King-C. Doherty . .
Coming Attractions
Title Star
Body Punch. The Daugherty-Faire
Brides Will Be Brides Laura La Plante
Children of the Sun Special Cast
Crimson Hour, The De Putti-Moskine
Doubling For Trouble Gibson-Gilbert
Fallen Angels Kerry-Starke
Foreign Legion, The. . . . Kerry-Stone-Marlowe
Freedom of the Press Stone-Keith-M. Day
Give and Take Sidney-Hersholt .
Has Anybody Here Seen Kelly? Love-T. Moore
Home. James La Plante-Delaney
Jazz Mad Hersholt-Nixon-Lewis
Last Warning, The Laura LaDlante
Lonesome Trynn-Kent
Man Who Laughs. The Veidt-Philbin
Navy Blues Arthur Lake
Play Goes On Veidt-Noian
Red Lips Nixon-Rogers.
Silks and Saddles Nixon-Walling-Nolan
Uncle Tom's Cabin Special Cast
Viennese Lovers Philbin-Hersholt-Keane
Watch My Speed Denny-Worth
UNITED ARTISTS
FEATURES
Title Star Rel. Date Length
Circus, The Chaolin-Kennedy Jan.
Callege Buster Keaton July
Devil Dancer, The Gray-Brook Nov.
Dove, Tne Talmadge-Roland Jan.
Drums of Love Philbin-Alvarado Mar.
Rel. Date
Length
Reviewed
Jan. 23
1 reel
Jan. 2
2 reels
Dec. 16
April 1
2 reels
Mar. 10
May 7
2 reels
April 14
Feb. 6
2 reels
Feb. 4
Mar. 5
2 reels
Feb. 11
Mar. 21
2 reels
Feb. 25
Feb. 6
1 reel
Mar. 24
April 23
1 reel
April 7
Feb. 20
2 reels
Jan. 28
April 30
1 reel
April 7
Mar. 31
2 reeis
Mar. 3
Feb. 12
2 reeis
Jan. 21
April 15
1 reel
Mar. 24
Jan. 21
2 reels
April 7
2 reels
Mar. 10
Mar. 26
1 reel
Mar. 10
Mar. 5
1 reel
April 7
April 1
1 reel
May 9
2 reels
April 14
10 episodes
Feb. 11
2 reels
Jan. 28
2 reels
Jan. 16
2 reels
Dec. 30
Mar. 12
1 reel
Mar. 26
2 reels
Mar. 3
Jan. 2
1 reel
Dec. 14
April 14
2 reels
Mar. 17
Jan. 16
1 ree.
Dec. 30
April 9
1 reel
Mar. 17
Feb. 1
1 reel
Jan. 14
May 21
1 reel
Dec. 5
1 reel
Nov. 18
April 18
2 reels
Mar. 24
1C episodes
April 11
Mar. 17
Dec. 21
2 reels
Feb. 25
2 reels
Jan. 28
May 12
2 reels
April 14
2 reels
Jan. 16
1 C epi' odes
Mar. 28
2 reels
Mar. 3
Feb. 22
2 reels
Feb. 4
April 25
2 reels
Mar. 31
Mar. 17
2 reels .
Feb. 25
Sept. 26
2 i eels
Sepl. 19
Jan. 2
Jan. 28
May 16
2 reels
2 reels
Rel. Date
Length
Reviewed
Garden of Eden. The Grifith-Ray Feb.
Ga icho. The Fairbanks-Valez Jan.
Magic Flame, The Colman-Banky Aug.
My Best Girl Pickford-Rogers Oct.
Ranana Del Rio-Baxter Feb.
Sadie Thomnson Swanson-L. Barrymore Jan.
Sorrell and Son Warner-Joyce Dee.
Steamboat Bill, Jr. Buster Keaton April
Tempest J. Barrymore-Horn
Two Arabian Knights Bovd-Wol;:eim. Sept.
Two Lovers. Colman-Banky
23
6400 feet
5800 feet
7000 feet
8400 feet
9195 feet
7558 feet
9358 i eel
7850 feet
7460 feet
7552 feet
8600 feet
9000 feet
Reviewed
Jan. 14
Sept. 23
Dec. 30
Jan. 7
Jan. 28
Jan. 14
Dec. 2
Sept. 30
Dec. 9
Feb. 4
Feb. 11
Nov. 25
9 reels
82EC reet
8500 feet
Nov. 4
April 28
Coming Attractions
Title Star
Battle of the Sexes, The Bemett-Hersholt-O'Neill ...
Hell's Angels Lyon-Hall-Nissen
Innocent. The Vilma Banky
La Piava Boyd-Valez
Woman Disputed, The Talmadge-Roland
Rel. Date Length Reviewed
about 7 reels
Title
Across the Atlantic
Beware of Married Men
Brass Knuckles
College Wi low. The
Crimson City, The
Dog of the Regiment- A
Domestic Troubles
First Auto. The
Five and Ten Cent Annie
Fortune Hunter. The
Ginsberg the Great
Girl From Chicago, The
WARNER BROTHERS
FEATURES
Star
Blue-Murphy
Rich-Tucker-Holmes
Blue-Bronson
D. Costello-Collier, Jr
Loy-Miljan-Hyams
Rin-Tin-Tin-Gulliver
Fazenda-Cook
Miller-Oldfield
Fazenda-Cook
Chaplin-Costello
Jessel-Ferris
Nagel-Loy
Rel. Date
Length
Reviewed
Feb. 26...
Jan. 14
5421 feet
Jan. 28
Dec. 3
6330 feet
Dec. 23
Oct. 15 .
6616 feet
Nov. 25
April 7. ..
5388 feet
April 21
Oct. 29
5003 feet
Nov. 11
Mar. 24 .
Sept. 18 .
6767 feet
July 8
April 21
Nov. 7 .
6639 feet
Jan. 21
Nov. 26
539C feet
Nov. 19
5978 teet
Dec. 31
1'
Motion Picture News
Title Star Rel.
Good Time Charley Oland-H. Costello Nov.
Ham and Eggs at Front Wilson-Conklin-Loy Dec.
Husbands For Rent Moore-Costello Dec.
If I Were Single McAvoy-Nagle . . Dec.
Jaws of Ste3l Rin-Tin-Tin Sept.
Jazz Singer, The (Vitaphonel Jolson-McAvoy Oct.
Little Snob, The McAvoy-Fraser Feb.
Missing Link. The Syd Chaplin Aug.
One-Round Hogan Blue-Hyams Sept.
Old San Francisco D. Costello-Oland Sept.
Pay As You Enter Cook-Fazenda May
Powder My Back Rich-Ferris-Beranger. Mar.
Race For Life, A Rin-Tin-Tin- Nye-Faire Jan.
Reno Divorce, A McAvoy-Graves Oct.
Rinty of the Desert Rin-Tin-Tin-Ferris-Nye May
Sailor Izzy Murphy Jessel-Ferris Oct.
Sailor's Sweetheart, A Fazenda-Cook Sept.
Silver Slave, The I. Rich-Miljan Nov.
Date Length Reviewel
5 6302 feet.. Nov. 25
24. . 5613 feet
31 6320 feet... Jan. 7
17 . 6320 feet. . . Dec. 31
10... 5569 teet....Sept. 30
... 7423 feet ... Oct. 21
11
7 ...6485 feet Mav 20
17 . 6357 feet Oct. 17
4 7961 feet July 8
19
10
28. . . 4777 feet. . Feb. 11
22 5492 feet. . Nov. 4
5
8. . . 6020feet. . . Oct. 28
24... 5685 feet... Oct. 14
12... 6142 feet. ...Dec 9
Title star
Slightly Used McAvoy-Nagel
Rel. Date Length Reviewed
Sept. 3 . 6412 feet Sept. 30
When a Man Loves Barrymore-Costello Aug. 21 . .10081 feet Feb. 18*27
Rel. Date Length Reviewed
Coming Attractions
Title Star
Fools in the Fog McAvoy-Nagle
Glorious Betsy (Vita.) D. Costello-Nagle 7091 feet
Ladies Prefer Bonds itent.) Nagle-McAvoy
Land of the Silver Fox Rin-Tin-Tin-Nye-Hyams
Lion and the Mouse (Vita.) L. Barrymore-McAvoy-Collier, Jr
Noah's Ark (Vita.) D. Costello-O'Brien
No Questions Asked Ferris-Collier, Jr
Singing Fool, The ( Vita.) Al Jolson
State Street Sadie Loy-Nagle
Tenderloin (Vita.) D. Costello-Nagle 7782 feet April 28
Women They Talk About I. Rich-Ferris-Collier, Jr
pa
t"t-ffllfc.._,f'i
Briefs
Headed by R. Lee Hough, director of
' ' Wild Wse.t Romance, ' ' a company of sixty
screen players entrained for Douglas, Ariz!,
to remain three weeks filming exteriors for
a new Fox western starring Rex Bell. Caryl
Lincoln heads the cast of supporting play-
ers, which includes Billy Butts, Neill
Neeley, Jack Walters, Fred Parke, Albert
Baffert, George Pearce and Ellen Wood-
sten.
Lawrence Grant has been signed to sup-
port Pola Negri in her new Paramount pic-
ture, which has not yet been titled.
"White Shadows in the South Seas" has
been selected as final title of the Metro-
Goldwyn-Mayer picture formerly known as
"Southern Skies." Exteriors for this film
were recently completed under W. S. Van
Dyke after five months on the island of
Tahiti. A farewell banquet was tendered
the M-G-M unit by the native islanders.
"The Docks of New York," an original
screen story by John Monk Saunders, will
be George Bancroft's next vehicle. Josef
von Sternberg will again direct the Para-
hount star. The adaptation will be by
Jules Furtman.
Columbia last week filled the cast of
''Virgin Lips," the name of Olive Borden's
initial vehicle for the company, with the
.signing of Erne Veo, Richard' Alexander,
Alexander Gill and Arline Pretty.
"Creole Love," a story by Raymond
AN ells about Louisiana history, is being pre-
pared for production at the studio of First
Division Distributors.
Gotham has begun production at its stu-
dio on "United States Smith," which fol-
lows "Hellship Bronson" on the line for
the current season. The cast will feature
Eddie Gribbon and Lila Lee with Kenneth
Harlan and Mickey Bennett in support.
Curtis Benton prepared the scenario.
Otto Matiesen, Danish actor and star of
"The Last Moment," has been signed for
a supporting role in Pola Negri's new, and
untitled picture, filmed by Paramount from
Sardou's "Fedora."
Rowland V. Lee, Paramount director,
John Farrow, scenarist, and Sidney Street,
company business manager, have left Holly-
wood for St. Martins, Md., to prepare for
the arrival of the starring team and sup-
porting cast of "The First Kiss" on May
18. Lane Chandler and Leslie Benton have
been added to the cast. The story is an
adaptation of Tristram Tupper's "The Four
Brothers."
Wallace MacDonald, who recently turned
from acting to directing, has just finished
"Free Lips," his first feature production.
Made for First Division, it features June
Marlowe, Jane Novak and Frank Hagney.
George B. Seitz and Erie C. Kenton are
directing their own stories for Columbia,
the former "Ransom," and the latter
"Name the Woman," dealing with 'Fris-
co's Chinatown and Los Angeles respec-
tive] v.
William Austin, Paramount featured
comedian, will leave Hollywood early in
June to spend two months vacationing in
England.
' ' Here Comes the Band ' ' will be the title
of Harry Langdon's new comedy for First
National upon which he has been actively
at work for about seven weeks. In support
of Langdon is Doris Dawson, as leading
woman.
George Irving will have an important
featured role in "Ladies of the Mob," a
new Paramount picture whose theme is the
underworld.
The De Mille studios are producing for
Pa the at the present t wo new productions,
"Power" and "Love Over Night." In the
first stars William Boyd, with Jacqueline
Logan in support, and in the latter appears
Rod La Rocque as the star with Jeanette
Loff as leading lady.
First National has placed William A.
Seiter under a long-term contract following
the completion by him of "Happiness
Ahead." During the first year of the con-
tract he will screen four stories, with more
to follow.
In preparation at the De Mille studios are
"Annapolis," with Lina Basquette and
John Mack Brown, and "Craig's Wife."
The former, from a story by F. McGrew
Willis, will be directed by Christy Cabanne.
Clara Beranger is doing the adaptation of
"Craig's Wife."
J. Roy Hunt will photograph for Para-
mount the picture tentatively titled "The
Perfumed Trap," which went into produc-
tion last week under the direction of Victor
Schertzinger.
"Just Married," by Anne Nichols, is de-
finitely set as the first of a series of Para-
mount pictures to co-star Ruth Taylor and
James Hall. William Austin and Arnold
Kent have been chosen for parts. Frank
Strayer will direct.
"Follow Through" will be the title of
the latest Hal Roach comedy co-starring
Stan Laurel and Oliver Hardy. The action
was filmed at the Riviera Country Club and
the Westward Golf Course.
John Farrow, 23-year old Australian
scenarist, novelist and playwright, has re-
newed his contract with Paramount. His
first novel will be off the press this fall.
His present work for Paramount is the
script of "The First Kiss." Lane Chandler
has been added to the latter picture.
Additions to the cast of M-G-M 's "Ex-
cess Baggage" made last week include
Cyril Chadwick, Greta Granstedt, Kath-
leen Clifford, Tom Dugan and Ricardo
Cortez.
Supporting characters in "Hot News," a
Paramount film, will be Mario Carillo, May
Wallace, Ben Hall, Jack Woody, John Kolb
and Gina Corrado.
Mae Busch has been signed by M-G-M
for a role in Lon Chaney's "While the
City Sleeps." Appearing as detectives in
this picture will be Charles Brinley, one of
the screen's pioneer actors, Frank New-
burg and Eddie Kane.
F. Richard Jones has been engaged by
Paramount to handle the megaphone on
' ' The Water Hole, ' ' a new Zane Grey story
in which Jack Holt will star.
Raoul Paoli, French actor, is to have one
of the featured roles in "Kit Carson,"
Fred Thomson's next for Paramount. He
and Thomson were competitors at the Inter-
Allied Games held in Paris after the Ar-
mistice.
Howard Estabrook, scenarist, and Robert
Milton, New York producer and stage di-
rector, are new names added to Para-
mount's production forces on the coast.
Estabrook is to work on the first starring
vehicle for Buddy Rogers. John Mankers,
writer, has also signed a contract with
Paramount, a renewal of his old.
Preference
means Profits
The theatre that stresses screen
quality is well on the way to
popular preference. And that
preference means profits.
Specify prints on Eastman
Positive— the film that preserves
every bit of photographic qual-
ity for your screen.
EASTMAN KODAK COMPANY
ROCHESTER, N. V.
^^^^^^^^
Matchless
oMisical Attraction
cAo feature of the magnificent
neu) y(&eu) - United Artists - Penn
Theatre at Pittsburg u)as more en-
thusiastically received than the
utonderful Robert MM-ten PMhar
monic UnitQi^an.
Z/he World's leading showmen
everywhere- themore progressive
exhibitors, are taking advantage
of the box office Value of the ^
Robert Marion Unit Organ
Robert Morton Organs are distinc-
tively different from all others. Unap -
proached grandeur and beauty of tone.
Greater orchestral and theatrical re -
sources and structural improvements fomd
in no other instrument, make it the ^
supreme musical instrument of all time.
May 19, 1928
|/
If I e v/5 "
Reg. U. S. Patent Office
Vol. XXXVII No. 20
Los Angeles
Entered as second-class matter April 22. 1926. at the Post Office at A'rro York
under act of March 3, 1879
Published Weekly— $2.00 a Year
Neiv York
PRICE 20 CENTS
Chicago
fWu^iilzER Organs dominate Florida
hat smart show-
men look for in
1928-29 product
announcements
Cjj Not gaudy colors. Not smart cracks
dished up in trick type. Not has-been or
synthetic stars. Not run-of-the-mill, old-
fashioned pictures. Not good pictures for
which there is no advance demand from
the public. What you look for are the sure-
fire naturals, the pictures you can tell six
mouths before you ])la\ them that they will
pack your house, t The Harold Lloyds and
the Clara Bows and the Emil Jannings and
the Richard Dixes and the "Winds'" and
3 lie Wedding March." And "Canary Murder Case/' which you and your wife
and 200,000 folks have been reading and talking about. And new up-and-
coming favorites like Charles Rogers, Esther Ralston, Wray-Cooper and Hall-
Taylor, idols of the young 16-30 crowd from which yon draw 70% of your
audiences. ^ Short features? It's Paramount News that attracts your attention
he cause the public and the trade are talking about how much swifter, breezier,
better it is than the others. It's always an asset to your house to offer the best.
And Christie Comedies, which play more de luxe theatres on merit than
several other companies' comedies combined. The only really nationally
advertised short-comedy stars. You want the rest of the Paramount shorts
line-up too. They're outstanding. Cfl Buying product is simplified this year.
The important pictures that the smart showman looks for— specials, features,
news reel, shorts— are all in one group
PAR AMOUNT'S WHOLE - SHOW
PROGRAM
Specials
Star Hits
Harold Lloyd
Wolf Song
3 Richard Dix
1 Model of Montmarte
Wedding March
Dirigihle
4 Geo. Bancroft
Shorts
1 ( lara Bow
3 Richard Dix
2 Emil Jannings
Canarj Murder Case
Beggars of Life
[Tie Tong War
Crime of Interference
The Letter
Tahiti Nights
Glorifying American Girl
Perfumed Trap
Man I Love
Hard Boiled Angel
Living Together
Upstart Gentleman
Behind German Lines
Burlesque
4 Bebe Daniels
1 Esther Ralston
2 Pola Negri
3 Wray-Cooper
2 Florence Vidor
4 Chas. Rogers
3 Taylor- Hall
104 Paramount News
8 Vernon Comedies
8 Dooley Comedies
8 "Macduff" Comedies
8 "Confessions of a
Chorus Girl" Comedies
12 Great Stars and Authors
Road Shows
Wings
Abie's Irish Rose
The Pa trio I
'! Vdolphe Menjou
3 Zane Grey
1 Thomas Meighan
2 MaeLean -Christie
1 Sir Harry Lauder
26 Krazy Kal
26 Inkwell Imps
2 Horton Comedies
Extra! Byrd's Flight to
the South Pole
GOOD NEWS!
Emil Jannings
"The Street of Sin"
■■•%
Clara Bow
"Ladies of the Mob"
George Bancroft
"The Drag Net"
17 of the best
Paramount Pictures
of the year
between now and August 1st
Bere Daniels
"The Fifty Fifty Girl"
"Hot News"
RICHARD Dl\
"Easy Come. Eas) Go"
POLA NEGRI
"Three Sinners"
Beery - Hatton
4 4 The Big Killing"
Florence vidor
4 4 The Magnificent Flirt'
Fred Thomson
44 Kit Carson"
44 Sunset Legion''1
ADOLPHE Menjou
44A Night of Mystery"
44 His Tiger Lady"
Jack Holt
4 4 The Vanishing Pioneer"
Fields - Conklin
44 Fools for Luck"
Esther Ralston
44Half a Bride"
Thomas Meighan
44The Racket"
(Produced by The Caddo Co.)
re-read
PAR AMOUNT'S
Announcement
of the
Whole Show
Program
for 1928-29!
any month — any season — the
best pictures — the most pictures are
PARAMOUNT!
THE WHOLE SHOW FROM MOTION PICTURE HEADQUARTERS!
akinq the ORGAN a
LIVE theatre owners
know the attracting
power of good music in
their programs. They know this so well that they are satisfied
only with a unit pipe organ of finest make. When they have
such an organ, they advertise it. They make it a vital, drawing
part of their entertainment.
One exhibitor who realizes the
value of featuring the organ is
Charles Bayer. In his Park The-
atre, Lehighton, Pa., he has in-
stalled a Page Unit Organ. The
console — beautifully finished in
stipple gold and mahogany, with
three manuals — is on an elevator.
Thus the organ can be spot-
lighted to extraordinary advan-
tage. Special organ numbers are
given to delight patrons, with the
console looming above the pit and
level with the stage. An idea of
the elevating mechanism can be
gained from the illustration at the
right.
Page Unit Organs
Mr. Bayer has learned that the Page Unit Organ
is an ideal organ to be featured. So have other exhi-
bitors. It is known and honored for melody of un-
forgettable richness, soothing warmth and pulsating
fulness; for the glorious color of its tone; for wonder-
ful workmanship of the best materials.
There is a lesson in Mr. Bayer's experience. His
is a fine theatre in a city of less than 10,000 popula-
tion. What he has done, exhibitors in other small
cities and towns can do.
Page architects are ready to study your require-
ments without obligation. Page Unit Organs are
easier to own than you might think. Investigate —
you want the organ your theatre deserves.
THE PAGE ORGAN COMPANY
521 N. Jackson St., Lima, Ohio
Preference
means Profits
The theatre that stresses screen
quality is well on the way to
popular preference. And that
preference means profits.
Specify prints on Eastman
Positive— the film that preserves
every bit of photographic qual-
ity for your screen.
EASTMAN KODAK COMPANY
ROCHESTER, N. Y.
LEO, THE M-G-M LION IS
ON HIS WAY!
The Most Famous Ballyhoo World 'Four
Since Trackless Train
LEO, the Metro -Goldwyn- Mayer Lion makes
his personal bow to the audiences of the world in a
globe tour that is a sensational promotion follow-
up to the Trackless Train (now in Australia).
Leo's tour is just one of our giant promotion
stunts of next season.
All over the earth, picture-goers mow The sensational airplane flight oj Leo, the
M-G-M. The Trackless Train continues M-G-M Lion, won more publicity for
its world tour and later will make a M-G-M than any company has been able
triumphant home-coming tour of America. to build up in years of national advertising.
The wheels of industry are humming with the greatest prosperity of years
THE COMING SEASON WILL BE
THE MOST PROSPEROUS IN THE
HISTORY OF THE MOTION PIC-
TURE BUSINESS.
A financial forecast by NICHOLAS M. SCHENCK
Pres ident A / etrq-Goldw yn-A fa v<r
FOR many days I have been collecting opinions from
bankers, statistical experts, market analysts, and —
|J continued on second page following jj
IT is their general conclusion that motion picture enter-
prises are due for the greatest boom in their brief history.
NOTHING halts the amusement seeker from attending
the show that he likes. The wide variations of weekly
receipts prove this. So the 1928-29 possibilities rest
squarely on the calibre of the photoplay fare and the
drawing power of star names.
I HAVE recently watched the workings of all studios
producing pictures and I am confident that exhibitors
will receive a fine average of product from all leading
producers.
CHOOSE your pictures with discrimination. Follow
this advice and I am confident that with the ability of
first-class showmen to promote their wares, 1928-29 will
be the biggest season you have ever had.
When your
attraction
doesn't
attract! oh!
But when you've
got what
they want!
oft boy!
YOUR THEATRE depe
on YOUR PICTURES
GIVE them a show! That's what Mr. and
Mrs. John H. Public want when they set out
to buy tickets somewhere in your town. You
may have a wonderful organ in your theatre
and a cooling plant that actually cools. But if
you haven't got the product, you haven't
j£ continued on second page following j|
••\\c can yet scats tor that picture across the street."
"I'D RATHER STAND ON LINE AND SEE THIS
METRO-GOLDWYN-MAYER PICTURE. THEY'RE
ALWAYS GOOD.''
Greta Garbo
The Jf^i or Id 's Newest
Screen Idol
John Gilbert and Greta Garbo will appear in "THE
CARNIVAL OF LIFE," a Metro-Go Idwyn- Mayer Special
got the crowds. Your first consideration is not brick and
mortar — but pictures! Take any successful exhibitor and ana-
lyze his success. You'll find that his first and greatest concern has
always been what gets on his screen. That policy has won for
Metro-Goldwyn-Mayer some 1 0,000 steady exhibitor customers
who are satisfied and happy because their patrons are also satis-
fied and happy. The faith of your audience that they will always
get their money's worth at your theatre is an asset no exhibitor
may underestimate. You've got what they want when you've
got Metro-Goldwyn-Mayer.
FACTORS THAT SHOULD
GOVERN YOUR BOOKING
OF A PRODUCT
WE'RE glad that pictures are being bought today on
a more intelligent basis than ever. Picture-buying is
stripped of bunk. Fair-minded and level-headed theatre
owners realize that after all the two important considera-
tions in signing for service are dependability of the pro-
ducing organization as reflected in the calibre of produc-
tion, and the quality of the stars offered for sale. No one
in the industry can honestly challenge the assertion that
M-G-M has the greatest group of star names. And the
calibre of M-G-M production over the four years of our
existence is a matter of history.
PICTURE after picture, consistency is —
^continued on second page following j|
The keynote of Metro-Goldwyn-Mayer
M-G-M IN 1924-25: His Hour, The Navigator, The Snob, The Silent Accuser, He \\ ho Gets Slapped, Sinners
in Silk, So This Is Marriage, Excuse Me, Lady of the Night, Cheaper to Marry, Wine of Youth, The Red Lily, The Great Divide.
M-G-M IN 1925-26: The Unholy Three, A Slave of Fashion, Pretty Ladies, Never the Twa n Shall Meet,
The Midshipman, The Merry Widow, His Secretary, The Black Bird, Ibanez' Torrent, Beverly of Graustark, Brown of Harvard,
Mike, Road to Mandalay, The Barrier.
M-G-M IN 1926*27: The WaningSex.The Temptress, Upstage, War Paint, Tin Hats, Flesh and tl I
Tell It to the Marines, Slide, Kelly, Slide, Lovers, Mr. Wu, Tillie the Toiler, Rookies, Twelve Miles Out, The Flaming Forest.
| continued n>i scco)id page following jj
M-G-M IN 1927-28: Ben-Hur, The Big Parade, The Student Prince, Love, The Enemy, The Fair Co-ed,
London After Midnight, West Point, The Divine Woman, The Big City, The Latest From Paris, The Smart Set, Across to
Singapore, Laugh Clown Laugh, The Cossacks.
METRO-GOLDWYN-MAYER
HAS THE BEST PRODUCT
ON THE MARKET
IN AN industry given over to the extravagant use of ad-
jectives it is comforting to realize that when all is said and
done the box-office remains to tell the true story. That is
why we can in all sincerity print the statement that Metro-
Goldw\ n-Mayer makes the best pictures. The box-office
is authority for the statement and there are thousands of
exhibitors who gladly bring testimony from their personal
experience that M-G-M product returns them the best
profits. That has been the case during the past four years
of M-G-M's existence and you may be sure it will be true
again in 1928-29 and thereafter.
|[ continued o>i second page following jj
1928-1929
THE YEAR OF YOUR GREATEST
PROSPERITY
METRO-GOLDWYN-MAYER
presents
including the following:
J| continued on second page following
NOTE-Several corrections have been nec
of 1928-29 product as shown here. Th<
44. The last page in this insert shows t
3 SPECIALS
SHOW PEOPLE
MARION DAVIES - WILLIAM HAINES
A unique box-office attraction, in which appear Charlie Chaplin, Douglas Fairbanks, Norma
Talmadge, John Gilbert, William S. Hart, Renee Adoree, Mae Murray, Leatrice Joy, Rod
La Rocque and most of the leading stars of I [ollywood. King Vidor, director.
THE CARNIVAL OF LIFE
JOHN GILBERT - GRETA GARBO
Fresh from their triumph in "Love," the most sensational pair of screen personalities the in-
dustry has ever known now appear in a drama of St. Moritz, playground of wealth and beauty.
Clarence Brown, director of "The Trail of '98" and "Flesh and the Devil," is making it !
THE LOVES OF CASANOVA
Those who have followed box-office history abroad know of the unique success of "Casanova"
the romantic picture marvel. It has been obtained for the American public by M-G-M and
as "The Loves of Casanova" will be one of the talked about pictures of the coming year.
NAMES THAT RECALL FAMED HITS ARE ON M-G-M'S BIG DIRECTORIAL ROSTER
CLAKKNCE BROWN KING VIDOR TOD BROWNING FRED NIBLO VICTOR si AM ROM
M-G-M PRIDES ITSELF ON HAVING THE SCREEN'S LEADING DIRECTORS
WILLIAM NIGH
MONT A RF.LL
ROBFRT 7.. LEONARD
3
3
4
2
LON CHANEY
While The City Sleeps
2 more at present untitled
GRETA GARBO
Tiger SI/)/
By Elinor Glyn
Single Standard
and i more at present untitled
WILLIAM HAINES
Excess Baggage
and 3 more at present untitled
RAMON NOVARRO
Gold Braid
and i more at present untitled
M-G-M is making a sequel to "The Midshipman, "an announce-
ment that should brine joy to every showman heart. A wonder-
fully winning role tor Ramon Novarro, "Gold Braid" has even
more color, elitter and romantic thrill than its illustrious
predecessor.
FDWARD SEDGWICK
G FORGE HII
It would be difficult to imagine a more gold n opportunity than
is presented in the stellar beauty of Miss Garbo. the engrossing
Story written by F.I in or C!vn an, I its sure-fire titIe"TigerSkitl"
"Excess Baggage," the long-run Broadway
plus by John McGowan, is an ideal vehicle
for handsome Bill Haines. It has all those
ha ppy qualities of youth. romance and thrills
that are after all what the public truly wants.
WIELDERS OF THE MEGAPHONE NOW DIRECTING 1928-29 PRODUCT
JAMFS CRL/1
DW \RD STTHFR1. \NI> \1 M OM M ST. CLAIR
S \M WOOD
*CK CONWAY
M-G-M HAS MORE WELL-KNOWN SHOWMAN - DIRECTORS THAN ANY COMPANY!
\U.AN I )\\ AN
CHESTt.R FRANKLIN
!<>11N P M C VRTHY
NICK GRINDE
HARR1 HI Al MOVI
The popular screen personality in a
story commensurate with his top posi-
tion in the film world. "The Devil's
Mask" is everything that your pa-
trons could command in a clashing,
romantic, colorful John Gilbert star-
ring production.
2
JOHN GILBERT
The Devil's Musk
v.
4
and i more at present untitled
NORMA SHEARER
Ballyhoo
and 3 more at
present unti tied
M-G-M is delighted to he able
to offer you "Ballyhoo," the
year's novel sensation by Beth
Brown as a Norma Shearer
production.
QUERY
How many times
have you played
"THE BIG PAR \I)K'
and "BEN HUR" :
II j .1 Hi
li
BETH
BROWN
I RANK CAPRA
I'HKT W I I
W. S. \ AN I)*! K I
O BUSTER KEATON (/ 7
The Camera Man are now being pro-
and i more at present untitled duced by Metro-
M-G-M nave you Buster Keaton in "The Navigator"and Crtil/imvn 1 / ivrr
M-G-M has now developed an equally great comedy idea, KJ "u wJn lt luJ L '
based on the experiences of a newsreel camera man. hd- ()fl f.J}(, | /_(/_ | / /fjf\
ward Sedgwick, famed for "Slide, Kelly, Slide," is director. f
ft continued on second page following^
KARL DANE
GEO. K. ARTHUR
Camping Out
and ] more at present untitled
How this team is coming along is a source of real pride
LILLIAN GISH
The Wind
WIND
"The Wind" is one of the
most stirring dramas the
screen has known. The
genius of Seastrom , director
of "Laugh, Clown, Laugh"
is in it. Lars Hanson ap-
pears with Miss Gish.
LEW CODY - AILEEN PRINGLE
The Baby Cyclone
The famous stage success
and 2 more at present untitled
George M. Cohan's comedy "The Baby Cyclone" suits this merry
pair to a T. The play had a long and profitable run. The picture
will repeat !
Exhibitors tell us that the quality
standard of Tim McCoy pictures is
the highest of any in his field, fir
assured this quality will continue.
TIM McCOY
at present untitled
THE VICTORY THREE
In their early showings these important attrac-
tions have truly merited the name, Victory
Three. For immediate playing: John Gilbert
and Greta Garho in "Love"; Ramon Xovarro
and Norma Shearer in "The Student Prince";
"The Enemy" with Lillian Gish.
continued on second page following
ELECTRIC LIGHT NAMES
on the M-G-M Roster
Renee Adoree, Lionel Barrymore, Eleanor Boardman, John Mack
Brown, Edward Connelly, Joan Crawford, Frank Currier,
Marceline Day, Ralph Forbes, Lars Hanson, Cecil Holland,
Tenen Holtz, Gwen Lee, Polly Moran, James Murray, Conrad
Nagel, Bert Roach, Dorothy Sebastian, Fay Webb, {pictured
COSMOPOLITAN PRODUCTIONS
Our Dancing Daughters
This unusual story by Josephine Lovett is an up-to-the-minute narrative of our pleasure-mad
generation. Joan Crawford, John Mack Brown and Dorothy Sebastian head an all-star cast and
Harry Beaumont is director. The theme and its selling title insure it a syndication and promo-
tion by the Hearst nation-wide resources such as tew serial stories have merited.
The Tide of Empire
A story of epic sweep has been written into a best-seller novel by the ever more popular Peter
B. Kyne. Unquestionably the author had the screen in mind when he wrote, for the result is a
marvelous picture subject. In the all-star cast are Joan Crawford anil James Murray. Allan
Dwan is director. Plus nation-wide Hearst serialization and advertising.
Help Wanted!
The circulation-builders of the Hearst organization picked this thrilling drama of today because
they know what the public wants in serial stories. That's why it's going to be a great audience
picture.
ELECTRIC LIGHT HITS
The Bellamy Trial
In obtaining picture rights to the well-known mystery
"The Bellamy Trial," by Frances Noyes Hart, M-G-M
has won the prize Saturday Evening Post serial story
ami novel of years. Monta Bell, director, has picked a
great cast headed by I.eatrice Joy.
The II onder of II omen
Ever since "Flesh and the Devil" the Hermann Stidermann story which made picture history,
M-G-M has planned to bring forth another great novel by this same author. "The Wonder of
Women," based on Sudermann's book "Stephen Tromholt's Wife," is comparable in many re-
spects to "Flesh and the Devil" and promises to be an important offering ot next season.
A Free Son I
The sure-fire qualities ot Adela Rogers St. Johns' powerful theme were so apparent when this
well-known story ran in Cosmopolitan Magazine that it subsequently became a Broadway play,
enjoying marked success. It will he an outstanding production of the new season.
AUG. StPf OCT NOV DEC JAN FEB KWA
i —
r
t
A nationwide survey reveals the fact that within eight months
M-G-M has climbed to leadership in distribution of Shorts
and Newsreels. The period is from last August to March.
M-G-M' s lead over this field is increasing daily.
IN SHORT PRODUCT
> M-G-M HAS
TAKEN (»?« >■'■•>"■') LEADER-
SHIP
—and Ivith our J928-29 plans, it doesn't seem likely
that any company can approach the M-G-M standard
of Junior Feature production.
BUYING l ort product just to fill time on a pro-
gram has stopped since Metro-Goldwyn-Mayer
entered the field of Junior Features. For the
coming season of 1928-29 you can be sure this
continued on second page follow ying
quality will be carefully maintained.
M-G-M's first season was a sensa-
tional success, outdistancing all com-
petitive records for playing time
previously established. The plans
for our second season make it a cer-
tainty that henceforth all exhibitors
must look to M-G-M for their short
product.
Metro^o/cfay/i^vjayer pi****
GOO
MILES WITH
LINDBERGH
',/o,ouo Miles wilh Lindbergh" is typical of
the new outlook M-G-M has given to the
Short Subject market.
DON'T BE A GAP!
1
— any exhibitor who by any chance is not
playing IOO°/0 M-G-M is doing his
theatre and his public a gra ve injustice
Metro- Goldwyn - Mayer is far and away the best product on the market
tor every exhibitor in the country. There is no reason why every possible
exhibitor should not play voo°q M-G-M. Wherever there are exhibitors
who by any chance do not play eoo% M-G-M, it is because something
is lacking in the exhibitor or else he has not hilly comprehended our
service. Over 10,000 theatres now play M-G-M. When each exhibitor
realizes what M-G-M can mean to him that gap (small though it is) will
be closed. AWAKE EXHIBITORS WHO ARE BACKWARD!
DON'T BE A GAP!
OUR 1928-'29
SHORT SUBJECT
PRODUCT
r
THEY DIDN'T DO RIGHT
BY NELL!
Do you realize Ihtit up to the time Metro-
Goldwyn-Mayer enltreJ the Short Subject
Field, these important little attractions
were the step-children of the industry.
M-G-M HAS GIVEN SHORTS A NEW
MONEY-VALUE AT THE B. O.
10
10
HAL ROACH Comedies
The Greatest Product in the History
of the Short Feature
OUR GANG
The happiest group of joy-artists in the short comedy field have
a grand new bag of tricks for their millions of admirers. The bright
spot on any program. They draw money.
STAN LAUREL
OLIVER HARDY
Not in all picture history has there been so amazing a success as
this hilarious team. One hit after another have made them a sure-
fire money-maker. Wait 'till you see what's lined up for these boys
next season.
10
10
CHARLIE CHASE
In a class by himself, the comedian de-luxe of his field. He has won
a loyal ticket-buying following with class comedies and he'll keep
those folks coming again in '28-29.
ALL STAR
6 GREAT EVENTS
in technicolor
Among next season's subjects being considered for
this beautiful, colorful series of M-G-M's distin-
guished Great Events are: Theodore Roosevelt,
Stonewall Jackson, The Fall of the Alamo,
Abraham Lincoln, Marie Antoinette, John Paul
Jones, Christopher Columbus and others.
1 S
26 ODDITIES
M-G-M has again arranged to offer in the new
season 26 of the amazing U FA Oddities. These
single-reel gems have proved perfect in rounding
out a program, and the range of new subjects
assures exhibitors an even more intensely inter-
esting series.
-G-M NEWS
104 issues
M-G-M points with pride to the thousands of
satisfied exhibitors who now play M-G-M
News twice each week. Naturally, with the
world-wide news sources of the Hearst or-
ganization and the constant growth of its news-
reel facilities, plus the enterprise of M-G-M
personnel, it is only logical that all exhibitors
must inevitably turn for their newsreel service
to the superior M-G-M News.
Twice each week
"LOOKS LIKE THE BIGGEST
YEAR OF ALL"
With M-G-M" s line-up of Features
and Shorts you have a right to expect
that 1928-29 will be your boom year.
THE present era ot prosperity means that the
public has plenty of money to spend. It's up
to you to get that money with the best drawing
product you can put into your show-shop. The
experience of 10,000 exhibitors in the past
year has been that with a complete M-G-M
quality show, feature, shorts and newsreel, t heir
business lias shown a consistent growth. ^ our
theatre is only as important as its produc t. (Jet
the big money with M-G-M service. Don't be
a gap!
M-G-M players are the fans' favorites!
SUMMARY OF 1928-1929
Metro-Goldwyn-Mayer Pictures
3
4
3
4
2
2
4
2
1
SPECIALS
SHOW PEOPLE
Marion Davies
William Haines
THE CARNIVAL
OF LIFE
John Gilbert
Greta Garbo
THE LOVES OF
CASANOVA
LON CHANEY
While the City Sleeps
;ind 3 others
GRETA GARBO
Tiger Skin, Single Standard
and I more
WILLIAM HAINES
Excess Baggage
and 3 more
RAMON NOVARRO
Gold Braid
and l more
JOHN GILBERT
The Devil's Mask
and i more
NORMA SHEARER
Ballyhoo
and 3 more
BUSTER KEATON
The Camera Man
and I more
LILLIAN GISH
The Wind
4
3
6
3
3
40
104
6
26
KARL DANE
GEO. K. ARTHUR
Camping Out
and 3 more
LEW CODY
AILEEN PRINGLE
The Baby Cyclone
and 2 more
TIM McCOY
COSMOPOLITAN
PRODUCTIONS
Our Dancing Daughters
The Tide of Empire
and i more
ELECTRIC LIGHT
HITS
The Bellamy Trial
The Wonder of Women
A Free Soul
HAL ROACH
COMEDIES
to OUR GANG
to STAN LAUREL-OLIVE R HARDY
io CH ARLEY CI I AS I
io ALL STAR (with Max Davidson,
Viola Richards, Martha Sleeper, etc. )
M-G-M NEWS
(Twice Weekly i
M-G-M GREAT
EVENTS
(entirely in Technicolor)
M-G-M ODDITIES
(a sensational new series of UFA
world-wide gems)
PLAY M-G-M 100 PER CENT- DON'T BE A GAP!
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No
Out In June
The Spring Edition of
Theatre Building and Equipment
Buyers Guide
featuring theatres designed by
Thomas W* Lamb, Architect
Twelve pages of colored illustrations, special
editorial and pictorial review of theatre arch-
itecture* Also complete buying index for the
purchase of all types of theatre equipment*
Make All Advertising Reservations Now
MOTION PICTURE NEWS, Inc.
The Boys Are i
Getting Rough I
(No. 585— Straight from the Shoulder Talk hy Carl Laemmle,
President of the Universal Pictures Corporation)
SOME OF UNIVERSALE COMPETITORS ARE GETTING ROUGH.
SOME OF THEM ARE ALMOST NAUGHTY AND NASTY IN THEIR FRANTIC
efforts to explain to you why they are not prepared, as Universal is, to show you conv
pleted pictures instead of words for the coming season.
TUT, TUT, COMPETITORS!
BE GENTLEMANLY. TRY TO AVOID GUTTER TACTICS AS MUCH AS
your nature will permit. Don't let anything get your goat— not even the fact that Universal
has twenty*six of its pictures completed and ready to show!
IPS NEVER BEEN DONE BEFORE BY ANY COMPANY— BUT UNIVERSAL
has always liked to do things which have never been done before.
I REALIZE THAT IT IS A TERRIBLE HANDICAP FOR OTHER COMPANIES
to face. I realize that it is a tough job for a salesman of another company to try to sell words
to the exhibitor while the Universal salesmen are offering pictures ready for screening.
YOU SEE, MR. EXHIBITOR, UNIVERSAL NOT ONLY HAS THE PICTURES
— but has them completed and ready to show — 26 of them! Never in the history of the
business has any company been able to offer this many on the screen and not merely
in the fancy announcements!
SOME OF OUR COMPETITORS ARE QUITE FRANTIC ABOUT IT. THEY
ask you to pay no attention to our completed pictures, but to wait for their promises.
YOU'VE BEEN PLAYED FOR A SUCKER MANY A TIME, BUT THIS IS THE
season when you are going to buy with your eyes open — and Universal, as usual, is the
one to open 'em!
NO PRINTED ARGUMENT IN THE WORLD CAN POSSIBLY ANSWER THE
Universal challenge — pictures completed and ready to show!
IS IT ANY WONDER THE BOYS ARE GETTING ROUGH AND A BIT
frantic?
HOLLYWOOD
A NEW DEPARTMENT
Starting with this week's issue*
Turn to page 1695
All the activities of Filmdom's Capitol
thoroughly covered and concisely presented by
our West Coast Staff. This department will
keep you informed of current happenings every
week.
BOOKING GUIDE
STUDIO DIRECTORY
Will be a complete reference to all produc-
tions and an accurate rating on box-office
success and performance.
MOTION PICTURE NEWS
AND
Issued in September
Write for Biography Blank
729 Seventh Avenue,
New York City, N. Y.
Hollywood Security Bldg.
Hollywood, Calif.
our
TREASU RES
HERE '
2f?
FBO
SENSATIONAL
LINE-UP FOR
1928*29
booms into port amid
thundering acclaim of
exhibitors all over the
country!
GREAT SPE
"THE PERFECT CRIME"
with CLIVE BROOK, IRENE RICH
"BLOCKADE"
Colossus of Sea Thrillers with
ANNA Q. NILSSON
GREATER
James Oliver Curwood's
"THE YELLOWBACK"
"STOCKS AND BLONDES"
with
JACQUELINE LOGAN
and other stars
Stirring Love Dramas backed by
"STOLEN LOVE"
by Hazel Livingston
"LOVE IN THE DESERT"
Box-office — Nothing else But!
"THE RED SWORD"
Tense Drama in the Flaming Land of the Czars'.
Harold McCrath's
"DANGER STREET"
with WARNER BAXTER,
MARTHA SLEEPER
Directed by Ralph lnce
Tremendous Hearst Circulation!
"SALLY'S SHOULDERS"
by Beatrice Burton
"THE JAZZ AGE"
Destined to Rock the Nation!
JIAL PRODUCTIONS
"GANGWAR"
The Ultimate in Underworld Thrillers!
"THE CIRCUS KID"
with FRANKIE DARRO
Poodles Hanncford and world-famed circus troupe in cast!
Directed by RALPH INCE
ii
HIT OF THE SHOW
Ralph lnce's Epic of Life Backstage
with Joe E. Brown, Gertrude Olmsted, Gertrude Astor
"TAXI 13"
with screen's Greatest Comedian CHESTER CONKLIN
Directed by MARSHALL NE'LAN
GOLD BONDS
l uio Mighty FBO-True Story Productions
"SINNERS IN LOVE" GIGANTIC CONTEST STORY
Already Published in True Story TO BE CHOSEN !
Bached by tremendous combined circulation of Macfadden Magazines
"THE AIR LEGION"
Supreme Ait Mail Spectacle !
"TROPIC MADNESS"
with ANNA Q. NILSSON
"HEY RUBE"
ailing Super-thriller of the Carnival Racket '■
"VOICE OF THE STORM"
Stupendous Melodrama of the Telephone Service .'
"SINGAPORE MUTINY"
with RALPH INCE
as star and director
"LEST WE FORGET"
A stirring tribute to America's Bravest i
" HARDBOILED '
by Arthur Somers Roche
"CHARGE OF THE
GAUCHOS"
with JACQUELINE LOQAN,
FRANCIS X. BUSHMAN
THE CONVICT'S SON"
Million Volt Melodrama
with RALPH INCE
H. C. Winter's
"DOUBLE CROSSED"
Comedy Drama Knockout !
"SKINNER STEPS OUT"
Henry /rting Dodge at his Best!
"THE RECORD RUN"
Stirring Railroad Drama
with RALPH INCE
as star and director
'KING OF THE KLONDIKE"
An Avalanche of Thnlls!
"HIS LAST HAUL"
ScaUing Drama of Souls Seared by Sin!
WESTERN SPECIALS
A new and epochal page in the amazing career of
this mighty figure of the Show World .... Now
at the absolute Top of His Box -Office Powers!
1928-29
ING TITLES — GREAT DIRECTORS!
In addition to which there will be the
WORLD'S GREATEST RODEO OF WESTERN
STARS AND BOX-OFFICE ATTRACTIONS
FBO's Boy Wonder
BUZZ BARTON
In Seven Whizzing Wild West Shows!
Everything Bigger this Season . . including the Kid himself!
Smashing Stories! Brand 'New Thrilb!
TOM TYLER
FRANKIE DARRO and Pals
in SEVEN Daring Sensational Westerns !
SUPERLATIVE OUTDOOR HEAD-LINERS AND PRODUCTIONS
A Hit Last Season . . A Sensation in 28-29.'
BOB STEELE
in SIX Headlong Action Melodramas!
New Characters ! New Ideas !
The Invincible Dog Star
RANGER
In Four Thrilling Action Shows!
MAMMOTH PROGRAM OF SHORT FEATURES
Including Four Nationally Publicized Comedy Series
H. C. Witwer's
"RACING BLOOD" SERIES
Cosmopolitan Magazine Stories
™th AL COOKE and ALBERTA VAUGHN
Circulation Scoop of the Year
BARNEY GOOGLE
[in the flesh]
Famous Hearst Newspaper Comic Strip
Fontaine Fox's 12 ^~u'° ^ee' R'ot5 in Flesh and Blood
MICKEY McGUIRE COMEDIES TOOTS AND CASPER
World's Most Popular Kid Comedian and His Gang Rollicking Hearst Newspaper Comic Strip
Produced by Standard Cinema Corporation, Supervision Larry Darmour
Walter Futter's
CURIOSITIES
The Movie Side Show presented by Amedee J. Van Beuren
\
CLEAR the DECK for FAST ACTION!
When these showmen's chests, laden with
mighty tales of adventure, love, romance,
thrills and comedy come sweeping into your
theatre, you'll need plenty of room for the
golden flow of dollars that will follow in
their wak^\\\|\ \ J ^V)
Epochal in novelty, colossal in theme, stag-
gering in box-office appeal, FBO s 1928-29
Product has been geared at road show speed
to meet the insistent demand for BIGGER
AND BETTER ENTERTAINMENT /
THIS IS YOUR GREATEST YEAR!
/' ////
other milestone
in
MOTION
PICTURE
HISTORY
/A\WA\WA\WA\WA\WAW
n^Dntro
ucing
A Product of
Radio Corporation of America
General Electric Company
Westinghouse Electric & Mfg. Co.
Radically Different
FOLLOWING years of intensive re-
search and experiment in the foremost
electrical and acoustical laboratories of
the world, the Radio Corporation of
America announces the formation
of RCA Photophone, Inc. for the pur-
pose of marketing new and highly
perfected devices for the recording and
reproducing of sound on motion pic-
ture film.
Only a supremely scientific and mechan-
ical age could produce a mechanism so
superbly efficient as the RCA Photo-
phone, and so capable of revolutionizing
present-day motion picture values. And
only an industry that has reached the
heights of the motion picture business
could have inspired it.
As a new form of embellishment of
motion picture programs, and as an
aid in enhancing the effects and natural-
ism of motion picture productions, RCA
Photophone marks the next step in
advance in the production and presen-
tation of motion pictures — a step long
prophesied, and inevitable.
Differing materially from all other
systems in its achievement of complete
practicability, RCA Photophone restores
to the motion picture theatre its origi-
nal birthright of the screen's popularity.
As such, it promises to become as neces-
sary an element of every theatre's equip-
ment as its theatre chairs.
/A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\ /A\
CA Photophone
Now —
A Perfect "Sound Film'
That All Producers
And Theatres Can Use
Far-Reaching Advances
RCAP
PHOTOPHONE embodies
projection and acoustical
improvements of far-reaching signifi-
cance. Nothing approaching it in tonal
effectiveness has ever before been offered
motion picture theatres.
The human voice is reproduced by RCA
Photophone as a real voice, rather than
the emanation of some mechanical force.
The most delicate tones of a symphonic
orchestra reach their hearers with all the
tonal fidelity of the original orchestra-
tion. There is absolutely no over-loading,
no distortion or unnatural volume.
Furthermore, as a result of a wholly new
sound recording process, RCA Photo-
phone films last. The sound track of
these films will outlive the picture.
In the production of motion pictures,
the RCA Photophone will add the vast
entertainment resources of the radio field
to those of the film industry.
There will be available a wide selection
of full length motion picture productions
from front-rank producing organiza-
tions, synchronized with symphonic
orchestrations and dramatic sound effects.
Also, news reels and novelty films.
The new RCA Photophone projection
equipment will be ready for installation
intheatresjuly 1st. Installation prices will
vary from $4,000 to $15,000, depending
upon the size of the theatre. The equip-
ment may be leased at exceptionally
moderate terms.
Equipment that meets every requirement
RCA PHOTOPHONE projection equipment may be installed in practically
every projection booth with little alteration.
Standard films, without the sound feature, may be used without any
change in the RCA Photophone, as may all types ©/"talking films." The
installation of RCA Photophone equipment in no way interferes with
the projection of the ordinary picture.
In addition to a wide range of feature productions, news reels and
novelty films, there will be available through RCA Photophone, Inc., a
large selection of films of incidental and non-synchronized music.
For theatres desiring only reproducing apparatus for incidental and
non-synchronized music, there will be available high power reproducers,
providing superlative performances, at moderate prices.
Board of Directors of RCA Photophone, Inc.
CORNELIUS N. BLISS
PAUL D. CRAVATH
CENERAL JAMES G. HARBORD
EDWARD W. HARDEN
OWEN D. YOUNG
EDWIN M. HERR
DAVID SARNOFF
JAMES R. SHEFFIELD
GERARD SWOPE
Officers of RCA Photophone, Inc.
CHAIRMAN OF THE BOARD
General James G. Harbord
PRESIDENT
David Sarnoff
Vice-President E. E. BUCHER
Technical Vke-Pres., ALFRED N. GOLDSMITH
Treasurer, GEORGE S. DeSOUSA Secretary, LEWIS MacCONNACH
Comptroller. CHARLES J. ROSS
Board of Consulting Engineers
ALFRED N. GOLDSMITH C. \V. STONE S. M. KINTNER
« 4 «
Forward-looking exhibitors, when in New York, are invited to investigate
at our studio, the business-building potentialities of RCA Photophone.
KCA PHOTOPHONE inc.
411 FIFTH AVENUE NEW YORK
A Subsidiary of the Radio Corporation of America
YORK air conditioning
Exempts ijou from a weather tax
The York Carbon Dioxide Com-
pressor direct connected to a
synchronous motor has been spe-
cially designed to meet the re-
quirements of the theatre field.
Quiet operation and the compara-
tively small space required for
this part of equipment, are among
its many advantages. Economical,
and absolutely dependable, it
represents the most advanced
equipment for air cooling and
conditioning requirements.
tf3
With a public that has been educated to comfort,
— air cooling and conditioning is today, just as
important as a modern heating plant or a lighting
system.
It is no longer an innovation or an unusual fea-
ture. It is an essential, and the theatre which
neglects this phase of its equipment is laboring
under a handicap that the best show cannot off-
set.
York Mechanical Refrigeration is foremost the
world over in every phase of commerce and in-
dustry where controlled cold is required.
York Engineers have brought to the theatre field
their knowledge and experience which has made
York equipment for play houses successful ana
advantageous from every operating standpoint.
Write today for complete information regarding
York Air Conditioning equipment in your the-
atre.
YORK
ICE MACHINERY CORPORATION
K
m
p
T3*
N N A
Next Week
The most
announcement
Western Electric
SYSTEM
of
TALKING PICTURES
Adopted by
WARNER BROTHERS (VITAPHONE)
FOX FILM CORPORATION (MOVIETONE)
PARAMOUNT FAMOUS LASKY CORPORATION
METRO-GOLDWYN-MAYER CORPORATION
FIRST NATIONAL PICTURES, INC.
UNITED ARTISTS CORPORATION
UNIVERSAL PICTURES, INC.
The System which has been selected by
all the major producing companies as
their standard is Western Electric-
product of the world's pioneers in com-
munication— development of the Bell
Telephone Laboratories — the only appli-
cation of sound to motion pictures now
in commercially successful use.
For two years an outstanding develop-
ment in the field of entertainment, West-
ern Electric equipment is now installed
in more than 300 theatres, bringing to
audiences all over the country pictures
that talk and sing and play.
With seven great producers putting
sound into their pictures, progressive ex-
hibitors everywhere will recognize its
significance to the industry.
For information as to theatre equipments address
Electrical Research Products inc.
SUBSIDIARY OF
Western Electric Company
250 WEST 57TH STREET, NEW YORK, N. Y.
THE STANDARD FOR THE INDUSTRY
Covnt
the
SURS andffcATUHED
WVOWTtS
What other com-
pany can show
so many that have
-~c*Ai> tinod so often!
COLLEEN MOORE
RICHARD BARTHELMESS
CORINNE GRIFFITH
BILLIE DOVE
MILTON SILLS
CHARLIE MURRAY
DOROTHY MACKA1LL
JACK MULHALL
ALICE WHITE
KEN MAYNARD
Molly O'Day
Louise Fazenda
Ben Lyon
Anna Q. Nilsson
Betty Compson
H. B. Warner
Doris Kenyon
Marie Dressier
Gary Cooper
Ralph Forbes
Lowell Sherman
Greta Nissen
Gertrude Astor
Sam Hardy
Lilyan Tashman
Larry Kent
Maria Corda
Arthur Stone
Thelma Todd
Clive Brook
Lya Mara
Paul Wegener
Ian Keith
Douglas Fairbanks, Jr.
Alma Bennett
Albert Gran
Marc McDermott
Natalie Kingston
Lucien Littlefield
William Demarest
Yola d'Avril
Edythe Chapman
Mary Johnson
Victor Varconi
Donald Reed
Mathew Betz
Paul Vincenti
John Kolb
Paul Hurst
Lucien Prival
Big Boy Williams
Gustav von SeyfT ertitz
Jane Winton
mSIDfHf
GROUP
by
WST
Last week....
What a week in Show Busi-
nessT
The entire picture trade
dazzled by the brilliance of
First National's President
Group.
No wonder there's a ncu
sparkle in the eyes of thou-
sands of showmen.
They KNOW what they'll
do with product like that!
Its marvelous potentialities
have given the entire in-
dustry a NEW LEASE ON
LIFE!
Kjovm me
l Signing with f H\ST
LIKE BUYING
Suppose you stood in Times Square
and saw Broadway lined with the BIG
stage-hits of 3 YEARS — 18 of them —
all playing simultaneously.
You see the box-office lines — you watch
the crowds — you know the long-run
records.
The PRESIDENT
Gives You All These
?W |3 FAMOUS
And Stories From Mass-
21 *¥AR FEATURES
H ere are some of the
Long- Run R ecords
that made these
Stage Plays Nation-
ally Famous —
"LILAC TIME"
vt>«*ks on Broadway and the
Ran 54
road
'LA TOSCA"
Famous for years as play and opera.
Nearly 1 .000 performances by Sarah
Bernhardt in Europe and America,
"THE WHIP"
NATIONAL this qear is _
Uf BROADWAY !
r. '■■
- 9.
You say to yourself — "I want to play
all these in my theatre". . . And you
walk down the street and buy up every
last one of them!
Sounds like magic. . .YET THAT'S
EXACTLY WHAT YOU DO when
you buy —
GROUP for l428-"2Q
famous Stage Successes
BEST-SEIXERS
Circulation Magazines
3 INTERNATIONAL SUCCESSES -
w
First National's
1928-29 Stage Buys
were Hailed as
Masterpieces by tKe
Critics —
"THE BUTTER AND EGG
MAN"
"Delicious I) funny." . . . "Its theatre
humor ii classical." . . . "A truly ex*
hilarating evening in the theatre."——
said New York critics.
"THE BARKER"
"An abundant, overflowing evening
in the theatre . . . Enjoyed every
minute of it." Alexander Woottcott
in N. Y. World.
"Different, vivid, alive, thrilling." —
Alan Dale in S. Y. American.
"SH!— THE OCTOPUS"
"Plentitudinously creepy . . . If > on
want alternating nervous chills and
chortles to make you forget the day's
humdrum, drop in and see 'Sh! — The
Octopus.* " N. Y. American
v \\
.<>V.3
I
' '£> fa
lie
>:.£t
Check '
over the
COMPLETE
LIST .
TH
l4- MAMMOTH
COLLEEN MOORE
in
LILAC TIME
cA Firnatone Production
T H€ S T KV\ H ITS
RICHARD BARTHELMESS in
"Diversion" "Mutiny"
And Others
CORINNE GRIFFITH in
"Outcast" "Saturday's Children'
"Paid For"
And 1 Other
BILLIE DOVE in
"The Other Tomorrow"
'The Heart of a Princess"
"Pleasure Bound"
MILTON SILLS in
"Captain of the Strong"
"The Eagle's Trail"
"The Spotter" "Hard Rock"
DOROTHY MACKAILL and
JACK MULHALL in
"Children of the Ritz"
"Waterfront"
THf 3 MYSTERY DRAMAS
'THE HAUNTED HOUSE
Owen Davis' sensational play
"C* •!•
"SH! — THE OCTOPUS
Famous Broadway thrill success
"SEVEN FOOTPRINTS
TO SATAN"
A. Merritt's best-seller
These two million-
dollar produc-
tions alone would
establish the
dominance of The
President Group.
COLLEEN MOORE
in "Synthetic Sin"
COLLEEN MOORE
in "Baby Face"
COLLEEN MOORE
in "The Richest Girl on Earth"
"LA TOSCA"
with Billie Dove
"THE WHIP"
with Dorothy Mackaill, Ralph Forbes.
Anna Q. Nilsson, Lowell Sherman
"THE SQUALL"
"NO, NO. NANETTE"
"THE BUTTER AND EGG MAN"
*ith Jack Mulhall, Greta Nissen, Sam Hard
Gertrude Astor
"THE BARKER"
with Milton Sills. Dorothy Mackaill,
Betty Compton. Doug. Fairbanks, Jr.
"CHANGELING"
A George Fitzmaurice Production
Y A"d Z Added Specials Y
Not included in prertous
V, announcements Jj
"THE GOOD-BYE KISS"
A Mack Sennett Romantic Drama
"TOILERS OF THE SEA'
From Victor Hugo's Classic
/ P f C I A I S ^
CORINNE GRIFFITH
in
The DIVINE LADY
From E. Barrington's Famous Best-Seller
T H -E STAR, HITS
DOROTHY MACKAILL in
"The Girl in the Glass Cage"
"Two Weeks Off"
JACK MULHALL in
"Applesauce"
'When Irish Eyes Are Smiling"
CHARLIE MURRAY in
"The Lying Truth"
"The Sport of Kings"
"Wine, Women and Song"
"Charlie's Night Out"
ALICE WHITE in
"Show Girl" "On the Air"
"Bluffers" "Rosie of the Ritz'
KEN MAYNARD in
"The Glorious Trail"
"The Phantom City"
"The Royal Rider"
"The Lawless Legion"
"Cheyenne"
"Wells Fargo Express'
the INTERNATIONAL SUOCf SSf S
Paul Wegener in
"THE STRANGE CASE
OF CAPTAIN RAMPER"
DANCING VIENNA'
with Ben Lyon — Lya Mara
MAD n TWICE! -Uou'll see whu this qearofal/ i/ear)
First national has The Best Proposition in the Field ! -
tx tf Motion Picture Producers nd Distributors of America
Motion Picture News
L : .
Volume XXXVII NEW YORK CITY, MAY 19, 1928 No. 20
The Revolution Arrives
Important Developments in "Sound Movie11 Field
By William A. Johnston
FOLLOWING our editorial of last week,
there have been sudden and important
announcements on the engrossing sub-
ject of the sound movie.
The Radio Corporation, with which is
allied the General Electric, announces in
full, in this issue, the Photophone. The
Radio Corporation owns a substantial in-
terest in F. B. O.
The Western Electric Company, an-
nounces through its subsidiary — the Electri-
cal Research Products Company, the licensing
of Paramount, M-G-M and United Artists
to use the Movietone. Negotiations are also
under way, it is stated, with Universal and
Keith-Albee. The Western Electric instal-
lation provides for both Vitaphone and
Movietone, the one recording on the disc, the
other on the film. First National has already
taken a license with the Western Electric,
choosing the disc, or Vitaphone method,
bringing in the Victor Company, and styling
the device the Firnatone.
Warner Bros., of course, the well known
pioneer in this new field of the sound movie,
has the Vitaphone. Educational has already
announced the Vocafilm.
So we now have under the banner of the
Western Electric ( Electric Research Prod-
ucts Co.), Warner Bros, and First National
using the Vitaphone (disc) device. Fox.
Famous. M-G-M and United Artists electing
the Movietone, and Universal and Keith-
Albee to be heard from (they can. we under-
stand, use either method under the Western
Electric license.)
The Radio Corporation makes an an-
nouncement emphatic and interesting. The
Photophone. it is stated, takes standard film
with the sound feature and all /r/v.v of
"Talking films." Also this: "In addition
to a wide range of feature productions, news
reels and novelty films, there will be avail-
able through the R. C. A. Photophone a
large selection of incidental and non-syn-
chronized music." And furthermore: "in the
production of motion pictures the R. C. A.
Photophone will add the vast entertainment
resources of the radio field to those of the
film industry."
To sum up, then, we have, it would seem,
following main factors to be considered:
1. The installation devices — their avail-
ability, price, tonal quality, etc.
2. The entertainment to go forth from
the machines. Here enter the film enter-
tainment resources of the picture studios, the
radio field, the talking machine companies,
etc.
Apparently the two kinds of installations
•we refer to are to be standardized ; the sound
movies from all the studios are not to be
restricted to any particular re production de-
vice in the theatre. There is to be no dis-
crimination. (See article by Chester J.
Smith in this issue).
That is the important thing.
There is more, however, to the situation.
In addition to the above important devices
there is the Vocafilm. This, we understand,
is restricted to Educational subjects. Then
the woods are full of recording and repro-
ducing dev ices as yet unannounced, but be-
ing actively promoted.
In some respect the situation seems fair
to favor the old days of camera and projec-
tion machine patents. There will be the
large licensed companies versus the inde-
pendents.
We are receiving numerous letters from
(Continued on page 1679)
1678
Motion Picture N civs
Jerri Drew is E duration id's latest stellar
luminary. He will be featured in six Edit-
rational-Ideal comedies during the neu
sea'.on
The first picture taken of Richard Dix
since since his recent illness. The scene
above shotvs him at the hospital, where his
latest for Paramount, ' W arming Up," was
run off for him
John Barrymore and his new leading lady,
the gracious and beautiful Camilla Horn,
in a scene from "Tempest," a neiv United
Artists release and the stars first in a
year's time
Welcoming a notable at Universal City. His
Excellency Alek Horvath, Hungarian Secretary of
State, was cordially received by Laemmle ivorkers.
From left to right: Nicholas Fodor, Carl Laemmle,
Jr., Mr. Horvath, Paul Fejos and Denes Kovach,
ministerial secretary .
Dorothy Mathews in a scene with Victor McLaglen
from the Fox production, A Girl in Every Port."
Miss Mathews has appeared in a number of im-
portant productions recently, including "F/ie Devil
Dancer, United Artists, and ''The Escape," Fox Films
Alberta Vaughn, petite comedienne, is return-
ing to the F B O banner and will star in
"Racing Blood," a new series being made by
Larry Darmour
Mack Sennett, the comedy producer to
whom many stars make their obeisances,
is now in New York on a visit. "The
Good-Bye Kiss," his feature, is soon to be
presented on Broadway
Billie Dove, a delightful photographic
subject, and Clive Brook, who appears op-
posite her in "The Yellow Lily," a current
release from First National. ' La Tosca"
is a future vehicle
Darryl Francis Zanuck, an associate execu-
tive of the Warner studio, who is assisting
Jack L. Warner in the preparation of the
company's new seasonal program
A get-together on the Berengaria. Hal Roach and
Mrs. Roach ivith Irving Thalberg and Mrs. Thai-
berg, better known as Norma Shearer
Jack Holt starring in Zane Grey Westerns
for Paramount, and also announced for the
starring role in "Out of the Depths," a Co-
lumbia specitd on the 1928-29 schedule
May 19, 19 28
1679
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
The
JVlirrors
of
Filmdom
SWINGING in behind as shrewd a ballyhoo as New
York has seen in several Springs and a couple of
Summers, Paul Ash this week is saying "Hello. Broad-
way" as the master of ceremonies in a stage presentation
of that title at the Paramount Theatre — to which he has
transferred his personality activities from the Oriental
theatre in Chicago where he conducted more than 4,500
performances and is estimated to have played to more
than 14,700,000 admiring auditors.
The "Genial Giant of Jazz," as the Paramount publicity
boys say it in their ads, so far has only succeeded in be-
coming the entry against the field in a game called: "Will
he make it, or will he be a flop on Broadway?" Only that
and nothing more! But could even a darling of the Loop's
jazz devotees ask for more?
The fruit now being plucked from the ballyhoo bush
began to grow when the Broadway show fans — profes-
sional and amateur — asked each other if Ash could dupli-
cate in New York his Chicago triumphs. It burst into blos-
som when the Paramount' 8 advertising appropriation
spread itself into a series of newspaper displays hailing
"The Genial Giant of Jazz." And it ripened when tin-
newspaper reviewers, with a paltry few exceptions, de-
voted to Paul Ash the hulk of their space on the current
Paramount bill. Thus the reviewers passed the game to
the public on the proverbial silver platter, and now the
public is in on the game.
# # # #
A SH'S style of show at this late date can hardly be ex-
peeted to score as novelty. What many term the "Paul
Ash Policy" has been with the New York picture theatre
patrons too long for that — and if you listen to some of the
old-line picturegoers it has been with them too long for any-
thing.
Mr. Ash calls the customers "folks," leads the applause as
well as his band, and indulges in the other now pretty well
standardized master of ceremony mannerisms.
Playing up to local interests is perhaps the keynote of the
band act leader's campaign to capture the interest of his
audiences. He brings to the glittering but bloodless "flash
act.'' which the producers in their loyalty to the bank roll
make big in scale but little in substance, a dash of warmth
and life that is totally lacking in the glittering "presenta-
tions."
He brings a home touch to unit shows produced here and
circuited hither and yon over a chain of theatres. lie does it
by putting the "local slant" on the act. Thus, Mr. Ash tells
the Paramount customers that he started fur Broadway three
years ago but like many others was held up in Chicago. A
dancer is introduced as a "little New York girl." And George
Gershwin is one of "New York's" greatest writers — no less.
^ ^ ^
JUDGING by certain revisions, suspiciously connecting
themselves with eludings from some of the newspaper
reviewers, Paul Ash is ready to give the Paramount
patrons what they want the way they like it. He will find
the range of the local bull's eye and when he does he will
pop away at his audience until he has them on the run in
his direction — that's our guess. After all. \\h\ should he
find things more difficult at the Paramount than he < I i < 1 at
McVickers and the Oriental in Chicago? The Paramount
audiences are in general make-up the same people who
patronize the Loop cinemas.
Maybe Mr. Ash is unfortunate in bringing his thunder
to Broadway so long after tin- lightning flash. But had
there been no flash such as it possible for him to set
off in Chicago — and perhaps impossible for him to do in
New York — Broadway today would not be concerning it-
self over his ability to make good nor perhaps so ready to
give him the eager audience he appears to be receiving.
He does with more finish, more poise and more general
competence all the things which his so-called imitators
have done before at the Paramount ami other houses.
# # # *
I_I AL ROACH, returned from a world tour, believes that
the theatre-building possibilities of the Orient are greater
than in the United States.
As in every other country, the future of the motion picture
in the Far East, Mr. Roach explained, is closely linked to the
economic status of the inhabitants of that part of the world.
At the present time China, which has six times the popula-
tion of the United States, has only eighty-five cinema theatres.
The country presents the perplexing problem of enormous
quantities of underdeveloped, impecunious people, constantly
beset by political and economic difficulties. There is prac-
tically no "spending money."
* '* * *
P OLV IN BBOWN has been elected to one of the most
important executive positions in the industry. The
Board of Directors of Pathe this week announced his ap-
pointment as Executive Yiee-President. In every sense,
the naming of this young man to so important a post is
deserved.
Mr. Brown has had wide experience in virtually everj
department of film activity. Recently, since Joseph P.
Kennedy became business adviser to Pathe, Mr. Bro»n
has played a major part in the reorganization of the com-
pany, and his work has attracted wide attention through-
out the industry.
Through marked ability and hard work, Mr. Brown
now definitely takes his place in the select group of leaders
of the film world. Our sincere congratulations go to him
and to Pathe.
* * * *
The Revolution Arrives
By William A. Johnston
{Continued from Page
exhibitors asking for specific information on
this w hole subject.
The exhibitor is in a state of mind.
To all inquiries and to our readers in
general, we wish to say that we will publish
right along all available information on
this revolutionary change in motion picture
entertainment and that we have already in
preparation a series of articles written ex-
pressly from the exhibitors' viewpoint.
1680
M o ti o n Picture News
Batavia Buying Combine Claims to
Have 200 Enrolled
AFFILIATED THEATRICAL UTILITIES CORPORATION, whose
main offices are located at Batavia, New York, and whose operations
are conducted along similar lines to those of the Aaron Sapiro or-
ganization, claim that sixty independent exhibitors of the Pittsburgh ter-
ritory have become affiliated with them recently.
Affiliated is headed by Nikitas Dipson as a buying combine and claims
a total of 200 houses now enrolled in its ranks in New York, Ohio and
Pennsylvania. In addition to the main office at Batavia, branches are main-
tained at Buffalo, Cleveland and Pittsburgh, and a New York office is
planned for the near future.
Colvin Brown Elected
Pathe Executive
Appointed Vice-President by Board of Directors; Played
Big Part in Company Reorganization
J J. MURDOCK, president of Pathe
Exchange, Inc., announced this week
* the election by the board of di-
rectors of that corporation of Colvin W.
Brown as executive vice-president. Mr.
Brown resigned his office as vice-president
of P.B.O. to accept the new office.
Mr. Brown was placed in charge of the
affairs of Pathe by Joseph P. Kennedy at
the time he became business adviser of the
company. He figured very importantly in
the reorganization of Pathe, and is credited
with having a major part in the decided
improvement of conditions during the past
several months. It was on Mr. Kennedy's
recommendation that Mr. Brown received
the election.
The new Pathe official began his career
as a newspaper man, and has been con-
nected witli the motion picture business for
Colvin Brown
the past twelve years. His entry into the
business was as an advertising and pub-
licity man. He gradually worked his way
into the sales end, and then becoming vice-
president and manager of distribution for
the Thomas H. Ince Corporation, came in
active contact witli production and general
distribution. On the death of Mr. Ince he
became vice-president of F.B.O. in charge
of domestic distribution. Subsequently he
was charged by Mr. Kennedy with the re-
organization and building up of the foreign
business of that corporation, and through
frequent trips to Europe became familiar
with that field. Through these activities
in every department of the picture busi-
ness his experience has been unusually
broad, giving him peculiar litness for his
new position.
His election to his new office makes Mr.
Brown one of the most powerful of the
younger executives in the industry.
Denver Exhibitors Win
"Country Store" Case
The last "country store" case in the
criminal court of Denver has been disposed
of by a sealed verdict of acquittal for
Joseph Roth, manager of the Rivoli theatre
of Denver and H. M. Sanders the well
known "country store" operator in those
parts.
This is the last of the pending cases filed
by the district attorney's office charging
violation of a state lottery law in operat-
ing the "country stores." It is the third
case to be disposed of in favor of the ex-
hibitors and is believed to be the last at-
tempt on the part of the district attorney
to convict Denver exhibitors as long as they
conduct the "stores" in the method now
used. The Roth-Sanders case went to a
jury Avhile the others were disposed of by
directed verdict.
Classification of Films
Adopted in Alberta
The classification of all moving picture
releases has been undertaken by the Prov-
ince of Alberta, Canada, the work being in
the hands of Howard Douglas, chief moving
picture censor at Edmonton. The films are
divided for adult (A) or general presenta-
tion, the latter being designated as (U).
This plan has been in force in Great
Britain, and was lately adopted in the Prov-
ince of Ontario. Newspaper advertisements
in Alberta cities carry the classification
mark for the guidance of parents.
"Rose-Marie," "The Legion of the Con-
demned," "The Four Flusher" and "Fly-
ing Romeos" are the type of features re-
cently approved in Alberta for universal
presentation.
7 First National Films in
Work; 6 Being Edited
Camera work having been completed on
"The Head Man," "The Hawk's Nest,"
and "The Butter and Egg Man," the First
National cutters and film editors now have
before them six productions, including
1 ' Lilac Time " and " Roulette. " "The Yel-
low Lily" left their hands some time ago
and a print has been shipped to New York.
"The Butter and Egg Man" went into
the Burbank cutting room on May 1, and it
is scheduled for delivery at the end of the
month with "The Head Man." "The
Hawk's Eye," it is thought, will go to the
printers in a few days, while "Happiness
Ahead" is so far along in the cutting
work that a print is promised for next
week.
Occupying the lots are "Here Comes the
Band," now in its ninth week; "Black
Magic," in its fourth week; "The Divine
Lady," which has been in the filming stage
for six weeks; "The Barker," in its fourth
week ; ' 1 The Glorious Trail, ' ' entering its
third week, and "Heart to Heart," now in
its second week and two days ahead of
schedule.
Sunday Shows Established
Again in Pawtucket
Sunday shows commenced last week in
tlie motion picture theatres at Pawtucket,
R. I., for the first time.
Some two years ago legislation was en-
acted permitting the opening of theatres
for Sunday shows in all cities of the state
excepting Pawtucket, which was not in-
cluded because of the strong opposition
which was brought to bear on the Legisla-
ture at that time by Pawtucket interests.
After trying the Sunday shows out in
the other cities, a new bill was presented
the Legislature which included Pawtucket
and this was passed and has now become
law so that Pawtucket now, for the first
time, has Sunday shows.
All of the Pawtucket theatres will run
Sunday shows.
3 Marion Davies Vehicles
for New M-G-M Season
There will be three starring vehicles
presenting Marion Davies during the next
season. They will be in addition to the
special feature, ' ' Show People, ' ' which
Metro-Goldwyn-Mayer has produced, with
William Haines acting opposite the com-
edienne. An announcement is expected
shortly regarding the star's first new ve-
hicle for the season, which will go into work
as soon as "Her Cardboard Lover" is fin-
ished by Director Robert Z. Leonard.
May 1 9 . 1928
1681
Competition Gives Exhibitors
"Break" on Talkie Devices
RCA and Western Electric Machines Standardized and Keen Fight
is Due in Sound Apparatus Leasing to Theatre Owners
THK lid is off tlic "talking movie"
phase of the motion picture indus-
try. There are some things about
it now that arc not a- deep secrets as they
were a week ago. There arc many points
that have passed the conjectural stage and
have become known facts.
The signing of Paramount, Metro-Gold-
wyn May<r and United Artists to contracts
with the \\ ..in Electric Company has
broughi a more or less general loosening up
of information both from the Western Elec-
tric Company and the Radio Corporation
of America, which concerns hold most of
the basic patent rights on the recording and
production of sound to be used in connec-
tion with the showing of motion pictures.
Keen Rivalry Indicated
It is onty necessary to talk to one of the
leading executives of one of these sound
recording and reproducing companies for a
few minutes to be convinced that the keen-
est rivalry exists between them, and thai
they will shortly be engaged in the keenest
competition in their efforts to install their
equipment in the motion picture houses of
the world.
One fortunate thing from the standpoint
(il all, and particularly the exhibitor, is that
the amplifying devices of either company
can be used without alteration or any addi-
tional equipment in the amplification of the
sound in the theatres.
That there will be great rivalry will he
disclosed when the terms are revealed under
which the devices are leased to theatres.
And, by the way all of these machines will
be leased and none sold to theatres. For
the most part the leases will be for a ten-
year period. It is said that one company
will make as a condition of the lease that
one-half of the payment for the full term
of the lease must he made when the lease
is signed, and the other half at the expira-
tion of the first year. Thus the theatre
owner will have to pay for a full ten-year
lease within a year. The other company, it
is said, will demand one-half of the pay-
ment of the full lease within the first year,
and the balance will be extended equally
over the balance of the full term of the
lease.
Discussing Photophone, which is the
recording device of the Radio Corporation
of America. Elmer K. Buchcr, vice presi
dent and general manager in charge of sales,
had considerable to say with regard to the
future. He also spoke at length with re-
gard to the entire "talking movie" situa-
tion. In part, Mr. Bucher said:
"No Discrimination'
"The exhibitor need not have the slight-
est fear, when he equips his theatre with
one of these devices of any company, that
By CHESTER J. SMITH
he will be discriminated against.
''If by any chance it should come t<> a
point whore discrimination is shown or
there is a variation of rental prices on pic-
tures made to exhibitors using one machine
and another company's product there will
be an upheaval in the motion picture indus-
try such as has never been heard before. I
am sure the exhibitor will be given every
protection, and that he will be fairly dealt
with.
"We have heard rumors that motion pic-
ture interests feared our intrusion into the
picture industry, but I can assure all of
them that we have nothing but a feeding of
the kindliest cooperation."
Asked why, if all machines were stand-
ardized and could run the same film with-
out different equipment, the companies con-
trolling the basic patents could not get to-
gether and put out but one machine, .Mr.
Bucher said :
"While the basic patents are controlled
by the companies, we have made great im-
provements on these patents, and we feel
that the R. C. A. has a considerably su-
perior machine as a .result. And at the
same time we are equipped to market it at
a considerably lower price and a price that
will be within the reach of the smallest
exhibitor. In another year or two, or not
far beyond that, every exhibitor with any
PA B AMOUNT, Metro-Goldwyn-Maycr
and the United Artists have closed
contracts with the Western Electric
Company through that company's subsidi-
ary, Electrical Research Products, wherebj
those companies are licensed to use Western
Electric 's recording and .reproduction de-
vices for talking motion pictures. The con-
tracts were concluded Tuesday of this week
and all three companies have agreed to use
the trade name, Movietone, by special ar-
rangement with and perniision of the Fox-
( 'asc ( 'orporat mm.
Universal is said to be negotiating a deal
with the same company, but has not yet de-
cided upon the recording device it will use. It
is known that Carl Laemmle and other execu-
tives of Universal were present at a hear-
ing of Photophone, controlled by the Radio
Corporation of America. The latter organi-
zation also declares that it is in negotiation
with other producing companies with which
it hopes to close contracts in the near
fut ure.
The signing of Universal with either the
Western Electric or the Radio Corporation
of America will pretty well tie up the lead-
ing producing companies. Eox, Warner
vision will see the necessity of installing
these machines. We expect to have not less
than 4,000 of them operating in theatres
within another year, and we see no reason
why we should not function independently
of any other company.
"We have been experimenting with sound
reproducing device's for the past several
years, and we feel that with Photophone
we have reached a greater stage of perfec-
tion than has any other device. Right now
we have .$.'5,000,000 tied up in production,
and we hope to have our first apparatus on
exhibition on Broadway in connection with
a big feature by July 1."
Because of the fear that the demand for
Photophone might exceed the production
facilities and to forestall any possible
hitches no contracts for machines have yet
been signed nor will there be until there is
a sufficient number available for delivery
to meet the early demands.
I 'rices Are Given
With regard to the cost of the Photo-
phone apparatus, Mr. Bucher said the price
would range from $4,000 up to $15,000. The
smallest price will be for school auditoriums
where it is only necessary to install a single
projector device.
(Continued on follozving page, third column)
Bros, and First National already arc tied
up with Electrical Research Products for
talking pictures — Warners with Vitaphone,
First National with Firnatone, which is
hooked up with the Victor Talking Machine
Company, and Fox with Movietone.
For the present, Photophone equipment
is not being supplied the theatres, nor has
any company been licensed to use its record-
ing or reproduction devices except F B O,
which the Radio Corporation of America
declares it has only purchased an interest
in, and that it has not bought F B O out-
right as has been rumored in the trade.
Vitaphone and Movietone apparatus has
been for some time and is now being in-
stalled in theatres throughout the country.
Photophone hojK's to have its apparatus on
exhibition on Broadway by the first of July,
and to have not less than 4,000 theatres
equipped within a year. This company now
claims to have $:i,000,000 tied up in equip-
ment production, and will be ready to
manufacture on a large scale in the near
future.
One fortunate thing from the standpoint
of the exhibitor is that the amplifying de-
(Continued on Following Page)
Paramount, M-G-M and U. A. Sign
With Western Electric
1682
Motion Picture News
Keen Rivalry in Talking Movie Field
Big Producers Sign
Contracts; P. F. L. to
Reopen L. I. Studio
(Continued from Preceding Page)
vices on the machines controlled by R. C. A.
and Western Electric Company will permit
the reproduction of sound on any of the
equipment, so that the exhibitor is assured
in signing contracts that the film product
he purchases will be as readily used in one
machine as the other.
With regard to the signing of Paramount,
Metro-Goldwyn-Mayer and United Artists,
and the general trend of the industry to-
ward the talking movie, J. E. Otterson,
President of Electrical Research Products,
subsidiary of Western Electric, issued the
following statement, in part:
Western Electric Statement
"The action taken by Paramount, Metro-
Goldwyn-Mayer, United Artists and the
other companies will be proof to the public
that talking motion pictures are here to
stay. Many months have been devoted by
these producers to studying the relative
merits of the different systems at their
disposal, and the fact that all of these out-
standing companies in the industry have
concluded that such pictures represent the
latest great development in the motion pic-
ture art, makes the possibilities for the
future of talking pictures practically un-
limited.
"Almost two years ago the Warner
Brothers pioneered in this field through a
license which they took from us and the
success of Vitaphone has been outstanding.
Subsequently, about a year ago, we licensed
the Fox-Case Company to use the system
developed in our laboratories, and out of
this association has come the Movietone
with its unqualified success.
"It is naturally very gratifying to us at
this time that all the other major producers
of pictures have recognized the new field
for the application of sound in pictures,
and have elected to use for their produc-
tions, after thorough and exhaustive re-
search, the methods and system developed
in the Bell Telephone Laboratories for the
Western Electric Company.
"Years of experiment lie back of these
talking pictures. They are, in the last
analysis, a by-product of the telephone, for
it was through the continuing study by the
Bell Laboratories experts of the ways in
which speech is produced that they were
ultimately developed. Successive steps in
this development were the perfection of the
public address system for amplifying and
distributing sound; the development of
electrical methods of recording sound on
phonograph records as now successfully em-
ployed by the Victor and Columbia Phono-
graph Companies; and the recording and
reproduction of sound in conjunction with
motion picture film, now in use for more
than a year in Movietone and Vitaphone
productions.
"It is my understanding that Paramount,
Metro-Goldwyn-Mayer and United Artists
have already begun the installation in their
studios of the necessary equipment for in-
troducing sound into their productions.
They have placed substantial orders both
for the studio equipment thus needed, and
for reproducing equipment in the theatres
owned or controlled by them. With the
seven leading producers thus committed to
the production of talking pictures, it is
obvious that the time is not far off when we
shall have well nigh universal application
of sound to pictures, and every first-class
theatre will be equipped to enable its audi-
ences to hear as well as to see screen pro-
ductions. In anticipation of this demand
for equipment the Western Electric Com-
pany's manufacturing facilities, already
large, are being still further increased."
It is understood that more than 300 thea-
tres are now equipped for the showing of
Vitaphone and Movietone, while orders for
300 additional theatres have recently been
placed, and call for installation within the
next three or four months. With the im-
petus which the signing of the new con-
tracts will bring, it is conservatively esti-
mated that at least 1,000 theatres will be
equipped by the end of 1928.
Schenck Issues Warning
In confirming the announcement that
Metro-Goldwyn-Mayer had signed contracts
with Western Electric for the use of the
Western Electric Sound Projector in the
production of talking pictures, Nicholas M.
Schenck, president of the film company,
urged caution by all producers against the
indiscriminate introductions of sound in
pictures.
"It is the belief of Metro-Goldwyn-May-
er that the importance of sound in pictures
is too great to permit of any indiscriminate
use which may hamper its ultimate full ex-
pression. The application of sound pictures
will unquestionably in its final development
help to make the motion picture more than
ever the greatest single entertainment force
in the world, and it is with this conviction
that we have availed ourselves of the West-
ern Electric Sound Projector which we
consider the best development of this tech-
nique. But it will not be the policy of
Metro-Goldwyn-Mayer to rush into print
with anticipated elaborate plans for talking
pictures. Rather it will be our policy to
proceed so that each of our films employing
the use of sound may do so with the most
intelligent and sympathetic application.
"We have already undertaken the in-
stallation of the necessary equipment at our
studios in Culver City, California, and with-
in a short time we will announce to the
public further details of the initial Metro-
Goldwyn-Mayer pictures adapted to
sound. ' '
Paramount Studio Reopens
The signing of the contract between
Electrical Research Products, Inc., and
Paramount-Famous Players-Lasky Corpora-
tion, whereby Paramount is licensed to use
the AVestern Electric Projector System, has
caused Paramount to re-open its Long
. Island studio where the talking pictures
will be produced.
Discussing Paramount 's entry into the
talking picture field, Adolph Zukor, Presi-
dent, says :
' ' For the past two years we have been
investigating the performance of every de-
vice for the reproduction of talking pic-
tures. After intensive study of every re-
production machine, we have decided that
the Sound Projector System of the Western
Electric Company is the best.
"Another factor considered in this deci-
sion is the ability of the Western Electric
Company to produce in quantity, for it was
realized that there would be an immediate
call for a great quantity of these sound
projectors from Publix Theatres, which
oAvns, controls or directs the activities of a
great number of theatres throughout this
country and abroad."
Talkie Competition Gives
Exhibitors "Break"
(Continued from Preceding Page)
Machines devised for houses of 1,000 ca-
pacity will cost betAveen $6,500 and $7,000.
Equipment for a 2,000-seat house will re-
quire an expenditure of $9,000, while the
big palaces that need the most elaborate
machine will be compelled to expend prob-
ably $15,000.
For the present Photophone will depend
upon F B O for its production but there
seems every assurance on the part of R C A
officials that additional companies will be
franchised in the near future. At any rate,
any company can produce with Photophone
accompaniment on a royalty arrangement
for each subject produced.
Photophone Film "Heara"*
It was the good fortune of the writer to
sit in the other day at a private hearing of
a Photophone film with which there was no
picture accompaniment. It is my humble
opinion that the sound recording of this de-
vice is nearer perfection than any I have
heard. It was an orchestral record in which
every instrument could be clearly defined
and the tone of each was just about perfec-
tion. One could close the eyes and feel
satisfied that he was actually listening to
a Broadway orchestra. I heard no speech
in connection with the record, but was as-
sured that speech was just as clearly repro-
duced as music. If such is the case, Broad-
way is going to be astounded by this newest
and as yet unrevealed sound reproduction
machine.
Not only is Photophone going to give its
attention to the leasing of machines to thea-
tres and to the licensing of producing com-
panies for the synchronization of sound, but
Mr. Bucher declares that within a year
feature pictures will be revealed within the
homes, but with an entirely different techni-
que than the features shown in the theatre.
Photophone declares it will manufacture
a home machine that will probably sell for
about $300 and that before many years they
will be almost as generally in use as the
radio is today. This, according to Mr.
Bucher, will develop an entirely new class
of writers, an entirely new technique in di-
rection, and a brand new aggregation of
stars and players, people whose voices will
register as well as they will register on the
screen.
May 19, 1928
1683
Kennedy Joins K-A-O Interests
Buys Into Vaudeville Circuit in Association with Banker Group;
Rumored Retirement of Albee Is Denied
EF. ALBKF announced May lti that
Joseph P. Kennedy, president of
• F B 0 Pictures Corporation, has
become associated with him in the conducl
of the Keith-Albee-Orpheum Circuit of
theatres. This was brought about through
the acquiring of an importani interest in
the K-A-O by .Mr. Kennedy in association
with a group of bankers, including Elisha
Walker, president of Blair & Company;
the Lehman Brothers, and Jeremiah Mil-
bank, the latter being a well known fi-
nancier identified with the Chase National
Bank group.
These interests, including Mr. Kennedy,
have purchased sufficient holdings in the
Keit h-Albee-Orpheuin common stock to in-
terest themselves personally in the future
of this circuit.
This announcement fulfills the promise
made by E. F. Albee at the time of the far-
reaching merger of the Keith-Albee and
Orpheum Circuits of theatres that new and
young blood would be injected into the di-
rectorate of the Keith-Albee-Orpheum Cor-
poration.
At a meeting May 15 the board of di-
rectors of the Keith-Albee-Orpheum Cor-
poration elected E. F. Albee president,
Marcus Beiman, executive vice-president,
and Joseph P. Kennedy, chairman of the
iard. Elisha Walker, president of Blair
& Co., Richard ('. Hunt, representing Jere-
miah Milbank, and the Lehman Brothers
were added to the board of directors.
The Keith people and their associates
retain the control of the company, says the
announcement, which continues:
"There is no truth in any rumor abroad
that Mr. Albee, the president of the Keith-
Albee-Orpheum Circuit, is to retire or be
less active in the affairs of the Keith-Albee-
Orpheum Circuit than he has been for the
past forty years.
"It was be, with Mr. Keith, who built
this circuit, who labored early and late and
injected principles into the vaudeville busi
ness which has made it respected through-
out the world.
Mr. Kennedy and Mr. Albee will now
work out together, with the co-operation of
these financial groups mentioned above, the
new program which has been laid out for
the expansion of the Keith-Albee-Orpheum
Circuit.
"The motion picture has become such an
important factor in the K-A-O theatres in
the last few years that it is only natural,"
said Mr. Albee in his announcement, "thai
I should look to the picture industry for a
new associate. Mr. Kennedy has shown,
in a brief but colorful career in the pic-
ture business, such constructive and or-
ganization genius that we consider him a
tremendous asset to our business. He is
energetic, dynamic and a straight shooter."
Joseph P. Kennedy entered the motion
picture business activity two years ago
when he bought F. B. 0. Pictures Corpora-
tion from the British banker owners. He
has just recently effected an affiliation be-
tween his F. B. 0. Company with Radio
Corporation of America, General Electric
and Westinghouse under which these in-
terests are his partners in F.B.O.
With Mr. Kennedy's election as chairman
of the board of K-A-O, a closer association
is established between the two companies,
K-A-O recently having acquired an inter-
est in F.B.O. Pictures, and Mr. Kennedy
recently having become unofficial business
advisor of the Pathe Company, in which
K-A-O is heavily interested.
Safeguarding U. S. Films Abroad
Hays Statement Declares American Interests Are Amply Pro-
tected; Results of Trip Analyzed
WILL II. BAYS, head of the Motion
Picture Producers and Distribu-
tors of America, returned from
France last week after a successful mission
in having the original stringent quota laws
considerably modified by the French Cinema
Control Commission. Mr. Hays, on his ar-
rival, issued a very brief statement in which
he said the French negotiations were most
amicable and the conclusion reasonably
satisfactory to all.
The Hays statement, in full, follows:
"The government of nearly every country
in Europe has taken some kind of legal
steps to help the nation's motion picture
business. This grows out of their realiza-
tion of the value of the motion picture as a
national asset, and expresses their deter-
mination to foster and protect it. In some
countries it amounts to a subsidy. All this
is a perfectly proper purpose and we take
no except ion to it .
"The motion picture has, indeed, become
an important factor for any country, and any
government does well sympathetically to
encourage it. This fact is thoroughly appre-
ciated abroad. Our concern has been that
this protection does not develop in such a
way as actually to prohibit American pic-
tures from competing at all. The American
motion picture has attained a commanding
position in the world on its merit, and we
only want that place in the world's com-
merce which the quality of our product
warrants.
"The negotiations in France were most
amicable in nature and the conclusion rea-
sonably satisfactory to all."
By L. C. Moen
Paris Correspondent, Motion Picture News
By the time this appears in print, the
French expedition of Will H. Hays will
have b"gr:i to be history, and this appears
to be an opportune time to analyze impar-
tially the results of the offensive, which
might be characterized as a qualified victory
for both sides — America has submitted to
a French contingent law, and France has
relinquished the principle of enforced reci-
procity.
Here are the exact changes, as given to
us by Mr. Hays aboard the " Berengaria, "
a few minutes before sailing from Cher-
bourg, and which may therefore be regarded
as official and final :
Article VII, and its amendments, which
provided that for every French picture pur-
chased and distributed in America an Ameri-
can company could import four of its own
pictures into France, has been repealed.
In its place, the Cinema Control Commission
passed resolutions providing that seven per-
mits to import foreign pictures (no country
specified) shall be granted with every
French picture producer; that such seven
permits can all go to one country; and that
there are no requirements a.s to any dis-
tribution of such French films anywhere.
Thus an American company can obtain
permits to import its films in three ways:
By producing French films; by buying
French films with their permits included;
by buying permits only from French pro-
ducers.
At a later meeting, the Commision elimi-
nated the retroactive features of Section X,
which provides for the refusal of permits to
companies showing films harmful to the
good name of France. As the section stood,
the Commission could revoke all past per-
mits to such a company; now it can merely
refuse to issue further permits. #
In addition, a company distributing a
French film in any foreign country, which is
in itself an important producing country
(United States, Germany, England, Italy,
for example), shall receive two additional
permits. This is the only trace remaining
of the effort to bring about reciprocity and
enforced exports.
Also, the Commission increased the per-
centage of last year's number of releases
which each company can bring in without
purchasing any French films or permits
whatever, from 40 per cent to 60 per cent.
All films of more than 1,300 meters are to
{Continued on page 1684)
1684
Motion Picture News
U. A. Holds
Joseph M. Schenck and Al
Heads on Product fo
Conventions
Lichtman Address Sales
Coming Season
THE first sales convention of United
Artists west coast managers was
opened last Monday by Al Lichtman,
with Joseph M. Schenck addressing the
session at the Roosevelt Hotel in Los An-
geles. Mr. Schenck presented an outline of
the 1928-29 line-up of United Artists pic-
tures, and the convention proceeded to dis-
cuss special sales and exploitation cam-
paigns.
Those in attendance, aside from Mr.
Schenck and Mr. Lichtman, were: David
Bershon, western division sales manager;
Kenneth Hodkinson, San Francisco; D. J.
McXerney, Seattle; H. Bradley Fish, Den-
ver; Guy S. Gunderson, Los Angeles; Fred-
eric Gage, Salt Lake City; F. E. Benson
and Harry Stern, special representatives;
and Victor M. Shapiro, advertising and
publicity director of United Artists.
Next Sunday, May 20th, a middle-west-
ern, southern and eastern convention will
be held at the Drake Hotel, Chicago. Mr.
Lichtman and Mr. Shapiro heading east
from Los Angeles on Thursday to attend.
The Chicago convention will be attended by
a large delegation from New York and other
eastern centers.
According to Cresson E. Smith, assistant
general sales manager of United Artists, the
be counted in calculating this (more than
5,000 feet, approximately).
To illustrate how this will work out, let
us take, for example, Paramount, which
distributed last year in France 60 pictures.
First, Paramount will immediately re-
ceive free from the Commission 36 permits
(60 per cent of last year's number). To
bring in the remaining 24 pictures, Para-
mount can either produce four French pic-
tures (which it has already been doing
annually), buy four French pictures, or buy
24 permits from French producers. Or it
can produce or buy three French pictures
and distribute them in America.
So there is no reason to expect that the
law, in its present emasculated form, will
work any great improvement in French pro-
duction. It means, in effect, that American
producers will "kick in" a certain amount
of subsidy to a few French producers. The
probability is that a French producer will
be able to get two or two and a half million
francs for his seven permits with a film
(eighty or one hundred thousands dollars),
but that is merely a guess, and may be far
wide of the mark. It will depend entirely
upon how spirited is the bidding between
various American companies ; between
American and German, etc.
The greatest psychological stimulus to the
making of better pictures, the prospect of
having films shown in America, at least to
exhibitors and critics, has been removed.
So the probabilities are that next year
will find French production just about
where it is today.
What the law has accomplished for
following people will attend the Chicago
convention Sunday:
Al Lichtman; Cresson E. Smith; Victor
M. Shapiro; Paul X. Lazarus, sales promo-
tion manager; L. J. Schlaifer, district man-
ager of district No. 1; William Rosenthal,
district manager district No. 2; Harry L.
Gold, district manager of district No. 3;
O. C. Wallace, district manager of district
No. 4; Haskell Masters, district manager
• from Canada; Joseph Luckett, special rep-
resentative; Emil Jensen, representative of
Joseph M. Schenck Productions and In-
spiration Pictures; Carroll Trowbridge, rep-
presentative of Douglas Fairbanks Produc-
tions ; Guy Morgan, Samuel Goldwyn 's rep-
resentative; Edward Lindeman, D. W. Grif-
fith's representative; and the following
branch manager: Saul Resnick, Cleveland;
Arthur M. Wineberger, Washinton; Charles
Stern, New Haven; H. E. Lotz, Boston;
Michael J. Garritty, Portland; George
Moeser, Buffalo ; Jack Von Tilzer, Phila-
delphia; B. M. Stearn, Pittsburgh; C. E.
Peppiatt, Charlotte; W. G. Carmichael, At-
lanta; Jose Levy, Cincinnati; Phil Dunas,
Indianapolis; D. V. McLucas, Omaha; Guy
F. Navarre, Kansas City; Mannie Gottlieb,
St. Louis ; Ralph A. Morrow, Dallas ; Moe
Streimer, New York; and H. G. Morrow,
New Orleans.
France is to give a small financial aid to a
few producers, and to give the Commission
strong means of dealing with companies
which picture France unfavorably on the
screen.
What it means for America is a cross
between a contingent and a censorship. If
all American companies actually lose money
operating in France, as they claim, it will
further increase those losses — unless it leads
them to curtail the number of pictures re-
leased in France, which we still contend
would work more constructive benefit to
both French and American companies than
any legislative measure.
Mr. Hays' final statement was:
"To these modifications the organized
American industry has given its assent. We
are assured that the Commission will pro-
ceed in a liberal spirit in its application of
the provisions of the regulations to the end
that the closest sympathy and a continuous
harmony of action may be advanced and
maintained between the French and the
American industries. In this effort the
American industry will most earnestly co-
operate.
' " The negotiations, leading up to the con-
clusion reached today, have been conducted
in a most friendly and amicable spirit."
Cohen Brothers Add to
Detroit Holdings
The seventh theatre in the Detroit picture
house circuit, owned by Ben and Lou Cohen,
has just been acquired. Negotiations were
completed with Kunsky Theatres last week
whereby the Lincoln Square, a west-side
house, will became an important * link of
their enterprises. The purchase price has
not been revealed. No change of policy will
he made for the time being.
Until recently, the Lincoln Square was
one of the largest and foremost picture
houses here. When the Cohen brothers
opened the new Hollywood, however, it be-
came a source of direct competition. Fol-
lowing is a list of the Cohen theatres in
order of importance: Hollywood, Colonial,
Lincoln Square, Rex, Globe, Coliseum and
Grand Victory. All are situated on the
west side of the city.
New Little Theatre for
New York City
Property at 151-153 East 50th Street in
New York City will be the site of a new
little theatre which, it is said, will seat 300
and will be built by Little Picture House
Inc., in conjunction with the Film Bureau.
On May 9, Little Picture House, Inc., repre-
sented by Taylor, Blanc, Capron and Marsh,
as counsel, executed contract for the pur-
chase of the property. The seller was Er-
nest J. Wile, who was represented by Ed-
win S. Kessler, as counsel. Derecktor and
Company, Inc., were the brokers of the
transaction.
The officers of Little Picture House, Inc.,
are : Elizabeth Perkins, president ; Mrs.
Harris Childs, Miriam Blagden, Mrs. Robert
Weeks Kelley, and Mrs. Arthur Lewis, vice-
president; Mrs. Howard Greenly, treasurer.
Paramount Declares Its
Quarterly Dividend
At a meeting held this week the board of
directors of Paramount Famous Lasky
Corporation declared the regular quarterly
dividend of $2.00 per share on the common
stock, payable July 2, 1928, to stockholders
of record at the close of business on June 8,
1928. The books will not close.
Charninsky, Showman,
Dies Suddenly
A SUDDEN death overtook Simon
Charninskv, managing director
of the Capitol Theatre at Dallas,
on the afternoon of Tuesday, May 8,
when he was stricken with a heart at-
tack in his office in the Capitol. At
once removed to St. Paul's Sanitarium,
he passed away at 2:45 that afternoon.
He was 46 years old.
Mr. Charninsky and his business
partner and associate, R. J. Stinnett
from Pantages Theatre nearby, were
recently successful in obtaining a ver-
dict of $237,500 damages in the Dallas
District Court against Paramount and
others on anti-trust charges. In asso-
ciation with John T. Jones he entered
the show business, the two running
the Melba Theatre in Dallas. Later he
and Mr. Stinnett became joint opera-
tors of the Old Garden, now the Pan-
tages. In 1923 the two partners ac-
quired the Capitol.
Surviving are his mother, three sis-
ters and five brothers, three of whom
are musical leaders in various thea-
tres. Funeral services were held Fri-
day afternoon at 2 o'clock at the resi-
dence of the deceased with Dr. David
Lefkowitz, rabbi of Temple Emanu-El,
officiating. Interment was made at
White Rock Cemetery.
Safeguarding U. S. Films Abroad
{Continued from page 1683)
May 19, 19 2 8
1685
FBO Will Produce 60 Features
Six Specials and Six Super-Westerns Starring Tom Mix Top
Schedule for 1928-29
JOSEPH P. KENNEDY, president of
FBO Pictures Corporation announces
that the production program of the
company for the 192S-2!) season will be
made up of sixty feature pictures and five
series of short subjects. Included in these
will be six specials, six super- westerns star-
ring Tom Mix, twenty-four Gold Bond pro-
ductions, seven westerns starring Tom Tyler,
seven westerns starring Buzz Barton, six
with Hoi) Steele and four starring Ranger,
the dog.
The six specials on the program include
"The Perfect Crime," "Taxi 13," "The
Hit of the Show," "Gang War," "Block-
ade" and "The Circus Kid."
"The Perfect Crime," is a mystery melo-
drama by William Le Baron, based on
Israel Zangwill's novel, "The Big Bow
Mystery" directed by Bert Glennon. Clive
Brook and Irene Rich are co-starred, with
Tully Marshall, Gladys McConnell, Carroll
Nye, Edmund Breese, Ethel Wales, Dick
Bellfield, Phil Gastrock and James Farley
in prominent parts. "The Perfect Crime"
is already finished.
Marshal] Neilan's firsl directorial effort
for FB 0 is "Taxi 13" with Chester Conk-
lin in the leading role, now in course of
production at the studio. Martha Sleeper
plavs the feminine lead.
"The Hit of the Show," is a Ralph Ince
production, based on the story by Viola
Brothers Shore. This picture is also fin-
ished. Joe E. Brown, well known vaude-
villian, portrays the role of "Twisty" a
hoofer in a Broadway show, who sacrifices
his life for the girl he loves. The balance
of the cast include Gertrude Olmstead, Wil-
New
Authors of
Los Angeles, May 12.
THERE seems to be a host of writers
in Hollywood. Many of them are
new ones. At Metro-Goldwyn-Mayer
and Fox the number has increased amaz-
ingly, and Paramount has added to its staff.
Companies, I hear, are bent on signing up
writers of "flash hits." When a playwright
writes a play that scores on Broadway, or
an author registers a success with a book,
his talents are likely soon to be tested for
the films. Perhaps a number of these writ-
ers are "one idea" men, but it is figured
that some of them may click at least once
at the studio, and also that they may prove
more amenable to the different environ-
ment than did most of the novelists and
dr aiKatists in the past, who had larger pre-
judices to overcome because of repeated
successes in their own special medium.
Outside of these additions to the scenario
staff, the personnel of the various compan-
ies remains unchanged. There is very little
liam Norton Bailey, Gertrude Astor, Ole
M. Ness, Lee Shumway, William Francis
Dugan, lone Holmes, Leroy Mason, Erank
.Mills, Daphne Pollard and Cosmo Kyrle
Bel lew.
"Gang War" is a story of the under-
world in San Francisco's Chinatown, and
is now in course of production. The story
comes from the pen of James Ashmore
Creelman, and is being directed by Beit
( l Lennon.
" Blockade" with Anna Q. Nilsson in the
leading feminine role, is a melodrama of
the conquest of the rum-runners of the At-
lantic, while "The Circus Kid" is a story
of the big tops, with Frankie Darro in the
leading role. "Poodles" Hannaford and his
troupe of circus performers have been per-
suaded to take part in this production.
Ralph Ince will direct "The Circus Kid."
Among the twenty-four Gold Bonds are
two prize-winning stories from True Story
Magazine, the first of which is "Sinners in
Love." The second is to be selected later.
"Sinners in Love" will be directed by
Ralph Ince. "Stolen Love," from the novel
by Hazel Livingston is another of the Gold
Bonds. Others of this series will include;
"Sally's Shoulders," by Beatrice Burton;
"Stocks and Blondes," with Gertrude
Astor, Jacqueline Logan, Richard "Skeets"
Gallagher and Albert Conti in the leading
roles; "The Singapore Mutiny," a Ralph
Ince production in which Ince will also
enact the leading male role.
"Danger Street" of the Gold Bond series
is already completed. It is a Red Book
Magazine story by Harold MacGrath, in
which Martha Sleeper and Warner Baxter
inclination to add to the permanent stock
players at present.
While the rage for newcomers is some-
what abated, talents of many will continue
to be tried out, if only for a very short
period. Some studios have added to their
list of directors.
One notes additions to the list of free-
lance players. Beatrice Joy, having left De
Mille, is now playing the featured lead in
"The Bellamy Trial," one of the more
important M-C-M productions, which
Monta Bell is directing. In this same pic-
ture appears Betty Bronson, who is under
contract for two starring films at Warner
Brothers to follow this.
United Artists, which has been very quiet,
is looking up. Norma Talmadge's "A
Woman Disputed" is well along toward
completion, and with Henry King directing,
gives indications of being an excellent pic-
ture. Griffith is getting under wav with
' ' The Battle of the Sexes. ' ' Charles Chap-
have the leads. Others in the cast are Duke
Martin, Frank Mills, Bob Perry, Harry
Allen Grand and Ole M. Ness. Ralph Ince
directed.
"The Air Legion" is by James Ashmore
Creelman, and "The R^d Sword" is a Rus-
sian tale. Anna Q. Nilsson will play the
feminine lead in "Tropic Madness." "The
Convict's Son" is another of the Ralph
Ince productions in which Ince will play
the leading role. Ince will also have the
leading role and direct "The Record Bun,"
by James Ashmore Creelman. "Lest We
Forget" is another Creelman story of a
hero of Flanders Field.
The James Oliver Curwood story, "The
Yellow Back," will be among the Gold
Bonds, as will "The Jazz Age" and "King
of the Klondike," an Alaska adventure
tale.
Still others of the Gold Bonds will be:
"Skinner Steps Out,' by Henry Irving
Dodge; "Double Crossed," by H. C. Wit-
wer; "Hardboiled," by Arthur Somers
Roche; "The Last Haul," by Louis
Sarecky; "Voice of the Storm," "Hey,
Rube" "The Charge of the Gauchos," in
which Francis X. Bushman and Jacqueline
Logan play the leads, and "Love in the
Desert."
There will be seven western pictures star-
ring Tom Tyler. These are "Terror Moun-
tain," "The Avenging Rider," "Trvant
of Red Gulch," "Trail of the Horse
Thieves," "Gun Law," "Idaho Red" and
"The Pride of Pawnee." Six of these pic-
tures have already been completed.
Buzz Barton, FBO's hard-riding,
{Continued on page 1686)
lin talks of doing another picture very soon.
Douglas Fairbanks and Mary Pickford, of
course, have gone to Europe, and will not
return until late summer. Had it not been
for the death of Miss Pickford 's mother,
they would have started new productions
this spring. Doug was practically set for his
next pict ure. He has an exceptional idea
for the sequel to "The Three Musketeers,"
and on his return will probably decide to
produce this.
Samuel Goldwyn is all but ready to begin
his first Vilma Banky starring picture. One
hears many glowing reports of his two new
European discoveries. Miss Banky 's lead-
ing man, Walter Byron, is already here, and
may be said to resemble Ronald Column
slightly. An English actor, he has been on
the stage since he was six years old, and has
also played in pictures abroad.
Miss Banky 's first story will have an
Alsation locale. She will be cast as a peas-
(Continutd on page 1686)
Writers Stir Hollywood
"Flash Hits" Are Signed by Studios in Hope of
Securing New Talent
By EDWIN SCHALLERT
Editor of The Los Angeles Times Preview and Special Correspondent of Motion Picture News
1686
Motion Picture News
New Theatre Circuit After Houses
in Virginia and Carolinas
THE Mark Gates Theatre Corporation, according to advices from
Washington, D. C, is busy with a project to develop a chain of one
hundred theatres in Virginia and the Carolinas. Gates for eleven
years was with the Loew organization and in recent years was manager
of Loew's Columbia in Washington. Because of this connection it has been
rumored that the new chain would be a Loew project, but this has been
emphatically denied.
The new company has declared itself as being in the field for thea-
tres and is ready to enter the following Virginia towns: Staunton, Coving-
ton, Bristol, Portsmouth, Boanoke, Fredericksburg and Winchester. They
are also looking for houses in North and South Carolina.
Texas Exhibitors Meet
Semi-Annual Convention Elects Officers and Discusses
Conditions in Territory
THE Motion Picture Theatre Owners
of Texas held their semi-annual con-
vention at the Baker Hotel, May 8th
and 9th, and attendance was all that could
be expected. On the opening day a special
screening of "Mother Machree" was given
the conventioneers at the Majestic Theatre,
and in the afternoon a revision and dis-
cussion of the constitution and by-laws of
the organization were the topics of interest.
H. A. Cole, president, was called from the
assembly room and returned a few moments
later to announce that Simon Charninsky,
managing director of the Capitol Theatre
of Dallas and a long and active member of
M. P. T. T. 0. and a former director of this
organization, - had suddenly passed away.
The entire assembly stood in silence for a
moment in respect to his memory.
The Wednesday session was devoted to
the election of officers and directors and
problems of business. H. A. Cole was re-
elected president, and other officers elected
were: Burt King, of Stamford, first vice-
president; E. J. Callahan, Crockett; A. V.
Wade, Gainesville, H. T. Hodge and Henry
Sparks, Cooper, second vice-presidents.
Jack Lilly was re-elected Secretary-treasur-
er. Sixteen directors were elected to replace
the usual eight; the newly elected directors
being: M. R. Flannagan, Longview; Ross
Dorbandt, Jacksonville; John Lilly, Sul-
phur Springs; E. J. Callahan, Crockett; J.
L. Santos, Wharton; A. V. Wade, Gaines-
ville; John Stewart, Kaufman; Thomas
Donnelle, Stephenville; Sam Heffley, Cam-
eron; H. G. Stein, Luling; Ruben Prels,
Victoria; H. H. Starcke, Seguin; Lee Walk-
freckled faced, fourteen year old western
ace, will make seven for the 1928-29 pro-
gram. These include "The Young Whirl-
wind," "Rough Ridin' Red," "Orphan of
the Sage," "The Vagabond Cub," "The
Freckled Rascal," "The Little Savage"
and "Pals of the Prairie." Four Buzz
Barton pictures have already been com-
pleted.
Bob Steele will make a series of six
youth and adventure pictures. These in-
clude "Heading for Danger," "Lightning
er, Lampasas; Burt King, Stamford; Homer
Mulkey, Clarendon; and E. H. Mosely, Al-
pine.
The number of directors was increased in
order to give greater representation
throughout the state. The Brookhart bill
was indorsed by the exhibitors and a com-
mittee was appointed to ascertain by what
means a uniform electrical rate might be
obtained for exhibitors throughout the
state, as it was pointed out that theatres in
different towns were paying almost double
charges of other exhibitors. Mr. Cole, the
president, stated that although he was not
satisfied with several clauses in the new con-
tract it was better than the old contract,
but should still be improved.
Frank J. Rebusch, of Indiana, stated that
the exhibitors ' difficulties are many, as busi-
ness is dominated by producers, and that
it is necessary for exhibitors to maintain
a strong organization in order to combat
them and secure the rights deserved.
A tribute was paid to the Alexander Film
Co., and E. S. Hunt, the district manager,
for the valuable cooperation given in the
past, and the statement was made that this
film company has done much toward enrich-
ing the coffers of the M. P. T. T. 0. Other
discussions included Blue Ribbon pictures,
constitutional amendments and district
meetings. The members attended a special
screening of "Tenderloin" at the Old Mill
Theatre Tuesday night, and the closing fea-
ture of the convention was a cabaret dinner
dance on Wednesday night at the Baker
Hotel.
Speed," "Captain Careless," "Come and
Get It," "The Amazing Vagabond" and
"Laughing at Death."
Ranger, the dog, will make a series of
four outdoor pictures. These include "Dog
Law," "Fury of the Wild," "Tracked"
and "The One Man Dog."
Five series of short subjects are sched-
uled. Four of the series will be made by
Larry Darmour for Standard Cinema Cor-
poration. These include:
"Racing Blood," a series of twelve two
reel jockey stories, from the pen of H. C.
Witwer, now running serially in Cosmopol-
itan Magazine. Alberta Vaughn, Eleanor
Flynn and Al Cooke have been slated for
leading roles.
A series of "Barney Google" twelve two
reel subjects, based on Billy De Beck's car-
toon strip of Barney and his pal Spark
Plug.
"Toots and Casper" another cartoon
strip, is a series of twelve two reelers
which will form part of the new season's
short subject offerings.
The success of the Mickey McGuire sub-
jects during 1927-28 prompted FBO to
arrange for the distribution of another
series featuring Mickey and his gang.
Twelve two reelers are now in course of
production, with Mickey Yule in the lead-
ing role. The series are based on the car-
toons by Fontaine Fox.
The short subject program will be
rounded out with 26 one reel Curiosities,
known as the Movie Sideshow. These
"Curiosities" are made by Walter Futter,
and will be presented by Amedee J. Van
Beuren. The Curiosities are not cartoons,
but are mlotion pictures based on unusual
bits of life, photographed and dramatized
by an observing camera.
New Writers on Increase
in Hollywood
(Continued from page 1685)
ant girl. The production is to feature na-
tive costumes of the country, and the pic-
turesque customs. For that reason it gives
every indication of being pictorially allur-
ing, as are the majority of Goldwyn pro-
ductions. Both Miss Banky and Colman
will appear in modern subjects, the first
Colman picture probably being one with a
theme of regeneration laid in a foreign
setting. '
On his return from Europe Goldwyn ex-
pressed his reasons for choosing foreign
players. He declared that an English actor
of the type of Byron not only has the asset
of experience, but that he has strongly-
marked Anglo-Saxon virility. "It is qual-
ity that one can discover as a rule only in
British and American players," said Gold-
wyn.
"On the other hand I prefer Continental
women to any others because of their de-
cided femininity," he continued. "Their
whole training in Europe is to please,
whereas in America the tendency is for
women to dominate. This is brought about
by their condition of independence, which
has in many cases been thrust upon them
much against their will. I believe that there
are very feminine types to be found in
America, but they are not as readily dis-
covered here as on the European conti-
nent." The popularity of Vilma Banky
would bear out Mr. Goldwyn 's theory.
Goldwyn mentioned also that there are
many other excellent actors to be brought
from Europe. ' ' Talent is still plentiful
there, and unquestionably the future will
see many more players forwarded from
abroad," he indicated.
Monty Banks and Unit
Film Exteriors in Paris
Monty Banks, American screen comedian,
is in Paris with a company shooting ex-
teriors for a feature comedy for British
International Films.
FBO to Produce 60 Features
(Continued from page 1685)
Film Board Secretaries
to Discuss Ethics
Los Angeles Meeting Will Hear Contents of Code Drawn
at Trade Practice Conference
Ten Cooney Chicago Theatres Are
Due to Change Hands
THE ten Cooney Brothers theatres in Chicago arc about to be t . i k « n
over by James Costen. who headed a booking eireuit in Chicago,
according to report. This will put to an end some spirited bidding
lor the houses that has been going on for several weeks past. It is said
houses will be taken over next week under an arrangement between the
Cooneys, their bankers and Costen.
It was declared recently, when it became known that several inten -i-
were involved in the bidding for the theatres, that the Gregory Bernas k
circuit had closed for the chain, which includes the Avalon and Capitol,
de luxe houses, and the Chatham, Cosmo, Jeffrey, Grove, Stratford, Went
Englewood, Highland and Colony.
May 19, 19 28
Merger Pictures Completes
Financial Contract
Merger Pictures, Inc., capitalized at $5,-
000,000, has completed its financial struc-
ture with the signing of a contract with
Duhan and Co., Wall Strict investment
hankers, which has underwritten a stuck
issue. H. E. McGoldrick, of Seattle, finan-
cial representative of Merger Pictures, ar-
ranged the deal. The company, headed by
Richard Thomas, will produce one road-
show a year, it is said, and will also market
a new color process. A new laboratory is
also planned. The first picture will be
"The Woman Who Was Forgotten," which
will be distributed by States Cinema, the
head of which is Charles S. Goetz, who is
also general manager of Merger Pictures.
In a few days Thomas plans to leave for
the coast to start production on the picture,
which is tied up with the National Educa-
tional Association.
M-G-M Foreign Managers
Arrive in New York
Arriving in New York last week were
Ludwig Lawrence, who was formerly Metro-
Goldwyn-Mayer manager for Western con-
tinental Europe; J. J. Letsch, who was
formerly stationed in Belgium, and Allen
Byre, head of the M-G-M distributing staff
in France.
Mr. Lawrence will set up residence in
New York and will serve as special rep-
resentative of the M-G-M international de-
partment, which is being expanded follow-
ing plans laid out at the recent foreign
sales convention. Mr. Letsch will assume
new duties as managing director for M-G-M
in Spain and Portugal. Mr. Byre will act
as managing director for his company in
Belgium and Switzerland, as well as in
France.
Gilbert W. Kahn Elected
to Paramount Board
Gilbert W. Kahn, son of Otto H. Kahn,
of Kuhn, Loeb and Company, was elected
a member of the board of directors of Par-
amount Famous Lasky Corporation at the
regular monthly meeting held on May 14.
Mr. Kahn is one of the younger members
of the banking firm of Kuhn, Loeb and
Company. After attending Princeton, he
spent several years studying business con-
ditions and banking in England, France
and other foreign countries. Since his re-
turn to America he has been associated
with his father at Kuhn, Loeb and Com-
pany.
Lila Lee Signed for "Just
Married" Portrayal
Lila Lee has been signed by Paramount
for a featured part in "Just Married," in
which the new team of Ruth Taylor and
James Hall are making their first appear-
ance. She will play a French girl.
Tiffany-Stahl Opens Paris
Branch Office
Tiffany-Stahl has opened a branch office
at 26, Avenue dc Tokio, Paris, from which
to handle its European sales. La Societe
Anonyme Francaise Tiffany is being formed.
SECRETARIES of the Film Boards of
Trade from all parts of the United
States will convene in Los Angeles
the week of May 21 to discuss problems of
interest to the motion picture industry.
Chief among the topics to be discussed will
be the neAV code of ethics as drafted at the
Trade Practice Conference in New York
last October, and ratified by the Federal
Trade Commission; the new uniform con-
tract and the various questions involved in
arbitration.
C. C. Pettijohn, general counsel of the
Film Boards of Trade, Gabriel L. Hess, and
Mrs. Mabel Parkbouse left New York dur-
ing the week in company with secret aric-
of eastern boards to attend the sessions.
Representatives from various boards will
join the train at Chicago, Omaha and Salt
Lake City. A dinner will be tended the
secretaries by the Motion Picture Producers
Association in Los Angeles the night of
May 25.
The announcement of the code of ethic-
as drafted by the conference in New York
last October and approved by the Trade
Commission is being waited with no little
interest by all branches of the industry.
All phases of the code will be discussed at
Daylight Saving Defeat
in Indianapolis
THEATRE owners won their fight
against daylight saving time
passed by city council last Mon-
day night. Mayor L. Ert Slack ve-
toed the measure in response to the
storm of protest from Associated The-
atre Owners of Indiana, Inc., led by
Charles Metzger, president, Miss
Helen Brown secretary, and Ace
Berry of the Skouras-l'uhlix interests.
Councilman Herman P. Lieber, for-
merly of the Circle Theatre Company,
led the opposition in council.
Fort Wayne adopted daylight saving
time effective from May 2(5 to Sept. 29
by a vote of 11,607 to 9.716. The fast
time program also was adopted at
Valparaiso, Ind.. by vote of 1,980 to
1638.
1687
the Los Angeles sessions and definite in-
structions will be given the secretaries as
to how they are to proceed in the future.
These preparations for the code of ethics
have already been concluded, it is said, and
announcement of them will be forthcoming
from Washington by the Federal Trade
Commission in the near future. At any
rate they will be released for consideration
by the Los Angeles meeting next week.
There is much speculation throughout
the industry as to the contents of the code
and as to how it disposes of the resolutions
adopted by the industry at the Trade Prac-
tice conference last fall. Many of the
different angles are expected to develop
heated discussion before their angles are
definitely disposed of. The sessions in Los
Angeles are to be held at the Hotel Am-
bassador from May 21 to May 26 inclusive.
European Unit Will Shoot
Scenes in America
H. Fellner, of Felsom Film, Berlin, has
sailed for America to make advance ar-
rangements for the filming of scenes for
"The Woman in the Moon," which will be
directed by Fritz Lang, who made
"Metropolis" for Ufa. Lang and his unit
are to follow.
Fellner will remain in New York but a
few days, after which he will proceed to
Mount Wilson Observatory, where he will
arrange for the filming of important as-
tronomical scenes.
H. S. Humniell Joins First
Di\ ision as Sales Manager
H. S. Humfnu'll, formerly sales manager
for Columbia and a representative of Pat he
in Chicago at one time, has joined First
Division Distributors, Inc., as sales man-
ager. He is now visiting territorial buyers
in Buffalo, Toronto, Detroit and Chicago
in the interest of the 18 features First Di-
vision has scheduled as the new season's
product. Mr. Hummell has been in the pic-
ture business for 18 years and formerly
was a producer.
1688
Motion Picture N cw s
Eastman Acquires New Three-Color
French Film Process
By L. C. MOEN
Staff Correspondent , Motion Picture News
Paris, May 9.
IMPORTANT developments in the American situation as regards mo-
tion pictures in color may be expected from the acquisition by the
Eastman Kodak Company of the United States, Canada and Great
Britain rights, and world amateur rights, to the Keller-Dorian color pro-
cess, a French development.
This process is not a sudden, haphazard development, but has back of
it vears of patient experiment by an established French concern. The
inventor is Rudolphe Berthon, who has spent a lifetime in experimenting
with color photography.
It differs from existing processes in America in that it is a three-color
process instead of a two-color, and can therefore reproduce all the colors
of the rainbow. An ordinary camera can be used, with a slight change in
the lens; an ordinary projector, likewise. A special negative stock, ruled
with 2000 fine colored lines to the inch, must be used, the prints must be
made on a special stock. Cost will be moderate, it is claimed.
The company's first film, a fragment made in Corsica from Boccacio s
"Matteo Falcone," is now being shown at the Salle Marivaux in Paris, on
the same program with Chaplin's "The Circus," where Mr. Eastman saw
it on his recent visit to Paris.
New Regulation Bill Due
Canon Chase Measure Introduced by Congressman
Hudson Includes Matter Agitated By Reformers
CANON CHASE has succeeded in get-
ting a. bill before congress for the
thorough regulation of the motion
picture industry. It has been introduced in
the House of Representatives by Congress-
man Grant M. Hudson of East Lansing,
Mich., who early in the session introduced
a block booking bill similar to that of Sena-
tor Brookart of Iowa.
The new measure contains the provisions
of the block booking bill but goes further,
incorporating a great deal of the matter
which has been agitated in Congress by the
reformers for several years.
The measure bans the use of blind and
block booking, producer ownership of the
theatres and compulsory arbitration.
The other purposes of the measure are
described by Congressman Hudson as the
development of "all the branches of the
industry to their largest and highest ca-
pacity and to maintain a fair, broad and
open field of endeavor in every branch."
Vidor Uses Newsreel to
Introduce Trial Scene
TO introduce the murder mystery
in the story of "The Bellamy
Trial," which he is screening for
Metro-Goldwyn-Mayer, Monta Bell
uses a current M-G-M newsreel re-
lease which will be captioned "Trial
of the Century" and which will in a
terse title present the facts of the
murder trial and those figuring in it.
The action continues from the news-
reel views and the mystery plot de-
velops as the witnesses are brought to
the stand. Bell hit upon this method
of presenting his story while watching
a newsreel in a motion picture theatre.
The bill seeks to secure at the source of
production, without censorship or any com-
pulsory system of pre-examination of films
before exhibition, conformity to the moral
standards which were drawn up by the in-
dustry in 1921, it was explained by Mr.
Hudson. This, it is asserted, will assist par-
ents to protect their children from the ex-
ploiters of youth in such a manner as to
increase the amusement value of the films
and the financial profits of the business.
The bill is also designed to promote
America's foreign business in all branches
of trade by removing the principal reasons
why France and other nations object to
American films. "Otherwise," Mr. Hud-
son declared, "other nations like Russia
may adopt government ownership "of films,
may limit their importations as Great Bri-
tain and France have recently done, or may
exclude them altogether."
The bill also regulates the political ac-
tivities of the industry, and places the
settlement of trade disputes and supervi-
sion of the industry in the hands of a Fed-
eral Comission, to be non-partisan and be-
yond unfair political influence, which will
devote its whole work to the motion pic-
ture industry solely.
An appropriation of $1,000,000 is to be
furnished for the use of the Federal Bureau
of Education to inaugurate the use of
teaching films in the schools of the country.
Sapiro Invited to Address
M.P.T.O. Unit
George P. Aarons, secretary of the
M.P.T.O.A. of Eastern Pennsylvania, South-
ern New Jersey and Delaware, has sent an
invitation to Aaron Sapiro, president of
the I.M.P.E.A., to address the members of
the tri-state group on Thursday, May 21.
Mr. Sapiro has accepted the invitation.
He will be accompanied to Philadelphia,
where the luncheon-meeting will be held,
by Herbert R. Ebenstein, secretarv of the
I.M.P.E.A.
5 New M. P. Companies;
Paramount Reduces Stock
Newly incorporated motion picture com-
panies chartered by the secretary of state
in Albany during the past week, included
the following: Eastman Teaching Films.
Inc., $1,000,000, Thomas E. Finegan, Ed-
ward P. Curtis, Marion B. Folsom, Roches-
ter; The M. I. L. Corporation, capitaliza-
tion not stated, John F. Wharton, M. I.
Trimble, J. Simpson, New York City; Kirk-
land and Strickland, Inc., capitalization not
stated, Alexander Kirkland, Robert H.
Wrubel, New York City; Francis C. Strick-
land, Manchester, Conn.; Jessem Produc-
tions, Incorporated, capitalization not
stated, Joseph L. Greenberg, Henry C. and
Louis Greenberg, New York City.
During the week papers were filed by
the Paramount Famous Lasky Corporation,
noting the reduction of capitalization. The
1,200,000 shares consisting of 200,000 shares
of preferred stock and 1,000,000 shares of
common stock, have been reduced to 1,000,-
000 shares of no par value. The papers
were filed by a firm of New York City
attorneys.
Pathe Announces Features
for Release in May
Pathe lists a trio of features as its fea-
ture output for the current month. The
titles announced are: "Hold 'Em Yale,"
"The Law's Lash" and "Walking Back."
Rod La Rocque stars in the first, released
May 13; Klondike, the dog, is the principal
performer in second, announced for May 20.
The last picture for the month is ' ' Walking
Back," starring Sue Carrol and also sched-
uled for May 20.
Sills Pays Tribute To
Hays' Leadership
MILTON SILLS, in his speech be-
fore the Los Angeles Women's
Club, lately, said, as reported in
the Los Angeles Examiner of May 2:
"Tribute to Will Hays for giving the
motion picture industry the 'same type
of business leadership and inspiration
which he used in putting the Postoffice
Department on the most efficient basis
it had ever known. . .'
"The motion picture industry for six
years now, thanks to Mr. Hays, has
been following a definite, clearcut
policy of arousing public interest.
"Six years ago the industry was un-
organized in its policies. Each com-
pany was a separate unit, perhaps
jealous of every other unit and prob-
ably differing in its attitudes from
every other company.
"It was then that a new type of
leadership was brought in. The pic-
tures you are seeing today, made by
sanely operated business concerns,
with all the improvements which
science and art have been able to add
in the brief history of the screen, are
evidences of the industry's adoption
and acceptance of this type of leader-
ship."
May 19, 1 9 2 8
U,H'>
Trade Commission to
File Action
Will Bring Suit Against Paramount for Enforcement of
Cease and Desist Order on Block Booking
Suspect Held in Bomb
Plot in Seattle
THOMAS J. WOODHOUSE, em-
ployee of a coal company, was
arrested last week in Seattle,
Washington, as an aftermath of the
second dynamite bombing of the Em-
bassy Theatre in the Pacific Northwest
city, and is being held by Seattle po-
lice while further investigations are
under way to determine the "higher-
ups" in the case.
The Embassy, a first run downtown
theatre operated by Joe Danz on an
all-night policy, has twice been the
target for dynamite bombs within the
past three weeks, each of which has
wrought considerable damage to the
theatre and nearby buildings. Both
explosions occurred after midnight.
Woodhouse's arrest came after iden-
tification of his car as the one that had
been seen by late workmen parked in
the alley of the theatre a few moments
before the explosion. When arrested
at his home at ."> a. m., police report
that the radiator of the car was still
warm, despite his protests that he had
been home since 12:30 midnight.
The Motion Picture Theatre Owners
of Washington have offered a reward
of $2500 for the apprehension and con-
viction of any one bombing a Seattle
theatre, as a result of several recent
dynamite and "stink" bomb outrages.
Columbia Completing '27-
28 Picture Program
Featured and supporting players are now
working at the Columbia studios on the
West Coast on the remainder of the Colum-
bia program for 1927-28. Four features are
in filming and two are being scenarized.
Now being edited and titled is "Name
the Woman," scheduled for release on May
25. George B. Seitz is shooting the final
sequences on "Hansom," adapted from a
story by himself. Elmer Clifton is working
on thrill scenes for "Virgin Lips." The
company has just returned from Griffith
Park, the airport of the California National
Guard, where airplane shots were taken.
On another stage in the Columbia studio
Frank Capra is directing an underworld
story titled "The Gangster" and adapted
from "Say ]t With Sables." George C.
Hull is preparing "Beware of Blondes."
5 Warner Films for Next
Season in Cutting Room
Producing in advance of schedule, War-
ner Bros, have in their studio cutting room
five of their IS features scheduled for the
season of 1928-29. At the start of the new
season the company will have actually
ready a number of their pictures.'
These finished vehicles are: "The Land
Of the Silver Fox," "State Street Sadie,"
"No Questions Asked," "Women They
Talk About" and "Fools in the Fog."
Goldwyn's New Male Star
Arrives in New York
Walter Butler, whom Samuel Goldwyu
will groom as successor to Ronald Column
in male leads in Vilnia Hanky vehicles, ar-
rived bust Friday, April 13th, on the Aqui-
tania on his first visit to America. He will
leave New York almost immediately for
Hollywood to play in '•The Innocent."
COl'HT action seems bound to come
by t he Federal Trade Commission
against Paramount on the question
of block booking. Paramount still has the
right to petition to have the Commission's
cease and desist order vacated, but evi-
dently has not yet decided upon the next
step to be taken in the matter, as no state-
ment has been forthcoming from the com-
pany.
Plans for the filing of a suit against Para-
mount-Famous-Lasky in the I'nited States
Circuit Court of Appeals, probably in New
York, to secure enforcement of the cease
and desist order of last July with respect
to block booking were announced by the
Federal Trade Commission May 14. Block
booking will be the only issue in the suit,
Paramount 's report having been accepted
with respect to the alleged conspiracy to
restrain trade and the acquisition of thea-
tres for alleged intimidation of exhibitors
in connection with booking films.
The commission on May 7 rejected that
part of Paramount 's report covering the
question of block booking on the ground
that "the facts alleged as to the manner
and form in which respondents are com-
plying, and have complied with paragraph
two of said order to cease and desist are in-
sufficient to show a compliance with said
paragraph two."
It has been apparent for some time that
in all probability the case would go to the
courts, the commission having repeatedly
indicated its intention of insisting upon ab-
solute compliance with the block booking
provisions of its July order. In view of
the experience of the Federal Trade Com-
mission in other cases, it is probable that
the suit will work its way through the
courts until it is finally decided by the
United States Supreme Court, which means
that many months will elapse before the
question of block booking is finally dis-
posed of.
The Commission's anouncement in full
text follows :
The Federal Trade Commission will ask
the Fnited States Circuit Court of Appeals
for enforcement of the Commission'- order
prohibiting Paramount-Pamous-Lasky < !or-
poration from "block booking" of motion
picture films.
This latest action of the Commission fid-
lows failure of the motion picture concern
to submit a satisfactory report of compli-
ance to the Commissioner's order. Two re-
ports of compliance had been made by the
corporation but each was rejected as in-
sufficient to show compliance with the
"block booking" clause of the Commis-
sion's order.
The order to cease and desist was issued
against the picture corporation July 1!)27.
The order contained three provisions, one
of which prohibited "block booking" of
films. The corporation's re[>orts of compli-
ance to the two other provisions of the
order were accepted as "unobjectionable."
The Commission's petition for enforce-
ment will probably be entered in the United
States Circuit Court of Appeals for the Sec-
ond Circuit in New York.
Ralph Block Will Make 9
Films of Pathe Program
Nine feature pictures of the new Pathe
productions at the De Mille studio this com-
ing summer season will be produced by
Ralph Block. The first is the picture tenta-
tively titled "Power." The story, by Tay
Garnctt, is now being directed by Howard
Higgin. Mr. Block not so long ago super-
vised 26 features for Paramount in 14
months.
"The Awakening" New
Title for Banky Film
"The Awakening" instead of "The In-
nocent" will be the title of Vilma Banky 's
first starring picture for Samuel Goldwyn
after the disbanding of the team of Miss
Banky and Ronald Column. Appearing as
leading man, will be Walter Byron, British
screen star, Louis Wolheim and (ieorge
1 )a vis.
National Line of Action Planned by
Musicians on Talkies
A NATIONAL line of action on sound pictures by the American
Federation of Musicians will be mapped out. it is expected, at the
convention of the organization to be held in Louisville. Kv.. hegin-
ning May 21. President Joseph N. Welter announced reeentlv that an
emergency "war chest" of $5,000.00(1 was planned by the Federation.
The musicians' union is said to view with alarm the rapid develop-
ments in the talking picture field. Since the introduction of Movietone
and Vitaphone into theatres, the musicians have insisted thai orchestras
he retained on theatre payrolls while the sound pictures were heing plaved.
In some eases, this is said to have resulted in musicians drawing pav with-
out work. No solution has been offered, it i> reported, in the ease of
phonographic music in theatres.
1690
Motion P i c t u r e N cw s
Exhibitor Charges 4 'Blacklist" in
Georgia Damage Suit
PV. KELLEY, Ashburn, Georgia exhibitor, has filed suit in the
amount of $102,000, triple damages, in the Federal District Court
• in Atlanta against thirteen distributors and the Atlanta Film
Board of Trade, because of alleged blacklisting.
Kelley charges the alleged "Blacklisting" came after his refusal to
comply with an arbitration decision. Plaintiff alleges that a Fox News
contract which he claims had expired and was cancelled, was upheld by
the arbitration board, and when he refused to accept the decision, Fox,
United Artists, Pathe, M-G-M, First National, Universal and Tiffany-Stahl,
with which exchanges he had been doing business, declined service unless
he posted deposits totalling $2,045.
When these firms are alleged to have refused to do business with him,
Kelley declares he sought service from Paramount, Warners, Educational,
F B O, Arthur C. Bromberg Attractions and Liberty-Special. These firms,
also, Kelley alleges, were prohibited from serving him because of mem-
bership in the Film Board.
"Dawn" Will Open in N. Y.
Films Bureau Puts O. K. on Picture and Premiere Is Set
for Times Square Theatre May 29
DESPITE the protests regarding the
picture "Dawn" and its banning by
a number of the leading circuits in
America, Arch Selwyn, who controls the
American rights to 'the production will open
it at the Times Square Theatre in New York
on Tuesday night, May 29. The ticket sale
for the opening night will be largely a
private one, and if any tickets are left they
will be on sale to the general public at
prices ranging from $1 to $5.
A considerable controversy has been
aroused over the showing of the film. Be-
cause of the animosity aroused over it, a
private screening was made before the Film
Bureau, and an expression from that organ-
ization was, that it was a "picture without
hatred or bitterness toward anyone." Be-
cause of this approval given by officials of
the Film Bureau, Otto H. Kahn, banker,
and a member of the advisory committee of
the organization, is said to have resigned
from the board. The Film Bureau commit-
tee which saw the film is sponsoring the
opening at the Times Square Theatre. It
is claimed, by those sponsoring the film,
that Mr. Kahn was not present at the
private showing. With regard to the open-
ing of the picture and to its banning by
theatre chains, Mr. Selwyn said, in part :
"The larger distributing monopolies have
added their clamor gratuitously announcing
that they will not handle the picture, and
that it will not be shown in their theatres.
I say gratuitously because they have never
been asked to. It was never the intention
to show ' ' Dawn ' ' in the chain moving pic-
ture houses. That is no place for it.
"It is not an effort to commercialize
Edith Cavell's great sacrifice or to appeal
to national prejudice and try to resurrect
the feeling of bitterness between enemies
who, having declared peace, seek to have it
firmly cemented. The contrary is the case.
From the commercial point of view, a per-
centage of all the profits of the picture, no
matter where shown — and it is a liberal per-
centage— is being diverted to the nursing
homes which have been established in
memory of Edith Cavell. ' '
10 M-G-M Units In Active
Production Work
Ten companies are now actively produc-
ing and several others are preparing to
start, shortly at the Culver City studios.
Metro-Goldwyn-Mayer reports that the
studios are in full swing on the new sea-
son's production activities.
W. S. Van Dyke has practically com-
pleted interior scenes for "White Shadows
of the South Seas," which kept him for a
considerable time on a tropical location.
Monte Blue and Robert Anderson are the
only white actors in the cast. "War in the
Dark ' ' is now in work under Fred Niblo 's
direction. Harry Beaumont has returned
from location at Del Monte with the "Our
Dancing Daughters" production company
and is now shooting interiors. Chester
Withey is directing an Australian screen
play, "The Bushranger." Buster Keaton
has returned from New York with Edward
Sedgwick directing him in "The Camera
Man."
Edward Sutherland is directing "The
Baby Cyclone," Monta. Bell is making "The
Bellamy Trial," Jack Conway is mega-
phoning "While the City Sleeps," and
William Nigh is working on "Four Walls."
A screen version of "Excess Baggage" is
being produced by James Cruze and a
European novel, "Mask of the Devil" is
being directed by Victor Seastrom. Clar-
ence Brown is preparing "The Carnival of
Life," and Tod Browning is working on a
new Lon Chaney story.
In the cutting rooms are "Diamond
Handcuffs," "Detectives," and "The
Deadline. ' '
Fox Lists Dozen Features
Concluding Program
Prior to the announcement of its pro-
duction schedule for the 1928-29 season,
Fox Films lists the dozen remaining pic-
tures on its current program. A dozen pic-
tures are mentioned. Their release dates
are situated between now and the end of
July.
Beginning with May 13, when "Hang-
man's House," and "Hello, Cheyenne,"
starring Tom Mix, the program consists of :
"Thief in the Dark," with George Meeker
and Marjorie Beebe, to be released on May
20; "The News Parade" scheduled for
May 27; "Don't Marry," featuring Lois
Moran and due on June 3; "No Other
Woman," starring Dolores Del Rio and set
for June 10; "Chicken a la King," now in
production with George Meeker, Nancy
Carroll and Ford Sterling, but established
for release on June 17; "None But the
Brave," in which Dorothy Knapp will make
her first bow in pictures, listed for June
24.
The next, on July 1, is "Road House,"
with Lionel Barrymore and Maria Alba;
"Painted Post," starring Tom Mix, will be
released on July 8. "The Farmer's Daugh-
ter" with Marjorie Beebe and Albert Gran
is now in production but will be issued on
July 15 "Fleetwing," the last of the fea-
tures for the current season, co-stars Barry
Norton and Dorothy Janis, and will arrive
on July 22.
New 1500 Seat Theatre
for Baltimore
Plans to construct a one story moving
picture theatre with public library build-
ing adjoining it, to be built at Edmonson
Avenue and Edgewood Street, Baltimore,
are going forward by the Lyndhurst Cor-
poration of which H. C. Poffenberger is the
head. The seating capacity will be 1,500
and the theatre will measure 145 by 70
feet and the library 60 by 50 feet. Work
will be started about June 1, according to
the present plans, it is said. It is under-
stood that Harry Webb and Frank H. Dur-
kee are interested in the building of this
theatre.
Columbia Signs Alice Day
and Margaret Livingston
For the two leading Avomen of "The
Gangster," Columbia has engaged Alice
Day and Margaret Livingston. Miss Day
will play a blind street musician and Miss
Livingston will appear as an underworld
vamp. The story of "The Gangster" is an
adaptation of ""Say It With Sables."
Mitchell Lewis is also announced for a
featured role.
4 Specials on Program
of First Division
FOUR special productions will be a
part of the 1928-29 production
program of First Division Dis-
tributors. They have not been deter-
mined upon thus far but their titles
will probably be announced following
the return of Jesse J. Goldburg, First
Division president from the coast.
Mr. Goldburg declared that the spe-
cials would have a budget appropriated
for them, that a special publicity and
exploitation campaign would be put be-
hind each of them and that they would
be specials in fact and not "based on
hopes."
May 19, 19 2 8
New Cleveland Houses
Two Spacious Theatres Scheduled for Construction in
Near Future With Others to Follow
In and Out of Town
DR. HUGO RIESENFELD arrived in
New York City recently from the coast
to take charge of the musical presentation of
"Ramona," the United Artists film now play-
ing at the Rivoli. * After conducting at the
premiere last Thursday, Dr. Riesenfeld, who
is managing director of all United Artists
theatres, left for Los Angeles the following
day.
DOROTHY DEVORli, after a sojourn of
several weeks in Neiv York City, sailed
Just Friday for a brief tour of Europe. Ac-
companying her on the Cunard liner "Caronia"
was her husband. They will visit the motion
picture studios of Great Britain, France, Ger-
many and Italy, and when not sightseeing zt'ill
Spend their time at the Lido.
MAX MILDER, central division manager
for Warner Bros., will leave the New
York headquarters for a trip through the terri-
tory which is under his supervision. His first
stops will be Chicago and Minneapolis.
WILLIAM LE BARON. F B 0 vice-presi-
dent in charge of production, arrived in
New York last Tuesday and left for Chicago
the same afternoon to attend the F B O conven-
tion there. Upon his return from Chicago, he
expects to remain in New York for about a
month in conference with Joseph P. Kennedy
find other executives of the company.
JANET GAYNOR, Fox star, will arrive
in New York May 28 as the guest of the
Fox organization at its silver anniversary
international convention at the Park Central
Hotel. Miss Gaynor will be accompanied
by her mother.
LILI DAMITA, Samuel Goldwyn's new
feminine player, arrived in New York last
Friday, May 11, on the S.S. Berengaria. This
is her first visit to America.
AFTER a vacation in Europe, Irving Thal-
berg and Norma Shearer, his wife, were
given a homecoming reception by friends upon
arriving in Neiv York. On the same boat were
Mr. and Mrs. Hal Roach. While abroad the
Thalbergs visited Paris, Rome, London and the
Riviera. Accompanying the couple to the Coast
is Paul Bern, who came East to look over the
netv plays and stories.
JEAN HERSHOLT has left Hollywood
for a trip east. His latest role is in
"Abie's Irish Rose."
R ANK )\' GARCIA, for the past five years
in the Fox Films foreign department, sailed
aboard the steamer Siboney for Havana last
Saturday enroute to Mexico to open an office
as an independent motion picture distributor.
He will make his headquarters in Mexico City.
His wife and boy accompanied him.
CLAYTON P. SIIEEHAN. foreign manager
of Fox Films, returned last week aboard
the steamer American Legion from a three-
months' tour of the Fox exchanges in South
America. Mrs. Shechan accompanied her hus-
band on the trip.
ARRIVING on the Berengaria last Fri-
day morning was Sol M. Wurtzel, gen-
eral superintendent of the Fox Hollywood
studios, and Lew Seiler, Fox director. Mr.
Wurtzel is to proceed immediately to
Hollywood while Mr. Seiler is to begin im-
mediate production on "Nobody's Children,"
which will feature Margaret Mann.
CLEVELAND is scheduled to have at
least two new spacious motion pic-
ture theatres. One, according to re-
cent announcement, will he part of the new
Terminal Station project on the Public
Square, and the other will be in the More-
laud Circle development in Shaker Heights.
It is said t hat several interests have en-
tered negotiations for t lie theatre in the
Terminal development which will include
the Terminal station, the Terminal Tower
Bldg. and a large department store.
Building reports show that Cleveland ami
several nearby towns are in line for new
theatres. Paul Gusdanovic has had plans
for a theatre to be located at Miles Ave and
East 131st St., drawn by Nicola Petti,
Cleveland architect. This is to be a two
story building, and will be built to show
combination vaudeville-picture programs.
Sam Rosenthal and E. C. Flanigan will
THE Missouri Supreme Court is dead-
locked and unable to reach a decision
on the constitutionality of the Sun-
day closing ordinance for motion picture
theatres in Springfield, Mo., which has been
before the court for inure than a year. On
May L2 the high court instructed the at-
torneys interested in the controversy to
select a special judge to sit with the court
in a reargument of the case in an effort to
break the tie. The case will come up again
at the October term of the Supreme Court.
The Supreme Court en banc includes
seven jurists, but in this particular case
one of the judges disqualified himself. The
other six divided three to three and have
been unable to reach a decision.
The judge who disqualified himself is
believed to be Judge John Turner White,
"Girl on the Barge" to
Be Made in East
F">OR ten years, ever since the pro-
duction activities of the company
were transferred to Universal
City, Universal has not made a pro-
duction in its plant in Fort Lee, N. J.
Today, the Universal Eastern studio
is being refurnished for the inspection
of Edward Sloman, Universal director
who will arrive in New York next
week to decide whether the facilities
there are sufficient for the filming of
the interiors on Rupert Hughes' "The
Girl on the Barge." It is quite pos-
sible that the entire production will be
shot in New York instead of taking the
company hack to the coast for in-
teriors.
Mary I'hilhin and George O'Brien
have been withdrawn from the cast,
to he replaced by Sally O'Neil and
Malcolm McGregor. Jean Hersholt,
who is to play the role of the Barge
:aptain, arrived in New York last Tues-
day.
extend their theatre holdings to include a
new house in Ravenna. The location chosen
is on Chestnut St., directly opposite the
Court House. C. G. Kistler of Kent, has
prepared the plans. The building will be
three stories high with stores on the ground
floor and apartments on the second and
third floors. It is to cost about $lf)0,000,
and work is to be started this spring.
Loew's Theatrical Enterprises of New
York have leased a theatre in Akron, which
will be part of a $1 ,f>00, 000 project includ-
ing an arcade with 'A2 stores. Kherson and
Eberson of New York are the architect-.
The location is at 182 S. Main St.
The Harris Amusement Company of
Pittsburgh, with theatre interests in Ohio
as well, will build a theatre in Steubenville,
Ohio. Thomas \V. Lamb of New York has
prepared plans but no announcement is
made when the building will be started.
wlio resides in Springfield, and whose son.
Judge Wan-en L. White of the Greene
County Circuit Court, rendered a decision
holding the Sunday closing ordinance to be
unconstitutional. The city apealed from
that decision.
The Missouri statutes provide the spe-
cial method of picking a judge to help de-
cide cases when the Supreme Court dead-
locks. This is the first time this method
has been used for years.
The voters of Springfield adopted the
Sunday closing law several years ago and
two unsuccessful attempts have since been
made to repeal the law.
W. W. Smith is the theatre owner who
brought the test case of the ordinance in
September, 1926. He was convicted in
Police Court and appealed to the Circuit
Court, where he was acquitted, the convic-
tion being set aside. The city appealed to
the Supreme Court in January, 1927, and
the case was argued and submitted to that
court on May 6, 1927.
"Glorious Trail" New Ken
Maynard Western
"The Glorious Trail" is Ken Maynard 's
new western film for First National. It is
now being made by Director Albert Rogel]
for Charles K. Rogers. The story tells of
the stringing of the first telegraph wire-
west of the Rockies.
Shoots Last Scene on
"Carry on Sergeant"
The last scene of "Carry on Sergeant,"
the Canadian International Films. Ltd., pro-
duction, was shot last Friday. The picture
is now being edited and titled for an early
fall release.
Court Deadlocked on Law
Missouri Jurists Are Unable to Reach a Decision on
Constitutionality of Sunday Closing
A Second Printing Was Necessary!
TO supply the orders of Exhibitors, Theatre Executives and The-
atre Workers for the most comprehensive and authoritative work
written on the subject, the publishers, George H. Doran Company,
New York, has made a second printing of —
MOTION PICTURE
THEATRE MANAGEMENT
By Harold B. Franklin
(President of West Coast Theatres, Inc.,
and leading theatre executive)
NOW
you too may obtain a copy of this monumental work
dealing with every branch of the theatre and offering
a carefully considered presentation of the theories and
practices, tested by years of experience, making for
the successful and profitable business method of run-
ning a motion picture theatre.
The author, Harold B. Franklin, is known throughout the
industry as one of the most progressive and able theatre execu-
tives and showmen the picture theatre has developed, and one
of the leading forces contributing to the advance which the
motion picture playhouse has made from its "nickelodeon"
beginning to the palatial community institution which the bet-
ter theatre of today represents.
DON'T DELAY
The present supply of copies is by no means large enough to
supply all those who eventually will want copies of this book,
so prompt action is imperative if you want to be assured of
a copy.
THE PRICE IS $5.
Order Your Copy Today
35 Chapters and
26 Illustrations
Tell You How—
To train and maintain an or-
ganization that will function
smoothly in the running of
your theatre.
To provide adequate safety
methods.
To carry on systematic in-
spections.
To prepare a properly bal-
anced budget.
To judge the effectiveness of
advertising.
To purchase equipment and
to Build Good Will.
| Use This Order Blank
MOTION PICTURE NEWS,
729 Seventh Ave., New York City.
Send me postpaid MOTION PICTURE THEATRE
MANAGEMENT by Harold B. Franklin.
I enclose (check) (money order) for $5.00.
Name
Address
City . . .
I State
May 19, 19 28
1693
CovduGlod by
AnEiChibilorJorE^hibHor^
BOX OFFICE PROBLEMS
By Charles E. Lewis
Managing Director, Gapiiol JheafreMiddletown, (Ponr?., and Palace lheaire,NorwiekCom.
Since we are find-
Competing With \°S ' ' ' ,
1 ^ in t ho midst ot the
Carnival SllOWS Circus and Carnival
season it would per-
liap- be best to take advantage of that i'act
and use it for part of our little business
boosting campaign.
As soon as the warm weather arrives, you
are bound to hear many of the small town
managers complaining that carnivals and
circuses eat deep into their business. Now,
since there is no way of stopping these
summer activities, did it ever occur to you
to tie up with these carnivals? Possibly
you can work your theatre into some in-
expensive advertising. Crying how bad
business is going to be won't help the box
office a bit. How do you like a suggestion
of this kind: Reach the man in charge of
the Carnival and offer to run a slide or a
sign for him in the theatre, providing he
will grant you the privilege of erecting a
booth on the fair grounds. Nine out of ten
times they will jump at the chance. We did
exactly what we are now advising you to
do. We erected an attractive booth and put
two of our ushers there in their regular
theatre uniforms, where they remained on
duty handing out circulars and heralds. We
also provided some chairs where folks who
were tired could sit down and rest for a few
minutes.
On the second day we started handing
out special refund tickets good during the
run of the Carnival (which lasted ten days)
and strange to relate, over 70 per cent of
these tickets were used during the Carni-
val. This not only helped business during
a time when we expected it to be slack,
but brought us many new patrons and our
mailing list took an upward shot to the
tune of over two hundred new names.
We tried the same idea with the first
circus that came to town but they turned us
down, so we fixed up a bally-hoo wagon with
a few Boy Scout buglers and signs, joined
the parade and kept the wagon busy around
the circus grounds throwing heralds to the
crowds. We did not fare so badly and busi-
ness was only a little under par.
This same might
Boosting Local be said of y°ur va-
/ , ,,,/ i> rious local functions
Events Pays such as the police
or Fireman's Ball
and many others, which for business rea-
sons are good to support.
Our local Police department was particu-
larly well liked in the town and they were
making arrangements for their annual ball.
We volunteered to handle and furnish the
entertainment for this affair and put a note
in our program about it. Even our news-
paper advertising for the two days prior
THIS netv department de-
voted to a discussion of the
nays mid means of building box
office business and with particu-
lar emphasis on exploitation
methods of practical and tested
value to the smaller theatres, has
already established a large fol-
lowing among showmen every-
ivhere — as evidenced by the
many expressions applauding the
idea which have been received
by this publication since the ap-
pearance last week of the first
presentation of ''Box Office
Problems."
Since we intend the depart-
ment to be a clearing-house for
the best box office ideas of the
(lay, we invite reports of ideas
used and the opinions of all ex-
hibitors. Send along your photo
with your contributions.
to the ball carried a box at the bottom read-
ing— "A Perfect Evening. Come to the
C . . . . Theatre first — then go to the
Police Ball."
We figured there was no use in sitting
around and crying because lots of our pa-
trons would go to the ball instead of to the
theatre, so we made the best of it. The
theatre received a lot of free publicity,
plenty of praise for staging the entertain-
ment and again, strange to relate, business
was not nearly as bad as we were led to
suspect it would be.
The point we are
Meet and Beat trying to drive home
_ . . in relating these tew
Opposition incider, this:
Don 't resign your-
self to bad business and lay down just be-
cause a little opposition comes your way.
Why not try to turn that opposition into a
little business and capitalize on it as much
as possible. Even if it don't bring busi-
ness or help things during such affairs, at
least it keeps your theatre's name before
the public and that means something.
Follow Cities on
Iiig Pictures
We wonder how
many of our readers
have given this next
subject any great
amount of consider-
ation? It is something to think over.
Do you date your pictures in ahead or
after the near-by big cities? Our emphatic
advice is to play all the good pictures after
the larger cities. That fine sounding phrase
"Ahead of . . . city" will only bring
you disappointments at the box office. We
all know that folks in the smaller towns
read the big city papers every day and if
they are playing up a picture with an ex-
pensive advertising campaign in the papers,
why not cash in on it by following them
within a few weeks after they run the pic-
ture?
Give this suggestion a little thought and
after a few experiments we are sure you
will find our way better. We tried it both
ways and would not try to play anything
ahead of the big cities again on a bet.
Perhaps the most
Extending the v 1 '
. D revenue opened to
lemtory the small town are
the many small vil-
lages and communities laid out around every
town and city. With trolley and bus ser-
vice being used all over the country it ac-
tually brings these communities right to
your door. In addition, most of the resi-
dents in the outlying sections have then-
own cars (Fords included) and a little drive
into town is always in order if the incen-
tive is provided.
Our first actual experience with these sur-
rounding sections was on "Ben Hur. "
"Ours" was a theatre formerly run by one
of the managers in "Mr. Jones" class. He
took particular delight in telling us two
weeks in advance just how much business
we were going to do and then smilingly
show us that he was right. But — Was be
right? Not so far as subsequent experience
has shown us.
In order that we might make a little
profit on "Ben Hur" we had to do unusual
business. Normal business would only have
given us an even break and we can't pay
dividends on "even breaks." So — we laid
out a campaign that took in every little
town and village, every community ami
farm house within a radius of almost 17
miles from where our theatre was Located.
Three days in advance of the showing of
this picture we sent out crews of 111 buys
in charge of one of our own ushers. These
crews each took allotted sections of towns,
etc., and made a house-to-house canva> with
special circulars. Our own billposter and
assistant took care of all the business sec-
tions of these small towns and villages with
one sheets and window card-. We did not
waste good advertising material in our own
town because the theatre and local news-
paper advertising could easily take care of
that. But of one thing we were more than
certain: that "17 mile radius" was covered
completely and thoroughly. By the day the
picture opened we were getting calls 'from
{Continued on jollox^ing page)
1694
M o t i o n P i c t it r c News
points miles and miles away from our own
town asking what time the picture goes on,
etc.
"Ben Hur" broke every known record,
not only in our own house and town, but
for practically the entire state.
This idea, worked on particularly big pic-
tures, but not too often, will not only boost
business for that picture but will bring out
a class of trade more often than they have
been accustomed to coming out.
We would like to see every manager in
towns of the size that this department is
working for, pick some picture, worthy of
such an advertising campaign and try it
out.
Small Town in
IS ante and Fact
Someone once said
to me: "What
makes a small town
small?" And I an-
swered— ' ' The small
town manager." It is conceded that small
town folks do go to the bigger cities very
often. They visit them perhaps more often
than we even dream of. While there, they
most certainly go to one of the larger thea-
tres and that is where they develop the idea
that their own local theatre is "just a small
town movie." It's all wrong. What do the
big cities give, that we in the small town
cannot give. You enter the theatre and a
uniformed doorman takes your ticket. Why
can't YOU have a uniformed doorman?
Does the $25 or $35 cost of the uniform
stand in your way? We don't believe so.
They enter the theatre and a neat uni-
formed usher politely offers to find them a
seat. Why can't YOU have a neat uni-
formed boy in an usher's outfit? The at-
mosphere of the theatre is clean and
healthy, not because it costs twenty times
the cost of your theatre, but because it is
kept that way. And let the first man who
can't run his place that way step forward
and say so.
Here's the idea— Put your theatre on a
"Big City" basis so far as operation is
concerned. Don't, for God's sake, run your
theatre like it was run ten or twenty years
ago. Be modern — and be surprised to find
that it don't cost any more than it does to
do it the old-fashioned way.
If you have an assistant, put him in a
cheap Tuxedo; if not, take an older usher
and dress him that way. Let him make him-
self conspicuous on the floor where people
can see him. Let him direct your usher or
two or three, and have him greet your pa-
trons with a pleasant good evening, and as
they pass out of the theatre, let him single
out some of those who look like good pros-
pects and ask them how they liked the show.
Within a few weeks you will be gratified to
find that your theatre is the talk of the
town. And it won't cost you any more
than the way you are doing it now. Have
your ushers always stand at attention when
being addressed by a patron and ALWAYS
give a polite reply, regardless of how they
are addressed. It will count on the crowded
nights, when keeping the patrons happy
until there are seats — becomes a profitable
matter.
In most cases you have nice theatres, good
pictures, fair music and in fact every asset
to compete with the big towns, but you
don't use them. Brush up on your own
business and run your theatre like a thea-
tre and not like a "shooting gallery." It's
dollars in the box office and that's what we
are in business for. Right?
Turn to Pages 1719-24 in this issue.
There you will find
A New and Improved
Release Chart
Arrangement of pictures is given
by companies, following suggestions
from a great number of exhibitors who
prefer this form. Motion Picture
News offers complete listing of re-
leases; features, short subjects and
coming attractions under the name of
the distributor in each case.
This department is in line with the
constant effort of Motion Picture
News to provide
Better Service for
Exhibitors
The Release Chart carries, as usual,
information on players, footage and
review dates. The Chart will cover,
by next September, the listings of the
complete season of 1927-28. At that
time will appear the greatly enlarged
Booking Guide and
Studio Directory
Thus, Motion Picture News gives
to its exhibitor readers in complete and
ready form, service of permanent
value and picture information vital to
the successful conduct of the theatre.
May 19, 19 28
1695
HOLLYWO OD
Lillian Gale WnvMc CormaoK Ray Murray
8\aff Porrespondenl Western Ropresen-tativ* Special Reprer.f-nta 1 1 ve
Hollywood Of fiee — 6-581 Hollywood BVd — Phong (Srarn1e59a2 .
Three Openings Arrive in
One Week
Premieres of "Trail of '98" and "Drums of Love" Held;
New Neighborhood House Opened
Hollywood, May 12.
THREE openings in one week: On
Monday, May 7th, Grauman's Chi-
nese was the scene of action. The
occasion was the premiere showing on the
west coast of "Trail of '98." The usual
crowds thronged the exterior of the thea-
tre and the usual capacity audience graced
the interior. Fred Niblo acted as master
of ceremonies; the personal presentation of
celebrities following the projection of the
picture.
Again the motion picture tirst nighters
turned out en masse on Tuesday, May 8th
to pay homage to D. W. Griffith, the occa-
sion being the opening of his production
"Drums of Love," at United Artists Thea-
tre.
Cecil B. DeMille, acting as master-of-
ceremonies eulogized Griffith and said that
his ideals had been the inspiration of all
sincere workers in the industry.
"The motion picture owes more to Mr.
Griffith." said Mr. DeMille, "than to any
other individual or set of individuals ever
associated with the art."
At the conclusion of his talk, Mr. De-
Mille presented D. W. with a gold engraved
watch as a token of the industry's appre-
ciation of his efforts. In a short speech of
acceptance, Griffith thanked the industry
and thereupon presented Charles Chaplin
to the audience.
The third opening was that of The Film-
arte Theatre, one that was formerly known
as "The La Mirada," a neighborhood house,
but which is now designed to present pic-
tures that have not met with commercial
acclaim, yet aspire to please patrons in-
terested, primarily, in artistic endeavors.
Frank I.. Wewman, formerly identified with
the Publix II est Coast forces, is the new
business manager of the Columbia Studio.
A theatre owner in Kansas City, Mr. New-
man later managed the Los Angeles Publix
houses, including the Metropolitan
Conceded the most elaborate film in pros-
pect for the current season, is "Noah's
Ark," Warner Brothers' most auspicious
effort to date on which they stand ready to
spend over a million dollars, and are spend-
ing it in substantial amounts, daily.
Construction of sets is said to surpass
in magnitude and imposing detail any, yet
devoted to film productions, and during the
last two weeks from one to four thousand
extra people have been enrolled.
More than two years of research and pre-
paration were devoted to pre-production ac-
tivities on "Noah's Ark," but since filming
was begun, several weeks ago, Michael Cur-
tiz has made gratifying progress and this
week completed sequences which take place
in the huge Biblical temple, the sel in itself,
a spectacle.
Many prominent names are already in-
cluded in the east headed by Dolores Cos-
tello and George O'Brien, for among the
noted play-el's are Noah Beery, Louise Pa-
zenda, Paul McAllister, Nigel de Brulier,
Anders Randolf, Armand Kaliz, Myrna Loy,
William V. Mong and Malcolm Waite.
Anthony Coldewey is responsible for the
scenario of Darryl Zanuck's original story
and J. L. Warner, production executive has
openly declared that every facility of the
studio necessary, will be pressed into ser-
vice in behalf of those concerned in the
making of "Noah's Ark," augmented by
Vitaphone.
• • •
Jesse L. Lasky, vice president of Para-
mount-Famous-Lasky Corp., returned to
Hollywood last Thursday, from convention-
of the company held in the Ea.st. He was
accompanied by J. W. Butler, an official of
the corporation. Mr. Lasky and Mr. But-
ler left last Sunday night for San Fran-
cisco where they will attend the third of
the district sales conclaves. Lasky an-
nounced that Paramount planned to make
'274 pictures during the coming year.
• • •
Edwin Carewe, surrounded by a staff of
twenty, is shooting right along on "Re-
venge," his forthcoming United Artists
picture, starring Dolores Del Rio. In addi-
tion to Wallace Fox and Richard Easton,
acting as chief aide and first assistant, re-
spectively, Mr. Carewe has engaged Dr.
Alexander Arkatov, as technical advisor.
Dr. Arkatov is slated as an authority on
customs and costumes in the locale in which
the story, adapted by Finis Fox from Kon-
rad Bercovivi's colorful yarn originally en-
titled "The Bear Tamer's Daughter,'" is
laid.
• • •
Production of "The Racket," Thomas
Meighan's first starring vehicle under his
new contract with Howard Hughes, Presi-
dent of The Caddo Company, began on
April 1st, finished the first week in May
and will be released next month by Para-
mount.
• • •
Members of the Caddo's troupe engaged
in the making of "Hell's Angels," includ-
ing the director-producer, Howard Hughes,
the featured players, Ben Lyon and .lames
Hall and Harry Perry, the cameraman,
travel via aerial route daily to location
twenty miles north of Hollywood.
• • •
Dorothv Dwan is playing the leading role
in "Out With the Tide," a Charles Hutch-
inson production, at Metropolitan Studios.
Cullen Landis .will be seen in the masculine
lead and the supporting cast include- Crau-
ford Kent, Mitchell Lewis and Ernest Bil-
liard.
• • •
Fred Thomson and his troupe leave for
Arizona and the Painted Desert on May 21,
to film scenes for "Kit Carson." This is
(Continued on follmt'ing page)
Screen Writers' Guild
Elects Officers
OFFICERS of the Screen Writers'
Guild have been elected for the
forthcoming term as follows:
Grant Carpenter, President; Joseph
Farnham, Vice President; Ewart
Adams, Secretary; Joseph Jackson,
Treasurer.
New members of the Hoard of Di-
rectors are Malcolm Stuart Roylan. Al
Cohn, Lloyd Corrigan, Jack Cunning-
ham, Louise Long, Will Ritchey and
Viola Brothers Shore.
1696
Motion Picture News
Hollywood-^"^>»^
Thomson's fourth and last picture on his
present Paramount contract. He will use
600 Indians for the battle sequences. Al
Werker will direct, with Douglas Dawson
acting as business manager.
* * *
Bess Meredyth, when through with her
adaptation of "War in the Dark," a Vien-
nese-Russian story by Ludwig Wolff, ordered
the ribbon changed on her trusty typewriter
and is said to be writing a play.
* * *
Edmund Goulding, author, writer, direc-
tor and sojourner to New York, wires that
when he returns to Hollywood he will be
accompanied by Al Woods, theatrical pro-
ducer.
* * *
After completing "Dark Fire," which
Metro-Goldwyn-Mayer purchased as a ve-
hicle for Ramon Novarro, Dorothy Farnum
has been assigned the adaptation of "Ste-
phen Tromholt's Wife," the Sudermann
novel, conceded as an important purchase.
* * *
Two Alan Crosland pictures, each with
Vitaphone accompaniment, are showing on
local screens. One is "The Jazz Singer,"
at the Tower and the other, ' ' Glorious
Betsy," at Warner's new theatre.
9 ♦ *H
Rod LaRocque and Pathe-DeMille will
part company next month, according to re-
port. LaRocque has not been satisfied with
his stories and has asked for his release.
Several companies are bidding for his ser-
vices and it is likely he will transfer his
make-up box to United Artists.
* * *
Lincoln Stedman, upon being signed to
play the lead opposite Marjorie Beebe in
"The Farmer's Daughter," a Fox produc-
tion, directed by Arthur Rosson, left im-
mediately to join the company in Santa
Cruz, where exteriors are being filmed.
* * *
Admirers of George Hackathorne wel-
come the news that he has been signed for
the title role of "The Stool Pigeon," from
a story by Basil Dickey, which will be di
rected by Leigh Jason. Hackathorne has
been contributing his talents to vaudeville
since he completed work as the hunchback
in Universal 's " Merry-Go-Round. "
* * *
Marion Nixon will leave Universal June
8. She will become a free lance at the con-
clusion of her contract.
* * *
Contrary to current rumor, Robert Ede-
son, who has returned to the free lance
field following three years' association un-
der DeMille contract, will not sign on any
dotted line under stipulations embraced in
long term agreements.
* * *
Members of ' ' The River Pirate ' ' com-
pany are on location at Pleasanton, a pic-
turesque northern California village, where
sequences of Charles Francis Coe's story
are being filmed under direction of William
K. Howard. Earle Foxe, whose first role as
a screen "menace" in "Four Sons," has
been widely acclaimed, will play the heavy
in "The River Pirate," and Robert Perry,
veteran screen player will be seen also.
Zane Grey, noted novelist, recently visited
the set at the Paramount Studio in Holly-
wood, where his latest western story, "The
Vanishing Pioneer," is being filmed. There
Grey met director John Waters and the
featured leading man, Jack Holt, and in
company with them witnessed the project-
ing of scenes taken on location near Zion
National Park, Utah.
* * »
The docks of San Francisco, the exterior
of San Quentin prison and other points
north will be used as backgrounds for "Me-
Gangster," which Raoul Walsh is directing
for Fox. Don Terry, a new face on the
screen, is playing the boy and June Collyer,
featured Fox player, the girl.
* * *
Lois Wilson is rehearsing in "The
Queen's Husband," the second successive
play in which she will appear on the Holly-
wood stage, opposite Edward Everett Hor-
ton, although it is reported -that Miss Wil-
son has been signed by F B 0 for a starring
role in a picture to be started within a week.
* * *
Work on William Beaudine's current
First National production, ' ' Heart to
Heart," was interrupted by the director
himself when he sprung a surprise party
on Mary Astor, in honor of her birthday.
The cast, invited to partake of refresh-
ments on the set, formed an interesting
group. It included Louise Fazenda, Thelma
Todd, Raymond McKee, Aileen Manning
and little Virginia Gray.
* # »
Funeral services were held last Thursday
for the late Clara Williams famous screen
and stage actress, and the wife of Regi-
nald Barker, director. Mrs. Barker has
been i\l for some time,, having recently un-
dergone several critical operations. She
will be remembered as a former star of the
Thomas H. Ince Productions and played
with such well known artists as H. B. War-
ner, Charles Ray, Louise Glaum and Doro-
thy Dal ton. Her best known role was ' ' Car-
men of the Klondike. ' ' She married Barker
at the height of her career, when he was
directing for luce.
* ♦ *
Monta Bell, director for the past three
years at the Metro-Goldwyn-Mayer lot, has
resigned to become an independent pro-
ducer. Bell has several stories which he will
direct and produce on his own.
Columbia to Make Holt
Film at $250,000 Cost
AS its initial production on the
1928-29 program, Columbia an-
nounces a special tentatively
called "Out of the Depths," which is
to be produced on an elaborate scale
at a cost of $250,000 it is said. Jack
Holt will appear in the leading role —
that of the captain of a submarine —
and will be directed by Irwin Willat.
Norman Springer, who wrote "The
Blood Ship," is author of the story.
Winifred Dunn is preparing the con-
tinuity.
Anna Q. Nilsson fell from a horse last
Wednesday and fractured her ankle. Miss
Nilsson was to have started work this week
in the stellar role of "Ned McCobb's
Daughter" a DeMille-Pathe production.
The story will be held up until she is able
to walk again.
* * . #
Nils Asther, whose first appearance of
importance in an American made picture
was in "Sorrell and Son," has had little
time for else but work in the past six months.
During this period he has played the lead-
ing male roles in "Rachel," for Paramount;
"The Blue Danube," DeMille-Pathe, and
in "Laugh, Clown, Laugh," appeared in
the leading juvenile role in support of Lon
Chaney. His ability being recognized.
Metro-Goldwyn-Mayer assumed his original
contract with United Artists for one year
and Asther's most recent assignment is the
lead opposite Marion Da vies in "Her Card-
board Lover. ' '
* * »
Lucien Prival has just completed a
featured role in "The Racket" and upon
strength of his performance, his contract
with First National was taken over by
Caddo in order that Prival might appear in
the heavy role of "Hell's Angels."
* * *
Joseph Franklin Poland, supervising edi-
tor of feature comedies for Universal, and
Matt Taylor, have completed "The Cohens
and Kellys in Atlantic City," another se-
quel to the joint activities of the families
headed, in picture versions, by George Sid-
ney and Charlie Murray. Matt is writing
the continuity.
* * •
The selection of May McAvoy for the
featured feminine role in "The Terror,"
has been confirmed by Jack Warner, who,
at the same time, announced that the pic-
turization of this stage success was to be
made as one of the biggest specials on War-
ner's future program. Roy Del Ruth, who
will direct, is selecting his cast, while Har-
vey Gates is writing the screen version of
the Edgar Wallace play.
* * *
Betty Blythe, whose laurels are not con-
fined to beauty, but whose voice has also
won her much acclaim, has been assigned
the coveted role of the opera star in "War
in the Dark."
* * *
And Betty Bronson will have the leading
feminine role in "The Singing Fool," which
Graham Baker is adapting from a stage
play by Leslie S. Barrows.
* # #
F. W. Murnau, the director of ' ' Sunrise, ' '
has established a reputation for doing the
unusual. In making his most recently eom
pleted production, "The Four Devils," he
shot every scene excepting one under a stu-
dio roof and was on location during the
filming of the picture just four hours for
one day. Murnau 's next assignment is "Oui
Daily Bread," a story which combines the
play, "The Mud Turtle," in which Mary
Duncan will play the lead.
1697
heth* QRAND "ow
VlWPHONE
TALKING
A SENSATION
fENDERLOIN
Greater than ^fc^
Jazz
*Otie Theatre Of
Distinctive
Entertainment'7'
Second Smashing Week
The Vitaphone Sensation
"TENDERLOIN"
The Talking Picture
SEE and HEAR
DOLORES COSTELLO
and
CONRAD NAGEL
3 ACTS VITAPHONE VAUDEVILLE
GENE
MORGANS
ORCHESTRA
The Talking Picture That
Will Be the Talk or Indianapolis
Bus Amazing MHodmrua Of
Uf A'jflnrt, I* WW Of to Drcmatu u
By THf Rfrpoldtion Of Sfvkrri Dialo*j# A
. . is Symphonic AccoMtwurw
Ear /TS
EVENINGS «j
ANO SUNOAY x
MATINEES ^)
25
1t> fcRM,
v BARGAIN
(>QESfcNTATIOJS
FRED AR^AfM
I In A Comedy PiayieT
FRANK MCHARBMN
S 'The inimitable"
J OTHER FEATURES
SffT^D MAR
WORLD'S LATEST '
NEWS EVENTS
•you'u TrVff/u rv/rum/s^
me UTMOST SENSATION
ITS GREAT//
1 group of four newspaper displays exploiting
"Tenderloin" with Vitaphone Accompaniment.
The reproductions above show the form of ad-
vertising used by Meth's Grand, at Columbus. O..
represented with two displays each of two-column
size: the Apollo at Indianapolis, with a three-
column display, and the Rialto in Dallas. The
Rialto ad teas two columns tcide.
Classified Ads
RATES: 10 cents a word for each insertion, in advance
except Employment Wanted, on which rate is 5 cents
Situations Wanted
ORGANIST, versatile, com-
petent, desires change of city.
Union. Complete library.
Eight years experience.
Straight picture policy pre-
ferred. Address Box 351, care
Motion Picture News, 729
Seventh Ave., New York City.
ORGANISTS and SING-
ERS, thoroughly trained and
experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address, Chicago
Musical College, 64 E. Van
Buren, Chicago.
A-l Male Organist at liber-
ty. Wurlitzer specialist. Or-
ganist, 1112 Lee St., Charles-
ton-Ka., W. Va.
ORGANIST. AAA refer-
ences from theatres that
count. Exceptional opportu
nity to secure well known mu-
sician of uncommon ability.
Investigate. Box 315, care of
Motion Picture News, New
York City.
PROJECTIONIST
UNION. Young man with
broad experience in motion
picture projection desires po-
sition. Capable, can make
good anywhere. Address Box
346, care Motion Picture
News, 729 Seventh Ave., New
York.
Experienced Projectionist.
Single. Go anywhere. Write
or wire. Carr Hilburn, Bla-
denboro, North Carolina.
For Sale
FOR SALE — Five year
lease finest negro theatre in
State. Seats 600, fully
equipped. Address Ilurton
& Ilurton, 5001 15th Street,
Tampa, Fla.
FOR SALE— Marlowe The-
atre, Buffalo, N. Y. 750 seats,
$45,000. $12,000 cash re-
quired. For details write Da-
vid Krieger, 257 Virginia
Street, Buffalo, N. Y.
FOR SALE: Corporation
operating chain of six thea-
tres in towns of 2,000 to 7,000
population. Will sell all or
part. Inquire Box 323, care
Motion Picture News, 729 7th
Ave., New York City.
FOR SALE 1,100 second-
hand, veneer theatre chairs in
first-class condition at $1.10
per chair. Address, Box 425,
care Motion Picture News,
729 Seventh Ave., New York.
FOR SALE: 700 uphol-
stered opera chairs, $2.25
each; 600, $2.75 each; 500,
$2.50 each; 1,000 veneer
chairs, price $1.25 each. Good
serviceable condition. Can be
seen on request. Box 425, Mo-
tion Picture News, 729 7th
Avenue, New York City.
Theatre Wanted
THEATRE WANTED —
Country Town or Suburban,
will lease or buy. Give par-
ticulars. H. R. W., 8 Down-
ing Ave.. Dowingtown. Pa.
WANTED — Two Experi-
enced Theatre Managers as
FOURTH OWNERS to lo-
cate as resident associates.
One in Ohio City, other in
New York State. Full par-
ticulars with Bank References
upon request. Address Rosa
A. McAvoy, 252 Lafayette
Ave.. Geneva, N. Y.
1698
.1/ o t i o n P i c t u re New s
ibitors Service Bureau - m
m
Exploit Lindbergh Film
Three-Reel Feature Receives Strong Advertising Sup-
port at First Run Theatres Over Country
IT is rarely that a short feature receives
the extensive exploitation support from
theatre men that has been accorded
local showings of "40,000 Miles With
Lindbergh." Of course, it is not usual for
the theatre men to have a subject that
lends itself to popular intei-est as this pic-
ture presenting a compilation of scenes
taken in the United States, Europe and
South America. However, a theatre cannot
keep going on the "cream" that comes
along once and a while for the exploitation
man, and there is needed more energy, more
originality and more interest by the exploi-
tation men in the matter of giving the right
kind of support to short features, if the
picture houses are to fully capitalize their
potential drawing cards. The result of all
the excellent exploitation that has been ac-
corded "40,000 Miles with Lindbergh" was
reflected in the check-up on leading attrac-
tions for the month from March 15 to
April 15 as presented in the Theatre At-
tendance Analysis published in The Show-
man for May, in which this three-reeler was
rated among the prominent key city attrac-
tions for the period reported.
Two recent campaigns staged for the pic-
ture illustrate the vigorous method in which
showmen supported their presentations, and
indicate the variety and extent of coopera-
tive exploitation that has been accom-
plished. These campaigns were put on in
Toledo, Ohio, by Manager Len Grotte of the
Valentine theatre, and in Dallas, by Man-
ager James O. Cherry of the Melba.
Cherry's drive was a combination cam-
paign exploiting "The Smart Set" and
"40,000 Miles With Lindbergh."
Ten days in advance all paper posted on
"The Smart Set" was sniped with an an-
nouncement of the extra added attraction,
"Forty Thousand Miles With Lindbergh."
Trailer Week in Advance
One week in advance a special trailer
was run on the film calling attention to the
fact that the attraction was a complete
chronicle of Lindbergh's exploits. One
week in advance a newspaper campaign was
started. This consisted of underlining the
"Smart Set" and other current attraction
ads. Special stories were secured a Sun-
day in advance of play date, and special
photo layouts, one three-column and one
four-column layout, were secured. Also spe-
cial stories were secured during the week
prior to play date.
Due to Col. Lindbergh visiting Dallas en-
route to the coast to secure his new plane,
on the second day of play date, the news-
paper extras the opening day of play date
carried the scare-line "Lindy coming here"
and this gave a natural plug. The Monday
papers carried special photos of his arrival
in Dallas, Sunday, together with a page
one story.
A special cooperative hook-up was
effected with the United States Post Office
in Dallas through the cooperation of Post-
master Philp. He permitted the use of a
22 x 28 card in two colors — one on each
side of every post office motor truck in ser-
vice in Dallas. These numbered sixty-five.
Arrangement was also made through
Postmaster Philp for an aeroplane delivery
of the film presumably from Chicago by a
National Air Transport plane. A special
trailer showing the arrival of the print was
shown three days in advance of playdate.
A special tie-up was effected with the
United States Army, Navy, and Marine
Recruiting Stations, whereby permission
was given to use the A Boards of these
offices posted with a special one-sheet re-
garding Lindbergh's army training. Two
hundred of these boards were posted.
Newspaper Tie-Up
A special tie-up was effected with the
Circulation department of the Dallas News
and Journal. The news boys (street sales)
on all the downtown corners wore a spe-
cial Lindbergh novelty cap over-printed
with theatre name and play date. This was
quite an effective stunt opening day, as the
Newsies were yelling "Extra, Lindy Coming
Here."
A marble contest was tied-up to the pub-
licity on the short feature, when it played
at the Valentine Theatre, Toledo.
Owing to the fact that the News-Bee was
in the midst of its annual marble tourna-
ment, it was necessary to tie-in with the
contest in order to get special publicity on
the picture. Hence arrangements were made
to give participants in the Marble Contest
a special showing on Saturday, the opening
day, sponsored by the newspaper. In addi-
tion, pictures of Lindbergh were carried for
ten days on eight trucks employed by the
newspaper. Large posters and cut-outs
were used in lobby, and the entire electric
sign over the marquee was devoted to the
Lindbergh picture.
Nautical Display Exploits
"Across to Singapore"
A window display of historic interest,
suggested by the period in which the photo-
play is set, did a great deal to augment the
success of "Across to Singapore," when
that picture played at the Warfield Theatre,
San Francisco, Cal. The display was ar-
ranged by the manager of the theatre, as-
sisted by a Metro-Goldwyn-Mayer exploi-
teer.
A display of photos of old windjammers,
the logs of several old ships, a quadrant
and sextant, together with the bell from
famous clipper "Young America," and her
chronometer and clock, was secured in the
Merchants Exchange, linked with stills,
etc., to the picture and theatre.
Showmanship
'Brief*
THE personal endorsement message fre-
quently has been used for newspaper
and direct mail advertising with good effect,
and now the same idea has been applied suc-
cessfully to an advance screen trailer. This
method of announcing an attraction was
adopted by Manager Grant Pemberton, of
Pantages theatre, Salt Lake City, in con-
nection with his campaign for "Thj Crowd."
Pemberton tied-up the trailer message with
all other advertising by stressing the fact
that this was the first instance in which he
personally endorsed a picture.
HAROLD H. WERNER, manager of the
Central theatre, Cedarhurst, N. Y., had a
real "Patent Leather Kid" as a ballyhoo for
his showing of the Barthelmess picture of that
title. Werner's stunt was a street worker, a
young man, dressed in clothes made of a high
grade black oil cloth, which had a brilliant,
glossy finish and resembled patent leather. The
man carried a sign on his back announcing the
attraction and play dates. This stunt, which
Werner reports as most profitable from the box
office standpoint, cost only ten dollars, the cost
of making the "patent leather" suit.
THE Pennsylvania theatre controlled by the
Harris Amusement Company, of Pitts-
burgh, are planning a statezvide tournament for
amateur dancers in zvhich cash prices ivill be
awarded to the zvinners. John Meerbaugh and
Miss Margaret Royer, of Altoona, who recently
icon a dancing contest in the Harris-Majestic
tli cat re, Johnstown, sidisequently zvon fifth prise
in a national dancing contest held in Chicago,
in which dancers from thirty cities competed.
They received handsome gold medals and a
motion picture of their dance was taken.
A MOST elaborate campaign for the show-
ing of the Vitaphone production "The
Jazz Singer" at Atlanta featuring a tie-up
with the Southern railway in which the
Southern railway put on special excursions,
offering both two day and six day rates
was staged in the interests of "The Jazz
Singer" in Atlanta. This cooperative drive,
patterned after a campaign at Omaha and
reported in this department, offered out-of-
town theatregoers special excursion rates to
Atlanta on railroads feeding that city from
out-of-town communities.
IN connection with the showing of "Red
Hair" at the West Coast California Man-
ager H. L. Hartman distributed cash prizes to
the three red-headed girls who were acclaimed
by the audiences as the best out of a field of
some forty. The prizes were $25, $15 and $10,
and as it happened the first went to Hazel
Henry, 11, attending grammar school, while
the second went to a high school girl and the
third to a State College student, the successful
contestants thus representing three different
grades of educational institutions.
IF you sazv a parade of Hupmobiles, each
topped with a girl sitting on the hood rest-
ing her silk clad legs on the mud guard, you'd
give more than a casual look, wouldn't you? So
did everyone in San Diego, California, zi'hcn
Harry L. Hartman, resident manager of the
Fairmount Theatre, staged this stunt during the
run of "Silk Stockings."
May 19 , 1 9 2 8
Exhibitor's Ideas Adopted
by Distributor
It is not unusual for a theatre man to
adopt the ideas suggested in press books
issued by distributors, bu1 the occurrence
where a distributor adopts an exhibitor's
exploitation to national exploitation is less
i'i'i'(|iient, despite the tact that many highly
ingenious campaign inventions are intro-
duced by showmen. The reversal of the
order of things, however, has been made in
the case of some special star exploitation
for Glenn Tryon pictures by Universal.
This week the company announced that
an exploitation stunt used by Manager
Robert Bender of the Columbia theatre in
Seattle, has been applied on a national
basis. The stunt consists of a " Glenn-Tryon
Bag of Tricks."
The idea was used by Manager Bender in
connection with his exploitation for Tryon 's
latest picture and consisted of a bag of
magic tricks given out as premiums to those
attending showings of the picture. Univer-
sal has prepared a bag containing seven
sleight of hand tricks bearing an advertis-
ing line to boost this star.
Tieup with Public Library
Exploits "The Enemy"
Tie-ups with the public library were one
of the means employed by Manager William
Shirley of the State Theatre, Schenectady,
N. Y., to publicize a showing of "The
Enemy." Shirley was assisted by an M-G-
M Exploitcer.
A tie-up was arranged, both with the
Public Library and the Renting Reader Li-
brary, and three thousand book-markers
were used. In the Public Library, the thea-
tre was able to make a small display on
the librarian's desk with books, a window
card and still-.
Puts Headlights on Cutout
of Locomotive Display
Manager F. J. Miller used a lobby dis-
play in the form of a locomotive to adver-
tise "The Night Flyer" at the Publix
Modjeska Theatre, Augusta, Ga.
Tlie locomotive was cut out from the 24-
sheet and then a large headlight was placed
on it as were two small lights on each side.
This display was used in the foyer of the
theatre one week in advance of play dates
and then moved to the outer lobby.
Close Stanley's Season
of Children Matinees
THE Department of Public Service
and Education of the Stanley
Company of America has closed
the season in Philadelphia, during
which more than 100,000 children at-
tended special Saturday morning per-
formances in ten of the Stanley the-
atres in that city. Mrs. Walter Wil-
lard, chairman of the Motion Picture
Committee of the Pennsylvania Federa-
tion of Women's Clubs, cooperated
with Harry D. Wescott, associate di-
rector of the Public Service and Edu-
cation Department of the company, in
bringing an entertaining and highly
educational type of pictures to the
children. Films were furnished gratis
by Pat he and the U. S. Department of
Education.
16W
Noise from Boiler Room Supplies Ac-
companiment to Dance at Roxy
THE Roxy symphony orchestra steps aside in favor of the dynamo and
turbine engines of the theatre's boiler room to supply the accom-
paniment to a dance which is one of the features of the current
program al the lug Cathedral of the Motion Picture. This innovation is
the realization of a new ideal in the dance — freedom from the conventions
which these long years have "shackled" the art, which once upon a time
was deemed to he wedded to music.
The dance presentation is introduced by Eugene Von Grona. a Gi
man dancer who is an exponent of a new school of dancing "in which defi-
nite technique is abandoned for the natural movements of the body."
The dance is called "The Spirit of Labor" and i- interpreted solely to
an accompaniment of factory noises. In the interests of greater realism
these noises are achieved by connecting microphone s on tin- stage with the
power plant of the theatre itself and the actual noises of the engines in
the cellar of the Roxv are heard by the audience.
Gets Visiting Opera Stars to
Endorse "Ramona" Film
WHAT ordinarily would be considered
a strong competing attraction, was
turned to advertising capital for the presen-
tation of a motion picture through an in-
genious stroke of showmanship introduced
in Cleveland by M. A. Malaney, manager of
the Stillnian theatre there, in connection
with his presentation of "Ramona."
The annual visit to Cleveland of the Met-
ropolitan Opera Company occurred at the
time Malaney was showing the Del Rio
starring vehicle at the Stillman. As a
means of tying up with the popular interest
in the Opera troupe, the manager gave a
special preview of "Ramona" for stars of
the company visiting Cleveland. At the con-
clusion of the showing, Malaney obtained
from several of the leading singers expres-
sions of praise for the picture. These state-
ments complimentary to the picture and its
star were used as advertising copy in a
series of ads for "Ramona." Such stars
as Queena Mario, Julia Claussen, Arnold
Tokatyan, Giovanni Martinelli and Freder-
ick Jagel, were quoted as endorsing the
Stillman attraction.
Another campaign of note staged in be-
half of "Ramona" was put on in Atlanta,
Ga., by Manager Ernest Morrison of the
Howard theatre. Among the leading fea-
tures of the campaign was a newspaper co-
operative studt in which Miss del Rio
started the first run of the film at the
Howard by pushing a button at the studio
in Los Angeles, the action being repro-
duced by telephoto and the resulting pho-
tograph being published in the newspaper
along with a picture of the projection booth
Ulterior taken as the signal was received
from the coast.
An extraordinary window flash was ob-
tained through dealers in the Feist song
and in Victor, Brunswick and Columbia
records. A newspaper ran a contest with
prizes for the best new chorus to the song
' ' Ramona. ' '
The theatre also flashed a night display
on a large building with a stereopticon and
a stenciled slide announcing "Ramona" as
the current attraction. A library tie-up, a
Ford car tie-up, and a dozen other stunts
marked this engagement for the picture.
Introduces New Organist With
Feature Exploitation Drive
AN extensive campaign such as is usually
given to an exceptional picture was
accorded to Francis Farney, the "new idea
organist" at the Colorado Theatre, Pueblo,
Colo.
Three weeks in advance of Farney 's pre-
siding at the organ, one-inch teasers were
used and carried right on through to bis
opening appearance.
The Pueblo Chieftain carried a cartoon
coloring contest showing Farney seated at
the organ. This contest was especially
meant for the younger folks and the ones
sending in the best 'coloring jobs' accord-
ing to the findings of the judges were
awarded suitable prizes.
Announcement of Farney 's coming was
shown on the screen by a special trailer; in
the, foyer on two art one-sheets; "J") mer-
chants' wiudows carried special welcome
cards; all music stores carried insert frames
with special copy and a photograpb of the
man; one cafe had a "Francis Farney New
Idea Sandwich" and another a "Francis
Karncy New Idea Sundae."
At the opening baseball game of the sea-
son, a Western Union boy went all through
tbe crowd calling, "Telegram for Francis
Farney. ' '
100 cut-out discs, mounted on wooden
blocks were placed on top of cash registers
about the city and 1000 automobile >iickers
reading, "Welcome Farney" were pasted
«n as many auto windshields.
All in all the campaign was such as to
make Farney the talk of the city.
1700
Motion Picture News
Key City Reports
New York City
GOOD motoring weather and day-
light saving, thoughts of bungalows
and beach resorts are beginning to
get in their annual wallop to all indoor at-
tractions with the result that gas stations,
real estate dealers, concessionnaires and the
owners of such enterprises as the Holland
tunnel are commanding a considerable share
of the public's attention. The seasonal de-
cline is generally anticipated by most all
theatre owners and signs of added strength
to programs are already evident along
Broadway. Heavier advertising, strong at-
tractions and giving the needle to the pre-
sentations usually helps to overcome com-
petition from the outdoor field.
Probably the biggest noise along the
Street came along the latter part of the
week when Paul Ash, the much heralded
Chicago maestro, made his debut at the
Paramount. Criticism, aimed at the "Genial
Giant of Jazz" by certain members of this
trade and local newspaper reviewers, seems
to reveal a tendency, on the part of most of
them, to have been all set to pounce on the
popular bandmaster who has worked his
way from coast to coast through sheer force
of theatre personality. These writers' re-
views appeared to reflect their disappoint-
ment over the fact that they had to pay Mr.
Ash any tribute at all. It is our opinion that
he will click strongly with Paramount audi-
ences.
Last week's film at the Paramount was
"Easy Come, Easy Go" with Richard Dix
and while attendance was somewhat un-
der average, due to conditions mentioned
in the first paragraph, the house did fair
enough. The Capitol, with its holdover of
"Across to Singapore," was not quite as
lucky as the gate dropped off quite a bit
from the preceding week's good business.
The Strand seems to be in a slump and not
even an entertaining comedy like "The Big
Noise" (F. N.) was capable of snapping this
house out of its recent slow pace. The new
stage units lately inaugurated at the Strand
are receiving scant praise.
The Rialto finished with Griffith's "Drums
of Love" and the Rivoli let go of "Speedy"
after five weeks. Not too much was ex-
pected of the Griffith picture after a run
at the Liberty and while a sixth week may
have been planned for "Speedy," each suc-
ceeding week saw a consistent drop in gross
and "Ramona" followed in. All in all,
Lloyd's latest did pretty fair. It was simply
a case of over-estimating the length of the
run. Reports from outside will parallel the
performance at the Rivoli.
The Roxy came back slightly last week —
just slightly, with Fox's "The Escape." The
Summer months may tell the story of the
big Fox house — whether rather mediocre
program pictures coupled with a strong
Rothafel presentation will be enough to
show a reasonable profit. The nut on the
Roxy is said to be between $85,000 and
$90,000.
The smaller theatres with the larger
prices also felt the general conditions, prac-
tically all of them taking one on the chin.
M-G-M's "The Trail of '98," up until the
past week has been doing four -fifths capa-
city and this may be put down as strong.
Paramount's "Wings" was also under aver-
age but there can be no real kick on this.
'Fox's "Street Angel" can also be classed
among the stronger ones but this, too, felt
the depression. The Vitaphoned "Glorious
Betsy" did fair enough at Warners, indi-
cating the interest in the "Talkies."
There seems to be no doubt that "Abie's
Irish Rose" is getting a raw deal from the
theatre-going folks and we advanced our
reasons for this in these columns last week.
We might add that a different sign on the
marquee might improve things somewhat.
It reads: "Anne Nichols' Abie's Irish Rose"
— perhaps creating an impression that its the
old legit show back again. And it's playing
across the river right now. The Central is
doing well enough with Universal's "The
Man Who Laughs" and about the same may
be said of "Four Sons" at the Gaiety. Noth-
ing much can be said about "Mother Ma-
chree" at the Times Square. Its just there.
The Cameo had a fair week with "The
Raider Emden" (Columbia).
Seattle
MODERATELY good business is all that
was claimed by the picture houses of
Seattle last week, with no particularly sen-
sational box office attractions.
"The Patsy," at the Seattle theatre, at-
tracted average good houses, but this theatre
still suffers in gross because of the lack of
matinee business. The picture was well re-
ceived, and, coupled with a Publix stage
show entitled "Dancing Feet," it played to
pleasing business.
At the Fifth Avenue theatre, "Circus
Rookies" was the attraction. It was not as
strong a box office bet as other Dane-Arthur
films have been, but was satisfactory. Eddie
Peabody was featured for his last week of
the five-week engagement as master of cere-
monies, and also pulled his share of busi-
ness. 'Fanchon-Marco's "Jazzical Trial" idea
was the stage show, and was quite accept-
able. Total gross about average.
"The Jazz Singer," in the second week of
its return engagement at the Blue Mouse
theatre, played to very good houses, and
still showed that it was the strongest box
office film ever shown at this house, and sel-
dom equalled anywhere. The two weeks
were very good, considering the record-
breaking engagement of six weeks just a
couple of months ago.
At the United Artists theatre, "The
Patent Leather Kid" took a slight drop in
its second week. The opening week of the
film was very satisfactory, but the following
seven days were considerably lower in gross,
and brought the total run down noticeably.
A good picture because of its local interest
in filming, but not particularly strong for a
two-week engagement at a big house.
"We Americans," at the Columbia theatre,
was a slightly stronger film than other re-
cent "U" attractions have been, and added
exploitation and advertising succeeded in
building up the house's gross a bit. Good
for one week of rather good business, in
spite of previous slack reports.
"The Summer Hero," at the Orpheum, and
"Square Crooks," at the Pantages, were av-
erage attractions, but not big money getters.
"Upstream," at the Embassy, was a well
received film.
"West of Broadway," at the Palace Hip
theatre, and "Red Riders of Canada," at the
Winter Garden, were mediocre attractions.
Altogether, a fairly quiet week, reflecting
general business conditions in the Pacific
Northwest.
Los Angeles
* 4 VI7INGS" closed at the Biltmore after
VV a successful engagement of 18
weeks. The picture was originally sched-
uled to play 8 weeks, but because of its re-
ception with the public it was held over for
an extended run.
At the Criterion "Sunrise" is holding up
very well. The theare is also featuring the
Movietone and Pat Rooney and Marion
Bent in "Shamrocks."
"The Good-Bye Kiss" proved to be a dis-
appointment for the Million Dollar. Bebe
Daniels in "The 50-50 Girl" got away to a
good start and carried on satisfactorily
throughout the week. Ann Pennington ap-
peared in person on the bill. She also
proved a good drawing card for Loew's
State.
Pola Negri in "Three Sinners" at the
Metropolitan played to good business.
Satisfactory attendance is reported for the
week for "Street Angel" at the Carthay
Circle Theatre. "Glorious Betsy" at War-
ner's Theatre in Hollywood continues to
draw big business.
"The Trail of '98" opened last week at
Grauman's Chinese, and reports of the first
few days show normal receipts.
Good attendance is reported for "Drums
of Love," which opened this week at United
Artists Theatre.
The Filmarte Theatre, under the direction
of Miss Regge Doran, formerly of New York
City, opened its doors to the public this
week, with the premiere showing of "The
Golden Clown." This theatre, sponsored by
West Coast-Hollywood Theatres, Inc., will
present productions which have not found
their way into regular motion picture the-
atres, but at the same time warrant showing
because of their merit from an artistic stand-
point. The admission prices are 75 cents
and $1.00. Satisfactory business has been
reported for the first few days.
Buffalo
ALL existing box-office records at the La-
fayette Theatre went to smash last
week when "Tenderloin," the talking picture,
packed 'em in like they haven't been packed
in for many, many months. So general was
the response of the public that it was de-
cided to hold the picture over for another
week's run. The picture, starring Dolores
Costello and Conrad Nagel, shattered all rec-
ords at the Lafayette, the opening days sur-
passing the mark set by Valentino's last pic-
ture, "The Son of the Sheik." A fair vaude-
ville bill supported this feature film.
Shea's Buffalo also rang up some excellent
box-office receipts, with one of the finest
all-around bills ever shown at this house.
"Legion of the Condemned" was the film,
and "Hey, Hey!" was the Publix revue that
set the theatregoers by the ears.
The Great Lakes recorded some excellent
patronage with "Why Sailors Go Wrong"
on the screen and a classy vaudeville pro-
gram headlining Roger Imhof and Marcelle
Coreene and company in a comedy, "In a
Pest House." Loew's got satisfactory re-
sults from a strong stage and screen bill,
with Lon Chaney in "Laugh, Clown, Laugh"
as the film, and Lieut. Gitz-Rice featuring
the vaudeville bill.
Sheas Hippodrome chalked up splendid
box-office results with "Stand and Deliver"
on the screen and an elephant act heading
a varied stage bill.
Neighborhood houses reported normal
business.
Ma y I 9
1701
Philadelphia
DAYLIGHT saving ha* not affected busi-
ness in Philadelphia as seriously as ex-
pected. The Stanley Company houses as a
whole are doing better business than during
the corresponding period of daylight saving
last year. Other important chains in the
city report a similar condition.
William Haines in "The Smart Set," with
an elaborate stage presentation "Around the
Clock," in which Allan Rogers again acted
as master of ceremonies, showed good box
office results at the Stanley.
The Fox bad George O'Brien and Estelle
Taylor in "Honor Bound" on the screen, and
a stage show consisting of Juan Sebastian
and his Guatemala Marimba Band, Addison
Fowler and Florence Tamara, dancers, Fmil
Boreo and the Abbey Sisters.
The Carman showed "Bare Knees on the
screen and a bright and snappy "Song and
Dance Revue" that drew satisfactory attend-
ance all week.
Harold Lloyd in "Speedy at the Stanton
still continues to draw the crowds. The ac-
tion is swift and entertaining, and proves
that a good comedy is always a good box-
office attraction.
"Street Angel," with Janet Gaynor and
Charles 'Farrell, at the Fox Locust has
achieved great success and will continue
there for several weeks more.
"The Legion of the Condemned," a sequel
to "Wings," with a splendid cast, completed
its second week at the Aldine with a fine
record.
"The Big City," with Lon Chaney, had
rather a disappointing week at the Karlton.
The opinion seemed to be that this is not
quite up to the Chaney standard.
At the Arcadia, Pola Negri in "Three Sin-
ners" played to average business.
The Palace reports satisfactory results
with Lew Cody and Aileen Pringle in
"Wickedness Preferred."
Greta Garbo in "The Divine Woman"
drew a good share of patronage for the
Capitol.
Atlanta
REOPENING with Vitaphone and Mo-
vietone, the Rialto Theatre last week
leaped far ahead of the other houses with
the showing of "Tenderloin," its initial offer-
ing of Vitaphone pictures.
The other theatres fell into about an equal
split.
Keith's Georgia, with Adolphe Menjou in
"A Night of Mystery," proved popular, while
next door, at the Capitol. "Honor Bound,"
with George O'Brien and Estelle Taylor,
was likewise liked.
Richard Barthelmess in "The Noose" did
not draw the houses anticipated. Not the
picture's fault, but business conditions gen-
erally.
At Loew's Grand, Rene Adoree and Lionel
Barrymore played to fair houses in "Body
and Soul."
"The Port of Missing Girls" brought only
a mediocre box-office for the Metropolitan.
The Tudor held its own with "Beyond
London's Lights," "Sky High Saunders,"
and "Slingshot Kid."
Ont first run, "The Return of Peter
Grimm," and four second runs brought the
New Alamo its usual good week.
Indianapolis
RECEIPTS at Indianapolis theatres were
only fair the past week, although first-
run houses managed to show a little profit
for the week. The weather was ideal for
good picture business, somewhat bolstering
business, which has been off for several
weeks. Exhibitors over the State generally
report business bad, due to unemployment.
The Indiana offered "The Latest From
Paris," and found results from this showing
satisfactory. Charlie Davis' stage band con-
tinues to hold Indiana crowds.
Gloria Swanson in "Sadie Thompson" did
moderately well at Loew's Palace, and Rich-
ard Barthelmess in "The Little Shepherd
of Kingdom Come," was accorded fair pa-
tronage at I be Circle. Dave Silverman, of
Louis, guest conductor of the Circle orches-
tra, drew heavily.
Monte Blue and Belle Bennett in "The
Bush Leaguer" was the feature at the Ohio,
and was very well attended.
Tom Wilson and Heinie Conklin, in "Ham
and Eggs at the Front," with Movietone and
Vitaphone vaudeville, enjoyed a good gross
for the week at the Apollo.
Stuart Walker's stock at Keith's and Ber-
kell players at English's drew heavily from
movies. Good advance sale for Walker's
opening week.
Baltimore
A l.THOUGH the attendance at the races
here is eating into the patronage of
moving picture theatres to some extent, gen-
erally speaking the week beginning, Monday,
May 7, was a fairly good one at the first-run
houses.
At the Keith-Albee New Garden prices
were lowered to meet those of the regular
movie houses and, with "San Francisco
Nights," starring Percy Marmont, business
was good with seven acts of Keith-Albee
high class vaudeville on the same bill.
At Keith's Hippodrome, where five acts
of Keith-Albee family time vaudeville is giv-
en with a feature picture, the attraction was
"Night Life," featuring Alice Day and
Johnny Harron. Business throughout the
week there was fairly good.
The Little Theatre, operated by the Mo-
tion Picture Guild, Inc., went along with
good business with "The Treasure," a for-
eign production featuring Werner Krauss.
But the high mark in good attendance for
the week was grabbed off by Loew's Va-
lencia, where "Laugh, Clown, Laugh," star-
ring Lon Chaney, was given its world prem-
iere for the public, and pulled wonderfully
during the entire week.
At Loew's Century "Easy Come, Easy
Go," starring Richard Dix, proved a fairly
good patron getter with a presentation act
entitled "Swanee Moon" with Ted Claire
and other vaudeville favorites.
The Stanley went along pretty good also
with "The Shepherd of the Hills," featuring
Alec B. Francis with Molly O'Day, and a
presentation act called "In Bermuda," with
Sammy Kaufman, and other vaudeville head-
liners.
"Ham and Eggs at the Front," with Tom
Wilson, Heinie Conklin, Myrna Loy and
Noah Young in blackface, proved a fairly
good patronage getter at Warners' Metro-
politan with Vitaphone accompaniment and
other Vitaphone acts.
Honor Bound" did not go over so good,
at the New Theatre, with George O'Brien,
Estelle Taylor and Leila Hyams in the fea-
tured parts. This might be attributed to
the subject of the film rather than to the
way it was acted and directed.
Des Moines
' 'rTHE GARDEN OF EDEN," at the
I Des Moines, where the Vitaphone
pictures continue to draw well, played to a
very good week. The sudden warmth in
the midweek had a decided effect on busi-
ness, but did not cut business so badly but
that the week's run was good.
At the Capitol Theatre "Across to Singa-
pore" was the feature, with a very good
stage show, with Casey Jones, fill-in per-
sonality man, making a good record. His
songs were enthusiastically applauded, while
the jugglers almost stopped the show.
At the Strand, "Burning Daylight," with
Milton Sills, also made a good record. This
theatre, however, always does well, due to
the price reduction there.
Minneapolis
THE best picture shown in Minneapolis
last week, "The Showdown," did not do
as well as it deserved to do at the box-office.
This excellent film, which featured George
Bancroft and Evelyn Brent, was shown at
the State, but did only a fair business.
"Harold Teen" was the film attraction at the
new Minnesota, where it played to good
houses. The fact that the comic strip,
"Harold Teen," runs in The Minneapolis
Journal, undoubtedly helped this picture
some. The Publix stage unit attraction at
the Minnesota was Boris Petroff's revue,
"Tick Tock."
Pantages gave "Honor Bound" the advan-
tage of some good advertising and, although
the critics did not seem to think this film
was a knockout, it seemed to please the pa-
trons of the theatre. Norma Shearer in "The
Latest from Paris" did a fair business at the
Strand, and Lew Cody and Aileen Pringle
in "Wickedness Preferred" ran about the
average at the Lyric. The Hennepin-Orphe-
um found a "Midnight Madness" a nice pic-
ture to top off its vaudeville program with,
at the Seventh Street Theatre Hoot Gibson
was attracting the western fans in "A Trick
of Hearts."
The Grand showed "Legion of the Con-
demned," which was seen a few weeks ago
at the Strand, and this picture retained much
of its box-office kick.
Business was fair to good at the neighbor-
hood houses, with the 1 ^agoon, American,
Lyndale and Loring showing such pictures
as "Two Flaming Youths," "Sorrell and
Son," "Rich Men's Sons," and "The Spot-
light."
The movies received their stiffest competi-
tion from the Shubert, where Clara Kimball
Young was appearing in person with the
Bainbridge Players in "The Constant Wife."
Hundreds of movie fans flocked to the
Shubert during the week, and the cinema
theatres suffered to just that extent.
Chicago
DAYLIGHT SAVING, which became
effective the first of the month, has
failed to help matters in Chicago, and busi-
ness straight down the line in all classes of
houses, was only fair.
The Chicago Theatre, which was holding
its annual "Take A Chance Week," fell off
somewhat the first two days, and in Tues-
day's ads announced "Easy Come, Easy Go"
with Richard Dix as the feature, and a stage
bill, business for the rest of the week
showing some improvement. "Laugh. Clown,
Laugh," was in its last week at McVickers'
Theatre, and continued to do fairly well.
"The Fifty-Fifty Girl" was the screen at-
traction at the Oriental and, Kosloff, as
guest conductor, headed a stage show. At-
tendance being somewhat below the stand-
ard set by the Oriental during Ash's regime
at this house:
The Roosevelt continued to do average
business with "We Americans," which was
in the last week of its run.
Both the Granada and Marbro Theatres
featured Dolores Costello and Conrad Nagel
in "Tenderloin," advertised as the first talk-
ing motion picture. At the Granada. Kaley's
stage band headed the program and at the
Marbro, popular Benny Meroff led. attend-
ance at both houses holding up very well.
"The Big City" and elaborate stage show
accounted for the average box office receipts
at the Uptown and, at the Tivoli, the same
feature with Benny Kreuger and his orches-
tra and Henry A. Keates as guest organist,
pulled good business.
A comedy program, "The Cohens and the
Kellys in Paris," went over well at the
Avalon, and a crook melo. "Chicago," at the
Capitol, again proved itself a good local box
office attraction.
1702
Motion Picture Xews
Dallas
RECEIPTS at the Dallas first-run the-
atres were only fair for the past seven
days, with only one enjoying unusually good
business. However, no one was complain-
ing, as a profit was shown and big business
was not expected, due to the first real warm
week of spring weather.
The Majestic, showing "Soft Living," with
Madge Bellamy, registered the largest gross,
and the totals for the week were exception-
ally good. Babe Egan and her Hollywood
Redheads headed the vaudeville bill, and re-
ceived an unusually good reception, which
was well earned.
"The Latest From Paris," with Norma
Shearer at the Melba, secured only a fair
patronage, but the figures for the week were
on the safe side of the ledger. This was
the second non-synchronized feature offered
by the Melba using the vitaphone.
At the Palace. "Easy Come, Easy Go,"
with Richard Dix and Nancy Carroll,
brought an average week's business, and
received favorable comment.
The Capitol Theatre was closed the
greater part of the week, due to the death of
Simon Charninsky, owner and manager, who
passed away after a two-hour illness on
Tuesday, May 8th. The Capitol reopened
Friday, May 11th.
At the Old Mill, "Wickedness Preferred,"
with Lew Cody and Aileen Pringle, checked
up only fair receipts for the seven-day run.
At the Arcadia, Clara Bow in "Red Hair,"
"Old San Francisco," with Dolores Costello,
and "Old Ironsides," brought that theatre
another good weekly gross.
Milwaukee
BUSINESS in the down-town theatres
continued at its usual steady gait last
week, bringing in average returns at prac-
tically all the houses. The great enthusiasm
with which Gilda Gray in "The Devil
Dancer" was greeted last week at the David-
son warranted her remaining here for an-
other week. The theatre continued to crowd
them in this second week. The Riverside
continued to draw good houses in its sec-
ond week. The photoplay feature was
"Ladies' Night in a Turkish Bath."
The Alhambra did very well with "Good
Morning, Judge."
"The Actress" at the Wisconsin was very
well received and very satisfying business
was the result. "The Patsy" drew fair
houses at the Merrill. "The Patent Leather
Kid" did moderately well at the Strand. The
Garden continued "The Jazz Singer" for a
second week in this return engagement and
business was fair. "Are You Fit to Marry?"
is playing at the Empress to fair houses.
The Orpheum offered a very strong program
with "The Play Girl" as the photoplay, and
the theatre was crowded at every perform-
ance.
Activity in the neighborhood theatres was
not very pronounced. "Quality Street" at
the Garfield, Uptown, Tower .and Modjeska
was only moderately well attended.
"Tillie's Punctured Romance" did fairly
well at the Oriental. The Venetian Theatre
found business rather brisk with "The Swell
Head" as the feature. "Finders Keepers"
was well attended at the Egyptian.
Salt Lake City
THEATRE attendance at the downtown
houses has fallen off some since the
warm weather made its appearance during
the last week, but some fairly crowded
houses are still reported.
The Capitol Theatre played to good busi-
ness during the showing of the Fox picture
"The Escape," and the Fanchon and Marco
stage presentation featuring Ukelele Ike.
George O'Brien and Estelle Taylor in
"Honor Bound" was well erceived by fairly
good-sized audiences at the Paramount Em-
press Theatre.
"The Enemy" and the vaudeville bill at
the Pantages Theatre drew the usual
crowded house here.
"Ben Hur," which was shown as a second-
run at the Victory Theatre, packed the
house.
The American Theatre did fairly well with
their presentation of Myrna Loy in "The
Crimson City."
"Sally of the Scandals," with Bessie Love
and Allan 'Forrest, proved to be a good
drawing card at the Gem Theatre, it was
reported.
Lon Chaney in "London After Midnight"
went over good in a second-run at the
Rialto.
The new State Theatre offered Percy
Marmont in the first-run Columbia picture
"San Francisco Nights" as the opening pro-
duction.
The Empire Theatre presented the first
showing of Tom Mix in "The Broncho
Twister" with fairly good results.
Harrisburg, Pa
ONLY moderate business was done in the
first-run theatres of Harrisburg last
week, a slight slump being attributed in part
to warmer weather. Marion Davies in "The
Patsy" at Loew's Regent, perhaps was the
best drawing card of the week in any strictly
movie house, although at the State, which
includes also vaudeville, there were crowded
houses at practically every performance.
The film part of the program the last half
of the week was Madge Bellamy in "The
Play Girl," while the other half of the bill
consisted of a musical revue, which perhaps
did more to draw the crowds than did the
picture.
At the Victoria, Esther Ralston, in "Some-
thing Always Happens," produced a lot of
thrills but did not draw big crowds. The
Colonial's offering was George O'Brien and
Lois Moran in "Sharp Shooters," which did
average business. Those who saw the pic-
ture were immensely pleased with it.
The Grand showed Tom Tyler in "The
Cyclone of the Range," which, as the title
indicates, was a Western thriller, and the
Capitol bill was featured by "Held by the
Law." The Royal did fair business with
Tom Mix in "Bronco Twister," while the
Broad Street presented "Under the Black
Eagle.
The return of warm weather marked the
start of the open-air carnival season in many
cities of Central Pennsylvania, which always
offers a certain amount of competition to the
picture shows. In Harrisburg the Sheesley
Shows held forth for the week for the bene-
fit of the Governor's Troop of the Pennsyl-
vania National Guard.
Tampa
THE Tampa had two favorites last week
who are usually sure-fire but they failed
to register their usual takings. Lon Chaney,
in "Laugh, Clown, Laugh" opened the week.
The Sunday matinee was off, probably due
to the perfect weather which pulled 'em to
the beaches. The night show came up good,
as did the following three days, but the draw
was not up to expectation. Adolphe Menjou
in "A Night of Mystery" was the feature of
the last half and he too fell under his usual
average.
The Victory continues to pull the crowds
with the Vitaphone presentations, features
and the Movietone News. The feature of
this week's program was "Slightly Used."
Business was very good.
The Strand also had a good week with
"A Gateway to the Moon," "The Count of
Ten," and "Crooks Can't Win" also showing
up nicely.
Business at the 'Franklin was hardly up to
average. "The Last Laugh" seemed to be
the best card of the three. "Chicago" was
given a second run and the "Passion Play"
is a feature that has been pretty well played
around here at different times.
Ottawa
THERE was much picture value in vari-
ous features which were presented in
Ottawa, Ontario, theatres during the week
of May 7, and the local theatre fans showed
their appreciation by turning out in big num-
bers.
The most strikingly dramatic attraction of
the week was "The Legion of the Con-
demned," at the Regent Theatre, where
capacity crowds were stirred by an exciting
story excellently portrayed. Manager Ray
Tubman chalked up big figures for the week.
Another sincere type of feature was "The
Harvester" at the B. F. Keith's Theatre. Al-
though Gene Stratton-Porter's story is a
sad narration, thousands saw its presenta-
tion and were deeply moved. It is a feature
to be remembered.
The Imperial Theatre satisfied those who
craved amusement by the presentation of
William Haines in "The Smart Set." The
story proved to be highly interesting, and
Haines continued on his wave of popular
favor in this picture. Heavy patronage.
Ottawa saw "Passion," with Pola Negri
and Emil Jannings, at last, this feature hav-
ing been kept from Ontario eyes for years
by the Provincial censors because of its
country of origin. It is interesting to note
that Manager Don Stapleton featured Jan-
nings in the advertising, according Pola sec-
ond place. Fair to good crowds.
The Rex Theatre, a neighborhood house,
did a land-office business with "40,000 Miles
with Lindbergh" and "Hoot Gibson in
"Silent Rider."
The Lindbergh feature also was a strong
attraction at the Columbia Theatre, this be-
ing doubled with "The Block Signal," with
Ralph Lewis. Business was above average
at both of these houses.
The Fern Theatre was jammed for "False
Alarm," the seventh chapter of "Melting
Millions,'' and "Wild Wallops," comedy.
You couldn't squeeze into the Fern after
7:30 P. M.
San Francisco, Cal.
CHARLIE CHAPLIN, always well re-
ceived in this city, was accorded a most
satisfactory welcome at the St. Francis
Theatre in "The Circus." Both the picture
and the box-office receipts being especially
good. "The Garden of Eden" shown at
Loew's Warfield Theatre, together with the
Fanchon and Marco presentation "20 Society
Ingenues," filled that house every day, both
afternoons and evenings. The Fox Movie-
tone, while interesting, is not considered
exceptionally popular at this theatre, and
therefore is shown but a short time at each
show.
The Granada Theatre drew big crowds all
week with Norma Shearer in "The Actress,"
along with the Publix stage revue "Blue
Plate." "Drums of Love," while considered
a good picture, did not draw at the California
Theatre.
The Golden Gate Theatre did very well
with Kyne's timber story, "The Valley of
the Giants," and vaudeville. A similar re-
ception was tendered "The Frenzied Flame,"
offered by the Union Square Theatre, to-
gether with five acts of vaudeville and short
subjects.
"Wings," the Columbia Theatre's fare,
shown at advance prices, attracted fairly
good crowds, but nothing like the attendance
at the Granada or Loew's Warfield.
The Ackerman and Harris theatres, the
Coliseum and Alexandria, did exceptionally
well last week, as did the Irving. "Baby
Mine" was featured at the Alexandria;
"Wife Savers" and Varsitonians at the
Coliseum; and "That's My Daddy" at the
Irving.
May 19, 19 28
1703
Cleveland
A WEEK of Metropolitan opera and the
first outburst of spring combined to
lessen the charm of the theatres last week.
However, all things considered, the theatres
got off very well.
"Ramona" did better in its second week at
the Stillman than it did the first week. Re-
ceipts grew steadily and consistently all dur-
ing the engagement. "Burning Daylight," a
splendid picture with sound entertainment
qualities, and Theodore Roberts in person,
made up a bill that filled Keith's Palace both
afternoon and evening.
The Allen had a good week, nothing
extraordinary, but eminently satisfactory
with "Easy Come, Easy Go," showing Dix
at bis best, as the feature attraction. State
patrons were plentiful, and were enthusi-
astic over the latest Beery-Hatton comedy,
"Partners in Crime," a distinct come-back
for this popular comedy team. "Chicago
After Midnight" did very well at Keith's
East 105th St. It's a fine underworld story,
with several new touches that make it very-
interesting. "Powder My Back" failed to
click either at the Park or the Cameo, where
it was playing simultaneously. Reade's
Hippodrome got its share of the business
with "Coney Island," not new in plot, but
interesting in development and containing a
good fight. "Wings" continued to do very
well at the Colonial where it is being shown
at advanced prices.
Legitimate theatre competition was not
particularly keen, so that they did not offer
much of an alibi for a week of moderate
business. "The Letter," with Katherine Cor-
nell, was playing at the Hanna; The Ohio
and Alhambra are playing summer dramatic
stock; the Playhouse continues to draw pa-
tronage regularly, and Bertha Kalich did
well at the Little Theatre in "The Kreutzer
Sonata."
Neighborhood houses report business was
not good.
Boston
WHILE business at the Boston theatres
is reported as good for this time of
the year, it showed a falling off from the
previous weeks, partly due to daylight sav-
ings time and partly due to the advent of
warm weather.
Managers have no kick coming, they all
declare, for the early season's business to
date, and if it holds up as well in proportion
as it has grossed during the season to
date, as compared with former years, the
present year ought to be a real record
breaker.
In contrast to Boston is Providence, which
is holding up remarkably well and which has
had the best season for years. Other New
England cities report excellent business. It
must be taken into consideration that during
the 1927-28 season, New England had many
more theatres than a year ago and yet ail
of the first and second run houses in the
New England territory enjoyed one of the
best seasons in history, with more of the
theatres operating uninterruptedly than ever
before.
Metropolitan Theatre, Boston, enjoyed a
big week with receipts holding up to former
weeks. "Stand and Deliver" was the film
and Paul W'hiteman and his band was the
stage presentation.
"Big City" was the film at the State dur-
ing the week and grossed exceptionally
well. More attention is being paid to the
film and less to the surrounding stage num-
bers at the State and judging from box office
receipts, the audience approves of the big
pictures just as much as it does of a big
presentation.
"Feel My Pulse" and "The Mad Hour"
divided honors at the Fenway under the split
week plan for ,i better than fair business.
"Rose Marie" at Loew's Orpheum was
one of the most successful films, from the
box office angle, of the week in Boston.
Keith-Albee's Boston Theatre, with
"Dressed to Kill" has closed one of its best
weeks of the year and by far the best week
for any corresponding period.
Modern and Beacon, the Twin Houses,
showing "Bachelors Paradise" and "Chi-
cago" as the double features, report a good
week.
Other films in Boston proper enjoying
good business are "A Girl in Every Port,"
"The Crowd" and "His Better Half" for a
triple feature bill at the Bowdoin Square:
"Finders Keepers" and "Blondes for the
Night" at the Exeter, "The Divine Woman"
and "Feel My Pulse" at the Lancaster,
"Under the Tonto Rim" at Loew's Columbia,
"The Devil's Trade Mark" at the Scollay
Square Olympia and "Harold Teen" at the
Washington Street Olympia.
Suburban theatres reporting good business
include the University with "A Girl in Every
Port," Allston with "Skyscraper," Capitol
with "The Crowd," Central Square with
"Little Shepherd of Kingdom Come," Cod-
man Square with "The Circus" and Embassy
with "The Port of Missing Girls."
Albany & Troy
RUSINESS was off at all of the motion
picture theatres in Albany and Troy dur-
ing the past week, the second of the day-
light saving period and a week that was
characterized by summcrlikc weather.
The Mark Strand attracted only fair sized
audiences with "Rose-Marie," which was
coupled with a couple of Vitaphone presen-
tations. The Leland did no better with Lon
Chaney in "The Big City." In fact the house
was just about filled evenings and no more,
with the crowds arriving around eight
'( lock. The Ritz theatre used "The Port of
Missing Girls" and with considerable rather
sensational advertising, managed to pull out
with a fair business.
Business was decidedly off at the Clinton
Square theatre, in Albany, despite the fact
that this house is using double features first
run and last week employed "Sailors' Wives"
and "Nameless Men." Of course there is no
question but that the motion picture theatres
of Albany suffered also last week from some
exceptionally high class shows at the Capi-
tol theatre, which is given over to the legiti-
mate.
Neighborhood houses in Albany found
themselves in the same boat with the down-
town theatres and without exception stated
that business had taken a slump. Harmanus-
Bleecker Hall, which is using vaudeville and
features, seemed to draw fairly well, but not
up to past standards.
In Troy, business was also reported as off,
although Clara Bow in "Red Hair." a prime
favorite in the collar city,- would unques-
tionably have packed the Troy theatre at
any other time of the year outside of the
late spring and summer months. The pic-
ture made money for the theatre but did not
pack the house night in and night out by
any means. The American used "A Wo-
man's Way" to just fair business, while the
Lincoln split its week and used "The Port
of Missing Girls" the fore part, and at-
tracted fair crowds and considerable com-
ment.
Universal to Build Theatre
in Marion, Indiana
Marion, Ind., will have a new Universal
Pictures house. The house will he com-
pleted Oct. 1. Henry Herhel. Chicago di-
rector, arranged for the building. Tlve
theatre will be a replica of the $750,000
Grenada recently opened in Indianapolis.
The site occupied by the Ov-ter Bay
Restaurant will he used.
Donald Graham. Indianapolis architect,
drew plans for the house. Vaudeville
probably will be added.
News Reel Resume
Receiving a prominent display in the
newsreels for the week were the Japanese-
Chinese conflict; the Bremen crew on their
tour of the United States; Lindbergh's
plane, which will be housed in the Smith-
sonian Institute, and the U. S. fleet in prac-
tice in Hawaiian waters. Also mentioned
in several of the reels were the rodeo held
in the West; Henry Ford's second-hand
street car; the orchid show held in New
York, and the Preakness victory in the
Washington race.
Paramount News, issue No. 83, related
the Japanese-Chinese clash; the orchid
show; Germans rushing work on new trans-
ocean Zepplin; Lt. R. V. Thomas, who died
in crash after establishing new solo flight
record ; Italians test cars on roof of auto
plant; the Bremen crew arriving in Phila-
delphia; bronco bustin' at rodeo in Cali-
fornia ; an exclusive Paramount story of
first landing by blimp on a moving merchant
ship at sea.
The following issue, No. 84, tells of
Walter Hagen at Sandwich, England ; Brit-
ain's largest submarine; the Preakness
Stakes at Pimlico race course; Prince Carol
of Roumania; Lindbergh's "Spirit of St.
Louis"; champ jugglers; expedition which
will fly the Bremen back from Greenely
Island; the Bremen crew in Chicago; the
ships of the U. S. fleet maneuvering at
Honolulu; convention of Confederate Army
veterans at Little Rock, Ark.; Capt. Fiese-
ler, German airman, shows his stunts.
No. 65, Vol. 9, of Fox News, began with
views of the Italian Royalty being heartily
welcomed on their visit to Tripoli; the
Spanish Dictator and his bride-to-be; Helen
Wills and American golf stars; highschool
runners meet at Milwaukee; Leonard Bon-
ney, who died in fatal air test; prize unit of
Belgian army honored by King Albert;
West Point cadets parading for mayor of
Rome; tunnel through heart of the Cascade
Mountains in the West finally completed;
big air show held by American fliers over
Langley Field.
In issue No. 66 were scenes of Mussolini
and his Italian audience in the Coliseum;
whippet champions racing; King Alfonso of
Spain participating in Madrid polo game;
Baron Lowenstein, one of world's richest
men; Bremen crew greeted in Philadelphia;
mass exercises demonstrated by New Jersey
college girls; Prince Carol; trappers of
Alaska shipping their pelts via airplane,
daring workmen risk lives cleaning ledge of
New York skyscrapers; tumblers in rodeo
held in Northwest.
Issue No. 78, Vol 1, of M UM News,
showed the Japanese troops in China; a
wing-flap airplane; ruins of Cornith,
Greece, from earthquake; annual conven-
tion of the Confederate Veterans; Henry
Ford with his street car relic; Irving Thal-
berg and Norma Shearer; Hal Roach and
his wife; Lindbergh's plane being disman-
tled; the whippet race; General Nobile in
dirigible Italia starting for Spitsbergen;
dynamiting Niagara from icy tentacles.
In the succeeding issue. No. 70. were shots
of the fleet at Hawaii ; Australian horsemen
trying for height record; King Alfonso hon-
oring Infanta Luisa, royal war nurse; Rus-
(Continucd on Page 1707)
1704
Motion P ic t u re News
Opinions on Pictures
Circus Rookies
Ordinary Comedy With Little Mirth
(Reviewed by Laurence Reid)
THE team that put over "Baby Mine"
and made it highly mirthful is not
registering so well with the new number.
Karl Dane and George Arthur apparently
ran out of gags — and they weren't re-
sourceful enough in this instance to "ad
lib" along and make it spontaneous and
funny. Dane has to rely upon goofy ex-
pressions and indicate something approach-
ing non compos mentis to get over. Where
there is real serious drama his comedy re-
lief has come along very well to afford the
necessary balance. But he is unable to be
constantly funny. And Arthur is not
enough of a legitimate foil.
Here the partners have a hodge-podge
which releases a series of time-worn gags.
There are laughs, sprinkled through the
piece, but they don't follow fast enough.
So it's a give-and-take between Karl and
George with slapstick of the old-fashioned
garden variety being struck for the loud
guffaw. The background is of the circus
and it's Dane's job to be the bully and pick
on Arthur, playing the role of the under-
dog. The piece, if supported by strong
short subjects and a neat musical program,
should satisfy without anyone going into a
rave over it.
Drawing Power: For average houses or
those having strong programs. Exploita-
tion Angles:: Might ballyhoo a la circus.
If stars are popular give them plenty of
publicity.
THEME: Comedy of bully and an under-
dog— with latter coming out ahead in the
end, winning the girl, etc.
Produced and distributed by Karl Dane.
Length, six reels. Released, May, 1928.
Cast: Karl Dane, George K. Arthur, Louise
Lorraine, Fred Humes. Directed by Ed-
ward Sedgwick.
Steamboat Bill, Jr.
Buster Has a Neat Comedy Here
(Reviewed by Laurence Reid)
YOU can take it or leave it, but Buster
Keaton bobs up with a bright and ex-
ceptionally funny comedy here — and the
stony-faced one must share honors with
Ernest Torrence, whose gift of humor is as
rich as his gift of emotion. The Keaton
likes to lay around in the Southland. Hav-
ing piloted an engine in Dixie, he now takes
to piloting a steamboat on that ol' man
river. And around the conflict between
Torrence, as Buster's dad, who owns one
of the boats and a business rival who owns
the other and whose daughter furnishes
the romantic appeal — you are in for some
rare fun.
The piece is told with fine gags, most of
which are new, and it is also well titled.
And to show that it doesn't depend entirely
upon comedy you can develop much sus-
pense over the effort of the elder Steam-
boat Bill to thwart his rival. His boat has
been condemned and in a rage the skipper
turns on his enemy and is jailed. So long
comes Buster hiding a hardware store of
tools in a loaf of bread in his effort to effect
his old man's freedom. That's one of the
highlights here. Another has to do with a
cyclone which acts as a prop for some typi-
cal Keaton business. And so it goes, travel-
ing high and shooting forth peals of laugh-
ter. Book it and make 'em happy.
Drawing Power: Title and star and Tor-
rence. 0. K. for any type of house. Ex-
ploitation Angles: Play up title and tease
it. Use old river songs for music. Feature
Torrence.
THEME : Comedy of business rivals who
own steamboats — with son of one marrying
daughter of the other and settling the feud.
Produced and distributed by United Ar-
tists. Length, seven reels. Released, May,
1928. Cast: Buster Keaton, Ernest Tor-
rence, Tom Lewis, Tom McGuire, Marion
Byron. Director, Charles F. Reisner.
Hangman's House
Good Picture, Interesting Throughout
(Reviewed bv Laurence Reid)
A PICTURE of Irish life comes along
here which doesn't make a bid for
laughter by burlesquing its characters. It
treats its subject with restraint without
going in the opposite direction and pluck-
ing sentimental dew-drops from the hat.
Most Irish stories must be burlesqued or
drip with sentiment. But this one is dif-
ferent. Which makes it worth seeing.
The story hasn't strong suspensive qual-
ities principally because the action doesn't
call for it. What it does reveal is a neat
slant of the w.k. human element. And John
Ford has treated the idea so sympathetic-
ally that it never gets out of key. There is
a good play of drama revolving around the
Irish girl whose father has condemned so
many unfortunates to death that his castle
is known as Hangman's House. The love
triangle figures prominently. The girl is
betrothed by her father to a scoundrel and
the bit of suspense figures in her problem
of marrying the man of her choice.
Ford has brought forth some striking
scenes, with soft-focus effects. In fact, the
photography is exceptionally good. And
the picture is richly saturated with atmos-
phere. Pictorially, it is very good. And
the story nearly keeps pace with the tech-
nical side of it. The acting is praiseworthy,
too. Victor McLaglen, June Collyer, Earle
Foxe, and Larry Kent turn in fine per-
formances. So altogether it can be set
down as a capital film — interesting and well
done.
Drawing Power: Should draw through
title. Good enough for any theatre. Ex-
ploitation Angles: Bill as interesting film
of Irish life — and feature cast. Play up
director.
THEME: Comedy-drama of Irish girl
frustrating father whose choice of husband
is not her own. She wins.
Produced and distributed by Fox.
Length, six reels. Released, May, 1928.
Cast: Victor McLaglen, June Collyer,
Larry Kent, Earle Foxe, Hobart Bosworth,
Joseph Burke, Eric Mayne. Director, John
Ford.
Little Shepherd of Kingdom
Come
Romance In Them Thar Hills — Just
Fair
(Reviewed by Laurence Reid)
THE screen version of ' ' The Little Shep-
herd of Kingdom Come" doesn't shape
up as very hot. Back in the days of "Tol-
'able David" it would have carried on with
great appeal, but stories of hill billies at
work and play have been served too often in
celluloid- — especially since Barthelmess'
triumph in the earlier opus. So it happens
to be just an everyday movie, made so of
course by the obvious plot back of it all.
The young "no account" portrayed by the
star is made colorful and sympathetic
enough, but modern folks aren't going to
be terriby agitated over it.
The director has done as well as possible
by the story. But it carries creaking hinges
when it opens from one scene to another.
With the interest centering around the
trials of the young mountaineer to make
something of himself it naturally employs
much sentiment. Tales of the Southland
written back in the author's day were al-
ways saturated with sentiment. This one
is no exception. However, Barthelmess in-
jects feeling and sincerity into the char-
acterization— a goodly feat considering the
triteness of theme. It is also charmingly
played by Molly O'Day as the mountain girl
and Doris Dawson as the pretty aristocrat
from the city. It is also well mounted, the
atmosphere and detail suggesting the gen-
uine article.
Drawing Power: Appeal of star and
adaptation of popular novel of two decades
ago. Suitable for average houses. Ex-
ploitation Angles: Feature star, Molly
O'Day and Doris Dawson. Exploit as ro-
mance of Kentucky mountains, etc.
THEME: Romance of mountaineer and
his effort to make something of himself.
Produced and distributed by First Na-
tional. Length, six reels. Released, May,
1928. Cast: Richard Barthelmess, Molly
O'Day, Doris Dawson, Martha Mattox,
Gustav von Seyffertitz, Claude Gillingwater,
Victor Potel, Eulalie Jensen, David Tor-
rence. Director, Alfred Santell..
Hello, Cheyenne
A Typical Mix Story
(Reviewed by Chester J. Smith)
THIS is a typical Tom Mix story, teem-
ing with action and suspense from start
to finish. It is all very implausible of
course, but if the shortcomings of the story
can be forgotten it does hold the interest.
Tom is a very busy hero, what with one
rescue and another, and he keeps things
fairly on the hop.
It is a thrilling race story, a race be-
tween two rival gangs striving to complete
telephone lines for the first connection be-
tween Rawhide and Cheyenne. To the win-
ner goes a rich plum and to the loser it
means ruin. The father of Tom's girl is
depending upon this victory to reestablish
May 1 9 . 1928
1705
himself, while the villain resorts to all sorts
of trickery to win the race. Through Tom's
ingenuity the girl's father is successful,
but not until many a bitter fight has been
waged and many a heroic act completed.
Mix, as usual, leaves nothing undone in
the staging of his thrills and his work is
particularly effective in this picture. In
Caryl Lincoln he has a sweet and winsome
leading lady who does very well through
the scries of thrills. Martin Faust is the
handsome, though leering villain who will
stop at nothing to accomplish his ends. Al
St. John furnishes the comedy element, of
which the less said the better.
Drawing Power: Should do as well as
any of the usual run of Mix pictures. His
following is sure to like it. Exploitation
Angles: The Mix name will probably be
sufficient to draw them in.
THEME: Rival interests are striving to
complete the first telephone line between
Rawhide and Cheyenne. The father of the
girl Tom loves faces ruin unless he can win
and his rival will stop at nothing to defeat
him. Through the heroic actions of Tom the
girl's father wins.
Produced and distributed by Fox Films
Corporation. Released, May 13, 1928.
Length, 4,51S feet. The Cast: Tom Mix,
Caryl Lincoln, Jack Baston, Joseph Girard,
Al St. John, Martin Faust, William Caress.
A Gene Forde production. Story by Harry
Sinclair Drago. Scenario by Fred Myton.
The Upland Rider
A Dazzling Western
(Reviewed by Raymond Ganly)
/^)XE of the best western vehicles seen
in a long time is this open-range story
starring Ken Maynard. It is a perfectly
proportioned bit of cowboy story. All the
requisites of the western can be called its
own. What action and swift plot develop-
ment it has — and it boasts much of these —
has been effectively brought to the fore
through the sure and deft direction of Al
Rogell. With rhythmic surety, this western
will gallop into the hearts of western fans.
Ken Maynard is improving constantly in
his hero roles. There is now a greater ease
and naturalness in his acting. Of course,
he is the same impeccable rider, the best the
screen has at the present time. The main
event in the story is a race between breeders
of bronc and thoroughbred horses. This
sequence serves Maynard and his horse,
Tar/an, as an opportunity to exhibit their
wonderful coordination. Maynard rides as
if he were glued to the saddle, and Tarzan
gallops with all the majesty of a king of
horses.
You can bet we recommend this western,
as it undeniably has all the winning qualifi-
cations; action, a good story, competent
portrayals, humor, expert direction, and a
haekgorund that has been beautifully photo-
graphed.
Drawing Power: Wherever they like west-
erns they'll like this one. Exploitation
Angles: Cutouts of Maynard and Tarzan.
Start a Ken Maynard club. Begin a draw-
ing contest, the object to be drawn being
Tarzan.
THEME: Western drama. Breeder of
broncs is fast coming into the power of
unscrupulous thoroughbred owner. His
only chance to win out is to win the relay
horse racing contest, the winner of which is
promised a contract with the government.
The thoroughbred owner plans to win the
race with the aid of treachery. Young cow-
boy riding the bronc entry successfully
evades this treachery, however, and brings
the horse to victory, having ridden him all
the way. He proves the superiority of the
broncs over the thoroughbreds and wins the
daughter of his boss.
Produced by Charles R. Rogers. Distrib-
uted by First National. Released, June 3,
1928. Length, 5 reels. The Cast: Ken
Maynard, Marion Douglas, Lare McKee,
Sidney Jarvis, Robert Walker, Bobby Dunn,
David Kirby, Robert Milash. Story by
Marion Jackson. Director, Al Rogell.
Under the Black Eagle
Good Story Lacks Wide Appeal
(Reviewed by Raymond Ganly)
HAVING in mind American audiences,
primarily, the writer does not believe
that this story of a German soldier and his
part in the World War will hold the un-
divided attention. The best point of view
is to gauge this film as being appropriate
for universal showings. It does not glorify
war, rather it shows its cruelness to man
and beast. Furthermore, it does not place
one side over the other. But still the fan,
we believe, will hold back some of his
sympathies. Really, films of this type ought
to be encouraged as they make for amity
between nations.
The picture serves to introduce "Flash,"
M-G-M's dog star. The screen, nearly clut-
tered up with various hounds, can readily
make room for the new arrival for he is a
good actor, well trained and apt with varied
expressions. The dog is the pe't of Ralph
Forbes, a poetic sort of chap, and the enemy
of William Fairbanks, a soldier who places
discipline above everything. These two go
to Avar and the dog becomes separated from
his master until he comes across him
wounded in a shellhole. In the war scenes
are realistic flashes of battle in which the
dog is also wounded. Brought back to
safety both he and the man recover.
The greater portion of the picture estab-
lishes the friendship between Forbes and
the dog. The initial scenes showing the
military training are splendid, but what
follows leading up to the battle is somewhat
tedious. On the whole, an expensive and
well done drama for a dog star.
Drawing Power: About fair. Exploita-
tion Angles: Exploit the new dog star and
the cast of principals, particularly Fair-
banks, who is first-rate as the soldier. Use
a machine gun as a lobby display, also a
few helmets, guns, etc.
THEME : War story of the love between
a man and his dog. The man goes to war
leaving the dog behind and they are not
united again until the dog finds his master
wounded. The man feeling a horror for war
witnesses the death of his comrade by a
machine gun, and in a frenzy he rushes out
to bomb the nest. The dog, trying to save
him, is also wounded. They both recover
and the boy returns to his painting and his
girl.
Produced and distributed by Metro-Gold-
wvn-Maver. Released, March 31, L928.
Length, "»,901 feet. The Cast: Flash, Ralph
Forbes, William Fairbanks, Marceline Day,
Bert Roach, Marc MacDermott. Story by
Norton Houston. Continuity by Bradley
Bang. Director, W. C. Van Dyke.
The Canyon of Adventure
Above the Average
(Reviewed by Raymond Ganly)
WHILE the story of "The Canyon
of Adventure" is not as con-
vincing as that of "The Upland Rider,"
it is nevertheless above the average story
that is stretched through western films. In
this one, Ken is called on to do too many
impossible things; if not impossible his ex-
ploits are at least too daredevilish, too all-
powerful to carry that necessary degree <>!'
plausibility. Anyway, the story has it - por-
tions of action, fighting and heroism-
enough to satisfy avid fans.
The Spanish grandees of California hover
in the background. Dolores, the pretty
daughter of one of the proud Dons, is very
much in prominence, she being the fascina-
tion that draws the young American land-
agent again and again to her hacienda.
Around the unsuspecting heroine and her
father is being woven a web of sublety by
a neighboring Don. Of this latter gentle-
man's activities, Maynard is, of course, in
the know. The plot grows tighter and
tighter, the girl's father is held prisoner
and she herself is about to be forced into an
unwelcome marriage. But at this time
Maynard disguised as a caballero, appears;
by dint of slugging, duelling and other
means of besting, the Spaniards are 5UD-
dued and Maynard wins his senorita.
Drawing Power: Maynard, having built
up a reputation for winning westerns, this
one should go over, even though not as good
as some of his others. Exploitation Angles:
Ballyhoo star and Tarzan. Deck lobby and
array box-office establishing a Spanish
effect.
THEME: Action drama of the early
Californians and of the time they had to
register their lands when the state became
one of the Union. A scheming Spanish
grandee plans to steal the lands of a neigh-
boring Don and marry the latter 's daughter
to his worthless son. The plan is foiled
through the activities of an American land-
agent, who makes friends with a gang of
semi-outlaws and with their aid raids the
hacienda where the girl is about to be
forced into marriage. When they do hold
the wedding the American is the groom.
Produced by Charles R. Rogers. Distrib-
uted bv First National. Released. April 29,
192S. 'Length, 5,800 feet. The Cast: Ken
Maynard, Virginia Browne Faire, Erie
Mavne, Theodore Lorch, Tyron Brereton.
Hal Salter, Billy Freney, Charles Whitaker.
Story bv Marion Jackson. Director, Albert
Rogell. '
"Poor Papa"
(Universal — One Reel)
(Reviewed by George J. Reildy)
THE troubles of Oswald, the cartoon rabbit,
contribute some hilarious fun in this clever
piece of animation by Walter Disney. A battling
problem confronting the bunny is how to ward
off the persistent storks who visit his home in
large numbers, and fill his bumble abode with
active little Oswalds. The father, becoming
frantic because of the regularity of the birds*
visits, arms himself with a shot gun to keep
them away. Undaunted the birds dump their
tender burdens in the water tank and when
Oswald turns on the faucet in his home, he un-
wittingly introduces another endless stream of
bunnies.
The rapidity of the action, the cleverness of
the drawings and the consternation of poor
Oswald, establish this as an excellent novelty
for programs.
1706
Motion Picture News
"The Ambuscade"
(Universal — Two Reels)
(Reviewed by George J. Reddy)
A MINIATURE Western, this story of a
Texas Ranger carries very little of the
elements of reality. Compressed into two reels
are the usual skirmishes between the law and
the lawless. Fist fights, hard-riding and a
slight tinge of love interest feature this film,
which altogether carries the general trend of
the average Western of full-length. The story
of this number is similar to those that have
gone before, embracing the hero who defeats
a gang of outlaws, and wins the beautiful hero-
ine. The role of the Ranger is played by Fred
Gilman and that of the girl by Connie Dawn.
They were about to be married when difficulties
arose in the person of the girl's brother, whom
the Ranger discovers is a member of a notorious
band of cut-throats disturbing the peace of the
countryside. To keep him from divulging their
identity, the brother and his confederates send
the Ranger on a ruse to a lonely cabin where
they plan to do away with him. The girl learns
of the plot and motors to the cabin to save
Gilman. Kidnapped on the way by the chief of
the outlaws, her safety is threatened until Gil-
man effects her rescue, having escaped from the
cabin after a terriffic battle.
Josef Levigard handled the direction. The
release is listed for June 16th.
"The Fighting Kid"
(Universal — Two Reels)
(Revieived by Chester J. Smith)
YOUNG NEWTON HOUSE is the feat-
ured player in this Western featurette, the
story of which bears a marked resemblance to
all others of the series. The youngster has all
the attributes of the older western stars and is
showing steady improvement in his work be-
fore the camera.
Newton is Slim O'Day in this one and he
and his sister Molly have a hard time of it to
keep things going on the ranch, particularly
after Slim had run the renegade, Jud Mc Coy
off the place. Jud swears vengeance and starts
his dirty work when he sends a band of In-
dians to attack the stage and do away with Tom
Morgan, government agent and friend of Slim
and Molly, when he is coming to visit them.
When Tom regains consciousness he staggers
into the O'Day cottage and tells his story. Slim,
suspecting McCoy, starts after him and tracks
him to a cave hide-out, where the youngster is
overpowered. McCoy, meantime, thinking
Molly unprotected, determines to kidnap her.
Morgan is too weak from his injuries to offer
much resistance, but Slim makes his escape
from the cave and arrives just in time to subdue
McCoy after a terrific fight.
"Famous Playgrounds"
(Sportlight-Pathe — One Reel)
THIS will prove a particularly interesting
film to those interested in any way in sports
and it will be attractive for its pictorial beauty
to those who have no sport interest. It shows
all of the famous winter and summer play-
grounds, such as Lake Placid, Palm Beach,
Pinehurst, Newport, Southampton, Atlantic
City and Del Monte, and the sports particularly
identified with each. There are revealed in an
attractive manner, skiing, dog team jaunts,
speed boats, golf, polo, yachting, bathing, ten-
nis and all manner of diversion, with many
beautiful shots of each. This should prove a
splendid filler in any tvpe of house. — CHES-
TER J. SMITH.
"When George Meets George"
(Universal — Two Reels)
(Revieived by George J. Reddy)
BECAUSE of well timed double exposure
scenes this two-reel Stern Brothers comedy
of the "Let George Do It" series is worthy of
mention, but otherwise the general comedy ele-
ment runs in a slow tempo.
The star (Sid Saylor), as George, is in love
with Betty, but so bashful he doesn't rate much.
Betty's father plans to stage a boxing bout, and
urges George to sign on as a fighter. Terrified,
George accepts, hoping to win Betty's favor.
He bribes Jim, a fighter who strikingly re-
sembles him, to take his place in the ring, and
when Betty visits the training camp she is
made love to by Jim, believing it is George
minus his bashfulness. The day of the fight
Jim is arrested for speeding, and George is
forced to don the gloves. His opponent knocks
him into the shrubbery, where Jim, having
shaken the cop, changes clothes with him,
dashes into the ring and wins the fight. In the
confusion, George takes Jim's place, the laurels
and the girl. S. Newfield directed this comedy,
to be released in June.
"The Valiant Rider"
(Universal — Two Reels)
(Reviewed by George J. Reddy)
A SURPRISE ending worthy of a picture of
greater footage gives this two-reel West-
ern featurette, starring Bob Curwood, a slightly
different twist from previous numbers in the
series.
The action of the story revolves around
Samuel Guthrie, a wealthy financeer and his
beautiful daughter, who decide to vacation on
the Wyoming Ranch. Jimmy Dare (Bob Cur-
wood), a guide at the ranch assigned to meet
them enroute, sees their car stop on a lonely
road, and Jake Skinner, a notorious outlaw di-
recting them away from the ranch. He dashes
to their assistance, but Skinner and his hench-
men discredit his assertion of being the guide,
and take them to a cabin in the woods, where
they plan to rob Guthrie. Jimmy overpowers
the bandits who have him tied, and after much
spectacular riding and a terrific brawl at the
cabin, rescues Guthrie and the girl. Director
Mitchell is responsible for this vehicle, which
is to be released June 23rd.
"You'll Be Sorry"
(Educational — Two Reels)
(Reviewed by Raymond Ganly)
CHARLEY BOWERS is the screen's fore-
most and most ingenious creator of baffling
comedy. In his newest Educational release, one
of his extremely mystifying creations is on dis-
play. This subject is a little dog, very funny to
look at. This mechanical canine lends Bowers
excellent support and he has some long stretches
in which he performs alone and in which he will
secure a number of laughs.
The story, poking fun at cops and mythical
kingdoms, tells of Charley's efforts to make good
as an independent police department. He falls
into the hands of a gang of plotters who have a
captive princess. They have the secret code of
her country which they intend to use to provoke
trouble. There's gentle satire and burlesque and
a good portion of comedy. Charley quells the
princess' fears by obtaining the only copy of
the code and playing the gallant hero.
Betty Caldwell, a charming miss, is the prin-
cess and Jack Lipson, George Burton and J.
Gordon Russell the supporting cast. H. L. Mid-
ler directed the comedy produced under the
Bowers Process. Jay Turner tended the camera.
"The Trickster"
(Universal — One Reel)
THERE is some real good comedy in this
one-reeler of the Snappy Comedy series
with Ben Hall as the featured player. Ben, as
Harold Highbrow, loses his job as star re-
porter on The Clarion and joins up with Pro-
fesor Dodo, a faking hypnotist. They hire a
hall and pack it with an excited audience, in
the front row of which are Broadcasting Annie,
Alice, the Clarion office drudge and Harold's
best girl. The professor hypnotizes Annie and
after putting the rest of the audience in a
trance compels her to lift all their valuables,
during the progress of which there is consider-
able humor. Harold and Alice escape the
trance, restore the audience to normalcy and
capture the fleeing professor. — CHESTER J.
SMITH.
"Follow the Leader"
(Fox — Two Reels)
(Reviewed by Chester J. Smith)
THIS is rather a good story as these two-
reel comedies go. It is far more preten-
tious than most of them and considerable at-
tention was given the detail of building the pro-
duction. It is largely an animal picture, though
the humans in the cast inject a lot of fun into it.
It starts in as a farm tale with the younger
of two brothers compelled to do all the work
and he makes it easy for himself by building
some ingenious devices by which cows are
milked and the animals generally given full
attention. It is all accomplished by the pulling
of levers. The youngster then constructs a
ramshackle train which is propelled by the ani-
mals, which consist of a dog, a monkey, a goat,
a bear and a skunk.
The train becomes completely dismantled
when its progress down the main street is
halted by a traffic cop and the youthful engi-
neer is chased into an orphan asylum, where
he is mistakenly confined as an inmate by the
stern old maid keeper. The animals follow him
in and simply play havoc with the keeper and
the establishment. Eventually the whole out-
fit makes its escape to the boy's farm. There
are a lot of laughs al the way through.
"A Full House"
(Universal — Two Reels)
(Reviewed by George J. Reddy)
THE many efforts to achieve something of a
funny nature all go for naught in this latest
screen version of the adventures of Pa and Ma
McGinis, the familiar figures of the Keeping
Up with the Joneses' comic sheet. Purely slap-
stick, and in general feebly humorous, it seems
as though all the scrambled gags of other and
better comedies of this series have had their
effect on this new release. The thread of the
story shows the predicaments of Pa McGinis
drawn from a poker game by his domineering
wife, to buy a masquerade outfit for a ball at
the McGinis home. Escaping from Ma Mc-
Ginis in the guise of a sailor lad, Pa is mis-
taken by the police for an escaped loon. After
much dodging and maneuvering to evade the
police, Pa returns home to the Masque ball, and
another "bootleg" poker game, which ends the
way of the first.
Gus Meins wielded the megaphone.
"A Lady Lion"
(Fox — Two Reels)
(Revieived by Chester J. Smith)
A NIMAL comedies can usually be depended
n upon to provide some good comedy and
this one is no exception. There are many hu-
morous situations and incidents provided dur-
ing the two reels, which abound with action.
Caryl, much adored by three sweethearts, craves
a caveman, which none of them is. Fred is fat
and good natured, Billy short and mild and
Eddie in every way a highly respected young
man, but none of them just suits Caryl.
Then the rough and uncouth animal trainer
comes to town and his ways appeal to Caryl.
Billy and Fred each resolve to kidnap the girl,
but they bungle the job and make her admire
the trainer the more. They take her to the
bungalow where the animals are kept and there
is a general mixup when the lion, tiger, etc.,
break loose, with the result that Caryl proposes
to the unwilling caveman.
"Happy Days"
(Pathe— One Reel)
THE popular fear of what might happen to
one in a barber chair — if the barber was
in a prankish mood — is picturized with humor-
ous results in this animated cartoon. This re-
lease as a whole does not rank with Paul
Terry's best creations, because he again re-
sorts for the major portion of his action to the
oft worked gag of Farmer Alfalfa taking a
drubbing from the cartoon animals. — GEORGE
J. REDDY.
May 19, 19 28
1707
"A Jungle Triangle"
(Fables-Path*— One Reel)
THIS is a cartoon triangle involving a fickle
maiden, a devoted monkey and a philander-
ing elephant. The monkey apparently has the
inside track on the fair Marion's affections un-
til the big palm and olive elephant puts in an
appearance and suggests a dance at an adjacent
road house. They repair to the cafe with the
monkey trailing and on arrival there the monkey
puts a sleeping powder in the elephant's drink.
When the latter drowses off the monkey steals
the fair one and carries her off to his favorite
cocoanut tree.
— CHESTER J. SMITH.
"Should Women Drive"
(M-G-M-Comedy— Two Reek)
(Reviewed by E. G. Johnston)
MAX DAVIDSON should have known
better than to try to teach his wife-or
any other woman how to drive an automobile —
particularly a new one — so we think he got just
what he deserved and ought to be thankful that
he is alive. Of course, Max had two witnesses
to the damage suit, but on the day of the trial
they imbibed too much moonshine. Trouble get-
ting the pair to court furnishes some good
comedy. When they finally arrive the case has
been lost — to Max. Mama appears with the
repaired car, and on the way home it is com-
pletely demolished. A very fair two-reeler.
"Coast to Coast"
(Fables-Pathe— One Reel)
THIS has to do with a coast to coast auto
race done in cartoons and with goodly
amount of humor injected. It has among the
contestants Old Al, Slick Slim and Henry Cat.
There is a lot of foul racing and some serious
intrigue as the contest progresses, but it all
adds to the fun. The autos dash over precipi-
tous mountains, take short cuts through rivers
and even take to flying when the occasion de-
mands. Henry Cat eventuallv wins by a tail,
c HESTER J. SMITH.
"The Virgin Queen"
( M-G-M-Technicolor — Two Reels)
I Rovien ed by E. G. Johnston)
EXQUISITELY done in color this two-reel
drama of the days of "Queen Bess" and the
gallant Sir Walter Raleigh ( in this film spelled
the old way — Ralegh) will lend an artistic touch
to the average theatre program. Most every
one knows the story of how Ralegh gained the
Queen's good graces by laying down his coat in
order that the sovereign might cross a muddy
spot without soiling her shoes. Jealousy, court
intrigue and romance are woven into an inter-
esting little story. The cast is excellent.
"War Brides"
(Pathe— One Reel)
THE striking originality of the gags injected
into this cartoon rates this Fables release
way above the average. Cartoonist Terry takes
the typical war-time theme of the sweetheart
who goes away to battle, leaving his girl to the
unwelcome advances of a villainous member of
the cat family. It is while Milt Mouse is at
the front amid cannon roar and bursting shells
that the business of a big war is cleverly bur-
lesqued. This short-reel is ideal for any pro-
gram.—GEORGE J. REDDY.
"Star Builders"
(Pathe— One Reel)
GRANTLAND RICE "Sportlight" subjects
are always good entertainment, therefore
this newest issue will need no "send-off." The
famous sports authority this time offers a pic-
turized summary of the background that de-
velops stars in the field of athletics. The im-
portant part that the coach and trainer plays is
interestingly shown. The whole subject is han-
dled in true sportmanship manner. — GEORGE
J. REDDY.
Newsreel Resume
{Continued from page 1703)
sians visiting new Soviet zoo in Moscow;
Michael, boy king of Rouniania; Will Bays
returning from France; Paul Whiteman
now a colonel in the Salvation Army; crack
cavalry unit in work-out at Texas camp.
Pathe News, No. 41, has views of college
troops inarching for Chilean diplomat ;
Thea Rasch, German aviatrix, who plans
to fly the Atlantic; the orchid exhibition in
New York; cowboys' rodeo in California;
new Coolidge dam which will irrigate Ari-
zona area; Henry Ford seen with his sec-
ond-hand street car; Japan troops rush to
war /one in China.
No. 42 contained glimpses of the Byrd
polar plane in tests; Lindbergh's plane
which has been presented to the Smithson-
ian museum; the historic Preakness being
captured by Victorian; crowds watch rail-
way opening; the U. S. fleet leave the Pa-
cific Coast for sea drills around Hawaii.
Release No. 5395 of Kinograms showed
the Bremen fliers hopping off for Philadel-
phia from New York; the Bremen crew at
Philly; Lindbergh's plane ready for mu-
seum; Ford driving his newly-purchased
street car; four sets of twins; the $1,000,-
000 orchid show held in New York; daring
young miss rides a sawmill flume; college
girls demonstrate gymnastics ; New Jersey
girls in Sokol exhibit; a Wild West exhi-
bition at the California rodeo.
No. 5396 takes you on board the U. S. S.
Mississippi on the voyage to Hawaii with
the fleet; Lindy's ship arrives at Washing-
ton museum; Victorian winning the Preak-
ness; "Parade of the Tin Soldiers" put on
by the Duke of York's School; 94-year-old
mother and her 72-year-old daughter cele-
brate birthday by taking airplane ride ;
Tunney starts training in Adirondack
camp; Coney Island revels on night of
opening.
International News, No. 39, Vol. 10, also
had the race at Pimlico; Lindbergh's plane
and Will Hays. Additional items included
shots of 2,000 boys receiving baseball equip-
ment; a dog with a hairy face; railway
guns tried out for coast defense work ;
gold star mothers honor the Unknown
Soldier; Charles M. Schwab returning from
Europe; Coney Island opens for the season.
3 Levine Serials for '28-
29, 5 for '29-30
MASCOT PICTURES CORPORA-
TION, of which Nat Levine is
president, plans the production
and distribution of three serials lor
the season of 1928-29 and of five serials
for the season following. The title of
the first chapter-play is "Wolves of
the Sea," now being written by Joseph
Anthony Roach and set for production
on June 1. Casting is now in progress.
Mr. Levine plans to concentrate on
serial production for the next few
years. He is now in California where
he will stay for three months. Offices
have been opened at the Metropolitan
studio. Ben Schwalb has been ap-
pointed production manager for Mas-
cot. Jay J. Bryan is business manager
and William L. Roubert is head of the
editorial department.
Sennett's Feature to be
Handled by First National
Mack Sennett's nine-reel comedy ro-
mance featuring Sally Filers, Johnny Burke
and Matty Kemp, and entitled "The Good-
Bye Kiss," will be distributed by First Na-
tional, its release just having been an-
nounced for July. The picture is now run-
ning at the Million Dollar Theatre in Los
Angeles.
Others in the cast are Lionel Belmorc,
Wheeler Oakman, Alma Bennett, Carmelita
Geraghty, Irving Bacon, Eugene Pallette,
Jean Laverty and Andy Clyde. The story
is by Jefferson Moftitt, Phil Whitman and
Carl Harbaugh, and the titles are by Tom
Miranda and John A. Waldron. John W.
Boyle was in charge of the cameramen.
Christie Studios Resume
Production of Comedies
The first few comedies of a new schedule
of comedies and features for release
through Paramount were begun last week
with four directors starting new pictures at
the Christie studios, which re-opened last
week. The new comedies under way are the
first of the four series, one a "Confessions
of a Chorus Girl," a "Sandy McDuff"
Scotch comedy featuring Jack Duffy, and
also a Bobby Vernon comedy as well as a
Billy Dooley laugh vehicle. The director-
working on the new two-reelers are Arvid
Gilstrom, Harold Beaudine, William Wat-
son and William Holland.
M-G-M Casts Tom Dugan
for "Excess Baggage"
Tom Dugan, for 18 years a vaudeville
comedian, is to play the role of a hoofer
in "Excess Baggage," M-G-M 's romance
of the "two a day." The picture is to go
into production next week. Jules Cowles
has been added to the cast of ' ' The Camera-
man," Buston Keaton's new eomedv for
M-G-M.
Charley Chase and "Our
Gang" Comedies in Work
Charley Chase is already at work upon
his first of the new year's Roach comedies
under the direction of Hal Yates. He i<
supported by Gene Morgan, Vivian Oakland
and Anita Garvin. Robert McGowan also
has his "Our Gang" troupe at work on a
new comedy.
McCarey Preparing Story
for Roach Comedians
Story material for Max Davidson, Oliver
Hardy and Stan Laurel is being prepared
by Leo McCarey, supervising director and
a vice-president of the Roach studios.
Davidson will be directed by Arch Heath
while Laurel and Hardy will be supervised
by James Parrott.
Ralph Cedar Will Direct
"Barney Google" Series
Ralph Cedar, comedy director, will handle
the megaphone on the "Barney Google"
series which Larry Darmom is about to
launch for release through F B 0.
Motion Picture News
onalNewsfrom Corresponded
VISITORS at the office of FBO
this last week were J. E.
Michaels, of the Strand, at Jef-
ferson ; J. R. Forsman, of the
Strand, at Jewell; W. C. Treloar,
of the Opera House, at Ogden, and
Joe Benjamin Gerbracht, of Ames,
Iowa.
The M-G-M group have re-
turned from the convention at
Kansas City and are all pepped up
on their spring line, especially
since E. M. Saunders, general
manager, and H. P. Wolfberg, dis-
trict manager, stopped from the na-
tional convention for a special
Sunday sales meeting in Des
Moines. The salesmen were all in
for the conference from the road.
H. R. Frankel, branch manager
for FBO, will be accompanied by
A. B. Seymour, salesman, for the
national convention in Chicago,
leaving May 14. Jack Raper, man-
ager of the Fox office, will leave
to be at the national convention
in New York about May 23. Jimmy
Winn, manager for the Educational
offices, is lined up for a dandy trip
to the convention at Montreal, Can-
ada. He will leave the middle of
May and will return June 1.
W. R. Liebman, formerly with
Pathe as branch manager here, has
returned to take charge of the of-
fice after having been at the Min-
neapolis branch. He succeeds A.
H. Levy, who has resigned to take
a tour of Canada.
Jess Day, who has taken the
management of the Oshkosh the-
atre at Oshkosh, Wis., is well
pleased with his new position. Mr.
Day has a 1,500-heat house which
is installed with both the Vitaphone
Des Moines
and the Movietone and is directly
under Homer Gill, who is district
manager for the Midwesco theatres
there.
P. D. Allman, who has the man-
agement of the Rialto at Daven-
port, was in Des Moines last week
to confer with the headquarters of
the Blank independent chain of
theatres. Vitaphone is to be in-
stalled at the Rialto in the near
future.
Abe Frankle, veteran showman,
announced that Riverview Amuse-
ment Park, of which he is the man-
ager, had a very auspicious opening
on May 9. Mr. Frankle, who has
been interested in the theatre busi-
ness for more than fifteen years,
has limited his part in the theatre
field to the Casino theatre, of Des
Moines, and spends all his time
upon the Riverview Park interests.
He has a very capable manager for
the Casino in Miss Lillian Ritten-
meyer.
Visitors in Movie Row last week
were L. F. Wolcott, of Eagle
Grove, J. P. Hundling of the
Rialto, the Publix house at New-
ton. Mrs. Nelson and Mrs. Godt-
land, who are joint managers of the
theatre at Lake Mills. These ladies
have been associated in the theatre
business at Lake Mills for several
years. Their house is known as
the Irving theatre. A. J. Johnson,
of the Hawkeve theatre at Graet-
tinger, who rarely visits the film
exchanges, was a welcome visitor
this week. He was in to buy pic-
tures and advertising.
Harry Weinberg, of the Com-
monwealth Theatres Company, an-
nounces that this organization has
taken over the Ritz theatre at
Sheridan, Iowa, which will be
under the management of T. W.
Thompson. The Lincoln theatre,
which has been in charge of the
Commonwealth theatres organiza-
tion for some time, under the man-
agement of Harry Ward, will
show pictures just at the week-ends
and will be run also by Mr.
Thompson.
Harry Ward, who has been at
the Lincoln theatre at Sheraton,
Iowa, is the new manager of the
Strand theatre in Des Moines, suc-
ceeding Jess Day. He was man-
ager of the Blank house at Clinton
for a period of years.
E. P. Hosack, the new owner of
the Alamo theatre at Pella, Iowa,
has taken complete charge of the
theatre which he bought from
Chris Nelson. Mr. Hosack was
recently at Ellston, Iowa.
W. H. Eddy, the popular exhibi-
tor from Indianola, Iowa, is ill at
the Iowa Lutheran Hospital in
Des Moines. The office of M-G-M
presented him with a bouquet of
flowers and he is also receiving a
number of fair visitors from along
Movie Row. Mr. Eddy is a mem-
ber of the Film Board arbitration
board and secretary and treasurer
of the Iowa M.P.T.O.A.
The sales force of Universal, in
charge of Jack Osserman, returned
from their spring convention, while
the office of First National again
welcomes Elmer Tilton, branch
manager, and his trio, Clyde Pratt,
Bill Finter and Lou Elman, who
were in Chicago for the Midwest-
ern sales convention.
W. E. Banford, manager for
M-G-M, was at Cedar Rapids and
Mason City, while out in the ter-
ritory this week.
Casey Jones made quite a satis-
factory record at the Capitol the-
atre during the two weeks that
Jimmy Ellard, personality man, was
on vacation. A big welcome home
program is being planned for
Jimmy next week.
John D. Howard, who has been
for the past three years with the
Saenger theatres in the south, has
been made manager of the Rialto
theatre at Omaha, an A. H. Blank-
Publix house. The theatre has
been in charge of Mr. Corach, who
resigned.
The Strand theatre, at Grundy
Center, has closed indefinitely. O.
B. Eels, who has had charge of this
house for several years, reports
that business in this sector does not
justify maintaining the theatre
there.
The Pastime theatre, at Bran-
don, Iowa, owned by B. M. Bagley,
is closed for the summer.
E. Levine, who had announced
that he would return to the Publix
School, will remain at the Des
Moines theatre in Des Moines.
South West
OTTO J. ROHDE, branch man-
ager for Warner Brothers,
has returned from New York,
where he attended the annual War-
ner Brothers sales convention.
J. F. Via, who has been operat-
ing the Palace theatre at Black-
well, Oklahoma, for the past sev-
eral years, advises he has re-
linquished his lease and the theatre
is temporarily closed.
W. B. Zoellner, branch manager
for Metro-Goldwyn-Mayer, re-
turned last week after attending a
district sales convention held by
Metro in Kansas City.
W. P. Moran, branch manager
for Universal, together with his
able sales force, spent last week in
St. Louis attending the Universal
sales convention.
The Royal theatre, at Ralston,
Oklahoma, has been closed for the
summer months.
Aubrey & Colquitt have re-
linquished their lease on the Olym-
pia theatre at Braman, Oklahoma.
The theatre is being taken over by
its owner, 0. S. McKee, who ex-
pects to operate it personally.
Pat McGee, manager of the
Criterion theatre, Oklahoma City,
is recovering rapidly from a recent
tonsil operation.
Fred Garrison, who has been
operating the Rialto theatre at
Okeene, Oklahoma, for the past
two years, visited Film Row last
week, accompanied by G. W.
Greene, who has just purchased
the theatre from Garrison. Mr.
Greene has been mayor of Okeene
for the past twelve years.
E. V. Weaver, of the Senate and
Osage theatres at Shidler, Okla-
homa, visited friends on Film Row
last week.
J. W. Clem advises he has pur-
chased the Cozy theatre, at Slick,
Oklahoma, from P. A. Barton.
E. W. Johnson and Harry
Schafer were business callers on
Film Row the past week.
C. O. Scrivner, of Sulphur,
Okla., is reported to have pur-
chased the Empress theatre at Roff,
Okla. The Empress has been
closed for the last several months
and Scrivner expects to re-open
same immediately.
Marie Murrow, of the local Uni-
versal office, has returned to her
desk after a visit with her parents
in Enid, Okla.
H. W. Ferguson, advertising
manager for the Mid-West Enter-
prises, is back on the job, after a
short absence due to illness.
Orville Enloe, manager of the
Criterion theatre at El Reno, Okla-
homa, paid a business visit to Film
Row last week.
R. E. Griffith, manager of Grif-
fith Amusement Company, is in
New York on a business trip. Dur-
ing his absence the assistant man-
ager and booker, H. A. Falls, de-
voted a week's vacation to county
jury service.
Incorporation — New Palace the-,
atre, capital stock $30,000, Black-
well, Okla. Incorporators, Charles
Bellarits, T. L. Tetirick, and Allie
Aubrey.
E. E. Collins has been trans-
ferred by Publix theatres from
Queen and Fremont theatres in
Galveston to Houston, Texas, and
is succeeded by L. E. Sowar, of
Fort Smith, Ark.
The Empress theatre at Okla-
homa City is remodeling its stage
for the purpose of presenting
vaudeville performances. Tom H.
Boland, manager of the Empress,
has gone to Chicago for both busi-
ness and pleasure purposes.
The Texan theatre, at Throck-
morton, Texas, sustained a small
fire recently.
H. L. Houston will remodel his
Crystal theatre at Pittsburg, Texas.
M. A. Connally has taken over
the Palace theatre at Hemphill.
Texas.
The new Arcadia theatre at
Harlingen, Texas, has opened for
business.
East Texas theatres announce
cut in admission prices at Mount
Pleasant, Texas, to 5 and 10 cents
for all shows.
Hall Industries have opened their
Rialto theatre at Kenedy, Texas.
The R. & R. Washington theatre
at Sherman, Texas, was slightly
damaged by fire.
Tony Ryan, Fox manager at
Oklahoma City, visited in Tulsa.
Okla.. last week.
May 19, 1928
1709
Salt Lake City
THE Walker theatre, operated
by George E. Walker at Arco,
Idaho, has recently had the latest
type Simplex Projectors installed.
An order has been placed with
the local office of the National The-
atre Supply Company for a ven-
tilating system to be installed at
the Gem theatre at Filer, Idaho,
owned by Mr. Tanner.
An Orchestraphone is now ready
for delivery at the local branch of
the National Theatre Supply Com-
pany.
According to report here the
Opera House at Wellsville, Utah,
has recently had the latest type
Mazda equipment installed.
A Simplex Projector has just
been installed at the North Cache
High School at Richmond, Utah,
for educational purposes.
Thomas Berts of the Rialto
Amusement Company at Rock-
springs, Wyo., just left this city
after a visit of several days.
Columbia pictures are to be dis-
tributed from an office of their own
here, located at 258 East 1st South
street on the new film row. Dave
Earquhar, who was branch mana-
ger in this city for Warner Broth-
ers for the past several years, is to
have charge.
Manager O. Wog of the Para-
mount Famous-Lasky exchange in
this city, accompanied by all of the
sales representatives, the ad-sales
manager and the booking manager,
left last week for the Paramount
National convention at San Fran-
cisco.
L. C. Winghain is back from the
Metro - Goldwyn - Mayer Mana-
gers convention held at Kansas City
and is holding sales meeting with
the local sales force preparatory to
selling the 1928-29 products.
Home Office Representative Park
Agnew of the Metro-Goldwyn-
Mayer organization was recently in
this city from the Denver office.
Manager Al O'Keefe will be back
to his Pathe office from Butte,
Mont., within the week and will
leave for the Pathe National con-
vention at Chicago.
Tony Hartford, manager here
for Universal, salesmen C. C. Mc-
Dermond and E. M. Gibson, and
Office Manager E. S. Winward
have left for Universal conven-
tion being conducted at San Fran-
cisco.
Wayne Ball, manager here for
Warner Bros., returned last week
from the convention held by War-
ner Bros, at New York.
Manager W. F. Gordon of the
Associated First National ex-
change, is back from the National
convention as are Salesmen Stew-
art and Hawkes.
Clyde H. Messinger, of the Edu-
cational office here, left his mana-
gerial desk last week for the Cache
Valley section of Utah. The Edu-
cational national convention is to
be held at Montreal, Canada, com-
mencing May 22nd, and Messinger
will leave to attend upon his return
from Northern Utah.
Manager Charles Walker of the
Fox office in this city expects to
leave within the next few days for
New York, where the Fox conven-
tion is to be held. Salesman J. L.
Tidwell is in from his Southern
Utah territory and Joe McEnhin-
ney is still in his Montana section,
while Harry Levey is in Idaho.
Andy Murdock of the Ideal the-
atre at Heber City, Utah, was
among exhibitor visitors looking
over some of the new season's prod-
ucts last week.
George Smith of the Gem and
Empress at Magan, Utah, was also
in attending to his bookings.
For the coming year -the Colum-
bia exchanges of Salt Lake and
Denver have arranged to distrib-
ute the Gotham line-up of product.
J. T. Sheffield, owner of the Co-
lumbia exchanges in Denver and
Salt Lake, spent a few days in this
city from Denver the past week.
J. H. Miller, of the Cameo the-
atre at American Fork, Utah, was
a recent visitor.
Exhibitor Tony Duvall of the
Gem theatre at Murray, Utah, fell
and broke his wrist recently.
It was stated at the local film
mart that J. W. Johnson of the Iris
at Midvale is ill with diphtheria.
"Hap" Fredericks, local ex-
change manager for Columbia, has
spent the past few weeks in the
Idaho branch, and is expected to be
back to his office here the latter
part of the week.
Royal W. Taylor of the Salem
theatre at Salem, Utah, was among
exhibitors visiting here.
Louis Marcus, president and gen-
era] manager of the Louis Marcus
Enterprises, left for San Francisco
last week to attend the Paramount
convention as a guest.
Joe Koehler of the Idaho theatre
at Twin Falls, Idaho, recently spent
a short time in this city.
Mell Stringham of the Colonial
theatre at Ogden, Utah, was also
among exhibitor visitors seen along
the row recently.
The new State theatre had its
formal opening the evening of May
5th. The interior of the theatre
has been decorated and fitted out at
a cost of $60,000 and will seat 500
persons on the main floor and 200
in the balcony. The house is un-
der the management of Jos. Law-
rence and George Randall, who op-
erate the Rialto theatre here. The
projection apparatus, according to
the managers, is of the latest type
obtainable.
Manager Fred Lind of the F. B.
O. exchange is at Chicago attend-
ing the convention held there. A
regional convention will be held at
the Salt Lake office the week of
May 21st for the Denver, Butte
and Salt Lake salesmen.
Omaha
THEATRE managers have an-
other thing to think about now,
Krug Park, the local outdoor play-
ground has opened. There are
many outdoor features and also
five reels of pictures.
George Johnson, popular young
organist at the Riviera theatre,
crashed into front page publicity
the other day with an announce-
ment of his engagement to Omaha's
perfect flapper.
Another one of the boys from
the Riviera who is stepping out to
make a name for himself is Law-
rence Jones. Jones has been sent
to Waterloo, Iowa, to try his hand
at stage band directing. Lawrence
is a protege of Paul Spor, Riviera
master of ceremonies.
The Golden Coast Limited
pulled out of Omaha Thursday
morning carrying about three hun-
dred western division managers,
bookers and salesmen headed for
the Paramount convention in San
Francisco.
John D. Howard arrived last
Wednesday to take over the duties
as manager at the Rialto, Howard
comes all the way from Mobile,
Alabama. This is his second as-
signment in this vicinity, having
been manager of the Broadway
theatre in Council Bluffs some two
years ago.
The Gaiety theatre closed bur-
leque for the season last week.
They are now running pictures.
The management has not an-
nounced whether they would con-
tinue with this policy or not.
The boys at Paramount Ex-
change are all hopped up over the
thoughts of the convention next
week. San Francisco will be the
center of activities. Omaha will be
represented by A. Mendenhall,
branch manager ; O. M. Newhouse,
booking manager ; I. W. Fisher, ad
sales manager, and Salesmen C. F.
Reese, W. E. Baker, W. A. Burke,
and Jack McCarty The boys plan
to leave Wednesday morning for
the coast.
Frank Hensler, branch manager
of Metro-Goldwyn-Mayer, returned
last week from the district conven-
tion at Kansas City.
Milton Korrach has resigned as
manager of the Rialto theatre, and
has not announced any plans for
the immediate future. Bob Vore,
assistant to Korrach, remains as
house manager and is handling
house operation, while Ed Bresen-
dine, of the Riviera Publicity De-
partment, is doing the exploitation
and advertising.
B. W. Prusiner, of the Blank
Enterprises, was a visitor, spend-
ing the week end in Omaha.
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1710
Motion Picture News
Chicago
THE Orpheum theatre, Rock-
ford, has been leased by Forest
City Theatres, Inc., a new com-
pany headed by Charles Lamb,
president, and Russell Lamb, secre-
tary and treasurer. The house,
which was owned by the Rockford
Enterprises, Inc., has been oper-
ated by Great States for some time
past. The new Lamb organiza-
tion has also taken over the Palm
theatre, which has been under the
management of Russell Lamb. It
is understood that the Orpheum
will be closed in June, and after
being remodeled, may open in fall
as a stock house. The only Rock-
ford theatre now controlled by
Great States Theatres, Inc., is the
Cornado, which this company will
continue to operate.
Gradwell Sears, manager of
First National's Chicago office, is
receiving congratulations over be-
ing the father of an eight and one-
half pound boy.
Homer Gill has been appointed
district manager of all Midwesco
theatres in Wisconsin, outside of
the City of Milwaukee.
A. W. Szold, of the Apez the-
atre, Peoria, was a caller on film
row last week.
C. W. Nebel, of Community
Theatres, Inc., reports that his
company's new Geneva theatre at
Lake Geneva, Wisconsin, is nearing
completion and will open on May
30th.
The Rialto theatre at Racine,
Wisconsin, is about to close. This
house is owned by the Universal
Circuit which recently opened the
new Venetian theatre in Racine.
The Woods theatre will inaugur-
ate a policy of feature photoplays
and musical company stock on May
30th, according to Jones, Linick &
Schaefer, the owners. Johnnie
Jones, Jr., will become manager of
the Woods when the change in
policy becomes effective.
Jules J. Rubens, of Great States
Theatres, Inc., is making a tour
of all the houses on the company's
circuit.
W. D. Burford, of Great States,
has returned to Chicago after a
trip to New York City and De-
troit, where he attended the Para-
mount convention. Mr. Mayer,
also of Great States, joined Mr.
Burford in Detroit for the con-
vention.
Carl Leserman, recently ap-
pointed manager of First National's
Cleveland office, was compelled to
return to Chicago, on account of
the serious illness of Mrs. Leser-
man. He has been here for over
two weeks and his many friends
will be glad to learn that his wife
is showing some improvement and
there are now strong hopes for her
recovery.
M. P. Kelley, director of pub-
licity of the Midwesco Theatres,
Inc., was in Chicago recently and
made a tour of the neighborhood
de luxe houses.
Divisional Manager Wallace of
United Artists was in Omaha last
week while Manager Abrose of the
local office was making a trip
through the territory. Al Licht-
man, of this company, stopped off
for a brief visit at the local head-
quarters and then continued his
journey from New York City to
the West coast.
Jack M. Schwartz, who recently
severed his connection with First
National as a salesman, is now in
that capacity for Fox and has been
assigned to his old territory in
Illinois. Another addition to Man-
ager Clyde Eckhardt's staff is E.
L. Goldberg, another veteran film
man who was recently branch
manager for Paramount at Peoria.
Mr. Goldberg will cover central Il-
linois.
Ruben's Rialto theatre at Joliet
is celebrating its second anniversary
next week and will offer patrons
a gala program.
Denver
COLUMBIA will soon open
s their own distributing branch
in Denver under the management
of Eugene Gerbase, well known
film man in the Denver territory.
Gerbase is now attending a Co-
lumbia convention and is expected
to return to Denver with definite
plans for the future concerning dis-
tribution plans.
Mrs. Rosetta Fairchild, mother
of Frank Fairchild, died at her res-
idence in Ft. Collins, Colo., last
Monday from an attack of influ-
enza. She was buried in the Crown
Hill cemetery of Denver last Wed-
nesday afternoon. Mrs. Fairchild
was 76 years old at the time of her
death. Frank Fairchild is mana-
ger of the Ft. Collins theatres of
the Kohn and Fairchild Amuse-
ment Co. He is one of the leading
exhibitors of the Denver territory.
J. G. Kittleson, former owner
and manager of the Liberty theatre,
Salt Creek, Wyo., was elected
mayor of Salt Creek at an election
held last Tuesday. I. C. Floer-
sheim, manager of the Pastime the-
atre of Springer, N. M., was also
recently elected mayor of his city.
Wm. Nagle is building a new 500
seat theatre in Gallup, N. M., which
will be ready for its grand opening
in the near future. Nagle has
named his theatre the Gallup. It
will furnish opposition to the Rex
theatre, now the only amusement
house in the New Mexico town.
J. H. Ashby and party of the
local First National office returned
last Friday from the National con-
vention held in Chicago. R. J. Mor-
rison, Fox branch manager, leaves
soon to attend a convention in New
York City. He will stop over in
Cleveland en route and continue his
journey to New York City with
Ward Scott, who is managing the
Fox branch office in Cleveland.
Sam H. Cain, Universal manager,
is attending a convention in San
Francisco. S. D. Weisbaum and
Sam Feinstein of F.B.O. left last
week for Chicago to attend their
convention. The convention of F.
B. O. this week will be followed by
the Pathe convention the following
week. A. G. Edwards, local
branch manager of Pathe, will at-
tend.
Harry Lustig, district manager
for Warner Bros., was in Denver
visiting Chas. R. Gilmour, branch
manager here. Lustig is enroute
to the coast from the national con-
vention held recently in New York
City.
Thomas Love, exhibitor, operat-
ing the Hanna theatre of Hanna,
Wyo., was in Denver last week do-
ing some business with exchanges.
B. M. Shooker, for years an in-
dependent distributor in Denver,
has sold out his interest in the At-
las exchange to C. B. Mark.
The Paramount office delegation
of Denver left last Thursday for
Los Angeles to attend their sales
convention. They will be gone for
about ten days.
Over in Crede, Colo., John Mat-
tern will open the Opera House,
with high class movie shows for
the coming season. The theatre
was formerly operated by the
American Red Cross there.
H. C. Howe, a new comer among
exhibitors, has purchased the Lib-
erty theatre of Vona, Colo., from
Fred Flannagan.
In Salt Creek, Wyo., J. G. Kittle-
son has sold the Liberty theatre to
D. H. McNeill, who has also been
operating the Midwest theatre of
Midwest, Wyo. Robert Saunders,
former manager of the Liberty the-
atre, will manage the theatre in
Midwest.
A report comes from Roy, N. M.,
that Wm. G. Johnson and Roy
Self will try their hand as exhibit-
ors in the operation of the Pen-
drick, formerly operated by R. A.
Pendleton.
Ray Bartlett, exhibitor in Ar-
tesia, N. M., has taken over the
operation of the Cozy theatre of
Portales, N. M. The Cozy theatre
has been closed for several months.
Its reopening will furnish opposi-
tion to the Portola theatre.
Minneapolis
THE town of Clark, S. D., has
approved Sunday shows by a
vote of 299 to 110, and for the first
time in its history will have movies
on the Sabbath. An attempt to put
over Sunday shows was made two
years ago at an election, but was
defeated at that time. Mrs. James
Leslie, proprietor of Clark's the-
atre, has been working diligently
since that time to bring about a
favorable verdict from the voters.
Mark Ross has been appointed
manager of the Theatre Owners
Film Exchange, it was announced
last week by W. A. Steffes, pres-
ident of the Northwest Theatre
Owners and general manager of
the film division of that organiza-
tion.
The State theatre at Jackson,
Minn., is to have a new organ, ac-
cording to F. A. Matuska, its
owner.
William Gould, who is M-G-M
salesman in North Dakota, has re-
covered from an illness which kept
him in the hospital for nearly five
weeks.
Fire did slight damage recently
to the Opera House at Granite
Falls, Minn.
The Southern theatre, Minneapo-
lis, had the dials of its safe
knocked off by robbers last week,
but there didn't happen to be any
cash in the strongbox.
Harry Smith has taken over the
Bijou theatre at Browns Valley,
Minn., from W. E. Zetzman.
H. A. Brummond, veteran the-
atre owner of Thief River Falls,
Minn., underwent an operation for
mastoids.
May 19, 1928
1711
Albany
Francis j. McCarthy,
manager of the First National
exchange in Buffalo, came to Al-
bany la>t week to confer with the
local manager relative to bookings
for the Schine circuit.
William Smallcy has so far re-
covered from his long illness that
he was in New York City last
week. Mr. Smalley was reported
to have regained his old time pep
and there is a warm welcome await-
ing him from his many friends
along Albany's film row.
Lee Langdon, one of the old
timers in the booking business, re-
turned to Albany last week, after
spending some time in New York
City.
"Al" Guteck, local' manager for
F. B. O., left last Saturday for
Chicago, where he will attend his
company's convention.
Lew Buettner, of Cohoes, served
as one of the exhibitors at last
Monday's meeting of the Board of
Arbitration. Buettner was a sick
man for several weeks, but is now
back on the job and looks in fine
shape. ,
Nat Levy, manager for Univer-
sal in Albany, blossomed forth last
week with a brand new Buick tour-
ing car.
M. E. Silberstein, of Catskill,
was a bit worried last week when
a fire broke out in the neighborhood
of the Community theatre and for
a time threatened to sweep the busi-
ness centre of the village. Hard
work on the port of the firemen,
however, confined the fire to one
of the large business blocks.
Manager Pearlman, of the
James theatre in Utica, paid his
ADVANCE trailers are now
established with definite dis-
tributing headquarters in all of the
Pacific Coast division branch ex-
change centers. Art A. Schayer,
general division manager, recently
visited San Francisco, where he
completed arrangements for a lo-
cal office in the All Star Film Ex-
change Building. Joseph F. Sam-
uels will be the resident manager.
The opening of the new Warner
Brothers theatre in Hollywood,
April 29th, caused a traffic conges-
tion for 20 blocks, according to a
message received from W. B. Wag-
non, manager of the Embassy here.
The Publix Theatres Corpora-
tion have placed what is considered
by showmen the largest single or-
der ever given for theatre chairs —
over 40,000.
J. Frank Shay has returned to
New York after several weeks
spent in the FBO exchanges in this
territory.
George E. Rust, of Georgetown,
was here for a few days getting
bookings lined up for his theatres.
He has taken over the Folsom the-
first visit to Albany last week, and
became acquainted with many of
the boys along film row. He was
accompanied by Sam Slotnick,
owner of the house.
W. W. Farley, owner of the
Farash theatres in Schenectady,
was much pleased last week at the
showing made by Governor Alfred
E. Smith in the California primar-
ies.
The village band in Warrensburg
will not only play this summer but
will also have new uniforms as the
result of a benefit given last week
at the Fairyland theatre.
Ernest J. Wolf, formerly exhib-
itor in Lowville, is now looking for-
ward to a loving cup or two from
the annual dog show in Syracuse,
where he will exhibit this week
his famous Great Danes.
George Dwore, owner of the
Cameo, Capitol and Colony theatres
in Schenectady, did considerable
booking along film row last week.
V. F. Winne, of Cherry Valley,
wearing knickers, was also along
the row booking.
Irving Goldsmith of Saratoga
Springs, a Supreme Court Justice,
and part owner of a theatre in his
home city, presided at a term of
court in Brooklyn last week. Gold-
smith's house is now booking pre-
releases for the racing month of
August.
Boosting the new product, film
managers and salesmen are like
Hies these days around some of the
theatres. William Benton, enter-
tained, or at least received, accord-
ing to his own word, at least half
of the branch managers of Albany
last week. But that is nothing to
the way, they have flocked to the
Schine offices in Gloversville.
William Shirley played the part
of host at the State theatre in
Schenectady one night last week in
observing his tenth year in the
show business in the electric city.
The party was held in the lobby of
the theatre following the last show
of the evening. About 100 persons
attended. There was an orchestra
for dancing and plenty in the way
of feed. During the evening Shir-
ley was presented with a handsome
gold watch by his employees. The
Farash Company, with which Mr.
Shirley is associated, took over the
lease last week of the Hudson the-
atre in Schenectady.
Windbiehl and Shelly, of Amster-
dam, operating the Orpheum, report
business as being good these days.
They cater to the working classes
of the city.
George Goldberg, a well known
film salesman in Albany, returned
last Saturday from a week's swing
through the Adirondack region, and
reported road conditions as being
much better than during the last
few weeks.
Lumberg and Robbins, owners of
the Uptown theatre in Utica, are
planning to make the house a sub-
sequent run one.
It looks as though Abe VanDu-
sen, booker at the F. B. O. ex-
change, is in line for a nice fat
check in the near future. VanDu-
sen has been in the money for the
past five weeks in the bookers cash
drive which is now winding up.
The new Stanley theatre in
Utica, which will open soon, is one
of the most imposing structures in
the business centre of the city and
one in which residents are already
taking much pride. Smalley's the-
atre in Johnstown is also rounding
in shape and will be opened in the
very near future.
When asked last week as to how
business was going, Morris Silver-
man, of Schenectady, replied that
he had taken in more during one
day the previous week than he had
during three days this past week.
Bob Pierce of Ilion summed up the
situation by saying : "Business not
so good of late."
William Benton has definitely
decided to operate a theatre that is
to be built in Plattsburg, and
which will be one of the outstand-
ing houses along the northern
border.
Jack Krause, former manager
for Tiffany in Albany, is now an
automobile salesman, handling the
Reo line.
Tony Veiller, who recently re-
signed as manager of the Mark
Ritz in Albany, appeared at the
steering wheel of a brand new car
last week, and journeyed over to
Boston for the week end. Mrs.
Veiller, who has been confined at a
local hospital, was able to return
home during the week.
George Tetrault, owner of the
Grand in Watervliet, is now run-
ning three days a week and is find-
ing the going rather hard with the
second street carnival within three
weeks.
Pete Dana, local manager for
Tiffany, arrived homo last week
from New York.
and later with Tiffany, following
the P.D.C.-Pathe combine, is now
connected with United Artists, hav-
ing accepted the San Joaquin terri-
tory recently covered by Fred
Gage.
The new theatre now under con-
struction at San Bruno will have
theatre chairs of the American
Seating Company manufacture,
furnished and installed by C. F.
Weber & Co.
Oliver B. Prickett recently an-
nounced the opening of his new
Alcazar theatre, Carpinteria, Calif.
Oliver Watson, a former stock
and bond salesman from Detroit,
is a new addition to the sales force
of F.B.O.
Nadine Amos spent her vacation
in Los Angeles.
San Francisco
atre, Folsom, California, since May
1st. Jack Frates was the owner.
Chas. Kauffman, his wife and
son were seen recently on Film
Row. - 1
W. A. Thresher, of Wasco, was
seen on the Row getting his book-
ings set for the coming season.
G. C. Parsons has left to attend
the Metro-Goldwyn-Mayer conven-
tion which is being held at Kansas
City.
Jack Bettencourt made a short
trip to Hollywood — looking over
the situations.
Jimmie Chapman has been ad-
vanced from the booker's desk at
Educational to salesman.
Phil Weinstein is proud of the
new and enlarged branch exchange
office improvement that is being
done in his Columbia home at 177
Golden Gate avenue.
The new West Coast theatre in
Oakland will be seated with Amer-
ican chairs, furnished and installed
by C. F. Weber & Co., of San
Francisco.
Henry Fontana, of Lindsay,
favored the bookers with dates re-
cently.
Walter Berger is now at the
booker's desk at Educational, hav-
ing been promoted to that position
when Jimmie Chapman vacated it
to start his career selling film.
R. Pollock, of Calistoga, was a
recent visitor on the Row. He
says vacation time is coming on
and Calistoga is waiting for people.
Don Smith, formerly assistant
manager of the local P.D.C. office.
EMPIRE FILM VAULTS, INC.
723 Seventh Ave., N. Y.
Bryant 5437-5736-2180
STORAGE OF MOTION PICTURE FILMS
1712
Motion Picture News
Baltimore
NEW rates which went into
effect at the New Garden here
beginning Monday, May 7, were :
11 a.m. to 1 p.m., entire house 35
cents ; 1 p.m. to 5.30 p.m., or-
chestra 50 cents and balcony 35 and
25 cents ; 5.30 p.m. to closing, or-
chestra 60 cents, balcony 50 and
35 cents. This brings this Keith-
Albee high class vaudeville and pic-
ture house to a level on prices with
the other first-run theatres in town
with a 60 cent top.
Mary Pascor, assistant book-
keeper at the New theatre office
here, has resigned to become con-
nected with a lawyer's office.
Work has been started on the
new theatre being erected at Welch,
W. Va., for Samuel Polon and
C. D. Brewster, which will cost
about $100,000. It was designed
by Alex Mahood, architect, Blue-
field, W. Va.
The Grand theatre, Greer, S. C,
was destroyed by fire recently.
This house was owned by C. W.
Drace and the loss is estimated at
about $25,000.
The Empire theatre, Winchester,
Va., owned by the Shenandoah
Valley Theatres Corporation, of
which Isaac Weinberg is the head,
is to be remodeled and have an ad-
dition built to it costing about
$100,000. The contract for the
work has been given to the Neilson
Construction Company, Harris-
burg, Pa.
Plans are under way by the En-
terprise Theatre Company, to build
a theatre to seat 2,500 persons to
measure 120 by 110 feet. Plans
were drawn by Milburn, Heister
and Company, Washington, D. C.
The Oakford theatre, Richwood,
W. Va., was one of the buildings
destroyed in a large fire which de-
stroyed many buildings in that city
recentlv. The entire loss was about
$325,000.
An addition is to be built to the
Lyric theatre, Baltimore, to cost
about $50,000, from the plans by
Taylor and Fisher, architects, of
this city. This theatre, managed
by J. Albert Young, is used for
concerts, operas and moving pic-
ture special performances. The
last shown there were Kreimhilde
and Seigfried.
The Liberty theatre, Cumberland,
Md., owned by Tom Burke, is to
be remodeled and have an addition
built to it costing about $35,000.
The plans were drawn by H. R.
Hitchens, architect, Cumberland.
A lodge building, theatre and
store to be built at Hagerstown,
Md., will cost about $50,000. It
is being built by B.P.O.E. No. 378
of Hagerstown, after the design of
C. E. Kountz and A. J. Klinkhart.
Phillip J. Scheck, part owner of
Keith's Hippodrome, here, is rap-
idly completing the work on the
Dixie theatre, West Baltimore
street, which he recently took over
and which was formerly operated
by Nat Keene. The house is being
entirely remodeled.
A large electric sign with 300
bulbs going 35 feet high has been
built over the front entrance of the
Garden theatre, Cumberland, Md.
The Orpheum theatre, Ports-
mouth, Va., has been leased to the
Theatres Corporation of America
and the company will remodel it, to
reopen as a first run house, seating
1,700 persons.
St. Louis
ANOTHER drive to close the
theatres of Springfield, Mo,
on Sundays was launched on May
6, when Paul Bennett, a singing
evangelist, filed complaints against
six local motion picture theatre op-
erators.
Missouri theatres and other
places of amusement paid $334,912
in internal revenue taxes for the
first nine months of the present
fiscal year, compared with $258,735
for the same period the previous
year.
State Senator Joseph Mogler,
president of the St. Louis Motion
Picture Exhibitors League and
owner of the Mogler, Bremen and
Excello theatres in North St.
Louis, has filed as a candidate for
Republican city committee man
from his ward.
Eddie Peabody, who was sched-
uled to take over the master-of-
ceremonies job at Skouras Broth-
ers' Missouri theatre on May 12,
has decided to stay on the Pacific
Coast. His sudden decision forced
Skouras Brothers and Reeves Espy,
publicity director for Skouras En-
terprises, to make a hurried trip to
New York City in search of some
one to fill the position formerly oc-
cupied by Brooke Johns.
Arthur Nealy, master of cere-
monies at Skouras Brothers Mis-
souri theatre, was forced to lay off
May 2 because of a badly infected
hand and will not be able to return
for another week or so. Freddy
Bernard has taken over the master-
of-ceremonies position.
Mason Peters, former newspaper
man, has been named business man-
ager of the Garden theatre on the
Olive street road in St. Louis
county.
J. Earle Estes is the new guest
organist of the St. Louis theatre.
Grand and Delmar boulevards, St.
Louis. Estes is a native of St.
Louis. He joined the Orpheum
Circuit nine years ago.
Jack O'Toole, formerly St.
Louis manager for Pathe, has en-
tered the golf business as the local
representative of Play Golf. He
has temporary quarters at 3320
Lindell boulevard and has installed
a full line of golf paraphernalia.
Exhibitors and others desiring to
improve their game of golf should
consult Jack, who even has in
stock some "hole in one" clubs
which will get the desired results
with proper handling under favor-
able conditions.
Visitors of the week included
Mrs. I. W. Rodgers, Cairo, 111. :
Bill Karstetter, Columbia, Mo., and
Ted Yemm, Duquoin, 111.
W. S. Johns, father of Brooke
Johns, former master of cere-
monies at the Missouri theatre, St.
Louis, Mo., died on his son's farm
near Rockville, Md., on April 28.
The elder Johns was 67 years old
and had been in ill health for
many months.
Cleveland
THERE have been several
changes of personnel in the
local Metro-Goldwyn-Mayer ex-
change. Frank Belles has resigned
as office manager, and Louis A.
Freiberg, formerly with Fox in Al-
bany, has been appointed to succeed
him. Arthur Engelbert, cashier,
has been succeeded by A. E. Rohlfs.
Rohlfs has been with the M-G-M
organization for the past eleven
years.
Jack Gardner, of Toledo, figured
in the real estate transactions of his
city last week when he bought the
Artcraft theatre from W. L. Beck-
ham.
In Ashland, Ohio, the Sunday
movie antagonists have broken out
again. The ministerial association .
has called a mass meeting to get
the majority opinion of the citizens
in regard to Sunday movies. Ex-
hibitors of Ashland, no less active,
are also calling a mass meeting in
the expectation that they will get
the larger crowd.
Jack Flanigan, of Tri-State Mo-
tion Pictures, and Pathe camera-
man, was in New York at the time
of the public reception in honor of
the Bremen flyers and participated
in getting News Reel pictures of
them. Flanigan also got their pic-
tures while in Cleveland and had
them on the screen the same day
on which they were in the city.
The Cleveland Motion Picture
Exhibitors Association held an or-
ganization meeting last Thursday.
William James, president of the
M.P.T.O. of Ohio, and P. J. Wood,
business manager of the M.P.T.O.
of Ohio, were present from Colum-
bus. The association was particu-
larly interested in discussing the
possibilities of a state law being
introduced which would make it
compulsory for every exhibitor to
use a safety device on projection
machines before obtaining an oper-
ating license. Such a law exists in
Philadelphia, and it is rumored that
an effort will be made to introduce
a similar law in other states. Cleve-
land and the Ohio state exhibitor
organization are taking time by the
forelock and are laying plans to
prevent such a law from being in-
troduced in Ohio.
William James, president of the
M.P.T.O. of Ohio, is secretary of
the Know Ohio Week, starting
May 20, set aside to educate
Ohioans as to the growth, industry
and possibilities of Ohio. Governor
Donahey is president of the move-
ment.
Louis Isreal's Standard theatre,
Prospect avenue and East Ninth
street, suffered about $1,200 dam-
ages from fire one day last week.
The fire started in the projection
room. Two reels of film were de-
stroyed, two motion picture projec-
tion machines were damaged, and
the building was slightly damaged.
The house was closed for a few
hours only, until mechanical re-
pairs on the projectors could be
made. Henry Lieb, 4880 East 85th
street, operator, escaped without in-
jury.
May 19, 19 28
171.3
New York & New Jersey
1"*HE coming of the summer
months has prompted the man-
agement of the Park Theatre, 44th
Street and 5th Avenue, Brooklyn,
to side-track from its present pic-
ture and vaudeville policy, and run
instead stock burlesque and photo-
plays.
The Plaza, Heights Theatre Cor-
poration house, located on High
Street, Brooklyn, has undergone a
change of management, with C.
Bevilacqua succeeding Billy Mar-
row.
Harry Nesdler is the new man-
ager of the Fortway, an inde-
pendent house, located on Fort
Hamilton Parkway, Brooklyn.
The Eden Theatre, at 201 At-
lantic Avenue, Brooklyn, formerly
operated by the Gencll-Pelkiner-
Horowitz circuit, and which has
been temporarily closed, will re-
open soon under a new banner.
For the third time, ownership of
the Floral Park Theatre, Floral
Park, L. I., a practically new house,
has changed hands. H. O'Neil,
who originally built the theatre,
has taken it over from the
Schwartz Circuit. Michael Blinn
was the first owner.
Hymie Bloom has been appointed
manager of the Major Theatre, an
independent, located on Canal St.
Bloom fills the place formerly oc-
cupied by P. Doblin.
The new State Theatre, West
Orange, New Jersey, owned by
Mrs. Bogcnstcin, will be opened
sometime in June, under the man-
agement of Jack Halpern, formerly
of the Savoy in West Orange.
According to rumors along the
curb, Max Kramer will erect a
new, modernly-equipped theatre on
First Avenue, between 55th and
56th Streets.
Closed for several months, the
Linden Theatre, Linden, N. J.,
formerly owned by George Slatter,
was reopened last week by Aaron
and Benjamin Chausmin under the
name of St. George.
Morris Needles, owner of the
Park West Theatre, 99th Street
and Columbus Avenue, is back in
New York again after a long holi-
day in the South, where he
acquired an enviable coat of tan
and a hard-earned rest.
Two new links will be added to
the fast growing chain of Pollak
and Bratter theatres, with the open-
ing very soon of their Dobbs Ferry,
N. Y., house, and another at Rail-
way, N. J., in the early summer.
Another installation of Vitaphone
has been reported, this time by
Manager Louis La Rocca, of the
Park Plaza, a Lask and Greenberg
house, located at Tremont and Uni-
versity Avenues, the Bronx. La
Rocca announced the initial presen-
tation a huge success.
Julius Wolfe, formerly owner of
the Miller Theatre, Saratoga Ave-
nue, Brooklyn, is now operating the
Bay Theatre, Bath Ave. and 20th
St., which he recently purchased
from W. Weinberg. Weinberg, it
is believed, will retire from the
show business for a while.
"Chick" Meehan, prominent New
York University football coach,
dropped in at the Pathe Exchange
last week, and gave the boys some
new pointers on exhibitor "touch-
downs.'' "Chick's" main purpose
in the visit was to discuss the pro-
duction of his second series of foot-
ball shorts for Pathe distribution.
The Bronx will boast of another
new and finely-equipped theatre,
with the opening, about May 30th,
of the Tuxedo, at Gun Hill Road
and Jerome Avenue. The house
will open under the direction of
Morris Blinders.
Katherine Esposito, New York
booker at Pathe Exchange, is the
happy winner of the ,S100 first prize
in the bookers' contest recently held
by that company.
Marccll Goodwin has been ap-
pointed by Harry Taub as assistant
manager of the Tivoli Theatre,
Borough Hall, Brooklyn.
Isaac Katz, President of 85 Cort-
landt, Inc., has sold the Cortlandt
Theatre to the Marilyn Amusement
Corporation, of which M. Hausener
is President, and B. Guttman,
Treasurer.
Since his purchase of the State-
Theatre, Boonton, N. J., from Mr.
Sobelson, M. Snapper has opened
the house one day a week, on
Saturday, because of poor business.
The Auditorium Theatre, High-
land, New Jersey, formerly an M
& G enterprise, has been trans-
ferred to Marian Black.
New theatres that will open in
the near future arc: the Mayfair,
Hillside. N. J.; the Park, Roselle
Park, N. J., by Mr. Segal ; and the
Cameo Theatre, Nutley, N. J., by
Louis Gold.
Abe Peshkin, who formerly con-
ducted the Manhattan Theatre,
Greenpoint, has acquired the Colo-
nial Theatre, 7415 5th Avenue,
Brooklyn, from H. Blinderman.
The Tuxedo Motion Picture Cor-
poration has sold its Tuxedo Thea-
tre, located at 42nd Street and 3rd
Avenue, to John Yafiades.
Francis H. Robertson is now
owner of the Art Theatre, 57th
Street and 7th Avenue, Brooklyn.
The Palace Theatre. Huntington,
L. L, has recently passed into the
hands of the A. H. Schwartz cir-
cuit.
Mecca Theatre, at 441 East Nth
Street, owned by Al Harston, has
changed hands, and is now the
property of the 14th Street Mecca
Corporation, T. Kausman, Presi-
dent and M. Kausman, Secretary.
South East
MRS . R. B. WILBANKS,
whose husband is the local
Paramount manager, was recently
in Atlanta visiting relatives.
Rufus A. Davis, of National
Theatre Supply Company, has sold
his interest in the Iris theatre,
Salisbury, N. C, to Mrs. Phelps
Sasseen.
The Charlotte Paramount Fa-
mous Lasky office won first place
in the company's recent sales drive.
Cash prizes were awarded at the
convention in Washington, D. C,
last week.
The Wonderland theatre, Dur-
ham, N. C, which closed April 30,
having been condemned by city and
state authorities, is being remodeled
and will open in two or three
weeks.
Mrs. Marion G. Wrenn, secre-
tary of the Charlotte Film Board
of Trade, left last week for the
convention of secretaries, film
boards of trade, which will be held
in Los Angeles.
Announcement was made Mon-
day, April 23, of the marriage of
J. O. Mock and Mrs. Mary Conk-
wright, which took place Saturday.
April 7. Mrs. Mock is connected
with the Paramount office and Mr.
Mock is with Educational's ex-
change as booker. The marriage
came as quite a surprise to their
many friends in the film industry.
The Strand theatre, Charlotte,
N. G, has been leased by Miss
Grace Brown, of Charlotte, and F.
L. Brown, of Columbia, S. C, for
a period of five years. The plan is
to put on light musical comedies,
vaudeville and good pictures at the
Strand. The Strand will be com-
pletely renovated, with repainting
and redecorating and put in first
class shape.
Among visitors in Charlotte last
week were W. S. Freezer, Badin
theatre, Badin, N. C. ; S. W. Wil-
liamson, Majestic theatre, Camden,
S. C. ; Messrs. Beam and Plum-
mer, of Beam and Plummer Enter-
prises, Shelby, N. C. ; V. D.
Humphries, Lyric theatre, Bishop-
ville, S. C. ; C. I. Gresham, Art-
craft theatre, Mooresville, N. C,
and J. R. House, Victory theatre,
Mooresville, N. C.
F. A. Lcatherman returned to
Atlanta last Monday from a trip
north.
William G. Minder, southeastern
division manager of TifTany-Stahl
Productions, with headquarters in
Atlanta, left last week for the
Florida territory.
Announcement is made from the
offices of Milton Starr, at Nash-
ville, Tenn., that three new theatres
have just been acquired by the
Starr-Scales Circuit. These new
acquisitions by this circuit are the
Liberty theatre of Greenville, S. G,
the Eagle theatre of High Point,
N. C, and the New Gem theatre of
Reidsville, N. C. With the taking
on of these houses, the Starr-Scales
Circuit gains national recognition
as the largest circuit of Negro
theatres in the country.
The Starr-Scales Circuit now
controls the following theatres :
The Bijou theatre and Lincoln
theatre of Nashville, Tenn. ; the
Lincoln theatre of Winston Salem,
N. C. ; the Lenox theatre of
Augusta. Ga. ; the Lincoln theatre
of Charleston, S. C. : the Royal
theatre of Columbia, S. C. ; the
Lincoln theatre of New Bern.
N. C. ; the Palace theatre of Ensley,
Ala. ; the Liberty theatre of Green-
ville, S. C. : the New Gem theatre
of Reidsville. N. C, and the Eagle
theatre of High Point, N. C.
Cincinnati
AMONG the recent managerial
changes in central Ohio is the
appointment of Thomas H. Ealand,
who has taken charge of Loew's
and United Artists' Broad theatre,
at Columbus, Ohio. Ealand suc-
ceeds Charles F. Burns, who is re-
turning to the home office in New
York.
The Star theatre, Eaton, Ohio, is
being extensively improved. An
addition will be built at the rear
of the house, and a modern heating
plant will be installed. The in-
terior will be entirely redecorated,
and a new front will be built.
The Rex theatre, Ashland, Ohio,
is all "lit up" with a new screen
of the reflector type, which Man-
ager Harry Carl recently installed.
The Ohio theatre. Mansfield,
Ohio, recently featured the local
high school band of eighty mem-
bers as an added attraction to the
regular program.
The Majestic, Mansfield, Ohio,
has reduced the admission scale, the
new schedule being 10 and 15 cents
for afternoons, and 10 to 25 cents
for evening performances.
Samuel Gorrell, veteran film
salesman, has been appointed man-
ager of Security Picture Exchange
in Cincinnati.
1714
Motion Picture N cws
New England
J FRANK SHEA, division sales
• manager for F. B. 0. on the
West Coast and formerly sales
manager at Boston for Paramount,
was a visitor to Boston for sev-
eral days. He came east to attend
the F. B. O. convention sessions
at Chicago.
Martha Ferris, secretary of the
New England Film Board, left
early last week for Los Angeles
to attend the secretaries convention
there.
Harry F. Campbell, district man-
ager of the Fox exchange, Boston,
was in New York for several days
last week.
The Union Hill theatre at Glou-
cester, Mass., which has been run-
ning stock, will show an all comedy
picture bill every Sunday in the fu-
ture and run stock the rest of the
week.
George Haley has resigned as
manager of the Morton theatre in
Dorchester and is succeeded there
by Al Lourie, formerly manager
of the Franklin Park theatre, Bos-
ton. A. Pinanski, formerly assist-
ant manager at the Franklin Park
theatre, has been advanced to man-
ager of that theatre.
E. A. "Doc" Golden sails this
week from New York for Russia
in the interest of American films
in that country. He will be absent
about six weeks. He was formerly
head of First Division Films, Bos-
ton, until it was taken over by H.
A. Segal. Mr. Segal will now dis-
tribute First Division Films for
New England from his exchange at
46 Church street, Boston.
The Elm theatre at West Spring-
field, Mass., opened Monday night
for the season. Ed. Knight is the
manager.
Harold Keegan of the Rialto the-
atre at Waterbury, Vt., was in Bos-
ton last week for the first time
since the floods of last fall.
Walter Murphy and Ray S.
Averill are to manage the Capitol
and Crown theatres in New Lon-
don, Conn.
John Carey has opened the
Strand theatre at Oakland Beach,
R. I. This is the second theatre to
open at this resort this month.
The Mystic theatre at Maiden,
operated jointly by the Gree-Eilen-
burg and Ramsdell Brothers inter-
ests, has closed for the summer.
It will reopen about Labor Day.
Edward Anderson of First Na-
tional exchange has returned after
an extended vacation and is cover-
ing New Hampshire and Vermont
for that company.
Nate Ross, formerly of the First
National staff at Boston, has been
appointed branch manager for
United Artists at St. John, N. B.,-
and left during the week to take
charge there. He is the second
Boston salesman to be named
branch manager for a Canadian
exchange, Ralph Quive formerly of
Pathe, having been named a week
ago to take charge of United Ar-
tists exchange at Winnipeg.
Ann Rolfe of the inspection de-
partment at First National has suf-
ficiently recovered her health after
hospital treatment to return to her
home. She has decided not to re-
turn to the film business.
A. P. "Del" Bibber, sales mana-
ger of First National exchange at
Boston, has resigned. He suffered
a long illness during the winter and
had returned to his desk about a
month ago. He will take a long
vacation and will devote most of
his spare time to managing his the-
atre at Portland Spring, Me.
William Kelley, salesman in the
Boston territory for American Fea-
ture Films, is covering the ground
in his new Nash.
Manager Bianchi of the Globe
theatre at St. Johnsbury, Vt., was
a visitor to Boston recently.
The Lincoln theatre at Quincy
Point, Mass., has closed indefinitely.
George A. Smith has been ap-
pointed manager at the Capitol the-
atre at Somersville. He was for-
merly assistant at the Revere the-
atre in Revere. Before coming
East, he was located with the Bala-
ban-Katz interests in Chicago and
the Publix theatres in Georgia.
Assistant General Manager Har-
old Messiter of New York is in
charge of the New England terri-
tory for Universal Chain Theatres
temporarily. He expects to remain
in New England for several weeks.
The Pastime theatre at Chicopee,
Mass., closed last Saturday for the
summer and will reopen about La-
bor Day. The Casino theatre at
Boston also closed last Saturday
for the summer.
The Elm theatre at North Attle-
boro is soon to close temporarily,
it is understood, for the purpose of
making some extensive improve-
ments in the house.
The Riverside theatre, Medford,
has adopted a new policy. It will
run double features with two
changes of program weekly. Vaude-
ville has been discontinued.
Canada
THE 1928 convention of the
eastern managers of Famous
Players Canadian Corp., Toronto,
will be held at Toronto, July 17
and 18, under the direction of
Clarence Robson, Eastern Division
manager. The Western Canadian
convention will be held at Banff
Springs, Alberta, on July 6 and 7,
with H. M. Thomas, Toronto,
Western Division manager, in
charge. N. L. Nathanson, manag-
ing director ; T. G. Bragg, comp-
troller ; John Arthur, supervisor of
music ; Sam dePass and other of-
ficials of the company will conduct
the discussions.
Famous-Players now owns or
controls some 135 theatres in the
Dominion and practically all man-
agers will attend either one or
other of the company conventions.
J. B. Bickell, of Toronto, vice-
president of Famous Players Can-
adian Corp., has become a director
of the Canadian Bank of Com-
merce. Mr. Bickell is widely
known for his mining and other
business activities, being president
of famous mines operated by the
Mclntyre-Porcupine Mines, Lim-
ited, and Castle-Tretheway Mines,
Limited, and a director of other in-
dustrial companies.
The Empress theatre, a hand-
some new cinema on Sherbrooke
street west, Montreal, seating 1,800,
was formally opened May 19 with
a combination policy of pictures
and vaudeville.
The interior of Loew's theatre,
Toronto, Ontario, is being prac-
tically rebuilt under the direction
of the architectural firm of Thos.
W. Lamb, New York, under whose
direction the theatre was erected
in 1913.
A new Wurlitzer organ has re-
placed the original organ which
was burned ; a much larger or-
chestra pit has been constructed to
accommodate a concert orchestra ;
the boxes have been redesigned and
other important changes made. In
the meantime. Manager J. Bern-
stein is conducting regular per-
formances in the Winter Garden,
which is situated above the dam-
aged theatre, the building being of
the double-deck type.
Atlanta
JUDGING from the reception
which Atlanta accorded the re-
modeled Rialto last Monday, and
throughout the week, it seems cer-
tain that the theatre has guaran-
teed its future popularity for a
long time to come with the new
policy embracing Vitaphone and
Movietone synchronized pictures.
Wherefore, congratulations are in
order for Publix, and for Manager
W. T. Murray, who has devoted
himself untiringly to the task of
maintaining the Rialto popularity.
W. Ray Johnston, president of
the Rayart Pictures Corporation,
spent last Saturday in Atlanta in
conference with Arthur C. Brom-
berg, head of the Arthur C. Brom-
berg Attractions. ,
News reached Film Row last
week that Major John W. Quill ian,
who was formerly president of En-
terprise Film Corporation, has
sailed for France on business.
C. C. Jordan, formerly operator
of the Arcade theatre, Kissimee,
Fla., was in Atlanta last week ne-
gotiating the taking over of the
Del Ray theatre, Del Ray, Fla.
Carl Cape, of the Colonial the-
atre, Buford, Ga., spent last Thurs-
day in Atlanta.
Walter Bracken, of the Calla-
han theatre, Bambridge, Ga., was
a recent visitor to Film Row.
P. J. Henn, of the Bonita theatre,
Canton, Ga., also visited the film
exchanges.
R. J. Barnes, formerly represent-
ative for United Artists, joined the
sales force of Fox last week. He
will cover the company's Alabama
territory.
W. W. Anderson, manager of
Pathe's Atlanta branch, made a trip
to Savannah last week.
W. E. Dowdy, of the Canal
Point theatre. Canal Point, Fla.,
was a recent caller among the ex-
changes.
The Atlanta Joint Board of Ar-
bitration considered and disposed
of approximately twenty-five cases
at its regular meeting, held recently
in the offices of the board at 101
Marietta street, Atlanta.
Paul A. Strachan, salesman for
Pathe connected with the Memphis
branch, was in Atlanta last week,
having returned to the city on ac-
count of the illness of his wife.
A social event of interest was
the Howard theatre and Metro-
Goldwyn-Mayer Club dance, held
at the Henry Grady Hotel last
Saturday night.
May 19, 1928
1715
Kansas City
TO own a theatre lobby is a good
form of investment, it was
proved by real estate records in
Kansas City last week. A 20-foot
strip of land occupied by the en-
trance and long lobby of the Pan-
tages theatre, motion picture and
vaudeville house, is under lease to
the theatre for eighty-six years at
a net rental of $5,000 a year. Al-
bert Schoenberg, fee owner, sold
that narrow strip last week to
Kline's, Inc., of Kansas City, for
$95,000. That corporation bought
it at a sound investment, netting
slightly better than 5 per cent.
At last the annual exhibitors-
distributors baseball game has been
set for the first week in June. All
erstwhile players who are em-
ployed by exchanges have been re-
quested to report to Tom Byerle of
the First National exchange.
About fifty delegates of the
West and Middle West attended
the sales convention of M-G-M at
the Hotel Baltimore, Kansas City,
recently. The new product, new
exploitation ideas and advertising
campaigns were discussed. Felix
Feist, general sales manager, was
in charge of the meeting, which
was attended by several home office
executives', division managers and
branch managers.
The Ritz theatre, suburban
house of Kansas City, was bought
last week by Dr. Nathan Zoglin
from Oscar Litwin. The theatre
occupies a corner site, 57 x 120
feet. The property was sold sub-
ject to a lease with three years to
run, which contains an option of a
5-year extension.
Topeka, Kas., is to have a negro
theatre, it has been announced. A
building permit has been granted to
Ben Kross, and the National The-
atre Company, of which M. W.
Jencks is president, will lease the
theatre.
Nat Levine, producer of several
serials ; N. S. Shiren, home office
auditor for Tiffany-Stahl, and Al
Steffes were Kansas City visitors
recently.
A. A. Renfro, formerly of the
Pathe staff in Oklahoma City, has
joined the Paramount sales force
in Kansas City.
C. A. Schultz, manager of the
Midwest Distributors, Inc., was
hustling in the territory last week.
as was Beverly Miller of the Na-
tional Screen Service.
The Motion Picture Machine
Operators' local union No. 170 in
Kansas City gained some front
page publicity in daily newspapers
last week when the union voted
unanimously in favor of municipal
bonds, which were voted^ on by
citizens.
The Orphcum theatre, first run
and vaudeville house of Kansas
City, closed its season last week.
After a battle which has lasted
more than a year, it looks as
though the Sunday closing question
in Herington, Kas., is to come to a
decision. Recently C. L. McVey,
exhibitor, opened his house for five
consecutive Sundays, then volun-
tarily closed on Sundays for two
weeks and "put his ear to the
ground" in order that he might
sense the public pulse. Ministers
adopted a resolution condemning
the shows and citing the fact
that there was a state law against
such performances. McVey came
back with the announcement that
there was no law specifying it il-
legal to operate a motion picture
show on Sunday, any more than
there was a statute which prohibited
an organist in a church from work-
ing for pay on Sundays. The "blue
labor law" makes both unlawful,
he said. The law, however, rarely
has been enforced.
So McVey is going to leave the
entire matter to the citizens of the
little town. If the majority, by
"mouth to mouth" vote, appear in
favor of Sunday shows, there will
be Sunday shows. Otherwise,
there will be none.
A new Wicks pipe organ has
been installed in the Douglas the-
atre, Lees Summit, Mo., by the J.
W. Jenkins' Sons, Kansas City dis-
tributors.
The Temple theatre, Yates Cen-
ter, Kas., has been purchased by J.
M. Hobbs from H. Fuhrer.
The Isis theatre, Alton, Mo.,
which has been closed on account
of a smallpox epidemic, has been
re-opened.
The Kansas City First National
branch held a golf tournament all
of its own at the Lake wood Golf
and Country Club, Kansas City, on
May 15, according to Tom Byerle,
branch manager.
Buffalo
BILL TISIIKOFF. who. with
M. Fogel, operates the Web-
ster theatre in Rochester, was in
town last week and took occasion
to spike reports that the house was
closing down,
Dick Walsh, head of the poster
department of the Metro-Goldwyn-
Mayer exchange, has been pro-
moted to salesman.
Fred Zimmerman, chief of the
Theatrical Utilities Enterprises of-
fices here, has recovered from an
attack of influenza.
Buffalo's contribution to the
National Vaudeville Association
drive was greater this year than
ever before, according to a letter
last week to H. M. Addison, presi-
dent of the Buffalo Theatre Mana-
gers' Association, from E. F. Al-
bee. Theatres that participated in
the drive here included Shea's Buf-
falo, Great Lakes, Shea's Hippo-
drome, Loew's, and the I>afayette.
R. C. Fox, head of the exchange
bearing his name, made a trip to
Rochester last week.
Leo Murphy, formerly of Pathe
and Tiffany, is now with F. B. O.,
covering Niagara and Erie coun-
ties.
M. L. Osborne of Fredonia was
a visitor to film row last week.
Other out-of-town exhibitors who
were here during the week included
Max Fogel of the Princess theatre
at Rochester and Mr. Stahley of
the Monroe theatre in Rochester.
Rumor has it that Mr. Fogel is
contemplating closing his theatre at
the end of this month for about six
weeks to carry out some alterations
and enlarge the house.
Ed Walsh, who recently resigned
from First National, has joined F.
B. O. in the Syracuse territory.
L. E. Chamberlin, of Batavia.
of the New Aerial theatre, paid
film row a visit.
Bobby Albert, of Lancaster, with
the co-operation of some of the the-
atre managers, put on a show with
movies and several stage acts for
the inmates of the county jail last
week.
Miles Cohen of the Majestic the-
atre at Jamestown was a recent vis-
itor at the exchanges.
Detroit
WARNINGS have been issued
to theatrical staff members
in several downtown houses, follow-
lowing complaints against pick-
pockets. Last week, one woman
was robbed of a $390 check and
seven others reported the loss of
small amounts of money.
An attempt to pass a $20 bill
was thwarted by Catherine Porter,
cashier at the Madison theatre, last
Sunday evening. Catherine noticed
the counterfeiter about to leave
the theatre before having passed
into the interior. She became sus-
picious and notified police, who ap-
prehended the crook.
B. F. Keith's Temple, for many
years a landmark in this locality,
has been closed indefinitely. First
run pictures booked at that house
will hereafter be presented in the
Uptown, the remaining K-A enter-
prise.
Joe Lee, press agent who pre-
sided at the Oriental for several
months, has resigned to join Harry
Carey and will tour as business
manager through the I^atin Ameri-
can countries.
E. H. Forbes, well known to ex-
hibitors in the territory of the De
troit National Theatre Supply Co.
branch, has taken over the duties
of branch manager. He succeeds
R. G. Colvin, who has been trans-
ferred to Kansas City as sales rep-
resentative for the state of Kansas.
Joe O'Neill, former office manager
at Omaha, will fill the vacancy
left by Forbes.
Glenn Harris, formerly manager
of the Capitol theatre in Owosso,
has been appointed manager of the
Wuerth in Ann Arbor, Mich. For
the past 14 years, Harris has been
connected with the Butterfield or-
ganization.
UNIFORMS attaches COSTUMES s^Si BROOKS ;437T BX'
1716
Motion Picture News
Dallas
IP A. TOMES, manager of the
• Dallas Educational exchange,
will leave next week for the con-
vention at Montreal, Canada, and
will be away from the office about
two weeks.
E. H. Kleinert, musical director
of the Melba theatre, was married
recently to Miss Ann Leaf of Los
Angeles, former feature organist
of the Metropolitan theatre of Los
Angeles. Mr. Kleinert has been
appointed divisional supervisor of
Vitaphone music for Publix with
headquarters at the Melba theatre,
Dallas.
Walter C. Crosbie, managing di-
rector of the Majestic theatre, was
host recently to 250 orphans.
Toto, the celebrated clown, made a
big hit with the kiddies.
John J. Friedl, district manager
of Publix theatres, and A. Hadyn
Mason, managing director of the
Palace theatre, announced that
$200,000 will be spent in improving
the Palace theatre. Work will start
around June 1st and should be
completed about July 15th. The
front and lobby of the theatre will
be widened and given an ornate
appearance, a new electric sign, said
to be the largest in the South, will
be erected, and new ultra-modern
electric stage equipment will be in-
stalled. The dressing rooms will
be constructed, and new furnishings
and carpets will be purchased, and
new scene shifting apparatus will
be installed. The unusually good
patronage enjoyed by the Palace
theatre warrants these new im-
provements.
L. E. Schneider and C. B. Stiff
have returned from the Paramount
convention and are now in Galves-
ton to attend the opening of the
Queen theatre there.
Ross A. Wiegand, former di-
rector of publicity for the Melba
theatre, lias been transferred to the
Minneapolis theatre at Minneapo-
lis.
Joe Dietch, district booker for
Publix, has returned from the
Paramount sales convention.
Earl T. Crabb, former manager
of Texas for Publix, and more re-
cently city manager for Keith-
Albee at Boston, has resigned that
position to accept the district man-
agership for the Stanley chain at
Philadelphia.
H. A. King of the King Scenic
& Theatre Supply Co. states that
he has just decorated three houses
for the K. & H. Circuit, and that
business generally is very good in
both Texas and Oklahoma. Mr.
King left for points in Oklahoma
on business.
Colonel H. R. Fardwell has gone
to Kansas City and Chicago on
business pertaining to the erection
of a theatre in Houston.
R. J. 0;Donnell was in Chicago
looking over some shows for In-
terstate.
Hal Nordfleet, former director of
Kid comedies for Interstate, is out
of the hospital.
The Oak Cliff Amusement Com-
pany has acquired the Sunset the-
atre.
F. L. Wolfe of the Beltonia the-
atre at Belton, Texas, and L. A.
Walker of the Leroy theatre, Lam-
pasas, were recent visitors at the
First National exchange.
Visitors on film row the past
week included H. A. Callahan of
the Auditorium theatre, Crockett,
Texas ; Diaz Callahan from the
Winter Garden, Carrizo Springs,
Texas ; Win. Epstein, Aztec the-
atre, San Antonio; A. Martini of
the Martini and Dixie theatres at
Galveston.
E. C. Houston has closed his
Crystal theatre at Pittsburgh, Tex.,
to remodel and expects to open
again about June 1st.
The Mission theatre, operated by
the Dent organization at Wichita
Falls, has burned.
Mr. Wilkes, manager of the Dal-
las First National exchange, and
his salesmen have returned from
the company convention.
Tony Ryan, manager of the Fox
exchange at Oklahoma City, was a
Dallas visitor.
T. C. Kirksey of the Gem theatre
at Lott, Texas, was a visitor on
film row last week.
Milwaukee
A NUMBER of Milwaukee the-
atres recently changed mana-
gers. Victor Spector is new mana-
ger at the Murray theatre under
the new regime. Harry Perlowitz
will take over affairs at the Park-
way. Perlowitz was formerly man-
ager of the Savoy. Elmer Hall has
been transferred from the Fern
theatre to the Jackson. Jerry Tur-
ner, who was manager of the Park-
way, is now at the Granada. Frank
Galaska is now managing the Astor
- theatre. He was formerly at the
Granada.
J. Ashkin is representing Tiffany
in the Wisconsin territory. Ash-
kin was formerly associated with
Tiffany and Educational in To-
ronto.
John Ludwig and Harry Perlo-
witz have taken over the Parkway
theatre from the Goetz Bros.
The M-G-M Efficiency Club re-
sumed its regular meetings on
Wednesday of last week. Moving
interrupted the schedule of meet-
ings and this was the first get-to-
gether they have had in several
months.
A number of out of-town exhib-
itors were in the city last week.
Among them were Francis Kadow
of the Mikado theatre at Manito-
woc; E. J. Bregger, of the Ejay
theatre at Crystal Falls ; Harvey
Hanson, of the Palace at Antigo ;
Stella McGee, of the Opera House
at Evansville ; A. C. Accola, of the
Bonham theatre at Prairie du Sac ;
John Adler, of Marshfield, and a
contingent from Racine, including
Donald M. Kessler of the Granada.
Don Smith of the Capitol, Steve
Dorece of the Star and Louis Rossa
of the Douglas.
Arthur Arndt of the First Na-
tional exchange has been ill for a
week, suffering from an attack of
influenza.
Harold J. Sliter, representative
for Fox, was reported seriously ill
the past week.
The erstwhile bowling fans are
turning thoughts to golf, and again
we hear rumors of an exhibitor-ex-
change golf tournament.
Plans for the usual baseball
games are beginning to materialize
and the first game of the season
looms near.
The theatre which has promised
the west side in the neighborhood
of Fond du Lac and 22nd has been
abandoned and a filling station is
arising on the site, which was
cleared for the theatre and office
building.
Central Penn
MOTION picture theatres and
their employees played a big
part in helping the Harrisburg
Welfare Federation raise its an-
nual budget of $290,000 for the
support of the city's charitable in-
stitutions in a campaign during the
first week and a half in May.
C. Floyd Hopkins, head of the
Wilmer & Vincent theatres in that
city, was chairman of the division
of volunteer solicitors who raised
about $10,000 in the rural districts.
He and Mrs. Hopkins made a per-
sonal subscription of $200 and the
Wilmer & Vincent Corporation
gave $400. The employees of the
State theatre contributed $131, and
the Colonial's working force,
$55.50. The Victoria employees
gave $45.45. Loew's Regent the-
atre chipped in $50, and the Mor-
gan Wallace Players, presenting
stock at the Majestic, made a gen-
erous contribution. Peter Magaro,
pioneer motion picture exhibitor of
Harrisburg, and former owner of
the Regent, wrote his check for
$200.
Picture theatres of Allentown
faced competition of two big cir-
cuses within two weeks in May.
Shea's theatre, Bradford, an-
nounces it is about to install the
Vitaphone and Movietone devices.
Reuben Mainker, of the Franklin
theatre, Allentown, contributed a
check for $56, representing a day's
receipts, to the fund for financing
the Jubilee celebration held in
honor of the fact that Allentown
has passed the 100,000 mark in pop-
ulation.
Excavations have been completed
for the new $200,000 theatre that
John V. Schreck is planning to
erect in Ashland. The house will
seat 1300 and will occupy a plot 42
by 125 feet. Mr. Schreck formerly
lived in Mount Carmel, where he
was a pioneer in the motion picture
business. The Chamberlain Amuse-
ment Enterprises of Shamokin, op-
erating a chain of theatres, bought
the Victoria, Mount Carmel, from
Mr. Schreck, who then moved to
Ashland to build the new theatre.
He plans to run movies and vaude-
ville and an occasion legitimate
show.
The death occurred recently of
Walter M. Murphy, who was or-
ganist at the Grand theatre, Frack-
ville, and formerly held a like posi-
tion in the Temple, Ashland.
William Hissner and Thomas
Monaghan, former manager of the
Capitol theatre, Lebanon, have or-
ganized the Strand Amusement
Company, of that city, which now
controls the Strand, Capitol and
Academy theatres, in Lebanon, and
the Strand in Annville.
Pappas Brothers, owners of the
Bijou theatre, Milton, announce
they expect to start work early in
June on the new $125,000 theatre
they propose to erect in that town.
It will have a seating capacity of
1,100.
May 19, 1928
1717
Projection
Optics, Electricity, Practical Ideas & Advice
Inquiries and
Comments
Aerial Image May Cause Loss of
Light
PART II
iN the preceding article it was
shown how the formation of an
aerial image in the optic system
of a motion picture projector
might indicate a loss of light — or,
rather, a lack of efficiency — due to
the fact that this image is in the nature of
an optical aperture which, under certain
conditions, would be of such a size that it
would restrict the free passage of light from
the projection lens to the screen.
There is, to be sure, no actual restriction
such as occurs at the film aperture of the
projection for the reason that the dia-
phragming action of the aerial image is
virtual only and depends entirely upon op-
tical, rather than physical, considerations.
The effectiveness of this diaphragming ac-
tion of the aerial image varies with the
optical setup and is influenced principally
by the focal length and free diameter of the
projection lens; the diameter of the con-
denser (either lens or reflector) and its dis-
tance from the projection lens; the size of
the screen picture; and the projection dis-
tance.
How to Check It
The method of determining whether or
not the aerial image, for any given set of
conditions, will cause a loss of efficiency is
quite simple since it is necessary to con-
sider only the condenser and projection lens
in order to make a rough check.
It was pointed out in the preceding ar-
ticle that where the diameter of the aerial
image was less than the working diameter
of the projection lens, a loss was encoun-
tered because all points on the projection
lens were not providing light to all screen
points.
To make the first rough check, then, it is
necessary to determine the size of the aerial
image. This is done by using the simple
optical formulas required for image finding.
Knowing the diameter of the condenser,
its distance from the optic center of the
projection lens, and the focal length of this
lens; the distance at which the image of
the condenser will be formed is readily de-
termined.
The aerial image, it will be recalled, is
nothing more than the image of the con-
denser formed by the projection lens. Once
the distance of this image from the pro-
jection lens has been determined its size
can be found quickly by proportion. Thus,
if a 4^2 inch condenser is placed 15 inches
from the projection lens which forms an
image of it at a distance of 5 inches, the
size of this image, obviously, will be only
one-third that of the condenser, or l1/^
inches. Unless the size of the aerial image
is greater than the working diameter of the
projection lens, a loss of efficiency is cer-
tain. The diameter of the image must al-
ways be greater than that of the lens if a
loss in this respect is to be avoided.
The Mazda System
Let us now consider some practical ex-
amples of optic systems now in use for
motion picture projection.
The incandescent lamp system is an ex-
cellent illustration in this respect since its
designers were fully cognizant of the effect
which the aerial exerts and made certain
that there should be no loss in this respect.
Indeed, the aerial image can be considered
as a criterion of the efficiency of the system
and it is upon this fact that the claims for
the high efficiency of the Mazda System are
based.
In its original form, the Mazda system
employed a 4% inch diameter prismatic
condenser and while later developments
brought about the use of the present para-
bolic condenser the conditions in this re-
spect were not changed.
Using the prismatic lens as a basis and
assuming the use of a projection lens of
52/^ inches E. F. (which is about the aver-
age) we find the conditions to be as fol-
lows: diameter of condenser 4x/2 inches;
distance of condenser to projection lens 12
inches; projection lens E. F. 5V-2 inches.
The image location is found from the
following:
X Y
E. F. =
X + Y
12 Y
5.5
12 + Y
66 + 5.5 Y = 12 Y
Y = 10
The aerial image, then, will be found 10
inches in front of the projection lens. The
size of this image will be as shown below.
4.5 : 12 = X : 10
12 X = 45
X = 3.75
The diameter of the image will be 3%
inches and since the diameter of the pro-
jection lens is approximately 2% inches it
will be seen that there no diaphragming
action occurs under these conditions.
In other words, the system is as efficient
as it can be made in this respect.
The Arc-Condenser System
The old arc-condenser system of projec-
tion was notoriously inefficient as later de-
velopments in the reflector arc line proved.
It was long known that tins was so and an
inspection of the aerial image characteris-
tics of the system will show just where
this inefficiency lay.
The following practical conditions will
be assumed. Condenser diameter A1/)
inches; distance of condenser from projec-
tion lens, 25^2 inches; projection lens, E. P.,
o1/^ inches.
With this setup, the aerial image will be
formed at a distance of 6.8 inches from
the projection lens and the size of the
image will be 1.2 inches in diameter.
Now this is smaller than even a quarter-
size projection lens (which measures ap-
proximately 1% inches in diameter) so that
it will be evident that serious diaphragming
occurred in the old arc system.
This, more than anything else was a sure
indication that the system was grossly in-
efficient.
It was claimed in some directions that the
exceptionally small aerial image formed by
the old arc system was a positive advan-
tage because it enabled the projectionist to
trim down the blades of the shutter to such
extent as to make the shutter action as
efficient as possible.
This, in effect, is equivalent to saying
that the happiest man is he who is penni-
less because he has nothing to worry about.
The Reflector Arc System
The reflector arc system, which succeeded
the old arc represented a considerable im-
provement as regards the aerial image with
the result that the overall efficiency was
raised to a much higher degree.
Taking the ecliptic mirror outfit as an
illustration the conditions are as follows:
Diameter of mirror 8 inches; distance of
mirror from projection lens 29^ inches;
projection lens E. F., 5% inches.
The aerial image under this arrangement
will be found at a distance of 6% inches
from the projection lens and will have a
diameter of 1.8 inches. This indicates an
increase in efficiency of more than 100 per
cent over the old arc system and practical
tests have closely checked this expected in-
crease.
It would appear from this line of reason-
ing that the reflector arc has not yet reached
the ultimate in the way of efficiency un-
less practical considerations serve to limit
to the present output.
As regards the high intensity arc using
condensers, while no specific figures will be
given to support the statement it can bo
said that under normal conditions the sys-
tem works at high efficiency and does not
suffer materially in this way. There is no
perceptible diaphragming action of the
aerial image and while there still appears
to be room for further improvement the
greatest step towards the most efficient con-
dition has alreadv been achieved.
1718
Motion Picture News
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THE FALLY MARKUS AGENCY
Astor Theatre Building
N. W. Cor. 45th St. & Broadway
Lackawanna 7876
Sentry Appoints Graver
to European Post
Louis A. Graver, who has been repre-
senting the Sentry Safety Control Corpo-
ration in this country, has been appointed
general technician for all European coun-
tries and sailed recently for Paris, where
he began demonstrations and installations
of the Sentry Safety Control. Mr. Graver
will make a tour of all European countries
and will probably return to the United
States some time in the fall. He was for
many years an operator in Philadelphia
motion picture theatre and is a brother of
James Graver, manager of the Liberty The-
atre. He is considered one of the best
authorities in Philadelphia on projection.
Marr & Golton Executive
To Tour Europe
Leo Heerwagen, who for many years has
been closely associated with the sales de-
partment of the Marr and Colton Company,
Warsaw, N. Y., and whose office was in the
Paramount Building, New York City has
left for a vacation in Europe. Mr. Heer-
wagen will tour through Germany, France
and Italy. He will take up his duties as
usual in the sales management of the New
York Office of the Marr and Colton Com-
pany upon his return. Mr. Marr and Mr.
Colton were in New York to wish Mr. Heer-
wagen "Bon Voyage" when he sailed on
the S. S. Muenchen.
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is the Stationery of the Screen
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Each
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Carries
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All
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COMPLETE RELEASE CHART
Productions are listed according to the names of Distributors in order that the Exhibitor may have
a short-cut toward such information as he may need, as well as information on pictures that are coming.
Features which are finished or are in tcork, but to which release dates have not been assigned, are listed in
"Coming Attractions" (S. R. indicates State Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
BRAY PRODUCTIONS
Title Star Rel. Date
Bare Co-Ed, The Murdock-Cavaller-Lancaster Feb. 10. . .
Barnyard Rivals W. Lantz-M. Shaw-T. Ward Mar. 10. .
Cat Tales McDougall Kids Feb. 20
Cutting Up McDougall Kids Mar. 20. . .
Daze of '49 J. Cooper-L. Carver Jan. 2. ..
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1 . .
Fowl Play McDougall Kids April 20. .
Lost In the Lurch P. Murdock-N. Cavalier Mar. 1 . . .
Mr. Pooh McDougall Kids Jan. 20 . .
COLUMBIA
FEATURES
Title Star Rel.
After the Storm Bosworth-Gilbert-Delaney . . April
By Whose Hand? Cortez-Gilbert Sept.
Broadway Daddies Logan-Lease April
College Hero, The Agnew-Lease-Garon Oct.
Desert Bride, The Compson-Forrest Mar.
Fashion Madness Windsor-Howes Dec
Golf Widows Ford-Reynolds-Rand May
Isle of Forgotten Women Tearle-Sebastian SepL
Lady Raffles Taylor-Drew Jan.
Matinee Idol, The Walker-Love Mar.
Modern Mothers Chadwick-Fairbanks, Jr.-Kent May
Opening Night, The Windsor-Bowers Nov.
Sally in Our Alley Mason-Arlen Sept.
Siren, The Revier-T. Moore Dec.
So This Is Love Mason-Collier-Walker Feb.
Sporting Age, The Bennett-Herbert-Nye Mar.
Stage Kisses Harlan-Chadwick Nov.
That Certain Thing Graves-Dana Jan.
Tigress, The Holt-Revier Oct.
Warning, The Holt-Revier Nov.
Wife's Relations, The Mason-Glass Jan.
Woman's Way, A Livingston- Baxter Feb.
Date
19...
15...
7...
9...
26 .
8...
1...
?7. .
25...
14...
13 .
14. .
3...
20. . .
6...
2...
2...
1...
21...
26. . .
13...
18 . .
Length Reviewed
2 reels Jan. 7
2 reels Mar. 17
2 reels
2 reels Mar. 17
2 reels Feb. 4
2 reels Mar. 17
2 reels
2 reels Mar. 17
2 reels Jan. 7
Reviewed
Jan. 7
Dec. 9
Mar. 31
Length
5459 feet
5432 feet
540Cfeet.
5628 feet
5425 feet
5513 feet.
5592 feet
5645 feet. . . Jan. 21
5471 feet
5925 feet ... May 5
5540 feet
5524 feet
5892 teet
5996 feet
5611 feet
5467 reet
5435 feet
6047 feet
5357 feet
5791 feet
5508 feet
5472 feet
Mar. 17
Mar. 10
Mar. 17
Jan. 7
April 28
Coming
Star
Attractions
Title
Beware of Blondes
Name the Woman Stewart-Glass.
Ransom . . Wilson-Burns
Way of the Strong, The Stewart-Glass
Virgin Lips Borden-Boles
Length Reviewed
Title Star Rel.
Nicknames Hodge-Podge April 8
No Fare "Big Boy ' April 8
Off Balance Monty Collins April 22
Peculiar Pair of Pups, A Bruce Outdoor Sketch May 20
Penny Postals Curiosities April 1
Pretty Baby Monty Collins Feb. 26
Racing Mad Al St. John Jan. 8
Rah Rah Rah Dorothy Devore June 3
Recollections of a Rover Hodge-Podge Jan. 8
Rubbernecking Curiosities Feb. 5
Running Ragged Lewis Sargent Jan. 29
Sailor Boy Monty Collins June 17
Say Ah-h Charley Bowers Feb. 19
Simple Sap, A Larry Semon Feb. 12
Slippery Head Johnny Arthur April 29
Spring Has Came Monty Collins Mar. 25
Star Shots Hodge-Podge Feb. 5.
Sword Points Lupino Lane Feb. 12
There It Is Charley Bowers Jan. 1
Thoughts While Fishing Bruce Outdoor Sketch June 17
Three Tough Onions Monty Collins May 20
Visitors Welcome Johnny Arthur Mar. 4
Wandering Toy, The Hodge-Podge May 6
Wedding Slips Monty Collins Jan. 15
Whoozit Charley Bowers April 1
Who's Lyin' Davis-Collins June 10
Wildcat Valley Johnny Arthur Jan. 22
Wild Wool— Night Clouds Bruce Outdoor Sketch
You'll Be Sorry Charley Bowers May 20
Length Reviewed
1 reel April 21
2 reels Mar. 24
1 reel April 14
1 reel May 5
1 reel Mar. 17
1 reel Feb. 18
2 reels Jan. 28
2 reels
1 reel Feb. 4
1 reel Feb. 4
1 reel Feb. 4
1 reel
2 reels Feb. 18
2 reels Feb. 25
2 reels April 21
1 reel Mar. 17
1 reel Feb. 4
.2 reels Dec. 31
2 reels Jan. 7
1 reel
1 reel . May 1 2
2 reels Mar. 10
1 reel
1 reel Feb. 11
2 reels . . Mar. 17
2 reels
2 reels Feb. 4
1 reel
2 reels
EXCELLENT PICTURES (S. R.)
FEATURES
Title
Star
Rel. Date Length Reviewed
Back to Liberty Walsh-Hall Nov. 10
Bit of Heaven, A Lee-Washburn April
Bowery Cinderella, A O'Malley-Hulette Nov. 1
Broadway Madness De La Motte-Keith Oct. 1
Satan and the Woman Windsor-Keefe Dec. 15
Stronger Will Marmont-Carewe Jan. 15
Women Who Dare Chadwick-Delaney Mar.
Coming Attractions
Title Star
Life's Crossroads Hulette-Hamilton
You're in the Army Now Santschi-Blythe
5980 teet
6900 feet Nov. 25
6300 feet Oct It
6400 feet Mar. 10
6600 feet
Length Reviewed
EDUCATIONAL
Title Star Rel. Date Length (Reviewed
All Bear Curiosities .'.April 29 1 reel April 21
All Set W. Lupino-Sargent-L. Hutton. .Jan. 29 1 reel Feb. 4
Always a Gentleman Lloyd Hamilton Feb. 5. . . 2 reels Feb. 18
At It Again Monty Collins May 13 2reels April 28
Between Jobs Lloyd Hamilton Mar. 18. . . 2 reels
Blazing Away Lloyd Hamilton April 22. . . 2 reels April 7
Builders of Bridges Bruce Outdoor Sketch Feb. 26 . .1 reel Mar. 10
Call of the Sea, The Hope Hampton Jan. 1 ... 2 reels Dec 31
Chilly Days "Big Boy" Feb. 19.... 2 reels Feb. 18
Circus Blues Dorothy Devore Mar. 25. . . 2 reels Mar. 17
Count Me Out Barney Helium Mar.11 1 reel Mar. 3
Crown Me Wallace Lupino June 3 . 1 reel
Cutle Dorothy Devore Jan. 15 2 reels Feb. 18
Dog Days— Sun and Rain Bruce Outdoor Sketch Jan. 29 1 reel. . Feb. 25
Dummies Larry Semon Jan. 1. .. 2 reels Dec. 23
Fall In Monty Collins Jan. 1 1 reel Dec. 23
Fandango Lupino Lane May 6 ... .2 reels April 1 4
Felix the Cat In Arabiantlcs "Sullivan Cartoon" May 13 . . .1 reel
Felix the Cat in Comicalities "Sullivan Cartoon" April 1 ... 1 reel April 21
Felix the Cat Draggin' Dragon "Sullivan Cartoon" Jan. 22 1 reel Feb. 25
Felix the Cat in Eskimotive "Sullivan Cartoon" April 29 .1 reel
Felix the Cat in Futuritzy "Sullivan Cartoon" June 24 1 reel
Felix In In-and-Out-Laws "Sullivan Cartoon" May 27. . . .1 reel
Felix the Cat In Japanlcky "Sullivan Cartoon" Mar. 4 1 reel Mar. 31
Felix in Ohm Sweet Ohm "Sullivan Cartoon" Feb. 19... 1 reel Mar. 17
Felix in Outdoor Indore "Sullivan Cartoon" June 10... 1 reel
Felix the Cat In Polly-tics "Sullivan Cartoon" Mar. 18 1 reel April 14
Felix in Sure-Lock Holmes "Sullivan Cartoon" April 15. . . .1 reel May 5
Felix the Cat in the Oily Bird "Sullivan Cartoon" Feb. 5 1 reel Mar. 1 0
Felix In the Smoke Screen "Sullivan Cartoon" Jan. 8. . . .1 reel Feb. 18
Feline Frolics— Tonquln Valley Bruce Outdoor Sketch Mar. 25 1 reel Mar. 10
Fighting Orphans— Evening Mist Bruce Outdoor Sketch 1 reel
Gloom Chaser, The "Big Boy" June 24 2 reels
Green-Eyed Love Ruby McCoy-George Hall April 8 1 reel Mar. 24
Hectic Days Lupino Lane June 17 2 reels
High Strung Jerry Drew Jan. 29 2 reels . Feb. 4
Hints on Hunting— Day by Sea Bruce Outdoor Sketch April 22 1 reel Mar. 31
His Maiden Voyage George Davis Feb. 26 ... 2 reels Feb. 18
Homemade Man, A Lloyd Hamilton June 17 2 reels .
How to Please the Public Hodge Podge Mar. 11 1 reel . Mar. 17
Indiscrete Pete Jerry Drew Mar. 11 2 reels Mar. 10
Kitchen Talent George Davis April 15 2reels Mar. 31
Landlord Blues Curiosities May 27.... 1 reel
Listen Sister Lupino Lane Mar. 25 2 reels Mar. 24
Love's Springtime H. Hampton-J. Catalaine Feb. 12 2 reels Mar. 17
Mother Birds Curiosities Mar. 4 . 1 reel Feb. IS
Mysterious Night, A Monty Collins Feb. 1 2 1 reel Feb. 4
Navy Beans "Big Boy" May 27... 2 reels Mny 12
Never Too Late Wallace Lupino May 6 1 reel April 28
New York's Sweetheart Curiosities Jan. 1 Ireel.. Feb. 11
F B O
FEATURES
Star
Title Star Rel. Date Length Reviewed
Aflame in the Sky Lynn-Luden Dec 18 6034 feet Nov. 11
Alex the Great Gallagher-Dwyer May 13 5872 feet Mar. 24
Bandit's Son, The Steele-Sheridan Nov. 20. . . .4789 feet
Bantam Cowboy, The Buzz Barton Aug. 12 4893 feet.
Beyond London's Lights Shumway-Elliott Mar. 18 5583feet . Feb. 25
Boy Rider, The Buzz Barton Oct 23 4858 feet... SepL 30
Breed of the Sunsets Bob Steele April 1 4869 feet
Cherokee Kid. The Tyler-Lynn Oct. 30 4837feet Mar. 3
Chicago After Midnight Mendez-lnce Mar. 4 6249 feet Mar. 17
Clancy's Kosher Wedding Sidney-Lease-Lynn SepL 17. . . 5701 teet Aug. 26'27
Coney Island Wilson-Mendez Jan. 13 6390 feet . Feb. 25
Crooks Can't Win Lewis-Hill-Nelson May II
Dead Man's Curve Fairbanks, Jr.-Blane Jan. 15 5511 feet Dec 23
Desert Pirate, The Tyler-Thompson Dec 25 4754feet
Devil's Trade Mark, The Bennett-Mong-Douglas April 7 5984 feet
Doq Justice Ranger-Martin June 10 5043 feet
Drlftln' Sands Bob Steeie Jan. 1 4770feet .
Fangs of the Wild Ranger-Kitchen Feb. 5 4804 feet Jan. 14
Fightinq Redhead, The Buzz Barton July 1 4758 feet
Flying U Ranch, The Tyler-Lane SepL 4 4924feet.
Freckles Bosworth-Fox, Jr Mar. 21 . . 6131 feet Jan. 28
Gingham Girl, The Wl, son-Arthur Oct. 2... 6301 feet July29"27
Harvester. The Klngston-Caldwell Nov. 23 7045 teet . Nov. 25
Her Summer Hero Thompson-Trevor-Blane .. Feb. 12 5146feet . Dec. 30
Hook and Ladder No. 9 Ellls-Keefe-Hearn Nov. 13 5240 feet Dec 16
In a Moment of Temptation Stevens-Keefe Sept 18. .. 6605 feet . Nov. 11
Jake the Plumber Devorska-Lynn Oct. 16. .. 5186 feet Nov. 4
Judgment of the Hills Valll-Caldwell Nov. 6 6481 teet Aug. 19 27
Law of Fear, The. Rnnger-Reid-Nelson April 8 4769 feet Mar. 10
Legionnaires in Paris Cooke-Guard Jan. 31 5893feet
Little Buckaroo. The Buzz Barton Mar. 11 4801 feet
Little Mickey Grogan Darro-Ralston-Nye Dec 27 6515 feet Mar. 3
Little Yellow House, The Sleeper-Caldweil ... May 28 6829 feet April 21
Loves of Ricardo, The George Beban June 17 5181 feet SepL 4 '26
Man in the Rough. The Steele-King May 20 4748 feet
Mojave Kid. The Steele-Gllmore Sept. 25 4924 reet Aug. 12'27
Phantom of the Range Tyler-Thompson-Darro . . . April 22 4781 feet . Feb. 11
Pinto Kid. The Barton-Trevor-Lee April 29 4884feet Jan. 7
Racing Romeo, The Grange-Ralston Sept. 1 5992 feet Dec 16
Ranger of the North Ranger dogl Oct. 9 4977 feet
Red Riders of Canada Mlller-Byer April 15 6419 feet Dec 23
Riding Reneqade. The Bob Steele Feb. 18. .. 4729 feet
Sally of the Scandals Love-Forrest . July 15
Shanghaied Mlller-lnce OcL 19 5999 teet Aug.26'27
Skinner's Big Idea Washburn-Sleeper-Trevor May 11 5967 feet Mar. 17
Slingshot Kid. The Barton-Mnrgan-Rice Dec 4 4486 teet
South Sea Love Mhler-Shumway-Brooks Dec 10 6388 feet Feb. 18
Swift Shadow. The Ranger dog> Dec 11 4892 feet Dec 23
1720
Motion Picture News
Rel. Date
April 16. . .
April 9...
Title Star Rel. Date Length Reviewed
Texas Tornado, The Tom Tyler June 24
Trail of Courage, The Steele-Bonner July 8
Wall Flowers Trevor-Arthur-Todd Feb. 16 6339 feet
When the Law Rides Tyler-Darro Feb. 26
Wizard of the Saddle Barton-Thompson Jan. 22 4805 feet Dec. 30
SHORT SUBJECTS
Title Star
After the Squall Al Cooke
All Alike Carr-Alexander-Ross. . . .
All Washed Up Al Cooke
Almost a Gentleman Al Cooke June 11
Big Berthas Karr-Ross-Alexander May 14
Come Meal Al Cooke May 28
Heavy Infants Karr-Ross-Alexander June 11
Mickey in Love Mickey Yule June 4
Mickey in School Mickey Yule Feb. 6
Mickey's Little Eva Mickey Yule April 2
Mickey's Parade Mickey Yule Jan. 2
Mickey's Wild West Mickey Yule May 7
My Kingdom For a Hearse Al Cooke April 2
Oui Oul Heidelberg Karr-Ross-Alexander Feb. 13
Panting Papas Karr-Ross-Alexander Jan. 9 .
Rah! Rah I Rekie Al Cooke
Restless Bachelors Al Cooke April 30
Silk Sock Hal Al Cooke May 14
Social Error, A Al Cooke
Length Reviewed
2 reels
.2 reels
2 reels Feb. 18
2 reels
.2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
.2 reels
.2 reels
.2 reels Feb. 18
.2 reels
.2 reels
2 reels Feb. 11
Coming Attractions
Title Star
Battling Buckaroo, The Tyler-Clair
Big Bow Mystery, The I. Rich-Brook
City of Shadows, The Luden-Lynn
Danger Street Baxter-Sleeper
Down Our Way Valli-Caldwell-Darro
Eagle's Ta'ons, The Tom Tyler
Headin' for Danger Steele-Mendez
Hit of the Show, The Brown-Astor
Perfect Crime, The Rich-Brook-McConnell
Saddle and Spurs Barton-Eason
Stocks and Blondes Logan-Gallagher
Length Reviewed
FIRST DIVISION (S. R.)
Title Star Rel. Date Length Reviewed
Comrades Keith-Hughes-H. Costello Jan. 1
Death Valley Nye-Weils-Rae Nov. 15
Devil's Cage, The Garon-Keith May
Fagasa Kelly-Kelton-Wells Mar.
Firnegan's Ball Landis-Mehaffey Oct. 1
Masked Angel, The Compson-Oakman Feb. 1
Merry Wives of New York Pauline Garon Jan
Polly of the Movies Short-Robards Dec. 15 6900 feet
Ragtime DeLa Motte-Bowers SepL 15 6700 feet Sept. 9
Souls Aflame James- Wells-Lard Mar.
Taxi 13 Conklin-Sleeper
Temptations of a Shop Girl Compson-Garon-Kaliz Dec. 1 . . . 5604 feet
5970 feet.... Mar. 10
5880 feet.... Aug. 12
6200 feet Dec. 9
5700 feet... Mar. 24
Title
Free Lips
Title
Coming Attractions
Star
Marlowe-Novak
Length Reviewed
FIRST NATIONAL
FEATURES
Star
Rel.
American Beauty Dove-Hughes Oct.
Barker, The . . .Sills-Compson-Mackaill Aug.
Big Noise, The Conklin-Hardy-White Mar.
Breakfast at Sunrise Talmadge-Alvarado Oct.
Burning Daylight Sills-Kenyon Mar.
Camilla Talmadge-Roland Sept.
Canyon of Adventure Maynard-Faire April
Chaser, The Langdon-McConnell Feb.
Chinatown Charlie Hines-Lorraine April
Crystal Cup, The Mackaill-Mulhall Oct.
Drop Kick, The Barthelmess-Kent Sept.
Flying Romeo Sidney-Murray Feb.
French Dressing Warner-Brook-Wilson Jan.
Gorilla, The Murray-Day-Kelsey Nov.
Gun Gospel Maynard-Faire Nov.
Harold Teen Lake-Brian-White May
Hawk's Nest, The Sills-Kenyon May
Heart of a Follies Girl Dove-Kent Mar.
Her Wild Oat Moore-Kent Dec.
Home Made Hines-Daw Nov.
Kelly's Kids Charlie Murray July
Ladies' Night in Turkish Bath Mackaill-Mulhall April
Lady Be Good Mackaill-Mulhall May
Life of Riley, The Sidney-Murray Sept.
Lilac Time Moore-Cooper April
Little Shepherd of Kingdom Come Barthelmess-O'Day April
May 12
Dec. 16
April 28
May 6
.7400 feet
6042 feet
6500 feet
8692 feet
5800 feet
5744 feet April 21
6365 feet
6386 feet. . . Nov. 25
6819 feet . . Sept. 30
61 87 feet ...April 14
6344 feet
Dec.
Mar.
Nov.
Jan.
Oct.
Aug.
Love Mart, The Dove-Roland
Mad Hour, The O'Neill-Kent...
Man Crazy Mackaill-Mulhall
Noose, The Barthelmess-Joyce
No Place to Go Astor-Hughes
Oh Kay Colleen Moore
Patent Leather Kid, The Barthelmess-O'Day. . .
Private Life of Helen of Troy Corda-Stone-Cortez Jan.
Red Raiders, The Maynard-Drew Sept.
Rose of the Golden West Astor-Roland Oct.
Roulette Barthelmess-Basquette June
Sailors' Wives Astor-Hughes Jan.
Shepherd of the Hills Francis-O'Day Jan.
Date Length Reviewed
9. . . 6333 feet. . . Oct. 21
19.
25.
23
11
4.
29
12
15
16
25
26
15..
13....7133feet....Dec. 2
6... 6288 feet... Mar. 10
27... 7500 feet
27
18 . . .5957 feet. . . Mar. 17
25. . . .6118 feet. . . Feb. 11
20 . . .6524 feet
29
1. .. 6592 feet... April 14
6
18 ... 6712 feet ...Sept. 16
22 Mar. 24
8. . . .7700 feet
7388 feet
6625 feet . April 21
5542 feet
7331 feet.
. Dec. 30
Jan. 7
6431 feet... Mar. 17
Smile, Brother, Smile Mackaill-Mulhall.
Texas Steer, A Rogers-Fazenda
Three-Ring Marriage Astor-Hughes
Upland Rider, The Maynard-Douglas
Valley of the Giants Sills-Kenyon
Vamping Venus Murray-Todd-Fazenda.
Wagon Show, The Maynard-Faire
Whip Woman, The Taylor-Moreno
Yellow Lily, The Dove-Brook
. Sept.
Dec.
April
June
Dec.
May
Feb.
Feb.
May
18
4
27
29
30
.....11412feet.Aug.26, '27
8. . . 7694 feet. . . Dec. 23
4 .. 6214 feet ...Dec. 9
2 . . .6477 feet. . . Oct. 7
10
22. . . 5485 feet. . . Mar. 10
81 88 feet . . Feb. 25
6669 feet . . Sept. 9
7419 feet . Nov. 18
1
11
■1
29
3
11
13
19
5... 5087 feet
20
6336 feet
Mar. 24
Coming Attractions
Title Star
Black Magic Hines-Lorraine
Butter and Egg Man Mulhall-O'Day
Code of the Scarlet Maynard-McConnell
Length Reviewed
Title Star
Divine Lady, The Griffith- Varconi
Happiness Ahead Colleen Moore
Head Man, The Murray-Reed- Dawson . .
Heart to Heart Astor-Hughes
Here Comes the Band Langdon-Davison
I'll Tell the World Colleen Moore
Phantom City, The Ken Maynard
Whip, The Mackaill-Nllsson-Forbes .
Rel. Date Length Reviewed
FOX FILMS
FEATURES
Title Star Rel.
Arizona Wildcat, The Mix-Sebastian ..Nov.
Black Jack Jones-Bennett Sept.
Blood Will Tell Jones-Perry Nov.
Branded Sombrero, The Jones-Hyams Jan.
Come to My House Borden-Moreno Dec.
Dare Devil's Reward Mix-Joyce Jan.
Dressed to Kill Lowe-Astor Mar.
East Side, West Side O'Brien-Valli Oct.
Fleetwing Norton-Janis
Gateway of the Moon Del Rio-Pidgeon Jan.
Gay Retreat, The Cohen-McNamara Sept.
Girl in Every Port, A McLaglen-Armstrong Feb.
Hangman's House McLaglen-Collyer-Kent May
Hello, Cheyenne Mix-Lincoln April
High School Hero Phipps-Stuart Oct.
Holiday Lane Jan
Date
20...
25 . .
13...
8...
25...
15...
18..
Length
4665 feet.
4777 feet.
4556 feet
4612 feet
5430 feet
4987 feet.
6566 feet
8154 feet
Reviewed
Mar. 24
Mar. 3
Mar. 3
Jan. 14
Jan. 21
Mar. 17
Nov. 4
I .onor Bound O'Brien-Taylor.
Horsemen of the Plains Mix-Blane
Joy Girl, The Borden-Hamilton
Ladies Must Dress Valli-Gray
Love Hungry Moran-Gray
Loves of Carmen Del Rio-McLaglen
News Parade, The Stuart-Phipps
Pajamas Borden-Gray
Play Girl, The Bellamy-Brown
Publicity Madness Moran-Lowe
Seventh Heaven Gaynor-Farrell
Shame (re-issue) John Gilbert
Sharpshooters O'Brien-Moran
Silk Legs Bellamy-Hall
Silver Valley Mix-Dwan
Soft Living Bellamy-Brown
Square Crooks Brown-Armstrong-Dwan . .
Thief in the Dark, The Meeker-Hill-Lee
Two Girls Wanted Gaynor-Tryon
Very Confidential Madge Bellamy
Why Sailors Go Wrong Cohen-McNamara
Wizard, The Lowe-Hyams
May
. . Mar.
. Sept.
. . Nov.
..April
. . Sept.
May
. Oct.
. April
..Oct.
. .Oct
. . Nov.
. .Jan.
. . Dec.
. . Oct.
. . Feb.
. . Mar.
. May
. . Sept.
. Nov.
. Mar.
Dec.
Wolf Fangs Thunder-Morton-Lincoln Nov.
Womanwise Russell-Colly er-Pidgeon Jan.
SHORT SUBJECTS
Title Star Rel. Date
America's Little Lamb Variety April 15. . .
Arkansas Traveler Variety Jan. 8. . .
Cow's Husband, A Spenser-Temple
Desert Blooms, The Variety Mar. 19
Follow the Leader Payson-Ramon May 13 . . .
Head Hunters of Ecuador Variety Jan. 22 . . .
Hold Your Hat Phipps-Stuart Jan. 15...
Hot House Hazel T. Brooks-T .Hill Jan. 1. . . .
In a Music Shoppe (Movietone) Special Cast
Jack and Jilted P. Cunning-M. King
Jungles of the Amazon Variety Feb. 5...
Kiss Doctor, The Brooke-Thompson Jan. 29...
Lady Lion Lincoln-Clayton-Bletcher Mar. 25. . . .
Lords of the Back Fence Variety Jan. 22
Love is Blonde Rollens-Ellis Feb. 26. . .
Low Necker, A Marjorie Beebe
Mum's the Word
Old Wives Who Knew Hallam Cooley April 8. . . .
On a South Sea Shore Variety April 1 . . .
Over the Andes Variety
Psyche and the Pskyscraper "0. Henry"
Ship Ahoy! Variety Feb. 19...
Spanish Influence Variety April 29. .
T. Bone for Two Tyler Brooke , April 22. . .
Too Many Cookies T. Brooke-L. Miller Mar. 11
Vintage, The Variety Mar. 4...
Coming Attractions
Title Star
Air Circus, The Carrol-Lake-Rollins
Cock-Eyed World, The Lowe-McLaglen
Don't Marry Moran-Hamilton
Dry Martini
5038 feet
Jan. 14
', . 5524 feet .
. . Sept. 23
. . .5500 feet.
..Mar. 3
. . . 6518 feet
. . . 4618feet
...5498 feet.
..Nov. 11
. . . 6188 feet
. . 4397 feet .
. . Mar. 24
...6162 feet..
. Sept. 23
. . . .5599 feet .
. . Dec. 23
. . . 5792 feet.
. .April 21
. . . .8538 feet .
. Oct. 7
. . . .5876 feet .
. . Dec. 2
. . . .5200 feet
. April 28
. . .5893 feet.
..Feb. 11
. 8500 feet. .
. June 10
...5467 feet
. . 5573 feet .
Jan. 28
. . . .5446 feet
. . . .5011 feet. .
..Oct. 14
. . . .5629 feet. .
..Mar. 3
. .5397 feet. .
Mar. 31
. . . .6293 feet. .
Oct. 7
. . . .5620 feet. .
. Dec. 16
. . 5112feet .
. April 14
. . 5629 feet
. . . .5331 feet. .
. Dec. 16
... .5050 feet. .
..Mar. 10
Length Reviewed
1 reel
1 reel
2 reels
1 reel
2 reels
1 reel
2 reels Mar. 24
2 reels
2 reels
1 reel Jan. 21
2 reels Mar. 17
2 reels
1 reel
2 reels
2 reels Jan. 14
2 reels Sept. 3
2 reels
1 reel
1 reel
2 reels
1 reel
1 reel
2 reels
2 reels
1 reel
Length Reviewed
Escape. The Valli-Russell April 29 5109 feet May 12
Farmer's Daughter, The Beebe-Warren
Fazil Farrell-Nissen-Busch
Four Devils, The Macdonald-Gaynor-Morton
Four Sons Mann-Hall-Bushman 9412feet Feb. 18
Girl Downstairs, The Moran-O'Brien
Me, Gangster Collyer-Stuart
Mother Machree Bennett-McLaglen 6863 feet Mar. 17
Mr. Romeo Sterling-Carroll-Meeker
None But the Brave
Painted Post, The Mix-Kingston
Pigskin Rollens-Carol
Plastered in Paris Cohen-Pennlck
Red Dancer of Moscow, The Del Rlo-Farrell-Revler
River Pirate, The Victor McLaglen
Street Angel, The Gaynor-Farrell 9221 feet
Sunrise Gaynor-O'Brien 8729 feet Oct 14
Wild West Romance Bell-Lincoln
LUMAS
FEATURES
Star Rel. Date Length Reviewed
Corbln-Falth Feb. 1. . . .5800 feet. . . Jan. 28
Title
Bare Knees
Blondes By Choice Claire Windsor Oct. 1 .
Cheer Leader, The Graves-Olmstead Nov. 1
Chorus Kid, The Faire-Washburn April 10
Girl From Rio, The Myers-Pidgeon SepL 1
Head of the Family, The July
Hell Ship Bronson Mrs. W. Reid-Howes-Beery . . . May 1
Man Higher Up June
San Francisco Nights Marmont-Busch Jan. 1
6987 feet.
. 6000 feet . . Mar. 10
. 6200 feet. . . April 14
. .6990 feet
'7000 f eet . . . . May 12
.7000 feet. . . .bee. 31
M ay 1 9 . 192 8
1721
Title Star Rel. Date Length Reviewed
Thru the Breakers Aug
Turn Back the Hours Loy-Pldgeon Mar. 12... 6500 feet Mar. 1 7
United States Smith Grlbbon-Lee-Harlan May
Coming
Star
Attractions
Title
Able of the U. S. A George Jessel
Down Grade, The Falrbanks-Calhoun .
Gypsy Love (tenL)
River Woman, The Alma Rubens
Uncensored Woman. The
When Danger Calls Falrbanks-Sedgwick
Woman Between, The
Rel. Date Length Reviewed
5661 feet.
8538 feet'
Feb. 25
7300 feet
8189 feet
6408 feet
Jan. 21
Dec. 31
Nov. 4
4658 feet..
April 28
8200 feet .
Sept 16
. 6646 feet
.7743 feet..
..Mar. 3
7045 feet
5393 feet
5687 feet .
Dec. 23
7365 feet .
Dec. 16
5950 feet
Dec. 30
6280 feet
7289 feet
.7193 feet..
Nov. 18
.5014 feet
.6544 feet .
. Jan. 21
.7745 feet
Feb. 18
.6476 feet.
Mar. 10
4784foet. .
Mar. 24
6705 feet.
. Oct. 22
9435 feet. .
Oot. 7
6273 feet..
. Nov. 11
5252 feet
5901 feet
8134 feet. .
Jan. 7
5011 feet
4435 feet
METRO-GOLDWYN-MAYER
FEATURES
Title Star Rel. Date Length Reviewed
Across to Singapore Novarro-Crawford April 7. . 6805 feet May 5
Actress, The Shearer-Forbes-O.Moore April 28 t>998feet
Annie Laurie Glsh-Kerry Sept. 17. . . .8730 feet May 27 '27
Baby Mine Arthur-Dane Jan. 21 5139feet — Jan. 14
Becky O'Nelll-O. Moore Nov. 12. . . 6433 feet
Ben Hur Novarro-McAvoy Oct. 8. . .11693 feet Jan. 16, "26
Big City, The Chaney-M. Day-Compson Feb. 18... 6838 feet Mar. 31
Big Parade, The Gilbert-Adoree SepL 10. .11519 feet Nov. 28 '25
Body and Soul L. Barrymore-Prlngle-Kerry Oct. 1 5902 feet . Nov. 25
Bringing Up Father Macdonald-Olmsted-Moran. . . Mar. 17 . 6344 feet
Buttons Coogan-L. Hanson Dec 24... 6050 feet Mar. 31
Certain Young Man Novarro-Adoree May 19. . .
Circus Rookies Dane-Arthur Mar. 31 . . .
Cossacks, The Gilbert-Adoree June 23 . .
Crowd, The Boardman-Murray Mar. 3. . .
Diamond Handcuffs Boardman-Gray-Nagel May 5...
Divine Woman, The Garbo-Hanson Jan. 14. ..
Enemy, The Glsh-Forbes Feb. 18...
Fair Co-Ed Davies-Brown Oct. 15...
Forbidden Hours Novarro-Adoree June 18...
Foreign Devils McCoy-Windsor SepL 3. . .
Garden of Allah Terry-Petrovich Nov. 5 . .
In Old Kentucky H. Costello-Murray Oct. 29. . .
Latest from Paris. The Shearer-Forbes Feb. 4. . .
Laugh, Clown, Laugh Chaney-Young-Asther April 14
Law of the Range, The McCoy-Crawford Jan. 21 . . .
London After Midnight Chaney-M. Day-Nagel Dec. 3. . .
Love Garbo-Gilbert Jan. 2...
Lovelorn, The O'Neill-Kent-O'Day Dec. 17. . .
Man, Woman and Sin Gilbert-Eagels Nov. 19 . .
Patsy, The Davies-Caldwell-Gray Mar. 10...
Quality Street Davles-Nagel Dec. 31 . . .
Riders of the Dark McCoy-Dwan April 21...
Road to Romance, The Novarro-M. Day Sept. 24 . .
Rose-Marie Crawford-Murray-Peters Feb. 11 . . .
Skirts Chaplin-Balfour May 19. .
Smart Set. The Haines-Holt-A. Day Feb. 25. . .
Spoilers of the West McCoy-Daw Dec. 10. . .
Spring Fever Haines-Crawrord Oct. 22. . .
Student Prince, The Novarro-Shearer Jan. 30. . .
Tea for Three Cody-Pringle-O. Moore Dec. 10. . .
Thirteenth Hour, The L. Barrymore-Gadsdon Nov. 26 . .
Under the Black Eagle Flash-M. Day-Forbes Mar. 29. . .
West Point Haines-Crawford Jan. 7...
Wickedness Preferred Cody-Pringle Jan. 28 .
Wyoming McCoy-Sebastian Mar. 24. .
SHORT SUBJECTS
Title Star Rel. Date
Aching Youth Charley Chase Mar. 17. . .
All For Nothing Charley Chase Jan. 21...
Amazing Lovers Ufa Oddities Mar. 10...
Barnum and Rlngling, Inc "Our Gang" April 7. . .
Bird Man, The Charley Chase
Blow by Blow Max Davidson Mar. 31 . . .
Came the Dawn Max Davidson Mar. 3...
Children of the Sun Ufa Oddities Feb. 11...
Cleopatra July 7...
Crazy House "Our Gang" June 2...
Czarina's Secret, The Baclanova-Mir-Rand Mar. 17. .
Dumb Daddies Max Davidson Feb. 4 .
Edison, Marconi and Co "Our Gang" ... Mar. 10. ..
Fair and Muddy "Our Gang" May 5.
Family Group, The Charley Chase Feb. 18.
Fight Pest. The Charley Chase May 12
Finishing Touch, The Laurel-Hardy Feb. 25.
Fishing With a Microscope Ufa Oddities
Follow Through Laurel-Hardy
Forty Thousand Miles with Lindbergh Aviation Film Mar. 4
From Soup to Nuts Laurel-Hardy Mar. 24
Golden Fleeces Ufa Oddities May 19
Happy Omen, A Ufa Oddities July 14
Heavenly Bodies Ufa Oddities
Jungle Round-Up, A Ufa Oddities Jan. 28
Lady of Victories, The A. Ayres-O. Matlesen-G. Irving. Jan. 21
Leave 'Em Laughing Laurel-Hardy Jan. 28
Let George Do It Laurel Hardy
Limousine Love Charley Chase April 14
Monarch of the Glen, The Ufa Oddities Mar. 24
Nature's Wizardry Ufa Oddities July 28
Palace of Honey, The Ufa Oddities June 16
Pathfinders. The Ufa Oddities
Pass the Gravy Max Davidson Jan. 7
Perfume and Nicotine Ufa Oddities. . . Jan. 14
Pets and Pests Ufa Oddities Jan. 28
Primitive Housekeeping Ufa Oddities April 21
Rainy Days "Our Gang" Feb. 11
Sanctuary Ufa Oddities May 5
Secrets of the Sea Ufa Oddities Feb. 25
Should Women Drive? Max Davidson May 26
Sleeping Death Ufa Oddities June 30
Spook-Spoofing "Our Gang" Jan. 14
Tally-Ho Ufa Oddities
Tell It to the Judge Stanley-Dwan-Manning May 12
That Night Max Davidson
Their Purple Moment Laurel-Hardy May 19
Tokens of Manhood Ufa Oddities . June 6
Virgin Queen, The Stanley-Dwan-Manning May 12
Wicked Kasimir. The Ufa Oddities April 7
Wonders of Blue Gulf Mexico Ufa Oddities
Your Darn^Tootin' Laurel-Hardy April 21
Length Reviewed
2 reels
2 reels Jan. 14
1 reel
.2 reels April 21
.2 reels
.2 reels April 21
2 reels
1 reel
2 reels
.2 reels
.2 reels
.2 reels Feb. 25
.2 reels April 7
2 reels May 12
2 reels Feb. 18
2 reels
2 reels April 7
1 reel
2 reels
3 reels
2 reels .... April 21
1 reel
1 reel
1 reel
. 1 reel Oct. 9
2 reels Feb. 25
2 reels
2 reels Mar. 3
2 reels April 21
. I reel Jan. 21
1 reel
1 reel
1 reel
2 reels Jan. 14
. 1 reel
1 reel Mar. 3
1 reel
2 reels
1 reel
1 reel Mar. 3
2 reels
1 reel
2 reels Jan. 14
1 reel
2 reels
2 reels
2 reels
1 reel
2 reels
. 1 reel
1 reel
2 reels May 12
Coming Attractions
Title Star
Adventurer, The McCoy-Sebastian
Baby Cyclone. The Cody-Pringle
Title Star
Beay Broadway Cody-Pringle
Bellamy Trial. The Joy-Bronson
Brother Love tentative) Dane-Arthur
Bushranger, The McCoy-Douglas
Cameraman, The Keaton-Day
Deadline, The Flash-Lorraine-Gray
Detectives Dane-Arthur
Excess Baggage . . Haines-Cortez
Four Walls Gilbert-Crawford
He Learned About Women Haines-Page-Percy.
Madamoiselle from Armentleres . . E. Brody-J. Stuart
Masked Stranger, The McCoy
Napoleon Special Cast
Our Dancing Daughters Crawford-Brown-Sebastian
Show People Davies-Halnes
Southern Skies Blue-Torres
Telling the World Haines-Page
Tide of Empire Adoree-Murray
Trail of '98. The Del Rio-Forbes
War in the Dark Garbo-Nagel
While the City Sleeps Chaney-Page
Wind. The Glsh-Hanson
Rel. Date Length Reviewed
11100 feet Mar. 24
PARAMOUNT
FEATURES
Title
Star
Adventure Mad Barclay-Asther Mar. 31
Barbed Wire Negri-Brook Sept. 10
Beau Sabreur Brent-Cooper Jan. 7. .
Big Killing, The Beery-Hatton May 19
Chang Jungle Film Sept. 3
City Gone Wild, The Meighan-Brooks Nov. 12
Doomsday Vidor-Cooper Feb. 18..
Drag Net, The Bancroft-Brent May 26.
Easy Come, Easy Go Dix-Carroll April 21.
Feel My Pulse Danlels-Arlen Feb. 25.
Figures Don't Lie Ralston-Arlen Oct. 8 . .
Firty-Fifty Girl. The Daniels-Hall May 12
Fools for Luck Fields-Conklin May 5 .
Gay Defender, The Dix-Todd Dec. 10..
Gentleman of Paris, A Menjou-O'Hara Oct. 15. .
Gentlemen Prefer Blondes Taylor-Sterling-White Jan. 28
Get Your Man Bow-Rogers Dec. 10
Honeymoon Hate Vidor-Carmanati Dec. 3. .
Jesse James Thomson-Lane Oct 22
Last Command. The Jannings-Brent Jan. 21 . .
Last Waltz. The Fritsch-Vernon Nov. 26
Legion of the Condemned Cooper-Wray Mar. 1 0
Love and Learn Ralston-Chandler Jan. 14. .
N evada Cooper-Todd Sept. 10.
Night of Mystery, A Menjou-Brent April 7. .
Now We're in the Air Beery-Hatton Oct. 22..
Old Ironsides Ralston-Farrell-Beery Mar. 3..
One Woman to Another Vidor-Vnn Eltz Sept. 24
Open Range Chandler-Bronson Nov. 5
Partners in Crime Beery-Hatton-Brian Mar. 17
Peaks of Destiny Special Cast Jan. 28.
Pioneer Scout, The Thomson-Lane Jan. 21 . .
Red Hair Bow-Chandler Mar. 10
Rough Riders, The N. Beery-Bancroft Oct. 1
Rel. Date Length Reviewed
5897 feet
6591 feet
6704 feet Jan. 28
Feb. 4
Dec 24
Oct. 15
Nov. 12
Oct. 8
Feb. 25
Length
4709 feet.
Rev ewed
Secret Hour, The Negri-Tronson
Serenade Menjou-Carver-Basguette
Shanghai Bound Dlx-Brian
She's a Sheik Daniels-Arlen
Shootln' Irons Luden-Blane
Show Down, The Bancroft-Brent
Something Always Happens Ralston-Hamilton Mar. 24
Speedy Lloyd-Christie April 7
Sporting Goods Dix-Olmstead Feb. 11...
Spotlight, The Ralston-Hamilton Nov. 19
Stark Love Special Cast Sept.17
Street of Sin, The Jannings-Wray May 26 . .
Sunset Legion, The Thomson-Murphy April 21...
Swim, Girl, Swim Daniels-Hall Sept. 17
Tell It to Sweeney Conklln-Bancroft Sept.24 . .
Three Sinners — Negrl-Baxter April 14...
Tillie's Punctured Romance Flelds-Conklln Mar. 3 . .
Two Flaming Youths Conklin-Fields Dec 17. . .
Under the Tonto Rim Arlen-Brlan Feb.
Underworld Bancroft-Brent-Brook Oct. 29 . . .
Way of All Flesh Jannlngs-Bennett-Haver Oct. 1 . . .
Wedding March, The Von Strohelm-Wray Feb.
We're All Gamblers Melghan-Millner Sept. 3. . .
Wife Savers Beery-Hatton Jan. 7...
Woman on Trial Negri-E. Hanson Oct. 29. .
SHORT SUBJECTS
Title Star Rel. Date
Adoration Novelty Feb. 25. .
Behind the Counter E. E. Horton Mar. 3 . . .
Bugs My Dear (Christie) Bobby Vernon April 21...
Campus Cuties Billy Dooley April 7...
Dad's Choice E. E. Horton Jan. 7. ..
Fighting Fanny (Christie) Featured Cast Jin. 21...
Frenzy Novelty Jan. 14...
Gallant Gob, A (Christie) Billy Oooley May 26. . .
Goofy Ghosts (Christie) Jlmmle Adams April 28 .
Halfback Hannah (Christie) Ann Cornwall April 14
Hold 'Er Cowboy (Christie) Bobby Vernon June 2 . . .
Holy Mackerel (Christie) Jlmmle Adams Feb. 11 . . .
Hunger Stroke, A Krazy Kat Cartoon Feb. 25. . .
Ice Boxed Krazy Kat Cartoon Feb. 11...
Just the Type 'Christie) Neal Burns Feb. 18. . .
Ko-Ko's Bawth Inkwell Cartoon Feb. 18 . .
Ko-Ko's Jerm Jam Inkwell Cartoon Feb. 4 . . .
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31 . . .
Ko-Ko's Kink Inkwell Cartoon Jan. 7 . . .
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21...
Ko-Ko's Smoke Inkwell Cartoon Mar. 3
Ko-Ko's Tattoo Inkwell Cartoon Mar. 17 . .
Love Sunk Krazy Kat Cartoon Mar. 24...
Lonq Hose 'Christie) Jack Duffy Mar. 17...
Love's Young Scream Anne Cornwall May 12 . .
Love Shy (Christie) Jlmmle Adams Mar. 24 . . .
Pig Styles Krazy' Kat Cartoon Jan. 14...
Save the Pieces (Christie) Bobby Vernon Jan. 28 .
Say Uncle (Christie) Jack Duffy June 9
Sea Food 'Christie) Billy Dooley July 14 . ..
Shadow Theory Krazy Kay' Cartoon Jan. 28...
Slick Slickers 'Christie) Neal Burns July 7
Slipnery Heels 'Christie) Jimmie Adams June 16 .
Sweeties 'Christie! Bobby Vernon Mar. 10 .
Two Masters Eaton-Post
Water Bugs Christie) Billy Dooley Feb. 4
Wired and Fired Krazy Kat Cartoon . Mar. 10
6536 feet
5408 feet
5652 feet
7720 feet
5364 feet
5808 feet
5280 feet
7720 feet
5758 feet
.6376 feet
.592 7 feet
6871 feet
.5998 feet
541 5 feet
8656 feet
8154 feet
6940 feet
.7415 feet
.5737 feet
6258 feet
. 5741 feet
.5798 feet
.7900 feet
.4551 feet
5599 feet
.6600 feet
5582 feet
61 18 feet
6336 feet
9443 feet
7194 feet
.5209 feet
5515 feet
601 5 feet
5179 feet
7616 feet
4729 feet
7960 feet
5951 feet
4934 feet
6200 feet
May 13 '27
Mar. 3
April 7
May 12
Mar. 3
Mar. 3
Dec 31
Oct. 14
Jan. 21
Feb. 11
Oct 28
Jan. 28
Dec 30
Mar. 24
Feb. 25
Oct 28
April 21
Dec. 23
Dec. 18 '26
SepL 30
...Mar. 10
May 5
Jan. 21
Mar. 10
Mar. 31
April 1 '27
Mar. 17
...Dec. 31
. Dec 9
Dec 9
Mar. 10
April 14
Feb. 18
Mar. 11 '27
6763 feet
6124 feet Sept. 16
6006 feet . Oct. 28
7029 feet . April 28
5733 feet
5319 feet Jan. 7
5991 feet April 28
7643 feet Sept. 9
8486 feet . July 8
5935 feet'.!!."....
5413 feet Jan. 21
5960 feet Oct. 14
Length Reviewed
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels April 28
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
1 reel
1 reel
2 reels
1 reel
1 reel
1 reel
1 reel
1 ree'
1 ree,
1 reel
1 reel
2 reels
2 reels
1 reel
1 reel
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
2 reels
1 reel
1722
Motion Picture News
Coming Attractions
Title Star Length Reviewed
Abie's Irish Rose Hersholt-McDonald 121 03 feet. . .April 28
Beggars of Life Beery-Arlen-Brooks
His Tiger Lady Menjou-Brent
First Kiss, The Wray-Cooper
Glorifying the American Girl Special Cast
Half a Bride Ralston-Arlen
Hot News Daniels-Hamilton
Kit Carson Thomson-Lane
Ladies of the Mob Bow-Arlen
Magnificent Flirt, The Florence Vidor.
Perfumed Trap, The Brian-Brook
Odd Fellows Fields-Conklin
Patriot, The Jannings-Stone-Vidor
Quick Lunch Fields-Conklin
Racket, The Melghan-Prevost
Sawdust Paradise, The Ralston-Howes
Side Show, The Fields-Conklin
Vanishing Pioneer, The Holt-Blane
Warming Up Richard Dix
Wings Bow-Rogers 12reels . Aug. 26 '27
PATHE
FEATURES
Title Star Rel. DatellLength
Alice in Wonderland Special Cast Dec. 25. . . .5 reels
Alice Thru Looking Glass Special Cast Feb. 12. . . .5 reels. . . .
Almost Human Reynolds-Thomson Dec 26. . . .5596 feet .
Angel o. Broadway, The Joy-Varconi Oct- 3 6555 feet .
Apache Rider, The Leo Maloney Feb. 12 5755 feet . .
Avenging Shadow, The Klondike-Hallor-Morris April 29 4293 feet..
Ballyhoo Buster, The Buffalo Bill, Jr Jan. 8 4805 feet. .
Blonde for a Night, A Prevost-Ford Feb. 26 6 reels
Blue Danube, The Joy-La Rocque Mar. 11 7 reels
Born to Battle Bill Cody Sept. 11 4875 feet .
Boss of Rustlers Roost Dan Coleman Jan. 22 4833 feet. .
Bronc Stomper, The Dan Coleman Feb. 26... .5408 feet .
Bullet Mark, The Jack Donovan Mar. 25 4550 feet. .
Chicago haver-Varconi Mar. 4 9992 feet . .
Combat Walsh-Adams-Hulette Oct. 23 .... 51 00 feet .
Cowboy Cavalier, The Buddy Roosevelt Jan. 29 4526 feet. .
Crashing Through Jack Padjan Feb. 5 4480 feet. .
Desert of the Lost, The Wally Wales Dec 18. . . .4933 feet. .
Desperate Courage Wally Wales Jan. 15 4398 feet. .
Devil's Twin, The Leo Maloney Dec. 11 5478 feet..
Discord Ekman-Dagover Nov. 20. . . .8586 feet. .
Dress Parade Boyd-Love Nov. 11 6599 feet . .
Fangs of Fate Klondike (dog) June 24 .... 5 reels
Flying Luck Monty Banks Dec. 4 . . . . 6403 feet . .
Forbidden Woman, The Goudal-Varconi Nov. 7 6568 feet . .
Girl in the Pullman Prevost-Ford Oct. 31 5867 feet. .
Golden Clown, The Ekman-Bell Dec 18 7913feet.
Gold From Weepah Bill Cody Nov. 20 4968 feet.
Grandma's Boy (re-issue) Harold Lloyd Dec 4750 feet. .
Harp in Hock, A R. Schildkraut-Coghlan Oct. 10 5990 feet. .
His Foreign Wife McDonald-Murphy Nov. 27 4890 feet.
Hold 'Em Yale Lc Rocque-Loff May 13. . . .8 reels. . .
Hoof Marks Jack Donovan Nov. 13 4076 feet.
Land of the Lawless Jack Padjan Dec. 25. . . .4131 feet
Laddie Be Good Bill Cody Jan. 1 4155 feet
Law's Lash, The Klondike-Ellis-Maberry May 20. . . 4902 feet.
Leopard Lady, The Logan-Hale Jan. 22 . . 6650 feet
Let 'Er Go Gallegher Coghlan-Ford Jan. 15 5888 feet.
Main Event, The Reynolds-R. Schildkraut Nov. 18 6472 feet.
Marliethe Killer Klondike-Bushman, Jr. Mar. 4 4600 feet
Midnight Madness Logan-Brook Mar. 25 6 reels. . .
My Friend From India Pangborn-Fair Dec. 19. . . 5750 feet.
Night Flyer, The Boyd-Ralston Feb. 5 5954 feet
Obligin' Buckaroo, The Buffalo Bill, Jr Oct. 16 4575 feet.
On to Reno Prevost-Landis Jan. 1 .... 6 reels . . .
Passion Island Special Cast Feb 7 reels . . .
Perfect Gentleman, A Monty Banks Jan. 15 5626 feet.
Ride 'Em High Buddy Roosevelt Oct. 9 4542 feet .
Roarin' Broncs Buffalo Bill, Jr Nov. 27 4375 feet.
Rush Hour, The Prevost-Ford Dec. 12 5880 feet.
Saddle Mates Wally Wales Mar. 11 ... .4260 feet.
Skyscraper Boyd-Carrol April 8 7040 feet .
Soda Water Cowboy, The Wally Wales Sept. 25 4546 feet.
Stand and Deliver La Rocque-Valez Feb. 19 5423 feet.
Turkish Delight R. Schildkraut-Fay-Robson Nov. 11 5397 feet.
Valley of Hunted Men Buffalo Bill, Jr Feb. 19. . . .4520 feet.
Walking Back Carrol-Walling May 29 6reels...
What Price Beauty? Nita Naldi Jan. 22. . . .5 reels. . .
Wise Wife. The Haver-T. Moore-Logan Oct. 24 5610feet.
Wreck of the Hesperus Bradford-Marion Oct. 31 . . . .6447 feet.
Reviewed
. Mar. 24
Dec 16
Feb. 18
Mar. 31
. Dec. 30
Jan. 14
Mar. 3
. Mar. 31
Dec. 30
Nov. 11
Jan. 28
Feb. 11
Dec. 30
Jan. 21
Nov. 11
Nov. 11
! Nov. 18
Dec 16
Nov. 18
. Mar. 24
Dec. 23
. Dec 9
Feb. 11
Dec 23
Dec. 30
Dec. 30
Mar 31.
Mar. 10
Jan. 28
. Nov. 11
Mar. 3
Mar. 31
Nov. 11
Jan. 14
Nov. 11
Dec. 30
Mar. 10
Mar. 17
April 14
. Nov. 4
April 7
ifvlar. "3
'.lan. 28
Dec 16
Mar. 31
SHORT SUBJECTS
Title Star
Animal Snaps Rarebits
Barnyard Artists "Aesop Fables"
Barnyard Lodge No. 1 "Aesop Fables"
Bath Time Sportlight
Battling Duet, The "Aesop Fables"
Rel.
April
April
April
.June
April
Beach Club, The Bevan-Hurlock Jan.
Benares (Educational) Geographical Number Jan.
Best Man. The Bevan-A. Bennett-V. Dent Feb.
Bicycle Flirt, The Bevan-V. Dent-D. Garley Mar.
Blaze of Glory, A "Aesop Fables" Feb.
Boats and Fishermen Science Number Mar.
Boy Friend, The "Aesop Fables" Jan.
Broncho Buster, The "Aesop Fables" Jan.
Buddhists of Burma, The (Educational)Geographical Number Feb.
Busy Bodies Sportlight Jan.
Clothes and the Game Sportlight April
Coast to Coast "Aesop Fables" May
County Fair, The "Aesop Fables" Mar
Crowned Heads Sportlight Feb.
Delhi (Educational) Geographical Number Feb.
Do Monkeys Manicure? Stan Laurel.
Family Frolics Sportlight
Famous Playgrounds Sportlight
Flignt That Failed, The "Aesop Fables"
Flying Age, The "Aesop Fables"
Fiying Elephants Roach Stars. . .
Fun Afoot Sportlight
Galloping Ghosts Carew-Hardy
April
Jan.
. May
.June
April
Feb.
Mar.
. Mar.
Girl From Nowhere, The Pollard-Holloway-Swain Mar.
Good Snip Nellie, The "Aesop Fables" Feb.
Happy Days "Aesop Fables" May
High Stakes "Aesop Fables" Jan.
Honeymoon Hints Rarebits Jan.
How Man Suits His Life Science Series
Houses of Arctic and Tropics Science Number Feb.
Date
8...
29. . .
8...
24...
15. . .
22...
24...
19...
18...
26. . .
4. . .
22...
1...
5...
12
Length Reviewed
.1 reel April 21
. 1 reel
.1 reel April 7
. 1 reel
1 reel April 7
2 reels Jan. 14
.1 reel
.2 reels Feb. 11
2 reels Mar. 10
1 reel
.2 reels
.1 reel
.1 reel
1 reel
.1 reel Dec. 31
1 reel April 7
.1 reel
.1 reel
.1 reel
.1 reel
.1 reel
.1 reel Jan. 14
1 reel
.1 reel
1 reel April 21
.2 reels Feb. 11
1 reel
.2 reels Mar. 3
.2 reels Mar. 24
.1 reel
.1 reel
1 reel
1 reel
.2 reels
.2 reels
Jan. 7
Jan. 14
. Mar. 31
Title Star Rei. Date Length Reviewed
Jungle Days "Aesop Cartoon" Mar. 25 2 reels Mar. 31
Jungle Triangle, A "Aesop Cartoon" April 28 1 reel
Kashmir, Old and New Geographical Number Jan. 10 1 reel
Limberlegs Sportlight June 10 1 reel
Love at First Flight Pollard-Hurlock-Cowley Jan. 29 2 reels Jan. 21
Man Without a Face (Serial) A. Ray-W. Miller Jan. 15. . .10 episodes. . Jan. 14
Mark or the Frog, The M. Morris-D. Reed Mar. 25 ... 1 0 episodes ... Mar. 24
Matching Wits Sportlight April 29. . . .1 reel April 21
On the Ice "Aesop Fables" Mar. 11 ... .1 reel
Over the Bounding Blue with Will Rogers (Travelesque) Feb. 12. ... 1 reel Feb. 11
Playing Hookey "Our Gang" Jan. 1 2 reels
Power William Boyd
Puppy Love "Aesop Fables" June 10 1 reel
Reeling Down the Rhine Travelesque Jan. 15. . . .1 reel
Run Girl, Run Sennett Girls Jan. 15 2 reels
Scaling the Alps "Aesop Fables" April 1 1 reel
Season to Taste Sportlight Mar. 4 1 reel
Shalimar Gardens, The Geographical Number Mar. 18 1 reel
Should Tall Men Marry? Roach Stars Jan. 15 2reels
Smile Wins, The "Our Gang" Feb. 26 2 reels
Smith's Army Life Hiatt-McKee-Jackson Feb. 5 2 reels. . . .
Smith's Bargain Hiatt-McKee-Jackson 2 reels
Smith's Farm Days Hiatt-McKee-Jackson Mar. 4 2 reels
Smith's Holiday Hiatt-McKee-Jackson Jan. 8 2reels
Smith's Restaurant Hiatt-McKee-Jackson April 1 1 reel
Soldier Man Harry Langdon
Son Shower, The "Aesop Fables" Mar. 18 1 reel
Spider's Lair, The "Aesop Fables" Feb. 19 1 reel
Star Builders Sportlight May 27. . . .1 reel
Swim Princess, The Pollard-Clyde-Lombard. Feb. 26 2reels —
Tail Waggers Sportlight April 1....1 reel
Trees Rarebits Mar. 11 1 reel
Twenty-Four-Dollar Island Novelty 1 reel
Versatility Sportlight Feb. 5 — 1 reel
Volcanoes (Educational) Geological Number Feb. 19 1 reel
Wandering Minstrel, The "Aesop Fables" Jan. 29 1 reel
War Bride, A "Aesop Fables" May 20 — 1 reel
Work of Running Water Geological Number Mar. 11 1 reel
Yellow Cameo, The (Serial) Ray-Hearn June 3. . .10 episodes
Jan. 7
Mar. 3
Feb. 4
Mar. 3
Dec 31
Feb. 18
! Mar. 3
Dec 23
Jan. 28
Length Reviewed
Coming Attractions
Title Star
Annapolis Basquette-Brown
Bride of the Colorado Boles-Blossom
Cop, The Boyd-Logan
Godless Girl, The Basquette-Prevost
King of Kings, The Warner-Logan 13500 feet April 29 '27
Ladies Must Love Rod La Rocque
Love Over Night La Rocque-Loff
Man-Made Woman Joy-Boles-Warner
Power Boyd-Logan
Red Mark, The von Seyffertitz
Ship Comes In, A R. Schildkraut-Dressler June 4
Sin Town Allen-Fair
Survival of Slim, The Wally Wales
Tenth Avenue Haver-Varconi
Valley Beyond the Law Coleman-Loff
What Holds Men Leatrice Joy
Yellow Contraband Leo Maloney
PEERLESS PICTURES (S. R.)
Title
GirlJHe Didn't Buy, The.
Title
Golden Shackles
Out of the Past
Web of Fate, The.
Star
.Garon-Simpson.
Rel. Date Length Reviewed
April 5600 feet
Reviewed
Wilful Youth Harlan-Murphy .
Star Rel. Date Length
Priscilla Bonner Mar. . . . .5600 feet.
O'Malley-L. Rich Sept. 26. . . .6000 feet.
.Lillian Rich Nov. 7. . . 5800feet.
Dec
5800 feet
RAY ART (S. R.)
Title Star Rel. Date
Boy of the Streets, A Walker-Bennett Sept. . . .
Casey Jones Lewis-Robards Jan.
Cruise of the Hellion Murphy-Keith Sept.
Danger Patrol, The Russell-Faire April
Gun-Hand Garrison Tex Maynard Oct.
Gypsy of the North Gordon-Hale April
Heart oi Broadway, The Garon-Agnew Jan.
Heroes in Blue Bowers-Rand Nov.
Law and the Man, The Santschi-Brockwell Jan.
Light in the Window, A Walthall-Avery-Keefe Oct.
My Home Town Brockwell-Glass Mar. . . .
On the Stroke or 12 E. Torrence-Marlowe-O'Shea. . .Nov.
Painted Trail, The Buddy Roosevelt Feb.
Phantom of the Turf, The H. Costello-Lease Mar.
Prince of the Plains Tex Maynard Sept. ...
Ridin' Luck Tex Maynard Oct.
Wanderer of the West, A Tex Maynard Nov. . . .
Wheel of Destiny, The Stanley-Hale Oct.
Wild Born Tex Maynard Dec.
You Can't Beat the Law Lee-Keefe Feb.
Length Reviewed
5059 feet
6673 feet
.6089 feet Sept. 30
4879 'feet.'!.'! !!!!!!!
5853 feet
5000 feet
591 6 feet... Mar. 24
5960 feet . . Nov. 11
5970 feet
4571 feet.
4134 feet.
5869 feet.
5260 feet!
STERLING PICTURES (S. R.)
Title
Star Rel. Date
Pretty Clothes Ralston- Walker Oct. 15...
Outcast Souls P. Bonner-Delaney Dec. 15. . .
Burning Up Broadway H. Costello-Frazer Jan. 30.
Marry the Girl Bedford-Ellis Mar.
Million For Love, A Dunn-Howes May
1.
Length Reviewed
5652 feet... Nov. 4
5210 feet
5200 feet
5300 feet. Mar. 10
Title
It Might Happen to Any Girl.
Coming Attractions
Star
Length Reviewed
STATE RIGHTS
Title
Reviewed
. April 21
Star Dist'r Rel. Date Length
Adorable Cheat, The Lee-Keefe Chesterfield . . April 15. .5400 feet. .
Aftermath Special Cast Collwyn Dec. . . 6800 feet — Mar.
Air Mail Pilot, The Mefaffey-Metcalfe Hi-Mark 5000feet
Battles of Coronel Special Cast Artlee Feb. . .8400 feet. .. Mar. 24
Broadway After Midnight Bonner-Landis Krelbar Nov. . 6199 feet — Nov. 4
Broken Hearts Hercules
Czar Ivan the Terrible Special Cast Amkino April . . 8500 feet Mar. 24
Dance Fever Corda-Varconi Brill
Daughter of Israel Betty Blythe Aywon 7 reels
May 19, 19 28
1723
Title Star Rel. Date Length Reviewed
Faithless Lover, The O'Brlen-Huletto Krelbar Mar. 5600 feet Mar. 3
Fangs of Justice Silverstreak- Walker Bischoff 5000 feet
Jealousy Lya de Pultl Brill
Last Moment. The Matleson-Hale Zakoro April 5800 feet Mar. 31
Little Wild Girl. The Lee-Landls Hercules
Modern Du Barry, A Maria Corda Brill June 1.. 7000 feet
Port of Missing Children Special Cast Superlative
Port of Missing Girls Bedford-McGregor Brenda 7270feet Mar. 3
Printanerllebe German Cast Scenic Films 6500 feet. . . Mar. 24
Sally of the South Seas Hercules
Sealed Lips Swedish Cast Colwyn 6000 feet
Shadows ot the Night Hercules
Shooting Stars English Cast Artlee April 5800 feet April 28
Slmba Jungle Film Capitol Pict 8000 feet Feb. 4
Streets of Algiers Camilla Horn Brill 7 reels
Thrill Seekers Clifford-Fulton Superlative 490Ofeet
Tartuffe the Hyprocrite Jannings-Dagover . Brill 7 reels . Aug. 5 '27
Tracey the Outlaw Jack Hoey New-Cal Mar. 6000 feet . Mar. 31
Two Brothers Conrad Veldt Brill
Whon Fleet Meets Fleet English Cast Hl-Mark 7953 feet
SHORT SUBJECTS
Star Dlst'r Rel. Date Length Reviewed
P. Donovan producer) 2 reels
P. Donovan (producer) 2 reels
P. Donovan (producer) 2 reels
P. Donovan (producer) 2 reels
Weiss Bros 10 episodes
P. Donovan ( producer) Mary Alden 2 reels
Joy Cranfield Clarke 2 reels
P. Donovan 'producer) 2 reels
Miller-E. Gilbert . Weiss Mar. 10 episodes
O'Neill-L. Graydon Hi-Mark
Joy Cranfield-Clarke 2 reels
Joy Cranfield-Clarke 2 reels
Weiss Bros 10 episodes
Title Star
Out All Night Denny-Nixon
Title
Bet The F.
Cigarette Maker's Romance. . . F.
District Doctor, The F.
Girl with the Golden Eyes, The F.
Mysterious Airman, The
Necklace, The F.
Nothing to Live For Al
Piece of String, A F.
Police Reporter The (Serial).. . . W.
Sophomore, The G.
Spookey Money Al
Who's Who Al
You Can't Win (Serial)
1.
15
, 15
1.
1.
Rel. Date
Mar. 1 ...
Mar. 1...
Mar. 15
Jan. 1...
April 1
Jan. 15...
Feb. 15
Length
1 reel . .
1 reel .
1 reel. . .
1 reel
1 reel
1 reel
1 reel . . . .
TIFFANY-STAHL
FEATURES
Title Star Rel.
Bachelor's'Paradise O'Neill-Graves Mar.
Clothes Make the Woman Southern-Pidgeon May
Devil's Skipper, The Bennett-Love-Landis Feb.
Girl From Gay Paree Bedford-McGregor Sept.
Green Grass Widows Hagen-Harron-Olmsted June
Haunted Ship, The Love-Sebastian-Santschi Dec.
House of Scandal Sebastian-O'Malley April
Ladies of Night Club Cortez-Leonard May
Lingerie White-McGregor June
Nameless Men Windsor-Moreno Feb.
Night Life Harron-A. Day Nov.
Once and Forever Miller-Harron Oct.
Prowlers of the Sea Cortez-Myers July
Scarlet Dove, The Frazer-Borio April
Stormy Waters Southern-McGregor June
Streets of Shanghai Starke-Harlan Dec.
Their Hour Harron-Sebastian Mar.
Tragedy of Youth Baxter-Miller-Collier, Jr Jan.
Wild Geese Bennett-Southern-Keith Nov.
Woman Against the World Ford-Hale-Olmsted Jan.
Women's Wares Brent-Lytell-Kent Oct.
SHORT SUBJECTS
Title Star
Marcheta Color Classic
Medallion, The Color Classic
Mission Bells Color Classic
North of Suez Color Classic
Perfect Day, A Color Classic
Scarf. ire Color Classic
Souvenirs Color Classic
Tom, Dick or Harry Color Classic 1 reel
Treasure Land Color Classic Feb. 1 1 reel
Coming Attractions
Title Star Rel.
Albany Night Boat July
Beautiful But Dumb Aug.
Domestic Relations Aug. 15
Grain ot Dust, A July 1
Marriage of Tomorrow Miller-Gray
Toilers, The Ralston-Fairbanks. Jr.
UNIVERSAL
FEATURES
Title Star Rel. Date
Air Patrol. The Al Wilson Jan. 1..
Alias the Deacon Hersholt-Marlowe Jan. 22. . .
Arizona Cyclone, The Fred Humes May 6...
Back to God's Country Adoree-Frazer Sept. 4. .
Border Cavalier, The Fred Humes Sept. 18
Buck Privates De Putti-McGregor June 3. . .
Call of the Heart Dynamite-Cobb-Alden Jan. 29 . .
Cat and the Canary La Plante-Hale-Stanley Sept. 1 1
Cheating Cheaters Compson-Harlan Oct. 9 . .
Chinese Parrot, The Bosworth-Nixon Oct. 23 .
Clean Up Man. The Wells-O'Day Feb. 12 . .
Cohens and Kellys in Paris Sidney-Macdonald Jan. 15
Count of Ten, The Ray-Ralston June 1 7 . . .
Desert Dust Ted Wells Dec 18 . .
Fangs of Oestlny Dynamite-Cobb-Caldwell Dec 4...
Fearless Rider, The Humes-Worth Jan. 15. . .
Finders Keepers La Plante-Harron .. Feb. 5...
Flyin' Cowboy, The Gibson-Hasbrouck June ...
Four Footed Ranger, The Dynamite (dog) Mar. 25. . .
Four Flush ars. The Lewis-Nixon Jan. 8. . .
Galloping Fury Gibson-Rand Nov. 20...
Good Morning Judge Denny-Nolan April 29
Hero For a Night, A Tryon-Mlller Dec 18
Hot Heels Tryon-Mlller May 13
Hound or Silver Creek Dynamite (dog) May 20
Irresistible Lover, The Keane-Moran Dec 4. . .
Les Miserables Special Cast Oct. 30 ...
Lone Eagle, The Keane-Kent Sept. 18
Love Me and World Is Mine Phllbln-Kerry Mar. 4. . .
Made to Order Hero Ted Wells June 3
Man s Past, A Veldt-Bedford Oec 25. . .
Midnight Rose De Putti-Harlan Feb. 26...
One Glorious Scrap Fred Humes Nov. 20
On Your Toes Denny-Worth Nov. 27
Date Length Reviewed
15... 6147 rest
1
1 ... 5510 feet
15 ... 5233 feet... Sept. 23
10
1 . 4753 feet ...Feb. 4
1...
15
20
15 . . .5708 feet . . .April 14
1 .6235 feet Dec. 2
15 . . .5639 feet
20
15
1
15....5276feet....Mar. 3
.5652 feet
6361 feet . . .Mar. 31
6448 feet
5283 feet
5614 feet . . .Nov. 18
Reviewed
Date
10 ...
1...
Length Reviewed
Length
Reviewed
4259 feet
6869 feet
Oct. 21
4076 feet
5751 feet
Aug. 29
4427 feet
6171 feet
Feb. 4
4345 feet
71 90 feet
May 20
5623 feet .
Dec 23
7304 feet.
. Jan. 7
4232 feet
7481 feet
Feb. 18
6279 f pet
4349 feet
4295 feet
4173 feet
6081 feet
Mar. 17
442 6 feet
6193 feet
Jan. 28
5503 feet
5645 feet
5711 feet
Dec 2
4095 feet
6958 feet
Sept. 16
7713 feet
5862 feet
! April 28
6813 feet
Feb. 11
41 20 feet
6135 feet
Sept. 16
5689 feet
Mar. 10
41 72 feet
5918 feet
Jan. 14
Rel. Date
Sept. 4
Painted Ponies Gibson-Claire Sept. 25
Phantom Flyer, The Al Wilson Feb. 26
Put 'Em Up Fred Humes Mar. II
Rawhide Kid. The Gibson-Hale Jan. 29
Shield of Honor, The Lewls-Gulliver-Hamilton Feb. 19
Silk Stockings La Plante-Harron Oct. 2
Sky Hand Saunders Al Wilson Nov. 6
Small Bachelor, The Kent-Beranger Nov. 6
Stop That Man Lake-Kent Mar. 11 ..
Straight Shootln' Ted Wells Oct. 16
Surrender Philbin-Moskine Mar. 4
Thanks For Buggy Ride La Plante-Tryon April 1
That's My Daddy Denny-Kent Feb. 5
Thirteenth Juror, The Nilsson-Bushman Nov. 13
Thirteen Washington Square Hersholt-Joyce April 8
Three Miles Up Al Wilson Sept. 4
Thundor Riders, The Ted Wells April 8...
Trick of Hearts, A Gibson-Hale Mar. 18
We Americans Sidney-Miller-Lewls May 6
Wild Beauty Rex-Allen-Marlowe Nov. 27
Wild West Show, The Gibson-Gulliver May 20
Wolf's Trail Dynamite-Cobb-Lamont Oct. 2. ..
Won In the Clouds Al Wilson April 22
SHORT SUBJECTS
Title Star Rel. Date
Africa Before Dark Oswald Cartoon Feb. 20 . .
All Balled Up Charles Puffy Feb. 27 . .
Ambuscade Fred Gilman June 16
Any Old Count "The Gumps" Jan. 23 . .
Back to Nature Arthur Lake Feb. 27. . .
Bare Fists Jack Perrin Jan. 14. . .
Battling Justice Fred Gilman Mar. 24. . .
Big Bluff, A Long-Adams-Layman-McPhail. . May 2
Boss of the Rancho Bob Curwood Jan. 7...
Brand of Courage, The B. Curwood-P. Montgomery. . . Jan. 7. . .
Bright Lights Oswald Cartoon Mar. 19 . .
Buckskin Days Newton House Feb. 18. . .
Buster's Big Chance Trimble, Turner and Dog Jan. 11 . . .
Buster Shows Off Trimble, Turner and Dog Mar. 14 . .
Buster Steps Out Trimble, Turner and Dog Feb. 8. . .
Buster's Whippet Race Trimble, Turner and Dog May 23...
By Correspondence Arthur Lake Jan. 30. . .
Case of Scotch, A "The Gumps" Jan. 9...
Cloud Buster, The 'The Gumps" Feb. 6...
Code of the Mounted, The Jack Perrin May 5. . .
Dangerous Trail, A
Dates for Two C. King-C. Doherty Jan. 18. . .
Diamond Master, The
Fighting Destiny Fred Gilman May 19 . .
Fighting Kid, The Newton House June 9 .
Frame-Up Man, The Bob Curwood May 28...
Full House, A Long-Adams-Lymon-McPhalll
Gauge of Battle, The Fred Gilman April 21..
George Meets George Sid Saylor June 20 .
George's False Alarm Sid Saylor Feb. 29. . .
George's School Daze Sid Sacylor
Haunted Island, The (Serial) Jack Daugherty-Helen Foster. . Mar. 26
Harem Scarem Oswald Cartoon Jan. 9. . .
Her Only Husband Long-Adams-Laymon-McPhaill April 4
Hidden Loot Bob Curwood April 28 . .
High Flyin' George Sid Saylor Jan. 25...
His In Laws Charles Puffy Mar. 12. . .
Horns, Orange Blossoms Charles Puffy Jan. 29...
Horse Play Long-Adams-Laymon-McPhaill Jan. 4. . .
Hungry Hoboes Oswald Cartoon May 14 ..
Indoor Golf Long-Adams-Layman-McPhaill Mar. 7...
Looters, The, Bob Curwood Mar. 3...
Madden of the Mounted Jack Perrin Mar. 10 .
Man of Letters, A Sid Saylor Feb. 15
Married Bachelors Charles Puffy April 9. .2
Mistakes Will Happen Ben Hall Feb. 13 . .
Money! Money 1 Money! Ben Hall May 7
Neck n' Neck Oswald Cartoon Jan. 23 . .
Length Reviewed
6170 feet Oct. 7
5416 feet Aug. 5
4253 feet
4200 feet
5382 feet
6172 feet Dec. 20
6166 feet Aug. 26
4393 feet
6218 feet
5389 feet April 28
4251 feet Aug. 19
82 49 feet Mar. 10
6197 feet Feb. 4
6073 feet
5598 feet Dec. 19
6274 feet Feb. 4
4136 feet . July 11
4353 feet
5495 feet
9151 feet April 7
5192 feet
5254 feet
4167 feet
4348 feet
Length Reviewed
1 reel April 7
2 reels Feb. 4
2 reels
2 reels
1 reel Feb. 11
2 reels Dec 23
2 reels Feb. 25
2 reels April 7
2 reels
2 reels Jan. 7
1 reel April 7
2 reels Jan. 28
2 reels Dec. 23
2 reels
2 reels Jan. 28
2 reels April 28
1 reel Jan. 14
2 reels Dec 23
2 reels Jan. 21
2 reels April 7
2 reels May 5
2 reels Dec 31
Newlyweds' Advice Jan.
April
June
. May
Feb.
Mar.
Newlyweds' Friends, The Snookums-Bartlett-McPhaill. .
Newlyweds' Happy Day, The Snookums-Bartlett-McPhaill
Newlyweds' Imagination, The Snookums-Bartlett-McPhaill
Newlyweds' Servant, The Snookums-Bartlett-McPhaill
Newlyweds Success, The Snookums-Bartlett-McPhaill
No Blondes Allowed C. King-C. Doherty Mar. 21
Oh, What a Knight Oswald Cartoon
Ole Swimmin' 'Ole, The Oswald Cartoon Feb. 6
One Every Minute Arthur Lake April 23
Out in the Rain 'The Gumps" Feb. 20
Ozzie of the Mounted Oswald Cartoon April 30
Payroll Roundup, The Bob Curwood Mar. 31
Poor Papa Oswald Cartoon June 11
Prince and the Papa Chanes Puffy Feb. 12
Ride 'Em Plowboy Oswald Cartoon April 15
Riding Gold Newton House Jan. 21
Ring Leader, The Jack Perrin April 7
Ringside Romeos Arthur Lake Mar. 26
Rival Romoes Oswald Cartoon Mar. 5
Sagebrush Sadie Oswald Cartoon April 1
Sailor George Sid Saylor May 9
Scarlet Arrow, The (Serial) F. X. Bushman, Jr . June 3
Sealed Orders Jack Perrin Feb. 11
Shady Rest "The Gumps"
Sliding Home Lewis-Gulliver-Phillips Jan. 16
Social Lions Ben Hall Mar. 12
Some Babies Charles Puffy Mar. 26
Some Pets Arthur Lake Jan. 2
Son of the Frontier, A Newton House April 14
So This Is Sapp Center Ben Hai. Jan. 16
Special Edition Ben Hall April 9
Speed Sheik, The Arthur Lake June 18
Start Something Long-Adams-Laymon-McPhaill Feb. 1
Summer Knights Arthur Lake May 21
Swell Clothes Arthur Lake Dec 5
Taking the Count C. King-C. Doherty April 18
Torrors of the Unknown (Serial)
That's That Trimble-Turner and Dog April 11
There's a Will C. King-C. Doherty Dec 21
Trickster, The Ben Hall June 4
Unexpected Hero, An F. Gillman-M. King Feb. 25
Untamed. The Newton House May 12
Valiant Rider. The Western^ Bob Sherwood June 23
Vanishing Rider, The Serial! Wm.Desmo.id Jan. 16
Watch George Sid Saylor Mar. 28
What a Party C. Klng-C. Doherty Feb. 22
When George Hops Sid Saylor April 25
Whose Wife Klng-Doherty June 6
Winged Hoofs Newton House Mar. 17
Winning Five, The Lewls-Gulliver-Philllps Sept. 26
2 reels April 21
2 reels
2 reels May 5
2 reels June 13
2 reels Mar. 24
2 reels
2 reels Feb. 4
2 reels May 5
10 episodes
1 reel
2 reels Mar. 17
.2 reels Mar. 31
2 rels
2 reels Feb. 18
2 reels Jan. 7
2ree)s Dec 16
.1 reel April 21
.2 reels Feb. 11
2 reels Feb. 4
.2 reels Feb. 11
2 reels Jan. 28
reels Mar. 17
.1 reel Jan. 21
1 reel April 14
1 reel
2 reels Dec 16
.2 reels Mar. 10
2 reels May 12
.2 reels April 14
.2 reels Feb. 4
.2 reels Feb. 11
2 reels Feb. 25
1 reel May 5
1 reel Mar. 24
1 reel April 7
2 reels Jan. 28
1 reel April 7
2reeis Mar. 3
1 reel
2 reels Jan. 21
1 reel Mar. 24
2 reels
2 reels Mar. 10
1 reel Mar. 10
1 reel April 7
1 reel May 5
2 reels April 14
10 episodes
2 reels Jan. 28
2 reels
2 reels Dec. 30
1 reel
2 reels Mar. 3
1 reel Dec 14
2 reels Mar. 17
1 ree. Dec 30
1 reel Mar. 17
1 reel
1 reel Jan. 14
1 reel April 28
1 reel Nov. 18
2 reels Mar. 24
10 episodes
2 reels Mar. 17
2 reels
1 reel
2 reels Jan. 28
2 reels Apri. 14
2 reels
10 episodes
2 reels Mar. 3
2 reels Feb. 4
2 reels Mar. 31
2 reels May 12
2 reels . Feb.25
2 I eels Sept 19
1724
Motion Picture News
Title Star Rel. Date Length
Winning Goal, The Lewis-Gulliver-Phillips Jan. 2 2 reels. . .
Wolves of the Range Fred Gilman Jan. 28 2 reels. . .
Woman Chasers C. King-C. Doherty May 16 >. reels. . .
Reviewed
Rel. Date Length Reviewed
Coming Attractions
Title Star
Anybody Here Seen Kelly Love-Moore
Body Punch, The Daugherty-Faire
Brides Will Be Brides Laura La Plante
Burning Winds Hoot Gibson
Children of the Sun Special Cast
Clearing the Trail Gibson-Gulliver
Cloud Dodger, The Al Wilson
Crimson Hour, The De Putti-Moskine
Danger Rider, The •Joot Gibson
Doubling For Trouble Gibson-Gilbert
Fallen Angels Kerry-Starke
Foreign Legion, The Kerry-Stone-Nolan
Freedom of the Press Stone-Keith-M. Day
Fresh Every our Glenn Tryon
Give and Take Sidney-Hersholt
Grip of the Yukon, The ... Bushman-Hamilton-Marlowe
Has Anybody Here Seen Kelly? Love-T. Moore
Home, James La Plante-Delaney
Honeymoon Flats Lewis-Gulliver
Jazz Mad Hersholt-Nixon-Lewis
Last Warning, The Laura LaPlante
Lonesome Tryon-Kent
Man Who Laughs, The Veidt-Philbin 11 reels May 12
Man, Woman and Wife Kerry-Stark e-Nixon
Michigan Kid, The Nagel-Adoree
Navy Blues Arthur Lake
Phyllis of the Follies M. Moore-A. Day
Play Goes On Veidt-Nolan
Plunging Hoofs Rex-Perrin
Red Lips Nixon-Rogers
Silks and Saddles Nixon-Walling-Nolan
Sky Skidder, The Al Wilson
Uncle Tom's Cabin Special Cast
Viennese Lovers Philbin-Hersholt-Keane
Watch My Speed Denny-Worth
Wild Blood Rex-Perrin
UNITED ARTISTS
FEATURES
Title Star Rel. Date Length Reviewed
Circus, The Chaplin-Kennedy Jan. 7. .. .6400 feet .. Jan. 14
College Buster Keaton July 29 5800 feet Sept. 23
Devil Dancer, The Gray-Brook Nov. 19 7000 feet Dec. 30
Dove, The Talmadge-Roland Jan. 7 8400 feet Jan. 7
Drums of Love Philbin-Alvarado Mar. 31 9195 feet Jan. 28
Garden of Eden, The Griffith-Ray Feb. 4 7558 feet . . Jan. 14
Gaucho, The Fairbanks-Valez Jan. 1. .. .9358 (eet . Dec. 2
Magic Flame, The Colman-Banky Aug. 14 7850 feet. . . Sept. 30
My Best Girl Pickford-Rogers Oct. 31 7460 feet Dec. 9
Ramona Del Rio-Baxter Feb. 11 7552 feet Feb. 4
Sadie Thompson Swanson-L. Barrymore Jan. 7. . . 8600 feet . Feb. 11
Sorrell and Son Warner-Joyce Dec. 2 9000feet Nov. 25
Steamboat Bill, Jr Buster Keaton April
Tempest J. Barrymore-Horn 9 reels
Title Star Rel. Date Length
Two Arabian Knights Boyd-Wolhelm Sept. 23 8250 feet.
Two Lovers Colman-Banky.
Coming Attractions
Title Star
Battle of the Sexes, The Bennett-Hersholt-O'Nelll
Hell's Angels Lyon-Hall-Nlssen
Innocent, The Vilma Banky
La Piava Boyd-Valez
Woman Disputed, The Talmadge-Roland
8500 feet
Reviewed
. . Nov. 4
. .April 28
Rel. Date Length Reviewed
(about) 7 reels .
WARNER BROTHERS
FEATURES
Title Star Rel.
Across the Atlantic Blue-Murphy Feb.
Beware of Married Men Rich-Ferris-Cook . Jan.
Brass Knuckles Blue-Bronson Dec.
College Widow, The D. Costello-Collier, Jr Oct.
Crimson City, The Loy-Miljan-Hyams April
Dog of the Regiment- A Rin-Tin-Tin-Gulliver Oct.
Domestic Troubles Fazenda-Cook Mar.
First Auto, The Miller-Oldfield Sept.
Five and Ten Cent Annie Fazenda-Cook
Fortune Hunter, The Chaplin-Costello Nov.
Ginsberg the Great Jessel-Ferris Nov.
Girl From Chicago, The Nagel-Loy Nov.
Good Time Charley Oland-H. Costello Nov.
Ham and Eggs at Front Wilson-Conklin-Loy Dec.
Husbands For Rent Moore-Costello Dec.
If I Were Single McAvoy-Nagle Dec.
Jaws of Steel Rin-Tin-Tin Sept.
Jazz Singer, The (Vitaphone) Jolson-McAvoy Oct.
Date Length
25... 6052 feet.
14... 5421 feet.
3. . . .6330 feet.
15 ...6616 feet.
7.... 5388 feet.
29... 5003 feet.
24.... 5164 feet.
18.... 6767 feet.
Reviewed
. jani'28
. Dec. 23
. .Nov. 25
..April 21
..Nov. 11
! July 8
7..
26
19 .
5 .
24 .
31 .
17 ,
10..
6639 feet.
5390 feet.
.5978 feet
.6302 feet.
.5613 feet.
.6320 feet.
.6320 feet.
.5569 teet.
.742 3 feet.
.5331 feet.
.6485 feet
.6357 feet
.7961 feet.
Little Snob, The McAvoy-Frazier Feb.
Missing Link, The Syd Chaplin Aug.
One-Round Hogan Blue-Hyams Sept.
Old San Francisco D. Cost ello-Oland Sept.
Pay As You Enter Cook-Fazenda May
Powder My Back Rich-Ferris-Beranger Mar.
Race For Life, A Rin-Tin-Tin- Nye-Faire Jan.
Reno Divorce, A McAvoy-Graves. Oct.
Rinty of the Desert Rin-Tin-Tin-Ferris-Nye. ... April
Sailor Izzy Murphy Jessel-Ferris Oct.
Sailor's Sweetheart, A Fazenda-Cook Sept.
Silver Slave, The I. Rich-Miljan Nov.
Slightly Used McAvoy-Nagel Sept.
When a Man Loves Barrymore-Costello Aug. 21 . . .10081 feet.
11
7. .
17 .
4..
19..
10... 6185 feet
28.... 4777 feet.
22 ..5492 teet.
21.... 4820 feet.
8. . . .6020feet.
24.... 5685 feet.
12. . 6142 feet.
6412 feet.
Jan. 21
Dec. 31
Nov. 25
Jani 7
.Dec. 31
.Sept. 30
Oct. 21
May 20
Oct. 17
.July 8
..Feb. 11
. . Nov. 4
..Oct. 28
.Oct. 14
...Dec 9
Sept. 30
Feb. 18'27
Coming Attractions
Rel. Date Length Reviewed
Title Star
Fools in the Fog McAvoy-Nagle
Glorious Betsy (Vita.) D. Costello-Nagle 7091 feet May 5
Ladies Prefer Bonds (tent.) Nagle-McAvoy
Land of the Silver Fox Rin-Tin-Tin-Nye-Hyams
Lion and the Mouse (Vita.) L. Barrymore-McAvoy-Collier, Jr
Midnight Taxi, The Moreno-Costello
Noah's Ark (Vita.) D. Costello-O'Brien
No Questions Asked Ferris-Collier, Jr.
Singing Fool, The (Vita.) Al Jolson
State Street Sadie Loy-Nagle
Tenderloin (Vita.) D. Costello-Nagte 7782 feet. .. April 28
Women They Talk About I. Rich-Ferris-Collier, Jr
•* i"J fd
pimmT- -'HI
Briefs
Lois Wilson will be the leading girl
player in "Sally's Shoulders," a screen ver-
sion of the novel by Beatrice Burton which
ran serially in a Los Angeles paper and in
"McCall's Magazine." Lynn Shores will
produce the picture for F B O.
Burr Mcintosh has been substituted for
James Marcus in the role of the old man in
"The Racket," which Caddo is filming for
release through Paramount.
Larry Darmour, who is making a series
of Witwer two-reel productions for Stand-
ard Cinema Corporation and F B O release
under the title of "Racing Blood," an-
nounces his complete cast. Alberta Vaughn
will be the female lead, with Eleanor Flynn,
Lewis Sargent and Willie Gray in the other
prominent roles.
A Paramount contract has been signed by
Olga Baclanova, the actress of the Moscow
Art Theatre who was brought to America
by Morris Gest.
Warren Burke, son of Johnny Burke, the
vaudeville star, has been assigned a leading
juvenile part in "Road House," directed by
Richard Rosson and featuring Lionel Barry-
more and Maria Alba. Rosson has also
chosen Burke for the juvenile role in "The
Farmer's Daughter," Marjorie Beebe's ini-
tial starring appearance, based on an origi-
nal by Harry Brand and Henry Johnson
with continuity by Frederica Sagor.
Production on "Taxi 13" began this
week at the F B O studios. Additions which
have just been made to the cast include
Ethel Wales, Hugh Trevor and Lee Moran.
The story tells of the activities of an all-
night taxi driver. Continuity is by Scott
Darling.
As he is listed for other Paramount as-
signments, Richard Arlen will not be the
hero in Paramount 's "The Fleet's In,"
starring Clara Bow. Instead that role will
probably be played by James Hall. Mal-
colm St. Clair will direct.
Ruby Lafayette and Robert Edeson have
been added to the cast of "Marriage of
Tomorrow," in which Patsy Ruth Miller
and Lawrence Gray are playing the leads
for Tiffany-Stahl.
John Cromwell, a stage director under
William A. Brady for 12 years, has been
signed as a Paramount featured player.
During the run of "The Racket" in New
York he played the role of the police cap-
tain.
Byron Haskins has been signed as chief
cameraman for the Warner Bros, unit mak-
ing "The Singing Fool," which will be the
next starring vehicle for Al Jolson. Actual
studio work on the picture will begin next
month with Lloyd Bacon at the megaphone.
The direction of Fannie Brice's first mo-
tion picture was given last week by the
Warner Bros, to Archie Mayo. The pro-
duction is without a title at present but one
will be given it shortly. Robert Lord has
just completed the story on which the pic-
ture is based.
Tiffany-Stahl has begun casting for
George Jessel in "The Ghetto." Mary
Doran, Rosa Rosanova and William Strauss
have so far been signed. Isadore Bernstein
has completed the continuity from the adap-
tation of Viola Brothers Shore's story,
"The Schlemiehl."
Fay Wray and Gary Cooper and the 17
members of the Paramount unit filming
"The First Kiss" left Hollywood last Mon-
day for St. Martin's, Md. They were headed
by Dan Keefe, assistant director. They ex-
pect to arrive at Clayton, near St. Martin's,
this Friday afternoon. A tentative shooting
schedule calls for a month of work in the
Chesapeake Bay section.
Roy Press
Printers
you can give it to them with
YEARS ago, when Motion Pictures were still
something of a novelty, patrons were satis-
fied with the music of a drum, piano, viola and
cornet. Today, in first-class theatres, they de-
mand a full symphonic orchestra.
They were satisfied, then, with almost any kind
of a Pipe Organ. Far more critical today, they
demand an artistic Orchestral Organ. Ascribe
this change to what you will, the fact remains
that outstanding Organ Music is now expected,
and helps fill your House.
Nothing can so satisfactorily furnish it as The
Kilgen Wonder Organ — the one distinctly
Theatre Organ. Artistic in every detail, capable
"Wonder (Brqarxr
of powerfully interpreting every impression that
the screen portrays, and unlimited in its re-
sources, the Kilgen Organ is the one great divi-
dend-payer that should be in every playhouse.
Write for catalog and information to Geo. Kilgen
& Son, Inc., 4024 N. Union Blvd., St. Louis, Mo.,
Makers; or to any of the National Theatre Sup-
ply Company Offices, Distributors. # * # *
SOMETHING CLEVER/
UELEM OF TROy
m-jij.
>^lEWIf nOW-MARIA(ORDA^RKARDO CORTEX - c/^ey wilsom
For the Cleverert
Picture of
ALL TIME J
Poster Work, bu.
Ml*
CLEVELAND , O.
May 26, 1928
New
Reg. U. S. Patent Office
Vol. XXXVII No. 2
Loj Angeles
under act of March 3, 1879
Published Weekly— $3.00 a Year
A'rti' York
PRICE 20 CENTS
C hie ago
to The independent
Distributor and, My
Exhibitor Frien bs
avenue
BUCK 30g*|4o Avei
tfay 21-29
"« l^S8 intentions-
from ho™ !,sn *e*°r„f my exa0
»»— S»» mad9 ° landed ramon:
Bents ° »an^U«iXvario-^ ra.
**ft Cen SS^S* laW ^f/tlon
proo»odn8 aaaiied ear3 of
1 ^„f" and to of P^
oroduoina o^s4ooided to years * 0f a
rfp^'4 M understand «
mild
,tan»- d „^oe4 today • .-stand
3ein8 Pro4U° roally «fe^e cost of
T never cottW r llng w r near
line of -« Un tW W *»*
organi^^ consxdera ^fore.
attract Von ^a^e ^ ,iw6, a
* effort *HVos3i^ °*n of co^-
standard t£ future released
-Il3° rese Pnodn^
a.v.e coiQin& /) /l ( I
for
now ther can be sold
CJ Provided you have a good theatre and run good pictures, your real
competition today is not the theatre down the street. Time was when motion
pictures had a monopoly on entertainment for the masses. Not so in these
modern davs. Automobiles, radio, golf, hall games, hooks, bridge, dancing, and
scores of other diversions compete for people's leisure time. €J More good
pictures died in 1928 for lack of patronage than in any previous year. But,
on the other hand, productions like Harold Llovd in "Si>eedy," "Wings,"
"Underworld" and the like did unprecedented big business. Why? Because
they sold not only the chronic movie-goers but auto-riding, radio-listening
millions besides. Cfl It's no accident that you find practically all the product
of this type in Paramount's Whole-Show Program. Paramount planned it that
way. Big-time stars like Harold Lloyd, Emil Jannings, Clara Bow and Richard
Dix. Stories like "Canary Murder Case" bought and read by 200,000 people.
Specials like r Wings" and Von Stroheim's "The Wedding March." ^ Analyze
all the product announcements and you'll find it's on this point that
Paramount, more than ever, excels! Paramount has 1928-9 pictures your
whole town wants to see. C| You've wondered how to sell that extra $5,000
worth of patronage that means S.R.O. Now they can he sold .... with
PARAMOUNT'S WHOLE - SHOW PROGRAM
Specials
Harold Lloyd
Wedding March
4 Clara Bow
3 Richard Dix
2 Emil Jannings
Canary Murder Case
Beggars of Life
The Tong War
Crime of Interference
The Letter
Tahiti Nights
Glorifying American Girl
Perfumed Trap
Wolf Song
Dirigible
Man I Love
Hard Boiled Angel
Living Together
Upstart Gentleman
Behind German Lines
Burlesque
Road Shows
Wings
Abie's Irish Rose
The Patriot
Star Hits
3 Richard Dix
4 Geo. Bancroft
4 Bebc Daniels
4 Esther Ralston
2 Pola Negri
3 Wray -Cooper
2 Florence Vidor
4 Chas. Rogers
3 Taylor- Hall
3 Adolphe Menjou
3 Zane Grey
1 Thomas Meighan
2 MacLean -Chris tie
1 Sir Harry Lauder
1 Model of Montmarte
Shorts
104 Paramount News
8 Vernon Comedies
8 Dooley Comedies
8 "Macduff" Comedies
8 "Confessions of a
Chorus Girl"1 Comedies
12 Great Stars and Authors
26 Krazy Kat
26 Inkwell Imps
2 Horton Comedies
Extra! Byrd's Flight to
the Soul li Pole
i
Universalis 1928-29
Headliners !
These Four Qreat Carl Laemmle
Super Productions
The Man Who Laughs
Uncle Tom's Cabin
Broadway
Show Boat
7 Smashing Laemmle
Specials
4 Big-Money Dennys
22 Universal Headliner
Jewels
Including 4 Laura La Plantes, 4 Glenn Tryons
8 Hoot Gibson Jewels
22 Five-Reel Western and
Thrill Features
5 Amazing Super Serials
Including
TARZAN THE MIGHTY
Complete Service Contract
International Newsreel
The Best Short Subjects in
the World
Carl laemmle
—is the man who has some-
thing to be happy about. That's
Carl Laemmle, Laughing because Univer-
sal is sitting on top of the world ! Laughing because
Universal has the goods! 67 FEATURES! 26 of 'em finished!
Showing 'em to exhibitors. Twenty-six of 'em completed. Pictures you can see
--right NOW! Plays, stories, titles, casts, directors, PRODUCTION CLASS that you can
see. SHOWMANSHIP that you can see. BOX-OFFICE thought in every single picture on the list that
is so evident it fairly shouts! Shouts: YOU'VE GOT TO HAVE UNIVERSAL 'THIS YEAR. Carl
Laemmle made 'em. Spent hundreds of thousands of dollars to get the pick of the market
in stories, plays, books, etc. Got them. Called for the best in every de-
partment. Got it. We know it. You know it. Everybody
knows it. UNIVERSAL IS SITTING ON
TOP OF THE WORLD. NO WONDER
THIS MAN LAUGHS!!
Leads thehhy/
(^\N file in many of the offices of the world's leading theatre
owners, theatre architects and builders are complete
sets of the past issues of
Theatre Building & Equipment
Buyers Guide
and in some instances to assure preservation against continu-
ous use these file numbers have been bound in leather.
Over 15,000 copies of Theatre Building & Equipment
Buyers Guide are distributed to all theatre owners and archi-
tects, theatre builders and electrical contractors. The entire
field watches for each new number of Buyers Guide, to get
the latest ideas of theatre design and up-to-date references
for the sources of purchase of all types of theatre equipment.
Twelve full pages of four color illustrations will be used in
the Spring issue of Buyers Guide featuring the work of
Thomas W. Lamb, Architect. This true reproduction of fine
theatres is a feature that places Buyers Guide in a class by
itself as a trade publication.
Over 100 manufacturers advertised their products through
the pages of our 1927 issue of Buyers Guide — the most ef-
fective advertising medium that has ever been offered manu-
facturers of theatre equipment, appointments and building
materials. Buyers Guide assures the manufacturer that his
advertisement is constantly before all individuals responsible
in any way for the buying for new theatres or the re-equipping
of theatres in operation.
The Spring Number of Theatre Building & Equipment
Buyers Guide will be out in June. Complete details and
specimen copies of Buyers Guide will be gladly sent upon
request. Make your advertising reservations now. Address,
Motion Picture News, 729 Seventh Ave., New York City.
NINTH
ANNUAL
ANNOUNCEMENT
THE SPICE OF THE PROGRAM
lie World'} Greatest Distributors
-s^^^^of Short Features
TJoim G4VMPI0N
!/t is no idle boast to say that
Educational Film Exchanges, Inc.,
are the world's greatest distributors
of Short Features. This is proved a^ai
by the stirring history of the last year in
the picture industry. fEEE^= ^3
Educational stands today as the only
producing and distributing or^anizatiorf
world that is truly independent and that is dealing
Short Features exclusively— or even primarily*
Think that over/ »
You wont be misled by unfounded statements about
who' made Short Features what they are today? You hnow that
Educational has been the one outstanding pioneer in the field
since the day it entered the business. And you hnow that
every other bi^ company has "other fish to fry first; that
Educational alone must and will stand as the champion of qual-
ity in the 5pice of your program, before all other considerations *
The men who make Educational fictures for you in 1928-1929
will be mostly the men who have been building Educational^
record of consistent performance for years. In his ninth year of
~~ ~ association with Educational as a comedy producer and
director, Jack White , as director-in-chief at Educational
Studios, will be surrounded by a large Staff of
~~ such able directors as Stephen Roberts, Charles
Lamont , Jules White , Henry W* George
L
and others equally
well hnown- The
same hnown stabil-
ity, the same assur-
ance stand bach of
the single-reel nov-
elty and news series.
And Educational,
as always, standi
bach of this program
with strong consist-
ent advertising
It is no idle ooast
to claim the ihort
Features champion-
Ship for Educational *
1
I
/
>' ,"'s
2.-
>(1
ISii
^/o star h^madel^Wgei*
Strides in puto^favormthe
past Year than j(upino /ane. .
No other Short features star
offers such splendid promise
of exceptional entertainment
value and added profits in the next
THE SPICE OFTHE PROGRAM"
C~Th(t WORLDS GREATE/T
rHORT FEATURE COMEDY /"TAR.
BIG BOY
Juvenile
-co
DIES*
Jack Wh ite Productions
directed by Charles Lamont
k^I new series of
comedies featuring Jack
White's latest spectacular
find --Jerry Drew- splen-
didly produced, as well
dressed as Drew himself,
yet fast and snappy, Ideal
Comedies truly merit
their name 7hey are ideal
comedy entertainment.
Vroduced under supervision of JACK WH ITE
MERMAID COH£Pl£S
Jack White ftodi
The comedie/ that Jack
Whitejr ^eniu* first made
famous. Consistent, unfailing
lauj-fh producer* for the past
eight seasons, and still
getting fajter, snappier,
funnier. With many of
the old Mermaid favorite/
and with fOme bright new
f acej, too— Monty Gollinj,
George Davk, Jack Miller,
Estelle Bradl^
i~:v! f • >!i' ; * . V
■ : — , WI
Tuxedo Comedies A
Tuxedo Comedies pos-
sess a sophistication
and a smartness that
lift them -Par above
the average comedy
subject, featuring
Wallace Lupino and
other* whoje name/
will be an additional
guarantee of fun and
lively action ~
Jack White
Productions
"THE SPICE OFTHE PROGRAM"
L
Came pi
COMEDIES XmJ
7hey $et away with
flying start and pack
one reel enough lau
for any program.
Brief fart action
comedie5 with a
lon^-flW enviable
record...
KI NOG RAMS
Jc^umedXhrouBhom thf Tradm r^yl
Sinograms has been acclaimed through-
out the trade a/ the new? reel
leader —it hold/ the remarkable
record of three to one over rfcr
neare/t competitor, at attested by,
unbiased press comparisons of Hie
news reels, for conri/fent service
and entertainment..
Kinograms is the only independent
news reel on the market— — it har
no object to/erve except to pro-
vide you with the best news reel
service obtainable.
Kinograms pledge/ it/elf to con-
tinue in fhe coming season to
give the /ame out/fanding service
and entertainment value that have
made it a three-to-one favorite
over the field .
s
x -
^
_ Lyttiati H.Howes
Hodge -Podge)
Some Sense and
fame flonsenst
d lauj^h or two, a bit"
of wisdom, a^limt>5e
at the world's beauties
Woddities, some camera
trichs and clever cartoon
clowning; stirred together
in just the ri^ht propor-
tion and served smartly
— a delicious cocktail
for jour program
'01
m
0' /
0
Is
I, , _
L
4«V
4-
J
J
"the Spice ofthe program"
Modern\Screeh Magazine -
/
ONE PICTURE
IS WORTH A
THOUSAND
WORDSr
/Whatever is
mo*t interesting
in this old world
of ours- presented
in the most up-to-
date modern style .
One
A Month
THE SPICE OF THE PROGRAM"
\
save many ^ show..
And they always make
a ^bod show better
Exploit them
to make you
prof it$
bigger.
r
EDUCATIONAL
FILM EXCHANGES, Inc.
President • —
MEMBER, MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA t \NC.
Will H Nai/s, President.
r
CECIL B. DE MILLE
PAT HE
Is prepared
ROD
LA ROCOUE
JOHN MACK
BROWN
GEORGE DURYEA
JOSEPH
SCHILDKRAUT
LOUIS
NATHEAUX
^5
M
LEATRICE JOY
WILLIAM BOYD
Ji
NOAH BEERY
VICTOR
VARCONI
a
'-CJ
JUNIOR
COGHLAN
LINA
BASOUETTE
c
4 ,.v
JEANETTE
LOFF
II. B. WARNER
MARIE
PREVOST
ROBERT
ARMSTRONG
A
wr^HE motion picture is committed to
newness and the immediate Now.
The Screen succeeds, not in yesterday's
glory or tomorrow's hope, but in the
facts of Today.
Pathe advances into the new season
assured and prepared in terms of Now.
Twenty-nine deluxe features, headed
and hall-marked for quality by CECIL
B. DE MlLLE S "The King of Kings1' and
"The Godless Girl", comprise the major
dramatic offerings — an array of product
attuned to the demand of today — and
Now — from theatres and their patrons.
These — the twenty-nine — are pictures of
and for their time — aggressive with the
sparkle of modernity, deliberately con-
sidered in their execution and bearing
the impress of mastery.
Pathe's name spread across the screen
with the birth of the picture theatre,
nearly a quarter of a century ago. Pathe's
name, alone of those who began, is still
there, now. Through the years, exhib-
itors have been dealing with Pathe, a
house of honor, jealous of its good name
and fair repute, untainted of com-
petition with its customers, rendering
unswerving service and asking in return
nothing beyond its proper due.
Pathe, as always, is prepared, now— today.
1Q28
SEENA OWEN
1929
JACQUELINE
LOGAN
. 7* <
EDDIE
QUILLAN
ALAN HALE
CUSTAVE VON
SEYFFER T I I Z
29
Defuxe Features th
CECIL B. DeMILLE'S
"Kl NO f Kl NOS"
bif Jeanie MacPherson
T/ie
Supreme Gift of
Motion Picture
Art
— I\ow Available
for
General Release
Specials
"TENTH AVENUE" "THE RED MARK"
with PHYLLIS HAVER,
Victor Varconi and Joseph Schildkraut. A William
C. de Mille Production from the stage play by
John McGowan and Llovd Griscom. Continuity
by Douglas Doty. De Mille Studio Production.
WILLIAM BOYD
in
THE COP
99
with Alan Hale, Jacqueline Logan and Robert Arm-
strong. A Donald Crisp Production. Screen plav by
Tay Garnett from the story by Elliott Clawson.
Produced by Ralph Block for De Mille Pictures Corp.
"SHOW FOLKS"
ivith JEANETTE LOFF,
Eddie Quillan and Robert Armstrong. From an
original story by Philip Dunning, co-author of
"Broadway" Ralph Block — Associate Producer.
WILLIAM BOYD
in
"POWER"
with Jacqueline Logan and Alan Hale. A Ralph
Block Production. Story and continuity by Tay
Garnett. Directed by Howard Higgin.
99
"CRAIG'S WIFE
with IRENE RICH
Adapted by Clara Beranger from the Broadway
stage success by George Kelly.
with Nena Quartaro, Gaston Glass, Gustave Von
Sevffertitz and Rose Dione.- Adaptation and con-
tinuity bv Jufien josephson from the -story by John
Russell. ' Personally directed by JAMES CRUZE.
Presented by James Cruze, Inc.
"CELEBRITY
99
with Lina , .Basquette and Robert Armstrong.
Adapted by Elliott Clawson from, the play by Wil-
Jard Keefe. Directed by Howard Higgin. Ralph
Block — Associate Producer.
NED McCOBBS
DAUGHTER
with* ANNA Q. NILSSON
Robert s Armstrong and a great all-star ' cast.
Adapted by Beulah Marie Dix from the Theatre
Guild hit by Sidney Howard.
THE SPIELER
99
with Jacqueline Logan and Alan Hale. From an
original story by Elliott Clawson. Ralph Block —
Associate Producer.
ROD LaROCQUE
LOVE OVER NIGHT
with Jeanette LofT, Tom Kennedy and Mary Carr.
A Hector Turnbull Production. Original story and
adaptation by George Dromgold and Sanford
Hewitt. Directed by Edward H. Griffith.
99
Pafhe
"ANNAPOLIS"
with Lina Basquette and John Mack Brown. Orig-
inal story by F. McGrew Willis. Directed by W.
Christy Cabanne.
Challenge COMPARISON
CECIL B. DeMILLE'S
The Godless Girl"
with LlNA BASQUETTE, EDDIE QUILLAN
George Duryea, Marie Prevost and Noah beery
Story by Jeanie Macpherson
Another
( <>< il l{. DeMille
Super-, ittraction
— One of tin-
Season's (,r<(tt-
csi Road Sh <> w
Specials
THE GETAWAY"
rr
with Jeanette Loff, George Duryea and Robert
Armstrong. From the original storv by Ernest
Pascal. Ralph Block — Associate Producer.
LEATRICE JOY
in
MAN-MADE WOMEN
with H. B. Warner, John Boles and Seena Owen.
Screen plav by Alice D. G. Miller from the story
by Ernest Pascal. Directed by - Paul L. Stein.
Produced by Ralph Block for dc Mille Pictures
Corporation.
LISTEN BABY!
with Lina Basquette and Eddie Quillan. From the
Red Book Magazine story by Elsie Janis and
Gene Markev.
MARKED MONEY''
with JUNIOR COG H LAN
Alan Hale and George Duryea. From an original
story by Bertram Millhauser. Directed by Spencer
Bennet.
Super -Features
ROD La ROCQUE
in
"CAPTAIN SWAGGER'
A Hector Turnbull Production. From the story
by Adelaide Heilbroun and Leonard Praskins.
LILI DAMITA
The Ureal European Sen sal ion in
FORBIDDEN LOVE
from the play "The Queen was in the Parlour'"
by Noel Coward.
"NOISY NEIGHBORS
with Eddie Quillan and the Quillan Family. A
Hector Turnbull Production from an original story
by George Dromgold and Sanford Hewitt.
"SQUARE SHOULDERS
with JI MOR COGIIL \N
and George Duryea. From an original story by
Bculah Marie Dix. Directed by Frank Urson
WILLIAM BOYD
'THE LEATHERNECK'
with Lina Basquette, Robert Armstrong and
Alan Hale. From an original story by Elliott
Clawson. Directed by Howard Higgin.
Ralph Block -Associate Producer.
PHYLLIS H AY LH
THE FLYING FOOI/
with Lina Basquette. From
Directed bv
Ernest Pascal
Griffith.
the storv
Edward
HIGH VOLTAGE'
'The Trouble Shooter" by
Ralph Block — Associate
From the story
Tay Garnett.
Producer.
JEANETTE LOFF
jeaturttl in
THE ELEVATOR GIRL'1
with George Duryea and Robert Armstrong
Adapted bv Bculah Mane Div from an orig-
inal story bv Tay Garnett. Ralph Block —
Associate Producer.
" GER UJDINE"
with Eddie Quillan Adapted by Tay Gar-
nett from the story by Booth Tarkington.
in
SAL <H SINC 1PORE"
with Alan Hale Adapted bvjuhen Josephson
from "The Sentimentalists by Dale dollins.
"THE OFFICE SCANDAL"
with George Duryea A Hector Turnbull
Production
"THE SH \DV 1 vm
From the story by
with George Duryea
Leonard Praskins.
PATHE SUPER WESTERNS
The punch of vour program — Pathc's big-money super Westerns with the greatest
of the Western stars — Leo Maloncy, Harry Carey, Wally Wales, Don Coleman.
Pafhe
and the LAST
20
MACK SENNETT
Super - Comedies
c^T'ROM the imposing new studios
J of Mack Sennett, the King of
Comedy Producers, will come 20
hilarious two-reelers that will set up
fresh standards in short laugh-films and
cause mirth quakes in thousands of
movie palaces. Laughs are dollars and
Mack Sennett is the laugh mint of
movieland.
CT>\THE NEWS is an institution of the screen,
* backed by 18 years' leadership. When you
book it you are backing the judgment of the
public, for the public looks upon Pathe News as
the very symbol of the cinema. If you don't play
this dominant screen factor, you are cutting away
the very heart of your presentation system.
Issued Twice a Week
GRANTLAND RICE T\ St ' W
Soortliahts "afheKeview
l/f t t *~*W B * V^^r The Magazine of the Screen
^^f^ ■ 1 r_. .1 » „ r ji, 1. • „ r ti:dd v o a iho 4 vr
THE SPORTINO PAGE OF THE SCREEN
26 ISSUES — ONE EVERY TWO WEEKS
Produced by John L. Hawkinson
A CHAMPION SHORT FEATURE!
The Magazine of the Screen
l nder the Editorship of TERRY RAMSAYE
A fascinating one-reel subject that satisfies every
demand of the public and box-office.
ISSUED ONCE A WEEK
i
aw**
AND HIS PALS
Presented by
EE J. > \\ BEU]
)us Cartoon Character Originated bv
BERNDT
Sj tldicated throughout
the II orld
10 Sensational Now Kid Comedies — a
hundred percent series that will sweep
into popularity from the start, with
a ready-mad*' audi en re of 15,000,000
readers a day!
/Tl.W AYS the dominant factor in the industry
in the production of short subjects, Pathe
transcends its own previous achievements for the
coming season with an unprecedented output, bring-
ing new elements into its elaborate program and pro-
viding more extensive facilities in publicity, advertis-
ing and exploitation.
The Premier House of Short Subjects announces as its
"backbone of programs" more than 300 units, the
very cream of the market, shorts that will many
tinges save your show and will at all times provide
that diversity of presentation and novelty without
which no picture house can firmly establish itself.
WORD IN SHORTS
A NEW SENSATION
IN SHORT COMEDIES
DAN
"THE
THE
HANDY
TIRED
TAXI
ANDY
BUSINESS
MAN
with Andy Clyde
and Anita Barnes
MAN"
with Billy Bevan
with Jack Cooper
and Carol Lombard
Series of 6
and
Carmelita Geraghty
Series of 6
Series of 6
5 GREAT NEW
Pafhe Serials
THE TERRIBLE PEOPLE"
with Allcne Ray and Walter Miller. Directed by Spencer
Bennet. Story by Edgar Wallace. Scenario by George
Arthur Grav.
EAGLE OF THE NIGHT
featuring Frank Clarke, greatest of aeroplane stunt flyers.
Original story by Paul Cruger. Directed by Jimmy Fulton.
THE FIRE DETECTIVE
Original story and continuity hv Frank Leon Smith, w ho
wrote the scenario for ' The Green Archer." Directed by
Spencer Bennet.
THE TIGER'S SHADOW
Original story and scenario by George Arthur Grav. au-
thor of "The Crimson Flash", "Hawk of the Hills", "The
Yellow Cameo", etc. Directed hv Spencer Bennet.
"QUEEN OF THE NORTH W OODS'*
Original story and scenario by George Arthur Gray.
Directed by Spencer Bennet.
TOPICS
OFTHE
DAY
A sure-fire short suhject
that's guaranteed to win
a good hearty laugh every
teu seconds.
Presented by
Timely Films, Inc.
AMEDEE J. VAN BEUREN, President
1560 Broadway, New York
ONE A WEEK
AESOP'S
FILM
FABLES
Funnier than ever in
1928-29 this guaran-
teed laugh-getter is set-
ting out on high to break
the all-time 1 a u " h
records.
ONE A W EEK
Cartoonist— PAl I. TERRY
Fables Pictures, Inc.
1560 Broadway, New York
AMLDKE J. \ \\ ItFl IU N. I'r. M.l. nt
Pafhe
Direct from
8 big weeks
at the Embassy
New York City
at $2.00 top.
4
0 k<V ^° >ov v° ...
* o% xoc vcV ^
o
1\ IJ1 w
Cslll the wciid will
Love Twc Lovers
New Vor/L
Telegraph
And all exhibitors will find in this — the
last and biggest Colman-Banky picture —
one of the greatest box-
office pictures they have
ever played.
Samuel Cjoldwyn j> resents H
v..
HO
loners
from story Leatherface'
by Baroness Orczy
FRED NI6LO
PRODUCTION
UNITED ARTISTS PICTURE
A Second Printing Was Necessary!
TO supply the orders of Exhibitors, Theatre Executives and The-
atre Workers for the most comprehensive and authoritative work
written on the subject, the publishers, George H. Doran Company,
New York, has made a second printing of —
MOTION PICTURE
THEATRE MANAGEMENT
By Harold B. Franklin
(President of West Coast Theatres, Inc.,
and leading theatre executive)
NOW
you too may obtain a copy of this monumental work
dealing with every branch of the theatre and offering
a carefully considered presentation of the theories and
practices, tested by years of experience, making for
the successful and profitable business method of run-
ning a motion picture theatre.
The author, Harold B. Franklin, is known throughout the
industry as one of the most progressive and able theatre execu-
tives and showmen the picture theatre has developed, and one
of the leading forces contributing to the advance which the
motion picture playhouse has made from its "nickelodeon"
beginning to the palatial community institution which the bet-
ter theatre of today represents.
DON'T DELAY
The present supply of copies is by no means large enough to
supply all those who eventually will want copies of this book,
so prompt action is imperative if you want to be assured of
a copy.
THE PRICE IS $5.
Order Your Copy Today
35 Chapters and
26 Illustrations
Tell You How—
To train and maintain an or-
ganization that will function
smoothly in the running of
your theatre.
To provide adequate safety
methods.
To carry on systematic in-
spections.
To prepare a properly bal-
anced budget.
To judge the effectiveness of
advertising.
To purchase equipment and
to Build Good Will.
Use This Order Blank
MOTION PICTURE NEWS,
729 Seventh Ave., New York City-
Send me postpaid MOTION PICTURE THEATRE
MANAGEMENT by Harold B. Franklin.
I enclose (check) (money order) for $5.00.
Name
Address
City
State
EL
A Discussion on
ADVERTISING
By Mr. Adolph Zukor
President, Paramount Famous Lasky Corporation, an ac-
knowledged leader in the motion picture industry and
an eminent figure in the world affairs of business.
(Reported by MARTIN J. QUIGLEY)
N industry, like an individual, is inclined to go from one extreme to
another. During the past few years the motion picture business in con-
junction with its general program of economic readjustment has gone
from the extreme of an extravagant use of certain forms of advertising to
another extreme which has consisted of an unwise and unsound curtail-
ment of at least one essential form of advertising: namely, advertising
within the trade.
Under the stress of a broadcast readjustment which the trend of the
business had rendered necessary, the pendulum on trade paper advertising
has been permitted to swing too far in the direction of curtailment. A
swing back toward the point of normalcy is now both advisable and neces-
sary.
I regard advertising within the trade as an essential activit) of the busi-
ness of motion pictures. The trade press is or should be the voice of the
industry and the scene in which is depicted evidence of the thought, ac-
tion and progress of the business. ^ hen the trade press reflects, or tends
to reflect, a quiescent state of affairs in the industry it is a bad condition
for the business and for all the concerns in the business.
y^i * * *
^CONSIDERING directl) the interests of our organization, I want to
see a vigorous and enterprising trade press: one that is alive \sith
the progressive thought of the business. Advertisements in the trade
press that are well-written and effectivelj displayed Berve to stimulate the
exhibitor's interest in his business; such advertisements being properlj
and accurately informative are a valuable aid to the theatreman.
I make it a practice to study the advertisements of all of the companies.
When I see good advertising, whether it is from Paramount or from some
| (>\ I 1! |
other company, I am interested and pleased, because I know that such ad-
vertising stimulates interest in product; is an inspiration to better work
on the part of every other advertising department; and that it is contribut-
ing to the spirit of progress in the business.
■ .JXAMPLE is one of the greatest influences in life. Through the
trade press the successful showmanship efforts of one exhibitor in
any particular part of the country are held up for the guidance of all
other exhibitors. Here is a sphere of great service for the trade press.
Advertising to the public is, of course, an important activity of the indus-
try but the logical first step of the industry in publicity is advertising
within the trade. However important may be any local or national ad-
vertising effort aimed at the general public it must be remembered that
the media for reaching the trade are the trade media. It is in these publi-
cations that the producer and distributor is enabled to send his business
message directly and surely into the hands of the man who is most inter-
ested in the news of the business, whether it be about product or about
something else that concerns the business of motion pictures.
When the trade press publishes an important advertisement or an im-
portant article we know that the information concerned is going directly
to the persons for whom the information is intended. When it appears
elsewhere we know that while it may reach some small part of the trade
it does not reach the whole trade and, whatever its merit may be, that
merit is non-existent for all those whom it does not reach.
JL HE trade paper in the motion picture business is bound to be a big
influence — either for progress or retrogression. When I read the trade
paper week by week and find a volume of enterprising and effective ad-
vertising copy, and an editorial section which is alive to the progress of
the business, I am stimulated and I know that a similar effect is achieved
throughout the business. If, on the other hand, I pick up a trade paper
and find but few advertisements and these indifferently displayed I feel
that the dominant urge of the business is for the moment held in abeyance
and that the industry is foolishly sacrificing an opportunity for advance-
ment.
t£
The trade press is the mirror of the business; at all times it should re-
flect a picture of initiative, enterprise and intelligent activity.
FIND OUlWHYBIffORE YOU BUY
Get down to cases — the cold,
hard facts.
Sum up every essential ele-
ment — searchingly, scientifi-
cally.
Look at THE AMAZING
INVENTORY OF BOX-
OFFICE MATERIALS First
National is showing you week
by week!
You'll understand why
FIRST NATIONAL is FIRST!
4 1AOOKB
nasi***
•-se r*
\ NotV
fYOll KNOW ^1
irst National
IS THE ONLY COMPANY3
WITH SO MA*V^fy\li$
TH4Y HAVE
MADE GOOD
AT YOUR"
BOX-OFFICE
TIME AFTER
TIME
BUT
DO YOU
REALIZE
THAT
Of THE SIORJES IN THE
PRESIDENT GROUP
will also come to you with REPUTATIONS ALREADY
ESTABLISHED! Story Fame ADDED to the Star Draw in every
one. Seldom have so many pre -sold vehicles been included in a
single season's line-up.
AND
THE squali
WD
^HER STORIJ
BONN BYRNE
EUoo
7
A KINGS RANSOM
Spent for the Film Rights Alone to the
IS LONG — RU N
STAGE— HITS
n FAMOUS
J BEST- SELLERS
and StoriesfromMass-Circulation Magazines
11 STAR FEATURES
INTERNATIONAL
SUCCESSES
in
PRESIDENT GMT"
•LILAC TIMl;'
Play by Jane Cowl
-i. J Jane Mui li>>
"SYNTHETIC SIN"
Play by Frederic and Fanny Hatton
"BABY FACE"
11 v CfcMnlu Hamilton
"LA TOSCA"
Play by VicCoricn Sardo
"OUTCAST"
hy Hubert Henry Da
'WINH.WOMENaiui SON(;
I -'a mo i is musical comedy
"TWO WL'hKS OFF'
IMay by Kenyon Nicbolsoi
rYOU
SIGN UP
r ^3
GREAT POPULAR
; AUTHORS
WHEN YOU SIGN FOR
IHE PRESIDENT GROUP
INCLUDING
i OSMO H AMILTON
>nc of (he leaders of the lis.
i widely popular novelists on
trench of "Scandal
Hlinitncxo o| Virtue" and
iany other* Hr contributes
"BABY FACE" to The
President Group,
the
literary discoveries ol recent
vcart l'imou« (or J best-
idlers in a row— "THE
IH\ INK LADY," "Glorious
Apollo" and "The
Chaste Diana."
RALPH SPENCF
When you hear thai rhe author
of "THE LYING TRUTH
il also (he author of "The
Gorilla" and the adaptor of
"A Connecticut Yankee" and
KOrcs of other screen successes,
you know it's ion n J to be a
fire story.
M A X WF LI
\ N f»F RSON
■ ■ \ I I R DA Y S CH 1 1
DRF.N" is the second great
success by the to author ol
"What Price Glory "
One of the literary immortal
Known to nearly every
woman and child as the author
of "Lea Miierab.cs." "The
Hunchback of Notre Dame."
and "TOILERS OF THE
SEA." The last-named will be
produced as a President
Group Special
OlVtN DAVIS
lias more stage tut testes to i
his i red it than any other living
dramatist -THr HAUNTED
HOlSE .s one u» hn greater
ind
CEORGF MBB1
TURNER
if ruber "White Shoulders"
"The Street of Forgotten
Hen"! Tlic author of "THE
!IRL IN THE GLASS
.'AGE ' also wrote these anJ
other famous film hits.
COHEN
A tasonte of millions
authorul inures ul short s
in The Saturday Ertning Poil
and other leading magazines
"THE OTHER TOMOR-
ROW" is his most
i»opular novel.
t.rOrU.F S K AUFMAN
The author of "THE BUI
1 FR AND EGG MAN" is
one ot the outstanding min-
ed* ■ dramatists of the
You can feature him at
so author of "Merton ol
Mos.es. "Dulcy.-
-ad ies First."
CORNELL WpOLRKTH
won overnight fame as the
author or "CHI I DREN Ol
I HI- MIT/, awarded firSI
pn/e m Cttltge H*mt'i whIc-
ls publicized prt/f contest
■k for novels ol the soungrr
generation.
The author or "SHOW
GIRL.' ser.al./eil m 3 1.000.-
000 COpiea Of Uhttf} \t*t*:ft .
t\ nationally popular through
h'» wi.lely syndicated feature,
"The Potters."
F
r»0\N H* RSI sML
The i.tthor of "CHANGE
I ING, which .1 oow HI HI ^
e .ghih edition, is rated b« a
Richard Burton, lamosii au-
ihorits, at "lar and away ihr
nmst gifted ot prevent da t A
writers of romaniu
A
■THE WARE CASE'
Ln Frtgliih Pla*
TED HOUSE" "THE WHIP" "THE SPORT OF KINOS"
Kven n»ia rh| ll> IMltlll Hill llwlllim IMav hv Ian llav llrilh
BY THE MOST CONSERVATIVE ESTIMATE 55.OO0.000 PEOPBf
HAVE READ THE NOVEES AND SHORT STORIES in
THE LINE-UP THAT HAS SWEPT ■
THE INDUSTRY LI K.E Wl EDIT RE J
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
THE l4 MAMMOTH SPECIALS
COLLEEN MOORE
in
LILAC TIME
cA Firtiatone Production
CORINNE GRIFFITH
in
The DIVINE LADY
^eSUR FEATURES
RICHARD BARTHELMESS in
"Diversion" "Mutiny"
And Others
❖ ❖
\
CORINNE GRIFFITH in
'Outcast" "Saturday's Children"
"Paid For"
And 1 Other
BILLIE DOVE in
"The Other Tomorrow"
"The Heart of a Princess'
"Pleasure Bound"
And 1 Other
MILTON SILLS in
"Captain of the Strong"
"The Eagle's Trail"
"The Spotter" "Hard Rock"
DOROTHY MACKAILL and
JACK MULHALL in
"Children of the Rirz"
"Waterfront"
<j/ie% Mt|*teri| Drama %
'THE HAUNTED HOUSE'
Owen Davis' sensational play
"SH!— THE OCTOPUS"
Famous Broadway thrill success
"SEVEN FOOTPRINTS
TO SATAN"
A. Merritt's best-seller
COLLEEN MOORE
in "Synthetic Sin"
COLLEEN MOORE
in "Baby Face"
COLLEEN MOORE
tn "The Richest Girl on Earth"
"LA TOSCA"
with Billie Dove
"THE WHIP"
with Dorothy Mackaill, Ralph Forbes,
Anna Q. NiUson, Lowell Sherman
"THE SQUALL"
"NO, NO, NANETTE"
"THE BUTTER AND EGG MAN"
wuh Jack Mulhall, Greta Nu^n, Sam Hardy
Gertrude Astor
"THE BARKER"
with Milton Sills. Dorothy Mackaill,
Betty Compson. Doug. Fairbanks, Jr.
"CHANGELING"
A George Fitzmaurice Production
From E. Barrington's Famous Best-Seller
$e SlAR I EaIU KL
And 2 Added Sp
Not included in ou
announcement
Specials |r
r original II
tnt J
"THE GOOD-BYE KISS"
A Mack Sennett Romantic Drama
"TOILERS OF THE SEA"
From Victor Hugo's Classic
DOROTHY MACKAILL in
"The Girl in the Glass Cage"
"Two Weeks Off"
JACK MULHALL in
"Applesauce"
"When Irish Eyes Are Smiling"
CHARLIE MURRAY in
"The Lying Truth"
"The Sport of Kings"
"Wine, Women and Song"
"Charlie's Night Out"
ALICE WHITE in
"Show Girl" "On the Air'
"Hot Stuff" "Ritzy Rosie"
♦ *
KEN MAYNARD in
"The Glorious Trail"
"The Phantom City"
"The Royal Rider"
"The Lawless Legion"
"Cheyenne"
"Wells Fargo Express"
FIRST ,
NATION AH ^International foaMI
2 PRESIDENT^
1 GROUP
Paul Wegener in
"THE STRANGE CASE
OF CAPTAIN RAMPER"
'DANCING VIENNA"
with Ben Lyon — Lya Mara
"THE WARE CASE"
with a great English cast
THE BEST PROPOSITION IN TH
Volume XXXVn
NEW YORK CITY, MAY 26, 1928
No. 21
A Bombshell
Adolph Zukor's Declaration on Trade Advertising
By William A. Johnston
ADOLPH ZUKOR gives, in this week's
issue, a two-fisted declaration on the
subject of trade advertising.
A bombshell like this has been needed —
to clear the air which lias not only been
befogged, but worse still, a distressing
vacuum.
This statement will, we are confident, be
read soberly by the larger sighted men of
this business, and the business, we are equally
confident, will be greatly benefited by its
sage advice.
The pendulum, as he says, will swing back
to sanitv.
* * *
We have, it is true, a peculiar advertising
problem.
The goods sold the exhibitor and which
he in turn sells to the public, cannot, like
other retailed commodities, be moved by
national advertising.
Each picture differs from another; there
is no uniform distribution; and each picture
moves too swiftly on to make way for an-
other.
The producer can advertise a brand, but
not the individual picture.
So it's up to the exhibitor. He is the man
on the spot, the individual to sell the indi-
vidual picture. And his success with it will
depend quite largely upon his advertising
resources.
* * *
But this fact does not lessen the producer's
responsibilitv — to the exhibitor, or to him-
self.
On the contrary. If the producer cannot
go in for national advertising, he must go
in for dealer advertising. In other words.
he must actually put into the exhibitor's hands
the full and adequate selling helps — news-
paper advertisements, readers, and the ideas
and materials of community promotion and
theatre display.
In other words, this is a dealer advertising
industry.
And that means trade paper advertising.
* * *
The trade paper, in this business, should
be a supreme advertising force.
There is no ducking this issue.
Either a producer gives adequate service
along with his pictures or he doesn't. If. as
we constantly assert, advertising is half the
battle in getting pictures to the public, then
to any exhibitor the advertising service back
of pictures is equally as important as the
pictures themselves.
And the wise exhibitor will buy pictures
exactly on this basis.
The argument that, because theatres buy
in chains, trade paper advertising is a dim-
inished force, doesn't hold any water. It is
nothing more or less than an admission that
all a producer cares about is getting pictures
off his hands and into the exhibitors' — that he
doesn't give a rip whether the exhibitor
makes money on them or not.
This is not far sighted selling and it will
not prevail. Collective buying does not sell
the picture at the box office. Chains or no
chains, there is but one way to sell pictures
successfully and that is with service.
Trade paper advertising is for exhibitors.
The more thorough and efficient the adver-
tising, the better for the exhibitor.
Exhibitors, we repeat, will play pictures
that are well-advertised to exhibitors.
1766
Motion Picture News
' 'The Lion and the Mouse" Hailed as
Remarkable Innovation
By LILLIAN GALE
Staff Correspondent, Motion Picture News
HOLLYWOOD, May 22.— Warner Brothers' "The Lion and the
Mouse," hailed as the first full length talking picture, may he
modestly described as a remarkable innovation. So impressive
is the first half that it suggests road showing. The adaptation of Charles
Klein's celebrated drama serves as a judicious selection for introducing
on a scale never before attempted, the combination of sound and silence
in the photoplay.
It provides a sterling cast with excellent opportunities to expound
tone qualities of voice and acting abilities, notwithstanding the rather
monotonous use of close-ups which are mildly distracting.
The audible speech is much to the advantage of such veteran artists
as Lionel Barrymore and Alec B. Francis. However, it is trying on
May McAvoy, who, except when she attempts to read lines, is charm-
ing in the delineation of an important part.
Nevertheless, a capacity audience remained spellbound through
the presentation and there is no discounting the fact that artists whose
voices lend themselves to synchronization become more realistic in
"sound'' portrayals than they do in customary pantomine. The se-
quences in which voices are discernible are skilfully separated. Thus,
tiresome monotony of sound is avoided, with the result that when
scenes which approach the dramatic climax again incorporate voices,
these do not offend as unwelcome intrusions.
Irrespective of added features including continuous Vitaphone
accompaniment by a symphony orchestra, production values have not
been curtailed. Settings are elaborate and the offering would stand as
above average if presented as a regulation motion picture. The scen-
ario is by Robert Lord ; direction, Lloyd Bacon ; photography, Norbert
Brodin; titles by Jimmy Starr.
The Warner Theatre in Hollywood has been playing capacity since
the picture opened. Public interest is unquestionable.
Samuelson Suit Settled
Old Action Is Compromised Out of Court; Objection-
able Practices No Longer Obtain
THE suit of Sidney E. Samuelson,
Newton, N. J., exhibitor, filed
against Arrow Exchange, Inc., et
al., back in 1923, has been adjusted out of
court, and, according to the statement sent
out. "to the complete satisfaction of all
parties concerned."
The action involved a number of the
leading distributing organizations and was
brought on the ground that the defendants
represented a monopoly in restraint of
trade and that independent theatre owners
were compelled to accept their dictation.
Samuelson, who sued in the amount of
$450,000, alleged that the so-called uni-
form contract required by the big dis-
tributors was in furtherance of the alleged
monopoly and that independent exhibitors
who refused to meet the terms of the dis-
tributors were blacklisted and forced out
of business. It was said after the settle-
ment was made that the objectionable fea-
tures no longer obtained, .lust what the
terms of the settlement were is not revealed.
The statement, which was made follow-
ing the announcement of the settlement of
the suit, was signed by David L. Podell,
counsel for Samuelson, and Max 1). Steuer,
attorney for the defendants, and read :
"The litigation between Sydney E.
Samuelson and the Arrow Exchange, Inc.,
and others, has been adjusted to the com-
plete satisfaction of all parties thereto.
The old Hoy system and many features
which were the cause of the investigation
and gave rise to the lawsuit have been com-
pletely eliminated from the industry."
In the action, which grew out of a dis-
agreement between himself and the Arrow
Exchange Corporation, a distribute]', Sam-
uelson also named the Famous Players-
Lasky Corporation, Fox Film Corporation,
Associated First National Pictures, Inc.,
and the Metro-Gold wyn-Mayer Picture
Corporation. Mr. Hays was brought into
the suit when Samuelson contested the
right of any industry to appoint a "dic-
tator," on the grounds that such procedure
tends to centralize the control of the in-
dustry in the hands of a few.
Nathan F. Appell Dies in
York, Pa., at 59
Nathan F. Appell, head of the Nathan
Appell Amusement Enterprises, York, Pa.,
who had part interest in a chain of theatres
in York county and elsewhere, died at his
home in York on Thursday, May 17, after
an illness of several months. He was 59
years old and a pioneer promoter of the-
atrical enterprises in Central Pennsylvania,
having been interested in such work for
almost 40 years. He was a member of the
Combination Theatrical Managers' Asso-
ciation, the International Theatrical Man-
ners' Association, Bill Posters' Associa-
tion, and other organizations having to do
with the theatre. His friends estimate that
he amassed a fortune of about $5,000,000.
He is survived by his son, Louis J. Ap-
pell, an executive of the Nathan Appell
Amusement Enterprises, who is looked
upon as the logical successor of his father
as the head of the theatre chain; Mrs. Hul-
dah Appell and a sister, .Miss Laura Appell,
both of Harrisburg. Private funeral serv-
ices were held in York on Sunday, May 20,
and burial was in Progress Cemetery, near
Harrisburg.
Managers Discuss Laws
with Milwaukee Mayor
Milwaukee Theatre Managers' Associa-
tion, a recently-formed organization, com-
posed of Milwaukee exhibitors from the
downtown and neighborhood theatres, met
in conference with the Mayor after their
regular noon meeting last Wednesday, to
discuss with him several city ordinances
which conflict with State regulations. It
is understood that the ordinance relating
to outdoor signs and the regulation con-
cerning the ventilation of theatres were
taken up with a view of amending the city
ordinances to conform to the State regula-
tions and the exhibitors' needs and wishes
in the matter. The Mayor signified his
willingness to intercede for the exhibitors
and take up the questions at the next ses-
sion of the Council.
Officers of this newly-formed association
are Henry Goldenberg, manager of the Em-
press Theatre, president; vice-president,
James Higler, of the Palace-Orpheum ;
Ernest Langmack, of the Colonial Theatre,
treasurer; Fred Meyers, of the Alhambra
Theatre, secretary.
Premier and Officials of
Toronto View "Dawn"
The British feature, "Dawn," was pri-
vately viewed by Hon. G. Howard Fergu-
son, premier, and high officials of the On-
tario Government at Toronto on May ]7,
prior to its inspection by the Ontario
Board of Moving Picture Censors.
No comment was made by Premier Fer-
guson, although he announced that the fea-
ture would come up before the Ontario cen-
sors in due course. This was taken to mean
that the Ontario Government officially has
no objection to the feature on political
grounds, and that the picture will be al-
lowed to take its course in so far as On-
tario is concerned.
Entertainment Tax Now
Confronts Irish Showmen
Irish exhibitors, both North and South,
are tackling with determination the Enter-
tainment Tax. The trade in Ulster is
pressing the Finance Minister for an imme-
diate reduction of the tax, while that in the
Free State is going one better by demand-
ing its total abolition.
May 26, 19 28
1767
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
The
TVlirrors
of
Filmdom
4 trp
EIMPEST** is a fine picture. It looks to us like real
box-office in the regular picture houses, besides
being a hit at the $2 seale at the Embassy, \c>*
^ ork.
John Barrymore steps away from his accustomed role
of aristocrat and plays a Russian peasant — and how! He
loses none of the romantic appeal which has distinguished
his other pictures, and adds opportunities lor a new range
of acting which the screen has not hitherto afforded him.
Camilla Horn registers immediately as a screen actress
of distinction, and proves a fine selection to play opposite
Barrymore. The scenes between the two are excellent.
The whole picture is played with admirable restraint
and is a very fine piece of direction on the part of Sam
Taylor, who adds new laurels in the field of the dramatic
photoplay to those he has already gained as a comedy di-
rector.
We would add only this: If the picture had been, or
could have been, a "talkie,'* with Barrymore's great voice
reproduced, it would have been still more striking. But.
as it stands, it's one of the year's best.
* # #
O IDXEY I!. LI 'ST. Washington, I). C, motion picture dis-
k^ tributor and proprietor of the Hippodrome, Grand, Leader
and Elite theatres in t hat city, screened his picture "Over
There" for The Better Films Committee of the I). A. R. The
Committee was presided over by Mrs. Newton D. Chapman,
chairman who. at the close of the showing, expressed approval
of Mr. Lust 's collection of official U S. and allied government
film of the Great War.
With the support of the 1). A. R. membership, as indicated
by Mrs. Chapman's remarks, and other possible tie-ups with
patriotic bodies and local Army and Navy recruiting stations,
it would appear that Mr. Lust 's picture will have a wide
distribution field. There would also be the additional interest
from war participants and their families — the chance that
many of the enlisted men might see their pictures among the
shots at Brest, aboard ship and both front and rear line
trenches.
It took Mr. Lust about four years to assemble these six reels
of war film and one other two reeler exclusively devoted to
the efforts of colored troops in France. Some idea of this
task will be gained through the fact that there still remains
over 60,000 feet of negative.
Perhaps the best way to sum up "Over There" is to state
that it is a long news reel of the Great. War, containing a large
number of very interesting and unusual sights: the Navy's
convoy of the A. E. P.; the landing of the troops at Brest and
their march to the war zone; airplane convoy: the muck and
mire of the trenches; cootie hunting; advancing troops under
a barrage; actual shots of men dropping from shell and ma-
chine-gun fire; the big tanks crushing their forward trail and
a hundred others — all of which. Mr. Lust states, are authentic.
Other Allied troops are shown in action and there is also a
rare shot of the former
soldiers at i he beginning
Kaiser reviewing his g00S6- stepping
of t he struggle.
I? RANK L. NEWMAN joins Columbia Pictures a- busi-
ness manager at the studios an announcement which
interests us greatly, for one reason because it means the
bringing of an outstanding and successful exhibitor into
production.
This strikes us as a capital idea, and a progressixe mo\<-
on the part of Columbia.
As to the commercial practicability of television, this opin-
ion from Dr. Lee De Forest as reported in the Xeie York
Tim( s is interesting :
"It is fair to say that no engineers in the world know more
about this subject of television than those of the Bell Labora-
tories. Dr. H. B. Ives, acting as spokesman for the Hell
Laboratories, recently delivered a lecture at the Sheffield
Scientific School, Yale University, in which he went on record
as stating that the intricacies and expense involved in tele-
vision are such, and will continue to l>e such for a long time
to come, that the idea would he commercially impractical until
such time as the television could be thrown on a large screen
in the theatre where a large number of fairly high priced ad-
missions could be had to pay for the operating and maint-
enance expense. This has been my position from the first."
CONTINUING, Dr. De Forest pointedly remarks: "I ean-
not conceive how engineers of any large electrical organi-
zation, who have gone into this subject of television carefully,
can afford to express an opinion radically different, from that
which Dr. Ives has stated. Yet for some reasons best known
to themselves or their organization, such statements have been
appearing almost daily in the press.
"To me the purpose of such statements as those referred to
are most certainly not to enlighten the public, or to give them
a frank and honest insight into the actual status of television
for the present or for the immediate future. Such statements
as those to which I refer cannot be too severely condemned —
especially now when they have proven themselves most dis-
tinctly misleading and are working a genuine harm, not only
to the public but to the manufacturers who have lalxtred and
are laboring honestly and intelligently to build up the radio
business. The same applies with equal force to the motion
picture field and particularly that of the talking motion pic-
tures."
May 26. 1928 Motion Picture News Vol. XXXVII, No. 21
Published weekly by Motion Picture News. Inc. Founded in September. 1913. Publication Office. 729 Seventh Ave.. New
York, X. ]'.: liditorial and General Offices, 729 Seventh Ave.. New York City; Branch Offices, 845 S. Wabash Ave., Chicago,
III.; Room 616 Security Bldg., Hollyzvood, California. William A. Johnston, president; E. Kendall Gillctt, vice-president ;
IVilliam A. Johnston, editor; Oscar Cooper, managing editor; Raymond Ii. Gallagher, advertising manager; Paul M. Abbott,
manager of accessory advertising; L. H. Mason, Chicago representative ; William McCorniack, Los Angeles representative.
Subscription price, $3.00 per year, postpaid in United States, Mexico, Hawaii, Porto Rico, Philippine Islands and sojne.. other
countries. Canada, $5.00; Foreign, $10.00. Copyright, [928, by Motion Picture News, Inc.. in United States and Great Britain.
Title registered in the United States Patent Office and foreign countries. Western Union cable address is "Picknews," New York.
Entered as second-class matter at the Post Office, New York, N. Y ., April 22, 1926, under the Act of March 3, 1879.
1768
Motion Picture News
Phyllis Haver, versatile star, ivho has
completed work for Pathe in "Tenth
Avenue" and for D. W. Griffith in
"The Battle of the Sexes," noiv vaca-
tioning in New York
Dorothy Devore, Educational corned
dienne, who has finished a varied
series of comedies now being releasedi
by Educational and who is all set to\
start a new series
Their latest picture. "Our
Gang," the Hal Roach come-
dy ensemble, obligingly pose
for a span of seconds. Mary
Ann Jackson, new "gang"
member, is on the left
The four First National Mis-
ses, who form the basketball
st/iuid at the Burbank studio.
Left to right: Thelma Todd,
Frances Hamilton, Alice
White and Yola d'Avril
Ready to start Al Jolsons
second Warner Bros.' spe-
cial with I itaphone. Jack
L. Warner, Jolson and
Darrvl Francis Zanuck
W urner Baxter as Alessandro and De- W ith her playing of the
lores Del Rio as Ramona in the screen Duchess Josianna in "The
version by United Artists of the Helen Man Who Laughs" (Uni-
Hunt Jackson novel, "Ramona" versal) 01 ga Baclanova has
won prominence
ami
Tod Browning in a meditative mo-
ment. The M-G-M director, whose
penchant is flavoring a film with sus-
pense and a mysterious atmosphere,
is now preparing a Chaney film
Emil Jannings visits Pola Negri and Director Ludwig Berger dur-
ing the filming of "The Girl from Moscow" at the Paramount
studio in Hollywood
Action and adventure ivill mark the
series of "youth" pictures Bob Steele
will make for F B O's new program
for the season
M a y 2 6 , 19 2 8
17ov
Big Activity in "Talkie" Field
Hal Roach to Use Sound in Comedies; Plans Being Made by Sev-
eral Leading Producers at Studios
PLAN'S went forward this week by sev-
eral 1 » i <_;■ lilm companies for the mak-
ing of talking pictures. It was an-
nounced thai Hal Roach had signed with
Western Electric Eor the reproduction of
sound with the Roach comedies.
Roy J. Pomeroy, sound expert of the
Paramount forces, arrived in New York.
Plans for the reopening of the Paramount
Long Island studio are being pushed.
Joseph M. Schenck, president and chair-
man of the hoard of directors of United
Artists Corporation, gave out the following
statement '.
"United Artists will use the sound de-
vice on those pictures to which sound is
adaptable. The addition of sound to pic-
tures is a great step in the progress of
tilms provided it is used judiciously. "
At the same time Samuel (ioldwyn an-
nounced that Vilma Hanky's lirst starring
picture, "The Awakening," has been se-
lected by United Artists as their initial
production with a Movietone accompani-
ment ment. Dr. Hugo Riesenfeld has been
engaged to prepare the score and to direct
the orchestra which is to produce the
musical background and sound effects.
From First National comes word the
Ralph [. Poucher, production executive, left
late last week for the company's studios in
Burbank, California, where he will assist
in arranging the Firnatone accompaniment
to the Colleen Moore-George Fitzmaurice
special, "Lilac Time." This will be the
first of the First National synchronized pic-
tures. It is likely thai during his stay at
the studios Mr. Poucher will arrange for the
Firnatone accompaniment on a number 01
ii! her First National productions.
Paul J. Swift, sales manager for Vita-
phone Corporation, spent part of last week
in the Atlanta branch of Warner Bros,
laying plans for the opening of a sales and
shipping office of Vitaphone Corporation.
The new office will be in operation the first
part of June. At the present time Vita
phone has offices in New York, Chicago and
San Francisco.
Among the latest installations of Movie-
tone and Vitaphone machines was that in
the Victory Theatre in Salt Lake City. It
is said that the equipment installed by
Louis Marchas Enterprises will cost ap-
proximately $20,000.
Walsh Seeks Federal Probe
Introduces Resolution for Investigation by Senate Judiciary
Committee; Thorough Study to be Made
INVESTIGATION of the act- and prac-
tices of the lilm boards of trade
throughout the country, which it was
predicted several weeks ago would he
sought in Congress, took form May 22 with
the introduction of a resolution by Sen-
ator Walsh (if Montana, under which the
judiciary committee of the Senate would
be called upon to make a thorough study
of the situation.
If the investigation is authorized by the
Senate, it will probably he conducted dur-
ing the coining summer, presumably by a
subcommittee appointed by Senator Norris
of Nebraska, chairman of the committee,
who was expected originally to he the
author of the resolution. In the event of
the appointment of such a subcommittee it
is likely that Senator Walsh would he one
of the members, in which case he would
probably lead the investigation. The mem-
bership of the judiciary committee is:
Senators Norris of Nebraska, chairman;
Borah id' Idaho, Deneen of Illinois, Gilletl
of Massachusetts, Goff of West Virginia,
Robinson of Indiana, Blaine of Wisconsin,
Steiwer of Oregon, and Waterman of Col-
orado, Republicans; and Overman of North
Carolina, Heed of Missouri, Ashurst of
Arizona, Walsh of Montana, Caraway of
Arkansas, King of Utah. Neely of West
Virginia, and Stephen- of Mississippi,
I )emocrats.
'flic text of the resolution is as follows:
"That the Senate direct the Committee on
the Judiciary to impure what proceedings
are now pending before the court- upon
the initiation of the Department of Jus-
tice or otherwise, or before the Federal
Trade Commission, involving the acts or
practices of the film hoards of trade; what
investigations have been prosecuted lead-
ing to such proceedings and the amount
expended in the same; what complaints
have been made concerning such acts or
practices; with what diligence and fidelity
such complaints have been investigated and
proceedings to restrain or punish any un-
lawful or apparently unlawful acts or
practices of the said film boards of trade
and the Famous Players Lasky Corpora-
Revenue-Reduction Bill
Passed by Senate
ADMISSIONS not exceeding are
exempt from tax under the terms
of the revenue-reduction hill as
passed by the Senate at 9 :15 p.m., May
21, following 11 hours of heated debate.
Efforts of the Democrats to break
down the defenses raised by the fi-
nance committee and expand the pro-
gram of tax reduction which was
brought into the Senate on May 1 wi re
unsuccessful and, for the most part,
the committee program was carried
through by party votes.
The hill is now before a conference
committee, represent inn both the
House and Senate, where the differ-
ences between the two bodies will be
reconciled, and the hill finally drafted
by the conference committee will be
passed by Congress and sent to Presi-
dent Coolidge for approval.
Among the items to come before the
conference committee will he that on
admission tax exemption, the House
hill, passed December 15, last, carrying
an increase from 7."> cents to SI. flic
conference committee ma] accept
either the House figure or that of the
Senate, or provide a compromise ac-
ceptable to both. At anj event, how-
ever, little time will he lost by the
committee in arriving at a compromise
as present plans contemplate the ad-
journment of the session May 26.
Hon or the Famous Players Lasky Para-
mount Corporation, or of the officers,
agents or servants thereof have been in-
stituted or prosecuted."
Various suits are pending throughout the
country or are now in the process of hear-
ings, with most of the complaints appar-
ently having to do with the matter of arbi-
tration and the system under which arbi-
tration proceedings are conducted. Then,
too, there is the suit contemplated by the
Federal Trade Commission against Para-
mount on the failure of the latter to satis-
factorily respond to the Cease ami Desisl
order in the matter of block booking.
Paramount has taken no further action
so far as known in the matter of the cease
and desist order of the Trade Commission.
The company has the right to apply to have
the order vacated, but apparently has not
yet made any move in that direction.
.Meantime the Commission has not yet in-
stituted proceedings against Paramount.
The suit of the U-B Enterprises, Uni-
versal subsidiary in Cleveland, against the
Film Board of Trade and ten distributor
members, charging conspiracy in restraint
of trade, has been withdrawn. Stanley &
Horwitz, attorneys for the exhibiting firm,
tiled a stipulation with the Federal Court
agreeing to dismissal of the petition, pro-
vided no advance payment for films is de-
manded. The petition had alleged that the
distributors refused service to the theatre
company unless deposits were posted as
penalty for the company's failure to com-
ply with the arbitration award.
It is said that the evidence gathered in
support of the petition of the U-B Enter-
prises has been forwarded to U. S. Attor-
ney General John Sargent for use in the
Government's actions against the Hay-
organization. J2 Film Boards of Trade and
ten distributors.
1770
Motion Picture News
Theatre Deal Merges Big Interests
in Denver Territory
A LARGE theatre merger was effected in Denver, last Friday, when
articles of incorporation were filed for Consolidated Theatres, Inc.,
with a capital stock of one million dollars. This is a consolidation of
the D & R interests, the Midwest Theatre interests and the individual in-
terests of Frank Culp.
The officers are Rick Ricketson, president; Dick Dickson, vice presi-
dent; Max Schubach, secretary, and Frank Culp, treasurer, all of Denver.
The board of directors consists of these officers, together with two other
directors, Paul Krier of Walsenburg, Colo, and Dan Lehrburger of Denver.
The theatres belonging to the new corporation comprise the Egyptian,
Highlands and Queen of Denver, formerly owned by D & R; the Mission
of Denver, owned by Midwest, and the Oriental and Granada theatres of
Denver, owned by Frank Culp. also theatres in Sidney, Nebraska; Rocky
Ford, Rrush, Sterling and Fort Morgan ,Colorado, owned by Midwest, and
theatres in Rapid City, S. D., Delta, Walsenburg and Montrose, Colo.,
owned by D & R.
This merger creates the largest independent circuit of theatres in the
Denver territory, if not the largest circuit of theatres of any kind iii this
territory. All of the men interested in the new company have been in the
theatre or distributing business in the Denver territory for years.
Regorson, Schine Combine
Two Chains Join Forces to Build and Operate String
of Houses in City of Rochester
THE Regorson Corporation and the
Schine Enterprises, Inc., have com-
bined their interests in Rochester
in one of the biggest mergers of theatre
corporations in the history of Western
New York. The announcement was made
last week. The Regorson interests are re-
ported to have acquired fifty per cent of
Schine Enterprises in Rochester.
The Regorson Corporation owns the Re-
gent and Piccadilly theatres and the Schine
interests control the Riviera, Liberty, State,
Webster and Grand theatres in Rochester.
The combination is in opposition to the
Fenyvessy interests, which control the
powerful Rochester theatre, which is oper-
ated under the managing directorship of
Thomas D. Soriero.
According to the announcement from the
offices of the Regorson Corporation, the
Schine Enterprises, with headquarters in
Gloversville, has joined with the Regorson
Corporation in forming an equal partner-
the decision was reached in the upper court
that there was no connection between the
evasion of civic bylaws, as brought out at
the jury trial, and the eventual catastrophe.
The ruling was made that infringement of
a civic bylaw did not constitute man-
slaughter and, therefore, the verdict of the
jury, and the sentences imposed by Mr.
Justice Wilson were ordered quashed.
The accused had been granted bail when
leave to appeal the verdict had been al-
lowed and the men had not started to serve
their sentences. They are now free.
Cleveland Undecided
on Double Featuring
DOUBLE featuring is not a sub-
ject for association regulation
says George W. Erdmann, secre-
tary of the Cleveland Motion Picture
Exhibitors Association. Although the
matter of showing double features was
brought up for discussion at the last
meeting of the association, it was not
put to a vote. The Association as a
whole has taken no stand in the prac-
tice at all, Erdmann has pointed out.
Whatever stand has been taken, is by
individual exhibitors. Many local ex-
hibitors deplore the practice of show-
ing two for the price of one, but on the
other hand, there are some exhibitors
who have no other way of offering com-
petition against combined vaudeville
and picture programs.
ship to organize a company with a large
capitalization to build, acquire and operate
theatres in the city of Rochester.
The Fenyvessy interests, controlled by
Paul and Chester Fenyvessy, operate, in
addition to the Rochester, the Strand, Fam-
ily and Clifton theatres.
It is said in Rochester that the Schine
houses will in the future be conducted as
second runs. None of those in authority
in connection with the new combine will
discuss for the present the extent of the
activities in theatre operation which the
new corporation will undertake. Authentic
reports, however, in the wake of the Regor-
son announcement, were to the effect that
the company expects soon to close options
already obtained on Rochester playhouses
now in operation. J. M. Schine is head of
the Schine Enterprises and George W.
Todd is president of the Regorson Cor-
poration.
Theatre Employees Free
in Montreal Disaster
Ameen Lawand, manager, and Camil
Bazzy and Michel Arie, employees of the
ill-fated Laurier Palace Theatre, Montreal,
Avill not serve their jail terms for alleged
manslaughter in connection with the disas-
ter which occurred at the theatre last year
in which 78 children lost their lives, accord-
ing to a judgment handed down by the
Court of Appeals at Montreal on May 17.
The prison sentence imposed by the
Court of King's Bench, Montreal, last Oc-
tober, two years for Lawand and one year
each for Bazzy and Arie, were set aside by
the higher court, the appeal from the ver-
dict at the jury trial being upheld. The
sentences were quashed by the unanimous
decision of the five appeal judges.
The question of cause and effect was
considered by the Court of Appeals and
Gotham Launches 1928-29
Schedule of Films
With three major productions now in
work at the studio, Gotham Productions
has entered the period of producing for the
new season. Pictures include "The Head
of the Family," "The River Woman," and
"Father and Son," which is scheduled to
be the first special, and the first production
on the 1928-29 list.
Sets are now in the course of construc-
tion, the story has been adapted for con-
tinuity. Noah Beery has been signed to a
contract calling for several pictures, the
first of which will be "Father and Son."
Beery 's son, Noah, Jr., will also play in
this production.
The continuity and adaptation on "The
Head of the Family" are being prepared
by Scott Darling and "The River Woman"
is being prepared by Adele Buffmgton.
Chesterfield Closes for
New England Distribution
A distribution franchise for the 1928-29
series of eight Chesterfield Productions was
closed this week when contracts were signed
making Consolidated Films, Inc., of Boston
and New Haven, the New England distribu-
tors of Chesterfield. Negotiations were car-
ried on between Mr. J. L. Roth of Consoli-
dated and Lon Young, representing Ches-
terfield.
Ten productions in all will be delivered
from Chesterfield this season, three of
which are already completed.
Going Abroad to Make
New Color Classics
A series of six one-reel Tiffany Color
Classics will be made in Europe and North-
ern Africa for the program of 24 Tiffany
Color Classics for 1928-29. A photographic
unit, under the direction of Curtis F. Nagel,
will sail for Africa on June 9th. Tiffany-
Stahl Productions will make a feature-
length picture in technicolor under the di-
rection of Leonce Perret.
A. S. Kane District Chief
for United Artists
Two appointments in United Artists dis-
tributor ranks were made this week.
Arthur S. Kane has been made district
manager of district No. 5, covering Dallas,
St. Louis, Kansas City and New Orleans.
Oscar Kuschner, former salesman in
the Indianapolis territory, has been pro-
moted to manager at Indianapolis, succeed-
ing Phil Dunas, resigned through ill health.
M ay 2 6 , 19 28
1771
37 Features Due From Pathe
29 De Luxe Productions, 8 Westerns and Long Series of Short
Subjects Make Up Program
IX answer to speculations as to t ho future
plans for Pat lie the company announces
for the 1928-29 season that' it will pro-
duce twenty-nine De Luxe features, headed
by "The Kins of Kings" and '•The God-
less Girl'*; a group of 8 Westerns starring
Leu Maloney, Don Coleman, Harry Carry
and Wally Wales; eight series of two-reel
comedies, comprising forty-eight in all; six
Pathc-serials, each consisting of ten two-
reel episodes; one hundred four issues of
Pathe News; fifty-two issues of the Pathe
Review of one-reel each; twenty-six Sport-
lights of one-reel each; fifty-two "Aesop's
Film Fables," the one-reel animated car-
toon release, atid fifty-two numbers of
"Topics of the Day" in one reel each.
Of the twenty-nine De Luxe features,
thirteen are Specials, one of which, "The
(iodless Girl" i- a road show special. ••The
King of Kings," which for a year has been
presented as a mad show, will be released
for general distribution as one of the spe-
cials. Both of these pictures were person-
ally directed by Cecil B. De Mille from
stories by Jeanie Macpherson.
The other Specials follow :
William Boyd in "Power," a title sub-
ject to change. Featured in the cast are
Alan Hale and Jacqueline Logan. Howard
Higgin is director, Ralph Block Associate
Producer, and Tay Garnett the author of
the story.
"The Spieler," with Jacqueline Logan
and Alan Hale. This is an original circus
story by Elliott Clawson, and Ralph Block
is Associate Producer.
Rod LaRocque in "Love Over Night,"
with Jeanette Loff, Tom Kennedy and Mary
Carr. This is from an original story by
George Dromgold and Sanford Hewitt.
Edward II. Griffith is director and Hector
Turn bull Associate Producer. It is a com-
edy-drama.
"Annapolis," with Lina Basquette and
John Mack Brown. This is a story of Uncle
Sam's Naval Academy written by F. Mc-
Grew Willis. W. Christy Cabanne is the
director.
"Celebrity," with Lina Basquette and
Robert Armstrong, is from the, stage plav,
"The Celebrity," by Willard Keefe. How-
ard Higgin is the director and Ralph Block
the Associate Producer. The adaptation is
by Elliott Clawson.
"Craig's Wife," with Irene Rich, is from
the stage play of the same name by George
Kelly. Clara Beranger did the adaptation.
"Show Folks," with Jeanette Loff, Eddie
Quillan and Robert Armstrong, is from the
original story by Philip Dunning, co-author
of "Broadway," Ralph Block is Asso-
ciate Producer.
"Ned McCobb's Daughter," with Anna
Q. Nilsson and Robert Armstrong, is from
the Theatre Guild play by Sidney Howard.
Beulah Marie Dix did the adaptation.
William Boyd stars in "The Cop," with
Alan Hale, Jacqueline Logan and Robert
Armstrong. Donald Crisp directed, and
Ralph Block was Associate Producer. The
story was by Tay Garnett and Elliott Claw-
son did the adaptation.
James Cruze's personally directed "The
Red Mark," with Xena Quartaro, Gaston
Glass, Rose Dione and Gustav von Seyffer-
titz, is another Special. Julien Josephson
did the adaptation of the story by John
Russell.
Phyllis Haver in "Tenth Avenue," with
Victor Varconi, Joseph Schildkraut and
Robert Edeson, closes the list of Specials.
It was directed by William C. DeMille,
John McGowan and Lloyd Griscom are the
authors of the story, and the continuity i-
by Douglas Doty.
Of the thirteen Specials "The King of
Kings," "The Godless Girl," "The Red
Mark," "The Cop" and "Tenth Avenue"
are finished; "Power," and "Love Over
Night" are almost completed, and most of
the others are ready to put into produc-
tion.
The program pictures follow :
Leatrice Joy in "Man-Made Woman,"
with John Boles, H. B. Warner and Seena
Owen. Paul Stein directed, Ernest Pascal
wrote the story, and Alice D. G. Miller
did the adaptation. Ralph Block was As-
sociate Producer.
Rod LaRocque in "Capt. Swagger," a
story by Adelaide Heilbroun and Leonard
Praskins, with Hector Turnbull as Associate
Producer.
William Boyd in "The Leatherneck, ' '
with Lina Basquette, Robert Armstrong and
Alan Hale. Howard Higgin will direct, with
Ralph Block ad Associate Producer. Elliott
Clawson wrote the story.
William Boyd in "High Voltage," from
the story "The Trouble Shooter" by Tay
Garnett. Ralph Block is Associate Pro-
ducer. William Boyd in "The Flying
Fool," with Lina Basquette, by Ernest Pas-
cal. Edward H. Griffith is the director.
Phyllis Haver stars in "Office Scandal."
(Continued on Page 1772)
Non-Theatrical Trouble Grows
Threatens to Become National Issue as Word is Waited from
Trade Commission on Resolution
EXHIBITOR units and non-theatrical
agencies are engaged in a controversy
that threatens to assume national im-
portance, with the possibility of its disrupt-
ing present conditions of arbitration. Ex-
hibitor organizations in all parts of the
country are becoming more and more
aroused over non-theatrical competition,
and are determined to tight distributing
companies that serve the non-theatricals.
The exhibitors consider it entirely unfair
compet ition to have to compete with tax-
free institutions and other non-theatricals,
and are prepared to bolt from arbitrating
with distributing companies that they ( 'in-
tend are not playing fair with them.
At the Trade Practice Conference held in
New York last October service to non-
theatrical accounts was branded an unfair
trade practice, and exhibitors are deter-
mined it shall be outlawed. They are
anxiously waiting word from the Federal
Trade Commission as to whether or not that
body will ratify the Trade Practice Con-
ference resolution. There seems to be some
doubt that the resolution will be ratified.
Meantime exhibitors are in a quandry as
to what method to pursue in stamping out
the evil, which is growing to such propor-
tions that it threatens to put many of them
out of business. In certain territories the
competition of these tax-free organizations
is so keen that exhibitors cannot pay pres-
ent prices for films and operate at anything
but a loss, according to their statements.
It is said that in some instances, in order
to stamp out this alleged unfair competi-
tion, exhibitors are using their membership
on arbitration boards to serve as a (dub
over distributors who serve the non-thea-
tricals. They are threatening to refuse to
arbitrate cases in which the offenders are
involved.
This latter condition is said to obtain in
the Pittsburgh territory, where exhibitors
have given distributors until June 1 to dis-
continue the non-theatrical service or they
will in the future, refuse to arbitrate.
There is a considerable controversy on in
Minneapolis over the same question, where
arbitration threatens to become disrupted
as a result of non-theatrical service being
rendered by distributors.
Oklahoma exhibitors, after much con-
certed action are concluding a successful
light with the non-theatricals. In Utah a
test case lias gone to the courts to determine
the right of tax-free schools to show pic-
tures. In this case it is charged that school
buses are used to convey the audience t<>
the school where the pictures are shown and
that the proceeds do not become a part of
the school funds.
Church competition is reported lively in
San Francisco, where the exhibitors are
doing all in their power to put an end to
showing of this kind. From many other
section- comes word to the same effect, and
with it the report that new non-theatrical
showings — are springing up everywhere.
1772
Motion Picture N ezvs
J. D. Williams Signs 12 British Films
for Distribution Here
CABLES from London this week announced that J. D. Williams has
made a deal with British International Pictures to handle distribu-
tion in America of twelve films made by that concern. The deal is
stated to have involved $500,000 and was closed by Mr. Williams with
John Maxwell, who is expected to arrive in America shortly.
A report from a correspondent in London to the effect that physical
distribution for the Williams pictures would be handled here by Educa-
tional was referred by wire to E. W. Hammons, at the Educational con-
vention in Montreal. He replied that it was news to him.
Steffes to Organize New
National Body
Plans 3-Day Exhibitor Convention on Lake Steamer;
Will Cooperate with M. P. T. O. A.
WA. STEFFES is at the head of a
movement that contemplates the
" launching' of a new National ex-
hibitors organization. Steffes, president of
the Northwest exhibitor unit has a novel
method under which the organization meet-
ing will be conducted. He has planned a
three-day meeting starting July 10 and to
be held aboard a passenger ship enroute
from Duluth to Port Arthur, Ontario. It is
anticipated that there will be some sensa-
tional developments at the meeting.
According to information received from
the northwest territory, Mr. Steffes has a
large number of acceptances from interested
exhibitors and a record turnout is antici-
pated. Plans for the sessions call for a
one-day stopover at Port Arthur and the
rate for the three days has been fixed at
$25 per person. This also includes meals.
The announcement regarding the new or-
with George Duryea. Hector Turnbull is
Associate Producer. Phyllis Haver also
stars in "Sal of Singapore," with Alan
Hale. This story is adapted from Dale Col-
lins' novel, "The Sentimentalists," by
Julien Josephson; Miss Haver in "The
Shady Lady," with George Duryea; story
by Leonard Praskins.
"The Elevator Girl" with Jeanette Loff,
Robert Armstrong and George Duryea, is
from a story by Tay Garnett; "The Get-
away," with .Jeanette Loff, George Duryea
and Robert Armstrong. Ernest Pascal wrote
the story.
"Listen Baby," with Lina Basquette and
Eddie Quillan, is from the story by Elsie
Janis and Jean Markey.
Lilli Damiti in "Forbidden Love," is
from Noel Coward's stage play, "The
Queen Was In the Parlor," and was pro-
duced in Germany.
"Noisy Neighbors" introduces the Quil-
lan family of eight, headed by Eddie. The
story is by George Dromgold and Sanford
Hewitt.
"Marked Money" with Junior Coghlan,
ganization imparts the information that it
will in no way conflict with the present
Motion Picture Theatre Owners of America
which is presided over by R. F. Woodhull,
but, on the contrary will cooperate with
that body in every way, though the organi-
zation will be along entirely different lines.
Just what lines the new organization will
operate along have not yet been revealed,
except for the statement that they will be
entirely different than those of the present
National organization.
Steffes, who led the insurgent exhibitors
at the break several years ago at the Chi-
cago convention, headed the Allied States
Exhibitor Association, which subsequently
was formed, only to be disbanded later
when the several units included in it re-
turned to function under the banner of the
M. P. T. O. A.
Alan Hale and George Duryea, is from the
story by Bertram Millhauser, with Spencer
Bennet as director; "Square Shoulders"
with Junior Coghlan and George Duryea.
Frank Urson is director, and Beulah Marie
Dix wrote the story; "Geraldine," with
Jeanette Loff and Eddie Quillan, is from
Booth Tarkington 's story.
The eight Western features include Leo
Maloney in "Yellow Contraband," from
the story by Ford I. Beebe and directed by
Mr. Maloney; Don Coleman in "45-Calibre
War," with Jeanette Loff, also directed by
Leo Maloney; "Sin Town," with Elinor
Fair, Ivan Lebedeff, Hugh Allan and Jack
Oakie; Harry Carey in "Burning Bridges,"
a Charles R. Rogers production; Harry
Carey in "The Border Patrol," also a
Charles R. Rogers production ; Wally Wales
in "Saddle Mates," an Action Picture pro-
duction directed by Richard Thorpe; Don
Coleman in "The Black Ace," a Leo Ma-
loney production, and Wally Wales in "The
Flyin' Buckaroo, " an Action Pictures pro-
duction directed by Richard Thorpe.
Of the forty-eight two reel comedies
twenty will be under the Sennett name.
These twenty are in four groups, the "Sen-
nett Girl," "Mack Sennett," "The
Smiths" and "Sennett De Luxe."
There will be four comedies in the "Sen-
nett Girl Series." Billy Bevan, Daphne
Pollard, Johnny Burke, Sally Eilers, Matty
Kemp, Carole Lombard, Mack Swain and
the Sennett bathing girls appear in various
pictures of this series.
There will be six comedies in the "Mack
Sennett" series. Billy Bevan, Dot Farley,
Vernon Dent, Carole Lombard, Carmelita
Geraghty, Andy Clyde and Bud Jamieson
are among the players.
There will be six "Sennett De Luxe"
comedies, featuring Mary Ann Jackson,
Ruth Hiatt and Raymond McKee. There
will be three comedies in "The Smiths"
scries, each of which will feature Mary Ann
Jackson, Ruth Hiatt and Raymond Mc-
Kee. There will be one two reel Harry
Langdon comedy, produced by Sennett,
called "Soldier Man."
Supplementing these Sennett comedies
will be three new series of Pathecomedies,
each composed of six two reelers — the "Dan
the Taxi Man" series, "Handy Andy"
series and "The Tired Business Man" ser-
ies. Jack Cooper and Carole Lombard will
be featured in the "Dan the Taxi Man"
comedies, Andy Clyde and Anita Barnes in
the "Handy Andy" scries, and Billy Bevan
and Carmelita Geraghty in "The Tired
Business Man" series.
Another new series will be the "Smitty,"
consisting of ten two reel "kid" comedies.
The title comes from the cartoon by Berndt.
Six serials are announced — the same
number as last year; "The Yellow Cameo"
with Allene Ray as the star, to be released
on June 3rd, was directed by Spencer Ben-
net ; Allene Ray and Walter Miller star in
"The Terrible People," which is to be re-
leased on August 12th. This too was di-
rected by Spencer Bennet, and was adapted
from Edgar Wallace's novel of the same
title. "Eagle of the Night," an airplane
"stunt" serial with Frank Clarke, stunt
aviator featured, will be released on Oct.
21st; "The Fire Detective," authored by
Frank Leon Smith, will be released on De-
cember 30th. This will be directed by Spen-
cer Bennet. On March 10th, 1929, will be
released the first episode of "The Tiger's
Shadow," a crook melodrama by George
Arthur Gray, and also directed by Spencer
Bennet. The last of the six will be "Queen
of the North Woods," a story of the fur
country of the Northwest.
Aerial Shots of Mt. Mc-
Kinley in M-G-M News
OUNT McKINLEY, in Alaska, is
circumnavigated in the current
issue of M-G-M News.
The trip around Mount McKinley
was made by Lieutenant Earl Ross-
man, explorer and M-G-M News
cameraman. The plane in which he
made the trip was piloted by M. A.
Nieminen. In addition to circumnavi-
gating Mount McKinley, Rossman flew
over and photographed the two other
highest peaks on the North American
continent, Mount Hunter and Mount
Foraker.
Rossman carried five cameras in his
plane. The plane circumnavigated the
peaks of Mount McKinley no less than
six times.
37 Features Due From Pathe
(Continued from Page 1171)
M a y 26 , J 9 28
177.5
Many Changes Reported
in Theatre Chains
Multnomah Corp. Names New Officers; Broadway
Closes in Tacoma; Shenandoah to Expand
Local Newsreel Planned
for New York
WILLIAM STEIN KR, President
of the Artistic Film Co., Inc.,
has established his offices at
220 West 12nd Street, lor the distribu-
tion of "New York Today," the Metro-
politan Newsreel, in Greater New
York. The reel will be produced in
co-operation with The Evening Tele-
gram.
"New York Today," it is said, is not
intended to compete with the national
newsreels. It is to be released daily
in a standard length of 125 feet, per-
mitting theatres with one or two pro-
gram changes weekh to use the daily
release of the newsreel without dis-
turbing their musical setting. The
human interest side of the news will
be emphasized in each story picturized,
it is said.
The editorial management of "New-
York Today" will be in the hands of
( ullon Holmes Ferrell, lately of Pathe.
" New York Today" will be produced
in association with The Evening Tele-
gram, whereby "New York Today" is
assured not only the tremendous news
facilities of the Scripps-IIoward news-
papers, but also every theatre in
Greater New York showing "New Y'ork
Today" will be advertised daily in the
columns of The Evening Telegram.
National Supply Names
New Officials
A number of additional changes to those
already announced, have been made in offi-
cials of the National Theatre Supply Com-
pany. The position of general sales man-
ager is now filled by Ceorge K. I)e Kruif,
who has been actively engaged in sales
management for National since the incep-
t ion of t he company.
Mr. 1 >r Kruif was formerly sales man-
ager of the Kxhibitors Supply Company,
and has long since established an enviable
reputation for himself, both among National
salesmen and National customers.
L. S. Hunt, general purchasing agent,
came to the National Theatre Supply Com-
pany from the Commercial Klectric Com-
pany, of St. Louis, of which organization
he was vice-president for several years.
This organization was well known for its
exceptional success and growth. Prior to
his association with this company, Mr. Hunt
was successfully engaged in the field of
Public Utilities.
Constance Talmadge in
Barrymore Vehicle
The role of Mrs. Cheney opposite John
Barrymore in ''The Last of Mrs. Cheney"
will be played by Constance Talmadge.
The role was acted in the stage play by
Ina Claire, while Roland Young played
Barrymore 's part, that of Lord Arthur
Hilling.
Barbara Leonard to Play
on Stage
Barbara Leonard, who appears in the
Tiffany-Stahl production, "Ladies of the
Night Club," has been loaned by her Com-
pany to appear on the stage at the Holly-
Wood Playhouse, under the management of
Joseph Schildkraut.
RUMORS continue in abundance re-
garding changes and contemplated
' changes in theatre chains iti various
parts of the country. These reports have
to do with everything from a change of di-
recting officers to a shutting down of activi-
ties and extensive plans for expansion.
Prom Pol l land, Oregon, comes word that
the Multnomah Theatres Corporation, a
pioneer development of residential picture
show houses in the Pacific Northwest, has
elected a new set of officers and made
various other changes in handling their
string of houses.
These changes were necessary on account
h!' linl) White, former president and gen-
eral manager withdrawing and selling out
his interests in order to devote his time to
his mining interests.
New officers of 'this corporation now in-
clude President, Edward Fautz; vice presi-
dent, Hugh McCrcdie, Jr.; secretary-treas-
urer and managing director, F. AY. Ham-
burger of the Circle Theatre, Portland;
Berl Levy of the Columbia theatre, Port-
land, ami Etussel Brown of the McDonald
theatre in Eugene.
The theatres controlled by the company
include the Bagdad, Bob White, Chaldean,
Egyptian, Cay (Iranada, Lincoln, Moreland
and Venetian of Portland. The company
also controls the Columbia Theatre, Port-
land; The Columbia in Seattle, two theatres
in Eugene and two in Corvallis, known as
the college towns; and also some .'500 in
other parts of the country. Its chain in-
cludes 28 theatres in the Pacific. Northwest .
In addition to the above officers it is un-
derstood that among the purchasers of the
corporation are 0. I. Woodlaw, II. C. Phil-
lips and Stephen Parker. These men now
control the Circle and (iranada theatres in
Portland and two in The Dalles. Half of
the stock is held by the Universal Film
company.
A persistent rumor still is afloat in Kan-
sas City that the National Theatres Com-
pany and the Lawrence Amusement Com-
pany will merge this summer, in so far as
Topeka, Kas., theatres are concerned, bring-
ing all the theatres of that city, about
60,000 in population, under one manage-
ment. The Lawrence Amusement Company
would hold the second run houses, it is said.
Officers of neither company will comment
upon the rumor.
After its operation for about a year on
what is reported as an almost continuously
losing basis, the Broadway Theatre in Ta-
coma, Washington, was closed last week for
an indefinite time by West Coast Theatres,
Inc., operators of the house. The theatre,
formerly the old Tacoma Theatre, was reno-
vated and remodeled a year ago for West
Coast use at a tremendous expense, and was
the only new and high-grade house in that
city. It played the leading film attractions
and also housed the Fanchon-Marcu stage
revues for a week, prior to their arrival in
Seattle from Portland.
West Coast Theatres still continues to
operate the Colonial and Bialto Theatres
in Tacoma, both being strictly film theatres,
and the Colonial operating on a 25c at any
time policy. Within the last two weeks the
management of these two houses has been
turned over to "W. Stefan Perutz, former
manager of the United Artists Theatre in
Seattle. Mr. Perutz becomes managing di-
rector of West Coast holdings in Tacoma.
and leaves Al Bernard, assistant manager,
in charge of the U. A. house in Seattle.
Shenandoah Valley Theatre Corp., Uni-
versal ally and operator of a chain in that
Virginia valley, is entering upon an exten-
sive expansion program. Isaac Weinberg,
general manager, is on a business trip to
New York.
The Shenandoah corporation now oper-
ates 1-1 theatres, including three at Win-
chester, two at Lexington, two at Staunton,
one at Harrisonburg, one at Clifton Forge,
one at Bedford and four affiliated house- in
Danville.
The first steps of the program include a
new house in Winchester, a new house in
Harrisonburg, one in Clifton Forge, and
affiliations in four other towns.
Hollywood Cameramen Unionize and
Draft Terms to Producers
Till'] camera men uf Ho 1 1 \ w <>«><! have organized a union along similar
lines to the eastern union, which has hern in operation for some
time and the two have become closeh affiliated. The Hollywood
union is said to have forwarded a communication to the producing com-
panies asking a conference with them, at which term- will he submitted.
I he scale of wage fixed h\ the new union calls for weekh paymenl of
S2.10 lor first cameramen. SI 50 for second cameramen. Soil lor assi-tant-
ami S()(l lor >|i|| cameramen.
\niong other stipulations arc that daih work must he limited to ten
hour- ami that the men must he retained on payrolls between pictured.
The membership of the new union i- gi\en a- 320 members, which, it i-
said. leaves only 2.1 cameramen who are not enrolled a- members.
1774
M o t i>> a r i c t u r c News
Plan Would Finance Exhibitor Units
on Costs of Arbitration
ACCORDING to a dispatch from Chicago to Greater Amusements a
new plan is under way by exhibitor members of the contract com-
mittee to finance exhibitor organizations in the cost of arbitration,
"and other necessary activities of benefit to the entire industry." The
plan, it is said, is to be worked out by distributors in return for exhibitor
agreement to waive protests on contract and arbitration.
"It is now known that exhibitor members of the contract committee
agreed to permit certain clauses to go into, or remain in the contract
without protest, and to vote for the adoption of the present arbitration
rules,' states the article, providing the distributors would work out plans
for financing exhibitor organizations.
"Having so far failed to work out plans for financing as requested, it
is expected the exhibitor representatives of the contract committee will
demand an early meeting of the continuing committee to reopen the dis-
cussions and to draw up a new contract and make changes in the rules of
arbitration."
New Arbitration Edict
Stirs Northwest
Steffes Threatens Legal Action if Association Appointees
Are Disqualified in Future
AEBITRATION troubles have North-
western exhibitors and the film
board of trade completely aroused,
with every indication that the courts would
be resorted to before the difficulties could
possibly be straightened out. In fact such
action was promised this week by W. A.
Steffes, president of the Northwest Theatre
Owners.
Mr. Steffes promised that legal action
would be taken to enjoin enforcement of a
ruling- which would prohibit northwest the-
atre owners from serving on any arbitra-
tion board for disputes between motion pic-
ture exhibitors and distributors.
The Steffes statement came after C. C.
Pettijohn of New York, general counsel for
the Film Boards of Trade, ruled that the
Northwest Theatre men were disqualified
because they refused to arbitrate a recent
case.
"We are not going to let disqualification
stand without a fight," said Mr. Steffes.
"We expect to start suit."
The present difficulty grew out of the
action of the Northwest exhibitor unit in
refusing to permit its members to sit on
cases involving United Artists because of
that company's alleged action in serving
films to non-theatricals.
This action, in the opinion of C. C. Petti-
john and Gabriel L. Hess, of the Hays office,
disqualified appointees of the association to
act as arbitrators, and accordingly they
have instructed the Film Board to proceed
under arbitration rules to secure appoint-
ment of other exhibitor arbitrators.
It seems probable that association members
will not permit non-members to sit on their
cases, and if action is taken, will refuse to
abide by any decision made. There has been
but one arbitration meeting since passage
of the resolution against United Artists,
and exhibitors whose cases were heard at
that meeting may take the stand that if
association members are disqualified now,
they were then, and, consequently, may seek
to restrain the board from carrying out
decisions rendered at that meeting.
Canadian International
Films in Difficulty
Canadian International Films, Ltd., or-
ganized last November to produce pictures
in Canada to qualify under the British
quota law, is reported in difficulties. An
order is reported issued at Toronto from
Osgoode Hall, on application of Edward
Pardee Johnston, president of the com-
pany, directing the, Sheriff of Hastings
County to seize the continuity of the fea-
ture, ' ' Carry On, Sergeant, ' ' which was be-
ing made at the Ontario Government mo-
tion picture studio at Trenton.
Canadian International Films was pro-
moted by Col. W. F. Clarke, formerly of
London, England, and later with Cranfield
and Clarke. The continuity ordered seized
was said to be in the possession of Capt.
Bairnsfather, who was said to be directing
the picture.
The order is also said to have directed
the sheriff to seize the negatives of 300 still
photographs of "Carry On, Sergeant,"
valued at $1,000. In presenting the com-
plaint of the company Mr. Johnston de-
clared that Bairnsfather was wrongfully
retaining the continuity and still negatives
and had refused to give them up. The di-
rectors of Canadian International Films are
listed as follows : E. P. Johnston, President ;
Col. W. F. Clarke, General Manager; Capt.
Bruce Bairnsfather, Supervising Director;
Henry S. Gooderham and G. F. McFarland.
Numerous Charters Are
Granted at Albany
Companies incorporating in the motion
picture business in New York State at Al-
bany during the past week included the
following: Bellburton Theatre Corpora-
tion, $50,000. Louis N. Lesser, Abraham
Midenick, Samuel J. Wishner, Brooklyn;
Bethmar, Inc., capitalization not stated,
Gladys Tensing, Dorothy Clifford, T. Roger
Mahon, New York City, 125th Street-
Apollo Theatre Co., Inc., capitalization not
stated, Joseph Weinstock, New York; M.
William Minsky, Brooklyn; Joseph Hurtig.
Lawrence, L. I.; Ashman See-Easy Con-
denser, Inc., capitalization not stated,
Joseph Manne, Louise Ehrenberg, Milton
W. Sametz, Brooklyn; Eton Amusement
Corporation, capitalization not stated,
Beatrice Zelenko, Gertrude Lebelson, Matie
Hammerstein, New York City.
Hotel Paramount Operating Co., Inc.,
$2,000, John H. Mayer, Lina Gjoldman,
Walter H. Flandreau, New York City:
Manthom Pictures, Inc., $10,000, Lillian
Cunningham, Florence Abramson, Peter
Lewis, New York City; Shea-Empire Stock
Co., Inc., capitalization not stated, Joseph
E. Shea, Marguerite Spielman, Edward de
Tishe, New York City; True Life Photo-
plays, Inc., $10,000, Florence Abramson.
Middle Village; Lillian Cunningham, Peter
Lewis, New York City; Borrah Minevitch.
Inc., capitalization not stated, Borrah Mine-
vitch, Estehr Lasner, Samuel J. Schwartz-
man, New York City.
Many St. Louis Theatres
Offered For Sale
For the first time in many years a con-
siderable number of the theatres in the
St. Louis trade territory are being publicly
advertised for sale. Many other houses are
being quietly offered to prospective buyers.
In St. Louis two houses are on the block.
One contains 600 seats and operates 15
hours a day, while the second is a 300-
seater of the neighborhood variety. Another
house being offered is in a town of 80,000
inhabitants and works seven days per week.
The fourth house also works every day in
the week and is located in a town of 20,-
000 population.
Ronald Colman in "The
Rescue," Conrad Novel
"The Rescue," by Joseph Conrad, has
been selected by Samuel Goldwyn as the
first picture for Ronald Colman 's career
as an independent star. Consequently,
plans for Dickens' "A Tale of Two Cities,"
already announced, have been postponed.
Herbert Brenon will direct at the Goldwyn
studio. Lily Damita will appear opposite
Colman.
European Film Renters
Meet in Berlin
FILM renters, organized and not
organized, met last week in Ber-
lin to discuss the questions of the
day. They were nearly unanimous in
recommending a more limited supply
(annual) — not more than 350 pictures —
and adopting the principle of making
kontingent regulations unnecessary
through a system of self-control. The
American distributors present ex-
pressed their full accord with the
proposals made by their German
colleagues.
.1/ a y 3 6 . / 9 2 8
1775
French Society of Authors,
Composers Shows Profits
Received by the Motion Picture Sec-
tion of the Department of Commerce in
Washington from Trade Commissioner (Seo.
R. Canty, Paris, the following film items
from the European press are submitted as
of interest :
The receipts of the French Society of
Authors, Composers and Music Kditors show
an almost uninterrupted progress since its
beginning. The first business year's re-
ceipts (1851-52) were very low— 14,000
francs. Ten years later (lS(il-()2), the an-
nual result was 12!), 000 francs. Twenty
years jitter thai date (1881-82) the total
yearly income was 841,000 francs. The
fifty-first year, ] 001 -1002, showed 2,563,-
000, and the sixty-second year, 1912-1913,
showed an income of 5,213,000 gold francs.
This prodigious rise was stopped during
the war, when receipts fell to 1,422,000
francs. But after the end of the war a
great change occurred, and the receipts of
191S-1919 rose again to 7,108,000 francs,
reached 41,320,000 francs in 1925-1926, and
45,748,000 francs in L926-1927.
British - Canadian Pictures
Launch Production
Active operations have been started by
the British-Canadian Pictures, Ltd., at Cal-
gary, Alberta, with Neal Hart as star and
director, the first picture of the new com-
pany having an Alberta theme. Guy Wea-
dick is general manager of the company,
and foreign distribution arrangements are
in the hands of William Steiner, of New
York, distributor and exporter. Alvin
Wyckoff, formerly director of photography
for the Famous Players California studios,
is the cameraman, and the players include
Barbara Kent, a native of Alberta; Charles
Wellesley, of London, England; William
Quinn, of Toronto, and .loe Rickson.
Four June Pictures Set by
First National
Three starring productions and a picture
with a featured team comprise the four
pictures to be released by First National
during June.
On June 3d, "The Upland Rider," star-
ring Ken Maynard, will be released. On
June 10th will come ''Three-Ring Mar-
riage." from the story "Help Yourself to
Hay," featuring Mary Astor and Lloyd
Hughes. June 17th is the date for "The
Wheel of Chance," starring Richard Bar-
thelmess. June 24th will see "Happiness
Ahead," starring Colleen Moore.
Columbia Engages D'Arcy
and Matt Moore
Two additional players, Matt Moore and
Hoy D'Arcy will end their temporary ab-
sence from the screen to appear in Colum-
bia pictures.
Although specializing in widely different
characterizations, both Mr. Moore and Mr.
D'Arcy have a large number of roles to
their credit. Mr. Moore, youngest of the
Moore brothers, is usually cast as a diffident
or slightly humorous hero, while Mi-.
D'Arcy plays the suave and sinister villain.
W. C. Patterson Leaves Universal for
Post with Publix
WILLARD C. PAT I K H SON has resigned a*
Southern Division Manager of Universal The-
atres to hecome District Manager for Publix
[Theatres Corporation, lie will have supervision nvc:
a group of de luxe Publix houses around the Atlanta
territory .
Patterson* resignation became effective May 21
and he left immediately for Dallas, Texas, to join Mil-
ton l'CId oi the Publix New ^ oi k olliee. for ;i tour of
the de Luxe Publix houses. Tin return trip 1 < > Atlanta
will be made b\ wa\ of Birmingham, where they will
stop over a day to visit the new Alabama Theatre, one
of the three de Luxe houses to he under Mr. Patterson's
supervision. The other two are the Howard in Atlanta
and Keith s Georgia. Mr. Patterson will make his headquarters at the
Howard Theatre Building in Atlanta.
Mr. Patterson has been connected with amusement enterprises for
the past twenty-six years. He joined Universal two \ ears ago after a
varied career embracing vaudeville, road -bow-, -lock c panic- ami mo-
tion pictures.
W. C. Patterson
Comerford Denies Tale
of Rumored Sale
Vice-President Walker Says Rumor Unfounded and
That Company Has No Expansion Plans
HE following statement is issued by
Frank C. Walker, vice-president of
Comerford Theatres, Inc :
"There is absolutely no truth in the re-
port that Comerford Theatres, Inc. is nego-
tiating with any organization for the sale
of an interest in its circuit.
"The Comerford Company has not, nor
does it contemplate, giving any considera-
tion to such a move, but intends to pursue
the same identical course, in so far as its
theatre operations are concerned, that it has
heretofore.
"The Company has no expansion plans,
nor does it intend invading the territory of
other chains, as has been rumored, but is
devoting all of its time and attention to the
towns in which it is now operating.
"The company did recently acquire an
interest in the Dillon houses in Ithaca, and
has also taken over an interest in the prop-
erty now operated by Mr. Steele at Car-
lisle, Pa. The company owned an interest in
the real estate in Carlisle for some years,
and took over full title to the property for
the reason that Mr. Steele is retiring from
business. In all probability, this theatre
will be leased to other interests.
"The company now has in course of con-
struction in towns in which it is operat-
ing, a number of theatres, viz:
Wilkes-Barre — one 3,000 seat house, and
three neighborhood houses seating approxi-
mately 1200 each.
"Scranton — one 3,000 seat house, and
three other houses seating approximated
1200 to 1500 each.
"In conjunction with the Kallet Circuit,
a house is now being constructed in Koine,
X. Y., to seat approximately 2500 people.
"In Williams port, Pa., on property here-
tofore acquired from the Chamberlain Cir-
cuit, a 2500 seat house is now being erected,
and the present plans are to open the thea-
tre during the early fall.
"This statement is made in answer to
the many rumors that have been recently
broadcast. ' '
New Assignments in the
Warners Sales Ranks
Warner Bros, has allotted three more
Inanch offices to the territory supervised by-
Max Milder as central sales manager.
C. E. Almy, branch manager of Warner
Bros." Buffalo exchange, hereafter will as-
sume supervision over Buffalo, Albany and
Pittsburgh as division manager.
Closes House Because
of Blue Law
BENNIE BERBER, who closed the
(Jraiid Theatre at Ballock, Minn.,
recently, has given notice to the
town that he will not reopen it until
the ordinance preventing Sunday
shows is repealed. He says that Hal-
lock cannot support a theatre unless
Sunday shows are permitted. At pres-
ent the Ballock council is not very
friendly towards the movies, hut the
town's business men are \cr\ anxious
to have Mr. Rergcr continue with his
enterprise. A delegation of them has
been pleading with Mr. Bergcr to re-
open, and even offered to pa} a month's
rent, hut the Ballock exhibitor insists
the house will stay dark until Ballock's
ordinance is removed.
1776
.1/ o t i o n Picture News
Agitate Sunday Closing
Midwest Hearings Being Held and Petitions Filed for
Both Sides of Question
SUNDAY closing laws are being fought
for n ii (1 against in various parts of the
middle West, particularly through
Iowa and Missouri, where hearings are be-
ing held regularly and petitions are being
filed both for and against these showings.
Another hearing before the Missouri su-
preme court to test the validity of an ordi-
nance of the city of Springfield, Mo., pro-
hibiting Sunday motion picture shows has
been ordered by the court. The re-hearing,
which will call for a special judge, is a rare
and unusual procedure lief ore that body.
Attorneys on both sides have been notified
to agree on a special judge who will sit
with tiie court en banc at the next hearing
of the case.
Springfield, a city of about 65,000, has
been without Sunday motion picture shows
several years as a result of a city ordinance
which prohibits shows on Sunday. Exhibi-
tors long have been opposing the ordinance
and are hopeful that the re-hearing before
the state supreme court will result in their
favor.
At At'ton, Iowa, a petition asking for the
Sunday shows is being circulated among
the citizens although the mayor has ex-
pressed his disapproval of the measure and
stated that his council would vote against
the Sunday show. Churches and the W. ('.
T. I". are also working against the petition.
At Ames, Iowa, where the Sunday shows
lost a close battle, those in authority state
that they are waiting for later elections to
try the issue again. Several of the staff
of the State University at Ames opposed
the opening of the Sunday shows.
The City council of Ida Grove, Iowa,
voted to allow the Sunday shows there.
There has never before been Sunday movies
at Ida Grove.
Traer, Iowa, will have its first Sunday
movie this week.
C. A. Pratt, attorney for Elmer Weller,
manager of the Princess theatre at Traer,
appeared before the city council and an-
nounced that Sunday evening shows would
be stai'ted at once.
Following the announcement of Mr. Pratt,
the city council authorized Thomas &
Thomas, attorneys, to prepare an ordinance
prohibiting Sunday night movies in Traer,
the ordinance to be submitted to the coun-
cil for its approval.
Because of lack of evidence, no action
was brought against the two Ashland,
Ohio, theatre owners who opened their
houses recently for the first Sunday show-
ings ever given in the city. Under the
Ashland city ordinance it must be proved
that admission is charged to a theatre open
on Sunday, and no such evidence was ob-
tainable. Mayor B. E. Zercher has inti-
mated that he would not sign affidavits
against theatre owners for subsequent vio-
lations unless he personally purchased a
ticket. The inference is plain, and Sunday
shows will probably continue unmolested.
Amusement and other business interests
who do their greatest business on Sun-
days in St. Louis, Mo., favor the passage
of a proposed new city ordinance which
will permit delicatessens to remain open all
day Sundays.
Alderman Riefling has introduced the
new measure which eliminates the delicates-
sens from the restrictions as to closing on
Sundays placed on groceries, meat shops
and bakeries.
Heretofore the delicatessens have been
permitted to open Sundays only between
3 and 6 p.m.
The delicatessen men, claiming they
were being discriminated against, had
threatened to compel the St. Louis police
and prosecuting officials to strictly enforce
ancient blue laws which require every line
of business to close down tightly on Sun-
days.
A bill introduced by Alderman Riefling
will avert the Sunday closing issue at this
time.
The advent of legalized Sunday motion
picture shows in Hoopeston, 111., has proved
a bonanza for the merchants of that com-
munity, as thousands of persons from sur-
rounding "blue" communities now motor
into Hoopeston for amusement and recrea-
tion. Business in the confectioneries,
lunch rooms, restaurants, drug stores and
filling stations have increased considerably.
Camera Work Started on
"Girl on the Barge"
Having assembled his cast at Whitehall,
X. Y., Edward Sloman, director for Uni-
versal, has begun photography on "The
(!irl on the Barge." The locations of this
picture will be along the Champlain Ship
Canal, near Whitehall, which Sloman chose
in preference to sites along the Erie Canal.
A tug-boat and a barge have been engaged
for scenes on the water.
Acting as location manager of the Slo-
man unit is Arthur Cosine; the second
assistant director is Ray Cosine. Jack Vo-
shell, who accompanied Sloman from Holly-
wood, is assistant director, and Jackson
Hose is in charge of camera work. After
the scenes np-state have been taken, Uni-
versal will have the barge towed back to
New York City for additional scenes.
The picture will be made entirely in the
east. The leads will be Jean Hersholt, Sally
O'Neil, and Malcolm McGregor, the sup-
port, Francis Robertson, Henry West,
George Offerman, Jr., Morris Mackintosh
and Nancy Kelly. The story has been
adapted by Charles Kenyon and Nan
( 'ochrane.
Contract for Club Interior
Work Assigned
The interior work of the Motion Picture
Club of Xew York has been let to Shapiro
Brothers of Xew York City. Involved in
the contract are the building and decoration
of the club rooms in the Bond Building, in-
cluding the lounge, dining room, gymna-
sium, etc., the work to be finished by July
15.
The firm of Shapiro Brothers is a subsi-
diary of M. Shapiro and Son, who built
the Warners', the Colony and the N. Y. A.
club houses. Jacob Shapiro, one of the
brothers is a member of the Motion Picture
Chili. Bids for other work on the club are
now being considered by the building com-
mittee, headed by Lee Ochs, Dave Chadkin
and Emil Jensen.
Guido Orlando Signed by
Rialto Company
Lewis I. Maisell, general manager of the
Rialto Motion Picture Company, with head-
quarters in Xew York, lias signed Guido
Orlando to a directorial contract. Orlando
will write and direct a series of six one-reel
novelty subjects, all of which will be pro-
duced in the east. He recently directed
"The White Lie," which was shown at
Grauman's Chinese Theatre in Hollywood.
Negotiations are now being carried on for
the distribution of the coming series.
Conway to Direct Novarro
in "Gold Braid"
Jack Conway will be at the megaphone
when Ramon Novarro begins work in "Gold
Braid" at the M-G-M studio in Culver City.
The story of the new Novarro vehicle, by
Byron Morgan, will show the star as a
young ensign in the U. S. Navy. Lieutenant
Commander F. W. Weed is cooperating
with M-G-M on the picture and will act as
technical advisor during the filming. The
picture starts shortly after June 1.
Cruze to Direct Meighan
in Rex Beach Story
James Cruze, to direct Thomas Meighan
in a second picture for Paramount release,
following "The Racket," has completed
negotiations with Rex Beach for the pur-
chase of a special story for Meighan's use
under his direction. The picture, as yet
untitled, will go into production May 28.
It is a melodrama.
Liberty-Specialty Corp.
to Meet in Memphis
THE annual sales convention of
Liberty-Specialty Film Distribut-
ing Corporation will be held at
Memphis, Tenn., this year. Executives,
branch managers and salesmen will ar-
rive in Memphis on Sunday, May 27,
the opening session taking place the
following day. The convention will be
in session for two or three days, and
about 25 branch managers and sales-
men will attend.
It is expected that E. V. Richards, of
New Orleans, president of the com-
pany, will reach Memphis on the open-
ing day of the meeting for an address
to the delegates. W. C. Underwood,
vice-president and general manager,
whose headquarters are in Dallas,
Texas, will attend, together with H. T.
Peebles, of Dallas, recently appointed
assistant general manager, and other
executives.
According to plans already mapped
out, the convention promises to be a
strictly business meeting, during which
the company executives will announce
the coming season's product and will
discuss sales policies.
May 26, 19 28
1776-A
Sterns Offer New Faces
Many Changes Have Been Made in Principals and
Casts for Comedies of Next Season
First National Plans
Many Foreign Films
FIRST NATIONAL has definite]]
gone into the business of produc-
ing films in Europe, two produc-
tion affiliations having already been
made, one in England and one in Ger-
many. Eight feature films have already
been completed for release by First
National not only in the United States
but throughout the world.
In Germany, First National has set
up Defu-First National. The studios
are in Berlin, where several hundred
employees are at work under the di-
rection of Kay Kockett. Three pictures,
"Dancing Vienna," "The Strange Case
of Captain Hamper, l'he Ware Case,"
are ready for release. Five pictures
have been completed by the London
organization. First National - Pat he,
Ltd. The pictures are, "Confetti,"
"God's Clay," "Somehow Good," "Eileen
of the Trees."
G. S. Clancy to Produce
"The Viking Ship"
The story of the early Norsemen is to be
filmed as a road show attraction by Carl
Stearns Clancy, the producer of "The
Headless Horseman," with Will Rogers
and of Pat he's " Travelesques " series.
Mr. Clancy is said to have spent the last
live years to the work of condensing the
Icelandic sagas recording Viking adven-
tures, and has the resulting data in a
screen story, "The Viking Ship, a Saga
of Surging Seas." Emmet t Crozier has
written the scenario. Arrangements have
been completed for filming the exterior
scenes in Norway, where production will
start July 1. The interior scenes will be
made at the Tec-Art Studios in Hollywood.
The production budget of Epic Films, Inc..
the linancing orgamz; ition, is $500,000. An
additional $100,000 will be invested in ex-
ploitation, it is said.
Last November, Mr. Clancy engaged
Capt. Gerhard Folgero, who in 1926 sailed
a 42-foot open boat from Oslo to Philadel-
phia, to serve as navigator for the fleet of
Viking ships to be used in the pictures, and
sent him to Norway to supervise the de-
signing and construction of these crafts.
3 New Faces in Sennett
Feature Production
Three new screen faces will be seen in
"The Good-Bye Kiss," Mack Sennett 's
personally directed comedy-romance for
First National. Sally Filers, Wampas Baby
Star for 1928, plays the leading feminine
role, with Johnny Burke, well-known on the
vaudeville stage as a comedy headline!-, and
Matty Kemp, a new juvenile, in the other
leading role.
New Title for Richard
Barthelmess Picture
•• The Wheel of Chance" is the title for
the next Richard Barthelmess picture,
founded upon Fannie Hurst's "Roulette."
The picture has been in the First National
cutting room for about two weeks. A print
is expected at the company's home office
within a short time.
^ TEW N BWOT11EWS will spring a mini
her of new faces in connection with
k_J the various series of comedies they
will release through Universal during the
coming season. There ai'e to be a number
of new comedians and larger casts in most
of the pictures. The ".Mike and Ike" series
will see new featured players, as will the
Buster Brown series, while Snookums in
the "Newly weds" series will have new
parents.
Jack Egan and Derlys Perdue are the
new " newly weds. " Egan is well known as
a screen comedian, following a long experi-
ence on the stage. Miss Perdue is a former
Wampas baby star and has played in screen
comedies for several years. Sid Saylor,
star of the "Let George Do It" comedies
will have some new support in Harry Mar-
tell, long known in screen comedies, and
Dorothy Coburn, who will be leading lady.
Miss Coburn has been seen in several Hal
FORMATION of the Buck Jones Cor-
poration, which will produce and dis-
tribute pictures starring the Western
player, was announced at the company's
offices, 489 Fifth Avenue, New York City.
Jones will produce four specials during
the coming season, the first being a drama
of the plains and the air temporarily titled
"The Big Hop." Jones at present is com-
pleting a personal appearance tour of the
larger cities throughout the country. He
will leave next week for Hollywood to be-
gin immediate production on the first of
the new series.
Don McElwaine, who recently resigned as
publicity manager of Fox Film Corpora-
tion, to join Mr. Jones, will leave for the
coast immediately to take charge of pro-
duction at the studios. Charles P. Schwerin,
for many years a sales executive with
various important motion picture compa-
nies, has been placed in charge of the Buck
Fducational Okay With
Cleveland Exhibitors
CLEVELAND exhibitor members
of the Cleveland Motion Picture
Exhibitors Association have been
notified by Secretary Erdmann to buy
Educational product for the 1928-29
season. This follows an announcement
by Educational that it is willing to
co-operate with the exhibitors in their
request for reduced protection.
Cleveland exhibitors have launched a
campaign against baying pictures «ith
.")9 days first-run protection. The] are
asking 21 days protection. Pending
action by the exhibitor committee on
protection, exhibitors have pledged
themselves nol to buj an] new product.
Educational is the first company to
accede to the exhibitors' request.
Roach comedies recently released.
For the "Mike and Ike" series the Sterns
have acquired an entirely new lineup of
principals. The twin roles will be played
by Joe Young and Ned La Salle. Young is
a recruit from the Mack Sennett lot, while
La Salle has a stage career behind him and
has played many juvenile roles in pictures.
Supporting Mike and Ike will be Harriett
Mathews and Betty Welsh, both experi-
enced in screen comedies.
Lois Hardwick will be the new Mary Jane
in the Buster Brown series. She played a
small role in the plantation scenes in
"Uncle Tom's Cabin." Merry Mae Mc
Keen is another newcomer to this series.
She is fourteen months old and a sister of
"Snookums" Mc Keen. Bobby Newman,
fat boy, and Bobby Lloyd, well known child
actor will also be seen in these comedies.
Arthur Trimble will continue as Buster and
Pete, the dog, will be Tige.
Jones Corporation sales organization and
J. R. Levee has been named as his assist-
ant. Both Mr. Schwerin and Mr. Levee re-
cently left United Artists to join the Jones
organization.
The Jones pictures will be distributed
through independent exchanges.
J. Josack, Jr., Managing
Revere Theatre, Mass.
The Revere Theatre in Revere, Massachu-
setts, is being managed by Joseph Josack,
Jr., who has just been appointed by Univer-
sal Chain Theatrical Enterprises, Inc.
George A. Smith will continue as manager
of the Capitol Theatre, Somerville, in the
same district.
Joseph Henabery Signed
to Gotham Contract
Representing a new acquisition to the
(iothain directorial staff, Joseph E. Hena-
bery has just been signed on a long-term
contract by Gotham. He has just completed
work on "United States Smith," a Marine
Corps subject.
Jannings' Title Changed to
"Sins of the Fathers"
"Sins of the Fathers" has definitely re-
placed "The Man Who Never Missed" as
the title for Emil Jannings' next Para-
mount production, "The Feeder." .Tan-
nings is scheduled to play a veteran vaude-
ville trouper.
Buck Jones Incorporates
Western Star to Produce and Distribute Four Specials
For Coming Season
1776-B
Motion Picture News
Educational Announces
New Series
EDUCATIONAL FILM EXCHANG-
ES, INC., opened its annual sales
convention Tuesday of this week
at the Mount Royal Hotel in Mon-
treal, Canada, with managers in at-
tendance from all of the company's
thirty-six exchanges in the United
States and Canada. This is the first
convention of a big film distributing
organization to be held in Canada.
At the opening session E. W. Ham-
mons, president of Educational, sprang
a surprise on the delegates in the
form of an announcement of a new
series of six two-reel adventure pic-
tures based on the Thomson Burtis
aviation stories in the American Boy.
This series is in addition to the 52
two-reel comedies, 50 one-reel subjects
and 104 Kinograms news reel releases,
already announced for the 1928-29 pro-
gram. Reed Howes will be the star
of the new series, the stories of which
have been running in the American
Boy Magazine for the last four years.
The stories are also published in book
form by Doubleday, Doran and Com-
pany.
Howes and Burtis were introduced
to the convention and spoke before the
sales managers, Howes coming across
the continent to be present at Educa-
tional's big gathering.
Attempt Reconstruction of
Bavaria Film Industry
The report of the Munich Chamber of
Commerce on the first quarter of 1928,
states that, for the first time, very interest-
ing efforts are being made to develop film
production in Bavaria, says information re-
ceived by the U. S. Department of Com-
merce. This excepts, of course, Emelka.
The report says : ' ' Endeavors are being
made lately to reconstruct the Bavarian
film industry, excepting Emelka 's activity,
and to put various firms to work again for
a regular production, with the co-operation
of Bavarian authorities. The Ministry of
Commerce and the Town Council of Munich
are approving and co-operating with these
negotiations. However, no basis for the
material execution of this plan is ready as
yet."
According to German press reports, noth
ing has been done as yet in this connection
beyond suggestions and deliverations. It
will be easily understood, it is said, that
Bavaria will do anything for the further
development of its film industry which is
supported by Emelka. If, according to the
Chamber of Commerce's report, the basis
for the material execution of this plan is
not ready yet, such a basis would be easy
to create for the Bavarian State, the
Munich Town Council and, especially, the
Bavarian Bank and industrial capital.
Classifies the Films as a
Public Utility
Motion pictures are, in a way, a public
utility, ai'gues a Montreal investment house,
in offering $3,000,000 of 6y2 per cent
debentures of Famous Players Canadian
Corp., Ltd.
"Motion picture theatres are in the pub-
lic utility class to the extent that they pro-
vide the public with a service for which the
demand is general throughout all classes of
society. They satisfy the universal desire
for entertainment, at a pr'ca within the
reach of all," he states.
"The operation of motion picture the-
atres is a cash business, with practically
no inventories and no credit accounts. The
'movie' is one of the last business barom-
eters to show unfavorable conditions and
among the first to reflect increased returns
from prosperous times. Earnings of well-
managed companies which control chains
of motion picture theatres are as stable as
those of many successful public utility
companies. ' '
Production Resumed by
Educational Studio
With Charles Lament and Stephen Rob-
erts directing, actual production work is
under way on the first two Educational
comedies for the new season. The Educa-
tional studios took on new life the first of
last week with the resumption of activity
by these two units. The studio remained
partly open during the usual vacation pe-
riod, however, so that the Bowers unit
could continue work.
Lamont is directing "Big Boy," first of
a series of eight. Sidney Levy, formerly
with Fox, will assist Lamont as gag man.
Roberts is directing AI St. John in the
initial Mermaid of the season. Roberts will
have his gag man, John Lockert, back with
him again this season.
In addition to St. John, George Davis,
Monty Collins and Jack Miller are sched-
uled to play featured roles in the Mermaid
series this coming season. Lupino Lane,
who already is back at the studios ready to
start on his first comedy, also will make
eight starring productions. Dorothy De-
vore is still vacationing, and will return to
the Educational lot later to start work on
the first of her series of six starring laugh
productions.
Production on the first picture in the
new series of eight Ideal Comedies, fea-
turing Jerry Drew, is to be started within
a few days.
National A. G. Distributing
All W. B. Films
Herman Starr, Warner Bros.' executive,
returning from Europe last week on the
Berengaria, made public the details of pro-
duction and distribution deals consum-
mated by him while abroad. Chief among
them is the contract signed between War-
ner Bros, and National Film A. G. of
Berlin.
The terms of this agreement call for the
latter firm to distribute the entire Warner
Bros, product in Germany. Another im-
portant clause relates to arrangements for
Warner Bros, and National Film A. G. to
produce jointly twelve pictures in Berlin
this year.
Mr. Starr has been absent from New
York for eight weeks. Not only did he ac-
complish this enterprise in Germany but he
visited the Warner branches in London and
Paris to inaugurate their sales drive for the
new season.
While in Paris, Mr. Starr appointed a
new managing director of his company's
activities in France to succeed Maurice
Livingston, who has resigned. This post
has been assumed by Robert Schless, for-
merly with First National.
Many Firms Chartered in
New England
Motion picture companies recently
granted charters of incorporation to con-
duct operations in the film industry in New
England include the following: Parish
Players, Inc., Branford, $15,000, J. A
Smith, Branford; L. S. P. Corporation, Bos-
ton, 1,000 shares of no par value capital,
Benjamin A. Trustman, Charles B. New-
hall, Boston; Markell's Milton Theatre,
Inc., Milton, $50,000, Philip Markell and
P. Lincoln Slayton, Boston; Amherst
Amusement Company, Amherst, $5,000,
Ethan H. Holden and Blanche P. Burnett,
Amherst; Star Theatre of New Milford,
$20,000, A. D. Dawson, Waterbury; Asso-
ciates Theatres, Inc., Providence, 100 shares
no par stock, Arthur H. Feiner, Nellie V.
Monahan and John C. Knowles, Providence;
Interstate Theatres Corporation, Boston,
$50,000, E. Harold Stoneman, Edward An-
sin and Marjorie C. O'Brien; Avon Amuse-
ment Company, Inc., Avon, $100,000,
Charles J. Geiser and Helen G. Greenwood,
Brockton.
Rayart Distributing Corp., Boston, $100,-
000, Herman Rifkin, George G. Solomon
and Pauline Rifkin; Special Films, Inc.,
Boston, $15,000, Samuel M. Moscow, Saul
E. Simons and Thomas E. Morris; Rocky
Point Amusement Company of Mass., Ayer,
$10,000, Madeline G. Callahan, Helen G.
Wilson and George L. Wilson; Amusement
Associates, Inc., Boston, $10,000, Cecelia D.
Maye, Helen V. O'Brien and Curtis H.
Waterman, Boston; Moviescope Co., Inc.,
Boston, $50,000, Wilfred E. Tait, Albert C.
Sawyer and Gerald S. Connoly, Boston;
McConville Amusement, Inc., Boston, $76,-
000, George E. McConville, John P. McCon-
ville and Joseph A. McConville, Boston.
Montreal Trade Council
Protests Ordinance
SO thoroughly disgusted with the
new Provincial law prohibiting
the admission of children under 16
years of age to moving picture thea-
tres in the Province of Quebec have
they become that the members of the
Montreal Trades and Labor Council,
representing organized labor in the
largest city of Canada, decided unani-
mously at their meeting on May 18 to
arouse public opinion against the new
regulation, thus forcing its repeal.
The council endorsed a letter of con-
demnation presented by the Interna-
tional Association of Machinists and a
demand was forwarded to the Quebec
Government demanding the repeal of
the statute forthwith. It was pointed
out that the law worked a hardship on
all classes of people, but affected the
workers particularly. Parents could
not take their families with them to
the theatres and they would not go
without them, leaving them to the
dangers of fire and traffic. Therefore
the adults, as well as the children,
were being denied amusement and
recreation, it was argued.
The suggestion that the Quebec Gov-
ernment be asked to enforce the new
law to the letter, so that the people
would rebel against it, was turned
down in favor of the move to demand
the withdrawal of the statute forth-
with.
May 26, 1928
1776-C
In and Out of Town
DAVE BADET, accessory manager for
Universal, is now visiting various ex-
changes in the West and central region of
the country. He will stop off at Los Ange-
les, Salt Lake City, Denver, Kansas City,
Omaha, Des Moines and Chicago.
MAX ALEXANDER, the Stern Film Cor-
poration's Eastern representative, has ar-
rived back in New York after two months spent
at the studio on the Cost, assisting in the launch-
ing of the new season's schedule.
HAL ROACH, comedy producer, accompa-
. nicd by his wife, left New York last
week for the Coast.
SAM ECKMAN, JR., recently appointed
managing director for M-G-M in Lon-
don, arrived in New York May 21 on the
Leviathan.. He has come for a brief visit.
I FLORENCE STRAUSS, scenario editor for
First National, leaves Wednesday for the
company's Burbank studio, where she will sit
in at conferences relating to the purchase and
production of stories. She will return to the
home office in about two weks.
V/t ILT CROSS, creator of "Nize Baby"
I»I and "Gross E.rcggcratious," has departed
from New York xvith his family Hollywood
bound. He zvill write at least one original story
for M-G-M, and may folloiv with others, it is
said.
SOL G. NEWMAN, representative for
FBO in the United Kingdom and Scan-
danavia, arrived in New York from London
last week. He expects to remain for three
or four weeks.
JOHN WEBER, Gotham's assistant general
manager, has left for a tour which will cover
the eastern and Canadian offices. While on this
trip he will make the final arrangements witli
the exchanges for the distribution of the new
Gotham product.
SAM E. MORRIS, general manager of dis-
tribution for Warner Bros., has returned
to Nczv York from a zveck's trip to the middle-
west.
TRUMAN H. TALLEY, director-in-chief
of Fox News, returned this week on
board the Mauretania from a three-months'
tour of Europe. He brought back with him
a feature length film of Hungarian national
life. Mrs. Talley accompanied him.
MALCOLM STUART BOYLAN, recently
appointed editorial supervisor for Fox
Films, arrived in New York last Monday
morning for a vacation.
ColumbiaHandling"Raider
Emden" in U. S., Canada
Columbia has acquired for distribution in
the United States and Canada, "The Raider
Emden," which was produced by the Emel-
ka Studios of Munich under the supervi-
sion of the German Admiralty and is said
to be Germany's official screen record of
the Emden.
Pressbooks and an impressive line-up of
paper and accessories have been issued for
this production.
Musicians Set New Scale
High Prices Fixed for Sound Films; Long Contracts
to be Demanded by Unions
MUSICIANS have set a high scale
for their services on sound films,
and it is also indicated that long
term contracts will be sought by musicians'
unions as a means of protection against
threatened encroachment of sound pictures.
The Federation of Musicians opened its
convention at Louisville during the week
and the main topic of discussion was to be
with regard to the effect of talking movies
on musicians in general and the protective
steps to be taken.
Meantime, the Associated Musicians of
Greater New York, Local No. 802, has fixed
a scale of prices to be applied to work in
connection with sound pictures. It calls
for $30 per man per session of three hours
or less, on special engagements, and $200
per man for a regular engagement of 5%
days exclusive of Sunday, calling for 33
hours work with not more than two ses-
sions daily. In all cases the conductor is
to receive double for services and no session
is to exceed three hours.
The schedule applies to work in connec-
tion with Vitaphone, Movietone, Phonofilm,
Vocafilm and similar devices, and if record-
ing is done in a theatre or any place where
the orchestra is regularly engaged, the price
called for in the schedule, must be paid in
addition to regular salaries. There is no
extra charge for Saturday night.
On the special engagement schedule, two
sessions on the same day, of six hours or
less per man the scale is $50, with overtime
$5 per half hour or fraction thereof. Lee-
way of five minutes is provided, as well
as intermission between sessions of not
less than one hour.
Ed ucational Holds Meet
Pres. Hammons Announces New Series of Two Reel
Flying Pictures, Starring Reed Howes
EI >( CATION AL FILM EXCHANGES,
Inc., held in Montreal this week the
first sales convention ever conducted
in Canada by one of the big distributing
companies. Business sessions were hold
Tuesday, Wednesday and Thursday, with
home office executives and managers of all
of Educational 's thirty-six exchanges in the
United States and Canada in attendance.
On Tuesday night the convention dele-
gates were guests of honor at a banquet giv-
en at the Mount Royal Hotel, convention
headquarters, by the theatrical interests of
Montreal, and B. E. Norrish, of Associated
Screen News, was host at a luncheon on
board the Canadian Pacific liner Montclare
on Wednesday.
At the luncheon on the Montclare E. W.
Hammons, president of Educational, intro-
duced Thomson Burtis, author of "Russ
Farrell" flying stories, which have been
appearing in the American Boy Magazine
for four years, and on which are to be based
Educational's new scries of two-reel "Russ
Farrell" flying pictures, and Reed Howes,
the star, who came from Los Angeles to
attend the convention and to be officially
welcomed to Educational's line-up of stars.
Fourth Bomb Damages
Seattle Houses
THE fourth dynamite bombing of
non-union theatres in Seattle,
Washington, occurred last week.
John Danz's Colonial and Capitol
Theatres were the target. At shortly
after eight o'clock in the evening,
audiences in both houses were thrown
into an uproar by the explosion of a
large bomb in the joint alley separat-
ing the rear doors of the two theatres.
The bomb exploded with sufficient
force to throw several small bits of
iron and steel through the steel door
of the Colonial Theatre into the front
of the auditorium. The force of the
explosion knocked patrons to the floor,
broke glass windows for a block
around, and so frightened one theatre
patron that she became hysterical and
was removed to a hospital.
Thos. Woodhouse, arrested some
time ago in connection with the recent
bombing of the Embassy Theatre, is
at present free on bail, and will be
tried within a short time in connec-
tion with the case.
Warners Loan Irene Rich
For De Mille Lead
Warner Bros, have completed arrange-
ments with the De Mille studio for the loan
of Irene Rich for the stellar role in
"Craig's Wife" to be filmed soon by the
latter company under the direction of Wil-
liam De Mille. Miss Rich has just com-
pleted work on "Women Thev Talk
About."
in
Ricardo Gortez Lead
"A Grain of Dust"
Ricardo Cortez is to play the leading role
in the Tiffany-Stahl production "A Grain
of Dust," Claire Windsor and Alma Ben-
nett will play the leading feminine roles.
The picture is now being directed by Geo.
Arch&inbaud.
N e w Spanish - American
Film Company Formed
With a capital of a million pesos, a
Spanish-American production and renting
company, entitled Hispano Americano
Manzanera, has been formed. It will have
offices both in Barcelona and Buenos Aires.
1776-D
Motion Picture News
Hungary Favorable to
American Pictures
HUNGARY, according to Elek Hor-
vath, Hungarian Secretary of
State, who was in Hollywood re-
cently to arrange for booking of films
under his country's present quota law,
is anxious for showing of American
films in its theatres.
The Secretary of State was im-
pressed by the speed and efficiency of
Hollywood production. He visited his
countryman, Director Paul Fejos, who
recently completed "Lonesome" for
Universal.
Stanley Head Announces
New Phila. Theatre
The Stanley Company of America,
through its president, Irving D. Rossheim,
announced yesterday an important addition
to the circuit of houses under direction of
that company, with the erection of the
Villa Theatre, at the northwest corner of
Parker and Lincoln Avenues, Collingdale.
The house, which will represent an invest-
ment of half a million dollars, will be of
exceptional beauty and comfort, and will
have a capacity for 1,000 persons. It will
be under the general supervision of Marcus
A. Benn, whose personal attention has been
given most happily to a chain of other suc-
cessful theatres along Woodland Avenue,
Darby and the Chester Pike sections.
The Villa Theatre is being designed by
the Hoffman-Henon Company of this city,
and that concern will build the house.
Hoffman-Henon theatre creations here in-
clude the magnificent new Mastbaum, the
Erlanger, the Earle, the Kent and the
Wynne, and the Manor at Prospect Park,
Pa., and the Waverly at Drexel Hill. The
Villa, in the modern French style of archi-
tecture, will be constructed of terra cotta,
brick, stone and steel.
Hotel ■ Theatre Building
Under Way in Ala.
With the transfer of the property at
Dothan, Ala., now known as the Wadling-
ton Hotel from Williams & Espy to J. C.
Wadlington, it is understood that actual
work on the construction of the combina-
tion hotel-theatre building to be erected by
the Alabama Theatre Company, of which
Mr. Wadlington is manager, will begin in
a short while.
Mr. Wadlington plans to remodel the
structure, adding a modern theatre to seat
1,500 people and with a stage of sufficient
size and equipment to accommodate vaude-
ville acts.
The remodeling plans specify a four-
story hotel building of approximately 100
rooms. The present ground floor will be
altered to permit a large rotunda or loung-
ing room as an entrance to the theatre in
the rear of the structure. Elevators are to
be installed and the structure will be re-
built from basement to roof.
Asks Bids On New House
for Carlisle, Pa.
David S. Cooper, owner of the Orpheum
Theatre, Carlisle, has asked for bids for
the erection of a new theatre on the present
site of the Orpheum and the adjoining
property, on which he proposes to spend
about $150,000. The projected theatre will
have a seating capacity of 1,100, and will
have an ornate foyer and lobby. The pres-
ent theatre building, which includes also a
number of apartments, and the adjoining
structure, both are four stories high, and
both will be razed for the new theatre, the
two upper stories of which will be used for
offices. The present theatre, Mr. Cooper
says, will be closed for a part of the com-
ing summer to permit the improvement.
Mr. Cooper for several years has contem-
plated the erection of another theatre on
property which he has acquired directly
opposite the Orpheum on High Street, and,
while he has not abandoned this project, he
has announced he has indefinitely post-
poned it.
Finish Excavations for New
Ashland Theatre
Excavations have been completed for the
new $200,000 theatre that John V. Schreck
is planning to erect in Ashland, Pa. The
house will seat 1,300 and will occupy a plot
42 by 125 feet. Mr. Schreck formerly lived
in Mount Carmel, where he was a pioneer
in the motion picture business. The Cham-
berlain Amusement Enterprises of Shamo-
kin, operating a chain of theatres, bought
the Victoria, Mount Carmel, from Mr.
Schreck, who then moved to Ashland to
build the new theatre. He plans to run
movies and vaudeville and an occasional
legitimate show.
"The Ghetto," Jessel Film,
to Be Released Soon
The Tift'any-StahJ production, "The
Ghetto," one of the star's series for 1928-
29, in which George Jessel plays the leading
role, has just been finished. The picture was
directed by Norman Taurog, and it is his
first picture for that organization. Sup-
porting Mr. Jessel in the cast air Margaret
Quimby, Gwen Lee, Mary Doran, Rosa
Rosanova, William Strauss and Gayne
Whitman.
Name of Pa. Theatre Go.
Undergoes Change
Announcement is made that the name of
the new corporation which plans to erect a
$210,000 theatre in Kulpmont, Pa., has been
changed from the Arcade Amusement Com-
pany to the Imperial Amusement Company.
The backers of the project, it is disclosed,
are three Mount Carmel bankers. They
are Dr. W. R. Buckley, secretary of the
board of directors of the Liberty State
Bank, and president of the Mount Carmel
Chamber of Commerce; Joseph Mallinow-
M-G-M Signs New
Foreign Talent
JACQUES FEYDER and Erich
Schoenfelder, foreign directors,
and Mitzi Marena, Viennese act-
ress, have been engaged by Metro-
Goldwyn-Mayer. Mr. Feyder has di-
rected "Missing Husbands," "Faces of
Children" and Raquel Meller's "Car-
men." He will arrive in New York not
later than October 1. Mr. Schoen-
felder, German picture-maker, will also
be on the Culver City lots next season.
ski, vice-president of the bank, and John
Zotkiewicz, a director of the bank, owner
of a cigar manufacturing business, and
manager and principal stockholder of the
Arcade Theatre, Mount Carmel.
The now theatre will be a stone and con-
crete building with a marble front, and will
seat more than 1,000. It will be devoted
to both movies and vaudeville, and will be
under the management of Mr. Zotkiewicz,
who has had fifteen years' experience in
the theatre business.
Allentown Theatres in
Favor of Daylight Saving
Fifteen theatres of Allentown, Pa., which
had previously met and agreed to continue
to operate on Standard time, notwithstand-
ing the city as a whole went on daylight
saving time, have rescinded their action
and joined the daylight saving movement.
They issued a joint statement showing that
the reason for yielding was in the interest
of harmony and to prevent creating con-
fusion in the city.
Warner Theatres Will Not
Exhibit "Dawn"
All theatres owned or controlled by War-
ner Brothers will not show "Dawn," the
English film which is proposed for exhi-
bition in the United States, stated H. M.
Warner, president of Warner Brothers,
who announced that he had arrived at the
conclusion after discussing the matter thor-
oughly with James W. Gerard, ex-ambassa-
dor to Germany.
Tiffany - Stahl to Film
"Albany Night Boat"
Preparations are now under way for the
filming of the Tiffany-Stahl production,
"The Albany Night Boat," an original
story by Ben Grauman Kohn, and to be di-
rected by Tom Terriss. A company of
players will be brought East, where many
of the scenes will be taken aboard the Al-
bany Night Boat on the Hudson River.
Report FBO May Sell
to English Firm Denied
A VIGOROUS denial has been made
by Joseph P. Kennedy, FBO
president, on the published re-
port that FBO may be sold to English
interests. Mr. Kennedy officially stated
that the story was without any founda-
tion.
Von Stroheim to Direct
Gloria Swanson
GLORIA SWANSON has engaged
Eric Von Stroheim to direct
"The Swamp," her third United
Artists picture. Von Stroheim has
written an original story, its locale
German East Africa, which will be
made in Los Angeles, production being
started within a few weeks.
May 2 6 , 19 28
Mil
HOLLYWO OD
Lillian Gale Wro.McCormacK Ray Murray
Staff Correspond ent Western Representative Special Represenla live
Hollywood Office — 6581 Hollywood BlVd — Phone (granite
Effect of Economy Wave
Felt by Players
Many Companies Have Not Re-Signed Stars Heretofore
Listed on Their Programs
HOLLYWOOD. May If). — Tlio econ-
omy wave which swept through the
studios a year ago with such al-
arming effect is still being felt in many
quarters. .More and more of the leading
players who have been liberated from con-
tracts find that new contracts for their
services are not being snapped up with
the avidity of former years.
The past few weeks have witnessed the
dropping of options on several stars and
the failure to renew their contracts has
greatly agitated not a few well known
players. ....
The First National roster no longer in-
cludes several names which, heretofore, oc-
cupied the electric Lights throughout the
country. The contracts of Harry Langdon,
as well as that of Johnny 1 lines, both well
known comedians, were not renewed. This
company also allowed Lloyd Hughes, Lewis
Stone and several other featured players
to join the free lancers.
• The. DeMille organization has also deter-
mined to trim down its pay roll, and, as a
result, released Rod LaRoccpie, Leatrice
Joy, Joseph Schildkraut, Vera Reynolds
Robert Kdeson and several others long as-
sociated with DeMille.
Another well known screen actress, who
has been affiliated with Warner Brothers
for years, Irene Rich, is now numbered
among free lance artists.
The rumored departure of Pola Negri
t recent visitor to Hollywood, was the Honor-
able I incent Massey, Canada's minister to the
I nited Stairs. While among the movie folk
he was the guest of Louis R. Mayer, with whom
he is shown above
from the Paramount ranks recalls such
talented artists as Thomas Meighan,. Ray-
mond Hatton and Fred Thomson, who are
not included in that company's announce-
ments. Meighan 's contract was recently
sold to Howard Hughes, of the Caddo
Company, and while his productions will
be released on the Paramount program,
Tom is not at that studio. Thomson has
one more picture under his four-picture
Paramount contract, but after the filming
of his concluding effort, "Kit Carson," he
will seek new affiliations.
The Fox Company lost two of its West-
ern heroes — Tom Mix and Buck Jones —
early this year. Mix is to make several in-
dependent productions for the FBO pro-
gram. To supplant these two. Fox has
Rex Bell as a Western star. He is now
making his second feature for next sea-
son's program.
The various comedy units have been sus-
pended for several months. Sennett
Studios have moved to new quarters in
North Hollywood and will likely commence
work on a new program for Pathe the lat-
ter part of June. Christie also contem-
plates building additional stages near the
Sennett plant and will become active again
in a few weeks.
Educational Studios have recently re-
sumed work. The Hal Roach Studios are
again active after a six weeks' vacation.
There are rumors that Universal will
not start up with its full quota of stars
this year and many changes in its per-
sonnel are anticipated. It is said that
Laura LaPlante is dickering with First Na-
tional and may not renew her Universal
contract.
There are but two spectacular produc-
tions in the making at present in Holly-
wood. These are "Noah's Ark," a War-
ner Brothers production, and "Hell's
Angels," a Caddo film, being made for
United Artists. Each of these will run
well over a million dollars in cost, but none
of the other producers have any produc-
tions of this magnitude in preparation.
Club Elects Officers
The Russian-American Art Club, of
Hollywood, embracing in membership a
group of film notables of Russian birth,
held an election of officers on May Kith, re-
sulting in the appointments of Michael
Varvitch, president ; Michael Vissarof. first
vice-president; Nickoli Kobliansky, second
vice-president, and Joseph Panitz, chief
auditor.
Cossacks vs. Cowboys
Thirteen thousand Hollywood extras are
watching with interest the feud between
thirty imported hard-riding Cossacks and
the expert dare-devil American cowboys.
An American showman visited France
last year and picked out 30 stalwart Cos-
sacks and brought them to America for a
tour of the country under bond with the
immigration authorities. Eventually they
arrived in Hollywood and went into mo-
tion pictures. They have been working
as "American cowboys." They were
bonded to leave America January 1, 1928,
but their time was extended by the immi-
gration service to May 1. These Cossacks
in pictures are in direct competition with
American veterans of the world war and
as they also work "afoot" they compete
with American citizens in many lines of
picture work, according to local producers.
The extras are naturally strong for the
American cowboy, who is classed as a
sober, hard-working, industrious citizen,
paying taxes and owning homes in the film
capital. The American cowboy makes a
good "American cavalryman" in produc-
tions calling for formation riding. The
Cossacks, on the other hand, cannot handle
{Continued on Following Pane)
Educational Announces
New Screen Magazine
ANEW magazine reel. "The World
Today." is planned by Educa-
tional as a monthly release. It
will feature the unusual event, new
inventions, scientific discoveries and
native life. Kach release is to he made
up of five or six subjects, topics or
events. Where the subject is of out-
standing importance and warrants the
footage of one release, it will be so
presented.
A staff of 150 cameramen has been
organized to supply material for "The
World Today." These field workers
have already sent in material. Three
groups of cameramen have begun ex-
peditions to search for material in the
Dutch East Indies, the South Seas and
South America. They are searching
for places never before photographed.
1778
.1/ olio n P i e t u r e News
Holly WO Od-Continued
a rope, find it hard to "play Indians" or
ride bareback. Forty Cossacks were re-
cently used to ride through a gate at a
local studio and all but two fell off before
they got through. As stunt riders they do
not compare with the American cowboy
and the producers are learning that the
substitution is becoming costly.
United Artists Executives
Sales executives of the Western and
Coast branch offices of United Artists Cor-
poration met with the film company officials
at the Hotel Roosevelt, May 14. Joseph
M. Schenck, president of United Artists
Corporation, presented the 1928 produc-
tion program.
Al Lichtman, general manager of dis-
tribution in the United States and Canada,
will also preside at another sales conven-
tion at Chicago for Eastern sales forces
soon.
Among those attending are Victor M.
Shapiro, director of publicity and adver-
tising; Dave Bershon, Western division
sales manager; Kenneth Hodkinson, San
Francisco; D. J. McNerney, Seattle; H.
Bradley Fish, Denver; Guy Gunderson,
Los Angeles; Frederick Gage. Salt Lake
City, and S. E. Benson and Harry Stern,
special representatives.
Producers Act as Hosts
Representatives of the film boards of
trade of this country and of Canada, in
session for their annual meeting, were
guests of The Association of Motion Pic-
ture Producers at a dinner held in the
Roosevelt Hotel, May 25. Arrangements
for the dinner were made by Fred W. Beet-
son, executive vice-president, in co-opera-
tion with Cecil B. DeMille, president, and
with members of the executive board.
"Sea Fury" Previewed
"Sea Fury," the first of a series of deep
water pictures to be produced by Tom
White, was previewed at the Carinel the-
atre in Hollywood, recently. Post cards,
requesting the opinions of patrons, were
distributed in the audience, and, judging
from returns, the picture met with favor-
able response.
There are no land scenes in "Sea Fury."
The entire action is laid at sea. There-
fore, it is cooling in effect and lends itself
admirably as a summer attraction.
Mae Murray Sued
Mae Murray has been sued by Arthur
Gregor, director, for $110,000. Gregor
asks for $100,000 on account of alleged
statements made by Miss Murray, which,
he states, reflect on his ability and stand-
ing as a director, and $.1,000 for services
as a director, and another $5,000 for loss
of time occasioned by Miss Murray's al-
leged failure to keep him employed.
Gregor was employed by the star to
make an independent production called
"The Hungarian Rhapsody" and an-
nouncement was duly made that Gregor
was to direct. Later Miss Murray changed
her mind and gave out the statement that
she did not like the story but that Gregor
did. She has decided to use another story
and another director. Gregor has directed
a number of features for independent con-
cerns.
Fox Signs Stage Writer
The increasing adaptability of stage
writers to the realm of the screen, with the
development of talking pictures, was illus-
trated by William Kernell, who has been
placed under long-term contract by Win-
field Sheehan, vice-president of Fox Films.
Kernell has written a song which Beatrice
Lillie is to do for Movietone entitled
"Rambling Along the Highway," and is
working on "Road House," which he is to
title for Fox.
New DeMille Director
Tay Garnett, popular screen writer, is
receiving congratulations this week on his
promotion to director at the DeMille
studios. Garnett has made his mark in the
screen world writing titles and original
stories. He was formerly with Mack Sen-
nett. His first picture will be "Celebrity,"
in which Lina Basquette, Robert Arm-
strong and Clyde Cook will be featured.
"Craig's Wife"
William DeMille is rounding up his plans
for the production of "Craig's Wife,"
taken from the drama by George Kelly.
He has recently completed finishing touches
on ' ' Tenth Avenue. ' '
Gets M-G-M Contract
Earl Baldwin, scenarist, who recently
completed "Brotherly Love," new prison-
reform comedy, and who worked on "De-
tectives, ' ' has been placed under contract
to write exclusively for Metro-Goldwyn-
Mayer.
An H. M. Walker Title
"Imagine My Embarrassment" is the
title conferred upon Charley Chase's most
recent Hal Roach M-G-M comedy, by H.
M. Walker, vice-president of the Hal
Rayart Starts 1928-29
Program
THE first Rayart production of the
new season has been put into
work on the West Coast. It is a
Trem Carr Production, directed by
Scott Pembroke and is called "The
Divine Sinner," by Robert Anthony
Dillon, it features Vera Reynolds, bor-
rowed from the De Mille organization;
John Peters, Nigel de Brulier, Ernest
Hilliard, Carol Lombard and Barney
Seigal. It will be readv for release
July 1st.
The second production to go into
work will be "The Man from Head-
quarters," adapted from George Bron-
son-Howard's "The Black Book." This
will be directed by Duke Worne. The
third picture, also to be directed by
Pembroke, is to be "Sisters of Eve," an
adaptation of E. Phillips Oppenheim's
"The Tempting of Tavernake." Pem-
broke will take a company to England
for this production.
Roach Studios, and official "christcner" of
the institution. Gene Morgan, noted mas-
ter of ceremonies and band leader, will
appear as a butler in support of Chase.
Stays with Educational
Stephen Roberts will continue as di-
rector of Educational pictures. Mr. Rob-
erts signed a new contract following his
return from a vacation in Canada and
( )regon. Roberts has directed two-reelers
for Educational for the past three years,
having made 16 comedies. Jack White
will continue to supervise the Roberts
comedies.
Kerry Must Pay
Norman Kerry, former Universal star,
will have to pay D. A. Hamburger $2,351
as the result of an automobile accident sev-
eral weeks ago. Kerry was not driving the
car at the time it struck Hamburger, who
is a local merchant and business leader.
Returns to N. Y.
Charles Francis Coe, Saturday Evening
Post writer, who has been spending the
past few months on the Coast, writing an
original for Victor McLaglen, Fox featured
player, has returned to New York City.
Neville Signed Again
Some time ago John Thomas Neville,
former newspaper man and publicity
writer, joined the scenario staff of Metro-
Gold wyn-Mayer. Now he has been signed
to remain on the Metro lot and write ex-
clusively for that company, for whom he
wrote "Spoilers of the West" and "Win-
ners of Wilderness," starring Tim McCoy,
"The Enchanted Island," and "Beyond
the Sierras."
"Terror" Cast Chosen
Roy Del Ruth, who is preparing to di-
rect "The Terror," as an all Vitaphone
production for Warner Brothers, has sel-
ected his cast and awaits oidy a June
starting date. May McAvoy and Edward
Everett Horton will play the leads. In the
line-up will be Louise Fazenda, Alec B.
Francis, Mathew Betz, Holmes Herbert,
Otto Hoffman and Joseph Girard.
Ruggles Assigned Film
Wesley Ruggles has been selected by
General Manager Robert Welsh, of Uni-
versal, to direct Mary Philbin in "Sal-
vage. ' '
Change of Title
The Johnny Hines starring vehicle for
Burr-1 lines Enterprises which is nearing
completion at Tec-Art Studios will be
called "The Wright Idea." This title sup-
plants that of "Black Magic," under
which the original story by Jack Townley,
a Hollywood columnist, was written.
Latest additions to the cast includes J.
Barney Sherry and Henry Barrows.
Seiter and Moore
William A. Seiter is to direct Colleen
Moore in another First National picture,
namely, "Synthetic Sin."
M a y 2(1 . 1 9 2 8
1779
Covduolod by
AnEMbitorJorE^h'ibilor^
BOX
OFFICE PROBLEMS
By Charles E. Lewis
Managing Director, Capiiol Jheafretfiddletow/), (Pom?., and Palace Jheatre, NorwkhCom.
Personality in
Management
Since we have
been saving so many
things about tlic
small town perhaps
it were time that
we said something about the small town
manager. "He" is a subject that will pro-
vide many interesting angles, because be is
the most important eog in the machinery
of the average small town theatre.
There has been one point about the small
town manager that has been opened to a
lot of discussion at various times. It has
been argued pro and con wherever and
whenever such managers or theatre owners
get together and we don't believe the argu-
ment will ever end just because there are
so many angles to this kind of a discus-
sion.
Here's the point: Should a manager in a
small town be a "Good" fellow. Should he
conduct himself in public like a native of
the town? Should he use a certain amount
of reserve and restrain in his contact with
others? These and many other questions
are not the easiest to answer, possibly be-
cause the answers depend on two things.
The man himself, and the town in which
he is working: We can only offer our own
actual experiences and reactions to this
most interesting angle on small town show-
manship. We would, however, like to hear
from some of our readers so as to get
other views.
In one of our towns we had a manager
who formerly came from a larger city and
had experience in small towns previous to
that. He joined several fraternal organiza-
tions in town and mixed well with certain
folks. Our first impressions were very
favorable regarding this man, but as time
went on we found that he was mixing too
much with certain classes and ignoring
others to the point of hurting their feeling".
In our humble opinion, a manager should
be well acquainted with those people of
the town who are active in civic matter-,
public utilities and any others who can be
of some material aid to the theatre if the
necessity arises. Letting certain people in
town slap you on the back arid call vou by
your first name is all right if it doesn't go too
far and is confined to just those people
whom you are willing to become very
friendly with. Hut if you extend this privi-
lege to too many, then that mythical para-
dise which the average small 'towner calls
the theatre, loses its charm and you are
just another man of the town.
Tin ■n we had another man in still another
town, who might be termed the direct oppo-
site to the first. He carried himself with
so much restraint, held himself so aloof that
folks, little and big, poor and rich, had him
labeled as ;l •'high-hatter." They took
great delight in finding fault around the
Charles E. Lewis
One of the
first letters re-
ceived after
I h e appear-
ance of this
n e w depart-
m e nt was
fro in W m.
Applegate Jr.,
Super vis i n g
Manager o f
the Schwartz
C i r v u i I in
Brooklyn and
Long Island. I quote a paragraph
from his letter . . / hap-
pen to he (me of those young
men that are always trying to
learn something new, so you ran
rest assured here is one parly
who will read the ISEW'S from
now on."
That's the spirit Bill. And let
us hope that many others will
see the wisdom of your letter.
Another was from an exchange
friend who says ''''Your depart-
ment, in my opinion, fills a long
felt necessity in the exhibition
field of our business. Wise show-
men will not only follow it
closely, hut should contribute to
its success tlM-niseli-i's."
Thank you Med Mallouf, I am
wishing for the same results.
C. E. L.
theatre so that they could go and abuse him.
lie was, however, the type of man who ran
his theatre perfectly — but made friends
with nobody, and although lie was nice in
his manners he could get no one in town to
warm up to him. Tradespeople who wanted
to tie up with the theatre on any kind of a
stunt were either reluctant or afraid to
approach him. Even on the Boor he gave
the impression that he was high-hatting
everyone. Perhaps he never meant am
thing by it, but never the less that was the
way he was figured. So far as meaning any-
thing to the public at large, lie could hide
himself away in his office for months at a
time and no one would miss him. So the
value of his running the theatre so efficiently
was lost in the inability to make friends and
get the support of local people who might
mean something to the house.
What would be the happy medium?
We should venture the suggestion that
a little of each man described above, plus
a little common sense and tact, would make
for the best type of small town managers.
This subject offers so many interesting
possibilities that we do not want to drop it
entirely. We would appreciate hearing
about it from towns where the conduct of
the theatre manager is carefully observed.
We will reproduce any letters that are in-
teresting.
The subject of
Will I Print a programs or house
organs are generally
House Organ? being looked upon
with favor wherever
there is a progressive manager. Without a
doubt any little program of attractive ap-
pearance will be read from cover to cover.
You have in this item a mozt important and
valuable asset, but are you using it to its
best advantage and getting everything out
of it that you should? You must admit that
many theatre programs to-day, are just
pieces of printing matter containing the
names of the pictures for the current and
coming weeks.
Why not make yours the mouthpiece of
your theatre? Surely not for lack of ma-
terial. You can pick up a copy of the
NEWS of any week and find in it a wealth
of interesting copy for your program. If
it is printed locally and the costs start to
mount, by reason of too much set-up. why
just take a small back page ad, and you
will find it self-supporting without neces-
sarily making it a regular advertising pro-
gram— which we admit has its drawbacks.
Use the front page as a sort of editorial
page wherein you can call attention to the
"Service" your theatre renders to its pat-
rons. Talk about the ventilation, about
some great picture that you are plugging,
and about a million and one different
things. Get them into the habit of looking
for the program and reading it from cover
to cover. And above ail create a good mail-
ing list. Its value in the small towns is far
greater than in any big city. If you don't
believe it, just park your car near a group
of mail boxes on the Rural Delivery Route,
and watch them dive for those boxes as
soon as the mail man puts in his appear-
ance. Receiving mail is always one of the
day's greatest events in such places. And
you can wager your last dollar that if your
program is in that mail box it is going to
be read from beginning to end. and if you
have scimothing coming to your theatre
that is particularly interesting they are go-
ing to make every effort to attend. The
theatre program holds the interest oniy
second to the local paper. There are so
many angles that can be utilized in this
connection that every manager should build
up a good strong mailing list.
1780
Motion Picture News
How about your
Work With Local local Chamber of
j-. . . Commerce? Do you
Organizations take advantage of
all the possibilities
it offers? Here is an angle that with a
little common sense can turn business your
way time and time again.
There are always some activities going on
in town sponsored by the Chamber of Com-
merce. You should belong to it, and you
should be on all the active committees that
might give you a chance to turn some busi-
ness your way.
"We" are on the educational, boy's
work, and other committees and have al-
ready engineered several big events into
the doors of the theatre. Right at this
moment the National Boys' Week campaign
is under way and we have sponsored a boys
exhibit with contributions coming from all
the organized boys clubs, Y. M. C. A. Junior
Achievement, Farm Bureau, public schools,
and scouts working like Trojans to outdo
each other. All of these exhibits including
about fifty independent exhibits, will be on
display for boys' week in the lobby and on
the mezzanine floor of the theatre. Thou-
sands of people will come in to see these
exhibits and the newspaper is giving it
plenty of space. We don't care whether the
people who come to see the exhibits buy
tickets or not. They will see plenty in the
lobby about our pictures and shows that
they might ordinarily miss seeing. And we
are co-operating with the Chamber of Com-
merce in a worthy cause.
Then how about that semi-annual Fashion
show — run with the backing of the Cham-
ber? All the trade-members forming a com-
mittee and your theatre staging the show?
WOW — what a business getter that has
always been (and the merchants pay the
bills). The funny part of it is that it's beg-
ging for you to get behind and cash in on
it. Wake up brothers, don't try and out-
sleep our old friend Rip- Van-Winkle.
Around the Christmas holidays you can
form a committee of the secretary of the
Chamber, the local newspaper editor and
yourself and sponsor a Kiddies morning
show. What a whale of publicity you can
grab off and the only expense is the opera-
tor and juice to run the show. If you have
vaudeville, let the acts contribute some-
thing in the way of entertainment. I've
never yet met an actor or actress that
wouldn't lend themselves to a cause like
this, and the newspaper likes the idea be-
cause they are in on it.
Keep your eyes and ears open as to every
activity of your Chamber of Commerce and
whenever you see a chance to tie in with
them for the benefit of the theatre, go to it.
About the hardest
Make Use of Yoitrtask a trade PaPer
can take upon itself
Trade Paper is to make the aver-
age small town man-
ager read all about the various exploita-
tion stunts and suggestions that its columns
offer. In talking about this particular item
to several managers we find that most of
them developed the idea that a stunt de-
scribed in a larger city is of no use to them.
Of course, to those who know exploitation
this statement is absurd. There was never
yet an idea put over in a big city that could
not be localized for any size town or city.
We recall the Finklestein & Rubin stunt on
Harry Langclon's "Tramp-Tramp-Tramp"
(Continued on Page 1782)
Announcing
THE MANAGER'S
ROUND TABLE CLUB
The wide-spread interest that our new department has created
prompted us to organize the MANAGER'S ROUND TABLE
CLUB, and we want every live-wire manager to send in his ap-
plication as soon as he reads this announcement.
There are no restrictions of any kind. It is open to managers
and exhibitors all over the world and the only initiation fee is your
promise to send' us whatever successful "stunt" or advertising
campaign you put across that might benefit your brother members.
The Slogan of the Club is
"USE THE NEWS"
And it's an appropriate slogan since it contains a bit of good,
money-making advice.
Don't forget to send us your photo when sending in your
application.
The purpose of the club is to create a contact between managers
throughout the country through the medium of the trade's leading
publication— THE MOTION PICTURE NEWS.
Fill out your application and send it to me care of the
NEWS, 729 Seventh Ave., New York City.
Charles E. Lewis
Chairman.
APPLICATION FOR MEMBERSHIP IN
"MANAGERS ROUND TABLE CLUB"
I hereby apply for membership in the club and promise
to send in, for publication, a complete description of every
successful advertising campaign or exploitation that I put
across.
Name
Address Policy
Theatre Capacity
City State
Honorary Chairman Chairman
Wm. A. Johnston Charles E. Lewis
May 26 , 19 28
1781
xhibitors Service Bureau
Feature Guest Organists
Musicians Borrowed from Nearby Cities Proving Pop-
ular in Smaller Pennsylvania Towns
THEATRES in some of the smaller
cities of Central Pennsylvania have
hit upon a plan of increasing box
office receipts by "borrowing" guest or-
ganists of well established reputations from
theatres in larger nearby cities for brief
periods. The idea is particularly applicable
in communities where chains of theatres
operate in adjacent cities under the same
management, the stronger theatres of the
chain lending their organists to their
weaker members which cannot always afford
to have a permanent organist. The plan,
however, is by no means limited to chain
theatres. Recently Manager George Gerth,
of the Seltzer theatre, Palmyra, introduced
W. E. Smith, console specialist of Wilmer
& Vincent's Colonial theatre, Harrisburg,
as guest organist with very satisfactory
financial results.
Another application of the guest or-
ganist plan, with slight variations, occurred
on May 21, 22 and 23 when the Victoria
Theatre, Mahanoy City, and the Victoria,
Shamokin, traded their organists for the
three-day period. Professor Harold Bes-
wick went from the Shamokin house to
Mahanoy City and Professor Michael Slow-
it sky went from Mahanoy City to Shamo-
kin. The plan worked especially well be-
cause the Mahanoy City theatre was pre-
senting at the time the film version of "The
Student Prince," and Professor Beswick
had made a special study of the various
numbers of the musical score of the oper-
etta.
Theatre men are predicting that the guest
organist plan will have a great vogue espe-
cially in small towns whose theatres want
to give something special in the musical line
with pictures that particularly require that
sort of embellishment, such, for instance, as
"The Student Prince."
Harold Teen" Cartoons Used
in Novel Exploitation
NOVEL use of the cartoon strips featur-
ing "Harold Teen," cartoon charac-
ter and now seen in a feature motion pic-
ture of that title, is being made at the the-
atres exploiting the film. Among two highly
successful newspaper tie-ups reported on
"Harold Teen" are the stunts staged by
Con Hoobler, publicity and exploitation di-
rector for Blooming Theatres, Inc., and
Bloomington, 111., and Manager F. Hookailo
of the Olympia theatre, Boston, Mass.
Hoobler put on a cartoon strip contest
which he started more than three weeks in
advance of the opening of the picture at the
Irvin Theatre.
The drawings for a Harold Teen news-
paper strip, minus the speeches of the char-
acters, were printed, with spaces for the
contestant to supply the conversation.
Three thousand of the printed forms were
distributed to the high school pupils of the
city. The school papers reprinted the entire
form and two weeks before the opening,
Hoobler was already receiving answers to
his contest.
The prizes were $10, $3, $2, and six pairs
of tickets to the picture. A thousand replies
were received in the contest.
.Manager Hookailo tied up with the Bos-
ton Traveler in a coloring contest. The
newspaper has been running the comic
strips of Harold Teen and it was an easy
matter to get this paper to come in on the
tie-up.
For the best colored sets of the comic
strip of Harold Teen, 50 sets of tickets to
see the picture were awarded as prizes. All
that was necessary to win one of the prizes
was to color the comics using either crayon
or paints.
In addition to running the contest, the
newspaper further publicized the contest
by running advance stories pertaining to
the contest, picture, theatre and play dates
as well as carrying banners on all their de-
li very trucks.
Displayed Oil Derrick to
Exploit "Showdown"
Manager N. Prager borrowed a miniature
oil derrick about seven feet in height from
the Magnolia Petroleum Co., which was dis-
played in the lobby to advertise "The
Showdown" at the Capitol Theatre, Okla-
homa City.
The miniature derrick was complete in
every detail with a motor concealed in a
miniature pump house which animated the
arm on the derrick.
The derrick was set in a jungle atmos-
phere made of beaverboard in the form of
a stage setting with miniature lamps set in
behind each set piece to give color.
Cut-outs from 8 x 10 's were placed on the
platform of the rig and the base of the dis-
play with a shadow box.
Girls on Roller Skates
Ballyhoo Picture
Two pretty girls on roller skates went
through the busiest streets of Los Angeles
with signs on their backs reading, "Thanks
for the Buggy Ride." No other publicity
indicated why they skated home. The point
of the stunt was driven home by other ex-
ploitation features which told that the
comedy was playing at the Boulevard The-
atre.
Showmanship
-llriefr-
CS. FERGUSON, manager of the Capi-
• tol theatre, Brandon, Manitoba, caused
a local sensation in a street stunt for Harold
Lloyd's "Speedy" by turning out with the
first horse-drawn street car ever used in
Manitoba. The ancient car was appro-
priately decorated and carried appropriate
signs, a young man who resembled Harold
Lloyd being engaged to drive it. The
horse-drawn car made regular trips on all
lines of the local trolley system and the pas-
sengers largely consisted of members of
the Capitol theatre staff. Downtown streets
became congested whenever the old car ap-
peared.
MANAGER ROY L. SMART got more
than he originally bargained for in the
way of music store tie-ups for "Ramona," play-
ing at the Florida theatre, St. Petersburg. Fla.
The direct tie-up was with one of the largest
music stores whereby they loaned an ortho-
phonic victrola and the new record, "Ramona,"
for use on the stage during the showing of the
trailer on "Ramona." The store turned over
its entire window to a display of "Ramona"
records.
SHEA'S BUFFALO ranked front-page space
in the Buffalo Evening Times for more
than a week on an excellent publicity tie-up
u'hereby the paper produced a film called "The
Penalty of Indifference," carrying a message
of the danger to children in careless automobile
driving. The picture is being shown at the
Buffalo during the week of May 20. Buffalo
youngsters made up the cast in the film, and
each day, as the making of the picture was in
progress, The Times carried a story on Page
one which always stated that the movie would
be shotim at Shea's Buffalo.
JOE SAPERSTEIN, handling Harmanus-
Ble;cker Hall in Albany, is making plans
for a "perfect 36" contest the latter part of
the month. It will run throughout the
week with the finals on Saturday. Mr.
Saperstein will cooperate with Albany mer-
chants, who will contribute prizes for the
winners.
JOHN THOMA, manager of the Avon the-
atre in Watertown, is conducting a beauty
contest, the finals of which will he held at the
Schine-Eckel theatre in Syracuse, in determin-
ing the young lady who will represent New
York state at the Texas beauty carnival at
Galveston next month.
MANAGER F. J. MILLER used a large
beaverboard cut-out painted to rcpresmt
a clock in his lobby to advertise "The Mad
Hour," playing at the Afodjeska theatre.
.Augusta, Ga. 8 .r 10 stills were mounted on the
face of the clock with similar stills just be-
neath the face of the clock.
THE management of the Lyric theatre,
Allentown, inaugurated a policy, begin-
ning April 26, of making advance sales of re-
served seats for all performances. This
policy seems likely to be adopted by many
Pennsylvania theatres who see in it the
advantage of being able to fill their houses
on rainy days when persons who had not
previously bought seats would be more
likely to stay at home.
1782
Motion Picture News
Suggests Idea to Improve Window
Display Material
SPEAKING from the standpoint of experience in obtaining window
displays to feature attractions at local picture houses, L. L. Levy,
advertising and publicity director of Corsican Theatres, Inc., Corsi-
cana, Tex., submits a suggestion for the improvement of material for this
purpose put out by distributors in connection with their releases in a
statement that will appear in the June Showman, to be published in Mo-
tion Picture News next week.
Theatre managers and theatre exploitation men who are interested in
having better material to work with in their exploitation work should read
Mr. Levy's statement and follow the suggestions he makes that his fellow
showmen submit their ideas concerning this highly important phase of
showmanship.
Read Mr. Levy's statement in the June Showman, it will prove well
worth your time, and then tell us your ideas.
Wedding Ceremony Performed
on Marquee of Theatre
MANAGER C. "BONES" SMITH of
the Electric theatre, Kansas, City,
Kansas, in a report to this department of
one of the most unusual exploitation ideas
used in conjunction with the marriage of
a local couple and a tie-in with a drive by
the local Chamber of Commerce to boost
home town buying, describes in the follow-
ing paragraphs the entire outline of his re-
markable stunt.
Late last fall the Chamber of Commerce,
Trade Division in this City put on an ex-
tensive advertising campaign aimed to sell
people the idea of Trading in Kansas City
Kansas with the Retail Merchants. All
stores veiled their windows, and put on
special window decorations. The first night
of the week people came to see the windows
and view the models. The second night the
Theatre came into its own by having made
arrangements for a public wedding and giv-
ing the Bride and Groom some $1000.00 of
merchandise solicited from the various mer-
chants. Everything furnished for them.
The wedding ceremony was performed by
a Minister on the Marquee in front of the
theatre. Traffic was stopped and sent
around the block. No street cars were al-
lowed to run. A forty-five piece girls band
seated on a stand across from the theatre
with spot lights from the booth made a
very attractive addition. This brought
about ten thousand people down town for
the second night of the week's campaign
and the theatre is still talked of for its co-
operation. On Friday of the same week the
theatre arranged a Big Amateur Carnival
which again showed the Theatre's willing-
ness to help boost the Chamber of Com-
merce project.
The cost of this wedding to the theatre
was the price of the wedding license which
was rather inexpensive for the good will
and business we received. Help boost your
town and get on the band wagon.
Box Office Problems
By Charles E. Lewis
(Continued from page 1780)
which you might recall. It was published
in detail some time ago in the NEWS. If
you will, even now, dig up the copy and
read it through you will readily see, if you
are reading it for such a purpose, that
many ideas suggest themselves to you in a
smaller way. In one town we could not
stage the cross country hike with shoes do-
nated by a local shoe store, so we used the
two large windows of the biggest shoe store
in town and had a marathon on tread-mills
with some unusual and unexpected results.
Along about 5 P. M. on the first day the
favorite of the two fell exhausted on the
tread mill and neither one could last long
enough to even start to wear out the shoes.
It was a great tie-up and was really sug-
gested by the F & R idea, merely brought
down to the small town.
This is but one of the many ideas that
suggested a means of following the big city
exploitation idea. We will admit that a
tread-mill race in place of a cross-country
marathon is a long shot, but when we look
back on the advertising the theatre and the
shoe store received for their efforts then
we call it a good idea.
An Assistant to
the Manager
Just develop that
"NEWS reading"
idea and make your
weekly issue pay
you dividends on
your subscription by finding some sugges-
tions for increasing business within its
pages. If you read it through with that
idea in mind you are bound to find many
valuable aids.
A manager once said to me "I wish I
had an assistant, a man who can show me
some advertising ideas, that is what my the-
atre needs and I lack that ability myself."'
This department next week is going to
show this manager that he has working for
him an advertising man whose salary ex-
ceeds a quarter of a million dollars a year,,
and who is begging to be put to work.
If you think you cannot afford an assist-
ant or a man to handle your advertising
and exploitation then we will offer you one
free of charge.
Awards for Winners of the
"Speedy" Bike Race
One of the many things Manager C. T.
Perrin did to advertise Harold Lloyd in
"Speedy" at the Sterling Theatre, Greeley,
Colo., was to hold a bike race.
All boys between the ages of ten and
fifteen were eligible to compete in the
"Speedy" boys' bicycle race which was
held in honor of Lloyd 's new picture,
' ' Speedy. ' '
The Tribune co-operated by running ad-
vance publicity on the stunt including two
front-page stories. First prize was $5.00;
2nd prize — $3.00; and 3rd prize, a pass to
the winner and ten of his friends to see
the picture.
The Chief of Police arranged for no traf-
fic obstruction at street intersections dur-
ing the race. And banners were placed at
the starting point announcing the ' ' Harold
Lloyd" race and the picture's engagement
at the Sterling.
Seeks Applicants to Join
"Legion of Condemned"
Manager John P. Read got a lot of pub-
licity for "The Legion of the Condemned"
at the Rialto Theatre, Colorado Springs,
Colo., by passing out 1,000 application
blanks.
The blanks were in the form of a small
card and contained the following copy:
• ' Do You Want to Join —
The Legion of the condemned?"
Answer these questions, then present
blank at Legion headquarters.
1. Could you laugh at death?
2. Would you flirt with death, and then
court her as your sweetheart?
3. Would you, having tried everything
else, go up in the air as cavalry of the
clouds with no logical hope of returning?
The other side of the card was devoted
to selling copy.
Log Fort Built in Lobby
Sells "Men of Daring" '
Manager P. D. Griffith made his lobby
look like a log fort to advertise "Men of
Daring" playing at the York Theatre, Chat-
tanooga, Tenn.
Griffith went out in the woods and
chopped down some small trees and then
trimmed them and so constructed them in
the lobby that the display presented sort
of a stockade.
Leaves were scattered all over the floor
of the lobby and a cut-out showing the front
end of a covered wagon was put over the
box office window to make it look exactly
like a covered wagon in a stockade on the
Western frontier.
M a v 26. I 9 28
1783
Key City Reports
New York City
AGAIN, nothing which might be classed
as sensational took place among Broad-
way theatres the past week, with the pos-
sible exception of the premiere of U. A.'s
' Tempest," at the Embassy, a 500-seat, two-
a-day house. This picture got off to an
excellent start, received a lot of friendly
criticism from the local papers and U. A.
claims that standing room has been sold at
every performance. The "specs" are also
in on it and this, of course, is always flat-
tering. It is said that seats are selling four
weeks in advance.
( hitside of the fuss raised by "Tempest"
nothing much can he said except that Paul
Ash proved an attraction at the Paramount
and that tin- Rivoli beat its sister house, the
Rialto, by a mile. The feature at the Para-
mount was "The 50-50 Girl" (Par), but it
was Ash who brought the gate up to an
average one. The Rialto did only fair with
"Steamboat Bill" (U.A.), but the Rivoli
came through with flying colors with
"Kamona" ( U.A.). This picture's title, in
the shape of a song, has been plugged over
radio and other places for the past several
months, and whether exploitation or not,
helped a lot to sell the title to the public.
The Strand did somewhat better than
some preceding weeks with "Kentucky
Ccurage ' (known outside of N. Y. as "The
Little Shepherd of Kingdom Come-'). The
N. Y. title probably brought back fond, old
memories to this town's large army of wets,
but of course Harthelmess' popularitv must
be credited with the increase. The Capitol
put cn a larger presentation than usual to
compete with stiuer shows at other houses,
but accounted for nothing beyond ordinary
rtsuits. 'the Capitol's feature picture was
Dane-Arthur in "Circus Rookies" (M-G-
M).
The Roxy had a better than usual picture
last week in "Hangman's House" I Fox), and
thai, coupled with the regular Rothafel pro-
gram, brought the house up a bit. The
little Cameo let the German picture, "The
Raider Emden" (Columbia), out after a
three weeks' stay. Its returns were just
so-so.
With the two-a-days, aside from "Temp-
est," last week's leaders, "Trail of '98"
i Vl-G-M), "Wings" (Par.), "The Man Who
Laughs" (U.)i and "Street Angel" (Fox)
retained their positions. "The Trail of '98"
is doing consistently well for this season of
the year and the same can be said for
"Wings" and "Street Angel." At the
Gaiety. "Four Sons" (Fox) is going along
at a fair rate; likewise Warner's, with the
Vitaphoned "Glorious Betsy" (Warner
Bros.).
Again referring to Universal's "The Man
Who Laughs," an announcement from Uni-
versal states that the past week set a new
high record for the picturized Victor Hugo
story and predicts that the film will stay at
tlie Century well int.. the Summer months.
The weakest pair of specials on the street
at present are "Mother Machree" CFox), at
the l imes Square, and "Abie's Irish Rose,"
at the 44th Street. The last live days are
being advertised for "Machree" and nothing
much more can be said for "Abie" than has
already been stated in this column. It cer-
tainly appears that Broadway's appetite for
Irish-Jewish pictures has been satiated.
The Rialto will usher in Emil Jannings'
latest, "The Street of Sin," ..n Saturday.
Tom Mix and "Tony" are drawing them in
the Hipp, and Tom and his pony are billed
quite naturally — and honestly -over any-
thing else in the big 6th avenue house.
Buffalo
BOX office receipts were not as satisfac-
tory in Buffalo theatres last week as they
should have been, in view of the brand of
attractions offered. However, attendance
generally was normal and, in some in-
stances, better than average. Shea's Buf-
falo presented "The Love Mart" on the
screen and it drew much favorable comment,
but the stage revue, "Rio Romance," fell
below expectations, although Joe Penner,
comedian, went over big. Seems the public
is about filled up to the ears with the
Spanish costume stuff, the Argentine atmos-
phere productions, and kindred presenta-
tions.
Shea's Hippodrome fared very well with
a strong screen and stage program. The
picture was "Three Sinners," starring Pola
Negri, and the vaudeville bill was headed
by Ned Wayburn's "Buds of 1928." The
Great Lakes turnstiles clicked with a regu-
larity pleasing to the ears of Harry M. Ad-
dison, manager. Most of the patrons came
to see Buck Jones and his horse, who were
liberally exploited, in person, as headliners
of the vaudeville bill. The picture was
"Dressed to Kill."
The Lafayette had a good week with
"Tenderloin," as a holdover feature film.
The picture ran two weeks, but the second
week's receipts didn't begin to approach the
record-breaking returns of the first week.
A well-balanced vaudeville program also
was shown. Loew's State had a fair week
with Norma Shearer in "The Actress" as
the film attraction and Priscilla Dean in a
personal appearance in a dramatic playlet
as the stage headliner.
The neighborhood houses experienced the
usual run of business.
Chicago
DULL business continues to worry Chi-
cago theatre managers, the usual sum-
mer slump appearing to have arrived
prematurely on the heels of an unusually
lifeless early Spring season.
The Chicago Theatre had an average week
with a bill which featured popular Norma
Shearer in "The Actress" and under normal
conditions should have gone over big, while
for the same period "Hold 'Em Yale" on the
screen and Mark Fisher's inaugural week
show on the stage accounted for a fair
weeks' business.
"The Street of Sin" continued its run at
McVickers and was only moderately suc-
cessful in attracting attendance. Another
holdover was "We Americans at the Roose-
velt where the box office reports were not
so satisfactory.
A brighter note was struck at United Ar-
tists Theatre where "Sadie Thompson" with
Gloria Swanson as the star awakened the
public interest and did an excellent business.
Outside of the loop the outstanding fea-
ture of the week was Movietone's opening
at the Granada and Marbro Theatres with
extra advertising. Both houses offered "The
Escape" as the screen feature, Vitaphone
and stage acts, the combination bringing in
good business.
Other de luxe regional theatres generally
had an off week.
Philadelphia
C^INEMA interest in Philadelphia last
s week centered in a world premiere of
"Hangman's House," at the 'I- ox theatre,
simultaneously with the Koxy theatre in
New York, a rare event in this city. In
addition, the entire program was an ex-
ceptionally interesting one, including
Roscray and Capella, Adagio dancers,
Castleton and Mack, and Miss Frances Wil-
liams, and the Fox, in consequence, enjoyed
an excellent week's business.
The Stanley, with Corinne Griffith in
"The Garden of Eden" and an elaborate
stage entertainment entitled "The Stanley
Strutters," with Allan Rogers acting as
master of ceremonies and including Jules
and Josie Walton, the Eight English Mas-
cots, the Lane Sisters, Caffcry & Miller,
and Milo, an imitator of various sounds,
also played to good business.
The Victoria, with Virginia Valli in "The
Escape," reports an average week.
"The Legion of the Condemned" has at-
tained great success at the Aldine, but on
account of bookings the engagement closes,
to be followed by "Old San Francisco,"
with Dolores Costello and Vitaphone ac-
companiment.
The Arcadia, with "The Shepherd of the
Hills," had only a fair week.
"Speedy," with Harold Lloyd, has been
one of the greatest hits shown at the
Stanton this year, and as a laugh getter it
is unsurpassed. It will be followed by the
"Patent Leather Kid," witli Richard Bar-
1 helmess.
The Carmen this week presented Madge
Bell amy, in "The Play Girl," on the screen,
with a novelty revue entertainment in which
Jessie Maker and W illiam Bedford offer a
comedetta, "High Lights of Life." contain-
ing clever dancing, humorous skits and a
dramatic scene, "The Big Parade." En-
thusiastic audiences applauded the enter-
tainment all week.
"Street Angel" continues to attract
crowds at the Fox-Locust and the results
have been very satisfactory.
The Palace, with Clara Bow, in "Red
Hair," and the Karlton, with Lillian Gish,
in "The Enemy," report average business.
Minneapolis
BUS IN F SS was just about average at
Minneapolis last week. The Stat; did
a fairly good business with Lillian Gish in
"The Enemy," while the Minnesota was
rolling up about an average gross with Pola
Negri in "The Three Sinners," supplemented
by the Publix stage show "Milady's Fan."
The Strand had Marion Davies in "The
Patsy" for its final week of the season, and
found the picture a very nice attraction.
"Ladies' Night in a Turkish Bath" was at
the Lyric, where it enjoyed a fairly brisk
trade. Pantages showed Victor McLaglen
in "Hangman's House" a- a part of its regu-
lar vaudeville program, while the llennepin-
Orpheum was featuring "The Girl From
Chicago."
Business at the neighborhood houses felt
the effects of real summer weather to some
extent. The IJagCMin. Loring. American,
Lyndale and Rialto were showing such pic-
ture- as "Rose Marie. "Helen of Troy,"
"The Spotlight," "Two Arabian Knights"
and "Legicn of the Condemned."
1784
Motion Picture News
Atlanta
ATLANTA theatres enjoyed fair business
last week, due partly to very warm
weather and partly to a mediocre bill-of-
fare.
The Rialto held the strongest fort with
its second week run of "Tenderloin," ac-
companied by Vitaphone and Movietone
newsreel.
The Capitol, showing "The Freedom of
the Press," fell down from its pinacle of
steady good business. Although it did not
really suffer, the box-office received a set-
back. Although heralded far as an out-
standing picture, patrons in general classi-
fied it mediocre, if not below par.
Richard Dix, at the Howard, in "Easy
Come, Easy Go," plus a good vaudeville
presentation, drew fair for that house.
Loew's Grand enjoyed an average week
with "The Patsy," Marion Davies' latest.
Loew's vaudeville did not stack up and the
accentuated "low browness" drew some un-
favorable comments.
Sue Carol, in "Walking Back," brought
the Metropolitan a fair week.
Keith's Georgia, last, but perhaps on top,
can claim the best all round bill for the
week. Edmund Lowe and Mary Astor held
the honors on the screen in "Dressed to
Kill," while an exceptionally good vaude-
ville reigned from the stage. With the ex-
ception of the Rialto, with its innovation of
Vitaphone and Movietone, which naturall}'
are drawing cards, the Georgia led the box-
office parade.
Three numbers, "The Devil's Trade-
mark," "Avenging Fangs," and "Tom's
Gang" held the Tudor steady.
Indianapolis
AVERAGE box office business was en-
joyed last week by Indianapolis movie
houses. Ideal spring weather helped boost
movie attendance, making business some-
what normal.
Opening of the park season has failed to
make a noticeable cut in attendance. Two
local stock companies are getting their
share of business from the first run houses.
May McAvoy and Conrad Nagel, in "If I
Were Single," secured good patronage and
were well received at the Indiana theatre.
Charlie Davis' 1,000th performance week
observance drew considerably. Indianapolis
continues to prefer their local favorite,
Charlie Davis, instead of Eddie Pardo, mas-
ter of ceremonies at the Circle, another
Skouras Publix house.
Pardo is in his sixth week here and is
proving himself a popular showman, al-
though confronted with strong opposition
from the Indiana.
Mary Philbin, in D. W. Griffith's "Drums
of Love," at Loew's Palace, played to satis-
factory business.
Bebe Daniels, in "Fifty-Fifty Girl," regis-
tered the usual fair business at the Circle.
Al Jolson, in "The Jazz Singer," lived up
to expectations at the Apollo.
Neighborhood houses reported a fair week|
San Francisco
THE past week both pictures and weather
were suitable to San Franciscans. It
was cloudy and on those days the people
do not go to the local beach as they do on
other days during the year.
Loew's Warfield was crowded both day
and night with the showing of "The 50-50
Girl" and the presentation of "Japa-Knees,"
together with Rube Wolfe, as director, were
the reasons for the great crowds. Pola
Negri, in "Three Sinners," together with the
Publix Revue, entitled "Havana," and other
features, drew well at the Granada theatre.
The St. Francis theatre continued to draw
crowds with "The Circus," with Chaplin,
although this picture was not considered as
good as his other productions. The Cali-
fornia theatre has done better than it has
done for many months during the past week,
because of the picture with Emil Jannings,
entitled "The Street of Sin."
"Burning Up Broadway," shown at the
Golden Gate theatre, together with the acts
of vaudeville, drew strongly at that theatre,
as well as the Union Square theatre, with
"Three Is a Crowd," "Her Huskie Hero"
and "The Summer Hero," together with
vaudeville acts.
During the week, two Ackerman, Harris
& Oppen theatres played the same picture,
"The Gaucho," in two of their theatres, the
Coliseum and the Alexandria, both of which
are in the same residential district, and
very good business resulted from this idea.
Salt Lake City
SOME very good box office receipts were
! enjoyed at the downtown motion picture
theatres here this past week, in spite of the
fact that spring seems to have at last set
in. The weather conditions in this section
are still somewhat cooler than usual for
this time of the year, however.
Corinne Griffith, in "The Garden of
Eden," brought very satisfactory results to
the Capitol theatre, with the Fanchon and
Marco stage presentation, "In Holland,"
also proving to be a drawing card here.
It is announced that Ramon Novarro, in
"Across to Singapore," which commenced
at the Pantages the middle of the week, is
breaking attendance records there. This is
in addition to the vaudeville bill offered at
this house.
Bebe Daniels and James Hall, in the
comedy, "The Fifty-Fifty Girl," played to
fairly large houses at the Paramount Em-
press, as did "No Place to Go," with Lloyd
Hughes and Mary Astor, the Victory the-
atre comedy offering this past week.
Shirley Mason and Richard Arlen, in
"Sally in Our Alley," did about average
business at the American theatre, it is re-
ported. Vera Reynolds, in "Almost Hu-
man," drew fairly good houses at the Gem,
according to reports. The Rialto, a second
run house here, did exceptionally well with
"The Last Command," featuring Emil Jan-
nings.
A special Mother's Day picture was
presented as a second at the Towers, a
suburban house here- featuring Mary Carr
in "Over the Hill."
The new State theatre enjoyed a good
share of patronage during their second
week's performance, having presented "The
Spoilers of the West," with Marjorie Daw
and Tim McCoy this week.
Des Moines
BUSINESS in Des Moines was off last
week, whether due to the rainy weather
was not definitely decided. "Old San
Francisco," at the Des Moines, was con-
sidered a little heavy, while some fans were
most enthusiastic. The Vitaphone drew
them in there. At the Capitol, Jimmy
Ellard, returning after a short vacation, got
a big reception, although "The Actress" was
not generally well received. The picture
received most favorable criticisms and was
well done in the care taken to accurately
portray the period in which it was set. It
seems, however, that Miss Shearer, who is
gaining ground quite rapidly, is better liked
in modern versions. "Ladies' Night at a
Turkish Bath" was an attraction at the
Strand, and "The Secret Hour" also did
well.
General rains over the state have had
some effect on business, though it is re-
peatedly stated that the box office shows
up better than a year ago.
Albany
EVEN a personal appearance on the part
of Theodore Roberts was not sufficient
last week to bring packed houses to Proc-
tor's Grand, where "Buck Privates" was the
feature picture. Business simply did not
come to the motion picture theatre of the
city, no matter how much the exploitation
or the attractiveness of the feature. On the
other hand, large crowds greeted the legiti-
mate at the Capitol Theatre, where such at-
tractions as "Diplomacy" and "The Merry
Wives of Windsor" packed the house to the
roof at stiff prices prevailing.
The Leland, in connection with a week's
run of "The Enemy" did heavy exploitation
work, only to find that the crowds were
lacking, at least for the first show of the
evening, and to no great extent at the sec-
ond show. Summer weather and daylight
saving proved too heavy an obstacle for the
motion picture theatres to surmount. Doug-
las Fairbanks in "The Gaucho" at the Mark
Strand did only fair business, even though
there were a couple of good Vitaphone pres-
entations. At the Mark Ritz "Bringing Up
Father" played to but fair houses. Eveu
Harmanus-Bleecker Hall took a decided
slump with its pictures and its vaudeville.
This week this theatre is using Franklin Fai-
num in person for three days in the hope
of bracing business. Clinton Square The-
atre in Albany did not do so bad, consider-
ing all things, with "The Crystal Cup" and
"Their Hour," but the theatre is a small
one at best.
The neighborhood houses reported busi-
ness as being bad. Exhibitors from out of
town visiting Albany's Film Row were in-
clined to c< implain.
In Troy the Troy Theatre split its ween
with "The Garden of Eden" running to fair
business for four days, and "Hangman's
House" doing little to brag about for the
last three days. At the Lincoln, "Ladies*
Night in a Turkish Bath" went over fairly
well, but the house was forced to split its
week and use "The Fortune Hunter" to
three days of rather poor business. Theo-
dore Roberts, in person, did his full share
in attracting crowds to Proctor's 'Fourth
street house.
Tampa
THE hot weather may have been the
cause of a slight decrease in receipts
the past week, though the houses here are
always delightfully cool. The beaches are
certainly getting 'em on Sunday afternoons
and, as a consequence, the theatres are
playing to little better than half the average
attendance on the matinee. The night
crowds still hold up good.
The Victory continues to lead the field
with their Vitaphone and Movietone pro-
grams. This week's bill packed a power-
ful kick and went over fine. "Skyscraper"
was the feature attraction. The Harring-
ton Sisters, remembered here from vaude-
ville days, pulled the best hands in the Vita-
phone presentations. Premier Mussolini
was the star of the Movietone presentations.
The Tampa had a pretty fair week. "The
Garden of Eden" was the feature of the
first half and "Across to Singapore" the
last half.
Rin-Tin-Tin, in "The Dog of the Regi-
ment," drew a nice business for the Strand.
It was featured for three days. "Three
Sinners" and "Sporting Age," used two days
each, did not do so well. Business hardly
up to the average of the house.
The Franklin inaugurated a new summer
schedule this week with four changes of
program, two first runs and two second.
"The Desert Bride" and "The Bandit's
Son" were the first runs. "The Patsy" and
"Sporting Goods" were the second runs.
None of them developed much of a draw.
May 2 6 , 19 28
1785
St. Louis
SOME rain and cool weather, coupled
with unemployment and general adverse
conditions, prevented the first run, com-
bination and neighborhood houses from
breaking any box office records during the
week ending May 18th.
Fair to middling is the best that can be
reported on any house.
Dolores Del Rio, in "Rarnona," held the
screen at Loew's State and, aided by Nat
Nazarro's "Oddities" on the stage, pulled
in its share of the business for the week.
At the Grand Central. "Glorious Betsy,"
with Dolores Costello and Conrad Nagel,
was the Vitaphone offering for the week.
The bill also included several Vitaphone
short subjects. The Vitaphone has won its
place in t lie amusement budget of St. Louis-
iana and. considering the seating capacity
of the Grand Central, this program did very
well.
"Mad Hour" was on the screen at the
Ambassador theatre, but didn't have very
much to do, if any, with the attendance for
the week. As usual Ed Lowry, master of
ceremonies extraordinary, was the best
noise at the box office. Ed celebrated his
1000th appearance in St. Louis during the
week and is well set toward his second
1000th show. "Lady Be Good" was on the
screen at the Missouri and had an average
week. It is an amusing and pleasing pic-
ture of life back stage. A fine comedy.
Dallas
WARM weather and outdoor attractions
did nothing to help receipts at the
Dallas first run theatres and the past week
developed no big draws, although grosses
for the week were not bad.
At the Melba, "Drums of Love," with
Mary Philbin and Lionel Barrymore, proved
to be only a fair draw, although it received
much favorable comment.
The Majestic enjoyed a good week's busi-
ness with "Daredevil's Reward," starring
Tom Mix, and Interstate vaudeville, with
the greater part of the credit going to the
vaudeville hcadliner, Toto, the world famous
■clown.
"Thanks for the Buggy Ride," with Laura
LaPlante and Glenn Tryon, at the Capitol,
registered only fair receipts for the week.
At the Palace, "Rarnona," with Dolores
Del Rio, had an average gross for the seven
day run.
"Love and Learn,' with Esther Ralston,
at the Old Mill, brought average business.
"The Legion of the Condemned," featur-
ing Gary Cooper and Fay Wray, at the Ar-
cadia, enjoyed good business.
Baltimore
ONLY one of the first-run moving picture
theatres here did an excellent business
for the week beginning Monday, May 14.
That was Loew's Century, where "The
Patsy," starring Marion Davies, was shown
with a stage presentation act called Cameos,
featuring Ted Claire with his orchestra and
other vaudeville headliners. This picture
was given extra publicity and advertising in
the two Hearst newspapers, the American
and News here.
While "Laugh, Clown, Laugh," starring
Lon Chaney, went over pretty well during
its second week at Loew's Valencia, it did
not do the business expected, and really
pulled them in on Chancy's personal attrac-
tion here.
At the Keith-Albce New Garden Theatre,
with the prices lowered to the regular 60-
cent top at night, "The Haunted Ship,"
starring Dorothy Sebastian and Montagu
Love, proved a good pulling attraction with
seven acts of Keith-Albee high class vaude-
ville.
At Keith's Hippodrome, where "Good
Morning, Judge," featuring Reginald Denny,
was shown, with five acts of Keith-Albee
family time vaudeville, business went along
fairly well throughout the week.
The Stanley had a fairly good week with
"Lady Be Good," co-starring Dorothy Mac-
kaill and Jack Mulhall. On the stage was
Anatole Friedland in person with his Club
Anatole Revue.
The foreign-made production, "The Trial
of Donald Westhof," was presented at the
Little Theatre by the Motion Picture Guild,
but although this picture was excellently di-
rected and acted, it proved only a poor
business puller at that 250-seater.
The Maryland, a legitimate house, went
over to pictures for the week, "The Port of
Missing Girls" being presented by the
Equity Theatres Corporation of Philadel-
phia on a rental policy. The regular movie
lair- prevailed, but business throughout the
week was very poor, even though it was
presented continuously each day.
Business at Warners' Metropolitan fell
down heavily with "Rinty of the Desert,"
starring Rin-Tin-Tin and Vitaphone attrac-
tions on the same bill.
M iltvaukee
MILWAUKEE theatres finished one of
the poorest weeks this season the past
week. The first day of the week started
fairly well. Sunday matinee business was
nil, for the German-Irish fliers paraded
down Wisconsin avenue, and it was esti-
mated that less than one hundred patrons
could be found in any of the down town the-
atres during the afternoon. Rainy weather
managed to hold down receipts for the bal-
ance of the week.
"Sadie Thompson" had a fair run at the
beginning of the week at the Garden. "The
Showdown" drew very moderate business
to the Wisconsin. "Hot Heels" was fairly
well attended at the Alhambra. "Dressed
to Kill" was accorded very slim patronage
at the Merrill. "The Patent Leather Kid"
was held over for a second week at the
Strand and was fairly successful. "Soft
Living" was the photoplay feature at the
Riverside. Business here was a little more
brisk.
The Orpheum succeeded in drawing good
houses throughout the week. "A Blonde
for a Night" was the picture here.
..Five neighborhood houses installed Vita-
phone, which was initiated this week — the
Oriental, Garfield, Uptown, Tower, and
Modjeska. The feature at these theatres
was "Speedy," and at all business was un-
usually good.
Kansas City
EXPLOITATION on cooling systems,
confined chiefly to trailers, prepared
first run houses of Kansas City to be well
fortified for the unusual hot weather the
past week, and business, while there was
no increase, did not show any slump, as
usually is the case during the first warm
week here.
At Loew's Midland, Clara Bow, in "Red
Hair," did a good business all week, sur-
passing the attendance mark of the pre-
vious week. Richard Dix, in "Easy Come,
Easy Go," and Sid Chaplin, in "Skirts,"
comprised the split-wek program at the
Newman, the former picture drawing slight-
ly more than the latter, although the at-
tendance at neither picture reached a basis
of profit, toward which the Newman has
been struggling since the opening of Loew's
Midland last fall. Both theatres are under
the same control.
"Honor Bound" did a good business at
the Pantages, while the attendance attracted
by "Braveheart" at the Liberty was fair, as
was "A Dog of the Regiment" al the Globe.
Nothing unusual in the way of exploitation
was used by any of the houses.
( )ttawa
TIIF.RE was a sort of off-period for the
theatres of Ottawa, Ontario, during the
week of May 14, for a variety of reasons.
W arm weather made its inroads into pat-
ronage for one thing, and then the features
at two of the principle theatres hardly meas-
ured up to expectations.
"Blue Danube," at B. F. Keith's theatre,
proved to be a colorful feature and it proved
a popular attraction, the vaudeville section
of the program being particularly excellent.
The crowd did not seem to like "The
Dove," starring Norma Talmadge, at the
Regent theatre, and patronage took a drop.
A few even wrote letters of complaint to
Manager Ray Tubman.
"The Little Shepherd of Kingdom Come,"
at the Centre theatre, was up to the stand-
ard of Barthelmess' features and was well-
liked by regular patrons. Some staved
away, however, because they did not like
this type of story.
There was disappointment over the fea-
ture at the Imperial theatre. This was
presented as "Man and Woman," but the
original title was "Man, Woman and Sin,"
the sin having been deleted by the Ontario
censors. The rest of the picture was ap-
parently whitewashed by the Board of Cen-
sors. Patronage tapered off when word got
around.
The neighborhood houses had a big time
of it. The Columbia theatre, for instance,
gave plenty but got plenty in return, the
hill including "Colleen"; "Hawk of the
Hills," a serial; a comedy and a news week-
ly. The Fern theatre cashed in prettily
with this program: "Gorilla," the feature;
"Listen Lena," comedy, and chapter 8 of
"Melting Millions."
At the Rex theatre the crowds of young-
sters and adults were cheering for "Arizona
Nights," in which Fred Thompson and Sil-
ver King appeared.
Harrisburg, Pa.
HARRISBURG theatres already have be-
gun to feel the adverse effects of the
arrival of summer outdoor amusements and
kindred counter attractions, and the same
may be said of Central Pennsylvania cities
and towns in general. The season for the
appearance of carnivals and circuses and
for the opening of outdoor dancing pavil-
ions is at hand, and Harrisburg this week
had to compete also with the four-dav Mo-
zard Musical 'Festival which drew material-
ly from the usual movie crwods.
Though Lon Chaney attractions normally
have a big following in the city, there were
a good many vacant seats in Loew's Re-
gent during the week's run of the Chaney
film, "Laugh, Clown, Laugh," notwithstand-
ing the play seemed to meet with the ap-
proval of the newspaper critics. There was
a falling off of the usual crowds at the Col-
onial, too, where the feature film was the
aviation comedy, "Flying Romeos," star-
ring George Sidney and Charlie Murray.
The Victoria's patronage, on the other hand,
stood up fairly well, considering the counter
attractions, with the offering of Gary
Cooper in "Doomsday," which was at-
tributed in part to the fact that "Sorrell and
Son," by the same author, made an excep-
tional hit in Harrisburg a few months ago.
The screen attraction at the State the last
three days was "Hangman's House,"
with Victor McLaglen. and it met with a
fair degree of popular approval. "The
Smart Set" was shown in two of the citv's
second run theatres for part of the week,
proving a good attraction at both the Rus-
sell and the Broad Street. The National
offered Douglas Fairbanks in "The Gaucho."
which had drawn big crowds to Loew's Re-
gent a few weeks before.
1786
Mot i o n /' i c tttre News-
Cincinnati
THE past week in movie circles in the
Queen City, although satisfactory as
a whole, could have been considerably bet-
ter. Business was off color, due, no doubt,
to the gradually increasing warm weather,
and the opposition from some of the out-
door resorts who are featuring "first-look
days."
Richard Dix, in "Easy Come, Easy Go,"
at the Albae, had good crowds for the
greater part of the week. The picture had
the advantage of the advertising from a re-
cent stage (stock) presentation of the play.
The Lyric, with "Ramcna," held up nicely
throughout the week, Dolores Del Rio be-
ing considerably of a favorite with Cincin-
nati fans.
"The Cohens and Kellys in Paris," at B.
F. Keith's, did an average business. There
was no occasion for turning 'em away.
"Tha Skyscraper," at the Capitol, fared
somewhat better than the other houses.
The picture was well received, as were also
the week's features of \ itaphone and
Movietone.
"Little Mickey Grogan," first half, and
"So This Is Love?" last half, drew fairly
well, although this house, which shows at
reduced admissions, has its own particular
following.
The Strand had a good week with Irena
Rich in "The Desired Woman."
The closing of the legitimate theatres, as
also the Walnut (movie) should bring in-
creased returns for the other houses from
now on, and managers are rather optimistic
in this regard.
Seattle
NONE of the city's leading film houses
made any startling box office records
during the last seven days. Business is
ra.her below average, and the keen com-
petition between "presentation" houses,
vaudeville, etc., is making it impossible for
anyone to show big reports.
Considering capacity of house and num-
ber of patrons during the week, John Ham-
rick's Blue Mouse theatre was probably the
big money-getter for the week. "Tender-
loin" was the attraction, and a three-week
advance campaign had the city well pre-
pared for the arrival of the big "talkie."
They liked the film. Business was big —
second only to the opening weeks of "The
Jazz Singer" — and the film goes into a
second week.
"The Enemy," at the Seattle theatre, was
a very fine attraction, but a trifle out of the
popular film taste. However, it was strong-
ly advertised, and in conjunction with a
Publix revue entitled "The Fast Mail" it
played to pleasing houses. Business here
is below what it should be for the success-
ful operation of the theatre.
At the Fifth Avenue theatre, "Across to
Singapore" was the atraction and most audi-
ences liked the film and its cast very well.
Jack Waldron, former musical revue enter-
tainer, made his bow as a singing and
dancing master of ceremonies with moder-
ate success. Fanchon-Marco's "Pan-Amer-
icana'' idea on the stage was below par.
The bill opened big for three days, but then
fell down to average business.
At the Columbia theatre, "Good Morning,
Judge" played to fair business, attracting
just about the usual number of film-goers.
The house is still below par, with apparently
no chance to build it up again at the same
50c admission charge as collected at the big
houses.
"Drums of Love," at the United Artists
theatre, was an interesting film from the
production standpoint, but failed to arouse
any audience enthusiasm, and the picture
did only a mediocre business. One week
was plenty for this one, with box office
slightly below normal.
"A Girl in Every Port," at Pantages, had
the call over "The Count of Ten," at the
Crpheum theatre, as far as the vaudeville
houses are concerned, and business was far
from strong at either house. The new Or-
pheum policy of continuous unreserved
shows at 50c top is not a financial success,
and the calibre of vaudeville and film attrac-
tions is rapidly losing patronage for this
one-time leading theatre.
At the Embassy theatre, "Stranded"
played to the usual average business. I he
second run downtown houses are showing
poor reports as a result of first run shows
at rock-bottom admission prices, and the
fact that this city is overseated is becom-
ing more apparent each day.
Cleveland
I T is with great pleasure that the jinx can
be reported out of business, and that all
of the local theatres enjoyed being in busi-
ness last week. Whether it was the psycho-
logical week for theatre attendance, or
whether the attractions were particularly al-
luring, who can say? Whatever the reason,
the results were most gratifying not only in
the matter of dollars and cents, but also in
keeping up the morale among theatre
owners.
Tom Mix and his peny, ' Tony," in a per-
sonal appearance, walked off with first hon-
ors last week. Keith's Palace played to ca-
pacity-plus business for every performance.
Reginald Denny, in "That's My Daddy,"
was selected as the screen attraction best
fitting the occasion. The picture, somewhat
different from the usual Denny picture, was
well liked. However, it was difficult to get
a slant on the picture when the audience's
whole interest was centered in Mix. "The
Enemy," Lillian Gish's latest release, scored
a decided success at the Stillman, and is
being held over another week. Ward Marsh,
Motion Picture Editor of The Plain Dealer,
says, "Miss Gish won her first "A" in "The
Scarlet Letter"; she easily wins her second
film "A" in "The Enemy."
The Allen had big houses consistently
all week with Richard Barthelmess in "The
Little Shepherd of Kingdom Come" as the
feature, a picture similar to "Tol'able
David," both in subject matter and in ap-
peal. "Vamping Venus," a lot of fun about
not much of anything, very well done by
Louise Eazenda and Charlie Murray, at-
tracted large audiences at the State and kept
them laughing all the time they were in the
theatre, which, after all, is a good comedy
gauge. Reade's Hippodrome had unusually
large attendance all week with "Horseman
cf the Plains," a Mix picture, which won
added response from the public on account
of Mix' personal appearance in the city.
"Stand and Deliver," an unusually colorful
and romantic picture, pleased large audi-
ences at Keith's East 105th Street. Loew's
Park did well with a first-run neighborhood
shewing of "Laugh, Clown, Laugh," one of
Chaney's masterpieces. "Wings," road show
attraction at the Colonial, continues to at-
tract large crowds, although it is now in
its sixth week. It will be continued. The
Oriental had a good week with "The Rus-
sian Revolution" as the feature. It's inter-
esting, instructive, and not at all inflam-
mable in its context.
Neighborhood houses did not enjoy the
same success that the downtown houses did.
'flic majority of them report that business
was normal — meaning that it continues to
be poor.
"Name the Woman" Will
Be a May Release
" N!arhe the Woman" is Columbia's third
May release, ready for exhibitors on May
25.
News Reel Resume
Pa the News, No. 43, has a special re-
lease of the Kentucky Derby. The four
other items presented by this reel were:
Colonial pageant at Annapolis; coast de-
fense guns in practice at Fort Story, Va. ;
new French plane which will try Atlantic
hop; bridal ceremonies of Seattle girl who
married Maharajah of Indore.
No. 44 showed snapshots of principals of
Mandell-McLarnin bout; Gov. Smith operat-
ing a linotype machine and doing other
press work; the first gorilla born in cap-
tivity in Germany; the young Nebraska
boy who has won fame because of his
smoking proclivities at the age of three;
King George installing Knights of the
Bath; Coolidge speaking at academy cele-
bration; little King Mahai inspecting his
soldiers at Bucharest; Navy pilots in play
in the clouds above Honolulu.
Issue No. 85 of Paramount News con-
tained views of the Prince of Wales
presenting golf trophy to Walter Hagen ;
pageant marks commemoration of colonial
days at Annapolis; anti-aircraft, batteries
of Fort Totten, N. Y., show their power;
Tom Heeney and Gene Tunney in training;
monument honoring Nungesser, Coli and
Lindbergh unveiled in Paris; a dizzy drive
for auto speedsters; planes bombing bal-
loon at Fort Crockett, Texas ; the Kentucky
Derby.
No. 86 told of the huge oil lire at Mid-
land, Texas; 30-year-old Chicago mother
who established new swimming endurance
mark; Birmingham workmen clean 25-year-
old statue; Queen Mary dedicating English
hospital; Chinese diplomat arrives in N. Y. ;
Vienna's workers march; new lion cubs at
(lay's Farm; Coolidge at anniversary cele-
bration of the Philips Academy; 200,000
Roumanian peasants in demonstration
against reigning government; airmen in
thrilling maneuvers over Washington, D. C.
In M-G-M News, Vol. 1, No. 80, were
scenes showing the parade of crack British
troops before King George; anti-aircraft
guns in action; triplet sons, wiio look alike;
memorial for airmen unveiled in Paris;
Japanese war canoes in stirring regatta;
baby squirrel being fed from a bottle;
Walter Hagen and the Prince of Wales;
airplane flight around the summit of Mount
McKinley; girls join the Fascisti and drill
before Mussolini.
No. 81 gave accounts of Joie Ray's come-
back in marathon run; Hagen winning be-
fore the Prince of Wales; flower festival in
San Jose, Cal. ; Mexican riders in exhibi-
tion before President Calles; society girls,
frolicing on the beach at Waikiki; Mr. and
Mis. Coolidge at Sesquicentennial celebra-
tion of Philips Academy; the Kentucky
Derby; Japan honoring the Mikado's birth-
day.
Vol. 9, No. 67, of Fox News, included in
its contents the celebration of Tutuila,
South Sea Isle, on the anniversary of com-
ing under the protection of the F. S.;
Lindbergh's plane dismantled for museum;
an animal novelty; the Bremen crew ac-
claimed in Chicago and Milwaukee; the
tallest bridge in the world over the Snake
River Canyon in Idaho; boy wins title of
tumbling champ; herds of Angora goats in
Oregon; Spain's entry into beauty show to.
M a v 2 6 . / 9 2 8
178?
Opinions on Pictures
i , —
The Yellow Lily
Attractive Shots — lint Story is Weak
( I\r\ irucil 1>> Laurence Uriel)
IT seems to lie quite ;i task to find ;i story
measuring up to Billie Dove's stature as
an actress. This star has talent which has
been displayed upon occasion-, l>u; for the
most part she is allowed to see it buried in
plots which could he interpreted by one en-
dowed with half her ability. Still the girl
has that beauty. And no matter how her
stories go over you can't deny that she can
decorate them.
The present story is one of those royal
doo-dads — which has the Glynish glamour
or the tints of a (Iraustarkian background.
And into its plot appears an Hungarian
archduke whose game is women. He sheiks
around until he is captivated by the belle
of a village, and alter a hit of by-play with
pistols the story ends with the customary
fadeout. It is neatly staged and the sett-
ings are truly picturesque. So are the cos-
tumes.
The story tries to be sophisticated, and
had it been produced in Germany it might
have carried a kick at that. But fear of
censorship has kept it within bounds and
so it happens to be just an ordinary film,
("live Brook makes a good appearance and
the others are competent.
Drawing Power: Satisfactory for neigh-
borhood houses and all other types. Exploi-
tation Angles: Play up star and her beauty.
Tease the title. Bill as romance of court
life.
Produced and distributed by First Na-
tional. Length, six reels. Released, May 20,
1928. The Cast: Billie Dove, Clive Brook,
(iustav von Scyffertitz, .Marc MacDermot t ,
Kugenie Besserer, Nicholas Soussanin, .Jane
Winton, Charles Puffy. Director, Alexander
Korda.
The Devil's Skipper
A Strong Narrative
(Reviewed by Raymond Ganly)
T T i- not often that roles are as strongly
* portrayed as is Belle Bennett's playing
of a woman skipper of a slave ship. Xor
does the average story of the sea hold forth
as many powerful situations as does this
•lack London tale, an adaptation of hi-
" Demetrious Contos. " With power lurking
in her performance and the burden of the
picture resting on her shoulder.-, the pro-
duction drives home because of Miss Ben-
nett's meritorious and straightforward
characterization.
■Jack London's is a good name to feature
prominently in the hilling. His realistic
knack of writing has brought him thou-
sands of admirers. In this story the motif
is the problem of a woman commander of
a hell ship planning to revenge herself upon
her husband. Having come on board her
ship presumably to inspect her cargo of
slaves, the man and his daughter find them-
selves iM the power of the woman, who
offers the girl to the crew while the father,
a captive, watches helplessly. With a surge
the drama bursts over the woman when she
finds that the girl is her child. Seeking to
save her from one id' the sailors she is
stabbed. Dying she sees her daughter and
husband being rowed ashore to future hap-
piness.
To achieve a strong vigor would have
meant better direction than John (!. Adolli
has turned in. As it is the story with its
powerful theme is but rarely colored with
forceful directional touches. Montagu
Love stands above the supporting cast very
prominent ly.
Drawing Power: Should draw in all
house-. Exploitation Angles: One of y •
best bets is the author's name. Feature
Miss Bennett and Love.
THEME: Drama of a mother, who was
tricked by her husband and sold to a slave
ship, leaving behind a child whom she
thought dead. Placed in a position to re-
venge herself upon the man, she is about
to give his girl to her rowdy crew when she
learns that the victim is her own flesh and
blood. She is stabbed while saving her from
one of the sailors and later dies.
Produced and distributed by First Na-
tional. Released, Feb. 1, 1928. Length, 5,510
feet. The Cast: Belle Bennett, Montagu
Love, Mary McAllister, Cullen Landis, Gino
Corrado, G. Raymond Nye, Pat llartigan,
Adolph Millar, Phillip Sleeman, Frank
Leigh. Adaptation of London story by .John
Francis Natteford. Director (i. Adolti.
The 50-50 Girl
Bebe Is Good, Hut Meeds Hotter Stuff
( Review <-<l by Laurence Rcicl)
HP HIS isn't a bad little comedy as come-
' dies go. It has a slight idea and does
present a few laughs here and there. But in
the main the laughter is tucked away in
moth-eaten situations. The plot itself is
quite provocative of interest — in that it
exploits a girl who thinks she can do a
man's job — and get away with it. So meet-
ing her man, they exchange places — and
what follows gives Bebe Daniels the oppor-
tunity to release some laughs. Anyway, she
injects enough spirit and abandon into her
characterization, and makes things hum.
The star give- a great performance, hut she
really should have bigger and better stories.
It isn't a picture which will lose her any
of her following. And she gives the pari
enough shading to make it interesting. The
romance is properly developed, and the girl,
sadder and wiser over her experience is
willing to settle down and play the woman.
•James Hall does some creditable acting,
though his opportunities are limited like
Bebe's. The piece i- staged in a titling
manner.
Drawing Power: Title i- alluring. And
star has a public. Okay for average houses
or first runs surrounded by strong program.
Exploitation Angles: Tease the title and
exploit the desire of woman to do man's
work in this modern era. Play up star.
Produced and distributed by Paramount.
Length, six reel-. Released, Ma\ 12, L928.
The Cast: Bebe Daniels, James' Hall, Wil-
liam Au>tin, .Johnnie Morris. Director.
Clarence Badger.
Wilful Youth
Good independent Production
(Reviewed b> Raymond Ganlj )
rP I IF -um of entertainment in I he story
* of "Wilful Youth'' is a pleasing one.
Laid in a lumber camp and with the natural
setting that such a locale offers, the story
is so laid out by Director Dallas M. Fitz-
gerald that it holds the interest, even in its
most climatic parts where generally a story
is either muffed or played with a winning
hand. Kenneth Harlan and Edna Murphy
are the leads and in their respective roles
they play restrainedly and with no obvious
shortcomings.
In the story you have an older brother
who does his best to implicate his younger
brother in a murder. A tragic figure, that
of a wronged girl, wanders throughout the
first portion of the tale but is killed off un-
der circumstances which point to the
younger brother as responsible for the
crime. The actors make their problems very
real so that the studio atmosphere of make
believe is not in evidence to the degree it
is present in the average independent pro-
duction.
A good attraction for the majority of
houses.
Drawing Power: Okay for second run
and neighborhood trade or for house- where
vaudeville forms part of the program. Ex-
ploitation Angles: Concentrate on the two
leads and the lumber camp location.
THEME: Younger brother of a mil-
lionaire lumber king, deprived of his share
in the father's fortune because of the elder
brother's double dealing, is wrongfully ac-
cused of killing a girl, whose death is really
due to the rascally elder brother. On the
night of the killing, however, the accused
had been with his fiance and she proves his
innocence and implicates the elder brother
as the guilty party. The murderer commits
suicide leaving the road to happiness open
to the two.
Produced by Dallas M. Fitzgerald. Dis-
tributed by Peerless Pictures (S. P.) Re-
leased, December, 1927. Length, 5,800 Eeet.
The Cast: K. •nneth Harlan, Edna Murphy,
.Jack Richardson, Walter Perry, James
Aubrey, James Florcy, Kugenie Forde, Ar-
thur Morrison. Story by Edith S. Tapper.
Continuity by Ada Mc Quill an and Gladys
Cordon. Director, Dallas M. Fitzgerald.
"Old Wives Who Knew"
(Fox — Two Reels!
(Reviewed by Raymond Gaul) 1
THKRL'S a deal of comedy in most of the
sequences of this short subject. Hallam
Cooky, Jimmy Finlayson and Anita Garvin are
enabled to place some laughs because of the ma-
terial at hand. The cock-and-bull story that
Cooley tells bis wife after imbibing freely at
a party is amusing as well as ludicrous.
He sixes various reasons why his wife lias
found him in a slightly lit condition. The tale of
bandits and alluring Oriental maidens beguiles
her for a while, but at recurring intervals she
becomes suspicious, which suspicions the hubby
has to dispel by adding another sequel to the
story. By the time be lias finished, the talc lias
grown into a mountainous concoction of fibs.
A good laugh number.
1788
Motion Picture News
Something Always
Happens
Mystery Melodrama — Moderately
Interesting
(Reviewed by Laurence Reid)
ONE can't complain over Esther Ral-
ston's newest picture. Built on a
mystery angle, naturally it goes melodra-
matic. And as things shape up it comes
through as plenty good enough. The idea
bobs up around the efforts of a youth to
tame his sweetheart who develops an ex-
citement complex. The girl just craves one
thrill after another. So in the hopes of
curing her the boy resorts to much prac-
tical joking. To keep the thing on the
move and kicking with suspense a real
crook enters the story. From his entrance
and through the finish the action stirs up
plenty of adventure in a typically melo-
dramatic manner.
The background is the English country-
side, and the director has captured the
environs of Hollywood to make them look
genuinely atmospheric. To explain the
background the hero is a member of an
English family — and his fiancee is an
American girl visiting his parents.
It is packed full of incident and never
allows itself to become duly serious. In-
deed, the director has modeled it along sa-
tirical lines. And thus saves it from becom-
ing one of those things. Miss Ralston 's
beauty is charmingly set off — and her talent
is 0 K too. Others who help the picture are
Sojin and Neil Hamilton.
Drawing Power: Good for first runs and
first class houses. Would be suitable for
any type of theatre. Exploitation Angles:
Would tease the title. Feature beauty of
star. Bill as adventure story of girl seek-
ing thrills. Feature Neil Hamilton.
THEME: Comedy-drama of adventurous
girl who is tamed by her fiance.
Produced and distributed by Paramount.
Length, 4,792 feet. Released, March 24,
1928. Cast: Esther Ralston, Neil Hamil-
ton, Sojin, Roscoe Karns, Lawrence Grant.
Director, Frank Tuttle.
A Thief in the Dark
Thrilling Crook Play
(Reviewed by Chester J. Smith)
THIS Fox production of crooks and mys-
ticism falls just short of being a really
good photoplay, one out of the ordinary.
As it is it holds the interest fairly well
throughout, though it is permitted to drag
a little here and there. Its ultimate out-
come is also a little bit too obvious for a
play of the type.
It is good entertainment, however, with
enough of romance and comedy mixed with
the more thrilling action to make it appeal-
ing to almost any audience. The story has
to do with a band of circus crooks, of which
Professor Zeno, a mystic, is the master
mind In his seances he gets information
from his subjects that reveals to him the
hiding place of valuables and then he details
one of his crooks to the job of bringing in
the loot.
The big haul is to be made at the man-
sion of an eccentric old collector of rare
jewels, whose beautiful granddaughter falls
in love with the newest recruit in the crook
band. The latter relents after his first job
and turns hero by exposing Zeno as the
murderer of the girl's grandfather. There
are mysterious passageways and trick doors
in the house of the jewel collector which
add to the tenseness of the action as the
story progresses.
The principal roles are in the hands of
Michael Vavitch, as Professor Zeno; Doris
Hill, as the girl, George Meeker as the re-
pentant young crook and Noah Young, as
Monk, another of the crook band. All of
them do their work acceptably.
Drawing Power: It is the type of story
that has a popular appeal and it should do
better than the average program picture.
Exploitation Angles: The expose of fake
spiritualism; the circus sideshow atmos-
phere and the general tieups suggested in
the press sheet.
THEME: Mystery drama of mystic
leader of circus crooks whose crime of mur-
der is revealed by one of his young hench-
men who has fallen in love with the grand-
daughter of the murdered man.
Produced and distributed by Fox Film
Corporation. Length, 5,937 feet. Released,
May 20, 1928. The Cast: George Meeker,
Doris Hill, Gwen Lee, Marjorie Beebe,
Erville Alderson, Michael Vavitch, Noah
Young, C. M. Belcher, Raymond Turner,
James Mason, Yorke Sherwood, Frank Rice,
Tom McGuire. Director, Albert Ray. Story
by Albert Ray and Kenneth Hawks. Con-
tinuity by C. Graham Baker.
Home Made
Fairly Good Comedy
(Reviewed by Raymond Ganly)
AS a small-town Johnny with nerve and
ability to get ahead, Johnny Hines,
assimilates some fairly good comedy. Al-
ways a pleasing personality, the comedian
is handicapped to some extent because of
a dearth of laughable gags. So instead of
the usual adjectives of praise generally ap-
plied to a Hines vehicle, this reporter
must fall back on those of a less optimistic
nature.
Johnny arrives in the big city full of en-
thusiasm and a desire to establish his
mother's home-made jam as the best on the
market. Before he can make any headway
in his endeavors he must bring into service
an unlimited supply of gall and nerve.
There are reasons for slightly uproarious
guffaws now and then, but these intervals
of merriment do not come often enough. In
the wake of these gags are moments of
dulness which occur with too great a fre-
quency. But whenever Hines has a chance
at some comedy, he always comes across.
A feature for the houses daily changing
their programs.
Drawing Power: Fairly good. Exploita-
tion Angles: A first-rate assortment of ex-
ploitation ideas are available in the press
sheet.
THEME: Comedy of a small-town boy
with nerve, who comes to the big city and
establishes his mother's home-made jam as
a quick-selling product. In reaching this
successful peak, he also wins a charming
girl and makes the name of the jam famous
all over the country.
Produced by C. C. Burr. Distributed by
First National. Released Nov. 20, 1927.
Length, 0,524 feet. The Cast: Johnny Hines,
Marjorie Daw, Edmund Breese, Maud Tur-
ner Gordon, Margaret Seddon, De Witt
Jennings, Charles Gerard. Story by C. B.
Carrington. Titles by Paul Peres. Director,
Charles Hines.
Honor Bound
Slow-Moving and Not Much to It
(Reviewed by Laurence Reid)
NOT so much can be said toward recom-
mending this picture. It has a story
which has seen considerable service on the
screen — and here it doesn't capture any
interest beyond the characterization. Es-
telle Taylor has the principal part and does
wonders by it. She succeeds in winning at-
tention anyway, even though she hasn't
many opportunities. The director has
brought the players to the fore here and
made them do their stuff. And he has cre-
ated some good effects with the photog-
raphy, and again in the whipping scenes.
The idea exploits the "sacrifice" motif.
A young spouse accidentally kills her hus-
band. Since she has hated him things look
extremely black for her until a self-sacrific-
ing youth (much in love with her) assumes
the blame for the crime and goes to prison.
He is bound over by the State to a coal-
mine owner. And the highlights of the ac-
tion feature him being beaten and flogged.
The heroine, having moved near the camp,
gets revenge eventually on the prison boss
by beating him. The story has a counter-
plot and it does become somewhat compli-
cated. But all ends well.
As mentioned above the acting here is
the whole thing. It builds none to well and
never leaves its story-book atmosphere.
Drawing Power: Suitable for program
houses. Exploitation Angles : Play up cast,
featuring Miss Taylor and George O'Brien
and Tom Santschi, one of the oldest actors
in point of service on the screen. Bill as
story of love and self-sacrifice.
Produced and distributed bv Fox Films.
Length, 0,188 feet, Released, May 0, 1928.
The Cast: Estelle Taylor, George O'Brien,
Tom Santschi, Leila Hyams, Frank Cooley,
Sam DeGrasse, Al Hart. Director, Alfred
E. Green.
"Jack and Jilted"
(Fox-Imperial — Two Reels)
[Reviewed by Chester J. Smith)
IF one can see the humor in the smashing of
eggs all over the countenances of every mem-
ber of the cast, as well as the features of a few
extras because of the abundance of eggs, then
this is a real riotous comedy. It will probably
be about a fifty-fifty proposition with neighbor-
hood audiences ; it will set half of them laugh-
ing and will nauseate the other half to the
point where they will probably leave the theatre.
It certainly is not pleasing to see a series
of closeups of eggs spattered over faces and
clothing or of two men sitting in a Pullman
train slapping each other in the face with eggs.
That is the entire element of comedy in this
two-reeler and the setting is in a Pullman car,
where dozens and dozens of eggs are hurled
about. It is a fair enough story up to the point
where they get to hurling the eggs, but from
then on it is fairly disgusting. The cast is made
up of Pat Cunning, Marjorie King.Harry Dun-
kinson, Dorothea Wolbert, Bud Jamison, Nick
Copeland and Eddie McPhail.
"America's Little Lamb"
(Fox— One Reel)
SHEEP herding in the Western part of the
United States is shown in this Variety re-
lease, of more-than-the-average interest. Driv-
ing the flocks to new grazing grounds, the intel-
ligent work of the shepherd dogs, shearing the
sheep — the items reveal illuminating points of
the sheep raising industry. Not merely educa-
tional but interesting is this Variety. Good for
all programs.— RAYMOND GANLY.
M a y 2 6
1 9 2 8
1780
The Blue Danube
Just a Tidbit ttf Romance — That's All
(Ileviewed by Laurence Rcid)
THE title decora ting this picture indi-
cates that it might carry the swing and
rhythm and movement of Strauss' immor-
tal waltz. But the comparison ends with
the monicker. It just shapes up as a senti-
mental excursion involving a love triangle
— and aside from some attractive shots and
some creditable acting it has nothing to
place it in a select circle.
The story plods along, obviously, lack-
ing any punch to keep one interested after
the romantic interludes. The gist of it car-
ries a young baron away to war leaving his
sweetheart pilling for him. A cripple, COD
ducting a hopeless love for the girl, endeav-
ors to double-cross the more personable
youth. He is successful for a time and then
l'ades out of the romance and the picture.
Leatrice Joy as the heroine acts with
fine spirit which is tempered with pathos.
But she deserves a good break after a long
season of mediocre films. Nils Asther looks
well in an Austrian uniform and Joseph
Schihlkraut makes the other character sinis-
ter enough. It's just a moving picture for
average audiences.
Drawing Power: Title has possibilities.
Also pliers. Suitable for program houses.
Exploitation Angles: Feature title and use
excerpts of melody for musical accompani-
ment. Feature three leading players.
THEME: Romantic drama of lovers
separated by war with sinister figure en-
deavoring to steal the girl away from more
attractive rival.
Produced by De Mi lie. Distributed by
Pathe. Length, 7 reels. Released, Mar. 11,
L928. The Cast: Leu trice Joy, Joseph
Schihlkraut, Nils Asther, May Robson,
Seena Owen, Albert Gran, Frank Reicher.
"Rah, Rah, Rah"
(Educational — -Two Reels)
(Reviewed by Raymond Ganly)
A CLEVER comedienne, Dorothy Devore
fares very well in her latest comedy for
Educational which was written and directed by
Norman Taurog. Playing a frivolous college
freshie, she has many opportunities for some
good work in scenes where the sweet seniors
are hazing her. They place crabs, lobsters and
toads in her bed at retiring-time, and, the fun
consists in the reactions of whichever individual
the mollusks nip; it is good stuff. The hefty
Babe London has one of the principal support-
ing roles and, with Wallace Lupino and Jack
Miller, does some of the best comedy bits in this
particular subject. Lupino gives one of his
woman interpretations and is extremely effec-
tive.
Another occasion for fun is bad in a basket
ball game in which, however, the ancient gag
of having a person perilously balanced atop a
flagpole is intnxluced for another attempt to net
a few chuckles. But there is really little to
criticize in this comedy as for the most part it
succeeds in its mission of creating laughter.
The title writer also has bright efforts to display.
"The Speed Sheik"
(Universal — Two Reels)
I Reviewed by George J. Reddyl
THIS two reel comedy starring Arthur Lake
offers only a fair amount of laughs, de-
pending mostly for its real punch on a more or
less thrilling cross-country automobile race,
which in a measure serves to counterbalance the
lack of humor.
The youthful comedian this time, is intent
upon winning an auto race from his rival, for
Mary the girl he adores has promised to marry
the victor. As everything is fair in love and
war, the contestants pull many daring stunts
during the course of the race, in an endeavor to
eliminate each other. In a last desperate effort
to wreck Arthur's speed bus, the rival throws a
hand grenade, which bounces back into his own
car and explodes, leaving Arthur undisputed
winner of the race and the girl. This release
will furnish average entertainment for any type
of audience.
"Who's Lyin'?"
(Educational — Two Reels)
(Reviewed by Raymond Ganly I
F> DUCATIONAL could have a good comedy
j team in Ceorge Davis and Monty Collins
if they were surrounded with clever gags and
a better type of comedy than "Who's Lyin' ?"
has. In judging this laugh effort one cannot
but note that it consists mainly of an idea that
is really falling apart with old age, cinematical-
ly speaking. The idea referred to is having
a few lions or other jungle cats slinking in
and out of the scenes and terrifying the various
principals of the play. Lions in comedies have
been chasing comedians for about ten years, or
whatever time it was when "Roaring Lions"
and similar comedies first made their appear-
ance.
Both of the co-starring players have ability,
but their chances to display the same come
rarely. The scene of their activities lies in a
hotel in which is also stopping an Indian prince
with an attractive wife. The Indian entertains
suspicions that the two are intimate with the
lady and as their respective suites, are separated
by the bath there are several occasions when
it does look as if his suspicions are justified.
After a time escaped lions make their appear-
ance and are a source of terror to all concerned.
Directed by Stephen Roberts the comedy also
has in supporting roles Betty Boyd, Robert
Graves, Eva Thatcher and Ray Turner.
"The Palace of Honey"
( M-G-M-Uf a — One Reel)
A CLOSE-UP of one of nature's orderliest
creations — a bee hive — forms the very in-
teresting theme of this Ufa short subject. For
sustained and well-balanced interest, the reel,
is a winner. One of the best of the Oddities
releases.
The activities of the hive are all caught
under the microscope. The queen, the center
of the hive is shown. The brood-cells and the
honey-cells are also given an intimate study.
The amazing capacity for work of these winged
insects is brought out in the multiform pro-
cessions of the bees searching for and storing
honey, attending their queen, defending their
hive from attack. One scene visualizes a lone
bee trying to put up a defense against a num-
ber of attacking ants. The bee fights a losing
battle and is eaten alive before the camera's
all-watching eye. There are many other items
as compelling and as unusual. — RAYMOND
GANLY.
• Tokens of Manhood"
(M-G-M-Ufa— One Reel)
THE makers of the painstaking and educa-
tional Ufa Oddities journeyed down to the
uncivilized regions of the South American con-
tinent to obtain at first hand glimpses of a bar-
barous and superstitious rite practiced by the
savages. Reaching maturity, the youths of the
tribe are initiated into manhood. Preceded by
a score of their fellows who make weird noises
the youths enter the place of the initiation from
which all females are barred. Fierce and un-
diminished noise is made which the women be-
lieve to be the voice of the evil spirit making
known his wishes. After the initiation rites
the noise ceases, the youths, now men, make
merry with the women folk and strong liquor is
taken in generous quantities. The reel is in-
teresting —RAYMOND GANLY.
"Their Purple Moment"
(M-G-M-Roach — Two Reels)
(Reviewed by Raymond Ganly)
WHAT appears to be the best comedy team
in present-day short subjects — Stan
Laurel and Oliver Hardy— appear in this new
Hal Roach comedy, invested with an amazing
amount of laughter and replete with really
funny happenings. Is it as good as "The
Finishing Touch" and that other laughable af-
fair in which they were washing-machine
salesmen? No, not quite as good. But even
when this pair is offered an average assortment
of gags they give vent to a humor far above
the ordinary comedies.
Imagine the calamity in which these two
find themselves. They possess wives who take-
all their salaries, but on the sly Laurel saves
quite an amount. The two of them arc saving
up for a whirl of pleasure and so this day
they venture out, Stan believing his wallet con-
tains his money horde. They fall in with two
girls and adjoin to an expensive restaurant
where they order liberally from the menu.
After treating royally, Stan looks into his
wallet and discovers his wife has purloined his
bills and substituted cigar store coupons. Fol-
lows a wild time, the two trying to escape pay-
ment of the check and the hilarity receives a
further impetus when the two wives arrive,
having been informed of their husbands' pbilan-
derings.
Laurel is a dandy comedian ; in this comedy
he fares better than does Hardy. Laurel is
subjected to a long close-up showing his be-
wilderment and consternation when he finds
out what is in his wallet. The comedy benefits
from a repetition of one gag— that of a waiter
continually falling over Laurel. Much of it is
slapstick but it is effective.
•The Iron Code"
(Universal — Two Reels)
(Reviewed by George J. Reddy)
ALTHOUGH this two-reel featurette star-
ring Jack Perrin, is typical of the usual
Northwest Mounted tale of the trails, it must
be credited with containing enough of the ele-
ments of hard-riding, rough-and-tumble fight-
ing and love interest to make it a welcome in- ■
cident on the average program.
Bob Frazer (jack Perrin), of the Mounties.
happilv gallops through the Canadian wdds to
the home of Marie Chaudet. whom he is to
marry. Upon his arrival there he learns from'
Marie's father that she has been kidnapped by
Wolfe Baptiste, a ruthless outlaw. As they are
starting in pursuit. Bob sees the flash of an
M. P. signal directing him to capture bank rob-
bers hiding at Indian Gulch. Torn between
love and duty. Bob sends Marie's father to
headquarters for help in seeking her, and then
departs for the bandits' rendezvous, where to his
surprise he finds Baptiste, holding bis sweet-
heart prisoner. An exciting chase and a ter-
rific fight follow, with Bob and his buddies
from headquarters finally overcoming the gang.
"Pathe Review No. 22"
(Path. — One Reel)
A THREE subject offering, this entertaining
Review contains: "Maids of Java." a beau-
tiful Pathecolor presentation in which dainty
Javanese maidens, aspiring to become temple
dancers undulate rythmically : "The Legend of
the Pekingese": A Strang tale of the ancient
Chinese legend, the love of the lion for the dog
and the concession to love — the hybrid aristocrat.
The highlight of this educational reel is "Sahara
the Mystic," an interesting pictorial of the ad-
ventures of Horace D. Ashton, Fellow of the
Royal Geographical S(X-iety in the great white
wastes of Africa. In all this Pathe Review issue
is good and will be an appreciated tiller on an>
program.-GEORGE J. REDDY.
1790
M o t i o n P i ct u r e New s
"Crazy House"
( M-G-M-Roach — Two Reels)
I Revieived by Raymond Ganly)
A GOOD "Our Gang" comedy and one with
which to provide howls for almost any
type of audience. Many of the familiar faces
of the old "gang" have disappeared ; in fact,
a new "gang" is fast becoming a reality. But
as all these clever little children are entertain-
ing to the extreme, it matters little whether the
old performers have gone so long, as they have
heen replaced by equally clever kids. In "Crazy
House" the bunch are treated to an April Fool
party. They have lots of fun, which the spec-
tator shares.
Little Jean Darling is the young miss who
invites them into her luxurious home and
treats them to the April Fool diversion. Her
father had had installed wires throughout the
rooms which provide electric shocks, water
spouts, air gusts and whatever else is desired.
The "gang" is puzzled by these contrivances
and even Pete, the dog, wonders what it is all
about. Finally the kids ring the burglar alarm
and bring in the cops. A maelstrom of balloons
hides them from the police and they make their
escape.
Robert McGowan directed the "gang," as
usual. Richard Currier did the editing and
H. M. Walker the titling.
"Buster Minds the Baby"
(Universal — Two Reels)
(Reviewed by George J. Reddy)
I> USTER and Mary Jane provide their
J usual quota of fun in this newest Stern
Brothers' two-reeler, but the bulk of the ap-
plause goes to the dog actor Tige, who has been
given a wealth of humorous business, which
puts over the plot of this comedy.
Buster is about to receive a spanking from
his father, when Tige, through a clever trick,
diverts his mind from the task. As a reward
Buster and Mary leave Tige to mind the baby,
and join the gang headed for a local bazaar.
One after another Buster and his gang crash
the gate, until "Oatmeal," the little darky is
detected crawling through the doorkeeper's legs.
At this point a round-up of the kids is at-
tempted, causing a good deal of fun. The real
laughs of the comedy are supplied by the dog,
who in the meantime has taken the baby on an
outing.
"Crown Me"
(Educational — One Reel)
LUPINO LANE has a brother who will need
watching. Possessing real cleverness be-
fore the camera, Wallace Lupino is fast develop-
ing into a funny screen personality. To date, he
has appeared in some good Cameo offerings, the
hest of which, perhaps, was "All Set." In sup-
porting roles with his more famous brother, he
has scored several times as an effective panto-
mimist.
Directed by Henry W. George and supported
by George Burton and Muriel Evans, he is seen
in this new Cameo as a man suffering from a
tooth-ache. It can be said that none of the gags
are startlingly new, but funny nevertheless and
well put over.
A fast and snappv number. — RAYMOND
GANLY.
"The Fight Pest"
(M-G-M-Roach— Two Reels)
(Reviewed by Raymond Ganly)
THE nimble Charlie Chase, of whom many
complimentary things are being said by
stony critics of the movies, stars in this new
output of the Hal Roach Studio. Ably sup-
ported by Edna Marion, Edgar Kennedy (very
ably), Frank S. Hagney and Bull Montana, his
latest vehicle, while not up to the par of some
of his recent offerings, is nevertheless well
stocked with the situations which cause laughs
and giggles.
Charlie is a fight fan, also a pest. Those
sitting next to him at a pugilistic seance suffer
as he is the type of fan whose reactions to a
fight consist of swinging his arms, nudging
with his elbows and generally carrying on in a
manner dissatisfactory to his neighbors. Edgar
Kennedy sits next to Charlie and is involved
in all the disturbances and commotions caused
by that vociferous fan. After he has given the
razzberry to one of the fighters, Charlie is in-
vited to contribute some better fighting him-
self. He goes into the ring and knocks his
opponents silly, not because of his skill with
the gloves but because a towel, saturated with
chloroform and meant for him, has instead
acted as a sleep-provider for his antagonists.
H. M. Walker has some good titles. Fred
Guiol directed.
"Hectic Days"
(Educational — Two Reels)
(Revieived by Raymond Ganly)
SCORE another winning comedy for Lupino
Lane. His newest, "Hectic Days," is
provokingly funny and liberally spruced with
light, satiric gags. In reality, the comedy is
a parody and its theme is the wild west. Lane
is right at home in this environment and doles
out laughs all the way. Another one who does
his share to make hilarious moments frequent
throughout the two reels is Wallace Lupino,
who is right behind his more famous brother
in the fun-making.
At the megaphone of this effective laugh-
piece was Henry W. George.
As a credulous youth who believes all the
wild and wooly stories he reads in cheap maga-
zines, Lane plays the lone hero in his attempts
to capture the lawless leader of a bandit gang.
The bandits have captured the sheriff and their
chief is about to carry off the girl when the
heroic Lane gives battle to the desperadoes.
These fights are really comedy skits, especially
the one between Lane and Lupino in which you
see the antagonists resting when the struggle
becomes hot. Suffice it to say that Lane cleans
up the gang and expects the plaudits of the
town. But whatever cheers are heard go to the
sheriff, who has freed himself of his bonds
and who calmly takes all the credit.
"The Wandering Tov"
(Educational — One Reel)
HERE is one of the best releases from the
studios of Lyman H. Howe in some time.
Archie N. Griffith's animated art titles are ex-
cellently done and the ideas of Robert E.
Gillaum, around which this animation is built,
take in variety and spicy subjects. A little
wooden soldier is carried away by a balloon and
travels from country to country. Some of the
shots of this Hodge-Podge include the royal
guard at the palace at Stockholm, a street in
Holland and Java's boiling springs. A nicelv
put tosrether short subject. — RAYMOND
GANLY.
"Inklings"
(Red Seal— One Reel)
DRAWINGS by Dave Fleischer grace this
cartoon reel. An invisible pen traces the
Sphinx, the Leaning Tower of Pisa, the Cathe-
dral of Moscow, the House of Parliament at
London, the Eiffel Tower and the Statue of
Liberty. A few seconds of animation are intro-
duced and then the artists compares the faces
of dosrs with those of men. Fair program filler.
—RAYMOND GANLY.
"The Fox Chase"
(Universal — One Reel)
(Reviewed by George J. Reddy)
IN this Oswald comic the animated bunny
goes in for fox hunting, thereby giving car-
toonist Walter Disney an opportunity to create
a rather clever pen burlesque on society's great
outdoor sport. Much humor has been compiled
into this short reel, the animated "gags" of
which are nearly all original.
"Felix the Cat in Eskimotive"
(Educational — One Reel)
IT appears there is no end of adventures in
store for Felix, the screen's only cat star.
The possibilities of adventure for the feline do
not seem to be exhausted. For instance, in this
new cartoon release starring the Sullivan cat
the idea of a bubble for transportation is cleverly
presented with an embellishment of gag material
generously placed throughout. To please one of
the little Felixes, the cat blows a soap bubble
around him and a gust of wind carries the little
fellow northwards. Frantic, Felix chases the
bubble, up to the lair of the eskimo and polar
bear. He catches up with his little son and they
both use the bubble to get back to civilization. —
RAYMOND GANLY.
Newsreel Resume
(Continued from patje 1786)
be held in the U. S. ; the Preakness race at
Pimlico.
The Kentucky Derby was one of the
stories contained in No. 68. Also receiving
mention were scenes of N. Y. anti-aircraft
guns in practice; King Albert of Belgium
and King Christian of Denmark ; Mine.
Lupewcu, the companion in exile of Prince
Carol of Roumania; California girl dancing
along Pacific shore; Nobile sails over
arctic wastes in the Italia ; Tom Heeney
training; Fascist girls saluting- Mussolini;
American bride of Indian rajah arrives in
Paris ; Walter Hagen receiving champion-
ship cup from Prince.
International News, Vol. 10, No. 40:
Maypole festival in New York City; An-
napolis pagaent revives Colonial days ;
monument honoring aviators dedicated in
France; Mr. and Mrs. Stillman; President
Coolidge conferring medal on World War
hero; Japanese honor their god of the
waters; German horsemen in risky jumps;
British cavalrymen in some fancy riding;
"debs" on way to meet King George;
parade in Orleans, France, honors Joan of
Arc.
Kinograms, No. 5398, devoted itself to
views of Coolidge at Massachusetts acad-
emy; seaplane racing for Curtiss trophy;
Joie Ray, making new marathon mark;
naval officers shown chemical warfare of
the future; weaponless matadors tight
bulls; the Kentucky Derby.
No. 5397: The Kentucky Derby; France
pays homage to Joan of Are; Gene Tunney
in work-out; the Coolidges attending the
Annapolis pageant ; exhibition of miniature
locomotives; a private zoological garden;
three-day old lion cubs at Gay's Farm;
lady performer wrestling with tiger in
circus act.
Joie Ray winning the marathon, the
President and Mrs. Coolidge attending the
school anniversary celebration, King
George installing the Knights of the Bath;
Rlandell and MeLarnin, and the Kentucky
Derby were some of the highlights of No.
41. Also included were the liner Mohawk,
which suffered a collision in fog; military
display before Japanese emperor; a rose
festival parade at San .Jose; elephant group
in museum.
Last Warner Picture for
Season Released May 26
The final Warner feature for 1927-28 will
be released on May 26th when "Five and
Ten Cent Annie" co-starring Louise Fa-
zenda and Clyde Cook reaches the public.
M ay 2 6 , J 9 28
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leases. Best references. Want
position with future. If you
can offer good salary and need
a man who knows the game,
write Box 3.")3, care Motion
Picture News. 72!) Seventh
Aveixue.. Xew York City.
OROANTSTS and SING-
ERS, thoroughly trained and
■experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address. fhicairo
Musical College, 64 E. Van
Buren, Chicago.
PROJECTIONIST
TTNTON. Youn g man witb
"bfoad experience in motion
picture projection desires po-
sition. Capable, can make
•good anywhere. Address Box
346, care Motion Picture
News, 729 Seventh Ave., New
York.
Laboratory man. nine
years' experience in all
branches of laboratory work,
including 16 m.m. production.
At present employed ; desires
connection with future. Ad-
dress: Box 195, care Motion
Picture News, 729 Seventh
Avenue, New York City.
A-l Male Organist at liber-
ty. Wurlitzer specialist. Or-
ganist, 1112 Lee St., Charles-
ton-Ka., W. Va.
THEATRE MANAGER—
Five years experience manag-
ing vaudeville and picture
houses, chain and indepen-
dent, advertising and exploi-
tation. Age 25 — married.
Any location with permanent
connection. Address Box 333,
care Motion Picture News,
729 Seventh Ave., New York
City.
POSTER ARTIST — Can
make attractive lobby dis-
plays, posters, banners, signs,
original newspaper ads. Will
go anywhere. Young, mar-
ried, ambitious. Address Box
329, care Motion Picture
News, 729 7th Ave., N. Y.
City.
Wanted
WANTED — Two Experi-
enced Theatre Managers as
FOURTH OWNERS to lo-
cate as resident associates.
One in Ohio City, other in
New York State. Full par-
ticulars with Bank References
upon request. Address Ross
A. McAvoy, 252 Lafayette
Ave., Geneva, N. Y.
For Sale
FOR SALE— Marlowe The-
atre, Buffalo, N. Y. 750 seats,
$45,000. $12,000 cash re-
quired. For details write Da-
vid Krieger, 257 Virginia
Street, Buffalo, N. Y.
Theatre Wanted
THEATRE WANTED.—
Country Town or Suburban,
will lease or buy. Give par-
ticulars. II. R. W.. 8 Down-
ing Ave., Downinirton, Pa.
A Modern Eve
and Her Twentieth
Century Adam!
I COMNNC-
CRIFFITH
Springtime , i - golden hour» of love and
i < . n < kln*i. Gortnnc frii never more beautiful,
more' lovable, mure (orgeoutly (owned. Come,
live thit hour in "The Garden of Eden" — jrou'll be
ttirtlcd by Id cllnui.
Every Week't ■> Big iT/e* At tbt AUhmrnm,
Come On, Join the Happy Crowds!
ALLEN
Euclid Ave. it E. 14lh St
"Show -Wise Clcvclandcrs"
are raving over thi^ happy, arjoppy show I
Lowell Dfcmuili
Louise Dreiser
lite
Garden
Eden
ON THE STAOE-
ENCACEfHENT EXTRAORDINARY !
N...I T.ll 7 -4Qt
TODAY ,
Publix »t>te ol ihoM *$&~
n nweeping: l^* eoun- tv
iry like txldf.r*. Not
only in Om»ha, bul IAS
Paul Spor
a
j£ Joe Cr.ffm"*"1 * ShyV'
J I* Beautiful Ftlieta Sorel Cirli *4
3 She Muit Han Love— Life— Ac!
J And H 'hat a M ild Wedding— H
Corme
GRIFflTK
i group of four newspaper displays featuring pre-
sentations of "The Garden of Eden" at first run
theatres. The reproductions include layouts used
by the following theatres: tlabama, Birmingham;
Kirby, Houston, Tex.; Riviera, Dallas, and lllen,
Cleveland. Tin- Kirby ad u-as in one-column size
and employs a press booh mat in a very effective
original layout.
1792
Motion Picture N e
zv s
onal News from Corresponden
lju
C CONSTRUCTION work on a
y pretentious new theatre in La
Salle is expected to get under way
soon. Marvin Atlas, who recently
sold the Lumberg theatre at
Niagara Falls, which had been in
existence for 20 years, is behind
the La Salle project. It will be a
first-run house, with about 1500
seats, and, when completed, will
rival any house of its size in this
section in architectural and interior
beauty. La Salle is a town outside
Niagara Falls.
John Schultz, manager of the
Liberty theatre in Rochester and
former owner of the Park theatre
there, was a recent visitor along
film row.
Howard "Dad" Brink, of the
Educational exchange here, left on
May 21 for Montreal, to attend
the organization's annual national
sales convention in the Canadian
city, May 22, 23 and 24.
Michael Shea was in New York
last week, presumably to talk over
the matter with the sponsors of the
talking devices now in use or about
to be marketed.
Cyril Bird, salesman for the Na-
tional Theatre Supply company
branch here, has resigned and
joined the Buffalo sales staff of
the United Projector and Film
company.
The Dreamland theatre in Boli-
var is being all spruced up in real
Spring fashion. Maire Williams,
the owner, is having the house re-
modeled on the outside and com-
pletely redecorated on the inside.
More than 150 persons, includ-
ing the managers of other local
Buffalo
theatres and newspapermen, wit-
nessed a private screening of "The
Lion and the Mouse," a talking
picture, at the Lafayette theatre
last Friday night, as guests of
Manager William H. Raynor.
Miss Emma Abplanalp, hard-
working secretary of the Film
Board of Trade here, left last
week for California to attend the
annual convention there of the sec-
retaries of Film Boards of Trade
all over the country. The local
Film Board showered her with
small gifts to make her trip com-
fortable and her California stay
enjoyable. In her absence, Miss
Mildred Caskey, assistant secretary,
is carrying on.
Smiling Elmer Lux, F B O's
booker here, was so glad to get
back on the job last week after a
long siege of illness that verged on
pneumonia, that he threw a large
party at his Avery Avenue home
for the office personnel of the ex-
change in appreciation of the warm
welcome they extended him on his
return to his desk.
C. E. Almy, branch manager of
the Warner Brothers exchange in
Buffalo, has been promoted to Dis-
trict Managership of the Albany,
Buffalo and Pittsburgh offices.
Henry Kurtz, formerly of the
Lyric theatre in Rochester but now
retired, was in town last week and
made the rounds of the exchanges
to chat about old times with his
friends.
Film men who- were -in Rochester
last week brought back reports that
Mrs. Thompson, whose late " hus-
band owned the Grand theatre there
and who is connected with Mr.
Kaplan in operating the Lyric,
Cameo and Rivoli houses- in Ro-
chester, is contemplating building a
large new theatre in that city.
Vincent R. McFaul, general man-
ager of the Shea Operating Com-
pany, operators of the Buffalo, the
Hippodrome, the Kensington and
the Nprth Park here, announced
last week that negotiations are un-
der way for the installation of a
sound-producing device in Shea's
North Park and Shea's Kensing-
ton houses to. enable the- showing
of talking pictures.
.Marion 'Gueth; secretary of- the
Motion Picture Theatre Owners
organization here, received word
last week that the Victoria thea-
tre in Rochester,- managed by Jack
Farren, is closing this month.
Ted Schfanger, eastern division
sales director for Universal, spent
several days here last week con-
ferring with Dave Miller, Univer-
sal's branch manager in this city,
on the coming season's product.
Harry E. Lutz, Boston branch
manager for United Artists and
formerly with Associated Exhibi-
tors in ' Buffalo,' stopped' over here
for a day last week to renew ac-'
quaintanceships - while enroute to
Chicago to attend the United Ar-
tists' national convention.
H. A. Herman, salesman of First
National's exchange here, made an
extended trip last week through the
Syracuse territory, and indicated on
his return that business was good.
-H. T. Dixon, genial manager of
the F B O exchange here, returned
last Saturday from the F B O con-
vention in Chicago, just in time to
accept delivery on a shiny new car.
The Shafer boys of Rochester,
Sol and Leon, theatre managers
there, received many messages of
condolence from film folk in this
section as a result of the death of-
their father last week, from a heart
attack.
"Arnold Febrey, booker In the
Metro-Goldwyn-Mayer exchange
here, has resigned and his place
has been taken by S. Gottlieb, who
came -to Buffalo from New York
City.
Several of the Schine chain man-
agers- were in town from Rochester
last week, booking for June and
July. They included Sol Shafer of
the Grand ; Leon Shafer of the
State; W. L. Belcher of the Rivi-
era, and J. Schultz of the Liberty.
. Callers at Miss Ruth Rappa-
port's booking desk in Warner
Brothers' exchange here last week
for future playdates on picture^ in-
cluded James Constantino of the
Elmwood theatre, Syracuse, and
Frank Becker of the Arcadia the-
atre, Syracuse.
Salt Lake City
MANAGER O. WOG of the
local Paramount Famous-
Lasky exchange, and his sales staff
are attending the convention be-
ing held at the present time in San
Francisco.
It is reported at the local Asso-
ciated First National office that
Salesman Pete Stewart has been
transferred to Montana to handle
the entire state with headquarters
at Great Falls.
The Blizzard Ventilating System
was sold to O. E. Mclff of the
Kinema Theatre at Panguitch.
Utah, last week, having been pur-
chased from the local office of the
National Theatre Supply Company.
Hugh Rogers and Thomas Gavin
of the Liberty Theatre at Butte
Montana, were visitors at the Salt
Lake Branch of the National The-
atre Supply Company's office last
week.
The National Branch recently in-
stalled a double Roll Seeburg
Player Pipe organ at the State
Theatre here, previous to its re-
cent opening.
Earl D. Smith, local manager
for the National Theatre Supply
Company, and owner of the Towers
theatre, is in San Francisco at-
tending the District Convention
there.
All of the Metro-Goldwyn-Mayer
salesmen have left the office here
for their territories after having
attended a sales meeting conducted
by Manager L. C. Wingham.
Park Agnew, Metro-Goldwyn-
Mayer Home Office Representa-
tive, left this city last week for Los
Angeles after a short visit at the
local exchange.
George Derrick, Assistant Office
Manager for Metro-Goldwyn-
Mayer, has returned from a busi-
ness trip to Butte.
Leo Alder, Traveling Auditor
for Pathe, is now visiting the Salt
Lake exchange, having arrived
here recently from Cincinnati.
Manager Al O'Keefe of the local
Pathe office is now in Chicago, for
the purpose of attending the con-
vention being held at the Drake
Hotel there by Pathe.
Salesman Jack Connors came in
from his Southern Utah section
last week and will return there
within a short time.
Manager A. W. Hartford, ac-
companied by C. C. McDermond,
E. M. Gibson and E. S. Winward
of the Universal sales organization,
returned last week from the con-
vention held by Universal.
Sales representative Able Davis
was in the United Artists office
last week after a trip of several
weeks duration into Idaho. Johnny
Dickson just returned from an eight
weeks' trip into Montana.
Dave Farquhar, newly appointed
manager for the office being opened
by Columbia Pictures, returned
from the recent convention held at
Los Angeles. The new office is
located at - 258 East 1st South
Street.
Wayne Ball, local manager for
Warner Brothers, returned re-
cently from the convention held in
New York,' having stopped over in
Denver long enough to become,
married to Miss Helen McGee,
former cashier of the F B O ex-
change there.
District Sales Manager, Harrv
Lustig, is expected to arrive at the
Salt Lake Warner Brothers ex-
change soon, for the purpose of
conducting a sales meeting with all
of the local force.
Manager Clyde H. Messinger
kit last week for the Educational
convention to be held at Montreal,
Canada.
It is reported that Manager
"Hap" Fredericks of the local Co-
lumbia exchange, had an accident
with his car, which was completely
wrecked when he drove it into a
dftch recently; ' ■
Paul DeMordaunt of the Mis-
sion Theatre at Blackfoot, Idaho,
and Hugh Drennen of the Rex
Theatre at Rexburg, Idaho, paid a
visit to the local film mart last
week.
John Rugan of the Egyptian,
American and Orpheum at Park
City, Utah, spent some time looking
over the new season's product re-
cently as did E. Ostlund of the
Rivoli at Springville, Utah.
Chas. Walker, manager here for
Fox, left the latter part of last
week for the . Fox Convention at
New York City.
Louis and Harmon Peery of the
Egyptian and Ogden first run the-
atres of Ogden, called on film row
last week.
S. B. Rahn, District Manager
for Tiffany in Salt Lake and
Denver, has returned to this city
from Los Angeles and is now look-
ing over the local situation.
Fred Gage, United Artists sales
manager here, left for a sales con-
vention being held by this organi-
zation at Los Angeles.
May 2 6 , 1 9 28
Chicago
FIFTEEN Fox exchange man-
agers from cities as far west
as Vancouver and San Francisco
gathered in Chicago on Monday,
and after spending the day with
Manager Clyde Eckhart left for
New York city to participate in
the national sales conference of
the Fox organization. Included in
the party were Messrs. Eckhart,
Chicago; F. S. Sliter, Milwaukee;
M. A. Levy, Minneapolis; J. L.
Raper, Des Moines ; F. W. Voight,
San Francisco; J. A. Wilson,
Winnipeg ; Harry Milcher, Oma-
ha ; Ben Gould, Los Angeles ; C.
L. Walker, Salt Lake ; J. N. Hubr,
Calgary ; C. H. Kilgers, Kansas
City; B. F. Rosenberg, Denver;
J. M. Linn, Seattle; C. R. Deppie,
Vancouver, and E. M. McKean,
St. Louis.
Roy Alexander, popular ex-
changeman, is again active on film
row, having become associated with
Ben Judell in the distribution of
the "Road to Ruin," a Cliff Brough-
ton production, in northern Illinois.
Plans for the fifth annual Mid
West Film Golf Tournament are
about completed and the date has
been fixed for Friday, June 15th.
Chairman Len Ulrich reports that
a meeting of the committee in
charge will be held this week and
the club selected for the big match
will be announced within a few
days. The action of Olympia
Fields Club in barring trade
tournaments has eliminated this
course, which has been the scene
of all tournaments in the past, but
Mr. Ulrich promises an equally
interesting links for this year.
Charles E. Gregory, former
Kansas City M-G-M salesman, is
now connected with the Chicago
exchange and Manager Mendel-
sohn has assigned him to central
Illinois territory.
Frank Flaherty, of Fox, and
Henry Goldberg, of Educational
who took their vacations early,
are back on the job. Both are such
loyal Chicagoans that they stayed
at home. Why go away, they say,
with the Cubs winning thirteen
straight.
Roy Shimmerman, a newcomer
in the business, opened the new
Weldon theatre at Weldon, 111.,
last week. Weldon has been with-
out a motion picture theatre for
several years past.
Earl Bennett is making ex-
tensive improvements in his the-
atre, The Liberty, at Delevan, 111.,
but is keeping the house open
while the changes are being made.
Hal Roach, who for the past
four months has been making a
trip which took him around the
world, was a visitor at M-G-M ex-
change last week.
Balaban and Katz Midwest have
taken over two Chicago theatres,
The Shore and the Jackson, from
I. Bloom. Both houses have been
booked by the Coston Circuit for
some time past.
Another small but cozy theatre-
will be added to the Illinois list
some time in June when Lou Aus-
man plans to open his new Forest
theatre at Forest, 111. The house
is small, but of an artistic antique
design and will be a credit to the
town.
Frank R. Wolcott was a visitor
on film row this week following
the opening of his fine new Ma-
jestic theatre in Racine, where
Mr. Wolcott has been an exhibitor
for seventeen years. He is very
proud of his newest house, which
is rated as one of the finest neigh-
borhood theatres in the middle
west, and according to all reports
the opening of the Majestic was
made the occasion for a remark-
able demonstration of friendship
for Mr. Wolcott, which was par-
ticipated in by city officials, busi-
ness friends and thousands of citi-
zens of Racine. Two big special
editions of newspapers were pub-
lished in connection with the open-
ing, and floral tributes and gifts
of a more permanent nature were
showered on the popular veteran.
Manager Young, of National
Screen Service, has added Elmer
Uunas to his sales staff. Mr.
Dunas will work out of the Chi-
cago office.
Bernasek and Gregory will close
their Lagrange theatre, La Grange,
for the summer, on Sunday, Mav
19.
James R. Grainger, general
sales manager, will preside at the
regional convention of Fox Films
organization, which will be held
at the Stevens Hotel, June first
and second. Managers and sales-
men from eleven exchanges will
attend, as well as J. S. Woody, as-
sistant to the general sales man-
ager, and District Managers Clyde
W. Eckhardt and Ben F. Rosen-
berg.
Mike Siegel, well known Chi-
cago exhibitor, has bought an in-
terest in Linden Hall, a beautiful
twenty-three acre estate on the
highlands which overlook the Hud-
son River, near Rhinecliff, N. Y.,
about sixty mlies from New York
City. Lindell Hall is operated as
a rest resort, and will open this
week under the management of
Mr. Siegel's brother. Mike Siegel
will remain in Chicago.
Seattle
HAROLD B. FRANKLIN,
president and general man-
ager of West Coast Theatres, Inc.,
left this city last week after a few
days visit here with Herschel
Stuart, general manager of the Pa-
cific Northwest territory. Mr.
Franklin, on a tour of the Pacific
Coast district, also spent a short
time in Portland.
Vic Gauntlett, advertising and
publicity manager of the Blue
Mouse circuit of theatres, is now
a writer of radio broadcast con-
tinuity. Each week Vic supplies
the "words" that go with the "mu-
sic" on the Warner Brothers one-
hour program in Seattle over sta-
tion KOMO.
Pat Garyn, sales official of the
National Screen Service, spent a
few days here last week making
new office appointments for his
company in the Seattle and Port-
land districts. To manage the local
territory he has selected Robert R.
Nave, well known on the local
Film Row through his connections
with the booker's desks. In Port-
land, National Service will be rep-
resented by L. M. Cobbs, formerly
associated with the sales staff of
the Pathe exchange in Seattle.
W. D. Gross, veteran exhibitor
of Alaska, paid the local film mag-
nates a visit recently, buying and
hooking pictures to run in his chain
of houses through the several cities
in Southwestern Alaska.
Carl Stearn, manager of the
Warner Brothers exchange in this
city, and Bob Hill, head of the
Portland branch office, departed
last week for New York to attend
the convention of their company.
Ben Fish, manager of the Metro-
Goldwyn-Mayer branch here, and
Lou Amacher, Portland head, are
also planning their departure soon
for a convention.
Clarence Hill, film representa-
tive of this territory, last week was
appointed Pacific Northwest repre-
sentative for the Advance Trailers
company. He is now in San Fran-
cisco talking matters over with
company officials, and will soon re-
turn to Seattle and open a sales
office on the new Film Row.
Eddie Peabody, banjo-playing
master of ceremonies, closed a five-
week engagement at James Q.
Clemmer's Fifth Avenue Theatre
last week. He has been succeeded
here by Jack Waldron, singer and
dancer.
Several of the exhibitors of the
territory were guests of Roy Pea-
cock, manager of the National
Theatre Supply Company's local
office, last week for the first demon-
stration of the new "Orchestra-
phone."
One of the very infrequent visi-
tors to Film Row made his appear-
ance here last week in the person
of Al Wagner, exhibitor from the
state of Idaho. Mr. Wagner, oper-
ating houses in Cottonwood, Cler-
mont, Craigmont and Grangeville.
announces that he has removed his
general offices to the Lyric Thea-
tre in Grangeville, which he ac-
quired recently.
Ted Gamble, associated with
Universal's theatre department in
this city for several seasons, last
week was appointed assistant to
Mike Newman, the new manager
of "U" suburban enterprises in
Seattle. Mr. Gamble's duties will
be principally the booking of at-
tractions for all eleven "U" nouses
in this city.
Frank Pratt, formerly connected
with the Columbia Theatre here,
was recently appointed as manager
of the Universal Portola Theatre
in West Seattle.
"Ollie" Wallace, concert organist,
closed his local engagement with
West Coast Theatres here last
week, and has been booked for a
tour of the Canadian Publix chain.
Ike Binnard, popular exhibitor
of Lewistown, Idaho, spent a short
time among the local film exchanges
last week, buying and booking pic-
tures.
Les Weir, district manager of
Pathe, spent several days in the
local territory recently as manager
of the Seattle office, as a result of
the recent resignation of L. A.
Samuelson, manager. Mr. Samuel-
son, in charge here for several
years, has announced no definite
plans for the future.
Opening of John Hamricks new
Music Box Theatre, first run house
directly across the street from his
Blue Mouse Theatre, is scheduled
for the early part of July, accord-
ing to information made public
from the theatre last week. It is
understood that it will be a long-
run house, seating about 1000 per-
sons, and will probably open with
one of Warner Brothers "talkies."
EMPIRE LABORATORIES INC.
723 Seventh Ave., N. Y. Quality Bryant 5437-5736-2180
DEVELOPING AND PRINTING MOTION PICTURE FILM
1794
Motion Picture News
Albany
BEARING the good wishes of
every exhibitor in town, Edna
Pfister, secretary of the Albany
Film Board of Trade, boarded the
Lake Shore Limited last week for
the Los Angeles national conven-
tion.
Bob Pierce, of the Capitol the-
atre in Ilion, visited Film Row
last week, and announced that he
is planning to install Vitaphone in
the near future.
Howard Morgan, who handles
Educational's product in Albany,
is back from his company's conven-
tion in Montreal.
Catherine Dobbs, a member of
Tiffany's office force, is at an Al-
bany hospital, where she will un-
dergo a slight operation. Betty
Mead is filling her place tempo-
rarily at the exchange. Mildred
Coons, of the Pathe office, is re-
covering from a tonsil operation.
Although Abe VanDusen, booker
at the F B O exchange, did not
land first place in the recent coun-
trywide bookers contest, he never-
theless pocketed a nice check last
week as the result of his efforts.
Among exhibitors seen on Film
Row last week were John Augello
of the Family theatre in Utica ;
Vincent Danielle, of the Lyric in
Utica, and William McNeilly, of
Rome.
It is reported that Elmer Soper,
plans to reopen the Gayety theatre
at Inlet as soon as the tourists be-
gin to arrive. H. Edick, who oper-
ates theatres in Leonardsville and
Mohawk, is planning to open in
West Winfield soon.
Lew Fischer, of Fort Edward,
who has a large chain of houses,
announced last week that he would
add a vaudeville act to his picture
programs as a means of bracing
up business. The act will play a
month on the Fischer time, appear-
ing at Fort Edward, Hoosick Falls,
Ticonderoga, Chatham and Cam-
bridge.
Mr. and Mrs. Harry Hellman,
owners of the Paramount and
Royal theatres in Albany, have re-
turned from a trip to Cleveland,
where they were the guests of Jack
Little, vaudeville star.
Pete Dana, local manager for
Tiffany, spent all of last week on
a tour through Utica, Watertown
and northern New York.
W. Finn, an exhibitor with
houses in Madison, Munnsville and
Eaton, notified the exchanges in
Albany last week that he would
close for the summer months.
Charles Stombaugh, manager of
the Pathe exchange in Albany, is
back from the Chicago convention.
Miss Rea Carmody, of the Pathe
office force, is back at her desk
following an influenza attack.
C. H. Buckley, owner of the
Leland and the Clinton Square the-
atres in Albany, has decided to
name the latest arrival at the
Buckley home, "Billie."
Jules Berinstein, owner of the
Colonial in Albany, is one exhibi-
tor who finds his greatest enjoy-
ment in his pipe. Cigars and cigar-
ettes do not tempt Mr. Berinstein,
who may be seen each night stand-
ing in front of his theatre and
puffing lustily at his briar.
Joe Wallace, handling Proctor's
Grand in Albany, stating that busi-
ness was not up to normal, lays the
slump not only to daylight saving
but also to the fact that many
people are now pinching their pen-
nies, because of spring automobile
purchases.
Harry Seed, who looks after
Warner Brothers' interest in Al-
bany, was in New York city last
week, meeting with the Stanley
and the Comerford representatives,
the latter buying for the Bingham-
ton houses.
Isaiah Perkins, of Speculator, is
now planning to build a dance hall
this summer, to be run along with
his theatre which is open from
May until September.
Dallas
HAL NORFLEET, director of
publicity for the Interstate-
Orpheum circuit of theatres in
Texas, is back on the job again
after seven weeks in a sanitarium
from a nervous breakdown. Fol-
lowing a conference with R. J.
O'Donnell, director of theatres,
Norfleet left for Houston, where
he will prepare for the big business
expected during the National Dem-
ocratic Convention to be held in
that city in June.
Karl Hoblitzelle, president of the
Interstate Amusement Co., left
Tuesday for a two weeks' visit on
the west coast, where he will spend
his time in the Los Angeles studios.
The late Simon Charninsky.
managing director of the Capitol
theatre, left his entire estate to
Mrs. Pauline Charninsky, his
mother, according to his will filed
for probate last Monday.
Frank O. Harting of the Inter-
state Amusement Co. press depart-
ment at Dallas, has been trans-
ferred to the Majestic theatre, Fort
Worth, where he will be assistant
manager and director of publicity.
Mr. Harting was former publicity
man of the Circle theatre, the Mel-
ba theatre under the Loew regime,
and was connected with the Palace
theatre before joining the staff of
the Interstate.
L. E. Harrington and Ed Pull-
man of the Dallas F. B. O. office-
are attending the F. B. O. conven-
tion at Chicago.
Frank Martin has been selected
as new cashier for the local F. B.
O. office.
Theo. Routt, office booker for
First National, is absent from his
office, due to illness.
Ray Stinnett has taken charge of
the Capitol theatre as managing di-
rector since the death of Simon
Charninsky, his business partner.
At the present time Mr. Stinnett
has charge of both the Capitol and
Pantages theatres, of which he and
Mr. Charninsky were joint owners.
P. K. Johnston, manager of the
Fox Dallas exchange, left last Sat-
urday for the annual Fox Sales
Convention in New York.
Ben F. Broyles, salesman for
Fox for the past seven years, has
been promoted to home office rep-
resentative over the southern ter-
ritory. Mr. Broyles will also at-
tend the Fox Sales Convention in
New York.
J. \V. Williams is the latest addi-
tion to the Fox sales staff in Dal-
las, and will travel south Texas
territory.
The Fox Southern District Sales
Convention will be held at the Ba-
ker Hotel, June 1st and 2nd.
E. Watson and H. A. Brown,
employees of the Majestic theatre,
Austin, were recently injured in an
automobile accident near Austin.
Mr. Watson suffered a broken col-
lar bone, and Mr. Brown was se-
verely bruised and shaken up.
St* Louis
D LOWRY, master of cere-
-i monies at Skouras Bros. Am-
bassador Theatre, entertained the
disabled veterans at United States
Government Hospital at Jefferson
Barracks on May 17. The enter-
tainment was under the auspices of
American Legion Auxiliary, No. 3.
Charlie Schmat on May 25 will
conclude an eight months' run as
master of ceremonies at Skouras
Bros. Granada Theatre, Gravois
and Ellenwood avenues, St. Louis,
Mo.
In Schmat's farewell week the
first annual spring revue was given
at the Granada, the leading outly-
ing house of St. Louis. Four other
master of ceremonies took part in
the revue — Paul Markman, of the
Maplewood Theatre ; Rich, the
singing banjoist from the Shenan-
doah Theatre ; Jerry Ross, of the
Kings, and Chick Quayle, of the
Lindell Theatre. There is also a
chorus of 18, including the original
Granada Rockets. The screen at-
traction was "The Showdown."
Skouras A closed the week at
$44.50, an advance for the week of
$1.50 a share. A year ago this
stock was quoted at $45 a share.
St. Louis Amusement was un-
changed for the week, being held
around $32.
The Gem Theatre Company
headed by I. W. Rodgers, has had
preliminary plans prepared for a
new theatre in Cairo, 111. It will
cost about $100,000.
A. R. Mason has taken over the
Plaza Theatre in St. Louis, Mo.
Julius Sanowsky, proprietor of
the Venus Theatre, St. Louis, Mo.,
has opened the Kinloch Airdome in
Kinloch Park, St. Louis County,
Mo.
Jack O'Toole, formerly St. Louis
manager for Pathe, who recently
entered the wholesale golf business
as the local representative of Play
Golf, has opened permanent quar-
ters at 825 Ambassador Theatre
Building, Seventh and Locust
streets.
Out-of-town exhibitors seen
along Picture Row recently in-
cluded Ted Yemm, Duquoin, 111. ;
Joe Hewitt, Robinson, 111. ; Oscar
Wesley, Gillespie, 111. ; H. Dela-
hanti, Pocahontas, 111. ; Walter
Thimmig, of Duquoin, 111., and
S. E. Brady, Cape Girardeau, Mo.
Progressive Pictures, Inc., with
$30,000 capital, has been incor-
porated under the laws of Missouri
by Tom McKean, Johnny Walsh
and Walter Light, who recently
bought out Progress Pictures, Cor-
porated, operated by Tom Leon-
ard. Tom McKean is president
of the new company ; Walter Light,
vice-president, and Johnny Walsh,
secretary and treasurer.
M ay 26 , 19 28
1795
New England
ARTHUR LAMAR, theatrical
promotor and manager, died
early last week at his home in
Portland, Me., aged 62 years. He
was born in Mobile, Ala., and en-
tered the theatrical field at the age
of 19 in New York. He left the
legitimate field to take up the dis-
tribution of motion pictures. He
was a charter member of the
Agents and Managers Club of
New York City. Death was due to
pneumonia. His wife, Alice John-
son Lamar, is in charge of publicity
for various theatres n New Jersey.
Tony Trando of 994 Carew
Street and Chicopee Road, Spring-
field, is to erect a theatre at Carew
street and Chicopee road, Spring-
field, 70 by 120. Plans will be an-
nounced soon.
Moe Grassgreen, sales manager
at the Fox exchange, has bought a
new sedan.
Joseph M. Cohen, travelling
auditor for Fox, was at the Bos-
ton exchange last week.
Many stage and film stars ap-
peared at the big benefit given the
Boston Theatre Treasurers' Club
last Thursday at the Colonial The-
atre.
The D. Latchis Theatre Co.,
which is erecting a new theatre at
Claremont, N. H., together with an
office building, has work well un-
der way and contracts were
awarded last week for the plumb-
ing and electrical work. The
structure will be 100 by 200 feet.
Haynes & Mason of Fitchburg,
Mass., are the architects.
Edward R. Kevane, who oper-
ated the Star Theatre at North
Brookfield, died early last week
after a brief illness. His widow is
to continue the operation of the
theatre.
Prior to her recent departure for
the Secretaries' Convention in Los
Angeles, Miss Catherine Sullivan,
secretary of the New Haven ex-
change, was tendered a dinner by
the exchange staffs.
The new Capitol Theatre at
Lawrence, Mass., opened last Sat-
urday.
Arthur Holbrook has accpiired
the Cameo Theatre at Palmer,
Mass.
Memorial Hall at Cochituate,
Mass., has been sold by John K.
Bennett to J. Sarango.
The Waldorf and Central The-
atres in Waltham, Mass., have
been added to the circuit of the
New England Theatres Operating
Corporation.
Helen Mitchell has been ap-
pointed assistant billcr at Fox ex-
change succeeding Miss Marion
Shaw, resigned.
Robert H. Sewall has been
awarded the contract for the new
A. H. Morse estate theatre at East
Central and Cottage Streets,
Franklin, Mass.
Ed McAvoy, special representa-
tive for F B O, formerly salesman
in the Boston territory, was a re-
cent visitor to Boston.
Walter Nelson and Joseph Kelly,
film salesmen in Boston, are now
distributing special films.
District Manager R. C. Cropper
of Pathe has returned to his desk
after a two weeks' illness.
Larry Gardner and Cyril Mc-
Gerrigle of F B O are attending
the Chicago convention of that
company.
Buck Stein has been promoted to
shipper at the First National ex-
change, taking the place of Jou
Cohen, who has resigned.
Richard Hill has resigned at the
Fox exchange, Boston, and is suc-
ceeded as assistant shipper by
Americo Burlon.
San Francisco
IT has been announced by Jack
Ley, manager of the Alexandria
Theatre, that his little two-year
daughter will enter motion pictures.
May 9th. 10th, 11th, and 12th,
Western Division and Sales Man-
agers of the Universal film ex-
change, held a get-together sales
meeting in San Francisco. A total
of 62 salesmen and Division ex-
change managers attended this
meet, that was considered one of
the most successful ever arranged
by Universal.
Fred Gage, for some time branch
manager of the local U. A. office,
later going on the road for the
same concern, is now branch man-
ager of their Salt Lake exchange.
New draperies and hangings are
to be installed in two recently
opened theatres of T. & D. Jr. En-
terprises at Oroville and Chico,
California.
R. A. McNeil, vice-president and
general manager of the Golden
State Theatre Circuit, recently
sailed for New York, by way of
the Panama Canal. Mrs. McNeil
accompanied him, and they will be
gone six weeks. While in New
York, McNeil will take up matters
pertaining to the large circuit of
theatres in Northern California, of
which he is an executive.
The new El Capitan Theatre,
which will be opened on Mission
Street, San Francisco, in July by
Ackerman, Harris & Oppen, is said
to be one of the de luxe motion
picture houses in the West. Every
facility and convenience has been
incorporated in its plans whereby
this theatre will offer every com-
fort to patrons.
Ellis Levy, manager of the New
Balboa, has been laid up with a
throat illness. During his sickness
George Oppen, Jr., has been acting
as manager.
A new type dissolver and re-
flector lamps, together with com-
plete projection room equipment,
has been installed in the Hippi-
drome Theatre at Sacramento.
Max Blumcnfeld, circuit oper-
ator, placed an order for complete
and up-to-the-minute projection
room and stage lighting equipment
for his new theatre, nearing com-
pletion, and located in North Sacra-
mento. Max expects to open in
July.
Manager Walden, of the Martin
Theatre, at Globe, Arizona, has
conducted a spring re-seating cam-
paign at his house.
Manager Sam Gordon, of the
Napa Hippodrome, has purchased
a new- set of pipes for his massive
organ. Other repairs and altera-
tions on the organ were made.
Thomas D. Van Osten, Secre-
tary-Manager, and Mrs . Walter
McGinn, of the Public Relations
Department of the Allied Amuse-
ment Industries, Inc., organization,
were luncheon guests of the Yaca-
ville Boosters' Club of VacaviUe,
recently. Mrs. McGinn addressed
the Club, talking on the subject of
"Theatres and Their Relation to
Education and Civic Progress.''
J. W. Yates, of Alturas. was a
recent visitor to San Francisco.
Indianapolis
TV/f 1. WELLER, H. G.
1*1. Fordo and M. V. Galla-
gher, of Muncie, Ind., have incor-
porated the Muncie Theatrical En-
terprises. The purpose of the new
company as set out in the incor-
poration is to build, construct,
purchase and operate theatres and
amusement places.
Sale of the Indiana theatre at
Terre Haute to the Wabash The-
atre Corporation was announced
by Miller Davis, trustee of the In-
diana Theatre Company, owners
for several years. The Wabash
Company also owns the Hippo-
drome theatre building, which
Keith-Albee is operating as a
vaudeville and picture house.
Vitaphone and Movietone are
proving popular with Apollo the-
atre patrons.
Ed Resener resumed his place
as Circle theatre conductor last
week after the return of Dave Sil-
verman to St. Louis. Silverman
was guest conductor for several
weeks.
Stuart Berrie opened an in-
definite engagement itv guest or-
ganist at the Indiana theatre last
week. Berrie is from the Ambas-
sador at St. Louis.
Manager Charles M. Reagan,
Booking Manager C. C. Nieman,
Advertising Manager A_ J.
Schmalz and six salesmen of the
Paramount exchange returned re-
cently from the spring convention
at Detroit.
Marion McCollouch has resumed
charge of the Indianapolis Film
Board of Trade office, in place of
Patricia Lynch.
A new organ has been installed
in the Lark theatre at Brazil.
The Wabash theatre at Ginton
is closed temporarily for remodel-
ing and decoration.
UNIFORMS attUcSII COSTUMES KkAIASi BROOKS
1796
Motion Picture News
South West
WA. RYAN, Branch Man-
• ager for Fox, spent sev-
eral days last week in Dallas on
business.
Miss Claudine Davis, for the past
several years cashier at the Liberty
Theatre in Oklahoma City, has re-
signed her position and left Okla-
homa for Florida, where she ex-
pects to remain permanently. Miss
Davis is being succeeded at the
Liberty by Lou Burke.
Lee Cooper, who recently took
over the Folly Theatre at Sasakwa,
Oklahoma, announces he has
changed the name of his house to
the Idle Hour.
Tom Boland, Manager of the
Empress Theatre, Oklahoma City,
spent the early part of last week
in Chicago.
V. E. Hamm has closed the Ma-
jestic Theatre at Ringling for an
indefinite period but will continue
to operate the Capitol.
Frank Miller, of the White Way
and Rex Theatres at Marlow,
Oklahoma, was a visitor on Film
Row last week.
Ralph LeBeau, District Man-
ager for Paramount spent last
week-end in Oklahoma City look-
ing over the local office.
Chas. Blaine, of the Blaine The-
atre, Wetumka, Oklahoma, visited
Oklahoma City last Saturday to
advise his friends on Film Row
that he had acquired the Orpheum
and Cozy Theatres in Weleetka
from W. L. Greenwood and Sam
Thomas, respectively.
Roy E. Heffner, Branch man-
ager for Paramount, together with
the local sales force and Booking
Manager, Curtis Logan, departed
early last week for San Francisco
to attend the annual Paramount
Sales Convention.
A. Walker, who took over the
Cozy Theatres at Afton and Fair-
land, Oklahoma, recently, advises
he has been forced to close these
houses until after the summer
months.
Ray Moore, of the Ray Theatre,
Snyder, Oklahoma, was a business
caller on Film Row recently.
Chas. R. Zears, Secretary of the
Oklahoma City Film Board of
Trade, left last Tuesday for the
annual Film Boards of Trade Con-
vention in Los Angeles.
Brick English's Orchestra opened
at the Empress Theatre in Okla-
homa City last Saturday for an
indefinite run. This is the begin-
ning of a change in policy for the
Empress from straight "movies" to
the addition of "extra attractions.'
The Capitol Theatre, Oklahoma
City, began its second week's run
of "The Jazz Singer" with its new
Vitaphone. The Vitaphone has
proven a most popular addition to
the theatre's equipment.
D. F. Spalding and E. M. Cack-
ler, who have been operating a mo-
tor truck line handling film ship-
ments out of Oklahoma City to
Ponca City and Enid, have dis-
solved partnership. Cackler will
operate the C. & C. Motor Express
between Oklahoma City and Wau-
rika, Okla., while Spalding will op-
erate the C & W Motor Express
between Oklahoma City, Ponca
City and Enid.
The Liberty Theatre, Oklahoma
City opened with the Movietone
for the first time last Saturday,
and is playing to capacity houses.
Carl Bishop, cashier for Educa-
tional Film Exchange for the last
year and a half, has resigned to
accept a position as Cashier with
the Blue Bird Motor Express Com-
pany. He has been succeeded at
Educational by Miss Delia Vogel.
W. P. Moran, Branch Manager
for Universal Film Exchange, to-
gether with his salesmen, returned
last Monday from the national con-
vention in St. Louis.
Max Holstein, veteran salesman
for F B O is enjoying a two- weeks'
vacation visiting relatives in Ft.
Scott, Kansas.
Claude Dowley, of the Limerick
Theatre, Hunter, Oklahoma, ad-
vises his theatre will be closed un-
til July 1st.
Carl Burton has resigned as
salesman for Liberty Specialty
Film Company to take up theatre
management.
Canada
PJ. NOLAN, proprietor of the
• Rex and Columbia Theatres,
Ottawa, Ontario, has announced
that his new theatre at Bank Street
and Second Avenue. Ottawa, will
be called the Avalon. It will have
mission architectural style with
stucco front, the seating capacity
of the orchestra floor and balcony
being 1,000. There will be a
double-stage arrangement, the larg-
er one for the stage hand and a
smaller one to the rear for special
presentations. The equipment will
include a pipe organ. At present
there are 49 workmen on the job,
and the opening is scheduled to
take place September 1.
Ottawa Rotary won the attend-
ance trophy at the Rotary District
convention at Binghamton, N. Y.
Much of the success of the Ottawa
club in this respect was due to J.
M. Franklin, manager of B. F.
Keith's Theatre, Ottawa, who was
chairman of the committee in
charge.
Following the closing of the Rus-
sell Theatre, Ottawa, the Collegiate
Institute Board of the Canadian
Capital has been considering mak-
ing application to the Ontario Gov-
ernment for a theatre license for
the large auditorium of the Glebe
Collegiate Institute in order to add
to the theatre facilities of the city.
Such a license would cost $300.
annually for the 1,200 seats. Con-
flict with existing local theatres has
been considered, however, and the
matter has been laid over until next
September.
The new Empress Theatre, Sher-
brooke Street West, Montreal, seat-
ing 1,800, opened auspiciously last
Saturday evening, under the owner-
ship of Confederation Amusements,
Limited, a Montreal company.
Prices range from 15c to 35c.
Loew's Theatre, London, On-
tario, managed by Fred Jackson for
years, showed a small reduction in
gross profits for the past fiscal year,
but general expenses were less so
that the net profit proved to be
higher, according to the annual fi-
nancial statement just released.
Gross profits were $82,764, as
compared with $83,528 for the pre-
vious 12 months, while the net was
found to be $48,211, which com-
pared favorably with $41,532 for
the previous year.
The Canadian Theatre and Elec-
trical Supplies, Limited, Toronto,
which is affiliated with Famous-
Players Canadian Corp., has opened
in new premises at 61 Albert St.,
Toronto, where 7,000 feet of floor
space is devoted to the display and
sale of theatre equipment.
Minneapolis
THE Strand, one of Minneapo-
lis' leading loop theatres which
invariably runs through the sum-
mer, closed its doors this week
until fall. Competition from the
new Minnesota was largely re-
sponsible for its closing. The Gar-
rick, another big house, closed a
few weeks ago. The Minnesota,
the State and the Lyric will be the
only first run picture houses oper-
ating in the loop this summer.
Bob Workman, manager of the
Minneapolis branch of M-G-M, re-
ceived a call recently from E. M.
Saunders, assistant general man-
ager and S. A. Shirley, district
manager.
District Manager Ben Blotcky,
of the Minneapolis Paramount ex-
change, left last week for San
Francisco with a number of sales
representatives to attend the com-
pany's sales convention for the
western division.
The new Garden theatre, a low-
priced movie theatre in the Min-
neapolis loop district, is being dis-
mantled by Finkelstein & Ruben.
It will be converted into a store.
The picture has not been actively
operated for about three years, al-
though occasional sex pictures have
been shown there. The theatre was
built about ten years ago, being
acquired by F. & R. two years
after it was built.
The Marcus theatre at Lem-
mon, S. D., is being remodelled
and enlarged by S. D. Meyers.
Its capacity will be doubled and
accommodations made for road
shows.
The Opera House at Coopers-
town, N. D., has been taken over
by the Sons of Norway lodge.
The Platte Community theatre
at Platte, S. D., has been taken
over by the Lyric Theatre Com-
pany.
The Rex theatre, at Stark-
weather, N. D., has been purchased
by John G. Eiden and T. M. Reed
from F. R. Irons.
The Gem theatre at Caledonia,
Minn., has been bought from
Robert Ziemann by Elmer Deters.
Its name has been changed to the
State.
Joe Garrison is covering south-
ern Minnesota for Universal after
having been with Educational three
years.
Tom Burke, who manages the
First National exchange in Min-
neapolis, is at work again after
recovering from his recent illness.
Mike Frisch, manager of the
local F.B.O. exchange, attended the
F.B.O. convention held recently in
Chicago.
May 26, 19 2 8
1797
Florida
Ur ITH the closing of the Grand
Theatre, the Franklin has
reduced its scale and becomes the
popular price house of down-town
Tampa. The new schedule is 25c
for adults and 10c for the children.
There will be four changes of pro-
grams each week, two of which are
first runs and two being second.
O. S. Hammer, who operates the
Princess at Lakeland, reported that
because hot weather was cutting in-
to his mid-week business, he has
decided to close down on Tuesday,
Wednesday and Thursday of each
week, and to open only the first and
last two days.
U. Willig, of the Manatee at
Manatee, and B. A. Bonnett, chief
projectionist of the Palace, Braden-
ton, were recent visitors along
Tampa's rialto.
Rumor has it that C. D. Cooley
is going to take over the manage-
ment of the new Hyde Park Thea-
tre.
C. B. Ellis, manager of FBO's
Jacksonville local office, attended
the company's convention at the
Drake Hotel in Chicago last week.
It is reported Allison T. French
is going to build a new house in
Kissimmee, and that M. Tucker
will erect a theatre at Gainesville.
The Amusement Park on Clear-
water Beach has been reorganized,
with Charles Van Guten at the
helm.
The Palace Theatre, Jackson-
ville, will reopen next Sunday
under the management of Charlie
Morrison and his staff from the
Arcade. The Arcade will be closed
for extensive repairs, new paint and
new decorations, etc.
Manager Charles Lester and
Salesman Bob Simrell of the Uni-
versal exchange, are traveling
downstate together this week.
District Manager Jess Clark, of
Publix, spent several days in Jack-
sonville last week. Frank Dowler
was in Jacksonville recently.
Other callers on film row last
week were : C. C. Jordan, of the
Delray Theatre, Delrav, Florida;
Ruff Thrift, of the Dixie Theatre,
at McClenny ; and L. A. Andrews,
of the Rex Theatre, at Fernandino.
Manager C. R. Ellis, of the F B
O exchange, is at present visiting
in Chicago.
Mrs. Muriel Sikes, secretary to
Branch Manager Ellis in the F B
O exchange, has returned to Jack-
sonville, after spending her vaca-
tion in Lakeland.
James M. Wiest, well known in
Tampa, he having managed the
Tampa and the Strand, gave us a
visit last week, accompanied by his
wife. Jimmie is now managing the
Palace at Bradenton, and reports
business is coming along nicely. He
has been successful in getting the
city to permit Sunday shows and
says they will open on the seven
days schedule.
O. S. Hammer, manager of the
Princess in Lakeland, is branching
out. He has completed arrange-
ments with the colored theatres in
Plant City and Florence Villa to
furnish the shows. During the
summer months, Mr. Hammer
states, he will operate only two
nights weekly in Plant City, and
just one night in Florence Villa.
Consolidated Amusements, of
Tampa, have placed the manage-
ment of their two popular priced
down town houses, the Franklin
and the Strand, in the hands of A.
B. Heston. Mr. Heston, who took
charge this week, hails from Ce-
dar Rapids, Iowa, but he has been
operating theatres for the Publix
circuit for some time and has es-
tablished a reputation as a "go-get-
ter. J. H'. McLaughlin, who is re-
placed at the Franklin, came to
Tampa about ten years ago to man-
age the Prince theatre for South-
ern Enterprises. When this com-
pany was absorbed by Consolidated,
Mac was transferred to the Frank-
lin, which had just been built and
has managed it since. Jack Hobby,
the former manager of the Strand,
has been transferred to Palatka,
as stated in this column last week.
Tampa now has two Iowa men at
the head of theatres, the other be-
ing George B. Peck, at the Victory.
N. V. Darley, owner of the Riv-
oli in Ybor City and the Royal in
Tarpon Springs, has been having
a bad time with his stomach and
the doctor ordered a complete rest,
so Darley went to Cuba. He was
much impressed with the tropical
isle and pleasant visits with many
of the officials, who, he says, speak
English like a native.
Paul Laverents has closed his
theatre, The Jungle, at Homo-
sassa. He says he may reopen in
July and try out the summer busi-
ness, or he may let it stay dark
until fall.
Charles A. Sappal, manager of
the Central, Tampa, enjoyed a
restful vacation in Miami last
week.
South East
AT a convention of the Atlanta
branch, sales promotion de-
partment and division office of
Metro-Goldwyn-Mayer, held in the
Ansley Hotel, Saturday, May 5,
Miss Lois Davis, of the Atlanta
office, was announced winner of
the booker's prize in the Southern
Division Contest sponsored per-
sonally by Division Manager
Charles E. Kessnich during the
month of March.
H. T. Peebles, who has been
branch manager of Liberty-Spe-
cialty Film Distributing Corpora-
tion at Dallas, Texas, has been ap-
pointed assistant general manager
of the company, according to news
reaching film row this week. The
appointment was made by General
Manager W. G. Underwood, with
whom Mr. Peebles has been asso-
ciated for some years.
Ingram's theatre, Ashland, Ala.,
owned and operated by Ernest
Ingram, has been closed for com-
plete remodeling and the installa-
tion of new equipment, including
reseating. Mr. Ingram plans to re-
open the house about June 1.
John W. Mangham, Jr., Atlanta
branch manager of Liberty-Spe-
cialty, made a business trip to
Columbus, Ga., the early part of
last week.
E. J. Sparks, of the Sparks En-
terprise, Jacksonville, Fla., arrived
last Wednesday for a short visit to
Atlanta.
Friends of Joe Wheeler, of the
Capitol theatre, Montgomery, Ala.,
will be glad to learn he has re-
covered from the tonsil operation
he underwent last week.
Mose Klein, of the Lillian the-
atre, Clarksville, Tenn., spent last
week in Atlanta.
O. C. Lam, of the Rivoli theatre,
Rome, Ga., was a visitor to film
row last week.
A. H. and J. H. McCarty, of
the Mildred theatre, Barnesville,
Ga., and Forsyth, Forsyth, Ga.,
made a recent trip to the exchange.
C. W. Maxey, of the Royal the-
atre, Summerville, Ga., was a re-
cent caller on film row.
Ben Stein, of the Douglas the-
atre, Macon, Ga., was another
recent visitor to the exchanges.
W. W. Anderson, branch man-
ager of Pathe's Atlanta office, left
last Wednesday to attend the com-
pany's convention to be held in
Chicago, May 23.
T. E. Watson, of the Strand
theatre, Montevallo and Princess,
Piedmont, Ala., made a trip to At-
lanta this week.
R. E. Martin, of the Martin
theatres, Columbus, Ga., and B. E.
Ponder, who has become his part-
ner in the taking over of the Fain-
bow theatre, Opelika, from Mrs.
J. W. Kramer, lessee, were visi-
tors in the exchange last week.
Flynn Haygood, of the Grand
theatre, Waynesboro, Ga., was in
Atlanta Monday attending the
state Rotary convention. He rep-
resented the Waynesboro chapter
of the club.
Baltimore
TM. CUSHING, movie and
, dramatic critic for the Bal-
timore Morning Sun, has resigned
that position to give his full time
to his work as director of the
Play-Arts Guild, operating the
Guild theatre, on West 22nd
street, here. Mr. dishing also has
a number of engagements to direct
concerts and outdoor spectacles
and has now gone into the work
as a professional rather than as an
amateur.
Gilbert Reddish, assistant office
manager of the Frank II. Durkee
Interests here, underwent an op-
eration at the Maryland General
Hospital recently, and is reported
to be getting along very nicely.
A theatre is to be built at Louis-
ville, Ky., costing about $50,000,
by the Parkway Amusement Com-
pany. It was designed by Carl J.
Epping, architect.
Work is going forward on a
theatre to be erected in Memphis,
Tenn., by the Memphis Theatre
and Realty Company. It will
measure 228 by 114 feet and will
cost approximately $1,000,000.
The James L. Kernan Company,
which operates the Maryland and
New Garden theatres here, and
has operated the Maryland Hotel
for the past 20 years, has re-
linquished control of the hostelry
which has been taken over by
George B. McQuillen, of lackson,
Mich.
1798
Motion Picture News
Central Perm
EIGHT hundred patrons of the
Capitol theatre, Pottsville,
Pa., were led to safety during a
fire that filled a large portion of
the building with smoke on the
night of May 19.
It was impossible because of the
smoke for the theatre patrons to
depart by the regular exits, but
they were directed to go through
emergency exits to side streets.
This was affected safely through
the work of Samuel Friedman,
manager of the theatre, his as-
sistant, Lloyd Hause, and the
corps of girl ushers, who emptied
the auditorium within five minutes.
The damage was estimated at
$2,500. The fire occurred on a
Saturday night akid the theatre
was able to resume performances
on the following Monday after-
noon. The fact that the theatre
is almost entirely of fire-proof con-
struction prevented a more serious
spread of the flames.
The site of the Victor theatre,
716 Hamilton street, Allentown,
under the terms of a court order
issued May 14, will be sold by the
heirs of the late Jonas George, of
Allentown, to John H. Snyder, of
Reading. Extensive alterations and
improvements are shortly to be
made to the theatre.
A Pennsylvania charter of in-
corporation was granted at Harris-
burg recently to the Hendel The-
atre Enterprises, of Pittsburgh,
organized to "purchase, sell and
conduct places of amusement such
as theatres, moving picture houses
and other theatrical enterprises."
The capital stock is $50,000, con-
sisting of 500 shares of a par value
of $100 each. The paid in capital
is $5,000. Harry Hendel, of 5659
Marlborough street, Pittsburgh, is
treasurer and one of the incor-
porators. The other incorporators
are : Louis Hendel, 5523 Bryant
street, Pittsburgh, and Robert
Hendel, 109 Halket street, Pitts-
burgh.
J. V. Schreck, of Mt. Carmel,
is planning to build a new elabor-
ate theatre in Ashland. Vitaphone
and Movietone devices will be part
of the equipment of the house,
which, it is expected, will be ready
for opening about October 1.
George Cooper, owner of the
Orpheum theatre, Carlisle, has
denied a published report that the
theatre, which is about to undergo
extensive improvements, is to be
sold to the Comerford Amusement
Company, of Scranton. The Com-
erfords are reported, however, to
be negotiating for the purchase of
the Strand theatre, Carlisle, from
R. S. Steele.
Motion pictures are being made
by the State Game Commission, of
Pennsylvania, of the game birds
and animals of the state, for use
in schools, clubs and other inter-
ested institutions. Complete films
are now available of deer, bear
and elk and many smaller varieties
of game and birds.
An address on "The Theatre as
an Important Community Institu-
tion" was given by Michael J.
O'Tooie, of Scranton and New
York, general manager and execu-
tive secretary of the Motion Pic-
ture Theatre Owners of America,
at a recent luncheon of the Hazle-
ton Kiwanis Club.
The Orpheum theatre, Franklin,
beginning May 21, reduced the
prices of admission for the sum-
mer period to 50 cents for adults
and 25 cents for children.
Robert Seidel has recovered
from a recent severe illness and
has resumed his duties as organist
at the Park theatre, Lehighton.
Workmen are putting a new roof
on the Hippodrome theatre, in
York, which is a link in the chain
operated by the Appell Amuse-
ment Enterprises. Late in the
summer the interior of the theatre
will be completely redecorated.
The Victoria theatre, Mahaney
City, managed by Perry Hoffman,
installed a new orchestra recently,
which had its premiere presenta-
tion under direction of Michael
Slowitsky.
Des Moines
CHECKING over the bookings
of the smaller theatres of the
state, Al Yarwosky, booker at the
office of Universal in Des Moines,
observed that fewer theatres have
been closing this year. He be-
lieves that the late spring and
delay in really warm weather partly
accounts for this longer season for
many houses.
The Cozy Theatre, at Dyersville,
was recently remodeled.
The American Legion is operat-
ing the theatre at Klemme, Iowa,
which was previously run bv M. O.
Barr.
The American Theatre, at Chero-
kee, Iowa, owned by Dale Goldie,
has been repaired and redecorated.
C. C. Dunsmore, who recently
bought the Legion Theatre at Mar-
shalltown, is taking bids for a new
house to be named the Capitol. The
theatre is to have a seating capacity
of 1,000, and full stage equipment.
Rainy weather caused a slump in
visitors along film row. But among
the faithful who came in spite of
the wet was F. W. Curtis of Red-
field.
Floyd Albert, formerly in the
show business at Primghar, Iowa,
but who for the past two years has
been assistant cashier of the bank
there, has bought the theatre at
Cambridge, 111., previously owned
by R. S. Record.
Hubert Shrodt, manager of the
Garden Theatre in Des Moines,
was in an automobile accident last
week, but was not badly hurt.
Callers last week at Fox were :
Don Anderson of Boone, and A. C.
Shuneman of Webster City.
Bert Thomas is now accessory
manager for Universal in Des
Moines, having jumped from the
ranks. He was assistant shipper
before he took the accessory man-
ager's place succeeding Bill Mc-
Givern.
A. T. Chado is the new owner of
the Rialto at Mechanicsville. Mr.
Chado, who was formerly an ex-
hibitor at Strawberry Point and at
Cedar Rapids, bought the house
from H. S. Robertson. The thea-
tre has been named the Pastime.
L. E. Mathews, who owned the
World Theatre at Lakota, Iowa,
sold the house last week to A. B.
Orgen. Mr. Mathews also sold his
theatre at Buffalo Center to George
F. Teever.
The Opera House, at Malcolm,
Iowa, which has been operating
during the winter season, is closing
for the warm weather.
The Orpheum Theatre, at Don-
nelson, which has been closed for
the winter months, is opening for
the summer trade. This house is
run by B. F. Warner.
Among exhibitors seen along the
row were: W. P. Kale of Truro,
W. C. Treloar of Ogden, F. C.
Williams of Cedar Rapids, and A.
T. Chado of Mechanicsville.
Joyce Reynolds is the new biller
al the offices of Universal. She
succeeds Alice Gannon who has
resigned.
Eloise Bolton, telephone desk girl
for Metro-Goldwyn-Mayer, made
the announcement last week, that
she has been married since last
October.
Mr. and Mrs. Roy Jones have
again taken over the management
of the Gem Theatre, a suburban
house of Des Moines.
Jack Raper, manager of the Fox
office, has departed for the man-
agers' convention in New York
City.
N. C. Rice, of the Call Opera
House at Algona, was in Des
Moines last week to visit Mrs. Rice
who is ill at the hospital here.
Art Levy, who resigned his posi-
tion as manager of the Des Moines
office of Pathe on May 12th, will
line up with another film organiza-
tion after a vacation trip through
Canada. He is succeeded at the
Pathe office by W. Liebman.
E. P. Smith, president of the
Iowa M. P. T. O. A., made a busi-
ness trip to Omaha early last week.
A bonfire in an alley back of the
theatre was thought to be the origin
of a blaze which damaged the
Laurens, at Laurens, Iowa.
Kansas City
PLANS for the annual conven-
tion of the M. P. T. O. Kan-
sas-Missouri, which was to have
been early in June, have been
knocked into a cocked hat by the
national Republican convention,
which will be in Kansas City,
starting June 12. The M. P. T. 6.
K-M has decided to postpone the
date of its convention until after
the Republican convention.
Glenn Dickinson has leased the
O'Donnell building in Junction
City, Kas., and will remodel it into
what will be known as the Colum-
bia theatre. The Palace theatre,
Golden City, Mo., has been pur-
chased by H. B. Wilson from
Arthur Farr and C. R. Marshall.
The contest in which exchange
salesmen of Kansas City have been
competing to obtain the most new
members for the M. P. T. O.
Kansas-Missouri, will end June 1,
R. R. Biechele, president of the
M. P. T. O. K-M, announced.
Prizes are to be offered those sales-
men who finish with the best
records.
Miss A. L. Menaugh, secretary
of the Kansas City Film Board of
Trade, left last Wednesday for
San Francisco, where she will at-
tend a convention of film board
secretaries.
A new theatre will be erected in
Edinburg, Texas, by Edward
Grogger, owner of the Belmont
theatre, Kansas City.
M a V 2 6 , 1 9 2 8
17W
New York & New Jersey
BECAUSE it is directly in the
path of the new subway, now
under construction on the west side,
it is believed that the Eugazy the-
atre, located at 150 West Houston
street, will come down the latter
part of the year. Rumor along the
curb has it that Frank Yalle,
owner of the Eugazy, will counter-
act his misfortune in losing this
beautiful house by erecting a new
1,500-seat theatre somewhere
around the West Houston district.
Louis Gold, New Jersey theatre
owner, is out of the hospital fol-
lowing a week's illness. Mr. Hen-
nessy, also associated with the
Gold interests, is at home recover-
ing from an operation he recently
underwent for Sinus trouble.
Plans have been completed by
Ray Snyder, of Union City, N. J.,
for the erection of a new theatre at
127th street and 7th avenue, New
York City, which will cater ex-
clusively to colored patronage.
The theatre is to be named "The
Raymond," and the best of first
run films and vaudeville acts will
be presented. The architecture of
the theatre will resemble that of
the Embassy on Broadway, except
for the fact that it will have bal-
conies. The interior promises to
outrival many of the sumptuous
palaces of the Great White Wa\ .
Publix theatres have broken
ground for a new house to be
built on Flatbush avenue, Brook-
lyn, at an advantageous point be-
tween the A. H. Schwartz the-
atres, the Albermarl and Rialto.
It is reported that Keith's Flat-
bush theatre, located at Church
and Flatbush avenues, Brooklyn,
will close down in the near future
on account of losing lease. To
offset this closing, the Keith or-
ganization has put up the Ken-
more theatre, almost directly across
the street, where the former policy
of pictures and vaudeville will be
continued. The Flatbush, it is be-
lieved, will run stock.
Hymie Goldschein is now man-
aging the Beverly theatre, in
Brooklyn, for the Henry Seigel
circuit.
The United and Subway the-
atres, on Myrtle avenue, Brooklyn,
have been closed. The latter is to
be reopened by the owner, Sy
Barr, after a spring house cleaning
has been completed.
H. Gittleson, formerly manager
of the May fair theatre, Coney
Island avenue and Avenue U,
Brooklyn, has been transferred to
another Schwartz hous e, the
Roosevelt, in Flushing.
Katherine Banahan, secretary to
Jack Springer, owner of the
Symphony and several other the-
atres on upper Broadway, is at
present confined to her home with
a nervous breakdown.
W. T. Bainbridiie has sold his
Dale theatre, at Earmingdale,
Long Island. The new owners
also operate another house in
Farmingdalc. Mr. Bainbridge will
vacation temporarily, and later
reenter the theatre business.
With the completion of altera-
tion work in the near future, the
Arverne theatre, Arverne, L. I.,
will open under the management
of Adler & Company.
According to rumor along the
curb, Milton Kronacher, "crack"
Pathe salesman, is contemplating
becoming an exhibitor.
The new Paramount theatre
building on Flatbush Extension
and Fulton street, Brooklyn, is in
the final stages of construction.
Fox is erecting a house on the
opposite corner.
The opening of Pollak and
B ratter's theatre at Nyack, New
York, last Tuesday, was reported
a huge success. Mort Bratter is
manager.
Philadelphia
EL. T REN CHARD, manager
i of the Stanley Company's
Grand Theatre, Lancaster, Pa., for
the past eight years, has been ap-
pointed assistant director of pub-
licity for the Stanley Company in-
interests. His office is in the new-
Stanley headquarters in the Fade
Building, 11th and Market Sts.,
Philadelphia.
Sixtv new members have joined
the M. P. T. O. of Eastern Penna.,
Southern New Jersey and Dela-
ware since the commencement of
its drive on March 26th. The cam-
paign has been extended for sev-
eral weeks longer. George E.
Schwartz, Metro-Goldwyn-Mayer
salesman, heads the list with 18
new members, while Hill Bethel, of
De Luxe, is a close second with 17.
Doris Einstein, daughter of Abe
L. Einstein, publicity director of
the Stanley Company of America,
is slowly recovering from a serious
infection that followed the removal
of her tonsils.
Work is progressing at a most
satisfactory rate on the new Up-
town Theatre, Broad and Susque-
hanna Ave., Philadelphia, which is
being erected by Nate Goldman,
who operates the Blue Bird Thea-
tres, almost directly opposite the
house now in course of construc-
tion. The Uptown will be one of
the finest neighborhood houses in
the city, and it is expected will be
ready for occupancv earlv in the
fall."
Charles G. Martin, who was for
several years connected with the
Pathe exchange, and was at one
time Philadelphia manager for
United Artists, has returned from
New Haven, where he acted as
branch manager for a time for the
Pathe exchange there. Mr. Martin
has temporarily reentered the real
estate business.
Two men implicated by police in
the murder of Max T. Harrison,
assistant manager of the Cross
Keys Theatre, 60th and Market
Sts., Philadelphia, who was shot
during an attempted hold up on
March 23rd, were held without bail
after a hearing in Central Station,
and a third suspect has been
arrested. Martha Yetter, who had
just left the theatre and was seri-
ously wounded by one of the
bullets, is still in Misericordia
Hospital.
Sam Rosen, local F B O sales
manager, attended the firm's na-
tional convention in Chicago.
Fifteen motion picture theatres,
of Allentown, Pa., which had pre-
viously voted to continue operat-
ing Standard Time in spite of the
fact that all other institutions in
the city went on a Daylight Saving
basis, on May 1st, reversed their
decision and turned the clock ahead
in order to avoid the confusion inci-
dent to two kinds of time. Re-
quests for the change became so
numerous that the theatre managers
acceeded to the popular demand in
the interest of harmony.
Work will be started at an early
date on the remodeling of the Elm
theatre, 71st and Elmwood avenue.
Philadelphia. Weiss Brothers are
the owners.
Ground was broken on May 5th
for a new $100,000 theatre at Mt.
Fphraim. N. J. Thomas T.
Lazarick is owner of the ground
and head of the company in
charge of the new house.
Bill Weber, formerly manager
of Green & Altaian's Avon and
Jefferson theatres, is now in
charge of their Northeastern the-
atre. Torresdale avenue and Bcn-
ner street, Philadelphia, recently
bought from Tohn Smith.
SOMEONE who evidently had
a "nose for news" confiscated a
Fox newsreel from the basement
of the Madison Theatre, Mansfield,
Ohio. The theft occurred early in
May, but Manager Tim Roberts
kept the matter quiet in the hope
that the culprit might return the
property. As this was not done,
Roberts reported the matter to the
police, who are investigating.
The State and Faurot Theatres,
Lima, Ohio, have been taken over
by the owners of the Sigma Thea-
tre, of that city. Both houses are
being remodeled, and will play
regular stage attractions on Satur-
days and Sundays, with the balance
of the week devoted to a straight
picture policy.
The Ceramic Theatre, East Liv-
erpool, Ohio, is to undergo ex-
tensive remodeling, which, accord-
ing to Manager William C. Tall-
man, will cost around $100,000.
Movietone and Yitaphone will he
installed.
The Webber Theatre, Dover.
Ohio, which has been closed for
several weeks, has been reopened.
A. Y. Abel is manager.
The Crown Theatre, New Bre-
men, Ohio, built some 15 years ago
by the late Herbert Schulenberg,
but more recently owned and oper-
ated by Dr. R. C. Becker, of Piqua,
Ohio, has been acquired by Tom
Larkins, of St. Marys, Ohio. No
change is policy is contemplated.
Griff. Granger, manager of the
Kay pec Theatre. Mt. Gilead. Ohio.
was among those present at the re-
cent banquet given by the F B O
offices in Cleveland in honor of
Tom Mix.
R. A. Werner has sold his
Happiness Theatre to Chas. Hahn.
at Sherwood, Ohio.
The Kenton Amusement Co., of
which William Kratis is head, will
build a new theatre in that city,
according to a decision reached at
a special meeting of the building
committee.
1800
Motion Picture News
Milwaukee
JACK RETLAW is now mana-
ger of the Midwesco group of
theatres at Kenosha. He succeeds
J. L. Morrissey, who has resigned
to take charge of the Detroit ac-
tivities of White Towers, Inc., a
Saxe enterprise.
Mrs. Minnie Gilman, of the
Princess theatre at Plymouth, was
in the city on business last Monday.
Now that the Fox exchange has
been opened officially, the The-
atrette is in operation and daily
screenings are being held for ex-
hibitors.
August Berkholz of the Mermac
theatre at West Bend was in early
the past week to transact business
at several of the exchanges.
Don Smith, manager of the new
Capitol theatre at Racine, was in
last week, arranging the final de-
tails for the opening of the Capitol,
which is scheduled for Decoration
Day.
W. A. Aschmann, Pathe mana-
ger, has celebrated his return to the
office by buying a new car.
Mrs. August Gloe of the Rivoli
theatre at Two Rivers came in to
Milwaukee recently to check up on
bookings.
Rose Mary Grant has returned
to her duties in the M-G-M office
after an illness of two weeks.
Neil Duffy, manager of the Elite
theatre at Appleton, was in the city
recently on business.
The Lyric theatre at Peshtigo
has been turned over by O. Larson
to Miss Helen Connelly, who will
conduct the house in the future.
The Majestic theatre at Reeds-
burg has been closed, according to
an announcement from P. H. Con-
ley, manager.
Harold Sliter, sales representa-
tive for Fox, has been confined to
the Misericordia hospital for the
past three weeks.
The Venus theatre, according to
Steve Bauer, manager, will be
closed indefinitely.
D. M. Saunders, sales manager
for M-G-M from the New York
office, and S. A. Shirley, district
manager, we're in the M-G-M ex-
change recently for a brief visit.
Ed. Fuchs, manager of the Opera
House at Marion, was here recently
to confer with bookers at several
exchanges.
Ben Koenig, secretary of the
Film Board, left last Wednesday
for the Film Board Secretaries'
convention in Los Angeles.
The Community Theatres, Inc.,
have opened offices at 603 Carpen-
ter building.
Arthur Wilson, home office audi-
tor, is spending a few days in the
local Fox exchange. J. R. Berry,
traveling master booker, is also
spending some time at the Fox
office.
Dan Kelliher, southern Wiscon-
sin exhibitor, was among visitors
at the exchanges recently.
S. H. Abrams, manager of F B
O, left last Sunday for Chicago to
attend the annual convention.
Homer Gill, former manager of
the Oshkosh theatre, at Oshkosh,
has been promoted to the district
managership of Midwesco Thea-
tres, Inc. He is succeeded by Jess
Day. Mr. Day was formerly man-
ager of the Des Moines theatre for
the Blank interests.
Emil Jolson, brother of the fa-
mous Al, was in the city recently
making business calls on various
exchanges.
J. S. Ambrose, manager of the
Chicago branch of United Artists,
was in Milwaukee last Wednesday.
F. G. Sliter, manager of the Fox
exchange, left last Friday for New
York to attend the national con-
vention.
Mark Morgan, sales representa-
tive, announces, some what belated-
ly, that he is a proud father. His
son is now three weeks old.
N. R. Scheinpaugh, Fox repre-
sentative, is ill in a Minneapolis
hospital at the present time.
A. L. Otto, manager of the Audi-
torium theatre at Seymour, put in
his appearance in Milwaukee ex-
changes after an absence of several
months.
George McKeen, personal repre-
sentative of James R. Grainger, of
the Fox organization, has been in
Milwaukee for two weeks covering
the territory for Fox News.
Mr. Guthrie, manager of the
Town Hall at Muskegon, was a re-
cent visitor to film row.
Cleveland
A CHANGE of policy has been
announced for Loew's Park
theatre to become effective Sunday,
May 27th. On that date presenta-
tions will make way for a combina-
tion vaudeville and picture policy,
with two complete changes a week.
The vaudeville will split its week
with the Granada, Loew's West
Side house. Instead of first run
pictures, the Park, under this
policy, will show pictures that have
been downtown successes. With
this change of policy comes also a
change of personnel. Angelo Vitale
and his popular Park Theatre or-
chestra will go over to the Granada,
and Ray Steck, who has an equally
successful orchestral leader and the
Granada, will bring his men over
to the Park. Likewise will there
be a shifting around of managers.
George Gilliam, Park manager, be-
comes manager of the Cameo. He
follows Fred Coddington, who
takes over the Mall. Howard
Foerste, who was assistant man-
ager at the State some years ago,
has been appointed manager at the
Park and George Dumond, presen-
tation production manager, will be-
come resident manager at the Gra-
nada.
Frank Drew, local M-G-M ex-
change manager, returned last week
from the M-G-M sales conven-
tion.
Anna Gusdanovic, the oldest of
Paul Gusdanovic's four daughters,
was married last Wednesday in St.
Thomas' church to Francis X.
Busher, of Cleveland. Paul Gus-
danovic is one of the leading thea-
tre owners of Cleveland.
Saul Resnick, and Harry Gold,
branch sales manager and district
sales manager respectively for
United Artists left last Saturday
to attend the U. A. convention in
Chicago.
Jack Flanigan of Tri-State Mo-
tion Picture Company, is going
to have a busy summer. He took
pictures of the Bremen flyers both
in New York and in Cleveland,
"covered'' the Kentucky Derby, has
some appointments next week in
New York, and will do both the
Republican and Democratic con-
ventions.
Starting in May, Board of Arbi-
tration meeting will alternate
monthly between the Film Board
of Trade and the Cleveland Motion
Picture Exhibitors Association.
The May meetings are being held
in the Exhibitor headquarters.
Mrs. Georgia Moffett, secretary
of the Cleveland Film Board of
Trade left here last Wednesday
bound for Los Angeles and the con-
vention of Film Board secretaries.
She plans to be gone two weeks.
Euclid Beach Theatre opened
May 19th, and once again it is
under the management of Joe
Leavitt, who has been operating this
amusement park theatre for many
years.
Luna Park, which opened last
week, has substituted free motion
pictures for free vaudeville as on
previous summers.
Herman Garfield is spending
some time in this territory in the
interest of Samuel BischofF Pro-
ductions of Hollywood.
Nat Barach has been dismissed
from Battle Creek Sanitarium
where he has been undergoing a
series of health treatments, and
will be in harness selling Vitaphone
equipment some time next week.
A. A. Milltnan has closed the
Cleveland branch of International
Film Exchange and has returned
to New York. S. Silverstein is
now handling distribution of pro-
ductions formerly distributed by
International. Silverstein is lo-
cated in 219 Film Exchange Bldg.
F. W. Gebhardt is now located
here in the interest of Vitaphone
sales. Gebhardt is covering the
Cleveland, Buffalo and Detroit
territories.
Cleveland had a distinguished
visitor last week. No less a per-
son than Jack Woody. Mr. Woody,
is now assistant of Fox's general
sales manager, J. R. Grainger. E.
T. Gomersall of the Fox home
office, chaperoned Woody during
his short visit in Cleveland.
Ward Scott, local Fox exchange
manager, made a pre-convention
trip to New York last week. He
leaves again next week to attend
the gathering of the Fox clan in
New York.
Denver
HARRY STERN, former man-
ager for United Artists in Salt
Lake, and now a special representa-
tive for that company, is in Denver
for a stay of about three weeks.
Duke W. Dunbar, Secretary of
the Denver Film Board of Trade,
accompanied by Mrs. Dunbar, left
last week for Los Angeles, to at-
tend the convention of Film Board
Secretaries. He is motoring
through, and expects to be back in
Denver by June first.
Thos. E. Villnave, Casper, Wyo.,
theatre manager, was in Denver
the past week.
Word has been received of a
change of ownership of the Rialto
Theatre, Palisade, Colorado. Mr.
Delford Taylor has sold this thea-
tre to Mr. Anton J. Danielson.
Eugene Gerbase returned last
week from Los Angeles, where he
attended the Columbia convention.
W. F. Nicholson and J. W. Ady,
of the Burns Theatre, Colorado
Springs, were Denver visitors last
week.
May 26, 1928
1801
Projection
s% Optics, Electricity, Practical Ideas & Advice
Inquiries and
Comments
On Faith
T is the custom, fixed by long
years of teachings and prac-
tice, for projectionists, the
world over, to have at all
times a clear view of the
screen on which the picture
is being projected. At first
thought, this would seem to be a most ob-
vious requirement for the attainment of
satisfactory projection as it is necessary
for the projectionist to be instantly ready to
correct any fault which might appear dur-
ing the course of projection.
So firmly is the idea of "watchful wait-
ing" intrenched in the field of projection
that some persons even advocate that the
projectionist plant himself beside the pro-
jector in operation and never move himself
therefrom, the better to be able to instantly
detect each faults in projection, when — and
if — they occur.
This constant attention to the immediate
duty of projection is an heritage of the days
when the equipment available and the con-
dition of the film, were such that faults did
occur with annoying frequency so that it
required every minute of the projectionist's
time to keep a picture on the screen — and
a not very good picture at that.
The continuance of this practice today,
however, is really an admission — or, per-
haps, it would be better to say, a suspicion
—that present projection equipment is
likely to fail at any moment, or that any
one of the innumerable things are likely to
happen which would result in a dark screen,
not to mention those which would cause less
serious, although visible, defects.
Blind Projection
It appears that this suspicion is ill-
founded and has no real reason for existing.
This was most forcibly brought home to
the writer when, during a recent inspection
of a fairly large suburban theatre, he en-
tered the projection room and was dumb-
founded to sec every observation port cov-
ered with a hinged metal door, everyone of
which was kept tightly closed while px-o-
jection was in progress.
It was utterly impossible for anyone in
the projection room to see into the theatre
unless an observation port door was opened,
and not. once, while the writer was present
in the room did the projectionist so much
as touch a door for the purpose of 3eeing
what kind of a job of projection was being
done.
In fact, while the projector was running,
he concerned himself with numerous other
duties about the room, preparing spotlight
and slide projector parts, replacing car-
bons, inspecting and rewinding film and, in
fact, overlooking no detail in the coming
operation of the machines which were to
be used next.
Prom the time the active projector was
started until it stopped, not the slightest
concern was shown about the picture being
projected.
When asked for an explanation concern-
ing the metal port hole doors, the projec-
tionist made a statement which could only
be construed as an expression of extreme
confidence in the ability of equipment manu-
facturers to provide him with apparatus
which could be relied on implicitly to func-
tion perfectly at all times, if only reason-
able care and attention were given toward
keeping it in condition.
He went on to explain that nothing was
overlooked when preparing the projectors
for operation and that everything which
contributed directly to projecting the pic-
ture was inspected and adjusted before each
of the machines was placed in action. This
was done not once a week, or once a day,
but every time the machine was used.
Each day's experience had taught him that
if this attention was paid to preparing the
projectors for action, nothing could happen
— aside from an outright accident — which
could possibly mar the projection results
on the screen. It was useless, therefore, he
reasoned, to look at the screen and in order
to break himself of the habit of frequently
walking to a port hole to observe the screen,
he had taken the bull by the horns, so to
speak, and had effectively plugged up each
port hole, the better to be able to resist the
temptation of sneaking a look.
He broke himself of the habit, finally, and
at the time of the writer's visit his attitude
was one of extreme disregard for what was
happening on the screen. He knew that
everything was all right because he had
reliable equipment and he had done his part
toward seeing that nothing had been over-
looked which would prevent the show from
running as smoothly as if he had glued
himself at the observation port.
When asked about the possibility of acci-
dents his answer was to the effect that ac-
cidents were likely to happen any time and
the fact that he was operating blindly
would neither prevent an accident nor yet
make it worse. His argument was that he
had done everything to prevent an accident
so that if one should really happen, it would
have to be of such nature that he would
instantly detect it inside the projection
room and would, therefore, have notice of
its occurrence.
After thinking things over, we reached
the conclusion that this projectionist's idea
was not so absurd as it seemed on first
thought. After all, is it really necessary to
incessantly watch the motion picture screen
during projection? Will such watching
prevent a fault from occurring?
Looking Toward the Future
It is more reasonable to suppose that such
attention to the screen is based on a suspi-
cion in the projectionist's mind that all is
not right with his equipment or that he has
overlooked something in preparing the pro-
jector for action. It is in the nature of an
unnecessary worry which dogs the pro-
jectionist and keeps him from performing
those duties which, if done, would relieve
him of this fear and leave him with a clear
mind. These fears are entirely groundless
because he has the equipment necessary to
produce best results. If he will but study
the equipment and then do the things neces-
sary to permit the equipment to work as
the builder intended it should, then there
is no reason why anything should happen
to mar the projection.
In this mechanical age, it is safe to place
reliance on the accuracy and certain opera-
tion of mechanical devices rather than on
human capabilities. This is being proved
every day.
Huge transatlantic liners are guided
through the thickest fogs with an accuracy
as perfect as though no fog existed by
means of radio bearings. These same ships
take depth soundings by means of sound
waves which instantly reveal to the pilot
the nature of the bottom and the depth of
water beneath the ship. Railroad trains are
guided by night by signals in which the
engineer has implicit faith even though he
cannot see what lies before him. Even in
warfare, the artillery does its stuff effec-
tively without seeing hide or hair of the
enemy.
The most remarkable evidence of the pre-
cision of blind operation when based on
mechanical devices, is found in aviation.
Lindbergh astounded the world when he
flew a "blind" plane from New York to
Paris, placing absolute reliance on the in-
strument board before him and on his un-
canny sense of flying.
Byrd's flight to the North Pole was suc-
cessful primarily because of the earth indi-
cator compass which guided his flight be-
cause a magnetic compass is useless in that
part of the world.
And so on without end, cases can be
cited where the frailties of human judg-
ment have been superseded by the precise
guidance of unemotional scientific devices
and mechanical engines.
True it is, that the preparatory work
necessary to placing these devices iti opera-
tion is, and always will be, of great impor-
tance because if errors of adjustment are
made, there are no means by which such
errors may be self-corrected by the par-
ticular machine. If the preliminary work
{Continued on following page)
1MU
Motion Picture News
— designed by
engineers
Anyone who understands ma-
chines will give a hearty O. K.
to the design and construction
of your Gold Seal. Years of
expert thought and experience
have brought it to its present
high state of perfection. Long
service is built into every part.
GOLD SEAL
Ticket Registers
and "Tickets That Fit"
The more you examine a Gold Seal,
the better you appreciate why it
has so many satisfied users. Look
at the case hardened surfaces
wherever continuous wear comes,
the bronze bearings on all driving
shafts, the rust-proof steel on all
exposed parts, the sturdy cast alu-
minum ticket wheel, etc. The Gold
Seal has only one driving mechan-
ism for two, three, four, five or six
units — and the lubrication is sealed
in. Only a Gold Seal can give you
this complete Gold Seal satisfac-
tion.
Our Reserved Seat Ticket Plants
in Bostori and Neiv York Can Save
Yon Money. Get Our Estimates.
AUTOMATIC
Ticket Register
Corporation
723 Seventh Ave., New York
Independent Printers of Quality
Tickets for Every Purpose.
STOCK PROGRAMS
PROGRAM COVERS
For
Moving Picture Houses
Joseph Hoover & Sons Company
Market And 49th Sts., Philadelphia, Pa.
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2-coIor Program, all Features writ-
ten up for you, Printed and Delivered to your
theatre at a small cost.
Write for Samples and Prices to
THE DERBY PROGRAM CO.
1799 Jerome Ave. New York City
2015 So. Vermont Ave. Los Angeles, Calif.
R. E. Martin Opens New Theatre
at Columbus, Ga,
T) EFORE an enthusiastic audience of
3,000, the largest number of theatre-
goers ever assembled in Columbus, Ga.^ the
new Royal Theatre was recently formally
dedicated.
The Royal, newest house in the chain of
six theatres owned and operated by R. E.
Martin, pioneer showman of this city, sur-
passed all expectations of viewers in its
beauty. With a background of sixteen
years of successful experience as theatre
owner and manager, together with a careful
survey made of theatres in New York and
other large cities, Mr. Martin incorporated
into his new venture the most modern ideas
and conveniences, presenting to Columbus
a theatre which in every sense of the word
reflects an outstanding credit to her, in
matter of fact, to a city of much larger size
than she.
Besides bringing the best of first-run pic-
tures to Columbus, the Royal brings the in-
novation of vaudeville attractions, which
will inevitably promote the popularity of
the theatre.
For a first night, the entire program
clicked unusually well, and drew cordial
admiration from all patrons.
Through the courtesy of
moving pictures were made
nighters and speakers by Tracy Mathewson,
considered the best cameraman in this sec-
tion.
The policy of the Royal will consist of
daily change of first class pictures with a
split week vaudeville.
Pathe News,
of the first-
Standard
VAUDEVILLE
for
Motion Picture Presentation
THE FALLY MARKUS AGENCY
Astor Theatre Building
N. W. Cor. 45th St. & Broadway
Lackawanna 7876
Inquiries and Comments
(Continued from preceding page.)
is accurate, however, the results, barring
accidents, will not be in doubt.
So why not operate a motion picture
show blindly? What good to look at the
screen if the groundwork of preparation has
been accurately performed on reliable ma-
chines ? Years of experience have proved
that these projectors are reliable if only
they are given the proper attention.
And by the same token careful attention
to detail and good equipment will absolutely
assure the success of any performance.
Each
Month The
Showman
Issue of
Motion
Picture
News
Carries
announce-
ments of
Vital In-
terest to
All
Theatre
Owners
Hot
days
are
com-
ing* Put cool, refreshing
Typhoon Breezes on
the job. They cost
nothing because they
pay for themselves.
Write for Booklet 3
Typhoon Fan Company
345 W. 39th Street New York, N. Y.
Offices in Principal Cities
May 26, 19 28
1803
lIII«lllf!fllllllfll!IIMIfllllll«l!lll«lllll!flllllin
mmiNiiHiuiiu
ii
mm
NiiiU
[COMPLETE release chart
Pw/wftiiifi/iiii it rti /rc/ gift it i'i*n ri 1 1 u ir lit t li ti ii it m a c /if tlittrti.iitni'G in itf it i > r t ii tit 1 1 , > /' v/i j /if f /ir nwi«' /i/ii . .
JT rOlllll llOllS lilt' H3l( U itr^t I7f lllllg Hi Lite iLllllieS Of Ls t nl 1 I i/ tl 1 1 H ?i III Itiilt l lIUll vile IjXilH/IHjr ftl(l\ 11(11 »
a short-cut touard such information as lie may need, as well as information on pictures that are coming.
Features ivhich are finished or are in work, but to which release dates have not been assigned, are listed in
"Coming Attractions" (S. R. indicates State Right release.)
■ Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
i
■111
BRAY PRODUCTIONS
Title Star Rel. Date
Bare Co-Ed, The Murdock-Cavalier-Lancaster Feb. 10. . .
Barnyard Rivals W. Lantz-M. Shaw-T. Ward Mar. 10. . .
Cat Tales McDougall Kids Feb. 20. . .
Cutting Up McDougall Kids Mar. 20...
Daze of '49 J. Cooper-L. Carver Jan. 2. . .
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1 . . .
Fowl Play McDougall Kids April 20. . .
Lost In the Lurch P. Murdock-N. Cavalier Mar. 1 . . .
Mr. Pooh McDougall Kids Jan. 20...
COLUMBIA
FEATURES
Title Star Rel. Dat<
After the Storm Bosworth-Gilbert-Delaney April 19
By Whose Hand? Cortez-Gilbert Sept. 15.
Broadway Daddies Logan-Lease April 7
College Hero, The Agnew-Lease-Garon Oct. 9..
Desert Bride, The Compson-Forrest Mar. 26
Fashion Madness Windsor-Howes Dec 8..
Golf Widows Ford-Reynolds-Rand May 1..
Isle of Forgotten Women Tearle-Sebastian Sept. 27.
Lady Raffles Taylor-Drew Jan. 25..
Matinee Idol, The Walker-Love Mar. 14. .
Modern Mothers Chadwick-Fairbanks, Jr.-Kent May 13.
Name the Woman Stewart-Glass May 25.
Opening Night, The Windsor-Bowers Nov. 14. .
Sally in Our Alley Mason-Arlen Sept. 3
Siren, The Revier-T. Moore Dec. 20. .
So This Is Love Mason-Collier-Walker Feb. 6. .
Sporting Age, The Bennett-Herbert-Nye Mar. 2. .
Stage Kisses Harlan-Chadwick Nov. 2. .
That Certain Thing Graves-Dana Jan. 1
Tigress, The Holt-Revier Oct. 21 . .
Warning, The Holt-Revier Nov. 26.
Wife's Relations, The Mason-Glass Jan. 13..
Length
Reviewed
2 reels
Jan. 7
2 reels
Mar. 17
2 reels
2 reels
Mar. 17
2 reels
Feb. 4
2 reels
Mar. 17
2 reels
2 reels
Mar. 17
2 reels
Jan. 7
Length
5459 feet.
5432 feet
5400 feet.
5628 feet
5425 feet
5513 feet
5592 feet
5645 feet.
5471 feet
5925 feet.
5540 feet
Reviewed
'. Jan! 7
. . Dec. 9
Mar. 31
. Jan. 21
May 5
Woman's Way, A Livingston-Baxter Feb. 18
5524 feet
5892 teet
5996 feet
5611 feet.
5467 reet
5435 feet
6047 feet
5357 feet
5791 feet
5508 feet
5472 feet
Mar. 17
Mar. 10
Mar. 17
Jan. 7
April 28
Coming
Star
Attractions
Title
Beware of Blondes
Gangster, The Livingston-Day
Ransom Wilson-Burns. .
Way of the Strong, The Stewart-Glass .
Virgin Lips Borden-Boles
Length Reviewed
Title Star Rel.
Nicknames Hodge-Podge April
No Fare "Big Boy ' April
Off Balance Monty Collins April
Peculiar Pair of Pups, A Bruce Outdoor Sketch May
Penny Postals Curiosities April
Pretty Baby Monty Collins Feb.
Racing Mad A I St. John Jan.
Rah Rah Rah Dorothy Devore June
Recollections of a Rover Hodge-Podge Jan.
Rubbernecking Curiosities Feb.
Running Ragged Lewis Sargent Jan.
Sailor Boy Monty Collins June
Say Ah-h Charley Bowers Feb.
Simple Sap. A Larry Semon Feb.
Slippery Head Johnny Arthur April
Spring Has Came Monty Collins Mar.
Star Shots Hodge-Podge Feb.
Sword Points Lupino Lane Feb.
There It Is Charley Bowers Jan.
Thoughts While Fishing Bruce Outdoor Sketch June
Three Tough Onions Monty Collins
Visitors Welcome Johnny Arthur
Wandering Toy, The Hodge-Podge
Wedding Slips Monty Collins
Whoozit Charley Bowers
Who's Lyin" Davis-Collins
Wildcat Valley Johnny Arthur
Wild Wool Night Clouds Bruce Outdoor Sketch
You'll Be Sorry Charley Bowers
May
Mar.
.May
Jan.
April
June
Jan.
Date
8...
8...
22...,
20 .
1..
26
8
3
8..
5..
29. .
17
19
12
29.
25
5.
12.
1..
17
20
4..
6..
1..
1..
10
22
Length
1 reel
2 reels
1 reel
1 reel
Riucwm)
April 21
Mar. 24
April 14
May 5
May 20
1 reel Mar. 17
1 reel Feb. 18
2 reels Jan. 28
2 reels
1 reel. . Feb. 4
1 reel Feb. 4
1 reel Feb. 4
1 reel
2 reels Feb. 18
. 2 reels Feb. 25
2 reels April 21
1 reel Mar. 17
1 reel Feb. 4
2 reels Dec. 31
2 reels Jan. 7
1 reel
1 reel May 12
2 reels. . Mar. 10
1 reel
1 reel Feb. 11
2 reels Mar. 17
2 reels
2 reels Feb. 4
. 1 reel
. 2 reels May 19
EXCELLENT PICTURES (S. R.)
FEATURES
Title Star
Back to Liberty Walsh-Hall Nov. 10
Bit of Heaven, A Lee-Washburn April
Bowery Cinderella, A O'Malley-Hulette Nov. 1
Broadway Madness De La Motte-Keith Oct. 1
Satan and the Woman Windsor-Keefe Dec. 15
Stronger Will Marmont-Carewe Jan. 15
Women Who Dare Chadwick-Delaney Mar.
Date Length
5980 feet
Reviewed
6900 feet Nov. 25
6300 feet Oct. 11
6400 feet Mar. 10
6600 feet
Coming Attractions
Title Star
Life's Crossroads Hulette-Hamllton
You're in the Army Now Santschi-Blythe
Length Reviewed
EDUCATIONAL
Title Star Rel. Date Length Reviewed
All Bear Curiosities April 29 1 reel April 21
All Set Lupino-Sargent-Hutton Jan. 15 1 reel Feb. 4
Always a Gentleman Lloyd Hamilton Feb. 5 . . 2 reels Feb. 18
At It Again Monty Collins May 13 2 reels April 28
Between Jobs Lloyd Hamilton Mar. 18 2 reels
Blazing Away Lloyd Hamilton April 22. . 2 reels April 7
Builders of Bridges Bruce Outdoor Sketch Feb. 26 1 reel Mar. 10
Call of the Sea, The Hope Hampton Jan. 1. .. 2 reels Dec 31
Chilly Days "Big Boy" Feb. 19 2 reels Feb. 18
Circus Blues Dorothy Devore Mar. 25 2 reels Mar. 17
Count Me Out Barney Helium Mar. 11 1 reel Mar. 3
Crown Me Wallace Lupino June 3 1 reel
Cutle Dorothy Devore Jan. 15 2 reels Feb. 18
Dog Days— Sun and Rain Bruce Outdoor Sketch Jan. 29 1 reel Feb. 25
Dummies Larry Semon Jan. 1 2 reels Dec. 23
Fall In Monty Collins Jan. 1 1 reel Dec. 23
Fandango Lupino Lane May 6 2 reels April 14
Felix the Cat In Arabiantlcs "Sullivan Cartoon" May 13 1 reel
Felix the Cat In Comicalities "Sullivan Cartoon" April 1 . 1 reel April 21
Felix the Cat Draggln' Dragon "Sullivan Cartoon" Jan. 22. . 1 reel Feb. 25
Felix the Cat in Eskimotive "Sullivan Cartoon" April 29 1 reel
Felix the Cat in Futuritzy "Sulli van Cartoon" June 24 1 reel
Felix In In-and-Out-Laws "Sullivan Cartoon" May 27 ... 1 reel
Felix the Cat in Japanicky "Sullivan Cartoon" Mar. 4 .... 1 reel Mar. 31
Felix in Ohm Sweet Ohm "Sullivan Cartoon'' . Feb. 19 1 reel Mar. 17
Felix in Outdoor Indore "Sullivan Cartoon" June 10 1 reel
Felix the Cat in Polly-tics "Sullivan Cartoon" Mar. 18 1 reel April 14
Felix In Sure-Lock Homes "Sullivan Cartoon" April 15 1 reel May 5
Felix the Cat In the Oily Bird "Sullivan Cartoon" Feb. 5 . 1 reel Mar. 10
Felix in the Smoke Screen "Sullivan Cartoon" Jan. 8. . 1 reel Feb. 18
Feline Frolics— Tonquin Valley Bruce Outdoor Sketch Mar. 25 1 reel . Mar. 1 0
Fighting Orphans— Evening Mist Bruce Outdoor Sketch 1 reel
Gloom Chaser, The "Big Boy" ... June 24 2 reels
Green-Eyed Love Ruby McCoy-George Hall April 8 1 reel Mar. 24
Hectic Days Lupino Lane June 17 2 reels
High Strung Jerry Drew Jan. 29... 2 reels Feb. 4
Hints on Hunting— Day by Sea Bruce Outdoor Sketch April 22 1 reel Mar. 31
His Maiden Voyage George Davis Feb. 26 2 reels Feb. 18
Homemade Man, A Lloyd Hamilton. . June 17 2 reels
How to Please the Public Hodge Podge Mar. 11 1 reel ... Mar. 17
Indiscrete Pete Jerry Drew Mar. 11 2 reels Mar. 10
Kitchen Talent George Davis April 15 2 reels Mar. 31
Landlord Blues Curiosities May 27 1 reel
Listen Sister Lupino Lane . Mar. 25 2 reels Mar. 24
Love's Springtime H. Hampton-J. Catalalne Feb. 12 2 reels Mar. 17
Mother Birds Curiosities Mar. 4 1 reel Feb. 18
Mysterious Night, A Monty Collins Feb. 12 1 reel Feb. 4
Navy Beans "Big Boy" May 27... 2 reels , ... May 12
Never Too Late Wallace Lupino May 6 1 reel April 28
New York's Sweetheart Curiosities Jan. 1 1 reel Feb. 11
Reviewed
Nov. 11
Mar. 24
Feb. 25
Sept. 30
Mar. 3
Mar. 17
Aug. 26'27
Feb. 25
F B O
FEATURES
Title Star Rel. Date Length
Aflame In the Sky Lynn-Luden Dec. 18. 6034 feet
Alex the Great Gallagher-Dwyer May 13. . 5886feet
Bandit's Son, The Steele-Sheridan Nov. 20 . . 4789feet
Bantam Cowboy, The , .. Buzz Barton Aug. 12 4693 tret
Beyond London's Lights Shumway-Elliott Mar. 18 . 5583 feet
Boy Rider, The Buzz Barton OcL 23 4858 feet
Breed of the Sunsets Bob Steele April I... 4869feet
Cherokee Kid, The Tyler-Lynn OcL 30 .. 4837feet
Chicago After Midnight Mendez-lnce Mar. 4 6249feet
Clancy's Kosher Wedding Sidney-Lease-Lynn SepL 17 5701 feet
Coney Island Wilson-Mendez Jan. 13 . 6390feet
Crooks Can't Win Lewis-Hill-Nelson May II
Dead Man's Curve Fairbanks, Jr.-Blane Jan. 16... 5511 feet Dec 23
Desert Pirate, The Tyler-Thompson Dec 25 4754 feet
Devil's Trade Mark, The Bennett-Mong-Douglas April 7 5984 feet
Dog Justice Ranger-Martin June 10 5043 feet
Driftin' Sands BobSteeie Jan. 1... 4770 feet
Fangs of the Wild Ranger-Kitchen Feb. 5 4804 feet Jan. 14
Fighting Redhead. The Buzz Barton July 1 4758 feet
Flying U Ranch, The Tyler-Lane SepL 4 4924feet
Freckles Bosworth-Fox, Jr Mar. 21 6131 feet Jan. 28
Gingham Girl. The Wl, son-Arthur Oct. 2 6301 feet July 29 '27
Harvester. The Kingston-Caldwell Nov. 23 7045 leet Nov. 25
Her Summer Hero Thnmpson-Trevor-Blane Feb. 12 5146 feet Dec. 30
Hook and Ladder No. 9 Ellis-Keefe-Hearn Nov. 13 .. 5240feet Dec. 16
In a Moment of Temptation. Stevens-Keefe Sept. 18 5605 feet Nov. 11
Jake the Plumber Devorska-Lynn Oct. IB... 5186feet Nov. 4
Judgment of the Hills Valll-Caldwell Nov. 6 6481 teet Aug. 19'27
Law of Fear, The Ranger-Reid-Nelson April 8 4769 feet Mar. 10
Legionnaires in Paris Cooke-Guard Jan. 31 5893 feet
Little Buckaron. The Buzz Barton Mnr. 11 4801 fret
Little Mickey Grogan Darro-Ralston-Nye Dec 27 6515 feet Mar. 3
Little Yellow House. The Sleeper-Caldwell May 28 6829 feet April 21
Loves of Ricardo, The George Beban June 17. .. 5181 feet SepL 4 '26
Man in the Rough. The Steele-King May 20 4748feet
Mojave Kid. The Steete-Gllmore Sept. 25 4924 teet Aug.12'27
Phantom of the Range Tyler-Thompson-Darro April 22 4781 feet Feb. 11
Pinto Kid, The Barton-Trevnr-Lee April 29 4884 feet Jan. 7
Racing Romeo, The Grange-Ralston SepL 1. .. 5992 feet Dec 16
Ranger ot the North Ranger dog) Oct. 9 4977 feet
Red Riders of Canada Mlller-Byer April 15 6419 feet Dec 23
Riding Reneq.ide, The BobSteeie Feb. 18... 4729 feat
Sally of the Scandals Love-Forrest July 15
Shanghaied Mlller-lnce Oct. 19 5999 feet Aug. 26*27
Skinner's Big Idea Washburn-Sleeper-Trevor May 11 5967 feet Mar. 17
Slingshot Kid. The Barton-Mnrgan-Rlce Dec 4 4486 teet
South Sea Love Mhler-Shumway-Brooks Dec 10 6388 feet Feb. 18
Swift Shadow. The Ranger dog' Dec 11 4897 feet Dec 23
1804
Motion Picture News
Dec. 30
Title Star Rel. Date Length Reviewed
Trail of Courage, The Steele-Bonner July 8
Wall Flowers Trevor-Arthur-Todd Feb. 16 6339 feet
When the Law Rides Tyler-Darro June 24 . . .4898 feet
Wizard of the Saddle Barton-Thompson Jan. 22 4805 feet.
SHORT SUBJECTS
Title Star
After the Squall Al Cooke
All Alike Carr-Alexander-Ross. . . .
All Washed Up Al Cooke
Almost a Gentleman Al Cooke
Are Husbands People? Al Cooke
Big Berthas Karr-Ross-Alexander. . . .
Come Meal Al Cooke
Happy Trio. The Karr-Ross-Alexander. . .
Heavy Infants Karr-Ross-Alexander. . . .
Joyful Days Karr-Ross-Alexander. . .
Mickey's Babies Mickey Yule
Mickey's in Love Mickey Yule
Mickey in School Mickey Yule
Mickey's Little Eva Mickey Yule
Mickey's Nine Mickey Yule
Mickey's Parade Mickey Yule
Mickey's Triumph Mickey Yule
Mickey's Wild West Mickey Yule
My Kingdom For a Hearse Al Cooke
Oui Oui Heidelberg Karr-Ross-Alexander Feb.
Panting Papas Karr-Ross-Alexander Jan.
Rahl, Rah! Rexie AlCooke Feb.
Restless Bachelors Al Cooke May
Silk Sock Hal Al Cooke May
Social Error, A Al Cooke Jan.
Standing Pat Karr-Ross-Alexander July
Too Many Hisses AlCooke Mar.
Top Hats Al Cooke Mar
Rel.
April
April
Feb.
June
April
May
June
Mar.
June
Aug.
Aug.
June
Feb.
April
Mar.
Jan.
July
May
April
Date
30...
9...
6...
25...
2...
14...
11...
12...
11...
14. . .
7...
4....
6...
2. . .
5...
2...
3...
7...
16...
13...
9...
20. . .
14...
28 ..
23 .
9...
5...
19...
Attractions
Coming
Title Star
Battling Buckaroo, The Tyler-Clair
City of Shadows, The Luden-Lynn
Danger Street Baxter-Sleeper
Down Our Way Valli-Caldwell-Darro. . . .
Gang War
Eagle's Ta'ons, The Tom Tyler
Headin' for Danger Steele-Mendez
Hit of the Show, The Brown-Astor-Olmstead. .
Perfect Crime, The Rich-Brook-McConnell . .
Saddle and Spurs Barton- Eason
Stocks and Blondes Logan-Gallagher
Taxi 13 Conklin-Sleeper-Trevor
Length Reviewed
.2 reels
.2 reels
2 reels
.2 reels
2 reels
.2 reels
2 reels
2 reels
.2 reels
2 reels
.2 reels
2 reels
2 reels
. 2 reels
.2 reels
.2 reels
2 reels
.2 reels
.2 reels
.2 reels
.2 reels
2 reels Feb. 18
2 reels
.2 reels
2 reels Feb. 11
2 reels
2 reels
2 reels
Length Reviewed
FIRST DIVISION (S.
Title Star
Comrades Keith-Hughes-H. Costello.
Death Valley Nye- Weils- Rao
Devil's Cage, The Garon-Keith
R.)
Rel. Date Length Reviewed
Firnegan's Ball Landis-Mehaffey.
Souls Aflame James-Wells-Lard.
Title
Free Lips
Coming Attractions
Star
Marlowe-Novak
Jan. 1 . .
. .5970 feet.
...Mar. 10
Nov. 15 .
. .5880 feet.
..Aug. 12
Mav
Mar
Oct. 1 .
. 6200 feet.
. . Dec. 9
Feb. 1 . .
. .5700 feet.
. . Mar. 24
Jan.
Dec. 15. .
.6900 feet
Sept. 15..
.6700 feet
Sept. 9
.Mar. .
Dec. 1 .
5604 feet
Length
Reviewed
FIRST NATIONAL
FEATURES
Title Star Rel.
American Beauty Dove-Hughes Oct.
Barker, The Sills-Compson-Mackaill Aug.
Big Noise, The Conklin-Hardy-White Mar.
Breakfast at Sunrise Talmadge-Alvarado Oct.
Burning Daylight Sills-Kenyon Mar.
Camille Talmadge-Roland Sept.
Canyon of Adventure Maynard-Faire April
Chaser, The Langdon-McConnell Feb.
Chinatown Charlie Hines-Lorraine April
Crystal Cup, The Mackaill-Mulhall Oct.
Drop Kick, The Barthelmess-Kent Sept.
Flying Romeos Sidney-Murray Feb.
French Dressing Warner-Brook-Wilson Jan.
Good-Bye Kiss, The Eilers-Burke-Kemp July
Gorilla, The Murray-Day-Kelsey Nov.
Gun Gospel Maynard-Faire Nov.
Harold Teen Lake-Brian-White May
Hawk's Nest, The Sills-Kenyon May
Heart of a Follies Girl Dove-Kent .. Mar.
Her Wild Oat Moore-Kent Dec.
Home Made Hines-Daw Nov.
Ladies' Night in Turkish Bath Mackaill-Mulhall April
Lady Be Good Mackaill-Mulhall May
Life of Riley, The Sidney-Murray Sept.
Little Shepherd of Kingdom Come. Barthelmess-O'Day April
Love Mart, The Dove-Roland Dec.
Mad Hour, The O'Neill-Kent Mar.
Man Crazy Mackaill-Mulhall Nov.
Noose, The Barthel mess-Joyce Jan.
No Place to Go Astor-Hughes Oct.
Oh Kay Colleen Moore Aug.
Patent Leather Kid, The Barthelmess-O'Day Jan. .
Private Life of Helen of Troy Corda-Stone-Cortez Jan.
Red Raiders, The Maynard-Drew Sept.
Rose of the Golden West Astor-Roland Oct.
Sailors' Wives Astor-Hughes Jan.
Shepherd of the Hills Francis-O'Day Jan.
Smile, Brother, Smile Mackaill-Mulhall Sept.
Texas Steer, A Rogers-Fazenda Dec.
Three-Ring Marriage Astor-Hughes May
Upland Rider, The Maynard-Douglas June
Valley of the Giants Sills-Kenyon Dec.
Vamping Venus Murray-Todd-Fazenda. May
Wagon Show, The Maynard-Faire . Feb.
Wheel of Chance Barthelmess-Basquette June
Whip Woman, The Taylor-Moreno Feb.
Yellow Lily, The Dove-Brook May
Date
9...
19...
25...
23...
11...
4...
22 .
12...
15...
16...
25...
26 .
15...
22 . .
13...
6....
27. . . .
27. . . .
18
25 . .
20. . . .
1....
Length
.6333 feet.
.7400 feet'
6042 feet
. 6500 feet .
8692 feet
5800 feet
5744 feet
6365 feet
6386 feet
681 9 feet
6184 feet
6344 feet.
7133 feet
6288 feet
7500 feet
5957 feet' !
61 18 feet .
6524 feet .
6592 feet .
Reviewed
..Oct. 21
. May 12
.Dec. 16
April 28
. May 6
. May 19
April 21
', Nov. 25
. Sept. 30
April 14
Dec. 2
Mar. 10
Mar. 17
Feb. 11
April 14
May 19
April 21
. Dec. 30
..Jan. 7
..Mar. 17
18 ...6712 feet.. . Sept. 16
8. . . .7700 feet
18... 7388 feet
4 ...6625 feet.
27. . . 5542 feet.
29 7331 feet
30. . . .6431 feet.
26
11412feet.Aug.26,*27
8 . . .7694 feet . . Dec. 23
4 ...6214 feet. .. Dec. 9
2....6477feet....Oct. 7
22... 5485 feet... Mar. 10
1... .8188 feet. ...Feb. 25
11 6669 feet. . . Sept. 9
4 7419 feet. . . Nov. 18
27
3 May 19
11.... 6336 feet
13
19.. . 6212 feet
10
5 ... 5087 feet ...Mar. 24
20
Coming Attractions
Title Star
Butter and Egg Man Mulhall-O'Day
Code of the Scarlet Maynard-McConnell
Divine Lady. The Griffith-Varconi
Glorious Trail, The Ken Maynard
Happiness Ahead Colleen Moore
Head Man, The Murray-Reed-Dawson
Heart to Heart Astor-Hughes
Here Comes the Band Langdon-Davison
I'll Tell the World Colleen Moore
Lilac Time Moore-Cooper
Phantom City, The Ken Maynard
Whip, The Mackaill-Nilsson-Forbes
Wright Idea, The Hines-Lorraine
Length Reviewed
Mar. 24
FOX FILMS
FEATURES
Title Star Rel.
Arizona Wildcat, The Mix-Sebastian Nov.
Black Jack Jones-Bennett Sept.
Blood Will Tell Jones-Perry Nov.
Branded Sombrero, The Jones-Hyams Jan.
Chicken a la King Sterling-Carroll-Meeker June
Come to M/ House Borden-Moreno Dec.
Dare Devil's Reward Mix-Joyce Jan.
Don't Marry Moran-Hamilton June
Dressed to Kill Lowe-Astor Mar.
East Side, West Side O'Brien-Valli Oct.
Escaoe, The Valli-Russell April
Farmer's Daughter, The Beebe-Burke July
Fleetwing Norton-Janis July
Gateway of the Moon Del Rio-Pidgeon Jan.
Gay Retreat, The Cohen-McNamara Sept
Girl in Every Port, A McLaglen-Armstrong Feb.
Hangman's House McLaglen-Collyer-Kent May
Hello, Cheyenne Mix-Lincoln May
High School Hero Phipps-Stuart Oct.
Holiday Lane Jan.
Date
20...
25...
13....
Length
4665 feet.
4777 feet
4556 feet
4612 feet
Reviewed
. . Mar. 24
Mar. 3
Mar. 3
Jan. 14
honor Bound O'Brien-Taylor May
Horsemen of the Plains Mix-Blane Mar.
Joy Girl, The Borden-Hamilton Sept.
Ladies Must Dress Valli-Gray Nov.
Love Hungry Moran-Gray April
Loves of Carmen Del Rio-McLaglen Sept.
News Parade, The Stuart-Phipps May
None But the Brave Dorothy Knaop June
No Other Woman Del Rio-Alvarado June
Painted Post, The Mix-Kingston July
Pajamas Borden-Gray Oct.
Play Girl, The Bellamy-Brown April
Publicity Madness Moran-Lowe Oct.
Road House Barrymore-Alba July
Seventh Heaven Gaynor-Farrell Oct.
Shame (re-Issue) John Gilbert Nov.
Sharpshooters O'Brien-Moran Jan.
Silk Legs Bellamy-Hall Dec.
Silver Valley Mix-Dwan Oct.
Soft Living Bellamy-Brown Feb.
Square Crooks Brown-Armstrong-Dwan Mar.
Thief in the Dark, The Meeker-Hill-Lee May
Two Girls Wanted Gaynor-Tryon Sept.
Very Confidential Madge Bellamy Nov.
Why Sailors Go Wrong Cohen-McNamara Mar.
Wizard, The Lowe-Hyams Dec.
Wolf Fangs Thunder-Morton-Lincoln Nov.
Womanwise Russell-Collyer-Pidgeon Jan.
5430 feet
. . .4987 feet .
..Jan. 21
.. .6566 feet .
...8154 feet..
...5109 feet .
. Mar. 17
. . Nov. 4
May 12
.5038 feet.
.5524 feet.
.5500 feet
6518 feet
4518 feet
.5498 feet.
Jan. 14
. Sept. 23
Mar. 3
May 19
May 19
.Nov. 11
.6188 feet.
.4397 feet
.61 62 feet.
.5599 feet
.5792 feet.
.8538 feet
Mar. 24
. Sept. 23
Dec. 23
. April 21
. Oct. 7
5876 feet
.5200 feet
5893 feet
. Dec. 2
. April 28
Feb. 11
8500 feet
5467 feet
.5573 feet
.5446 feet.
.5011 feet
.5629 feet
.5397 feet
5937 feet.
.6293 feet.
.5620 feet
5112feet
5629 feet
.5331 feet
.5050 feet.
June 10
Jan. 28
Oct. 14
Mar. 3
. Mar. 31
Oct. 7
Dec. 16
April 14
Dec. 16
Mar. 10
SHORT SUBJECTS
Title Star Rel. Date Length
America's Little Lamb Variety April 15 1 reel
Arkansas Traveler Variety Jan. 8 1 reel
Cow's Husband, A Spenser-Temple 2 reels
DesertBlooms, The Variety Mar. 19
Follow the Leader Payson-Ramon May 13
Head Hunters of Ecuador Variety Jan. 22
Hold Your Hat Phipps-Stuart Jan. 15.
Hot House Hazel T. Brooks-T .Hill Jan. 1 .
In a Music Shoppe (Movietone) Special Cast
Jack and Jilted P. Cunning-M. King 2 reels
Jungles of the Amazon Variety Feb. 5... 1 reel Jan. 21
Kiss Doctor, The Brooke-Thompson Jan. 29 . .
Lady Lion Lincoln-Clayton-Bletcher Mar. 25.
Lords of the Back Fence Variety Jan. 22. .
Love is Blonde Rollens-Ellis Feb. 26. .
Low Necker, A Marjorie Beebe
Reviewed
1 reel
2 reels May 19
1 reel
2 reels Mar. 24
2 reels
2 reels Mar. 17
2 reels May 19
1 reel
.2 reels
.2 reels Jan. 14
.2 reels Sept. 3
2 reels
. 1 reel
. 1 reel
2 reels
. 1 reel
.1 reel
2 reels
2 reels
1 reel
Mum's the Word
Old Wives Who Knew Hallam Cooley April 8. . .
On a South Sea Shore Variety April 1 . . .
Over the Andes Variety
Psyche and the Pskyscraper "O. Henry"
Ship Ahoy! Variety Feb. 19. ..
Spanish Influence Variety April 29. . .
T. Bone for Two Tyler Brooke April 22. . .
Too Many Cookies T. Brooke-L Miller Mar. 11 . . .
Vintage, The Variety Mar. 4.
Coming Attractions
Title Star
Air Circus, The Carrol-Lake-Rollins
Cock-Eyed World, The Lowe-McLaglen
Dry Martini
Fazil Farrell-Nissen-Busch
Four Devils, The Macdonald-Gaynor-Morton.
Four Sons Mann-Hall-Bushman
Girl Downstairs, The Moran-O'Brien
Me, Gangster Collyer-Stuart
Mother Machree Bennett-McLaglen 6863 feet Mar. 17
Pigskin Rollens-Carol
Plastered in Paris Cohen-Pennick
Red Dancer of Moscow, The Del Rio-Farrell-Revler
River Pirate, The McLaglen-Foxe
Street Angel, The Gaynor-Farrell 9221 feet
Sunrise Gaynor-O'Brien 8729 feet. . . Oct 14
Wild West Romance Bell-Lincoln
LUMAS
FEATURES
Title Star Rel. Date Length Reviewed
Bare Knees Corbin-Falth Feb. 1 5800 feet Jan. 28
Blondes By Choice Claire Windsor Oct. 1 . . . 6987 feet
Length Reviewed
941 2 feet ...Feb. 18
May 26 , 19 28
180?
Title Star Rel. Date Length Reviewed
Cheer Leader, The Graves-Olmstead Nov. 1
Chorus Kid. The Falre-Washburn April 10
Girl From Rio, The Myers-Pidgeon Sept. 1 .
Hell Ship Bronson Mrs. W. Reid-Hnwes-Beory May 1
San Francisco Nights Marmont-Busch Jan. 1.
Thru the Breakers Aug.
Turn Back the Hours Loy-Pidgeon Mar. 12
United States Smith Grlbbon-Loo-Harlan May
6000 I pet Mar. 10
6200 feet April 14
6990 feet
7000 feet . May 12
7000 feet. Dec. 31
6500 feet Mar. 17
Title Star
Wonders of Blue Gulf Mexico . Ufa Oddities
Your Darn Tootln' Laurel-Hardy
Rel. Date Length Reviewed
1 red
April 2 reels May 12
Coming
Star
Attractions
Title
Abie of the U. S. A George Jessel
Down Grade, The Fairbanks-Calhoun
Gypsy Love (tent.)
Head of the Family, The July
Man Higher Up June
River Woman. The Alma Rubens
Uncensored Woman. The
When Danger Calls Fairbanks-Sedgwick
Woman Between, The
Rel. Date Length Reviewed
METRO-GOLDWYN-MAYER
FEATURES
Title Star Rel.
Across to Singapore Novarro-Crawford April
Actress, The Shearer-Forbes-O. Moore April
Annie Laurie Gish-Kerry Sept
Baby Mine Arthur-Dane Jan.
Becky O'Nelll-O. Moore Nov.
Ben Hur Novarro-McAvoy Oct
Big City. The Chaney-M. Day-Compson Feb.
Big Parade. The Gilbert-Adoree SepL
Body and Soul L. Barrymore-Pringle-Kerry Oct.
Bringing Up Father Macdonald-Olmsted-Moran. . . Mar.
Buttons Coogan-L. Hanson Dec
Certain Young Man Novarro-Adoree May
Circus Rookies Dane-Arthur Mar.
Cossacks, The Gilbert-Adoree June
Crowd, The Boardman-Murray Mar.
Diamond Handcuffs Boardman-Gray-Nagel May
Divine Woman, The Garbo-Hanson Jan.
Enemy. The Glsh-Forbes Feb.
air Co-Ed Davies-Brown Oct.
orbidden Hours Novarro-Adoree June
orelgn Devils McCoy-Windsor SepL
Garden of Allah Terry-Petrovich Nov.
In Old Kentucky H. Costello-Murray Oct.
Latest from Paris, The Shearer-Forbes Feb.
Laugh, Clown, Laugh Chaney-Young-Asther April
Law of the Ranqe, The McCoy-Crawford Jan.
London After Midnight Chaney-M. Day-Nagel Dec.
Love Garbo-Gllbert Jan.
Lovelorn, The O'Nelll-Kent-O'Day Dec.
Man, Woman and Sin Gilbert-Eagels Nov.
Patsy, The Davies-Caldwell-Gray Mar.
Quality Street Davies-Nagel Dec.
Riders of the Dark McCoy-Dwan April
Road to Romance, The Novarro-M. Day Sept.
Rose-Marie Crawford-Murray-Peters Feb.
Skirts Chaplin-Balfour May
Smart Set, The Haines-Holt-A. Day Feb.
Spoilers of the West McCoy-Daw Dec.
Spring Fever Haines-Crawrord Oct.
Student Prince. The Novarro-Shearer Jan.
Tea for Three Cody-Prlngle-O. Moore Dec.
Thirteenth Hour, The L. Barrymore-Gadsdon Nov.
Under the Black Eagle Flash-M. Day-Forbes Mar.
West Point Haines-Crawford Jan.
Wickedness Preferred Cody-Prlngle Jan.
Wyoming McCoy-Sebastian Mar.
Date
7...
28...
17...
81...
12...
Length
6805 feet
6998 feet
8730 feet
5139 feet.
6433 feet
11693 feet
6838 feet
11519 feet
.5902 feet
.6344 feet
6050 feet
Reviewed
May 5
May 27 '27
...Jan. 14
Jin. \6, '28
Mar. 31
Nov. 28 '25
Nov. 25
. . Mar. 31
...5661 feet..
. May 19
...8538 feet..
Feb. 25
...7300 feet..
Jan. 21
...81 89 feet..
Dec. 31
...6408 feet..
..Nov. 4
4658 feet..
April 28
.8200 feet. .
SepL 16
.6646 feet
.7743 feet..
Mar. 3
7045 fppt
5393 feet
.5687 feet. .
Dec. 23
7365 feet. .
Dec 16
5950 feet..
. Dec. 30
62R0 feet
7289 feet
.7193 feet..
Nov. 18
.5014 feet
6544 feet
..Jan. 21
.7745 feet. .
Feb. 18
.6476 feet..
Mar. 10
4784 feet. .
Mar. 24
6705 feet.
Oct. 22
9435 feet .
Oct. 7
.6273 feet
.Nov. 11
5252 feet
5901 feet. .
. May 19
8134 feet
Jan. 7
5011 feet
4435 feet
Title
SHORT SUBJECTS
Star
Rel. Date
Aching Youth Charley Chase Mar. 17. . .
All For Nothing Charley Chase Jan. 21 . . .
Amazing Lovers Ufa Oddities Mar. 10. . .
Barnum and Rlngllng, Inc "Our Gang" April 7...
Bird Man. The Charley Chase
Blow by Blow Max Davidson Mar. 31 . . .
Came the Dawn Max Davidson Mar. 3. ..
Children of the Sun Ufa Oddities Feb. 11...
Cleopatra July 7...
Crazy House "Our Gang" June 2...
Czarina's Secret, The Baclanova-Mir-Rand Mar. 17. . .
Dumb Daddies Max Davidson Feb. 4. ..
Edison, Marconi and Co "Our Gang" Mar. 10. . .
Fair and Muddy "Our Gang" May 5. . .
Family Group. The Charley Chase Feb. 18...
Fight Pest. The Charley Chase May 12. . .
Finishing Touch. The Laurel-Hardy Feb. 25. ..
Fishing With a Microscope Ufa Oddities
Follow Through Laurel-Hardy
Forty Thousand Mileswith Lindbergh Aviation Film Mar. 4...
From Soup to Nuts Laurel-Hardy Mar. 24 . . .
Golden Fleeces Ufa Oddities May 19 . .
Happy Omen. A Ufa Oddities July 14. . .
Heavenly Bodies Ufa Oddities
Jungle Round-Up, A Ufa Oddities Jan. 28. . .
Lady of Victories, The A. Ayres-O. Matiesen-G. frying. . Jan. 21 . . .
Leave 'Em Laughing Laurel-Hardy Jan. 28. . .
Let George Do It Laurel Hardy
Limousine Love Charley Chase April 14. . .
Monarch of the Glen, The Ufa Oddities Mar. 24 . . .
Nature's Wizardry Ufa Oddities July 28. . .
Palace of Honoy, The Ufa Oddities June 16 .
Pathfinders, The Ufa Oddities
Pass the Gravy Max Davidson Jan. 7...
Perfume and Nicotine Ufa Oddities Jan. 14. . .
Pets and Pests Ufa Oddities Jan. 28. . .
Primitive Housekeeping Ufa Oddities April 21 . . .
Rainy Days "Our Gang" Feb. 11...
Sanctuary Ufa Oddities May 5...
Secrets of the Sea Ufa Oddities Feb. 25. ..
Should Women Drive? Max Davidson May 26 .
Sleeplnq Death Ufa Oddities June 30 . .
Spook-Spoofing "Our Gang" Jan. 14. . .
Tally-Ho Ufa Oddities
Tell It to the Judge Stanley-Dwan-Mannlng May 12. ..
That Night Max Davidson
Their Purple Moment Laurel-Hardy May 18...
Tokens of Manhood Ufa Oddities June 6. ..
Virgin Queen, The Stanley-Dwan-Mannlng May 12
Wicked Kaslmir, The Ufa Oddities April 7.
Length Reviewed
.2 reels
.2 reels Jan. 14
1 reel
.2 reels April 21
.2 reels
.2 reels April 21
.2 reels
1 reel
2 reels
.2 reels
2 reels
2 reels Feb. 25
2 reels April 7
.2 reels May 12
2 reels Feb. 18
2 reels
2 reels April 7
1 reel
2 reels
.3 reels
2 reels April 21
. 1 reel
1 reel
.1 reel
. 1 reel Oct. 9
2 reels Feb. 25
.2 reels
2 reels Mar. 3
2 reels April 21
. 1 reel Jan. 21
1 reel
1 reel
.1 reel
2 reels Jan. 14
1 reel
1 reel Mar. 3
1 reel
2 reels
1 reel
1 reel Mar. 3
2reels May 19
1 reel
2 reels Jan. 14
1 reel
.2 reels
2 reels
2 reels
. 1 reel
2 reels May 19
1 reel
Length Reviewed
5897 feet
6591 feet
6536 feet Jan. 28
Coming Attractions
Title Star Length Reviewed
Adventurer, The McCoy-Sebastian 4709 feel
Baby Cyclone. The Cody-Pringle
Beau Broadway Cody-Pringle
Bellamy Trial, The Joy-Bronson
Brother Love tentative) Dane-Arthur
Bushranger, The McCoy-Douglas
Cameraman. The Keaton-Day
Deadline, The Flash-Lorraine-Gray
Detectives Dane-Arthur
Excoss Baggage Haines-Cortez
Four Walls Gilbert-Crawford
He Learned About Women Halnes-Page-Percy
Her Cardboard Lover Davies-Asther
Loves of Casanova, The Special Cast
Madamniselle from Armentleres E. Brody-J. Stuart
Masked Stranger, The McCoy
Mask of the Devil John Gilbert
Napoleon Special Cast
Our Dancing Daughters Crawford-Brown-Sebastian
Show People Davies-Haines
Southern Skies Blue-Torres
Telling the World Haines-Page
Tide of Empire Adoree-Murray
Trail of '98. The Del Rio-Forbes IllOOfeet Mar. 24
War in the Dark Garbo-Nagel
While the City Sleeps Chaney-Page
Wind. The Gish-Hanson
PARAMOUNT
FEATURES
Title Star Rel. Date
Adventure Mad Asther-Hall-Davis Mar. 31
Barbed Wire Negri-Brook Sept. 10
Beau Sabreur Brent-Cooper Jan. 7
Big Killing. The Beery-Hatton May 19
Chang Jungle Film Sept. 3
City Gone Wild, The Meighan-Brooks Nov. 12
Doomsday Vldor-Cooper Feb. 18
Drag Net, The Bancroft-Brent May 26.
Easy Come, Easy Go Dlx-Carroll April 21
Feel My Pulse Daniels-Arlen Feb. 25
Figures Don't Lie Ralston-Arlen Oct. 8
Firry-Fifty Girl, The Daniels-Hall May 12
Fools for Luck Flelds-Conklin May 5
Gay Defender. The Dlx-Todd Dec. 10.
Gentleman of Paris. A Menjou-O'Hara Oct. 15
Gentlemen Prefer Blondes Taylor-Sterling-White Jan. 28
Get Your Man Bow-Rogers Dec 10.
Honeymoon Hate Vidor-Carmanatl Dec. 3
Jesse James Thomson-Lane Oct. 22
Last Command, The Jannings-Brent Jan. 21
Last Waltz, The Fritsch-Vernon Nov. 26
Legion of the Condemned Cooper-Wray Mar. 10
Love and Learn Ralston-Chandler Jan. 14.
Nevada Cooper-Todd Sept. 1 0
Night of Mystery, A Menjou-Brent April 7
Now We're in the Air Beery-Hatton Oct. 22.
Old Ironsides Ralston-Farrell-Beery . Mar. 3
One Woman to Another Vidor-Von Eltz Sept. 24
Open Range Chandler-Bronson Nov. 5
Partners In Crime Beery-Hatton-Brian Mar. 17.
Peaks of Destiny Special Cast Jan. 28
Pioneer Scout, The Thomson-Lane Jan. 21
Red Hair Bow-Chandler Mar.10
Rough Riders. The N. Beery-Bancroft Oct. 1 1.
Secret Hour. The Negri-Ttomson Feb. 4
Serenade Menjou-Carver-Basquette Dec 24
Shanghai Bound Dlx-Brlan Oct. 15
She's a Sheik Danlels-Arlen Nov. 12
Shootin' Irons Luden-Blane Oct. 8.
Show Down, The Bancroft-Brent Feb. 25
Something Always Happens Ralston-Hamilton Mar. 24
Speedy Lloyd-Christie April 7
Sporting Goods Dlx-Olmstead Feb. 11
Spotlight, The Ralston-Hamilton Nov. 19
Stark Love Special Cast Sept.17
Street of Sin, The Jannings-Wray May 26
Sunset Legion, The Thomson-Murphy April 21
Swim, Girl, Swim Daniels-Hall Sept.17
Tell It to Sweeney Conklln-Bancroft Sept. 24
Three Sinners — Negrl-Baxter April 14
Tlllie's Punctured Romance Flelds-Conklin Mar. 3
Two Flaming Youths Conklin-Fields Dec. 17
Under the Tonto Rim Arlen-Brlan Feb.
Underworld Bancroft-Brent-Brook Oct. 29
Way of All Flesh Jannlngs-Bennett-Haver Oct 1 .
Wedding March. The Von Stroheim-Wray Feb.
We're All Gamblers Meighan-Millner Sept. 3
Wife Savers Beery-Hatton Jan. 7
Woman on Trial Negri-E. Hanson Oct 29.
SHORT SUBJECTS
' Title"' Star Rel- Date
Adoration Novelty Feb. 25 ...
Behind the Counter E. E. Horton Mar. 3
Bugs My Dear (Christie) Bobby Vernon April 21 .
Bum Steer, A Krazy Kat Cartoon April 21 .
Campus Cuties (Christie) Billy Coolry .April 7. .
Dad's Choice E. E. Horton Jan. 7. ..
Fighting Fanny (Christie) Featured Cast Jan. 81...
Frenzy Novelty Jan. 14. ..
Gallant Gob. A (Christie) Billy Dooley May 26
Goofy Ghosts (Christie) Jlmmle Adams April 28. .
Halfback Hannah (Christie) Ann Cornwall April 14...
Hold 'Er Cowboy (Christie) Bobby Vernon June 2.
Holy Mackerel (Christie) Jlmmle Adams Feb. II...
Hunger Stroke. A Krazy Kat Cartoon Feb. 25
Ice Boxed Krazy Kat'Cartoon Feb. 11...
Just the Type (Christie) Neal Burns Feb. 18. ..
Knights of the Air Aviation Film Mar. 31. .
Ko-Ko's Bawth Inkwell Cartoon Feb. 18. .
Ko-Ko's Haunted House Inkwell Cartoon April 28. .
Ko-Ko's Hot Dog Inkwell Cartoon April 14...
Ko-Ko's Jerm Jam Inkwell Cartoon Feb. 4. .
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31 .
Ko-Ko's Kink Inkwell Cartoon Jan. 7. . .
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 81.
Ko-Ko's Smoke Inkwell Cartoon Mar. 3
6536 feet
.5408 feet
5665 feet
772C feet
5364 feet
5808 feet
5280 feet
7720 teet
5758 feet
.6376 teet
.5927 feet
.6871 feet
5998 feet
5415 teet
8656 feet
8234 feet
6940 feet
.741 5 feet
5737 feet
.6258 feet
5741 feet
.5798 feet
.7910 feet
4551 feet
5599 feet
6600 feet
5582 feet
.6118 feet
6331 feet
9443 feet
7175 feet
52P9feet
5515 feet
6015 feet
5179 feet
7616 feet
4792 feet
7960 feet
5951 feet
4934 feet
6200 feet
May 13 '27
Mar. 3
April 7
May 12
Mar. 3
Mar. 3
. Dec 31
Oct. 14
..Jan. 21
Feb^ 11
Oct 28
Jan. 28
Dec 30
Mar. 24
Feb. 25
Oct 28
April 21
Dec 23
Dec. 18 '26
. Sept 30
. . Mar. 10
May 5
Jan. 21
Mar. 10
Mar. 31
April 1 '27
Mar. 17
. Dec 31
Dec 9
. Dec 9
Mar.10
. April 14
Feb. 18
Mar. 11 '27
6763 feet
6124feet. . Sept. 16
6006 feet . . Oct. 28
.7029 feet. . April 28
5733 feet
5319 feet . Jan. 7
5991 feet April 28
7643 feet . Sept. 9
8486 feet ... July 8
5935 feet
5413 feet Jan. 21
5960 feet Oct. 14
I Length' Reviewed
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels . . April 28
2 reels
2 reels
2 reels.
2 reels
2 reels
2 reels
1 reel
1 reel
2 reels
2 reels
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 ree'
1 ree.
1806
M o tio n Picture News
Length Reviewed
1 reel
2 reels
2 reels
1 reel
1 reel
1 reel
.2 reels
2 reels
2 reels
1 reel
2 reels
.2 reels
2 reels
1 reel
2 reels.
1 reel .
Title Star Rel. Date
Ko-Ko's Tattoo Inkwell Cartoon Mar. 17. . .
Long Hose (Christie) Jack Duffy Mar. 17. . .
Love's Young Scream Anne Cornwall May 12. . .
Love Shy (Christie) Jimmie Adams Mar. 24 . .
Love Sunk Krazy Kat Cartoon Mar. 24...
Pig Styles Krazy Kat Cartoon Jan. 14...
Save the Pieces (Christie) Bobby Vernon Jan. 28. . .
Say Uncle (Christie) Jack Duffy June 9. . .
Sea Food (Christie) Billy Dooley July 14...
Shadow Theory Krazy Kay Cartoon Jan. 28. . .
Slick Slickers (Christie) Neal Burns July 7. . .
Slippery Heels (Christie) Jimmie Adams June 16 . .
Sweeties (Christie) Bobby Vernon Mar. 10 . .
Tong Tied Krazy Kat Cartoon April 7
Two Masters Eaton-Post
Water Bugs (Christie) Billy Dooley Feb. 4 .
Wired and Fired Krazy Kat Cartoon Mar. 10 .
Coming Attractions
Title Star Length Reviewed
Abie's Irish Rose Hersholt-McDonald 121 03 feet. . April 28
Beggars of Life Beery-Arlen-Brooks
His Tiger Lady Menjou-Brent
First Kiss, The Wray-Cooper
Glorifying the American Girl Special Cast
Haifa Bride Ralston-Arlen
Hot News Daniels-Hamilton
Just Married Hall-Taylor
Kit Carson Thomson-Lane
Ladies of the Mob Bow-Arlen
Magnificent Flirt, The Florence Vidor
Perfumed Trap, The Brian-Brook
Odd Fellows Fields-Conklin
Patriot, The Jannings-Stone-Vidor
Quick Lunch Fields-Conklin
Racket, The Meighan-Prevost
Sawdust Paradise, The Ralston-Howes
Side Show, The Fields-Conklin
Vanishing Pioneer, The Holt-Blane
Warming Up Richard Dix
Wings Bow-Rogers 12 reels Aug. 26 '27
PATHE
FEATURES
Title
Star
Rei. Date
Title
Star
Rel. Date
Alice in Wonderland Special Cast Dec. 25 .
Alice Thru Looking Glass . Special Cast Feb. 12. . .
Almost Human Reynolds-Thomson Dec. 26. . .
Angel o, Broadway, The Joy-Varconi Oct. 3
Apache Rider, The Leo Maloney Feb. 12 . .
Avenging Shadow, The Klondike-Hallor-Morris April 29 . .
Ballyhoo Buster, The Buffalo Bill, Jr Jan. 8. . .
Blonde for a Night, A Prevost-Ford Feb. 26 . .
Blue Danube, The Joy-La Rocque Mar. 11 . . .
Born to Battle Bill Cody SepL 11 . . .
Boss of Rustlers Roost Dan Coleman Jan. 22 . .
Bronc Stomper, The Dan Coleman Feb. 26...
Bullet Mark, The Jack Donovan Mar. 25. . .
Chicago haver-Varconi Mar. 4...
Combat Walsh-Adams-Hulette Oct. 23...
Cowboy Cavalier, The Buddy Roosevelt Jan. 29. . .
Crashing Through Jack Padjan Feb. 5. . .
Desert of the Lost, The Wally Wales Dec. 18 . .
Desperate Courage Wally Wales Jan. 15. . .
Devil's Twin, The Leo Maloney Dec. 11 . .
Discord Ekman-Dagover Nov. 20. . .
Dress Parade Boyd-Love Nov. 11...
Fangs of Fate Klondike (dog) June 24 . . .
Flying Luck Monty Banks Dec. 4. ..
Forbidden Woman, The Goudal-Varconi Nov. 7. . .
Girl in the Pullman Prevost-Ford Oct. 31 . . .
Golden Clown, The Ekman-Bell Dec. 18. . .
Gold From Weepah Bill Cody Nov. 20. . .
Grandma's Boy (re-issue) Harold Lloyd Dec.
Harp in Hock, A R. Schildkraut-Coghlan Oct. 10...
His Foreign Wife McDonald-Murphy Nov. 27. . .
Hold 'Em Yale La Rocque-Loff May 13. . .
Hoof Marks Jack Donovan Nov. 13. . .
Land of the Lawless Jack Padjan Dec. 25. . .
Laddie Be Good Bill Cody Jan. 1 ..
Law's Lash, The Klondike-Ellis-Maberry May 20
Leopard Lady, The Logan-Hale Jan. 22. . .
Let 'Er Go Gallegher Coghlan-Ford Jan. 15..
Main Event, The Reynolds-R. Schildkraut Nov. 18. .
Marlie the Killer Klondike-Bushman, Jr Mar. 4 . .
Midnight Madness Logan-Brook Mar. 25. . .
My Friend From India Pangborn-Fair Dec. 19...
Night Flyer, The Boyd-Ralston Feb. 5 . .
Obligin' Buckaroo, The Buffalo Bill, Jr Oct. 16. . .
On to Reno Prevost-Landis Jan. 1 . . .
Passion Island Special Cast Feb.
Perfect Gentleman, A Monty Banks Jan. 15. . .
Ride 'Em High Buddy Roosevelt Oct. 9. . .
Roarin' Broncs Buffalo Bill, Jr Nov. 27. . .
Rush Hour, The Prevost-Ford Dec. 12. . .
Saddle Mates Wally Wales Mar. 11...
Skyscraper Boyd-Carrol Apri I 8...
Soda Water Cowboy, The Wally Wales Sept. 25
Stand and Deliver La Rocque-Valez Feb. 19...
Turkish Delight R. Schildkraut-Fay-Robson Nov. 11 . . .
Valley of Hunted Men Buffalo Bill, Jr Feb. 19 . .
Walking Back Carrol-Walling May 20. .
What Price Beauty? Nita Naldi Jan. 22. .
Wise Wife, The Haver-T. Moore-Logan Oct. 24 . .
Wreck of the Hesperus Bradford-Marion Oct. 31 . .
SHORT SUBJECTS
Title
Animal Snaps
Barnyard Artists
Barnyard Lodge No. 1
Bath Time
Battling Duet, The
Beach Club, The
Benares (Educational)
Best Man. The
Bicycle Flirt, The
Blaze of Glory, A
Boats and Fishermen
Boy Friend, The
Broncho Buster, The
Buddhists of Burma, The (Educational
Busy Bodies
Star Rel.
Rarebits April
"Aesop Fables" April
"Aesop Fables" April
Sportlight June
"Aesop Fables" April
Bevan-Hurlock Jan.
Geographical Number Jan.
Bevan-A. Bennett-V. Dent Feb.
Bevan-V. Dent-D. Garley Mar.
"Aesop Fables" Feb.
Science Number Mar.
"Aesop Fables" Jan.
"Aesop Fables" Jan.
jGeographical Number Feb.
Sportlight Jan.
Date
8...
29...
8. . .
24 . . .
15...
22...
24...
19...
18. . .
26 .
4 . .
22 . .
1...
5...
Length Reviewed
5 reels
5596 feet Mar. 24
.6555 feet . . Dec. 16
.5755 feet . . .Feb. 18
.4293 feet . . Mar. 31
.4805 feet . Dec. 30
.6 reels
.7 reels
4875 feet
4833 feet. . Jan. 14
5408 feet Mar. 3
4550 feet . Mar. 31
.9992 feet . Dec. 30
.5100 feet . Nov. 11
4526 feet Jan. 28
4480 feet Feb. 11
4933 feet Dec. 30
4398 feet. . . Jan. 21
5478 feet
.8586 feet. . . Nov. 11
6599 feet. . . Nov. 11
64C3 feet' ! Nov. 18
6568 feet . Dec. 16
5867 feet . Nov. 18
791 3 feet Mar. 24
4968 feet Dec. 23
4750 feet
.5990 feet . Dec. 9
4890 feet .. Feb. 11
8 reels
.4076 feet . Dec. 23
4131 feet Dec. 30
4155 feet . Dec. 30
4902 feet . . Mar 31.
6650 feet . Mar. 10
5888 feet Jan. 28
.6472 feet. . . Nov. 11
.4600 feet. ...Mar. 3
6 reels
5750 feet . Mar. 31
.5954 feet
.4575 feet. . Nov. 11
.6 reels
.7 reels
5626 reet Jan. 14
.4542 feet Nov. 11
4375 feet . Dec. 30
5880 feet . . Mar. 10
4260 feet . . Mar. 17
7040 feet . . April 14
4546 feet . Nov. 4
.5423 feet April 7
.5397 feet
.4520 feet . Mar. 3
.6 reels
.5 reels Jan. 28
5610feet . . Dec. 16
.6447 feet .. Mar. 31
Length Reviewed
.1 reel April 21
. 1 reel
. 1 reel April 7
. 1 reel
1 reel April 7
2 reels Jan. 14
1 reel
2 reels Feb. 11
2 reels Mar. 10
1 reel
2 reels
1 reel
1 reel
1 reel
1 reel Dec. 31
Clothes and the Game Sportlight April 15..
Coast to Coast "Aesop Fables" May 13. .
County Fair, The "Aesop Fables" Mar 4 .
Crowned Heads Sportlight Feb. 19
Delhi (Educational) Geographical Number Feb. 26. .
Do Monkeys Manicure? Stan Laurel April 1 . .
Family Frolics Sportlight Jan. 22 .
Famous Playgrounds Sportlight May 13
Flight That Failed, The "Aesop Fables" June 3 .
Flying Age, The "Aesop Fables" April 22 .
Fiying Elephants Roach Stars Feb. 12. .
Fun Afoot Sportlight Mar. 1 8
Galloping Ghosts Carew-Hardy Mar. 11 . .
Girl From Nowhere, The Pollard-Holloway-Swain Mar. 25 .
Good Ship Nellie, The "Aesop Fables" Feb. 5 .
Happy Days "Aesop Fables" May 27..
High Stakes "Aesop Fables" Jan. 15. .
Honeymoon Hints Rarebits Jan. 15..
How Man Suits His Life Science Series
Houses of Arctic and Tropics Science Number Feb. 12. .
Jungle Days "Aesop Cartoon" Mar. 25 .
Jungle Triangle, A "Aesop Cartoon" April 28.
Kashmir, Old and New Geographical Number Jan. 10 .
Limberlegs Sportlight June 10.
Love at First Flight Pollard-Hurlock-Cowley Jan. 29
Man Without a Face (Serial) A. Ray-W. Miller Jan. 15
Mark or the Frog, The M. Morris-D. Reed Mar. 25
Matching Wits Sportlight April 29
On the Ice "Aesop Fables" Mar. 11
Over the Bounding Blue with Will Rogers (Travelesque) Feb. 12
Playing Hookey "Our Gang" Jan. 1
Puppy Love "Aesop Fables" June 10.
Reeling Down the Rhine Travelesque Jan. 15 .
Run Girl, Run Sennett Girls Jan. 15. .
Scaling the Alps "Aesop Fables" April 1 .
Season to Taste Sportlight Mar. 4 .
Shalimar Gardens, The Geographical Number Mar. 18 .
Should Tall Men Marry? Roach Stars Jan. 15 .
Smile Wins, The "Our Gang" Feb. 26 .
Smith's Army Life Hiatt-McKee-Jackson Feb. 5.
Smith's Bargain Hiatt-McKee-Jackson
Smith's Farm Days Hiatt-McKee-Jackson Mar. 4
Smith's Holiday Hiatt-McKee-Jackson Jan. 8
Smith's Restaurant Hiatt-McKee-Jackson April 1 .
Soldier Man Harry Langdon
Son Shower, The "Aesop Fables" Mar. 18..
Spider's Lair, The "Aesop Fables" Feb. 19 .
Star Builders Sportlight May 27.
Swim Princess, The Pollard-Clyde-Lombard Feb. 26.
Tail Waggers Sportlight April 1.
Trees Rarebits Mar. 1 1 .
Twenty-Four-Dollar Island Novelty
Versatility Sportlight Feb. 5.
Volcanoes (Educational) Geological Number Feb. 19. .
Wandering Minstrel, The "Aesop Fables" Jan. 29 .
War Brides "Aesop Fables" May 20
Work of Running Water Geological Number Mar. 11 . .
Yellow Cameo, The (Serial) Ray-Hearn June 3
Length Reviewed
1 reel April 7
1 reel May 19
.1 reel
.1 reel
1 reel
.1 reel
1 reel Jan. 14
.1 reel May 19
1 reel
1 reel April 21
.2 reels Feb. 11
1 reel
2 reels Mar. 3
2 reels Mar. 24
.1 reel
.1 reel May 19
1 reel
.1 reel
.2 reels
.2 reels
2 reels Mar. 31
.1 reel May 19
. 1 reel
. 1 reel
.2 reels Jan. 21
10 episodes . Jan. 14
10 episodes Mar. 24
.1 reel April 21
1 reel
.1 reel Feb. 11
.2 reels
. 1 reel
1 reel Jan. 7
2 reels Jan. 14
1 reel Mar. 31
.1 reel
.1 reel
: reels Jan. 7
2 reels Mar. 3
2 reels Feb. 4
.2 reels
.2 reels Mar. 3
.2 reels Dec. 31
. 1 reel
.1 reel
.1 reel Feb. 18
. .1 reel May 19
. 2 reels Mar. 3
. 1 reel
. . 1 reel
. .1 reel Dec. 23
. 1 reel Jan. 28
.1 reel
.1 reel
. .1 reel May 19
. 1 reel
10 episodes
Coming Attractions
Title Star Length Reviewed
Annapolis Basquette-Brown
Bride of the Coiorado Boles-Blossom
Cop, The Boyd-Logan
Godless Girl, The Basquette-Prevost
King of Kings, The Warner-Logan 1 3500 feet April 29 "27
Ladies Must Love Rod La Rocque
Love Over Night La Rocque-Loff
Man-Made Woman Joy-Boles- Warner
Power Boyd-Logan
Red Mark, The von Seyffertitz
Ship Comes In, A R. Schildkraut-Dressler June 4
Sin Town Allen-Fair
Survival of Slim, The Wally Wales
Tenth Avenue Haver-Varconi
Valley Beyond the Law Coleman-Loff
What Holds Men Leatrice Joy
Yellow Contraband Leo Maloney
PEERLESS PICTURES
Title
GirlJHe Didn't Buy, The
(S. R.)
Star Rel. Date
Garon-Simpson April
Date
Title Star Rel
Golden Shackles Priscilla Bonner Mar.
Out of the Past O'Malley-L. Rich Sept. 26
Web ot Fate, The Lillian Rich Nov. 7
Wilful Youth Harlan-Murphy Dec.
Length Reviewed
5600 feet
Length Reviewed
5600 feet
6000 feet
5800 feet
5800 feet
RAY ART (S. R.)
Title
Boy of the Streets, A.
Star Rel.
Walker-Bennett Sept.
Casey Jones Lewis-Robards Jan.
Cruise of the Hellion Murphy-Keith Sept.
Danger Patrol, The Russell-Faire April
Gun-Hand Garrison Tex Maynard Oct.
Gypsy of the North Gordon-Hale April
Heart oi Broadway, The Garon-Agnew Jan.
Heroes in Blue Bowers-Rand Nov.
Law and the Man, The Santschi-Brockwell Jan.
Light in the Window, A Walthall-Avery-Keefe Oct.
My Home Town Brockwell-Glass Mar.
On the Stroke or 12 E. Torrence-Marlowe-O'Shea. . . Nov.
Painted Trail, The Buddy Roosevelt Feb.
Phantom of the Turf. The H. Costello-Lease Mar.
Prince of the Plains Tex Maynard Sept.
Ridin' Luck Tex Maynard Oct.
Wanderer of the West. A Tex Maynard Nov.
Wheel of Destiny, The Stanley-Hale Oct.
Wild Born Tex Maynard Dec.
You Can't Beat the Law Lee-Keefe Feb.
Date Length Reviewed
. . . .5059 feet
....6673 feet
6089 feet Sept. 30
'.'.'.'.4X79 feet.'!!!
.'...5853 feet. . . ... ... . .
....5000 feet
....5916 feet.... Mar. 24
. ..5960 feet ...Nov. 11
!!!!s97o feet! !!!!!!!!!!
...4571 feet
!!!!4i34feet! !!!!!!!!!!
.'..'. 5869 feet. '.'.'. . . . . . . .
!!!!52e6 feet. !!.!!.!!.!
STERLING PICTURES (S. R.)
Title
Star
Rel. Date Length Reviewed
Pretty Clothes Ralston-Walker Oct. 15 5652teet — Nov. 4
Outcast Souls P. Bonner-Delaney Dec. 15 5210feet
Burning Up Broadway H. Costello-Frazer Jan. 30. . . 5200 feet
MarrytheGirl Bedford-Ellis Mar. 1 . . . 5300feet. . . Mar. 10
Million For Love. A Dunn-Howes May
May 26, 19 2 8
1807
Title
It Might Happen lo Any Girl
Coming Attractions
Star
Reviewed
Length Reviewed
STATE RIGHTS
Title Star
Adorable Cheat, The Lee-Keefe
Aftermath Special Cast
Dist'r
Rel. Date
Length
Reviewed
Chesterfield.
April 15
5400 feet
April 21
Collwyn. . . .
Dec.
6800 feet
Mar. 3
Hi-Mark...
5000 feet.
Artleo
Feb.
8400 feet.
Mar. 24
Krelbar. . . .
Nov.
6199 feet.
Nov. 4
Amkino. . . .
April
8500 feet
Mar. 24
Dance Fever Corda-Varconi . Brill
Dawn Special Cast Arch Selwyn
Daughter of Israel Betty Blythe Aywon 7 reels .
Faithless Lover. The O'Brien-Hulettc Krelbar Mar. . 5600feet.
Fangs of Justice Silverstreak- Walker Bischoff 5000 feet
Jealousy Lya de Putti Brill
Last Moment, The Matieson-Hale Zakoro April 5800 feet
Little Wild Girl, The Lee-Landls Hercules
Modern Du Barry, A Maria Corda Brill June 1 7000 feet
Port of Missing Children Special Cast Superlative
Port of Missing Girls Bedford-McGregor Brenda 7270feet.
Primanerliebe German Cast Scenic Films 6500 feet
Sally of the South Seas Hercules
Sealed Lips Swedish Cast Colwyn 6000 feet.
Shadows ot the Night Hercules
Shooting Stars English Cast Artlee April . 5800 feet
Simba Jungle Film Capitol Pict 8000 feet
Streets of Algiers Camilla Horn Brill 7 reels . . .
Thrill Seekers Clifford-Fulton Superlative 4900 feet
Tartuffe the Hyprocrlte Jannings-Dagover Brill 7 reels. .
Tracey the Outlaw Jack Hoey New-Cal Mar. . 6000 feet
Two Brothers Conrad Veidt Brill
When Fleet Meets Fleet English Cast Hl-Mark 7953 feet
..Mar. 3
. Mar. 31
Mar. 3
Mar. 24
April 28
Feb. 4
Aug. 5 '27
Mar. 31
SHORT SUBJECTS
Title Star Dist'r Rel. Date Length Reviewed
Bet The F. P. Donovan (producer) 2 reels
Cigarette Maker's Romance. . . F. P. Donovan producer) 2 reels
District Doctor, The F. P. Donovan (producer) 2 reels
Girl with the Golden Eyes, The.. F. P. Donovan (producer) 2 reels
Mysterious Airman, The Weiss Bros 10 episodes
Necklace, The F. P. Donovan(producer)Mary Alden 2 reels
Nothing to Live For Al Joy Cranheld Clarke 2 reels
Piece of String, A F. P. Donovan 'producer) 2 reels
Police Reporter The (Serial).. . . W. Miller-E. Gilbert. . Weiss Mar. 10 episodes
Sophomore, The G. O'Neill-L. Graydon Hi-Mark
Spookey Money Al Joy Cranfield-Clarke 2 reels
Who's Who Al Joy Cranfield-Clarke 2 reels
You Can't Win ( Serial) Weiss Bros 10 episodes
TIFFANY-STAHL
FEATURES
Title Star
Bachelor's Paradise O'Neill-Graves
Clothes Make the Woman Southern-Pidgeon . .
Devil's Skipper, The Bennett-Love-Landis.
Girl From Gay Paree Bedford-McGregor.
Rel.
Mar.
. May
Feb.
Sept.
Green Grass Widows Hagen-Harron-Olmsted June
Haunted Sih. The Love-Sebastian-Santschi Dec.
House ot Scandal Sebastian-O'Malley April
Ladies of Nig.it Club Cortez-Leonard May
Lingerie White-McGregor June
Feb.
Nov.
Oct.
July
April
June
Dec.
Mar.
Nameless Men Windsor-Moreno
Nigit Life Harron-A. Day
Once and Forever Miller-Harron
Prowlers of the Sea Cortez-Myers
Scarlet Dove, The Frazer-Borio
Stormy Waters Southern-McGregor
Streets of Shanghai Starke-Harlan
Their Hour Harron-Sebastian
Tragedy of Youth Baxter-Miller-Collier. Jr Jan.
Wild Geese Bennett-Southern-Keith Nov.
Woman Against the World Ford-Hale-Olmsted Jan.
Women's Wares Brent-Lytell-Kent Oct.
Date Length Reviewed
15....6147reet
1
1....5510feet
15. . . .5233 feet . . Sept. 23
10
1... 4753 feet ... Feb. 4
1
15
20
15 . . .5708 feet . . .April 14
1... 6235 feet... Dec. 2
15... 5639 feet
20
15
1
15....5276feet....Mar. 3
1... .5652 feet
15.. . 6361 feet ... Mar. 31
15. . . .6448 feet
1... 5283 feet
1... 5614 feet... Nov. 18
Rel. Date Length
Mar. 1.1 reel . . .
Date
10...
1...
15....
SHORT SUBJECTS
Title Star
Marcheta Color Classic
Medallion, The Color Classic Mar. 1 1 reel
Mission Bells Color Classic Mar. 15 1 reel
North of Suez Color Classic Jan. reel
Perfect Day, A Color Classic April 1 1 reel
Scarface Color Classic Jan. 15.... 1 reel
Souvenirs Color Classic Feb. 15 1 reel
Tom, Dick or Harry Color Classic 1 reel.
Treasure Land Color Classic Feb. 1 1 reel
Coming Attractions
Title Star Rel.
Albany Night Boat July
Beautiful But Dumb Aug.
Domestic Relations Aug.
Ghetto, The George J essel
Grain ot Dust. A July 1
Marriage of Tomorrow Miller-Gray
Toilers, The Ralston-Fairbanks, Jr.
UNIVERSAL
FEATURES
Title Star Rel. Date
Air Patrol, The Al Wilson Jan. I..,
Alias the Deacon Hersholt-Marlowe Jan. 22
Arizona Cyclone, The Fred Humes May 6. .
Back to God's Country Adoree-Frazer . . . .Sept. 4
Border Cavalier, The Fred Humes Sept. 18
Buck Privates De Puttl-McGregor June 3
Call of the Heart Dynamite-Cobb-Alden Jan. 29
Cat and the Canary La Plante-Halp-Stanley Sept.11
Cheating Cheaters Compson-Harlan Oct. 9
Chinese Parrot, The Bosworth-Nixon Oct. 23
Clean Up Man, The Wells-O'Day Feb. 12..
Cohens and Kellys in Paris Sidney-Macdonald Jan. 15
Count of Ten, The Ray-Ralston June 17. .
Desert Dust Ted Wells Dee. 18.
Fangs of Destiny Dynamite-Cobb-Caldwell Dec. 4 .
Reviewed
Length Reviewed
Length Reviewed
4259 feet
6869 feet Oct. 21
4076 feet
5751 feet Aug. 29
4427 feet
6171 feet Feb. 4
4345 feet
7190 feet May 20
5623 feet Dec. 23
7304 feet Jan. 7
4232 feet
7481 feet Feb. 18
6279 feet
4349 feet
4295 feet
Mar. 17
442 6 feet.
6193 feet Jan. 28
5503 feet
5645 feet
5711 feet Dec. 2
Title Star Rel. Date Length
Fearless Rider, The Humes-Worth Jan. 15... 4173 feet
Finders Keepers La Plante-Harron Feb. 5 6081 feet
Flyin' Cowboy, The Gibson-Hasbrouck June
Four Footed Ranger, The Dynamite (dog) Mar. 25
Four Flushe/s, The Lewis-Nixon Jan. 8
Galloping Fury Gibson-Rand Nov. 20
Good Morning Judge Denny-Nolan April 29
Hero For a Night, A Tryon-Mlller Dec. 18
Hot Heels Tryon-Miller May 13
Hound or Silver Creek Dynamite (dog) May 2 0 4095 feet
Irresistible Lover, The Keane-Moran Dec. 4 . 6958 feet
Les Miserables Special Cast Oct. 30 . 7713feet
Lone Eagle, The Keane-Kent Sept. 18 5862 feet
Love Mo and World Is Mino Philbln-Kcrry Mar. 4 6813 reet
Made to Order Hero Ted Wells June 3 . . 4120feet
Man's Past, A Veldt-Bedford Dee. 25 6135 feet
Midnight Rose De Putti-Harlan Feb. 26. .. 5689 feet
One Glorious Scrap Fred Humes Nov. 20 4172 feet
On Your Toes Denny-Worth Nov. 27 591 8 feet
Out All Night Denny-Nixon Sept. 4... 6170feet
Painted Ponies Gibson-Claire Sept. 25 5416 feet
Phantom Flyer, The Al Wilson Feb. 26 4253feet
Put ' Em Up Fred Humes Mar. 11... 4200 feet
Rawhide Kid, The Gibson-Hale Jan. 29 5382 feet
Shield of Honor, The Lewis-Gulliver-Hamilton Feb. 19 6172feet
Silk Stockings La Plante-Harron Oct 2. .. 6166 feet
Sky Hand Saunders Al Wilson Nov. 6 4393 feet.
Small Bachelor, The Kont-Beranger Nov. 6 6218 feet
Stop That Man Lake-Kent Mar. 11 . 5389 feet
Straight Shootin" Ted Wells Oct. 16 4251 feet
Surrender Philbin-Moskine Mar. 4 8249 feet
Thanks For Buggy Ride La Plante-Tryon April 1. .. 6197 feet
That's My Daddy Denny-Kent Feb. 5 6073feet
Thirteenth Juror, The Nilsson-Bushman Nov. 13 ... 5598feet Dec. 19
Thirteen Washington Square Hersholt-Joyce April 8 . 6274 feet .. Feb. 4
^hree Miles Up Al Wilson Sept. 4 ... .4136 feet. .. July 11
Thunder Riders. The Ted Wells April 8 4353feet
Trick of Hearts, A Gibson-Hale Mar. 18 5495 feet .
We Americans Sidney-Miller-Lewis May 6. . . .9151 feet. . April 7
Wild Beauty Rex-Allen-Marlowe Nov. 27. . 5192 feet
Wild West Show, The Gibson-Gulliver May 20 5254 feet
Wolf's Trail Dynamite-Cobb-Lamont Oct. 2 . 41 67 feet
Won in the Clouds Al Wilson April 22. . . 4348 feet
Sept. 16
April 28
Feb. 11
Sept. 16
Mar. 10
Jan. 14
Oct. 7
Aug. 5
Dec. 20
Aug. 26
April 28
Aug. 19
Mar. 10
Feb. 4
Title
SHORT SUBJECTS
Star
Rel.
Feb.
Feb.
June
Jan.
Feb.
Jan.
Mar.
May
Jan.
Jan.
Mar.
Feb.
Africa Before Dark Oswald Cartoon
All Balled Up Charles Puffy
Ambuscade, The Fred Gilman
Any Old Count "The Gumps"
Back to Nature Arthur Lake
Bare Fists Jack Perrin
Battling Justice Fred Gilman
Big Bluff, A Long-Adams-Layman-McPhail
Boss of the Rancho Bob Curwood
Brand of Courage, The B. Curwood-P. Montgomery
Bright Lights Oswald Cartoon
Buckskin Days Newton House
Buster Minds the Baby Trimble, Turner and Dog June
Buster's Big Chance Trimble. Turner and Dog Jan.
Buster Shows Off Trimble. Turner and Dog. Mar.
Buster Steps Out Trimble, Turner and Dog Feb.
Buster's Whippet Race Trimble, Turner and Dog May
By Correspondence Arthur Lake Jan.
Case of Scotch, A "The Gumps" Jan.
Cloud Buster, The "The Gumps" Feb.
Code of the Mounted, The Jack Perrin May
Dangerous Trail, A
Dates for Two C. King-C. Doherty Jan.
Diamond Master, The
Fighting Destiny Fred Gilman May
Fighting Kid, The Newton House June
Fox Chase, The Oswald Cartoon June
Frame-Up Man, The Bob Curwood May
Full House, A Long-Adams-Lymon-McPhaill. June
Gauge of Battle, The Fred Gilman April
George Meets George Sid Saylor June
George's False Alarm Sid Saylor Feb.
George's School Daze Sid Sacylor
Haunted Island, The (Serial) Jack Daugherty-Helen Foster . Mar
Harem Scarem Oswald Cartoon Jan.
Her Only Husband Long-Adams-Laymon-McPhalll April
Hidden Loot Bob Curwood April
High Flyin' George Sid Saylor Jan.
His In Laws Charles Puffy Mar.
Horns, Orange Blossoms Charles Puffy Jan.
Horse Play Long-Adams-Laymon-McPhaill Jan.
Hungry Hoboes Oswald Cartoon May
Indoor Golf Long-Adams-Layman-McPhaill Mar.
Iron Code, The Jack Perrin June
Looters, The Bob Curwood Mar.
Madden of the Mounted Jack Perrin Mar.
Man of Letters, A Sid Saylor Feb.
Married Bachelors Charles Puffy April
Mistakes Will Happen Ben Hall Feb.
Money! Money! Money! Ben Hall May
Nock n' Neck Oswald Cartoon Jan.
Newlyweds' Advice Jan.
Newlyweds' Friends. The Snookums-Bartlett-McPhaill April
Newlyweds' Happy Day, The Snookums-Bartlett-McPhaill June
Newlyweds' Imagination, The Snookums-Bartlett-McPhaill
Newlyweds" Servant, The Snookums-Bartlett-McPhaill
Newlyweds Success, The Snookums-Bartlett-McPhaill
No Blondes Allowed C. King-C. Doherty
Oh, What a Knight Oswald Cartoon .
Ole Swlmmin' 'Ole, The Oswald Cartoon Feb.
One Every Minute Arthur Lake April
Out In the Rain "The Gumps" Feb.
Ozzie of the Mounted Oswald Cartoon April
Payroll Roundup, The Bob Curwood Mar.
Poor Papa Oswald Cartoon June
Prince and the Papa Chanes Puffy Feb.
Ride 'Em Plowboy Oswald Cartoon April
Riding Gold Newton House Jan.
Date
20 . .
27...
16
23 ...
27...
14...
24...
2...
7. . .
7...
19...
18
27. .
11...
14
8...
23...
30 ...
9...
6 . .
5...
18
Length "evlewed
1 reel April 7
2 reels Feb. 4
2 reels May 19
2 reels
1 reel Feb. 11
2 reels Dec. 23
2 reels Feb. 25
2 reels April 7
2 reels
.2 reels Jan. 7
1 reel April 7
2 reels Jan. 28
2 reels
2 reels Dec. 23
2 reels
2 reels Jan. 28
2 reels April 28
1 reel Jan. 14
.2 reels Dec. 23
2 reels Jan. 21
.2 reels April 7
2 reels May 5
2 reels Dec. 31
May
Feb.
Mar
Mar.
Ring Leader, The Jack Perrin
Ringside Rumens Arthur Lake
Rival Romoes . Oswald Cartoon
Sagebrush Sadie Oswald Cartoon
Sailor George Sid Saylor
Scarlet Arrow. The Serial* F. X. Bushman. Jr
Sealed Orders Jack Perrin
Shady Rest "The Gumps". . .
Sliding Home Lewis-Gulliver-Philllps . Jan.
Social Lions Ben Hall Mar.
Some Babies Charles Puffy Mar.
Some Pets Arthur Lake Jan.
April
Mar.
Mar.
April
May
June
Feb.
. 2 reels April 21
. 2 reels May 19
1 reel
. 2 reels . . May 5
2 reels . May 19
2 reels Mar. 24
. 2 reels
2 reels Feb. 4
2 reels May 5
. 10 episodes
. 1 reel
. 2 reels Mar. 17
2 reels Mar. 31
. 2rels
. 2 reels Feb. 18
.2 reels Jan. 7
2 reels Dec. 16
.1 reel April 21
2 reels Feb. 11
2 reels
2 reels Feb. 4
2 reels Feb. 11
2 reels Jan. 28
2 reels Mar. 17
1 reel Jan. 21
1 reel April 14
1 reel
2 reels Dec 16
2 reels Mar. 10
2 reels May 12
2 reels April 14
2 reels .... Feb. 4
. 2 reels Feb. 11
2 reels Feb. 25
1 reel May 5
1 reel Mar. 24
1 reel April 7
2 reels Jan. 28
April 7
Mar. 3
May 19
Jan. 21
Mar. 24
1 reel
2 reeis
1 reel
2 reels
1 reel
2 reels
2 reels Mar. 10
1 reel Mar. 10
1 reel April 7
1 reel May 5
2 reels April 14
10 episodes
2 reels Jan. 28
2 reels
2 reels Dec 30
1 reel
2 reels Mar. 3
1 reel Dec 14
1808
Motion Picture News
Title Star Rel.
Son of the Frontier, A Newton House April
So This Is Sapp Center Ben Hal Jan.
Special Edition Ben Hall April
Speed Sheik, The Arthur Lake . . June
Start Something Long-Adams-Laymon-McPhaill Feb.
Summer Knights Arthur Lake May
Swell Clothes Arthur Lake Dec.
Taking the Count C. King-C. Doherty April
Terrors of the Unknown (Serial)
That's That Trimble-Turner and Dog April
There's a Will C. King-C. Doherty Dec.
Tricky Trickster, The Ben Hall June
Unexpected Hero, An F. Gillman-M. King Feb.
Untamed, The Newton House May
Valiant Rider, The (Western) Bob Sherwood June
Vanishing Rider, The (Serial) Wm. Desmond Jan.
Watch George Sid Saylor Mar.
What a Party C. King-C. Doherty Feb.
When George Hops Sid Saylor April
When George Meets George Sid Saylor June
Whose Wife King-Doherty June
Winged Hoofs Newton House Mar.
Winning Five. The Lewis-Gulliver-Phillios Sept.
Winning Goal, The Lewis-Gulliver-Phillips Jan.
Wolves of the Range Fred Gilman Jan.
Woman Chasers C. King-C. Doherty May
Date
14 ...2
16 1
9.
18..
1..
21..
5....1
18 ...2
10
2
2
.1
2
11
21
4.
25.
12. ...2
23... 2
16 .10
25. ...2
0 .2
Length Reviewed
reels Mar. 17
reei Dec. 30
reel Mar. 17
reel
reel Jan. 14
reel April 28
reel Nov. 18
reels Mar. 24
episodes
reels Mar. 17
reels
reel May 19
reels Jan. 28
reels Apri. 14
reels May 19
episodes
reels Mar. 3
reels Feb. 4
reels Mar. 31
reels May 19
reels May 12
reels Feb.25
i eels Sept 19
reels
reels
reels
Coming Attractions
Title Star Rel. Date Length Reviewed
Anybody Here Seen Kelly Love-Moore
Body Punch, The Daugherty-Faire
Brides Will Be Brides Laura La Plante
Burning Winds Hoot Gibson
Children of the Sun Special Cast
Clearing the Trail Gibson-Gulliver '. ". "...
Cloud Dodger, The Al Wilson
Crimson Hour, The De Putti-Moskine
Danger Rider, The i-'oot Gibson
Doubling For Trouble Gibson-Gilbert
Fallen Angels Kerry-Starke
Foreign Legion, The Kerry-Stone-Nolan
Freedom of the Press Stone-Keith-M. Day
Fresh Every our Glenn Tryon
Give and Take Sidney-Hersholt
Grip of the Yukon, The Bushman-Hamilton-Marlowe
Has Anybody Here Seen Kelly? Love-T. Moore
Home, James La Plante-Delaney
Honeymoon Flats Lewis-Gulliver
Jazz Mad Hersholt-Nixon-Lewis
Last Warning, The Laura LaPlante
Lonesome Tryon-Kent
Man Who Laughs, The Veidt-Philbin 11 reels. ... May 12
Man, Woman and Wife Kerry-Starke-Nixon
Michigan Kid, The Nagel-Adoree
Navy Blues Arthur Lake
Phyllis of the Follies M. Moore-A. Day
Play Goes On Veidt-Nolan
Plunging Hoofs Rex-Perrin
Red Lips Nixon-Rogers
Silks and Saddles Nixon-Walling-Nolan
Sky Skidder, The Al Wilson
Uncle Tom's Cabin Special Cast
Viennese Lovers Philbin-Hersholt-Keane
Watch My Speed Denny-Worth
Wild Blood Rex-Perrin
UNITED ARTISTS
FEATURES
Title -;tar
Circus, The Chap.in-Kennedy
College Buster Keaton
Devil Dancer, The Gray-Brook
Dove, The Talmadge-Roland
Rel. Date Length
Jan. 7. .. .6400 feet.
July 29. .. 5800 feet.
Nov. 19 . . .7000 feet
Jan. 7. .. 8400 feet.
Reviewed
..Jan. 14
. Sept. 23
. . Dec. 30
..Jan. 7
Title Star
Drums of Love Philbin-Alvarado
Garden of Eden, The Griffith-Ray Feb. 4
Gaucho, The Fairbanks-Valez Jan. 1
Magic Flame, The Colman-Banky Aug. 14
My Best Girl Pickford-Rogers Oct. 31
Ramona Del Rio-Baxter Feb. 11
Sadie Thompson Swanson-L. Barrymore Jan. 7
Sorrell and Son Warner-Joyce Dec. 2
Steamboat Bill, Jr Keaton-Torrence April
Tempest J. Barrymore-Hom
Two Arabian Knights Boyd-Wolheim Sept. 23
Two Lovers Colman-Banky
Rel. Date Length
Mar. 31. . . 9195 feet.
.7558 feet.
9358 leet
.7850 feet.
7460 feet.
.7552 feet.
8600 feet.
.9000 feet.
7700 feet.
.9 reels. . .
.8250 feet.
.8500 feet.
Reviewed
..Jan. 28
.Jan. 14
. Dec. 2
. Sept. 30
. . Dec. 9
..Feb. 4
Feb. 11
. .Nov. 25
May 19
. . Nov. 4
..April 28
Coming Attractions
Title Star
Awakening, The Banky-Byron
Battle of the Sexes, The Bennett-Hersholt-O'Neill
Hell's Angels Lyon-Hall-Nissen
La Piava Boyd-Valez
Revenge Dolores Del Rio
Woman Disputed, The Talmadge-Roland
Rel. Date Length Reviewed
(about) 7 reels.
Title
WARNER BROTHERS
FEATURES
Star Rel. Date Length Reviewed
Across the Atlantic Blue-Murphy Feb. 25 6052 feet
Beware of Married Men Rich-Ferris-Cook Jan. 14 5421 feet. .. Jan. 28
Brass Knuckles Blue-Bronson Dec. 3 6330feet — Dec. 23
College Widow, The D. Costello-Collier, Jr Oct. 15. . . .6616 feet. . . . Nov. 25
Crimson City, The Loy-Miljan-Hyams April 7 5388 feet — April 21
Dog of the Regiment- A Rin-Tin-Tin-Gulliver Oct. 29. . . .5003 feet. . . Nov. 11
Domestic Troubles Fazenda-Cook Mar. 24 5164 feet
First Aulo, The Miller-Oldfield Sept. 18. . . .6767 feet. . . . July 8
Five arK" Ten Cent Annie Fazenda-Cook
Fortun. lunter. The Chaplin-Costello Nov. 7. .. .6639 feet. .. Jan. 21
Ginsberg the Great Jessel-Ferris Nov. 26 5390 feet
Girl From Chicago, The Nagel-Loy Nov. 19. .. .5978 feet Dec. 31
Good Time Charley Oland-H. Costello Nov. 5. . . 6302feet. . . Nov. 25
Ham and Eggs at Front Wilson-Conklin-Loy Dec. 24 5613feet
Husbands For Rent Moore-Costello Dec. 31 6320feet — Jan. 7
If I Were Single McAvoy-Nagle Dec. 17. . . .6320 feet. . . Dec. 31
Jaws of Steel Rin-Tin-Tin Sept, 10. . . .5569 teet. . . Sept. 30
Jazz Singer, The (Vitaphone) Jolson-McAvoy Oct. . . . .7423 feet. . . Oct. 21
Little Snob, The McAvoy-Frazier Feb. 11 . . . .5331 feet
Missing Link, The Syd Chaplin Aug. 7. . . .6485 feet. . . May 20
One-Round Hogan Blue-Hyams Sept 17. .. .6357 feet. .. Oct. 17
Old San Francisco D. Costello-Oland Sept. 4 7961 feet July 8
Pay As You Enter Cook-Fazenda May 19
Powder My Back Rich-Ferris-Beranger Mar. 10. . . 6185 feet
Race For Life, A Rin-Tin-Tin- Nye-Faire Jan. 28. . . .4777 feet. . . Feb. 11
Reno Divorce, A McAvoy-Graves Oct. 22 . . 5492 feet. . . Nov. 4
Rinty of the Desert Rin-Tin-Tin-Ferris-Nye April 21 . . . .4820 feet
Sailor Izzy Murphy Jessel-Ferris Oct. 8. . . .6020 feet. . . .Oct. 28
Sailor's Sweetheart, A Fazenda-Cook Sept. 24. . . .5685 feet. . . Oct. 14
Silver Slave, The I. Rich-Miljan Nov. 12. . . .6142 feet. .. Dec. 9
Slightly Used McAvoy-Nagel Sept. 3. . . .6412 feet. . . Sept. 30
When a Man Loves Barrymore-Costello Aug. 21. . .10081 feet. Feb. 18'27
Coming Attractions
Title Star Rel. Date Length Reviewed
Fools In the Fog McAvoy-Nagle
Glorious Betsy (Vita.) D. Costello-Nagle 7091 feet... .May 5
Ladies Prefer Bonds (tent.) Nagle-McAvoy
Land of the Silver Fox Rin-Tin-Tin-Nye-Hyams
Lion and the Mouse (Vita.) L. Barrymore-McAvoy-Collier, Jr
Midnight Taxi, The Moreno-Costello
Noah's Ark (Vita.) D. Costello-O'Brien
No Questions Asked Ferris-Collier, Jr.
Singing Fool, The (Vita.) Jolson, Bronson
State Street Sadie Loy-Nagle ■ • • ....
Tenderloin (Vita.) D. Costello-Nagle 7782 feet. .. April 28
Women They Talk About I. Rich-Ferris-Collier, Jr
The Blue Book of Filmdom —
Containing
Accurate Records and Ratings
on Pictures & People
BOOKING GUIDE
AND
STUDIO DIRECTORY
Write for Biography Blank
MOTION PICTURE NEWS
729 Seventh Avenue, Hollywood Security Bldg.,
New York City Hollywood, Calif,
Roy Press
Printers
Preference
means Profits
The theatre that stresses screen
quality is well on the way to
popular preference. And that
preference means profits.
Specify prints on Eastman
Positive— the film that preserves
every bit of photographic qual-
ity for your screen.
EASTMAN KODAK COMPANY
ROCHESTER, X. V.
Matchless
jyfuskal Attraction
cAo feature of the magnificent
necO JheW- United Artists - Penn
Theatre at Pittsburg lOas more en-
thusiastically received than the
uxmderful Rotert MwtonPhilhar
monic Unit Organ.
Ohe World's leading showmen
eVeryiOhere-themore progressive
exhibitors, are taking advantage
of the box office Value of the"
Robert Morion Unit Organ
Robert Mwten Organs are distinc-
tively different from all others. Urvap -
proached grandeur and beauty of tone.
Greater orchestral and theatrical re -
sources and structural improvements found
in no other instrument, make it™ ~
supreme musical instrument of all time
ftotertMwtai Organ C*
New York.
156O Broidvay
C hi c a g o
624&o.Michiiaiv.
Los Angeles
1914 SoVennont
In This Issue: "The Showman
»>
fi<><7. (/. 5". Po/oK Office
3 GARBO
Vol. XXXVII
No. 22
C5 «
4 HAINES
2 GILBERT 3 DAVIES 4 CHANEY 2 NOVARRO 4 SHEARER
O THEY MEAN (%
1 GISH
v
2 KEATON
3 CODY-
PRINGLE
10 "OUR GANG"
If
10 LAUREL-
HARDY
BUSINESS!^
ESTABLISHED names-
M-G-M stars in
M-G-M hits arc the
SURE- fireworks of 78-79.
The Important Company
etro-goldwyn-mayeR
PLUS: 3 BIG SPECIALS: SHOW PEOP1 E, Marion I >a< i H iliiam
Haines, THE CARNIVAL OF LIFE, 7onn Gilbert, Grew Garbo. THE
LOVES OF CASANOVA. 3 COSMOPOLITAN; 3 ELECTRIC
LIGHT HITS; 2 FLASH (dog . 104 M-G-M NEWS; 10
M-G-M GREAT EVENTS Technicolor); 26 M-G-M ODDITIES
4 DANE-
ARTHUR
6 McCOY
10 CHASE
10 ROACH
ALL-STAR
June 2, 1928
PRICE 20 CENTS
^ new yHickigan
theatre of Detroit
has installed a
WuRLlTZER
:
Eft
IB « . I
The very finest theatres in the United
States and many foreign countries have
installed Wurlitzer Organs. There must
be reasons — definite, practical reasons.
Foremost, Wurlitzer Organs surpass in
rich tonal quality, ease and responsive-
ness of action. No other organ is equip-
ped to produce such almost unlimited
varieties and combinations of effects. As
an investment the Wurlitzer Organ
embodies far greater dollar for dollar
value than any other make of organ.
The Wurlitzer Organ is always depend-
able, appealing to lovers of good music,
and is preferred by all authoritative
organists.
NEW YORK ST. LOUIS
CLEVELAND CHICAGO
PHILADELPHIA PITTSBURGH
WuruIzer Organ
FACTORIES: NORTH TONAWANDA, N. Y.
BUFFALO DETROIT
SAN FRANCISCO KANSAS CITY
CINCINNATI LOS ANGELES
Lindbergh
67th flyer to
cross the
Atlantic
the
CJThe other 66 were good enough flyers. But Lindbergh got the crowds. \\ hy?
Personality that appealed to the modern public. Front-page publicity every-
where. On the tip of every tongue. S. R. O. wherever he turned. It "s the
same with pictures. CJ 66 good pictures get only a passing nod. The 67th
picture knocks box-office records for a row. Everybodj knows about it.
everybody wants to see it. You find good pictures in other companies'
announcements for 1928-9; you find the 67th type of good picture and star
ill large quantity, exclusively in Paramount^ Whole-Show Program. €| Because
Paramount geared its production staff and spent its millions to make high-
powered pictures with the spark that fires the public. "Wings," that has
smacked every road-show record of all times. Harold Lloyd, leading box-
office draw of the world, with his own smart Harold Lloyd Corporation
production outfit. "Canary Murder Case," read by 200,000 people. Von
Stroheim's "Wedding March," most eagerly-awaited picture in years. Clara
Bow, to whom 30,000 fans a month write. Jainiings (world's greatest dramatic
genius), Dix, Bancroft, Daniels, Ralston (coming up like a rocket), Charles
Rogers (new idol of the millions), and more, more, more. Stars and pictures
that stand out like Lindberghs above the mass of other product. CJ The
important pictures of next season are in********"
PARAMOUNT'S WHOLE -SHOW PROGRAM
Specials
Harold Lloyd
Wedding March
4 Clara Bow
3 Richard Dix
2 Emil Januings
Canary Murder Case
Beggars of Life
The Tong War
Crime of Interference
The Letter
Tahiti Nights
Glorifying American Girl
Perfumed Trap
Wolf Song
Dirigible
Man I Love
Hard Boiled Angel
Living Together
Upstart Gentleman
Behind German Lines
Burlesque
Road Shows
W ings
Abie's Irish Rose
The Patriot
Star Hits
3 Richard Dix
4 Geo. Bancroft
4 Be be Daniels
4 Esther Ralston
2 Pola Negri
3 \\ ray-Cooper
2 Florence Vidor
4 Chas. Rogers
3 Taylor- Hall
3 Voolphe Menjou
3 Zane Grey
1 Thomas Meighan
2 MacLean-Christie
1 Sir Harry Lauder
1 Model of Montmarte
Shorts
104 Paramount News
8 Vernon Comedies
8 Dooley Comedies
8 "Macduff" Comedies
8 "Confessions of a
Chorus Girl'" Comedies
12 Great Stars and Authors
26 Krazy Kat
26 Inkwell Imps
2 Horton Comedies
Extra! Byrd's Flight to
the South Pole
THE NEW YORK TIMES. SATURDAY, MAY 26, 1928
FIRST PICTURES OF CAPTAIN GEORGE WILKINS AFTER HIS POLAR FLIGHT.
}RACED1,000 MILES
WITH WILKINS FILMS
Cameraman Here With the First
Pictures of the Captain s
Arrival at Spitsbergen.
A -6, 000-mile race from the Arctic
Circle was won yesterday by John
Dored, staff camerman of the Para^
rmunt News and Associated Press
with the first pictures of the landin
in Spitsbergen of Captain Georgi
Wilkins and Lieutenant Carl Eielson
after their flight from Alaska over
polar regions.
By steamer, launch, dog sled, auto-
mobile, train and airplane, Dorcd
raced to win a clean beat of five
days on one of the outstanding news
stories of the year. An hour after
the films were landed here yesterday
they were developed and on their
way to newspapers and theatres
throughout the country
" at
N. Y. Times hails
Paramount Scoop!
9 Biggest news event since Greenely Island and Paramount
News first again with exclusive pictures of actual completion in
Spitsbergen of Capt. George Wilkins' great Arctic Flight ! « « «
^ 300-foot Paramount News Special on the screen Saturday,
May 26th, heating all competition. No extra cost to subscribers.
^ One after another « « « Paramount News scoops the field!
PARAMOUNT NEWS
News Reel Leader from the Start!
—picture
has
everything
LOVE
DRAMA
ACTION
THRILLS—
It
should
rank
among
the 'best
films'
of the
year."
Boston
Traveller
D.W.GRIFFITH 5
UNITED
ARTISTS 1
PICTURE
U ill A fl I I I I p j I
"—A
GREAT
picture.
A
gripping
drama
of LOVE
BATTLE
and
PASSION-
lavish
settings
and
regal
splendor."
Dallas
Journal
LYARADO -TULLY HARSH
WILLIAM AUSTIN
UNITED
ARTISTS
PICTURE
FACTS
ABOUT PICTURES AND PEOPLE
ALL YOU NEED TO KNOW
Whatever your connection with the industry—
Producer, Distributor, Exhibitor or Newspaper*
IN A COMPACT VOLUME
Just the information you need. Arranged in
a way that you can easily find it.
STUDIO DIRECTORY
and
BOOKING GUIDE
The Blue Book of Filmdom
Write for biography blank
MOTION PICTURE NEWS
729 Seventh Avenue Hollywood Security Bldg.
New York City Hollywood, Calif.
^c5n~ s-^^-O
f®M> ®jt£p Go™
u u
O r
i (
HE BIG
PARADE
1
RAMON NORMA
| NOVARRO SHEARER
J THE STUDENT
PRINCE
ORETA ',
GARBO t
S8g ^J|^ 9g&9
) (I I
LON CHANEY
i LONDON AFT
' MIDNIGHT
LILLIAN GISH
THE
ENEMY
SYD CHAPLIN
SKIRTS
?©? ?s§? ras?
NORMA SHEARER
THE LATEST
FROM PARIS
WILLIAM HAINES
WEST POIN
LEW CODY
ILEEN PRINGLE
ADAM AND
EVIL
mm
IOHN GILBERT
THE COSSACKS
MARION DA VIES
THE
PATSY
I " THE
! THIRTEENTH
HOUR
I J L
(
LON CHANEY
THE BIG
CITY
LON CHANEY
CO
AUGH CLOWN f
LAUGH ||
IT
WILLIAM HAINES
TELLING THE
W~
A REVIEW OF
THE PAST
SEASON-
Atteri'shunl
FACE
THE facts!
M-G-M won the 1927-1928
BOX office honors with
(continued)
(continued)
EVERY WEEK
A BIG STAR NAME!
LILLIAN
GISH
NO company on earth
CAN give you the
SECURITY of a
BIG Star name cody-pr.ngle
TO put in your
MARQUEE lights
EVERY week-
1500 new accounts
SWITCHED from other companies
TO M-G-M last year!
10,000 practical showmen
NOW use M-G-M service
BECAUSE experience shows
M-G-M product returns
THE consistent profits !
-G-
THE MONEY PRODUCT
1928-1929
4
3
4
3
2
2
4
2
1
4
SPECIALS
SHOW PEOPLE
Marion Davies
William Haines
THE CARNIVAL OF LIFE
John G lbert
Greta Garbo
THE LOVES OF CASANOVA
LON CHANEY
While the City Sleep?
and j others
GRETA GARBO
Tiger Skin, Single Standard
and l more
WILLIAM HAINES
Excess Baggage and 1 more
MARION DAVIES
Dumb Dora and i More
RAMON NOVARRO
Gold Braid and I more
JOHN GILBERT
The Devil's Mask and I more-
NORMA SHEARER
Ballyhoo and J more
BUSTER KEATON
The Camera Man and i more
LILLIAN GISH
The Wind
DANE-ARTHUR
Camping Out Hnd \ more
COD Y-PRINGLE
The Baby Cyclone
and 2 more
TIM McCOY
FLASH
The Ama/ing Dog
Star in Grease Paint
and I more
COSMOPOLITAN
PRODUCTIONS
Our Dancing Daughters
Breakers Ahead
Mothers and Sons
3 El
° H
ELECTRIC-LIGHT
ITS
The Bellamy Trial
The Wonder of Women
A Free Soul
4 AHAL ROACH
^v COMEDIES
to OUR GANG
io LAUREL-HARDY
to CHARLEY CHASE
io ALL STAR
M-G-M NEWS
Twice Weekly
104
£ M-G-H
26
EVENTS
entirely in Technicolor
M-G-M ODDITIES
UFA world-wide Rcms
THE IMPORTANT COMPANY
1 here s
NEW
BAND
WAGON
in motion
pictures .
—WILLIAM A. JOHNSTON
In "Motion Picture News"
Watch your step
in getting on !
1 1
In the Entertainment Field,
Science Has Always Blazed
the Trail
OUPERIOR facilities and superior resources automatically
^ attract superior services. This is as true in the realm
of entertainment as it is in the realm of business.
In the development of "talking" pictures, art will follow
science. The box office prizes of the future will go to
those possessing the most advanced and efficient facilities
for sound reproduction.
Some may seek to upset this principle, but the public is
never long misled.
The selection of the proper "sound" equipment is the
most important matter before the exhibitor today. On
the efficiency of that equipment ultimately will rest the
quality of the pictures he has to show.
It behooves him, therefore, to make sure he is in right
before he goes ahead.
RCA PHOTCPH ON E
Leads the Way to Assured Public Favor
in "Talking" Pictures
With the introduction of the RCA Photophone, "talking"
pictures have passed beyond the experimental state. It is
to previous devices what the modern day phonograph is
to the old-time gramophone. Only the resources and re-
search facilities of the world's foremost engineering lab-
oratories could have made such an achievement possible.
Revolutionary Improvements
While iht' Photophone equipment is standardized in that it per-
mits of t Ik* interchange of films with other proeesses, it differs from
all other "sound film" appliances in these essential characteristics:
TONAL FIDELITY
Tin; superior tonal qualilv ol tin' I'hotophonc
is due to the fact that the Photophone em-
ploy s tli«' v ariable \v idth" or ' serrated edge"
method of recording sound on the film, as op-
posed to the "variable density" process.
There are no limitations to the Photophone
recording process. Nor are its tone qualities
affected hv under-de\ eloping or over-dev elop-
ing ol the sound track. Full value is obtained
from all musical gradations full advantage
taken of the phonetic quality of a perform-
er's voice.
ACOUSTICAL \l>\ UVCES
The Photophone reproducing apparatus em-
bodies all of the technical improvements
which the Radio Group ha\e developed in
their work in the broadcast field. Photophone
reproduction is practically a "straight line"
method, giving equal amplification for all
sound frequencies. Furthermore. Photophone
does not use horns for reproduction. It em-
ploys a new l\ discovered and highly perfected
cone of the elect rod v mimic type, which gives
a lone quality that can never !><■ approached
h\ the horn method.
As a result of these improvements sound re-
production achieves a fidelity in RCA Photo-
phone never he fore equalled.
There is absolutely no suggestion of mechan-
ical transference — no oxer-loading, no dis-
tortion, no unnatural volume. It i- devoid of
metallic sounds, or shrillness, harshness or
slurring.
PERFECT SYNCHRONIZ \Tlo\
Absolute synchronization is accomplished by
RCA Photophone h\ the projection of both
picture and sound from the same source.
The sound is on the film — not on another
machine. 'There can he no gap between the
sound and the picture caused l>\ jumping
disc needles or variations in timing of sep-
arate apparatus.
ruoni ( i ion i i i n ii \< ^
Much of the effectiveness of "talking" pic-
tures is dependent upon the skill exercised
in the placing of the microphones. The Radio
GrQUDS vast experience in such work as the
result of its broadcasting activities will he
utilized in the production of all films made
hv the Photophone process, assuring the most
satisfactory results in recording.
Ml R Mill i n
The sound track of the RCA Photophone
lasts. In contrast to oilier film recording
methods. RC \ Photophone lilm- are as well
preserved after tin- tenth week of operation
as they are after the first. They will outlivt
the picture itself.
I t I I -SI/I I) PICT1 RES
Producers may put synchronized orchestral
accompaniment on existing negatives hv the
Photophone process without destroying a
portion of the picture.
The RCA Photophone is the only sound film
that preserv es the normal size of such pictures.
'The Photophone Company produce- positive
prints with sound track hv a special optical
reduction printer w hich enables it to sav e the
entire picture record and still leave enough
room on the film for the sound track. Other
methods destroy a portion of the picture
record to accommodate the sound track.
Furthermore, there is no distortion of the
photography by reason of the neccssitv for
duping to make possible the introduction of
the sound (dement. RCA Photophone pic-
tures are printed direct from* the negative on
positive stock.
PROJECTION [MPROA EMENTS
The RC \ Photophone equipment embodies
new projection improvements that are both
simpler of operation and more effective than
any other existing system.
E< ONOlVn
The RCA Photophone offers a substantial
saving in its installation cost, while mechanical
efficiency assures a low maintenance cost.
Ion take no chances in installing IK! V Photophone. It «xi\es yon all
the improvements of present-day seience, phis the assnranee ol' such
improvements as mav develop in the future.
Equipment that meets every requirement
RCA PHOTOPHONE projection equipment may be installed in practically
every projection booth with little alteration.
Standard films, without the sound feature, may be used without any
change in the RCA Photophone, as may all types ©/"talking films." The
installation of RCA Photophone equipment in no way interferes with
the projection of the ordinary picture.
In addition to a wide range of feature productions, news reels and
novelty films, there will be available through RCA Photophone, Inc., a
large selection of films of incidental and non-synchronized music.
For theatres desiring only reproducing apparatus for incidental and
non-synchronized music, there will be available high power reproducers,
providing superlative performances, at moderate prices.
Board of Directors of RCA Photophone, Inc.
CORNELIUS N. BLISS EDWIN M. HERR
PAUL D. CRAVATH DAVID SARNOFF
GENERAL JAMES G. HARBORD JAMES R. SHEFFIELD
EDWARD W. HARDEN GERARD SWOPE
OWEN D. YOUNG
Officers of RCA Photophone, Inc.
CHAIRMAN OF THE BOARD
GENERAL JAMES G. HARBORD
PRESIDENT
David sarnoff
Vice-President E. E. BUCHER
Technical Vice-Pres., ALFRED N. GOLDSMITH
Treasurer, GEORGE S. DeSOUSA Secretary, LEWIS MacCONNACH
Comptroller, CHARLES J. ROSS
Board of Consulting Engineers
ALFRED N. GOLDSMITH C W. STONE S. M. KINTNER
« * •>
Forward-looking exhibitors, when in New York, are invited to investigate
at our studio, the business -building potentialities of RCA Photophone.
IVCA PHOTOPHONE inc.
411 FIFTH AVENUE NEW YORK
A Subsidiary of the Radio Corporation of America
W. RAY JOHNSTON #s pleased to announce
mOSS VERA REYNOLDS
(BY COURTESY OFDEMILLE PICTURES)
As the Star of
E DIVINE SINNER
The fi«t of RAYART'S BOX-OFFICE TWENTY
CARR BLUE-RIBBON PRODUCTION
For RAYART PICTURES
? / 4
' m: STORY BY ROBERT ANTHONY Oil! ON ^DIRECTED BY SCOTT IT Ml RORL
RAYART PICTURES CORPORATION
SEVEN TWENTY THREE SEVENTH AVENUE - N EW YORK
Foreign Distributors
RICH MOUNT PICTURES
of the .
Subject Field;
%o* .% t*fi
Don't use a yard stick to measure the circula-
tion of a motion picture trade paper* What
appears to be a yard may not be a yard at alL
For instance, it is possible to sell a long list of
subscriptions to some theatre organization and
yet fail to have the trade paper in the hands of
the individuals who buy*
The problem of a motion picture trade journal
is to know who does the buying and to know
that these individuals are readers of that journal*
Right here is the difference between MOTION
PICTURE NEWS circulation and yard stick
circulation* We know the NEWS is read by the
real buyers* We know our readers consist of the
executive and operative personnel of the theatre
field*
We know these facts and so do many of the big-
gest theatre equipment manufacturers —
manufacturers who acknowledge this confi-
dence in MOTION PICTURE NEWS circula-
tion thru exclusive advertising*
and SMART SET. on sale July ist, will reach ne»'
ticket-buying millions — influence 2,600,000 families!
Thank heaven! — I'll be able to feature one new Big -Star Attrac-
tion every week this Summer! — Thar will keep my patrons in the
movie-going habit — help my business all through the week."
Jo/,
'"a//
4 GPor V^4C?^S
4
NAT
o ^ « O -* «=»
.x'v4e
f u«f-/e«gt/l fe ' ^ B«a„, A|,ce V, .
HAi?OLD TEEN"
reader:
3 2 mil/,or)
Cfe C°mes the Band"
, m T/le^igntldea„
*' The,ma Todd
Code of The Scarlet"
"Because wit need
BETTER pictures
in St
tmmer
BUY THEM AS A GROUP. . .
THEY'RE WEATHERPROOF!
Mrmber <f Motion Picture Producers w Distributors of America Inc.— Mil H Ha/6 Pmiii'd
Volume XXXVII
NEW YORK CITY, JUNE 2, 1928
No. 22
A Big Job
"Sound" Movies and Readjustment of Industry
By William A. Johnston
THE new sound movie and its place in
this industry reminds one of an infant
which has suddenly entered a house
where a large and hectic party is going on.
Some people are totally unaware of its
presence; others see it, but loftily refuse to
recognize it; a good many don't know what
on earth to do with it; and those most inter-
ested get to quarrelling over its parentage.
Only a few are making rapid plans to rear
the child; a still fewer number are already
well on their way.
The intrusion is not a welcome one. The
industry, as we have said before, finds itself
very much in the same fix as it did when the
feature photoplay bobbed up. The studios
were not at all ready for it; there were no
writers, directors and technicians in general;
the old line distributors couldn't handle it
at all ; and so the prosperous dealers in short
subject programs wanted to kick it back into
oblivion.
But the public wanted it; and the industry,
after violent and wide-spread reordering of
itself, went right ahead to supply it.
4c afc a|e $
Now, it would appear by the most obvious
signs, the public wants something else again,
something more vitally entertaining, not
merely the novelty in itself. The sound
movie! The silent drama with a voice. And.
of course, the great amusement public is
going to get what it wants. That's certain.
But the industry is aghast at its job : and
you can't blame it.
Over the past fifteen years a vast produc-
ing and distributing machine has been built
un and cemented in the effort to supply the
silent photoplay. Not only have studio and
studio resources, and distribution and dis-
tribution resources been expanded and per-
fected, but even theatres acquired in the
great competitive effort to get features to
the public whether the public wanted them
or not. And the race is still on.
But — within the past year or so — some-
thing has happened, something fundamental.
The trade itself has been busy with Wall
Street and mergers, with fiscal matters and
economies, with chaining up theatres — and
yes, there is still a producers' race to acquire
theatres in the same fatuous attempt to jam
pictures down the public throat.
The something that has happened has been
a growing apathy on the part of the public
toward the silent drama. Vaudeville was
tried and fell flat. Grand presentations were
employed and often do the trick, but at what
price !
At their best these extraneous efforts were
pulmotors only. And now comes alonu:
something new, in and of and out of the
silent drama. It's voice! And the public
has had a taste of the new entertainment and
is eating it up.
* * * *
So the public controls, as usual. And the
reordering of production and distribution
will have to be made, but it can't be done in
a day. or a week, or even a year.
Meanwhile, the production ami distribu-
tion of silent pictures — announced and
planned for the new season w ill go on, of
course. That's a big job in itself.
Tn this period of radical readjustment, it
behooves everybody to keep a clear head, and
not to rock the boat.
1834
Motion Picture News
Another cartoon character joins the movie
throng. U alter Berndt, the creator of "Smitty,"
signs a contract with Amedee J. \ an Beuren
and Harry Weber, on his right, who will trans-
fer "Smitty" to two-reeler productions for re-
lease through Pathe channels
The tense court-room scenes in Frances
Noyes Hart's "The Bellamy Trial" were
recently filmed by Director Monta Bell, who
is shoivn above with Leatrice Joy demon-
strating how to take the oath
Alberta Vaughn as a vivacious
chorine. She is starring in the
"Racing Blood" series for FBO
distribution
Thomas Burtis, left, author of the aviation
stcries which will be released soon by Educa-
tional, and Reed Howes, star of the series, talk-
ing to the captain of the S.S. Montclare, on
which vessel Educational' s convention teas en-
tertained by Associated Screen Netvs, Ltd.
Give the hard-ivorking camera-
man a hand. Nick Stuart, Fox
player, has his eye focused on
stardom
One ivrites popular songs, the
other sings them in a world-win-
ning manner. Irving Berlin ivill
write a number which Al Jolson
will sing in Warner Bros.' "The
Singing Fool"
K. Bruce Johnson < with the cigarette) vice-pres-
ident and foreign manager of First National, met
upon his Berlin arrival by members of the Defu-
First National producing force. Directly behind
Mr. Johnson is Ray Rockett, supervisor of First
National's foreign productions
Olive Borden, who supplies all the
feminine appeal in "I irgin Lips,"
her first Columbia production
Mary and Doug, vacationing in Europe, visit Rex
Ingram at his studio in Nice, where he is to make
"The Three Passions" for United Artists. Left to
right: Douglas Fairbanks, Rex Ingram, Alastair
Mackintosh, production manager of the Ingram
Studio, and Mary Pickford
J u n e
19 2 8
1833
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
Tie
JVlirrors
of
Filmdom
4 4 "I X AW IN," the much discussed British picture.
I opened at the l imes Square Theatre, New York,
this week amid a total absence of excitement.
This, of course, is the film which has caused many pro-
tests on the ground that the showing of it would kindle
old hatreds and revive the war spirit.
Leaving aside for the moment the question as to
whether the picture ought to he shown, so far as the in-
ternational viewpoint is concerned, and considering it
merely as a motion picture, these observations occur to
us :
The outstanding thing in the production is the per-
formance given by Sybil Thorndike, in the role of Nurse
Cavell. Her work is one of the great impersonations of
the screen.
The direction by Herbert Wilcox is, on the whole, good,
though it lacks in spots a full command of tempo. It is
by far the best work Mr. Wilcox has done. The produc-
tion values are good, the only notable defect being poor
photography in certain of the sequences.
In the selection of types; in the titles; and in other
ways, Mr. Wilcox has gone to great lengths to present his
story as a story, and not as a document directed against
any nation.
repetition of last year. Exchange managers admit that this
condition exists in many instances.
As a result, the majority of accounts will be held over until
next fall, before activity to any extent can be expected. The
Schine circuit, of course, will be eagerly sought by the ex-
change managers and salesmen from now on. This chain
numbers over 125 houses and is the hi'j plum for the ex-
changes. Some of the exchange managers are hoping to book
their product with Schine within the next month or so, but
t h is is rat her < Loubl ful.
William Benton, of Saratoga Springs, with a dozen or more
houses in northern Xew York, does not plan to (dose with the
new product within a couple of months. William Snialley. of
Cooperstown, who has fifteen houses or so, is planning to do
likewise.
In so far as prices are concerned, the exchanges are quoting
an increase over a year ago. They claim that the quality of
the pictures is ahead of last year and that they are justified in
asking higher prices. The exhibitors, in turn, say that they
paid the peak last year and then found themselves with many
pictures that proved of no great drawing power. They say
emphatically, that they will not pay any more than a year a<_r<>.
and some go so far as to say thai they do not intend to pay
even as much as last season.
ACCORDING to correspondents of the News in two terri-
tories, the buying of product for the new season is get-
ting under way very slowly. St. Louis reports thai business
is not good, and assigns the reason to lack of sufficient adver-
tising in regional and national trade publications, in order to
prepare the way for salesmen. In Northern and Central New
York, with Albany as the exchange center, exhibitors are open
in declaring that they will hold off buying for weeks to come in
an effort to force prices downward. Although practically all
of the conventions are over, the exchanges in Albany are go-
ing no further these days than the mere quoting of prices, and
are frank in admitting thai they do not expect, the buying
season to get under way, even with the big fellows, within
sixty days or more. Many of the exchanges do not plan to
send their salesmen into the smaller towns much before
( >ctober.
The situation, in so far as the theatres which book from the
Albany exchanges, is a peculiar one this spring, [n the lirst
place, many of these theatres, holding off for several weeks
last year, then bought to the extent that they absolutely
loaded up with pictures, and now find themselves with more
on hand than they can consume. This means that these thea-
tres will be playing last season's product for two or three
months to come, and also that the exhibitors will not buy to
the exteul of a year ago. and precipitate themselves into a
OUR Paris correspondent, L. C Moen. cables that
Louis INalpas has resigned as managing director of
Cineromans, the company controlled b\ Jean Sapenc.
and will start his own production organization. The
separation is described as a friendly disagreement over
policy.
M. INalpas will announce important plan- Boon. Dur-
ing his six years' association with Sapenc. M. Nalpas made,
among other pictures, "Les Miserables."
The same correspondent reports that the world picture
rights to the Olympic games have been sold to Luce, the
Italian state film monopoly. American newsreel com-
panies are negotiating for the rights here, and Mussolini's
friendliness to the American BCreen makes a successful
outcome likely.
FOR the first time in the history of the Capitol Theatre,
New York, a two-reel comedy will be presented as a
regular feature of the weekly program. The producl will be
selected from the Hal Roach output for M-G-M,
This announcement is of importance because it means the
restoring of the short length comedy to Broadway, first-run,
where it has been crowded out by the overplus of presenta-
tion stuff.
June 2, 1928 Motion Picture News /"<>/. XX Ml I, No. 22
Published weekly by Motion Picture Ncivs, Inc. Founded in September, 1913. Publication Office, 729 Seventh Ave., New
York, N. Y '.; Editorial and General Offices, 729 Seventh Ave., Nciv York City; Branch Offices, 845 5". Wabash Ave., Chicago,
III.; Room 616 Security Bldg., Hollywood, California. William A. Johnston, president; Kenneth M. Goode, vice-president
William A. Johnston, editor; Oscar Cooper, managing editor; Raymond E. Gallagher, advertising manager; Paul M. Abbott,
manager of accessory advertising; L. H. Mason, Chicago representative ; William M cCormack, Los Angeles representative.
Subscription price, $3.00 per year, postpaid in United States, Mexico, Hawaii. Porto Rica, Philippine Islands and some other
countries. Canada, $5.00; Foreign, $10.00. Copyright, 1928, by Motion Picture News, Inc., in United States and Great Britain.
Title registered in the United States Patent Office and foreign countries. Western Union cable address is "Pickncws." New York.
Entered as second-class matter at the Post Office. New York, N. Y '., April 22, 1926. under the Act of March 3, 1870.
1836
Motion Picture News
Walsh Resolution for U. S. Probe
Fails of Adoption
WHEN Congress adjourned this week, no action had been taken by
the Senate on the resolution introduced by Senator Thomas J.
Walsh of Montana which sought an investigation of the Film
Boards of Trade, the Government's probe of the industry and the Federal
Trade Commission's action in the Paramount case.
Senator Walsh had sought to have the Judiciary Committee of the
Senate inquire into the investigations which have been conducted by the
Department of Justice in relation to the Film Boards of Trade and the
Trade Commission with reference to Paramount. He sought to determine
what progress had been made and with what diligence any alleged illegal
practices uncovered may have been prosecuted.
Trade Commission Ready
to Enforce Code
Believed Second Trade Practice Conference Will Be
Asked by Industry
THE Code of Ethics announced for the
industry by the Federal Trade Com-
mission, and printed elsewhere in
this issue, will be enforced by that govern-
mental body. This refers to resolutions
unanimously endorsed by all groups at the
recent Trade Practice Conference.
Respondents in such cases brought here-
after will be required to show that acts
complained of were not in violation of the
rules laid down by the industry itself.
The manner in which the rules are com-
plied with will be checked up by the Com-
mission through various sources in the in-
dustry, including the delegates to the Trade
Practice Conference. Upon these reports
and demands of the industry itself will be
based any decision as to a second confer-
ence, but it is believed, that a slecond
conference will be asked by the industry
within a few months.
Companies objecting to any of the regu-
lations can secure modification only by ac-
tion of the industry itself, since the resolu-
tions comprising the code were adopted
unanimously by all groups, and, therefore,
no company can contend that any particu-
lar rule was adopted without sanction of
the group of which it is a member.
Service Not Compulsory
Rejection of Non-Theatrical Resolution Does Not Mean
That Exchanges Must Serve Them
THE condition with regard to service
to non-theatricals remains the same
as before despite the findings of the
Trade Commission, in that it will not be
compulsory for exchanges to serve the non-
theatricals. The rejection by the Commis-
sion of the resolution would simply seem to
attest that that body declines to sanction
a resolution which it is feared might be in-
terpreted as being in restraint of trade.
Pooling Denied by
Carl Laemmle
i 4 f~T\ HERE is not one word of
truth in the story published
about Universal pooling with
any other company or companies,"
stated Carl Laemmle on his arrival in
New York several days ago after some
time spent in Louisville, Ky.
"Such a thing has not even been
discussed nor considered," stated the
Universal president.
The Commission, "although fully in sym-
pathy with the predicament of exhibitors
subjected to non-theatrical competition,"
is bound by the law, and consequently
could not accept the resolution.
It is said that the Commission has no
power to compel a company to sell to non-
theatricals, as the Supreme Court has held
that a company may refuse to sell a man
for some unwarranted reason, but if two
companies refuse to sell that man, for no
better reason, it savors of restraint of
trade and boycott. Thus, it is held that if
any resolution is effected that non-the-
atrical accounts should be refused it would
immediately become an agreement in re-
straint of trade.
It is explained to individual exchanges
that they may refuse to sell non-theatricals
if they so desire, but they must not get to-
gether and reach an agreement with other
exchanges. It is even pointed out that a
decision as to conspiracy in restraint of
trade often is based upon the result of the
acts of a number of individuals, rather
than proof of any agreement among them.
In the event that all exchanges in a city
individually refused to sell a non-theatrical
account, they would be required, in the
event of a suit, to show conclusively that
their actions were not related. This, it is
held, would be a difficult thing to prove.
The result of the rejection of the reso-
lution by the Commission leaves the non-
theatrical situation exactly as it has been
in the past.
Eberson to Collaborate
With English Architects
Having been invited to collaborate with
a group of English architects in the plan-
ning of several atmospheric theatres in
London and the provinces, John Eberson,
theatre architect of New York, sailed on
the Leviathan last Saturday, May 26. He
is bound for London.
"Caught in the Fog" New
Title of Warner Picture
A new and definite title for the Warner
Bros, picture titled "Fools in the Fog"
has been selected. It is "Caught in the
Fog. ' ' Editing of the production is now
complete.
Fischer Joins Columbia in
Sales Capacity
A. H. Fischer has joined Columbia Pic-
tures in a sales capacity. His first assign-
ment will be the opening of the company's
new exchange in St. Louis, which will have
jurisdiction over Eastern Missouri and
Southern Illinois.
Internal Discord in
Sapiro Organization
AT a meeting of the Board of Di-
rectors of the Independent Mo-
tion Picture Exhibitors Associa-
tion May 30, Elias Mayer of the firm
of Mayer & Schneider was removed
from the committee on the purchase
of film. Harry Brandt was elected to
fill the vacancy.
At the same meeting President Sa-
piro was instructed and authorized by
the Board of Directors to begin legal
action against the Mayer & Schneider
Theatres Corporation to collect money
due the Association. This action was
taken when it was reported to the
Board that none of the Mayer &
Schneider theatres have paid into the
Association any of the sums due in
the form of dues since they became
members.
It was reported to the Directors that
the Mayer & Schneider theatres were
the only absolute delinquents.
While Mr. Mayer was removed from
the Film Purchase Committee, and
while legal action will be begun against
the theatres with which he is con-
nected, these actions will not affect
the membership of the Mayer &
Schneider theatres in the Independent
Motion Pictures Exhibitors Associa-
tion. As was stated at the meeting,
they will be kept in the Associaion "for
their own good."
At the same meeting Isaac Katz was
elected a director, to fill a vacancy.
/ u » c 2
19 28
1837
Commission Ready With Code
of Industry Ethics
Disapproves Block Booking and Non-Theatrical Ban, But
Commends Majority of Conference Resolutions
THE Federal Trade Commission has
handed down its findings on the
resolutions adopted at the Trade
Practice Conference held in New York last
Octoher. The complete report of the con-
ference and the recommendations of the
Commission are being sent to the industry.
Its content, however, on the important sub-
jects under discussion, has been revealed.
The Commission approved a large num-
ber of the rules adopted at the Conference,
accepted a number of others as "ex-
pressions of the trade," disapproved en-
tirely the resolution regarding the sale of
lilin to non-theatricals and held in abeyance
many others because the industry could
not come to any agreement regarding them.
The Commission held as "illegal and
restraint of trade," Exhibitor Resolution
No. 1, which sought to ban service to non-
theatricals. Block booking was also held
illegal, and Abraham F. Myers, Federal
Trade Commissioner who conducted the
Trade Practice Conference, has recom-
mended that the Commission proceed at
once against every distributor selling in
groups.
Code Divided Into 4 Sections
The Code of Ethics on which the Federal
Trade Commission reports, is divided into
four sections as follows: Group 1 includes
resolutions accepted and approved by the
Federal Trade Commission; Group 2, those
received and accepted by the Commission
as expressions of the trade; Group 3, em-
bracing one resolution on non-theatricals,
which is disapproved; and Group 4, includ-
ing resolutions held in abeyance without
further action by the commission as the
sharp division of the vote at the Trade
Practice Conference indicates a hopeless
lack of agreement among the different
branches of the industry.
M. Markham Flannery, director of trade
practice conferences, has recommended to
the Federal Trade Commission a trial
period of six to twelve months to observe
workings of the results of the Trade Prac-
tice Conference and adherence to the code
of ethics.
Holds Block Booking Unlaivful
Attached to the report which is being
sent to the industry by the Trade Com-
mission is a statement by Commissioner
Abram F. Myers, in which he recommends
that those resolutions adopted at the con-
ference regarding block booking of motion
pictures be not accepted. He holds that
the conference did not result in an agree-
ment coinciding with the Commissioner's
views on block booking, and that a pledge
made by the distributors, which cannot be
regarded as a formal resolution of the con-
ference, and which modifies the block book-
ing practice in eertain particulars, cannot
be accepted as a compliance with the Com-
mission's order to Paramount regarding
block booking.
"The position of the Commission in that
case, as I understand it," reports Com-
missioner Myers, "is that block booking
is, in and of itself, unlawful. That being
true, no resolution which recognizes the
legality or propriety of the practice and
contemplates its continued observance by
the distributors can be accepted as a com-
pliance with the order and as dispensing
with the necessity for proceedings against
the other distributors emploving the prac-
tice."
Commissioner Meyers recommended that
the Commission proceed against other large
distributors practicing block booking.
The Commission took no action on reso-
lutions dealing with producer ownership of
theatres or bookings, on the ground that
the sharp division of the vote by which
they were accepted indicates a total lack
of agreement as between the opposing
branches of the industry. These resolu-
tions condemned the acquisition of theatres
by a producer or distributor with the in-
tent or affect of intimidating or coercing
an exhibitor, to lease the films of the pro-
ducer or distributor or surrender his thea-
tre holdings; declared the allocation, leas-
ing or licensing of films to any group of
exhibitors without affording all competing
exhibitors an opportunity to bid for such
films; holding that the granting of protec-
tion with the leasing of a film over a thea-
tre' which is not in competition with the
theatre so protected is an unfair trade
practice; and also declaring an unfair
trade practice the refusal of a distributor
to lease a picture to an exhibitor
for exhibition within a reasonable time
after its prior run.
The Commission approved and accepted
resolutions calling for the revision of the
standard contract and of the arbitration
rules, and declared the use of a standard
uniform contract providing for arbitration
is a fair trade practice.
Rules Adopted
As a result of the Commission's action
One Film Buyer Urged
for Oklahoma T. O.
AT the regional meeting of the
motion picture theatre owners of
Oklahoma, held in Tulsa, Okla..
this week, resolutions were adopted
recommending theatre owners to buy
foreign film subjects for screening and
to refuse to sign clause one of the
new standard contract because they
allege it is an unfair trade practice.
The Oklahoma showmen also urged
that one authority be developed to buy
all films for individual theatre owners
in Oklahoma.
the following rules will become the regula-
tions by which the industry is to operate:
Rule 1, whereas the motion picture in-
dustry recognizes that commercial arbitra-
tion promotes good will, economy and bet-
ter standards of business, and is endeavor-
ing to develop in the most complete way
possible a system of arbitration for the
settlement of disputes between distributors
and exhibitors which will be both fair to
all and speedily expedient; and
Whereas it is the desire of all branches
of the industry to use a uniform exhibi-
tion contract, both to standardize its con-
tractual relations and to provide for such
arbitration; and
Whereas it is the further desire of all
branches of the industry that the standard
exhibition contract so providing for each
system of arbitration shall be fair as pos-
sible at this time and shall be changed or
modified as from time to time experience
may demonstrate that it should be changed,
and the further desire that the present pro-
visions of such contract and all future
changes or modifications herein shall them-
selves be subject to arbitration, and the
further desire that the rules and regula-
tions for the arbitration of all disputes
arising under such contract shall be as fair
as possible at this time and shall be
changed or modified from time to time by
arbitration, as experience may demonstrate
and warrant that they should be; and
AVhereas it is believed that changes can
be effected in such standard exhibition con-
tract to improve the same; Now, therefore,
be i t
Resolved, (1) That to carry out the pur-
poses of this resolution and the desire of
all branches of the industry to promote
fair arbitration and contractual relations,
a committee of six shall be immediately
designated, consisting of three members
chosen by the unaffiliated exhibitor dele-
gates here assembled and three member-
chosen by the producer-distributor dele-
gates lure assembled; that three affiliated
exhibitor delegates without right to vote
may participate in the work of this com-
mittee; that such committee shall imme-
diately institute a study of the provision-
of such standard exhibition contract and
the rules for the arbitration provided for
there, and develop improvement in such
contract and in such rules for arbitration,
and develop a plan for the further opera-
tion of arbitration. In the event the ex-
hibitor members and producer-distributor
members of said committee are unable to
agree, a seventh member1 of such com-
mittee shall be designated, such seventh
member to be chosen unanimously by tin-
six members, and if such six members can
not unanimously agree on such seventh
member, then tho Chief Justice of the
Supreme Court of the United States shall
(Continued on following farie)
1838
Mot i o n P ic t a r e
N e w s
Commission Ready With Code of Ethics
R. H. Cochrane Declares Findings
Benefit General Situation
WITH regard to the publication of the findings of the Federal Trade
Practice Parley, R. H. Cochrane, chairman of the Distributors
Division of the Trade Practice Conference and Joint Chairman
of the Contract Committee, which met early this spring in Chicago, gave
out the following statement yesterday from the general offices of the Uni-
versal Pictures Corporation, of which he is Vice President:
"The report approves most of the trade practices suggested by the
conference and in doing so benefits the general situation. It is disappoint-
ing that the report does not approve the distributors' declaration of pur-
poses relative to block booking because such modifications as are proposed
and as are now actually in practice under the new contract really eliminate
those features of block booking to which objection has been made in the
past. I hope Mr. Flannery's recommendation of a six months or twelve
months trial period will be adopted, because I am confident that when the
new contract is in general force and is understood by both exhibitors and
distributors it will prove satisfactory to everyone."
Delivers Findings
on Last October's
N. Y. Conference
he asked by such committee to appoint its
seventh member.
Contract Resolution
(2) That after such adoption of such
modified standard exhibition contract and
such modified rules of arbitration, it shall
hr I he further purpose of such committee
to have periodical considerations of both
said contract and rules of arbitration at
consistent periods, under the plan there-
fore which said committee shall develop to
consider whether changes in such standard
exhibition contract and arbitration rules
are warranted by experience, and at such
periodical deliberations the seventh mem-
ber may be called in for decisions.
(3) It is understood that such amended
standard exhibition contract and amended
rules of arbitration shall be ready for use
for the season 1928-29; Be it further
Resolved, That the use of a standard uni-
form contract providing for arbitration
both of disputes arising out of said con-
tract and of the provisions of the contract
itself, is a fair trade practice.
Hide 2, Resolved, That the insertion of
.commercial advertising, for which com-
pensation is received, in motion picture
productions leased to exhibitors as enter-
tainment is unfair trade practice.
Rule 3, Resolved, That the substitution
by a producer or distributor for any photo-
play contracted for by any exhibitor, as the
photoplay of a specified star or of a speci-
fied director, or as based upon a specified
story, book, or play, of any photoplay in
w hich such specified star does not appear,
or which has not been directed by such speci-
fied director, or which is not based upon such
specified story, book, or play, as the case
may be, unless with the consent of the ex-
hibitor, is an unfair trade practice.
Rule 4, Resolved, That the requirement
by any distributor that an exhibitor as a
condition of being permitted to purchase
any picture of such distributor shall also
purchase pictures of another distributor,
is an unfair trade practice.
Rule 5, Whereas the use of misleading or
salacious advertising is recognized as an
evil, and
Whereas the distributors of motion pic-
tures represented in the membership of the
film boards of trade themselves will not
use misleading or salacious advertising in
connection with their product:
Resolved, That it is a fair trade prac-
tice to use their best efforts to discourage
others in the industry from using mislead-
ing or salacious advertising.
"Bicycling" Held Unfair
Rule (i, The purchasing of photoplays
for a specific theatre, which photoplays are
also used in other theatres uncontracted
for, commonly known as "bicycling," is an
unfair trade practice.
Rule 7, Deliberately returning a print
late, thus securing additional exhibition
time without payment of the rental there-
for, or by reason of such delay making it
impossible to ship such print to the next
exhibitor who lias it booked, is an unfair
trade practice.
Rule 8, Resolved, that the giving of any
gratuity, either by an exhibitor to a sales-
man or a salesman to an exhibitor, in ex-
change for advantages not otherwise pro-
curable between buyer and seller, either in
relation in the sale or booking of motion
pictures, is an unfair trade practice.
Rule 9, Resolved, That the use of a
signed application for a contract by an ex-
hibitor, and the showing of the reitital
prices thereon, either by a distributor or
another exhibitor for the purpose of se-
curing' higher rental prices, or by an ex-
hibitor to a distributor other than to whom
such application is addressed, for the pur-
pose, of securing a reduction of reintal
prices, is an unfair trade practice.
Rule 10, Resolved, That the practice of
contracting for pictures for one theatre
and using service at an entirely different
theatre than the one specified in the con-
tract is an unfair trade practice.
Rule 11, Resolved, That failure on the
part of the exhibitor to promptly report
correctly the results of percentage book-
ings is an unfair trade practice.
Rule 12, Resolved, That any agreement
among competing exhibitors, to allocate
among themselves the motion pictures of
distributors, thereby eliminating competi-
tion in the rental of such motion pictures,
is an unfair trade practice.
Rule IX, Resolved, That any agreement
among distributors to prevent any exhibi-
tor from contracting for the motion pic-
tures of such distributors, or to exact from
such exhibitor a higher rental for the mo-
tion pictures of such distributors than
could otherwise be obtained in open com-
petition, is an unfair trade practice.
Rule 14, Resolved, That the using of
buying power for the purchase of more
photoplays than an exhibitor can consume,
in order" to deprive a competing exhibitor
of the opportunity of purchasing his sup-
ply of photoplays, whether it be an attempt
to corner the market against such com-
peting exhibitor or whether it be with the
thought of forcing a competing exhibitor
out of business, or the compelling of such
competing exhibitor, to sell his 'theatre, is an
unfair trade practice.
Rule 15, Whereas the following rule or
regulation has been adopted by all the
members of the Motion Picture Producers
and Distributors of America, Inc.:
"Xo member shall directly or indirectly
or through the instrumentality of any offi-
cer, employee, agent, representative, or
servant of such member, or otherwise offer
or cause to be offered any money induce-
ment or advantage of any kind to any actor,
director, or employee of any other producer
or distributor in an effort to persuade or
induce such actor, director, or employee- to
become dissatisfied with such employment
and to breach any contract between such
actor, director, or employee and any other
producer or distributor;"
Resolved, That such a rule is a fair trade
practice.
Expressions of the Trade
The following rules were accepted by the
Commission as expressions of the trade:
Rule 16, Whereas the Motion Picture
Producers and Distributors of America,
Inc., has allied itself with the International
Advertising Association, the National As-
sociation of Credit Men, the American
Bankers' Association^ and the National
Better Business Bureau, to prevent fraudu-
lent activities: Now therefore be it
Resolved, That the proper educational
work of the Motion Picture Producers and
Distributors of America, Inc., in co-opera-
tion with such other organizations, with re-
spect to any attempted fraudulent enter-
prises relating to motion pictures, to the
end that the public may not be defrauded
by fake motion picture scenario schools, or
other dishonest enterprises which trade on
the public's ambition to become a part of
the motion picture industry, is a fair trade
practice.
Rule 17. Whereas, it is a trade practice
(Continued on Page 1891)
] II II (•
1 9 2 8
18.W
The Voice of the Screen
News and Comment on All Phases of "Sound" Pictures
Specialized Attention
FOR two years, Motion
Picture News has de-
voted special attention
to sound pictures and their
rise to a place of command-
ing importance in the in-
dustry.
Writing from the Coast
more than a year ago,
William A. Johnston pre-
dicted that the whole pic-
ture business would be
revolutionized by the talk-
ing and sound devices.
Motion Picture News has
not suddenly "discovered"
the importance of sound
films.
Announcements recently
made by leading companies
of the signing of contracts
for sound production and
reproduction come as a
natural development in the
situation.
Motion Picture News
will continue, as before, to
keep exhibitors informed
on this highly important
subject. We group news
items and discussions under
the heading, "The Voice of
the Screen", which, again,
is a natural development of
the specialized attention
which The News has given
to sound pictures for two
\ ears.
Leatrice Joy Preparing for
"Talkie" Pictures
Hollywood, May 26. — Leatrice -Joy, said
to have had considerable legitimate stage
experience prior to her advent on the
screen as a DeMille star, is one, among
the established list of film stars, who real-
izes the ever growing importance of a good
speaking voice. and although recent
■"talkie" tests have rated her "one hun-
dred per cent," Leatrice ha- decided to go
even further, and on account of the im-
(Contin)tcd on page 1887)
Officials Give Views on
Standardization
Statements Issued by Photo phone and Western Electric
on Interchangeability of Sound Systems
PHOTOPHONE theatre projection
equipment is standardized with Vita-
phone, Movietone and Firnatonc, in
that films made by the Western Electric or
Photophone process may be operated on all
these machines interchangeably, according
to a statement issued by Elmer E. Bucher,
vice-president of the RCA Photophone,
Inc.
Interchangeahility was termed conjec-
tural by J. E. Otterson, president of Elec-
trical Research Products, subsidiary of
Western Electric.
Amplifying his statement, Mr. Bucher
said:
Research Products Co. have interchanged
drawings and sketches covering the dimen-
sions of their respective talking movie sys-
tems, with the view of obtaining standard-
ization so that the films produced by the
Western Electric Co. or the Photophone
Process could be reproduced on the same
machine.
"Further, Movietone engineers have been
at the studios of the Photophone Co. and
have reproduced their films with perfect
success on the Photophone theatres repro-
ducing equipment. Likewise, engineers of
the Photophone Co. and of the General
Electric Co. have been at the Fox Movie-
tone studios, where they have played films
made by the Photophone process on the
Movietone reproducer with success.
"The Photophone method of sound re-
cording and the Movietone method of sound
recording are not the same, but, neverthe-
less in either system the sound is recorded
alongside the picture and at the same dis-
tance from the point where the picture is
reproduced. Further, the aperture dimen-
sions for the sound track are identical.
"There is utterly no difficulty in getting
proper operation from sound films recorded
by either Western Electric or by Photo-
phone process."
The statement of Mr. Otterson follows;
"The Western Electric system of talking
pictures used in the theatre equipment was
especially designed by the Bell Telephone
Laboratories to project sound from films or
discs, which have been recorded by our
own laboratory methods. We have been
concentrating on the perfection of this sys-
tem of recording and reproducing which is
now in successful use in .'$00 theatres, and
which has had nearly two years of success-
ful commercial demonstation.
"We have had no occasion to either try
other types of sound films on our projec-
tors or to adapt our own records and films
to use on other machines. Why should we?
Although other makes of machines and
films have been given public demonstration
from time to time, so far as we know, not
one of them is in commercial use in any
theatre nor even for sale today. The ques-
tion, therfore, as to how Western Electric
sound projectors and films are going to
work with others which are yet to be de-
veloped is purely one of conjecture.
"The problem
facing today is to
ment for the
equipment for tin
meet the demand
upon us. Howeve
our already large
and I anticipate
meet readily this
production to the
customers all over
which this company is
produce recording eq nip-
studios and projecting
! theatres fast enough to
s which are being made
r, we are busy increasing
manufacturing facilities,
that we shall be able to
problem of large scale
entire satisfaction of our
• the United States."
Paramount News With Sound;
Other "Talkie" Developments
TIIOrtiH Paramount ha- maintained
strict secrecy as regards its plans
tor the development of its talking
picture department, it wa- learned thi>
week that the Paramount News Reel will
embroider its scenic shots with sound ac-
companiment. It is also expected that
Paramount will shortly announce that
sound accompaniment will be used in con-
nection with many of the Paramount fea-
ture length pictures already produced.
some of which are now on exhibition.
In the latter connection it is practically
assured that the productions, "The Wed-
ding March," "Abie's Irish Hose," and
other pictures of that calibre will, when
generally released, have sound accompani-
ment.
It has been decided, according to re-
liable sources of information, that "Abie"
will be taken out of the Forty-fourth
(Continued on page 1887)
1840
M o t io n P i (" t u r e
News
Newspaper Reactions on Talking Pictures
Prominent Critics
View Subject from
Various Angles
rP HE New York Sun recently devoted a
* lengthy editorial on "Talk With Pic-
tures," stressing the point that this new
form of entertainment "means a revolu-
tion of the industry for it necessitates
training entire companies of players rea-
sonably proficient in the art of elocution
as well as pantomime, who, in addition to
being physically fitted to the roles they
take, have voices that meet the require-
ments of the dialogue they must utter. . .
"In motion pictures there are many sound
actors and actresses whose schooling in-
cluded voice culture . . . but there are
many players who have grown up in the
studios. . . . some unquestionably can
adapt themselves — some whose voices do
not match the necessities of the stage will
have a tough time."
The Sun further points out: "It is the
practice for the director of the silent
drama to rehearse the company and super-
vise the photographing of the play . . he
is now at liberty to give stage instructions
orally while the camera is in action . . .
this will be out of the question when the
sound recorder is in operation."
Nelson Bell, in the Washington, D. C,
Post, states: "The synchronization of any
single sound with the accompanying action
is, of course, one of the present-day com-
monplaces. It is in the development of the
recording of dialogue in complete syn-
chronism with the appropriate action de-
picted on the screen that current interest
centers. The idea seems to be making
dangerously rapid headway, judging from
the stream of enthusiastic reports that
constantly deluges my desk with glowing
accounts of what intensity is lent silent
drama by rendering it no longer silent."
Robert E. Sherwood, whose articles are
syndicated in a number of newspapers,
writes: "The Jazz Ringer" has been an
eye-opener as well as an ear-opener. It
has proved that Vitaphone is a force of
inestimable potentialities in the world of
entertainment. . . . the day is imminent
when it will be possible to make a feature
picture in which every word and every
sound are flawlessly recorded." But, Mr.
Sherwood goes on to ask, "what assurance
have we that talking films will be worth
listening to? . . .it is all very well to
turn Al Jolson loose with his wise-cracks
and songs . . . but the supply of Al Jol-
sons is limited. . . . the main problem of
the talking movie is not a mechanical one,
but an artistic one. The burning question
at present is not, 'How are the pictures to
learn to talk?' It is, 'What are they going
to say?' "
Carl B. Adams, who conducts a column
in the Cincinnati Enquirer, "wonders
whether all this mental energy and inge-
nuity is being expended to good purpose,"
but grants that "possibilities of auditory
movies are almost unlimited." Mr. Adams
thinks: "there is so much noise in the
modern world that it is a relief to sit and
just see a 'movie' and give one's ears a
rest. . . . besides, the silent drama is a
distinct ait and should be developed as
such without extraneous aids. . . . what
the screen really needs is more imagination,
more spirituality, more originality and less
mechanical ingenuity. ' '
' ' At the moment, the talking picture still
apears to be at its best and most satisfying
when catching the picture and the sound
of persons and things, on newsreel or
travel film," says Quinn Martin, conductor
of The Magic Lantern, in the New York
World . . . with the more general use of
Vitaphone and Movietone the job of pre-
paring scripts and speeches for the players
also will become another thing again, and,
of course, with the more sensible and more
cnafts^nanlike aspect of the speech of
cinema players will come, quite naturally,
a more believable and more credible result
in the picture as a whole. . . .but to all
persons interested in the fascination of
new things I advise a visit to Warners
Theatre . . . you are likely to come away
with a deep respect for the possibilities of
a newly discovered magic."
Richard Watts, Jr., under the heading
"The Screen Breaks It's Silence and Talks
a Bit Extravagantly," in the Herald-
' ' IT OLLYWOOD is not at all excited
* * over talking movie production and
is carrying on as usual with its job of mak-
ing motion pictures," declared William Le
Baron, P B 0 vice-president in charge of
production, in a recent interview with a
Motion Picture News reporter, during
which he compared the West Coast's cool,
business-like attitude with the note of
hysteria displayed in the East towards the
latest, and, at times, styled revolutionary,
innovation to the screen.
New Sound Projector
Go. Organized
ANEW sound projector company,
the Madaltone Corporation, was
organized this week in New
York City. The officers are: Ferdi-
nand von Madaler, president; S. Coca-
lis, secretary and general manager; J.
Margolis, vice-president, and M. M.
Keilsohn, director of advertising and
publicity.
Von Madaler, the inventor of the
Madaltone, is said to have spent the
past fifteen years in the perfection of
sound-reproducing apparatus. Simplic-
ity of operation, accuracy and low
cost of installation are some of the
invntor's claims. Until recently, Mr.
von Madaler was a consulting engi-
neer for the Eastman Kodak Com-
pany and Columbia Phonograph Com-
pany. H eis also the inventor and sole
manufacturer of silennium, used by
prominent manufacturers in the pro-
duction of telephoto instruments.
Further claims for Madaltone are
that it does not require a new projec-
tor and that an operator can learn to
operate it in a few minutes.
Tribune, New York City, has to say of
Tenderloin's premiere at Warners: "To
us the cinema's greatest blessing is its lack
of words and we are convinced that the
combination of photographic pantomime
with music provides the grandest assault
on the emotions yet devised. We feel, if
I may continue the manifesto, that the
cinema is on the right track as a distinct
medium of expression only when it realizes
its limitations of silence and then develops
its chosen field. "
W. Ward Marsh, writing for the Cleve-
land Plain Dealer, appears to be a convert
to the Talkie. Mr. Marsh, in a recent
article, says: "Perhaps I have been among
the last to accept the talking movies. . . .
it was a silent art and I felt it had no right
to fare afield. . . . the one brief sequence,
as far from perfection as it was, in "The
Jazz Singer," proved that the spoken word
could lift the action of the play to un-
believable heights. ... I still believe the
day is not far distant when the films will
not only talk, but will have color and
depth, and when that day arrives, the stage
will find only the important centers of the
world left to it."
"I do not believe there is anything revo-
lutionary about the advent of talking pic-
tures," continued Mr. Le Baron. "First
of all, if there are to be real, good talkies,
a producer must make just as good pic-
tures. This is absolutely necessary. These
will be the attractions which will register
at the box office. The balance will arrange
themselves in the usual order which exists
among motion pictures of today — mediocre
and poor — and they will reap their just re-
sults.
"I further believe that I am echoing the
sentiment of othor producers when I state
that we Avill proceed along experimental
lines this season at the F B 0 studios as
far as out and out talkies are concerned."
Our present plans call for only two, and
at this time even these are not far enough
advanced to go into any detail on them.
We intend to go slow — very slow.
"The use of sound effects is another
matter. F B 0 has selected six pictures
out of its season line-up which will at once
be synchronized to sounds and orchestra-
tion. These are: 'The Hit of the Show,'
'The Perfect Crime,' 'The Gang War,'
'The Circus Kid,' 'Blockade' and 'Taxi
13.' All of these are particularly suitable
for sound effects on account of themes. For
example, ' The Circus Kid ' would bring in
the noises of animals and tent show life
and 'Taxi 13' would likewise make audible
night life scenes of New York City."
Mr. Le Baron predicts that talking pic-
tures will again revive production in the
Eastern studios for reasons that New York
City is the centre for talent among stage
actors and actresses and that this type will
be necessary for the success of the talkies,
the percentage of screen professionals
{Continued on page 1888)
"Hollywood Not Excited Over
Talkies," Says Le Baron
An Announcement
"VJ-OTION PICTURE NEWS, in association with a group of
publishers and bankers, has formed the Angus Company
which will operate a number of seasoned and successful class
and trade journals.
The Angus Company, unlike any merger, will operate upon
a strict policy of decentralization, devoting its ample resources
and exceptional organization facilities to the high development
of its specialized units, each of which retains individual man-
agement and control.
Publications now included are:
The Spur — the ultra-quality magazine of society and
amateur sports.
The Plumbers and Heating Contractors Trade Journal
— the "Saturday Evening Post" of trade magazines,
established by J. M. Heatherton in 1883.
Motion Picture News — the dominant journal in the
motion picture trade.
Other publications, including certain prominent newspaper
properties, are under consideration to be added to the above
group.
Vlf ILLIAM A. JOHNSTON is president of the new Angus
" Company, and the executive committee and board of
directors also includes:
Kenneth M. Ooode, prominent advertising authority and former
editor of Hearst's International Magazine, associate editor of
Saturday Evening Post, etc.
Chester B. Van Tassel, publisher of Asia magazine and form-
erly advertising director of Harper's Bazaar, System, etc.
William A. Johnston continues as president and editor of
Motion Picture News, devoting his personal attention as here-
tofore to this publication; the present policies and entire or-
ganization of Motion Picture News continue as before.
TO OUR MANY FRIENDS IN THE
MOTION PICTURE INDUSTRY
OU will, I know, join my pleasure in the announcement
that MOTION PICTURE NEWS has been enabled so
greatly to strengthen its service to this industry.
Publishing, like the motion picture business, has changed
greatly since, fifteen years ago, I started the NEWS in a little
room overlooking Times Square, and when many of the leaders
of the motion picture industry were also launching their present
great properties within four walls.
Banking support and cooperation in large units has come,
in both fields, to be essential to real greatness and usefulness.
The new Angus Company was organized to associate un-
doubted leaders in those publishing fields which have the most
promising futures.
It is to those of you who have supported MOTION PIC-
TURE NEWS so long and so loyally that I feel I really owe
my thanks for the fact that the "NEWS" was among the first
three selected by this cooperative publishing company and that
I was honored by election as president.
We
Features
88
Pictorial Review
of Theatres.
Business Build-
ing Theatre
Map.
Color Lighting
as an Aid to
Theatre Music
How Can Dis-
tributors Im-
prove Stock Ma-
terial for Win-
dow Displays ':
Using Radio to
Stimulate Inter-
est in M u s i c
for Pictures.
SHOWMAN
June, 1928
1
The Finest Theatre in Paris
Exterior view of the new Paramount Theatre in the French capital, a
palatial einema designed and operated in accordance with the most modern
ideas of beauty and service for the patrons. The location is at Boulevard
Capucines and Rue de la Chaussee d'Antin. The exterior design, repro-
ducing the architectural style of the 3rd Empire has received the approval
of the Commission attached to the Beaux Arts. The Paramount was de-
Signed and built by French architects and engineers after plans by R. E.
Hall & Company, architects and engineers, New York.
Motion Picture News
ROCKBESTOS
-the asbestos covered wim
The best Motion Picture Qable
an economy
Rockbestos Motion Picture Cable is the best, and because of
this, fewer replacements are required. It is therefore economy
to buy the best.
In the new PARAMOUNT THEATRE, in New York, all of
the projectors in all of the projection rooms are Rockbestos
equipped.
This beautiful projection room, pictured above, is one of the
best equipped in the country. These Simplex projectors are
Rockbestos equipped — naturally.
ROCKBESTOS PRODUCTS
CORPORAT I ON
5542 Grand Central Term. Bldg., New York NEW HAVEN, CONN. 224 Madison Term. Bldg., Chicago
465 Union Trust Bldg., Pittsburgh On the Pacific Coast — C. Dent Slaughter
June 2 , 19 28
1845
NOT in twenty-five years has the
theatre in Paris enjoyed the pop-
ular interest it now commands — and
this, strange as it may seem, is the re-
sult of the interest aroused by the new
Paramount theatre, a cinema planned
and operated in accordance with meth-
ods similar to those which have won
such wide popularity for the de luxe
motion picture house in this country.
The authority for this statement is a
Frenchman — M. Simeon Shepard, who
supervised the entire construction de-
tails of the playhouse.
The Paramount occupies a site of
great historical interest — that of the
far-famed Vaudeville, built during the
3rd Empire, and the scene of many
events which occupy an important
place in the history of the theatre in
Paris.
It was built by French engineers
after plans by R. E. Hall & Company
of New York, architects and engineers
of several notable theatres in this coun-
try. The construction and design was
carried out by Frank T. Verity of
London, designer of the Plaza and
Carlton theatres there, and Auguste
Bluysen of Paris. Major Charles II.
Bell, of London, was the engineer in
charge of the electrical installation.
The Paramount, built on a plot ap-
proximately 75 feet by 150 feet, has a
seating capacity of 1900. The construc-
tion is entirely of reinforced concrete.
Girders, uprights and flooring and
sidewalls all are of concrete reinforced
with steel. From a standpoint of con-
struction, the Paramount in Paris is
Viczv of the stage and proscenium walls
of the Paramount Theatre in Paris. The
auditorium is executed in the Italian
Renaissance style. Notable features of
the decoration are the crystal fountains at
either side of the proscenium arch.
one of the most unusual theatres of re-
cent times.
The plan is orchestra, mezzanine
and balcony, with a total of 1900 seats
distributed over the three levels.
Owing to its plan and unusual equip-
ment, conforming in every detail of
utility and luxury to the service fea-
tures found in the most palatial motion
picture theatres in this country, the
Paramount takes rank as the finest
playhouse on the Continent.
A combination of architectural fea-
tures and the method of its operation,
accomplish a result that is unique.
The space allocated to public rooms
and lounges, beautifully decorated and
equipped with appointments which pro-
vide the utmost in comfort and luxury,
previously was unknown in the Paris
theatre. For another, the operat-
ing policy under which the patron pays
a flat sum for his admission ticket, in-
cluding tax, and the absolute rule that
no tips can be accepted by attendants
of the theatre have eliminated a series
of annoying demands upon the
theatregoer in Paris. Banishing tips,
and the annoyance of making a
special operation of the payment of the
Government tax, supplemented by the
absence of the folding seats strapped
on to the aisle chairs — a saleable prod-
uct when crowds descend upon the the-
atre. Lut a makeshift at bzst for those
occupying lx>th the end chairs and the
folding seats — show a regard for the
patron which has won many friends
and many patrons for the Paramount.
Among the service features is a sa-
loon, where tea is served free. Popular
demand made it necessary to add a
.small bar, where more stimulating re-
freshments than tea could be obtained.
The management dispenses these bev-
erages at cost — thus adhering in an-
other matter to the policy of charging
only for entrance to the theatre.
Other equipment devices which place
the Paramount in Paris among the best-
equipped picture theatres are an ele-
vating orchestra pit, indirect lighting
throughout with dimmer control, and
a weather conditioning plant, designed
and made in this country by the Carrier
Engineering Company.
This latter feature, M. Shepard de-
clares, has proved itself so important
that he is certain that every theatre to
be built on the Paris Boulevards from
this time on will have a similar instal-
lation. The Paramount's air condition-
ing plant is the first to be installed in a
theatre on the Continent, and it im-
mediately duplicated the success which
has made modern ventilation systems
a standard equipment in American the-
atres.
The Paramount's main entrance is at
the corner of Rue de la Chaussee-d'An-
tin and the Boulevard Capucines, a lo-
cation which rivals there the site oc-
cupied by the Paramount at Times
Square in New York City.
1846
Motion P ic t it r e
iV e ws
The entrance has been built into the
corner of two structures fronting on
the Boulevard and Rue de la Chausee-
d'Antin,
It was designed to conform to the
style of architecture of the 3rd Em-
pire— a requisite laid down by the mu-
nicipal building commissioners. Just
how successfully the designers were in
creating a true representation of this
architecture is attested by the fact that
the design has been approved by La
Commission Superieure des Batiments
Civils. attached to the Beaux Arts — a
high distinction for any architectural
work to receive.
The main entrance opens on a grand
foyer done in a conservative Modern
French style. Rough cast plaster is
used for the sidewall treatment. There
is a marble mosaic floor, featuring a
conservative modernistic design.
Marble stairways at either side of the
foyer lead to the mezzanine level,
which has a promenade opening on a
well over the main foyer. The stair-
way railings are hand- forged steel,
worked in a modern design and poly-
chromed. Chrome metal is used for all
of the hardware.
The view above shows the main foyer of the
Paramount .
Below is a section of the auditorium, show-
ing plan of the mezzanine and balcony.
The design of the auditorium is in
the Italian Rennaissance style, while
the ante rooms and lonnges are in the
modern style. The auditorium is done
in a light color, the predominating tone
being a cream white with gold pointing.
The wall and ceiling are in rough cast
plaster, with Italian frieze in poly-
chrome, and under it a panel worked
out in Italian designs. The stage drapes
are of a changeable silk, made up of
gold, yellow and green tints. The
chairs are upholstered with a fabric in
mulberry and gold color.
The foyers and ante rooms have
rough cast plaster walls, save in the
salon, where an oak wood wainscot-
ing is used. The doors leading from
the foyers into the auditorium are of
mahognay wood.
The Paramount attracts its patron-
age from the mass of the people, and
numbers among its regular attendees a
representation of the more discriminat-
ing classes formerly not among those
who patronized motion pictures,
Bclozv, a general
plan. On the right
is a cross-section
diagram shozi'ing
u n i q u e monolith
construction
June 2 , 11)28
1847
BOOTHS THAT ADD TO THE BEAUTY OF THEATRE LOBBIES
Above, the lobby of the new Stanley Theatre. Jersey City, N. J.,
showing two booths in the Italian Renaissance style.
Below, lobby booth at the Park Plaza Theatre, New York City,
constructed of American Walnut and black ami gold marble.
.Above, The new booth installed at Poli's Palace, Worcester. Mass.
Photos by courtesy of Stanley Frame Company, New York.
Motion Picture News
THE MINNESOTA— NEWEST THEATRE IN MINNEAPOLIS
Is One of Country'' 's Largest and Most Palatial Cinemas
ON March 24 the new Minnesota
theatre, a $2,000,000 house con-
trolled jointly by Publix and Finkel-
stein & Ruben opened in Minneapolis.
Since that time the many experienced
showmen who have visited it have been
quite willing to concede that it is one
of the most beautiful and modern the-
atres in the country. In the matter of
size there is apparently no controversy
— the Minnesota seats 4,050 persons.
Graven & Maygar of Chicago are the
architects.
The theatre's exterior does not give
the impression of great size, nor for
that matter of extreme beauty The
exterior, however, is dignified and is
architecturally very attractive. Brick
was selected for the exterior material,
and the trimming is terra cotta in a
buff shade. A delicate tinge of green
in the brick and terra cotta helps to
set off the exterior detail. The mass
follows no particular style, but orna-
mental details are taken from the Ital-
ian renaissance. The interior, like the
exterior, does not follow any particular
style, although the details selected by
the architects in search of motifs sug-
gest the Italian and the French.
The grand lobby is perhaps as dis-
tinctive and spectacular as any part of
the theatre. Here massive colonnades
run from the main floor to the ceiling
cornice line, and huge chandeliers of
dazzling brilliance dominate the entire
lobby. The lobby is terminated at the
opposite end of the entrance by a mon-
umental stairway of marble. This stair-
way is the means by which patrons
desiring mezzanine or balcony seats
may reach the upper levels of the au-
ditorium.
The auditorium has been studied
with the idea of providing ideal points
of vantage for the patrons as well as
with the idea of achieving attractive
motifs. Arrangement of the seats, it is
said, gives a vision which is unequalled
by any theatre of its size in the coun-
try. This has been made possible by
the introduction of a mezzanine floor
shaped like a horseshoe. This floor is
placed between the orchestra floor and
the balcony, and seats about 450. This
arrangement is not only very attractive
architectually, but gives an atmosphere
of intimacy to the entire theatre.
No gilt or bronze was used in the
decorative scheme of the theatre. In-
stead gold, silver and aluminum leaf
covered by French lacquer was em-
ployed. This combination, decorators
say, reflects light better and gives the
im|)ression of greater depth.
The color scheme in the fover con-
tains a number of shades, starting with
a ceiling of burnt orange and soft rose
intermingled with jade green and pea-
cock blues, all of which is being over-
glazed to give an antique effect. One
of the walls is mirrored, while the rest
are finished in marble supported by
huge marble columns. The floor is of
terra cotta.
There are 40 rows of seats in the
main auditorium and 28 rows in the
balcony. To reach the uppermost part
of the building, one must climb four
flight of stairs. The orchestra floor
seats 2,010, the balcony 1,546, and the
mezzanine 456. Standing in the pro-
jection room, it is 180 feet to the front
of the stage.
Along the top of the auditorium are
gorgeously conceived domes, the larg-
est being 75 feet in diameter, and all
trimmed with gold and silver. It is
said that more than 1,000,000 sheets,
of gold and silver foil were used in
decorating these domes and other por-
tions of the building. Some 6,000 yards
of heavy, soft carpet add to the note of
luxury, and help to keep distracting
sounds at a minimum.
The stage of the Minnesota is large
enough to care for the most pretentious
stage presentations, including grand
opera. It has an 85-foot fly gallery in
which 50 drops can be suspended, per-
mitting the setting of from 50 to 6o>
acts at once, if necessarv. The dress-
] It II >■
2., 19 28
1849
ing rooms backstage have a capacity of
more than 75 persons. The backstage
facilities include a large lounge room,
modern comfortable chorus rooms and
shower baths for the actors. The
switchboard cost $12,000 and could
light ten acts at the same time, if puch
an exigency ever arose.
The four manual organ cost $100.-
000 and is said to have a tonal volume
equivalent to a i.ooo-piece orchestra.
More than five miles of copper wiring
were used in its construction. The con-
sole is installed on an elevated and re-
volving platform, to permit the lower-
ing, raising or turning of the organist
and his instrument. The organ loft is
a great room nearly 30 feet high and
40 feet long and 30 feet wide. Is con-
tains the trap drums and such instru-
ments as the xylophones, cymbals,
chopsticks, wooden blocks, Scotch bag-
pipes, hand organs, trombone, effects,
etc.
The orchestra pit is placed upon an
elevating platform, and can accommo-
date 100 musicians. The platform oi
the orchestra pit is equipped with a
series of sound boxes which look some-
thing like violins. As the orchestra
plays the sound is picked up through
these boxes and sent out to all parts
of the theatre so that the reception of
music is unimpaired.
Right, viezv of the grand lobby as seen
from the balcony level over the main
entrance.
Beloiv, looking doom toivard the stage
from the balcony.
Motion Picture News
PITTSBURGH'S NEW
THEATRE ONE OF
COUNTRY'S FINEST
SEATING four thousand people,
the Stanley theatre in Pitts-
burgh, is one of the country's new-
est motion picture houses and one
of the largest and most beautiful in
Pennsylvania. The theatre is oper-
ated by Stanley-Davis-Clark Cor-
poration under the direction of The
Stanley Company of America. It
was designed by the Hoffman-
I Tenon Company of Philadelphia,
designers and general contractors
for many of the theatres in the
Stanley chain.
The theatre building rises to a
height equivalent to eight stories.
The structure is of granite, light
brick and terra-cotta. In architectu-
ral style it is Italian Renaissance and
Spanish varied.
The lobby entrance is in the cen-
ter of the building on Seventh street.
A copper and bronze marquee is
mounted over the entrance and above
the canopy is a forty-foot electric
On the left is an exterior viezv of
the Stanley, a handsome building of
granite, light brick and terra-cotta.
Below — a general view of the audi-
torium taken from the stage and
showing the excellent seating
arrangement.
June 2, J 9 28
1851
sign flat against the building. Two
store rooms are located on each side
•of the entrance.
The lobby has a terazza floor,
marble base, and walls of ornate
plaster, marble and mirrorsv with a
highly ornamental ticket 'booth con-
structed of bronze, marble and glass
located in the center of the lobby.
The foyer is a spacious hall from
which two grand staircases rise to
the promenade floors, where check
rooms, lounging and smoking rooms
are located.
The auditorium is finished in or-
namental plaster, marble and dam-
ask of rich coloring. The ceiling-
features a huge dome indirectly
lighter by vari-colored lights and
with an immense chandelier sus-
pended from its center. The stage
opening is seventy-five feet wide
and fifty feet high.
The back stage equipment in-
cludes mechanical lift apparatus and
a thoroughly modern lighting sys-
tem. The orchestra pit is equipped
with an elevator.
A spacious and handsome grand
hall is one of the features, of the
Stanley, shown on the right.
Below is a near z'iczv of tfie stage
showing decorative treatment of
proscenium.
HOFFMAN-HENNON COM PA N 1 '
ARCHITECTS
esea
WHAT are your theatre seats doing to pile up profits for you? Are they so
comfortable that they keep patrons pleased — make them want to return to
your theatre?
A handsome, comfortable theatre chair will help increase patronage, fill your house
every show, and pile up profits for you. And right now, during the summer season,
is the profitable time to start reseating. We can arrange, if desired, to reseat your
house without a single interruption in any program.
In one instance an exhibitor, who reseated with Hey wood-Wakefield chairs, reports
a 30% increase in patronage! The Balaban and Katz Tivoli in Chicago, Pantages in
Minneapolis, Fresno, and Los Angeles, several Publix-operated houses and many
more are reseating with Heywood- Wakefield theatre chairs. These progressive
showmen know that an audience seated in handsome, comfortable theatre chairs
is easy to please. They selected Heywood- Wakefield theatre chairs because they felt
that these beautiful seats gave the most comfort and troubleproof service — dollar
for dollar.
A note to the nearest Heywood-Wakefield sales office will bring you practical
suggestions on reseating, without cost or obligation. Write today and find out
why these beautiful, comfortable theatre chairs will pile up profits for you.
HEYWOOD
5
OUR theatre chairs
p profits for YOU 9
Have You Received Your
Copy of This Beautiful
Theatre Seating Cata-
logue?
Upon request, we will be
pleased to mail you a
copy of our new 44-page
catalogue on theatre
chairs. It contains many
of the popular theatre
chairs in our Hne, in-
cluding the seats used in
the Roxy, Palace-Or-
' pheum, Publix and other
houses. Send for your
copy today.
SALES OFFICES
Baltimore, Md.
Boston, Mass.
Buffalo, N. Y.
Chicago, 111.
Detroit, Mich.
Kansas City, Mo.
Los Angeles, Calif.
Minneapolis, Minn.
New York, N. Y.
Philadelphia, Pa.
Portland, Oregon
Saint Louis, Mo.
San Francisco, Calif.
Seattle, Wash.
1854
Motion Picture News
Stock Window Cards Conspicuous by Their Absence in These
Modern Style Window Displays
A window display featuring a contest for school students in Terre A poster cut-out from a stock 24-sheet was sufficiently attractive
Haute, Ind., schools through cooperation of a local jeweler and to win a place for "The Heart of a Follies Girl" in a furniture
Manager S. R. Nicholson, of the Liberty Theatre, to exploit "The store window. This exploitation was arranged by Manager Chas.
Student Prince." A watch was awarded the high-mark student H. Amos, Riviera Theatre, Knoxville, Tenn., as part of an
during the period of the contest. extensive campaign
A very attractive display made up of Another clever window piece featuring a A tie-up with the title "The Patent
poster cut-outs to feature "Ramona" in a music tie-up for "Ramona." Stills Leather Kid" supplied the idea which won
music store window. Exploitation by A. mounted on a huge disc record. Staged this window display for Manager Hemp-
M. Roy, manager of the Tampa Theatre, by Manager W. H. Hemphill, Rialto Thea- hill for his showing of the picture at the
Tampa. tre, Macon, Ga. Rialto in Macon.
A book tie-up featured in a window display for "The Glorious Window featuring replica of gown worn bv Corinne Griffith in
Betsy" in Gimbel Brothers store in New York City. "The Garden of Eden." Loew's Valentine, Toledo.
J tin e
19 28
1855
(Editor's Not*- — Following is a letter received 1>\
this department from Mr. L. L. Levy, Advertising
Manager of the Ideal Theatre, ( lorsieana. Texas. The
diflieulties fared by Mr. Levy in obtaining window
displays is one which the vast majority of exhibitors
in small towns encounter. It is to he hoped that all
forward-looking showmen will follow Mr. Levy's sug-
gestion that they submit their ideas on how the dis-
tributors can improve their service on window dis-
play material.)
T I PAVE a little problem that I believe is being
*■ faced by most of the exhibitors in medium and
small towns these days and that is the problem of
getting window and tack cards placed and distrib -
uted. Of course, in the cities and larger towns
they can afford to fix up hand Minted and speci-
ally made attractive cards for the windows but
the rest of us have to do the best zve can with the
window cards we get from the exchanges, which
arc far from being attractive enough or small
enough to get placed in the best of the present day
elaborate window displays. As for tacking, that
is getting almost impossible on account of the
doing away with wooden barns, fences and ga-
rages, so I believe the present window cards arc
really out-of-date and demand a great deal of im-
provement.
I think the best way would be to incorporate
them in some way with the 8 x to stills, or fix
some little frame that these stills would slip into,
but, of course, that would have to be tried out and
I believe if other exhibitors would send in their
suggestions on this subject that some good idea
would come out of it.
My idea is to use an 8 x io publicity still and
a small frame of stiff cardboard with the name of
the star and picture at the top and a space for the
date and theatre name at the bottom of the frame.
Of course, his idea could stand a lot of improve-
ment and I think other exhibitors should send in
their ideas on this subject.
This week I took a window card into a drug
store across from the high school and asked to
place it on the fountain. The lady ozvncr said no.
But she allowed me to place a publicity still photo
of Mary Pick ford right on the cash register — the
best position I could ask for. The picture was
"My Best Girl."
Then two weeks ago I placed five publicity
stills on Richard Pix in "Sporting Goods" in
three dry goods stores, one shoe store and one
sporting goods store zvindows — windows that I
had never been able to place any window cards.
The photos featured golf shoes, clubs and clothes.
Of course, they did not look very neat without
frames and some curled up. On another occasion
I placed a photo of Alice Joyce in "The Noose" in
an exclusive jewelry window where no one had
ever been able to place cards before, not even the
churches or schools.
So you see, with the cards made as I suggest,
out of publicity stills you would have variety, at-
tractiveness, and they would be easier placed.
L. L. LEVY,
Ideal Theatre, Corsicana, Texas.
Distributors Should Bring Their Window
Display Cards Up-to-Date
IN the communication printed above,
Mr. Levy calls attention to the weak-
est link in the chain of advertising
accessories prepared by the distributor's
exploitation departments. Window dis-
play is the department of exploitation
which more than any other is left entirely
up to the exhibitor — because the stock
window cards issued by the companies
have outlived their usefulness.
In these days of extensive window shop-
ping on the part of the public, the mer-
chant— even the smaller merchant in the
smaller town — realizes very well that his
windows are worth money to him. The
windows sell goods and also sell prestige.
Consequently the out-and-out ad for a
picture show or anything else is literally
"out." Even the high-school shows now
get their window publicity by means of
specially painted posters — the product of
the art classes in the local institutions of
learning. The old-style window card — a
first cousin to the tack cards for nailing
on barns and telephone poles — may find
its way into a window of the cobbler's
shop, but even after it gets there, thanks
to good salesmanship on the part of the
theatre manager, it doesn't sell anything.
Merchants of the sort whose window
displays are worth the while of the adver-
tiser, are eager to tie-in with something
of general interest to the public, such as
a motion picture. Rut they want the dis-
play to have qualities of interest and pic-
torial value sufficient to stop the passerby
and , direct his attention to the window.
That sort of thing happens only when
something distinctive, attractive and ap-
pealing is placed in the window.
Mr. Levy's suggestion that card frames,
bearing the title of the picture at the top
and having a slot to accommodate a scene
still, in the last analysis amounts to bring-
ing the window card up-to-date. The
frame, having a de luxe appearance,
would be far more acceptable by the local
merchant for a place in the window.
But there is more to window display
than display merely. Having the show
represented by a picture and the name of
the theatre, with play dates included, is
not necessarily a profitable effort on the
part of either the showman or the mer-
chant. W indow display that does not have
its effect on the people outside the win-
dow, as a matter of fact, is worthless.
Unless the display commands interest and
sells an idea — or at least creates an asso-
ciation of ideas in the mind of the spec-
tator, by recalling newspaper advertising,
or other publicity that may create a de-
sire to see the show — the effort is lost.
Also, to be really successful, the display
must sell something for the merchant as
well, because the theatre man cannot go-
on indefinitely getting space in the mer-
chant's window unless the tie-up of inter-
ests has some advantage for the store.
On another page we are reproducing
photographs of some recent window dis-
(Continucd on Pugc 1876)
18.-6
Motion Picture News
Theatre Building Business Map
Including Analysis of Key City Attendance Averages
OSTON
g. W YORH
Under Average Business
Very light new construc-
J tion
Above Average Business \ ]
Average Business
Moderately heavy con-
struction
Heavy new construction
The map of the United States shown here is divided into seven terri-
tories, with colored shading indicating the division of new proposed
theatre building as represented for the period from April 15th to
May ISth. This new construction is represented in valuation of dollars
and cents rather than number of projects.
The shading is in four densities ; solid, which represents the greatest
value of proposed theatres ; heavy stipple, which is second in valuation
of new construction ; medium, which areas represent conservative build-
ing ; and the very light areas, where the investment in new theatre pro-
jects is very light. The information used in compiling the statistics
visualized by the map was obtained through several reliable sources, and
the map is to be considered as very nearly accurate in representing com-
parative theatre building activities in various sections of the country.
The circles shown on the map are located in key cities and illustrate
averages of theatre attendance during the three months' period from
April 15th to May 15th. The diagrams indicate the relative at-
tendance at the better theatres in these cities during the period covered.
These are given by "averages," with symbols to indicate "Above Average"
and "Under Average" box office returns. The term "average" as applied
in this survey indicates satisfactory box office returns, based upon theatre
expectancies, which, in turn, are governed by past earnings under similar
or nearly similar conditions.
These attendance statistics were compiled from an analysis of the Key
City Reports, published weekly in Motion Picture News, and other
sources of information gathered by this publication.
THE moderate curtailment in theatre building over the
record-breaking pace set for the first three months of
this year, which was in effect for our report as of April
15th, continues for the thirty day period ending May 15th.
The falling off in the rate of construction of new theatres
is by no means alarming but simply a reversion to a volume of
construction that may be considered normal.
The figures for this thirty day report, April 15th to May 15th,
give a total dollar investment for new proposed theatres for
the United States as 10,552,000. This program calls for 37
new theatres, which will encompass a seating capacity of 49,000.
Of these 37 theatres, 5 will require an investment of over one
million each, and 4 will fall in the class between $500,000 and
a million dollars.
From these figures it is deduced that the average theatre will
cost $285,000 and will have a seating capacity of 1,324; the cost
per seat of this average theatre will be $215.40.
Canada reports two new theatre projects, one of which will
cost over a million dollars. The two theatres together call for
an investment of $1,250,000 and will seat 2,475.
Including these two theatres in Canada, the total investment
called for in the construction of the new theatres reported for
this thirty day survey, is $11,802,000.
The North Atlantic division of the United States continues
to show heavy construction and in this report, leads any other
territory by approximately a million dollar investment.
Seven new theatres will be constructed in the North Atlan-
tic States, two of which will cost over a million dollars. The
total investment is $3,300,000, covering the cost of constructing
12,100 seats. The average cost for these theatres is $471,430
with seating capacity of 1,730 and the cost per seat is $272.50.
The South Western States report an exceptionally lively the-
atre building program through 9 new theatres which will cost
$2,587,000 and seat 12,100.
Two of these theatres will cost over a million dollars. The
averages for these theatres are $287,444 cost per theatre with
June 2, 1928
1857
a seating capacity of 1,344, giving an average investment per
seat of $213.87.
The Middle States come third in this report where 11 new
theatres will cost $2,350,000 and have a seating capacity of
12,000. One of these theatres will cost more than a million
dollars and one hetwen $500,000, and a million. The averages
given by these figures are $213,637 cost per theatre with a seat-
ing capacity of [.091 and an investment per seat of $195.81.
The West Coast showed a moderately heavy program of
theatre building last month and again reports a considerable
investment for new theatres. In this territory $1,465,000 will
build 7 theatres seating 7,700. Two of these houses will cost
between $500,000 and a million. The average cost per house in
this territory is the lowest of all territories reported for this
month, the figures being $209,30°, while the average seating
capacity will be 1.100 and the cost per seat $190.30.
THE South Eastern districl will project only two new thea-
tres which will cost between them $550,000 and seat 3,100.
The averages for these theatres are $275,000 cost per theatre
with a seating capacity of 1.550 and the cost per seat $177.50.
In the New England States, one new theatre is scheduled,
costing $300,000 and seating 2,000.
For the second time within a period of six months, the West-
ern States report no building program.
New York, which has proved to be a state rivalling all others
for leadership in theatre building for 1928, again takes the lead
in the total amount of investment for theatres. For, in this
state, $1,950,000 will be invested in 4 theatres which will have
between them a seating capacity of 7,200.
California, while scheduling two more theatres to be built
than Xew York, requires only $1,455,000 for its six houses
which will seat 7,300.
Texas for the first time since the inception of Motion Pic-
turf. News' building analysis ranks among the first six states in
building. Texas for this thirty day report announces 5 new the-
atres which will cost $1,387,000 and seat 7,800.
Ohio and Pennsylvania each report two theatres and by way
of coincindence, in both instances, require the same total invest-
ment of $1,200,000 with a seating capacity of the Ohio thea-
tres of 4,000 and the Pennsylvania 4,100.
Tennessee is the last of the six ranking states where only
one new theatre will be built seating 2,500 and costing one mil-
lion dollars.
Theatre closings are continuing on a fairly heavy scale
throughout the country. It was shown in our special article
appearing in the April 14th issue of Motion Picture News that
over 2,000 houses permanently closed or dismantled during
1927. This same rate of closings is continuing for 1928. It is
therefore a foregone conclusion that 1928 will show a net loss
of theatres in the United States and will reduce the total num-
ber of houses from 14,235 as reported by Motion Picture
News, in existence, December 31, 1927, to around 13,500 by the
beginning of 1929. These figures of the surface survey appear
alarming. 1 lowever, our analysis shows the theatres being
closed are almost exclusively those which are entirely out of
date and which have served their purpose in the development of
the motion picture industry. Xew theatres take the place of
those closed and in so doing, raise the standard of the average
motion picture house.
It is also of particular significance to note that the total seat-
ing capacity of the country is not diminishing, even though the
number of theatres are.
The falling off in the volume of equipment sold to theatres
as reported in our April-May survey holds in the same degree
for business during this May-June report. However, the volume
of theatre equipment sold has been sufficiently large to insure
satisfactory business to those concerns specializing in theatre
equipment.
THE period from April 15 to May 15. which we cover in
this report, represents the real beginning of the season
of the theatre's discontent, so far as box office returns arc
concerned. The first few days of Spring mark a ^evolution
against the period of enforced indoor sports under Winter's
dictum, and reacts in a general urge for the people to seek the
open places for their relaxation as well as celebration of a new
era.
FACTORS militating against theatregoing are the opening of
the baseball season and the daylight saving schedules be-
coming effective in many localities. However, this Spring, less
than last year, the counter attractions and the daylight saving,
while reflected at picture theatre box offices, have not interferred
greatly with theatregoing, and all things considered — consider-
able lethargy in general business included — the picture houses
in the key cities have held their own against the field.
By comparison with last month the attendance map shows a
decided improvement on the whole. There are four cities with
Under Average ratings this month as against seven last month,
while two have Above Average marks as against one last month.
Reports from other lines continue to show that business gen-
erally is spotty, with advances and declines offsetting each other
in tabulations of information from industrial and commercial
organizations. Thus reports on May 15 from fourteen different
companies in as many different lines showed that six reported
declines from corresponding periods last year and nine showed
increases. The heavy speculation in Wall Street held the center
of the stage as the most serious factor facing business generally
as summed up by leaders in banking lines, and the efforts to
put a curb on stock trading on the bulky basis which has pre-
vailed for some time, seem to bear out these public pronounce-
ments by the bankers. The "street" showed signs of going into
something of a slum]), but contrary to general expectations
there was nothing like a serious break and once more the pub-
lic went ahead, apparently satisfied that things are not so bad
nor anything like so precarious as some of the cautious ones
have been implying in their admonitions.
The old bogy of a presidential year, usually a time for appre-
ciable cautiousness and apprchensiveness by business, is already
well along toward its peak as a presidential year and business
seems to be little concerned so- far.
AT the picture theatres, the biggest complaint when a poor
week resulted was from the standpoint of the attraction
itself. The weeks in which strong pictures were shown proved
up well at the box office and in most instances where unsatisfac-
tory business resulted the condition seemed convincingly ex-
plained by the quality, or lack of it, in the feature picture.
Among the leading screen attractions for the month, at the
key city theatres, there are only three real standouts. These
are "Speedy," "The Jazz Singer," and "Across to Singapore."
These, in the order named, take first three places on our "best
ten" of the period. It is remarkable how "The Jazz Singer"
has continued to occupy a place in the limelight over a long
stretch. The reports which give it these high ratings, of course,
emanate from theatres where the film was presented in connec-
tion with \ itaphone.
During the period under discussion "Speedy'' also has played
several extended run engagements, and the Lloyd comedy has
held up pretty well as a repeater. There is no exact means of
checking it in this respect against some of Lloyd's former
works, but on the surface of things, "Speedy" seems to be
running somewhat behind the best of this comedian's previous
works as a repeat attraction.
"Across to Singapore," the Ramon Xovarro vehicle, drew to
its credit several highly satisfactory weeks at theatres scattered
about the country. It is followed, in our check, by "The Legion
of the Condemned" in fourth place.
Fifth place is held by '"Tenderloin." which has shown well
at the box offices of nearly all theatres which have presented
it with its Vitaphone accompaniment. Incidentally, "Tender-
loin" without the talkie feature fell down badly at one theatre,
in Kansas City. In the order of their appearance the following,
complete the list of the best ten of the period from April 15 to
May 15 at the key city houses: "The Garden of Eden." "Ra-
mona," "The Smart Set," "The Port of Missing Girls" and
"The Little Shepherd of Kingdom Come."
1858
Motion Picture News
New Fulco Projector
Offers Features of
Advanced Design
IN the official announcement of the
formation of the E. E. Fulton
Company as a national distributor
of theatre equipment and supplies,
made exclusively in Motion Picture
News, officials of the company indi-
cated that a new projector would he
introduced by their organization. A
short time later, the new projector
was announced, production on the ma-
chines at that time having reached a point
where the Fulton company could place
their new projectors on the market.
Speculation has run high concerning
the details of the new projector. In a
recent demonstration it was shown that
this new machine incorporates in its de-
sign and mechanism several innovations
thoroughly in line with modern ideas and
projection principles developed within re-
cent times.
The new Fulco projector offers many
unique features of design and operation.
In accordance with the modern tendency
to pay high regard to appearance, the de-
signers of the Fulco projector manifestly
have given considerable thought to this
feature. Mechanically it reaches stand-
ards of efficiency in operation and per-
formance made possible by years of ex-
perience and the refinements that engi-
neers have accomplished in the field of
motion picture projection.
Considering the more external features,
the Fulco projector is mounted on a ped-
estal of pleasing design and one while
carrying no unnecessary weight is suf-
ficiently massive to assure absolute steadi-
ness. Within this pedestal, all wires are
concealed and a generously proportioned
piston (ball bearing mounted) is con-
trolled by a screw which allows circular
adjustment and affords means for verti-
cally raising or lowering machine and
lamp. The longitudinal table carried by
this piston and upon which is mounted
machine and lamp — is provided with a
very novel and efficient device for tilting
and locking the machine to any desired
pitch. Where angle of projection must
be changed speedily during show as is the
case with some houses using forward and
rear screens, the adjustment from one po-
sition to the other can be accomplished in-
stantly. Motor is suspended from a swiv-
eled mounting with spring pressure which
automatically applies the correct tension
to belt at all positions of machine.
No belt tighteners nor screw adjust-
ments of any kind are needed. This com-
bination of roomy pedestal and piston
with sub frame for motor and tilting de-
vice, together with a very substantial cast
iron horizontal table, is an assemhlv which
Shown on the right is
a photo of the new
Fulco Projector. The
mechanism is of Erne-
mann design and the
hase or pedestal houses
all wires.
eliminates all vibration
and assures steady pro-
jection.
The magazines are of
3000 ft. capacity and like
all other part of the
equipment are very sub-
stantially built. Upper
magazine shaft is
mounted in "bearium"
metal, and lower maga-
zine shaft runs in ball
bearing.
The mechanism — of
Ernemann design — has a
wealth of unique feat-
ures, all of which will be
highly appreciated by
every operator.
The gearing compartment of the mech-
anism has a visible feed oil system, in-
cluding a rotary pump which automati-
cally functions when machine is in action
and literally drenches and floods all gears,
cams, shafts and intermittent movement
with lubricant. The ball bearing inter-
mittent action is a unit assembly, which
may be taken out in a moment by simply
removing one nut. In removing sprock-
ets— feed, take up, or intermittent, noth-
ing but a screw driver is necessary. The
same tool will also release guide rollers,
etc.
The threading operation is a simple and
convenient one and the film passes
through a long gate having lengthy shoes
which may be instantly removed and re-
placed if occasion arises. Tension on the
film may be varied at will while film is in
motion. Special shoes are provided for
accommodating freshlv made films which
tend to stick as they pass through.
Film gate is constructed with numerous
fins to insure rapid radiation of heat from
lamp and the automatic fire shutter is
highly sensitive and responsive. Feed and
take up sprockets are twice the diameter
of the intermittent sprocket and all three
are removable.
Framing control is effected through a
sizeable circular knob, conveniently placed
at side of glass door of mechanism.
Framing does not affect shutter, never-
theless an adjusting thumb piece, located
above lens mount permits accurate shut-
ter adjustment while machine is in action.
Ball bearing shutter is secured to shaft
in a manner which prevents slippage and
it may be set to any position on shaft
without loosening or setting a screw.
Shutter shaft may be extended to suit
lenses of almost any focus.
The film speed indicator which forms
part of the mechanism, enables operator
to know exactly the rate at which film is
moving and furnishes the visual report of
the functioning of the speed control at-
tachment.
At bottom of mechanism, a small brake
lever provides a convenient means for
slowing up film at titles without disturb-
ing film speed adjustments. You simply
apply brake pressure to power wheel on
opposite side of mechanism and slow up
machine just for the moment it is needed.
The speed control located just above
lower magazine is exteremely compact.
It is of the governor type and is so de-
signed that the automatic control elements
are concealed within the rotating drums.
An idler pulley riding the slack belt
from speed control to mechanism is at-
tached to a spring tensioned lever giving
an additional factor of control to operator.
Machine may be started from motor
switch or, if preferred, motor may be
started any time and machine started or
stopped through belt idler. Speed control
may be adjusted in advance and when
idler is thrown forward machine responds
instantly to pre-determined rate of speed.
All controls — governor, idler release, mo-
tor switch and lamp switch are operative
from either side of machine.
J it u c 2, 1 9 2 8
1 K5«>
The Cost of those
TVho Pass
And Bow lb Turn Passers-lay
Into Regular Patrons ^
Every (lav then- arc people pass-
ing your theater who COULD BE
PERSUADED TO COME IN.
Why do they pass? The answer
to that question means DOLLARS
to you - MANY. MANY DOL-
LARS. To many exhibitors the an-
swer means the difference between a
profitless summer season and a
healthy and highly successful one.
In hot weather your theater can
be a powerful attraction. Instantly
it establishes a reputation for cool
comfort in torrid weather — you'll
notice increased business. People
who once passed without interest will
ENTER with enthusiasm.
Give your ticket sellers mork work
in the summertime. Keep your ush-
ers busy. Eill your seats. You have
all these facilities at hand— bough!
and paid for. Stop those who PASS;
make your theater so inviting, so
cool, so comfortable they cannot re-
sist the urge to ENTER.
Among the hundreds of letters in
our "Bouquet File" fully 30% spe-
cifically mention increased business
resulting from providing proper in-
side air with Arctic Nu-Air Systems.
Here is a system representing a
million dollars invested by actual us-
ers. 3,000 installations make your
satisfaction sure.
It is the big capacity year-around
system, with complete control. You
can use it in the winter for ventila-
tion and to aid in circulating the beat
that lingers around radiators. On
not-so-hot days you can reduce its
speed, providing a gentle circulation
of fresh air that is most comfortable
and refreshing.
It is easy to install. Our engineers
render valuable cooperation. Most,
installations are extremely simple —
no complications or disorder.
Our easy financing plan puts the
system in on a small down payment.
You have a year to pay the balance
in small installments. Thus your
system pays its way, and you will
enjoy every interview with your
banker.
The first step toward better times,
bigger business, and boosting patrons
—the coupon below. It will tell you
what happens when an Arctic Nu-Air
System begins to STOP THOSE
WHO PASS.
512-514 SOUTH 4TH ST.
MINNEAPOLIS, MINN.
SALES OFFICES
Atlanta
Boston
Chicago
Cleveland
Dallas
Detroit
Milwaukee
New York
Oklahoma City
Philadelphia
San Francisco
Seattle
EXPORT OFFICE
71 Murray St.,
New York City
It costs but a stump to find out how 1000 USerS
are IM'll.niNt; M'SINKSS with this System.
This Coupon brings word of
una.i.K si mmku moms.
QowpoTL
Today
Arctic Ni-Air Corporation
312-914 South Fourth St.
Minneapolis, Minnesota
Send engineering <la tn and Information on Arctic
Nu-Air Ycar-Around System for my theatre
feel long, feel wide. feet high.
seating people.
Vaini
Address
CUv State _
f/«o Ifanti/acrtirers <>f
SANIDAIRK Humidifying Systems for Home-. Hospitals, Seli .,.1.-. Offices. A ... tn.eiits. Hotels.
•"1 inrustrlss.
1860
Motion Picture News
4.
4*
For\bu
a 3 Way Profit
TO you, as owner or manager, Ameri-
can Theatre Chairs add three factors
to the "drawing power" of your house
that should never be overlooked. First,
American chairs give your patrons a max-
imum of comfort that brings them back to
your house. Second, the beauty of design
and finish of American chairs assures per-
fect harmony with the decorative effect and
appointments. And third, the in-built qual-
ity of American chairs makes them an in-
vestment that yields a steady profit in re-
duced upkeep costs and more years of
durability.
No. 6065—1369 of these chairs
were installed in the State The-
atre,Kalamazoo,Mich. American
Walnut woodparts, upholstered
back and dark red Moroccoline
seat. Noiseless ball bearing
hinge insures silent and easy
seat movement. Comfortable,
durable and pleasing to the eye.
American Seating Company
Theatre Chair Builders to the American Public For Over 50 Years
10 E. Jackson Blvd., Chicago, Illinois
113 W. 40th St., New York City 1211-K Chestnut St., Philadelphia
77-D Canal St., Boston
June 2, 1928
1861
Color Lighting as an Aid to Music in
the Motion Picture Theatre
By A. L. Powell
Manager, Engineering Department, Edison Lamp Works
MOST of the larger motion picture
houses have color lighting in-
stallations which they use during
the playing of the overture or musical in-
terlude. Some of these are in the form
of cove or cornice lighting where colored
lamps are concealed from view and light
from these directed on the ceiling and
walls. Others employ large ornamental
fixtures fitted with several circuits of col-
ored lamps, and still others are ahle to
Hood a neutral tinted curtain with col-
ored light from ahove, below, and the
sides.
This changing colored lighting may be
very pleasing to the audience or may be
annoying to the artistic, sensitive person.
It can be pleasing to everyone and a thing
of interest, joy, and thrill to the sensitive
individual if proper coordination of color
and music is attained. With ordinary
methods of operation, however, the likeli-
hood of really annoying effects is indeed
great.
On many occasions the writer has been
back stage and watched the electrician
manipulate switches and dimmers on the
color circuits during the playing of the
musical numbers. Except in a very few
outstanding instances, where the manage-
ment has set forth a very definite schedule
which it insists on the operator following,
the average electrician pays no attention
whatever to the music as he manipulates
the various circuits. His attitude seems
to be somewhat as follows :
"Here is a color lighting installation. It
is paid for and in operation. I will show
the audience that we have this and turn
on red, bine, green, blue and yellow as
my whim or fancy dictates."
If there is anything to the fact that two
of our senses, hearing and seeing, can be
acted on at the same time, to produce a
desirable reaction — if there is any basis
of the coordination of the psychological
value of color and music, and the writer
and many others who have given the mat-
ter serious thought are convinced that
there is a very definite tie-in, then by this
hit or miss method of operation the
chances of proper coordination are very
slight indeed.
The motion picture theatre is striving
constantly to raise its programs to a
higher level. It has a remarkable oppor-
tunity through this medium to educate
the public in music appreciation and to
make its offerings more attractive to the
lietter class of patron. Proper coordina-
tion of color and music has a popular ap-
peal. This is no mere theory but has
been worked out in practice. At the Edi-
son Lighting Institute in Harrison, New
Jersey, one of the features is a demon-
stration of "Color and Music." This has
been shown to many thousands during the
past four years and always creates inter-
est.
The modern motion picture house is
particularly fortunate in the way it is
able to apply color. We see by reflected
light, and to get the maximum impression
of color there must be a relatively large
light colored area on which the tinted
light can be thrown, as is the case of in-
direct lighting from cornice to the ceiling,
or the lighting of the curtains and drapery
at the front of the house. The scheme of
having the orchestra itself clothed in
white suits and beams of colored light
projected on the area occupied by the or-
chestra is also good. The use of a large
central fixture with colored lamps is not
effective because the fixture itself be-
comes a center of interest and one does
not "feel" the atmosphere of color.
Light is similar to sound (music) in
more ways than most of us realize. One
is received by the eye, and the other by
the ear and then conveyed by nerves to
our brain where we get the impression.
LIGHT is produced by vibration in the
so-called ether: sound by vibration
of the air. With sound a deep tone is the
result of a slowly moving wave of vibra-
tion, a high pitch results from a much
quicker movement of the wave. In light,
there is a range from the lower frequency
red to the more rapid violet waves.
An analysis of a sound shows the wave
to have three characteristics— frequency
or vibrations per second giving the pitch :
amplitude or size of the wave on which
functions the volume (softness or loud-
ness) depends; and finally the shape of
the wave giving the quality or character
of the sound. For example, a musical in-
strument and the human voice may emit
the same tone with the same volume, but
we can readily recognize the diff erence in
quality.
With light the color or hue is a func-
tion of the frequency. The volume is rep-
resented by the intensity, while the mix-
ture of white light with the fundamental
color determines its purity or what is
called the "saturation."
Both sound and light are capable of
causing sensations of pain or pleasure
either by association or as the result of a
direct effect from the inherent quality of
the light or sound. A shrill, piercing
whistling or a heavy crash may actually
give physical pain for a moment and pos-
sihlv, if violent, produce a permanent in-
jury. A glaring brilliant light source may
hurt our eves, and prolonged ex]H>sure to
D
it may actually injure the mechanism of
the eye.
UE to the similar characteristics of
light and sound, some experiment-
ers made the mistake, the writer believes,
of too close a tie-in. We have a so-called
octave of sound, c, d, e, f, g, a, b, c,
and what may l>e called an octave of light,
red, orange, yellow, green, blue, indigo
and violet, with half-tones represented by
yellow green, green blue, etc. Certain
people have attempted to assign tonal val-
ues to the colors of the spectrum just as
though they were to play a scale in colors
or write a score for color as they would
for sound.
As a somewhat exaggerated illustration
of the point we are trying to bring out,
an experimenter might try to write a
color score for "America" (My Country,
'Tis of Thee). His music would read, c,
c, d. b, c, d, e,e, etc., his light score might
read, yellow, yellow, green, orange, yel-
low, green, blue, blue, etc.
It is obvious that attempting to follow
any such practice as this would lead us
nowhere and that we would have a mean-
ingless, unintelligible result. We must
have our tie-in between the two senses —
hearing and sight — based on the psycho-
logical or association element. Realizing
this, it is evident that rather than an in-
dividual note having a corresponding light
to accompany it, a group of notes, that is
a mood or theme of the composition, or
even a whole section, will have a much
more definitely associated color.
We must give consideration to the man-
ner in which light will affect our emo-
tions. We are stirred at the sound of the
military band, the soft soothing strains
of the Humoresque or Kamennoi-Ostrow
rest us and quiet the nerves, while the
modern jazz tune has still another effect.
Some of us experience the whole gamut
of human emotions, listening to the won-
derfully descriptive music of Massennet,
Puccini or Wagner. Particular phrases
promote sorrow or joy. depress or exuber-
ate us. Light has a similar effect, the col-
orings of nature as expressed in sunrise
or sunset give one a thrill, the cool, restful
green of wood has its effect, while the
changing blues and white caps of the sea
also produce an impression. Certainly
these can be combined.
It is obvious that there is a definite
psychological connection between music
and color. Everyone will agree that cer-
tain music is exciting, other music quiet-
ing, and that still another tune may actu-
allv sadden or depress us. It has been
proven very definitely that, in general, red
is exciting, yellow stimulating and buoy-
1862
o i i o a P i c t it r c N e w s
Manufactured Weather 4
In the Paramount on the
Boulevard des Capncinei,
Parisians have discov-
ered Manufactured
Weather*, that same
atmosphere off
health-giving com-
fort which greets
the patrons off the
great Paramount
and the ieo%v in
lew York.
Write for the
Carrier
Boohs on
air Condi-
tioning.
^Manufactured
Weather makes
"Every day
a good
day"
NKW YORK
PHILADELPHIA
BOMTON
The Carrier System off /%ir
Conditioning in the Para-
mount at Paris was de-
signed, installed and set
into operation by our
Associates, the Car-
rier Engineering
Company, Limited
off Mo. 24 Buck-
ingham Gate*
London. The
C o m p a n y 9 s
Paris office
is located
at 4 B ue
d'^Lguess-
eau.
mm
farrier Fnqineeiinq Corporation
< IIM VCO
Offices and Laboratories
NEWARK, IV. J.
It isn't Manufac-
tured Weather
unless it's a
Carrier
System
CLEVELAND
WASHINGTON
KANSAS CITV
I.OS ANIJELE8
June 2 , 19 28
1863
ant, green quieting and soothing, while
blues and violets arc depressing, subduing
and saddening in nature Therefore, all
we have to dn is to analyze a composition
and determine whether as a whole it is
exciting, quieting, stimulating, etc., and
accompany it with the color of light
Which gives the same reaction. It is this
very fact which makes haphazard opera-
tion of the lighting so objectionable to
those of us who are sensitive. If, for ex-
ample, the orchestra is playing a martial
Sousa march which tends to excite us and
the electrician has turned on the blue
light, we have two forces working within
us producing quite opposite effects. Simi-
larly, if the orchestra is playing a quiet-
ing, pastoral hit and the house is bril-
liantly illuminated in yellow, again we
have opposing forces at work.
BESIDES this purely psychological
effect of color, there is another ac-
tion which we might term association.
Certain music of the so-called program
or descriptive type paints in our imagi-
nation a ]>erfectlv definite picture and it is
logical to accompany various parts of
this constantly changing picture with
color that suggests the same thing.
Through the ages we have come to
associate color with certain attributes.
For example, red with fire, danger, war,
courage, passion, etc. ; yellow with gaiety,
festivity and revel, youth, action, warmth,
glory : blue with the moonlight, the sea,
the sky. truth, fidelity, loyalty ; green with
the wood, the meadow, youth, spring,
hope; white with peace, purity, modesty;
pink with beauty, love, health! and so on.
The numerous themes offer great possi-
hilities for changing colors. Flashes of
one color can he sii]>erim]>osed on another.
A shrill, piercing note can be accentuated
by a brilliant light momentarily exposed.
At times, the change from one color to
another will take place gradually, at other
parts abruptly.
W ith a crescendo passage the intensity
will naturally increase with the volume
of sound. During moments of pianissimo
it is logical that low values of lighting
should l>e used. As the music rises and
falls the illumination follows its every
movement.
A color "chord" can he produced by
shooting shafts of light adjacent to each
other rather than blending the lights to-
gether. As mentioned above, when one
color is thrown on top of another one the
effect is that of a third color which the
eye cannot analyze. If the colors are
side by side one will probably get the im-
pression which it is desired to create.
If a curtain is to he illuminated, then
lights can he located above, on the two
sides and below. The curtain can he
made to assume one tint at the top and a
different tone at the bottom in the case
where it is desired to produce two reac-
tions simultaneously. For instance, when
two themes are being played, one bv the
strings, the other by the woodwinds! As
one theme gradually overpowers the other
(illustrated by the "Pilgrims March"
drowning out the Venusherg motive in
the "< herturc to Tannhauser") the color
assigned to the second is gradually in-
creased in intensity while that assigned to
the first motive is gradually dimmed.
As indicative of the method of proced-
ure, let us consider that we have a curtain
at the front of the auditorium which can
be illuminated from both top and bottom
with red, green, blue and yellow light at
will. Such an arrangement is likely to be
found in any well equipped theatre'. The
accompanying diagram shows an arrange-
ment used in the Edison Lighting Insti-
tute for a curtain 14 feet wide, 12 feet
high, that has been very satisfactory. A
similar layout for curtains of other di-
mensions can be made by modifying the
wattage to fit the design under considera-
tion. For example, a curtain of approxi-
mately twice these lineal dimensions
would have four times as manv square
feet to he illuminated and one might use
twice as many units, each of which is ap-
proximately double the wattage used in
this example. Proportionately larger dim-
mers would he required.
The curtain in this case is of heavy pile
velour of brownish gray or taupe color.
The row ot border units is placed between
a valance drop and curtain with lamps
one foot from the curtain. Here eleven
units are used, X-Ray reflector Xo. 610.
Laco-Ehillips, color caps, four circuits
thre 200 watt blue, three 200 watt green,
three 150 watt red, two 200 watt amber
in the order of colors as shown on the
sketch. It is to be noted that the curtain
hangs in deep folds or from four to six
inches so that light streaks down these
folds creating color shadow effects.
TI 1 F. footlights are approximately 2^2
feet in front of the curtain. Twen-
ty-three units are used, X-Ray reflector
No. EC-71 with glass color plates. There
are six 150 watt blue, six 150 watt green,
six too watt red. six 75 watt
amber. The order of colors is as
shown on the sketch. At the up-
per right and left corners of the
curtain are concealed lens s]K>t-
lamps to shoot shafts of clear
light diagonally across the cur-
tain. In addition to the dimmer
control of each circuit the red
horder. tlv.' amber border, tin
amber loot and two spotlight
circuits have momentary contact
ihort-oircuiting switches across
the dimmer resistance for pro-
ducing flashes of color.
With color equipment if this
nature a music cue sheet on typi-
cal numbers might he as follows:
Wiring layoul for «-<»l<>r curtain BS
used a! ill*' Edison lifiliiinj; Insti-
tute, Mini described in the accom-
panying article in connection with
methods of coordinating lighting
ami music in the theatre.
Rheingold — "Entrance of the (jods
into I Vallahalla"?, — Wagner
Wotan and the other Gods stand con-
templating the beautiful golden castle
Wallahalla that the giants have built for
them. It is far across the valley and they
have no means of entrance. Donner
causes a storm to come up ( [ncanation of
the Thunder motive) which soon sub-
sides, leaving a dazzling rainbow bridge
(the Rainbow motive) to the castle (Wal-
halla motive). As the Gods pass over
this fairy bridge we hear from the music
that Wotan is thinking of the ring ( King
motive) which was stolen from the Rhine
( Rhine motive). The "Rhine Daughters"
are heard bewailing the loss of their
"gold." Wotan realizes that be must cre-
ate some powerful means to defend the
'Gods and we bear for the first time in
the music drama a very important motive.
"The Sword of the Gods."
It would seem that the following light-
ing is quite appropriate.
"Incantation of the Thunder" — low in-
tensity of blue with flashes of yellow at the
proper time symbolizing the lightning.
"The Rainbow" — Shafts of red, green and
blue light from the top streaking across the
curtain giving the effect of the spectrum.
"Walhalla" — Yellow from above, red from
below.
"The Ring" — Yellow top and bottom.
"The Rhine" — Bue top, green bottom,
rising and falling in intensity.
"The Rhine Maidens" — Shafts of green
from top.
"Gold" Shafts of yelow on the blue back-
ground.
"The Sword of the Gods" — Brilliant red of
high intensity top and bottom.
Finally Rainbow at top changing to all up
full brightness.
{Continued on Page 1878
Border Li&ht^
Foot l i g h ts
1864
Motion Picture News
The New Fulco Projector
THE ROLLS-ROYCE OF PICTURE MACHINES
COSTS NO MORE THAN OTHERS
SEND FOR
DESCRIPTIVE \
CIRCULAR
E. E. FULTON CO.
C. H. FULTON, President
F. A. VAN HUSAN, V. P. & Sales Mgr.
A. G. JARMIN, Treasurer
Executive Headquarters
1018 S. Wabash Ave.
CHICAGO, ILL.
NOW
READY
FOR
DELIVERY
>
BRANCH OFFICES
1018 S. Wabash Ave., Chicago, 111.
115 W. 45th St., New York, N. Y.
3403 Olive St., St. Louis, Mo.
151 Seventh St., Milwaukee, Wis.
340 N. Illinois St., Indianapolis, Ind.
255 Golden Gate Avenue, San Francisco
Factory
2001 S. California Avenue, Chicago, 111.
June 2, 1928
1865
Stanley Theatres Campaign to Promote
Moviegoing as Summer Diversion
jubilee Week" to Launch Season of Big Pictures at Circuit's Houses
THE Stanley Company of America,
in Philadelphia and adjacent dis-
tricts, has undertaken a unique and
comprehensive plan to stimulate public in-
terest in the theatre during the summer
months and to impress upon pa-
tronage the fact that the houses under its
direction will not only continue to pre-
sent unusually high quality entertainment,
but offer even greater programs.
The week of June 4th has been set
apart for an intensive and far-reaching
campaign of promotion along this line,
and has been designated "Stanley The-
atres,' Jubilee Week." Indica-
tions already point to one of
the most successful promo-
tional efforts ever attempted
by this organization.
The plan was put into exe-
cution through the office of A.
L. Einstein, publicity director,
with the assistance of E. L.
Trenchard, his aide, co-operat-
ing with Eli M. Crowitz and
the managers of the various
Stanley theatres participating
in the big event.
The carefully laid-out pro-
gram of the celebration was
presented before the municipal
authorities of Philadelphia,
Chester, West Chester, Lan-
caster, Wilmington, Camden.
Atlantic City and other places
in which it was proposed to
operate, and it was enthusias-
tically received by the several
mayors and other public of-
ficials. In Philadelphia and
some of the other localities,
permission was granted to
place artistically designed ban-
ners and other exploitation
means at conspicuous points
along the central streets and in
the business sections.
Co-operation of the public
utilities was secured, the street
cars, buses and other passenger convey-
ances operated by the Philadelphia Rapid
Transit Company are carrying the Jubi-
lee message.
The railroad and subway stations dis-
plays the banners, cards and other novel-
ties calling attention to this special week
of Stanley theatres get acquainted cam-
paign.
Merchants in Philadelphia and the other
cities and towns included in the celebra-
tion are lending their support through
mutually advantageous "tie-ups," includ-
ing special Jubilee Week Sales and other
announcements.
The novel Stanley Train, with locomo-
tive, pullmans, etc., moves about the
streets of Philadelphia advertising this
celebration. Street parades have been
organized, business men's associations
and civic bodies have been enlisted in this
unusually big and comprehensive move-
ment.
While the publicity and exploitation
departments of the Stanley Company have
adequately covered the campaign, each
house manager is more or less res]>onsible
for the success of the Jubilee Week in
his own theatre. Toward this success,
the managers have gone to unusual lengths
to put on programs that are out of the
ordinary. The choicest of pictures were
Summer Drives On In
Kansas City
KANSAS CITY theatre men are using various types
of campaigns to combat the summer competi-
tion— hot weather and outdoor attractions.
Loew's Midland is offering a series of short trailers
as an argument against warm weather slumps. Last
week the door of a theatre was flashed on the screen,
the door locked and bound by a huge chain and lock.
A reader goes on to explain that in the olden days it
was necessary to close up during hot weather, but
that today public demand is so strong for motion
pictures the year "round, ami that the theatre is so
cool inside, that no hot weather season is recognized
any longer.
Samuel Carver, manager of the Liberty theatre,
first run downtown bouse, recently held a voting
contest among patrons, each of whom dropped a
ballot in a box as they entered the theatre over a
period of several weeks, on pictures which were most
favored for revival showings. The revival showings
now are being offered, on a 1-week run basis, the
same as any first run pictures, and the stunt is prov-
ing popular.
scheduled for showing, together with
added attractions in many of the houses,
taking the form of stage offerings, beauty
contests, prize offerings, special decora-
tions, lobby displays and "tie-ups'' with
neighborhood stores and civic, fraternal,
social and business organizations located
in the vicinity. Special nights featuring
"home talent" also have l)een arranged.
A few samples of the special programs
arranged in the way of added attractions
may indicate how extensively and in-
tensively the managers of the theatres and
the promotion department of Stanley have
taken the idea up. The Earle theatre.
Philadelphia, will present, as one fea-
ture during the week, the 1 10-piece Phila-
delphia, Rapid Transit Company's Em-
ployees' Band. This feature has lx-en do-
nated, as have most of the others to be
present throughout the district during the
event.
At the Broadway theatre, in South
Philadelphia, where John J. O'Brien is in
charge, aside from the showing of several
of the big feature pictures and other
screen offerings there is this special in-
ducement :
Monday, June 4, Home Talent Night ;
Tuesday, June 5, Guest Night ; Wednes,
day, June 6, Club Picadilly Night ; Thurs-
day, June 7. Ilageman String Band: Fri-
day, June 8, Surprise Night ;
Saturday, June 9, Club Lido
Night.
At the Grand theatre, Lan-
caster, in addition to the screen
offerings, arrangements were
made for a popular Lancaster
tenor, Carl Aument, to sing
several numbers in a stage pre-
sentation, before the showing
of Clara Bow in "Red Hair,"
as well as to sing the musical
theme, "Red Hair," at inter-
vals throughout the offering of
the picture.
The Capitol theatre, Lan-
caster, will offer vitaphone at-
tractions, together with the
Adelphia Quartette.
The Hamilton, Lancaster, is
putting on a special Apache
dance and a string orchestra.
A circus ballyhoo in the way
af a street parade was ar-
ranged for the opening day of
the showing of the Wagon
Show.
These are typical of the ef-
forts the house managers are
making to make Jubilee Week
a success.
Two of the Philadelphia
radio broadcasting stations are
being used, and on Thursday.
June 7, the services of the Co-
lumbia chain of stations will present of-
ferings in connection with the celebration.
Independently operated theatres in va-
rious parts of the country are adapting
on a smaller scale a similar idea to open
up the Summer season. In the majority
of these campaigns there is particular
emphasis upon the atmospheric comfort
of the theatres equipped with ventilating
systems. Those houses so equipped have
an excellent selling argument in behalf of
moviegoers as a hot weather diversion.
To realize the full value of their cooling
system feature, the progressive and ag-
gressive showmen are conducting news-
paper, screen and program reader copy-
to create in the public mind an attitude
of favor toward the theatre in Summer.
1866
Motion Picture News
"Diamond H" Remote Control Switches
should be in every Theatre!
Mayfair Theatre
New York, N. V.
How about your lighting system
in case of fire?
W hat would happen to your audience if fire broke out to-
night, or if lightning crippled the main current supply?
Of course you have thought about it — but are you prepared?
By installing ''Diamond H" Remote Control Switches to
link up your main and emergency lighting circuits or two
sources of main current supply, if anything happens "Dia-
mond H" is on the job and automatically shifts from one to
the other.
You will have light in your aisles, exits, corridors, stair-
ways no matter what happens.
These Remote Control Switches can be used in a great
variety of ways in theatres. They save money in wiring
and are absolutely reliable.
If you are not protected, let us tell you how "Diamond H"
Remote Control Switches can protect your lighting.
In the Mayfair Theatre "Diamond H" Remote Control
Switches control the stage lighting.
THE HART MANUFACTURING CO.
NEW YORK
HARTFORD, CONN.
BOSTON CHICAGO
TORONTO
June 2 , 19 2 8
1867
How We Used Radio to Tell the Public
About Our Musical Programs
By C. T. PERRIN
Manager Sterling Theatre, Greeley, Colorado
I FEAR that this is going to make quite
a lengthy story, this effort of mine in
in compliance with the request of the
editors of The Siiowm w. to tell the de-
tails of our broadcasting of the musical
accompaniment to a picture at the Sterling
theatre over a local radio station. How-
ever. I am told by the editors that only
the full details will be valuable as an out-
line and working method for the consid-
eration of other exhibitors who may at
some future time desire to employ a simi-
lar exploitation idea in conjunction witli
their home broadcasting stations.
To begin witli the radio entertainment
we broadcast was put on by Carlos, fea-
tured organist at the Sterling, and myself.
For four or five weeks straight we had a
little act which we put on over the radio
during our weekly frolics. We had in-
tended it to be only one, but the request
from radio fans that we continue the fea-
ture resulted in further adventures along
the same line.
These acts were in the nature of my
asking Carlos questions which he would
answer with music. During the act, the
music never stopped. For instance, if I
should ask him, "Where were you born?"
he would start playing " Sidewalks of
Xew York," or any other number chosen.
In each case, of course, the entire num-
ber would not be played, but enough that
everyone would know the name of the
tune, and the answer to the question
which I asked.
After four such programs, we began to
run out of questions and suitable answers,
so decided to put on a little act of show-
ing how Carlos might go about cuing a
picture program.
Our local radio station is not an adver-
tising station, and we must be very care-
ful about doing anything or saying any-
thing over the station that might be
classed as advertising. Therefore, it is
necessary to get what little l>enefit we can
by using stunts of this nature, perhaps to
create interest in our business, generally,
or to cause outside comment in which our
theatre might be mentioned.
Each week, we announced that "Cash
and Carry" (which name we took for
ourselves) would be back on the air again
the following Friday with another stunt,
and our radio audience grew each week
— judging from the comment which we
received locally, and from every State in
the Union and three provinces in Canada.
I will try to give you an outline of the
program.
Announcement before music starts,
when microphone is turned over to me
for the act:
"It has been brought to my attention
that many people give very little thought
to the musical accompaniment to a pic-
ture when they attend the theatre. Many
do not realize that the organist or orches-
tra leader must spend many hours in pre-
paring a program to properly fit a picture,
and that you attend a theatre may enjoy a
program — both because the program is a
splendid one and the music is such as
that you just seem to live with those who
ap]K-ar on the screen.
"Tonight, Carlos is going to show you
how he goes about cuing a picture pro-
gram. AYe will go through the entire
gram, just the same as you will hear him
at any regular performance in our the-
atre.
"But just a minute, Carlos, before we
start. You seem to be a little bit gloomy,
tonight. What's the matter with you, any-
way?"
Carlos Plays: "Oh, How I Hate
to Get Up in the Morning."
In each case, now, the music is continu-
ous, and my talking goes on at the same
time. He remains on this number until
the next question is complete, then swings
to that answer.
"So much for that, though. Now, Car-
los, let's get back to our picture program.
"The first subject will be our news reel.
The first subject on the news is: 'Con-
ference between the Mayor and Under-
world King of a Large Eastern City.' "
Carlos Plays : "Together, We Two."
"Next on the news : Lindberg at a
California bathing beach, surrounded by
bathing l>eauties."
Carlos Plays: "Lucky Lindbergh."
(Lindy in California at that time.)
"And now : The Senate leaving the
Senate chamber after a hard day's work."
Carlos Plays : "Just Another Day
Wasted Away."
IMMEDIATELY upon starting this,
and after just enough to get the tune
across to the listeners, he is stopped with
the following announcement :
"W ait a minute, wait a minute. That is
enough for that one. After that. I think
we had better go on to the next unit of
our program. It is hard to tell what the
next news subjects might bring."
Music is now silent.
"The next subject on our program will
be a very pathetic short subject, perhaps
a little unusual. I would like to remind
you who are listening in. however, that
such suffering as will lie portrayed in the
following sketch is so realistic — so true
to life — that it should be uplifting, rather
than depressing."
Carlos Begins Playing: "Hearts and
Flowers" as sketch l>egin>.
"Our hero is a big, husky farmer lad
from the great outdoors, now engaged in
the art of selling sewing machine needles.
Our heroine is one of those blondes, by
choice — a quiet, coy, little maiden, search-
for romance. Her father is in the second-
hand coal business. He hauls ashes."
ANID from here, a comedy sketch goes
out, that must be of the make-up of
the local team. This can be made equally as
funny as the ability of the person doing
the talking to put it over — and that is all.
From the above, everything that takes
place is in the form of words spoken
rather than the form of a story.
Announcement :
"And that, folks, is the end of our
short subjects. And we hope we have not
brought too much sadness to those of you
who are our audience this evening.
"And now, going from the ridiculous
to the sublime, we come next to the organ
solo by our Mr. I lahnewald. Carlos has
chosen for his solo tonight, his version of
'My Ohio Home.' All right, Carlos."
Carlos Plays His Solo— "My Ohio
Home" — his own version.
"Immediately following the solo, we
present our feature picture. We will not
take time to go through an entire feature
tonight, since that would take too long.
Rather, I think, we will choose for our
feature the screen version of 'Rose Ma-
rie,' since this is a picture that everyone
will want to see very soon — and we will
just give you a touch of it.
"Local listeners will pay particular at-
tention to these numbers as Carlos uses
them during the showing of this produc-
tion on Wednesday and Thursday, and we
are sure vou will feel and realize the real
ini]X)rtance of music with a picture when
vou visit the Sterling theatre and hear it
with 'Rose Marie.'
"Carlos' first number will be 'Indian
Love Call.' "
As Carlos gets into the number a
short ways, the following announcement
is made, thoroughly in keeping with this
part of the program, and without the
slightest touch of comedy.
" 'Rose Marie' is a story of great love
and romance in the woods of the Cana-
dian Xorthwest. Toward the first of the
story. 'Indian Love Call.' beautiful be-
yond words, and just a little touching as
Rose Marie sings it as a signal to her
lover, who is listening at a distance, that
they must not see each other again. He
{Continued on Page 1873)
Consultation with the National costs you nothing. It
will save you money. For National has specialists in
every part of the country who know the theatre from
the ground up. They can advise you right — show you
how to get the most for your money.
Only the most experienced men in theatre supply
lines find a place on National's staff, because serving
you right is no "handy man" job. And shoulder-to-
shoulder they work with you to furnish better mer-
chandise, better service — to cut costs without cutting
quality. These things are only possible with a big, well
financed organization like National Theatre Supply.
Consult the National on anything you need — from
complete equipment and furnishings to replacements
on smallest parts. One of our thirty-one branch offices
is near you and it is manned ready to answer your call,
day or night.
<tNationalc$heatre Suppty^ompany
June 2, 1928
1869
New Type Organ for Smaller Theatres
THE growth of musical apprecia-
tion is one of the outstanding
characteristics of the times.
Never before was the desire for really
good music so widespread or so
clearly in evidence. Never before has
it been possible for people to satisfy
their musical appetites to the extent
that now obtains. This is due in part
to radio broadcasting, which is send-
ing the best in music to an ever-wid-
ening circle of homes. It is due in
part to improved instruments for re-
producing recorded music. Last, but
most important, is the credit that is
due to Motion Picture theatres, which
have made wonderful strides in pro-
viding increasingly artistic musical
programs for their patrons.
Managers of leading theatres, in
their desire to attract large and con-
tinuous patronage, have not failed to
consider this significant trend of the
times. Therefore, they are devoting
increasingly large amounts of adver-
tising space to announcing high-class
musical features, with the result that the
movie fan no longer goes to a theatre
merely to see a feature picture, but to
enjoy an afternoon or evening of pleas-
ing entertainment, in which music plays
a most important part.
It is the organ which is mainly relied
upon to enhance the dramas and comedies
of the screen ; to provide artistic and de-
Photo above shows the Wurlitzer "Organelle" style
W, a combination organ and piano played by organ-
ist or automatically and especially developed for
the small picture theatre.
lightful overtures and musical specialties;
and to establish and maintain a large and
regular patronage.
With its electrical action and instantan-
eous response, the modern organ makes
orchestral transcription easy for the or-
ganist. It enables him to vary his music
at will to suit the needs of the photoplay
he is following1.
The necessity of having in the
small theatre musical accompaniments
of a high calibre has created a need
which organ manufacturers are now
giving their greatest attention. It is
interesting to note that the Rudolph
Wurlitzer Company, builders of or-
gans for theatres of all sizes, recently
have brought out a new small instru-
ment. This new creation is called the
"Organelle."
The "Organette," now being placed
on the market is an innovation which
places within the reach of the small
theatres, seating from two to six hun-
dred persons, the facilities for pro-
viding good musical accompaniments
for their picture presentations.
This small instrument is a combi-
nation of piano and organ. It may be
played either as a piano, an organ
with piano accompaniment, or as a
straight organ. It may be played by
an organist or automatically, by
means of music rolls ; the rolls being
of the Duplex variety, one rewind-
ing while the other plays. The instru-
ment may be started or stopped by
means of an electrical switch from the
box office or the booth. One of the out-
standing features of the "Organette" is
the surprising volume for its size which
the Wurlitzer designers have ac-
complished in the building of this new
departure in small organ construction.
Remote Switch Changes Spotlight Colors
TO the several advantages of Mazda-
type spotlights for stage and deco-
rative lighting in the auditorium
there recently has been added another fea-
ture in the form of complete remote con-
trol of color as well as intensity.
Well known advantages of Mazda-type
spotlights are that they do not require an
attendant as is the case with arc-types ;
they can be operated by a distant switch ;
and they can l>e used with dimmers. I'.ut
heretofore there has been no way of
changing at will the color of the light
beam, except by the manual removal and
insertion of different color frames.
With the perfection of a new device,
wherein the operation of the color frames
is controlled electro-magnetically — the en-
tire service of the spotlight in respect to
white lighting, color lighting, and dim-
ming, can all l>e controlled from a distant
point.
The new Mazda-type spotlight having
these features recently was introduced by
Kliegl Bros., Universal Electric Stage
Lighting Co. The spotlight may be lo-
cated wherever requirements dictate
frequently in concealed and inaccessible
places, as is particularly the case when
the lighting is for auditorium decorative
purposes — and the control may be placed
wherever it is most convenient for the op-
erator. A group of the spotlights can be
controlled as easily as one unit.
In many instances where color lighting
was desired it has been the practice to in-
stall several groups of spotlights, one
group for each of the colors desired. For
example, a group of spots fitted with red
color filters, another with blue, another
with amber or green and still another
group for clear white or unmodified
The mania type spotlight providing remote
control of color frames a- well at lij;lit in-
tensity by means of dimmers. The <<>lur
frames are operated electro-ma gneticallj
lighting — usually operating one group at
a time. It is now possible to install a
single group of Spotlights that will give
all these color variations, or install the
same number of spotlights, obtaining four
or five times as much light for each color.
Also since each color frame is inde-
pently operated, two or more color frames
may l>e used at one time, obtaining a
blending of colors; as, amber and red for
producing orange — thus further extend-
ing the range of colors available.
Though each spotlight and color frame
may be individually controlled they also
may be, and usually are, so wired that all
the spotlights installed, or any selected
group, may be changed instantly from
one color to another, or all color frames
removed, giving the maximum intensity
of white lighting — the operation being
performed through the medium of a se-
lective control board with master
switches.
In theatres, where the direction of il-
lumination is fixed, these new spotlights
may be used for spotlighting or flood-
lighting the stage — from the balcony rail :
from a recess in the ceiling: or from con-
cealed locations in other parN of the
house. They also provide facilities for
lighting front drops with varied color
(Continued on Page \SSo)
1870
Motion Picture Nezvs
YORK atr conditioning
1 Exempts you from a weather tax
The York Carbon Dioxide Com-
pressor direct connected to a
synchronous motor has been spe-
cially designed to meet the re-
quirements of the theatre field.
Quiet operation and the compara-
tively small space required for
this part of equipment, are among
its many advantages. Economical,
and absolutely dependable, it
represents the most advanced
equipment for air cooling and
conditioning requirements.
With a public that has been educated to comfort,
— air cooling and conditioning is today, just as
important as a modern heating plant or a lighting
system.
It is no longer an innovation or an unusual fea-
ture. It is an essential, and the theatre which
neglects this phase of its equipment is laboring
under a handicap that the best show cannot off-
set.
York Mechanical Refrigeration is foremost the
world over in every phase of commerce and in-
dustry where controlled cold is required.
York Engineers have brought to the theatre field
their knowledge and experience which has made
York equipment for play houses successful and
advantageous from every operating standpoint.
Write today for complete information regarding
York Air Conditioning equipment in your the-
atre.
YORK
ICE MACHINERY CORPORATION
Y
K
H
N N A
J u it e 2 , / 9 2 8
1871
"Service" is Salesman and Wage Earner
of the Equipment Distributor
An Enter* icn \N
Walter E. Green
General Manager. National Theatre Suppl) < O.
Till'", organization which properly
functions as a distributor of thea-
tre equipment is primarily a ser-
vice organization. And by that 1 mean
an organization which specializes in sup-
plying the needs of the theatre owner —
and seeing to it that the articles sold are
of a quality that will serve the desired
purpose satisfactorily, making sure that
the installation is correctly made, and
providing credit facilities which enahle
the buyer to distribute the cost of his pur
chase over a period of time.
Just what that entails in the way of
maintenance costs for technical research,
specialists in installation and service work,
sales personnel, office force and inventory.
I shall briefly outline later on — after I
have answered the question which appar-
ently inspired this interview and which it
seems to me is an echo from the discus-
sions of conditions in other lines where
different economic factors prevail and
"high-cost distribution" is the popular
topic of conversation.
To begin with the theatre equipment
distributor has a very limited field in
which to operate. The total expenditure
for theatre equipment last year was, ap-
proximately, $50,000,000. But this fig-
ure includes the sale of organs, stage rigg-
ing, chairs and other furnishings of a
permanent or quasi-permanent nature,
and many of which are purchased direct
from the manufacturer. These are "new
theatre" furnishings and their life, ordi-
narily, equals the life of the theatre it-
self. Of this $50,000,000 total about one-
fifth, or $10,000,000, was spent for equip-
ment handled by distributors, and in-
cluded such articles as booth equipment,
and other materials more or less in stead}'
demand by theatres under operation. One
need not go any further than that to
realize that there is no real economic need
for reduction of distribution costs in a
field where consumption is so small.
In the second place, unlike automobiles
where obsolescence is great owing to
wear, style changes and rapid introduc-
tion of new models, theatre equipment is
long-lived. The theatre equipment dis-
tributor for his sales .appeal to the pros-
pective buyer depends solely upon the
facilities he can offer the theatre owner
in supplying, installing and servicing ap-
paratus of established quality at a list
price.
Distributive processes which in othei
lines accomplish price reductions, effect
economies by three methods. These are
volume buying, volume selling and elimi-
nation of service features. The handiest
example of the latter method is to be
found in the policy of chain stores, which
under the guise of a facility, eliminate
the costs of delivery and credit.
Theatre equipment manufacture and
distribution does not lend itself to volume
production or selling. There are about
2,500 projectors sold each year. The
number of new theatres, many of them of
the de luxe type in which three projec-
tors are installed, account for a large
share of this 2.500. Though projectors
would seem to be machines having a lim-
ited life, owing to wear, we have no proof
that there is any considerable replacemeM
of this apparatus in older theatres. New
parts are purchased for the old machines
— and even here replacement is much less
than it should be if first-rate projection
results are to be obtained — but new ma-
chines for old booths are a rare excep-
tion to the rule.
The equipment distribution business
developed in harmony with the develop-
ment of the motion picture theatre. In
the early days when small, independently
operated picture houses were the rule,
there was need for a supply dealer whose
inventory assured the theatre man of
ready access to supplies he could not
afford to stock.
L&TER, the development of the chain
or circuit theatre organizations, cre-
ated the need for a national organization,
capable of selling supplies at the head-
quarters of the circuit companies where
purchasing departments are maintained,
and providing service at the point of in-
stallation— at a theatre in a distant city.
The maintenance departments organized
by the circuit companies, and the supply
dealer located in the city where the pur-
chases were made but with no represen-
tation in other cities, were helpless to
cope with this new situation. In conse-
quence of a changed condition and a new
demand, National Theatre Supply Com-
pany was organized.
The servicing of apparatus and equip-
ment sold by National Theatre Supply
Company is only one part of an elaborate
service scheme. This begins with the
technical research involved in seeking new
devices develo|>ed for the theatre.
Show room displays of equipment en-
able the theatre owner to judge the ap-
pearance and see the actual operation of
an article of equipment he is seeking.
The proper installation of apparatus has
much to do with its performance and
wearing qualities, and for that reason we
maintain a staff of socialists to make in-
stallations. Our line, embracing a multi-
plicity of articles, is a time-saver for the
theatre owner, who thus enjoys the bene-
fits of centralized buying. The mainten-
ance of a staff of experts in the design
of projection booths, lighting systems,
stage rigging, interior decoration, etc..
gives the theatre owner access to technical
advice and information which is in addi-
tion to that available to him from the
architect, engineer, or others identified
with the construction work connected
with a new theatre project or the remodel-
ing of an old theatre.
REPAIR shops are maintained in the
majority of our 31 branch stores
scattered throughout the country, and the
stock of supplies is sufficient to provide
rapid delivery of equipment. This in-
volves an inventory of over $1,500,000.
Our day and night emergency service is
another service feature that has saved
many a theatre from loss due to break-
downs of apparatus. In connection with
this service we carry an emergency loan
inventory valued at $200,000. invested in
spare parts and units ready for imme-
diate installation in the event of a break-
down. And this figure is given at re-
placement value.
Periodical inspection of equipment in.
which experts make a thorough investi-
gation of apparatus and report directly to
the theatre owner or manager, is another
free service feature our organization
offers at all of the branch stores.
From experience we know that there
would be no justification for reducing our
service facilities. From experience and
strict scrutiny of every phase of this ser-
vice organization, we know that main-
tenance costs have been reduced to the
lowest level commensurate with efficient
performance.
The national theatre equipment distrib-
utor offers the manufacturer a Steady
outlet for his product — which enables the
producer to operate his factory at the
maximum of its efficiency. This saving of
waste in manufacturing effort is passed
on to the consumer. Likewise, the dis-
tributor, through his ability to handle a
wide range of articles, assures the theatre
owner of a wide choice of models and
types of equipment devices. This makes
for the greater appeal, comfort and
quality of entertainment he can offer
prosj>ective patrons — service in a word.
1872
Motion Picture News
/ CH
Simplicity
V Dimmers J
The Great Lakes Theater, Buffalo, equip*
ped with C-H Dimmers and ventilation
control. Architect, Leon Lambert
the Choice of heading
Theaters Everywhere
Because they improve presentations by providing
illumination control as flickerless as night fall, giving
the most subtle and beautiful lighting effects.
Because their mechanical and electrical
perfection both in materials and con-
struction assure ease of operation, low
maintenance, and long life.
Because C-H Dimmers are adapted to
any theater and easily enlarged for future
needs. Just ask your architect or elec-
trician about the advantages of C-H
Dimmers and in the mean-
time write for complete facts
contained in the booklet
"Illumination Control for the
Modern Theater".
Write for our booklet
"Illumination Control for
the Modern Theater"
The Tampa Theater r Tampa, Fla.t
is equipped with C-H Dimmers.
Eberson & Eberson, Architects
The CUTLER-HAMMER Mfg. Co.
Pioneer Manufacturers of Electric Control Apparatus
1255 St. Paul Avenue
MILWAUKEE, WISCONSIN
CUTLER i HAMMER
^Perfect Illumination Controljbr the Modern cTheater
June 2 , 19 28
1873
How We Used Radio to Stimulate Interest in Our
Musical Program With Pictures
{Continued from page 1867)
tlit' program in order to have it in keeping
with the spirit of the thing.
On a more serious program, this tiling
could be worked out on a really large
scale, I believe, and perhaps in the form
of a story of the feature, or play, inter-
preted with music.
I !>elicve that we managed to get a real
message over on this one — and at least
we had any number of comments on it,
both locally and from many surrounding
cities and states.
hears it, turns, and begins his long jour-
ney— alone."
Carlos finished the number without
talking. After the number, the following
announcement :
"Next— Totem Tom Tom'— a more
lively melody, used during the Indian se-
quence of the story.
Carlos Plays "Totem Tom Tom."
"And, at last, 'Rose Marie.' "
Carlos Plays "Rose Marie."
After starting, just enough time is al-
lowed to get following announcement in
perhaps a few measures from the end.
'"Rose Marie,' the very beautiful bal-
lad which is the love theme of the story
throughout. The tenderness, the charm
and the soft, rich melody, will hold you'
You will live the life of Rose Marie 'and
Jim— love with them— and rejoice with
them, as they find each other, never again
to be parted. Happy— yes— and the very
breath of love and happiness is found in
the beautiful ballad, 'Rose Marie ' "
And as the picture ends, leaving you
with a heart filled with love and happiness
the curtain closes as the last notes of
Rose Mane" are heard.
Carlos follows out this action perfectly.
1 here is a pause for just a second-
then— a good lively exit number, and you
leave the theatre with a feeling of happi-
ness and contentment, rested and cheerful
because your evening has been one of
perfect entertainment
At finish :
"And that is that, folks, from 'Cash and
Carry. Carlos and I hope that through
our little sketch we have really brought
the importance of screen entertainment
and music to you. in a small way— some
pt it sense, and some of it non-sense. This
is a frohc, you know, and our part in life
is to be happy and try to make others
happy. Hence, the first and lighter part
ol our program. But we sincerely hope
that you were also impressed with the
music of "Rose Marie," and the manner
in which action on the screen may be per-
fectly fitted with music and the impor-
tance of this part of our program to vou,
daily, in our Sterling theatre.
"I am now turning the microphone back
to the station announcer, until next Fri-
day evening, when 'Cash and Carry' will
be with you again. 'Cash and Carry' bid
you good night, and pleasant dreams."
The organist must work with head
phones from the amplifier in order to
catch all talking and work perfectly.
It may be that there might be a little
criticism on the first part of our stunt,
due to the fact that there might be too
much non-sense and comedy, and not
enough real constructive and instructive
material on the point of actual cuing of
pictures.
As an explanation, I might add that our
programs are put out each Friday night
as "Midnight Frolics," and in our particu-
lar case it was necessarv to have this in
Personally, I would not suggest that
anyone try it until they have done quite a
little work over the "mike," and arc really
accustomed to it. If it is done, it must be
done as naturally as if you were talking
to a single person within the room, and
this cannot be done, usually, in the first
attempt over the "mike."
Then, too, the quality of the voice, the
distance from the "mike," and the volume
of both organ and voice should be care-
fully tested and tried before such an at-
tempt is made.
This can be practiced and heard at the
station, without l>eing sent out over the
air, and should be done several times be-
fore such an attempt is made.
ROXY mom) uses 6 BRANDTS
"Roxy" (S. L. Rothafel) knows how to attract the crowds.
Here they are trying to get into the new Roxy Theatre on
Monday, April 18th. Roxy knows how to handle them,
too. He says, "first contact with the house is by way of
the Cashier; therefore, how important it is that the first
point of impression convey all the management desires in
the way of courtesy and service." That's why there are
six Rrandts in Roxy's box office. His cashiers press-one-
key-only— corresponding to the ticket price — automatically,
in less than a second— the Brandt delivers the correct
change direct to the patron.
THEATRE MODEL (j&fcZtfflf
Over
40,000
Users
With the Subtracting Keyboard
Sold Direct ^r^^^Br»n4t
not through dealers jASr c^tthHl \
JE^^^r Department 0. J
Use the y^X^r Watertown. wi».
^^^W^r Ploaao place with
COUPOn " Tlllrt3r Days
^PCV^ It ft] j i> r Uric II
>od t hat m
Jk^jT wt r*n r,1,lrn ''• •» W« no-
r • M " ' " Plena check
tt^W whether used on O rijrht or D left I
^^E/ si.lr ,.( tin- Bin Offire. _
S^r I Nam* ... .1
[ndiridnaJ
Citjf Sta
1874
Motion Picture News
Manager Calls on Former
Presentations
A theatre manager for only two years,
Earl Wellman, of the Madison theatre
at 300 Genesee street, Rochester, one
of the most pretentions neighborhood
houses in this part of the state, has
blazed a trail of inititative effort that won
him considerable praise as a showman
and an interpreter of the public's wishes.
For many years Wellman trod the stage
boards in theatres from coast to coast, in
vaudeville and presentations, as a black-
face comedian. During that time he made
a careful study of the business from all
possible angles.
The net result was that when he took
Stage Experience in Staging
with Pictures
charge of the Madison theatre, he did nut
limit his activities to the confines of the
manager's office, but became a producer
for his own house, conceiving stagehand
presentations at a negligible cost and,
what's more, making a personal appear-
ance in them.
So successful did this venture prove
that Mr. Wellman was asked for a state-
ment and he complied with the following :
"Upon assuming the duties as manager
of the Madison theatre. Rochester's larg-
est community house, I immediately made
a survey of the patrons and their likes
r-rrrw vww VV VVVVVVV-*.^
1 I
Ex ft
Loew s New Syracuse Theatre
Thomas W. Lamb, Architect
Another Leading Theatre
Equipped By Peter Clark
Peter Clark continues the record of equipping the leading
theatres throughout the country. Loew's New Syracuse
is another added to the long list.
Complete stage equipment, including counterweight sys-
tem and curtain equipment; two stage presentation lifts
and platforms; orchestra, organ console and piano lifts
were installed by Peter Clark in this theatre.
There is a difference in stage equipment — superiority in
design and quality of construction sets Peter Clark
installations apart.
Peter Clark, Inc.
544 West 30th Street
New York City
Backed by a quarter century of experience
in building stage rigging and equipment.
and dislikes. It appeared at that time that
they were beginning to look for some-
thing different. A novelty, as it were.
Rather than go astray and feature a gift
night, or some other unprofessional bait,
I conceived the idea of presenting a stage-
band show.
"This type of show never before had
been attempted in Rochester. After care-
fully staged auditions, a popular and good
orchestra was selected. The first show
w as written and rehearsed without a hitch.
The orchestra consisted of seven pieces
— piano, two saxes, tuba, trumpet, banjo
and drums. Most of the musicians were
capable of doubling on some other instru-
ment. Scenery and costumes were selected
which were appropriate to the act's title,
'Collegiate.'
"The total cost of the production was
below $30, since the scenery and costumes
were rented with the understanding that
similar rentals would be made for a per-
iod of about ten weeks. Titles, music,
scenery and costumes were changed
weekly and the patrons did not fail to tell
their friends, for the box office receipts
began climbing. This added feature made
new friends for the theatre and now that
the stagehand show is off for a little va-
cation, they still patronize the movies.
"Unknown to the patrons, I appeared
in blackface makeup as master of cere-
monies and band-leader. Between num-
bers, up-to-date gags were worked and
the ensuing numbers announced either in
a comic or straight way. Occasionally, a
clever dancer, male or female, was spot-
ted between orchestra and vocal selec-
tions.
"It is my belief that it's much wiser to
use this form of added attraction in pref-
erence to vaudeville, because it is impos-
sible to get enough good acts for the
amount the average community house can
afford."
Mr. Wellman also has some emphatic
opinions on the style combining pictures
and divertissements.
"Rochester," he continued, "is hard hit
with the double feature curse. The aver-
age style of picture program that was
used during our stagehand presentations
was : Society love theme, mystery and
news or cartoon, or society love theme,
comedy drama and news of cartoon. The
stagehand presentation was always sched-
uled to go on between shows. This gave
them two appearances out of three full
picture shows.
Serve Coffee in Lobby at
Theatre Showing "Simba"
Patrons of the Grand Opera House,
Cincinnati, were treated to physical as
well as mental stimulation during the
showing of "Simba," the Johnson animal
picture which was exhibited at that house
recently under auspices of the local Zoo-
logical Gardens. A corner of the lobby
was converted into a coffee booth from
which this beverage was dispensed to all
patrons who cared to avail themselves of
the opportunity.
June 2, 19 28 1875
NEW MODEL IM
>S> I >T PL E X
NOW READY
SPECIAL MODEL M SIMPLEX
FOR MOVIETONE
WILL BE SUPPLIED WHEN SPECIFIED
INTERNATIONAL PROJECTOR CORPORATION
90 GOLD STREET, NEW YORK
1876
Motion Picture News
How Can Distributors Im-
prove Window Display
Material ?
(Continued from page 1855)
plays featuring motion pictures. The
ideas employed to obtain the display in
thle first place, and the method of present-
ing it in such fashion that the window will
have attraction value and produce results
mutually beneficial to theatre box office
and the merchant's cash register, are
pretty generally covered. There is the
book display for "Glorious Betsy," the
shoe store tie-up through a title for "The
Patent Leather Kid," the flash attractor
using a cutout from the 24-sheet on "The
Heart of a Follies Girl," the costume idea
displaying the original or exact duplicate
of a feminine star in the picture adver-
tised, and the music store tie-ups.
It is difficult under the circumstances
which prevail for a distributor to supply
material that is "ready made" for window
display. The national tie-ups through
music or book stores, or even on merchan-
dise are widely used by exhibitors, but
each display is an individual job, devised
by the theatre manager or the merchant
himself. Special still boards, hand lettered
and with scene or star portraits mounted
on them, are extensively used. Cutouts
from the large posters and the smaller
bills, or even figures cut out from scene
stills are another attractive feature.
Like all the other items of exploitation,
window display to be successful requires
first an idea — some little slant that makes
it appealing to the merchant and attracts
the attention and arouses the interest of
the public.
But while the ideal results will, perhaps,,
be left up to the exhibitor to accomplish
in window display, the companies could
and should improve their window ma-
terial. The companies, or at least some
of them, are now working on ideas to im-
prove the window accessories. William
Ferguson, head of the Metro-Goldwyn-
Mayer exploitation department, may soon
introduce a specially prepared accessory
conforming to the modern style of display
card or picture widely used by merchants
in displays for other lines of merchan-
dise. However, the exhibitors themselves
can help along greatly in finding a solu-
tion to the problem, by sending along
their ideas on what sort of material, based
on their experience in working in co-op-
eration with local merchants, is most likely
to prove generally acceptable to the mer-
chant and productive of box office results
for the theatre.
Why Dry Moving Air Makes
Theatres Cool
ANSWERING an oft-re-
peated question the Arc-
IP| tic Nu-Air Corporation offers
Hpf interesting data on their ven-
tilating and cooling system.
Many exhibitors ask, "Why
does your blower, introducing
iJj 8 a large volume of outside air,
'11 \t keep the ]>eople in a theatre
more comforable during hot
weather ?"
The answer is shown on this
instrument, known as a Hy-
ftfll grometer.
It is simply a pair of ordi-
■ n nary, but very accurate, ther-
mometers, one having a wick
M fastened around the bulb.
When this wick is moistened
the temperature shown by this
"wet bulb" thermometer is ap-
W proximately the temperature
felt by people sitting in that
same atmosphere.
The human body in summer is usually
moist with perspiration, just as the wick
of this instrument is moist. The dry air,
moving over human bodies and over this
wick, causes the moisture to evaporate,
and this evaporation causes cooling.
So it is easy to see the comparison be-
tween this moist thermometer bulb and
the moist human bodies, and to see that
what causes evaporation and cooling of
the thermometer will act in a somewhat
similar manner on the human body.
The illustration shows how this instru-
ment would look on a fairly warm day —
temperature of the dry bulb reading
higher than the wet bulb.
SAFETY in your Box Office as well as in your
bank is essential in these days of daring
holdups and safe-cracking activities.
The unprotected receipts of your evening's
performance is a lure for outlaws. Protect
yourself and your business by means of similar
security to that used by your bank — the York
Safe.
There's a York Burglary Chest made especially
for theatres — scientifically designed to meet
theatre requirements.
Write today for complete information
York Safe and Lock Company
Factory and Principal Office: York, Pa.
New York Chicago Tamp* San Francisco
Baltimore Philadelphia Los Angeles New Haven
Boston Seattle Cleveland Detroit
Houston Washington St. Louis
June 2, 19 2.
1877
HARMONY or
You know that the measure in which your
audiences enjoy your presentations is the
measure of their future patronage. Just so
does the manner in w hich your lighting
is synchronized with your music govern
the harmony or discord of your musical
selections. C. Proper coordination of
Light and Music has more than mere
entertainment value. Tests prove that
it has a definite box-office value, as well
C The vibrant, majestic chords of the
organ . . . the fanfare of brass . . . the
softer tones of the woodwinds and
strings . . . all of these produce tang-
ible reactions in your audiences.
And each has its own counterpart
Discord?
in Light, the most versatile medium
for the expression of the spirit of
music. C Tbe art of coordinating
light and music has been pioneered
and developed to a line degree h\ the
engineers of the Kdison Lighting Insli-
tute at Harrison, IN. J. Here are modern
and complete facilities for research and
demonstration. And here is a new Bervice
that will prove increasingly \ a In a hie to the
motion picture industry. Progress^ e the-
atre owners arc already profiling through
its use. f or it i> the new order ol tbe daj in
modern show inanship!
EDISON MAZDA LAMPS
GENE RAL
E LE CTRI C
1878
Motion Picture N cws
Sibley G* Pease
Says :
Sibley g pease
322 South Milton avenui
Los Angeles Calif
Fob. 13th, 1323 •
D. App^lton end Co.,
7,5 W. 3Pnd St.,
Nov/ ^ork.
Organ MuRic Dep't.
Gontlo-nens
A couple of yearr ago I purchr-fad your
volure " St ancle rd Or^an FiecoF the Dhole World -lEye"
end junt. thought I would tell you whtt a fine
librery cf £eod organ ruaio is really if .
'Tie true I have many of the Fele'ctionf
in fheet forr, but of over 100 orjan collections
I liave, thiF findr more ure. Many of the ee Actions
which I did not happen to have I have uped in my
Sunday recitals' at the 31kP Templo, no" numbering
ninety one without repeating a number. Then, I
"nreadecot. three times v.eekly at AngeluF Temple and
always lip.ve thip b<"olc in my bag for inert of the phone
requerto can bo grrntad from it. AIfo, ar? Organirt
of St. Jamea Episcopal Church I find it UPeful.
Jurt thought I rculd pefp thiF information
along in the hope that the book can be sold to those
'lift starting the or;an profoFBion ar well ae to
somo of the older oner in the game.
The Editor, Albort E. Tfier, aho"S exceptional
Judgnent and practical taste in hie work - rare
dualities Indeed.
With best wither, I am
A collection of 114 standard,
classic, modern, sacred, operatic,
march and characteristic pieces
arranged j or pipe organ, employ-
ing three staves, the pedal bass
being on a separate line. It is
without question the most com-
plete collection of organ music
ever published, supplying every
possible need for concert, moving-
picture, church or home playing
Price $3.00 in substantial paper
binding — $5.00 in green cloth
binding.
This Schubert Album Valuable to Theatre Organists
This year (1928) is the centenary of Schubert's death,
and a volume of Schubert's compositions will be valuable
to every organist. Contains 10 piano works, 10 song
transcriptions, 3 symphonic excerpts, 6 dance numbers
and 2 operatic selections. Arranged for piano solo, but
easily used for organ. Descriptive circular with com-
plete contents sent on request.
PRICE, $1.50
These collections can be had at all
music stores, or from the publishers
D. APPLET0N & COMPANY
35 W. 32nd St.
New York City
*
*
*
*
*
If You Have Not Tried
CARBONS
There Is Pleasure in Store for You ±
HUGO REISINGER
11 BROADWAY
NEW YORK f
^v|- ^ ^ v^*^ ^ ^^^^^ ^ ^vj- v{. ^*
Every Month
Features that
Interest
Theatre
Executives
and Managers
Assure Reader
Interest in
THE SHOWMAN
Color Lighting as Aid to
Musical Program
(Continued from page 1863)
the events which took place during the
Napoleonic campaign of 1812, 'when
fresh from their other victories, the
French forces subjected Moscow to a se-
vere bombardment, taking the citadel of
the city. During the night the Russians
set fire to the town, rose to arms and
succeeded in driving Napoleon from the
scene.
The descriptive music opens with peace
resting over the city of Moscow. The
usual color accompaniment of the sunset
seems appropriate, changing into the blue
green of moonlight. As night comes on
the people retire to their homes after hav-
ing sung the Russian hymn, "God Pre-
serve Thy People." Here a somewhat
low intensity of yellow might symbolize
the lighting in the open squares during
the community chorus, fading into a low
intensity of blue as the song ends. The
spirit of the music suddenly changes and
the French troops are heard approaching
with snatches of the "Marseillaise" and
the booming of cannon. Here the semi-
darkness is broken by flashes of yellow as
would result from the distant cannon.
The music grows more and more furious,
the drums beat and the trumpets blare.
The scene gradually becomes red with
more vivid flashes of yellow. Then as the
city burns the red becomes more and
more intense, gradually dying out as the
battle terminates. The sky clears again
and we return to the blue green of the
moonlight.
Overture "Tannhauser"
Pilgrims chorus — Deep blue rising in value
as motive becomes more pronounced.
Venusburg motive — Pinkish lavender from
below washing out the blue for the pilgrims
chorus as the music overpowers the latter.
Hymn to Venus — Brilliant red.
Elizabeth motive — Vertical shaft of white
on the colored background.
At end reverse procedure of opening har-
monizing with the predominance of the "leit
motifs" ending with brilliant blue touched
with pure white.
It is recognized that the public as yet
does not have a universal appreciation of
the possibilities of the combination of
color and music, and the motion picture
house can do a remarkable educational
work. It is suggested that in the program
be printed a brief outline of the funda-
mental principles on which this coor-
dination is based. This should be fol-
lowed by a brief description of the musi-
cal numbers which are to be played, ac-
companied by color. And, finally, a syn-
nopsis of the colors which will be used
with the various themes, motives, or sec-
tions such as outlined above. In this
manner the audience will become inter-
ested in the undertaking, will appreciate
the music, will enjoy the effect and the
theatre will build up a reputation for nov-
elty and progressiveness.
June 2 , ] 9 2<
1879
When You Flash This on
your screen
It Makes a BIG HIT!
fARESIDE
Electric
VENTILATOR
Your patrons can tell, the moment they enter your theatre, whether or
not you have a modern ventilating system. If the atmosphere is stuffy
and close, they will hesitate a long time before again giving you their
patronage. But — provide for them, and tell them about, the efficient sys-
tem of Lakeside ventilation that creates and maintains a cool, comfort-
able atmosphere through every minute of the performance, and you
may be sure of a steady stream of business.
Aggressive Houses Are Changing to This
Modern Method of Ventilation
Theatres throughout the country find that Lakeside Ventilators assure
the best equipment available today. Their tremendous power, quiet
operation, and easy installation mean the vitmost in service with prac-
tically no up-keep. Then, too, a Likeside costs much less than many
of the complicated cooling and ventilating systems on the market. You
take no chances with Lakeside Equipment, because it is backed by a
reliable guarantee. It must "make good" in actual service.
Empty Scats Pay No Profits
Competition is keen. Your theatre must be modernized in every way.
You need an efficient ventilating system, and the Lakeside has been
approved by ventilating engineers throughout the United States. Lake-
side Ventilators are made in different sizes to meet every requirement
and, if you will let us know the size, capacity, etc., of your theatre, we
will be glad to submit suggestions and quotations without obligation
to you. Write today for information.
LAKESIDE COMPANY, 225 Main Street, Hermansville, Michigan
Slectric VENTILATOR
1880
Motion Picture News
1$Lemodeling ]R.enoi;ating
The entire atmosphere of your
theatre can be changed by the
effectiveness of your stage.
Vallen Noiseless Curtain Controls
and Noiseless All-Steel Tracks pro-
vide, not brilliancy, but refinement
of presentation which, — after all,
is the nucleus of all profit!
POSITIVE
CONTROL
□VER YOUR
5TAGE
CURTAINS
WITH THE
INDEX
FINGER
Vallen High Speed Curtain
Control
Vallen Junior Curtain Control
Vallen Noiseless All-Steel Track
Any curtain can be started,
stopped or reversed by the mere
pressing of ONE button
VALLEN GUARANTEE, VALLEN SERVICE!
YOU KNOW WHAT THEY MEAN TO YOU!
VALLEN ELECTRICAL COMPANY
Have you re-
c e i v e d your
"Quiet Book?"
It's Different.
MLLEN
=77 REMOTE ELECTRIC
'// CURTAIN CONTROL
EQUIPMENT
225 Bluff St.
Akron, Ohio
U. S. A.
Standard
VAUDEVILLE
for
Motion Picture Presentation
THE FALLY MARKUS AGENCY
A* tor Theatre Building
N. W. Cor. 45th St. A Broadway
Lackawanna 7876
RadiO- Mat
O ■
' TALK from your ecr«en
sc
kU
WITH your quickly
TYPEWRITTEN MESSAGES.
w ■ '.
«r
an
WHITE. AMBER or GREEN.
d>
o
Accrpt no substitute.
L J
I
a
[•
is the Stationery of the Screen
. 4
Mazda Spotlight Controlled
by Remote Switch
(Continued from page 1869)
schemes during overtures, and for flood-
lighting the orchestra.
The Kliegl spotlight is designed for
use with a 1000- watt G 40 or a 2000-watt
G 48 concentrated filament lamp. It proj-
ects a brilliant spot of light any distance
up to 100 ft. and when used for flood-
lighting gives a wide-spread. The mo-
gul-screw-base receptacle is mounted on
a sliding base with an extension wing nut
for focusing. A concave mirrored-glass
reflector is mounted back of the lamp util-
izing all the available candle power of the
lamp. The housing is of aluminum and
rustless iron. The top of the housing is
hinged and permits access to the interior
for changing lamps. The front is fitted
with a 6-inch condensing lens, mounted
on an aluminum frame and held in place
with a split ring, allowing unrestricted ex-
pansion.
The color- frame-control-magnets are
mounted in a casing on the side of the
spotlight. They are of the plunger type,
and actuate concentric shafts which ex-
tend along the side of the spotlight. At
the extreme end of each shaft a color
frame is attached. A separate magnet
controls each color frame. Springs hold
the color frames back out of position in
front of the lens, but when current flows
in one of the magnets, the plunger is
drawn down, and the color frame is
thrown into position in front of the lens
where it remains as long as current flows
in the magnet. Upon opening the circuit
the retrieve spring throws the color frame
out of position.
The color frames are light, circular,
metal frames made in two sections and
provided with spring clasps. To insert
or replace gelatin color filters, is simply
a matter of removing the clips and insert-
ing the gelatin between the two sections,
trimming to size and replacing the clips.
Guard wires protect the gelatin.
The spotlight is balanced, and mounted
on a pivot bearing which permits it to be
adjusted to any angle desired.
Offers Novel Overture With
"Laugh Clown Laugh"
William Haynes arranged an unusual
and impressive overture for "Laugh,
Clown, Laugh" at the Allen theatre last
week. Taking the chorus of "Among my
Souvenirs" as the theme, he had Director
Myron Roman arrange an overture pre-
senting this theme as six of the leading
composers might have done it. The six
were Richard Strauss, Mozart, Beetho-
ven, Johann Strauss, Wagner and Paul
Whiteman. Each won great applause
from the audience. The orchestra fol-
lowed with the song "Laugh, Clown,
Laugh."
UNIFORMS bmbb COSTUMES smtt.1 BROOKS JJYS?
June 2, 19 28
1881
Stand of Iron filled with
Artificial Flowers, droop-
ing vines and Natural
Prepared Ferns.
Kentia Plant and pot with re-
movable leaves from 4 to 8 feet
high.
Write for
Illustrated Catalogue No. 7
in Colors of Artificial Flowers, Plants,
Vines, Trees, etc.
Mailed Free on Request
FRANK NETSCHERT, Inc.
61 Barclay St. New York, N. Y.
PRICE
REDUCED
On the Remarkable
BRENKERT F-3
Formerly $575
Now
$460
F-3 universally
known combina-
tion effect projec-
tor at $460 is a
sensational value.
Why use make-
shifts when this
remarkable effect
device is obtain-
able at such a
low price?
mm
7,r
Brenkert Light Projection Co.
St. Aubin at E. Grand Blvd., Detroit, Mich.
Features that go to the Heart of the Showman's Problems
Every Month in The Showman
The Proper Control of Light
On Your Screen
Picture films vary as well as current condi-
tions. Tour projectionist can adjust his arc
current to always give you a clear, bright
picture if you equip with PERFECTION.
Current saving also is a result of PERFEC-
TION equipment, for he need not use full
current till the actual projection is started.
PERFECTION
RHEOSTATS
RHEOSTATS
FOR PERFECT PROJECTION USE
REMOTE CONTROL RHEOSTATS
USED BY ALL THE LEADING THE-
ATRES THROUGHOUT THE COUNTRY
Sold by Your Theatre Supply Dealers
HOFFMANN & SOONS
M fg. Division
387 First Avenue New York City
Contracting Electrical Engineers — Moving Pic-
ture Tfieatre Electrical Specialists
Marvelous Effects Obtained With
THE GALLAGHER MOBILE
STAGE ORCHESTRA LIFT
Individual platforms that raise and lower
Entire stage moves forward and back
All under instant control of the Leader
No Tracks on stage floor
Can Br Installed Between Performances
Complete pnrtirulnr- on request
Write note
GALLAGHER ORCHESTRA EQUIPMENT CO.
616 Elm Street, Chicago, 111.
Wen Coast Office — 1487 W. Washington Boulevard, I <>- kngeles, <nlif.
1882
Motion Picture News
McGuire Talks on
Meeting of
ONE of the greatest advances made in
motion picture projectors in recent
years has been the labor-saving devices
which give the projectionist more time
and more opportunity to control the
presentation of a picture, Mr. P. A. Mc-
Guire. director of publicity of the Inter-
national Projector Corporation, told
members of the A. M. P. A. at the meet-
ing of that organization held May 17 at
the Cafe Boulevard. New York City.
Mr. McGuire was the chief speaker at
Better Projection at
A. M. P. A.
the meeting and in the course of an ad-
dress concerning the development of mo-
tion picture projection, he traced the
history of the design of such apparatus
from the early days up to the present.
Speaking of the production problems
which face the projector manufacturer,
Mr. McGuire said :
"Manufacturers of projectors are
severely handicapped by low production
basis and this is largely due to the fact
WH
E N
here
are many
claiming the
title of "fin-
est light-
ing control
system11 it is
well to look
into the
matter of
who buys it
and where it
is installed.
The (g) Ma-
jor System
has, by a
wide margin,
been in-
stalled in
more the-
aters, from
the largest
to the smal-
lest, than all
other types
put togeth-
e r . This
leadership is
not chance,
but practi-
cal worth.
You will be
convinced if
you investi-
gate. Details
and esti-
mates free,
of course.
t 4
Simple
Safe
Selective
Remote
Control
of
Lighting
Send for details
&rank M.dam
ELECTRIC COMPANY
ST. LOUIS
Offices in Thirty Cities
that many theatre owners are unwilling
to purchase new equipment until abso-
lutely forced to do so. Even in the re-
pairs and replacements, many large thea-
tre owners who are liberal in other ways
are extremely economical when it comes
to the projection department.
"While, of course, there has been a
constant effort to improve projection and
tremendous strides have been made in
this direction, comparatively few realize
the consequences of poorly projected pic-
tures. If the projection is not too bad
and there is no outright criticism on the
part of the patron, the theatre owner
concentrates his attention upon other
matters which he regards as more im-
portant.
"One of the greatest mistakes this in-
dustry has made is to believe that projec-
tion is purely mechanical and to fail to
realize that the projectionist must be a
highly skilled specialist. No matter how
skillful or conscientious the projectionist
may be, he cannot be expected to give the
best possible results, with defective equip-
ment. There are many things responsible
for poor projection but is seldom any
good excuse for inferior screen presenta-
tii >n,
Say it in
with ffig$> Flashers
Douglas Fairbanks gets over big because he
puts action in his pictures. Your electric sign
will get your name over with a far greater num-
ber of people if stirred to action by a Reco
slasher. Saves its cost in current saving.
M ELECTRIC COMPANY fc^^^^
Also Reco
Color Hoods,
Traffic Con-
trols, Sign-
board Re8ec-
tors, Food
Mixers, Vege-
table Peelers,
etc.
2628 W. Congress St.
Chicago
EXHIBITORS; CONVERT YOUR HAND-PLAYED ORGAN
to double-traker 88 note type at nominal cost
There are today more hand-
played organs being converted
to double-tracker roll types us-
ing picturolls than at any other
time in the history of the in-
dustry.
Write the following for complete details:
W. C. RADEBAUGH & CO.
HAVANA, ILLINOIS
MICHIGAN PIPE ORGAN
SERVICE CO.
2800 FRANCIS ST.
JACKSON, MICHIGAN
For complete lists of Filmusic
Organ Picturolls, write:
FILMUSIC COMPANY,
6701-13 Santa Monica Blvd.
Hollywood, California
SAVING OF $30.00 to $50.00 a week GUARANTEED
fj n n c 2, 19 2 8
18X3
No article of manufacture lends itself more readily
to the salesman's enthusiasm for "talking points"
than a lens. To this fact must be ascribed the claims
made for this lens or that, many of them too mystify-
ing for words, others so obviously impossible as to
serve only to give him who knows a laugh.
To the latter class belongs the claim for superiority
in respect to stereoscopic effect and for. depth of
focus. Stereoscopy absolutely requires one picture
for one eye and another for the other eye. Depth
of focus depends upon the speed decreasing with in-
creasing speed. To claim high speed giving high
illumination, and extraordinary depth of focus in the
same lens is one of the perennial jokes of the lens
business.
Cinepbore Lenses aim to reproduce on the screen
with the utmost fidelity the picture which the direc-
tor, the camera man, and the actors labored hard to
put on the film. For the projection lens to aim at
any other end is to defeat their efforts and would
constitute a ridiculous effort to transfer the making
of the picture from the studio to the motion picture
theatre.
BAUSCH & LOMB
653 St. Paul St.
OPTICAL COMPANY
ROCHESTER, N. Y.
SATISFIED
USERS
SPELL
SUCCESS
FOR PERFECT
CURTAIN MOVEMENTS
A. D.C. AUTOMATIC CURTAIN CONTROL
AND
ROLL E-Z TRACKS
AUTOMATIC DEVICES CO.
739 HAMILTON ST. ALLENTOWN, PA.
Also manufacturers of the STABILARC MOTOR GENERATOR
EVENHEETERS
FOR SUMMER USE TOO
Ei VEN in the hot summer the organ needs pro-
i tection foi dampness harms the instrument
then as coldness does in winter. Dampness causes
the organ to deteriorate, and that means that
maintenance is necessary.
That's why Architects all over the country are
specifying Kvenheeters in their organ equipment.
They have found a way to lower maintenance ex-
pense, and to guarantee longer and more perfect
organ life.
Join this list of
Architects that
specify Evenheet-
ers. May we send
some Evenheeter
particulars?
Eberson & Eber-
son, Rapp & Rapp
and Walter Ahl-
schlager all speci-
fy Evenheeters in
their organ cham-
ber equipment.
Why not vou!
CRAMBLET ENG. CORP.
2K6 MILWAUKEE ST.
Mil AV VUKEE
Remote Control
Kliegl Spotlight
( COMPLETE and entire operation of Mazda
^ type Kliegl Spotlights — including the con-
trol of four color frames — can now be accom-
plished from any desired point. The Spotlight
itself may be located wherever requirements
dictate — frequently in concealed and inac-
cessible places — and the electric control may
be positioned wherever it is most convenient
for the operator. A group of Spotlights can
be simultaneously operated just as easily as
one. Write for full details.
Universal Electric Stage Lighting Co.. inc
321 West 50th Street
NEW YORK. N Y
1884
Motion Picture News
— tickets always
cut TRUE!
The millionth ticket that your
Gold Seal Register issues will
be cut in precisely the right
spot, the same as the first one.
An automatic adjustment com-
pensates for any wear in the
ticket wheel so that the ticket
cutting never can get out of
true.
GOLD SEAL
Ticket Registers
and "Tickets That Fit"
Gold Seal Register users are never
annoyed with the bother of having
tickets inaccurately cut, which, of
course, renders exact accounting
impossible. This is just one point
of Gold Seal superiority over old
style registers, and there are many
others. Sealed-in lubrication eli-
minates the need of attention. A
master lock enables you to protect
your register against tampering in
your absence. Bronze bushings on
all driving shafts, case-hardened
wearing surfaces, rust-proofed steel,
etc., make for longer and more
satisfactory service. From every
standpoint, the Gold Seal is the
one best ticket register.
Our Reserved Seat Ticket Plants
in Boston and New York Can Save
You Money. Get Our Estimates.
AUTOMATIC
Ticket Register
Corporation
723 Seventh Ave., New York
Independent Printers of Quality
Tickets for Every Purpose.
STOCK PROGRAMS
PROGRAM COVERS
For
Moving Picture Houses
Joseph Hoover & Sons Company
Market and 49th Sts., Philadelphia, Pa.
The Theatre Building
Business Map
in this issue gives you the real facts
about new construction and an accu-
rate line on the Box Office Perform-
ance of recent releases
Index of Advertisers
and Information Request Blank
The following list of advertisers in the June Showman has been prepared for the
convenience of readers and, while compiled with the greatest of care to make it cor-
rect, it cannot be guaranteed against possible errors or omissions.
Adam Electric Co., Frank. ... 1882
American Seating- Co i860
Appleton, D. & Co 1878
Arctic Nu-Air Corp 1859
Automatic 'Devices Co 1883
Automatic Ticket Register Corp. 1884
Bausch & Lomb Optical Co. . . . 1883
Brandt Automatic Cashier Co. 1873
Brenkert Light Projection Co. 1881
Brooks Costume Co ii
Carrier Engineering Corp. .
Clark, Inc., Peter
Cramblet Engineering Corp.
Cutler-Hammer Mfgf. Co. . .
Derby Press, The
1862
1874
1883
1872
1885
Edison Lamp Works of General
Electric Co
Filmusic Co
Fulton Co., E. E
1877
1882
1864
Gallagher Orchestra Equip. Co. 1881
Hart Mfg. Co., The 1866
Hertner Electric Co., The 1885
Hey wood- Wakefield Co 1852-53
Hoffman & Soons 1881
Hoover & Sons Co., Joseph. . . . 1884
International Projector Corp. . . 1875
Kliegl Bros. Universal Electric
Stage Lighting Co 1883
Lakeside Co 1879
Markus Agency, The Fally . . . 1880
National Screen Service 1885
National Theatre Supply Co. . . 1868
Netschert, Inc., Frank 1881
Radio Mat Slide Co 1880
Reisinger, Hugo 1878
Reynolds Electric Co 1882
Rockbestos Product Corp 1844
Theatre Ad Mat Service, Inc. . . 1885
Typhoon Fan Co 1885
Vallen Electric Co 1880
York Ice Machinery Corp. . . . 1870
York Safe & Lock Co 1876
INFORMATION REQUEST BLANK
Showman Service Bureau
Motion Picture News
729 Seventh Ave.
New York City
Please obtain for me without obligation additional information
in connection with the advertisements or articles appearing in the
June issue of The Showman.
(insert above name of advertiser or title of article)
Name
Theatre
Street
City & State
J U 11
1928
1885
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2 color Program, all Features writ-
ten up for yon, Printed and Delivered to your
theatre at a small cost.
Writ* for Samples and Price* to
THE DERBY PROGRAM CO.
1799 Jerome Ave. New York City
201 S So. Vermont Ave. Los Angeles, Calif.
AS SIMPLE AS TWO AND TWO MAKE FOUR
Good projection with good pictures
means more money at the Box Office.
The TRANSVERTER
will enable your projectionist to give better results because it enables him to give
his entire time and attention to his projection work.
The Transverter saves current and saves time through its more constant control.
Ash for our latest literature. You will be convinced that
"If you show pictures you need the Transverter."
Distributed in U. S. A. by The
National Theatre Supply Co.
THE HERTNER ELECTRIC COMPANY
1900 W. 112th St
^ Wjli§p3G2l| CLEVELAND, OHIO, U. S. A.
Peppy breezes in your lobby to greet
people coming in —
Gentle breezes^cool and refreshing--
inside your house —
That's the way to pull big business all
summer — every summer.
Tt isn't the breeze alone that makes
Typhoon a winner. It's the tremendous
volume of pure, fresh air from outdoors — a
complete change once every minute — that
gets rid of the enormous amount of heat and
humidity given off by the audience. You
know wall fans won't cool your house — nor
will anything else that gives you just a
breeze.
The one-minute air change — AND the
breeze besides : That's what does the trick.
Quick notion — NOW . Get our Hoohlct JV«5
TYPHOON FAN COMPANY
345 W. 39th Street Ne\% > ork, N. Y
Offices in Princip<il Citjei
1886
Motion Picture News
W atch For Your Copy of
Theatre Building & Equipment
Buyers Guide
Featuring Theatres Designed By
Thomas W* Lamb, Architect
12 pages of colored reproductions of theatres; also a
16 page photographic review of theatres and a special
story by Thomas W* Lamb treating on theatre design
and construction
and in addition
a complete buyers index for all types of theatre equip*
ment and accessories*
Published By
MOTION PICTURE NEWS
The Fields Best Advertising Medium
1887
Newest Developments in
Companies' Sound Plans
"Love Song" United Artists* First Full-Scored; First
National Installs Elocution Teacher
June 2, 19 28
Other Talkie Development
(Continued from pa</r 183°)
Street theatre and generally released in the
lirst block of pictures Paramounl will of-
fer for the new season. This picture, from
which wns expected so much, is s;ii<l to he
grossing not much more than the rental of
the theatre in which it is playing since the
opening. It is thought, says the News au-
thority, that the endowment of sound will
make it a more attractive buy for the ex-
hibitor.
The many different versions of "The
"Wedding March'' which have been made
can mean nothing but that the company is
on the anxious seat as to how it will re-
lease this newest Stroheim effort. Though
lirst announcements by the company classi-
fied it as a road show it has bean noticed
that later publicity material does not men-
tion in which category this picture is now
regarded. Therefore, credence is lent to
the idea that this picture, too, will have a
musical accompaniment.
Analyzing this information it becomes
apparent that Paramount will use the Vita-
phone m t hod of synchronization for
''Abie," "The Wedding March" and
those other pictures now completed with
which it is believed there will be sound
effects and music. To use its own Movie-
tone device would necessitate the remak-
ing of the negative due to the system called
for in recording Movietone subjects.
Insofar as Paramount News is concerned
it is believed that its sound accompani-
ment will follow the system which uses
sound effects only when the occasion war-
rants, such as the speech of a world re-
nowned figure, a parade, the flights of
Lindbergh or other similar events which
it would be worth-while recording for his-
torical purposes.
Actual production with the new sound
equipment cannot possibly be started with-
in six to eight weeks, as the Paramount
Astoria studio is now undergoing external
reconstruction to accommodate the new
stages and machines used in the production
of Movietone subjects.
Furthermore, there has been no actual
experimental work in recording at either
the West or East Coast plants of the com-
pany. With construction completed and
the equipment installed it will -till be a
matter of weeks before experiments and
corrections in construction and equipment
can be made.
Therefore, it is safe to predict that Para-
mounl sound pictures will not go into pro-
duction before late this summer.
Joy and Lorraine Talk
on Sound Pictures
(Continued from payc 18391
portance she attaches to talking pictures,
is reported to have recently rejected an
offer from one of the leading phonograph
organizations to make records of nemo
spirituals. Instead she will spend a month
in intensified voice culture under Professor
Tosconni in New York during her absence
from Hollywood.
On the other hand Louise Lorraine says:
"T feel perfectly fitted to meet the situ-
ation in the event that talking pictures be-
come established. However. 1 believe it i-
only a vogue that cannot last.
IN addition to the developments in their
sound picture departments listed by
Paramount and Metro-Goldwyn-Maycr
during the past week comes the news of
the progress of plans for the talking pic-
tures announced by United Artists, First
National, and the Hal Roach organization,
which releases through Metro-Gold wvn-
Mayer.
United Artists this week announced as
its first picture with sound accompaniment,
"The Love Song," in which Lupe Valez
will sing a theme song especially written
for the picture by Irving Berlin. Sam
Taylor is directing this picture at the
United Artists studio in Los Angeles. Ac-
cording to the IT. A. announcement this
production will be Movie-toned with a full
musical score. The singing of the theme
song by Miss Valez will be the sound ac-
companiment highlight.
Ralph I. Poucher, assistant production
manager for First National, in charge of
that company's sound device, Firnatone,
has arrived at Burbank, where lie will con-
fer on the company's sound policy with
Clifford B. Hawley, First National presi-
dent.
THE Musicians Union in St. Louis.
Mo., is endeavoring to have local
theatres and other amusement and
recreational places eliminate all forms
of mechanical music and to employ mem-
bers of the musicians union. The first
steps in this campaign were taken during
the past few weeks.
The drive first came to public attention
when members of the union began to pass
out hand bills in front of the Senate, Astor
and Rainbow theatres operated by ('. Gold-
man and J. Leventhal calling to the atten-
tion of the public that these houses were
using mechanical music equipment instead
of orchestras composed of union musicians.
So extensively were these bills handed
out in the vicinity of the theatres the
sidewalks and streets became littered and
the police arrested nine of the pickets.
They were later discharged by Police .Judge
Kosecan on the grounds they were not re-
sponsible for what happened to the hand-
bills after they were given to passershy.
The management of the theatres did not
ask for the arrests and took no active part
in the prosecution.
Published statements that several days
prior to the arrests the theatres hail dis-
pelled with their union orchestras and sub-
stituted phonographs were not correct, it
is stated. The fact is t lint the Senate has
always used a mechanical organ since it
was opened about two years ago. while the
It is expected that First National will
shortly commence the erection of sound-
proof stages on the Burbank lot to take
care of the new type of production. In ad-
dition, First National will, in all proba-
bility, install a teacher of elocution to
coach the young First National players in
voice culture and control. Most of the
First National stars and players, Sills,
Murray. Mulhall. Billie Dove, etc., have had
stage experience and therefore will not
need the services of the elocution teacher,
but some of the newer stellar lights and
featured players have appeared only before
the camera.
Following the announcement of last week
that his company would incorporate sound
with the new season's films, Hal Roach this
week stated that installation of the neces-
sary equipment will take place at his studio
in the very near future. Patrons of the
Roach comedies in the future will be able
to hear the quish of a pie as it is thrown
and the humorous gags will also he given
voice instead of being screened in the form
of subtitles.
Rainbow and Astor installed mechanical
organs about five years ago. The Rivoli
theatre on Sixth sti'eet, near Olive street,
also operated by Goldman and Leventhal.
does not use any music. Several other of
the lower-priced down-town theatres of St.
Louis also use mechanical organs, but to
date have not been picketed by the union.
Dodgers similar to those distributed in
the vicinity of the Senate, Rainbow and
Astor theatres are said to have been passed
out near Westlake Park at the Natural
Bridge and St. Charles roads in St. Louis
county. This place is using an auditorium
orthophonic phonograph for dance music.
All records are made by union musicians.
A short time ago the musicians insisted
that Skouras Brothers retain an orchestra
at the Grand Central theatre, although that
house plays only Yitaphonc pictures and
the services of a regular orchestra is not
needed.
Messrs. Goldman and Leventhal feel
there is no real issue between them and the
musicians since they have been using the
mechanical organs for years. They are
willing to dispense with the organs pro-
vided they are protected on their invest-
ments in the equipment.
Operators employed by the Goldman-
I ..event ha I theatres are members of the
union and the theatres have always been
fair to organized labor, it is stated.
Musicians Union in Arms
St. Louis Locals Seek Elimination of All Forms of
Mechanical Music; Picketing Theatres
1888
Motion Picture News
Semi- Annual Golf Tournament
Proves Big Success
MORE than 130 players turned out for the fourteenth semi-annual
golf tournament held under the auspices of Film Daily at the Rock-
ville, L. I., Country Club on May 24. There was a morning round,
a putting contest at noon, an afternoon round and the dinner at night, all
of which went to make the occasion a great success. The winners:
Low Net (Leg on Film Daily Cup and Stebbins, Leterman & Gates
Trophy) — Jack Gottfreund.
Low Net Runner-up (Pathe Exchange Trophy) — M. Spiese.
Low Net Runner-up (J. P. Muller Agency Trophy) — Arthur W. Steb-
bins.
Low Gross (M. P. News Trophy) — Tom Moore.
Low Gross Runner-up (Al Ruben Trophy) — Jack Nolan.
Second Runner-up (Jules Brulatour Cup) — J. U. Richey, Jr.
Low Net Morning Round (National Theater Supply Trophy) — T. Da
Costa.
Runner-up (Hedwig Laboratories Trophy) Mitchell May.
Low Gross Morning Round (Morning Telegraph Trophy) — William
Rabell.
Runner-up (Win. Massce Trophy) — Arthur Kliesrath.
Low Exhibitor Score (Jules Mastbaum Memorial Trophy) — Henry
Brandt.
Runner-up (Eastman Kodak Trophy) — Lee Ochs.
Putting Trophy (Carl Laemmle Cup) — Williain Orr.
Runner-up (Gotham Prod. Cup) — Richard Brady.
Birdie Trophy (FBO Cup)— Al Ruben.
Runner-up (Dupont-Pathe Trophy) — Gerry Kayser.
Driving Trophy (Jack Cosman Cup) — -Paul Burger.
Runner-up (Columbia Pictures Cup) — A. L. Pratchett.
Low Gross Advertising and Publicity men (Associated Publications
Trophy) — Jerome Beatty.
Phil Orr of Metro won the Carl Laemmle trophy in the putting contest.
Dick Brady of Eastman Kodak Co. won the runner up prize in the
putting contest which was the Gotham Prod, trophy.
Sunday Troubles Continue
Test Cases in Canada Started; York Exhibitor Fined;
Permission to Exhibit Granted Brooklyn, Iowa
THE Sunday law agitation continues
to cause trouble throughout this
country and Canada. Test cases, in-
stituted by the Government, have been
launched against Canadian exhibitors, and
a York, Pennsylvania, exhibitor was this
week fined for Sunday showings.
The opening rounds have been fired in
the Sunday show battle in the Province
of Quebec by the issuing of summonses in
behalf of Honorable L. A. Taschereau,
Premier of Quebec, against two exhibitors
of Quebec City and one in Montreal be-
cause of alleged contravention of the Can-
adian Federal statutes providing for Sun-
day observance. Announcement has been
made that the present prosecutions are in
the nature of test cases and Premier
Taschereau declares that the actions will
be taken to the Privy Council at London,
the highest tribunal of the British Empire,
if necessary.
The issue to be decided is whether the
Quebec Provincial Government can enforce
the Dominion law covering Sunday clos-
ing, or not. It is contended that, theatres
having operated in Quebec centers on Sun-
days for the past 25 years, the law has
automatically become obsolete and inoper-
ative.
Another setback in the fight for the
establishment of Sunday theatrical per-
formances and other amusements in the
City of York came on May 21 when Fred
C. Bothwell, manager of the White Rose
Amusement Park, in that city, was sen-
tenced to pay fines aggregating $100 or
spend 30 days in jail for violating the
city's Sunday Blue Law. Bothwell, along
with Ed. R. Moore, manager of the Hippo-
drome theatre, has taken a lead in fighting
for a liberal Sunday in York with relation
to amusements.
At Brooklyn, Iowa, the permission to
show on Sundays was granted to the Broad-
way theatre there. The manager of the
Broadway, M. A. Fauver, was given per-
mission to show pictures on Sundays in
Brooklyn for three months, after which
time the permanent action on the measure
will be taken.
Sergeant," to hand over the continuity and
negatives of 300 still photographs which,
it was claimed, he was wrongfully with-
holding.
A statement has now been sent out by
Col. W. F. Clarke, vice-president and gen-
e/ral manager of the Canadian! Interna-
tional, that the filming of the feature had
been completed, 165,000 feet of celluloid
having been used in the making of the
picture, and that "Carry On, Sergeant"
would be released for its first public show-
ing during the Canadian National Exhibi-
tion, Toronto, which starts August 25. In
this statement, Col. Clarke gives credit to
Bainsfather for the story and for directing
the production.
Hollywood Not Excited
Over Talkies
{Continued from page 1840)
versed both in screen personality and voice
being small. Furthermore, it is a well
known fact that it is a hard matter to
entice members of the New York colony
away from Broadway, particularly when
they are enjoying comfortable salaries. In
New York, it would be possible for them
to continue their positions at legitimate
theatres and also devote spare time to talk-
ing picture production.
Commenting upon the R.C.A. 1 hoto-
phone, the use of which device by FBO
was made possible by the affiliation with
the Radio Corporation of America, Mr
Le Baron compared this sound machine and
other devices of the past with the latest
Victor orthophonic phonograph and the old
cylinder records with their "morning-
glory" horns. It is further claimed that
the RCA. device can be used with any
standard make of sound film on the market.
Joseph M. Schenck Will
Attend G. O. P. Convention
As a delegate from the state of Califor-
nia, Joseph M. Schenck, president and
chairman of the Board of Directors of
United Artists, will attend the Republican
National Convention at Kansas City, -tie
is vice-chairman of the Republican State
Central Committee of California.
Bairnsfather Picture Is
Now Completed
Much interest was aroused in the report
the other day that President E. P.
Johnston, of Canadian International Films,
Limited, Toronto, had secured an order at
Osgoode Hall directing Capt. Bruce Bairns-
father, author and director of "Carry On,
Chicago Film Board to
Try All Indiana Cases
AN agreement whereby the Chi-
cago Film Board of Trade will
try all Indiana cases on one day
each month has been reached with the
Indiana Association. Under the
arrangement prominent Indiana the-
atre owners will go to Chicago and sit
as arbitrators in cases in which the
association members are interested.
This is the first attempt to have an
Indiana representative on the Chicago
board. The new plan is proving popu-
lar with northern Indiana theatre
owners who are served by the Chicago
board.
V. U. Brown, an association director,
has handled Indiana interests in Chi-
cago the past year. Floyd Beitman
former owner of the Tacoma took care
of the Chicago arbitration in April
under the new plan. D. B. Cockrill,
owner of the Princess at Newcastle, in
May and Billy Connors of Marion is
scheduled to represent the Hoosier
interests in June.
June 2, 19 28
1889
Indianapolis T.O.Assoc.
Financially Sound
A FINANCIAL statement of the
Associated Theatre Owners of
Indiana issued in connection
with a recent bulletin shows the asso-
ciation has no outstanding indebtcd-
nss and is in a healthy financial con-
dition. The organizations accounting
method whereby all expenditures and
receipts must be accounted for to
members has drawn favorable com-
ment from other state exhibitor or-
ganizations. The association's semi-
annual report reveals more than 200
individual problems are handled each
week. The bulk of the matter is han-
dled by Miss Helen Brown, secretary;
legal questions are referred to Charles
R. Met/ger. president and attorney,
and office details are taken care of by
Miss Margaret Hudspeth who has been
in charge of the office for the past
year.
New Theatre Planned for
North Attleboro
The New England Theatres Operating
Corporation, Boston, independent theatre
operating chain, has completed arrange-
ments with Carl Canner, of Boston, for the
erection of a new motion picture theatre
on the site of the present North Attleboro
post-office, which property is owned by Mr.
Canner.
The architects, Frokyn, Browne and
Rosenstein, have drawn all plans for the
new theatre and work is to start on it im-
mediately, with expectations of having it
ready for opening by October 1.
The house, to be named "Netoco Com-
munity Theatre," is to be Colonial in style
throughout. There are to be 1,800 seats,
all on one floor, and Vitaphone and Movie-
tone apparatus. The policy of the house
will, be pictures, vaudeville and tabloid
presentations. Samuel Pinanski, president
of the New England Theatres Operating
Corporation, will supervise the erection of
the building.
English Producers Secure
German Picture Workers
Lupu Pick, German producer who is
supervising Louis Blattner's new British
production scheme, has signed Karl Fre-
und, camera man. There has been consid-
er:! ble American competition to secure
Freund's services.
Lilian Harvey, German star, has also
been booked for Pick's Blattner Produc-
tions which will be released by Gaumont
and British International in England and
by Terra in Germany. Harvey is of British
origin and still a British subject, although
she spent most of her life and career in
Germany.
"Ransom" Is
First June
Columbia's
Release
Columbia's first release for June will be
"Ransom," a mystery drama, which, it
is announced, will be ready for exhibitors
on June 7. The offering is an adaptation
of George B. Seitz' own story, "San Fran-
cisco.
Stanley Company Passes
Quarterly Dividend
Probable Affiliation With Goldman Sachs Paves Way
for Warner Brothers Alliance
DIRECTORS of the Stanley Com-
pany of America, at a meeting held
in New York on May 23rd, voted to
omit the quarterly dividend in order that
the company might be in a stronger posi-
tion to take care of its obligations. The
directors elected Waddill Catchings, of
Goldman, Sachs & Co., bankers, a member
of the board of the Stanley Company.
While no official announcement has been
made on the subject, it is taken for
granted in financial circles that the elec-
tion of Mr. Catchings will result in Gold-
man, Sachs & Co. becoming bankers for
the Stanley Company and will also pave
the way for an alliance between the Stanley
Company and Warner Brothers, thus giv-
ing the latter firm an improved outlet for
its films. Re-financing plans for the bene-
fit of the Stanley Company are under con-
sideration and it has been reported that
a loan of from $5,000,000 to $10,000,000
will be arranged. In response to the an-
nouncement of these re-financing plans,
Stanley stock on the local exchange, which
lias steadily declined fore shadowing the
omission of the dividend until it touched
3OV2, rallied until it reached 37 on May
25th.
Major John Zanft, vice-president and
general manager of the William Fox Cir-
cuit of Theatres, upon being interviewed
by newspaper men this week, denied em-
phatically that there is any truth in the
current rumors that there is to be a merger
of the Fox Theatres Corporation with the
Stanley Company of America. He also
denied the report that Winfield Sheehan,
vice-president of the Fox Film Corpora-
tion, contemplated a visit to Philadelphia
for the purpose of formulating plans for
;i merger of the Fox interests with the
Stanley Company. Mr. Zanft stated that
the Fox Theatres Corporation will con-
tinue its extensive program of expansion
in Philadelphia and vicinity.
Warren Lewis in Charge
of Vitaphone Publicity
Vitaphone publicity and advertising over
which A. P. Waxman has general supervi-
sion will be in charge of Warren Lewis, on
the Warner advertising staff for some time
and who is to take over the duties of Jack
Keegan, now promoted to the post of New
York branch manager for the Vitaphone
Corporation.
Walter K. Hill has been appointed to
take over the position vacated by Mr.
Lewis. He was formerly president of the
Theatrical Press Representative of Amer-
Commonwealth to Handle
Chesterfield Program
Chesterfield Motion Picture Corporation
closed a link in the chain of distributors
who will handle its program when con-
tracts were signed last week between Sam-
uel L. Zierler, President of Commonwealth
Exchange of New York City and George
R. Batcheller, President of Chesterfield
M. P. Corp. whereby Commonwealth will
distribute in the Greater New York terri-
tory for the ensuing year.
K. C. Film Board Endorses Doty Plan
on Zoning and Protection
AZO\l\i; and protection plan for. the Kansas Citj territory bae been
endorsed by the Kansas City Film Board of Trad.-. Fnder tin- plan
which was originated by Leo. J. Doty, vice-president of the film
board, no favoritism is shown to either exhibitors or distributors. Natural
barriers, seating capacities, geographical locations, admission prices and
numerous other problems were the factors which had to be dealt with in
perfecting the plan.
Kansas City theatres were divided into six classes — A. C. D. E. V and
C. there being no class B theatres, that class having been left open for
future developments. Any bouse which is showing a fir-t run picture is a
class A house, class C being first suburban or subsequent run theatres
charging admission prices of 30 cents, the class \ theatres having 28 days
protection from the closing date over class C bouses. Those houses in
class D are suburban theatres charging 2.") c uts. thc\ having seven days
from the opening of pictures in class C houses before picture- are avail-
able to the latter class. Houses charging 2<) cent- admission are in class
E. they having 35 days following the closing of pictures in class \ theatres.
The class F theatres are those ( barging IS cents. Pictures for that class be-
come available according to the run contracted. Class C, hou-e- are those
charging 10 cents. Pictures which do not play classes C, D and F houses
become available for class C 19 days after the closing of the picture in
class A.
1890
Motion P i c t u r e New s
Predicts Seven to Eight Million Loew
Net Ending August 31, 1928
ACCORDING to the Wall Street Journal, net profit for Loew's Inc ,
ending the fiscal year of August, 1928. will be from seven to eight
million dollars after dividends on the $6.50 preferred stock have
been paid.
This would he equivalent to between $7.50 to $8.00 a share on the
1.060,780 shares of common stock outstanding and to around $6.15 a share
on the 1,325.925 shares of common that will be outstanding after the pay-
ment of the 25 per cent stock dividend recently declared.
This would be a new high record in earnings for the company.
For the 28 weeks ended March 11, net profit was $4,423,860 after all
charges, or $4.01 a share on the common, against $3,887,654, or $3.66 a
share, earned in the corresponding period of previous year. In the full
year ended August 31, 1927. Loew earned $6,737,205, or $6.35 a share.
There is now on hand in the treasury about $15,000,000, of which $10,-
000,000 is being loaned out on call and in the next three years an additional
$13,000,000 should come into the treasury through the exercise of war-
rants, it is stated.
Brown Predicts Profitable
Year for Pathe
Kennedy Will Continue as Special Advisor for "Inde-
finite Period" ; New Officers Elected
ON his return from the Chicago sales
convention, Colvin Brown, newly
elected vice-president of the reor-
ganized Pathe Company, amplifying ;i
statement made to stockholders by Presi-
dent J. J. Murdoch that Pathe would en-
joy a satisfactory year, stated that con-
vention delegates were enthusiastic over
increased collections during recent months,
and predicted a profitable season. The
loss last year was attributed to the absorp-
tion of P. D. C. and the entry of Para-
mount and Metro-Goldwyn-Mayer in the
short subject field.
Joseph P. Kennedy, president of F B 0,
will continue as special adviser to Pathe
for an indefinite period, according to a re-
e lit announcement concluding the reor-
ganization of the Pathe company.
.1. J. Murdoch has been reelected presi-
dent of Pathe and other officers arc: Colvin
Brown, executive vice-president; Elmer
Pearson and John C. Flinn, vice-presi-
dents; Lewis Innerarity, secretary; John
Humm, treasurer. The new directors are:
J. J. Murdoch, Maurice Goodman, Marcus
Heiman, E. F. Albee, Richard Hunt, Elisha
Walker, George Armsby, ('ceil It. De Mille,
Paul Puller, Jr., Jeremiah Millbank, Frank
Callahan, Lester D. Burton, Colvin Brown,
('has. Reynolds and Elmer Pearson.
English Sales Problem
Distributors Having Difficult Time to Cope With
Rapidly Changing Conditions
CONFUSION of English exhibitors
has increased considerably during'
recent months owing to a new sales
problem growing out of rapid formation of
circuit theatre companies with their rapidly
changing line-ups and the effect of the
quota bill. The entry of the bankers in
the field, with their speed of action, has
also added to the confused situation. All
through England circuits are forming, and
where they already were intrenched, are
expanding their holdings.
Under provisions of the Films Bill, it is
impossible to book very far ahead. This
circumstance, coupled with the other, has
brought about a condition where operators
are sitting back in order to see what hap-
pens before booking additional pictures for
the latter part of 1928 or the early months
of 1929. Distributors, therefore, have not
been having an rasy time of it.
I*. C. T., backed by Lords Beaverbrook,
Ash held and their banking interests, has
been the leader of the circuit movement,
with Gaumont British and the General
Theatre Corp. also contestants for first
place. These companies have been acquir-
ing' theatres at such a fast rate that if an
exhibitor hasn't already received an offer
for his house he at least expects one at any
moment.
The first big acquisition by Gaumont Avas
the Davis Circuit, which takes in the
Marble Arch Pavilion, Shepherds Bush
Pavilion and other London theatres. At
present this circuit will run well over 100
theatres. The General Theatre circuit has
control of the Liverpool section where
there are some 27 houses, all of the subur-
ban type; has at least four in Edinburgh
and one in Newcastle and also three first
theatres in London. P. C. T. operates its
big chain in the principal key cities such
as Aberdeen, Glasgow, Cardiff, New Castle,
Leeds, Sheffield, Nottingham, Edinburgh,
Manchester, Liverpool, Birmingham, and
approximately twenty other localities in
London.
New Firms Incorporated
at New York Capital
Newly incorporated motion picture com-
panies, chartered by the department of
state at Albany during the past week, in-
cluded the following: Staley and Howell,
Inc., Rochester, $75,000, Richard F. Staley,
Mortimer B. Howell, Cass F. Staley, Ro-
chester; Manhattan Studios, Inc., $10,000,
Carl Mittenthal, Gertrude Winograd, Es-
telle I. Weinitraub, New York City;
Newpo Theatres, Inc., capitalization not
stated, Daniel Becker, Henry Grusky,
Xewburgh; Hanir-a Lindberg, Xew York
City, Charles Burns, Inc., $1,000, Charles
Burns, Abe Potal, William Meltzer, New
York City, Certified Automatic Devices,
Inc., $10,000, Thomas Gilleran, Charles S.
Lubin, Max Lubin, New York City; Arling-
ton Amusement Corporation, $2,000, Ben-
jamin Berson, Barnet Liman, Morris Leff,
Brooklyn.
Laemmle Denies Rumor
of Metzger's Resignation
The rumor that Lou B. Metzger, sales
manager for Universal, is about to resign
from the Laemmle organization is denied
by Carl Laemmle in a recently issued state-
ment.
"It is only another of those silly
stories," said Mr. Laemmle.
$220,000,000 Reduction
in New Revenue Bill
RETENTION of the Senate pro-
vision for an exemption of $3
' on admissions reduction of the
corporation tax to 12 per cent and
total elimination of the proposed re-
ductions in the surtaxes on individual
incomes were the outstanding features
of the revenue-reduction bill as agreed
upon by House and Senate conferees.
The House had provided for an ad-
mission exemption of $1 which was
increased by the Senate to $3, and the
result of the retention of the latter
figure will be to save the theater goers
of the country $17,000,000 a year.
The corporation rate of 12 per cent
was a compromise between the House
rate of ll'/> per cent and the Senate
rate of 12'> per cent, and will save
the corporations $123,450,000. The
exemption for corporations is in-
creased from $2,000 to $3,000 under the
bill as agreed to, reducing revenues by
$12,000,000 and the limit for earned in-
come is increased from $20,000 to $30,-
000 with a reduction in revenues of
$4,500,000.
The bill carries a total reduction of
approximated $220,000,000, as con-
trasted with a cut of $290,000,000 made
by the House and $206,000,000 carried
in the Senate bill.
The Outstanding Line-Up of
Box- Office Attractions on the
Market for 19284929
DON'T GAMBLE!
Insure Your Profits Next Season
with a Columbia Contract!
Judge Us By Our
Past Performances!
FOR years Columbia has given its customers a
standard grade of merchandise. We have kept every
promise '-delivered every picture* CE, Our business
and our prestige have been established on a live- and -
let-live policy. We own no theatres-- are not in competi-
tion with our customers. CL, Furthermore, we sell our
product at a price that enables exhibitors to make a
good profit on their film rental investment.
Story material for The Perfect 36 has been chosen from outstan
ing stage plays, magazine serials and short stories written by
nationally known authors. Millions of people will be glad to see
these pictures when you show them at your theatre, d. Among
our writers and playwrights are Fanny Hurst, John Emerson, Anita
Loos, Owen Davis, Mary Roberts Rinehart, Joseph Louis Vance,
Cosmo Hamilton, Count Leo Tolstoi, Channing Pollock, Willard
Mack, Elmer Harris, Norman Springer, Elizabeth Alexander.
You can always depend on getting a good star in a Columbia pic-
ture! We have already signed up to appear in The Perfect 36--
Jack Holt, Lya de Putti, Lois Wilson, Hobart Bosworth, Margaret
Livingston, Bert Lytell, Betty Compson, Dorothy Revier. G. Direc-
tion is to be entrusted to men who know through experience how
to get the utmost entertainment value into pictures.
2 u
be Better Made, Better Exploited
or Better Advertised than
Perfect Thirty-Six
June 2, 19 28
1801
Action Sought Against Block Distributors
Myers Recommends
Trade Commission
Proceed at Once
(Continued from Page 1838)
to enforce in 482 film exchanges in t ho
United States rules and regulations for the
prevention of tire more drastic than those
provided by the State and city fire commis-
sioners, and fire drills are conducted each
week, a safety committee comprising Unci'
branch exchange managers and secretary of
the local film Board of Trade conduct- a
rigid monthly inspection enforcing regula-
tions regarding general housekeeping condi-
tions to prevent fire, including regulations
against smoking, protecting film or Avaste
matter from contact with radiators, steam
pipes and electric lights, testing sprinkler
systems and fire extinguishers, eliminating
the use of any inflammable material in the
shipping and inspection departments and
preventing accumulation of scrap film, and
every other possible regulation to protect
the lives of employees and to insure safety;
and,
Whereas, The reports of the safety com-
mittee are checked in the home office of the
film board of trade; and any violation of
any rule or regulation is immediately cor-
rected; and as a result of this work fires
in film exchanges have been practically
eliminated; and since January 1, 1927,
there has been no fire loss in any depart-
ment in the distribution of film.
Resolved, That such regulation of film
exchanges is a fair trade practice.
"Shut-In" Showings Approved
Rule 18, Whei-eas, throughout the United
States today more than 1,500 public, pri-
vate and charitable sectarian and non-
sectarian institutions for caring for "shut-
ins" are showing motion pictures; and such
motion picture programs are furnished to
the-e various institutions by national and
regional distributors through the various
film boards of trade under a plan whereby
the responsibility for such distribution is
divided among all members of each board;
and in most instances such motion picture
programs are furnished free of charge to
such institutions as orphan asylums, homes
for the aged, tuberculosis hospitals, and in-
stitutions housing war veterans; and,
Whereas, In some cases they are fur-
nished upon payment of the postal or ex-
press charges to ship and return the films,
and in other instances where institutions
James Clark Ad Sales
Head for Paramount
JAMES CLARK is now manager of
the Paramount ad sales depart-
ment, having been raised to that
post recently. Mr. (lark is in his
twenties and began his film career
with Mutual Film Company in 1924 as
film inspector. His first job with
Paramount came in 1920 when he was
engaged by Herman Wohber in San
Francisco as salesman for the non-
theatrical department. January of last
year, he was made assistant manager
of the ad sales department.
Stanley, Loew Join in Baltimore; Book
Paramount, M-G-M and U. A.
TIIK Stanley Company and Loew have practically closed a deal where-
by the theatre holdings of both companies in Baltimore til be
pooled.
The arrangement provides for the pooling of the new Stanley theatre
with Loew's Valencia and Loew's Century into one operating company
with management probably vested in Loew's.
It is assumed that all three houses will use the product of Paramount,
M-G-M and United Artists exclusively. The combined outputs of these
three producers would about cover the needs of these theatres.
The Stanley, a new house, has a weekly change policy, the Century a
similar booking arrangement and the Valencia nso approximately 26 pic-
tures a year.
have appropriations available with which
to purchase entertainment for the inmates,
nominal charges are made; and,
Whereas, In all instances motion picture
films are furnished to such institutions with
the understanding that they are to be shown
only to the inmates and attendants of their
respective institutions, and that the general
public is not to be admitted either free of
charge or for an admission charge; now,
therefore, be it
Resolved, That the admission of the pub-
lic, either free of charge or for an admis-
sion charge, to any such motion picture
entertainment or performance is an unfair
trade practice and unfair competition to
theatre owners; and
Resolved, That the showing of motion
pictures in such institutions where the pub-
lic is not admitted, either free of charge,
or for an admission charge, is a fair trade
practice.
Rule 19, That the practice of transferring
title to a theatre without making an honest
and sincere effort for the transferring at
the same time of existing contracts is an
unfair trade practice.
Rule 20, Whereas, the Motion Picture
Producers and Distributors of America,
Inc., have subscribed to the following pre-
amble and resolutions:
"Whereas, The members of the Motion
Picture Producers and Distributors of
America, Inc., in their continuing effort
to 'establish and maintain the highest pos-
sible moral and artistic standards of mo-
tion picture production,' are engaged in a
special effort to prevent the prevalent type
of book and play from becoming the preva-
lent type of picture; to exercise every pos-
sible care that only books or plays which
are of the right type are used for screen
presentation; to avoid the picturization of
books or plays which can be produced only
after such changes as to leave the producer
subject to a charge of deception; to avoid
using titles which are indicative of a kind
of picture which could not be produced, or
bv their suggest iveness seek to obtain at-
tendance by deception, a thing equally rep-
rehensible; and to prevent misleading,
salacious, or dishonest advertising: Now,
therefore, be it
Ban Questionable Stories
"Resolved, By the board of directors of
the Motion Picture Producers and Dis-
tributors of America, Inc., that said asso
ciation does hereby reaflirm its determina-
tion to carry out its purposes above set out,
and does hereby repledge the best efforts
of the members of the association to that
end, and does hereby further declare that
they will not produce or promote the pro-
duction, distribute or promote the distribu-
tion, exhibit or promote the exhibition, or
aid in any way whatsoever in the produc-
tion, distribution, or exhibition by the mem-
bers of this association, or by companies
subsidiary to said members, or by any other
person, firm or corporation producing, dis-
tributing, or exhibiting pictures, of any pic-
ture or pictures, by whomsoever produced,
distributed or exhibited, which because of
the unfit character of title, story, exploita-
tion, or picture itself, do not meet the re-
quirements of this preamble and resolution
or hinder the fulfillment of the purposes
of the association set out herein."
"And Whereas, In carrying out the pur-
poses of the aforesaid resolution when any
company member of the Motion Picture
Producers and Distributors of America,
Inc., is offered the screen rights to a book
or play of a questionable nature, its repre-
sentatives immediately inform the officers
of that association; and if the judgment of
the member company to the effect that the
picturization of the subject matter is inad-
visable is confirmed a notice is sent to all
the other member companies giving the
name of the objectionable book or play,
and such company members thus having
their attention directed to the subject in
question have the opportunity of avoiding
the picturization of the novel or play."
Resolved, That this is a fair trade prac-
tice.
Pule 21, Whereas, for the purpose of
further establishing and maintaining the
highest possible moral and artistic stand-
ards in motion pictures, the members of the
Motion Picture Producers and Distributors
of America. Inc., have adopted a formula
with reference to the selection and rejec-
tion of certain story material for picturiza-
tion :
Resolved, That the execution of the pur-
poses of this resolution is a fair trade
practice.
Rule 22, Whereas, there existed a prac-
tice with respect to the securing of employ-
ment by extras in motion picture studios
through agencies which charged them a fee
of from S to lf> per cent for placing such
(Continued on Following Page)
18yz Motion Picture News
Non Theatrical Resolution Is Rejected
Termed Illegal
and in Restraint
of Trade by Body
extras each time they secured a position
through such agencies ; and,
Whereas, Besides certain legitimate cast-
ing agencies, there were many questionable
agencies that preyed upon would-be motion
picture extras, and by their activities
brought great discredit upon the motion
picture industry; and,
Whereas, At the request of the Motion
Picture Producers and Distributors of
America, Inc., the Russell Sage Foundation
made a survey of the entire situation in
conjunction with the State Labor Commis-
sion of California, and the Association of
Motion Picture Producers of California;
and,
Free Employment Bureau
Whereas, The findings of the survey re-
sulted in a joint recommendation that the
industry operate and maintain free of cost
to the motion picture extra a central em-
ployment bureau; and,
Whereas, The Central Casting Corpora-
tion has been established, and has been
functioning in the recommended manner
for a period of 21 months, and has made
502,916 placements in that time without
cost to the extras, and has brought about
certain other betterments in working con-
ditions of such extras. Now, therefore, be
it
Resolved, That the establishment and
functioning of such a non-profit casting
bureau be, and the same hereby is, declared
to be a fair trade practice.
Rule 23, Whereas, the Los Angeles Board
of Education and the State of California
labor authorities were experiencing great
difficulty in restraining the improper ex-
ploitation of children in motion pictures by
their parents, which resulted in non-attend-
ance at school and an insufficient ratio
of work and recreation; and,
Whereas, The Association of Motion Pic-
ture Producers and the California State
Labor Bureau and the Department of Com-
pulsory Education of Los Angeles by joint
.recommendation consummated the present
method by which a teacher is supplied by
the Board of Education and paid for by the
producers in every studio, together with
similar financing of class-room facilities
where children are engaged in motion pic-
ture production, so that each child works
not more than four hours during the day
and has its regular schooling and recrea-
tion; and,
Whereas, Any child not proficient in its
lessons cannot secure a permit to work in
pictures, with the result that the practice
of improperly exploiting the child has been
entirely eliminated. Now, therefore, be it
Resolved, That the present formula ob-
taining in respect to the employment of
minors in motion picture production, as set
forth in the foregoing preamble, is a fair
trade practice.
Rule 24, Whereas, producers at times de-
sire to lend employees under contract for
whose service there exists no current neces-
sity; and,
Whereas, The services of such tempor-
arily disengaged contract employees may
be desired by another producer; and,
Whereas, Waste is avoided and the in-
terests of both employer and employee are
advanced by continuous employment. Now,
therefore, be it
Resolved, That the practice of a producer
lending an employee under contract to an-
other producer for an amount equal to the
salary paid to the contract employee plus
a reasonable amount to absorb the fair pro
rate of such employee's idle time is a fair
trade practice.
Registering of Titles
Rule 25, Whereas, to avoid duplication
and conflict in titles for motion pictures,
the members of the Motion Picture Pro-
ducers and Distributors of America, Inc.,
have a plan for the registering with the
Motion Picture Producers and Distributors
of America, Inc., of their intention to pro-
duce a certain motion picture under a cer-
tain title, and through such registration
have exclusive right to that title ; and,
Whereas, Such plan further provides
that if the title registered duplicates or
conflicts with a title already registered by
another member of the Motion Picture Pro-
ducers and Distributors of America, Inc.,
the parties whose titles conflict are notified
so that they may confer to avoid conflict,
with the understanding that the company
first registering a title possesses the right
to use the title unless it voluntarily with-
draws its prior registration in favor of the
later one, or it is shown that the member
making the later registration has, by pur-
chase or otherwise, obtained prior legal
right to the title. Be it
_ Resolved, That this is a fair trade prac-
tice.
The statement of policy proposed by the
producers and distributors and accepted by
exhibitors, dealing with booking, has been
held in abeyance until results can be deter-
mined from its actual effect upon the mo-
tion picture industry. This statement was
as follows :
Rules on Bookings
"1. The sales method known as block
booking shall not be used for the accom-
plishment of any illegal purpose.
"2. No distributor will require as a
condition of permitting an exhibitor to
lease its pictures that such exhibitor shall
also lease pictures of another distributor.
"3. If an exhibitor shall claim within a
reasonable time prior to the date fixed for
the exhibition of any picture included in
any block leased by him that such picture
will be offensive to the clientele of his the-
atre, because of racial or religious subject
matter, such claim shall be arbitrated by
the board of arbitration of the proper zone,
and, if sustained, such exhibitor shall be re-
lieved of obligation to take any pay for
such picture.
"4. If any exhibitor who has purchased
an entire block of pictures offered by any
distributor so elects, within a reasonable
time prior to the date fixed for exhibition
of any picture included in such block, such
exhibitor may refuse to take such picture
by paying one-half of the allocated price
thereof, provided that the pictures so re-
jected out of any block shall not exceed 10
per cent of the number included in such
block, and if a rejected picture is resold by
the distributor, one-half of the net price
received on such resale shall be credited
against the exhibitor's obligation in respect
of such picture up to the amount of such
obligation.
"5. Reissues will not be included in any
block with new pictures.
"6. Newsreels and short subjects will
not be included in any block with features,
and the lease of newsreels or short sub-
ject blocks shall not be required as a con-
dition of being permitted to lease feature
blocks or vice versa.
"7. The matters dealt with by para-
graphs 3 and 4 shall be covered by appro-
priate provisions to be included in the new
standard form of contract."
Trial Period Recommended
Reporting upon the conference, and the
resolutions adopted, M. Markham Flannery,
director of trade practice conferences, rec-
ommends that a trial period of 6 to 12
months be allowed within which to observe
the workings of the results of the' confer-
ence, at the end of which time a report be
made to the commission on the working of
the rules, accompanied by a recommenda-
tion with reference to the advisability of
calling another conference or with refer-
ence to such other action as conditions at
that time seem to warrant.
"The task undertaken by the Com-
mission in this conference was colossal,"
Mr. Flannery commented. "The net re-
sults accomplished may not be all that
might have been hoped for by the Com-
mission, but they exceeded greatly the ex-
pectations of exhibitors, distributors and
producers, as judged by their generally ex-
pressed preconference predictions and by
their later comments as to what the con-
ference accomplished, as reflected verbally,
in correspondence and by the press.
"This task is by no means complete. It
has but begun. The members of the dif-
ferent branches of the industry have bare-
ly become acquainted. Hcn'etofore they
have dealt at arm's length, largely through
agents. Never before had the four
branches of the motion picture industry
met and mutually discussed their problem.
To discuss them fully, frankly and fear-
lessly, under the auspices of an impartial,
official, disinterested body, was, indeed,
novel, and for this the independent exhibi-
tors were not fully prepared.
"Agreement among the groups on some
of the many subjects covered seems re-
markable when it is considered that many
of the unaffiliated delegates were entirely
unknown to one another, no confidential
relations existed between them, and they
appeared to be doubtful and distrustful of
one another as well as of the other groups.
Some of the problems arising within this
comparatively new industry were exceed-
ingly complex, and branches of a single in-
dustry could hardly be conceived as farther
apart in their objects and opinions than
were the unaffiliated exhibitors and the
other groups. This was freely remarked
prior to and at the commencement of the
conference, but a feeling of growing confi-
dence became apparent early in the pro-
ceedings, which increased and strengthened
as the conference progressed, and a dispo-
sition became manifest by all the various
groups to try to see the other side and
agree on matters in dispute."
J une 2 , 19 28
1893
FBO Starts Department
for Short Subjects
A DEPARTMENT for short sub-
jects has been inaugurated at the
F B () home office. Cleve Adams,
central sales manager, has been pro-
moted to the post of short subject
sales manager. He is now on a tour
of the exchanges in the interests of
the short subject. Other promotions
made in the FBO sales ranks last
week were: J. Frank Shea, western
sales manager, who has been appointed
assistant general sales manager with
headquarters in Los Angeles; Edward
L. McEvoy, home office field repre-
sentative, who has been made assistant
general sales manager with headquar-
ters in New York; Larry Gardner, who
has been appointed sales manager of
the Boston office; C. F. McGerigle who
has been made office manager at Bos-
ton; Jerome Safron, sales manager for
Eastern, Pa. and Southern, N. J., who
has been placed in charge of the Pitts-
burgh office.
Alleges Patent Violation
in Suit Against Stanley
Mrs. Mary Hallock Greenewalt, of Phila-
delphia, on May 25th brought suit
in the United States District Court in
Wilmington, Del., against the Stanley
Company of America, charging that it has
infringed on her patents for a symphonic
color organ. She is the inventor of a de-
vice that emits light rays and is played
like music by variations in color and com-
binations of color. Mrs. Greenewalt claims
to have spent much time and money in per-
fecting the instrument so that it could be
used commercially. She received a patent
on the device in January, 1924, and the
patent was reissued in 1927. According to
the complaint the Stanley Company has
been using t ho patented method in theatres
in Philadelphia and elsewhere and the com-
plaint asks that an accounting of profits
and damages be ordered and that an in-
junction be issued restraining the company
from continuing the alleged infringement.
New Productions at First
National Studios
In addition to four pictures now in the
making, an equal number of other pictures
will soon go into production at First Na-
tional's Studios in Burbank. Colleen Moore
is preparing to start, on "Oh, Kay!"
Richard Bart helmess is to begin work soon
on "Out of the Ruins." Biilie Dove is to
start on "The Night Watch."
Alice White is about to start on her first
starring vehicle, "Show Girl."
Rayart Contract for Cana-
dian Distribution
Columbia Pictures, Ltd., of Toronto,
Canada, with branch offices in Winnipeg,
Montreal and St. .John. X. 1!., have ,ju-t
signed a contract with W. Hay Johnston,
President of Rayart Pictures Corporation,
for the new Rayart "Box-Office Twenty"
for 192S-29. Columbia is not a new custo-
mer, by anv means, having handled Rav-
art's "Unbeatable Eighteen" for 1927-28
in addition to earlier releases.
Rothacker Completes Job
First National Studio Work Finished; Intends Resigning
in July; Rockett Studio Head
WATTERSON R. ROTHACKER,
managing director of the First
National Burbank studios, an-
nounced the completion of reorganization
and building program which he inaugurated
at the studios last year, at an informal
meeting of the department heads of the
First National studio, held the evening of
May 28th.
Mr. Rothacker also unofficially an-
nounced that he expects to proceed to New
York late in July and to sail for Europe
early in August. It is understood he will,
at that time, tender his resignation as man-
aging director and vice-president of the
studio to become effective on the exact date
of his departure for the Continent.
By severing his connection with the com-
pany at that time it is understood that Mr.
Rothacker expects to leave with no obli-
gation to return to the studios to com-
plete! his current contract which expires in
October of this year.
A further declaration of Mr. Rothacker
at the May 28th meeting wras to the effect
that, after his resignation is formally ac-
cepted, President Clifford B. Hawley in-
tends to appoint Al Rockett as resident
head of the studio in charge of West Coast
production, with R. W. Poucher assisting
him as studio executive manager.
Until Mr. Rothacker sails there will be
no change of men or methods at the Bur-
bank plant.
Vitaphone for Strand, N. Y.
Installation Being Made in Broadway Playhouse;
Show Seventeen Warner Pictures
To
ANNOUNCEMENT was made this
week that the Mark Strand Theatre,
New York City, is installing Vita-
phone and has contracted with Warners
to 17 features with Vitaphone orchestra-
tions.
Vitaphone equipment is now being in-
stalled in the Mark Strand at a cost of
$45,000, and at the same time new projec-
tion equipment and a new type of screen
upon which the picture will be shown, are
being installed.
"Tenderloin," will inaugurate the new
policy on June 2.
March Film Exports
Reach High Total
MARCH exports of motion picture
films reached the highest total
recorded since last August with
shipments of 29,345,604 feet valued at
$810,860, compared with 21,695,625 feet
valued at $595,895 in February, ac-
cording to figures just compiled by the
Department of Commerce, Washing-
ton, D. C. Shipments during the
month included 7,565,517 feet of raw
stock valued at S16S.5S1 : 931.79:5 feet
of negatives valued at $126,181, and
20,845,291 feet of positives valued at
$525,795 compared with 1.803,453 feel
of raw stock valued at $115,061; 661,-
735 feet of negatives valued at $77,081
and 16.330.137 feet of positives valued
at $103,717 in February.
The principal markets for positive
films during the month were Argen-
tina, taking 2.836,675 feet valued at
$82,661; Brazil with 2,390.616 feet
valued at $58,182, and Australia ^ith
2,196,679 feet valued at $51,155. France
was the principal market for negatives,
taking 295.367 feet valued at $20,688,
although the value of those shipped to
the I'nited Kingdom was much greater,
that countrj taking 278,745 feet valued
at $83,157. The I nited Kingdom was
also the most important market for
raw stock, taking 1.223,099 feet valued
at $89,027.
It is announced that the stage perform-
ances will be continued during the weeks
that Vitaphone attractions do not play and
will also be presented sometimes on the
same program with the Vitaphone features.
Frank Bligh, of the Capitol Thaatre,
Salem, Ore., reports a nice increase in the
business with the advent of his new Vita-
phone accompaniment with "The Jazz
Singer. ' '
In Birmingham, Ala., Vitaphone and
"The Jazz Singer" are writing up a new
record at the Strand Theatre. Now in its
third week, the picture has already estab-
lished a precedent for length of run and
bids fair to remain the strongest local
drawing card for another two or three
n eeks.
Columbia Reorganizes Its
Scenario Department
Its scenario department at the studio is
being reorganized by Columbia Pictures.
John Goodrich has been made scenario
editor and he will have charge of the writ-
ing department and will exercise supervi-
sion over all the scripts for the new Colum-
bia output. Bess Meredyth has joined the
scenario staff, which also includes Norman
Springer, Winifred Dunn, Peter Milne and
Dorothy Howell.
Paramount to Release 2
New Horton Comedies
Two new two-reel comedies starring Ed-
ward Everett Horton are to be released by
Paramount during the coining season.
"Call Again" and "Vacation Waves" axe
their titles.
Ray Rockett Signs Liane
I [aid, Screen Star
Liane Haid, popular European star, has
been booked by Hay Rocket t for four
years, to be starred, alternately in First
Ntional's German and British productions.
1894
Motion Picture News
Photophone Process Told
"Straight Line" Method Used for Reproduction; Special
Optical Reduction Printer Employed
IN announcing that the RCA Photophone
will be available July 1, Elmer E.
Bucher, vice-president of the organiza-
tion, said, in part:
"An important feature of the Photo-
phone method is the fact that the sound
track will outlast the life of the picture,
which surpasses average usage. No diffi-
culties are presented in making natural pic-
tures, and both music and voices are repro-
duced with almost uncanny fidelity. There
is no trace of mechanical imitation; every
shade and nuance of tone is heard with
pleasing fidelity, and complete synchroniza-
tion without breaks or flaws is assured by
the Photophone 's principle.
"The superior tone quality of the Pho-
tophone system lies in its superior method
of recording sound on film. That is, the
Photophone process employs the 'variable
width' or 'serrated edge,' and this ac-
counts for the very fine tone quality which
the Photophone system produces. One
other system uses the 'variable density'
method of recording, which was aban-
doned by the Radio Group in their experi-
ments some years back.
"In the Photophone recording process,
the development of the sound track is not
ARBITRATION activities in the Min-
neapolis territory are at a stand-
still, following the warning by W.
A. Steffes, exhibitor leader, that court
action will be resorted to in case any at-
tempt is made to arbitrate cases with any
board other than that composed of Film
Board of Trade and Northwest M. P. T. 0.
members.
This came about through the refusal of
Steffes to arbitrate United Artist cases,
because of that firm's service to non-thea-
tricals, and the declaration by C. C. Petti-
john, general counsel of the Film Boards of
Trade, that exhibitor members Avere dis-
qualified.
a serious matter. A little over-develop-
ment or under-development of this portion
of the negative has no bearing on the tone
quality.
"The Photophone reproducing apparatus
embodies all of the technical advancements
which the Radio Group have brought to
light in their work in the broadcasting
field. Photophone/ reproduction ip prac-
tically a 'straight line method which gives
substantially equal amplification for all
sound frequencies. Farther, the Photo-
phone does not use horns for reproduction.
It employs a newly developed and highly
perfected cone type of reproducer of the
electro-dynamic type, which gives a tone
quality which never can be approached by
the horn method.
"It is the only method of recording
sound on films already produced and await-
ing distribution, which does not destroy
a part of the picture record. The Photo-
phone Company has developed a special
optical reduction printer which enables it
to save the entire picture record and still
leave room on the film for the sound track.
Other systems destroy approximately one-
eighth of the picture in order to include
the sound track."
An effort was made by the Minneapolis
Civic and Commerce Association to ad-
just the differences, but having failed, the
association will not try again. It is said
distributors will appeal to Mayor Leach to
name arbitrators, but it is expected he
will decline. The American Arbitra-
tion Society may be appealed to as a last
resort.
According to Mr. Steffes, his organiza-
tion will attempt to prevent any substitute
board from acting in arbitration.
"We shall place every obstacle in the
way of such a board and resort to any tac-
tics necessary to protect our interests,"
said Steffes. "We propose to learn if ex-
hibitors have any rights in this industry,
and if so what they are."
Financial Details of New
Stanley Venture Revealed
Important details of the plan of financ-
ing the proposed $2,000,000 State theatre,
to be leased by the Stanley Company of
America, at 52nd and Chestnut streets,
Philadelphia, are contained in advertise-
ments of a $1,300,000 bond issue which
appeared simultaneously in newspapers
throughout Central Pennsylvania on May
22. The site of the building is 227 feet on
Chestnut street with a frontage of 117 on
52nd. It will be a steel frame structure
which will contain three large stores in
addition to the theatre which will have
3,100 seats and a large organ. It is stated
the location is in one of the most densely
populated districts of Philadelphia, and
experts have appraised the completed value
of the land and building at $2,000,000.
The advertisements explain that "the
theatre is leased for twenty years by the
Stanley Company of America, owning or
leasing about 255 theatres. The minimum
net annual rentals will be more than suffi-
cient to meet the greatest combined annual
interest and sinking fund requirements
with respect to the bonds outstanding."
The bonds, which are offered by S. W.
Straus & Co., 1617 Walnut Street, Phila-
delphia, at par and accrued interest, are
first mortgage 5% per cent sinking fund
gold bonds, dated May 1, 1928, and matur-
ing in eight years. The Colonial Trust
Company, Philadelphia, is trustee.
5 M-G-M Features Listed
for June Release
June releases from Metro-Goldwyn-
Mayer exchanges will include "The Cos-
sacks," "Telling the World," "Forbidden
Hours," "Detectives" and "Madamoi-
selle from Armentieres."
The first, "The Cossacks," has been in
production for eight months, George Hill
having handled the megaphoning of the
story adapted from Tolstoi. William
Haines with Ann Page, his 17-year old
leading lady are seen in "Telling the
World." Ramon Novarro is starred in
"Forbidden Hours," with Renee Adoree
as his leading lady. "Detectives" is a ve-
hicle for Karl Dane and George K. Arthur.
The last release for the month, "Madamoi-
selle from Armentieres," is a story of the
World War made in England by Director
Victor Saville and a cast of continental
players.
Virginia Lee Gorbin on
Tour for Gotham
Personal appearances in conjunction
with the showings of "Bare Knees" in
which she stars for Gotham Productions,
will be made by Virginia Lee Corbin, un-
der contract to the Sax organization. She
is scheduled to appear at the Strand,
Akron, O., during the week of June 3; at
the Palace, Lorraine, O., from June 10 to
June 13; and at the Ohio, Mansfield, O.,
from June 14 to June 16.
Universal Will Feature
Mary Nolan
Mary Nolan, an addition from the musi-
cal comedy stage to the players acting in
Universal productions, will be featured in
a picture for the new season. It will be
titled "Come Across." William Wyler
will direct.
Gotham Opens 2 New
Exchanges in N. Y.
AN exchange in Albany and an ex-
change in Buffalo have been
opened by Gotham Productions.
Both of these New York offices will
be known as Gotham Pictures Ex-
change. They will be under the man-
agement of Herk Webster for five
years with Bond Photoplays Corpora-
tion. The Buffalo office will be lo-
cated at 505 Pearl Street, and the
Albany office at 1046 Broadway.
First National Summer
Billing Drive June 3
THE annual summer billing drive
of First National will begin on
June 3rd and extend through a
period of thirteen weeks to Sept. 1st.
The governing rules will be the same
as were adopted for 1926 and 1927.
Branch offices have already been ad-
vised of the amount of their individual
quota. A cash prize equivalent to one
week's salary will be paid to each em-
ployee of every branch whose gross
billings for the period equal or exceed
quota, provided he shall have been in
the employ of First National through-
out the full thirteen week period.
Northwest Arbitration Tangle
Steffes Threatens Legal Action If Substitute Board
Attempts to Pass on Cases
A Second Printing Was Necessary!
TO supply the orders of Exhibitors, Theatre Executives and The-
atre Workers for the most comprehensive and authoritative work
written on the subject, the publishers, George H. Doran Company,
New York, has made a second printing of —
MOTION PICTURE
THEATRE MANAGEMENT
By Harold B. Franklin
(President of West Coast Theatres, Inc.,
and leading theatre executive)
NOW
you too may obtain a copy of this monumental work
dealing with every branch of the theatre and offering
a carefully considered presentation of the theories and
practices, tested by years of experience, making for
the successful and profitable business method of run-
ning a motion picture theatre.
The author, Harold B. Franklin, is known throughout the
industry as one of the most progressive and able theatre execu-
tives and showmen the picture theatre has developed, and one
of the leading forces contributing to the advance which the
motion picture playhouse has made from its "nickelodeon"
beginning to the palatial community institution which the bet-
ter theatre of today represents.
DON'T DELAY
The present supply of copies is by no means large enough to
supply all those who eventually will want copies of this book,
so prompt action is imperative if you want to be assured of
a copy.
THE PRICE IS $5.
Order Your Copy Today
35 Chapters and
26 Illustrations
Tell You How—
To train and maintain an or-
ganization that will function
smoothly in the running of
your theatre.
To provide adequate safety
methods.
To carry on systematic in-
spections.
To prepare a properly bal-
anced budget
To judge the effectiveness of
advertising.
To purchase equipment and
to Build Good WilL
Use This Order Blank
MOTION PICTURE NEWS,
729 Sevoath Are., New York City.
Send me postpaid MOTION PICTURE THEATRE
MANAGEMENT by Harold B. Franklin.
I enclose (check) (money order) (or (5.00.
Name
Address
Oity . .
i State
J
1896
Motion Picture News
Classified Ads
RATES: 10 cents a word for each insertion, in advance
except Employment Wanted, on which rate is 5 cents
Situations Wanted
Projectionist. Five years
experience. Desires position,
where real projection is ap-
preciated. Any equipment,
anywhere. Single, reliable.
Write or wire. Carr Hilburn,
Bladenboro, North Carolina.
A-l Male Organist at liber-
ty. Wurlitzer specialist. Or-
ganist, 1112 Lee St., Charles-
ton-Ka., W. Va.
ORGANISTS and SING-
ERS, thoroughly trained and
experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address, Chicago
Musical College, 64 E. Van
Buren, Chicago.
Studio and Laboratory
manager desires change.
Complete knowledge of came-
ras, laboratory, titles, anima-
tion, theatre trailers, news re-
leases. Best references. Want
position with future. If you
can offer good salary and need
a man who knows the game,
write Box 353, care Motion
Picture News, 729 Seventh
Avenue., New York City.
YOUNG MAN, five years'
experience as moving picture
theatre assistant manager de-
sires position in that capacity
or opportunity as manager of
small house. Experienced pub-
licity and ballyhoo man and
in the compiling of programs,
etc. Address Box 336, care of
Motion Picture News.
MANAGER 9 years in last
position. Broad experience,
married, best references,
wants position in motion pic-
ture theatre. Can make good
anywhere. Address Box 349,
care Motion Picture News,
729 Seventh Ave., New York.
THEATRE MANAGER
desires change, wife organist,
both thoroughly experienced
Vaudeville, Pictures. If your
theatre is a dead one let us
bring it to life. Best refer-
ences. Box 320, care Motion
Picture News, New York City.
ORGANIST, Male. South-
ern Exhibitors, attention ! No
finer soloist available for first
run theatre, using organ ex-
clusively. Present and past
record to prove above state-
ment. Your communication,
address Box 328, Motion Pic-
ture News, will receive
promptest attention.
EXPERIENCED OPERA-
TOR and mechanic. Best re-
ference. Would like to invest
part of salary in same theatre.
Address Box 337, care Motion
Picture News.
ORG A NI ST at liberty.
Man with excellent references
and recommendations at li-
berty. States bordering the
Great Lakes preferred. Long
hours no objective. Has good
library and uses it. Address
Box 198, care Motion Picture
News, 729 Seventh Ave., New
York City.
Wanted
WANTED.— Manager for
Motion Picture House, live
town of 8000, hard coal re-
gion. Good opportunity for
right man who must be live
wire with modern ideas and
stand strict investigation.
Don't write unless you can
make good. State all first let-
ter. Address K. R., care of
Motion Picture News, 729
Seventh Ave., New York City.
Theatre Wanted
THEATRE WANTED.—
Country Town or Suburban,
will lease or buy. Give par-
ticulars. H. R. W., 8 Down-
ing Ave., Downingtown, Pa.
1™ GRAND He*
vSSk Vimphoke
Greater C St
THAN
Singe**
neth? GRAND how
Q»9L
VlTAPHONE
TALKING
A SENSATION
f ENDERLOIN"
Greater than
*3he Theatre Of
Distinctive
Entertainment*
Newest Sensation
A New
3 ACTS VITAPHONE VAUDEVILLE
Second Smashing Week
The Vitaphone Sensation
"TENDERLOIN"
The Talking Picture
SEE and HEAR
DOLORES C0STELL0
and
CONRAD NAGEL
GENE
MORGAN'S
ORCHESTRA
The Talking Picture That
Will Be the Talk of Indianapolis
Tms Amazing Mctodmma Of NfwYorlftNiAht -CMrtfo
til* /tammtsl* WU Oflb Dramahr It I « W»«* .
8ij The Wfjpololion- Ot Sfrtfti DulMur-t ± A
turn
— „ . »s Symphonic AccoMtwuMar
EVENINGS
ANO SUNDAY
MATINEES
ip.M.-rbfcRM.
BARGAIN
Mr AMATS-roftK-fc/
VuORLD'S LATEST '
NEWS EVENTS
me UTMOST SEKSAVON
IT'S GREAT//
A group of four newspaper displays exploiting
"Tenderloin" with Vitaphone Accompaniment.
The reproductions above show the form of ad-
vertising used by IVeth's Grand, at Columbus, O.,
represented with two displays each of two-column
size; the Apollo at Indianapolis, with a three-
column display, and the Rialto in Dallas. The
Rialto ad was two columns wide.
/ u n c 2
19 28
\H')7
HOLLYWO OD
Lillian Gale Wm.Me CormaeK Ray Murray
Staff Pofretpondant WeslernRgpreseoldtw 5pvci<i) Repress nla 1 1 vt
Hollywood Office — 6581 Hollywood BlVd — Phong (2ram1e59a2 .
Film Board Secretaries
End Seven Day Session
Delegates from Various Parts of U. S. and Canada
Close Meet at the Hotel Ambassador
HOLLYWl >< >l>. May 2<>.- -The second
annual convention of Secretaries
of the Film Board of Trade closed
its week's session at the Ambassador Ho-
tel, late Saturday afternoon. Important
problems of arbitration and other matters
occupied the time of the fifty-five delegates
from all parts of the United States and
Canada. The principal point of discussion
was the new uniform contract. Every para-
graph of this important document was
taken up and thoroughly gone into by mem-
bers of the convention.
The various clauses were fully explained
by Charles C. Pettijohn, general counsel
of the Film Boards of Trade and by Ga-
briel Hess, attorney for the Secretaries'
organization. Thdre were 32 secretaries
present representing that many key cities
of the United States, and six from Canada.
All left at the conclusion of the session
Saturday evening for San Francisco and
the northern route back East. Mrs. Laura
A. Gentry, secretary of the Los Angeles
Film Board of Trade, played hostess at the
convention, and the Academy of Motion
Picture Arts and Sciences tendered them
a banquet at the Hotel Roosevelt on Fri-
day, May 25.
Many stars attended the dinner which
was presided over by Fred Beetson, chair-
man of the Association of Producers and
Distributors. Among the stars who at-
tended were: Conrad Nagel, Buster Keaton,
Russell Simpson, Richard Arlen, Jobyna
Ralston, Col. Tim McCoy, Alan Hale, Geo.
Bancroft, Jack Mulhall, Kddie Quillan,
Ken Maynard, and Robert Armstrong.
Vaudeville acts from the West Coast The-
atres circuit were furnished by Harold B.
I'mil Kohner, Universal executive receives Carl
Laernmle's personal congratulations on his
supervision of "The Man IT'ho Laughs"
Franklin. Short addresses were made by
Louis B. Mayer, Mr. Hess and Mr. Petti-
john.
The list of those who attended the Secre-
taries convention included: C. C. Pettijohn,
New York; Mr. and Mrs. G. L. Hess, New
York; Mr. and Mrs. Don Douglas, Dallas,
Tex.; Patricia Lynch, Indianapolis, Ind. ;
Mrs. R. B. Lynch, Seattle, Wash.; Edna
Priester, Albany, N. Y. ; Audrey Littell,
Pittsburgh, Pa. ; Clare Foley, San Francis-
co, Cal. ; Rowena Foley, San Francisco;
Martha Ferris, Boston, Mass.; Kathryn
Sullivan. New Haven. Conn.; (J. D. MotTct,
Cleveland, 0.; E. M. McXamce, Cincinnati,
0.; L. B. Schofield, St. Louis; Miss Doyle,
St. Louis; Alma Walton, Memphis, Tenn.;
Tess Heraty, Chicago; Theresa Drazin,
Xew York; Eva Rosenthal, Winnipeg,
Can.; Julia Heine, New Orleans; Mabel
Dietz, Minneapolis, Mum.: M. M. McCol-
lough, Indianapolis; M. R. Parkhouse, New
York; M. G. Wrenn, Charlotte, N. C.J A.
L. Menagh, Kansas City, Neb.; Leone Mat-
thews, Des Moines, la.; Rosemary Foley,
Omaha, Neb.; L. A. Gentry, Los Angeles;
Emma Applenalp, Buffalo, X. Y.; Lamar
Trotti, New York; Don Koenig, Milwau-
kee; J. I). Abramson, Chicago; Harry
Myers, Bnltc, Mont.; E. L. 0<de, Atlanta,
Ga. ; Chas. Zears, Oklahoma City, Okla. ;
J. H. Greenberg, Philadelphia; J. D. Fitz-
gerald, Washington, D. C; Jack Levine,
New York; Louis Nizer, New York; Duke
Dunbar, Denver; E. K. Oppenheimer,
Portland, Ore.; D. T. Lane, Salt Lake City;
Dan Palfreyman, Detroit; J. A. H. Milli-
gan, Calgary, Can.; F. Donnenworth, Van-
couver, B. C, and C. 0. Durnett, Toronto,
Can.
"Companionate Marriage"
Emphatic announcement has been made
by Sam Sax for himself and for Asher,
Small and Rogers, his associates in the
production of "Companionate Marriage,"
that the picture, the most ambitious effort
of this group of independents, will be put
out as a road show. No national release
has been set for it, nor will negotiations at
this end be invited, until after world pre-
mier test showings of the picture.
Betty Bronson has been signed for the
leading feminine role; Alec B. Francis,
Richard Walling, Hedda Hopper and Rich-
ard Tucker have been engaged for featured
roles, and it is not unlikely that arrange-
ments will be made to have Sue Carol
share stellar feminine honors with Miss
Bronson, since the narrative development
indicates two exceptional roles for femi-
nine players.
Judge Ben B. Lindsey and Beatrice
Van's story will be directed by Erie C.
Kenton, with Harold Schumate acting for
Sax, Asher, Small and Rogers, in super-
vision of the production.
Both Sax and Charles R. Rogers, speak-
ing for his firm, concurred in the state-
ment that Gotham Productions were in no
way concerned in the production of "Com-
panionate Marriage." The picture is be-
ing produced under the corporate title of
"C. M. Inc.," at Universal City.
"Big City" Stories Popular
According to Paul Bern, in charge of
stories at the Metro-Goldwyn-Mayer Stu-
dios, those dealing with life in a great city
are the most popular for lilmization, and
in confirmation of his opinion. Bern points
to a list of successes headed by ' ' The
Crowd." "Rural locales and period dra-
mas have lost their popular appeal." de-
clares the executive.
I.ili Damita Dined
The Hollywood Association of Foreign
Correspondents tendered a dinner to Lili
Damita, the French film star, on Tuesday.
May 29 at the Hotel Roosevelt. Samuel
Goldwyn, Irving Berlin, Sid Grauman. the
French Consul of Los Angeles, Henri
Didot, and about a hundred fan and news-
paper correspondents honored Miss Da-
(Continucd on folloiving page)
M. P. D. A. in New
Quarters
HAVING sold their clubhouse lo-
cated at 192.") Wilcox Avenue,
Hollywood, the Motion Picture
Directors Association will hold forth,
temporarily, in the Cherokee Building.
Henry Otto is president of the asso-
ciation which comprises in its mem-
bership many of the leading mega-
phone wielders of (he industry, while
Reginald Barker is chairman of the
executive- council. However, Frank
Cooley and George Irving have been in
charjje of the removal of association
headquarters which are now open and
functioning in the new location.
1898
Motion Picture News
Hollywood-
Continued
niita with their presence. Miss Rita Kissin,
secretary of the Hafco, presided.
Wampas Honors Larkin
The Wampas tendered Mark Larkin, re-
tiring president, a testimonial dinner at
the Roosevelt Hotel on Monday night, May
28. Barrett Kiesling and Fred Hamilton
arranged the affair at which the 1928
Wampas stars were honor guests. It was
a formal dinner dance and served also to
welcome the succeeding president, Harold
Hurley. Hal Roach's orchestra furnished
the music for the evening, which proved to
be a most enjoyable affair.
The Wasps Entertained
On the same night Fox Studios enter-
tained the Wasps. It had fallen to the lot
of Tammie Johnson to act as hostess at
the monthly guest meeting, but she was re-
lieved of the responsibility when the com-
pany with which she is affiliated made
known their intentions to entertain the
members of the Woman's Association of
Screen Publicists at dinner and with a pro-
gram including a movietone offering. Each
Wasp was entitled to bring one guest. The
assembly included sixty people.
Two June Weddings
Two motion picture romances came to
light this week by the parties having filed
intentions to marry. Mrs. Athole S. Ward,
sister of Norma Shearer, will become the
bride of Howard W. Hawks, scenarist on
the Fox lot, in June, and on June 3, Al
Rayboch, director, will claim the hand of
Miss Curtyne Mohr Englar, a Los An-
geles dancing teacher.
Charged With Falsity
Charged with false advertising and fail-
ure to obtain employment agency permits,
Charles A. Lynch and Mrs. DeVernal
Doran will face trial June 12. Several
young wonien allege the defendants ac-
cepted $3.50 from them on the representa-
tion that they would be booked for a pic-
ture production.
Spence Brings Suit
Ralph Spence, famous title writer, has
brought suit against the Christie Film
Company for $3,000 claiming this amount
is due him for titling the comedy "Tillie's
Punctured Romance." Spence states he
was to furnish the humorous titles for
::Tillie" for $5,000. He was paid but
$2,000 and is suing for the balance. The
Christie company asserts his titles were
unsatisfactory.
Marshall With MacLean
George Marshall, former supervisor of
all of Fox comedies, has joined the Doug-
las MacLean unit and will direct the star's
next production for Christie-Paramount.
Marshall will likely direct MacLean 's next
two pictures for the Christies.
Marion Byron Signed
During Hal Roach's recent trip around
the world, he kept one eye peeled for a cer-
tain type of girl to add to his stock com-
pany, but not until he was in New York
on his way home, were his efforts rewarded.
He found her on the screen, playing with
Buster Keaton in "Steamboat Bill, Jr."
Roach immediately wired his general man-
ager, Warren Doane, that the search was
over and to get in touch with Marion By-
ron. Consequently, by the time the chief
executive arrived in Hollywood, the deed
was done. Miss Byron has affixed her sig-
nature to a long-term contract to appear
in the Roach Star Series of Metro-Gold-
wyn-Mayer comedies.
Feature Role for Hale
With Ralph Block holding the reins
of production, Alan Hale is to be featured
by Cecil B. DeMille in Dale Collin's "The
Sentimentalists," for which a scenario
prepared by Julien Josephson was ready
when Hale completed his last role in
' ' Power. ' '
Irving's Father Roles
George Irving has been nine kinds of a
father in less than a year and upon comple-
tion of an important part in "Love Over
Night," in which he appeared as the father
of Rod LaRocque, Irving transferred his
parental duties to Tec-Art Studios, where
he re-assumed them in "The Wright
Idea."
A New Tiffany-Stahl Film
Elmer Clifton, former Pathe-DeMille di-
rector, will make "The Devil's Apple-
tree," for Tiffany-Stahl, and this organi-
zation has signed Virginia Valli to play
the feminine lead in ' ' The Rainbow, ' ' said
to be a million dollar production to be di-
rected by Reginald Barker. Exteriors for
"The Rainbow" will be made in Nevada.
Rogers at Princeton
Charles Rogers, Paramount 's newest
star, together with Director Frank Tuttle
and staff, are enjoying springtime near
Princeton University, where scenes are be-
ing made for Rogers' initial stellar produc-
tion. The Executive Board of the Univer-
sity has given Paramount permission to
utilize any of the buildings and college
Al Wilson Has Narrow
Escape in Accident
AL WILSON, stunt flier for the
Caddo Film Company, making
scenes for "Hell's Angels" while
flying at a height of 4200 feet over
Hollywood, narrowly escaped death
when the propeller of the German
Fokker battle plane flew off and the
plane crashed to the ground. Wilson
saved himself by jumping clear of
the falling plane in a parachute. The
plane was demolished when it landed
in the yard of Frank H. Spearman,
novelist on Franklin Ave., in the
heart of town.
grounds for the picture, according to word
received from Wells Root, author of the
story";
Keefe in Vitaphone Sketch
Cornelius Keefe was recently signed to
play the lead in a Vitaphone sketch entit-
led ' ' Thanksgiving Day, ' ' written by Ad-
dison Burkhardt, directed by Bryan Foy.
Keefe has rapidly gained a foothold in
motion pictures since his arrival in Holly-
wood a year ago, when he left New York
after a successful run in the juvenile lead
of the stage production of ' The Poor Nut. ' '
"Mr. Craig" Selected
Warner Baxter will play Mr. Craig be-
fore the cameras. This announcement is
made by William DeMille, who is bring-
ing the George Kelley play "Craig's
Wife," to the screen. It is the producer-
director's belief that stage plays should
be brought to the screen as accurately as
possible, and he feels confident that with
Irene Rich in the title role and Warner
Baxter playing the husband, that gratify-
ing results will be obtained.
Duane Thompson Featured
The leading feminine part in "Phantom
Fingers," which is the new title given Ba-
sil Dickey's original screen story "The
Stool Pigeon," was awarded Duane
Thompson. The cast was headed by Wil-
liam Cody, although George Hackathorne
depicted a role of major importance.
Re-creating a Carnival
A big carnival is in full swing at First
National Studios. With all the gay banners
flying, the freak tents filled with curious
visitors, the barkers shouting to the crowds
scenes are being made for "The Barker,"
screen version of the famous stage play
of that name.
Trevor Moving Forward
Hugh Trevor sold Richard Dix a lot of
life insurance and in return, Dix sold Tre-
vor the idea of going into motion pictures.
The result is that during the past year
Trevor has been kept busy playing before
cameras. His latest opus is the lead oppo-
site Martha Sleeper in "Taxi Thirteen,"
starring Chester Conklin.
Lubitseh Editing
Ernest Lubitseh, Paramount Director, is
editing his picture "The Patriot," which
will present Emil Jannings as star of the
Paramount release.
New Story for Sills
Milton Sills' next stellar vehicle for
First National Pictures will be "The
Wrecking Boss," a railroad story, dealing
with the experiences of the boss of a
wrecking crew. It is from the pen of
Frank L. Packard. Eddie Cline is to direct.
A Lunatic Contribution
An epic of journalism was recently re-
(Continucd on page 1906)
19 28
1899
Covduolod by
AvE^bibitorJorEi.bibitors>
BOX
OFFICE PROBLEMS
By Charles E.Lewis
Mana^in^DirecfonGapilonheafreMiddhlown^onn., and Palace theatre \NorwkhjBm.
Last \v c c k we
The Manager's mentioned the facf
. . that every manager
Assistant tllcatre 0perator
can utilize the serv-
ices of an assistant with an earning power
of over a quarter a million dollars a year.
Of course, on the face of this statement,
many may smile and think it ;i far-fetched
thing to say.
Those of us who run theatres in t lie aver-
age smaller town have all we can do to
properly manage the theatre without being
expected to develop or possess an unusual
knack for advertising work. True, sonic
are more fortunate than others, in that we
either possess such ability or have an assis
taut capable of handling or creating ideas
along such lines. But the greater majority
lack this ability or assistant, with the
result that our theatres suffer for want of
modern advertising ideas and exploitation.
But, is there any reason why such a
condition should exist? We have a high
salaried and marvelous assistant at our
disposal if we would but make use of him,
but, unfortunately, there are many of us
kind of old-fashioned and we plug along
in the same old way year after year, often
wondering just what is wrong with the way
we advertise and never for a moment sus-
pecting that we are not keeping abreast of
the times.
This high priced assistant we speak of
is your weekly copy of Motion Picture
News. And to make this point clearer, let
us inform you that the advertising matter
that you see in every issue is conceived and
made up by trained men in this particular
field. They are advertising specialists in
every sense of the word. They don't have
to worry about your box office receipts,
about your projection or about your oppo-
sition. But they DO have to worry about
advertising, and there hangs a tale.
Why not use their ideas? Why not make
their efforts swing business in your direc-
tion? In plain words, why not make them
work for you? They have but one thought
— to produce advertising material that will
attract attention, that will best show off the
good qualities of the pictures they are sell-
ing to YOU through the medium of the
News. And to do justice to the picture it-
self. And yet, gentlemen, you pass up the
brains of these wonderful men every time
you fail to use your News for advertising
ideas.
What a mis'take.
Why /Vol Employ Justf think wfha* an
' J asset one of those
Trained Help? nien would be to
your theatre if he
were working for you alone. If he were
concentrating on your particular problems.
You would, indeed, rejoice that you were
T
II K AT K E manager, exhibitor,
or, in fact, anyone connected
with our industry, that failed to
read .Mr. Zukor's discussion on adver-
tising, and Mr. Johnston's editorial on
same, should be placed in the dead-
wood class. There was truth and
common sense in every line and the
value of this discussion to the average
manager lies first in following Mr.
Zukor's own example. He said, "I
make it a practice to study the adver-
tisements of all the companies. I am
interested and pleased, because I know
that such advertising stimulates in-
terest in product."
That is the point that our own de-
partment on Box Office Problems and
The Manager's Round Table Club have
been preaching ever since they
started. You too should study the
advertising in every issue of the
NEWS.
He is, indeed, an unfortunate man-
ager who cares nothing for the ideas
of other men and who keeps his own
accomplishments a dark secret. The
interchanging of ideas stimulates in-
terest in what different exhibitors are
doing in all corners of the world and
the opportunity to profit by each
others' experiences by knowing what
they are doing and possibly applying
their ideas in your own community.
Charles E. Lewis.
Ready Made
Ad Copy
able to employ such a man, and no question
about him bringing results. Well, yen can
have him and a dozen like him without any
cost at all to your payroll.
Fct example, we have before us a copy of
the NEWS for April 21st, and as I glance
at the front cover the first thing that
strikes my eye is the Metro ad with a caption
that reads "Lon Chaney, you are wonder-
ful in 'Laugh, Clown, Laugh.' " Are we
going to use that caption when we run the
picture? You can bet your last dollar we
will. If we did not watch the NEWS we
might never have thought of that slogan.
Do you follow my reasoning?
On the second inside page we read a tele-
gram reproduction on "WE Americans"
that is going to be used to good advantage
when we run that picture. A little further
on we find a two-page spread on Sue Carol
in "Walking Back" that is a knockout, (if
you will pardon our slang). It contains a
blazing caption about the picture that I can
visualize right now at the heading of a
theatre ad.
In the issue of April 28th, we find some
corking suggestions for ads on "Speedy"
that no live exhibitor should overlook.
In this same issue we find some gTeat
slogans on Warners pictures that could be
utilized to mighty good advantage in mak-
ing up ad copy for our local papers.
Take any one of
Carl Laenimle's
"Straight Prom
The Shoulder"
talks and you will
find a wealth of material that you can con-
vert to your own use.
We find an ad on "Sadie Thompson"
that could almost be copied right into our
own newspaper and it would convince any
theatre-goer that it's a great picture.
Then there is First National's ad on
"Little Shepherd of Kingdom Come" that
offers great possibilities.
And at this point I come across William
A. Johnston's editorial on "Following
Through" which every exhibitor in the
world should read and digest. It is the
very essence of what this entire depart-
ment was created for. To help you sell
the picture to the public, to make you
realize the great value of your trade pub-
lication in aiding you to make up GOOD,
LIVE advertising so that you can sell your
public, whether that public is on Main
Street or Broadway. That's what we are
trying to promote, and if we can only suc-
ceed in making you look at the advertising
every week in the News, we know we will
win you over to the idea that you can con-
vert, the majority of those ads into business
getters for your theatre. It's the highest
powered advertising in the whole wide
world, so take it and use it.
But best of all these examples we have
picked on in these two issues of the News
is the thought behind these suggestions —
that you can convert them to apply to most
any picture you are going to play. The
idea is not married, in all cases, to that
particular picture.
As I keep turning the pages of this trade
publication many ideas suggest themselves
to me from as many different angles. And
if this department can convince its read-
el's to try this little interesting game, we
are certain we will win you over to these
methods. And you will be just as enthusi-
astic about them as we are and many others
whom we have alreadv "sold" the idea to.
Send in Copies
<»/ ^ our Ids
But in justice to
this department, we
want to hesitate
here just long
enough to say that
if you try it and find it works, please send
us a copy of your ads, so we can pass the
word along.
Now we have still another angle that is
sadly neglected. That is the Press Book
issued by the various producers on every
picture. There may be some argument as
to the real value of the Press Book, but
that's no reason why we can't suggest that
you make use of it for the selection of eye-
(Continucd on following faffe)
1900
Motion Picture News
attracting mats, or some idea that it con-
tains that is feasible and can be converted
for use in your town. The chief trouble
■with most of the press books is that they
seem to be turned out like sausages.
Now and then we come across one that
really contains some marvelous cuts or
mats, a REAL idea that has been created
by someone who knows what he is talking
about, and not just trying to fill up space,
and other helps in the line of Reviews and
readers already prepared.
We often wonder if the men who make
them up have ever had any real experience
in the smaller towns where such ideas
either have, or have not, any honest-to-
goodness value. We know that we could
make up a mighty different press book than
we are new getting if it were up to us.
But, anyway, don't throw it aside. Look it
over carefully and see if there is not some-
thing in it that you can use in your own
advertising, maybe you can improve on
some of the sample ads they show. Or
some caption might appeal to you. It's
worth a trial at any rate, and we know of
so many who never even ask for a press
sheet when they book their pictures.
Give This Play
a Fair Trial
Now we have
tried to set forth as
briefly as possible
the many advan-
tages to be gained
by employing your weekly issue of the
News as an aid to setting up, making up
and suggesting advertising copy. Our only
plea is that you try it for a week or two
and give it a fair trial. You will be sur-
prised to find how many valuable sugges-
tions you will get out of a single issue, and
how converting these suggestions to your
individual requirements, will improve your
own copy. Once you have tried it and
found that it means something we are cer-
tain you will continue. Bear in mind that
the suggestions offered through these col-
umns are not just imagination, but have all
been tried and found favorable. We real-
ize that it is a simple matter for us to
make suggestions, but should these sugges-
tions turn out to be unfeasible you would
soon lose faith in our little department and
that would never do.
One man's ideas alone would never be
sufficient to carry along a department like
this so please, if you try any of the
"helps" we suggest, send us along every-
thing you can on it, and we will pass it on
to your brother exhibitors. This is an open
forum, and we want you to feel that your
ideas and suggestions are as welcome as
ours.
Until next week, I leave you with best
wishes.
Paramount Starts a New
Foreign Office
With the appointment of George Kates as
"counsellor on foreign affairs," Paramount
has started an office at the Hollywood stu-
dio the main function of which will be to
advise on pictures having foreign locales.
The new department will be in constant
touch with the making of those Paramount
pictures having foreign settings from the
time of their initial scenes to their con-
clusions. It will endeavor to make the films
technically correct in all details and elimi-
nate anything that will offend foreign
countries.
THE MANAGER'S
ROUND TABLE CLUB
Applications for membership in the Club are
coming in fast, so don't delay. We are reproducing
the application blank again this week.
It is my contention that from the Exhibitor's
and Manager's viewpoint, the MOTION PICTURE
NEWS is the leading trade publication of today.
And it is the purpose of this Club to educate all its
members to "USE THE NEWS" and use it often
and regularly.
The Manager's Round Table Club is the Clearing
House for all Box Office Problems and ideas and the
exchange of such ideas and problems will be of ma-
terial benefit to every manager wherever the NEWS
is read.
Don't forget to send us your photo together
with your application for membership. If you have
not got one, then have one taken right away. This
idea of Managers hiding themselves away in all
corners of the earth is alright, but there is no excuse
for keeping yourself a secret. We want to hear from
you and we want to see you, — and so does everyone
else.
Charles E. Lewis
Chairman.
APPLICATION FOR MEMBERSHIP IN
"MANAGER'S ROUND TABLE CLUB"
I hereby apply for membership in the club and promise
to send in, for publication, a complete description of every
successful advertising campaign or exploitation that I put
across.
Name
Address Policy
Theatre Capacity
City State
Honorary Chairman Chairman
Wm. A. Johnston Charles E. Lewis
J une 2 , 192>
Key City Reports
New York City
ON the whole the Broadway picture
houses last week had nothing to com-
plain about. The continuous run the-
atres with nothing particularly outstanding
in the way of picture attractions did a highly
satisfactory business — which to a certain ex-
tent can be attributed to the sort of weather
that made theatregoing propitious at this
time of the year. Summer did not arrive
and so the playhouses were not bothered by
competition from the outdoor attractions
normally of very great appeal at this period.
One of the best figures of the week was
recorded at the Paramount, where Paul Ash
and "Something Always Happens" were the
attractions. Ash is credited with a big
share of the business brought in and it
totaled higher than his opening week on
Broadway, thus seeming to indicate that the
former Chicago matinee idol is finding his
way around very quickly at the Times
Square cinema palace.
The Roxy with "Don't Marry" and all
the Roxy embroideries had a good week,
collecting a goodly sum that ranged between
$95,000 and an even hundred thousand.
At the Capitol a revival of "The White
Sister" failed to stir up any especial excite-
ment and the trade was not very heavy for
a house that size. This makes a stretch of
three weeks during which the Capitol has
turned in only light averages.
The Strand had a very good week with
"The Yellow Lily" as the screen attraction.
This house soon is to offer sound pictures
via the Vitaphone and Movietone process.
"Tenderloin," will inaugurate the talkie fea-
tures at the Strand, which is now being
wired for the sound equipment.
The other continuous run house, the
Cameo, had an average week with "A Daugh-
ter of Israel."
John Barrymore's new starring vehicle
"Tempest" rushed into prominence among
the two-a-day screen attractions with a
bang-up week at the Embassy, where it
played to capacity audiences. "Wings" at
the Criterion maintained its place in the sun
as one of the Broadway hits. Traveling
along at a smooth pare, also, is "The Trail
of 98" at the Astor. "Street Angel," at the
Globe, and "The Man Who Laughs" at the
Central did very well. "Four Sons" closes out
at the Gaiety— where it will be supplanted by
"Fazil"— with a fair record of achievement at
the box office. At Warner's "Glorious Betsy"
with the Vitaphone accompaniment con-
tinued to do a highly satisfactory business.
"Ramona" at the Rivoli had a good second
week and showed signs of wearing well as
a Broadway attraction at this long run
house. "Steamboat Bill, Jr.," failed during
its two weeks at the Rialto to show any
particular strength and let the Rialto down
to low figures before it was followed in by
"The Street of Sin."
When Tom Mix and Tony departed from
the massive Hippodrome, they took with
them the house attendance record. On Sat-
urday approximately 5,000 people, mostly
children, contributed to the financial intake
of the K-A-O house. The cowboy star
delivered a rambling monologue, shot a rifle
or two and signed autographs for adoring
children. However, one had to be close to
hear what he was saying. "Hot Heels,"
starring Glenn Tryon, was the film attrac-
tion. Mix over-shadowed it.
Chicago
A SLIGHT improvement in attendance
■* was apparent during the week just
ended and the majority of Chicago houses
played to better mid-week business than for
some time past.
"Diamond Handcuffs," was the screen at-
traction at the Oriental and Al Kvale, an
old-time favorite at this theatre lead the
stage band, good crowds being the rule for
the week. "Skyscraper," the feature at the
Chicago, with a strong stage show includ-
ing some well known stars, did only an
average business.
"Laugh, Clown, Laugh" was brought back
to the loop for a second run and did well
at the Roosevelt, and "The Street of Sin,"
continued to pull at the McVickers theatre.
"Sadie Thompson" is drawing near the
end of its successful run at the United
Artists theatre and promises to go out of
the loop with an excellent box office record.
"Glorious Betsy" has caught on well at
Warners' Orpheum, talking movies interest-
ing the public.
The Uptown offered "Legion of the Con-
demned," and Pagoda Land on the stage
to average business. "Don't Marry" was the
screen feature at both the Marbro and Gran-
ada with big stage shows, Vitaphone acts
and Movietone world events thrown in for
good measure, and business was satisfactory
at both theatres.
"Speedy" did fairly well at the Capital, and
"Tenderloin" pulled well at the Avalon, both
features being shown on a program includ-
ing stage bands and acts.
Netv Orleans
BOX office receipts at the downtown mo-
tion picture houses have experienced a
big drop during the past few weeks. Man-
agers attribute this to the large amount of
unemployment in the city. However, they
are all optimistic, especially so since the
flood control bill has been signed by Presi-
dent Coolidge, and predict that a revival is
not far distant. Also, the city's officials
have announced that work on a number of
municipal buildings will get underway
shortly and this will put several thousand
persons to work.
It was a toss up between Loew's State
Theatre and its across the street neighbor
the new Saenger Theatre, for first honors
in the best business competition. Loew's
State featured Milton Sills in "The Hawk's
Nest" on the screen and business was better
than it has been for several weeks. The
picture drew them to the house as the stage
program was rather weak. At the new
Saenger the stage bill was not up to aver-
age and credit for bringing whatever busi-
ness this house did can be given to "The
Yellow Lily," starring Bill Dove.
At the Orpheum "Dressed to Kill," with
Edmund Lowe and Mary Astor, was the
highlight of the show, although the stage
bill was better than previous weeks. Bebe
Daniels was starred in "Feel My Pulse," at
the Strand theatre and was liked by those
who saw it. "We Americans" had its local
premiere at the new Saenger several weeks
before and the Globe's business was not up
to average.
"Harold Teen" with Arthur Lake was the
Trianon feature but wasn't strong enough to
draw them in, in large numbers.
Tampa
RAIN finally arrived and we had three
days and nights of intermittent showers
last week, which broke the drought and was
worth untold value to the State, but, for the
show shops, "not so good."
The Victory came the nearest to keeping
receipts up to the mark the first, and rainy
half of the week. The attraction was "Walk-
ing Back" with four Vitaphone presentations
and the Movietone.
Since this house installed the sound pic-
tures each show has been given an entire
week and two of them were held over for
a second week. This week Manager Peck
decided to change the schedule and cut the
above program to four days so as to bring in
"Glorious Betsy" for a run of ten days. The
three days of this week went over fine and
from the way the customers are boosting it,
next week should put the house away over
the average.
The Tampa had "Hold 'Em Yale" as the
feature for the first half. The picture seemed
to pack plenty of kick and was liked real
well, but it couldn't buck the weather. "The
Fifty-Fifty Girl" went over better the last
half helping out the average for the week.
The Strand had an off week. "The Big
Noise" opened Sunday to average business
but failed to hold up Monday. "Their Hour"
followed for a three days' run, and it failed
to draw. Both these pictures had adverse
weather against them. "Lady Be Good" fin-
ished the week to average receipts.
"Josselyn's Wife" and "The Slingshot Kid"
were the first runs used by the Franklin,
with "The Divine Woman" and "West
Point" in for second showings. None of them
drew what would be average receipts for the
house.
Minneapolis
BUSINESS was a bit better than usual at
the Minneapolis movie theatres this
week . The Minnesota enjoyed its best busi-
ness for several weeks with Richard Barthel-
mess in "The Little Shepherd of Kingdom
Come," supplemented by the Publix stage
unit show "Gems."
The Minnesota, by the way, has just
started a policy of laying more emphasis on
the feature picture, and is expected to show
much stronger photoplay attractions in the
future.
The Vitaphone picture "Old San Fran-
cisco" showed to good crowds at the State,
while the ever popular Beery-Hatton trio
scored at the Lyric in "Partners in Crime."
Pantages found that "Why Sailors Go
Wrong" with Ted McNamara and Sammy
Cohen, pleased the comedy fans, while the
Hennepin-Orpheum rounded out a good bill
with Irene Rich in "Beware of Married
Men."
The Lagoon, a neighborhood house, did
a fine business with Harold Lloyd's
"Speedy." Other outlying houses, includ-
ing the Loring, Arion, American, Lyndale
and Rialto, were showing such pictures as
"Rose Marie," "Devil Dancers," "Two Flam-
ing Youths," "The Garden of Eden" and
"The Warning."
About the only competition the movies
had was at the Shubert, where Edith Talia-
ferro opened as a guest star with the Bain-
bridge Players in 'What Every Woman
Knows."
1902
Motion Picture News
Buffalo
FpOR the second time in a month, the La-
fayette is holding over a picture for a
second week's run on account of the tremen-
dous box-office appeal it showed in its first
week's showing. Right after "Tenderloin,"
talking picture, wound up a two-weeks' en-
gagement, during which the house's previous
box office records were broken, another talk-
ing picture, "Lion and the Mouse," was in-
stalled for a week and it went over so big
that Manager Bill Raynor is holding it over
for one more week.
Other houses showed similar prosperity
during the past week. Shea's Buffalo pre-
sented a bill that drew good crowds steadily
throughout the week; the screen feature was
"Ramona," which had been ably exploited
and met with favorable comment from the
patrons, and the stage presentation was
"Knick Knacks."
Loew's State did a normal week's business
with Theodore Roberts, in person, headlin-
ing the vaudeville bill, luring good crowds,
along with the picture, "Diamond Hand-
cuffs," featuring Eleanor Boardman. At
Shea's Hippodrome, "Sailors' Wives," star-
ring Mary Astor and Lloyd Hughes, on the
cinema, and a stellar vaudeville program
headlined by Al K. Hall, clown comedian,
brought average box-office returns.
The Great Lakes did the usual run of busi-
ness with "The Showdown," featuring
George Bancroft and Evelyn Brent, as the
picture, and an army of freaks, direct from
circus tents, as a novelty stage presentation.
Neighborhood houses got their share of
patronage and did pretty well during the
week.
Seattle
THE Fifth Avenue Theatre, with "Legion
of the Condemned" as the screen attrac-
tion, was the local prize winner of the last
week, taking first honors in a week of only
mediocre business at all the houses. The
air film, played just a week in advance of the
road showing of "Wings," was very well
liked by the audiences, and was put across
by a strong advance teaser campaign. Fan-
chon-Marco's stage act consisted of several
specialty numbers, including Bailey & Bar-
num, Nell Kelly, and a number of excellent
dancers, and the stage and film units com-
bined to make a very presentable show that
played to good business.
At the Seattle Theatre, "The Actress" was
the screen attraction, and it played to busi-
ness that was slightly below par. The Pub-
lix stage show, as usual, was very acceptable
and seemed to please everyone. The film did
not have particularly strong box office ap-
peal. Business only moderately good.
The Blue Mouse Theatre, playing "Ten-
derloin" for its second week, still continued
to draw very big houses, with long waiting
lines every night. The film is attracting
much attention, but is far from a strong
story and audience opinion is not entirely
favorable. Regardless of that, the fact that
it is the first "talking picture' is all that is
ncessary to assure packed houses, and the
second week was very good. A third and
final week follows.
"Nevada" was the attraction at the Colum-
bia Theatre, and it was decidedly below par.
Business was not very good. An interesting
two-reel color subject and some good musi-
cal specialties were the saving features of the
program. A week below normal.
"The Garden of Eden" at the United
Artists Theatre was another film that was
not up to standard. It played to fairly good
business for the week, but was far from be-
ing a strong box office picture or a particu-
larly good film achievement. Business be-
low average.
At the Orpheum Theatre "Skinner's Big
Idea" combined with a fair bill of vaudeville
played to mediocre business. The film had
no appeal.
"A Thief in the Dark" at Pantages was
slightly better, but business at this house
also has been below normal during recent
weeks. Both these vaudeville houses were
under the average toll.
"The Red Signal" at the Embassy,
"Aflame in the Sky" at the Winter Garden
and "Truxton King" at the Palace Hip were
all mediocre films that played to business
which was nothing more than ordinary.
Altogether, suburban houses included, it was
a week below par.
Cleveland
A WEEK of very cold weather and of
* * very good pictures made a happy com-
bination for the theatres, and all of the first-
run houses reported business that would be
considered good at the height of the season.
"The Enemy" in its second week at the
Stillman, continued to draw big houses. It's
an unusually fine production and Lillian
Gish was never seen to better advantage,
"We Americans" literally packed Keith's
Palace regularly each day. It's stirring and
interesting and entertaining and possesses
that spark of universality that makes
brothers of us all. "Harold Teen," a comedy
of the younger generation, with excellent
cast, went over big at the Allen with a Jazz
Week accompaniment. "Three Sinners" at
State, a tale of continental marital
tangles, did average business.
The Park also had about its average quota
of business last week with "Across the At-
lantic" as the feature. The picture has thrills,
especially the trans-oceanic flight, which
make it interesting. Keith's East 105th was
satisfied with box office receipts during the
run of "Feel My Pulse," a thoroughly amus-
ing comedy. "His Foreign Wife," mildly in-
teresting conventional tale, did just fairly
well at Reade's Hippodrome. "Wings," just
through its seventh week, is still going
strong at the Colonial and will continue sev-
eral weeks longer.
Neighborhood theatres looked up a bit last
week. Due, no doubt to the cold weather
and the impracticability of outdoor amuse-
ments.
Harrisburg, Pa.
CONSIDERABLY cooler weather the last
half of the week of May 21 revived to
some extent the business of the motion pic-
ture theatres in Harrisburg which during the
first three days had shown a falling off of
business due to heat and the counter attrac-
tion of outdoor amusement places beginning
to open for the summer season. The most
talked-of picture, perhaps, was "Drums of
Love," at Loew's Regent. The play, featur-
ing Mary Philbin, Lionel Barrymore and
Don Alvarado. Bebe Daniels won lots of
laughs from her audience in "50-50 Girl,"
at the Victoria, and, as a newspaper critic
remarked, her supporting company was espe-
cially good. The week's attraction at the Co-
lonial was Rin-Tin-Tin, in "Rinty of the
Desert," and the famous dog was declared
in one newspaper review to have appeared
at his very best. Rin, as usual, attracted a
large percentage of children particularly at
the Saturday matinee.
John Gilbert in "St. Elmo," was the screen
offering at the State, the last three days, and
this play had a big appeal to the feminine
element with whom Gilbert's acting is very
popular in Harrisburg. The first half of the
week the State showed Irene Rich in "Pow-
der My Back," which went over well.
Colleen Moore in "Twinkle Toes" drew
fairly well at the Royal, while the Russell
did satisfactory business with "The Enemy,"
starring Lillian Gish and Ralph Forbes.
Monte Blue, in "The Bush Leaguer," and
Fritzie Ridgeway and Gene Gowing in "Face
Value," made up a double bill at the Broad
Street that was a strong combination.
Indianapolis
MOVIE business was exceptionally poor
last week as the result of adoption of
daylight saving time and several days of fine
weather. Although downtown houses are
continuing on the central standard time
schedule they are expected to suffer heavy
losses because of the increased number of
patrons who will seek amusements elsewhere
in the extra hour of daylight.
"The Crowd" at Loew's Palace did not
meet expectations although the Palace and
Indiana led downtown houses for business
for the week. Baby Peggy in "oddities," a
stage presentation, and Emil Seidel's band
were added attractions at the Loew's house.
The Indiana did fair business with "The
Play Girl," Charlie Davis' stage band con-
tinuing to draw heavily.
Receipts continued off at the Circle with
Mary Astor in "Dressed to Kill." Dick
Powell substituted the last minute for Eddie
Pardo in "The Yachting Party," stage pre-
sentation.
Richard Dix in "Easy Come, Easy Go,"
with movietone and vitaphone vaudeville
acts did moderate business.
Neighborhood houses began to feel the
summer slump in business.
Indianapolis motor speedway on Decora-
tion day will draw hundreds from the movie
houses this week.
Milwaukee
MILWAUKEE theatres enjoyed a very
brisk week, a pleasing contrast to last
week's poor business. The weather was very
cool and for the most part clear.
The Wisconsin theatre did unusually good
business with Van & Schenck heading their
bill, and "Feel My Pulse" as the feature pic-
ture. The house was crowded at practically
every performance. The Orpheum was
packed at every performance also; "Love
Hungry" here made a strong appeal to the
patrons. "Sadie Thompson" was held over
at the Garden for a second week and con-
tinued to draw exceedingly good houses.
"13 Washington Square" at the Alhambra
was fairly well attended.
"Diamond Handcuffs" did very good busi-
ness at the Merrill. "Burning Daylight" at
the Strand played to very good houses.
"Why Sailors Go Wrong" was the photo-
play feature at the new Riverside offered on
a very good bill, and the patronage as a con-
sequence was satisfactory.
Neighborhood theatres were also very suc-
cessful in drawing excellent business this
week. The Oriental with "A Girl in Every
Port" found things very lively. "Mad Hour"
was featured at the Garfield, Uptown, Tower
and Modjeska and was a fair drawing card.
"Let 'Er Go Gellagher" brought good bus-
iness to the Venetian.
Atlanta
A TLANTA theatres this week took an up-
/* ward boom, although having very bad
weather to battle.
The Howard rose high with Emil Jannings
in "The Street of Sin" plus a good presen-
tation.
Next door, Loew's Grand playing
"Skirts," an English production with Sydney
Chaplin enjoyed a good week.
At the Metropolitan, Lois Wilson and H.
B. Warner in "French Dressing" proved a
favorable number, while "Tenderloin" con-
tinued its successful third week's run at the
Rialto.
Keith's Georgia rose above last week with
"Golf Widows," a Columbia comedy, aided
by an unusually good vaudeville.
"Phyllis Haver brought full houses to the
Capitol in "The Wise Wife," one of the
cleverest comedies seen in a long time.
The Tudor with "Casey Jones" and "Blood
Will Tell" had a larger week than usual,
and the New Alamo enjoyed its usual sub-
stantial box-office.
June 2 , 19 28
Philadelphia
THIS week in Philadelphia was character-
ized by average business in practically
all of the first run houses.
The Stanley had a good week with Wal-
lace Beery and Raymond Hatton in "Part-
ners in Crime" and a colorful revue "In Ber-
muda" with Buddy Page as master of cere-
monies, featuring Walters & Ellis, adagio
dancers, Madeline Killeleen, Liebling Sing-
ers, The Eight Revelers and Sully and
Coogan.
Enthusiastic audiences at every perform-
ance greeted the "Maytime Revue," a
musical comedy offering, which proved the
principal drawing card at the Carman, the
film feature "The Escape," being of sec-
ondary importance. In response to demands
of patrons for earlier and later shows, the
Carman reverted to its former evening pol-
icy, picture shows being shown three times
with stage presentations twice.
Richard Barthelmess, in "The Patent
Leather Kid," which proved such a pro-
nounced success at the Erlanger Theatre
earlier in the year, drew good crowds at the
Stanton all week.
The Fox with H. B. Warner and Lois
Wilson in "French Dressing" and a varied
surrounding bill, had a fairly prosperous
week.
The Arcadia had rather an off week with
"Baby Mine," a comedy featuring Karl
Dane and George Arthur.
Very satisfactory results marked the first
week of "Old San Francisco" with Vita-
phone accompaniment at the Aldine. There
was also a prologue and Tiffany color sub-
ject.
The Allegheny has inaugurated its new
summer policy of presenting high-class
musical comedies by a stock company of 35
principals and chorus. Audiences found a
delightful combination offered in the play
•-.\lary" and the latest Talmage film "The
Dove."
The Victoria, with "The Private Life of
Helen of Troy" aided by an elaborate lobby
display, had a satisfactory week.
The Karlton with "The Enemy" and the
Capitol with Douglas Fairbanks in "The
Gaucho," did normal business.
Des Moines
At the Capitol Theatre, the stage show
taken from "The Mikado," was given a
vote as being unusual, and met with good
reception although some patrons opposed a
program which did not give Jimmy Fllard
a chance to sing. The picture was "Partners
in Crime." The plot of the film is engaging
and holds up Raymond Hatton and Wallace
Beery, who are good enough, but have to
have something new to be accepted with
regularity.
At the Des Moines, "Diamond Handcuffs"
was not considered so strong, but the Vita-
phone drew in a good week's average at the
box-office, cutting into business at the Cap-
itol.
At tin' Strand. "Ben Hur," on second run
did splendid business, as did "Bringing Up
Father."
San Francisco
A FAIRLY cloudy and foggy week helped
increase the box office reports of the
first run motion picture theatres. When the
weather is exceptionally good, the people
in San Francisco go to the beach. Business,
however, generally in both first run and
residential motion picture theatres, did but
fairly well with a few exceptions where
extra good reports were made.
"The Little Shepherd of Kingdom Come."
at Loew's Warfield Theatre, together with
the presentation act of 20 pretty playmates,
was the outstanding attraction of the week.
The theatre was crowded every day and
night. "The Big Killing," with the Publix
Revue at the Granada Theatre, also did ex-
ceptionally well every day the picture was
shown. The crowds enjoyed the showings
at these two theatres.
Charlie Chaplin in "The Circus," was held
over a third week, but the people were dis-
appointed in his acting and it was not
boosted by those who saw it at the St.
'Francis Theatre. "The Street of Sin" was
held over another week at the California
and although it was considered wonderfully
produced, the theatre itself did very poor
business. The production is not blamed for
this, as Jannings is very popular here.
"Wings" shown for a third time at the
Columbia theatre at increased prices, where
the seats are reserved, did good business.
"The Heart of a Follies Girl" helped draw
many to the Golden Gate Theatre, the spe-
cial acts being the main attraction.
The Union Square Theatre, reported good
business with "His Rise to Fame," "Fleshy
Devils," "The Race to Paris" and its vaude-
ville. Denny made a big hit at the Pan-
tages Theatre in "Good Morning, Judge,"
many more would have been there if the
house would be in a better location, how-
ever.
In the residential motion picture theatres,
the Alexandria did very well with Jannings
in "The Last Command" and the Coliseum
did very well with "Sporting Goods" and its
presentation act. Both of these theatres are
Ackerman, Harris & Oppcn theatres.
Albany
"DlTSINESS at the majority of Albany's
motion picture theatres was satisfactory
during the past week, and this in face of con-
siderable opposition from the legitimate at
the Capitol Theatre.
There were three money getters in Albany
during the week. The first of these was
"Ramona," playing to standing business each
night during the week at the Mark Strand.
The picture was coupled with two Vita-
phone presentations. The Leland used "The
Smart Set" and packed the house throughout
the week, the picture being of the sort that
drew both men and women from all ranks
of life. In addition to the feature Manager
Sayles used an exceptionally good Grantland
Rice picture, and added to the usual news-
reel several shots taken of the German fliers
when they were in Albany the fore part of
the week The Mark Ritz did not do so bad
with "The Crimson City," although consid-
erable exploitation was apparently necessary
to attract the crowds. Clinton Square con-
tinues to do well with its weekly change of
double features, first-run, and staged
"Bachelor's Paradise" and "The Whip
Woman."
The majority of the residential houses
said that business was above the average for
this time of the year. Weather continued
cool.
Tn Troy, "Easy Come, Easy Go," at the
Lincoln Theatre, had the crowds lined along
the sidewalk on Sunday night, and business
on a par with the winter months kept over
a four-day stretch. The remainder of the
week, given over to "Ham and Eggs at the
Front," did not pan out any too well.
"The Crowd" ran to excellent business for
four days at the Troy theatre, but there was
a noticeable falling off with "The Crimson
City" during the remainder of the week.
The main trouble in Troy la-t week came
from a personal appearance on the part of
Peaches Browning at Proctor's theatre. The
movies were deserted by many who Rocked
to the Proctor house and then found them-
selves unable to get much farther than the
lobby.
Daylight saving appears to have hit the
theatres in Troy harder than in Albany, busi-
ness being reported about one-third off
from normal. Reports reaching Albany's
'Film Row from the rural section indicate
that business is also off in many of the
smaller towns.
Ottawa
EXCELLENT pictures, excellent patron-
age— excellent week — were enjoyed by
the exhibitors of Ottawa, Ontario, generally,
from May 19 to 26, one day of which. May
24 was a general holiday, being Victoria
Day, when the Weatherman drove thou-
sands to the theatres with timely showers.
The attraction that was most "talked"
during the week was "The Last Command"
at the Regent Theatre, where it held the at-
tention of big crowds every afternoon and
night.
A feature that caught the popular fancy
was "The Escape" at B. F. Keith's Theatre.
Lots of people told Manager J. M. Franklin
that they enjoyed this one very much and he
heard no complaints.
An interesting situation prevailed at the
Imperial Theatre. The big one here was a
revival of "The Hunchback of Notre Dame."
The engagement opened with the largest
matinee crowd in months and the attendance
reached near-record proportions for the
week.
The Centre Theatre had a busy box-office
with "Lady Be Good," this being the only
light entertainment photoplay during the
week locally. The younger element were
tickled by its snappy theme and peppy at-
mosphere.
Lon Chaney caused another big rush to
the Fern Theatre where he was seen and
enjoyed in "Unknown." Other subjects here
included "Here Comes Precious" and the
serial "Melting Millions." They were stand-
ing in line waiting for the box office to open.
All of the neighborhood cowboys caught
the show at the Rex Theatre where the at-
traction was "Cactus Trail" and a chapter
of "Blake of Scotland Yard" helped to fill
the house each evening and Saturday
matinee.
There was a fair parade to the Colum-
bia Theatre to see "The Whispering Sage."
with a mind reader as an added attraction.
St. Louis
GENERALLY speaking business in St.
Louis and its environs was better the
past week than for the average in some time.
Good bills and fair weather from a theatre
standpoint helped cr, tone up the box office.
Employment is also on the increase and
neighborhood houses are doing somewhat
better than in the periods of extreme depres-
sion, but business is far from ideal.
Down at the Ambassador Theatre this
Ed. Lowry person who presides as master
of ceremonies of the stage show continues
to go like a house afire, so the screen at-
traction doesn't mean much either way.
This week the feature film was "Broken
Dreams" or "Doomsday" with 'Florence
Vidor and Gary Cooper as the stars and got
by very nicely.
Loew's State Theatre offered "Rose
Marie" with Joan Crawford and James Mur-
ray and had a very fair week everything
considered
Missouri Theatre's screen feature was
"Lone Eagle" with Raymond Keane and
Barbara Kent. It came during the celebra-
tion of the first anniversary of Col. Lind-
bergh's (light to Paris in The Spirit of St.
Louis but how much that helped the box
office was not apparent.
At the St. Louis Theatre the screen at-
traction was "Hangman's House" with
Victor McLaglen and June Collyer.
The Grand Central offered via the Vita-
phone "Glorious Betsy" with Dolores C«>s-
tello and Conrad Nagel in the leading roles.
This theatre continues to do big business
with the talkies.
The Vitaphone has converted a loser int<>
a winner judging from the business at the
Grand Central.
1904
Motion Picture News
Salt Lake City
THE Salt Lake City downtown motion
picture houses had very good business
as a whole the past week, considering the
fact that the warm season has commenced.
The Capitol Theatre did a very satisfac-
tory business with Corinne Griffith in "The
Garden of Eden," having also presented the
Fanchon and Marco stage presentation "In
Holland."
The Pantages Theatre is reported to have
had a tremendous week with "Across of
Singapore" having established house records
here. The regular vaudeville bill was also
presented at this house.
The Paramount Empress Theatre did ex-
ceptionally well with George Bancroft in
"The Drag Net." Wallace Beery and Ray-
mond Hatton in "The Big Killing" played
to fairly big crowds at the Victory. Monte
Blue, Clyde Cook and Leila Hyams in "The
Bush Leaguer" was the feature picture offer-
ing at the American with fairly good results
having been enjoyed.
The Gem Theatre did an unusually big
business with "The Forbidden Woman," fea-
turing Jetta Goudal, with packed houses
throughout the week being the result. "The
Student Prince" was presented as a second
run at the Rialto Theatre to fairly packed
houses.
The New State Theatre here has been
packed most of the time since the opening
two weeks ago. The feature pictures offered
last week were "The Haunted Ship" and
"Tea for Three."
Betty Blythe in "She," a first run presen-
tation here, has proven to be a drawing card
of merit at the Jewel Theatre of this city,
having been held over for a few days.
"The Night Flyer" with Wm. Boyd, is
being shown at the Towers Theatre. This
picture having been made in Southern Utah,
is always a drawing card here.
Dallas
THE Dallas theatres had only fair attend-
ance last week, the Melba being the
only one to have more than the average
crowds.
The Melba Theatre enjoyed one of its best
weeks since its opening as a Publix house
with the showing of its second vitaphone
picture, "Tenderloin," featuring Dolores
Costello and Conrad Nagel.
"Hold 'Em Yale" at the Palace failed to
bring the usual Palace business. Few people
are interested in foot ball at this season, and
the stage presentation was not heavy enough
to make up for the picture.
The Majestic had only an average week
with "Hangman's House," starring Victor
McLaglen. The Bathing Girl Contest was
responsible for part of the week's receipts.
"Bare Knees" with Virginia Lee Corbin
brought the average business to the Capitol.
The Old Mill had a dull week with George
Sidney and Charlie Murray in "Flying
Romeos."
The Arcadia did good business with
Charlie Chaplin in "The Circus" and "Sharp
Shooters" with Lois Moran and George
O'Brien.
Cincinnai
BUSINESS at the various houses during
the past week did not set any high at-
tendance records, and while one or two of
the houses maintained a fairly steady flow of
patronage, the others did not get anything
like good breaks.
The Albee featuring "Laugh, Clown,
Laugh," together with some excellent stage
presentations, did fairly well, although busi-
ness was not up to the usual high mark for
this house.
"Ramona," at the Lyric, rounded out its
second week with a somewhat better record
than the preceding seven days, although
there was still room for some improvement.
The Capitol, with Marion Davies in Qual-
ity Street," together with Vitaphone and
Movietone, had a satisfactory week, but not
one that will go down in history as some-
thing to shoot at.
Keith's featured "The Escape," and man-
aged to hold up satisfactorily, although this
house has had better weeks to its credit.
"Midnight Rosie" for first-half at the
'Family and "A Woman's Way," last half,
did an average business for this house, which
has a following all its own on account of
the lower admission scale.
The Strand in "Burning Daylight," had a
fair week, and that's all.
Palace, vaudeville and pictures, did a good
business, although neighborhood and subur-
ban houses report returns considerably be-
low normal for the past seven days.
News Reel Resume
In International News Vol. 10 No. 42
were the following items : The finish of
"Cold Cash" Pyle's "bunion" derby; in-
ventor of the ornithopter giving his bird-
like plane a test; Mayor Walker inspecting
the new New York subway; Helen Jacobs,
tennis star, in final practice for English
snatches; Coast Guard cadets march at
dedication of Arlington world war memo-
rial; Salvation Army honors Gen. Wm.
Booth, its founder, in England; Jap babies
painted as charm against disease; chim-
panzee in a wire walking act; test of ar-
tillery at Fort Story, Va.
No. 43 shows recent views of General
Nobile and his derigible, the Italia; lum-
ber shipment riding the rapids; Chicago
girls seeking beauty crown ; students of
University of Miami diving for submarine
specimens; J. L. McNab, who will nominate
Hoover at G. 0. P. convention; co-eds in
a football clash; Hawaii honoring mothers
of visiting sailors; Stanford winning the
intercollegiate meet at Cambridge, Mass.
In Fox News Vol. 9 No. 69 were views
of the crash between two vessels in New
York harbor; the President and Mrs.
Coolidge visiting home at Northampton;
German zeppelin nearing completion at
Friedrichshaf en ; Gene Tunney in training
at Speculator; imported African beasts for
zoos; girls rehearsing for St. Louis opera;
Joie Ray setting a new mark for a mara-
thon; chorus girls display the new spring
styles; the historic gardens of Versailles
opened for the summer; Mexico's cavalry-
men in difficult stunts.
No. 70 had scenes of the Bremen crew's
welcome at Albany; Spain's King and
Queen at review of army reserve; King
George and Queen Mary; Kins Gustav of
Sweden; Pennsylvania girls contest to be
state's representative at beauty show; an
exercise device invented in England;
breaking ground for the new $5,000,000
college for Los Angeles; society girls play-
ing golf; U. S. sculptor who won Paris
salon prize; camel taxis crossing the Amer-
ican deserts; the beautiful Victoria Falls
in the heart of Africa; coast artillery dis-
play at Fort Story.
Issue No. 87 of Paramount News in-
cludes shots of U. S. Marines landing at
Shanghai; new British plane in test flight;
Sec'y Mellon dedicating new memorial at
Arlington Cemetary; the "bunion" derby;
test of the ornithopter on Florida beach;
motor boats racing at Long Beach, Cal. ;
army guns boom in practice at Fort Story;
scenes of Wilkens and Pilot Eielson, Spitz-
bergen after completing the hop across the
North Pole.
M-G-M News Vol. 1. No. 82 leads off
with glimpses of the competitors in the
Pyle cross-country race. Its other scenes
are: salmon battling falls to push up-
stream; fete at Luxembourg; new air de-
stroyer of Britain in test flight; General
Nobile and Spitzbergen, his base for Polar
flight ; ice jam near Moscow breaks causing
rejoicing; Uncle Sam trying out his coast
guns at Fort Story, Va.
Kinograms No. 5399 features German
motorcyclists competing for championship;
floral procession at San Jose; Sir Hall
Caine in a camera interview. A fine nov-
elty is had in close-up scenes of a cat moth-
ering a brood of chicks. Other items in-
clude Japanese women flocking to their
special shrines; young men made up as
chorus girls for college show; a collapsible
tank for swimming; a display of style
aloft in the clouds.
Pathe News No. 45: "bunion" derby
finish ; unveiling a memorial in France ; the
Knight Templar parade in Reading, Pa.;
wooden hats which Parisian women are
now wearing; college troops erecting a
bridge in 30 minutes; General Lassiter as-
suming command in the Philippines; Gen-
eral Nobile and the Italia.
Fay's Theatre, Rochester,
Closed by Fire
Fire last Wednesday night gutted Fay's
Theatre, Rochester, N. Y., so that the
house has been compelled to close down
temporarilv. The first and second balco-
nies were virtually destroyed by the flames
which did damage estimated at $10,000 and
for a time threatened the destruction of
the entire building. Chester Fenyvessey,
owner of the property, has announced that
a cigarette dropped into a crack in the
gallery floor, caused the fire.
' No time has been set for the reopening
of the house.
M-G-M Details Tour
of Lion Mascot
THE proposed tour of Leo, the
animal trade-mark of Metro-
Goldwyn-Mayer, recently an-
nounced by the company as an ex-
ploitation ballyhoo, will follow the
trail of the M-G-M Trackless Train,
now in Australia.
In a special, motorized circus cage
with patented feeding and water
troughs and illumination for night dis-
plays, the lion will travel with Frank
W. Phillips, lion tamer, who will put
the beast through a series of tricks
twice a day before theatres and city
halls, it is said. Sheets of glass will
offer protection against weather con-
ditions. The cage is 23 feet in length.
An 18-foot motorized advance wagon
will arrive in each town two weeks in
advance of the lion's appearance. The
wagon will have a special press com-
partment and will carry accessories
for the exhibitor. A calliope and three
special cameramen will accompany
Leo.
June 2, 19 28
1905
Opinions on Pictures
The Street of Sin
Jannings Fine as Usual; Story Not
So Hot
(Reviewed by Laurence li. nl)
A NYTHING that Emi] Jannings under-
takes in the way of characterization
is bound to prove interesting, no matter
whether the story has merit or not. The
new entry of the talented Teuton is not in
the same class as some recent efforts, but
it is forceful and dynamic in its play of
expression. It reminds us of a Burke
"Limehouse" story in that the central fig-
ure is a "roughneck" of the London slums.
The tough guy has an affair with a dizzy
blonde, but eventually gets religion before
he dies. It is then that he encourages a
sweet little thing to join the Salvation
Army.
The picture could be more authentic in
an atmospheric way, but one overlooks
these matters of detail in the Jannings
manner of registering his emotions. Yes,
indeed, the boy is there. Fay Wray and
Olga Baclanova help considerably in lend-
ing feeling and sympathy to their per-
formances
Drawing Power: Any Jannings picture
will draw. 0. K. for any house. Exploita-
tion Angles: Play up star as supreme
artist of screen. Bill as study of realism.
THEME: Drama of regeneration of
brute.
Produced and distributed by Paramount.
Length, seven reels. Released, May, 1928.
The Cast: Emil Jannings, Olga Baclanova,
Fay Wray, Ernest Johnson, George Kotso-
naros. Director, Mauritz Stiller.
Bringing Up Father
Jiggsian Skit is Fair
(Reviewed by Raymond Ganly)
THE Jiggs, the George McManus cartoon
family, take their comic strip troubles
into a comedy typically slapstick and
rough and tumble. The resultant comedy
which emerges from this transplanting of
the Jiggs-Maggie feud is of a sort which
average fans will find entertaining. It can
be said, however, that there are many two-
reelers which have ever so more of comedy
than this conglomeration of humor and fun
which often misses fire, sputters and dies.
There are veteran comics in the cast,
such old-timers as Marie Dressier, Polly
Moran and Farrell Macdonald, and then
there are the titles of Ralph Spenee. But
even these names which denote ability in
fun-making cannot spruce up the story,
which wanders along and at times seems
lost. In the role of the comic Irishman,
•Ji^gs, Macdonald does the best that can be
done with such a character. But the best
performance is given by Marie Dressier,
who has a style of comedy all her own and
an appreciative one at that.
It is not necessary to recount the story.
Suffice it to say that Maggie and her rolling
pin are kept busy socking Jiggs, that Jiggs
steals from the house every now and then
to carouse with his friend, Dinty Moore.
Maggie tries to buck society, and the social
aspirations of his wife are a cause of grief
to the patient Jiggs. There is a happy
ending.
Drawing Power: Everyone doesn't read
the McManus cartoon, but there are enough
who do to make the title strong in pulling
power. The comedy is best suited for
neighborhood houses, where it will best be
appreciated. Exploitation Angles: See the
press book.
THEME: Jiggs and Maggie are con-
tinually warring as man and wife. Maggie
has social ambitions for her daughter and
she regards Jiggs as an impediment to these
ambitions. That his wife and girl might
enjoy their fling at society, Jiggs buys a
luxurious mansion where they can stage
their balls and parties. Left out in the
cold at these affairs and ignored by his
wife, Jiggs makes believe that he has com-
mitted suicide. Maggie becomes repentent
when she sees what is supposed to be the
body of her spouse and shows genuine sor-
row. Jiggs shows that he is alive and they
are again the happy couple.
Produced and distributed by Metro-
Goldwyn-Mayer. Released, March 17, 1928.
Length, b\.'J44 feet. The Cast: Farrell
Macdonald, Polly Moran, Marie Dressier,
Jules Cowles, Gertrude Olmsted, Grant
Withers, Andres de Segurola, Rose Dione,
David Mir, Tenen Holtz. Story by George
McManus. Continuity by Frances Marion.
Titles by Ralph Spence. Director, Jack
Conway.
His Tiger Lady
Fair Enough to Please Them
(Reviewed by Laurence Reid)
A NOTHER sophisticated farce-comedy
**• bobs up here to furnish Adolphe Men-
jou with more opportunities to raise his
eyebrows and assume that quizzical ex-
pression. As pieces go it is a good bet,
though not so rich in mirth and satire as
some earlier Menjous.
This one is thoroughly matured and car-
ries on well for half its length, releasing
many quiet chuckles in its journey around
the spool and across the screen.
It details how a humble super, a chap
who impersonates a Hindu dignitary, falls
in love with a duchess seated in a stage
box. To win her he keeps to his disguise
and accompanies her home from a
restaurant and pulls a fast line, which in
the end nets him what he's after.
It's nicely mounted and doesn't go silly
very often. Evelyn Brent is the heroine
and is just serious enough to make Menjou
score his points.
Drawing Power: Menjou 's popularity.
Should go well in all types of houses, but
preferably high-class ones. Exploitation
Angles: Tell of Menjou 's masquerading as
a Hindu high official. Feature Evelyn
Brent. Bill as comedy.
THEME: Farce-comedy.
Produced and distributed by Paramount.
Length, -ix reels. Released, May, L928.
The Cast: Adolphe Menjou, Evelyn Brent,
Rose Dione, Emil Chautard, Mario Carillo,
Leonardo de Vesa, Jules Ranoourt. Di-
rector, II. 4iart Henley.
Man, Woman and Sin
An Unusually Good Picture
(Reviewed by Raymond Ganly)
V/fnXTA HELL, who wrote and directed
^"■1 this story, has given the screen some
worthwhile and commendable films, but in
this effort he outdoes himself. This is
probably his best film. Also it is one of
the best films that has appeared in a long
time.
The story is of the serious and dramatic
type. Hokum does not emerge in its
scenes, rather there are grim reality and
disillusionment.
A different type of hero is also seen.
Th s boy, working on a newspaper, falls in
love with the society editor. Love is blind
in his case for he envisions her as an angel.
When he discovers she is the mistress of
the owner of tho paper he kills the man
and is sentenced to death, not even at-
tempting to defend himself in court. A
happy ending is effected when the mother
of the boy begs the girl, who witnessed
the murder, to confess. She tells the judge
the true facts of the case.
A slight telling of the plot does not even
hint at the many dramatic and emotional
scenes. One, in particular, is particularly
good : the girl is face to face with the boy
and the other man. To dismiss the boy,
she laughs and jeers at him and tries to
express how little she values his adoration.
The finished and perfect bit of acting
Jeanne Eagels turns in at this moment is
wonderful. Only a superb actress could
tell with her face that tumult going on in-
side the girl, her anxiety and love for the
boy struggling to gain over the other side
of her nature.
The picture has a sincere and logically
knit story, it carries a splendid per-
formance from Miss Eagels, an effective
mother study from Gladys Brockwell, and
a good portrayal of the disillusioned hero
from Jack Gilbert; sincere and beautiful
production from Monta Bell.
Drawing Power: An unusually good pic-
ture to which Gilbert will draw the pat-
ronage because of his popularity. Exploi-
tation Angels: Feature Gilbert and Miss
Eagels, who is the stage's famous "Sadie
Thompson." Remind the fans of Bell's
other successes, "Torrent" and "The
Snob."
THEME: A young man. always close to
his mother, gets a job on a newspaper and
becomes infatuated with the editor of the
society columns. He does not believe the
tales he hears of her real association with
the owner of the paper, but on learning
the truth he kills the man and is sent to
trial. He is saved from execution only by
the confession of the girl.
Produced and distributed by Metro-
Goldwyn-Mayer. Released, Nov. 19, 192S.
Length, (>,2S0 feet. The Cast: John Gil-
bert, .Jeanne Eagels, Gladys Brockwell,
Marc McDennott, Philip Anderson, Ilayden
Stevenson, Charles K. French and AiK-en
Manning. Story by Monta Hell. Adapta-
tion by A. D. G. Miller. Titles by John
Colton. Director. Monta Hell.
1906
Motion Picture News
Laugh, Clown, Laugh
Chaney Needs Them Stronger
(Reviewed by Laurence Reid)
TRYING to find something different for
Lon Chaney is proving to be quite a
task. He's registered such cameo charac-
terizations in the past that it doesn't seem
possible that anything could be left for him
to enact. Legless and armless wonders
have appeared and disappeared. What to
do? What to do? So they've given him
the hoary idea of the clown who must laugh
though his heart is breaking.
Such a plot naturally reeks with senti-
ment, but in the present instance it doesn't
ring very sincerely, principally because it
is difficult to imagine the clown mooning
all over the place for a girl who's scarcely
out of childhood. She has a terrific hold
not only on him but also on a younger and
more attractive rival. When she declares
to the clown, who has reared her, that she
loves him ho believes she is talking against
her heart. So he performs the supreme
sacrifice and effaces himself from life and
the picture.
There's not much to it, and it drifts with
heart appeal that fails to stir a tear. So
it's purely a case of being miscast and
harping too much on a tragic note. Nils
Asther, as the youth, is not able to act
other than artificial.
Drawing Power: Chaney 's name. Suit-
able for average houses and first runs.
Exploitation Angles: Feature Chaney in
clown role. Play up title and fact that
original play featured Lionel Barrymore.
THEME: Drama of clown who sacri-
fices himself that younger man may win his
ward.
Produced and distributed by Metro-
Goldwyn-Mayer. Length, seven reels. Re-
leased," May, 1928. The Cast: Lon Chaney,
Nils Asther, Loretta Young, Cissy Fitz-
gerald, Bernard Siegel. Director, Herbert
Brenon.
Lady Be Good
Still Carries Some Kicks
(Reviewed by Laurence Reid)
WHAT was once a corking good musi-
cal comedy has been whipped into
a more or less satisfying film, though not
as spontaneous as the original. Since it
presents a slice of stage life (the small
town vaudeville type) it will be away ahead
of "Broadway," "Excess Baggage," and
"Burlesque," but this isn't saying that it
will put them in the shade. On the con-
trary it is only fair as a funmaker.
Still it has its possibilities. And these
are realized by the director and the prin-
cipal players, Jack Mulhall and Dorothy
Mackaill.
It is Mulhall who plays the part of ten,
twent', thirt' magician, and Miss Mackaill
is his "assistant" — the girl who, through
the jmagie words, presto-chango, is pro-
duced from the cabinet. The act doesn't
do well, so after a spell of forced idleness
they quarrel, with the result that the girl
joins a rival's act as a dancer.
"It is a "give and take" affair until a rec-
onciliation is effected. The piece is easy to
spot, but it has its moments. It will do as
an everyday type of attraction. The play-
ers are well chosen for the leads, the princi-
pals fitting right into the scheme of things
and delivering the goods.
Drawing Power: 0. K. for average
houses or first runs if program is balanced.
Exploitation Angles: Tease that title
and bill as clever picture of vaudevillians.
THEME: Comedy drama of vaudeville
troupers who have misunderstanding, hut
who are reconciled.
Produced and distributed by First Na-
tional. Length, six reels. Released, May,
1928. The Cast: Jack Mulhall, Dorothy
Mackaill, Dot Farley, John Miljan, James
Finlayson, Aggie Herring, Jay Eaton, Eddie
Clayton, Yola d'Avril. Director, Richard
Wallace.
Hollywood
(Continued from page 1898)
ceived by Edward J. Montague, scenario-
editor-in-chief for Universal. A lengthy
conglomeration of meaningless words on
about twenty sheets of paper was submit-
ted to the genial executive by an inmate of
an eastern insane asylum, enclosing author-
ization for the free use of his story, as a
' ' drammer. ' '
Paramount Re-Signs Brian
Mary Brian is to remain with Para-
mount as a featured player. The popular
young actress has just signed a new con-
tract.
The outstanding directorial plum plucked
recently, has been handed Roy Del Ruth,
by Warner Brothers. The popular director
will direct "The Terror," an adaptation
of the stage success which will be produced
to synchronize with Vitaphone, throughout.
L. M. Goodstadt Dies
The film colony suffered a severe shock
when word was received of the passing of
Leo M. Goodstadt, whose death occurred
on Wednesday, May 23.
During the past several years Mr.
Goodstadt has acted in the capacity of an
executive at the DeMille Studios, and pre-
viously served as casting director for Fam-
ous-Players-Lasky over a period of several
years.
He was born in Richmond, Va., 50 years
ago. He entered the theatrical profession
at an early age and eventually came to
California.
Mary Duncan in "Talkies"
Mary Duncan will not rush off to Eu-
rope upon completion of her work in "The
Four Devils," for the reason that she has
been selected to play in a Movietone pro-
duction which is scheduled for showing at
the convention of the Fox sales forces to
be held in New York beginning on May 23.
Reconstructing Fox Lot
Extensive improvements are being made
around the Fox lot. One of the oldest
buildings, formerly occupied as a labora-
tory and now occupied .by the publicity
forces, is being torn down to make way
for a modern laboratory. The publicity
department is being moved to a new build-
ing erected on the western side of Western
avenue, which will also house the writers,
directors and supervisors. In addition,
Fox will build two new cutting rooms and
two more projection rooms. The improve-
ments will cost in the neighborhood of
$100,000.
The Alcazar Robbed
Two bandits held up the Alcazar theatre,
on Baker avenue, last Tuesday night and
escaped with $500 from the box office.
They escaped in a small roadster. Both
were described as youths about 20 years
of age.
New Use for Films
A novel use for the motion picture
camera has been found by Rev. Dr. Frank
Dyer, of the Wilshire Boulevard Congre-
gational church. To save the church, which
has a $50,000 mortgage against it, Dr.
Dyer had his own news reel made of those
who contributed toward the amount, at the
conclusion of his services last Sunday.
No Roving Menagerie
Following several complaints, August
Mascotti was refused permission to keep
skunks, buzzards, opposums and other ani-
mals and birds within the city limits of
Hollywood. Mascotti stated the animals
were harmless and were allowed the free-
dom of the streets and studios without
leash and that there had never been any
trouble. The police department decided,
however, they were not the kind of pets
which should be allowed to roam at large
within the city limits.
Hoot's Leading Lady
Blanche Mehaffey is playing opposite
Hoot Gibson again. This time in "Silks
and Saddles," under direction of Henry
McRae.
Cast as Gold-Digger
In the Pathe-DeMille production,
"Power," the role of a city gold-digger is
being depicted by Jacqueline Logan.
Geraghty with F. N.
First National Pictures Corporation has
signed Tom J. Geraghty to a long-term
contract to write originals, scenarios and
titles at the Burbank Studios.
Mae Murray's Next
Alan Crosland and Mae Murray are
holding conferences on "The Guns of
Gault, " a Denison Clift story, which indi-
cates that Crosland will direct Miss Mur-
ray in her first effort under her own pro-
duction banner. There is a rumor that
some mechanical device for synchronizing
music during the making of the picture will
be used. Inasmuch as Crosland has made
two Vitaphone productions for Warner
Brothers, the rumor appears rather well
founded.
Jetta Goudal Sues
Depositions are to be taken in London,
England, in connection with the suit
brought by Jetta Goudal, film star, against
the Cecil DeMille Pictures Corp. for
$42,250 for alleged breach of contract.
Important testimony is necessary from W.
C. Crothers, formerly connected with the
DeMille studios, but who is now in Eng-
land. Crothers will be asked relative to
conversations he might have overheard
which will throw light on the interest Miss
Goudal took in her work.
J it ii e 2, 1 9 2 S
My Home Town
Ordinary Ih'arl Drama
(Reviewed by Raymond Ganly)
Tills Trem Carr production is a senti-
mental yarn of :i lady crook and the
love she bears for ii small town boy. It
strikes about the average notch of enter-
tainment.
The old till" of misunderstandings which
the heroine wilfully places between her and
the boy, so that lie will go away tliinkin«-
she doesn't care for him any more is told
once again. Of course, [he. girl loves the
boy hut is willing- to sacrifice her love for
his own welfare. Plenty of efforts are
made in its tearful scenes to tug at the
heart strings.
Gladys Brockwell, who in emotional abil-
ity is a first-rate actress, seems here very
subdued. Xot vibrant as the heroine, she
does, however, make the roH one which is
kind of tame, plausible. Gaston Glass, as
the boy, gives a fair portraval of the hero.
William Quinn is the nasty heavy.
This attraction will best go over in the-
atres when' a change of features daily is
the rule. Xot suitable for presentations,
Strictly, in first run houses, its best medium
seems to lw. the neighborhood trade.
Drawing Power; For th avpraere film
house. Exploitation Angles: Pill the star,
mentioning her great work in "Seventh
Heaven" and other recent pictures. The
title of the film is also the title of an old
son?. Arrange a tie-up with a music store.
THEME: After a tilt with the traffic
cops, during which he accidentlv caused the
death of an officer, a small town worker is
imprisoned. While in the jail two hoboes
get him in conversation, and, learning his
mother is wealthy, thev help him to escape
the prison and send him on to their New
York rendezvous. At the hoboes' home in
the city, the boy meets the sister of one of
them and falls in love with her. The ho-
boes, reallv crooks, arrive at the house and
forge letters asking the boy's mother for
financial aid. Learning their duplicity the
boy leaves them. But later he finds that
the woman had no part in the deception.
So they meet again and later wed.
Produced and distributed by Rayart. Re-
leased, March, l!fJS. Length. .">,'(>l)S feet.
The Cast: Gladys Brockwell, Gaston Glass,
Violet LaPlante, Carl Stockdale, Henry
Sol ley, Win. Quinn, Ruth Cherington,
Frank ( lark. Story by Arthur Hoerl. Di-
rector, Scott Pembroke.
The Sporting Age
A fair Celluloid Drama
(Reviewed bj Raymond Ganly)
ARMAND ELALIZ, the actor, has w.it-
** ten several -lories Epr the screen. The
theme of his tale here is the love of a
middle-agd woman for a youth. Directed
by Krle C. Kenton, the story makes a fairly
interesting picture. Belle Bennett is the
starring player. In other roles are Holmes
Herbert, Carroll Nye and Josephine Borio.
Miss Bennett and Herbert give a good
account of themselves in their respective
roles of man and wife. Herbert is a sports-
man and because he is not demonstrative
his wife think- he is more interested in
his stable of race horses than he is in her.
Concluding that he has lost interest in her,
she proceeds to fall in love with the young
secretary of her husband. Their love af-
fair develop- unhindered by the husband,
who has been temporarily blinded in a
train wreck. Gradually the man regains
his sight and, unknown to the wife, wit-
nesses her efforts lo capture romance.
He believes in working out his difficulty
in a sporting maun r. He brings on the
scene a young girl with whom he hopes to
attract the youth away from his wife. The
scheme works and the wife is made aware
that she has passed th' age for love af-
fairs. The husband, realizing he has not
been paying enough attention to his wife,
reveals the fact that he has sen all and
that he will try to make amends for his
indifferent attitude toward her.
Drawing Power: .\ lair attraction and
best suited for second run and neighbor-
hood houses. Exploitation Angles: Place
emphasis on .Miss Bennett. Horse racing
has something to do with the picture, there-
fore you can use a sporting display.
THEME: Heart drama of a married
woman's search for love.. Her husband
temporarily blinded, she carries on a love
affair with the young secretary to her hus-
band. After a while the husband regains
his sight and becomes aware of the in-
timacy. He arranges to have his young
niece visit at the house with the idea in
mind of having her act as a counter-attrac-
tion to the young man. The plan works,
the girl and boy marry and the wife returns
much wiser to her husband.
Produced and distributed by Columbia.
Released, .March 2, 192S. Length, 5,407
feet. The cast: Belle Bennett, Holmes
Herbert, Carroll Nye, Josephine Borio, Ed-
ward Davis. Story by Armand Kaliz.
Adaptation by Elmer Harris. Continuity
by Peter Milne. Cameraman, Kay June.
Director, Erie C. Kenton.
The Wagon Show
A Lively Western
CRf • Vvi e:I hv Raymond Ganlj )
PRODUCER CHARLES R. ROGERS
has come across with the goods with
this western starring Ken Maynard. It is
a winning film which should easily come up
to all the requirements an exhibitor places
for t ho western dramas which flicker on his
screen.
Fans generally want lively action and a
peppy story in their westerns. "With this
one they will undoubtedly be pleased, as
Maynard supplies enough action to satisfy
the most rabid, and the story incorporates
a good line of events which have a snap
and twist to them. Maynard and his
horse, Tar/an, have a number of action
shots all to themselves. One of the best
scenes in westerns today is to see Maynard
go underneath his mount's neck while Tar-
zan is galloping down the stretch.
In the story, which tells of two rival
circuses which try to operate in the same
territory, it develops that one of the cir-
cus owners is endeavoring to undermine
his rival's business by unscrupulous meth-
ods. Maynard happens to be guiding the
show of the honest circus owner across the
territory. When the enemy circus owner's
plans begin to work he lends a band.
Drawing Power: Up to the usual May-
nard standard, which means it's okay.
Exploitation Angles: See the press book
for ideas to use.
THEME : Cowboy working with a circus
jumps into the fray going on between his
tent show and that of another trying to
force it out. The other circus tries foul
means to drive its rival out of business, but
the cowboy lends a hand when his circus
1907
needs it most. The star rider leaves the
show flat to go over to the other circus,
but the cowboy takes his place and suc-
ceeds handsomely. When the rival circus
steals several of the wagons and the show
is being held up for lack of equipment, the
cowboy ventures over to the rival camp
and after a hard race gets the missing
wagons back to the circus site in time to
satisfy the impatient audience.
Produced by ('has. R. Rogers. Dis-
tributed by First National. Released, Feb-
ruary 1!), 1928. Length, ."> reels. The Cast:
Ken Maynard, .Marion Douglas, .Maurice
Costello, Fred Ma bit est a, Geo. Davis, May
Boley, Paul Weigell, Henry Roquemore.
Story by Marion Douglas. Director, Harry
J. Brown.
The Branded Man
Good liox Office
(Reviewed by Raymond Ganly)
ABETTER production than the average
independently produced picture can
lay claim to, an excellent story and some
good playing from the cast all contribute
to make this opus okay at the box office.
The story and acting alone place it far
above the cut and dried film drama.
Charles Delaney and June Marlowe are
the leads and Erin La Bissoniere is the
feminine heavy. A product of Tod Rob-
bins' pen, the story concerns a young
student, who suddenly slides into wealth
following the death of a relative. Caught
into the marriage net by a tenement girl,
and plunged into sorrow when he finds her
carrying on an intrigue with another man,
he departs from her life and the life of his
friends and through an accidental circum-
stance is thought by them to be dead. But
having slipped on the downgrade to degra-
dation, he is fast coining up again as a
young prize fighter. On the night of his
greatest ring combat in which he wins over
the champion he is recognized by a friend
by a scar on bis arm and he again conies
back into the circle which he so abruptly
left to find happiness with a girl who had
always lik-d him but who. seemingly, he
had never been interested in.
The story has been clearly wrought. A
smooth continuity and a strong line of ten-
sion, it runs unhesitatingly along with the
more than passable performances of the
players giving it the semblance of reality
every good picture needs.
Drawing Power: A good picture which
should find a just response. Exploitation
Angles: Mention tact that author also
wrote "The Unholy Three." Play up the
prize-fighting angle. Feature Delaney as
a rising young player.
THEME: Betrayed by his wife, young
husband departs from her life and the lives
of his friends, all thinking him dead. Be-
coming a hobo, he falls in with a prize-light
manager and fights his way up to the cham-
pionship. Recognized by a friend, he again
meets a former acquaintance who had al-
ways loved him and falls in love with her.
He is free to marry her when his wife, still
carrying on her philanderings. is killed by
a jealous lover.
Produced and distributed by Rayart.
Length, 6,089 feet. The Cast: Charles
Delaney, June Marlowe. Cordon Griffith,
George Wiley. Andy Clyde. Erin LaBis-
soniere, Lucy Beaumont. Henry Roque-
more. Story by Tod Robbins. Adaptation
by Arthur Hoerl. Director. Scott Pem-
broke.
1008
Motion Picture N e w s
"Reel Life"
(Univei-sal — Two Reels)
(Reviewed by George J. Reddyt
ANOTHER offering of Universal's "Keep-
ing Up With The Janeses" series ; nothing
in the way of hilarious comedy may be found
in this number. The usual domestic trials and
tribulations of Pa and Ma McGinis are once
again pictured, furnishing what the writer be-
lieves, enough laughs of a more or less slapstick-
nature to satisfy audiences not too critical.
Pa McGinis causes a general disturbance
when forced by the domineering Ma to dress
up for the stylish Jones' house party. How-
ever, Ma is more than satisfied with the sensa-
tion that she and Pa create on their arrival at
the affair, not knowing that it is a stray balloon
holding her skirt above her head and drawing
the attention. Moving pictures of the guests
are made by a cameraman, who is a "practical
joker," and later thrown on the screen. They
prove very disconcerting to Ma, when Pa is
shown in active flirtation with one of the beau-
tiful guests in the garden. Ma puts the show-
out of business and gives Pa a sound drubbing
"Holy Mackeral"
(Paramount — Two Reels)
( Reviewed by Raymond Ganly)
JIMMIE ADAMS works industriously as the
starring player of this Christie comedy for
Paramount release. There is not what you
would call a whale of fun in its scenes and prob-
ably it can all be summarized as just about fair
comedy potion. Harold Beaudine directed
Adams.
Jimmie is told his uncle is sending him a few
gifts and as the uncle is extremely wealthy he
does not put up a kick when an elephant and
a few trained seals arrive at the house. Most
of the fun contributed by Adams consists in
his efforts to hoodwink his landlord that there
are no animals about the place. To do this he
must carry on like a nut and his antics may
succeed in getting a few laughs loosed. A
fairly amusing comedy.
"Felix the Cat in Arabiantics"
(Educational — One Reel)
AN atmosphere of the Arabian Nights
cloaks this new cartoon creation from the
Pat Sullivan Studios. In it Felix, as usual, is
an entertaining performer. The gags and story
with which the cat has been provided make,
along with his inimitable pantomime, a good
cartoon to enliven any program in need of the
light, fantastic touch.
Felix buys a rug on which he intends to get
a nap, but he does not know that he has been
lucky enough to buy a flying carpet. He goes
to Arabia, via the carpet, and trades the rug
for a bag of jewels. They are stolen by a
thief, who has as confederates an army of wily
mice. Felix has to put up a stout defense and
offense to reclaim and keep his jewels. — RAY-
MOND GANLY.
"The Gloom Chaser"
(Educational — Two Reels)
{Reviewed by Raymond Ganly)
ANEW "Big Boy" number that is a top-
notcher as a comedy. The team of
Charles Lamont and the boy star is again re-
sponsible for an entertaining subject. One of
the best comedies of the "Big Boy" series.
Little Lorraine Rivero, Monty Collins, Wal-
lace Lupino and Eva Thatcher support the lit-
tle boy, who more than lives up to the Educa-
tional motto, "the spice of the program."
Though he has grown taller, "Big Boy" is still
the likable little performer with a talent for
acting far beyond his years. He and little
Lorraine have several scenes in the new comedy
which are appealing as well as funny.
An orphan child, he is adopted by a sniffy
lady, who did the kind act because she did not
want Lorraine, her niece, to miss him. The fun
starts in earnest when the boy is brought to his
future home. He smashes several things, causes
consternation among fussy lady guests of Lor-
raine's aunt ; and annoys considerably Lupino
and the cook.
"Big Boy" has a fine interlude with a baby
in the orphanage. He is cleaning the mite and
the manner in which he does it will go over with
audiences everywhere. It is generously laden
with good, wholesome fun.
"Her Haunted Heritage"
(Universal — One Reel)
BEN HALL and his comedy teammates,
bring about many laughs in this Universal
one-reeler, which has for its setting a haunted
house. A story of this type, carrying the
"spook" atmosphere, if not too widely bur-
lesqued, always proves good comedy enter-
tainment, as in this case where Director Doran
Cox has spun a web of uncanny situations, that
are all the more humorous because of their
reality.
Ben Hall, as Harold the cub reporter on the
Clarion, learns that Annie, general handy girl
around the office has fallen heir to some prop-
erty. The newspaper staff decide to share
Annie"s good fortune, and set out for the
estate, where, upon their arrival at dusk, they
learn the house is haunted. None too happy,
they are forced to spend the night there. It
is at this point that the fun of the piece com-
mences, continuing at an uproarious pace to the
end. — GEORGE J. REDDY.
"Just for Art's Sake"
(Educational — One Reel)
THERE is some very interesting matter in-
corporated into this Curiosities release from
the studios of Walter Futter. Interesting is
the word — interesting to the fan and to any
concerned in the film industry. For the film
deals with Hollywood and its environs. There
are sights to be seen in the movie city, but you
do not have to travel there to see them at first-
hand. The camera here brings before your eyes
some of the eye-catching stores and places of
commerce of which Hollywood boasts quite a
few. The proprietors of these shops have gone
in for creating an elaborate atmosphere and
some of their places are a blending of business
and art. Among the places seen by the Curiosi-
ties camera are the Japanese Gardens, the Brown
Derby, the Jail Cafe, a Spanish restaurant, a
French bungalow, a Turkish house, the Egyptian
and Chinese theatres of Sid Grauman. These
are real Curiosities.— RAYMOND GANLY.
"Limberlegs"
(Pathe— One Reel)
GRANTLAND RICE'S newest "Sport-
light" release is especially appropriate for
showing during the late Spring and Summer, as
it centers around popular outdoor sports of this
season. The film presents a highly entertaining
study, of the important part limberness of leg-
muscles and sure-footedness play in attaining
sneed in sports, among both man and beast.
Producer John L. Hawkinson, has corralled for
the human demonstration of this fact, such
cinder-path celebreties as Ross Nichols, Pacific
Coast hurdle champion, and John Lawritizen,
the famous "sprinter." Speed kings of the
race-track, both horse and greyhound, supply a
splendid animal exhibition. — GEORGE J.
REDDY.
"Pathe Review No. 24"
(Pathe— One Reel)
ISSUE Number 24 of Pathe Review is on a
par with average release of this educational
reel and presents as its highlights: "Picturesque
Devon,'' a colorful pictorial of views taken
along the English Coast of Devonshire ; "Ex-
terior Decoration," a novelty offering, showing
the newest fad of female decoration ; and an-
other installment of "Sahara, The Mystic," a
weekly film record of the adventures of Horace
D. Ashton, explorer in Africa, this time at El
Qued, the "City of the Ant Men."— GEORGE
J. REDDY.
"Newlyweds' False Alarm"
(Universal — Two Reels)
(Reviewed by George J. Reddy)
THIS two-reel Stern Brothers' comedy star-
ring "Snookums," surpasses any previous
effort of the child comedian that the writer has
witnessed. Director Francis Corby, on this
occasion has secured for the mischievous
"Snookums" a story that lends itself admirably
to the type of "gags" and childish pranks the
youngster is able to get over most convincingly.
"Snookums" attaches his affections to the
little girl next door, and takes her for a ride
in his toy automobile. Very much in love, he
fails to notice a dozen or more pedestrians in
his path, whom he knocks sky-high, bringing
down their wrath upon his father, who, of
course, is forced to pay damages. "Snookums"
and his girl friend accompany their parents to
a hotel opening, and it is here that the kid
ci >mic gets across a goodly portion of the fun.
He locks the chef in a refrigerator, whip-creams
his father's hat, and rides on a dish conveyor,
to be frantically snatched off by his despairing
parent, who, in doing so, falls into the washing
vat. The climax to the film is an unusually
funny one, making this subject in all, good
entertainment.
Production Progressing on
Paramount Shorts
"Walls Have Ears" and "The Home
Girl," the second and third of the Great
Actors and Authors series of short sub-
jects, have been completed and the fourth,
"Prancing Prune," is now in production.
The productions are being made at the
Cosmopolitan studio in New York City
under the direction of Edwin Lawrence,
stage and screen director. They will be re-
leased through Paramount.
In "Walls Have Ears" are Madge Ken-
nedy, Efrim Zimbalist, Hale Hamilton, Ro-
land Young, Gladys Hanson, Louis John
Bartels, William Kent and Ann Shoe-
maker. The story is an original by Irvin
Cobb. "The Home Girl," by Edna Fer-
ber, includes in the cast Margalo Gilmore,
Otto Kruger, Sylvia Fields, Miriam Hop-
kins, Alexander, Jr., and Vincent Lopez
and orchestra. The cast of "Prancing
Prune" includes Helen Hayes, Ada May,
Hal Skelly, Jefferson De Angeles, Dallas
Welford, Humphrey Bogart, Harry Beres-
ford, George Le Guerre, Charles Eaton,
Elizabeth Patterson and Josephine Drake.
7 New Pathe Shorts for
June 10 Release
"Limberlegs," a new Grantland Rice
Sportlight, Pathe Review No. 24, second
chapter of "The Yellow Cameo," Topics
of the Day No. 24, "Puppy Love," an
Aesop cartoon, and Pathe NeAvs Nos. 50
and 51 are the program of short subjects
scheduled for release by Pathe during the
week of June 10.
In the Review issue are: "Picturesque
Devon," "Exterior Decoration," "Sahara
the Mystic" and "City of the Ant Men."
A Correction
A review of "The Devil's Skipper,"
which apeared in last week's issue of the
News credited First National as being its
distributor and producer. This was an
error as Tiffany-Stahl produced and is dis-
tributing the picture.
June 2 , 19 2 8
1909
onal Newsfrom Corresponden
HOWARD LICHEY, recently
in charge of all exploitation
for the Schine Circuit, will be Di-
rector of Public Relations of the
New Empire theatre in Syracuse,
which will shortly throw open its
doors to the public. Albert I'.
Kaufman, associated with Marc
Buckland in the direction of the
new house, announced the appoint-
ment of Lichey last week.
An unsuccessful attempt was
made on Friday morning, May 25,
by two unidentified holdup men to
rob the Roosevelt theatre in Buf-
falo, located at 887 Broadway.
Xikitas Dipson, treasurer of Af-
filiated Theatrical Utilities Service,
which represents 200 theatres, left
last week for Pittsburgh to spend
a couple of weeks there with Henry
W ilkinson, manager of the Penn-
sylvania territory, and to make ar-
rangements for larger quarters.
Michael Shea, veteran theatre op-
erator, and member of the Buffalo
Lodge of Elks, is virtually single-
handed raising most of the funds
to finance the holding of the state
Elks convention here in June. I [e
turned over the Buffalo, the most
pretentious theatre in town, to the
Elks for an elaborate midnight
show on Tuedsay night, May 29,
and donated the attractions appear-
ing at this house and at Shea's
Hippodrome for the performance.
J. B. Butch, who recently dis-
posed of the Elk theatre here, to
take a fling at some other busi-
ness, has taken the Elk over again
from Billy West.
Shirley Kempner. young daugh-
ter of Marvin Kampner. manager
of the Paramount-Famous-Lasky
exchange here, fell and fractured
her wrist while at play last week.
Manager Becker, of the Buffalo
branch of the National Theatre
Supply Co., announced last week
Buffalo
that the Strand theatre, at Water-
town, managed by P. C. Yournakis,
has ordered 300 chairs, and the
Lyric, at Utica, run by V. Danills,
has bought 700 chairs, through his
office. The Suburban theatre in
Binghamton, operated by Arthur
K. Manney, has purchased two
Simplex proejetors with Peerless
reflecting arc lamps ; one Hertner
generator, and a Daylite crystal-
white screen. Mr. Becker also said
that his office had supplied consid-
erable material for equipping the
stage of the Dreamland theatre at
Bolivar, with drapes and scenery.
R. C. Fox, manager of the ex-
change here that bears his name,
left last Tuesday night for New
York to consult with producing or-
ganization headquarters there in re-
gard to pictures for next season.
John Bykowski, his assistant, is
looking after things here in Fox's
absence.
A. M. Atlas, theatre operator of
Niagara Palis, obtained a temoo-
rary building permit from the City
Council for the erection of a play-
house in Buffalo avenue in La
Salle.
Bobby Albert, who operates the
Albert theatre at Lancaster, re-
turned last week from New York
City where he spent two weeks
transacting business and looking
over the shows and other attrac-
tions in the metropolis.
Clarence Ross of the Pathe ex-
change here has stepped out with
a new shiny motor car.
The management of the Avon-
dale theatre in North Tonawanda
announced t hat during the months
of June, July and August, the
house will be operated only on
Saturdays and Sundays.
Abe Corrin, of the Alcaza the-
atre in Syracuse, visited the War-
ner exchange last week and was not
as cheerful as usual. His son is in
a sanitarium at Saratoga for his
health.
C. E. Almy of the Warner ex-
change, recently appointed district
manager in charge of the Buffalo,
Albany and Pittsburgh offices, was
out of town all of last week, visit-
ing the Albany and Pittsburgh
branches.
The Metro-Goldwyn-Mayer ex-
change here now has two Gott-
liebs on the staff. Several weeks
ago S. Gottlieb came here to take
over the booker's desk. Now B.
Gottlieb has been added to the sales
force. However, neither claims any
relationship to the other.
Jack Berkowitz, who operates
the First Graphic exchanges here,
is commuting frequently these days
between Buffalo and New York
City, dickering with important in-
dependent producers with a view
to handling their next season's
products.
Marion Gueth. industrious secre-
tary of the Buffalo M. P. T. O.,
was informed last week that W.
Averill is no longer manager of
the Park theatre at Palmyra, a post
he had filled for some time. The
name of his successor was not
given.
Jack Thompson, an old time film
exchange man who once was con-
nected with Pathc here, is in a hos-
pital in a critical condition. A
blood tnans fusion was resorted to
last week in an effort to save his
life.
Jack Crouse, Pathe cashier here
eight years ago, is returning to this
city to join the United Artists sales
force.
Byron Interbitzen, formerly with
the Pathe organization here, has
decided to resume his pleasant
task and henceforth sell Pathe's
product in the Syracuse territory.
John Sitterly has taken unto
himself a new automobile. He re-
cently left the United Artists sales
staff here.
Jules Michaels is getting tired
of having the safe of his Regent
theatre here blown by yeggmen.
It happened last week for the fifth
time in recent years. The robbers
got nothing because they were un-
able to open the inner door of the
safe after blowing the outer door
to pieces.
Geo. H. Moeser, Buffalo branch
manager, returned last week from
the National Convention of United
Artists in Chicago.
John Nolan. Buffalo branch man-
ager of the Fox Film Corporation,
spent last week in New York City
attending the organization's na-
tional convention.
Gotham Productions, heretofore
handled by the R. C. Fox ex-
changes, opened their own office
here last week with Herk Webster,
formerly of Bond Photoplay Cor-
poration, in charge. Webster has
leased office space in the quarters
of the First Graphic exchanges in
the film building on Pearl street.
Miss H. Samuels, stenographer in
the R. C. Fox exchanges, is re-
signing her position to join Mr.
Webster in a similar capacity.
Pittsburgh
ri^HE Stanley Company has
* slashed admission prices in
several of its Pittsburgh theatres.
The Grand admission was cut in
half for matinees, now being
twenty-five cents in the afternoon
and fifty at night. Olympic re-
duced prices from fifty to thirty
cents. Regent and Liberty from
fifty to forty cents. The Black-
stone, back to grind policy, at
fifteen cents. The State has been
closed for alterations.
E. B. Lee, Pittsburgh architect,
is preparing plans for a new the-
atre to be erected at Morgantown.
W. Va., by the Morgantown
theatre and Morgan Realty Com-
panies. The house will be built on
a lot, %2y2 by 120 feet. Seating
capacity to be 1.400.
The Harris Amusement Com-
pany will begin at once the erection
of a theatre at McKeesport, Pa.,
to cost in the neighborhood of
$750,000. Seating capacity will be
2.500 persons. Present plans call
for a straight picture policy, inas-
much as the Harris Co. already
has a large combination house in
this town.
Earl L. Crabb is the newly-
appointed general manager of the
Stanley theatres in Western Penn-
sylvania, succeeding Mr. Strakosh,
who recently resigned. Mr. Crabb
has appointed A. S. Davis as man-
aging director of the Stanley-op-
erated theatres here.
Rowland Lee Barton, for the
past two years assistant manager
of the Cameo, downtown Pitts-
burgh, has been appointed man-
ager, succeeding James Palmer,
who returns to manage Stanley's
Grand, a position which he former-
ly held before going to the Cameo.
Rowland is a son of "Bill" Lee
Barton, a salesman with the local
Universal exchange for more than
twenty years. The Cameo theatre
is owned by Universal.
Ernest Grimes, of Hinton, W.
Ya., is the new manager of the
Oakford theatre at Richwood. W.
Va., according to word from P. L.
Dysard, president and general man-
ager of the Allegheny Theatre
Company. Mr. Grimes succeeds
C. E. Cooper, who has been trans-
ferred to Ronceverte.
It is rumored that Rochester,
Pa., is soon to have a new half-
million dollar theatre, although the
names of the owners are not forth-
coming at this time.
Another Filmland Romance!
Angelo Marino, of Universal, and
Miss Genevieve Storf, of Para-
mount, were recently married in
Pittsburgh.
Harry Handel, of the Centre
Square theatre, has taken over Mr.
Bennett's Victoria theatre on Cen-
tre avenue, but a short distance
from Harry's other house, and the
Victoria was opened under the new
management on May 19th.
Larry Jacobs has joined the pub-
licity staff of the Stanley Com-
pany in Pittsburgh.
Among the exhibitor callers to
Pittsburgh's Film Row the past
week were: Mike Manos. Greens-
burg; Mr. and Mrs. Tom Kinney.
Franklin : William Gray, Monon-
gahela: B. E. Cupler, Washing-
ton ; George Schweitzer, Titus
ville ; Charles Feinler, Wheeling ;
Joseph Mercer, Warwood : Tom
Rankin. Bridgeville: Mr. and Mrs.
F. L. Hall. Uniontown: Mrs. Ar-
curi. East Canonsburg ; John New-
man, Speer Marousis. and Charles
Freeman. New Castle ; Guy Ida.
McDonald and Maurice Baum.
State College.
Stanley Jacques, division man-
ager for Pathe, was a recent visi-
tor at the Pittsburgh branch of
the company.
C. B. Pascoe. after having oper-
ated the Grand theatre at Somer-
set for many years, has sold the
house to Messrs. Blatt and Patton,
the new owners having taken
charge on May 21st. Mr. Pascoe
will retire temporarily.
1910
Motion Picture News
Central Perm
ANNOUNCEMENT is made
that Louis J. Appell, son of
Nathan Appell, late head of the
Appell Amusement Enterprises,
whose death occurred in May, will
become head of the corporation
which controls a chain of theatres,
including all of those in the city of
York. Louis Appell was associ-
ated with his father in an executive
capacity and is familiar with the
details of the business. He has
stated that Phil Levy, auditor of
the corporation for years and inti-
mately acquainted with the financial
details of its operation, will con-
tinue with the company in the
same capacity.
M. E. Comerford, of Scranton,
head of the Comerford Amusement
Company, which controls a chain
of theatres in northeastern Penn-
sylvania and in New York, con-
firmed reports that he closed a deal
for the purchase of the Strand The-
atre, Carlisle, from Robert A.
Steele.
A formidable competitor to the
motion picture theatres of Harris-
burg will be eliminated after the
week of June 2d. when the Morgan
Wallace Players, who have teen
presenting stock at the Majestic
Theatre, will close after a season
of thirty-six weeks.
Flames came so menacingly close
to two of the largest picture the-
atres in the business district of
Scranton, Pa., when fire did $100,-
000 damage to the Glidden paint
store and the M. Alpert & Sons
furniture store last week, that the
managers of both places of amuse-
ment, the Poli and the Strand,
were compelled to direct the pa-
trons quietly to leave the buildings.
Through the fortunate circum-
stance that she was in Sunbury
visiting friends during the fire in
the Capitol Theatre, Pottsville,
Mrs. Lloyd Hause, wife of the as-
sistant manager of the theatre,
who lives in one of the suites above
the theatre, escaped that ordeal.
Construction work on the new
Astor Theatre, Reading, for the
Equity Theatres, has progressed so
far that the Arcadia, which occu-
pies a part of the site, and which
has been kept in operation while
the work was underway, will have
to be closed early in June.
The Stanley Company of Amer-
ica announces the appointment of
Harry Knobloch, a theatre man
heretofore in the anthracite coaJ
regions, as a zone manager in their
Philadelphia office. Mr. Knobloch
formerly owned the Grand Opera
House, Hazleton.
A big steel girder that is to be
placed in the new Capitol Theatre,
which the Comerford Amusement
Company of Scranton is erecting
in Williamsport, is 99 feet long
and weighs 36 tons.
Fifteen theatres of Allentown,
which had previously met and
agreed to continue to operate on
Standard time notwithstanding the
city as a whole went on Daylight
Saving Time, have rescinded their
action and joined the Daylight Sav-
ing movement. They issued a joint
statement, showing that the reason
for yielding was in "the interest of
harmony" and to prevent creating
confusion in the city.
The body of Joseph F. Malloy,
assistant manager of a San Diego,
Calif., theatre, who was killed by
a bandit in a hold-up in the office
of the theatre, was brought to his
former home in Allentown, Pa., for
burial. Mr. Mallov become associ-
ated with the West Coast Theatre
Corporation four years ago, and
was placed in charge of one oi their
theatres.
Announcement is made that the
name of the new corporation which
plans to erect a $210,000 theatre in
Kulpuraont, Pa., has been changed
from the Arcade Amusement Com-
pany to the Imperial Amusement
Company. The backers of the pro-
ject, it is disclosed, are three Mount
Carmel bankers. They are Dr. W.
R. Buckley, secretary of the board
of directors of the Liberty State
Bank and president of the Mount
Carmel Chamber of Commerce ;
Joseph Mallinowski, vice-president
of the bank, and John Zotkiewicz, a
director in the bank, owner of a
cigar manufacturing business and
manager and principal stockholder
of the Arcade theatre, Mount Car-
mel. The new theatre will be a
stone and concrete building with a
marble front, and will seat more
than 1,000. It will be devoted to
both movies and vaudeville and will
be under the management of Mr.
Zotkiewicz, who has had fifteen
years experience in the theatre busi-
ness.
THE following changes have
taken place in the local Para-
mount office since their convention
in Los Angeles last week : Hugh
Braly, local manager, has been
made district manager for Denver,
Salt Lake and Butte. Samuel Hen-
ley succeeding him as manager in
Denver. C. H. Watson, salesman
out of the Denver office for the
Xew Mexico territory, has been
transferred to the Salt Lake office
to take care of Idaho, and Brice
Loveless, salesman from the Salt
Lake district, is now in the Denver
office, with Wyoming as his terri-
tory.
The Denver Theatre has inaugu-
rated a training school for ushers.
Arthur Greer, nouse manager ot
the theatre, has charge of the
school, which is for the purpose of
teaching the boys all phases of pro-
duction and theatre management,
and the initial lesson was on pro-
jection. Attendance is voluntary,
but every usher in the Denver is
taking advantage of the opportunity
to learn more of the business in
which he is engaged.
Charles Scheuerman, director,
and A. B. De La Vergne, business
manager of Scheuerman's Colo-
rado Theatre orchestra, have left
this organization. They have both
been associated with musical or-
ganizations in Denver for many
vears. having formerly been affil-
iated with the Orpheum Theatre
orchestra. Scheuerman will spend
a vacation in the East, and De La
Vergne has left for the West.
Oliver Alberti has appeared at the
Colorado as the new leader of the
orchestra.
Mr. Sheffield, of the local Col-
umbia exchange, returned recently
from a trip to Salt Lake and Boise,
Ida. Mr. Frederick, of the Salt
Lake office, accompanied him on
his trip into Idaho.
Duke W. Dunbar, secretary of
the Denver Film Board of Trade,
who is attending the convention of
film board secretaries in Los
Angeles, seems to be having a very
enjoyable time, as evidenced by
postal cards received at his office.
Ed Lustig, of the sales depart-
ment of Columbia, was in Denver
recently, and is now on a trip
through western Xebraska and
Wyoming.
S. D. Weisbaum and Sam Fein-
stein, of the local F. B. O. ex-
change, have been away attending
the convention of that company in
Chicago.
Chas. R. Gilmour, local manager
for Warner Bros., left last week
for a trip in the Wyoming terri-
tory.
Pat Argust, of the America
Theatre, Colorado Springs, was a
caller at the Columbia exchange
in Denver last week.
Milwaukee
NJ. BLUMBERG resigned his
• position as manager of the
Milwaukee Theatre Circuit, Inc.,
the Milwaukee branch of the Uni-
versal chain, effective on May 19th.
He is succeeded by Louis Sewnig,
formerly Mr. Blumberg*s assist-
ant.
Some additional changes have
been effected in the personnel of
the theatres since Mr. Sewnig has
taken charge. The Rialto theatre
at Racine has been closed and Leo
Grossman, who had recently been
appointed manager of the Rialto,
has returned to Milwaukee to take
over the Juneau, where he was
manager a short time ago. Otto
Lang, formerly manager of the
Jackson theatres, has been appoint-
ed assistant to Mr. Sewnig. Fdwin
Koenigsreiter, who was managing
the Kosciuszko, has resigned and
Arthur Wertheimer was appointed
to take his place. Mr. Wertheimer
was previously assisting Jack Gross
at the Sheboygan theatre in She-
boygan.
Charles Bauman, manager of the
Star theatre at Oshkosh, was in the
city last Monday on business.
Frank Welter of the Grand the-
atre at Wausau came down to Mil-
waukee last Tuesday and pur-
chased a new high powered motor
car.
Art Schmitz, F. B. O. salesman,
is back on the job after an illness
of several weeks.
Charles Powell and Roy Bettes
have been added to the sales force
of Tiffany. Mr. Powell, who was
at one time sales manager for Fox
in Milwaukee and more recently
associated with National Screen
Service out of Chicago, has been
assigned to the central and south-
ern Wisconsin territory. Mr.
Bettes will cover northern Wiscon-
sin and uoper Michigan.
Ed Wagner has taken over the
Park theatre on the south side
from Bert Fischer.
Dan Kelliher, of Elkhorn and
Delavan. spent last Thursday along
film row.
J. M. McConville and T. F.
Grady, Metro-Goldwyn home office
auditors, are spending some time
in the local exchange.
John Honus, who formerly man-
aged the Opera House at Antigo,
recently made the rounds of the
exchanges.
The Milwaukee branch of Tif-
fany-Stahl. has recently received
word that they have won the com-
pany's National sales contest.
J. Kskin, who recently took over
the Orpheum at Richland Center
from R. T. Theiler, last week called
on Leo Blank, manager of Educa-
tional's Omaha branch. Mr. Blank
assisted Mr. Eskin in arranging
future bookings.
June 2, 1 9 ~» 8
New England
J. O'LEARY, formerly dis-
trict manager tor FBO at
the Boston exchange, has been pro-
moted to assistant sales manager of
the Pathe organization, with head-
quarters in New York City.
William "Larry" Gardner, of the
Boston sales force of FBO, has
been advanced to branch manager
of this exchange. C. F. McGeri-
gle, head booker, has been ad-
vanced to exchange manager.
Harry Goldstein, who has been
covering Western Massachusetts
and Rhode Island, is made Boston
and vicinity salesman, and James
Kennedy, formerly with the Para-
mount forces, has been made sales-
man for Southern .Massachusetts
and Rhode Island.
Branch Manager John J.
Scully, of Educational, attended
the convention of that company at
Montreal last week.
Joseph Raymond, former theatre
manager at L'tica. is now manag-
ing the Strand and Rialto The-
atres at Westfield, Mass.
Joseph A. McConville, Abe Mon-
tague, Samuel Moscow, Timothy
O'Toolc and I. II. Bogovern, all
of the Independent exchange, Bos-
ton, have returned from the Co-
lumbia Pictures' convention in
Xew York City, of which company
Independent handles the distribu-
tion in Xew England.
The American Feature Film ex-
change, Boston, is undergoing ex-
tensive redecorating.
The Empire Theatre at Xew
Bedford closed last Saturday, and
the Xew Bedford Theatre is
scheduled to close this week. No
dates for reopening have been set.
Mrs. E. Mandell, formerly of the
Saugus Theatre. Saugus, Mass., is
now operating the Palace Theatre
at Ashburnham.
Howard Duffy has been ap-
pointed manager of F. M. Loew's
Colonial Theater at Springvale,
Me.
Harry Wasserman, formerly
manager of the Dudley and Rialto
Theatres in Boston, has been pro-
moted to field manager of his or-
ganization.
J. \Y. McXamara, formerly man-
ager of the Jamaica Theatre in
Jamaica Plain, Mass., has been
made manager of five theatres in
the Xew England Theatres Oper-
ating Corp.; The Jamaica, Dudley,
Rialto, Rivoli and Criterion.
These theatres are all in the ad-
joining districts of Roxbury and
Jamaica Plain, Boston.
Harry Goldstein, who has been
at the Shawmut Theatre, was re-
cently placed in charge of the
Franklin Park and Xiagara The-
atres of the Xew England Theatres
Operating Corporation.
The Victory Theatre. Lowell,
operated by Charles Williams, for-
merly the Xational Theatre, Bos-
ton, has closed indefinitely.
F. H. Welton, of the Opera
House at Fast Pepperell. Mass., is
seriously ill at his home.
Morris Pouzzner is now booking
for the Central Theatre at Wes-
terly, R. I., in addition to his own
theatre at Southbridge, Mass.
Sam Goldstein, of the Goldstein
Brothers' circuit, with headquar-
ters in Springfield, was a visitor
to Boston the past week.
The Casino Theatre at Oak
Blurts, Mass.. opens this Saturday.
Eugene Magee is in charge of the
house for this season.
Esther Kelliher, checker at the
Pathe exchange, will become the
bridge of Arthur Fallon, of the
Fox exchange, on June 18th.
The Grand Theatre at Fitchburg
will be renamed the Majestic. It
was purchased by Lionel D. For-
key from Morin & Fredette.
The Steinberg Theatre. Worces-
ter, has been sold by the L. A. W.
Acceptance Corporation to I. H.
Joffee, who will operate.
W. J. Brusso has sold the Fast
Fairfield Theatre at East Fairfield.
Yt, to T. I.. Tupper.
The Auditorium Theatre, Brat-
tleboro, Yt.. has been sold by Fred
P. Sharby to George Sharby.
The Cosmopolitan Theatre at
Lawrence. Mass., is no longer op-
erated by A. Mozatto, according to
rumor.
The Central and Waldorf The-
atres at Waltham. Mass., have
been acquired by the Xew Eng-
land Theatres Operating Corpora-
tion.
Albany
A STIFF fight is in sight in the
coming election to determine
officers in the motion picture ma-
chine operators union of Troy.
Nominations were made last week.
William Jarvis is opposing Harry
Brooks, who has headed the local
for sixteen years, for the presi-
dency. Charles McCarthy and Fe-
lix Mangoine seek the vice-presi-
dency. Al Lemay, who has been
financial secretary for sixteen
years, seeks re-election, while Louis
Rinn is being opposed by Arnold
Lownes for recording secretary.
John Boss is running for re-elec-
tion as treasurer. The election will
take place on June 17.
Harry Ross, manager of the
King theatre in Troy, has been ill
from an attack of quinzy. John
Pfeiffer, of Schenectady, is trying
out the King theatre for ten days
and may become its new owner.
Children in the fifth to eighth
grades in Troy's public schools
were given a treat last week in
three reels of Daniel Boone's life
and three reels of travelogues,
these pictures being shown at the
various schools at different hours
of the day.
Al Guteck. Albany manager for
F. B. O., and Abe Van Dusen. the
booker, were in Xew York City
the past week.
Charles Stombaugh returned dur-
ing the week from the Chicago
convention and is once more at his
desk at the Pathe exchange.
Quite a number of theatres in
northern Xew York have installed
the Vitanhone during the last tew
weeks. Schine Bros, have installed
it in the'r houses in l'tica. Glovers-
ville. Watertown and Oneonta.
while Harry Lazarus has installed
it at Kingston.
John Fain, of Schohairie. was
along film row during the week.
Others in town included Sam Hoch-
stim, of Hudson; William T. Finn,
of Clinton; Len Garvey, of New
Hartford, and Louis Buettner, of
Cohoes. Mr. Buettner has appar-
ently recovered from his recent ill-
ness.
There is a new theatre to be
opened soon at Xorth Creek with
the Adirondack Fruit Company at
the helm. Xo word has yet
reached Albany as to the opening
date of Smalley's house in Johns-
town. Although buildings have
been removed from the site ac-
quired by the Stanley Company in
Albany, for a new theatre, there
are no signs of excavating.
C. E. Patten, of Adams. X. Y..
is now running but one day a week,
while Charles Morse, of Adams.
Moss., is running but four da\ s
each week.
M. B. Riddell, of Luzerne, plans
to run his house seven days a week
beginning the last week in June to
Labor Day. G. A. W<xxlard, a
former exchange manager in Al-
bany, who is now selling real es-
tate, is doing the booking and buy-
ing for the Luzerne theatre.
Charles Rose, who has been
handling Smalley's theatre in
CooperstOWn, has resigned to he-
come manager of the Liberty in
Herkimer, one of the Schine chain
of houses
Lew Fischer, of Fort Edward,
paid a visit to film row last week.
The Bradley, in Fort Edward, is
now running seven days a week,
instead of the five-day schedule
which has been in effect for some
time past at this house.
George Doolittle, shipping clerk
at the Pathe exchange, was laid up
for four days last week by a badly
injured linger.
Ren Stern, who handles the Lin-
coln in Troy, has selected new
uniforms of a wistaria shade for
his ushers. The uniforms made
their appearance during the past
week.
Al Lemay operator at the Lin-
coln theatre in Troy, leaves on June
3 for Detroit, where he will attend
the national convention of motion
picture operators.
Ida Grant, who leased her the-
atre in Hol>art a few weeks ago.
has decided to return to the busi-
ness, and is once more looking after
the house.
James Kelly, operator of the Pal-
ace theatre in Troy, has been laid
up for several days with illness.
His place has been taken by Mr.
Van Buren.
\\". W. Farley, owner of several
theatres in Schenectady, was in
Xew York City last week.
According to rumor, the Ameri-
can theatre in Troy may close for
part of the summer. This will serve
to force more business to the other
Stanley houses and will be in line
with the procedure of a year ago.
George Cohan, who has operated
three theatres in Xewbnrgh and an
eoual number in Poughkeepsie, and
who has been in ill health for
sometime past, will be relieved of
the duties with the incorporation
last week of a new company to
take over the management of the
s'x houses. Daniel Becker of Xew -
bnrgh is one of the incorporators.
Joe Becker, who formerly ran a
large silver fox farm near SchrOOn
Lake, has acquired a motion picture
theatre at Long I.ake. which will
open in the near future.
According to reports. C. L. Gard-
ner, operating the Pine Hills the-
atre in Albany, has an option on a
theatre in one of the eastern states
and may remove from Albany dur-
ing the coining year.
There wer>e two carnivals in
Troy last week. Thus far no carni-
vals have hit Albany, though sev-
eral are scheduled during the sum-
mer.
St. Louis
THF Rivoli Theatre. Sixth
street, just south of Olive
street. St. Louis. Mo., recently in-
stalled a new washed air cooling
system that is ex|H-cted to tone up
attendance during the hot weather
experienced in St. Louis during
June. July, August and the early
days of September. The new sys-
tem working in conjunction with
the ventilating fan system that has
been in use at the theatre for years.
A se-ies of pipes on the roof spray
water in a continuous shower, and
the air that is pumped into the the-
atre auditorium is drawn through
the sheets of falling water. A
series of screens prevent any water
going through the fan system. In
addition to cooling the atmosphere
the new system has the additional
advantage of keeping dust out the
fans.
1912
Motion Picture News
Des Moines
YOUNGCLASS & LATTA,
who have been in partnership
for more than a year in the man-
agement of the Grand and Foxy
theatres at Perry, la., closed a deal
last week in which they transferred
these theatres to Mr. Stanley.
YoungTlass and Latta succeeded,
some time back, in putting across a
campaign for ' Sunday shows in
Perry. They will retain their the-
atre interests at Woodward, Iowa.
Visitors at the office of Metro-
Goldwyn-Mayer the past week
were : W. A. Torrey of Eddyville,
who has the Bonzo theatre there;
F. G. Sterns of Corydon, W. A.
Graham of Knoxville and Walter
Carroll of Colfax.
The young son of Bill Eddy is
managing the theatre at Indianola.
Bill was for several weeks at the
Lutheran Hospital in Des Moines
recuperating from a stomach dis-
order, and is now on a strict diet.
Air Day celebration in Iowa,
with three dozen planes taking part
in. the Register-Tribune's program,
meant a half holiday for the film
exchanges.
John Elman of the Amuzu the-
atre, an East Des Moines house,
is to have his first vacation in fif-
teen years. He is planning a three
months trip to California. Mrs. El-
man will accompany him.
The Des Moines, Omaha and
Sioux Falls offices of the F. B. O.
exchanges held a joint conference
on Sunday and Monday of last
week. Those who went from the
Des Moines office were H. R.
Frankel, manager of the branch ;
William Beale, Bob Green, A. B.
Seymour and R. W. McEwen.
Fred McConnell, former trade
paper man, and now service di-
rector and serial director out of
the New York office of Universal,
was in Des Moines last week. A
special sales meeting was conducted
by Mr. McConnell with all tin-
salesmen in from the road for the
conference.
Lew Morgans, who was for some
time salesman for Paramount, and
after that a member of the Pathe
sales staff, has opened a music shop
next door to the Des Moines the-
atre.
W. E. Ban ford, manager for M.
G. M., operated in the southern
Iowa territory last week.
Ralph Pratt, of the Fox theatre
at Washington, was seen along film
row last week.
The Auditorium and the Opera
House at Harlen, Iowa, are to be
completely redecorated and exten-
sive changes made in construction.
George Spooner, architect in
charge of the reconstruction work,
states that the house is to have a
new heating system, new stage ef-
fects and lighting fixtures. A stage
is to be constructed and the theatre,
which will occupy the main floor of
the building, will be installed with
600 new seats.
Exhibitors of western Iowa at-
tended the Nebraska Iowa M. P.
T. O. A. meeting last week. The
next meeting is planned for No-
vember.
Mr. and Mrs. Roy Jones are
again operating the Gem theatre,
Des Moines, having rebought the
theatre from Fred Worrel of Os-
kaloosa, la.
Dave Bader, general accessory
manager for Universal, arrived in
Des Moines last week to assist Bert
Thomas, the new accessory mana-
ger for the Des Moines office, in
getting a start.
Mrs. M. C. Wentland, who was
owner of the Strand theatre at
Victor, Iowa, has again taken the
management of this house. Mrs.
Wentland sold the house two years
ago to Sam Sosna.
Kummerfeldt and Chapman last
week bought the Rialto theatre at
Terrill, Iowa, from M. L. Lamb,
who expects to take up other in-
terests in the theatre business.
Florida
TrIE Panama theatre, Panama
City, was totally destroyed by
fire last Sunday. However, no in-
terruption in the moving picture
program was caused, due to the in-
genuity of W. M. Atkinson, owner
and operator of the house.
Although finding himself com-
pletely without a theatre Sunday
night, Manager Atkinson opened
up in a vacant store with chairs
and began his first show on time
Monday morning.
Mr. Atkinson announces that he
will immediately begin plans for
rebuilding.
According to reports from Eus-
tis, there will be no more Sunday
shows, beginning the 27th of May.
Clergymen strongly protested Sun-
day showings, so Chief of Police
W. J. Davis issued orders for a
general close-down.
C. P. Lester, manager Universal
exchange, was in Tampa the past
week.
John B. Carroll, general manager
of the Consolidated Amusements,
Tampa, who control all of the big
down theatres, is taking a short
vacation this week, visiting in
Asheville. his former home.
R. H. Palmer, Jr., manager of
the Ramon at Frostproof, accom-
panied by his wife and daughter,
visited in Tampa recently.
Since the Seminole, Tampa's de
luxe neighborhood house, was
opened, the policy has been second
run pictures and a daily change of
program. Two weeks ago Mana-
ger O. G. Finley broke the rule
with two and three day runs, and
business was good.
Manager C. B. Ellis, F. B. O.
exchange, returned from the com-
pany's Chicago convention last Sat-
urday, brining with him a cigar-
lighter, which was presented to him
as a prize for his work in the
Managers' Spring Clean-up Drive.
He was the winner in his division.
While on a visit to the Jackson-
ville Universal exchange last week,
J. V. Yearty, of Trenton, Fla., an-
nounced that his new theatre at
Trenton will open Saturday, May
26. It will be the first motion pic-
ture house in Trenton and will be
known as the Gilchrist.
The management of the Capitol,
an airdome theatre in St. Peters-
burg, has contracted for the build-
ing of sidewalls and a roof over
the entire lot and it will soon be
a completely enclosed theatre.
Arthur Elchinger, formerly man-
ager of the Grand, Tampa, until it
closed last month, and then assist-
ant at the Strand, has resigned and
will leave for New York next
week. Charles Kirkconnell, who
has been house manager at the
Franklin, will be transferred to the
Strand to the berth left vacant
by Arthur and Charles Lankford
will succeed Kirkconnell at the
Franklin.
The members of F. B. O. ex-
change were treated to a beach
party-dance and chicken dinner last
Thursday night by Manager Ellis.
The Palace, Jacksonville, which
reopened last Saturday, has the ap-
pearance of a new theatre from the
outside. Fresh paint, new electric
signs and a general freshening up
add to its appearance.
J. H. McLaughlin, former man-
ager of the Franklin, Tampa, has
been placed in charge of amuse-
ments and entertainments for the
Elks' convention which will be
staged in Tampa the coming month.
N. V. Darley, manager of the
Rivoli in Ybor City and the Royal
at Tarpon Springs, sailed last
Thursday on the Cuba for a second
visit to Havana. Mr. Darley may
invest in some amusement enter-
prises there.
Manager Scotty Chesnutt, of
Paramount Exchange, and his
salesmen, Stiles and Stevens, re-
turned last Sunday from the sales
convention held at Washington,
D. C.
Manager C. P. Lester, of the
Jacksonville Universal Exchange,
is making a trip down the West
Coast territory.
Mrs. Muriel Sykes, the efficient
secretary of C. B. Ellis, manager
of FBO exchange, is spending her
vacation at Lakeland.
Kansas City
Fj^ OR the first time a stage band
will be used permanently in
a Kansas City suburban house.
The Tracey Brown orchestra of
Omaha has been engaged by the
Uptown theatre, one of Kansas
City's larger suburban houses, for
an unlimited run.
The Ritz theatre, suburban house
of Kansas City, will be operated
by Dr. Nathan Zoglin, who pur-
chased it from Oscar Litwin. Dr.
Zoglin owns a building which
houses several exchanges on Movie
Row.
Universal Chain Theatrical En-
terprises, Inc., announces the ap-
pointment of L. M. Garman as
manager of its Uptown Theatre,
Kansas City, Mo. Garman will
also supervise the Apollo, Lincoln,
Isis, Gillham and Gladstone the-
atres, other units of the "U" chain
in this city.
Martin Finkelstein has been ap-
pointed assistant supervisor of
these theatres, having been pro-
moted from the ranks.
C. A. "Red" Jones, Tiffany
branch manager, was out in the
territory hustling for more con-
tracts last week.
Russell Borg, of the Educational
branch, hurried away from his
desk to catch a train for Mon-
treal, Canada, to attend a sales
convention of his company.
C. E. "Doc" Cook, former busi-
ness manager of the M. P. T. O.
Kansas-Missouri, who resigned
about a year ago, and who since
has been representing Pathe, has
moved to Maryville, Mo., where
he will be associated with his
father and brother in managing
the Missouri and Electric theatres.
June 2 , 19 28
1913
Seattle
Ol A'ERAL changes in the owncr-
^ ship and operation of smaller
theatres in the Pacific Northwest
territory were announced on film
row in Seattle, Washington, last
week. They include the following .
Sale of Liberty theatre at
Nyssa, Idaho, by Milton Leigh to
G. C. Knight, who plans to acquire
houses in neighborhood towns
within the next few months. Sale
of the Community theatre at Bel-
grade, Mont., to Martin Lawrence.
Sale of the Grand theatre at Grass
Range, Mont., to Jess Morgan.
Star theatre at Igomar, Mont.,
sold to J. M. Miller, by Henry
Harbricht; also the Rialto theatre
bought by George Kahn from Rex
Hint at Terry, Mont.; Winifred
theatre at Winifred, sold by Paul
Sudan to A. W. Harris ; Project
theatre at Warden, Mont., sold to
Sward Orton by Delano & Hoe-
fert.
B. T. Mettcr is the new owner
of the Princess theatre at Troy,
Idaho, acquired from W. F.
Kientz. Idaho closings for the
summer season include the Liberty
theatre at Kamai and the Temple
theatre at Nez Perce.
Lee Theuerkauf arrived in this
city last week with Les Weir, dis-
trict manager of Pathc, and has
been duly installed as manager of
the Seattle exchange for the Pathe
organization. Mr. Theuerkauf was
formerly district chief for Uni-
versal. He succeeded L. A. Sam-
nelson, who resigned two weeks
ago.
Benjamin Wallace Rucker, man-
ager of the local Educational ex-
change, last week was elected presi-
dent of the Northwest Film Board
of Trade of Seattle, suceeding the
previously-mentioned Mr. Samuel-
son, who resigned the president's
position at the time he severed his
connections with Pathe.
Leroy V. Johnson, general man-
ager of Jcnscn-Vonllerberg's su-
burban theatrical interests in this
city, returned last week from a trip
to Montana, occasioned by the ill-
ness of his wife.
Ben F. Shearer, president of the
B. F. Shearer Theatre Supply Co.,
returned last week from California
after completing the entire job of
decorating and equipping the Mo-
rosco theatre in Los Angeles in
record-breaking time.
J. A. Gage, former Educational
manager in Seattle and more re-
cently head of the Tiffany-Stahl
office, last week was appointed
West Coast representative of the
Vitaphone division of Warner Bros,
company. This was the informa-
tion released at the time of the visit
here of Joseph Skirboll, West
Coast district manager of the same
organization, who spent several
days in business conference with
Carl Stearn, manager of the local
Warner office.
Paramount's local exchange, un-
der the direction of Neal East, last
Cincinnati
ACCORDING to present indi-
cations, the Walnut Theatre,
a historical landmark in Cincin-
nati, which was closed several
weeks ago on account of proving
an unprofitable picture house, will
not reopen. It is reported that
local parties have secured an op-
tion from the Kcith-Albee-Harris-
I if-' 'ii I leidingsfeld interests, and
that a large garage will likely re-
place the present structure.
The Forest Theatre, a neighbor-
hood house, located in Avoudale.
has closed for the summer. Con-
currently with the closing, the For-
est Airdome, located next to the
theatre proper, began operations.
Through strategic placing of the
organ in the Forest when remodel-
ing last summer, the theatre organ
will be used for the airdome pro-
grams.
The Palace Theatre, playing
vaudeville and pictures, has in-
augurated a new schedule of show-
ings. Picture programs now begin
at 1 P. M. instead of 10 A. M., as
heretofore, except Saturdays, Sun-
days and holidays, when the old
hours are in effect. Vaudeville per-
formances are given but three times
daily under this new arrangement,
instead of continuously as hereto-
fore.
Henry C. Geis, feature organist
at the Albee Theatre. Cincinnati,
since the house was opened several
week celebrated the opening of
beautiful new quarters on Seattle's
new film row, at 2413 Second ave-
nue.
Rolla Duncan, Northwest show-
man, last week opened his new
Avalon theatre in Olympia, Wash-
ington, operating this 650-scat house
on a 25c. first run policy.
F. F. Vincent, exploiteer recently
connected with Universal's chain of
suburban theatres in this territory,
has been transferred to the Uni-
versal exchange in Portland.
Harry Akins, veteran manager
for some of John Danz's Sterling
Chain Theatre houses, last week
announced his resignation from that
organization and has started with
his family for California. He plans
to make connections with a similar
operating company in the southern
locality.
Art Adamson, former sales rep-
resentative for Pathe in the Ore-
gon territory and Universal in
Seattle, last week was appointed
to the sales staff of the Seattle
Pathe exchange.
Clem Pope, one of the operators
of the CI emmer theatre in Spo-
kane, spent a short time on film
row last week.
James M. Beale, manager of the
Tiffany-Stahl exchange here; Gins.
Beale. his brother, head of the
Portland exchange; D. C. Mill-
ward, general manager of the
territory; and Fred Knight, man-
ager of the Northwestern Film
Corporation, are all in Los Angeles
at present, absorbing the informa-
tion about Tiffanv-Stahl's product
for 1928 and 1929.
Hal Elais, connected with the
publicity department of Ben Fish's
local Metro-Goldywyn-Mayer ex-
change for the last few months,
was called back to the home office
last week.
George and I,ce Brewerton, op-
erators of the Orpheum theatre in
Shelby, Mont., were Seattle visit-
ors last week. Part of their time
was spent selecting new decorations
and equipment for their house.
Lou Mctzelaar, sales representa-
tive of the local Metro-Gold w\ n-
Mayer exchange, last week bought
a new car.
Jess Beckman and Rex Thomp-
son, film men of this territory who
recently acquired control of the
Community theatre at Port Or-
chard, planned an elaborate reopen-
ing campaign for last week. A
considerable amount of money has
been spent by the new owners in
the remodeling and re-equipping
of the house.
L. J. McGinley last week joined
Manager Matt Aparton's local Uni-
versal sales force. His first trip
was to San Francisco, with Mr.
Aparton, to attend the "C" conven-
tion.
B. Jaycox. supervisor of play-
dates for Universal out of the New
York office, left last week after a
few davs visit.
months ago, has resigned, and his
future plans are indefinite. No
successor has been named.
Both the Palace and Rialto The-
atres, Hamilton, Ohio, are chang-
ing pictures three times a week in-
stead of twice as has been the cus-
tom during the regular season.
Two changes per week will be re-
sumed in the fall.
The son of John Schwalm. man-
ager of the Rialto Theatre, Ham-
ilton, narrowly missed death re-
cently when he figured in an auto-
mobile mishap. No bodily injuries
were sustained, although young
Schwalm's car was very badly dam-
aged when struck by another ma-
chine.
The Peoples Theatre Co., Day-
ton, Ohio, has appointed Geyer &
Newffer as architects to design a
new house at Third and Mathison
streets. The building will contain
stores and apartments in addition
to the theatre.
Joe Goetz, manager of the State
Theatre, Dayton. Ohio, and, inci-
dentally, one of the youngest man-
agers in the Middle West, has at-
tired his ushers in full regulation
sailor outfits, which, he says, adds
an air of coolness to the house.
Majestic Theatre. Mansfield. O..
has closed for the summer, and will
be extensively remodeled before
opening again in the fall, accord-
ing to Manager George J. Rcister.
FOR SALE
One Egyptian'Setting complete.
Two Painted Backings
Two Real Jars
Two Incense Stands
Artificial Vines
One pair Close in Curtains made of sport satin.
One pair Screen or Title curtains made of Brilliant
cloth with 50' , fullness and lined with sateen. Black
velour surroundings for Picture screen including two
special appliqued panels.
One Ground cloth of heavy duck painted in dyes.
One Sky border cyclorama.
One Cyclorama of LUSTRE metal Gold cloth lined
with sateen, size 24' x 66', with 1-3 fullness.
One Special Fabric Drop size 24' x 48', 50' J fullness
lined with sateen.
One Black Velour Drop size 24' x 48'.
One Black Velour Border size 9' x 52'.
Two Black Velour Legs size 24' x 8'.
All of the above velours have 1-3 fullness.
PUBLIX THEATRES CORPORATION
PARAMOUNT BUILDING
NEW YORK CITY
Price furnished upon request
Apply M. J. Multin
1914
Motion i3 ic t u re N e zvs
Cleveland
(CONTINUED cold weather has
■s worked in favor of business
at the local theatres. The big at-
tractions are continuing to draw
big crowds. As yet, outdoor com-
petition is nothing to worry about.
W hile there is talk of curtailing
the number of operating days at
neighborhood houses, nothing has
been done to put this summer prac-
tice into effect. As long as the
thermometer stays down to 60 de-
grees, theatres will continue their
winter policies.
Walter Loewe has resigned from
the local United Artists sales force.
He is reported to have joined the
First National office in Cleveland.
Saul Resnick, United Artist sales
manager, has returned from a three
days convention in Chicago.
The first type M Simplex projec-
tion machine to be installed in this
territory through the Cleveland of-
fice of the National Theatre Sup-
ply Co., went into the American
theatre at East Liverpool. The
American belongs to the Tri-State
-Amusement Co., chain operate irs.
Sam Lurie, Pittsburgh exhibitor,
has entered the Cleveland exhibi-
tion field. He recently purchased
the Arion theatre, Kinsman Road
and East 130th street, formerly
owned by Messrs, Shenker and
Deutsch. Lurie operated several
motion picture houses in Pitts-
burgh.
Ward Scott, local Fox ex-
change manager, is conventioning.
First he attended the national Fox
convention in New York. Then he
attended the midwest regional con-
vention in Chicago. The booker and
sales staff of the office also at-
tended the Chicago gathering,
which was held June 1st and 2nd
at the Stevens Hotel. Those who
went were booker F. J. Hunt, and
salesmen H. J. Gell, D. Klein, D.
S. Davidson, L. C. Thompson, C.
J. Ward and J. F. Bruce.
Fred Schram of Security Pic-
tures Corporation spent last week
in New York, negotiating for pic-
tures for Ohio distribution during
the coming season.
Jesse Fishman, general manager
of Standard Film Service Co., was
also in New York last week, sign-
ing up for new' independent prod-
uct.
H. R. Skirboll, manager of the
Educational Film Exchange, at-
tended the Educational convention
in Montreal last week.
Keith's East 105th street began
its split-week policy Sunday, May
27th. At the local Keith headquar-
ters it was announced that the qual-
ity of production under the split-
week policy will remain the same
as under the full week policy. Only
first-run pictures will be shown, and
vaudeville the same as formerly.
The Euclid East 105th street sec-
tion will have one less theatre in
operation during June and July.
The Alhambra, playing stock has
closed for two months. Robert Mc-
Laughlin, manager, announced that
the house will reopen in August
and that the visiting star system
will be renewed.
Canada
A THREATENING fire visited
the Monument National the-
atre at Ottawa, Ontario, recently,
the flames reaching such propor-
tions that a second ala-m was
turned in. Fire started under the
stage and worked along the walls
to the balcony, but were ex-
tinguished before hitting the pro-
jection room.
The Monument National, which
is completely equipped for film
performances, was reconstructed
a few years ago at a cost of $30.-
000. The loss from the fire was
$6,000.
The Confederation Amusements,
Limited, a new Montreal firm
headed by F. A. Tabah, well
known locally as a retail mer-
chant, is the owner of the Empress
theatre, seating 1,800 persons,
which was opened last week. The
house is situated at Old Orchard
avenue and Sherbrooke street,
Montreal.
When the Canadian Pacific
Railway recently staged its annual
French-Canadian Folk Song and
Musical Festival in Quebec City,
use was made of the Auditorium
theatre, Quebec City, opened a few
months ago by the Auditorium
Company, of which J. A. Paquet
is president and Albert D. Denis
is manager. This theatre is the
latest addition in Canada to the
Keith-Albee circuit.
The Regent theatre, a new
house at Gatineau, Quebec, under
the management of Joseph La-
Flamme, has been menaced by late
spring floods of the Ottawa and
Gatineau rivers. Navigation by
water has been the mode of trans-
portation throughout the town, and
people have experienced difficulty
in reaching the Regent. The house
has been operating without inter-
ruption, however, despite the sit-
uation and regardless of the uncer-
tain electric services.
Famous Players new theatre at
Ottawa, Ontario, to be known as
the Capitol, is scheduled to open
January 1st, under the management
of Ray Tubman, who now has the
Regent and Imperial theatres in
Ottawa.
The Avalon theatre, which is be-
ing erected in Ottawa by P. J.
Nolan, will open September 1st.
The structural steel work was
completed May 26 despite a strike
in Canada of the steel workers.
The Avalon will seat 1,000 persons.
The Imperial theatre, Montreal,
one of the largest in that city, was
closed, June 2nd, by Manager H.
W. Conover, for one month, so
that extensive remodelling could
be carried out. This house is
owned by E. F. Albee, who also
has the Imperial theatre in St.
John, N. B. In close proximity to
the Montreal Imperial is the Albee
Building, in which practically all
of the film exchanges have their
offices.
Fred McLennan, manager of the
Brock theatre, Brockville, Ontario,
lost out in his fight against day-
light saving in that city, the coun-
cil having voted unanimously for
summer time, which will start June
17th, and continue until September
2nd.
South East
FRIENDS on film row of S. E.
Peppiatt, Charlotte branch
manager for United Artists, will be
glad to learn he is rapidly recover-
ing from an operation for appendi-
citis.
W. G. Carmichael, Atlanta
branch manager for United Artists,
returned last Wednesday from Chi-
cago where he attended the com-
pany's sales convention.
Al Rook, formerly connected
with M-G-M's Charlotte office,
joined the sales force of United
Artists' Atlanta branch recently.
John Ezell, Warner's Atlanta
branch manager, made a trip to
Charleston, S. C, the past week.
Visitors in Charlotte this week-
were Donald M. Eaves, Eaves The-
atre Circuit, Union, S. C. ; Mr. and
Mrs. M. F. Schnibben, Opera
House theatre, Florence, S. C. :
Jack Marcus, manager of O'Dowd
theatre, Florence, S. C. ; D. Holt.
Troy Theatre, Troy, N. C. ; A. I.
Mason, Capitol theatre, Laurens,
S. C. : Rudolph Mason, Mason's
theatre, Goldsboro, N. C.
J. C. DeWaal, Pathe's home of-
fice traveling auditor, is now at
work at the Atlanta exchange.
Miss B. Douglas joined Warner
Bros.' local force last week.
Rose Marie Burke, secretary to
Arthur Lucas, president of Educa-
tional, spent last week in Macon.
Whitney Butner, son of J. H.
Butner, manager of Educational's
Atlanta office, who recently under-
went an appendicitis operation, is
much improved.
Mrs. M. L. Morris, of Educa-
tional's personnel, was away from
the office last week on account of
the illness of her young daughter,
Mary Frances.
C. A. Clegg, First National's At-
lanta branch manager, expects to
leave this Saturday for a tour
through Florida. He will be ac-
companied by salesman George Al-
mon, representative in that terri-
tory.
O. L. Freeman, ad sales mana-
ger of Paramount's Atlanta office,
recently traveled the South Georgia
territory.
Fred F. Creswell, district mana-
ger of. Arthur C. Bromberg At-
tractions, has returned to Atlanta
from a trip in Florida. He re-
ported that the company's new ex-
change, which was opened in
Tampa on May 1, was functioning
most successfully.
John W. Mangham, Jr., Atlanta
branch manager of Liberty-Spe-
cialty, made a trip to Birmingham
last week.
Recent visitors along film row
were: Henry Hury, of the Cham-
pion and Frolic theatres, Birming-
ham, Ala.: W. II. Odom, of the
Pastime theatre, Sandersville, Ga. ;
Charles Oswald, district booker
for Publix, Jacksonville, Fla. ; Roy
Martin, of the Martin theatres, Co-
lumbus, Ga., and J. N. Morgan,
manager of the Royal. Columbus.
June 8, 1928
1915
Salt Lake City
1^ T. I H V owner of the
I . Gem theatre at Murray,
Utah, was elected president of the
Lions Club this past week.
Sam Feinstein of the Denver F.
B. 0. sales force spent a few days
in Salt Lake last week.
Sam Kaminsky, who is in charge
of the F. B. O. Butte office, was
in this city last week attending a
sales meeting at the local office.
Manager Fred Lind has re-
turned from the F. B. O. conven-
tion, held at the Blake Hotel, Chi-
cago, recently.
Manager Ball of the Warner
Bros, office will make the Mon-
tana territory shortly, it is an-
nounced.
A. \V. Hartford. Universal man-
ager, is at present on the road. C.
C. McDermond is covering the
Coal Camp section of Southern
Utah, and Ernie Gibson is in Idaho.
Manager L. C. Wingham, of the
Metro-( ioldvwn- Mayer office, left
last week for Idaho.
Don Carrothers of the Orpheum
theater at Pocatello, Idaho, and the
Peery Bros, of the Egyptian and
Ogden theatres of Ogden, Utah,
were seen along the row last week.
Harney Shooker, formerly of the
Atlas exchange in Denver, has
joined the sales force of F. B. O.
in this city and will cover the
Idaho section.
Johnny Dickson, salesman for
L'nited Artists for some time past,
has also recently joined forces with
F. B. O., and will work in Mon-
tana. T. J. Walsh is also covering
Montana for F. B. (). and George
Jensen is still in the Southern Utah
territory.
T. Frank Shea, sales manager for
F. B. O. Pictures Corporation, vis-
ited Salt Lake City recently.
Upon the return of Manager Fred
Gage of the l'nited Artists ex-
change a sales meeting was held
with the local sales force.
Earl D. Smith, local manager of
the National Theatre Supply Com-
pany, returned a few days ago from
San Francisco, where he attended
th" National Convention.
Recent callers on film rowr were :
II. J. Miller, of the Cameo theatre,
at American Fork, Utah; Reno
Mernmott, of the Amusement Hall
at Sipio, L'tah, and Manager Rob-
inson, of the Gem theatre of
Provo, owned by Louis Strike.
"llap" Fredericks, local office
manager for Columbia, was in
from his territory for a few days.
J. W. Johnson, of the Iris the-
aatre at Mid vale, has recently re-
covered from diphtheria.
Manager Clyde II. Messinger,
of the Educational exchange in this
city, is expected to return soon
from the convention held at Mon-
treal, Canada.
Charles Walker. Fox branch
manager here, will arrive back
within a short time from the Fox
convention held at New York city.
Traveling Auditor Thomas
Cleary has left the local Fox ex-
change and is now en route to Can-
ada.
S. W. Hutchings of the Royal
theatre at Lehi, I tah, was among
the exhibitor visitors here last
week ; also Elmer Teitjen of the
Jewel theatre at Santaquin, Utah.
Manager W. F. Gordon, of As-
sociated First National exchange,
is busy in the state of Idaho clos-
ing key run situations. Salesman
Claude Hawkes is also working in
Idaho, and Pete Stewart is now
covering the entire state of Mon-
tana.
A. L. Classman, who has re-
cently purchased a chain of houses
throughout this territory, has re-
turned from a trip to Los Angeles.
An announcement will be made
shortly by the DeLuxe Feature
Film exchanges as to a change in
the general management and a new
name which this concern will as-
sume, according to exchange man-
ager James R. Keitz. Fred Brown,
general manager of this company,
is expected to arrive in Salt Lake
C ity within the next few weeks.
The Excellent Pictures. Inc., arc
opening new offices at 142 East 1st
South street in conjunction with
the DeLuxe exchange.
A sales meeting has recently been
held at the local Warner Bros, ex-
change by Western Division Man-
ager Harry Lustig, who has since
left for Los Angeles.
M. F. Keller has been trans-
ferred baek to the Portland War-
ner Bros, office. Ed C Mix, at
present, is making a short trip into
Northern Utah.
Louis Marcus, of the Louis Mar-
cus Enterprises, returned a short
time ago from the Paramount con-
vention, held in San Francisco.
Chicago
A GENERAL meeting of the
members of the Chicago Ex-
hibitors' Association was held re-
cently, and the present officers of
the association. Jack Miller, presi-
dent and business manager ; Lud-
wig Siegel, secretary, and Frank
Shaffer, treasurer, were unani-
mously nominated for another year,
candidates for directors also were
nominated. The annual meeting of
the association will be held on June
13 at Ridge Hall, at which time the
members will ratify the nomina-
tions.
G. G. Shatter & Sons, who oper-
ate the Premier and Memorial The-
atres at Valparaiso, Ind., are add-
ing vaudeville acts to their pro-
grams on Saturdays and Sundays.
Sales Manager Cecil Max berry
and Manager of Exchanges Mc-
Gowan, of Columbia Pictures, vis-
ited the company's local exchange
last week for a conference with
Manager Henry Elman. Mr. May-
berry, who is on the road most of
the time, leaves Chicago on Mon-
day for Memphis, and Mr. Mc-
Gowan will visit the newr Milwau-
kee office before returning to New
York.
Abe Tague has disposed of the
Milford Theatre to A. M. and I.
M. Melzer and 15. Nathan. It is
reported that Mr. Nathan will be
in active charge at the Milford.
I Turon has taken over the
Ritz theatre, Gary, from A. Rud-
jinski. This is a new house and
is reported to have cost over
eighty thousand dollars.
South Bend Enterprises, Inc.,
which is erecting the elaborate
new theatre in South Bend, report
that the house will be ready for
opening in about September 1st. It
will be operated by Publix theatres
and has a capacity of 1,200 seats.
Another Gary House which has
a new owner is the Ritz, now be-
ing operated by E. Popkins.
The Honeymoon, of South
Bend, is now being managed by
Ralph Rohn. who lormerly oper-
ated for Ben Lucas.
A wire from Tess Heraty re-
ports that she is having a glorious
time in Los Angeles, where she
went as a member of the Film
Boards of Trade convention party.
It will be two weeks more before
she will return to her desk at ex-
hibitor headquarters.
The convention season is near
its end and film row is resuming
its normal appearance. At this
writing, however, one more meet-
ing was scheduled. That of Fox.
at the Drake, starts June 1st,
with James R. Grainger presid-
ing. Clyde Eckhardt was ex-
pected to return from New York,
where he is attending a sales con-
ference, in time to welcome the
one hundred managers and sales-
men expected at the Chicago gath-
ering. United Artists' regional
was held at the Drake last week,
and Pathe executives and salesmen
also met there in convention.
Jimmy Clayton of West Frank-
fort, 111.; R. E. Atkins of Elk-
ville, III., and John Marlowe of
Herrin, 111., were among the out-
of-town exhibitors seen along Pic-
ture Row during the past week.
Portland, Ore.
WORD comes to the row this
week of another change in
West Coast house managership. E.
C. •JefTress, who was recently in
charge of West Coast houses in
Tacoma. Wash., will occupy a
similar position at Butte, Mont.
Jeffress was tor many years asso-
ciated with houses in the East and
Middle West. He will be assisted
by Harry Stone in the manage-
ment of the Rialto and American.
F. F. Vincent, known on the
Portland row as exploiteer for
Universal, has returned to the
Rose City, where he will be kept
busy for the next few months
looking after the new product.
Sid Shuback, manager of the
Arco theatre in Portland, an-
nounces that he is leaving his
position June 2nd, and that the
house will hereafter be und-r the
management of Art Lodahl.
Bert Levy, manager of the Col-
umbia theatre. Portland, has the
happy faculty of picking out some
stellar presentations for his pre-
views and generally makes it a
custom to run them every Saturday
night.
EMPIRE FILM VAULTS, INC.
MODERATE PRICE FILM STORAGE
to 10 Containers $ .75 Over 100 Containers $ .33
11 to 50
51 to 100
723 Seventh Avenue, N. Y.
.50 Cases per month 2.00
.40 Cases per month over 10 cases 1.75
Bryant 5437-5736-2180
1916
.1/ o t i o n Picture News
New York & New Jersey
MORRIS SEIDER, manager
of the Regent theatre, Bay
Shore, L. I., and nephew of
Joseph M. Seider, of Prudential
Film Distributors, was recently
complimented in the columns of
the Bay Shore Journal, for his fine
judgment in the selection of pro-
grams shown his patrons.
Illness crippled the sales staff of
Commonwealth Pictures Corp., last
week, with Manager Dave Rosen-
garten, formerly of Metro Ex-
change, taken down with influenza,
Jerry Adler laid up with an abscess
of the ear, and Mannie Meyers suf-
fering an attack of rheumatism.
Contractors are making rapid
progress on excavation work, prior
to the laying of foundations for
the pretentious new film building,
which will be erected at 45th
street and 9th avenue, New York
City.
The A. H. Schwartz circuit is
building a new house on Flatbush
avenue in the near vicinity of
Prospect Park, Brooklyn, sched-
uled for opening the latter part of
June. A name for the theatre has
not yet been determined.
Julius Joelsou's Blenheim thea-
tre, at 167th street and Park av-
enue, the Bronx, which was re-
cently damaged by fire, will reopen
about the middle of June.
Opening of the new Firment
theatre, located at 177th street and
Tremont avenue, the Bronx, or-
iginally scheduled for Decoration
Day, has been postponed until
June 15th, because interior work
has not yet been completed. Joseph
Weinstock is the owner of the
house, and the Loew Corporation
will operate it with pictures and
vaudeville.
Managing Director Noble, of
the Valentine theatre, Fordham
road, the Bronx, reports that the
fire which occurred at that the-
atre last week did little harm, and
that the house continued to run
without a day's halt.
The Mark-Stanley Strand the-
atre, 147th street and Broadway,
purchased last week from the Na-
tional Theatre Supply Company 3
new Simplex Projection Machines.
The Westwood theatre, a new
1,600-seat house, will be opened
about June 14th, at Westwood,
New Jersey, under the supervision
of E. Allan Mayer. The theatre
is owned by Westwood Theatres
Corporation, of which Mr. Meyer
is general manager, and will run
a vaudeville and picture policy.
Charlie Goldrey, former Bronx
exhibitor, returned last week from
California, after several months'
vacation, during which time he vis-
ited many of the large film studios.
Charlie's many friends are glad to
see him back.
Walter Green, recently appointed
general manager of National The-
atre Supply Corp., left New York
last Friday for Chicago head-
quarters of the company, and from
there he will make a business tour
of all the National branch offices
throughout the country.
Morris Needless, owner of the
Park West theatre, 99th street and
Columbus avenue, sailed for Eu-
rope last Saturday, accompanied by
his wife and daughter. Mr. Need-
less will vacation on the Continent
for several months, and his itin-
erary will carry him through Ger-
many, France, Hungary and other
countries. Harry Needless is op-
erating the Park West in his fath-
er's absence.
N. J. Murphy sold his Strand
theatre, Hasbrouck Heights, New
Jersey, to George Martin.
Kelba Realty Corporation has
purchased from the Kimasi Amuse-
ment Co. the Pantheon theatre, a
1,200-seat house, located at 71
Burnside avenue, New York City
Lee Ochs, owner of the Uptown
and Costello theatres on Washing-
ton Heights, will depart the second
week in June, together with his
wife and daughter, for a three
months' pleasure tour of Europe.
George Allison will be placed in
charge of both houses in the ab-
sence of Mr. Ochs.
South West
RJ. TINNETT, part owner of
. the Capitol theatre, Dallas,
Texas, has taken over the duties of
managing director in place of his
late partner, Simon Charninski.
Jean Darnell, publicity director,
has been retained, as has the en-
tire staff.
Construction work on a new
$200,000 theatre at Laredo, Texas,
has been launched by Robb and
Rowley, to be completed by Aug.
15th.
Two unmasked bandits robbed
the Blaine theatre at Henryetta,
Okla., recently, and took over $800.
Two employees were bound and
gagged while the bandits looted the
safe.
Martin G. White was elected
president of the Little theatre, Ty-
ler, Texas, for the season of 1928-
29. Other officers selected were
Mrs. Dabney White, vice-presi-
dent ; Miss Ada Boyette, secretary,
and D. G. Connally, treasurer.
D. F. Spaulding will operate a
motor truck line for distribution
of films between Oklahoma City,
Ponca City and Enid. E. M. Cack-
ler will operate another line be-
tween Oklahoma City and all in-
termediate points.
The Grand theatre at Walters,
Okla., opened last week.
Max Holstein of Liberty-Speci-
alty, Oklahoma City, is on a vaca-
tion. He'll visit Kansas and Colo-
rado before returning home.
Carl Bishop, cashier for Educa-
tional at Oklahoma City, has re-
signed to accept a position with the
Blue Motor Express Co., and is
succeeded by Miss Delia Vogel.
Manager W. A. Moran and his
corps of Universal salesmen have
returned from the National Conven-
tion.
L. G. Aubrey has sold his Olym-
pia theatre at Braman, Okla., to O.
S. McKee, and will move to
Blanchard, Okla., where he will op-
erate a theatre.
Louise Bemis, shipping clerk for
Universal at Oklahoma City, has
resigned to return to her home in
West Virginia.
Sam Benjamin has returned to
Oklahoma City from the F. B. O.
convention, to which he was ac-
companied by his wife.
Wallace Walthall, manager of
the Home-State, Oklahoma City,
spent the early part of last week
along film row.
The various Oklahoma City film
exchanges are getting back to nor-
malcy, as managers and staffs re-
turn from conventions held in vari-
ous parts of the country.
J. C. Klock, salesman for the Na-
tional Theatre Supply Co., has
taken over the entire Oklahoma ter-
ritory.
William Smith and Mr. Sobel-
man are erecting a new 795 seat
theatre at Tulsa, Okla., to be com-
pleted for opening about July 1st.
W. A. Ryan, manager of the Fox
film exchange, Oklahoma City, re-
turned from a week at the Texas
M. P. T. O. and left for New
York City to attend his company's
National Convention.
Minneapolis
JOHN J. CAMPBELL, owner
of the Wonderland theatre,
Minneapolis, is mourning the loss
of his mother, Mrs. E. R. Camp-
bell, who died suddenly at the age
of 69.
Ben Marcus, manager of the
Minneapolis branch of Columbia
Pictures, and members of his sales
force won first prize in the Colum-
bia Victory drive held among the
33 branches.
Frank Rubel has left Finkel-
stein & Ruben, where he has been
in charge of out-of-town bookings
for two years. He will devote
himself to the distribution of a spe-
cial film in the Minnesota and
North and South Dakota terri-
tories.
The Eagle theatre, at Monte-
video, Minn., will be opened
shortly under the management of
McCarthy Theatrical Enterprises,
which purchased it recently. The
theatre has been redecorated and
provided with new equipment and
organ.
F. D. White is acting as man-
ager of the office of Screen Clas-
sics, Minneapolis independent ex-
change, during the absence of the
general manager, O. S. McConnell,
who has been in Chicago in the
interests of the company.
The Minneapolis branch of Co-
lumbia, under the direction of
Benny Marcus, led the Columbia
exchanges of the country in sales
records for the period of six
weeks.
Clara Kimball Young will arrive
in Minneapolis this week to pre-
pare for a two weeks' stock en-
gagement as guest star at the Shu-
bert theatre. She will be a guest
of the Northwest Theatre Owners'
at their annual convention at the
Nicollet Hotel in Minneapolis.
When the Elks held their Am-
bassador Revue at the Minneapolis
Lyceum theatre April 19-21, Miss
Margaret Morris, motion picture
actress, appeared in one perform-
ance. A-liss Morris was visiting at
her home in this city at the time of
the Revue. A slight attack of flu
kept her from the last two per-
formances.
June 2 , 19 28
1017
ill!IIU!9llll!IN«ffilllllNiIII!llllllll(liIIUilf
11
111!
*-
1 COMPLETE RELEASE CHART
Productions are listed according to the names of Distributors in order that the Exhibitor may have
a short-cut toward such information as he may need, as well as information on pictures that are coming.
Features which are finished or are in work, but to which release dates have not been assigned, are listed in
"Coming Attractions" (S. R. indicates State Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
11
III!
IlllI
nun
BRAY PRODUCTIONS
Title Star Rol. Dati
Bare Co-Ed, The Murdock-Cavalier-Lancaster. . Feb. 10
Barnyard Rivals W. Lantz-M. Shaw-T. Ward Mar. 10
Cat Tales McDougall Kids Feb. 20
Cutting Up McDougall Kids Mar. 20
Daze of '49 J. Cooper-L. Carver Jan. 2
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1 .
Fowl Play McDougall Kids April 20
Lost In the Lurch P. Murdock-N. Cavalier Mar. 1
Mr. Pooh McDougall Kids Jan. 20..
COLUMBIA
FEATURES
Title Star Rel. Date
After the Storm Bosworth-Gilbert-Delaney April 19. . .
By Whose Hand? Cortez-Gilbert Sept. 15. .
Broadway Daddies Logan-Lease April 7...
College Hero. The Agnew-Lease-Garon Oct. 9. . .
Desert Bride. The Compson-Forrest Mar. 26. .
Fashion Madness Windsor-Howes Dec 8. . .
Golf Widows fnrd-Reynolds-Rand May I...
Isle of Forgotten Worren Teirle-Sebastian Sept 27. . .
Lady Raffles Ta/lor-Drew Jan. 25. . .
Matinee Idol, The Vvalker-Love Mar. 14. . .
Modern Mothers Chadwick-Fairbanks, Jr.-Kent May 13 . ..
Name the Woman Stewart-Glass May 25 .
Opening Night, The Windsor-Bowers Nov. 14. . .
Ransom WiJson-Burns June 7
Sally in Our Alley Mason-Arlen Sept. 3 . . .
Siren, The Revier-T. Moore Dec. 20. . .
So This Is Love Mason-Collier-Walker Feb. 6 . .
Sporting Age, The Bennett-Herbert-Nye Mar. 2 ..
Stage Kisses Harlan-Chadwick Nov. 2. . .
That Certain Thing Graves-Dana Jan. 1 . . .
Tigress, The Holt-Revier Oct. 21 . . .
Warning, The Holt-Revier Nov. 26...
Wife's Relations, The Mason-Glass Jan. 13. . .
Woman's Way, A Livingston-Baxter Feb. 18. . .
Coming Attractions
Star
Length Reviewed
. 2 reels Jan. 7
2 reels Mar. 17
. 2 reels
. .2 reels Mar. 17
. 2 reels Feb. 4
2 reels Mar. 17
2 reels
2 reels Mar. 17
. 2 reels Jan. 7
Length
5459 feet
5432 feet
54CG feet.
5628 feet
5425 feet
5513 feet.
5592 feet
5645 feet
5471 feet
5925 feet.
5540 feet
Reviewed
Jan. 7
Dec. 9
Mar. 31
Jan. 21
May 5
5524 feet Mar. 17
5892 teet
5996 feet
5611 feet
5467 Teet
5435 feet
6047 feet
5357 feet .
5791 feet
5508 feet
5472 feet .
Mar. 10
Mar. 17
Jan. 7
April 28
Title
Beware of Blondes
Gangster, The LIvlngston-Day
Way of the Strong, The Day-Livingston
Virgin Lips Borden-Boles
Length Reviewed
EDUCATIONAL
Title Star Rel. Date Length
All Bear Curiosities April 29 1 reel
All Set Lupino-Sargent-Hutton Jan. 15.. ..1 reel. . .
Always a Gentleman Lloyd Hamilton Feb. 5 2 reels
At It Again Monty Collins May 13 2 reels
Between Jobs Lloyd Hamilton Mar. 18 2 reels...
Blazing Away Lloyd Hamilton April 22 2 reels
Builders of Bridges Bruce Outdoor Sketch Feb. 26 . 1 reel ....
Call of the Sea, The Hope Hampton Jan. 1... 2 reels
Chilly Days "Big Boy" Feb. 19 ... 2 reels
Circus Blues Dorothy Devore Mar. 25 2 reels .
Count Me Out Barney Helium Mar. 11 1 reel
Crown Me Wallace Lupino June 3... 1 reel
Cutle Dorothy Devore Jan. 15... 2 reels
Dog Days— Sun and Rain Bruce Outdoor Sketch Jan. 29 . 1 reel
Dummies Larry Semon Jan. 1 . . . 2 reels
Fall In Monty Collins Jan. 1 1 reel
Fandango Lupino Lane May 6.... 2 reels
Felix the Cat In Arablantlcs "Sullivan Cartoon" May 13. . 1 reel
Felix the Cat In Comicalities . "Sullivan Cartoon" April 1 . 1 reel
Felix the Cat in Draqqin' the Dragon "Sullivan Cartoon" Jan. 22 1 reel
Felix the Cat In Eskimotive "Sullivan Cartoon" April 29. ... 1 reel
Felix the Cat in Futuritzy "Sullivan Cartoon" June 24 1 reel
Felix In In-and-Out-Laws "Sullivan Cartoon" May 27... 1 reel
Felix the Cat In Japanlcky "Sullivan Cartoon" Mar. 4 . 1 reel
Felix in Ohm Sweet Ohm "Sullivan Cartoon" Feb. 19 1 reel
Felix In Outdoor Indore "Sullivan Cartoon" June 10 1 reel
Felix the Cat in Polly-tics "Sullivan Cartoon" Mar. 18. . 1 reel
Felix in Sure-Locked Homes "Sullivan Cartoon" April 16.... 1 reel
Felix the Cat In the Oily Bird "Sullivan Cartoon" Feb. 5 .. 1 reel
Felix In the Smoke Scream ..... "Sullivan Cartoon" Jan. 8 1 reel
Feline Frolics— Tonquln Valley . Bruce Outdoor Sketch Mar. 25 1 reel
Gloom Chaser. The "Big Boy" June 24 2 reels
Green-Eyed Love Ruby McCoy-George Hall April 8 1 reel
Hectic Days Lupino Lane June 17 2 reels
High Strung Jerry Drew Jan. 29... 2 reels
Hints on Hunting— Day by Sea Bruce Outdoor Sketch April 22 1 reel
His Maiden Voyage George Davis Feb. 26 2 reels
Homemade Man. A Lloyd Hamilton June 17 2 reels .
How to Please the Public Hodge Podge Mar. 11 1 reel
Indiscreet Pete Jerry Drew Mar. 11 2 reels
Kitchen Talent George Davis April 15 . . 2 reels
Listen Sister Lupino Lane Mar. 25 2 reels
Love's Siringtime Hooe Hampton .. Feb. 12 2 reels
Mother Birds Curiosities Mar. 4 1 reel
Mysterious Night, A Monty Collins Feb. 12 1 reel
Navy Beans "Big Boy" May 27 2 reels
Never Too Late Wallace Lupino May 6 1 reel
New York's Sweetheart Curiosities Jan. 1 1 reel
Nicknames Hodge-Podge April 8 1 feel
Reviewed
April 21
Feb. 4
Feb. 18
April 28
April 7
Mar. 10
Dec 31
Feb. 18
Mar. 17
Mar. 3
May 26
Feb. 18
Feb. 25
Dec. 23
Dec. 23
April 14
April 21
Feb. 25
Mar. 31
Mar. 17
April 14
May 5
Mar. 10
Feb. 18
Mar. 10
Mar. 24
May 26
Feb. 4
Mar. 31
Feb. 18
Mar. 17
Mar. 10
Mar. 31
Mar. 24
Mar. 17
Feb. 18
Feb. 4
May 12
April 28
Feb. 11
April 21
Title Star
No Fare "Big Boy '
Off Balance Monty Collins
Peculiar Pair o' Pups, A Bruce Outdoor Sketch
Penny Postals Curiosities
Pretty Baby Monty Collins
Racing Mad Al St. John
Rah Rah Rah! Dorothy Devore
Recollections of a Rover Hodge-Podge
Rubbernecking Curiosities
Running Ragged Lewis Sargent.
Rel.
April
April
May
April
Feb.
. . Jan.
June
Jan.
Feb.
. Jan.
Sailor Boy Monty Collins June
Say Ah-h Charley Bowers Feb.
Simple Sap, A Larry Semon Feb.
Slippery Head Johnny Arthur April
Spring Has Came Monty Collins Mar.
Star Shots Hodge-Podge Feb.
Sword Points Lupino Lane Feb.
There It Is Charley Bowers Jan.
Thoughts While Fishing Bruce Outdoor Sketch June
Three Tough Onions Monty Collins May
Visitors Welcome Johnny Arthur Mar.
Wandering Toy, The Hodge-Podge May
Wedding Slips Monty Collins Jan.
Whoozit Charley Bowers April
Who's Lvin"? Davis-Collins June
Wildcat Valley Johnny Arthur Jan.
You'll Be Sorry Charley Bowers May
Date
8 . .
22...
20
1. ..
26. . .
8...
3 ...
8...
5...
29
17...
19...
12...
29 .
25 .
5...
12...
1...
17...
20 . .
4...
6...
1...
1...
10
22 . ..
20.
Length Reviewed
2 reels Mar. 24
1 reel April 14
1 reel May 5
1 reel Mar. 17
1 reel Feb. 18
2 reels Jan. 28
2 reels May 26
1 reel Feb. 4
1 reel Feb. 4
1 reel . Feb. 4
1 reel
2 reels Feb. 18
2 reels Feb. 25
2 reels .... April 21
1 reel Mar. 17
1 reel Feb. 4
2 reels Dec. 31
2 reels . . Jan. 7
1 reel
1 reel . . May 12
2 reels Mar. 10
1 reel May 28
1 reel Feb. 11
2 reels Mar. 17
2 reels May 26
2 reels Feb. 4
2 reels . May 19
EXCELLENT PICTURES (S. R.)
FEATURES
Title Star
Back to Liberty Walsh-Hall Nov. 10
Bit ot Heaven, A Lee-Washburn April
Bowery Cinderella, A O'Malley-Hulette Nov. 1
Broadway Madness De La Motte-Keith Oct. 1
Inspiration George Waloh
Satan and the Woman Windsor-Keefe Dec. 15
Stronger Will Marmont-Carewe Jan. 1 5
Women Who Dare Chadwick-Delaney Mar.
Coming Attractions
Title Star
Life's Crossroads Hulette-Hamilton
You're in the Army Now Santschi-Blythe
Rel. Date Length Reviewed
. 5980 feet
6900 feet
6300 feet
6600 feet
6400 feet
6600 feet
Nov. 25
Oct. 1 1
Mar. 10
Length Reviewed
F B O
FEATURES
Title Star Rel. Date
Aflame In the Sky Lynn-Luden Dec 18...
Alex the Great Gallagher-Dwyer May 13
Bandit's Son, The Steele-Sheridan Nov. 20 . .
Bantam Cowboy. The Buzz Barton Aug. 12...
Beyond London's Lights Shumway-Elliott Mar. 18
Boy Rider, The Buzz Barton Oct 23...
Breed of the Sunsets Bob Steele April I...
Cherokee Kid, The Tyler-Lynn Oct. 30
Chicago After Midnight Mendez-lnce Mar. 4 ...
Clancy's Kosher Wedding Sidney-Lease-Lynn SepL 17
Coney Island Wllson-Mendez Jan. 13...
Crooks Can't Win Lewis-Hill-Nehon May II . ..
Dead Man's Curve Fairbanks. Jr.-Blane Jan. 15
Desert Pirate. The Tyler-Thompson Dec 25 .
Devil's Trade Mark. The Bennett-Mong-Douglas April 7
Doq Justice Ranger-Martin June 10
Drlftln' Sands Bob Steeie Jan. I...
Fangs of the Wild Ranger-Kitchen Feb. 5
Fightinq Redhead, The Buzz Barton July 1
Flying U Ranch, The Tyler-Lane Sept. 4
Freckles . Bosworth-Fox, Jr. Mar. 21
Gingham Girl, The Wbson-Arthur Oct. 2
Harvester. The Klngston-Caldwell Nov. 23
Her Summer Hero Thompson-Trevor-Blane Feb. 12
Hook and Ladder No. 9 Ellls-Keefe-Heam Nov. 13
In a Moment of Temptation Stevens-Keefe .. Sept. 18
Jake the Plumber Devorska-Lynn Oct. 16
Judgment of the Hills Valli-Caldwell Nov. 6
Law ot Fear. The Ranger-Reid-Nelson April 8
Legionnaires in Paris Cooke-Guard Jan. 31
Little Buckaroo, The Buzz Barton Mar. 11
Little Mickey Grogan Darro-Ralston-Nye Dec 27
Little Yellow Hmise. The Sleeper-Caldwell May 28 .
Loves of Rlcardo, The George Beban June 17
Man in the Rough. The Steele-King May 20
Mojave Kid. The Steele-Gilmore Sept. 25
Phantom of the Range Tyler-Thompson-Darro April 22
Pinto Kid, The BartorvTrevor-Lee April 29
Racing Romeo. The Grange-Ralston SepL 1
Ranger ot the North Ranger dog) Oct. 9
Red Riders ot Canada Mlller-Byer April 15
Riding Reneqade, The Bob Steele Feb. 18
Sally of the Scandals Love-Forrest July 15
Shanghaied Mlller-lnce Oct 19
Skinner's Big Idea Washburn-Sleeper-Trevor May 11 .
Slingshot Kid. The Barton-Morgan-Rice Dec 4
South Sea Love Mhler-Shumway-Brooks Dec 10 .
Swift Shadow. The Ranger dog) Dec 11...
Trail of Courage, The Steele-Bonner. . . July 8
Length
Reviewed
6034 feet
Nov. 11
5886 feet
Mar. 24
4789 feet
4893 feet
5583 feet
Feb^ 25
4858 feet
Sept. 30
4669 feet
4837 feet
Mar. 3
6249 feet
Mar. 17
5701 feet
Aug. 26'27
6390 feet
Feb. 25
551 1 feet
Dec 23
4754 feet
5984 feet
5043 faal
4770 feet
4804 feet
Jan. 14
■TBI f.
4924 feet
6131 feet
Jan. 28
6301 feet
July 29 '27
7045 teet
Nov. 25
5146 feet
Dec. 30
5240 feet
Dec 16
5605 feet
Nov. 11
5186 feet
Nov. 4
6481 teet
Aug. 19"27
4769 leet
Mar. 10
5893 teet
4801 feet
6515 teet
Mar. 3
6829 teet
April 21
5181 feet
SepL 4 '26
4748 feet
4924 reel
Aug. 1227
4781 feet
Feb. 11
4884 teet
Jan. 7
5992 teet
Dec. 16
4977 feet
6419 feet
Dec 23
4729 feet
5999 teet
Aug. 26'27
5967 feet
Mar. 17
6388 leet
Feb. 18
4897 feet
Dec 23
1018
M o t i o n P i c t u r e
N e zvs
Title Star Rel. Date Length Reviewed
Wall Flowers Trevor-Arthur-Todd Feb. 16 6339 feet
When the Law Rides Tyler-Darro June 24 4698 feet
Wizard of the Saddle Barton-Thompson Jan. 22 4805 feet Dec. 30
SHORT SUBJECTS
Title Star Rel. Date
After the Squall Al Cooke April 30. . .
All Alike Carr-Alexander-Ross April 9 . . .
All Washed Up Al Cooke Feb. 6 .
Almost a Gentleman Al Cooke June 25. . .
Are Husbands People? Al Cooke April 2. . .
Big Berthas Karr-Ross-Alexander May 14...
Come Meal Al Cooke June 11 ..
Happy Trio, The Karr-Ross-Alexander Mar. 12. . .
Heavy Infants Karr-Ross-Alexander June 11 . . .
Joyful Days Karr-Ross-Alexander Aug. 14...
Mickey's Babies Mickey Yule Aug. 1 ...
Mickey's in Love Mickey Yule June 4. . .
Mickey in School Mickey Yule Feb. 6. . .
Mickey's Little Eva Mickey Yule April 2. . .
Mickey's Nine Mickey Yule Mar. 5...
Mickey's Parade Mickey Yule Jan. 2 . .
Mickey's Triumph Mickey Yule July 3. ..
Mickey's Wild West Mickey Yule May 1 ...
My Kingdom For a Hearse Al Cooke April 16 . .
Oui Oui Heidelberg Karr-Ross-Alexander Feb. 13...
Panting Papas Karr-Ross-Alexander Jan. 9 . . .
Rah!. Rah! Rexie Al Cooke Feb. 20. ..
Restless Bachelors Al Cooke May 14. . .
Silk Sock Hal Al Cooke May 28 . .
Social Error, A Al Cooke Jan. 23...
Standing Pat Karr-Ross-Alexander July 9 . .
Too'Many Hisses Al Cooke Mar. 5...
Top Hats Al Cooke Mar. 19...
Coming Attractions
Title Star
Battling Buckaroo. The Tyler-Clair
City of Shadows, The Luden-Lynn
Danger Street Baxter-Sleeper
Down Our Way Valll-Caldwell-Darro
Gang War Borden-Pickford
Eagle's Ta'ons, The Tom Tyler
Headin'for Danger Steele-Mendez
Hit of the Show. The Brown-Astor-Olmstead
Perfect Crime, The Rich-Brook-McConnell
Saddle and Spurs Barton-Eason
Stocks and Blondes Logan-Gallagher
Taxi 13 Conklin-Sleeper-Trevor
Length Reviewed
.2 reels
.2 reels
2 reels
.2 reels
2 reels
.2 reels
2 reels
2 reels
.2 reels
2 reels
2 reels
2 reels
2 reels
.2 reels
2 reels
.2 reels
.2 reels
.2 reels
.2 reels
.2 reels
.2 reels
2 reels Feb. 18
.2 reels
.2 reels
2 reels Feb. 11
2 reels
2 reels
2 reels
Length Reviewed
Coming Attractions
Title Star
Butter and Egg Man Mulhall-O'Day
Code of the Scarlet Maynard-McConnell
Divine Lady, Tne Grifith-Varconi
Glorious Trail. The Maynard-McConnell
Head Man, The Murray-Reed-Dawson
Heart to Heart Astor-Hughes
Here Comes the Band Langdon-Davison
I'll Tell the World Colleen Moore
Lilac Time Moore-Cooper
Piianton City, The Ken Maynard
Whip, Tne Mackaill-Nilsson-Forbes
Wright Idea, The . Hines-Lorraine
Length Reviewed
Mar. 24
FOX FILMS
FEATURES
Title Star
Arizona Wildcat, The Mix-Sebastian.
Black Jac'< Jones-Bennett.
Blood Will Tell Jones-Perry
Branded Sombrero, The Jones-Hyams
Rel.
Nov.
Sept.
Nov.
Jan.
Chicken a la King Sterling-Carroll-Meeker June
Come to My House Borden-Moreno Dec.
Dare Devil's Reward Mix-Joyce Jan.
Don't Marry Moran-Hamilton June
Dressed to Kill Lowe-Astor Mar.
East Side, West Side O'Brien-Valli Oct.
Es:aie, Th9 Valli-Russell April
Farmer's Daughter, The.. Beebe-Burke July
Fleetwing Norton-Janis July
Gateway of the Mjon Del Rio-Pidgeon Jan.
Gay Retreat, The Cohen-McNamara Sept.
Girl in Every Port, A McLaglen-Armstrong Feb.
Hangman's House McLaglen-Collyer-Kent May
Hello, Cheyenne Mix-Lincoln May
Hiqh School Hero Phipps-Stuart Oct.
Holiday Lane Jan.
f.onor Bound O'Brien-Taylor May
Horsemen of the Plains Mix-Blane Mar.
Joy Girl, The Borden-Hamilton Sept.
Ladies Must Dress Valli-Gray Nov.
Love H jngry Moran-Gray April
Date
20...
25 ...
13....
Length
4665 feet.
4777 feet
4556 feet
461 2 feet
Reviewed
Mar. 24
Mar. 3
Mar. 3
..Jan. 14
FIRST DIVISION (S. R.)
Title Star Rel. Date Length Reviewed
Comrades Keith-Hughes-H. Costello Jan. 1
Death Valley Nye-Weils-Rae Nov. 15
Devil's Cage, The Garon-Keith May
Fagasa Kelly-Kelton-Wells Mar.
Firnegan's Ball Landis-Mehaffey Oct
Masked Angel, The Compson-Oakman Feb.
Merry Wives of New York Pauline Garon Jan.
Ragtime De La Motte-Bowers Sept. 15
Souls Aflame James-Wells-Lard Mar.
Temptations of a Shop Girl Compson-Garon-Kaliz Dec. 1
Title
Free Lips
Coming Attractions
Star
Marlowe-Novak
. . .5970 feet
..Mar. 10
. . . .5880 feet
. Aug. 12
. . 6200 feet.
Dec. 9
....5700 feet
. Mar. 24
6900 feet
...6700 feet
Sept 9
. . . .5604 feet
Length
Reviewed
Loves of Carmen Del Rio-McLaglen
News Parade, The Stuart-Phipps
None But the Brave Dorothy Knaop
No Other Woman Del Rio-Alvarado
Painted Post, The Mix-Kingston
Pajamas Borden-Gray
Play Girl, The Bellamy-Brown
Publicity Madness Moran-Lowe
Road House Barrymore-Alba
Seventh Heaven Gaynor-Farrell
Shame (re-issue) John Gilbert
Sharpshooters O'Brien-Moran
Silk Legs Bellamy-Hall
Silver Valley Mix-Dwan
Soft Living Bellamy-Brown
Square Crooks Brown-Armstronq-Dwan
Tnief in the Dark, The Meeker-Hill-Lee
Two Girls Wanted Gaynor-Tryon
Very Confidential Madge Bellamy
Why Sailors Go Wrong Cohen-McNamara
Wizard, The Lowe-Hyams
Wolf Fangs Thunder-Morton-Lincoln .
Sept
May
June
June
July
Oct.
April
Oct.
July
Oct.
. Nov.
Jan.
Dec.
Oct.
Feb.
. Mar.
May
. Sept.
Nov.
Mar.
Dec.
Nov.
Womanwise Russell-Collyer-Pidgeon Jan.
SHORT SUBJECTS
5430 feet
.4987 feet
5708 feet
.6566 feet
.8154 feet
51 09 feet
Jan 21
Mar. 17
Nov. 4
May 12
5038 feet
5524 feet
5500 feet
6518 feet
4518 feet
5498 feet
Jan. 14
Sept. 23
Mar. 3
May 19
May 19
Nov. 11
6188 feet
.4397 feet
.61 62 feet
.5599 feet
5792 feet
8538 feet
May 26
Mar. 24
Sept. 23
Dec. 23
April 21
Oct. 7
5876 feet
.5200 feet
5893 feet
. Dec. 2
April 28
Feb. 11
8500 feet
.5467 feet
5573 feet
5446 feet
5011 feet
5629 feet
5397 feet
5937 feet
6293 feet
5620 feet
.5112 feet.
5629 feet
5331 feet
5050 feet
June 10
Jan. 28
Oct. 14
Mar. 3
Mar. 31
May 26
Oct. 7
Dec. 16
April 14
Dec. 16
Mar. 10
FIRST NATIONAL
FEATURES
Title Star Rel.
American Beauty Dove-Hughes Oct.
Barker, The Sills-Compson-Mackaill Aug.
Big Noise, The Conklin-Hardy-White Mar.
Breakfast at Sunrise Talmadge-Alvarado Oct.
Burning Daylight Sills-Kenyon Mar.
Camilla Talmadge-Roland Sept.
Canyon of Adventure Maynard-Faire April
Chaser, The Langdon-McConnell Feb.
Chinatown Charlie Hines-Lorraine April
Crystal Cup, The Mackaill-Mulhall Oct.
Drop.Kick, The Barthelmess-Kent Sept.
Flying Romeos Sidney-Murray Feb.
French Dressing Warner-Brook-Wilson Jan.
Good-Bye Kiss, The Eilers-Burke-Kemp July
Gorilla, The Murray-Day-Kersey Nov.
Gun Gospel Maynard-Faire Nov.
Happiness Ahead Colleen Moore June
Harold Teen Lake-Brian-White May
Hawk's Nest, The Sills-Kenyon May
Heart of a Follies Girl Dove-Kent Mar.
Her Wild Oat Moore-Kent Dec.
Home Made Hines-Daw Nov.
Ladies' Night in Turkish Bath . Mackaill-Mulhall April
Lady Be Good Mackaill-Mulhall May
Life of Riley, The Sidney-Murray Sept.
Little Shepherd of Kingdom Come Barthelmess-O'Day April
Love Mart, The Dove-Roland Dec.
Mad Hour, The O'Neill-Kent Mar.
Man Crazy Mackaill-Mulhall Nov.
Noose, The Barthelmess- Joyce Jan.
No Place to Go Astor-Hughes Oct.
Oh Kay. . Colleen Moore Aug.
Patent Leather Kid, The Barthelmess-O'Day Jan.
Private Life of Helen of Troy Corda-Stone-Cortez Jan.
Red Raiders, The Maynard-Drew Sept.
Rose of the Golden West Astor-Roland Oct.
Sailors' Wives Astor-Hughes Jan.
Shepherd of the Hills Francis-O'Day Jan.
Smile, Brother, Smile MackaiN-Mulhall Sept.
Dec.
May
June
Dec.
May
. Feb.
June
Feb.
May
19
13.
22.
15.
1.
5.
29
. 25.
22
. 26.
19
129.
I 22.
.11.
4.
Length Reviewed
1 reel May 26
1 reel
2 reels
1 reel
2 reels May 19
1 reel
2 reels Mar. 24
2 reels
2 reels May 26
1 reel Jan. 21
2 reels Mar. 17
2 reels May 19
1 reel
2 reels
2 reels Jan. 14
2 reels Sept. 3
2 reels May 26
1 reel
1 reel
2 reels
1 reel
1 reel
2 reels
2 reels
1 reel
Texas Steer, A Rogers-Fazenda.
Three-Ring Marriage Astor-Hughes
Upland Rider, The Maynard-Douglas
Valley of the Giants Sills-Kenyon
Vamping Venus Murray-Todd-Fazenda.
Wagon Show, The Maynard-Faire
Wheel of Chance Barthelmess-Basquette
Whip Woman, The Taylor-Moreno
Yellow Lily, The Dove-Brook
Title Star Rel. Date
America's Little Lamb Variety April 15. . .
Arkansas Traveler Variety Jan. 8. . .
Cow's Husband, A Spenser-Temple
Deser t Blooms, The Variety Mar,
Follow the Leader Payson-Ramon May
Date Length Reviewed MX^.^
9. . . 6333 feet. . Oct. 21 Hot House Hazel T. Brooks-T .Hill Jan.
19 In a Music Shoppe (Movietone) Special Cast
25. .. 7400 feet May 12 Jack and Jilted P. Cunning-M. King
23 .6042 feet. .. Dec. 16 Jungles of the Amazon Variety Feb.
11... .6500 feet. April 28 Kiss Doctor, The Brooke-Thompson Jan.
4 . . 8692 feet May 6 Lady Lion Lincoln-Clayton-Bletcher Mar.
22 5800feet May 19 Lords ot the Back Fence Variety Jan.
12... 5744 feet April 21 Love is Blonde Rollens-Ellis Feb.
15 6365 feet Low Necker, A Marjorie Beebe
16 6386 feet Nov. 25 Mum'stheWord
25 6819 feet Sept. 30 Old Wives Who Knew Hallam Cooley April
26 6184 feet April 14 On a South Sea Shore Variety April
15... .6344 feet Over the Andes Variety
"2 Psyche and the Pskyscraper "O. Henry"
13... 71 33 feet . . .Dec. 2 Ship Ahoy! Variety Feb.
6 .6288 feet Mar. 10 Spanish Influence Variety April
24 T. Bone for Two Tyler Brooke April
27 7500 feet Too Many Cookies T. Brooke-L. Miller Mar.
27 Vintage, The Variety Mar.
18 ...5957 feet ... Mar. 17
25 . 6118 feet . Feb. 11 Coming Attractions
20 ...6524 feet ... May 26 T.„ c,
1... 6592 feet... April 14 Tl,,e b,ar
6 . . Air Circus, The Carrol-Lake-Rollins
18 671 2 feet . Sept.16 Cock-EyeJ World, The Lowe-McLaglen
8 . . 7700 feet . . May 19 Dry Martini
18... 7388 feet Fazil Farrell-Nissen-Busch
4 . . 6625 feet. . . April 21 Four Devils, The Macdonald-Gaynor-Morton
27 5542feet Dec. 30 Four Sons Mann-Hall-Bushman 9412feet
29 7331 feet Jan. 7 Girl Downstairs, The Moran-O'Brien
30. .. .6431 feet Mar. 17 Me, Gangster Collyer-Stuart
26 Mother Machree Bennett-McLaglen 6863feet Mar. 17
11412 feet Aug. 26, '27 Pigskin Rollens-Carol
8 7694feet Dec. 23 Plastered in Paris Cohen-Pennick
4 . 6214 feet Dec. 9 Red Dance. The Del Rio-Farrell-Revier
2. . . .6477 feet . . .Oct. 7 River Pirate, The McLaglen-Moran
22 5485 feet Mar. 10 Street Angel, The Gaynor-Farrell 9221 feet
1... 8188 feet ...Feb. 25 Sunrise Gaynor-O'Brien 8729 feet Oct. 14
11 6669feet Sept. 9 Wild West Romance Bell-Lincoln
4 7419feet Nov. 18
27
3 May 19
11.... 6336 feet
13
19 6212 feet ,
10 ™le
5 . 5087 feet Mar. 24 Bare Knees
20 7187 feet May 26 Blondes By Choice
Length Reviewed
Feb. 18
LUMAS
FEATURES
Star Rel.
Corbin-Falth Feb.
Claire Windsor Oct.
Date Length
1... 5800 feet
1 6987 feet
Reviewed
..Jan. 28
June 2, 19 28
1919
Title Star Rel.
Cheer Leader, The Graves-Olmstead Nov. 1
Chorus Kid, The Falre-Washburn April 10
Girl From Rio. The Mycrs-Pldgeon Sept. 1
Hell Ship Branson Mrs. W. Reid-Huwes-Beery . . May 1
San Francisco Nights Marmont-Busch Jan. 1.
Thru the Breakers Aug.
Turn Back tho Hours Loy-Pldgeon Mar. 12
United States Smith Gribbon-Loe-Harlan May
Oato Length Reviewed
6000 feet Mar. 10
6200 feet . April 11
6990 foct
7000 feet . . May 12
.7000 foet. . Dec. 31
Rel. Date
April 7 .
April 21
6500 (ect . Mar. 17
Coming
Star
Attractions
Title
Abie of the U. S. A George J essel
Down Grade, The Fairbanks-Calhoun
Gypsy Love (tent.)
Head of tho Family, The July
Man Higher Up June
River Woman. The Alma Rubens
Uncensorcd Woman. The '
When Danger Calls Fairbanks-Sedgwick
Woman Between, The
Rel. Dato Length Revlowod
Title
METRO-GOLDWYN-MAYER
FEATURES
Star
Rel.
Across to Singapore Novarro-Crawford April
Actress, The Shearer-Forbes-O.Moore April
Annie Laurie Glsh-Kerty Sept
Baby Mine Arthur-Dane Jan.
Becky O'Neill-O.Moore Nov.
Ben Hur Novarro-McAvoy Oct.
Big City, The Chaney-M. Day-Compson
Big Parade. The Gilhert-Adoree
Body and Soul L. Barrymore-Pringle-Kerry.
Bringing Up Father Macdonald-Olmsted-Mornn
Buttons Coogan-L. Hanson
Certain Young Man Novarro-Adoree
Circus Rookies Dane-Arthur
Cossacks, The Gilbert-Adoree
Crowd. The Boardman-Murray
Diamond Handcuffs Boardman-Gray-Nagel
Divine Woman, The Garbo-Hanson
Enemy. The Gish-Forbes
Fair Co-Ed Davies-Brown
Forbidden Hours Novarro-Adoree
F< reign Devils McCoy-Windsor
Garden of Allah Terry-Petrovich
Feb
Sept.
Oct.
Mar.
Dec.
May
Mar.
June
Mar.
May
Jan.
Feb.
Oct.
June
Sept.
Nov.
In Old Kentucky H. Costello-Murray Oct.
Latest from Paris, The Shearer-Forbes Feb.
Laugh, Clown. Laugh Chaney-Young-Asther April
Law of the Range, the McCoy-Crawford Jan.
London After Midnight Chaney-M. Day-Nagel Dec.
Love Garbo-Gilbert
Lovelorn, The O'Neill-Kent-O'Day
Man, Woman and Sin Gilbert-Eagels
' alsy. The Davios-Caidwell-Gray
Quality Street Davies-Nagel
F Iders of the Dark McCoy-Dwan
Pcad to Romance, The Nnvarro-M. Day
Fose-Marie Crawlord-Murray-Petors
Skirts Chaplin-Baltour
Smart Set, The Haincs-Holt-A. Day .
Jan
Dec.
Nov.
Mar.
Dec.
April
Sept
Feb.
May
Feb.
Spoilers of the West MrCoy-Daw Dec.
Spring Fever Haines-Crawrord Oct.
Student Prince, The Novarro-Shearer Jan.
Tea for Three Cody-Pringle-O. Moore Dec.
Thirteenth Hour. The L. Barrvmore-Gadsdon Nov.
Under the Black Eagle Flash-M. Day-Forbes Mar.
West Point Haines-Crawford Jan.
Wickedness Preferred Cody-Pringle Jan.
Wyoming McCoy-Sebastian Mar.
SHORT SUBJECTS
Title Star Rel. Date
Aching Youth Charley Chase Mar. 17. ..
All For Nothing Charley Chase Jan. 21...
Amazing Lovers Ufa Oddities Mar. 10...
Barnum and Ringling, Inc "Our Gang" April 7. . .
Bird Man. The Charley Chase
Blow by Blow Max Davidson Mar. 81.. ,
Came the Dawn Max Davidson Mar. 3...
Children of the Sun Ufa Oddities Feb. 11..
Cleopatra July 7...
Crazy House "Our Gang" June 2. . .
Czarina's Secret, The Baclanova-Mir-Rand Mar. 17...
Dumb Daddies Max Davidson Feb. 4...
Edison, Marconi and Co "Our Gang" Mar. 10. . .
Fair and Muddy "Our Gang" May 5...
Family Groui, The Charley Chase Feb. 18. ..
Fight Pest. The Charley Chase May 12.
Finishing Touch. The Laurel-Hardy Feb. 25. .
Fishing With I Microscope . Ufa Oddities
Follow Through Laurel-Hardy
Forty Thousand Miles with Lindbergh Aviation Film Mar. 4...
From Soup to Nuts Laurel-Hardy Mar. 24. . .
Golden Fleeces Ufa Oddities May 19
Happy Omen, A Ufa Oddities July 14..
Heavenly Bodies Ufa Oddities
Jungle Round-Up, A Ufa Oddities Jan. 28 .
Lady of Victories, The A. Ayres-O. Matiesen-G. Irving. Jan. 21...
Leave 'Em Laughing Laurel-Hardy Jan. 28. ..
Let George Dolt Laurel Hardy
Limousine Love Charley Chase April 14 .
Monarch of the Glen, The Ufa Oddities Mar. 24 . .
Nature's Wizardry Ufa Oddities July 28...
Palace of Honey, The Ufa Oddities June 16
Pathfinders, The Ufa Oddities
Pass the Gravy Max Davidson Jan. 7
Perfume and Nicotine Ufa Oddities Jan. 14).. ,
Pets and Pests Ufa Oddities Jan. 28 . .
Primitive Housekeeping Ufa Oddities April 21
Rainy Days "Our Gang" Feb. 11. ..
Sanctuary Ufa Oddities May 5
Secrets ol the Sea Ufa Oddities Feb. 25
Should Women Drive? Max Davidson May 26
Sleeping Death Ufa Oddities June 30
Spook-Spoofing "Our Gang" Jan. 14. . .
Tally-Ho Ufa Oddities
Tell It to the Judge Stanley-Dwan-Mannlng May 12
That Night Max Davidson
Their Purple Moment Laurel-Hardy May 19
Tokens of Manhood Ufa Oddities. . . .June 6 .
Virgin Queen, The Stanley-Dwan-Mannlng May 12
Date Length
7.... 6805 feet
28. ...6998 feet
17.... 8730 feet
21.... 5139 feet
12. . . 6433 feet
8. . . 11693 feet
18... 6838 feet
10. . .11519 feet
I. ...5902 feet.
17.... 6344 feet
24.... 6050 feet.
19
31 5651 feet.
23
3... 8538 feet
5
14 . 7300 feet
18. . . .81 89 feet
15... 6408 feet
16
3. .
5..
29 .
4..
14. .
21
3 .
2
17
19
10 .
31. .
21 .
,24..
II. .
19 .
25. .
10 .
22 .
30. .
10. .
26 .
29..
7..
28
24..
Reviewed
May 5
May 27 "27
..Jan. 14
Jan! 16/26
Mar. 31
Nov. 28 '25
Nov. 25
! ! Mar. 31
May 19
'Feb. 25
Jan. 21
Dec. 31
. Nov. 4
4658 feet. .
April 28
8200 feet
Sept. 16
6646 feet
7743 feet
Mar. 3
7045 feet
5393 feet
5687 feet. .
. Dec. 23
7365 feet. .
Dec. 16
5950 feet..
. Dec. 30
K2R0 feet
7289 feet
7193 feet..
. Nov. 18
.5014 feet
.6544 feet .
. Jan. 21
7745 feet
. Feb. 18
6476 feet
. Mar. 10
47£4feet .
Mar. 24
6705 feet .
. Oct. 22
.9435 leet .
. Oct. 7
.6273 feet..
Nov. 11
5252 feet
.5901 feet .
May 19
.8134 feet..
Jan. 7
5011 feet
4435 feet
Length Reviewed
2 reels
.2 reels Jan. 14
1 reel
.2 reels April 21
.2 reels
.2 reels April 21
.2 reels
1 reel
2 reels
2 reels May 26
.2 reels
.2 reels Feb. 25
2 reels ... April 7
.2 reels May 12
2 reels .... Feb. IS
2 reels May 26
2 reels April 7
1 reel
2 reels
3 reels
.2 reels April 21
1 reel
1 reel
. 1 reel
1 reel Oct. 9
2 reels Feb. 25
2 reels
2 reels ... Mar. 3
2 reels April 21
I reel Jan. 21
1 reel
1 reel May 26
1 reel
2 reels . Jan. 14
1 reel
1 reel Mar. 3
1 reel
2 reels
1 reel
1 reel Mar. 3
2 reels May 19
1 reel
2 reels . . Jan. 14
1 reel
2 reels
2 reels
2 reels May 26
1 reel May ?r
2 reels ... May 19
Title Star
Wicked K.isimlr. The Ufa Oddities
Wonders of Blue Gull Moxlco Ufa Oddities .
Your Darn Tootin' Laurel- Hardy
Coming Attractions
Title Star
Adventurer. The McCoy-Sebastian
Baby Cyclone. Tho. Cody-Pringle
Beau BraaJway Cody-Pringle
Bellamy Trial. The Joy-Bronson
Brother Love [tentative) Dane-Arthur
Bushranger, The McCoy-Douglas
Cameraman, The Keaton-Day
Deadline. The Flash-Lorraine-Gray
Detectives Dane-Arthur
Excess Baggage Haines-Cortez .
Four Walls Gilbert-Crawford
Ho Learned About Women Haincs-Pago-Percy
Her Cardboard Lover Davics-Asther
Loves of Casanova, The Special Cast
Madamiiselle from Armentleres E. Brody-J. Stuart
Masked Stranqer, The McCoy .
Mask of the Devil John Gilbert.
Naroleon Special Cast
Our Dancing Daughters Crawford-Brown-Sebastian
Show People Davles-Haines
Telling the World Haines-Page
Tide of Empire Adoree-Murray
Trail of '98, The Del Rio-Forbes
War in the Dark Garbo-Nagel
While tho City Sleeps Chaney-Page
White Shadows of the South Seas Blue-Torres
Wind, The Gish-Hanson
PARAMOUNT
FEATURES
Title Star Rel.
Adventure Mad Asther-Hall-Cavis Mar.
Barbed Wire Negri-Brook Sept.
Beau Sabreur Brent-Cooper Jan.
Big Killing, The Beery-Hatton Mav
Chang Jungle Film Sept.
City Gone Wild. The Meighan-Brooks Nov.
Doomsday Vidor-Cooper Feb.
Drag Net, The Bancroft-Brent May
Easy Come, Easy Go Dix-Carroll April
Feel My Pulse Daniels-Arlcn Feb.
Figures Don't Lie Ralston-Arlen Oct.
Firty-Fifty Girl, The Daniels-Hall May
Fools for Luck Fields-Conklin May
Gay Defender, The Dix-Todd Dec.
Gontleman of Paris, A Menjou-O'Hara Oct.
Gentlemen Prefer Blondes Taylor-Sterling-White Jan.
Get Your Man Bow-Rogers Dec.
Honeymoon Hate Vidor-Carmanatl Dec.
Jesse James Thomson-Lane Oct.
Last Command, The Jannings-Brent Jan.
Last Waltz. The Fritsch-Vernon Nov.
Legion of the Condemned Cooper-Wray Mar.
Love and Learn Ralston-Chandler Jan.
Nevada Cooper-Todd Sept.
Night of Mystery, A Mcn|Ou-Brent April
Now We're in the Air Beery-Hatton Oct.
Old Ironsides Ralston-Farrell-Becry . . ... Mar.
One Woman to Another Vidor-Von Eltz Sept.
Open Range Chandler-Branson Nov.
Partners in Crime Beery-Hatton-Brian Mar.
Peaks of Destiny Special Cast Jan.
Pioneer Scout, The Thomson-Lane Jan.
Red Hair Bow-Chandler Mar
Rough Riders, The N. Beery-Bancroft Oct.
Secret Hour, The Negri-Ttomson Feb.
Serenade Menjou-Carver-Basquctte Dec.
Shanghai Bound Dlx-Brian Oct.
She's a Sheik Daniels-Arlen Nov.
Shootin' Irons Luden-Blane Oct.
Show Down, The Bancroft-Brent Feb.
Something Always Happens Ralston-Hamilton Mar.
Speedy Lloyd-Christie April
Sporting Goods Dlx-Olmstead Feb.
Spotlight. The Ralston-Hamilton Nov.
Stark Love Special Cast Sept.
Street of Sin, The Jannlngs-Wray May
Sunset Legion, The . . Thomson-Murphy April
Swim. Girl. Swim Daniels-Hall Sept.
Tell It to Sweeney Conklin-Bancroft Sept.
Three Sinners — Negri-Baxter April
Tillio's Punctured Romance Fields-Conklin Mar.
Two Flaming Youths Conklin-Fields Dec.
Under the Tonto Rim Arlen-Brlan Feb.
Underworld Bancroft-Brent-Brook Oct.
Way of All Flesh Jannings-Bennett-Haver Oct.
We're All Gamblers Meighan-Millner Sept.
Wife Savers Beery-Hatton Jan.
Woman on Trial Negri-E. Hanson Oct.
Length Reviewed
1 reel
1 reel
2 reels May 12
Length Reviewed
4709 feet
11100 feet Mar. 24
Date
31
10...
7...
19
3
12. .
18...
26 ...
21...
25...
8...
12...
5...
10 .
15...
28 ...
10...
3...
22 .
21...
26 ..
10...
14...
10...
7...
22 ...
3...
24 . .
5...
17...
28...
21...
10. . .
1...
4...
24. .
15...
12...
8...
25...
24...
7...
11...
19 .
17...
26 ..
«...
17. .
24...
14. . .
3...
17...
29 ! .
1...
3...
7...
29
Reviewed
Jan. 28
May 13 '27
Mar. 3
April 7
May 12
Mar. 3
Mar. 3
May 26
Dec. 31
Oct. 14
Jan. 21
Title
SHORT SUBJECTS
Star
Rel. Date
Adoration Novelty Feb. 25
Behind the Counter E. E. Horton Mar. 3
Bugs My Dear (Christie) Bobby Vernon April 21
Bum Steer. A Krazy Kat Cartoon April 21
Campus Cuties Christie1 Billy Dooley April 7 .
Dad's Choice E. E. Horton Jin. 7. ..
Fighting Fanny (Christie) Featured Cast Jan. 21
Frenzy Novelty Jan. 14...
Gallant Gob. A 'Christie) Billy Dooley May 26
Goofy Ghosts (Christie) Jlmmle Adams April 28 .
Halfback Hannah (Christie) Ann Cornwall April 14
Hold 'Er Cowboy 'Christie) Bobby Vernon June 2
Holy Mackerel Christie) Jlmmle Adams Feb. 11 .
Hunger Stroke. A Krazy Kat Cartoon Feb. 25
Ice Boxed Krazy Kat Cartoon Feb. 11 .
Just Ihe Type (Christie) Neal Burns Feb. 18
Knights of the Air Aviation Film Mar. 31
Ko-Ko'sBawth Inkwell Cartoon Feb. 18
Ko-Ko's Haunted House Inkwell Cartoon April 28
Ko-Ko's Hot Dog Inkwell Cartoon April 14
Ko-Ko's Jerm Jam Inkwell Cartoon. Feb. 4
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31
Ko-Ko's Kink Inkwell Cartoon Jan. 7
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21
Ki-Ko's Smoke Inkwell Cartoon Mar. 3
Length
5897 feet
6591 feet
6536 feet
5E08 feet
6536 feet
5408 feet
5665 leet
772C feet
5364 feet
5808 leet
5280 feet.
7720 leet
5758 feet
6376 feet
5327 feet
6871 feet
5998 feet.
5415 feet
8656 feet
8231 feet
6940 feet
741 5 feet
5737 feet
6258 feet
5741 feet
5798 feet
7910 feet
4551 feet
5599 feet
6600 feet
5582 feet
61 18 feet
6331 feet
9443 feet
7175 leet
52C9feet
5515 feet
6015 feet
5179 feet
7616 feet
4792 feet
7960 feet
5951 feet
4934 feet
6200 feet Mar. 11 "27
67(,31etl. . . . . . . . . ■
6124 feet . . Sept. 16
6006 teet . Oct. 28
7029 feet . April 28
5733 feet
5319 feet . Jan. 7
5991 feet April 28
7643 feet SepL 9
8486 feet . July 8
5935 feet
5413 feet Jan. 21
SS60feet . Oct. 14
Length Reviewed
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reeis Arril 28
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
1 reel
1 reel
2 reels
2 reels
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 ree'
1 reei
Feb. 11
Oct. 28
Jan. 28
Dec. 30
Mar. 24
Feb. 25
Oct. 28
April 21
Dec. 23
Dec. 18 "26
Sept. 30
Mar. 10
May 5
Jan. 21
Mar. 10
Mar. 31
April 1 '27
Mar. 17
Dec. 31
Dec 9
Dec 9
Mar. 10
May 26
April 14
Feb. 18
1920
Motion Picture News
Length Reviewed
1 reel
2 reals
2 reels
1 reel
1 reel
1 reel
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
I reel
Title Star Rel. Date
Ko-Ko's Tattoo Inkwell Cartoon Mar. 17. . .
Long Hose (Christie) Jack Duffy Mar. 17. . .
Love's Young Scream Anne Cornwall May 12...
Love Shy (Christie) Jlmmie Adams Mar. 24 . .
Love Sunk Krazy Kat Cartoon Mar. 21...
Pig Styles Krazy Kat Cartoon Jan. 14. . .
Save the Pieces (Christie) Bobby Vernon Jan. 28. . .
Say Uncle (Christie) Jack Duffy June 9. . .
Sea Food (Christie) Billy Dooley July 14. . .
Shadow Theory Krazy Kay Cartoon Jan. 28 . .
Slick Slickers (Christie) Neal Burns July 7. . .
Slippery Heels (Christie) Jimmie Adams June 16. . .
Sweeties (Christie) Bobby Vernon Mar. 10. . .
Tong Tied Krazy Kat Cartoon April 1 ...
Two Masters Eaton-Post
Water Bugs (Christie) Billy Dooley Feb. 4 2 reels
Wired and Fired Krazy Kat Cartoon Mar. 10 1 reel
Coming Attractions
Title Star Length Reviewed
Abie's Irish Rose Hersholt-McDonald 12103 feet. . April 28
Beggars of Life Beery-Arlen-Brooks
His Tiger Lady Menjou-Brent
First Kiss, The Wray-Cooper
Glorifying the American Girl Special Cast
Haifa Bride Ralston-Arlen
Hot News Daniels-Hamilton
lust Married Hall-Taylor
Kit Carson Thomson-Lane
Ladies of the Mob Bow-Arlen
Magnificent Flirt, The Florence Vidor
Perfumed Trap, The Brian-Brook
Odd Fellows Fields-Conklin
Patriot, The Jannings-Stone-Vidor
Quick Lunch Fields-Conklin
Racket, The Meighan-Prevost
Sawdust Paradise, The Ralston-Howes
Side Show, The Fields-Conklin
Vanishing Pioneer, The Holt-Blane
Warming Up Richard Dix
Wedding March, The Von Stroheim-Wray
Wings Bow-Rogers 12 reels . . Aug. 26 '27
PATHE
FEATURES
Title Star Rel.
Alice in Wonderland Special Cast Dec.
Alice Thru Looking Glass Special Cast Feb.
Dec.
Oct.
Feb.
April
.Jan
Almost Hiimin Reynolds-Thomson
Angel o, Broadway, The Joy-Varconi
Apache Rider, The Leo Maloney
Avenging Siadow, The Klondike-Hallor-Morris
Ballyhoo Buster, The Buffalo Bill, Jr
Blonde for a Night, A Prevost-Ford Feb.
Blue Danube. The Joy-La Rocque Mar.
Born to Battle Bill Cody Sept.
Boss of Rustlers Roost Dan Coleman Jan.
Bronc Stomper, The Dan Coleman Feb.
Bullet Mark, The Jack Donovan Mar.
Chicago haver- Varconi Mar.
Combat Walsh-Adams-Hulette Oct.
Cowboy Cavalier, The Buddy Roosevelt Jan.
Crashing Through Jack Padjan Feb.
Desert of the Lost, The Wally Wales Dec.
Desperate Courage Wally Wales Jan.
Devil's Twin, The Leo Maloney Dec.
Discord Ekman-Dagover Nov.
Dress Parade Boyd-Love Nov.
Fangs of Fate Klondike (dog) June
Flying Luck Monty Banks
Dec.
Forbidden Woman, The Goudal-Varconi Nov.
Girl in the Pullman Prevost-Ford Oct.
Golden Clown, The Ekman-Bell Dec.
Gold From Weepah Bill Cody Nov.
Grandma's Boy (re-issue) Harold Lloyd Dec.
Harp in Hock, A R. Schildkraut-Coghlan Oct.
His Foreign Wife McDonald-Murphy Nov.
Hold 'Em Yale La Rocque-Loff May
Hoof Marks Jack Donovan Nov.
Land of the Lawless Jack Padjan Dec.
Laddie Be Good Bill Cody Jan.
Law's Lash, The Klondike-Ellis-Maberry May
Leopard Lady, The Logan-Hale Jan.
Let 'Er Go Gallegher Coghlan-Ford Jan.
Main Event, The Reynolds-R. Schildkraut Nov.
Marlie the Killer Klondike-Bushman, Jr Mar.
Midnight Madness Logan-Brook Mar.
My Friend From India Pangborn-Fair Dec.
Night Flyer, The Boyd-Ralston Feb.
Obligin' Buckaroo, The Buffalo Bill, Jr Oct.
Date
25...
12...
26. . .
3...
12...
29...
8...
26...
11...
11...
22 ..
26 ..
25 ...
4...
23 ..
29...
5...
18. . .
15...
11...
20...
11...
24...
4...
7...
31...
18. ..
20...
io'.'.!
27...
13...
13...
25...
1...
20...
22. . .
15...
18..
4...
25...
19...
5...
16...
1...
On to Reno Prevost-Landis. . . . . Jan,
Passion Island Special Cast Feb.
Perfect Gentleman, A Monty Banks Jan. 15.
Ride 'Em High Buddy Roosevelt Oct. 9. . .
Roarin' Broncs Buffalo Bill, Jr Nov. 27 . . .
Rush Hour, The Prevost-Ford Dec. 12...
Saddle Mates Wally Wales Mar. 11 . . .
Skyscraper Boyd-Carrol April 8. . .
Soda Water Cowboy, The Wally Wales Sept. 25. . .
Stand and Deliver La Rocque-Valez Feb. 19...
Turkish Delight R. Schildkraut-Fay-Robson Nov. 11 . . .
Valley of Hunted Men Buffalo Bill, Jr Feb. 19. ..
Walking Back Carrol-Walling May 20...
What Price Beauty? Nita Naldi Jan. 22. . .
Wise Wife, The Haver-T. Moore-Logan Oct. 24. . .
Wreck of the Hesperus Bradford-Marion Oct. 81...
SHORT SUBJECTS
Title Star Rel. Date
Animal Snaps Rarebits April 8. ..
Barnyard Artists "Aesop Fables" April 29. . .
Barnyard Lodge No. 1 "Aesop Fables" April 8. . .
Bath Time Sportlight June 24. . .
Battling Duet, The "Aesop Fables" April 15...
Beach Club, The Bevan-Hurlock Jan. 22. . .
Benares (Educational) Geographical Number Jan. 24. . .
Best Man. The Bevan-A. Bennett-V. Dent Feb. 19. . .
Bicycle Flirt, The Bevan-V. Dent-D. Garley Mar. 18 . .
Blaze of Glory, A "Aesop Fables" Feb. 26. . .
Boats and Fishermen Science Number Mar. 4. . .
Boy Friend, The "Aesop Fables" Jan. 22...
Broncho Buster, The "Aesop Fables" Jan. 1 . . .
Length Reviewed
.5 reels
'5596 feet ' Mar. 24
.6555 feet . . Dec. 16
.5755 feet . . .Feb. 18
.4293 feet . Mar. 31
.4805 feet Dec. 30
.6 reels
.7 reels. . . May 26
.4875 feet
.4833 feet . . Jan. 14
. 5408 feet . . Mar. 3
.4550 feet . Mar. 31
.9992 feet . . Dec. 30
.5100 feet. . . Nov. 11
.4526 feet. . . Jan. 28
.4480 feet. . Feb. 11
.4933 feet. . . Dec. 30
4398 feet .. . Jan. 21
.5478 feet
.8586 feet . . Nov. 11
.6599 feet. . Nov. 11
64C3 feet. . Nov. 18
.6568 feet Dec. 16
.5867 feet .. Nov. 18
.791 3 feet. . .Mar. 24
.4968 feet. . . Dec. 23
.4750 feet
.5990 feet. . . Dec. 9
4890 feet. . Feb. 11
8 reels
.4076 feet. . Dec. 23
4131 feet. . Dec. 30
.4155 feet . . Dec. 30
.4902 feet. . . Mar 31.
6650 feet . . Mar. 10
.5888 feet. . . Jan. 28
6472feet. . . Nov. 11
.4600 feet . . . Mar. 3
6 reels
5750 feet. . . Mar. 31
.5954 feet
.4575 feet . . Nov. 11
.6 reels
.7 reels
.5626 feet . . Jan. 14
.4542 feet . Nov. 11
4375 feet . . Dec. 30
.5880 feet Mar. 10
.4260 feet. . . Mar. 17
.7040 feet. . . April 14
.4546 feet. . . Nov. 4
.5423 feet ...April 7
.5397 feet
.4520 feet Mar. 3
. . 6 reels
.5 reels Jan. 28
, 5610feet. . . .Dec. 16
.6447 feet . Mar. 31
Length Reviewed
.1 reel April 21
. 1 reel
.1 reel April 7
.1 reel
1 reel April 7
2reels Jan. 14
. 1 reel
.2 reels Feb. 11
.2 reels Mar. 10
.1 reel
.2 reels
.1 reel
.1 reel
Jan. 14
May 19
April 21
Feb. 11
Mar. 3
Mar. 24
May 19
Mar. 31
May 19
Title Star Rel. Date Length Reviewed
Buddhists of Burma, The (Educational)Geographical Number Feb. 5 1 reel
Busy Bodies Sportlight Jan. 8 1 reel Dec. 31
Clothes and the Game Sportlight April 15 1 reel April 7
Coast to Coast "Aesop Fables" May 13 1 reel May 19
County Fair, The "Aesop Fables" Mar 4 1 reel
Crowned Heads Sportlight Feb. 19 1 reel
Delhi (Educational) Geographical Number Feb. 26 1 reel
Do Monkeys Manicure? Stan Laurel April 1 1 reel
Eagle of the Night (Serial) Frank Clarke Oct. 21
Family Frolics Sportlight Jan. 22 1 reel
Famous Playgrounds Sportlight May 13 1 reel
Flight That Failed, The "Aesop Fables" June 3 . . .1 reel
Flying Age, The "Aesop Fables" April 22 1 reel
Fiying Elephants Roach Stars Feb. 12 2reels
Fun Afoot Sportlight Mar. 18 1 reel
Galloping Ghosts Carew-Hardy Mar. 11 2 reels
Girl From Nowhere, The Pollard-Holloway-Swain Mar. 25 2 reels
Good Ship Nellie, The "Aesop Fables" Feb. 5 1 reel
Happy Days "Aesop Fables" May 27 1 reel
High Stakes "Aesop Fables" Jan. 15. . . .1 reel
Honeymoon Hints Rarebits Jan. 15 1 reel
How Man Suits His Life Science Series 2reels
Houses of Arctic and Tropics Science Number Feb. 12 2 reels. . . .
Jungle Days "Aesop Cartoon" Mar. 25 . . .2 reels
Jungle Triangle, A "Aesop Cartoon" April 28. ... 1 reel
Kashmir, Old and New Geographical Number Jan. 10. ... 1 reel
Limberlegs Sportlight June 10 1 reel
Love at First Flight Pollard-Hurlock-Cowley Jan. 29 ... 2 reels
Man Without a Face (Serial) A. Ray-W. Miller Jan. 15. . .10 episodes.
Mark or the Frog, The M. Morris-D. Reed Mar. 25 . .10 episodes .
Matching Wits Sportlight April 29 1 reel
On the Ice "Aesop Fables" Mar. 11 1 reel
Over the Bounding Blue with Will Rogers (Travelesque) Feb. 12 1 reel
Playing Hookey "Our Gang" Jan. 1 2 reels
Puppy Love "Aesop Fables" June 10 1 reel
Reeling Down the Rhine Travelesque Jan. 15 1 reel
Run Girl, Run Sennett Girls Jan. 15. . . .2 reels
Scaling the Alps "Aesop Fables" April 1 1 reel
Season to Taste Sportlight Mar. 4 1 reel
Shalimar Gardens, The Geographical Number Mar. 18 1 reel
Should Tall Men Marry? Roach Stars Jan. 15 2reels
Smile Wins, The "Our Gang" Feb. 26 2 reels
Smith's Army Life Hiatt-McKee-Jackson Feb. 5 2 reels ....
Smith's Bargain Hiatt-McKee-Jackson 2 reels
Smith's Farm Days Hiatt-McKee-Jackson Mar. 4 .... 2 reels
Smith's Holiday Hiatt-McKee-Jackson Jan. 8 2 reels
Smith's Restaurant Hiatt-McKee-Jackson April 1 1 reel
Soldier Man Harry Langdon
Son Shower, The "Aesop Fables" Mar. 18 1 reel
Spider's Lair, The "Aesop Fables" Feb. 19 1 reel
Star Builders Sportlight May 27 1 reel
Swim Princess, The Pollard-Clyde-Lombard Feb. 26 2 reels. . . .
Tail Waggers Sportlight April 1 1 reel
Terrible People, The (Serial) Ray-Miller Aug. 12
Trees Rarebits Mar. 1 1 1 reel
Twenty-Four-Dollar Island Novelty 1 reel
Versatility Sportlight Feb. 5 1 reel
Volcanoes (Educational) Geological Number Feb. 19 1 reel
Wandering Minstrel, The "Aesop Fables" Jan. 29 1 reel
War Brides "Aesop Fables" May 20. . . .1 reel
Work of Running Water Geological Number Mar. 11 ... .1 reel
Yellow Cameo, The (Serial) Ray-Hearn June 3. . .10 episodes.
Jan. 21
Jan. 14
Mar. 24
April 21
Feb. 11
Jan. 7
Jan. 14
Mar. 31
Jan. 7
Mar. 3
Feb. 4
Mar. 3
Dec. 31
Feb. 18
May 19
Mar. 3
Dec. 23
Jan. 28
May 19
Coming Attractions
Title Star Length Reviewed
Annapolis Basquette-Brown
Black Ace, The Don Coleman
Bride of the Colorado Bole«-Blossom
Cop, The Boyd-Logan
Flying Buckaroo, The Wally Wales
Forty-Five-Calibre War Coleman-Loff
Godless Girl, The Basquette-Prevost
King of Kings, The Warner-Logan 1 3500 feet April 29 '27
Ladies Must Love Rod La Rocque
Love Over Night La Rocque-Loff
Man-Made Woman Joy-Boles- Warner
Power Boyd-Logan
Red Mark, The von Seyffertitz
Ship Comes In, A R. Schildkraut-Dressler June 4
Sin Town Allen-Fair
Survival of Slim, The Wally Wales
Tenth Avenue Haver-Varconi
Valley Beyond the Law Coleman-Loff
What Holds Men Leatrice Joy
Yellow Contraband Leo Maloney
PEERLESS PICTURES (S. R.)
Title Star Rel. Date Length Reviewed
GirlIHe Didn't Buy, The Garon-Simpson April 5600 feet
Golden Shackles Priscilla Bonner Mar 5600 feet
Out of the Past O'Malley-L. Rich Sept. 26. . . .6000 feet
Web of Fate, The Lillian Rich Nov. 7. . . .5800 feet
Wilful Youth Harlan-Murphy Dec 5800feet . . May 26
RAY ART (S. R.)
Title Star Rel. Date
Boy of the Streets, A Walker-Bennett Sept. . . .
Branded Man, The Delaney-Marlowe
Casey Jones Lewis-Robards Jan.
Cruise of the Hellion Murphy-Keith Sept. . . .
Danger Patrol, The Russeli-Faire April
Divine Woman, The Vera Reynolds July
Gun-Hand Garrison Tex Maynard Oct.
Gypsy of the North Gordon-Hale April
Heart or Broadway, The Garon-Agnew Jan.
Heroes in Blue Bowers-Rand Nov.
Law and the Man, The Santschi-Brockwell Jan.
Light in the Window, A Walthall-Avery-Keefe Oct.
My Home Town Brockweil-Glass Mar.
On the Stroke or 12 E. Torrence-Marlowe-O'Shea. . Nov.
Painted Trail, The Buddy Roosevelt Feb.
Phantom of the Turf, The H. Costello-Lease Mar. . . .
Prince of the Plains Tex Maynard Sept.
Ridin' Luck Tex Maynard Oct.
Trail Riders Buddy Roosevelt April
Trailin' Back Buddy Roosevelt Mar.
Wanderer of the West, A Tex Maynard Nov.
Wheel of Destiny, The Stanley-Hale Oct.
Wild Born Tex Maynard Dec.
You Can't Beat the Law Lee-Keefe Feb.
Length
5059 feet.
6796 feet
6673 feet.
6089 feet.
6076 feet
Reviewed
. Sept. 30
4879 feet
5976 feet
5853 feet
5076 feet
591 6 feet... Mar. 24
5960 feet. . Nov. 11
5608 feet
5970 feet
4571 feet
5905 feet
4134 feet
4137 feet
4627 feet
4308 feet
4200 feet
5869 feet
4490 feet
5260 feet
June 2, 19 28
1921
STERLING PICTURES (S. R.)
Title Star Rel.
Pretty Clothes Ralston-Wnlker Oct.
Outcast Souls P. Bonner-Delaney Dec.
Burning Up Broadway H. Costello-Frazer Jan.
Marry the Girl Bedford-Ellis Mar.
Million For Love, A Dunn-Howes May
Date
15. . .
15...
30 .
1. . .
Length
5652 teet .
5210 feet
5200 feet
5300 feet
Reviewed
Nov. 4
Mar. 10
Title
It Might Happen to Any Girl
Undressed
Coming Attractions
Star
Length Reviewed
Bryant Washburn
STATE RIGHTS
Reviewed
April 21
Mar. 3
Mar. 24
Nov. 4
Mar. 24
Mar. 3
Title Star Disfr Rel. Date Length
Adorable Cheat, The Lee-Keefe Chesterfield.. . April 15 5400feet
Aftermath Special Cast Collwyn Dec. . 6800 feet
Air Mail Pilot, The Mefaffey-Metcalfe Hi-Mark 5000 feet
Battles of Coronel Special Cast Artlee Feb. . 84C0 feet
Broadway After Midnight Bonner-Landis Krelbar Nov. . 61 99 feet .
Broken Hearts Hercules
Czar Ivan the Terrible Special Cast Amkino April 8500 feet
Dance Fever Corda-Varconi Brill
Dawn Special Cast Arch Selwyn
Daughter of Israel Betty Blythe Aywon 8300 feet
Devil's Passion, The Special Cast . Arfa 5700 feet
Faithless Lover, The O'Brien-Hulette Krelbar Mar. . 5600 feet..
Fangs of Justice Silverstreak-Walker . Bischoff 5000 feet
Jealousy Lya de Puttl Brill
Last Moment. The Matieson-Hale Zakoro April . 5800 feet Mar. 31
Little Wild Girl, The Lee-Landis Hercules
Modern Du Barry. A Maria Corda Brill June 1.. 7000 feet
Port of Missing Children Special Cast Superlative
Port of Missing Girls Bedford-McGregor Brenda 7270feet Mar. 3
Primanerliobe German Cast Scenic Films 6500 feet. . . Mar. 24
Sally of tie South Seas Hercules
Sealed Lips Swedish Cast Colwyn 6000 feet
Shadows ot the Night Hercules
Shooting Stars English Cast Artlee April 5800 feet. . . April 28
Simba Jungle Film Capitol Pict 8000 feet Feb. 4
Streets of Algiers Camilla Horn ....
Thrill Seekers Clifford-Fulton
Tartuffe the Hyprocrite Jannings-Dagover
Tracey the Outlaw Jack Hoey
Two Brothers Conrad Veidt
When Fleet Meets Fleet English Cast
Brill 7 reels.
Superlative 4900 feet
Brill 7 reels. Aug. 5 "27
New-Cal Mar. . 6000 feet. . Mar. 31
Brill
Hi-Mark 7953 feet
Title
Bel The F.
Cigarette Maker's Romance. . . .F.
District Doctor, The F.
Girl with the Golden Eyes, The.F.
Mysterious Airman, The
Necklace, The F.
Nothing to Live For Al
Piece of String, A F.
Police Reporter The (Serial). . . .W.
Sophomore, The G.
Spookey Money Al
Who's Who Al
You Can't Win Serial*
SHORT SUBJECTS
Star Dist'r Rel. Date Length Reviewed
P. Donovan producer) 2 reels
P. Donovan (producer) 2 reels
P. Donovan (producer) 2 reels
P. Donovan (producer) 2 reels
Weiss Bros lOepisodes
P. Donovan producer! Mary Alden 2 reels
Joy Cranfield Clarke 2 reels
P. Donovan 'producer) 2 reels
Miller-E. Gilbert . Weiss Mar. . .10 episodes
O'Neill-L. Graydon Hi-Mark
Joy Cranfield-Clarke 2 reels
Joy Cranfield-Clarke 2 reels
Weiss Bros 1 0 episodes
TIFFANY-STAHL
FEATURES
Title Star Rel. Date
Bachelor's Paradise O'Neill-Graves Mar. 15. . .
Clothes Make the Woman Soulhern-Pidgeon May 1
Devil's Skipper, The Bennett-Love-Landis Feb. 1 . . .
Girl From Gay Paree Bedford-McGregor Sept.15
Green Grass Widows Hagen-Harron-Olmsted June 10
Haunted Ship, The Love-Sebastian-Santschi Dec. 1
House of Scandal Sebastian-O'Malley April 1
Ladies of the Night Club Cortez-Leonard May 15
Lingerie White-McGregor July 1
Nameless Men Windsor-Moreno Feb. 15
Night Life Harron-A. Day Nov. 1
Once and Forever Miller-Harron Oct. 15
Prowlers of the Sea Cortez-Myers June 20
Scarlet Dove, The Frazer-Borio April 15
Stormy Waters Southern-McGrogor June 1
Streets of Shanghai Starke-Harlan Dec. 1 5
Their Hour Harron-Sebastian Mar. 1
Tragedy of Youth Baxter-Miller-Collior. Jr Jan. 15
Wild Geese Bennett-Southern-Keith Nov. 15
Woman Against the World Ford-Hale-Olmsted Jan. 1
Women's Wares Brent-Lytell-Kent Oct. 1
SHORT SUBJECTS
Title Star
Marcheta Color Classic
Length Reviewed
6147 <oet
5209 feet
5510 feet . May 26
5233 feet. . . Sept. 23
. . .4753 feet .
..Feb. 4
.... 5297 feet. .
. . 5708 feet .
April 14
. . . 6235 feet .
Dec. 2
. . 5629 feet
51 02 feet.
5735 feet
5276 feet
5652 feet
6361 feet
6448 feet
5283 feet
5614 feet
Mar. 3
Rel.
Mar.
Mar. 1
Mar. 15
Jan. 1
April 1
Jan. 15
Feb. 15
Date Length
1 .... 1 reel . .
1 reel
1 reel
1 reel
1 reel . .
1 reel .
1 reel .
Mar. 31
Nov. 18
Reviewed
Medallion, The Color Classic
Mission Bells Color Classic
North of Suez Color Classic
Perfect Day, A Color Classic
Scarface Color Classic
Souvenirs Color Classic
Tom, Dick or Harry Color Classic 1 reel
Treasure Land Color Classic Feb. 1 ... 1 reel
Coming Attractions
Title Star Rel. Date
Albany Night Boat July 20
Beautiful But Dumb Aug. 1...
Domestic Relations Aug. 15. . . .
Ghetto. The George Jessel
Grain of Dust, A Cortez-Windsor-Rubens July 10
Marriage of Tomorrow Miller-Gray
Toilers. The Ralston-Fairbanks, Jr.
Length Reviewed
Title Star Rel. Date
Back to God's Country Adoree-Frazer SepL 4 .
Border Cavalier, The Fred Humes Sept. 18
Buck Privates De Putti-McGregor June 3
Call of the Heart Dynamite-Cobb-Alden Jan. 29
Cat and the Canary La Plante-Hale-Stanley SepL 11 . .
Cheating Cheaters Compson-Harlan OeL 9. . .
Chinese Parrot, The Bosworth-Nlxon OcL 23. . .
Clean Up Man, The Wells-O'Day Feb. 12 . .
Cohens and Kellys In Paris Sldney-Macdonald Jan. 15
Count of Ten, The Ray-Ralston June 17. . .
Desert Dust Ted Wells Dec 18.
Fangs of Destiny Dynamlte-Cobb-Caldwell Dec. 4
Fearless Rider, The Humes-Worth Jan. 15 ..
Finders Keepers La Plante-Harron Feb. 5 . .
Flyin' Cowboy, The Gibson-Hasbrouck June 1
Four Footed Ranger, The Dynamite 'dog) Mar. 25
Four Flusher, The Lewis-Nixon Jan. 8
Galloping Fury Gibson-Rand Nov. 20
Good Morning Judge Denny-Nolan April 29
Harvest of Hat 3, The Rex-Perrin
Hero For a Night. A Tryon-Mlller Dec. 18. . .
Hero of the Circus Special Cast
Hot Heels Tryon-Miller May 13
Hound ot Silver Creek Dynamite rdog) May 20
Irresistible Lover, The Keane-Moran Dec. 4 . . .
Les Miserables Special Cast Oct. 30
Lone Eagle, The Keane-Kent Sept. 18
Love Me and World Is Mine Philbin-Kerry Mar. 4 .
Made to Order Hero Ted Wells June 3
Man's Past, A Veidt-Bedford Dec. 25 .
Midnight Rose De Putti-Harlan Feb. 26...
One Glorious Scrap Fred Humes Nov. 20
On Your Toes Denny-Worth Nov. 27. . .
Out All Night Denny-Nixon Sept. 4. . .
Painted Ponies Gibson-Claire Sept.25
Phantom Flyer, The Al Wilson Feb. 26
Put 'Em Up Fred Humes Mar. 11 . . .
Rawhide Kid. The Gibson-Hale Jan. 29...
Shield of Honor, The Lewis-Gulliver-Hamllton Feb. 19 . .
Silk Stockings La Plante-Harron Oct. 2 .
Sky Hand Saunders Al Wilson Nov. 6
Small Bachelor, The Kent-Beranger Nov. 6 . .
Stop That Man Lake-Kent Mar. 11 . . .
Straight Shootin" Ted Wells Oct. 16. . .
Surrender Philbin-Moskine Mar. 4. ..
Thanks For Buggy Ride . . La Plante-Tryon April 1
That's My Daddy Denny-Kent Feb. 5 .
Thirteenth Juror, The Nilsson-Bushman Nov. 13 . .
Thirteen Washington Square Hersholt-Joyce April 8 . .
Three Miles Up Al Wilson Sept. 4...
Thunder Riders, The Ted Wells April 8 . .
Trick of Hearts, A Gibson-Hale Mar. 1 8 . .
We Americans Sidney-Miller-Lewis May 6 . .
Wild Beauty Rex-Allen-Marlowe Nov. 27. . .
Wild West Show, The Gibson-Gulliver May 20
Wolf's Trail Dynamite-Cobb-Lamont Oct. 2 .
Won in the Clouds Al Wilson April 22
SHORT SUBJECTS
Title Star Rel. Date
Africa Before Dark Oswald Cartoon Feb. 20 . .
All Balled Up Charles Puffy Feb. 27...
Ambuscade, The Fred Gilman June 16
Any Old Count "The Gumps" Jan. 23. . .
Back to Nature Arthur Lake Feb. 27. . .
Bare Fists Jack Perrin Jan. 14...
Battling Justice Fred Gilman Mar. 24 .
Big Bluff, A Long-Adams-Layman-McPhail May 2 ..
Boss of the Rancho Bob Curwood Jan. 7...
Brand of Courage, The B. Curwood-P. Montgomery Feb. 4
Brand of Courage, The B. Curwood-P. Montgomery Jan. 7 .
Bright Lights Oswald Cartoon Mar. 19
Buckskin Days Newton House Feb. 18
Buster Minds the Baby Trimble, Turner and Dog June 27
Buster's Big Chance Trimble. Turner and Dog Jan. 11 . . .
Buster Shows Off Trimble, Turner and Dog Mar. 14 .
Buster Steps Out Trimble, Turner and Dog Feb. 8 ..
Buster's Whippet Race Trimble. Turner and Dog May 23...
By Correspondence Arthur Lake Jan. 30 . .
Case ot Scotch, A "The Gumps" Jan. 9 .
Cloud Buster, The 'The Gumps" Feb. 6 .
Code of the Mounted. The Jack Perrin May 5. . .
Dangerous Trail, A
Dates for Two C. King-C. Doherty Jan. 18 .
Diamond Master, The
Fighting Destiny Fred Gilman May 19
Fighting Kid, The Newton House June 9
Fox Chase, The Oswald Cartoon June 25
Frame-Up Man, The Bob Curwood May 26
Full House, A Long-Adams-Lymon-McPhaill. June 13
Gauge of Battle, The Fred Gilman April 21
George Meets George Sid Saylor June 20
George's False Alarm Sid Saylor Feb. 29
George's School Daze Sid Sacylor
Haunted Island, The (Serial) Jack Daugherty-Helen Foster Mar. 26 .
Harem Scarem Oswald Cartoon Jan. 9 . .
Her Haunted Heritage Ben Hill July 2 .
Her Only Husband Long-Adams-Laymon-McPhalll April 4
Hidden Money Bob Curwood April 26
High Flyin" George Sid Saylor Jan. 25 .
His In Laws Charles Puffy Mar. 12
Horns and Orange Blossoms Charles Puffy Jan. 29
Horse Play Long-Adams-Laymon-McPhalll Jan. 4
Hungry Hoboes Oswald Cartoon May 14
Indoor Golf Long-Adams-Layman-McPhaill Mar. 7 .
Iron Code, The Jack Perrin June 30
Looters. The Bob Curwood Mar. 3
Madden of the Mounted Jack Perrin Mar. 10
Man of Letters, A Sid Saylor Feb. 15
Married Bachelors Charles Puffy April 9
Mistakes Will Happen Ben Hall Feb. 13
Money! Money! Money' Ben Hall May 7 .
Neck n' Neck Oswald Cartoon Jan. 23 .
Length
Reviewed
5751 feet
Aug. 29
4427 feet
6171 feet
Feb. 4
AtAt* font
7190 feet
May 20
5623 feet
Dec. 23
7304 feet
Jan. 7
4232 feet
7481 feet
Feb. 18
6279 feet
4349 feet
4295 feet
4173 feat
6081 feet
Mar. 17
5109 feet
442 6 feet
6193feet
Jan. 28
5503 feet
5645 feet
5711 feet
Dec. 2
4095 feet
6958 feet Sept. 16
7713 feet
5862 feet April 28
6813 teet
4120feet
6135 feet
5689 feet
4172 feet
.591 8 feet
61 70 feet
5416 feet
4253 feet
4200 feet
5382 feet
61 72 feet
6166 feet
4393 feet
621 8 feet
5389 feet
4251 feet
8249 feet
6179 feet
6073 feet
5598 feet
6274 teet.
4136 feet
4353 feet
5495 feet
9151 feet
51 92 feet.
5254 feet
4167 feet
4348 feet
Feb. 11
Sept. 16
Mar. 10
Jan. 14
Oct. 7
Aug. 5
Dec. 20
Aug. 26
April 28
Aug. 19
Mar. 10
Feb. 4
Dec. 19
Feb. 4
July 11
April 7
Length R
1 reel
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
2 reels
2 reels
evlewed
April 7
Feb. 4
May 19
Feb. 11
Dec. 23
Feb. 25
April 7
Jan. 7
Jan. 7
April 7
Jan. 28
May 26
Dec. 23
Jan. 28
April 28
Jan. 14
Dec 23
Jan. 21
April 7
May 5
Dec 31
Newlyweds' Advice Jan.
UNIVERSAL
FEATURES
Title Star Rel. Date Length Reviewed
Air Patrol. The Al Wilson Jan. 1 .... 4259 feet
Alias the Deacon Hersholt-Marlowe Jan. 22 6869 feet Oct. 21
Arizona Cyclone. The Fred Humes M«y 6 407*feet
July
April 2
June 4
May 7
Feb. 6
Mar. 5
Mar. 21
Newlyweds' False Alarm, The
Newlyweds' Friends. The Snookums-Bartlett-McPhaill
Newlyweds' Happy Day. The Snookums-Bartlett-McPh.nll
Newlyweds' Imagination, The Snookums-Bartlett-McPhaill
Newlyweds' Servant. The Snookums-Bartlett-McPhaill
Newlyweds Success, The Snookums-Bartlett-McPhaill
No Blondes Allowed C. King-C. Doherty
Oh. What a Knight Oswald Cartoon
Ole Swimmln' 'Ole, The Oswald Cartoon Feb. 6
One Every Minute Arthur Lake April 23
Out In the Rain 'The Gumps" Feb. 20
Ozzie of the Mounted Oswald Cartoon April 30
2 reels April 21
2 reels May 19
1 reel May 26
2 reels ... May 5
2 reels May 19
2 reels Mar. 24
2 reels
2 reels Feb. 4
2 reels May 5
lOepisodes
1 reel
1 reel
2 reels . Mar. 17
2 reels Mar. 31
2 reels
2 reels Feb. 18
2 reels Jan. 7
2 reels Dec 16
1 reel April 21
2 reels Feb. 11
2 reels May 26
2 reels Feb. 4
2 reels Feb. 1 1
2 reels . Jan. 28
2 reels Mar. 17
1 reel Jan. 21
1 reel April 14
1 reel
2 reels . Dec. 16
2 reels
2 reels Mar. 10
2 reels May 12
2 reels April 14
2 reels Feb. 4
2 reels Feb. 11
2 reels . Feb. 25
1 reel . May 5
1 reel Mar. 24
1 reel April 7
2 reels Jan. 28
1 reel April 7
V)22
.1/ o t io 11 P i c t h r e
N c zv s
Title Star Rel.
Payroll Roundup. The Bob Curwood Mar.
Poor Papa Oswald Cartoon June
Prince and the Papa Chanes Puffy Feb.
Real Life . Long-Adams-Laynrn-McPnaill July
Ride 'Em Plowboy Oswald Cartoon April
Ride For Help, The . Newton House July
Riding Gold Newton House Jan.
Ring Leader, The Jack Perrin April
Ringside Romeos Arthur Lake Mar.
Rival Romoes Oswald Cartoon Mar.
Sagebrush Sadie Oswald Cartoon April
Sailor George Sid Saylor May
Scarlet Arrow, The (Serial) F. X. Bushman, Jr June
Sealed Orders Jack Perrin Feb.
Shady Rest "The Gumps"
Sliding Ho-ne Lewis-Gulliver-Phillips Jan.
Mar.
Mar.
Jan.
April
Jan.
April
Date
31...
11...
13 ..
4
16 ..
7. . .
21...
7...
26...
5...
2...
9 .
3...
11...
16
Social Lions Ben Hall Mar. 12
Some Babies Charles Puffy Mar. 26
Somo Pets Arthur Lake Jan. 2.
Son of the Frontier, A Newton House April 14
So This Is Sapp Center Ben Hal Jan. 16.
Special Edition Ben Hall April 9
Speed Sheik, The Arthur Lake June 18
Start Something Long-Adams-Laymon-McPhaill Feb. 1 .
Summer Kniy'its Arthur Lake May 21
Swell Clothes Arthur Lake Dec. 5
Taking the Count C. King-C. Doherty April 18
Terrors of the Unknown (Serial)
That's That Trimble-Turner and Dog April 11
There's a Will C. King-C. Doherty Dec. 21..
Tricky Trickster, The Ben Hall June 4
Unexpected Hero, An F. Gillman-M. King Feb. 25
Untamed, The Newton House May 12
Valiant Rider, The 'Western) Bob Sherwood June 23 .
Vanishing Rider, The (Serial) Wm. Desmo.id Jan. 16
Watch George Sid Saylor Mar. 28
Whata Party C. King-C. Doherty Feb. 22.
When George Hops Sid Saylor April 25.
When George Meets George Sid Saylor June 0
Whose Wife King-Doherty June 6
Winged Hoofs Newton House Mar. 17
Winning Five, The Lewis-Gulliver-Philli^s Sept. 26
Winning Goal, The Lewis-Gulliver-Phillips Jan. 2.
Wolves of the Range Fred Gilman Jan. 28.
Woman Chasers C. King-C. Doherty May 16.
Length Reviewed
2reeis Mar. 3
.1 reel May 19
. 2reeis Jan. 21
2 reels
.1 reel Mar. 24
2 reels. . . . ."
2 reels
.2 reels Mar. 10
.1 reel Mar. 10
. I reel April 7
1 reel May 5
2 reels April 14
10 opisodes
2 reels Jan. 28
2 reels
2 reels Dec. 30
. 1 reel
.2 reels Mar. 3
1 reel Dec. 14
.2 reels Mar. 17
.1 ree; Dec. 30
.1 reel Mar. 17
.1 reel May 26
.2 reels Jan. 14
.1 reel April 28
.1 reel Nov. 18
2 reels Mar. 24
10 episodes
2 reels Mar. 17
.2 reels
.1 reel May 19
2 reels Jan. 28
2 reels Apri. 14
2 reels May 19
10 episodes
2 reels Mar. 3
.2 reels Feb. 4
2 reels Mar. 31
.2 reels May 19
2 reels May 12
.2 reels Feb.25
2ieels Sept 19
.2 reels
2 reels
>. reels
Rel. Date Length Reviewed
Coming Attractions
Title Star
Anybody Here Seen Kelly Love-Moore
Body Punch, The Daugherty-Faire
Brides Will Be Brides Laura La Plante
Burning Winds Hoot Gibson
Children of the Sun Special Cast
Clearing the Trail Gibson-Gulliver
Cloud Dodger, The Al Wilson
Crimson Hour, The De Putti-Moskine
Danger Rider, The Hoot Gibson
Doubling For Trouble Gibson-Gilbert
Fallen Angels Kerry-Starke
Foreign Legion, The Kerry-Stone-Nolan
Freedom of the Press Stone-Keith-M. Day
Fresh Every Hour Glenn Tryon
Girl on the Barge, The Hersholt-O'Neil-McGregor
Give and Take Sidney-Hersholt
Grip of the Yukon, The Bushman-Hamilton-Marlowe
Has Anybody Here Seen Kelly? Love-T. Moore
Home, James La Plante-Delaney
Honeymoon Flats Lewis-Gulliver
Jazz Mad Hersholt-Nixon-Lewis
Last Warning, The Laura LaPlante
Lonesome Tryon-Kent
Man Who Laughs, The Veidt-Philbin 11 reels
Man, Woman and Wife Kerry-Starke-Nixon
Michigan Kid, The Nagel-Adoree
Navy Blues Arthur Lake
Phyllis of the Follies M. Moore-A. Day
Play Goes On Veidt-Nolan
Plunging Hoofs Rex-Perrin
Red Lips Nixon-Rogers
Show Boat Rubens-Fitzroy
Silks and Saddles Nixon-Walling-Nolan
Sky Skidder, The Al Wilson
Uncle Tom's Cabin Special Cast
Viennese Lovers Philhin-Hersholt-Keane
Watch My Speed Denny-Worth
Wild Blood Rex-Perrin
May 12
UNITED ARTISTS
FEATURES
Title ",tar Rel. Date
Circus, The Chapcin-Kennedy Jan. 7...
College Buster Keaton July 29. ..
Devil Dancer, The Gray-Brook Nov. 19 . .
Dove, The Talmadge- Roland Jan. 7. . .
Drums of Love Philbin-Alvarado Mar. 31
Garden of Eden, The Grifith-Ray Feb. 4 ..
Gaucho, The Fairbanks- Valez Jan. 1 ..
Magic Flame, The Colman-Banky Aug. 14...
My Best Girl Pickford-Rogers Oct. 31 . . .
Ramona Del Rio-Baxter Feb. 11...
Sadie Thompson Swanson-L. Barrymore Jan. 7
Sorrell and Son Warner-Joyce Dec. 2 . . .
Steamboat Bill, Jr Keaton-Torrence April
Tempest J. Barrymore- Horn
Two Arabian Knights Boyd-Wollieim Sept. 23 . .
Two Lovers Colman-Banky
Length Reviewed
6400 feet.
5800 feet.
7000 teet
8400 feet.
9195 feet
7558 feet.
9358 ieet
7850 feet.
7460 feet.
7552 feet.
8600 feet.
9000 feet
7700 feet.
9300 feet
8250 feet.
8500 feet.
Jan. 14
Sept. 23
Dec. 30
Jan. 7
Jan. 28
Jan. 14
Dec. 2
Sept. 30
Dec. 9
Feb. 4
Feb. 11
Nov. 25
May 19
Nov. 4
April 23
Title
Coming Attractions
Star Rel. Date Length Reviewed
Awakening, The Banky-Byron
Battle of the Sexes, The Bannett-He-sholt-O'Neill Auo.
Battle of the Sexes, The Bennett-Hersholt-O'Neill .
Hell's Angels Lyon-Hall-Nissen (about) 7 reels
La Piava Boyd-Valez
Revenge Dolores Del Rio
Woman Disputed. The Talmadge-Roland
WARNER BROTHERS
Title
FEATURES
Star
Rel.
Across the Atlantic Blue-Murphy Feb.
Beware of Married Men Rich-Ferris-Cook Jan.
Brass Knuckles Blue-Bronson Dec.
College Widow, The D. Costello-Collier, Jr Oct.
Crimson City, The Loy-Miljan-Hyams April
Dog of the Regiment- A Rin-Tin-Tin-Gulliver Oct
Domestic Troubles Fazenda-Cook Mar.
First Auto, The Miller-Oldfield Sept.
Five and Ten Cent Annie Fazenda-Cook May
Fortune Hunter, The Chaplin-Costello Nov.
Ginsberg the Great Jessel-Ferris Nov.
Girl From Chicago, The Nagel-Loy Nov.
Good Time Charley Oland-H. Costello Nov.
Ham and Eggs at Front Wilson-Conklin-Loy Dec.
Husbands For Rent Moore-Costello Dec.
If I Were Single McAvoy-Nagle Dec.
Jaws of Steel Rin-Tin-Tin Sept.
Jazz Singer, The (Vitaphone) Jolson-McAvoy Oct.
Little Snob, The McAvoy-Frazier Feb.
Missing Link, The Syd Chaplin Aug.
One-Round Hogan Blue-Hyams Sept.
Old San Francisco D. Costello-Oland Sept.
Pay As You Enter Cook-Fazenda May
Powder My Back Rich-Ferris-Beranger Mar.
Race For Life, A : Rin-Tin-Tin- Nye-Faire Jan.
Reno Divorce, A McAvoy-Graves Oct.
Rinty ol the Desert Rin-Tin-Tin-Ferris-Nye April
Sailor Izzy Murphy Jessel-Ferris Oct.
Sailor's Sweetheart, A Fazenda-Cook Sept.
Silver Slave, The I. Rich-Miljan Nov.
Slightly Used McAvoy-Nagel Sept,
When a Man Loves Barrymore-Costello Aug.
Coming Attractions
Title Star Rel. Date Length Reviewed
Fools in the Fog McAvoy-Nagle
Glorious Betsy (Vita.) D. Costello-Nagle 7091 feet May 5
Ladies Prefer Bonds tent.) Nagle-McAvoy
Land of the Silver Fox Rin-Tin-Tin-Nye-Hyams
Lion and the Mouse (Vita.) L. Barrymore-McAvoy-Collier, Jr May 26
Midnight Taxi, The Moreno-Costello
Noah's Ark (Vita.) D. Costello-O'Brien
No Questions Asked Ferris-Collier, Jr.
Singing Fool, The (Vita.) Jolson, Bronson
State Street Sadie Loy-Nagle
Tenderloin (Vita.) D. Costello-Nagle 7782 feet. . . April 28
Terror, The i Vita.) McAvoy-Horton
Women They Talk About I. Rich-Ferris-Collier, Jr
Date Length Reviewed
25. . . .6052 feet
14 .. .5421 feet . Jan. 28
3... .6330 feet Dec. 23
15 ...6616 feet... Nov. 25
7 . 5388 feet.... April 21
29... 5003 feet.... Nov. 11
24.... 5164 feet
18 ...6767 feet... July 8
26
7.... 6639 feet ... Jan. 21
26.... 5390 feet
19. . . .5978 feet . . Dec. 31
5 ...6302 feet.... Nov. 25
24....5613feet
31....6320feet....Jan. 7
17. ...6320 feet. ...Dec. 31
10 ...5569 feet... Sept. 30
... 7423 feet... Oct. 21
11... 5331 feet
7... 6485 feet ...May 20
17... 6357 feet... Oct. 17
4 .7961 feet... July 8
19
10. . . 6185feet
28.... 4777 feet. ...Feb. 11
22 .5492 feet.... Nov. 4
21... 4820 feet
8 ... 6020 feet.... Oct. 28
24. .. 5685 feet... Oct. 14
12....6142feet....Dec. 9
3 . 641 2 feet . Sept. 30
21. . .10081 feet. Feb. 18'27
The Blue Book of Filmdom —
Containing Accurate Records and Ratings
on Pictures & People
STUDIO DIRECTORY
and
BOOKING GUIDE
Write for Biography Blank
MOTION PICTURE NEWS
729 Seventh Avenue, Hollywood Security Bldg.
New York City Hollywood, Calif.
Roy Press
Printers
Preference
means Profits
The theatre that stresses screen
quality is well on the way to
popular preference. And that
preference means profits.
Specify prints on Eastman
Positive— the film that preserves
every bit of photographic qual-
ity for your screen.
EASTMAN KODAK COMPAN\
ROCHESTER, N. V.
// o other co in p a n v of fe rs a service like this
Ae DRAG NET
Di?cu.«»?« vour advertising
problems with these trained
men in Paramount exchanges
Albany . George Beattie
Atlanta O. L. Freeman
Boston Fred Maguire
Brooklyn Bert Barnet
Buffalo Ernie W illiams
Charlotte R. E. Parsons
Chicago E. I. Buhin
Cincinnati .... Ed Kaffenberger
Cleveland Vincent Oehs
Columbus . . . Herman Seebohm
Dallas Ralph Lamed
Denver Howard Cram
Des Moines . . . Leroy Palmquist
Detroit J. W Brown
Indianapolis .... Art Schmaltz
Jacksonville Ralph Kay
Kansas City . . . Murrel Hillyer
Los Angeles Roy Price
Maine George Richardson
Memphis Harry Travis
Milwaukee Roy Bassett
Minneapolis Mel Evidon
New Haven . . . Steve Martonicz
New Jersey E<1 Hollander
New Orleans Phil Keller
New ^ork Morris Gluck
Oklah oma < . i t "v . . . Gilbert Clark
Omaha Irving Fischer
Philadelphia Lon Lang
Pittsburgh Dave Brown
Portland .... Dwight Spracher
Salt Lake City . . . F. H. Hallow
San Antonio .... Charles Karr
San Francisco Al Taylor
Sioux Falls B. Bergen
Seattle Boyce Brown
St. Lon is Selby Carr
Washington, D.C. . Weldon Waters
Paramount Id Sales Manager Morris Gluck conferring with an exhibitor
a poster expert
in every PARA-
MOUNT exchange
<IBest pictures, <IBest advertising and
best posters. And a special, experienced
poster man in each exchange to advise
with exhibitors regarding poster
selections, locations and other theatre
advertising problems. *I THAT'S
PARAMOUNT SERVICE!
fact nre Paramount posters. General Office.
and. O. Branches : New York City; Los Angeles.
ts: Cleveland, O.: New York City: Elmhnrst. L. I
June 9, 1928
to<7. (/. 5". Patent Office
Lon Chaney
Ramon Noi'arro
Marion Davief
William Hoinfi
Char/ir Chajc
TRADE NEWS
LON CHANEY in LAUGH CLOWN LAUGH held
over second smashing week, Capitol, N. Y.
RAMON NOVARRO in ACROSS TO SINGA-
PORE tremendous success at Century, Baltimore;
Capitol, Montreal; and everywhere.
MARION DAVIES in THE PATSY a big hit at
Palace, Washington; and all over the country.
WILLIAM HAINES in TELLING THE WORLD
previewed this week and hailed as biggest sensation of
months. Watch it!
CHARLIE CHASE in THE FIGHT PEST a Roach
M-G'M comedy held over 2 weeks at Capitol, N. Y.
The Capitol has booked in a series of comedies, Oddities
and M-G-M Great Events in Technicolor to foil ow.
METRO -GOLDV
AYER
THE IMPORTANT
COMPANY
Vol. XXXVII No. 23
Los Angeles
under act of March i, 1879
Published Weekly— a Year
Nezv York
PRICE 20 CENTS
Chic at
riff iwkfll
i t
Preachers, editors, bankers are
continually advising their audiences
not to gamble...
Doubtless you agree that their
advice is good.
Don't gamble with the lives of
your patrons... Don't gamble with a
fire -hazard which is unnecessary...
Don't gamble with panic...
In brief, remove the possibility
of fire's dread consequences by
installing SENTRY SAFETY
CONTROL in your theatre.
C O R P O R AT I □ N
13th and Cherry SU., PHILADELPHIA 1560 Broadway. NEW YORK
And All Branches of
NATIONAL THEATRE SUPPLY COMPANY
The positive fire preventer. Can be attached to any projector. Costs only a few cents a day.
in tune
with these
changing times!
CJ The outstanding fact about the present season is the way theatre grosses
on Paramount Pictures have far outstripped figures on other companies*
product. It's no secret why. Paramount alone is making the type of pic-
tures that the modern public flocks to see. People are fed up on run-of-
the-mill movies and old-style stars. Pictures and personalities that would
have been hits two years ago are flops today. Audiences demand novelty,
color, flash, striking plavers, something they can get their teeth into.
<J "Underworld," "Chang," "Metropolis," "The Drag Net," "The Street of
Sin," the ever fresh Harold Lloyd in wSpeedy." J a linings, How, Dix and the
other bright stars of today. Pictures and stars in tunc with these swift.
smart, exacting times. €][ Paramount, as always, saw this coming a year
ahead of any other company. Paramount set its present product accord-
ingly. Paramount exhibitors have reaped the benefit. That's the advantage
of dealing with the leader, fj Now comes the 1928-9 season. And Para-
mount's Whole Show Program. Features, Paramount News, Christie Come-
dies, Short Features. Every picture in tune with the times. Every star a
popular favorite. Far in advance of the field. CJ Proof ? Here it is:
SOUND PICTURES
With entrance of Paramount into sound field,
the real Era of Sound — quality pictures in
sound — begins !
PARAMOUNT OFFERS
"WINGS," with same amazing sound effects as $2
exhibition. THE WEDDING MARCH," synchronized.
Jannings-Lubitsch masterpiece, "THE PATRIOT," with
sound. More to come!
AGE OF COLOR
Flaming orange fountain pens. Fords in color.
Kodaks in pinks and blues. Color a mighty
selling force today.
PARAMOUNT READY
Von Stroheim's "THE WEDDING MARCH" partly in
Technicolor. Zane Grey's "THE WATER HOLE," with
color sequences. Etc., etc.
FRONT PAGE NEWS
Aviation news packs the newspapers. The pub-
lic in the stock market and 4,000,000 share days.
Prize fights draw millions. Mystery novels sell
by hundreds of thousands. Colleges packed.
15ig league baseball bigger than ever.
PARAMOUNT FIRST
Air classics, "WINGS," 'DIRIGIBLE." First big stock
market smash, "WOLF OF WALL STREET." Prize
fight thriller, "THE MAN I LOVE." Mystery best-seller,
"CANARY MURDER CASE," plus "INTERFERENCE"
and "PERFUMED TRAP." College leader, "VARSITY."
Dix baseball drama, "WARMING UP."
Harold Lloyd
Charles Rogers
Clara Bote
I'olu .\egri
Emil Jannings Richard Dix
Itehe Daniels George Bancroft Esther Ralston
itlnlf>he Menjou \y tillnee Iteery Florenee Vidor Douglas Mac Lean Thomas Meighan
STARS OF TODAY
Not the doll-faced favorites of yesterday. But
flashing, high-spirited women. He-men. Real,
vibrant personalities who ean aet. Theatre-
packers of today.
STARS OF TOMORROW
Youth. New faces. Talented artists hurled
into popularity by real public acclaim. Box
office assets getting bigger by the minute!
■
■
11
I
H
w
Fay It ray
Gary Cooper
William Potveti
Nancy Carroll
Mary Brian
Rieliartl Arlen
r?
Evelyn Brent
1*4
Louise Brooks
James Hall
Ruth Taylor
(lire It rook
I red Kohler
SHORTS that SELL SEATS PARAMOUNT in the LEAD
The day of filler shorts has passed. Short
features must draw by their own value. That's
why leading theatres play Paramount Short
Features.
New, progressive Paramount Ne»>. Leader from the
start. Christie ( lomedies : < Confessions of a ( .bonis < iirl,*'
"Sandy MacDuff," Bobby Vernon, Billy Dooley, Edw.
Everett Ilorton Comedies. (.real Stars and \utbors.
kra/.y Kat. Inkwell Imp- Cartoons.
keen showman brains, foresight, resources, manpower
exhibitors' one sure reliance in these changing times —
PARAMOUNT
WHOLE SHOW PROGRAM 1928-9
An Answer by
Joseph M. Schenck
to
Where the HELL am I heading?
' I "I II- bull slinging season
is on. This year, how-
ever. I'm wearing ear-muffs.
I've been pumped full of hut
air season after season. Now
1 MUST talk— and talk
straight out — up. down and
AT. I either get help or the
Sheriff gets me.
I'm just a two theatre exhib-
itor— independent. I was in
this game when a two-reeler
was a feature.
At one time I made a profit.
In the last two years. I've
made a near living. I'm
spending some of this money
now on these ads. to shout
MY battle cry, and to broad-
cast "Watch Your Step" to
others.
What is sapping the life-
blood of my two theatres?
What the hell is anyone do-
ing to fight the menaces that
are stabbing at the heart of
my husiness?
\\ hat's Keeping people away
from my houses?
Is it Radio that keeps 'em
slued to their Morris ("hairs
every night? If it is, how
am I going to draw them
when they can hear Paree
and Coolidge and Dempsey
or Al Smith or Hoover.
What is anyone doing about
this Radio Menace?
I low can I fishi over-seat-
ing and over-building?
What about this "Presenta-
tion Craze" — spangled sets,
acrobats, tin pan bands and
other stage hokum? Am I
in the picture business or am
I running a side show ?
What can I do about the
competition of toy cameras
and films for the homes? If
they get movies with their
soup and coffee now — must
I serve beer?
What can I do about these
tin Lizzies on wheels and
I incoln highways?
Why must I be taxed the fat
overhead salaries for fat
heads, when I book their
"Economy Wave" pictures?
\\ hv must I take a dozen
"duds" to get one possible
box-office HIT?
Why must 1 pay for a night-
mare of colors to tell me-
llow great pictures may be —
maybe, and most of the stuff
hasn't been put through the
sausage grinder yet?
Where the Hell am 1 head-
ing? I low can I meet these
threats at my liv elihood?
1 WANT TO KNOW.
I guess there must be others
like me w ho want to know —
who must know, or blow up.
If tilings don't get better,
I'm going to take up brick-
laying, where a brick's a
brick, and no gold paint's on
it.
If anyone's got the answer,
for Heaven's sake, shoot —
write me personally. I'm
desperate. For good rea-
sons, 1 can't sign my name.
Hut you can reach me by
addressing
Just an Exhibitor— Box M-395 Film Daily
1 650 Broadway, New York City
Mr. Just an Exhibitor:
Your advertisement entitled "Where the
Hell Am I Heading?" was unusual and
daring. I'm glad I was in town when your
ad. appeared.
I am NOT going to write you personally.
I'll play you across the boards and answer
you in paid space also.
Your fearless "battle cry" must appeal
to constructive thinkers in this business.
Your facts not only interested me, yet
behind your plea, I felt the heart of a
human being— thank goodness you haven't
lost your sense of humor either.
You have analyzed your own problems
and those of other exhibitors like you.
You also hit many problems that confront
the industry. You are to be commended
for your courage.
Let me answer each one of your ques-
tions individually.
I If radio keeps them in their Morris
chairs, you must have more powerful
attractions, more interesting entertain-
ments to bring them to your chairs. Don't
fear radio. Eye entertainment has much
stronger appeal than ear entertainment.
That's a scientific fact. You can beat radio
by showing great pictures for the eye.
And now comes Movietone to give a big
thrill to the ear. That will put radio out
for keeps as competition.
2 No over-seating situation is so bad
for the energetic showman that he
can't overcome it by playing and exploit-
ing good pictures. A good picture will
draw people to a tent or a stadium. It
isn't your seats, it's your screen.
3 If you're wise, you'll stick to running
a picture show and not a side-show.
Presentations on the stage usually camou-
flage poor entertainment on the screen.
Good pictures never needed acrobats or
spangles in the past. High-class attractions
need no "hokum" today. Get a record
of the houses that consistently run nothing
but good pictures and you'll see a record
of consistent profits. Pictures are the
magnet, the major attraction.
4 Don't worry about home movies.
Amateur films are no more competi-
tion for your theatre than amateur the-
atricals are for the speaking stage. In
fact, good pictures are guides and inspi-
rations to amateurs. Home movies create
more movie fans.
5 Why let that exhibitor fifteen miles
away draw your people? Run good
pictures, outstanding attractions. Give
them better entertainment than anyone
else can give them. The Lizzies and
Rolls Royces will stop at your door.
6 Salaries for production executives
depend upon the supply and demand
for ability. True, some may be overpaid,
but I trust to your fairmindedness to rec-
ognize the sincerity of the campaign that
is constantly being waged to reduce pic-
ture costs. You must realize, too, that
great pictures are quality pictures, and
quality pictures must be produced up to
an ideal and not down to a destructive
budget. By all means, support every
producer whose sole aim is to make good
pictures and not to turn out so many cans
of film.
7 The question of booking pictures has
been a matter of growth. Some exhib-
itors book 20 or 30 or 40 pictures in one
lump thinking they are protecting them-
selves. Some companies sell pictures in
bulk to protect themselves also. This con-
dition will have to be ironed out between
you and them. You can correct this "buy-
ing of a dozen duds to get one hit" by
booking only those pictures that are suit-
able to your theatre.
You know you can book good pictures
individually on merit if you w ant to. Make
quality your aim instead of price. When
you buy bulk, you must take the gamble.
8 Trade paper advertising is a con-
structive force — a powerful economic
factor. It reduces our cost to sell. You do
not pay for picture advertising any more
than your public pays for your theatre
advertising. You should know the line-up
of pictures every company offers you.
Attractive trade paper advertising helps
you and helps us.
As to where you are heading — you'll
head the right way if your policy is "The
Best Pictures I can Secure at Any Price."
Keep your finger on your public's likes
and dislikes and only fill your play dates
when you are assured you have the best
to give your patrons. Then you need
never worry about Radio, Home Movies,
Lincoln Highways or any of the so-called
menaces.
The answer in every industry to any
menace is Better Product.
f J President and Chairman
S Board of Directors
United Artists Corporation.
taaWaYAe How
\NV\ev\ uou
V
Need v\
Day and date with Broadway/
The strongest box-office picture ever produced
at Warner Bros* Studio, based on one of the
strongest stage plays known in theatrical history*
Now playing to capacity audiences at the
Aladdin Theatre, Denver; Lafayette Theatre, Buffalo;
Warner Bros* Theatre, Hollywood.
Opens June 15, Warner Theatre, New York,
for an extended run, at $2.20 prices.
Available now, when you need it — instead of
being held out for next season, for bigger prices.
Another example of Warner Bros, policy of
giving you big pictures when you need them!
DAY AND DATE WITH BROADWAY!
Cominq ! NOAH'S ARK
MADE TO TOP ANY PICTURE EVER MADE/
"The
LION MOUSE
WITH
MAY M'AVOY
LIONEL BARRYMORE
WIU1AM COlLItR*
UK FRANCIS
FROM THE PLAY BY DIRECTED BY SCENARIOS
CHARLES KLEIN LLOYD BACON Robert lord
A WARNER BROS* EXTENDED RUN PRODUCTION
Promises in Red Ink—-"
Promises m Silver Ink.—
Universal is the only
company in
th
tures READY NOW for you to see in the exc
fact — that's performance — that's smashing all precedent* I
company has ever done this before! I it any wonder that the word
"Universal has the world by the tail. Again Carl Laemmle shows the wa
See 'em with your own eyes!
Four Great Laemmle Super Productions
UNCLE TOM'S CABIN
Carl Laemmle's $2,000,000 Production direct from its six months
run on Broadway at $2.00 top.
THE MAN WHO LAUGHS
Victor Hugo's immortal romance. Starring Mary Philbin and
Conrad Veidt. Now selling out every performance at
Central Theatre, Broadway, N. Y. $2.00 top.
BROADWAY
Filmed from the Jed Harris stage production written by
Philip Dunning and George Abbot
It's the one and only Broadway!
SHOW BOAT
Tremendous — as Edna Ferber's best selling novel.
Tremendous — as the sensational Florenz Ziegfeld musical show.
Tremendous — in advance publicity and exploitation.
6 Big Laemmle Specials
THE MICHIGAN KID
RENEE ADOREE and CONRAD NAGEL
THE COHENS AND KELLYS IN
ATLANTIC CITY
Further adventures of the world's funniest com;dy team
GIVE AND TAKE
from the Broadway stage success by Aaron Hoffman.
GEORGE SIDNEY and JEAN HERSHOLT
THE GIRL ON THE BARGE
from the Cosmopolitan Magazine story by RUPERT HUGHES.
SALLY O'NIEL and JEAN HERSHOLT
THE LAST WARNING
Sensational Broadway mystery play
More thrilling than "The Cat and The Canary"
THE FOREIGN LEGION
starring NORMAN KERRY and LEWIS STONE
with Mary Nolan, June Marlowe and others.
The dramatic thrill of the year — Sex, Soldiers and Strife with
the most famous military organization in history.
Promises m Green Ink
Promises In Cold Ink.-
e industry which has twenty-six pic-
hanges— with more coming every week* That's
t knocks the spots off all gold inserts — and promises! No
has flashed from coast to coast and from exhibitor to exhibitor —
y!" Here's the marvelous line-up of Universal Headliners for 1928-2s>.
4 BIG MONEY DENNY'S
Reginald Denny in four he-man stories with speed in
every picture!
Red Hot Speed His Luckv Day
The Night Bird Clear The Decks
22 Hcadhner Jewels
4 LAURA LaPL ANTE'S 4 GLENN TRYON'S
The Screen's (ireat Comedienne! His face is your fortune. In four new
In four delightful romantic comedies. knockouts.
FREEDOM OF THE PRESS
with LEWIS STONE, IMARCELINE DAY,
Henrv H. Walthall, Malcolm MacOrcyor.
ANYBODY HERE SEEN KELLY
with TOM MOORE. BESSIE LOVE.
MAN, WOMAN AND WIFE
starring NORMAN KLRkN with PAULINE STARKE.
THE PLAY GOES ON THE CHARLATAN
Beautiful lets lights nil Shivery — chilling— gripping!
HONEYMOON FLATS JAZZ MAD
with George l ewis. Dorothj Gulliver,
Bryan I Washburn.
starring II \\ HERSHOI I
THE SHAKEDOWN COME ACROSS
The double-action, money-making A smashing melodrama <>f the under-
kick of show-business and underworld world! Silks and satins in the shadow
atmosphere. of the law I
RED LIPS
Charles Rogers, Marian Nixon.
SILKS AND SADDLES
Prom Gerald BOAUinotlt's great stor\
"Thoroughbreds." with M
VI \U\ \\ NIXON. Lit fc k M
THE GRIP OF THE YUKON
with NEIL HAMILTON, IRANCIS X. BUSHMAN.
PHYLLIS OF THE FOLLIES
M \ I I MOORE, vl kl I > W
YOU CAN'T BUY LOVE
Past moving drama of the restless spirit of youth.
S HOOT GIBSON JEWELS
Proven at the box office absolute King of nil Western Stars that's
Hoot Qibsonl
The Danger Rider — Burning The Wind — Smilin" Guns
The Getaway — Points West — Blow For Blow
Clearing The Trail — King Of The Rodeo
2 2 Wester n and Thrill Features— sReelers
7 Ted Wells Western 7 Thrilling Melodramas
Dramas 2 Aviation Pictures with
b Rex, The Wonder Horse Jack Wilson
with Jack Pcrrin
Loaded with action — crowded with drama — packed tight with
thrills
Behind the Lines with
Pathe at the Greatest
Studio in the World . . .
WILLIAM SISTROM
General Manager, I'd I he Sludio
RALPH BLOCK
Associate Producer
HECTOR TURNBULL
Associate Producer
0
UT at Culver City, California,
a brilliant production unit, backed
by equipment developed and per-
fected to an amazing degree, is
turning out Pathe's features for the
new season. William Sistrom, Gen-
eral Manager, and associate pro-
ducers Ralph Block and Hector
Turnbull represent a trio whose
knowledge of dramatic construction
and studio problems is rock-ribbed
insurance for every showman play-
ing Pathe Pictures. Messrs. Block
and Turnbull have been responsi-
ble for many of the greatest box-
office hits ever made and they are
without peers among the producers
of filmland. A great corps of di-
rectors and writers is associated
with them. Production brains —
the best plant in the country for
making motion pictures, — these
are factors that demand your care-
ful consideration in buying for the
new season. From the Foundation
Up — Pathe is Prepared!
Note
' Watch for amazing new R. C. A. PHOTOPHONE musical "
and effect accompaniment on certain forthcoming
PATHE FEATURE PRODUCTIONS Season 1928-1929.
Pathe's Equipment rr Behind the
Lines" Guarantees the Utmost
in Feature Production 1928-29
No army is greater than its strength bark of the
first trenches. No organization is greater than the
foundation on which it rests. You can put a program
on paper with adjective and ink, but it won't stand
up unless it is backed at the base with the fundamental
assets of physical and mental equipment. The finest
studio in the world, the Pathe Studio at Culver
City, Cal., gives you these units tuned to the minute
for making pictures with the stampjof modernism —
Cecil B. DeMilles
"KING OF KINGS"
by Jeanie MacPherson
available for general release October 1st, follow-
ing its unparalleled road show achievements.
Cecil B. DeMille's
"THE GODLESS GIRL
by Jeanie Macpherson
a stupendous new road show special, intro-
ducing the marvelous R. C. A. Photophonc.
11 SPECIALS wilh CaStS hca,,e<1 bv Pace's
' popular marquee names, each
with a box office title, ami made to order for elaborate
exploitation.
16 SUPER FEATURES, - 1 in
7 matter, wo v c 11
around the best in original story material and widely
known books and plays, ami sure-fire in entertainment
qualities.
9 PATHE SUPER WESTERNS,
with fresh, breezy stories and with casts headed by
names like Leo Malonev, Harry C.arev, Don (ioleman
and Wally Wales.
PATHE STUDIOS
Culver City, Calif.
The Gibraltar of Studios, the
foundation on which will l><-
built Pathe's feature struc-
ture for 1928-29.
99
MACK SENNETT Sets a
New Milestone for Pathe's
Progam of Super-shorts..
MACK SENNETT
The Master of Comedy
Producers
The greatest laugh manufacturing
plant in the norld. the Capital
of Comedy, recently completed at
Studio City, Cah, for Mack Sennett.
OF course it would be a Pathe Producer who would step
away from the old regime and built the finest studio in
the world for the making of short comedies. Mack Sennett, crea-
tor of the Bathing Girls, the Keystone Kops, and the discoverer
ol more stars than any other producer, has set a new milestone in
short subject production. Every facility under the sun for bright-
ening the lives of film patrons has been incorporated in the new
plant, a studio that will be a model for those who take their cues
from the Monarch of Merriment.
An army of fun makers is now at work at the Sennett head-
quarters and there the greatest array of comedies ever made will
be turned out for Pathe's 1928-1929 program. Sennett always
sets the pace. If you don't play the Sennett brand, you won't be
playing what your public demands.
104 Issues PATHE NEWS
The life blood of the screen. Edited by Kay Hall.
2Q MACK SENNETT Super Comedies
18
including the world-renowned Sennett girls,
and the leading fun-makers of the screen.
(6) DAN THE TAXI MAN. (6) HANDY ANDY
(6) TIRED BUSINESS MAN.
New and novel two-reel comedies.
10 SMITTY and HIS PALS
kid comedies featuring a group of popular child
actors. Presented by Amedee J. Van Beuren
and based on the famous cartoon character
originated by Berndt, syndicated in newspapers
throughout the country.
52 Issues PATHE REVIEW
incorporating new and modern ideas. Now under
the guidance of Terry Ramsaye, historian of the
motion picture industry.
52 Issues Aesops Film Fables
The most famous cartoon subject on the screen.
52 Issues TOPICS OF THE DAY
embodying the wit, humor and philosophy of the press.
26 GRANTLAND RICE SPORTLIGHTS
bringing the thrills and drama of the sports
world to the theatre.
5 GREAT NEW PATHE SERIALS
LOATHE has well earned the titleof the Premier House
of Short Subjects. Its short product has been the
backbone of film programs for a quarter of a century.
Pathe shorts have stood the acid test of the box office
and have always more than made good. Pathe
has units established through performance, subjects
with a value proved week in and week out, year in
and year out. Each series covers a field all its own,
and each, except the new product, has built up a
tremendous following in thousands of theatres.
Pafhe
First in the Field
VlXAPflOKIis established.
Vitaphone is in
successful operation in approximately 400
theatres throughout the United States, and
by September 1st, will be in 750.
^ ll'APHO*11 *n ^ess than two years of
operation has brought
about the most revolutionary change in
business that any industry has ever experi-
enced.
VITAPHONE CORPORATION
mf 1 T A P ft ONE 'K)s passed the elementary stage. Years of
m • experimenting and laboratory work have
placed Vitaphone as far ahead in its field that no comparisons can
be entertained. Exhibitors are not asked to experiment and pioneer
with Vitaphone. Vitaphone has done the experimenting and pio-
neering. Vitaphone is perfected.
II I T ADtf QKE 's backed b\ the scientific knowledge and
^ * ^ laboratory facilities of the world's greatest
group of electrical engineering organizations, and by the production
knowledge and studio facilities of the Industry's foremost independ-
ent producers — Warner Bros. Pictures, Inc.
Vitaphone, with exclusive contracts, brings to the screen the
voices of the world's greatest opera stars and of the leading actors
and actresses of the spoken stage.
U I r A Pfr^QliE has been in continuous production for two
years. Vitaphone has more than 400 proven
box office attractions available. With its superior facilities and the
advantage of two years of actual production experience, Vitaphone
reproduces the voices of the world's greatest entertainers with a
natural clarity comparable only to the actual voice of the artist.
More information of interest
will appear in subsequent issues
521 WEST 44 " SI NEW YORK ]
A Second Printing Was Necessary!
TO supply the orders of Exhibitors, Theatre Executives and The-
atre Workers for the most comprehensive and authoritative work
written on the subject, the publishers, George H. Doran Company,
New York, has made a second printing of —
MOTION PICTURE
THEATRE MANAGEMENT
By Harold B. Franklin
(President of West Coast Theatres, Inc.,
and leading theatre executive)
NOW
you too may obtain a copy of this monumental work
dealing with every branch of the theatre and offering
a carefully considered presentation of the theories and
practices, tested by years of experience, making for
the successful and profitable business method of run-
ning a motion picture theatre.
The author, Harold B. Franklin, is known throughout the
industry as one of the most progressive and able theatre execu-
tives and showmen the picture theatre has developed, and one
of the leading forces contributing to the advance which the
motion picture playhouse has made from its "nickelodeon"
beginning to the palatial community institution which the bet-
ter theatre of today represents.
DON'T DELAY
The present supply of copies is by no means large enough to
supply all those who eventually will want copies of this book,
so prompt action is imperative if you want to be assured of
a copy.
THE PRICE IS $5.
Order Your Copy Today
35 Chapters and
26 Illustrations
Tell You How—
To train and maintain an or-
ganization that will function
smoothly in the running of
your theatre.
To provide adequate safety
methods.
To carry on systematic in-
spections.
To prepare a properly bal-
anced budget.
To judge the effectiveness of
advertising.
To purchase equipment and
to Build Good Will.
I Use This Order Blank
MOTION PICTURE NEWS,
729 Seventh Ave., New York City.
Send me postpaid MOTION PICTURE THEATRE
MANAGEMENT by Harold B. Franklin.
I enclose (check) (money order) for $5.00.
Name
Address
City
State
Preference
means Profits
The theatre that stresses screen
quality is well on the way to
popular preference. And that
preference means profits.
Specify prints on Eastman
Positive— the film that preserves
every bit of photographic qual-
ity for your screen.
EASTMAN KODAK COMPANY
ROCHESTER, N. V.
M ... AND IT WILL BE
Advertized
e,4c©,o©ol\IIW
TICKET
BUYERS
A great picture — used before by any leading producing
) company —
Colleen Moore in "Happiness Ahead. " l'.-..
Reaching a vast NEW audience of ticket-
Plus unusual advertising support — buyers —
Full pages in August True Story and Tellin| ^,400 ooo readers . . . Influence
r _& T 1 1 ing 2,600,000 families !
bmart bet, out July 5th.
THOUSANDS IN EVERY KEY CITY will be
Two great national magazines never headed toward the theatre that shows
CDUEEN MCCRE
in
UAPNNtJJ AHEAD
G^resented' chif~>
john Mccormick
Make sure it's YOUR theatre that gets
this extra business!
1\xhK national
does the Smart thing in National
Advertising-every time!
Member y Motion Picture Produce™ am Distributor! ot America Inf-MU H.Kayt JPruidnt
in YOUR CITY
will be looking for
"HAPPINESS
AHEAD"?
These advertisements
will be seen by —
36,160 people i
19,448 "
131,244 "
40,204 "
69,692 "
27,944 "
23,972 -
21,700 "
•17,136 "
14,604 "
83,284 "
29,064 "
24,920 "
38,568 "
11,924 "
97,220 "
18,384 "
14,404 *
20,896 "
71,656 "
22,268 «
55376 "
10,264 "
30,968 "
37,264 "
23,660 -
75,068 M
28,111 u
22,980 "
19,780 "
25,908 •-
241,048 »
15,256 "
83,048 "
29,400 ,r
61,824 "
112,472 "
9,880
32,568 "
10,724 "
29,908 "
97,044 "
29^64 "
32,036 "
21,392 "
71,408 u
655,816 "
76,560 "
33,304 "
16,920 "
7,640 "
37,456 "
74,016 "
115,180 "
65,164 "
32,204 "
17,360 "
44,956 "
34,164 "
181,856 "
106,960 "
31,844 "
27,396 "
37,004 "
7,908 "
28,768 "
20,256 '«
35,836 "
20,664 "
26,352 "
20,196 "
17,996 "
21,256 "
21,680 "
35,364 "
14,216 "
19,204 "
88,788 "
, BIRMINGHAM, ALA.
LITTLE ROCK, ARK.
LOS ANGELES, CAL.
OAKLAND, CAL.
SAN FRANCISCO, CAL.
DENVER, COLO,
BRIDGEPORT, CONN.
HARTFORD, CONN.
NEW HAVEN, CONN.
WILMINGTON, DEL.
WASHINGTON, D. C.
JACKSONVILLE, FLA.
TAMPA, FLA.
ATLANTA^GA.
SAVANNAH, GA.
CHICAGO, ILL.
PEORIA, ILL.
SPRINGFIELD, ILL.
FORT WAYNE, IND.
INDIANAPOLIS, IND.
DES MOINES, IOWA
KANSAS CITY, KAN.
TOPEKA, KAN.
LOUISVILLE, KY.
NEW ORLEANS, LA.
PORTLAND. ME.
BALTIMORE, MD.
BOSTON, MASS.
SPRINGFIELD, MASS.
WORCESTER, MASS.
GRAND RAPIDS, MICH.
DETROIT, MICH.
-DULUTH, MINN.
MINNEAPOLIS, MINN.
ST. PAUL, MINN.
KANSAS CITY. MO.
ST. LOUIS, MO.
BUTTE, MONT.
OMAHA, NEBR.
MANCHESTER, N. H.
JERSEY CITY, N. J.
NEWARK, N. J.
TRENTON, N. J.
PATERSON, N. J.
ALBANY, N. Y.
BUFFALO, N. Y.
NEW YORK, N.Y
ROCHESTER, N. Y.
SYRACUSE, N. Y.
UTICA, N. Y.
WINSTON-SALEM, N.C
AKRON, O.
CINCINNATI, O.
CLEVELAND, O.
COLUMBUS, O.
DAYTON, O.
TOLEDO, O.
OKLAHOMA CITY, OK.
PORTLAND, ORE.
PHILADELPHIA, PA.
1 PITTSBURGH, PA.
READING, PA.
SCRANTON, PA.
1 PROVIDENCE, R. I.
CHARLESTON, S. C.
MEMPHIS, TENN.
NASHVILLE, TENN.
DALLAS, TEX.
FORT WORTH, TEX.
HOUSTON, TEX.
SAN ANTONIO, TEX.
SALT LAKE CITY, UT.
1 NORFOLK, VA.
' RICHMOND, VA.
1 SEATTLE, WASH.
SPOKANE, WASH.
WHEELING, W. VA.
1 MILWAUKEE, WISC.
Other Cities in
Proportion
These estimated figures are based on'Tl
the actual circufation of the March, 1 1
1918 and November, 1927 issues of |[
"True Story" and "Smart Sct."JLl
With Edmund Lowe. From the
story by Edmund Coulding.
Scenario by Benjamin Clazer.
A William A. Seiter Production.
Volume xxxvn
NEW YORK CITY, JUNE 9, 1928
No. 23
The Code of Ethics
Mass Meetings and the Solution of Economic Problems
By William A. Johnston
THE regulation of the economics of so
complicated a business as this is a dif-
ficult job. When the method selected is
a mass meeting, with strongly conflicting in-
terests fighting every inch of the way on vital
points, the result is still further in doubt.
That, it seems to us, is the lesson of the
Trade Practice Conference, held in New-
York last Fall, and now crystallized in the
report of the Federal Trade Commission,
six months later.
# * # *
Most of the major issues remain just where
they were: block booking; producer ac-
quisition of theatres for coercive purposes;
allocation of product without open com-
petition to all; granting protection to a the-
atre not in competition with the theatre pro-
tected; and a distributor's refusal to let an
exhibitor have a picture within a reasonable
time after first run.
The non-theatrical question is. if anything,
more involved than it was before. The Com-
mission, obviously, could not put the stamp
of approval on a proposal to ban sen ice to
non-theatricals, because that would be sanc-
tioning restraint of trade.
If the effect of this ruling is to be that
distributors cannot refuse to sell to non-
theatrical institutions, even when they may
be in direct competition with theatres, then
the situation is tangled indeed.
# * * •
On the positive side, the Commission ruled
that the uniform contract providing for
arbitration of disputes is a fair trade practice.
Other rules, which the Commission sanc-
tioned, cover some important matters, but
they are dwarfed by the essential things upon
which the Conference could reach no agree-
ment, or which the Commission itself could
not recognize as lawful or proper.
It is a fact, however, that the industry, by
going into a conference under Government
auspices, committed itself to this form of
self-regulation. This can only mean, in our
view, that there would have to be other Trade
Practice Conferences before it would be
possible to tell whether major problems can
be solved in this way.
Bringing men together in a room to
thresh out their differences is a desirable
thing, in principle. It may work and it may
not. The economics of a business may be
so complicated that not all the good intention
in the world can straighten them out.
This is about what happened at the first
Trade Practice Conference. The final re-
sult shows that the attemot to regulate
through the mass-meeting plan is not a big
success in this industry. Not yet, at any
rate.
# # • •
Meanwhile, some vital problems will be
fought out in the arena of the courts. The
actions brought by the Department of Jus-
tice, relating to the legality of certain prac-
tices in the industry, will, it appears, go to
trial soon.
These cases will test out the workings of
the arbitration svstem as it is practiced in this
industrv and will also have to do with the
operations of the credit committees of the
Fi^m Boards of Trade.
Doubtless, the cases will ultimately find
their way to the United States Supreme
Court.
1946
Motion Picture News
Laura La Plant e shines luminously in the film
firmament as one of the best blonde slurs in
pictures today. She first appeared in Universal
pictures in 1923, playing in a few ivesterns,
and since then has progressed steadily. She
has just finished a light comedy role in "Home
James" and is soon to begin working in "The
Last Warning," a Laemmle special
Jack Pickford is returning to the movies again.
With Olive Borden he ivill appear in "Gang War,"
a melodrama about to be filmed by F B O. Bert
Glennon, director, is also pictured above
Considered by many to be the best rider in
westerns today, Ken Maynard is a veritable giant
in popularity and fan following which are his.
Back in 1925 he was breaking into the states
right field, but under the tutelage of Charles
Rogers, he has developed into a personality of
considerable magnitude. His name is way up
front in the First National roster of stars
How they like their boss. The "Our Gang" bunch, with appropriate
signs of tvelcome, greet Mr. and Mrs. Hal Roach upon their arrival
in Hollywood after a trip around the world
With "the Great Galsby" and other
finely-etched roles to his credit,
W arner Baxter gets another nice
"break" from the casting directors,
having been cast as Mr. Craig in
Pathe's "Craig's W ife"
Helene Costello, talented young
Warner Bros, player po<es with
Scotty, her serious visaged pet. She
is now playing opposite Tony Mor-
eno in 'The Midnight Taxi"
H ermine Hoffman,
man, Tiffany-Strihl
married to Leon
atrical figure. B
Barnard College,
screen name
the daughter of M. H. Hoff-
executive, who was recently
Navara, musician and the-
esides being a graduate of
she is a film actress, her
being Myrna Hoffman
Getting tuned up for summer production work.
Charles Lamont feels a personal responsibility for
"Big Boy," whom he directs in "Juvenile" comedies
for Educational
Here's a little girl who is fast budding into
stardom. Featured in a number of Warner
Bros, pictures during the past year, Audrey
Ferris has developed in her flapper character-
i ztilions. Noiv the Warners are going to star
her in several films with Buster Collier
June 9, 19 28
1947
Inside
Slants
on the
Industry
PICTURES
AND
PEOPLE
The
JVlirrors
of
Filmdom
THE arrival here of J. D. Williams with some
eighteen British-made pictures, together with his
announcement that he will distribute this volume
of product to the exhibitor, strikes us as an important
event in American film annals. He states, moreover, that
even this program is but an entering wedge, tint?
European studios will he organized so that next season a
supply of fifty or more foreign-made pictures will be
distributed here by his sales organization.
The distribution here of foreign-made pictures has so
far been irregular; one or more have been brought over at
different times, and purchased by the American distribu-
tor. Others have been accepted or made abroad for quota
purposes. Until now. there has been no regular sales
organization here nor any well conceived effort on broad
lines to produce a stable supply of pictures for the Amer-
can market.
Foreign-made pictures, as we have often pointed out,
need here all. and more of, the advertising and selling
effort put back of the Hollywood product. J. I). Williams,
as everyone knows, is equipped, as are few others, to do
this sizeable job. And it is a sizealde job, one that had
best be done right or not attempted.
The American market is ripe. we believe, for new at-
mosphere in pictures, especially if the foreign pictures
are given the advantages of American technique and show-
manship. There is too much of the Hollywood pattern in
our annual output of seven hundred feature pictures. We
have plenty of individualism in direction but too few
regimes in production. The wider the creative effort the
better the American public will be pleased.
* # # #
Jl). has his mind, too, ho tells us. on the new talking
• picture. He points out some salient fads: first, that
English actors are renowned for their fine speaking voices,
and. again, that the two great picture marts are the United
states and (J real Britain and thai both are English speaking
rial ions.
* * * *
THE following story — a true oik carries
significance to the film trade. About a
British banker of the ultra-conservative t>|»<
capital in a picture producing concern. When
friends heard of his venture they called, in some bewilder-
ment, to see if he still hail his sanity; and they got the
following facts from him.
His daughter has been recently married and the banker
undertook to supply for the young couple their home and
its furnishings. After the house was selected, father and
daughter spent a day in London shopping about for the
furniture, drapes and other interior decorations, fney
went only to those good old houses which the famib had
patronized for generations: but at the end of a tiring da\
they had not made a single purchase. W hereupon, the
daughter made the following suggestion: that she prepare
a budget, secure the father's approval of the figure Bel
and go about the matter herself. She felt quite confident
She could handle the transaction to her own and the
satisfaction of all concerned. And. of course, she carried
her point. .... c
"When my wife and I." related the banker, first en-
tered the new furnished home, we gaped, gasped
a world of
year ago a
put some
some
and sat weakly down. We did not see a li\ing room— BS
we knew a living room. We saw a motion picture. That
room, and every other room in the house, was ;i compo-
site of impression registered upon my daughter's mind
by motion pictures. There was scarcely a piece of British-
made decoration in the entire (dace.
"So there you are. I thought it a good idea to look into
the motion picture business."
# * # *
THE above tells the story, better than we have of! en tried
to explain to the American trade, of just why Great
Britain intends to put British-made pictures into world cir-
culation. World circulation means getting into the American
market. That's what Great Britain must do and means to do
— and undoubtedly, will do.
# # # *
THE premiere of the week is "Fazil," the Fox picture
with Charles Earrell and Greta Nissen. It i~ ;i de-
cided let-down from the general quality of specials which
the Fox studios have been turning out in recent months
and fails to take its place with such films as "Seventh
Heaven" and "Street Angel."
"Fazil" starts out to be a great picture, but it falters
along the way. and runs into inconsistencies and absurdi-
ties, which, however, cannot dim the remarkable perform-
ance given by Farrell in the ride of the Arab.
Mjst, \issen. replacing Janet Gaynor as Mr. FarrelFs
team mate in this picture, is a good choice for the pari oi
tin- modern girl in conflict with the strict Arabian ideas
about wifel) duties. There are some "hot" love scene-,
and in this respect the picture is pointed toward box-office
success.
In general, however, "Fazil" does not impress as up to
the standard set recentl) h\ the Fox company.
# # * #
THE Movietone program, winch precedes the showingof
"Fazil" at the Gaiety Theatre. New York, contains
some excellent numbers and 'some not so good. The news and
magazine events are very fine, as usual. The specialty acts
are only fair, with the exception of (Mark & McCullough.
# # * •
Mlts ANNA BRUM has announced the marriage,
June 2. of her daughter, Miss Olga Brum to
Thomas C. Kennedy, editor of "The Showman" and val-
ued member of the editorial Staff of Ifotion /'n /nre VeiM.
The couple will be at home, after July I, at .2 IVenty-
Eighth Street. Jackson Heights, U. 1.
The News" staff joins in heart) congratulations and best
w ishes.
# • • •
BUCK JONES is a fine, clean cut personality, whom it is
a pleasure to meet. His entry into the independent field,
backed as it is by a long record of successes m Westerns, IS
an event that is attracting considerable interest.
There will be four special features, the first, The Big
Hop." being ready in Auirust.
The accession of sin ih a star as Jones is a fine asset to the
independent field.
1948
Motion Picture Ar ews
Seek Signers to Live Up
to Code Agreement
Trade Practice Conference Division After Signatures to
Put Industry on Fair Competitive Basis
SIGNATURES are being sought to an
agreement to place the industry on a
fair basis of competition in com-
pliance with the code of ethics adopted at
the Trade Practice Conference of last Fall
and just released by the Federal Trade
Commission.
The agreement is being distributed for
signatures by M. Markham Flannery, di-
rector of the division of Trade Practice
conferences, who is anxious to keep in
touch with actual workings of conference
rules. He is soliciting opinions as to the
effectiveness of the rules as announced by
the commission. The suggestion has been
made that the rules be given a six or nine
months trial to prove their effectiveness
and at the explication of that time some
changes be effected if they are then consid-
ered necessary.
Producers, distributors and exhibitors
who were represented at the Trade Prac-
tice Conference at which the code of ethics
APPARENTLY the Finkelstein and
Ruben company has entered upon a
big expansion program as they have
just announced the purchase of the three
theatres at Huron, S. D., the Orpheum at
Aberdeen, S. D., the Orpheum at Duluth,
Minn, and the only remaining competitive
theatre at Mitchell, S. D., the Lyric.
The Orpheum at Duluth was purchased
from the Blackmore brothers. The sale of
the Orpheum at Aberdeen to F & R marks
the firm's entry into that city. It is re-
ported to have made a good offer at one
time to the Walker Amusement company
which has numerous interests there and
about a year ago it was announced that
F & R were planning to build a theatre in
Aberdeen but after preliminary arrange-
was drawn are being circulated with copies
of the agreement. They are asked to sign
and live up to the code as made public by
the commission.
The agreement urges that the industry
by compliance with the code will be placed
on an equally fair competitive basis. It
reads as follows :
"In consideration of the abandonment
by others in the industry of practices cov-
ered by rules adopted in resolution form at
the Trade Practice Conference held by the
Federal Trade Commission for the motion
picture industry at New York City, October
10 to 15, 1927, inclusive, and for the pur-
pose of placing as near as may be all in
the industry on an equally fair competitive
basis, the undersigned hereby subscribes to,
and the undersigned and such others as now
have subscribed, or in the future shall sub-
scribe, hereby mutually agree to abide by
said rules, copy of which has been received
and read by the undersigned."
ments were made the matter was dropped.
The three houses secured at Huron by
F & R include the newly built State thea-
tre, which was owned by Don Harris, the
Lyric, operated by Leak and Goethals, and
the Bijou, operated for the past three years
by Henry Richfield.
In the Twin Cities the F & R chain has
added to its interests by purchasing of the
leases of the New Arion on the east side
and the Granada, which is nearing comple-
tion on Hennepin between Lake street and
Thirty-first Streets. The Nokomis, a subur-
ban theatre at Thirty-eighth Street and
Chicago Avenue, is to be remodeled and en-
larged at an expense of approximately
$30,000. The capacity of the house is to be
increased by 200, a large pipe organ will
be added and the theatre entirely redeco-
rated.
Announcements concerning building and
remodeling by the firm which would involve
the expenditure of more than a quarter of
a million dollars were made some time ago
from Minneapolis. These plans included
the erection of two new suburban theatres
— one at Lake Street and Second Avenue
and the other in the Lake Hai'riet district.
The erection of the latter was postponed
owing to objections of residents in the dis-
trict and the matter has not yet been set-
tled.
Five Firms Incorporate at
Albany, New York
Companies incorporating in the motion
picture business in New York state dur-
ing the past week and receiving charters
from the department of state, Albany, in-
cluded the following: Brooklvn Paramount
Corporation, $100,000, William T. Powers,
Brooklyn ; John J. Wildberg, Alvin T.
Freisinger, New York City; The Lenox
Hill Players, Inc., $20,000, Louis J. Lat-
zer, Yonkers, Mitchell P. Marcus, Mary
W. Hallett, New York City; Buck Jones
Corporation, $100,000, Buck Jones, Holly-
wood, Calif. ; Donald McElwain, Jackson
Heights, L. I. ; Murray W. Garsson, New
York City; Louben Film Corporation, capi-
talization not specified, J. T. Cosman,
Louis T. Rogers, Benjamin P. Rogers,
New York City; The Cunnion Corporation,
capitalization1 not statdd, John J], Cun-
nion, Edward J. and Abigail Cahill, Brook-
lyn.
Pantages Theatre, Dallas,
Subleased to Underwood
R. J. Stinnett, managing director of
the Capitol Theatre and Pantages Theatre,
has subleased the Pantages to W. G. Un-
derwood and associates who assumed con-
trol June 1. The new policy of Pantages
calls for the installation of Vitaphone and
Movietone synchronizers in order to enable
the theatre to show second runs of sound
pictures, according to an announcement by
Mr. Underwood. The name of the theatre
will be changed shortly.
For the past three years Mr. Underwood
has operated the Crystal Theatre, but his
lease expires this fall when the Crystal is
to be converted into an office building. Mr.
Stinnett will continue to manage the Capi-
tol which he owns in partnership with the
estate of the late Simon Charninsky.
Fred Desberg Denies He
Will Retire
Fred Desberg, general manager of the
Loew theatres operated in Cleveland, has
denied the rumor that he is to retire from
active management of the circuit. A rumor
has been current that Desberg has severed
his connection with the Loew circuit either
to retire altogether from business or to be-
come associated with the company in its
New York office. Desberg says both of
these rumors are false.
A. S. Dowling Manager for
F B O Export Corp.
Ambrose S. Dowling will be manager of
F B O Export Corporation, announces
Joseph P. Kennedy, president of F B O
Pictures Corporation.
Mr. Dowling, an importer and exporter
for the past 25 years, is thoroughly familiar
with the foreign market. Having been
abroad 20 'times, he has traveled exten-
sively. As assistant to Mr. Kennedy when
he became owner of F B O, Mr. Dowling
has made himself familiar with the re-
quirements of the foreign buyers.
Universal Promotes Ben
Y. Gammack
Ben Y. Cammack, short subject and com-
plete service manager for Universal, has
been promoted, to take the position of East-
ern division manager of Universal.
Fred McConnell, erstwhile editor of the
Daily Review, becomes the new short sub-
ject and complete service manager.
3 Companies Concur on
Cleveland Protection
THE Cleveland exhibitor associa-
tion's demands that the protec-
tion accorded first runs be
limited to 21 days have been granted
by three distributing companies, Edu-
cational, Tiffany-Stahl and Standard
Film Service, says George W. Erdman,
manager of the Cleveland organiza-
tion.
The association which comprises
nearly every subsequent run theatre
in Cleveland recently protested against
the 57 days' protection granted Loew
theatres by declaring a buying strike
and demanding a protection limit of
the length granted by the three dis-
tributors mentioned.
F & R Acquire Theatres
Company Launches Big Expansion Program by Purchase
Of Several Additional Houses
June 9, 19 28
1940
New J. D. Williams Organization
World-Wide Pictures Will Distribute Best of Foreign Product
Throughout U. S. and Canada
J I). WILLIAMS, managing director of
Cnited Motion Picture Distributors.
• Ltd., of London, England, arrived in
New York Late last week on the Berengaria,
to perfect an organization in this country
for the distribution of foreign made
product .
The new concern will he known as World-
Wide Pictures, for which a $2,500,000 com-
pany is now said to be in process of forma-
tion under the laws of Delaware. At pres-
ent Mr. Williams has eighteen productions
ready for distribution, but the first of
them will not be released until September.
Within the year it is planned to have
aboul fifty foreign pietirres for distribu-
tion in the United States and Canada.
World-Wide Picture- will not handle dis-
tribution anywhere but in the United States
and Canada. It will not handle American
product in Europe, but will confine it-elf
entirely to European product.
Mr. Williams has stated that there will
be no buying restrictions on this product,
the exhibitor will be able to buy one or all
of the pictures as he pleases. The total
line-up of the firsl fifty pictures that will
be available this year will be divided into
ten groups of five pictures each. The lirst
year's product includes 'A'i pictures from
England and 1") from Continental studios.
It is Mr. Williams' plan to organize at
least M5 branches in the Tinted States and
Canada, but the physical handling of the
J. I). WiUiams
distribution has not yet been decided upon.
Mr. Williams will maintain his own selling
force.
Included in the program of pictures to be
released by the new organization are twelve
pictures comprising the entire 1027-2S pro-
gram of British International Pictures.
Ltd. These are :
"The White Sheik." directed by Ilarley
Knoles; "The Silver Lining," marie by
Thomas Bent ley. "Poppies of Flanders,"
Arthur Maude production; •'The King."
directed by Alfred Hitchcock: "The Parm-
er's Wife," made by Hitchcock: "Moulin
Kouge," E. A. Dupont picture; "Tommy
Atkins," directed by Norman Walker;
"Tesha," Victor Saville film; "Cham-
pagne," Alfrd Hitchcock picture;
"Adam's Apple," directed by Tim
Whelan; "Not Quite a Lady," made by
Thomas Bentley, and "Toni," Arthur
Mamie production.
Mr. Williams declares that the thing mosfl
needed for the world benefit of motion
pictures is competition for Hollywood.
There is a certain resentment abroad that
the opinion prevails that good pictures can
come only from Hollywood. "This is by
no means true," he said. "Good pictures
can and are being made abroad and they
are going to make better ones. Then' is no
reason why this cannot be. Foreign stars
com:1 over here and are just as big draw-
ing cards as they are in their own country.
They need only the same conditions under
which to work over there as they have her ',
and we are going to see that they get them.
"There is no reason why some of the
leading American players and directors
cannot be induced to work in Europe. I
think it would benefit and broaden them
all. Climatic conditions are splendid over
there, and once the fact becomes known
(Conl. nucd on Pa<ic 1952)
Arbitration Success, Says Hays
Tells Detroit Commerce Board Exhibitors Won 52 Per Cent of
Their Cases Against Distributors Last Year
APPLAKIXC, before the Detroit
Board of Commerce, Detroit, Mich.,
June 5, Will II. Hays, president of
Motion Picture Producers and Distributors
of America, Inc., delivered an address, the
subject of which was "Arbitration in In-
dustry." Beginning his speech Mr. Hays
traced the course of arbitrary ruling
through the centuries, called the Chamber's
attention to the enormous investment the
motion picture industry represents today,
and to the many trade problems it has
been striving to overcome, the ease of their
solution today as compared to conditions
in 1022, and wound up his address by out-
lining the vast indirect sales medium af-
forded manufacturers by the motion pic-
ture.
1 I..U6 Cases Adjusted
A salient fact cited by Mr. Hays was
that in 1027 alone, 14,346 arbitration cases,
involving .$.'1,825, (i.'5(5.7(> were amicably ad-
justed. Of the total number of claims tiled
by theatre owners against distributors, the
theatre owners were upheld in fifty-two
per cent. Of the total number of claims
tiled by distributors, forty-one per cent
were upheld. Only thirty-six oases required
the seventh arbitrator.
Commenting upon the latest uniform con-
tract, agreed upon May I, 1928, and the
present system of arbitration in this nnlii-
try, Mr. Hays said :
"The motion picture industry today rep-
resents an investment of two billion dol-
lars, an annual expenditure in production
of pictures alone of $125,000,000. The in-
dustry directly etmploys more men and
women than Ford and (ieneral Motors com-
bined. One hundred million paid admis-
sions in the United States alone each week
testify to its touch with the public. Twen-
ty-five thousand miles of lilm are handled
each day in the exchanges of this country
alone.
Must Contract in idvance
"In the many thousands of small cities
and towns, men with small capital must
contract in advance for each year's show-
ing of feature pictures. The general nature
of the product i> told them by the sales-
men of the competing companies. Prices
and dates of exhibition, with many other
technical but vital details, are agreed on.
Out of the (500 to S00 pictures offered him
by twenty or thirty companies, the small
theatre owner, like the large, selects the
companies which best meet his needs as to
price, variety of product and advertising
co-operation. He agrees to buy certain
groups of their productions and exhibit
them at stated times for stated prices.
"The whole machinery of the manufac-
ture of this product, which reaches nearly
a quarter of a billion ultimate consumers
each week, depends on the good faith and
stability of individual contracts with thea-
tre owners.
"There are many legitimate reasons why
a theatre owner may find his contract diffi-
cult of fulfillment or may honestly believe
the distributor is not giving him lOil per
cent service under its terms. With no way
to winnow the just claims from the onjust,
temptation on both sides to call the con-
tract broken long constituted a major
source of mutability.
Dubious Until 1()22
"Until 1022 the producer with ten mil-
lion dollars' worth of orders on his hooks
(Coittimifd on Patic [952)
1950
Congress Gives Industry
Little Attention
Tax Bill Increasing Exemptions Only Important Meas-
ure of Session Effecting Motion Pictures
THE session of Congress which ad-
journed on May 29 was remarkable
for the little attention which was
paid to the motion picture industry. The
only measure affecting' the industry ma-
terially, to be enacted during the session,
was the tax bill, under which the exemp-
tions from admission tax were increased
from 75 cents to $3. It is estimated that
the revenues of the Government will be re-
duced approximately $17,000,000 a year by
this increase.
Although a number of measures affecting
the industry were introduced during the
session the only bill to receive serious con-
sideration was that of Senator Brookhart
of Iowa, prohibiting block and blind book-
ing and discrimination. This measure was
the subject of extended hearings before
the Senate committee on interstate com-
merce, but no action was taken to report
the bill because Senator Watson of Indiana,
chairman, spent much of the time toward
the latter end of the session in his home
State, where he is a "favorite son," for
the Presidential nomination.
Another measure of considerable impor-
tance was the resolution introduced toward
the end of the session by Senator Walsh
of Montana, calling for an investigation by
the judiciary committee of cases which
have been brought by the Government with
relation to the activities of the film boards
of trade throughout the country. This
resolution was referred to the judiciary
committee, and Senator Walsh attempted
to have it brought up for consideration in
order that it might be reported and passed
before the session adjourned, but was un-
able to secure any action.
4 4 T AM heartily in accord with the
general attitude of the Federal
Trade Commission as expressed
in the new code of ethics recently handed
down by that body," said Fred Wehren-
berg, of St. Louis, president of the eastern
Missouri and southern Illinois exhibitor
unit, who was a delegate to the Trade
Practice Conference.
' ' Perhaps some exhibitors may object to
the apparently liberal views toward non-
theatrical exhibition of motion pictures,
but as stated by the commission it regards
any attempt to restrict the purchase of
films by churches, lodges and similar or-
ganizations as in restraint of trade and
subsequently illegal.
"We independent exhibitors have always
contended that a motion picture exhibitor
should be permitted to buy such pictures
as he desired. We could not consistently
endeavor to prevent others from enjoying
the rights we demand for ourselves.
"The commission is absolutely in accord
with the views of the independent exhibi-
Sunday closing for the District of Co-
lumbia, which was the subject of lengthy
hearings by the House District of Colum-
bia Committee last session, still remem-
bered for their verbal and fist fight, was
proposed early in the session by Represen-
tative Lankford of Georgia, author of the
measure before the House last year, but
nothing whatever was done with the bill
during the session. Bills identical with
that of Senator Brookhart of Iowa, deal-
ing with booking, were introduced in the
House of Representatives by Congressmen
Hudson of Michigan, Celler of New
York and Cannon of Missouri, but no
action was taken by the House committee
pending a determination by the Senate
committee as to its report.
Congressman Hudson of Michigan also
put in a bill toward the end of the session
providing for Federal regulation of the
[notion picture industry, which also in-
cluded the provisions of Senator Brook-
hart's bill. In this messure was the so-
called censorship bill which has been be-
fore Congress for several sessions.
Repeal of the present ban upon the in-
terstate transportation of prize fight films
was sought in a number of measures in-
troduced in the House of Representatives
early in the session, but they were given
no consideration during the hearings.
All of these bills go over until the next
session in December, but it is not likely
that the industry will be materially har-
assed next winter because of the fact that
the session is required to adjourn March 4,
giving it little time to deal with other than
appropriation and major measures.
tors on the various subjects touched upon
in the cod? of ethics. It has taken a
definite stand on block booking and will
push criminal proceedings against those
who are guilty of violating the laws in
that respect. On other points at issue it
apparently favors giving the industry more
time in which to adjust itself and bring
about the reforms desired by the commis-
sion and the independent exhibitors of the
country. ' '
Montreal Managers Assoc.
Elects New Officers
Much interest was taken in the annual
elections of the Montreal Theatre Man-
agers Association, held in Stanley Hall,
June 1, because of the warfare which is
being waged by Montreal exhibitors
against the provincial authorities over
Sunday shows, juvenile patronage and
censorship issues. No less than 46 of the
54 theatres in Montreal were represented
at the meeting.
Motion Picture News
Joseph Patenaude, of the Francais, Alex-
ander and Moulin Rouge theatres, suc-
ceeded George Rotsky, of the Palace the-
atre, as president of the association, while
Harry S. Dahn, of the Capitol, was elected
vice-president. B. M. Garfield, Rialto the-
atre, had been secretary-treasurer since the
organization was formed eight years ago,
and he was elected to that office again
without opposition.
George Nicholas, managing director of
United Amusements, Ltd., was the choice
as chairman of the board of directors. The
latter include John P. Smythe, Regal the-
atre; Joseph Cardinal, St. Denis theatre;
F. J. Shields, Dominion theatre; Harry
Kauffman and Frank Norman.
3 Firms Obtain Charters
at Harrisburg, Pa.
Three new firms were granted charters
of incorporation by the department of state
in the capitol at Harrisburg, Pa., last week
when the following companies incorpo-
rated: Tho President Aniusemenjt Com-
pany, of Philadelphia, $300,000 capital
stock, Thomas Morch, treasurer, Philadel-
phia. Incorporators George H. Grant,
Harry Kramer and Hugh C. Pedley. Suc-
cess Pictures, Inc., Philadelphia, stated
capital $25,000, Arthur Boll, treasurer. In-
corporators Oscar Newfeld, Arthur Boll,
and Charles P. Boyce. The Park Machine
Company, Beaver Falls, Pa., capital $25,-
000, H. G. Traver, treasurer. Incorporators
Mr. Traver, Harry Acklev, and J. Wilmer
Martin.
Manager of U. A.'s Lima
Office Now in N. Y.
Gustav Mohme, general manager of the
United Artists exchange in Lima, Peru, is
now in New York for two weeks. He is
conferring with Arthur Kelly, vice-presi-
dent and general manager of. foreign dis-
tribution. This is his first visit to the
United States since he opened the Peruvian
office in January, 1926.
A luncheon was given in his honor by
the organization on May 31 at the Manner
Grill. 8
Mo., 111. Assoc. May
Join Sapiro Body
MANY members of the Motion
Picture Theatre Owners of
Eastern Missouri and Southern
Illinois may affiliate with the Inde-
pendent Motion Picture Exhibitors
Association headed by Aaron Sapiro.
Fred Wehrenberg, president of the
M. P. T. O. of Eastern Missouri and
Southern Illinois, informed the corre-
spondent of this publication that a large
number of the independent exhibitors
of St. Louis and the adjoining trade
territory are thinking seriously of
joining the Sapiro Group and added
that it is very probable that a St.
Louis office of the Independent Mo-
tion Picture Exhibitors Associated will
be established in the near future.
An invitation is being made, it is
said, to have Sapiro visit St. Louis to
explain the operations of his organiza-
tion to the Wehrenberg organization
at their annual convention.
Likes Code of Ethics
Fred Weherenberg Approves Resolutions Adopted by
Federal Trade Commission
J II II
19 28
1 <>5 1
Report Says Seattle U.
A. House is to Close
FOLLOWING the posting of an
official notice giving the custo-
mary two week's advance infor-
mation to employees that their services
will no longer he required, reports
were prevalent in Seattle, Washington,
last week to the effect that the United
Artists Theatre is to close its doors on
June 6. The report is not denied by
Pacific Northwest officials for the West
Coast Theatres, Inc., who operate the
house jointly for West Coast and
United Artists.
The theatre up to a few weeks ago
was showing a pleasing statement at
the box office, but it is understood
among the trade that the theatre will
be closed in an attempt to divert the
business to the Fifth Avenue and
Seattle Theatres, both of which are
being operated by West Coast on what
is said to be a losing financial basis.
Al Bernard, manager of the house
since the promotion of W. Stefan
Perutz to the position of general man-
ager of West Coast theatres in Ta-
coma a few weeks ago, is understood to
be moving to Portland for the same
com pany.
Badgley Returns to Ottawa ;
Finds British Active
After several weeks spent in England,
where he made arrangements for the dis-
tribution of the official Canadian films, F.
C. Badgley, director of the Canadian Gov-
ernment Moving Picture Office, returned to
Ottawa recently. The British film industry
is showing considerably more activity, Mr.
Badgley declared, praising the new studio
outside of London.
While in England he urged British pro-
ducers to sell Canadian rights to important
productions direct to film distributors in
Canada rather than to those in the United
States. Canadian films, he reports, are
now being shown in from 300 to 500 the-
atres in the British Isles.
Slogans Arouse Opposition
to Daylight Saving
Daylight saving continues to be a lively
issue in Vancouver, B. C, and the exhibi-
tors have taken an active part in opposing
the plan whereby summer time would be
adopted locally for a period of five years
through a plebiscite of the people.
Various snappy slogans have been
screened to arouse the ratepayers to vote-
down the measure, such as: "Remember,
Daylight Saving Is Daylight Slaving";
"Vote Against Daylight Saving — Don't
touch the clock"; "This plebiscite is for
a period of five years — Vote No!"; "Work
and vote against Davlight Saving.''
Carl Goe Sales Agent
With Tiffany-Stahl
Carl J. Goe has been appointed special
representative bv General Sales Manager
Ed. J. Smith, of Tiffany-Stahl Productions,
with headquarters at the New York office.
Mr. Goe was formerly circuit represent-
ative for Pathe, and previous to that was
contract manager for F.B.O., First Na-
tional and Universal.
Trouble Expected Over
Non-Theatricals
Commissions Ruling Interpreted As Compulsory Serv-
ice; Others Size Up Situation "As Is"
INTERPRETING the Federal Trade
Commission's action in rejecting the
resolution passed at the Trade Practice
Conference against non-theatrical bookings
as meaning compulsory service, distributors
of the Northwest believe it will cause fur-
ther trouble in a territory where the situa-
tion is already strained. This view was
expressed following a letter sent to presi-
dents of Film Boards of Trade by C. C.
Pettijohn, head of the organization, ahead
of publication of the Code of Ethics, and
based on advance information.
Mr. Pettijohn 's letter informed the film
board heads that any non-theatrical insti-
tution, properly complying with ordinances
having to do with public safety and other
regulations, would be in a position where
no distributor could refuse to sell its
product.
Other views concerning the rejection of
the resolution, based upon reports from
those in the know, size up the situation as
being just where it has always been, with
the exception that distributors must not
act as a body in refusing to serve non-
theatricals. An individual may continue
to refuse to serve, according to this report.
One of the causes of the strained condi-
tion in the Northwest was 1'. A.'s service
to non-theatricals. Then exhibitors would
not act on this company's cases. It is ex-
pected that N. YY. exhibitors will continue
their fight against this service.
Another opinion concerning the situation
is that exhibitors need not be greatly
alarmed over any competitive bidding from
non-theatrical institutions; that none of
them would be in a position to pay the
average theatre rentals, at least, those of
the larger houses.
Presentations for Shorts
Old Order to Be Reversed When Eleven First Run Key
City Houses Show Comedy Films
SHORT subjects, once crowded out of
the big first run houses by presenta-
tion acts in connection with feature
pictures, are now to be the subject around
which presentations are to be built, accord-
ing to Metro-Goldwyn-Mayer, who have
just closed with eleven representative key
city de luxe presentation houses for prac-
tically the entire output of M-G-M shorts.
The houses that have signed for these
shorts are, the Capitol in New York City,
Committee Raps Lax
Dues Payers
NON-MEMBERS and members of
Eastern Missouri and Southern
Illinois M. P. T. O. whose dues
are not paid in full will not he re-
presented on the arbitration commit-
tee of the St. Louis Film Board of
Trade, Fred Wchrenberg, president of
the exhibitor unit, announces a- the
outcome of ;i meeting held by the
executive rommitte of his organiza-
tion held on May ,'H). The committee
i- -aid to have \oted unanimously on
the question.
In effect Mr. Wchrenbcrn's state-
ment implied that the time has arrived
to compel all theatre owners who de-
rive protection from the association
to help pay the expenses of the or-
ganization. Heretofore, the represen-
tatives of t hi' association have handled
all cases coming before the Film Hoard
of Trade for arbitration regardless of
whether the exhibitor was a member
of the association or not. Member-
who fail in their due- will he treated
as non-members should thej de-ire the
services of the arbitrators, Wi-hren-
berji said.
Midland in Kansas City, State in St.
Louis, Ohio in Columbus, Allen in Cleve-
land, Penn in Pittsburgh, Century in Bal-
timore, Palace in Washington, D. C, State
in Boston, Palace in Indianapolis and the
State in Syracuse.
The product involved in the contracts
includes the entire group of forty Bal
Roach comedies divided into four series
featuring Our Gang. Charley Chase, the
Roach All Stars and Laurel and Hardy;
the series of six Great Events in techni-
color, twenty-six Ufa Oddities ami M-G-M
News.
The feature releases that have in the
past been included in the programs of
these houses have always been supple-
mented by elaborate stage shows and little
time was available for short feature film
presentations. In all instances where it is
practicable, these houses now plan to build
their stage show presentation around the
theme of the comedy. Great Event- or Od-
dities.
As an example, the Oddities release,
"Soaring Wings." which will shortly be
presented at the State Theatre in Syracuse,
will form the keynote of a novel pre-cnta-
tion number. The study of birds in flight
which the subject presents, i- being likened
to man's development of the aeroplane.
An appropriate aeroplane setting is to be
arranged on the stage and a soloist sinking
number will accompany the showing of the
picture.
As another presentation act the entire
staj:e chorus will be attired in boxing cos-
tume, with boxing gloves and the rin<r at-
mosphere in a dance number preliminarry
to the Charley Chase comedy, "The Fight
Pest."
1952
Motion Picture News
Theatre Building Active
Many Important Operations Are Reported Under Way
in Provinces of Ontario, Quebec
MUCH activity is being seen in thea-
tre building operations in the
Provinces of Ontario and Quebec,
a number of important projects having been
reported, four being in Montreal alone.
They include :
Montreal — Electric Theatre, being erected
by Electric Theatre, Limited, 570 St.
Catherine Street; cost $500,000; architect,
E. A. Doucet, 195 St, Catherine Street East.
Montreal — Theatre being started on
Notre Dame Street "West, by United Amuse-
ments, Limited, 12 Mayor Street, Montreal;
cost $150,000; architect, R. Gariepy, 15 St.
James Street West. This company already
operates 12 theatres in Montreal.
Montreal — Benjamin Isaacs, 52 Arling-
ton Avenue, Westinount, has purchased a
large site at St. Catherine Street West and
Chomedy Street, and plans are being pre-
pared for a theatre.
Windsor, Ontario — The Paramount-
Windsor Comipany, Limited, a subsidiary of
Hays
did not know whether they might result in
five million or six million dollars' worth of
completed transactions. With rare good
luck, he might hope for seven million out of
his promised ten.
"Because of this uncertainty, two mutu-
ally destructive hardships grew in burden
each year. The theatre owner had to post
an advance, usually of twenty-five per cent,
when he ordered his films. This hurt the
small exhibitor, and hurt him badly. The
producer, on his end, had to start manufac-
ture of the year's product on this advance,
and then had to borrow the rest of his
needed capital from sources which charged
him from twelve to fifteen per cent. Re-
sponsible banking sources hesitated to take
risks which threatened to make the produc-
tion and sale of motion pictures perma-
nently a wildcat operation.
10,500,000 Showings Per Year
"When it is realized that the average
motion picture theatre annually rents from
distributors approximately 175 feature pic-
tures and about 350 short subjects (news-
reels, comedies and novelties), it will be
seen that the approximately twenty
thousand theatres enter into contracts with
distributors calling for 10,500,000 separate
the Famous Players Canadian Corp., Royal
Bank Bldg., Toronto, has purchased the site
at Ottawa Street and Moy Avenue, Wind-
sor, for a theatre seating 1,500. Paramount-
Windsor Company already has the Capi-
tol, Palace and Walkerville Theatres. N.
L. Nathanson, of Toronto, is president,
while Wallace R. Campbell, Col. Walter
McGregor and Simon Meretsky are asso-
ciates.
Ottawa, Ontario — Famous Players Cana-
dian Corp. has started construction of the
Capitol Theatre, Ottawa; cost $1,250,000;
architect, Thomas Lamb Company, of New
York; this theatre is scheduled to open
January 1.
Ottawa, Ontario — P. J. Nolan is building
the Avalon Theatre, Bank Street and Sec-
ond Avenue; cost $60,000; this theatre is
being constructed according to the plans
and specifications of Mr. Nolan, who already
operates the Rex and Columbia Theatres in
Ottawa. It will seat 1,000, and is scheduled
tojcpen September 1.
exhibitions of pictures every year. This
enormous number of transactions is under
written contract and the opportunities for
disputes arising therefrom can be readily
visualized. Every delivery of every pic-
ture in every theatre was a potential law-
suit. In 1922, distributors and exhibitors
alike were staggering under an actuality of
4,000 suits, with the indicator rising.
Lawsuits Disastrous
"These lawsuits were disastrous to the
winner and loser.
' ' No matter who won or lost the suit, the
value of the picture in question would have
faded out long before the award. Bad feel-
ings, bad collections, drags of every kind
on the progress of the industry made our
situation intolerable.
' ' We then worked out a system which we
have since steadily tried to improve. Our
latest form of uniform contract, agreed
upon May 1, 1928, is better than the first,
instituted in 1923.
"In 1922, the year before arbitration be-
gan in virtually its present form, the indus-
try had approximately 4,000 lawsuits over
contracts.
"In the four years of arbitration, the
boards have disposed of 50,006 contractual
disputes, involving $11,200,298.94.
Exhibitors Upheld 52 Per Cent
"In 1927 alone, 14,346 cases, involving
$3,825,636.76, were amicably adjusted. Of
the total number of claims filed by theatre
owners against distributors, the theatre
owners were upheld in fifty-two per cent.
Of 'the total number of claims filed by dis-
tributors, only forty-one per cent were up-
held. Only thirty-six cases required the
seventh arbitrator. Nine court entries
were made to enforce compliance with
awards, and there were fifty-three court
entries of judgments under awai'ds. Five
cases only found their way into court be-
fore, arbitration.
"Here is another pertinent fact: Out
of the 14,356 claims in 1927 disposed of
4,671 were settled before the date of hear-
ing and 2,368 were withdrawn. When two
parties to a dispute know that men of their
own acquaintance and profession, having a
full background of existing conditions, will
be their judge and jury, they examine their
own presentations with a careful eye.
"We have had some difficulties, of
course. We will continue to have some.
Every now and then some man, who
wanted an advantage and got a judgment
instead, becomes vocal in the press. These
cases make headlines, but they are hardly
chips in the steadily flowing stream of
success."
J. D. Williams Forming
New Organization
(Continued from Page 1949)
that we can make as good pictures on the
other side as are made over here it is going
to have a tremendous effect on motion pic-
tures. It is going to bring about a more
friendly spirit in the picture industry of
the world, and as a consequence it is going
to cut down many of the restrictive meas-
ures in the different countries as well as
negative costs of pictures. Principally, it
will create international competition, and
there is nothing better for any industry
than competition.
"By giving the exhibitors a free selection
of pictures it will have a decided tendency
to eliminate poor pictures and thus put a
curb on over-production. This will mean
more money for the better pictures and
stars. The selection of pictures from all
parts of the world will stimulate public
interest and increase attendance in America.
' ' We are going to attempt to release none
but the best of foreign-made pictures in
America, In many cases they will be made-
to-order pictures. We will advance to the
producers the idea for a story, and suggest
to them how it should be handled, and we
think this will bring about good results.
We will bring over good directors and good
actors.
"I figure that with proper competition
for Hollywood, and with a reduction of the
number of features now produced to only
worth-while pictures, foreign business for
American producers will develop from 25
per cent to 50 per cent in every country in
the world.
"Producing units releasing through
World-Wide Pictures will form associations
in their respective countries similar to the
Hays organization in America. These as-
sociations will serve to combat adverse leg-
islation and will want American produc-
tions admitted free in their respective coun-
tries in return for the revenue they will re-
ceive from the American market.
' ' The activities of World-Wide Pictures
abroad will develop the motion picture busi-
ness in many foreign countries, and the in-
creased revenue to the big American com-
panies in those countries will more than
offset any loss of revenue in the American
market.
"In order for the motion picture bus-
ness to make the same rapid progress it
has made in the past a great many of the
foregoing plans must be brought into ef-
fect before the industry can rightfully claim
to be a world-wide institution."
Alan Grosland Signed
by Columbia
ONE of Columbia's ten specials
for the 1928-29 season will be
directed by Alan Crosland, just
signed by Columbia. The director has,
in the past two years, worked on
special productions for Warner Bros.
The name of the Columbia production
he will direct and its starring player
will be announced shortly.
Reviews Arbitration
(Continued from Page 1949)
June 9, 19 28
Laemmle Warns Industry
Against Skimping
Universal Chief Cautions Against False Economy and
Urges Spending on Good Pictures
Big British Combine Effected With
200 Theatres Involved
Tl I K largest theatre combine ever attempted in hurope w as the recent
merger of 200 houses t hroughout Great Britain engineered l»v the;
British Gaumont, Ltd.. and the General I t n • ;i t n • Corporation. It is
said to command a capital of S 1 0.1 MIO.t Mil I. I die theatres in the comhine arc
picture and vaudeville houses.
F. A. S/.arvasv. chief stockholder in the General Theatre Corporation
is associated with Sir Waller Gibbons. London theatrical magnate. The
Gaumont Company controls a large number of motion picture houses in
G-real Britain. A. C. Bromhead is president of this organization.
William Quigley President
M. P. T. O. of Pa.
William Quigley, <•!' Nanticoke, Pa., now
occupies the chair of president "I' the M.
P. T. (). of Northeastern Pennsylvania,
having succeeded M. E. Comerford, head
of the Comerford chain of theatres, at a
meeting of the exhibitor unit held at the
Hotel Casey in Scranton on .May '17. At
that time, Harry Spiegel, manager of the
Academy Theatre, Scranton, assumed his
duties as new secretary of the Northeastern
Pennsylvania body.
Addresses were delivered by K. F. Wood-
hull, national president of the M. P. T. 0.
A., Martin J. O'Toole, executive secretary
and business manager of the M. P. T. 0. A.
and Charles L. 0'Keillv, president of the
T. 0. C. C, of New York. Mr. Woodhull
termed the two obstacles impeding the
progress of the motion picture industry as
abuse of power and lack of vision. He pre-
dicted great developments for sound pic-
tures.
At a dinner of the exhibitors held in con-
nection with the convention, Mr. 0 'Toole
was toastmaster. Present at this affair
were William Roberts, of Plymouth, M. E.,
Comerford and Vincent J. Brennan. both
of Scranton. The next session will, it is
said, be held in Mauch Chunk on July 29.
Residential House Zoning
Abandoned in Baltimore
According to a ruling made recently by
the Film Board of Trade in Washington,
D. C, of which J. S. Fitzgerald is secre-
tary, the former zone system for residential
houses in Baltimore has been abandoned
For tlie I king of pictures.
Hereafter, it is said, any picture may be
booked by any theatre in any part of Bal-
timore, according to the highest bid made,
and no regulations as to zones have any-
thing to do with picture selling.
Title Changes
"You're in the Armv Now'' (Excellent)
to "Into No Man's Land."
••Fedora" (Paramount) to "The Wo-
man From Moscow."
"Mutiny" (First National) to ••Scarlet
Seas. "
"The Night Watch" (First National) to
"Love at Midnight."
Tom Hamlin Undergoes
Operation
Thomas Hamlin, publisher of Film Curb,
a New York regional, underwent an opera-
tion on May 'JOtti at a New York City hos-
pital. Mr. Hamlin is progressing ;tud is
expected to soon be able to return to his
duties.
Paramount Astoria Studio
in Charge of J. W. Butler
John W. Butler has been placed in
charge of the Paramount Long Island stu-
dio which has been re-opened for the pro-
duction of films with sound accompaniment.
Associated with the Zukor organization
for the past eight years. Mr. Butler has
served in various executive capacities in
the business administration departments.
CARL LAEMMLE, president of Uni-
versal, in a statement of some length,
warns the industry against "skimp-
ing," and cautions against false economy.
He sees prosperous times ahead for the
picture industry, and believes that money
-pent in the right direction is bound to help
matters.
The Laemmle statement, in part, follows:
"There are worse evils in the moving
picture business than extravagance. One
of them is skimping. There is no doubt in
the world that every company has been
more or less extravagant in years gone by.
An effort was made last year to curb this
extravagance. Because of certain signs and
portents which 1 have noticed, I deem this
an appropriate time to sound a note of
warning to the entire industry. It is this:
Skimping must not be mistaken for econ-
omy. The practice of economy is incum-
bent on every individual and on every com-
pany. The false economy is the worse
course that any individual or any com-
pany can possibly pursue.
"In the making of pictures the producer
owes a duty to exhibitors and to pati-ons
of pictures. He owes it also to the authors
William Sistrom Gen'l
Manager Pathe Studios
IN the post of general manager of
the Pathe studios will be William
Sistrom, who has been acting in a
like capacity for the Cecil H. I)e Mille
studios. Under his supervision, pro-
duction for the 1928-29 program is al-
ready under way.
Utcr working for Carl Laemmle
and William Randolph Hearst's Cosmo-
politan productions as production man-
ager, he became general head of the
Hollywood studios where the Christie*
and the Producers Distributing Cor-
poration formerly made their produc-
tions. These studios eventually became
I In Metropolitan Studios, and with the
affiliation of He Mille. Mr. Sistrom
assumed managerial charge of both
the Metropolitan and He Mille studios.
and directors of his productions. The
framework, the embellishment, the setting
of his story, should be wholly adecpiate to
the picture itself. A diamond must have
a perfect setting in order to show off its
true brilliance and value. More than that,
the industry owes it to itself to go onward
to better and better things. It must never
take a step backward. We have achieved
a certain standard in this business. We
must constantly increase that standard, be-
cause more and more people are being edu-
cated to appreciate the better things in
moving pictures. The standard must go
forward as the appreciation of the audi-
ence advances.
Good Pictures Essential
"The life blood of our industry is good
pictures. They are the most important
thing in the world to us. They are the es-
sentials. A splendid theatre is a fine thing
to have; good pictures are better. A tal-
ented orchestra is good; it is of little avail
without good pictures. Clear, unwavering
projection is a splendid thing for your
audience; but a good picture is far better.
Favorable weather is much more apt to till
your theatre than rainy weather; but good
pictures will till your theatre — rain or shine.
"Good pictures we must have, and good
pictures cost money. There is no getting
away from that. Any skimping or false
economy in picture making is not only a
fatal error, but is a stab in the hack to
the entire industry.
" Please don't think that 1 want to en-
courage extravagance in picture making.
Wo have seen enough of that. But I
firmly believe that the picture business is
entering upon a period of prosperity the
like of which it has never experienced be-
fore. We must be ready for it. We must
be prepared. We must have the equipment
to take advantage of it. And this equip-
ment is GOOD P1CTI UFS. Let's insure
our own prosperity with more good pictures
this year than we have ever produced be-
fore in any year."
1954
New Columbia Exchanges
Nationalization Plan Practically Completed with Six
Additional Key City Offices Established
COLUMBIA PICTURES has prac-
tically completed its nationalization
plan started two years ago when it
acquired its first exchange. Jack Cohn,
treasurer of the company now anonunces
the completion of arrangements for the
opening of exchanges in St. Louis, Milwau-
kee, Denver, Salt Lake City, Albany and
Buffalo.
This latest deal was engineered by Jack
Cohn and was entrusted for execution to
Cecil E. Maberry, sales manager, who is
now on a tour of the company's exchanges.
The new branches give Columbia vantage
points in Eastern Missouri, Southern
Illinois, Wisconsin, Colorado, Utah, Wy-
oming, New Mexico, Western Nebraska,
South Idaho and the state of New York
outside of New York City.
In commenting on the expansion, Mr.
Cohn said :
"The acquisition of these exchanges is
practically the final step in the nationali-
zation plan which Columbia started two
years ago. Six branches were opened dur-
ing the past year — one in Minneapolis and
five on the West Coast and in the North-
west. Every weak link in the chain of
distribution has now been eliminated and
responsible offices have been established in
all the important key cities of the coun-
try.
"The new branches will greatly advance
our plans to coordinate production and
distribution activities to such a point that
we will be able to give the exhibitor greal ly
improved service.
"Several persons prominent in the dis-
tribution field are now being considered
for the newly created positions of branch
managers and for the sales force. An-
nouncement of important appointments
will be made shortly."
6 Features, 10 Shorts Are
Paramount's June Output
Six productions of feature length, five
comedies of two reels each, and five one-
reel cartoons form the Paramount schedule
of releases for the current month.
On June 2 will be released "The Mag-
nificent Flirt," Florence Vidor's newest
vehicle, "Hold 'Er, Cowboy," a Christie
comedy starring Bobby Vernon, and "The
Patent Medicine Kid," a Krazy Kat car-
toon. The next release date, June 9, will
see the initial distribution of "His Tiger
Lady," Adolphe Menjou's starring picture,
"Say Uncle," a Christie comedy featuring
Jack Duffy, and "Koko's Field Daze," one
of the Inkwell Imps cartoons.
"Half a Bride," a feature starring
Esther Ralston, will be issued on June 16,
in company with "Slippery Heels," a
Christie comedy with Jimmy Adams, and
"Stage Coached," another of the Krazy
Kat cartoons. The fourth feature for the
month, "The Vanishing Pioneer," comes
on June 23, along with "Alice in Movie-
land," a Paramount two-reel novelty, and
Koko Goes Over," from the Inkwell Imps
series.
June 30 is the release date for two Para-
mount features, "Ladies of the Mob,"
starring Clara Bow, and "The Racket,"
the Caddo production in which Thomas
Meighan stars. Also on June 30 will ar-
rive "Scrambled Weddings," an Edward
Everett Horton comedy, and "The Rain
Dropper," a Krazy Kat cartoon.
Arnold Bennett Writing an
Original for Dupont
Arnold Bennett, the British author, will
write an original story for "Piccadilly,"
E. A. Dupont 's next British International
production. Rex Taylor, American scenar-
ist, is writing the script from Bennett's
treatment. Anna May Wong is to play a
leading part.
Dupont 's next, immediately to follow
"Piccadilly," will be called "Tambou-
rine," exteriors to be done in the south of
France. Carl Brisson will be one of the
leads.
L. J. Appell Heads Chain
in Central Pennsylvania
Louis J. Appell, son of the late Nathan
Appell, who died May 17th, has succeeded
his father as head of the Appell chain of
theatres in Lancaster, York, Hanover,
Reading and other central Pa. towns.
Mayer Removed from
Sapiro Film Purchase
Committee
ACCORDING to a statement
issued by the Independent Mo-
tion Picture Exhibitors' Asso-
ciation, Elias Mayer, of the firm of
Mayer & Schneider, has been removed
from the film purchase committee of
the organization, by vote of the Board
of Directors May 30. Harry Brandt
was elected to fill the vacancy.
The statement continued:
"At the same meeting President Sa-
piro was instructed and authorized by
the Board of Directors to begin legal
action against the Mayer & Schneider
Theatres Corporation to collect money
due the Association. This action was
taken when it was reported to the
Board that none of the Mayer &
Schneider theatres have paid into the
Association any of the sums due in
the form of dues since they became
members.
"It was reported to the Directors
that the Mayer & Schneider theatres
were the only absolute delinquents.
"While Mr. Mayer was removed from
the Film Purchase Committee, and
while legal action will be begun against
the theatres with which he is con-
nected, these actions will not affect
the membership of the Mayer &
Schneider theatres in the Independent
Motion Pictures Exhibitors Associa-
tion. As was stated at the meeting,
they will be kept in the Association for
their own good.
"At the same meeting Isaac Katz
was elected a director, to fill a va-
cancy."
.1/ olio n P i c I ii r c .V r -,v \
A Progressive Exhibitor
Enrl J. Myers
Exhibitor Complimented as
Commerce Leader
Earl J. Myers, owner of the Majestic
Theatre, Chillicothe, 0., president of the
Chillicothe Chamber of Commerce, was re-
cently highly praised and commended by
that body for his efficient leadership.
Born in Chillicothe 38 years ago, Mr.
Myers bought the Majestic Theatre in
Chillicothe in 1924, remodelling it through-
out and making it the leading theatre in
the town. He has just announced plans for
erecting a new $800,000 house there. Re-
cently addressing the Chamber of Com-
merce he told the business men of Chilli-
cothe of the progressive stride of the mo-
tion picture industry, using several trade
journals during the course of his address.
Neilan to Direct MacLean
in Christie Features
An arrangement has been made between
Marshall Neilan and Christie-MacLean
productions whereby the director will di-
rect the first of the Douglas MacLean pro-
ductions to be produced at the Christie
studio. Some time next month Neilan will
mlove over to the Christie studio to begin
working on the first of the MacLean pic-
tures, now in preparation by Alfred A.
Cohen from his story, "The Carnation
Kid." Cohn will act as supervisor of the
Christie-MacLean productions. Associated
with him on the construction of the story
are Henry McCarty and Malcolm E. Moran.
"The Carnation Kid" replaces the title,
' ' Wanted — a Woman. ' '
June 9 , 19 28
1954-A
The Voice of the Screen
News and Comment on All Phases of "Sound" Pictures
Talkie Highlights
HOLLYWOOD is
agog over sound
pictures with most
of the studios being re-
vamped and having equip-
ment installed for the re-
production of sound. Many
of them are now set to
make their first talking
productions.
Monta Bell declares pro-
duction costs will be sent
sky-high with consequent
raise in prices to exhibitors
and higher admission
charges to the picture the-
atre patrons.
Musicians of the United
States plan raising of $10,-
000,000 fund to combat
menace to them of "canned
music" Tax will be put on
all members of unions.
Short subject producers
are elated over the pros-
pects for the coming season
because of the advent of
the sound pictures in their
field. Indications are that
they will supplant many of
the present presentations.
Production activities
promise to become lively
again in the east, with many
of the studios being re-
opened and equipped for
sound production.
Talking pictures are re-
ported under way in the
advertising field and will
be produced as rapidly as
possible, but not for theatre
showings.
Contracts of big Broad-
way stars will probably
make it impossible for them
to appear in talking pictures
because of the effect it will
have on their stage work.
Sound Pictures Are Main
Topic in Hollywood
Producers Focusing Interest on Perfection of Augmented
Photoplays; Studios Being Equipped
By W ILLIAM MrCORM \< k
Los Angela Representative, Motion Picture Sews
THE major topic of conversation
around the studios and in the film
colony among executives, players
and studio attaches, is talking pictures,
and that public response thus far indicates
a welcome for them seems to have urged
producers to focus their interests upon the
perfection of augmented photoplays. Di-
rectors generally are in favor of the inno-
vation and the differences of opinions
among stars depends largely upon their
individual abilities, founded upon stage
training or their lack of it.
All Fox directors as well as those at War-
ner Brothers will make one or more talking
pictures during the coming season and ex-
tensive preparations are being made at
Fox studios for the expansion of the
Movietone. A new Movietone stage will
occupy one recently destroyed by fire and
an elaborate research division and experi-
mental department to cost upwards of
$500,000 is now being erected.
Warner Brothers have two complete
stages for Vitaphone reproduction and a
third one nearly finished. This concern
also has an elaborate laboratory research
and experimental department, and besides
making full length pictures are preparing
to increase their output of two reel sub-
jects.
M-G-M Building
Metro-Goldwyu-Mayer is building a two-
story concrete building in which researches
will be made of talking pictures. The struc-
ture will house four stages and a sound
proof monitor room where George ITall of
the Victor Phonograph Company will su-
pervise the installation of recording ap-
paratus.
None of the other studios have made any
preparations for building studios or facili-
ties for adding sound to tbeir productions,
although Universal will likely add sound
effects to ''Show Boat" and First National
has similar plans.
An official announcement regarding
Paramount 's activities in talking pictures
will be made by Adolph Zukor in New
York next week. However, the completion
of a sound proof stage with recording ajv
paratus under direction of Hoy J, Pomeroy,
Paramount 's technical director, assisted
by an engineer from the Western Klectric
Company, is being perfected. Pomeroy is
an electrical engineer himself and has been
carrying on experimental work with sound
in pictures for over a year.
Development and research by Pomeroy
promises to bring about rapid changes in
production methods and for this reason
Paramount will not build elaborate build-
ings which they believe may have to be
discarded within the next six months.
Present plans seem to indicate that Para-
mount will confine sound productions to
short subjects and novelties for the time
being.
Comedies 11 illi Sound
Next season's products from Christie
studios will find a number of comedies with
sound accompaniment and Christie studios
will be equipped for the production of
sound pictures, for which contracts with
an electric company in New York are be-
ing closed this week.
At United Artists studios two stages
equipped with apparatus to record disc
records and to record sound on film are
being planned and work on these will start
in perhaps ten days. D. W. Griffith, Mar-
shall Xeilan, Fred Niblo, Alfred Greene,
Victor Schertzinger and numerous other
directors see in the talking pictures a
greater scope for their talents and have
expressed confidence in its ultimate per-
fection.
"Talking pictures are here to stay," ac-
cording to William de Mille, who acted as
chairman of a meeting held last week by
the Academy of Motion Picture Arts and
Sciences a! its club rooms in the Uooscvelt
Hotel. The Pathe-DeMille director spoke
at length on the advantages of the new
medium of expression for the heretofore
silent drama and finished his address by
stating that it would undoubtedly be the
ultimate entertainment of the future.
I eiller Guest of Honor
Bayard Yeiller, successful playwright
and author of such hits as "The Trial of
Mary Dugan," "Within the Law,' and
other plays, attended the session as a spe-
cial guest of honor. Mr. Yeiller spoke upon
what effect Vitaphone, Movietone and other
(Continued on Follozcino Pane)
/954-B
Motion Picture New s
Director Gives Views on Sound Pictures
"Voice Dissector" Shows Faults That
May Be Corrected
OFFICIALS of Metro-Goldwyii-Mayer and the University of Southern
California last week launched the first "voice dissecting*' experiment
involving a motion picture player to correct voice imperfections.
The speaking voice of Anita Page, an M-G-M player was the first dissected.
A electric "voice analyzer"* was used under the supervision of Runs
B. Vonkleinsmid, president of the university. Dean Ray K. Immel of the
drama department of the university was in direct charge of the experiment
and introduced the use of the telegraphone, an apparatus by which voice
impulses are recorded magnetically on a steel wire.
From this magnetic wire scientifically exact reproductions of voices
may be made through radio amplification from a visual record of the voice
vibrations on sensitized paper. From this voice imperfections are noted
and they can then be corrected by the player under proper voice direction.
Monta Bell Declares
Production Costs
Will Be Increased
MOXTA BELL, one of the foremost
of directors, is a decided rebel
when the discussion centers on
"talking picture's." "Sound effects, _ yes,
and synchronized music, with an occasional
piece of dialogue for contrast, but straight
dialogue, emphatically no," is the way Bell
puts it.
Bell, a former managing editor of a large
newspaper syndicate, is markedly intelli-
gent. His heart is in the making of mo-
tion pictures, hut he is thoroughly con-
vinced that talking pictures cannot possibly
be a success with the public.
Soys Dialogue Will Detract
"You can't convince me that continuous
dialogue in a picture will do anything but
detract from its value. It will take all the
art out of a picture. It will not cut produc-
tion (-cists as has been stated by these big
executives. It will have just the opposite
effect.
"You mark my words that talking pic-
tures are going to send production costs
skyhigh. The distributor is going to have
to get twice as much for his product from
the exhibitors, and the exhibitor in turn,
is going to have to raise his prices to his
patrons materially if he is to make any
money or even break even on talking pic-
tures.
"They tell you that many scenes explain-
ing a situation will be eliminated in these
pictures and the action explained by those
in the cast, and that as a consequence costs
of production will be reduced. But that is
not so, so far as the reduction is concerned.
•'Here is how production costs will shoot
up: Where Ave had big stars in the past
enuaged for a picture we paid them fabu-
lous salaries and kept them busy for three
or four days shooting all of the scenes in
which they participated and then were
through with them. What will we have to
do with these same stars now? Well, we'll
have to rehearse them for a matter of three
or four weeks the same as they do in a
legitimate Broadway production, and we'll
have to pay them for rehearsals.
"And remember this: When we wanted
to cut a feature film to 7,000 feet in the
past we took 11,000 feet or more. We cut
out what we did not need and patched it
up to keep the continuity. Well, what will
we have to do now? We will have to make
pictures to exact order. They will have to
be made to the exact footage called for.
It will mean rehearse and rehearse scenes
until we get them to actual perfection.
With the dialogue and sound made to fit
there will be no such thing as cutting a
picture after a scene is completed.
What Will Be the Result
"What will be the result of all this?
The scenarist will be the main figure around
the studio. Pictures will be more or less
incidental to the story, and must in future
be built around the dialogue. The dialogue
and scenes wall have to be arranged by the
scenarist. The director can then sit back
and merely follow the story as laid down
by the scenarist. Directors with stage ex-
perience will be more essential than the
good director of the past who has no stage
experience. Producers have made million
dollar mistakes many times in the past, but
they have laughed them off because they
have made money despite their errors; but
believe me, there will be greater mistakes
made in the future than there have been in
the past. There is no correcting a talking
movie after it is finished. If corrections
are necessary it means the picture will have
practically to be made over.
"Sound effects are wonderful and should
add materially to the value of a picture,
and on occasions dialogue can be used to
advantage, but only for the purpose of con-
trast, which should be rare. I can ap-
preciate that dialogue for contrast could
well have been used in the last reel of 'The
Bellamy Trial.' I had made six reels in
absolute silence, and it would have been
a marvelous contrast if in the last reel I
could have had the summation of the de-
fense and prosecution in dialogue. The ef-
fect would have been marvelous. But that
is as far as the talkies should go. The
sound of a passing elevated train, the sound
effects of a flood or a disaster of any kind
cannot help but improve a picture, but dia-
logue as a regular feature, to my way of
thinking, is practically impossible, and it
cannot do anything but run the costs of
production skyhigh."
Sound Pictures Are Main
Hollywood Topic
(Continued from Preceding Page)
speaking devices would have upon the
stage. All the well known tricks of the
stage will be discarded, according to the
playwright, and new ideas introduced.
Fred Beetson, head of the Central Cast-
ing Bureau and secretary of the Associa-
tion of Producers and Distributors, out-
lined unique innovations to become part
of the casting bureaus province. Mr. Beet-
son stated the Casting Bureau is to place
a vocal expert in charge of a new depart-
ment of the organization, whose duty it
will be to (test and record the voices of
extra talent and those suited for parts in
sound films to be used as atmosphere.
Sid Grauman, popular impresario, stated
that sound pictures would undoubtedly
spell the doom of prologues. All pictures
will soon have their own musical accom-
paniment, thus doing away with expensive
symphony orchestras. Grauman further
stated that any exhibitor \vrho does not have
his house equipped with some form of re-
cording device, will not be able to draw
the patronage against a rival theatre so
equipped.
Ben Jackson Named Fox
Projection Supervisor
Fox theatres has appointed Ben Jack-
son supervisor of projection for Movietone,
and he is now out inspecting new installa-
tions. Mr. Jackson has been with the Fox
theatres projection department for the
past twenty years.
It is said that Fox is installing Movie-
tone in its new house at Nevins street and
Flatbush avenue, Brooklyn.
Baltimore Little Uses
Remaphone for Music
A mechanism called the Remaphone is
being used at the Little theatre, Baltimore,
to furnish the music to accompany the fea-
ture pictures shown there. Records inter-
preting the moods of the picture are used.
A pianist and violinist furnish the music
for the short features.
Franklin Sees End of
Silent Photoplay
( (II TITHIN the next three years
y y the silent photoplay with
its explanatory subtitles
will be as obsolete as the horse-car,"
said Harold B. Franklin, president of
West Coast Theatres, Inc., who re-
cently visited San Francisco to confer
with A. M. Bowles division manager
for the corporation.
"The theatre has always played an
important role in civilization," Frank-
lin continued. "In the future years its
role will be more important still. The
theatre will literally bring the whole
world before the eyes of the playgoer."
1954-C
$10,000,000 Mu icians'
Fund Planned
American Federation Planning to Combat Inroads
Being Made by "Machine Music"
June 9, 19 28
Firnatone Production Is
Started in Jersey
With Nathaniel Shilkret directing1 the
Victor Symphony Orchestra, the Victor
Talking Machine Company lias started ac-
tive work in its Camden, X. J., studio to
synchronize its first Firnatone production,
First Xational's motion picture, "Lilac
Time," starring Colleen Moore.
Another crew of Victor experts, headed
by Raymond and Charles Sooy, is gather-
ing special effects for the production, cap-
turing the sounds of airplane motors at a
Xew .Jersey aviation field, trapping the
rattle of machine guns at the Philadelphia
Navy Yard and picking up other noises
that will be laid into the mosaic of sound
which will fit perfectly into the presenta-
tion of "Lilac Time" when it is shown at
a Broadway legitimate theatre.
W. W. Clark, manager of the Music and
Record Division for Victor, is in charge of
the "Lilac Time" synchronization. Songs
and speaking effects w ill be included in the
production.
2 Vitaphone Road Shows
Started by Warners
Warner Bros, started camera work this
week on two of their Road Shows with
Vitaphone for 1928-29.
Al Jolson is under way in the first scenes
in "The Singing Fool" which is being
megaphoned by Lloyd Bacon from Leslie
S. Barrows' play. Betty Bronson who is
playing opposite the star is also working
in the preliminary sequences along with
Josephine Dunn, Davey Lee, Arthur Hous-
man and Reed Howes.
The second Vitaphone special now occu-
pying the attention of the studio is "The
Terror," the first production to be made
with sound replacing subtitles. This is
based on the play by Kdgar Wallace and
is being directed by Roy Del Ruth. May
McAvoy, Edward Everett Horton anil
Louise Fazenda head its cast supported by
Alec Francis, Mat hew Betz, Holmes Her-
bert, Otto Hoffman, .Joseph Cirard and
John Miljan.
THAT the American Federation of
Musicians is raising a war fund of
$10,000,000 to combat the inroads of
"machine music" in theatres and other
amusement places throughout the country
has been learned.
The Central Trades and Labor Unions of
St. Louis, Mo., at the request of Steve But-
ler, i*epresenting the local union of musi-
cians, has endorsed the movement and
pledged its moral support in the campaign
against machine or canned music.
The decision to raise the $10,000,000 war
fund was reached at the national conven-
tion of the American Federation of Musi-
cians held in Louisville, Ky., recently. It
is planned to levy an assessment of 2 per
cent on the weekly pay of all musicians
affiliated with the national body. There are
some 75,000 union musicians in the country
at present. The pay of members of theatre
orchestras range from $48 to $90 weekly.
On that basis the $10,000,000 fund will ac-
crue at the rate of more than $80,000 per
week.
The national officers of the Federation
of Musicians have been empowered to con-
tinue the assessment after the fund has
been accumulated in the event of strike-,
lockouts or other conditions requiring large
expenditures.
The initial assessment toward the $10,-
Many New
VITAPHONE, first of the sound de-
vices in connection with motion pic-
tures, is extending its operations
rapidly and is installing its sound repro-
duction equipment in theatres all over the
United States.
Since the installation of Vitaphone at
the Mark Strand Theatre in Xew York,
where "Tenderloin" is now playing, the
Stanley Theatre Circuit, which controls the
Strand, has started to install Vitaphone in
all of its theatres throughout the state of
Pennsylvania. The majority of the major
theatres belonging to this circuit in Phila-
delphia have already been equipped with
the apparatus.
Another important circuit that has re-
cently installed Vitaphone in its theatres
is Midwest. Kleven installations have now
been made by this chain, five of these be-
ing in the city of Milwaukee.
The E. J. Sparks Circuit, one of the pio-
neers to install Vitaphone, has recently
added that equipment in its theatres in
Ocala, Gainesville and Fort Myers. The
majority of the Sparks theatres in Florida
are now Vitaphone equipped.
The Durkee Circuit in that city at the
present time has twelve of its houses
equipped with Vitaphone. Last week the
000,000 fund will be levied the first week
in September. In addition to the 2 per
cent tax a number of local unions of musi-
cians, including the St. Louis local, now
assess members 1 per cent of their weekly
pay toward financing the fight on "ma-
chine music." A revenue of $35,000 a year
is derived by the St. Louis union for that
purpose. According to Butler the 1 per
cent charge will continue after the 2 per
cent national assessment goes into effect.
The International Alliance of Theatrical
Stage Employees and Motion Picture Ma-
chine Operators has been in session during
the week in Detroit and will conclude meet-
ings on Friday. It was indicated on the
third day of the sessions that no formal
action will be taken on sound pictures at
the convention. The introduction of sound
into pictures and the effort it will have on
employment have been discussed in secret
sessions, it is said, but there is no indica-
tion of what action may follow.
The Detroit sessions opened with 730
delegates in attendance. Harry Griffin,
secretary of Local 38 opened the meeting
and introduced various civic officials, in-
cluding Charles Ivougheed, president of the
Detroit Typographical Union, who substi-
tuted for the president of the Detroit Fed-
eration of Labor.
Installations
Rialto and Xew Theatres made installa-
tions. These brought a total of 400 thea-
tres throughout the country that have been
or are being equipped with the Vitaphone
apparatus. It is expected that the number
will reach 7o0 by September 1.
The call for installations has made it
necessary for Vitaphone t o open new
branches in different parts of the United
States. A Southern branch has just been
opened in the city of Atlanta. W. B. Ful-
ton has been installed as manager with
headquarters at 163 Walton street. Paul J.
Swift, general sales manager of Vitaphone
has been in Atlanta for several days su-
pervising the opening of the new branch.
Originally the business of the entire
country was handled from the Xew York
office, but as installations increased, the
need was found for a branch in the Mid-
west. This branch was located in Chicago
at 839 South Wabash, with H. I). James
in charge as manager.
The third branch was opened some
months apo in San Francisco, the offices
being located at 71 Leavenworth Street,
with E. T. Roberts manager. The Xew
York branch under the management of
Jack R. Keegan, is located at 321 West
44th Street.
Victor to Supply Full
Musical Programs
A COMPLETE musical proKram,
synchronized to the action and
recorded either on records or di-
rectly on the film itself, will in the
near future be a part of every im-
portant photoplay, it was predicted by
Edward E. Shumaker, President of the
Victor Talking Machine Company, as
he sailed for Europe on the Berengaria
Wednesday evening.
"The time is not far distant." Mr.
Shumaker said, "when the smallest
motion picture theatre in the country
will be able to show its pictures with
a specially designed musical program
comparable to the musical setting
given the same picture in the largest
metropolitan movie palace. The Victor
Company is recording complete syn-
chronized musical programs for big
feature pictures. We are not only
making the records, but are using our
experts to prepare the musical scores
and our leading conductors and their
orchestras to play them."
Vitaphone Expanding Rapidly;
1954-D
M o t i o n P i c t u r e
News
Short Subject Productions With
Sound Promise Big Season
WITH practically ail of the leading
companies engaged in making
short subjects, already licensed or
now negotiating for licenses for sound films
there promises to be a tremendous impetus
in the short subject field during the 1928-
29 season. Leading circuits are signing
for more and more short product and it is
thought that sound films in this field will
make the short product far more attrac-
tive than ever before.
With the advent of sound effects and
dialogue applied to the shorts it is likely
that prologues and presentations will be
materially cut down. And with the latter
prospect in view producers of the shorts
are determined to make their product bet-
ter than ever before.
Production in this field of sound subjects
is going forward at a rapid rate with acts
and short features of various varieties be-
ing turned out at a rapid rate. Vitaphone
plans to release sound pictures at the
rate of four a week next season. These
will be known as Vitaphone playlets and
Vitaphone presentations. They will run
one and two reels in length, with a large
number of them already completed.
Vitaphone Playlets include a number of
dramatic and comedy sketches in which
dialogue and music are used. Vitaphone
Presentations is the brand name for an
assortment of product in one reel length,
which includes operatic, song and jazz num-
bers.
JUST what the independent companies
will do with sound movies is even
more problematical than it is with the
larger companies. The independents seem
somewhat wary for the immediate future
of the "talkies" and the equipment that
will be available in the theatres for the
handling of their product. It is likely how-
ever, that most of them will at least have
synchronized music with some of their pro-
duct if not actual sound effects and dia-
logue.
Irving Berlin Song
for Vilma Banky
IRVING BERLIN has written a new
song, called "Marie" after the lead-
ing character of "The Awakening,"
which is to be used as the theme song
of Vilma Banky's first independent
starring picture for Samuel Goldwyn.
The song will be used extensively in
the Movietone accompaniment to the
picture, which is being produced as
the first use of sound and music re-
producing devices by a United Artists
unit.
Dr. Hugo Reisenfeld will be respon-
sible for the orchestration of Mr. Ber-
lin's new song for Miss Banky's picture
and for the other music used to em-
bellish "The Awakening."
Fox has not yet determined the number
of Movietone entertainments to be released
next season. There are sixteen of these in
one and two reels now ready and there will
be many additions to the list before the
opening of the new season. Movietone will
use Broadway stars in many of their sub-
pects, Joe Cook and Will Mahoney being
the latest to appear before the cameras.
The Hal Roach organization recently
signed a contract with Electrical Research
Products Corporation and is now install-
ing equipment at the studio for synchroni-
zation of sound with pictures. Production
work will get under way in the near future,
but it is not yet known how many pictures
will be made with sound for the next sea-
son.
Vocafilm on which David Hochreich, pre-
sident of the company declares distribution
will be through Educational, has a release
schedule of 52 units for next season. Each
one is to run about 25 minutes. A number
of song and jazz numbers have already
been completed, as have several sketches in
which are combined dialogue and music.
Han-a-Phone plans to produce 52 units
for the season. Voicephone Company is
the production unit ; and equipment is be-
ing designed for marketing especially in
small theatres. The equipment synchro-
nizes action and sound photographically.
The subjects, it is planned, will feature
name acts, with releases scheduled at the
rate of one a week.
Columbia Pictures is giving a lot of con-
sideration to sound pictures, but has not
yet come to a definite conclusion as to what
they will do with them for the present.
An executive of the company expressed the
belief that not enough theatres would be
equipped with sound reproduction devices
for the present to expend any considerable
amount of money in the production of these
pictures.
According to advices from the south, how-
ever, Cecil Mayberry, general sales manager
for Columbia is quoted as saying that the
company now has under consideration the
making of four synchronized specials for
use with Photophone.
Sam Sax, president of Gotham Produc-
tions announces that negotiations have been
completed for the making of a talking pic-
ture by that company. He says that work
will begin at an early date on "The Girl
From Argentine,' in which Carmel Myers
will have the title role.
According to Budd Rogers, vice-presi-
dent of the company, contracts have been
consummated with a big New York electri-
cal and radio concern, the immediate result
of which will be the sending of technical
representatives to the Gotham studio in
Hollywood for the purpose of setting up
the necessary machinery.
Jesse Goldburg, head of First Division
Pictures declares he will probably have two
talking movies for distribution during the
coming season. He is decidedly opposed
to dialogue in pictures but says he is will-
ing to go to the expense of making two
just to hold up the end of the indepen-
dents. It has not yet been decided what
productions will have sound accompani-
ment. Others of the independents still have
the matter under consideration.
Vitaphone Sequences for
"Noah's Ark" Next Week
Technicians at the Warner Studio are
completing preparatory work for the film-
ing of the Vitaphone sequences in "Noah's
Ark," which will be started next week
under the supervision of J. L. Warner,
head of the studio, and Darryl Francis
Zanuck, associate executive. This is a
special vehicle for Dolores Costello, and
Warner Bros, are planning many elaborate
effects for those portions of the story to
be Vitaphoned.
"Noah's Ark," which is now in its third
month of production, is being directed by
Michael Curtiz, with Miss Costello 's sup-
porting cast including George O'Brien,
Noah Beery, Louise Fazenda, Paul McAl-
lister, Anders Randolf, Myrna Loy and
others.
M-G-M Preparing to Make
First "Talkie"
Part of the studios of Metro-Goldwyn-
Mayer at Culver City are now being con-
verted for the making of talking pictures,
the first of which will be "Breakers
Ahead," a Fanny Hurst story. Lionel
Barrymore, recently signed to a long term
contract will be seen and heard in the lead-
ing role.
The new sound stage is being equipped
with sound proof interior sets, electrical
panels for recording instruments and a spe-
cial laboratory. J. S. Ward and Major
Thomas Levison, officials of the Western
Electric Company, will supervise installa-
tion of the recording apparatus.
Players Renew Contracts
with Paramount
Renewing contracts with Paramount are
Neil Hamilton and Mary Brian, players,
and Hans Drier, architectural expert. Olga
Baclonova, Russian actress, has signed
with Paramount as a featured performer.
Detroit Has "Long
Run" Sound Theatre
THE State Theatre in Detroit, a
Kunsky house, will be dedicated
to and will run long run sound
pictures almost exclusively. Musicians
numbering 25 will be continued in the
pit, but the stage bands and presenta-
tions will be eliminated. Vitaphone
and Movietone equipment is being in-
stalled.
The success of Vitaphone novelties
at the Capitol and of "The Jazz Singer"
and "Tenderloin" at the Madison are
said to have resulted in the switch to
sound pictures at the State. The
Capitol will continue sound shorts.
Another downtown Kunsky house
plans to install Western Electric
Equipment.
Independent Companies Consider
Talking Pictures
June 9
1 9 2 8
1955
N. Y. Studios Being Converted
for Production of "Talkies"
Big Broadway Stars May Not Be
Available for 4 'Talkies"
WITH tin- impression prevailing thai the biggesl of the Broadwaj
stars will l>r converted to screen stars and that there; is a general
senrrving of producers to sign them up. then' seem- to he a hit' h
in that direction. Il seems douhtful that Broadway's highest stage star-
are going to he available.
Legitimate producing manager- along Broadway have the leading -l.n-
signed to contracts for the run of the present phi) in which thej are en-
gaged, or over a considcrahle period of time. These producers arc not
inclined to let down the hars to the movies and the \etors Equity \--oci.i-
l ic m i- not inclined |o have them do so.
Frank Gillmore. executive secretary of Kquit) -a\- it i- often detri-
mental to the interests of the entire company in w bicb the -tar i- appearing
to have him work through the da\ at a motion picture studio. There have
heen cases, he -aid where a >tar. after winking in the studio ha- reported
at the theatre too tired to do his stage work with all the enthusiasm uec<
sary with the result that the attendance soon fell off at a rapid rate, tin-
show was closed prematurely and the entire compam thus was thrown out
of work. Under these circumstances it ma) be more difficult than general!)
supposed to corral sonic ol the -tar- or featured plavcrs of the legitimate
stage.
Wilson and Hackathorne in
"Sally's Shoulders"
Lois Wilson, who lias appeared in sev-
eral FBO pictures, and George Hacka-
thorne, who is returning to the FBO lots
after an absence of several years, have
heen engaged for leading roles in "Sally's
Shoulders," which will be directed bj Lynn
Shores. Huntley Gordon will also have a
featured part.
The story of "Sally's Shoulders,' by
Beatrice Burton, has been syndicated to
over ;")()() newspapers. Work on the picture
is scheduled to start in a week's time.
"Hungarian Rhapsody" is
Pommer's Second for Ufa
Erich Pommer is supervising "Hunga-
rian Rhapsody," his second production for
I'ta. Directed by Hans Schwartz it is just
going into work. Pommer's first produc-
tion under his new I'l'a contract has been
completed; it was directed by Joe May.
The story is an adaptation of the German
novel, "Karl und Anna."
Gotham Buys Song,
"Among My Souvenirs"
"Among My Souvenirs," the song by
Edgar Leslie and Horatio Nichols, has
been acquired Cor filming by Gotham Pro-
ductions. T he picture will be released on
the 192S-2!) program of 2fi productions, dis-
placing "The Night Express." The song
publishers will co-operate with Gotham in
cxploitat ion activities.
Tiffany - Stahl Gets Four
Peter B. Kyne Stories
Four stories by Peter B. Kyne have been
purchased by Tiffany -Stahl. Thev include
"At the Top of the Mast," "A Prophet
Without Honor," "The Man in Hobbles"
and "Maggie Mulrennin, Mudhen."
Fitz Roy Assistant to Stahl
in Studio Work
Roy Fitz Roy has been appointed assist-
ant to John M. Stahl, production head of
Tiffany-Stabl. He will aid Stahl on all
matters pertaining' to the physical handling
of production.
WHETHER or not the stimulus in
the production of sound and
talking pictures will have any
decided effect on production activities in
Hollywood, there will undoubtedly be con-
siderable in the production line going on
in the Eastern studios in the near future.
Acts are now being shot in New York regu-
larly with indications that future produc-
tions will be resumed at the local studios
before very long.
Many stars of New York productions
are said to be sought for talking pictures
for the next season and if they are to be
used they will have to do their work where
they can continue in current stage produc-
tions.
Benny Berk, formerly production man-
ager for Johnny Hines has taken over the
l'athe Studio at 134th Street and Bark
Avenue, and has moved in with a staff of
technicians. The studio is now known as
the Manhattan Studio. Johnny Hines and
C. C. Burr, who have announced their in-
tention of using the sound devices, may do
their production at this studio.
It is said that a number of independent
companies are planning production activi-
ties with the "talkies" in the New York
studios, with several of them casting an eye
on the Manhattan plant. It s not unlikely
that Vocafilm productions for Educational
release will be made here.
First National Pictures are reported as
considering plans to do some production
at the Cosmopolitan Studios located at
127th Street and Second Avenue. It is said
that the lower stage may be converted for
the making of sound films and that it may
be divided for First National and Metro-
Gold wyn-Mayer production.
Paramount has already started the work
of converting the company studios just
across the bridge on Long Island for sound
production, and Warners are fitting up the
old Vitagraph Studio in Brooklyn.
Talking Pictures
Advertising
Coming
Field
in
THE talking moving picture is to have
its place in the advertising field and
for educational purposes as well as
for use in the theatre. This is foreseen
in statements from P. L. Thomson, pub-
licity director for the Western Electric
Company, and William H. Bristol, presi-
dent of the Bristol Company, manufac-
turers of industrial recording instruments,
published ill Sales Management & Adver-
tisers Weekly.
"After contracts with motion picture
producing organizations have been filled,"
said Mr. Thomson, "the company will turn
its attention to the promotion and sale of
the Movietone for advertising."
The Dictaphone Corporation has already
had made a talking picture for advertising
media,
at the
last we<
phom
in;
Br
A private showing of it was held
Belmont Hotel in New York City
ik. The picture used was a Bristol-
ynchronization. Discussing the talk-
picture for advertising purposes, Mr.
tol is quoted as saying:
"The applications for these synchronised
pictures are not limited to theatres, but
may be used for industrial and educational
purposes. There exists a large field for
thi> type of motion pictures when syn-
chronized with the voice to tell the story
whic h will make the picture more interest-
ing and entertaining."
Mr. Bristol is a successful mechanical
engineer and ha- 1 n working on the idea
of a talking moving picture since 1915.
Hurope Preparing Own
Sound Devices
WHETHER or not the American
producers make sound film in
foreign languages, it is likely
that European countries will not be
long without the "talkies." At the
International film Exhibition at The
Hague two systems for synchroniza-
tion are being displayed.
One of these devices was invented
by Uenrich .1. Kucchentnister. who was
responsible for the German gramo-
phone. The other involves the soften-
ing of the edge of the film and the
application of an electrically operated
needle to make the sound records.
When the record is completed the film
is rehardened to the consistency of
guff a percha.
1956
Motion Picture News
% % "The Check-Up" % %
"The Check-Up" is a presentation in the briefest and most convenient form of reports received from ex-
hibitors in every part of the country on current features, which makes it possible for the exhibitor to see what the
picture has done for other theatre managers.
The first column following the name of the feature represents the number of managers that have reported
the picture as "Poor." The second column gives the number who consider it "Fair"; the third, the number who
consider it "Good" ; and the fourth column, those who consider it "Big."
The fifth column is a percentage figure giving the average rating on that feature, obtained by the following
method: A report of "Poor" is rated at 20%; one of "Fair," 40%; "Good," 70%; and "Big," 100%. The per-
centage ratings of all of these reports on one picture are then added together, and divided by the number of re-
ports, giving the average percentage — a figure which represents the consensus of opinion on that picture. In this
way exceptional cases, reports which might be misleading taken alone and such individual differences of opinion
are averaged up and eliminated.
No picture is included in the list which has not received at least ten reports.
o
5
Title of Picture j?
o
37
COLUMBIA PICTURES
Alias the Lone Wolf —
Blood Ship, The —
By Whose Hand —
College Hero, The 1
Sally in Our Alley —
Warning, The —
F B O
Arizona Nights —
Breed of Courage, The —
Chicago After Midnight —
Clancy's Kosher Wedding —
Coney Island —
Coward, The 2
Gingham Girl, The —
Great Mail Robbery, The.... —
Harvester, The —
Hook and Ladder No. 9 —
Jake the Plumber —
Judgment of the Hills —
Legionnaires in Paris 1
Moon of Israel —
Not for Publication —
Racing Romeo, The 1
Shanghaied —
South Sea Love 1
FIRST NATIONAL
American Beauty —
Breakfast at Sunrise 1
Burning Daylight —
Camille 1
Crystal Cup, The 3
Devil's Saddle —
Drop Kick, The 1
For the Love of Mike 1
French Dressing 1
Gorilla, The 1
Gun Gospel —
Hard-Boiled Haggerty 2
Heart of a Follies Girl —
Helen of Troy 3
Her Wild Oat —
Home Made 1
Ladies' Night in a Turkish
Bath
Life of Riley, The
Little Shepherd of Kingdom
Come
Lonesome Ladies
Love Mart, The
Mad Hour, The
Man Crazy 1
Naughty But Nice —
Noose, The —
No Place to Go 1
Patent Leather Kid, The —
Poor Nut, The —
Prince of Headwaiters, The.. 1
Red Raiders —
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6,249
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5,701
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6
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7,694
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6,118
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6,524
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2
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6,720
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5
81
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7,388
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6,625
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7,331
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6,431
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17
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11,412
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6,897
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6
19
61
6,400
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2
20
67
6,214
Ft.
o
o
Title of Picture SP
Rose of the Golden West —
Sailors' Wives — ■
Shepherd of the Hills, The. ... —
Smile, Brother, Smile —
Stolen Bride, The —
Texas Steer, A —
Three's a Crowd 2
Valley of the Giants —
Whip Woman, The 2
White Pants Willie 2
FOX
Arizona Wildcat, The —
Blackjack —
Circus Ace, The —
Colleen —
Come to My House 1
Dare Devil's Reward —
Dressed to Kill —
East Side, West Side —
Gateway of the Moon, The ... —
Gay Retreat, The —
Girl in Every Port, A —
High School Hero, The —
Joy Girl, The 1
Ladies Must Dress —
Loves of Carmen 2
Paid to Love —
Pajamas —
Publicity Madness 1
Seventh Heaven —
Sharpshooters —
Silk Legs 1
Silver Valley —
Singed 1
Slaves of Beauty 1
Soft Living —
Sunrise —
Tumbling River —
Two Girls Wanted —
Very Confidential —
What Price Glory —
Wizard, The —
Wolf Fangs —
METRO-GOLDWYN-MAYER
Across to Singapore —
Adam and Evil —
After Midnight —
Annie Laurie —
Baby Mine 5
Becky 1
Ben Hur —
Big City, The —
Big Parade, The —
Body and Soul 3
Bringing Up Father —
Bugle Call, The —
Buttons —
Crowd, The —
Divine Woman, The 1
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June 9, 19 28
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Title of Picture
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£
V
X
Enemy, The 1
Fair Co-Ed, The —
Foreign Devils —
Garden of Allah, The 2
In Old Kentucky —
Latest From Paris, The —
Laugh, Clown, Laugh —
Law of the Range, The —
London After .Midnight 2
Love —
Man, Woman and Sin 4
Mockery 3
Patsy, The —
Quality Street 1
Road to Romance, The —
Rose-Marie —
Smart Set, The —
Spoilers of the West —
Spring Fever 1
Student Prince. The —
Tea for Three —
Thirteenth Hour, The 1
Twelve Miles Out — ■
West Point —
Wickedness Preferred —
PARAMOUNT
Barbed Wire —
Beau Geste 3
Beau Sabreur 4
Chang —
City Gone Wild, The —
Doomsday —
Easy Come, Easy Go —
Feel My Pulse —
Figures Don't Lie —
Fireman, Save My Child 1
Gay Defender, The 1
Gentleman of Paris —
Gentlemen Prefer Blondes.... 1
Get Your Man —
Honevmoon Hate 1
Hula —
Jesse James 2
Last Command. The —
Last Outlaw, The —
Last Waltz. The 1
Legion of the Condemned, The. —
Love and Learn —
Madame Pompadour 1
Man Power —
Metropolis 4
Nevada —
Night of Mystery, A —
Now We're in the Air —
Old Ironsides 1
Open Range —
Partners in Crime —
Pioneer Scout, The —
Red Hair —
Rolled Stockings 1
Rough Riders, The 5
Running Wild 2
Serenade —
Service for Ladies 1
Shanghai Round 1
She's a Sheik —
Showdown. The 1
Soft Cushions 1
Something Always Happens... —
Speedy —
Sporting Goods —
Spotlight. The 2
Stark Love 2
Swim, Girl. Swim —
Tell It to Sweeney 1
Ten Modern Commandments.. —
Three Sinners —
Ti 1 lie's Punctured Romance... 2
Time to Love 2
Two Flaming Youths —
Under the Tonto Rim —
Underworld .. .'. —
Way of All Flesh, The —
Wife Savers 1
Woman On Trial. The —
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I
Title of Picture
u
X
PATHE-DEMILLE
Chicago —
Country Doctor, The —
Dress Parade —
Fighting Eagle —
Forbidden Woman, The —
Girl in the Pullman —
Harp in Hock, .A —
Leopard Lady, The 1
Let 'Er Go, Gallcghcr —
Main Event, The —
Night Flyer, The —
Rejuvenation of Aunt Mary.. —
Skyscraper, The —
Stand and Deliver —
Wise Wife, The —
Wreck of the Hesperus, The.. —
STATE RIGHTS
Cruise of the Hellion, The.... —
Satin Woman, The 1
TIFFANY-STAHL
Lightning —
Streets of Shanghai —
Wild Geese —
UNITED ARTISTS
Circus, The —
College —
Devil Dancer, The —
Dove, The —
Garden of Eden, The —
Gaucho, The —
Magic Flame. The —
My Best Girl —
Ramona —
Sadie Thompson —
Sorrell and Son —
Topsy and Eva —
Two Arabian Knights —
UNIVERSAL
Alias the Deacon 1
Rack to God's Country 1
Cat and the Canary, The —
Cheating Cheaters —
Chinese Parrot. The 1
Cohens and the Kellys in Paris —
Finders Keepers —
Four Flusher, The —
Hero for a Night, A —
Hero on Horseback, A —
Irresistible Lover, The —
Les Miserables —
Man's Past, A 1
On Your Toes —
Out All Night 1
Painted Ponies
Painting the Town
Shield of Honor, The
Silk Stockings
Surrender
That's My Daddy
Thirteenth Juror, The
We Americans
WARNER BROS.
Bewars of Married Men
Rush Leaguer, The
College Widow, The
Desired Woman. The
Dog of the Regiment, A
Fortune Hunter, The
(iirl From Chicago, The
Good-Time Charley
Ham and Kggs at the Front...
Heart of Maryland
Jazz Singer, The
Missing Link. The
Old San Francisco
One-Round Hogan
Sailor Izzy Murphy
Silver Slave, The
Slightly Used
Tenderloin
i When a Man Loves
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13
62
6.124 Ft
6
16
62
6.412 Ft.
1
7
82
7.782 Ft.
1
38
6
73
10.081 Ft.
1958
Motion Picture N ezv s
Buck Jones Corporation
Selling Territories
DURING the three weeks since
the incorporation of Buck Jones
Corporation the sales depart-
ment has sold to six different compan-
ies in various parts of the country.
W. G. Underwood, president of Liberty
Specialty Distributing Corporation of
Dallas, Texas, has closed a deal for
Texas, Arkansas, Oklahoma, Louisiana,
Mississippi, Georgia, Alabama, North
Carolina, South Carolina, Tennessee
and Florida. Richard C. Fox of the
Richard C. Fox Film Exchange of Buf-
falo, N. Y., will distribute the Jones
product in upper New York State.
David Sohmer of the Biltmore Pic-
tures Corporation, New York City, has
purchased the rights for New York
City the five boroughs and Northern
New Jersey.
R. C. Rhoder of the Midwest Film
Distributors, Inc., of Kansas City, has
closed for Kansas and Western Mis-
souri. Harry Lande, of Pittsburgh, has
the distribution rights for Western
Pennsylvania and West Virginia. Stern
Bros., of Omaha, have bought the dis-
tribution rights for Iowa and Nebraska.
Tiffany-Stahl Signs Talent
for New Productions
Tiffany-Stahl recently annexed the sig-
natures of Elmer Clifton, Dorothy Nourse
and Virginia Valli for work in the new
productions for the 1928-29 schedule.
Clifton will direct "The Devil's Apple
Tree," one of the star series to be made by
Dorothy Sebastian. Miss Nourse, a gradu-
ate of the Paramount school for players,
will be seen in the leading role of the new
color classic, "No Woman Allowed."
Miss Valli, signed to appear in two Tif-
fany-Stahl vehicles, will, it is said, appear
in one of the John M. Stahl and one of
the Reginald Barker specials, the titles of
which have not been announced.
First National Writers
Preparing 9 Stories
The First National staff of adaptors and
scenarists are now engaged with nine stor-
ies for production at the studio at Bur-
bank.
Gerald Dully is doing the continuity for
"Out of tlic Ruins," Lajos Biro is writing
both scenario and continuity for a new
Billie Dove vehicle, Agnes Christine John-
son is writing (lie adaptation and contin-
uity for "Outcast," Tom Geraghty is writ-
ing the adaptation and continuity for "Ap-
plesauce" and "Waterfront," James T.
O'Donohue has finished the adaptation of
"Show Girl," and is now working on the
scenario, Forrest Halsey is at work on the
adaptation of "La Tosea," and Gerald
Duffy has been assigned to write the con-
tinuity for "Mutiny."
3 Features, 4 Shorts Due
from FBO in July
The FBO releasing schedule for July
consists of three features and four short
subjects. "The Fighting Redhead," "The
Trail of Courage' and "Sally of the Scan-
dals" are the features ami "Mickey's
Triumph," "Standing Pat' and two of
Bill Nolan's "Newslaffs* are the short
subjects.
"The Fighting Redhead," starring Buzz
Barton, will be issued on the first of the
month. On July 8 will follow "The Trail
of Courage," starring Bob Steele." Con-
cluding the Julv features and arriving on
the loth will be "Sally of the Scandals,"
which has Bessie Love as the lead. The
Mickey McGuire comedy will be released
on July 2, "Standing Pat," a Standard
Fat Men comedy, on July 9. The "News-
laffs" will be distributed on July 9 and
23 respectively.
"Glorifying the American
Girl" Postponed
Production on "Glorifying the American
dirl," which Paramount planned to screen
in cooperation with Florenz Ziegfeld, will
not be launched this season, an announce-
ment from the production department of
Paramount reads. The cause for the post-
ponement is said to be due to the difficulty
in obtaining a story adequate enough for
the elaborate production planned.
Ruth Elder, who has signed for the lead-
ing role in "Glorifying the American
Girl," will become the heroine of "Moran
of the Marines" instead.
Norma Talmadge Ends
"The Woman Disputed"
Camera work on "The Woman Dis-
puted," her second independent produc-
tion for United Artists, lias been com-
pleted by Norma Talmadge. The picture
will be distributed internationally in the
early fall of this year. Oliver .Marsh did
the photographic work. Henry King, who
directed, and Hal C. Kern, film actor, are
now cutting the film down to eight reels.
Audrey Ferris Elevated to
Stardom by Warners
Stardom has been awarded by Warner
Bros, to Audrey Ferris after a year as a
member of their stock company. The
brunette player came to Warner Bros, in
1927 after appearing in prologues at Grau-
man's Million Dollar theatre in Los An-
geles. A small role in "Slightly Used,"
with May McAvoy, gained for her the
feminine lead in "Ginsberg the Great,"
Theatre Owner Makes
Loan from State
PETER MAGARO, pioneer motion
picture theatre owner of Harris-
burg, Pa., is the first individual
ever to obtain a loan from the State
of Pennsylvania. The amount is the
modest sum of $400,000 which State
Treasurer Samuel S. Lewis announced
on May 29 had been advanced to Mr.
Magaro for a first lien on the valuable
property the former theatre man owns
in the heart of the Harrisburg busi-
ness distict at Fourth and Market
streets. The loan is at 5 per cent and
is the first to be made under a law
which permits the State to invest cus-
todial funds in first mortgages on real
estate and other types of bonds. Mr.
Magaro several years ago sold his
Regent theatre to Loew's, Inc. There
are unconfirmed rumors that he plans
to erect a new theatre at his Fourth
and Market site, but he declines to
state the purpose for which he bor-
rowed the money.
Miss Ferris is now scheduled for the
stellar leads in four for next year. The
first is "Women They Talk About," to be
followed by "No Questions Asked."
Other stories in which she will appear are
"The Little Wildcat" and "Fancy Bag-
gage."
6 Shorts from Pathe on
Week of June 17
Six short subjects — Pathe Review No.
25, "Hide 'er Cowboy," an Aesop cartoon;
"The Race for Life,'" chapter :{ of "The
Yellow Cameo;" Topics of the Day No.
25 and Issues 52 and 53 of the Pathe News
are Pathe releases for the week of June 17.
Pathe Review presents : ' ' The Surf at
Shikoku;" "Sahara the Mystic;" camera
interviews with Graham McNamee, Major
White and Nils Grunland.
Mary Brian Is Feminine
Lead in Rogers' Film
Mary Brian will play her 26th leading
role in motion pictures opposite Charles
Rogers as the feminine lead in his new
Paramount picture as yet without a title.
Advocates of Daylight
Saving Defeat Theatres
THEATRE interests finally lost a
bitter fight against the daylight
saving time in Indianapolis when
the city council passed the measure
over the veto of Mayor L. Ert Slack.
Slack's veto partially resulted from
the bitter protest of Charles R. Metz-
ger of the Associated Theatre Owners
of Indiana. Passage of the ordinance
creating daylight time over the pro-
test of theater owners and other
prominent institutions was a surprise
to Indianapolis residents.
Downtown theaters continued to
operate on the central time schedule
temporarily. Majority of institutions
moved clocks forward Monday. Metzger
said theaters will decide the issue in-
dividually.
Pantages in Deal for
4 New Theatres
ALEXANDER PANTAGES, found-
er of the Pantages Circuit and
owner of 70 theatres, announced
in San Francisco he is closing deals
for four new show houses one to be
in San Francisco. "It is to be located
somewhere in the Mission," said Mr.
Pantages. "I cannot at this time give
the location for obvious business rea-
sons, but the deal is closed."
The other three new theatres he is
planning are to be located in Oak-
land, Sacramento, and San Jose, where
he already has options on sites.
The total investment for the four
theatres, Pantages said, will be be-
tween $7,000,000 and $10,000,000. Each
theatre itself will mean an invest-
ment of a million and a half and the
buildings will be constructed for of-
fice purposes also.
June 9
19 28
HOLLYWO OD
Lillian Gale Wm.Me CormaeK Rdy Murray
Staff Correspondent Wes<ernR«>preser>tativ# Special Representative
Hollywood Offiee — 6-581 Holl/wood BlVd — Pbooe C3ramte5962T
Welsh General Manager
of Universal City
Becomes New Studio Chief at West Coast Succeeding
Henry E. Henigson, Resigned
CAEL LAEMMLE this week an-
nounced the appointment of Robert
E. Welsh as General Manager of
Universal City, succeeding Henry E. Henig-
son, resigned* Mr. Welsh enters upon his
new duties immediately. As the new Uni-
versal studio chief he will control all of
the company's production activities.
Mr. Henigson retires after two and a
half years as the "U" City General Man-
ager. Mr. Laemmle accepted his resigna-
tion with regret.
The appointment of Mr. Welsh is a logi-
cal one. For the last six months he has
been Carl Laemmle 's personal representa-
tive at the Coast and has thoroughly fa-
miliarized himself with the personnel and
the machinery of the net work of inter-
communicating interests which comprise
Universalis West Coast studios.
It would be a difficult thing to find in
the whole industry a man with a better all
around knowledge of the picture business
than "Bob" Welsh. He has been an in-
tegral part of it from the trade paper
stand, where he was Managing Editor of
Motion Picture News and played an im-
portant part in the building of the paper;
from the distribution standpoint; in the
advertising, publicity and exploitation
tields, and has had a very useful experi-
Robert /.'. IT'elsh, newly appointed General
Manager to the I'nicersnl Studios
ence in cutting, titling and remoulding pic-
tures.
Added to this picture experience is a
thorough grounding in the daily newspaper
field and an interesting experience covering
twelve years in New -Jersey politics.
The Greater Movie Season
West Coast Greater Movie Season will
be ushered in on Angus! IS. Plans now be-
ing made indicate the greatest and most
wide-spread campaigns ever held on the
Pacific Coast.
Jeff Lazarus, advertising and publicity
director of West Coast Theatres, has been
appointed by Harold B. Franklin, presi-
dent chairman of t lit* committee in charge
of mapping out the comprehensive plan tor
Greater Movie Season that will be used
throughout the circuit.
The new product will be ready by that
time and it is said to be one of the most
outstanding lineups ever offered exhibitors.
President Franklin, accompanied by J. .1.
Sullivan, West Coast Chief buyer, is now
in Xew York to line up next year's product
and particular care will be taken in the
bookings for the first four weeks of Greater
Movie Season.
Settle Suit Out of Court
The suit of Ralph Spence, dean of tilm-
dom's comedy title writers, against the
Christie Film Corp., has been amicably
settled out of court. Spence maintained he
received but .$'2,000 on a contract guaran-
teeing him $5,000 for writing titles for
"Tillie's Punctured Romance." Spence is
now permanently affiliated with Metro-
Gold wyn-Mayer.
At Miss Damita's Dinner
At the first dinner under the auspices
of the Hollywood Association of Foreign
Correspondents, held at the Hotel Roose-
velt on May 29, in honor of Lily Damita,
about 200 people assembled to welcome the
French actress who recently joined the Sam
Goldwyn forces.
Mr. Goldwyn, in extending a welcome to
foreign writers, foreign composers, direc-
tors and stars, referred to Charles Chaplin
and Mary Pickford as two foreigners who
had made good. He also scored the French
newspapers for bringing about the restric-
tive laws against American made films and
said it was undoubtedly instigated by lack
of cordiality on the part of Hollywood to-
ward French artists.
Other speakers were Sid Grauman,
Charles Chaplin and Miss Rita Kissin, sec-
retary of the association. Forty-two coun-
tries were represented at the dinner and
10 languages were spoken by guests at the
table.
Kcrmit Maynard Signed
Keriuit Maynard, well known western
cow-boy, stunt and trick rider, has been
signed for five years by the International
Producing and Distributing Company, and
will be featured in a series of western fea-
tures.
Maynard Westerns will be distributed to
the Independent Exchanges, and his fea-
tures will be produced from magazine
stories by well-known authors, the first of
which will be "Fires of Fate," by W. C.
Tuttle. This will go into production about
June 1") under the supervision of Clifford
S. Klfelt. who produced the first western
features in which Ken Maynard, Kcrmit 's
brother, was starred.
"Chuck" Rcisner Engaged
The M-G-M comedy team composed of
Karl Dane and George K. Arthur will have
the benefit of direction from Charles F.
("Chuck'*) Reisner in their new picture,
"Brotherly Love." It is a little known
fact that Reisner, while a vaudevillian,
wrote the wartime song, "Good-bye Broad-
way. Hello France."
(Continued on Pollowng Page)
"Lonesome" Pre-views
Create Fine Impression
C ARL LAEMMLE, JR. ,is assuredly
following in the footsteps of his
illustrious father as a pioneer.
The heir to the Universal interests,
who recently passed his twentieth
milestone, has produced a picture
called "Lonesome" which indicates
that young Carl is destined, as was
his father, to be a trail breaker.
Directed by Paul Fejos, "Lonesome"
introduces a new type of menace — one
that is nut play (I bj an individual, hut
is depicted by circumstance, viz., the
separation of the two romantically in-
clined youngsters who. alter falling in
love, are separated by circumstance,
and temporarily lost to each other.
The photographic effects, for which
Gilbert Warrenton deserves much cre-
dit, are also in the picture's favor.
1960
Motion Picture News
Holly wo od-c°ntinued
Two Weddings Announced
Two popular members of the film colony
are to be married in June. The announce-
ment of the engagement of Phil Gersdorf,
of the publicity staff of DeMille studios,
to Miss Beulah Metcalf was recently made.
They will be married in Fresno. Joseph
Schenck's efficient secretary, Miss Ruth
Nolander is also to be married in June to
David Busch.
"U" Seeking Rights to Play
Negotiations by cable have been started
by Edward J. Montague, editor-in-chief of
Universal 's Scenario Department, for the
film rights to "Owl's Eyes," a baffling
mystery play that proved such an extra-
ordinary success in Bordeaux, France,
where it was first produced, that it was
immediately transferred to Paris and is
now enjoying a run there.
A Busy Character Actor
William Courtright, who will have an
important, role in "Kit Carson," Fred
Thomson's next production for Paramount,
has been in every Thomson picture made
during the past three years and Coui-tright
was a mere youth of 62 when he applied
for his first job in motion pictures — and
got it. Courtright had been on the stage
for 42 years as a Shakespearian actor, cir-
cus performer, comic opera singer, bur-
lesque favorite and vaudevillian. Motion
Pictures were just coming into serious con-
sideration and while Mr. Courtright was
in Los Angeles on a vaudeville tour, he met
D. W. Griffith, who was then directing for
Biograph. Courtright has been in motion
pictures ever since.
Biro Completes Work
Lajos Biro has completed the adaptation
and continuity of "The Squall," for First
National and the direction has been as-
signed to the Hungarian director, Alexan-
der Korda.
Beaumont's Assignment
Harry Beaumont is to direct "The Single
Man," the next Lew Cody-Aileen Pringle
comedy-drama for Metro-Gold wyn-Mayer.
Mr. Beaumont recently completed ' ' Our
Dancing Mothers."
Barbara Kent Loaned
Universal has agreed to loan Barbara
Kent to the British Canadian Pictures,
Ltd., a motion picture company operating
in Canada. The ranch of the Prince of
Wales near Calgary, Alberta, Canada, will
be partially used in making this picture.
The Prince is reported as interested in the
project and offered the use of his ranch
which, incidentally, is only a short distance
from the home of Miss Kent, at Gadsby
Berger to Direct Jannings
Ludwig Berger, the German director now
under contract to Paramount, has been an-
nounced as the man who will handle "Sins
of the Fathers," Emil Jannings' next ve-
hicle. Berger has just finished directing
another player of his own nationality, Pola
Negri in ' ' The Woman from Moscow. ' '
"Fazil" at Carthay Circle
The run of "Street Angel" terminated
this week at the Carthay Circle theatre.
On Friday "Fazil," another Fox Produc-
tion, will be presented by Fred Miller.
Grauman's Chinese theatre will also end
the run of "The Trail of '98" on Sunday,
June 24, and "The Godless Girl" without
a prologue will occupy the screen.
Ethel Jackson a Hostess
Miss Ethel Jackson, screen actress who
appeared in "Drums of Love," entertained
75 guests at Tom Gubbin's unique Chinese
restaurant in Chinatown last Wednesday
night. Among the guests who assembled
above Gubbin's art shop were Estelle Tay-
lor, Jack Dempsey, Mr. and Mrs. Herbert
Jackson, parents of the star, Agnes Cris-
tine Johnson, Martha Sleeper, Sally Eilers,
Matty Kemp, Arthur Lake, E. R. Moak,
Jerry Mayer, Wade Warner, Monroe Lath-
rop, James Mitchell, Arthur Dunning, Dan
Thomas, Ruth and Alice Tillesley, Dorothy
Donnell, Mark Larkin, Marquis Busby and
Mr. and Mrs. George Shaffer. Everyone
was presented with unique souvenirs of the
occasion.
Again With Warners
Jane McDonough has returned to the De-
Mille publicity staff, after several weeks at
Warner Bros., on Hal Wallis' roster.
Starts a Saddle Club
Frances Starr, wife of Business Man-
ager Darrill Faralla, at First National, has
organized the Saddle Club, Englewood, and
many of filmdom's elite are learning the
gentle art of riding horseback.
Von Stroheim Back
Eric von Stroheim. is back from New
York, all set to direct Gloria Swanson in
one picture on a ten-weeks schedule.
Jesse Weil Producer
Jesse Weil, publicist, has turned pro-
ducer and is making a series of one reelers
called "Embarrassing Moments."
Establish Story Agency
in N. Y. and Hollywood
A LITERARY agency to be known
as Anglo-American Authors, with
offices in New York and Holly-
wood has been established with the
amalgamation of the interests of
Brandt and Brandt, James B. Pinker
and Son, and Ann Watkins, Inc. The
combine was made, it is said, to estab-
lish the story market in Hollywood.
Mary Ann Scully will represent the
new organization in Hollywood and
have complete charge of the selling of
the agency's product on the west coast.
Murray Howell of Pinker and Son,
Leila Worthington of Brandt and
Brandt and Ann Watkins will operate
the eastern office.
Hersholt and Sloman
When Jean Hersholt and Director Ed-
ward Sloman finish the screen version of
"The Girl on the Barge," Rupert Hughes'
story, they will immediately embark upon
another picture for Universal, "The Brag-
gart," an original story by Benjamin Kut-
ler. The continuity is now being written
by Charles Kenyon. Hersholt and Sloman
are now on location at Whitehall, New
York.
Charlie Murray's Next
The First National studio is planning
"Do Your Duty," an original story by
Julien Josephson, as Charlie Murray's next
starring vehicle. The veteran comic will
be seen as a cop in this one. His vacation
in the east completed, Murray is now back
on his way to fhe coast.
A New Curwood Western
The first of the "stunt cowboy" series
of 12 pictures which will star Bob Cur-
wood has been placed into production by
the Universal studio forces, under the title
of "Jackson Comes Home." Walter Fabi-
an is directing the series under the super-
vision of William Lord Wright. The credit
for both story and continuity goes to Fabi-
an. Supporting the cowboy star are Alma
Rayford, George Cheseboro, Walter Bren-
non and others.
Evelyn Brent Returns
After a vacation spent in New York,
Evelyn Brent is back in Hollywood where
she is scheduled to begin work soon on a
Paramount production in which she will
be co-starred with Clive Brook.
M-G-M Signs Miss Dunn
Josephine Dunn, an ex-New York City
show girl who has made good in pictures,
has been signed to a long-term contract
with M-G-M as a result of her work in the
William Haines vehicle, "Excess Bag-
gage, ' ' in which she is the feminine lead.
The contract award followed the filming of
the first few scenes. Miss Dunn will play
the second feminine lead in "The Singing
Fool," having been loaned by M-G-M to
the Warner Bros.
Sign Screen Writer
First National Pictures have signed Tom
J. Geraghty, well-know7n screen writer, who
pioturized ' "Harold Teen," "The Big
Noise" and "The Mad Hour" among
other of his recent works.
Wallace Lupino
The featured comedy role in the first of
the Educational-Tuxedo comedies to go
into work at the Educational Studios is
being played by Wally Lupino, the talented
brother of Lupino Lane. Betty Boyd has
been chosen for the chief feminine part,
and Jules White is directing.
Instead of starring one comedian
throughout the series as the Educational
studio did last year, nearly every one of
the six two-reel Tuxedo comedies will fea-
ture a different comedian.
June 9
19 28
1961
Conducted by
AnEMbilorJbrE-tbibitors
MANAGERS ROUND TABLE CLUB
The (Clearing House for JJrJ
Box Office Problems ^Theatre Operation
By Charles E. Lewis
Managing Director, Capitol Jheatre.Middletown, Conn., and Palace lheatre,Norrrieh,Copn.
In the smaller
A Few Words on towns where tl"' one
~ , . , or two newspapers
Personal Appeal n.a(,h ,jTi,;ilrM
majority of the
population, and is considered the most im-
portant publicity medium, there is one
method of "personal appeal" that has been
used with great success in several in-
stances. We used it with fine results.
Of course, we concede one thing right
now; that in some towns that we have
visited we learned that the personal recom-
ineudation from the local theatre manage!
is sufficient to keep most of the folks
away. But that is just one of the unfor-
tunate conditions in our business today.
On "The Noose" we are reproducing an
ad., which we inserted in our local paper
on the day before the picture opened. What
we consider the best part of this ad., is the
fact that it really represented our feelings
exactly as we wrote the copy. Over 1,100
letters were received within the week fol-
lowing the showing of the picture which
we considered remarkable in a town of our
size. But it brought out the fact, beyond
the shadow of a doubt, that most of the
people DO read the local paper, that they
did believe what we said. And it also
boosted our mailing list considerably.
Now, it is admitted that this idea cannot
be used for every ordinary picture. First
of all remember, it must be all you claim
for it — and even more, and it must be a
picture that is really worthy of such ad-
vertising methods.
Creating a tie-up
"Stunting" With- a local depart-
ment store, without
out Picture Title neCessarily tieing it
up with some par-
ticular picture is just another way of keep-
ing your theatre's name before the public.
In one of our towns we arranged a table-
dressing stunt in the local department store
by girls in the senior class of the high
school. We gave it plenty of publicity, and
the store furnished everything else includ-
ing a window display calling attention to
the "stunt." It attracted wide interest all
over the town and it was impossible to
accommodate the crowds who came to wit-
ness it. But throughout the entire stunt,
the public knew that it was sponsored by
the department store and the theatre. This
same thought is applicable on numerous
other ideas and merely confirms, what
many never believed possible, that a thea-
tre could tie up with some local store with-
out bringing a particular picture into the
proposition.
Good Publicity on
Boys' Exhibit
The same might
be said about the
National Boys '
Week Campaign
which took place the
first week in May, We were fortunate in
having a large lobby and at the meeting of
the Boys' Work committee of the Cham-
ber of Commerce we sponsored the idea of
an exhibit of boys' work. They got behind
the idea solidly and the local grammar and
high schools, the county Y. M. C. A., the
city Y. M. C. A., the Junior Achievement,
Boy Scouts and State Trade school all en-
tered the exhibit. A portion of the lobby
was roped off and divided among all those
participating with exhibits and we repro-
duced the top of the front page announce-
inient that appeared in the local paper.
Thousands of people visited the exhibits
and it is only reasonable to judge that the
theatre benefited by the public coining into
the lobby, where they saw, in addition to
the exhibits, special display frames an-
They told me I was
HARDBOILED
because my business makes it necessary
that T see a lot of pictures.- But a few weeks
ago I went into the projection room of a film
exchange to review "another" picture.
There in a cold, uninviting room, without
music and lacking all the atmosphere that
one finds in the average theatre. I sat
through a picture so dramatic, so powerful,
so emotional, that
/ CRIED
Yes, and I'm not ashamed to admit it. For
if ever there was a story flashed upon the
silver shVet to compare with this one then
I mis<cd it. and I'm thankful that T did not
miss this one. And that is exactly "what
YOU are pfbing to say when you see it.
I want every person in Middletown and
the entire Middlesex County to see this
picture, and after you do, please sit down
and write me a few lines telling me what
you think of it. To show mv appreciation
I will send a pair of passes to the first
twenty-five people who do this, because I
am <w\ious to get YOUR reaction to this
mirvelous picture.
CHARLES E. LEWIS,
Managing Director
Richard BARTHELMESS
THE NOOSE'
— wllfe—
ALICE JOYCE and LIN A BASQUETTE
at the
CAPITOL THEATRE
THURSDAY — FRIDAY and SATURDAY
WITH VAUDEVILLE
Mr. I.i'ivis mi on "The \ttose," from uhich
over l.KKI tellers icere revett ed
Douncing the coming attractions. Our ush-
ers and other attendants, who were on duty
in the lobby, reported any number of re-
marks passed about the folks seeing these
signs and mentioning that they would cer-
tainly not miss " such-an-such " a picture.
These incidents are just part of those
"natural resources" that we mentioned in
our first article. The small town today is
crammed full of such possibilities if we
would but take advantage of them.
Theatrical enter-
Organist, Weekly lament is not un-
~, _, like styles in wear-
Chanpe Feature ing apparel in that
changes are con-
stantly taking place. For the past season
or two it has become very popular to play
up your organ and organist with illustrated
song stories. With a little plugging and
any half-way decent organist you can
popularize this form of entertainment in
your own town. The slides themselves are
obtainable from practically any music pub-
lisher at little and most times, at no cost
at all. Feature your organist with a
weekly change and put him or her under a
"spot" while the slides are being flashed.
It is so easy to create a following in the
smaller towns on this stunt that with al-
most every theatre boasting of some sort
of an organ, you should make it mean more
than a relief instrument in your music pit.
There is one sub-
On the Advisabilitv ' - ' thai we l ive
, ~ . . . been questioned on
of Specialty Niphts mow lh;m ;my
in the past few
weeks. That is the advisability of what is
generally known as "specialty nights."
These "nights" being devised to improve
business on dull evenings. They come un-
der the heading of dozens of different
names among which you will find Surprise
Nite, Opportunity Kite, Amateur Nite.
Gift Xite, etc., etc.
Now, our frank opinion on this subject
is that it must be treated like a patient by
a doctor. Kach case calling for some par-
ticular treatment.
In some towns, and in some theatres, it
is almost suicide to attempt such things, as
the high standard of that theatre might not
permit such things Then again most any-
one of the above named specialty niu'ht-
could be put on with enough surrounding
dignity to let it lit in the finest theatre in
the country.
We had a theatre with a Wednesday
night business that would make you want
[Continued on Following Patic)
1962
Motion Picture News
to cry. It was brutal. Just one of those
things, as you would say. We Anally
pocketed our "pride" if you want to call
it that, and inaugurated a "Gift Nite"
with a double feature policy.
At the start of this "Gift Night" busi-
ness only improved about $25. They seemed
to be skeptical, but within three weeks we
had built up business on a "rotten" night
from about $100 to almosl $400, and it has
been hanging around that figure ever since.
We inject enough variety in the running
of this feature to keep them interested
and it certainly was profitable.
In another town
Surprise Night vs we developed cppo-
Opportunity sition and as a busi-
ISight ness booster they
put in an Opportu-
nity Night. We countered with a Surprise
Nite. But the thing that worried us most
was how to put it on without hurting the
reputation of the theatre. This was one
of those towns where they used to frown
at such things. We tried several different
methods and finally announced the Surprise
acts in between the regular acts on the bill.
We left it that way for about four weeks
and then we were glad to drop it entirely.
So you can see the good and the bad.
These ideas are all fine if they fit into the
scheme of things in your town and theatre.
But if you think such an idea would get
you business on an off night, then put it
on the proper way and get behind it with
a real publicity campaign otherwise it will
die before it comes to life.
The most interest-
Learned — Go Slow ing part of our life
— from A. H. is the things we
Schivartz learn and the peo-
ple we meet while
in it. "We" put in almost five years with
one of the cleverest showmen around New
York City. He was a man who had ideas
radically different from those whom you
generally meet. Considering the number of
"big" men I have had contact with during
the many years I have been in this busi-
ness, I take my hat off to A. H. Schwartz.
Some of the things I learned from him
stood me in good stead ever since I first
knew him. And I am glad of the opportu-
nity which I now have of expressing myself
through this great medium of the MOTION
PICTURE NEWS.
One of the first things we learned from
him was — Go slow, take it easy, and don't
rush. Now, there are three great expres-
sions that should head the list of advice
for every real theatre manager. So much
is done foolishly in haste that we often
say to ourselves how different we would do
if we could but do it over again. Our can-
did advice to all our readers is to apply
that rule in everything you do. If, in your
rash moments, you want to plunge headlong
into something that might involve a lot of
money — or some "stunt" that should
really be carefully thought out with a view
of not treading on someone's toes, or in
fact, anvthing that you want to do right,
then— GO SLOW, TAKE IT EASY AND
DON'T RUSH. It was a great lesson, Mr.
Schwartz, and I acknowledge it here and
now.
We believe we have touched upon enough
subjects for one week and we are going to
close until next week.
MANAGER'S
ROUND TABLE CLUB
Soon the list of Charter Members will be pub-
lished and it will represent practically every REAL
manager from points all over the country.
WILL YOUR NAME BE THERE?
Every state should be represented and then we
will know what part of the country boasts of the
greatest number of live -wire managers.
REMEMBER, MOTION PICTURE NEWS IS
THE CLEARING HOUSE FOR ALL:
BOX OFFICE PROBLEMS
INTERCHANGING OF IDEAS
ADVERTISING HELPS
EXPLOITATION STUNTS
AND GENERAL GET-TOGETHER
The slogan of the club is "USE THE NEWS"
and every week we offer another angle explaining
this slogan. If you can suggest a way to USE THE
NEWS, send it on and we will publish it.
THE APPLICATION BLANK IS BELOW,
FILL IT OUT RIGHT NOW AND SEND IT TO
ME CARE OF MOTION PICTURE NEWS,
729 Seventh Ave., New York City.
Charles E. Lewis
Chairman.
APPLICATION FOR MEMBERSHIP IN
"MANAGER'S ROUND TABLE CLUB"
I hereby apply for membership in the club and promise
to send in, for publication, a complete description of every
successful advertising campaign or exploitation that I put
across.
Name
Address Policy
Theatre Capacity
City State
Honorary Chairman Chairman
Wm. A. Johnston Charles E. Lewis
June 9, 19 28
V)(,3
ibitors Service Bureau
Music Week Celebrated
Clubs, Schools and Musicians Help Make Exhibitors*
Efforts Highly Successful
"Ml
ISIC WEEK" was celebrated
at the Tivoli Theatre, Chatta-
nooga, Tenn., during the last
three days of National Music Week in con-
junction with the showing of "Easy Come
Easy Go."
Musicians from three local school or-
chestras augmented Keese's Troubadours
in such numbers as to make the personnel
of the theatre orchestra total twenty-six,
resulting in a volume of harmony compar-
able only to that produced by large sym-
phony organizations.
Each school had a 'day' al the Tivoli;
one on Thursday, another on Friday and
the third on Saturday. And all played at
both the matinee and evening performances.
In addition to augmenting the Tivoli or-
chestra, certain members of the school or-
chestras rendered solos, such as singing
and the playing of musical instruments.
Quoting from one of the local newspa-
pers, "Since this is National Music Week,
it is quite appropriate that the divine muse
should hold sway and somewhat over-
shadow the silver sheet features; the Tivoli
management thus heartily co-operating
with the Chattanooga Music Club in mak-
ing the week notable for enjoyable music
events."
To the inspiring martial strains of
Sousa's "Stars and Stripes Forever" the
crimson curtains of the Tivoli part to dis-
close the augmented orchestra seated on
four tiers of an enlarged dais beautified by
rich drapes in tints of old gold and rose,
giving the charm of harmony in color to
the harmony of music.
Expressing appreciation for assistance
iriven by the school principals and presi-
dents of the three schools in making pos-
sible the elaborate program, Conductor
Kcese quite truly told the audience that
the playing of the musicians from the or-
chestras of these three schools would be
"a revelation" in respect to their ability,
adding that the young entertainers today
would be the artists of the years to come,
thus meriting not only passing but per-
manent appreciation.
As a brilliant scenic climax to the musi-
cal program, the Troubadours gave a
glimpse of Japan, wherein Kcese wore the
royal robes of a Mikado and the players
donned mandarin headgear, a costuming
quite appropriate to the ching-cbanging,
bell-tangling, cymbal-ringing composition.
St. Petersburg. Fla.
A committee from the Carenno Club, a
ladies' music organization asked Manager
Roy L. Smart of the Florida Theatre, St.
Petersburg, Fla., to run a slide for Music
Week. Smart suggested that they obtain
some of the best local talent available to
appear on the stage to commemorate the
annual affair. This they did.
On Tuesday and Wednesday nights, the
High School orchestra of 24 pieces aug-
mented by the Girls' Glee Club and a violin
soloist — Christian Kirsch, the High School
state championship winner appeared on the
stage. The stage was dressed in green and
white, the colors of the High School — us-
iag a band set. White syke, a large white
and green High School banner done in col-
ors in the center with two narrow green
drapes skirting each side. One end formed
a cover for the piano. The orchestra
played on band parallels and the stage
decorations also included two palms and
two bouquets in stand vases.
Thursday night, a prominent baritone
soloist did "King of the Hoad Am I " in
Gypsy setting with four dances as an in-
troductory number. The head of a local
music school also rendered a soprano solo.
Friday night, an instrumental trip and
a. vocal solo. Saturday night, a ladies'
quartette and vocal solo.
The musical program greatly helped busi-
ness and also served as a goodwill stunt
especially on the nights when the High
School was represented.
The newspapers were generous with the
amount of free publicity and the members
of the Music Club announced the weekly
program at various meetings and the mem-
bers in general gave it plenty of publicity
both by the written message and the word-
of -mouth advertising:.
Matinee Club Proves Most
Effective in Toronto
To encourage juvenile patronage at
matinee performances in a suburban the-
atre, Jules S. Wolfe of the Christie Thea-
tre, Toronto, Canada, found a very effec-
tive feature in the form of a Christie The-
atre Matinee Club. Membership cards
were distributed among the child patrons
and each time they attended an afternoon
show their card was punched by the door-
man. When the individual card has been
punched 10 times, the holder is entitled
to attend the theatre on the next occasion
without charge by presenting the member-
ship ticket.
The plan became so popular at the Chris-
tie that it has been adopted for all subur-
ban theatres in Toronto of the Bloom &
Fine circuit of houses.
Ontario Man Jumps Trade
with Soni>s and Slides
C. T. Spencer of the Walker Theatre.
Walkerville, Ontario, has reported that
Saturday matinee business has jumped
practically 100 per cent. Since the adop-
tion of illustrated songs, community sing-
ing and amateur vocal numbers. He made
it known that the latest popular songs
would be introduced in Walkerville by this
method and there was excellent response
on the part of the young people, both in
attendance and in vocal efforts.
Showmanship
•Rriefl
^EVERAL of the smaller Kansas City
suburban theatres are finding otherwise
untapped revenue during dull spring weeks
by arranging, through Parent-Teacher Asso-
ciation groups, for children's parties at the
theatres. The other day an attendance of
about 200 children was on hand for two
showings for feature pictures suited for chil-
dren at the Bonaventure theatre. The
Parent-Teacher groups of Kansas City have
been unusually active — not antagonistic —
in sponsoring certain types of films for chil-
dren. Making a special "play" for the kids
is one way of bolstering up summer busi-
ness, exhibitors have concluded.
Tp E. BAIR, manager of the Falls thca-
I— >. tre, Cuyahoga Falls, Ohio, one of the
chain of houses belonging to the Washington
circuit, pulled what the civic authorities stated
was "the best stunt ever seen' as one of the
prime movers in the local Clean - Up - Week
Campaign. Bair staged a Tin Can Parade.
Every youngster from 3 years old to 16, was
admitted to a free special morning matinee
upon presentation of six tin cans. By the time
the show opened there was a line of youngsters
as far as vou could see.
V f ' ' A / ///. )' birthday parties hat e been
found successful by the A. II. Blank or-
ganization. Dcs Moines, Iowa.
Cooperating with the Dcs Moines Register
and Tribune and the Public Schools, each
month, "birthday children," through doing cer-
tain work in school, receive a ticket to a
"Movie Birthday Party."
H. Schrodt. manager of the Garden theatre,
is the host to these parties.
MANY proprietors and managers are
singing the praises of Manager L. E.
Davidson who was responsible for their ty-
ing up on "Ramona" when that film was the
feature attraction at the Capitol Theatre,
Sioux City, la.
Every store in town that sold music was
in on the tie-up.
Without exception, every store exhausted
their supply of "Ramona" records and sheet
music within two or three days.
MANY managers have successfully used the
Coca Cola circus displays and Manager
T. Y. Walker also found out that it was a good
advertising medium in publicizing Charlie Chap-
lin in "The Circus" playing at the Noble Thea-
tre, Anniston, Ala.
The Coca Cola circus displays arc miniature
tents with small circus wagons, horses, people,
etc., placed in front. Twenty of these circus
displays were on show in as many store win-
dows with a banner underneath reading, "Char-
lie Chaplin in The Circus — The biggest show
of mirth — Noble Theatre Monday-Tuesday-
Wednesdav."
MANAGER WARREN 1RV1N used one
of those "I do not choose to run" flk-vcrs
to ballyhoo "Thanks for the Buggy Ride" at
the Carolina Theatre. Charlotte, N. C.
The flivver was minus a top and fenders and
the once good-looking runabout had a home-
made rumble scat on which two well-dressed
men sat.
The front scat was occupied by two of the
theatre's ushers; the driver being dressed as
a wo-man.
1964
Motion Picture N ezvs
Perutz and Maurice, Seattle, Stage Big
Tie-up on "Patent Leather Kid"
WS. PERUTZ, manager of the United Artists Theatre in Seattle,
assisted by Sam J. Maurice, advertising and exploitation man,
and First National representatives in the city, got eleven days of
newspaper publicity and more than 150 inches of newspaper space in one
tieup for the showing of "The Patent Leather Kid."
Three definite tieups with newspapers were made.
1 — A scenario contest in the Star which published the first part of the
"Patent Leather Kid" scenario and offered prizes for the best endings writ-
ten by its readers.
2 — The Star also tied up with the picture in its insurance plan which
it offers to its readers. Richard Barthelmess, star of "The Patent Leather
Kid," took one of the $10,000 policies of the newspaper. The Star featured
the item strongly in its "house" ads for its insurance scheme, using two pic-
tures of Barthelmess, his name in large type clear across its ads, with the
name of the picture, and a telegram from the star.
3 — The Po6t Intelligencer ran a doughboy contest for the theatre.
Prizes were offered for the best letters describing the most outstanding ex-
perience in the war of the contestants.
Girl In Window Ballyhoo Boosts
Trade for "The Crowd"
A LIVING girl, advertised as "one of
the crowd," did much to focus pub-
lic attention on Metro-Goldwyn-Mayer 's
"The Crowd" at the Fox Theatre, Aurora,
111. Manager M. Berman, of the Fox Thea-
tre, devised this and many other stunts for
use in exploiting the film. He was assisted
in his work by a Metro-Goldwyn-Mayer
exploiteer.
A special tie-up was made with the Leath
Department Store for a window display.
The Leath store has large windows and one
of these was converted into a self-contain-
ing apartment of combination kitchen-din-
ing rooms, small living room and bedroom.
The whole was boxed in with compo board
on the inside, and presented the appear-
ance of a real apartment with one glass
wall the window measuring ten feet by
twenty-five feet.
This apartment was made practicable,
even to the cooking, and washing arrange-
ments. An announcement was made in all
theatre store advertising that "one of
'The Crowd' would live for three days
in the window. To advertise this stunt
three and four line teaser ads were in-
serted here and there throughout the paper.
A girl was obtained who — according to
the news stories would live there for three
days.
She cooked and ate her breakfast and
luncheon in the window, in full view of the
crowds streaming to work or dawdling
about during lunch time. In the afternoon
the girl cleaned up her 'apartment' and
then went for a walk. In the evening,
when people were returning from work,
the girl cooked and ate her supper.
A large card was placed in the fore-
ground of this display with the caption,
' ' This girl is just one of ' The Crowd. '
For a graphic picture of everyday life in
America see 'The Crowd' at the Fox Thea-
tre, now."
The girl did not remain in the window
during theatre hours, but returned at ten
in the evening and retired for the night in
view of home-going theatre crowds. As
soon as the girl had gone to bed the store
lights were extinguished. The store watch-
man then let her out and she did not return
until the following morning, but the news-
paper stories were to the effect that she
spent the entire night there. One enter-
prising reporter even interviewed the girl
to find out how it felt to sleep with nothing
but a wall of glass between one and the
night crowds of the downtown section.
This stunt, so appropriate to the theme
and action of King Vidor's epic of every-
day life, attracted inordinate attention from
passers-by, and did much to create inter-
est in the film. The furniture store man-
agement was so pleased with the stunt
that the managers of their other stores in
Joliet and Elgin came to see it and re-
quested that the same thing be put on in
their stores.
Jackson Man Puts Over
"Legion of Condemned"
Manager Emil Bernstecker built a minia-
ture landing field in his lobby to advertise
"Legion of the Condemned" playing at
the Lyric Theatre, Jackson, Tenn.
The miniature landing field and sur-
rounding terrain was built out of dirt, mud
and sand in one corner of the lobby. The
display consisted of level stretch, hangar,
toy airplanes properly painted, lake made
by burying a mirror, hills covered with
artificial snow and trees, derailed train in
the hills, toy cattle and horses properly
painted, small stream made out of mirror
glass emptying into lake, figures of the
characters cut from stills and mounted.
The entire display had a beaverboard
back behind it which added to the appro-
priateness of the display in a painted scene.
The title of picture, stars' names, theatre
and play dates were painted on the beaver-
board cyclorama.
An arrangement was made with the local
D. A. R. whereby they received a 15 per
cent commission oil all tickets sold by
them. The tickets sold by the D. A. R.
Avere redeemed at the box office and in that
way, the theatre had a close check on the
whole transaction. 591 tickets were dis-
posed of in this manner. The D. A. R. also
ran a 12-inch ad telling of their arrange-
ment with the theatre and all the mem-
bers also made announcements at all the
civic, social and service clubs in the city
about the splendid picture and the arrange-
ment between the D. A. R. and the theatre.
Both the lobby display and the D. A. R.
tie-up were greatly helpful in putting the
picture over to a big gross.
Ralph Spence to Compose
for Fanchon & Marco
Because of the aggregation of big stars
recently engaged, Fanchon and Marco have
entered into negotiations with Ralph
Spence, title writer and playwright of dis-
tinction, to compose! witty dialogue for
forthcoming stage presentations.
With the signing of contracts by such
stars of the footlight and celluloid world
as Ann Pennington, Bessie Love, Sally
Rand and others, the producers of stage
entertainment accompanying the showing
of films are desirous of furnishing the clev-
erest of vehicles for their presentation.
Added to his reputation for wisecrack-
ing in the films, Spence 's experience as a
collaborator with ('banning Pollock, Will
Rogers and others in the famous Ziegfeld
"Follies" and as the author of such pro-
ductions as "The Gorilla," famous mys-
tery drama, led Fanchon and Marco to seek
his services in connection with their pro-
gram of greater stage presentations.
Theatre Managers To
Head Ball Leagues
THE important part that theatre
managers have been taking in
community activities in Regina,
Sask., is shown by the fact that Pete
Egan, manager of the Capitol Theatre,
has been elected president of the
Senior City Baseball League, while
Jack Hunter, manager of the Regina
Theatre, has been elected president of
the junior baseball league.
Cut-Outs and Victrola
Used With "Ramona"
MUSIC hath charms and so does
it draw attention as was evi-
denced by Manager Emil Bern-
stecker in ballyhooing "Ramona" at
the Publix Lyric Theatre, Jackson,
Tenn.
The ballyhoo consisted of a bannered
Reo truck on which were cut-outs of
Dolores Del Rio and an orthophonic
victrola.
The truck stopped at various places
throughout the city long enough to
play the record "Ramona" on the
orthophonic. A loud speaker attached
to the victrola made the music carry
farther than it would otherwise have
done. This stunt always attracted a
crowd. And while listening to the mu-
sical strains, they had plenty of time
to read the copy about the attraction.
The ballyhoo was used the day pre-
ceding and every day during the run
of picture.
June 9
19 28
1965
Key City Reports
New York City
BROADWAY has still to cope with any
hot weather problem and this, com-
bined with a better than usual line-up
of attractions. Rave most houses a pretty
good week. Even a balmy Decoration Day.
Wednesday, and the usual holiday exodus,
failed to cut business to an appreciable ex-
tent. The only signs of weakness came from
a few of the two-a-days.
At the Paramount the strong combination
of a Menjou picture, "His Tiger Lady" and
the Paul Ash presentation, gave the big Pub-
lix theatre a very good week. In fact, busi-
ness was well up to Winter standard and
honors for the draw were about even be-
tween picture and presentation. Rut. as pre-
dicted in this column, there can be no doubt
about Ash having arrived in this town.
One of the best bets in New York at pres-
ent is "Tempest," at the Embassy, where the
Barrymore-del Rio picture grossed $11,871
in its third week at this small house. The
figures for the first two weeks were over
capacitv and the third showed an increase
of $344 over the second. Its a U. A. picture
and this company also claims that their
"Ramona" has shattered records at the Ri-
voli on its third and fourth week ends. At the
Rialto. "Street of Sin" (Par) also rolled up
a good week's business, as does most any
Emil Jannings picture at this house.
Whether or not it was as good as some
other Jannings films seemed not to make
any difference. Jannings trade has been
established at the Rialto.
The Capitol did a very good week's trade
with Lon Chaney's "Laugh, Clown, Laugh"
and again it was a case of strong Chaney
intrenchment at this house for this, too,
was criticized for not being quite up to
marks set by other Chaney pictures. Rut.
good enough anyway for the Capitol to hold
over for another week, and that means
something. Ths Roxy had just another Fox
program picture, "The News Parade" and
again the Rothafel presentation helped
things along to a mediocre showing. Some
of the Fox specials will go in within a few
weeks and these are looked for to boost
trade in anticipation of the Summer let-
down— which will surely come if this big
house doesn't get stronger fare.
As stated in last week's Motion Picture
News, "Abie's Irish Rose" will be let out
of the 44th Street theatre the middle of June.
"Abie" will be treated for its ailment at
Paramount's Long Island studios where
sound picture apparatus is being installed,
it having been decided that a voice will re-
vive this Irish-Jewish film. Since its arrival
at the 44th Street. "Abie" has taken a bad
licking for the simple reason that the town
is fed up on this sort of theme.
The Strand played the final week before
going "Talkie" with "Lady, Be Good" ('F.
N.) and another of the Stanley shows and
an average Strand week was the result.
"Tenderloin" (W. B.) will inaugurate the
talkies — to be followed by others.
Among the specials old daddy "Wings"
continues to keep its head up at the Cri-
terion. Hearing a year's run and predictions
are that this film will be kept through the
Summer months. The Astor. with "The
Trail of '98," felt a slight depression — but
nothing to worry about. It will undoubtedly
be on the Street for several more weeks.
Fox's "Four Sons' moved out of the Gaiety
to make room for "Fazil," a new Movietoned
Fox film — but it was time for "Four Son-"
to go, anyway. Its run has been fair. An-
other Fox film, "Street Angel," continues at
a very fair pace at the Globe.
Russian, German and English films were
also along the Rialto. "The End of St.
Petersburg" at Hammerstein's appealing to
local newspaper critics and many citizens
from the Bronx, Brownsville and the East
Side. It did well. The Times Square had
the much publicized Edith Cavell picture
"Dawn" and business was fair enough.
The German entry, "Youth Astray," at the
Cameo, trailed the trio of foreign pictures.
At Warner's, "Glorious Betsy" (W. B.)
continues to demonstrate the popularity of
talkies.
Minneapolis
' 'OIMBA," Martin Johnson's jungle pic-
ture, was shown at the Metropolitan
theatre last week as a roadshow, and did a
good business, especially among the school
children.
Emil Jannings, in "The Street of Sin, '
proved to have only average drawing power
at the Minnesota. Many persons, including
all the local critics, thought this excellent
picture deserved capacity houses. The stage
attraction was the Publix unit show,
"Steps and Steppers."
"Laugh, Clown, Laugh," with Lon Chaney,
attracted good crowds to the State, while
"Diamond Handcuffs," at the Lyric, did
about the usual business.
Pantages featured Tom Mix in "Hello,
Cheyenne," and this picture drew well, as
Mix pictures always do.
"Skinner's Big Idea" was the photoplay
attraction at the Hennepin-Orpheum, but
most of the movie fans came to see Mary
Kornman. Johnny Downs and "Scooter"
Lowry of "Our Gang" fame.
Among the neigbborhood houses, the
Arion and Rialto made a nice showing with
"Speedy," while the Lagoon, Lyndale, Lor-
ing and American were exhibiting such pic-
ture- as "The Crowd," "Old Ironsides,"
"Across to Singapore" and "The Girl from
Chicago" with good results. About the
only real opposition the movies bad was
Edith Taliaferro in "The Garden of Eden."
at the Shubert theatre.
Atlanta
COMF.DY reigned high on Atlanta bills
last week bringing some good box-
offices in for the theatres.
"Why Sailors Go Wrong," a Fox opus
with Sammy Cohen and Ted McNamara
sent the Capitol home with a good leap.
Rod LaRocque at the Howard in "Hold
'Em Yale," plus special advertisement in-
ducive to the college contingent, drew well
for that house.
Next door Loew's Grand enjoyed a fair
week with "Becky," comedy romance with
Sally O'Neil.
At Keith's Georgia, Leatrice Joy in "The
Blue Danube" was proclaimed with high ac-
cord. This picture drew much attention from
the critics.
The Rialto enjoyed a fine week with "Chi-
cago After Midnight" synchronized with
Vitaphone. Movietone newsreel has not yet
ceased to cast its marvelous spell over the
audience.
"The Tragedv of Youth" brought the
Metropolitan a fair week.
Three fast numbers, "Ride 'Em High."
"Thunder Riders." and "Red Riders of
Canada" gathered a good box-office for the
Tudor.
Philadelphia
WITH a week of sunshine and warmer
weather, Philadelphia first run the-
atres, with one or two exceptions, began to
feel the effects of the arrival of summer
outdoor amusements.
There was a noticeable falling off in the
usual line up after the first show at the
Stanley, with Adolphe Menjou in "A Night
of Mystery," and a "Jazz Carnival" wiih
Buddy Page as master of ceremonies.
There were also some vacant seats at the
Fox with "A Thief in the Dark" and an
elaborate and entertainnig stage presenta-
tion, "Syncopation Gayeties," with Flo
Ferry as mistress of ceremonies.
"Simba," a remarkable collection of mo-
tion pictures of animal life in the African
Jungle, taken by Mr. and Mrs. Martin John-
son on their expedition, which is being
shown twice daily at the Garrick. is full of
thrills and is the most interesting of the
new films.
The Carman, with the Philadelphia pre-
miere of "Matinee Idol," featuring Ressic
Love, and a "Comedy Frolic," in which
laughter is the keynote, seemed to strike the
pouular fancy of uptown audiences.
"Across to Singapore," with Ramon No-
varro, proved a fairly good drawing card
at the Karlton.
"Street Angel" closed a very satisfactory
engagement at the Fox-Locust, to be suc-
ceeded by the Fox production, "Mother Ma-
chree," featuring Victor McLaglen and
Bessie Love.
"The Patent Leather Kid" continues it-
popular priced presentation at the Stanton.
"Hangman's House" held up well in its
second week at the Victoria.
"Old San Francisco," with Dolores Cos-
tello and Vitaphone accompaniment, is in
its final week at the Aldine.
The Palace, with Lon Chaney in "The
Big City," and the Capitol, with Estelle
Taylor in "The Whip Woman," had average
weeks.
Boston
MORE than two weeks of rain with a con-
sequent delay of half a month in straw
hat weather boosted box office receipts for
local theatres and continued to keep New
England theatres well above last season's
gross business.
"The Drag Net" was the film at the Met-
ropolitan which played to highly satisfac-
tory business. Jene Rodemich and the stage
band continued their popularity.
Loew's State with "The Patsy" did one
of the best week's business for late Spring
in years. Harry Fox & Co. made up the pre-
sentation. Loew's Orphcum presented "The
Enemy" for a better than average business.
"Sailors Wives" was the film at the Scol-
lay Square Olympia and reports of satisfac-
tory business for the entire week.
Keith-Albee Boston's showing of "Mid-
night Madness" proved one of the best box
office attractions in weeks.
Modern and Beacon, the twin theatres,
played a heavy week's gross with the double
features, "The Blue Danube" and "Sunset
Legion."
Other theatres reporting satisfactory re-
ceipts are the Capitol, which has recently
been acquired by Publix. with "Dressed to
Kill," the University with "The Circus" and
"Three Sinners," the Exeter with "The
Heart of a Follies Girl" and "A Night of
Mystery," and the Bowdoin Square with
"The Garden of Eden" and "The Smart Set."
1966
M o tion Picture News
Cleveland
A WEEK of cool weather, a series of
good pictures, and a holiday thrown in
for good measure, brought the average pic-
ture business up above normal for this sea-
son of the year.
"Drums of Love," beautiful and artistic
production, done in Griffith's best style, was
given added interest by a contest for a new
ending to the story with a $50 reward for
the best ending submitted.
The Allen had good business all week and
very big holiday business with "A Certain
Young Man," amusing, sophisticated, society
drama, as the feature attraction.
"The Yellow Lily," unusually interesting
presentation of the romantic love between a
royal lover and his sweetheart who is not
royal, appealed strongly to the public and
attracted full houses. A new twist to an
old story made "Diamond Handcuffs" inter-
esting to comfortably large audiences at the
State. "The Big Noise" was very well liked
at Keith's East 105th Street theatre, and
played to a very nice business for the week.
Good satire, very well done. Reade's Hip-
podrome reports average success with "The
Sporting Age" as the feature attraction, an
interesting domestic drama made distinctive
by Belle Bennett's work.
The Park did a whale of a business last
week under the new split-week policy. Pic-
tures both the first half and the last half
were first-run neighborhood releases. "Ra-
mona" the fore part and "The Crowd" the
last half both packed the theatre.
The Cameo played a second downtown
run of "Ramona" with satisfactory results.
Neighborhood houses report that business
is decidedly poor.
Kansas City
A WEEK of rain failed to make much dif-
ference in the week's attendance at first
run theatres of Kansas City, the attendance
remaining "just fair," as it has been for the
last several weeks.
At Loew's Midland, Douglas Fairbanks in
"The Gaucho" drew a fair attendance, which
also was the case with George Bancroft in
"The Drag Net" at the Newman.
At the Liberty a revival of Rudolph Valen-
tino in "The Son of the Sheik" drew excep-
tionally good, as did "A Thief in the Dark"
at the Pantages.
"Vamping Venus" at the Mainstreet also
showed a slight increase in attendance, while
"Powder My Back" at the Globe drew aver-
age crowds.
Nothing exceptional in the way of exploi-
tation was employed by any of the theatres,
aside from increased newspaper advertising
space by Loew's Midland.
Buffalo
ONLY fair box office receipts rewarded
the theatres here last week for some
pretty good entertainment. The advent of
belated spring weather, which was the sig-
nal for the beginning of pleasure motor trips,
and the Memorial Day holiday which gave
hundreds of persons an opportunity to make
out-of-town trips coupled with the opening
of the beaches and summer resorts on Deco-
ration Day, all combined to cheat the thea-
tres out of the patronage warranted by the
calibre of programs they offered.
Shea's Buffalo had a fairly good week
with an excellent stage presentation, "Rah!
Rah! Rah!", featuring the well-known 370-
pound Johnny Perkins, and the latest Wal-
lace Beery-Raymond Hatton comedy on the
screen, "Partners in Crime."
The usual Hippodrome partisans visited
this theatre to see an excellent bill, with
Adolphe Menjou starring in the picture, "A
Night of Mystery," and a Keith-Albee vau-
deville program headlined by Harry Kahne.
The Great Lakes celebrated its first birth-
day anniversary with eight acts of vaudeville
headlined by Paul Specht and his orchestra,
and "We Americans" on the silver sheet.
The anniversary program was highly ex-
ploited, especially a huge birthday cake that
was placed in the lobby, and the customers
responded in good numbers. Loew's State
had "Gold Chevrons" on the screen, with
Private Clayton K. Slack, Congressional
medal hero, in person, as the bait, but the
box office receipts were not up to expecta-
tions. A good vaudeville bill also was
offered. Loew's closed down Saturday until
fall when it will be reopened under a new
name and new management, the local hold-
ing company and the Marcus Loew Booking
Agency having come to the parting of the
ways.
The Lafayette didn't fare as well last week
with "The Lion and the Mouse," a talking
picture, as it had the week before, but then
the second week's returns seldom equal the
first week's when a picture is held over for
a couple of weeks. Five acts of vaudeville
accompanied the program.
Seattle
ANOTHER week of mediocre business
among the first run houses, with no
outstanding films, except "Wings," which
opened a road show engagement at the
Metropolitan theatre playing twice a day
at $1.65 top to average gross only. The
film has been highly praised and is doing
slightly better than the usual road show,
due somewhat to advertising to the effect
that the film will not appear in any other
Seattle theatre for a year.
"Easy Come, Easy Go" was the screen at-
traction at the Seattle theatre and it was
one of the most disappointing films to play
this big house since its opening in March.
Boris Pctroff's beautiful Publix stage show,
"Tick Tock," and a good musical setting by
Jules Buffano's stage band and Arthur
Clauson's grand orchestra were the high-
lights of the bill, which was a distinct fail-
ure from the film standpoint. Business was
noticeably below normal.
At the Fifth Avenue theatre, "The Little
Shepherd of Kingdom Come" was received
in a half-hearted manner. The star is popu-
lar here, but the story has been overworked
in its theme, and it was not considered much
of a film by the public. Fanchon-Marco's
"Dance Paintings" on the stage was highly
acceptable, and the Klein Brothers were an
added factor in the stage show. It was a
fair week only.
"Tenderloin" played its third and final
week at Hamrick's Blue Mouse theatre and
succeeded in filling the house nicely all
week, although the film was not particularly
strong. It was far from a second "Jazz
Singer" in box office value, but was a suc-
cessful picture when the three-week total is
considered. A fairly strong week for the
finish.
"The Hunchback of Notre Dame" was
brought back to "U's" Columbia theatre for
a week, but it was not much of a success,
hardly denting the surface of the theatre-
going public. The week was very slack.
"Valley of the Giants," at the United Ar-
tists theatre, was another unsuccessful film
that was noticeably below par from every
standpoint. The real hit of the bill was the
Laurel-Hardy comedy, "You're Darn Toot-
in'." Even this, though, couldn't make a
good show all alone, so the box office was
very weak as a result.
"Honor Bound," at Pantages was fairly
well received, but "Alex, The Great," at the
Orpheum, was decidedly unpopular, and the
vaudeville programs at both houses were
just fair.
"Once and Forever," at the Embassy, and
"Ladies Only," at the Winter Garden, were
fair attractions. Altogether, the week was
poor.
Canada
A LL of the leading theatres of Ottawa,
Ontario, were popularly credited with
having excellent film entertainment during
the week of May 28, and, this fact, coupled
with timely rain showers almost every day,
made box-office returns highly satisfactory
in practically every instance. A national
holiday on May 24, Victoria Day, also
helped to swell attendance figures. Radio
reception has been terrible as well, so that
most families have folded up their "hope
chests" for the summer, and are finding
recreation in shows or motoring.
It was generally agreed that "Three Sin-
ners," at B. F. Keith's Theatre, was the best
of recent pictures in which Pola Negri has
starred. Manager Franklin was told by a
large number of patrons that they liked
the film.
"Across to Singapore" is a two-fisted fea-
ture. It is not often that adult crowds ap-
plaud at the Regent Theatre, but there were
outbursts of applause all week for this one.
"The Crowd" is extraordinary in its
theme and treatment. Here is a picture
with real acting, human interest and plenty
of laughs and sobs. Everybody said so
after seeing it at the Imperial. Big crowds
too.
Billie Dove was literally as pretty as a
picture in "The Yellow Lily" at the Cen-
tre Theatre. In fact, she was most of the
picture because the story was similar to
many others of its type. Patronage was
steady all during the week.
"Rose-Marie" took better at the Rex
Theatre, a neighborhood house, than it did
at the downtown Regent some weeks ago —
probably because fewer people knew the
stage play. "Blake of Scotland Yard" is a
serial that has many followers here.
"Stolen Bride" was a strong attraction at
the Fern and Billie Dove was 60 per cent
of the attraction. Packed houses also en-
joyed "Atta Babv," comedy, and a chunk of
"Melting Millions."
"Smilin' at Trouble," with Lefty Flynn,
is the kind of a picture they like at the
Columbia and Manager Nolan likes it too
for box-office reasons.
St. Louis
AVERAGE business for the season was
enjoyed generally by the first run and
neighborhood houses of St. Louis and
vicinity during the week.
A survey indicated that employment is
somewhat on the increase due to such sea-
sonal activities as building construction,
road building, etc., while in Southern Illi-
nois coal mining is looking up.
At Skouras Brothers Ambassador Thea-
tre the screen attraction was Emil Jannings
in "The Street of Sin," and it did not go
over so big as some of this star's former
offerings. Perhaps he is being offered too
much in exactly the same type of picture.
At the Missouri Theatre a new person-
ality was offered on the stage in the person
of Frank Fay, and for that reason there
was somewhat of an increase in the attend-
ance among the younger element of the
community. The screen offering was Billie
Dove in "The Yellow Lily." Local critics
had some good things to say about it.
At the St. Louis Theatre, Jacqueline
Logan in "Broadway Daddies" was on the
screen. Miss Frankie Heath was the vaude-
ville headliner. Business was up to stand-
ard.
Loew's State offered on its screen Gilda
Gray in "The Devil Dancer" and the fair
star was there in person to help draw them
into the cash seats. Judging from the at-
tendance at the various performances she
knows this art to the 'nth degree.
Grand Central's Vitaphone offering was
"Glorious Betsy" while Al Jolson headed
the Vitaphone short subjects bill.
June 9
J 9 28
1067
!\ew Orleans
DOWNTOWN first run theatre business
showed much improvement in New Or-
leans during the past week as compared with
previous weeks. Excellent summer weather
prevailed and crowds flocked to the houses,
all of which arc equipped with elaborate
cooling plants.
At Loew's State Theatre, where the best
business of the week was noted, George
Bancroft was featured in "The Drag Net,"
one of the best films to play this house in
months. Coupled with five acts of vaudeville
Loew's State business spurted, but it was the
screen feature that brought them.
Theatregoers who saw "The Street of Sin,"
featuring Kmil Jannings, at the new Sacnger
Theatre, went away well pleased. The pub-
lix stage show was better than usual but
credit for whatever business this house did
goes to the film.
"The Escape" with Virginia Valli. was
the Orpheum attraction, and proved a highly
entertaining photoplay. Five high class acts
were on the bill also and this aided in bring-
ing patrons to the University Place house.
At the Strand Theatre "Diamond Hand-
cuffs," with an all star cast, was the offer-
ing but the picture didn't fare so well. The
(if he showed "Husbands for Rent" and was
well liked. Business was good. The Trianon
presented "Across the Pacific," with Monte
Blue, and despite the fact that the film had
its premiere locally at the Liberty, drew well.
Neighborhood houses also report an in-
crease in attendance.
The signing of the Mississippi flood con-
trol bill by President Coolidge seems to have
added new life to the city. For more than
two months previous to the signing of the
bill a spell of depression prevailed here and
theatre business suffered heavily. Managers
look forward to a steadily growing business
from now on.
Albany
DECORATION Day saved the situation
in Albany and Troy last week, and in-
stead of the week being one of small profits,
the crowds flocking to the motion picture
theatres on Decoration Day, due to weather
conditions, brought the week to the right
side of the ledger.
The Leland and Clinton Square theatres
in Albany reported the biggest business
done on Decoration Day of any Decoration
Day in the history of the two houses. The
remainder of the week was characterized by
only fair business at practically every the-
atre in the two cities of Albany and Troy.
Had Decoration Day been pleasant, last
week would have been one which would
have cost more than one house a handsome
penny.
The Leland used "Paid to Love" through-
out the week, but the second show of the
evening was the only one to pack the the-
atre. In connection with the feature, the
Leland also used local pictures showing the
opening of Albany's airport.
The Mark Strand played to just fair busi-
ness throughout the week with "The Street
of Sin," coupled with Vitaphone presenta-
tions. The business on Decoration Day,
however, was of smashing proportions and
served to bring up the week's average in
splendid shape. The Clinton Square the-
atre, using first run double features, includ-
ing "The Play Girl" and "Hello, Cheyenne"
reported business as being good throughout
the week, but admitting that Decoration
Day was the saving feature.
At the Mark Ritz, in Albany, "Fools for
Luck" ran consistently fair. llannanus-
Rleecker Hall, using vaudeville as well as
a perfect girl contest, together with pic-
tures, reported business as a little above fair.
Proctor's Grand, in Albany, captured the
crowds the first three days of the week
with Peaches Browning, cutting heavily into
the motion picture theatres.
'Film salesmen covering northern New
York, returning to headquarters on Satur-
day, reported that exhibitors generally in
the smaller cities and villages are complain-
ing over business.
In Troy, the Lincoln split the week with
"The Devil Dancer" going over heavy the
fore part of the week. "The Legion of the
Condemned" did only fair in a split week at
owing to conditions generally Proctor's
the last three days, showed some improve-
ment.
Business is not good, however, in Troy,
owing to conditions generally. "Proctor's
used "Wickedness Preferred," along with its
regular program of vaudeville.
Cincinnati
CINCINNATI houses have been getting
bad breaks for the last several weeks,
and the past seven days did not add any-
thing to the intake that would give ex-
hibitors much cause for hilarity.
The Capitol, with Gloria Swanson in
"Sadie Thompson," aided and abetted by
Vitaphone and Movietone, had the best
business of any of the houses, although it
was not necessary to call out the traffic
squad to keep the crowds back. The pic-
ture is being held over for a second week,
with the hope that the first week's record
may be duplicated.
"Rose-Marie" at the Lyric did only a fair
business, due, probably, to the fact that the
piece has been in Cincinnati several times
in musical form, and the customers were
probably fed up on il.
Bebe Daniels in the "Fifty-Fifty Girl" at
the Albee, where presentation acts also hold
sway, got off to a bad start, and that's how
business remained for the balance of the
engagement.
The Keith Theatre, with "Sharpshooters,"
managed to pull an average attendance, but
nothing at all to brag about.
Fred Thomson in "The Sunset Legion"
at the Strand failed to click, and the same
can also be said of "Coney Island," first half
at the Family, and "The Sporting Age" last
half. The two halves at this house didn't
make anything like a decent whole.
The Palace, vaudeville and pictures, did
not pile up a record gross by any means.
This house seems to be suffering from op-
position of the Albee, which is in the same
chain.
No particular reason can be assigned for
the slump, which was also experienced by
the amusement parks, although they had un-
favorable weather against them.
Indianapolis
BUSINESS was only fair in Indianapolis
movies last week. Managers reported
a noticeable loss of business as result of
the daylight saving time adopted by most
theatres a week ago. The extra hour was
taken advantage of by many folks who
sought other sources of entertainment.
Thousands here Wednesday for the Memo-
rial Day 50 mile auto race failed to help
business.
Emil Jannings in "The Street of Sin" did
fair business at the Indiana, leading down-
town houses for the week.
Dolores Del Rio in "Ramona" at Loew's
Palace did moderately well, business being
pepped up by a "Ramona chorus contest."
Business at the Circle picked up some be-
cause of local interest in Dick Powell, new
master of ceremonies, succeeding Eddie
Pardo. I'ardo spent six weeks as director
of the stage band but failed to obtain satis-
factory business results.
William Haines in "The Smart Set" did
satisfactory business at the New 'Fountain
Square. The new neighborhood house seems
to have "taught on" neighborhood business.
Neighborhood houses have had light after-
noon business with better results at eve-
ning performances.
Baltimore
DECORATION DAY coming in the
middle of the week beginning Monday,
May 28, helped business at the first run
theatres here considerably.
The best business of the week was proba-
bly done at the Keith-Albee New Garden
Theatre, where "We Americans," Marring
George Sidney, was presented on the same
bill with six acts of Keith-Albee high class
vaudeville, the headliner being Mr. Sidney
in person.
Through the week the attendance was
particularly strong and it was regarded as
one of the best weeks the New Garden has
had since it reopened last December.
At Loew's Valencia, "The Legion of the
Condemned," featuring Gary Cooper and
Fay Wray, went over better during its sec-
ond week there than it did during the first.
This is attributed to the fact that practically
all who saw the production liked it and
went away pleased, thus bringing many
others into the house. A great many con-
sidered this air picture greater than
"Wings."
At the Little Theatre, operated by the
Motion Picture Guild, "Czar Ivan, the Ter-
rible," made by Sovkino of Russia, proved
an excellent patron puller, and business
there was excellent every day. This picture
was helped by advertisements in all foreign
publications in Pialtimore.
During the second week of its engage-
ment at Warners' Metropolitan "Glorious
Betsy," starring Dolores Costello and Con-
rad Nagel. with Vitaphone dialogue and
music and other Vitaphone attractions did
so well that it was held for a '.bird week.
Good houses were the rule throughout
the week at the Stanley, where "The Yellow
Lily," starring Billie Dove, was the feature
film attraction, on the same bill with a stage
presentation act Venetian Nights with Sam-
my Kaufman and his stage band, and other
vaudeville headliners.
"The Dragnet," co-starring George Ban-
croft and Evelyn Brent, proved a good at-
traction throughout the entire week on the
bill at Loew's Century, with Bowery Follies
featuring Ted Claire and his orchestra and
other vaudevillians.
Keith's Hippodrome had a fairly good
week with "The Desert Bride," -tarring
Betty Compson and live acts of Keith-Albee
family time vaudeville on the same bill.
But business only went along fairly well
at the New Theatre with "Why Sailors Go
Wrong," co-starring Sammy Cohen and Ted
McNamara.
Tampa
THE unusual slump in the show business
last week was attributed to the Demo-
cratic primaries. Meetings nightly and pic-
nics daily pulled good crowds, while the
theatres, with excellent programs that should
pull, found the going tough.
There is one exception, however, and that
one is the Victory, which held up great, with
"Glorious Betsy" and the Vitaphone and
Movietone, closing a run of ten straight days
to excellent business.
The Tampa had a good show the first
half with "The Big Killing" featured. Or-
dinarily this Beery and Hatton team would
have made a killing, but the show went over
to just ordinary returns. The last half wasn't
any better with "Diamond Handcuffs" fea-
tured.
The Strand had three excellent programs.
"Something Always Happens" was great.
"The Heart of a Follies Girl" and "Wall
Flowers" both good, but business just so-so.
The same may be said for the Franklin
which brought back "The Hunchback of
Notre Dame" and "Burning Daylight" for
-ei-"iul showings, and "After The Storm"
and "Drifting Sands" for first runs.
1968
Motion Picture Neivs
DalUis
Tl I K Dallas theatres checked off an aver-
age week's business the past seven days
with no big grosses, but attendance was
consistent and no red ink was necessary.
Since the advent of hot weather the early
shows are off but the later performances are
heavier giving practically the same averages.
"Across to Singapore," with Ramon No-
varro and Joan Crawford brought the Melba
a nice attendance and the weekly report was
a little above the average. The Melba is
gradually settling on a firm basis and busi-
ness is less erratic which shows that a pa-
tronage is being acquired.
At the Majestic, "Dressed to Kill," with
Edmund Lowe and Mary Crawford and a
gocd Interstate vaudeville bill secured the
largest business of any of the first run
houses although business was not big. A
great deal of good publicity was expended
on the bill as it was appreciation week.
Business at the Palace where "The Street
of Sin" with Emil Jannings was being shown,
fell below the usual Palace business, and
failed to bring forth favorable comment.
The Publix presentation failed to help out.
"The Blue Danube" starring Leatrice Joy,
brought good receipts for the week to the
Old Mill, and continued to hold up the good
business secured last week.
At the Capitol "Love Me and the World
Is Mine" with Norman Kerry and Mary
Philbin brought a little below the average
Capitol attendance, but was well liked.
At the Arcadia "Serenade" with Adolphe
Menjou, and Harold Lloyd in "Speedy"
brought forth large crowds for the entire
week, which is not out of the ordinary for
this theatre.
Baltimore
(Previous Week)
WHAT might he called fairly good busi-
ness was enjoyed by the first-run the-
atres here during the week beginning Mon-
day, May 21. But the best business for the
week was done at Warners' Metropolitan
where "Glorious Betsy," starring Dolores
Costello, with Vitaphone accompaniment and
dialogue and other Vitaphone acts on the
same bill, did a whale of a business and
turned them away throughout the week.
Pictures with Vitaphone dialogue, sing-
ing, accompaniment and sounds, have taken
a strong hold on the people here which has
been proved also by the success of the two
previous Vitaphone features "Tenderloin"
and "The Jazz Singer."
"Across to Singapore," with Ramon No-
varro, Joan Crawford, and Ernest Torrence,
proved a very good pulling attraction at
Loew's Century with the Kat Kabaret on
the same bill with Ted Claire, his orchestra
and other vaudeville headliners.
The Keith-Albee New Garden theatre,
where seven acts of high class Keith-Albee
vaudeville were presented with a feature pic-
ture, "Beyond London's Lights" started out
with fair patronage and gradually rose to
very good for the last three days of the
week.
"The Legion of the Condemned" featuring
Gary Cooper and Fay Wray, proved a sur-
prise, for everybody who saw it seemed to
like it immensely, and had only praise for
this picture which is a follower of Wings.
A good business was done throughout the
week and in some instances people called
it better than Wings.
The reissued version of "Peter Ibbetson,"
co-featuring Wallace Reid and Elsie Fergu-
son which was released in 1921 as "Forever,"
did a good business at the Little Theatre,
operated by the Motion Picture Guild, where
it was shown for a week, and patronage
held up very well during that time.
"A Woman Against the World," featuring
Harrison Ford and Georgia Hale, was the
film attraction at the Hippodrome with five
acts of Keith-Albee family time vaudeville
"ii the same bill. Business held up there
good through the week, and was very good
on Saturday.
The Stanley theatre did not go over so
well with "The Gorilla," people in many
instances remembering the thrills of the
stage play which the motion picture version
does not possess. Jazz Carnival, a stage
presentation act, was offered on the same
lull with Sammy Kaufman and his orches-
tra and other vaudeville headliners.
The Gainsborough British production of
"The Rat" with Ivor Novello and Mae
Marsh was offered at the New Theatre and
did a fair business which might be consid-
ered better than business which has been
done lately at that playhouse. Alphonse
Berg's Parisian revue and Maury Leaf were
offered in a stage presentation act.
Milwaukee
THH Memorial Day holiday in the middle
of the week helped down town theatres
to boost receipts for the week and suc-
ceeded in bringing business quite a bit above
average. Business was very brisk for the
week-end and on the extra holiday in spite
of the beautiful mild weather.
"Ramona" at the Garden packed the house
and is being held over for a second week.
"Harold Teen" brought in very gratifying
business to the Wisconsin. The Merrill fea-
turing "Circus Rookies" was fairly well at-
tended. "Thanks for the Buggy Ride" at the
Alhambra succeeded in keeping the house
very well filled. "Three Sinners" played to
capacity houses at the Strand.
Neighborhood theatres found business
rather slack throughout the week. Business
was far more active in the down town the-
atres than it was on the outskirts. "The
Whip Woman" was featured at the five Mid-
wesco pre-release houses and at all business
was just fair. "Blonde for a Night" was
well attended at the Venetian. "Old Iron-
Sides" made a fair bid for popularity at the
Egyptian.
Chicago
GOOD business on the Memorial Day
holiday helped boost the box office
gross for the past week in Chicago theatres,
where mid-week attendance has been far
from satisfactory for some time past, par-
ticularly in the neighborhood houses.
Three long run theatres in the loop are
changing programs this week end after do-
in^ fair to excellent business with their
present offerings for some weeks.
"Sadie Thompson," which has proved a
strong drawing card at the United Artists,
makes way for the latest Del Rio feature,
"Ramona."
"The Street of Sin," ends its good run at
McVickers, where "The Good Bye Kiss"
opens Sunday, and "Laugh, Clown, Laugh"
yields the screen to "The Drag Net," a de-
tective-thriller, at the Roosevelt.
The Chicago program including "The Yel-
low Lily" as its screen feature, Lou Holz in
person in a stage production Araby, and
Spitalny's patriotic musical feature, brought
in good business.
"Harold Teen," was the feature at the
Oriental with Mark Fisher and his stage
band in Here Comes the Bride, attendance
being satisfactory.
"Sorrell and Son" was the screen attrac-
tion at both the Tivoli and Uptown Thea-
tres. Bennie Krueger and his band, Ross
Cropper in person, and other stage special-
ties made up a particularly strong stage bill
at the Uptown, where business was good.
The Tivoli also had a satisfactory week.
Another feature being shown simultane-
ously at two big houses was "Don't Marry,"
which was the screen attraction at the
Granada and Marbro. Big programs, in-
cluding Movietone and Vitaphone, were of-
fered at both theatres and attendance was
good.
San Francisco
BECAUSE of abnormal weather condi-
tions, business generally in the motion
picture theatres was not as good as it should
have been. It has been discovered that
when a heavy wind blows, and the sky is
cloudy, that people desire to stay at home
and not visit either first run, down-town, or
residential theatres. Although the resi-
dential theatres do better business in pro-
portion than others, as the people visit
those close to their homes.
Loew's Warfield theatre did the biggest
business of the week of any theatre with
the picture, "Steamboat Bill, Jr.,, which was
shown together with "The Diving Venus,"
a Fanchon & Marco idea, and the orchestra
stunts.
The Granada theatre did fairly well with
"The Drag Net," on its screen, and "Fast
Mail," a Publix Revue stunt.
"The Circus," held over another week at
the St. Francis theatre, did not draw well,
and the picture was not popular.
Poor box office receipts were reported at
the California theatre even though the bill
was long. The picture shown was "Hell-
ship Bronson," considered a good one.
"Sailors' Wives," together with vaudeville
acts, at the Golden Gate theatre, did well,
and the Union Square theatre reported good
business with "Fangs of the Wild," "Tie
That Bull" and "The Haunted Ship."
"Tenderloin," shown for a third time at
the Embassy theatre, did fairly well, but
not nearly what was contemplated.
Among the residential and second run the-
atres none reported better business than the
Coliseum, which was filled when "Feel My
Pulse" and a popular act were shown, and
the picture, "Chicago," together with good
music, crowded the Alexandria.
Harrisburg, Pa.
BY all odds the best patronized picture of
the week in Harrisburg was "The Patent
Leather Kid," starring Richard Barthelmess,
at the Colonial. Manager Lee Levy, of the
theatre, had advertised it well in advance as
"a $2.20 per seat road show at usual prices."
The theatre was crowded the first day and
the film took hold immediately with the
Harrisburg fans, with the result that each
night witnessed standing room.
Some other first run attractions did con-
spicuously less business. Wallace Beery
and Raymond Hatton, in "The Big Killing,"
did only fairly well at the Victoria, while at
Loew's Regent, where the feature film was
Norma Shearer m "The Actress," there
were some nights when many seats were
empty.
On the other hand, the State had a suc-
cessful week, the film attraction for the first
half of which was "If I Were Single," with
May McAvoy and Conrad Nagel. The
vaudeville side of the State's program head-
lined Franklyn Farnum, screen and stage
star.
On Tuesday the Russell theatre offered
a double feature bill, consisting of Karl
Dane and George K. Arthur in "Rookies,"
and Gilda Gray in "The Devil Dancer."
This proved to be a paying combination.
Generally speaking, there was a falling
off of movie patronage, which was con-
sidered seasonable, however, due to the
opening of many outdoor amusements start-
ing with Memorial Day, May 30. The
Ringling Brothers and Barnum and Bailey
circus showed in Harrisburg May 29. This
probably helped rather than hurt the movies,
however, as it attracted lots of out-of-town
people who patronized both the pictures and
the circus.
June 9 , 19 2 8
1%9
Opinions on Pictures
The Drag Net
Interesting Melodrama Here
(Reviewed by Laurence Reid)
EVER since " Inderworld " created such
a stir in producers and exhibitors'
circles (to say nothing of the public) more
than one company lias tried to duplicate it.
The results have been fairly successful,
though the original still stands in a class
by itself. However, the sponsors needn't
be ashamed of the new release. It was di-
rected by von Sternberg, the same man
who had charge of "Underworld," and so,
of course, he knew what he was shooting
at. Incidentally, he has turned out a film
which packs away the customary number
of thrills.
The plot goes righl down to the under-
world for its action and unfolds some tense
situations. Moreover it has George Ban-
croft and Evelyn Brent portraying char-
acters not a great deal unlike their roles
in "Underworld." The story gets real
"intrikut," what with its theme projecting
three murders. The central figure is a de-
tective chief who is framed for murder
when he attempts to round up a gang of
crooks. Be it said for the ••hull" — he gets
his men. The piece is atmospheric and is
acted with sufficient intensity to keep one's
pulse active. It will satisfy.
Drawing Power: Suitable for any type
of house. Exploitation Angles: Feature
cast and bill as companion picture to
"Underworld."
THEME : Melodrama of underworld with
gang trying to frame detective.
Produced and distributed by Famous
Players. Length, six reels. Released, June,
PL'S. Cast: George Bancroft, William
Powell, Fred Kohler, Evelyn Brent. Fran-
cis MacDonald, Leslie Kenton. Director,
Josef von Sternberg.
Fazil
Super Romanee-C.olorful and
Interesting
(Reviewed by Laurence Reid)
O.TEAMING passion on the white hot
k^ sands — that's "Fazil," which projects
Charles Farrell in the regalia of a sheik
and thrusts him into a torrid romance.
And the way he conducts himself indicates
that he's qualified to show a few of the
boys how passion should !>■• registered. He
takes the hurdle from sweet sentiment in
a Paris garret ("Seventh Heaven" — you
know) to burning ardor on the desert —
and takes it with ease and surety.
This "Fazil" is a version of 'the East
versus West theme with Farrell playing
an Arab chieftain who marries a sprightly
Parisienne. Once she gets a taste of the
monotony of the desert, life begins to pal]
on her. So she rebels, and in doing so
precipitates a quarrel. The Arab leaves
her to return to his dear desert where he
establishes a harem. Eventually such a
state of affairs makes her jealous, with the
result that she comes back to him and
compels the dusky maids to exit. In the
end he is shot by her rescuers, but before
he dies he poisons his wife. And they pass
out together.
This is the plot, which is simple enough,
but which holds the attention through the
colorful incident, the red-hot love-making
and the atmospheric! backgrounds. It is a
highly seasoned romance and capitally
acted by Farrell and Greta Nissen.
Drawing Power: Farrell has a following.
Suitable for every type of house. Women
should love it. Exploitation Angles: Play
up Farrell and Nissen. Billed as red-hot
romance of desert sands, it should turn
'em away.
THEME: Romantic drama of Arab mar-
ried to Parisienne.
Produced and distributed by Fox.
Length, eight reels. Released, June, 1928.
Cast: Charles Farrell, Greta Nissen, .Mae
Busch, Tyler Brooke, Eddie Sturgis, Jose-
phine Borio, John Boles, John T. Murray.
Director, Howard Hawks.
Don't Marry
A Trifling Tidbit — Just So-So
(Reviewed 1»> Laurence Reid)
A SLIGHT tidbit of romance comes
right out into the open here and
makes its bow, and all things considered
it will probably entertain the young folks
during moments of its brief hour. There's
nothing to it, and most of the interest is
centered around Lois Moran in a bathing
>tiit —and some fairly bright captions. It
could be condensed into three reels and not
miss a thing. The plot is extremely slender
and gives itself away as early as the
second reel. Thus to keep it going the di-
rector resorts to padding it full of repeti-
tious incident.
The story expands around the effort of
a very modern flapper to convince a youth
with mid-Victorian ideas that the old-
fashioned girl is hopeless these days. He
had frowned on Miss Flapper when she
blows volumes of cigarette smoke in his
face. So she masquerades as her antique
"sister" — one given to playing the harp
and dressing a la early nineties. After she
makes a fool of him by parading around
in such finery and talking an equally old-
fashioned language, he is willing to accept
the flapper. And that's all there is to it.
Mi-s Moran makes a pleasing picture and
acts her pari with good shading. But the
film is mostly a walking effort — the char-
acters walking on and off the sets and
scenery. It's just a movie, and not a very
good one.
Drawing Power: Title has some appeal.
Suitable for program hous S. Exploitation
Angles: Play up Lois Moran and feature
her in bathing attire. Flay up Neil Ham-
ilton. Bill as romance of youth and sum-
mertime.
THEME: Romance of flapper who con-
vinces youth that old-fashioned ideas of
dress and deportment aren't so hot.
Produced and distributed by Fox-
Length, >ix reels. Released, May, 1928.
The Strange Case of Cap-
tain Ramper
Good Idea, Hut Botchy Pictun — Vol
For the Box Office
(He\\vwvi\ by Laurence Reid )
A GERMAN importation bobs up in this
one, and it can't be handed much. A
good idea is lost in the slip-shod method
of producing it, and it sloughs off into a
lot of mawkish sentimentality. Moreover,
its central character is not sympathetic
enough as portrayed by Paul Wegener, the
Teuton who some may remember in the
title role of "The Golem."
The picture has been extensively bally-
hooed, but it doesn't live up to its notices.
Its idea is fantastic and had it been treated
with more imagination it might have
proved a sensation. But it misses fire and
has very little to recommend it.
Wegener plays an ape man, one who re-
verts to type when his plane is wrecked
in the Arctic. His mechanic (the weaker
of the two) succumbs, and Hamper, left
to eke out an existence, loses his power of
speech and his mind ceases to function be-
yond the instinctive processes. He also
grows a thick coat of fur. Several years
later whaling men rescue him and sell him
to a side-show. Eventually lie recovers his
erstwhile talents, but is so disgusted at the
human picture that he gladly returns to
the Arctic.
Such a character as portrayed here wins
little sympathy, not even when the side-
showman's sister brings him to an awaken-
ing of himself.
Drawing Power: Has none at all exc pt
what you give it as something off beaten
path. Suitable for houses which have ex-
tensive program. Exploitation Angles:
Play up theme and star. Send question
teasers asking if it is possible for a human
to revert to lowest type of animal life.
Length, seven reel-. Released, .lime.
HVJS.
"Sailor Boy"
( Educational < )iu* Reel i
THFRE is something tunny in the counte-
nance of Monty Collins which provokes
merriment even before he energetically swings
into the fast-moving rhythm of these Cameo
comedies and proceeds to hand out his gag ma-
terial with a deft and effective touch. Educa-
tional discovered a genuine comedian when they
signed Collins and starred him in these Cameos.
He's rising rapidly and carving his own little
niche on the mountain of comedy. His latest,
"Sailor Boy," is chock full of speedy stuff, and
is calculated to set the fans alaughing.
Monty, minus his mustache and dolled up in
a gob's outfit, visits the hospital where pretty
Lucille Hntton works as a nurse. To gain ad-
mittance over the threshold jealously guarded
by Fva Thatcher, he throws a fit and is taken
to the operation room for an examination.
Monte conveniently recovers when Miss Lucille
appears, hut the doctor has no intention of let-
tint; him loose. A wild chase follows. Monty
being pursued by the hospital internes and mili-
tary policemen who are on the lookout for
sailors overstaving their shore leave.
Snappy stuff.— RAYMOND GANLY.
1970
Motion Picture N e 7v s
"A Homemade Man"
(Educational— Two Reels)
(.Reviewed by Raymond Ganly)
T LOYD "HAM" HAMILTON, a veteran
*— 1 comic who has clowned his way through
many a laughable fun creation, tickles the ribs
in this Educational two-reeler. The buffoonish
"Ham" gives an impression of huge, dumb and
stupid immobility. As a soda clerk he is sappy
and articulately comical to such an extent that
the gentle quakings he starts soon develop into
genuine outbursts of hilarity. To be brief :
"Ham" has a fine comedy. The hard-boiled
exhibitor will concur with this statement when
he hears the laughs it will pull from his clients.
"Ham" is a "mother's boy" whom Kewpie
Morgan hires to fill a vacancy behind his soda
fountain, at which the tired business men who
frequent his gymnasium refresh themselves.
Lloyd does a lot of silly things and his attempts
to impress Lucille Hutton with the fact that
he is a demon soda-jerker are all well done.
After some hilarious moments behind the count-
er, "Ham" tries his hand at the gym parapher-
nalia. Here are some more occasions for
gurgling laughs. Of course, they slapstick all
over the scene and carry on a la roughhouse,
but it is all good fun and if the latter half of
the comedy is not as good as that which pre-
cedes, that cannot be laid at the door of Hamil-
ton, whose oafish fun-making persists to the
very end. A grand roughhouse finish tops it off.
"The Flight That Failed"
(Pathe— One Reel)
CARTOONIST PAUL TERRY'S use of
the "good-will-flight" idea in this release,
forms the background for a series of animated
situations that will bring many laughs.
Farmer Al and Henry Cat depart on an air
trip into the dark regions of Africa. Al Spies
a lion, and upon descending endeavors to "glad
hand" the beast, but instead is treated to a
handsome cuffing. Saved by the Cat, old Al
again tries his luck, this time with a tribe of
man-eating cannibals. Al is given a royal re-
ception, and is led to the speakers platform,
where he urges a warmer relationship. He
gets it, when the cannibals spring a trap door,
dropping him into a pot of boiling water.
Henry Cat once more comes to Al's rescue,
and they turn the plane for home, but not before
a family of skunks have made their way up the
dangling rope ladder. In a desperate effort to
escape their latest torture, the aviators finally
wreck the ship.— GEORGE J. REDDY.
"Puppy Love"
(Pathe— One Reel)
ALTHOUGH there is no new twist to this
Terry release, the animation is the car-
toonist's usual clever brand, which rarely if
ever fails to click.
Farmer Alfalfa's mischievous pups cause him
no end of trouble, loosening the scaffold on
which he is painting, tossing him into the well.
The pups next turn their attention to Danny
Dog and Adele Airdale, who are spooning in
the park. The many tricks pulled by Danny to
outwit the pups, supply most of the laughs of
this number. — GEORGE J. REDDY.
"Thoughts While Fishing" —
"Silver Shadows"
(Educational — One Reel)
EVEN in projection rooms where films meet
their acid test these Bruce subjects of the
beautiful outdoors charm the spectator. They
contain so much of the beautiful, so much of
nature's handiwork that they work right into
your feelings. Imagine watching a delicious
scene of a clear, swiftly running stream beneath
whose surface you can catch glimpses of fish,
of such numbers to be a magnet to any fisher-
man. Not only do these scenic awaken fruitful
thoughts of nature, but they also produce a calm
restful effect which can be ever so more strongly
brought out in a sympathetic orchestral accom-
paniment. This Bruce subject will help an
exhibitor's program immensely if scored with
the proper music. A distinctive nature number.
Manipulating adjectives, one does not find
them warm enough to describe adequately the
unique camera effects of "Silver Shadows."
You can liken them to rare paintings done in
oil. All the artist in Bruce is apparent in these
lovely shots, softly etched, expertly filtered, a
record of beautiful" shadows in the sky at dusk.
Steeped in beauty, this little "Silver Shadows"
is worth many a glance. — RAYMOND
GANLY.
News Reel Resume
Last week Paramount News brought to
Broadway the first pietures of Wilkins,
conqueror of the North Pole, at Spitzen-
bergen. This was a beat over the other
reels and, inasmuch as this same reel ob-
tained the first picture of the Bremen crew
on Greenely Island when competition was
rife among- all news organizations, the idea
that the newsreel which Emanuel Cohen
heads is a live one receives additional testi-
mony.
On the whole, this week was uneventful.
But there is more competition in the offing
and the different newsreels will do their
darndest to secure the new pictures of the
Southern Cross and its courageous crew,
whose flight across the Pacific is a thing to
acclaim.
The synopsis of the reels follows :
Paramount News, No. 89: Olso, Nor-
wegian capital, greets Wilkins; the South-
ern Cross and its crew at Oakland, Cal. ;
how the Sphinx looks after the restoration
work has been finished; winner of the
Indianapolis speedway classic; the 70th
Congress adjourns; Jap forces mobilize
at Nagoya; President Coolidge on Memorial
Day at Gettysburg; the start of the balloon
races at Pittsburgh.
More pictures of the Southern Cross and
its crew at Oakland led off No. 90 of Para-
mount News. Additional stories were : the
Wisconsin summer home of the Coolidges ;
Germany's giant seaplanes for ocean
flights; Setsu Matsudaira, daughter of the
Japanese ambassador at Washington; Ger-
man amuses crowds by getting shot out of
a cannon; Queen Marie at national school
festival; golf course for business men atop
Birmingham hotel; scenes of conflict be-
tween Chinese and Japanese forces; the
first leg of the trans-atlantic flight of
"Friendship," Miss Amelia Earhart, its
girl passenger.
Fox News, Vol. 9, No. 71: Stanford de-
feating eastern rivals for track title; dog
show in New Jersey; U. S. Davis Cup team
defeating China; new entrants into the
beauty pageant; passenger air line started
in Cal.; Republican and Democratic base-
ball teams; Spanish girls embroidering
mantle for Seville religious fete ; a moun-
tain log jam breaking in Wyoming; Den-
ver gymnastic class in exhibition.
In No. 72 were: Spanish fliers before
their take-off from Spain; the Southern
Cross and crew at Oakland; the President
at Gettysburg; U. S. girl athletes in train-
ing for Olympics; the Indianapolis auto-
mobile classic; London girl in beach ap-
parel; the start of the Pittsburgh balloon
race; motorcycles in pushball clash in Ya.
International 'News, Vol. 10, No. 44:
British air cadets in dancing exercises ;
President Coolidge at Gettysburg; yatch
regatta in Long Island Sound; army bal-
loonists in national meet ; Chinese catching
fish with their trained cormorants; French
cyclists in race; the Indianapolis auto race;
the Southern Cross and its intrepid crew.
No. 45: Annapolis middies in commence-
ment parade; 60,000 in German Day
festival at Chicago. U. S. defeating China
in tennis ; a turtle and a crocodile who are
pals; poloists open season in Long-
Island; battered liner President Garfield
towed back to port; the log cabin home
where the President will vacation; Thea
Rasche takes Mrs. James A. Stillman aloft
in her plane; women athletes' games at
Chicago; General Nobile and the Italia and
crew at Spitzbergen ; Miss Earhart and her
plane in which she will attempt to fly the
Atlantic.
Kinograms No. 5401 : Coolidge deliver-
ing his address at Gettysburg; French
launching odd speed boat in which they
hope to cross the Atlantic; old men's
billiard club in St. Louis; the balloon races
at Indianapolis; the Southern Cross and
her crew at Oakland.
No. 5402: The Southern Cross at Oak-
land; laying corner-stone of memorial to
women's services in the late war; motor-
cyclists climbing hills; daughter of Japan-
ese envoy leaves Washington for wedding
in Japan; U. S. Ambassador Houghton ar-
rives in N. Y. from England ; foreign coun-
tries send beautiful girls to try their luck in
beauty pageant; the future home of Presi-
dent Coolidge at Brule River, Wis. ; auto
employs rocket for motive power; Stan-
ford athletes gallop through N. Y. A. C.
meet.
Pathe News, No. 47: Rocket-driven auto
tried out in Berlin; scholastic festival in
Roumania; the President at Gettysburg; a
kangaroo boxer battling a man opponent;
raising the old German warship, the
Moltke; balloons leaving Pittsburgh in
fatal race; Jap divisions leaving for China
front ; the 500-mile auto classic at Indiana-
polis ; the Southern Cross at Oakland.
No. 48: The Southern Cross in the air
over Oakland; America's oldest military
unit in review on Boston common; Italian
race up high toAvers of Rome radio station :
cleaning an elephant; ocean glider tried
out on the Seine, France ; where the Presi-
dent will spend his vacation; Thea Rasche
and Mrs. Stillman; navy shooting planes
from ship.
M-G-M News, Vol. 1, No. 84: Coolidge
at the battlefield of Gettysburg; the motor
speedway race at Indianapolis; more Jap
troops leaving homeland for China war;
14 balloons which figured in recent balloon
race ; the kangaroo at it again ; Soviet labor
day in Moscow; the Southern Cross at Oak-
land ; General Nobile and the crew of the
lost Italia at Kings Bay, Spitzbergen.
No. 85: Troops in display before King-
George; U. S. defeating China in tennis
fray; the torn ship, the S. S. Garfield in
Boston harbor; girl athlete contestants in
Chicago meet; diving bears at the St. Louis
zoo; advance sidelights on the Republican
convention in Kansas City; Miss Earhart
and the Friendship as they looked before
hopping off from Boston to Newfoundland.
June 9 , 19 28
1971
LON
CHANEY
UUGM
TEDDY DIXON
Riviera Stage Band
Elcotc and Byrne
Betsy Rees
DoyI« an<* ScMrmer
Dan Ross, Organist
LON
CHANEY
2^ BIG WEEft
"SB
%1
CAPITOL
:1*V MANET
MAMMOTH STAGE FUN SHOW
V AND T+tf 6R0*0«AY BAND
^ANCHON & MA&CO'S
PEP-BITS"
emit ' ttMi
Mil KELLY
I (■»!> IVANS
HI IK I <Uf<<UIII
IED MARKS
.... LAUCH
CLOWN
MUCH.
IL1ARD
MERRY
WIDOW
REVUE,
a
PPICES
ii a. si -i r. tt i i : - *i
25c-
child*
B
.1 group of newspaper layouts showing how Lon
Chaney in "Laugh, Clown, Laugh" was exploited at
six of the first run theatres. Tli<> group includes
ads used by the following houses: Loew's Palace,
Indianapolis: Riviera. Waterloo, la.; Loew's Co-
lumbia, Washington, (Pre.; Capitol. Des Moines,
and Loew's Park. Cleveland.
Classified Ads
RATES- 10 cents a word for each insertion, in advancu
except Employment Wanted, on which rate is 5 cents
Situations Wanted
ORGANISTS and SING-
ERS, thoroughly trained and
experienced in theatre work.
Men and women now ready
for good positions. Union or
nonunion. Write salary, and
other data. Address, Chicago
Musical College, 64 E. Van
Buren, Chicago.
A-l Male Organist at liber-
ty. Wurlitzer specialist. Or-
ganist, 1112 Lee St., Charles-
ton-Ka., W. Va.
Projectionist. Five years
experience. Desires position,
where real projection is ap-
preciated. Any equipment,
anywhere. Single, reliable.
Write or wire. Carr Ililburn,
Bladenboro, North Carolina.
MANAGER 9 years in last
position. Broad experience,
married, best references,
wants position in motion pic-
ture theatre. Can make good
anywhere. Address Box 349.
care Motion Picture News,
729 Seventh Ave., New York.
YOUNG MAN, five years'
experience as moving picture
theatre assistant manager de-
sires position in that capacity
or opportunity as manager of
small house. Experienced pub-
licity and ballyhoo man and
in the compiling of programs,
etc. Address Box 336, care of
Motion Picture News.
ORGANIST at liberty.
Man with excellent references
and recommendations at li-
berty. States bordering the
Great Lakes preferred. Long
hours no objective. lias good
library and uses it. Address
Box 198, care Motion Picture
News, 729 Seventh Ave., New
York City.
Studio and Laboratory
manager desires change.
Complete knowledge of came-
ras, laboratory, titles, anima-
tion, theatre trailers, news re-
leases. Best references. Want
position with future. If you
can offer good salary and need
a man who knows the game,
write Box 353, care Motion
Picture News, 729 Seventh
Avenue., New York City.
THEATRE MANAGER
desires change, wife organist,
both thoroughly experienced
Vaudeville, Pictures. If your
theatre is a dead one let us
bring it to life. Best refer-
ences. Box 320, care Motion
Picture News, New York City.
EXPERIENCED OPERA-
TOR and mechanic. Best re-
ference. Would like to invest
part of salary in same theatre.
Address Box 337, care Motion
Picture News.
Wanted
WANTED.— Manager for
Motion Picture House, live
town of 8000, hard coal re-
gion. Good opportunity for
right man who must be live
wire with modern ideas and
stand strict investigation.
Don't write unless you can
make good. State all first let-
ter. Address K. R., care of
Motion Picture News, 729
Seventh Ave., New York City.
or
Sale
FOP SALE — 700 fine p-
holstered opera chairs from
first-class theatre, $2.75 per
chair. Also L000 strong and
durable veneer chairs at
$1.10. Can be seen upon re-
quest. Box 425, care of Mo-
tion Picture News, 729 7th
Ave., New York City.
1972 Motion Picture N eiv s
onalNewsfrom Corresponden
ELMER TILTON, manager of
the Des Moines branch,
First National, underwent an
operation last week at one of the
local hospitals. He was absent
from the office for three days and
got along nicely.
Marion Ackerson, who has been
with M-G-M since the open-
ing of that office, last week, an-
nounced her marriage to George S.
Grisman, who was formerly in Des
Afoines as booker for the A. H.
Blank theatres.
Mrs. L. Shepard, one of Iowa's
progressive woman exhibitors, who
operates the Princess theatre at
Livermore, was seen along film
row recently.
Katherine Hiller, cashier of the
Educational office, is another bride
of film row. She is now Mrs. Ken-
neth Pillis. Mrs. Pillis will re-
main at the Educational office.
Goldie Sparr, stenographer at
the M-G-M office, has returned
from a vacation at her home town,
Albert City. Iowa.
Joe Benjamin Gerbracht, man-
ager for the Commonwealth The-
Des Moines
atre Company's houses at Ames,
Iowa, was in Des Moines the past
week and announced that work is
progressing nicely on changes he
is making in his theatres there.
J. W. Miller, theatre broker, re-
ports the sale of the theatre at
Cambridge, 111., to Floyd Albert,
of Primghar, Iowa. Mr. Albert
was in the film business eight
years ago in Iowa, but has since
been in the banking business at
Primghar. He bought the theatre
last week but will not take posses-
sion until September 1st.
Universal's staff were a bit
downhearted last week, coming
fourth in the national contest. The
Des Moines office held first place
until the very end of the contest.
C. E. Carragher, of the Park
theatre at Clear Lake, Iowa, was
in to book pictures last week.
Miss Leone Mathews, secretary
and treasurer of the Des Moines
Film Board of Trade, returned
from her trip to the coast.
Charles C. Miller recently
bought the Tabor house at Tabor,
Iowa.
Mindon, Iowa, is to have motion
pictures on Wednesdays of each
week as the result of a movement
sponsored by the American Legion
there. The pictures will be shown
free of charge.
John D. Howard, who was for-
merly manager of the Broadway
theatre at Council Bluffs, will take
over the management of the Rialto
theatre for A. H. Blank.
W. H. Eddy, of Indianola, secre-
tary and treasurer of the Iowa
M. P. T. O. expects to return to
his home soon, after several weeks
spent in a Des Moines hospital,
following a major operation. His
son has been operating the theatre
in his absence.
George Adams, manager for the
Reproduco Organ Company in this
district, was in Des Moines last
week.
Jimmy Winn, manager for Edu-
cational, returned from his com-
pany's convention in the east last
week.
Visitors along film row recently
were Mr. and Mrs. John Ander-
son, of the Princess at Boone ; Mr.
Garland, of the Princess at Glid-
den, and William Johnson, of the
Strand in Fort Dodge.
E. W. Williams is erecting a
new theatre at Manchester, Iowa,
which it is announced is to cost
$50,000.
The Garrick theatre in Des
Moines will reopen in the fall
under a new name. It will be
known as the President.
A new motion picture house is to
be constructed at Morrison, Iowa,
soon. Contracts are to be let with-
in a few weeks.
St* Louis
CURFEW will sound no more
in Quincy, 111. The com-
munity has decided that the strident
whistle blown at 9 p.m. each eve-
ning to warn small children to be
in their homes is a nuisance and
unnecessary. The city council re-
cently ordered it discontinued.
Under the new arrangement chil-
dren may stay a little late in their
favorite picture show without fear
of being arrested by a policeman.
G. E. McKean, who represents
Fox in the territory west of the
Mississippi River, returned last
week from a convention held in
New York City.
Paul Hughes, on June 9th, will
open a 300-seat theatre in Bluford,
111.
Tom McKean, of Progress Pic-
tures, and Jack O'Toole attended
the Play Golf convention in Cleve-
land, O., the past week.
The Crescent theatre, St. Fran-
cisville, 111., has been closed.
A fire in the projection room of
the Strand theatre. West Frank-
fort, 111., during the matinee on
Memorial Day destroyed eleven
reels of film. The house, which
is operated by Reed, Yemm &
Hayes, reopened for the night per-
formance the same day.
Guy Bradford, who traveled
Arkansas and Tennessee for the
St. Louis Tiffany Pictures ex-
change, has been promoted to man-
ager at Kansas City.
Jerry Steel, formerly with War-
ner Brothers office in Cleveland,
O., has succeeded Nicky Goldham-
mer as manager in St. Louis.
Nicky, in turn, moved up to Min-
neapolis, Minn., his home town.
Steel, who has had fifteen years'
film experience, was special home
office representative in the Cleve-
land territory for Warner Brothers.
Harry Strickland is traveling
Southern Illinois for Tiffany Pic-
tures. He returned recently from
Atlanta, Ga.
Claude McKean, formerly vice-
president of Premier Pictures Cor-
poration, has been placed in charge
of a newly opened branch office to
handle Columbia Pictures in the
St. Louis territory.
Chester Markert has succeeded
Stuart Barrie as organist at
Skouras Brothers' Ambassador the-
atre. He is a native of St. Louis
and a pupil of Barrie. He helped
to design the Ambassador organ.
Fred Wehrenberg plans to spend
approximately $15,000 in improve-
ments and redecorating his Melba
theatre, Grand boulevard and
Miami street. The policy of the
house may be changed from five
changes a week to two pictures a
week with a stage show.
Everett Hays, manager of the
St. Louis theatre, has gone east
for his annual vacation. In his
absence Ross Garver, manager of
the Orpheum theatre, is in charge
of the St. Louis.
Clarence R. Underwood, an in-
structor and salesman for the
amateur department of the A. S.
Aloe Company, St. Louis, was de-
clared winner of the first prize
offered by Photoplay Magazine in
an amateur movie contest. His
winning film was a study of the
St. Louis Zoo in Forest Park.
South West
DEATH recently claimed I. J.
Robb, seventy-eight year old
father of H. B. Robb, of the R. &
R. Enterprises. Burial at Big
Spring, Texas.
Fred Smith will open his new
Circle theatre at Tulsa, Okla., in
the near future.
Charles Mali me will also open a
new theatre at Hobart, Okla.
A. B. Momand will remodel his
Jackson theatre at Pawhuska,
Okla., soon.
Mary Frew was selected as Miss
Oklahoma City to comp?te for
beauty In mors at the Galveston,
Texas, pageant early in June. She
was selected from a group of seven,
by judges who passed upon the en-
tries in the Orpheum theatre con-
test here, which ended the latter
part of May.
The Civic theatre of Oklahoma
City has closed its season and re-
ported good business for the entire
run.
The Empire theatre at Eldorado,
Okla., reopened last week following
a closing of about a month.
Anna Russell, cashier for First
National at Oklahoma City, is on
sick leave and her place is being
filled by her husband, R. R. Rus-
sell.
W. G. Underwood has purchased
the Pantage theatre at Dallas,
Texas, from R. J. Stinnett, and
will shortly announce an unusual
policy for its operation.
H. C. Husron reopened his
Crystal theatre at Pittsburg, Texas,
May 31st.
J. E. McCauley, head of the
Peerless Lamp Co., was in Dallas,
Texas, last week, on business.
Hughes & Kemp have purchased
the New theatre at DeQueen, Ark.
The Pantages theatre at Dallas,
Texas, has purchased a film Syn-
chronizer which was designed and
built by local men.
Incorporation : G r a n d f i e 1 d
Amusement Co., Grandfield, Okla.,
capital stock, $3,000. Incorporat-
ors, J. L. Hallmark, R. E. Stone-
si fer and Joe Brown.
Grace Bristow recently left
Home State, Okla City, to return
to her home town, Wichita Falls,
Texas.
Jack Campbell and Cliff White,
of Educational exchange, spent last
week end at Sulphur, Okla.
June 9, 19 28
1973
Albany
A U'STIN I NTERRANTE, one
l\ time manager for Warner
Brothers in Alhany, and later
handling the Majestic theatre in
Troy, will look after Columbia's
interests in the territory between
Alhany and Buffalo, where that
company will soon open exchanges.
The Hider theatre in Bingham-
ton has closed for an indefinite per-
iod. It has been run by J. Kozaka.
The Sans Souci in Watervliet,
owned and operated by Maurice
Sullivan, is having its front re-
modeled and otherwise improved.
The upper floors of the Mark-
Strand building in Alhany are also
undergoing improvements.
Mrs. Leland Dohbs, employed at
the Tiffany exchange in Albany,
returned to work last Monday, fol-
lowing an absence of three weeks,
during which time she recovered
from an operation.
Two new film salesmen have
been added to film row. The new-
comers are Joe Murphy, of bitch-
burg, Mass., who will represent P.
B. O., and Sterling Wilscon, who
is associated with the Tiffany ex-
change.
John A. Thoma, manager of the
Avon in Watertown for the past
six months, was last week named
as managing director for all of the
Schine enterprises in that city, in-
cluding direct supervision over the
Olympic, Palace and Avon theatres.
Jack Krause, recently local man-
ager for Tiffany, will now repre-
sent United Artists.
Margaret Maudrich, formerly of
First National and Universal ex-
changes in Albany, is now with the
Tiffany office force, succeeding
Mrs. Catherine Burke, who re-
signed.
Charles Simmons, owner of a
foundry on the outskirts of Alhany.
is remodeling the building, and
contemplates running Sunday mov-
ies during the summer season.
In Willsboro there is a motion
picture theatre which is run one
night a week by the Maccabees, one
night by the Odd Fellows and one
night by the Champlain Club.
Arthur Richardson is back from
Florida, and plans to open a the-
atre at Schroon I^ake in the near
future.
J. B. Harte of Bennington, Vt,
attended the recent Vermont Re-
publican state gathering at Burling-
ton.
Burglars entered the Eagle the-
atre in Albany, owned and oper-
ated by Abe Stone, last week, and
made off with about $45.
Burt Moran, formerly manager
of the Pathe exchange in Albany,
is now handling that company's
branch at New Haven.
A new theatre, The Happy Hour,
located at North Creek, was
opened last week with Nick Ba-
roudi at the helm.
Recent callers along film row
were : Louis Schine and George
Lynch, of Glovcrsville ; Sam
Hochstin, of Hudson; Mike Bou-
mansour, of the Plaza in Malone;
Lew Fischer, from Ft. Edward,
and Charles Marshall, of Ausable
Forks.
Charles Dery, of the theatre in
Port Henry, reports that he has
secured a permit to run Sunday
night shows.
Although reports indicate that
William Smallcy of Cooperstown
has recovered his health, he has
not appeared in Albany in several
weeks.
Mrs. Smith, who has served as
vice-president and treasurer of tin
the Howell Trucking Service in
Syracuse, has started a service of
her own and will operate in the
delivery of film between Albany
and Buffalo.
Cincinnati
THE numerous rumors which
have been current in Cincin-
nati for the past several weeks as
to the future of the Walnut theatre
have been definitely set at rest.
The building, acquired by the
Keith-Albce-Harris-Libson - Heid-
ingsfeld interests during recent
months, has been disposed of to lo-
cal parties, who will convert the
structure into a large public gar-
age. Constantly declining business
is the reason assigned for dispos-
ing of the property.
Following closely upon the an-
nouncement by the Keith-Albee and
allied interests that the Palace the-
atre, Cincinnati, playing vaudeville
and pictures, would hereafter play
a lesser number of acts and give
three instead of four performances,
except Saturdays, Sundays and
holidays, the local offices of the
same organization has given out
information that a retrenchment
policy would likewise be inaugur-
ated at the Lyric, Capitol and
Strand theatres. Six musicians
will be dispensed with at each of
the first two houses, and three from
the Strand. No reduction in ad-
mission prices is mentioned in the
announcement.
Andrew G. Hettesheimer, man-
aging director of the Strand,
Family and Keith's theatres, Cin-
cinnati, was elected to the board of
directors of the Stage and Screen
Scribes of America, at the annual
meeting held at Chester Park, Cin-
cinnati, recently.
William M. James, president of
the M.P.T.O., Ohio, was the fea-
tured speaker at a recent meeting
of the Kiwanis club, at Oxford,
Ohio, which was attended by sev-
eral exhibitors from nearby cities.
G. J. Reister, manager of the
Ohio theatre, has dispensed with
his corps of male ushers, and re-
placed them with the female of the
species whose outer apparel con-
sists of attractive blue smocks.
Although it is understood that
the Loew interests are looking for
a house in Cincinnati to be in close
proximity to the recently-opened
Albee theatre, located on Fountain
Square, it is certain that they will
not secure the Grand Opera House,
as unofficially stated in many recent
reports. A. L. Erlanger, who holds
the lease on the house, has signed
contracts for an extensive remodel-
ing program to cost around $200,-
000, and will rename the theatre
Erlanger's Grand Opera House
when it opens in September, prob-
ably with a road-show picture in
advance of the regular legitimate
season.
Hamilton, Ohio, managers not
only see red, but say they will
probably have to purchase an extra
supply of red ink for the summer
months. Reason is that a several
weeks' season of running races has
been attracting the public, and now
a 100-day season of dog races has
been inaugurated, which not only
diverts the crowds from the picture
houses, but depletes the exchequer
of the public to the extent that
comparatively few coins are jing-
ling in the theatre box offices.
The Eagle theatre. Hamilton, of
which Lou Snitzer is manager, is
playing vaudeville on Sunday in
addition to the regular picture pro-
gram.
Baltimore
NKW estimates on tin- huilding
of a theatre by Lake's Tux-
edo Company in a suburb of Balti-
more, will he asked in the autumn
because bids received have been re-
jected. The building was designed
by Stanislaus Russell, architect.
Four stores, a library room and
eight apartments are to be in-
cluded in the motion picture the-
atre building to be erected by the
Lyndhurst Theatre Corporation at
Edmondson avenue and Fdgcwood
street here, to cost about S200,(X)0.
H. L. Maas has received the con-
tract for the work.
Welden Waters, publicity repre-
sentative of Paramount, Washing-
ton, D. C, exchange, is at present
on a trip to North Carolina.
Having recovered from a broken
ankle, Maurice Langhart, a sales-
man for Universal Washington. D.
C, exchange, has returned to his
work.
A bouncing boy was presented to
Tom Smith, booker for F. B. O.
exchange, Washington, D. C, by
his wife recently.
Having suffered a nervous
breakdown, Margaret Hannah, of
the Paramount, Washington. I). C.
staff is now on the way to recover)
at a sanatorium near Washington.
The New theatre, operated by
the Whitehurst Theatrical Inter-
ests, here, of which Dr. J. H.
Whitehurst is president, with loOO
seats, wil close for the summer on
June 9.
The new Lyceum theatre, Ches-
tertown, Md.. seating 600 persons,
wil be used for moving pictures in
the fall, when it will he ready for
opening. This bouse is owned by
L. Bates Russell, who also operates
the Town Hall.
Mrs. Frances Whitcomb. former
secretary of Harry Hunter of the
Paramount. Washington, D. C, ex-
change, has become a mother,
A moving picture to be entitled
"The City Beautiful" is being made
in Baltimore, which shows the de-
velopment of that city from the
early days to the present. It is
being made under the auspices of
the Woman's Civic league. Dur-
ing the summer, when the Munici-
pal and Park bands give their con-
certs, it will be shown.
Due to lack of patronage, the
Garden Roof dance pavillion over
the New Garden theatre here will
be opened only on Wednesday and
Saturday nights throughout the
summer instead of every night as
had been planned.
1974
Motion Picture N ezvs
South East
Editor's Note: From this issue on
all regional news from the Caro-
lines, (Georgia, Alabama and Flo-
rida zvill be grouped under mast-
head Southeast.
CHARLOTTE, N. C, city com-
missioners will not condone
the showing of any motion pictures
on Sundays, even though the per-
formance is free. Neither will
they permit the use of any theatre
on Sundays for any other purpose
than holding religious or memorial
services. They made their stand
clear at the morning board meet-
ing last Saturday when the man-
ager of the Charlotte theatre re-
quested permission to hold a free
performance on Sunday.
Harry Hardy, formerly booker
of Publix Theatres Corporation,
has been promoted to district man-
ager for the Charlotte territory.
W. E. Drumbar, the former dis-
trict manager here, has been trans-
ferred to Atlanta, Ga. Charles
Oswald, of Jacksonville, Fla., ar-
rived last week to take over Mr.
Hardy's duties as booker.
C. B. Ellis, manager of F B O
exchange, Jacksonville, visited At-
lanta last week.
Manager Charles Lester, of Uni-
versal exchange, Jacksonville, trav-
eled the territory last week.
F. E. Williamson, of Winter-
haven, Fla., was a visitor at the
Paramount exchange recently.
The Crescent Amusement Com-
pany, Nashville, Term., of which
Tony Sudekum is president, has
purchased two theatres in Alabama
City, the Ritz and the Star, to add
to its chain of 140 thetares which
it now owns. The property was
purchased from Jack Martin, who
built the Ritz and also owned the
Star, the deal being closed by J.
P. Masters, location man for the
Sudekum firm.
The Crescent Amusement Com-
pany owns the Princess theatre in
Gadsden, Ala., and is building an-
other theatre, the Capitol, which
will open soon. All four houses
will be under the general manage-
ment of Lee Castelberry, but the
two recently purchased will be in
charge of R. Smith, who has been
with the Princess for two and a
half years.
Mr. and Mrs. Malcolm Estes
spent the past Saturday and Sun-
day in Jacksonville, Florida. Mr.
Estes is manager of a theatre in
Palatka. He was formerly in
Jacksonville at the Riverside the-
atre and at one time at the Im-
pe-ial.
G. S. Owen, manager of the
Royal theatre, Opp, Ala., an-
nounced last week that he, in as-
sociation with T. P. Winston,
would start building a new motion
picture theatre in Samson, Ala. It
is expected that the house will be
ready for opening some time in
July, although no date has been set.
Dan Michalove, southern division
manager for Pathe, will leave At-
lanta, Ga., Sunday for a tour of the
Pathe exchanges in his division,
winding up at Dallas, where the re-
gional convention for the Southern
division will be held at the Baker
hotel, June 10 and 11.
Harry Scott, short subjects sales
manager from the home office, will
join Mr. Michalove in Dallas and
the two will share the responsi-
bility of presiding at the meetings.
M. A. Brown has been appointed
Charlotte booking manager of the
Paramount Famous Lasky Cor-
poration.
A new theatre is being erected
at Forest City, N. C, by Walter
Haynes.
R. T. Goode, formerly with Uni-
versal, at Charlotte, is now con-
nected with F B O as salesman.
C. L. Henry, formerly with the
F B O Charlotte exchange, is now
with Universal as salesman.
Among visitors in Charlotte last
week were U. K. Rice, of the
Colonial theatre, Winston-Salem,
N. C. ; W. S. Freezor, of the
Badin theatre, Badin, N. C. ; C. H.
Stokes, of the Rialto theatre, Greer,
S. C. ; L. G. Heilig, of the Youngs
theatre, Lexington, N. C. ; C. E.
Carpenter, of the Imperial theatre,
Kings Mt, N. C, and D. M.
Eaves, of the Eaves Theatre Cir-
cuit, Union, S. C.
Sarah Garrett, of Liberty's At-
lanta personnel, resigned to be-
come cashier for Vitaphone Cor-
poration. She will be succeeded
by W. C. Spires, newcomer to film
row.
Salesmen L. S. Callen, J. J.
Rogers and G. F. Blethen, of
Liberty's Atlanta branch, have re-
turned to their respective terri-
tories after attending the com-
pany's sales convention in Memphis,
Tenn.
Recent callers on Atlanta's film
row were : Hugh Manning and J.
H. C. Wink, of the Manning and
Wink circuit, Ettowah, Tenn. ; Bill
Wood, of the Belle theatre, Gads-
den, Ala. ; J. B. Snider, Grand,
Bessemer, Ala. ; Max Jackson,
Strand theatre, Alexander City,
Ala. ; Colonel E. Schiller, Loew's
Incorporated, N. Y. C. ; H. B.
McGowan, Ocilla, Ga., and E. L.
Fain, of the Palace theatre, Lees-
burg, Fla.
Milwaukee
THE Imperial theatre, at one
time one of the most popular
first run motion picture theatres in
the city, has closed its doors. West
Coast owned this theatre. Plans
for its future have not been an-
nounced.
Chas. Muehlman, Al Oxtoby and
Newt Levy have returned from the
First National Convention which
was held at the Drake Hotel, Chi-
cago.
G. C. Parsons recently returned
from the M-G-M convention held
in Chicago.
Lora West, of the Paramount
contract department, went to Port-
land for a vacation and will stay
there permanently. She is taking
a position in the Paramount ex-
change there.
C. Van Horn returned last week
to the local M-G-M office from an
extensive road trip.
T. C. Revis, of Santa Rosa, was
a recent out-of-town visitor.
W. E. Matthews, local branch
manager of F.B.O., recently at-
tended his organization's conven-
tion in Chicago.
The motion picture theatre at
Half Moon Bay has changed hands.
Benjamin Cunha, who has oper-
ated the theatre since its incep-
tion, has disposed of his interests
to a newcomer.
Earl Cohn and Johnnie Meyers
have returned from a successful
fishing trip at the Klamath River.
Felix Feist, M-G-M's general
sales manager, was in town re-
cently visiting the local exchange.
Dave Bershon, United Artists'
district manager, was in town for
several days last week conferring
with Kenneth Hodkinson, local
branch manager.
C. M. Adams, manager of the
Susanville theatre, was a recent
visitor on the Row.
W. G. Seib, formerly with
Pathe, is now with Ad-Vance
Trailers and left last week for
Los Angeles. He will work out of
the Los Angeles office.
R. L. Killingsworth has sold his
Rialto theatre at Willows to the
Principal Theatres, Inc.
Plans are being completed by
Reid Bros., San Francisco archi-
tects, for Blumenthal Theatre Cir-
cuit, for a one-story Class C re-
inforced concrete theatre building.
It will be erected in Mill Valley,
Marin county, and will have a
seating capacity of 1,000. The
house will cost about $75,000.
San Francisco
THE Milwaukee branch of Uni-
versal has been announced
winner of the Carl Laemmle An-
niversary drive, a fifteen weeks
sales campaign. Branch manager
George Levine wins a two weeks
trip to any part of the United
States or Havana that he chooses,
and the sales, force wins a $750
cash prize.
Max Weisner is reported to have
sold his exchange to Columbia Pic-
tures.
G. G. Bandy, manager of the Ma-
jestic theatre at Rhinelander, was
in at the exchanges recently, ar-
ranging summer bookings in an-
ticipation of a big season.
George Huebner, manager of the
Strand theatre at Oconomowoc,
made his first visit in several
months to film row last week.
George Beyer is managing the
Mermac for Al Bartelt.
The Majestic theatre at Reeds-
burg, which P. H. Conley recently
closed, has been taken over by O.
V. Kelly, who also manages the
Badger, of that city.
The New World theatre on the
south side will be opened about
June 10th, according to an an-
nouncement from the Atanasoff
Bros., managers.
Other visitors to the exchanges
recently were : Neil Thompson,
manager of the Crystal theatre at
Ft. Atkinson; Ed. Michaelson of
the Palace at Madison, and Percy
Palmer, manager of the Rialto the-
atre at Edgerton.
Ben Koenig, secretary of the
Film Board, returned last week
from his trip to the convention on
the west coast.
The Strand theatre at Madison,
it is reported, wil close very soon
for an indefinite period. Sylvester
Kelsenberg is now managing the
house.
June 9, 19 28
1975
Minneapolis
r|'IIF Palm theatre, at Two
I Harbors, Minn., was com-
pletely destroyed recently by a fire
which is believed to have been of
incendiary origin. A number of
reels and some equipment, together
with the projection machines, were
saved, but the damage amounted to
$8,000. The owners, Laird, Wright
and Christenson, have announced
that a new 600-seat house will be
erected in Two Harbors as soon
as plans can be drawn. They plan
to spend $25,000 on the new build-
ing. The Palm theatre was an old
landmark.
The Minneapolis Pantages is to
undergo a number of improvements,
including complete reseating of the
bouse, which has a capacity of
1,600. The change will be made
without closing the theatre. Man-
ager Bostwick has put into effect
a new policy of Friday change in-
stead of the regular Saturday
change. It is thought that this
will help the Friday business with-
out hurting Saturday, which is al-
ways a good day.
Roy Miller, manager of the
Minneapolis branch of Tiffany,
has been notified that his organiza-
tion won second place in the Tif-
fany National Sales and Collection
drive, which ended recently.
A. H. Fischer, exchangeman in
Minneapolis, has joined the sales
staff of Columbia Pictures, and
for his first assignment has been
asked to open the company's new
exchange at St. Louis. For a
number of years Fischer was man-
ager of the Minneapolis M-G-M
branch and then went to Warner
Bros, in charge of middle west
branches.
At a free show given in the
Community hall, Cogswell, N. D.,
a fire broke out destroying a reel
of film and badly damaging the
projector, a small portable type.
The house was crowded at the time
and a panic was narrowly avoided.
Alex Hyde replaced Allan Kane
as master of ceremonies at the new
Minnesota theatre in Minneapolis
last week. Kane had served in
that capacity since the theatre
opened.
The Pavilion theatre at May-
nard, Minn., has been closed bv H.
M. Swam, who has given as his
reason that he cannot compete with
towns around which are permitted
to have Sunday shows.
Reports have it that F. & R. is
negotiating for the purchase of
property in Fergus Falls for the
erection of a theatre.
The Cosmo theatre, at Winner,
S. D., has been purchased from
J. C. Lakin by R. C. Metzger, who
will take possession August 15. He
will spend about $3,000 in remodel-
ing and new equipment. Metzger
owns theatres at Wagner and
Tyndall. S. D.
An interest in the theatre at
White Rock, S. D., has been pur-
chased by Wallace Hardy, and the
house has been reopened after be-
ing dark for some time.
A new theatre is to be erected
by J. R. Elliot, who has been run-
ning the Grand theatre at Dassel,
Minn., for the past year.
The Princess theatre, at Sioux
Falls, S. D., has been sold by Sam
Cornish to the McCarthy Theatri-
cal Enterprises, owners of a string
of theatres in this territory.
The Florence theatre at Elk
Point, S. D., has been sold bv C.
S. Bovee to J. W. Smith.
The Elko theatre, at Bemidji.
Minn., has been closed by Bcnnie
Berger to allow for extensive im-
provements and installation of new
equipment.
The Gem theatre at Hill City,
Minn., has been purchased from
George Keenan by W. X. Dale.
Keen an has operated the house for
the past three years.
Charlie Bell, N'orthwest camera-
man, has returned to St. Paul with
20,000 feet of animal pictures
which he took in the interior of
Africa during a four months' trip.
Bell has not decided as yet how
he will distribute the pictures, but
is busy editing and titling them.
E. E. Johnson has been trans-
ferred from the management of the
Minneapolis office of the Premier
Film Company, Minneapolis, to the
same capacity at Milwaukee, and
Frank Rubel has been appointed to
succeed Mr. Johnson. Rubel was
formerly out-of-town booker with
F. & R.
Seattle
HAL ELIAS, publicity and ex-
ploitation man of the Metro-
Goldwyn-Mayer exchanges in Se-
attle and Portland, returned last
week from New York, where he
paid his first visit to his old home
in eight years. He made the trip
East as one of the party with Ben
Fish, local M-G-M manager, who
went to attend his company's an-
nual convention.
Thieves who broke into the Clem-
mer theatre in Spokane, last week
escaped with $800 in receipts. A
larger sum had been stolen just a
short time previous.
Co-Opcrative Film Exchanges
ended their local history last week
with the closing of their exchange
and the assumption of the business
by Jack Lannon of Greater Fea-
tures, Inc. Floyd St. John, head
of Co-Operative at San Francisco,
came up to wind up affairs, and
J. W. Davis, manager here, expects
to remain in this territory with
another company.
L. II. Kubely, owner of the
Dream theatre in Ketchikan, Alas.,
visited film row last week, buying
and booking for the summer sea-
son.
Art Huot, manager of the F. B.
O. exchange, left last week for his
company's convention.
Al Brake, formerly connected
with Manager James Q. Clemmer's
Fifth Avenue theatre, and also the
United Artists theatre here, last
week was appointed house mana-
ger of West Coast's Colonial the-
atre in Tacoma.
Roy Cooper, manager of the Cap-
itol theatre in the Danz Sterling
Chain group of houses, has been
confined to his home, a result of
a severe attack of influenza, but is
reported to be progressing nicely.
Pete Carroll of Columbia Film
exchanges and Xeal Fast of Para-
mount were the two exchange ex-
ecutives to leave most recently for
their company conventions.
Visitors along the row last week
were: Benjamin Fly, showman of
Renton ; C. D. Stickley of Con-
crete, Washington, and "Dad" Ab-
bott of Sedro-Woolley.
Information received from Ta-
coma last week indicated that the
Heilig theatre in that city has
been subleased to Will Starkcy,
head of the Will Starkey Amuse-
ment Company of Spokane. It is
expected that the house will be
taken over for the Maylon Players,
a stock aggregation, who have been
playing to good business at the
Hip]>odrome theatre in Spokane.
Jack Lannon, head of Greater
Features Exchanges,, Inc., last
week got his organization settled
in comfortable new quarters at
2418 Second avenue, a part of the
new film row.
Potter's Temple theatre at Lew-
iston, Idaho, was closed last week
by E. J. Potter, manager, following
a slump in business. Future plans
for the house have not yet been
determined.
Rev Felker, former head of the
Universal suburban houses in this
territory, last week took over the
management of the Joe Daniels
Rooking Agency in Portland,
handling the bookings for the Pa-
fic Interstate Vaudeville circuit.
Dallas
BEN CAM MACK, short subject
sales director for Universal
Pictures Corporation, stopped over
in Dallas on his way east from the
west coast. Mr. Cammack for-
merly worked out from the Dallas
Universal office as salesman, and
was later branch manager for Uni-
versal in Atlanta, which position he
held until his recent promotion.
Al Lever, manager of the Old
Mill, is back at the theatre after
a tonsil operation.
Mr. and Mrs. L. E. Schneider
of the Publix organization left last
week for New York, after a trip
around the Publix circuit, assist-
ing in the installation of Yitaphone.
L. E. Harrington, manager of
the local F. B, O. office, spent sev-
eral days last week in Wichita
Falls on business.
Raymond Terranella, publicity
manager of the Palace theatre, re-
cently took a trip to Fort Worth
and returned in the cab of one of
the new oil burning types of loco-
motives as a guest of an engineer.
EMPIRE LABORATORIES INC.
723 Seventh Ave., N. Y. Quality Bryant 5437-5736-2180
DEVELOPING AND PRINTING MOTION PICTURE FILM
1976
Motion Picture News
Buffalo
ANNOUNCEMENT by Frank
Sardino that his Crescent the-
atre in Syracuse would close, fol-
lowed the consummation of a deal
last week by which the Crescent
site will be used for the erection
of a new $400,000 building for the
W. I. Addis Company. Erected
about 20 years ago, the theatre had
been operated successfully on a pic-
ture-and-independent vaudeville pol-
icy.
Emma Applanalp, secretary of
the Buffalo Film board of Trade,
returned last Thursday from Cali-
fornia where she attended the na-
tional convention of secretaries of
Film Boards of Trade.
Phil Gentile, formerly of First
Graphic exchanges of Buffalo, and
more recently head of the Roches-
ter film exchange at Rochester, is
moving his headquarters to Buf-
falo, having taken office space in
the old film building at 257 Frank-
lin street. It will continue to be
known as the Rochester film ex-
change.
Michael Shea, veteran theatre
operator in this section, was made
an honorary life member of the
Buffalo Lodge of Elks last week.
The presentation was made on the
stage of Shea's Buffalo theatre by
Exalted Ruler John H. Burns dur-
ing a midnight performance for
the benefit of the Elks' charity
fund. Mr. Shea, a charter member
of the Buffalo lodge, not only do-
nated the theatre for the Elks'
show, but also furnished the entire
performance.
Phil Bloom, 'booker at B. F.
Keith's theatre in Syracuse, stepped
out of the Keith-Albee-Orpheum
organization on last Saturday to
become chief booker for the Wil-
liam Fox circuit, replacing Edgar
Allen.
Visitors at the Warner Brothers
Buffalo branch last week included
Mr. Krieger, a Vitaphone repre-
sentative, and Mr. Dunn, manager
of the Warner Brothers Pittsburgh
office, who came here for an ex-
tended conference with C. E.
Almv, district manager for the
Warner organization.
The Great Lakes theatre cele-
brated its first anniversary last
week.
The Gayety theatre has closed
for the summer season, and is un-
dergoing extensive renovating.
Changes being made and refurnish-
ing in the house will cost around
$5,000, according to Roy E. Van,
managing owner of the house.
Mildred Caskey, assistant secre-
tary of the Film Board of Trade,
left last week, accompanied by her
father, on a motor trip.
Announcement was made last
week of the resignation of James
Savage as head of the Chase Pic-
tures Corporation here, to take
charge of the Columbia Pictures
Corporation office, which will be
opened at the film building at 505
Pearl street. Chase Pictures ex-
change heretofore has been
handling the Columbia product.
E. J. Wolf of the Plaza theatre,
Syracuse, and Frank Aprile of the
Rex theatre, Genesea, N. Y., were
among the visitors last week at the
Paramount-Famous-Lasky Buffalo
exchange.
Frank Cornwall of New York
City will become master of cere-
monies at Loew's State theatre in
Syracuse on June 16, succeeding
Ralph Pollock. Mr. Cornwall is
coming from Jansen's Hofbrau in
New York, where he has been a
feature for two years.
Manager William Raynor of the
Lafayette theatre, Buffalo, made a
trip to New York last week to
look over picture lists for fall pre-
sentation.
Herbert Straub will become
stage band leader and master of
ceremonies at Shea's Buffalo the-
atre on June 9, succeeding Ted
King, who is being transferred to
another house. Straub will con-
tinue also to direct the symphony
orchestra at the Buffalo.
Central Penn
IT is announced by the interests
planning the erection of a new
$200,000 picture theatre at Kulp-
mont, near Mount Carmel, that the
enterprise is independent of any
chain of theatres, offsetting the
rumor that the house would be-
come a part of either the Comer-
ford or the Chamberlain circuits.
The new Kulpmont enterprise is
backed by the Imperial Amuse-
ment Company, owned by a trio of
Mount Carmel bankers, Dr. W. R.
Buckley, Joseph Malinowski and
John Zotkiewicz.
Use of the Russell theatre,
Thirteenth and Derry streets, Har-
risburg, was obtained for last Sun-
day afternoon, by Mt. Vernon
Council, Independent Order of
America, for the presentation
of the patriotic Memorial Day
service.
According to annual custom,
Robert S. Steele, owner of the
Strand theatre, Carlisle, granted
the use of the theatre on Memorial
Day for the holding of patriotic
community exercises. The Rev. M.
C. Manning was the orator of the
day.
Tom Singleton, burgess of New
Cumberland, announced that be-
ginning June 1st the borough or-
dinance that calls for the closing
of all amusements at midnight
would be strictly enforced. This
is aimed chiefly at pool rooms,
though the law provides also that
automatic pianos and other musical
devices must not be played in places
of amusement after 11 p.m.
While firemen were working at
top speed to save one of his larg-
est theatres — the Poli, in Scranton,
which was menaced by flames in
a nearby hardware store, recently
— M. E. Comerford, who is honor-
ary chief of the Scranton fire de-
partment, in addition to being head
of the Comerford chain of theatres,
was delivering an address at a
banquet of the Anthracite Male
Chorus, in the Chamber of Com-
merce building. When told of the
fire, Chief Comerford refused to
go, stating he was confident noth-
ing would happen to his theatre so
long as his firemen were battling
the blaze.
Edgar Brown, who operated the
Garden theatre, Pottsville, for
many years, has just obtained two
patents from the U. S. Patent Of-
fice, and plans to place both de-
vices on the market. One is an
automobile brake and the other a
brake mechanism to be applied to
other vehicles.
The picture theatres of Allen-
town will face the competition of
stock throughout the summer, the
Roberson-Smith Players having
announced they will continue play-
ing there.
Samuel Friedman, manager of
the Capitol theatre, Pottsville, has
returned to that city after a visit
to Scranton, where he transacted
business at the home office of the
Comerford Amusement Company,
which controls this house.
Philadelphia
THE Garden theatre, 4th and
Spring Garden streets, Phila-
delphia, owned by the Goodstein
Amusement Company, has been
closed for an indefinite period by
order of the Department of Public
Safety, acting under special orders
of Fire Marshal James O. Mul-
hern. This drastic action was
taken after the owners of the the-
atre had refused to discontinue the
presentation of vaudeville numbers
after being warned several times
by the marshal's office that the
house was not properly equipped
for such acts, having no fire cur-
tain, no proscenium wall and im-
proper piping and wiring. In ad-
dition, the theatre is licensed only
as a motion picture house. The
theatre's license has not as yet been
revoked, but it will not be allowed
to reopen until its owner has satis-
fied the department that he intends
to comply with the regulations.
The Fire Marshal has issued a
statement to the effect that his de-
partment is starting a campaign to
close all motion picture theatres
that violate fire and building regu-
lations.
Oscar Neufeld, proprietor of
Success Pictures Exchange, will
have a formal opening in the new
offices at 13th and Vine streets on
June 11th, with a reception to ex-
hibitors from eleven to two o'clock.
A number of independent pro-
ducers have signified their intention
of being present.
Several hundred persons, includ-
ing city officials, members of the
Board of Education and the family
of the late Jules E. Mastbaum,
president of the Stanley Company
of America, attended the exercises
in conjunction with the laying of
the cornerstone of the new Jules
E. Mastbaum Vocational School,
Frankford avenue and Clementine
street, Philadelphia, recently. Wil-
liam Rowen, president of the
Board of Education, presided at
the exercises and in a short ad-
dress eulogized Mr. Mastbaum.
In addition to his duties as man-
ager of the local F B O exchange,
Jerry Safron returned from the
national F B O convention in Chi-
cago with the title of division man-
ager and will now supervise the
Pittsburgh territory as well as
Philadelphia.
June 9, 19 28
1977
New England
THE Midway theatre at Alclen-
vi lie, Mass., has closed with
the exception of Sunday, when
double feature programs are pre-
sented.
Interstate Amusement Co. lias
taken over the Crescent Gardens
theatre at Revere, from Joseph
Levenson. A new company is to be
organized to conduct the theatre
known as the Crescent Gardens Op-
erating Co., which will be a sub-
sidiary to the Interstate company.
The summer theatre at Nuttings
Lake, Billerica, Mass., is sched-
uled to open about June 18th.
Charles Murray, popular motion
picture star, was a guest at ex-
changes along Boston film row last
week.
The Casino theatre at Old Or-
chard, Me., opened the past Tues-
day. William Duffy will operate
the theatre.
L. J. Hacking, the new Eastern
Division manager for Pathe, was in
Boston recently on business. Mr.
Hacking comes east after acting
as special representative for Pathe
in the Middle West.
Branch Manager R. C. Cropper
and Frank Ross of the sales staff
of Pathe have returned to Boston
following the Pathe convention at
the Drake Hotel, Chicago.
Norub'jga Park opened last Sat-
urday. William White will manage
the theatre this season.
Seven members of the Boston
exchange of Fox attended the re-
gional convention at the Park Cen-
tral Hotel in New York last week.
They are Moe Grassgreen, Samuel
Berg, Tom Jennings, Harry Alex-
ander, Irving Shiftman, "Chick"
Yarney and Jack Basch. At New
York they joined District Manager
Harry F. Campbell, who had been
in that city several days previously
for the district managers' meeting.
Sunset theatre at Nantasket has
opened for the season. M. R. Burns
is operating the house.
Fraternity Hall at Baldwinsville,
Mass., has been sold by J. Mat-
thieu to F. J. Maynard.
The Park theatre at Lebanon,
X. 11., formerly operated by F. 1'.
Sharby, was sold to C. L. Beede,
who operates theatres at Enlield
and other New Hampshire towns.
The Central theatre at Westerly,
R. I., has recently been sold by M.
Xobogroski to J. L. Weydt.
The Strand theatre at Norwich.
Conn., has been sold by N. B.
Lewis to S. W. Feld.
Another new theatre is pro-
posed for North Attleboro, of the
community type. Ernest C. Mulvey
and Donald LeSagc are leaders of
the movement to raise a fund
within the town to construct the
playhouse.
Office Manager Harry Martin of
the American Feature Film ex-
change at Boston is back on the
job after several weeks' illness.
Edward Selette of the Metropol-
itan Ixjoking offices has returned
from a trip to Baltimore. Stanley
Willis of the same office is back
from a business trip to New York
City.
The Markel Amusement Co., of
which Phil Markel is the head, has
taken larger quarters and is now lo-
cated at 60 South street.
Jack Goldstein, formerly with
Metro-Goldwyn, has been made as-
sistant in the advertising depart-
ment of the New Fngland Theatres
( )perating Corporation.
Cleveland
THE third annual Cleveland
Film Golf Tournament is all
set to take place June 22nd at the
Beechmont Country Club. Every-
one connected with the film m-
dustry is eligible to attend. Prizes
will be awarded to those entering
contests. A charge of $10.00 is
made for players and of $50,000 for
non-players. This includes greens
and caddy fees, luncheon and din-
ner. W. N. Skirboll, Columbia
franchise holder, and O. J. Ruby,
manager of the Pathe exchange,
are handling arrangements. Last
year's tournament was a great
success, but it is expected that
there will be a record turn-out this
year.
Meyer Fischer, president of the
Fischer Film Company, was in
New York recently lining up the
company's product for next season.
Jesse Fishman, general manager
of the Standard Film Service
Company, has returned from New
York. Fishman states that he has
closed for a complete line of prod-
uct for the coming season.
The Stillman theatre has an-
nounced that it will offer some of
the biggest attractions of the year
during the summer months instead
of saving them for the fall. The
new theory of exhibition is that
only the big pictures will do busi-
ness in the summer time, while in
the winter the lesser attractions
will get by.
F B O announces a shifting of
salesmen in this territory. H.
Hull will cover Akron, Canton
and Youngstown in the future in-
stead of W. G. Sturgis. who has
been transferred to the Detroit
F B O office. Hull was formerly
in Indianapolis.
It has been reported that Chester
Loewe has joined the Columbia
staff in Detroit.
The new policy at the Park the-
atre opened last week with a bang.
The house was packed. The new
ixjlicy is offering a complete change
of program on Thursday, and sub-
stituting vaudeville for presenta-
tions.
William Haynes, manager of the
Allen theatre, does not confine
himself to the executive end of the
business. He is also a musician,
and he personally arranges the or-
chestra overtures presented each
week.
Herbert Ochs, assistant man-
ager of the First National ex-
change, and J. S. Cangney have
purchased the Park theatre, Paines-
ville, from the Park Amusement
Company. Cangney, who is an
experienced exhibitor, will run the
house.
H. W. Johnson, who owns and
operates a chain of motion picture
houses in Conneaut, has purchased
the Liberty theatre, Geneva, from
F. P. Garber. Change of owner-
ship becomes effective June 15th.
Caldwell Brown is slowly but
surely gathering under his banner
all of the theatres in Zanesville.
The Grand is his latest acquisition,
having just purchased it from
Messrs. H. S. Winn and J. Barker.
Brown's other houses are the New
Libert v, the Opera House, and the
Wcller.
Kansas City
E. REYNOLDS, former Uni-
✓ • versal representative in the
Kansas City territory, has joined
the Warner Bros, sales force and
is covering Southern Missouri.
F. C. Koden, president of Mid-
west Theatres, Inc., made a
hurried business trip to Dodge City,
Kans., last week.
John Graham, formerly booker
at the Tiffany exchange, has joined
the F. B. O. branch sales staff at
Kansas City.
Edward Smith, sales manager
for Tiffany-Stahl, Kansas City, has
returned to his desk after an illness
of several weeks.
The Colonial theatre, a suburban
house of Kansas City, has been
sold by Dr. R. H. Simons to Mr.
and Mrs. Robert Blond for S54 (MMi.
The house, which seats about 1300
persons, is under a 9-ycar lease at
a $6,000 annual rental, the lease
being held by H. H. Barrett, oper-
ator of the tlieatre.
David Bader. in charge of ac-
cessories for all Universal branch-
es; Harry Charnas, home office
representative for Warner Bros. ;
J. F. Burke, home office auditor for
Educational ; Jesse L. Lasky. vice-
president of Paramount, and Har-
lan Thompson, Paramount scenario
writer, were Kansas City visitors
last week.
The annual report of Guy
Holmes, city motion picture censor
of Kansas City, shows that more
pictures were submitted to the cen-
sor's office during the year ending
April 30th than during the pre-
vious year. There were 5.581 reels
submitted during the present year,
as compared to 5.023 the past year,
the report showed.
UNIFORMS ?^!! COSTUMES SUitti BROOKS !TT
1978
Motion Picture News
Salt Lake City
DAVE FARQUHAR is mana-
ger of the new office recently
opened for the distribution of Co-
lumbia Pictures on film row. Mr.
Farquhar will leave for the state
of Idaho on an extensive sales trip
in about a week.
Fred Gage, manager for United
Artists, returned a short time ago
from a swing into the territory,
during which he covered most of
the key points of Montana.
Able Davis is representing
United Artists in the state of
Idaho at this time.
Wm. Mendelsohn, special ex-
ploiteer for United Artists Western
Division, spent the past week in
this city. He expects to return to
Salt Lake again during July for a
special assignment.
It is reported that J. K. Burger,
one of the Home Office representa-
tives for United Artists, will ar-
rive in this city on a tour of in-
spection during the coming week.
Mr. and Mrs. Littlejohn of Price,
Utah, made a visit to the exchanges
of this city recently.
Neil Schettler, orchestra leader.
who for the past few months has
been in charge of the Victory the-
atre orchestra, has been given
charge of the orchestra at the Par-
amount theatre.
E. Ostlund of the Rivoli theatre
at Springville, Utah, spent a short
time in this city conferring with
local branch managers, as did Ern-
est K. Pappas of the Diana the-
atre at Copperfield, Utah.
Other exhibitors along film row
last week were : S. B. Steck of
the Lyceum theatre, at Ogden ;
Mell Stringhom, of the Colonial at
Ogden ; Steve Deal, of the Star at
Springville, Utah ; J. W. Nixon, of
the Bonita theatre at Provo, Utah ;
J. E. Tietjen, of the Jewel et San-
taquin, Utah; J. J. Gillette, of
Tooelle, Utah ; B. G. Thatcher, of
the Capitol and Lyric at Logan ;
George Lindsay, of Eureka, Utah,
and the Peery Brothers, of the
Egyptian and Ogden theatres at
Ogden, Utah.
Manager Chas. Walker is back
at the local Fox office, following
the National convention held in
New York.
Clyde H. Messinger, local man-
ager for Educational, returned last
week from Montreal, Canada,
where Educational Pictures Cor-
poration held their convention.
Jos. Skirboll, special representa-
tive for Vitaphone, is in this city
for a short visit, negotiating with
managers of the larger towns or
the territory for the Vitaphone.
The local Warner Brothers ex-
change has recently had two new
salesmen added to the force,
namely, S. Gustaveson, who will
work the state of Idaho, and
Charlie Hamal, well known here
through his association with Metro-
Goldwyn-Mayer, who is to cover
Montana. Ed C. Mix is to be
transferred to the Utah territory
from the Idaho branch, where he
has been for several months past.
H. C. Charnas, special represen-
tative for Warner Brothers fran-
chises, conducted a sales meeting
in this city last week.
Manager Wayne Ball of the lo-
cal Warner Brothers office is at
present out in the Montana terri-
tory.
Play Date Representative Bur-
ret Jacocks, of Universal, is spend-
ing some time in this city from the
Pacific Coast.
Manager Al O'Kecfe returned
from Chicago last week, where he
attended the Pathe convention held
from May 21st to 25th. A sales
meeting was held at the local
Pathe office upon the return of
M anager O'Keefe, by Division
Manager L. W. Weir. Salesmen
Jack Connors, Lon Hoss, George
Hayes, Dave McElhinney and Bob
Boomer, as well as Manager
O'Keefe, were in attendance.
Branch Auditor Leo Adler is at
Salt Lake City Pathe exchange.
L. L. Savage, Pathe district rep-
resentative, departed for the coast
recently after an extended visit to
this city.
Manager L. C. Wingham of the
local Metro-Goldwyn-Mayer ex-
change was in Idaho the past week
and is now back at the exchange.
A motion picture reel, "A Trip
Through a Paper Mill," was shown
at the regular weekly meeting of
the Kiwanis Club of this city at
the Hotel Utah, May 31st.
New York & New Jersey
THE Rialto, Strand and Play-
house theatres in Poughkeep-
sie, formerly owned by George
Cohen, have been taken over by S.
Rosenthal, who will run the houses
under the name of Newpo The-
atres, Inc. Rosenthal has also se-
cured from Cohen the State,
Cameo and Star theatres at New-
burgh, New York, to be operated
under the same management.
Frank Curran will open the new
Graham theatre at Gerrittsen
Beach, Brooklyn, on June 1st, us-
ing a straight picture policy.
With the return of A. Pincus
to the Park theatre, 5th avenue and
44th street, Brooklyn, the house,
which formerly ran pictures and
vaudeville, has changed for the
summer to pictures and tabloid.
Mr. Pincus was temporarily in
charge of the Fort Way theatre.
The Art theatre, Brooklyn, for-
merly operated by R. Robertson,
was recently taken over by James
Michaelson.
Ray Lestrange, now manager of
the Tivoli theatre, Brooklyn, re-
cently inaugurated a summer policy
of pictures and tabloid.
J. Seigal has been appointed
manager of Loew's Manor theatre,
Coney Island avenue, Brooklyn.
Mr. Siegal is to occupy the place
vacated by H. Brown, who has
been transferred to Loew's Pre-
mier.
C. F. Burns is at present man-
aging Loew's Universal theatre,
Borough Park, Brooklyn, which
was recently purchased from Uni-
versal.
The S & S circuit have closed
down the Globe theatre, Sumpter
street, Brooklyn.
Joseph Seider, of Prudential
Film Distributors, accompanied by
Mrs. Seider, spent several days
last week in Montreal, Canada.
Mr. Seider, who has been ill, de-
cided he needed a little vacation.
The management of the Strand
theatre, one of the Sydney S.
Cohen group, at 161st street and
Westchester avenue, the Bronx,
contracted last week with Joe
Hornstein, of National Theatre
Supply Company, for two Simplex
projection machines, two Peerless
lamps, one Goldfibre screen and
one Hertner transmitter.
The Al. & S. Delancey street,
theatre, formerly operated by
Meyer and Schneider circuit, is
now in the hands of Fred Bauni.
It is rumored that Mr. Thomp-
son, of the State theatre, Elizabeth.
New Jersey, has purchased the
Park theatre at Roselle Park.
Stanley-Fabian circuit have
closed their Castle theatre at Ir-
vington, N. J., for the summer
months.
The Strand theatre in Newark,
New Jersey, and the Cameo in
Nutley, after extensive alterations,
will reopen the latter part of June.
These houses are owned bv Louis
Gold.
Following their usual policy, the
management of the Airdrome the-
atre, Seabright, New Jersey, will
open for the summer months.
Joe Kennedy, manager of Loew's
Warwick theatre, Brooklyn, is
absent on a two weeks' vacation.
Fred Faulkner, owner of the
Strand theatre, Ocean Grove, New
Jersey, expects to open the house
around the 20th of June.
It is reported that ownership of
the Liberty theatre, East Islip,
Long Island, has changed hands.
The identity of the new owner has
not yet been learned.
A new theatre is announced for
opening at Hillside, N. J., next
Saturday, to be named the Mayfair.
The 110 Sherman Avenue Corp.,
Fred Rudinger, president, sold to
a client of A. Freundlich, a one-
story and basement taxpayer lo-
cated at 110 Sherman avenue, the
Bronx, which is now in the course
of construction.
Said property was held at $100,-
000 and was sold for all cash above
a $60,000 mortgage. A. A. Silber-
berg, attorney, represented the
seller.
Canada
TWELVE more moving picture
theatres in Montreal, Quebec,
adopted the Saturday opening pol-
icy for program changes, starting
June 2, when all houses of United
Amusements, Limited, directed by
George Nicholas, switched from
Sundavs to Saturdays to start new
bills.
The theatres affected included
substantial houses throughout the
whole city, comprising the Rose-
mount, Corona, Belmont, Papineau,
Westmount, Amherst, Plaza,
Mount Royal, Rialto, Regent,
Rivoli, and the Strand.
Some time ago the leading film
houses of Canada's largest city,
such as the Capitol and Palace,
turned to Saturday openings and
now theatres throughout the city
are operating on this plan.
After being rebuilt, the Arcade
theatre, St. Catherine and Mais-
onneuve streets, Montreal, has been
reopened under the direction of
Joseph Cardinal.
June 9, 1 9 28 1979
Projection
s% Optics, Electricity, Practical Ideas & Advice
Emergency Lighting Units
i <Y1 II?] need for a separate source
of electrical energy apart from
the main service brought into
the theatre has long been
recognized as necessary to
take care of emergencies
created by breaks in the regular service.
In some states, it is even mandatory that
all exit lights be supplied with dual service,
the emergency source of supply taking the
form of storage batteries placed within the
theatre or a direct connection being made
to the street mains ahead of the house
meter.
These legislative precautions, however,
in those states which have them, are re-
stricted solely to exit lighting, the idea be-
ing to provide for a sufficient amount of
illumination to permit ready egress from
the theatre in times of distress.
Aside from these minimum requirements,
theatre owners were quick to realize that
it also would be good business to extend
this idea to include the major part of the
electrical equipment in the theatre in order
to assure operation at all times and espe-
cially during the brief intervals of momen-
tary interruptions caused by minor acci-
dents to the public service.
It is not at all uncommon now for thea-
tres to install two separate motor-generator
outfits, the individual units being so wired
as to permit single action interchangeably
or double action in parallel. This safety
measure, which is directed entirely toward
continuous operation of the theatre while
the show is in progress is quite logical
and necessary although it by no means
takes care of interruptions in the main
electrical service. Such an interruption,
when it occurs, affects the entire theatre
and all equipment contained within it so
that some other agency i- required to re
lieve this emergency.
This is best accomplished by means of
a self-contained and separate emergency
lighting outfit. Until recently the types
most commonly used, employed a bank of
heavy duty storage batteries, the com-
bined capacity of which was sufficient to
supply current simultaneously to one mo-
tion picture projector, a spot lamp, the
house lights and even back stage lights.
Specially constructed sets even go so
far as to provide service to the entire the-
atre regardless of equipment thrown on the
line, the time limit of operation being in
the neighborhood of one hour or more.
The battery sets are so designed and ar-
ranged that when a break in the main ser-
vice occurs, an electrically actuated switch
automatically and instantly changes the
service over to the emergency set so that
no break in the service to the equipment
being used at the moment can be noticed.
A new form of emergency lighting set
which incorporates old principles in a
rather novel manner has been introduced
to the theatre field and holds forth prom-
ises because of its extreme compactness
and simplicity.
A distinguishing feature is its ability to
supply current to the theatre for an inde-
finite period of time so that no matter how
long the main service may be out of action
there is no danger of the emergency system
being unable to provide current continu-
ously.
This outfit consists of a 110 volt direct
current generator directly connected to a
Pelton Water Wheel with the necessary
automatic equipment to control the start-
ing and stopping of the set when a service
failure occurs.
When in operation, the Pelton Wheel (A
Water Turbine) is driven at a high rate of
speed by the impact of water issuing from
a nozzle placed tangent to the edge of the
wheel. Water is taken direct from the city
mains so that a reliable prime mover is
available at all times.
The automatic starting device, on the
control panel, consists primarily of a sole-
noid which is connected to the house side
of the switch that controls the exit or
emergency lighting circuit. The solenoid is
energized only as long as these lights are
supplied with current from the outside or
regular source of supply. When this cur-
rent is cut off, the solenoid is de-energized
and immediately and automatically causes
the needle nozzle to open, which starts the
water wheel and brings the generator up
-■-or
Hand reset lever-
to full load and voltage within three sec-
onds.
Simultaneously with the opening of the
needle nozzle, a switch, which is part of
the equipment, closes and turns the cur-
rent, generated by the Hydro-electric
emergency unit, into the theatre circuit.
The unit continues to furnish current until
the regular service is restored, whereupon
it is necessary to close the needle nozzle
manually, by closing a lever. The unit is,
then, again ready to function automatically
when the next interruption in the regular
source of current supply occurs.
Figure 1 shows the general layout of the
equipment and its manner of installation.
These units are available in two standard
sizes, 300 Watts and 1500 Watts. They are
so designed, however, as to permit a heavy
overload for several hours. Special units
may be had in any size up to and including
5000 Watts.
With the present standard capacities,
these sets are limited strictly to providing
emergency lighting of a general nature in
addition to the required exit lighting.
Even the maximum capacity of 5000 Watts
is hardly sufficient to take care of ordinary
forms of projection equipment and the
operation of a high intensity arc equipped
projector would be out of the question.
For strictly emergency lighting purposes,
however, there appears to be no reason
why this type of set would not offer nu-
merous advantages.
"if PELTON
2 7 Hp.
Water Motor
40 Lb.
Pressure
1.5 Kw Generator
700-1200 Rpm
110-125 Volts
Direct Current
3 i i aB-SiEjBBSitiaa H I I
fx/t tights 'fmeroencv lights
Wiring Diagram of Lighting Circuit tor l500 Watt
emergency Lighting Unit
SPECIAL
SELF -REGULATING
&ENC0ATQP
View from
Commutator Eri
General Assembly of 1500 Watt Emergency Lighting Unit.
1980
Motion Picture News
— master locked
against all
tampering
Turn the key in the Master
Lock and your entire Gold Seal
Register is locked so that no
one can fool with it. Tickets
can't be issued until you un-
lock it again, whether the cur-
rent is turned on or not.
GOLD SEAL
Ticket Registers
and "Tickets That Fit"
The Master Lock is an exclusive
feature found only on Gold Seal
Registers. With the many other
points of Gold Seal superiority, it
makes the Gold Seal the one best
ticket register. No other register
has bronze bushings on all the driv-
ings shafts . . . rust-proof steel
. . . . a cast aluminum ticket
wheel . . . lubrication that is
sealed in before the register leaves
the factory. Only the Gold Seal
operates any number of units with
one powerful driving mechanism.
That is why the shrewdest buyers
specify Gold Seal in preference to
old style registers.
Our Reserved Seat Ticket Plants
in Boston and New York Can Save
You Money. Get Our Estimates.
AUTOMATIC
Ticket Register
Corporation
723 Seventh Ave., New York
Independent Printers of Quality
Tickets for Every Purpose.
STOCK PROGRAMS
PROGRAM COVERS
For
Moving Picture Houses
Joseph Hoover & Sons Company
Market mid 49th Sts., Philadelphia, Pa.
A BUSINESS BOOSTER
for your theatre
A Beautiful, 2-*otor Program, all Features writ-
ten up for too, Printed and Detirered to your
theatre at a small cost.
Write for Sample* and Prices to
THE DERBY PROGRAM CO.
1799 Jerome Ave. New York City
201 S So. Vermont Ave. Las Angeles, Cattf.
St. Louis Theatres Prepare
For Hot Weather
Amusement life in St. Louis, Mo., within
a comparatively few years has undergone
a complete seasonal change.
In the days when the old Century and
Olympic were the city's leading dramatic
theatres, the Columbia the leading vaude-
ville house; the Standard the home of folly
two frolics daily and the Haviland and
Imperial the places where real thrillers
could be viewed for a dime and upwards
the theatrical and musical life of the town
went on vacation late in May.
Now, thanks to the use of electrical re-
frigeration and other improvements in
cooling, amusement palaces get a fresh start
with the coming of dog days while outdoor
forms of entertainment not thought of
twenty years ago are now the vogue.
On June 4 the annual season of light
operas at the Municipal Theatre in Forest
Park got under way while dozens of air-
domes will be in full glory before the close
of June. The Garden Theatre in St. Louis
County has also added much to the Sum-
mer amusement life of St. Louis and vi-
cinity.
Such houses as the Ambassador, Loew's
State, the St. Louis, Missouri, Grand Cen-
tral and Grand Opera House, being equip-
ped with the very last word in cooling
system, never close their doors because of
hot weather and in fact when Sol is going
strongest attract patrons because of the
cool atmosphere that prevails in the audi-
torium.
Perhaps no city in the world has solved
the hot weather amusement problem so
effectively as St. Louis.
Remodeled Lyric Theatre
Opened at Waycross, Ga.
After having been closed for several
weeks for remodelling and complete reno-
vation, the New Lyric Theatre, Waycross,
Ga., has been reopened. To all appear-
ances the house is brand new and is now
one of the handsomest theatres of its size
in South Georgia. The effect inside is of a
Mediterranean castle.
The foyer has been completely changed
and made more distinct in arch construc-
tion, being decorated with artistically ar-
ranged draperies. Beautiful iron grills
have been placed in the arch construction,
while the lighting effects have been in-
stalled to carry out the idea of soft shade
and harmony. The decorations were by L.
D'Englere, of Jacksonville, Fla., who is
noted for his artistic work. In the New
Lyric work he was assisted by T. J. Darl-
ing, Waycross contractor.
Standard
VAUDEVILLE
for
Motion Picture Presentation
THE FALLY MARKUS AGENCY
Aster Theatre Building
IN. W. Cor. 45th St. & Broadway
Lackawanna 7876
Each
Month The
Showman
Issue of
Motion
Picture
News
Carries
announce-
ments of
Vital In-
terest to
All
Theatre
Owners
Pull Big Business
in Hot Weather
Cool theatres pull big
business. It pays to keep
your patrons cool — com-
fortable.
Fill your empty seats —
increase your box-office
receipts — draw crowds of
steady patrons with the
Typhoon Cooling- System.
Write for Booklet N-l
Typhoon Fan Company
345 West 39th Street, New York
Offices in Principal Cities
/ u n e 9, 19 28
]<)H\
COMPLETE RELEASE CHART
Productions are listed according to the names of Distributors in order that the Exhibitor may have
a short-cut toward such information as he may need, as well as information on pictures that are coming.
Features which are finished or are in work, but to ivhich release dates have not been assigned, are listed in
"Coming Attractions" (S. R. indicates State Right release.)
Refer to THE MOTION PICTURE NEWS BOOKING GUIDE for Productions Listed Prior to September
BRAY PRODUCTIONS
Title
Star
Rel. Date Length Reviewed
Bare Co-Ed, The Murdock-Cavalier-Lancaster Feb. 10. 2 reels Jan. 7
Barnyard Rivals W. Lantz-M. Shaw-T. Ward. Mar. 10.
Cat Tales McDougall Kids Feb. 20.
Cutting Up McDougall Kids Mar. 20
Daze of '49 J. Cooper-L. Carver Jan. 2
Duke's Dirty Doings P. Murdock-N. Cavalier Feb. 1 .
Fowl Play McDougall Kids April 20
Lost In the Lurch P. Murdock-N. Cavalier Mar. 1
Mr. Pooh McDougall Kids Jan. 20
COLUMBIA
FEATURES
2 reels
Jan.
7
2 reels .
Mar.
17
2 reels . .
2 reels
Mar.
17
2 reels
Feb.
4
2 reels
Mar.
17
2 reels
2 reels
Mar.
17
2 reels
Jan.
7
Title Star Rel. Date
After the Storm Bosworth-Gllbert-Delaney April 19. . .
By Whose Hand? Cortex-Gilbert Sept. 15 .
Broadway Daddies Logan-Lease April 7. . .
College Hero, The Agnew-Lease-Garon Oct. 9. . .
Desert Bride, The Compson-Forrest Mar. 26 .
Fashion Madness Windsor-Howes Dec 8. . .
Golf Widows Ford-Reynolds-Rand May 1 . .
Isle of Forgotten Women Tearle-Sebastian Sept 27. .
Lady Raffles Taylor-Drew Jan. 25. . .
Matinee Idol, The Walker-Love Mar. 14. .
Modern Mothers Chadwick-Fairbanks, Jr.-Kent May 13
Name the Woman Stewart-Glass May 25.
Opening Night, The Windsor-Bowers Nov. 14. . .
Ransom Wilson-Burns June 7.
Length
5459 feet
5432 feet
540Cfeet
5628 feet
5425 feet
5513 feet
5592 feet
5645 feet
5471 feet
5925 feet
5540 feet
Reviewed
'. Jan! 7
. Dec 9
Mar. 31
Jan. 21
May 5
5524 feet Mar. 17
Sept. 3
Dec. 20
6..
2
2
I.,
21.
Sally in Our Alley Mason-Arlen
Siren, The Revler-T. Moore
So This Is Love Mason-Collier-Walker
Sporting Age, The Bennett-Herbert-Nye
Stage Kisses Harlan-Chadwlck
That Certain Thing Graves-Dana
Tigress, The Holt-Revier
Warning, The Holt-Revler
Wife's Relations, The Mason-Glass
Woman's Way, A Livingston-Baxter Feb. 18
Coming Attractions
Title Star
Beware of Blondes Revier-M. Moore
Gangster, The Livingston-Day
Way of the Strong, The Day-Livingston-Von Eltz
Virgin Lips Borden-Boles
Feb
Mar
Nov.
Jan.
Oct.
Nov. 26
Jan. 13
5892 reet
5996 feet
5611 feet
5467 feet
June 2
5435 feet
6047 feet
. Mar. 10
5357 feet
Mar. 17
5791 feet
Jan. 7
5508 feet
April 28
5472 feet
Length
Reviewed
EDUCATIONAL
Title Star Rel.
All Bear Curiosities April
All Set Lupino-Sargent-Hutton Jan.
Always a Gentleman Lloyd Hamilton Feb.
At It Again Monty Collins May
Between Jobs Lloyd Hamilton Mar.
Blazing Away Lloyd Hamilton April
Blondes Beware Johnny Arthur July
Builders of Bridges Bruce Outdoor Sketch Feb.
Call of the Sea, The Hope Hampton Jan.
Chilly Days "Big Boy" Feb.
Circus Blues Dorothy Devore Mar.
Count Me Out Barney Helium Mar.
Crown Me Wallace Lupino June
Cutie — -. Dorothy Devore Jan.
Dog Days— Sun and Rain Bruce Outdoor Sketch Jan.
Dummies Larry Semon Jan.
Fall In Monty Collins Jan.
Fandango Lupino Lane May
Felix the Cat in Arabiantics "Sullivan Cartoon" May
Felix the Cat in Astronomeeous "Sullivan Cartoon'' July
Felix the Cat In Comicalities "Sullivan Cartoon" April
Felix the Cat in Dragqin' the Dragon "Sullivan Cartoon" Jan.
Felix the Cat in Eskimotive
Felix the Cat in Futurltzy
"Sullivan Cartoon" April
"Sullivan Cartoon" June
Felix in In-and-Out-Laws "Sullivan Cartoon" May
Felix the Cat In Japanlcky "Sullivan Cartoon" Mar.
Felix the Cat in Jungle Bungles . ... "Sullivan Cartoon" July
Felix in Ohm Sweet Ohm "Sullivan Cartoon" Feb.
Felix In Outdoor Indore "Sullivan Cartoon" June
Felix the Cat In Polly-tics "Sullivan Cartoon" Mar.
Felix In Sure-Locked Homes "Sullivan Cartoon" April
Felix the Cat In the Oily Bird "Sullivan Cartoon" Feb.
Felix in the Smoke Scream "Sullivan Cartoon" Jan.
Feline Frolics— Tonquln Valley Bruce Outdoor Sketch Mar.
Gloom Chaser, The "Big Boy" June
Green-Eyed Love Ruby McCoy-George Hall April
Hard Work Wallace Lupino July
Hectic Days Lupino Lane June
High Strung Jerry Drew Jan.
Hints on Hunting— Day by Sea Bruce Outdoor Sketch April
His Maiden Voyage George Davis Feb.
Homemade Man, A Lloyd Hamilton . . . June
Hop Off Charley Bowers July
How to Please the Public Hodge Podge Mar.
Indiscreet Pete Jerry Drew Mar.
Just For Art Curiosities May
Kitchen Talent George Davis April
Ladies Preferred Jerry Drew July
Leaping Luck Davis-Collins . July
Date
29...
15...
5...
13...
18
22...
15
26
1...
19
25
11...
3...
15..
29
1...
1...
6...
13
8
1...
22
29
24
27
4...
22
19...
10
18
15
6...
8...
25
24
8
29
17
29
22
26
17...
1. .
11
11...
27
15..,
8
29
Length Reviewed
1 reel April 21
1 reel Feb. 4
2 reels Feb. 18
2 reels April 28
2 reels
2 reels April 7
2 reels
1 reel Mar. 10
2 reels Dec 31
2 reels Feb. 18
2 reels Mar. 17
1 reel Mar. 3
1 reel May 26
2 reels Feb. 18
1 reel Feb. 25
2 reels . Dec 23
1 reel Dec. 23
2 reels April 14
1 reel June 2
1 reel
1 reel April 21
1 reel Feb. 25
1 reel May 26
1 reel
1 reel
1 reel . Mar. 31
1 reel
1 reel Mar. 17
1 reel
1 reel April 14
1 reel May 5
1 reel Mar. 10
1 reel Feb. 18
1 reel Mar. 10
2 reels June 2
1 reel Mar. 24
1 reel
2 reels May 26
2 reels Feb. 4
1 reel Mar. 31
2 reels . Feb. 18
2 reels
2 reels
1 reel Mar. 17
2 reels Mar. 10
1 reel June 2
2 reels Mar. 31
2 reels
2 reels
Title Star Rel. Date
Listen Children Lloyd Hamilton July 22
Listen Sister Lupino Lane Mar. 25
Lost Laugh, The Wallace LuDino July 15...
Love's Springtime Hope Hampton Feb. 12
Mother Birds Curiosities Mar. 4 .
Mysterious Night. A Monty Collins Feb. 12
Navy Beans "Big Boy" May 27. . .
Never Too Late Wallace Lupino May 6...
New York's Sweetheart Curiosities Jan. 1. ..
Nicknames Hodge-Podge April 8...
No Fare "Big Boy ' April 8...
Oh Mama Miller-Hutton July 1
Off Balance Monty Collins April 22 .
Peculiar Pair o' Pups, A Bruce Outdoor Sketch May 20
Penny Postals Curiosities April 1 . . .
Pictorial Tidbits Hodge-Podge June 10
Pretty Baby Monty Collins Feb. 26 . .
Racing Mad Al SL John Jan. 8 . . .
Rah Rah Rah] Dorothy Devore June 3 .
Recollections of a Rover Hodge-Podge Jan. 8 .
Roaming Romeo Lupino Lane July 29 .
Rubbernecking Curiosities Feb. 5. . .
Running Ragged Lewis Sargent Jan. 29 .
Sailor Boy Monty Collins June 17
Say Ah-h Charley Bowers Feb. 19. ..
Simple Sap, A Larry Semon Feb. 12..,
Slippery Head Johnny Arthur April 29 .
Spring Has Came Monty Collins Mar. 25 .
Star Shots Hodge-Podge Feb. 5...
Sword Points Lupino Lane Feb. 12. . .
There It Is Charley Bowers Jan. 1...
Thoughts While Fishing Bruce Outdoor Sketch June 17. . .
Three Tough Onions Monty Collins May 20 .
Visitors Welcome Johnny Arthur Mar. 4
Wandering Toy, The Hodge-Podge May 6
Wedding Slips Monty Collins Jan. 1 ...
Whoozit Charley Bowers April 1 ..
Who's Lyin"? Davis-Collins June 10
Wildcat Valley Johnny Arthur . . Jan. 22
Wild Wool Night Clouds . Bruce Outdoor Sketch . July 15
You'll Be Sorry Charley Bowers May 20. .
WM
Length Reviewed
2 reels
2 reels Mar. 24
1 reel
2 reels Mar. 17
1 reel Feb. 18
1 reel Feb. 4
2 reels . May 12
1 reel April 28
1 reel Feb. 11
1 reel April 21
2 reels Mar. 24
1 reel
1 reel . April 14
1 reel . May 5
1 reel Mar. 17
1 reel
1 reel Feb. 18
2 reels Jan. 28
2 reels May 26
1 reel. . Feb. 4
2 reels
1 reel . Feb. 4
1 reel Feb. 4
1 reel
2 reels . Feb. 18
2 reels Feb. 25
2 reels April 21
1 reel Mar. 17
1 reel Feb. 4
2 reels Dec 31
2 reels Jan. 7
1 reel
1 reel .... May 12
2 reels Mar. 10
1 reel May 26
1 reel Feb. 11
2 reels . Mar. 17
2 reels May 26
2 reels Feb. 4
1 reel
2 reels May 19
EXCELLENT PICTURES (S. R.)
FEATURES
Title Star
Back to Liberty Walsh-Hall Nov. 15
Bit of Heaven, A Lee-Washburn May 15
Bowery Cinderella, A O'Malley-Hulette Nov. 1
Broadway Madness De La Morte-Keith Oct. 1
Inspiration George Walsh
Satan and the Woman Windsor-Keefe Jan. 20
Stronger Will, The Marmont-Carewe Feb. 20
Women Who Dare Chadwick-Delaney Mar. 31
Coming Attractions
Title Star
Life's Crossroads Hulette-Hamllton
You're in the Army Now Santschi-Blythe
Rel. Date Length Reviewed
5980 feet
7000 feet
6900 feet
6300 feet
6600 feet
6400 feet
66C0 feet
6520 feet
Nov. 25
Oct 11
Mar. 10
Length Reviewed
F B O
FEATURES
Title Star Rel. Date Length
Aflame In the Sky Lynn-Luden Dec 18 6034 feet
Alex the Great Gallagher-Dwyer May 13 5886 leet
Bandit's Son. The Steele-Sheridan Nov. 20 4789 feet
Bantam Cowboy, The Buzz Barton Aug. 12 4893 feet
Beyond London's Lights Shumway-Elliott Mar. 18 5583 feet
Boy Rider. The Buzz Barton Oct 23 4858 feet
Breed of the Sunsets Bob Steele April 1 . 4869 feet
Cherokee Kid. The Tyler-Lynn Oct 30 4S37 feet
Chicago After Midnight Mendez-lnce Mar. 4 6 J 19 feet
Clancy's Kosher Wedding . . Sidney-Lease-Lynn Sept. 17 5701 feet
Coney Island Wilson-Mendez Jan. 13 6390feet
Crooks Can t Win Lewis-Hill-Nelson May 11 6291 feet
Dead Man's Curve Fairbanks. Jr.-Blane Jan. IB... 5511 feet
Desert Pirate. The Tyler-Thompson Dec 25. . 4754 feet
Devil's Trade Mark, The Bennett-Mnng-Douglas April 7 5984 leet
Dog Justice Ranger-Martin June 10 5043 feet
Drlftln" Sands Bob Steeie Jan. 1 4770 feet
Fangs of the Wild Ranger-Kitchen Feb. 5 4804 feet
Fighting Redhead. The Buzz Barton July t 4758 feet
Flying U Ranch, The Tyler-Lane Sept. 4 4924 feet
Freckles Bosworth-Fox. Jr. Mar. 21 6131 feet
Gingham Girl, The Wl.son-Arthur Oct. 2 6301 feet
Harvester. The Kingston-Caldwell Nov. 23 7045 reet
Her Summer Hero Thompson-Trevor-Blane Feb. 12 5146 feet
Hook and Ladder No. 9 Ellls-Keefe-Heam Nov. 13 5240 feet
In a Moment of Temptitlon. Stevent-Keefe Sept. 18 5605 feel
Jake the Plumber Devorska-Lynn Oct. 16 5186 feet
Judgment of the Hills Valll-Caldwell Nov. 6 6481 teet
Law of Fear. The Ranger-Reid-Nelson April 8 4769 feet
Legionnaires in Paris Cooke-Guard Jan. 31 5893 feet
Little Buckaroo. The . .. Buzz Barton Mar. 11 4801 feet
Little Mickey Grogan Darro-Ralston-Nye Dec 27 6515 feet
Little Yellnw House. The Sleeper-Caldwell May 28 6829 feet
Loves of Rlcardo, The George Beban June 17 5181 feet
Man In the Rough. The Steele-King May 20 4748feet
Reviewed
Nov. 11
Mar. 24
Feb. 25
Sept. 30
Mar. 3
Mar. 17
Aug. 26'27
Feb. 25
Dec 23
Jan. 14
Jan. 28
July 29 77
Nov. 2S
Dec. 30
Dec 16
Nov. 11
Nov. 4
Aug. 19' 27
Mar. 10
Mar. 3
April 21
SepL4 26
1982
Motion Picture News
Title Star Rel. Date
Mojavo Kid, The Steele-Gllmore Sept. 25. . .
Phantom of the Range Tyler-Thompson-Darro April 22 .
Pinto Kid, The Barton-Trevor-Lee April 29 . .
Racing Romeo, The Grange-Ralston Sept. 1 . . .
Ranger of the North Ranger (dog) Oct. 9 . . .
Red Riders of Canada Miller-Byer April 15. . .
Riding Renegade, The Bob Steele Feb. 18. . .
Sally of the Scandals Love-Forrest July 15 —
Shanghaied Mlller-lnce Oct. 19. ..
Skinner's Big Idea Washburn-Sleeper-Trevor May 11 . . .
Slingshot Kid, The Barton-Morgan-Rice Dec. 4 . . .
South Sea Love Mliler-Shumway-Brooks Dec. 10...
Swift Shadow. The Ranger (dog) Dec 11...
Trail of Courage, The Steele-Bonner July 8 . . .
Wall Flowers Trevor-Arthur-Todd Feb. 16. . .
When the Law Rides Tyler-Darro June 24 .
Wizard of the Saddle Barton-Thompson Jan. 22. . .
SHORT SUBJECTS
Title Star Rel.
After the Squall Al Cooke April
All Alike Carr-Alexander-Ross April
All Washed Up Al Cooke Feb.
Almost a Gentleman Al Cooke June
Are Husbands People? Al Cooke April
Big Berthas Karr-Ross-Alexander May
Come Meal Al Cooke June
Happy Trio, The Karr-Ross-Alexander Mar.
Heavy Infants Karr-Ross-Alexander June
Joyful Days Karr-Ross-Alexander Aug.
Mickey's Babies Mickey Yule Aug.
Mickey's in Love Mickey Yule June
Mickey in School Mickey Yule Feb.
Mickey's Little Eva Mickey Yule April
Mickey's Nine Mickey Yule Mar.
Mickey's Parade Mickey Yule Jan.
Mickey's Triumph Mickey Yule July
Mickey's Wild West Mickey Yule May
My Kingdom For a Hearse Al Cooke April
Oui Oul Heidelberg Karr-Ross-Alexander Feb.
Panting Papas Karr-Ross-Alexander Jan.
Rah!, Rah! Rexie Al Cooke. . . . Feb.
Length
4924 reet
4781 feet
4884 feet
5992 feet
4977 feet.
6419 feet.
4729 feet
Reviewed
Aug.12'27
..Feb. 11
...Jan. 7
. Dec. 16
! . .Dei. 23
5999 feet
5967 feet.
4486 feet.
6388 feet.
489? feet
Aug.26'27
. Mar. 17
'.'.Feb.'n
Dec 23
6339 feet
4898 feet
4805 feet
Dec. 30
Restless Bachelors
Silk Sock Hal
Social Error, A
Standing Pat .
Too Many Hisses. .
Top Hats
.Al Cooke May
.Al Cooke May
Al Cooke Jan.
Karr-Ross-Alexander July
Al Cooke Mar.
. Al Cooke Mar.
Date
30...
9...
6 . .
25...
2...
14...
11...
12...
11 . . .
14...
7...
4. . . .
6...
2...
5...
2...
2...
7...
16...
13...
9...
20 . .
14...
28 . .
23 . .
9
5. . .
19 . .
Title
Coming
Star
Attractions
Length Reviewed
.2 reels
.2 reels
2 reels
.2 reels
2 reels
.2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
2 reels
.2 reels.
.2 reels
2 reels
.2 reels
.2 reels
. 2 reels
.2 reels
.2 reels
.2 reels
2 reels Feb. 18
.2 reels
.2 reels
2 reels Feb. 11
2 reels
2 reels
2 reels
Length Reviewed
Battling Buckaroo. The Tyler-Clair
City of Shadows, The Luden-Lynn
Danger Street Baxter-Sleeper
Down Our Way Valli-Caldwell-Darro
Gang War Borden- Pickford
Eagle's Ta'ons, The Tom Tyler
Headin' for Danger Steele-Mendez
Hit of the Show, The Brown-Astor-Olmstead . .
Perfect Crime, The Rich-Brook-McConnell . .
Saddle and Spurs Barton-Eason
Stocks and Blondes Logan-Gallagher
Taxi 13 Conklin-Sleeper-Trevor.
FIRST DIVISION (S. R.)
Title Star Rel. Date
Comrades Keith-Hughes-H. Costello Jan. 1
Death Valley Nye-Wells-Rae Sept. 1
Devil's Cage, The Garon-Keith April 15
Fagasa Kelly-Kelton-Wells May 1
Finnegan's Ball Landis-Mehaffey Sept. 15
Free Lips Marlowe-Novak Feb. 15
Masked Angel, The Compson-Oakman Mar. 1
Merry Wives of New York. Pauline Garon Jan.
Polly of the Movies Short-Robards Oct. 1 5
Ragtime De La Motte-Bowers Sept. 1
Souls Aflame James-Wells-Lard April 1
Temptations of a Shop Girl Compson-Garon Nov. 1
FIRST NATIONAL
FEATURES
Length
5400 feet
5960 feet
5300 feet
6700 feet
6200 feet
5600 feet
5900 feet
Reviewed
Mar. 10
Aug. 12
Dec. 9
6900 feet
6700 feet
5700 feet
5700 feet
Sept. 9
Title Star Rel.
American Beauty Dove-Hughes Oct.
Barker, The Sills-Compson-Mackaill Aug.
Big Noise, The Conklin-Hardy-White Mar.
Breakfast at Sunrise Talmadge-Alvarado Oct.
Burning Daylight Sills-Kenyon Mar.
Camille Talmadge-Roland Sept.
Canyon of Adventure Maynard-Faire April
Chaser, The Langdon-McConnell Feb.
Chinatown Charlie Hines-Lorraine April
Crystal Cup, The Mackaill-Mulhall Oct.
Drop Kick, The Barthelmess-Kent Sept.
Flying Romeos Sidney-Murray Feb.
French Dressing Warner-Brook-Wilson Jan.
Good-Bye Kiss. The Eilers-Burke-Kemp July
Gorilla, The Murray-Day-Kelsey Nov.
Gun Gospel Maynard-Faire Nov.
Happiness Ahead Colleen Moore June
Harold Teen Lake-Brian-White May
Hawk's Nest, The Sills-Kenyon May
Heart of a Follies Girl Dove-Kent Mar.
Her Wild Oat Moore-Kent Dec.
Home Made Hines-Daw Nov.
Ladies' Night in Turkish Bath Mackaill-Mulhall April
Lady Be Good Mackaill-Mulhall May
Life of Riley, The Sidney-Murray Sept.
Little Shepherd of Kingdom Come Barthelmess-O'Day April
Love Mart, The Dove-Roland Dec.
Mad Hour, The O'Neill-Kent Mar.
Man Crazy Mackaill-Mulhall Nov.
Noose, The Barthelmess-Joyce Jan.
No Place to Go Astor-Hughes Oct.
Oh Kay Colleen Moore Aug.
Patent Leather Kid, The Barthelmess-O'Day Jan. .
Private Life of Helen of Troy Corda-Stone-Cortez Jan.
Red Raiders, The Maynard-Drew Sept.
Rose of the Golden West Astor-Roland Oct.
Sailors' Wives Astor-Hughes Jan.
Shepherd of the Hills Francis-O'Day Jan.
Date Length
9.... 6333 feet.
19
25. . . .7400 feet.
23. . . .6042 feet.
6500 feet.
8692 feet.
5800 feet.
5744 feet
6365 feet
6386 feet
6819 feet
6184 feet.
6344 feet
Reviewed
Oct. 21
May 12
Dec. 16
April 28
May 6
May 19
. April 21
Nov. 25
Sept. 30
April 14
....7133 feet
. . Dec. 2
6288 feet
. Mar. 10
. . . .7500 feet
7390 feet
5957 feet.
. Mar. 17
. .6118 feet.
Feb. 11
6524 feet
. . May 26
. 6592 feet.
April 14
6615 feet
June 2
. 6712feet.
Sept. 16
. 7700 feet.
May 19
7388 feet
...6625 feet
. April 21
. . 5542 feet
. Dec. 30
. 7331 feet
Jan. 7
. . . .6431 feet.
. Mar. 17
11 41 2 feet. Aug. 26, '27
. . 7694 feet.
. . Dec. 23
. 6214 feet
. . Dec. 9
...6477 feet.
Oct. 7
. . 5485 feet.
. Mar. 10
. . 8188 feet
. Feb. 25
Title Star
Smile, Brother, Smile Mackaill-Mulhall Sept. 11
Texas Steer, A Rogers-Fazenda Dec. 4
Three-Ring Marriage Astor-Hughes May 27
Upland Rider, The Maynard-Douglas June 3
Valley of the Giants Sills-Kenyon Dec. 1 1
Vamping Venus Murray-Todd-Fazenda May 13
Wheel of Chance Barthelmess-Basquette June 10
Whip Woman, The Taylor-Moreno Feb. 5
Yellow Lily, The Dove-Brook May 20
Coming Attractions
Title Star
Butter and Egg Man Mulhall-O'Day
Code of the Scarlet Maynard-McConnell
Divine Lady, The Griffith-Varconi
Glorious Trail, The Maynard-McConnell
Head Man, The Murray-Reed-Dawson
Heart to Heart Astor-Hughes
Here Comes the Band Langdon-Davison
I'll Tell the World Colleen Moore
Lilac Time Moore-Cooper
Night Watch, The Dove-Reed
Phantom City, The Ken Maynard
Whip, The Mackaill-Nilsson-Forbes
Wright Idea, The Hines-Lorraine
Length
Reviewed
6669 feet
. Sept. 9
...7419 feet
. Nov. 18
....5748 feet.
..May 19
....6336 feet
....6212 feet.
..June 2
5087 feet. . . Mar. 24
.7187 feet . . May 26
Length Reviewed
Mar. 24
Title
FOX FILMS
FEATURES
Star
Arizona Wildcat, The Mix-Sebastian Nov.
Black Jack Jones-Bennett Sept.
Blood Will Tell Jones-Perry Nov.
Branded Sombrero, The Jones-Hyams Jan.
Chicken a la King Sterling-Carroll-Meeker June
Come to My House Borden-Moreno Dec.
Dare Devil's Reward Mix-Joyce Jan.
Don't Marry Moran-Hamilton June
Dressed to Kill Lowe-Astor Mar.
East Side, West Side O'Brien-Valli Oct.
Escape, The Valli-Russell April
Farmer's Daughter, The Beebe-Burke July
Fleetwing Norton-Janis July
Gateway of the Moon Del Rio-Pidgeon Jan.
Gay Retreat, The Cohen-McNamara SepL
Girl in Every Port, A McLaglen-Armstrong Feb.
Hangman's House McLaglen-Collyer-Kent May
Hello, Cheyenne Mix-Lincoln May
High School Hero Phipps-Stuart Oct.
Holiday Lane Jan.
donor Bound O'Brien-Taylor May
Horsemen of the Plains Mix-Blane Mar.
Joy Girl, The Borden-Hamilton Sept.
Ladies Must Dress Valli-Gray Nov.
Love Hjngry Moran-Gray April
Loves of Carmen Del Rio-McLaglen 6ept.
News Parade, The Stuart-Phipps May
None But the Brave Phipps-Morton-Knapp June
No Other Woman Del Rio-Alvarado June
Painted Post, The Mix-Kingston July
Pajamas Borden-Gray Oct.
Play Girl, The Bellamy-Brown April
Publicity Madness Moran-Lowe Oct.
Road House Barrymore-Alba July
Seventh H eaven Gaynor-Farrell Oct.
Shame (re-issue) John Gilbert Nov.
Siarpshooters O'Brien-Moran Jan.
Silk Legs Bellamy-Hall Dec.
Silver Valley Mix-Dwan Oct.
Soft Living Bellamy-Brown Feb.
Square Crooks Brown-Armstrong-Dwan.
Thief in the Dark, The Meeker-Hill-Lee
Two Girls Wanted Gaynor-Tryon
Very Confidential Madge Bellamy
Why Sailors Go Wrong Cohen-McNamara
Wizard, The Lowe-Hyams
Wolf Fangs Thunder-Morton-Lincoln.
Womanwise Russell-Collyer-Pidgeon. .
Rel. Date Length Reviewed
20... 4665 feet... Mar. 24
25 ... 4777 feet.... Mar. 3
13 ... 4556 feet ... Mar. 3
8....4612feet....Jan. 14
17
25.... 5430 feet
15.... 4987 feet.... Jan. 21
3.... 5708 feet
18.... 6566 feet.... Mar. 17
9 81 54 feet Nov. 4
29 ...5109feet....May 12
15
22
1.... 5038 feet.... Jan. 14
25... 5524 feet... Sept. 23
26. . . ,5500feet. . . Mar. 3
13. .. 6518 feet... May 19
13.... 4518 feet... May 19
16.... 5498 feet.... Nov. 11
22
6.... 6188 feet... May 26
11.... 4397 feet . . .Mar. 24
18... 6162 feet... Sept. 23
20 ... 5599 feet ... Dec. 23
8. ...5792 feet.. . April 21
4....8538feet....Oct. 7
27.... 6679 feet
24
10
8
23....5876feet....Dec. 2
22.. . 5200 feet ... April 28
2.... 5893 feet... Feb. 11
1
30 8500 feet June 10
....5467 feet
15....5573feet....Jan. 28
18.... 5446 feet
2... 5011 feet... Oct. 14
5.. ..5629 feet.... Mar. 3
Mar. 4 . .5397 feet Mar. 31
May 20 . 5937 feet . . May 26
.Sept. 11.... 6293 feet.... Oct. 7
Nov. 6. . . .5620 feet . . Dec. 16
Mar. 25... 5112feet... April 14
Dec. 11 . .5629 feet
Nov. 27. . . 5331 feet. . . Dec. 16
Jan. 8 5050feet Mar. 10
SHORT SUBJECTS
Title Star Rel. Date
America's Little Lamb Variety April 15. . .
Arkansas Traveler Variety Jan. 8 . . .
Bridge at Midnight, The (Movietone) Mary Duncan
Cow's Husband, A Spenser-Temple
DesertBlooms, The Variety Mar. 19. . .
Follow the Leader Payson-Ramon May 13 . . .
Head Hunters of Ecuador Variety Jan. 22. . .
Hold Your Hat Phipps-Stuart Jan. 15...
Hot House Hazel T. Brooks-T .Hill Jan. 1 . . .
In a Music Shoppe (Movietone) Special Cast
Jack and Jilted P. Cunning-M. King
Jungles of the Amazon Variety Feb. 5. . .
Kiss Doctor, The Brooke-Thompson Jan. 29. . .
Lady Lion Lincoln-Clayton-Bletcher Mar. 25. . .
Lords of the Back Fence Variety Jan. 22 . .
Love is Blonde Rollens-Ellis Feb. 26. . .
Low Necker, A Marjorie Beebe
Mum's the Word
Old Wives Who Knew Hallam Cooley April 8. . .
On a South Sea Shore Variety April 1 . . .
Over the Andes Variety
Psyche and the Pskyscraper "O. Henry"
Ship Ahoy! Variety Feb. 19. . .
Spanish Influence Variety April 29. . .
T. Bone for Two Tyler Brooke April 22. . .
They're Coming to Get Me (M'tone)Chick Sales
Too Many Cookies T. Brooke-L. Miller Mar. 11 . . .
Vintage, The Variety Mar. 4...
Coming Attractions
Title Star
Air Circus, The Carrol-Lake-Rollins
Cock-Eyed World, The Lowe-McLaglen
Dry Martini.
Length
1 reel...
1 reel
Reviewed
. . May 26
2 reels.
1 reel .
2 reels.
1 reel .
2 reels.
2 reels.
May 19
Mar. 24
2 reels.
1 reel .
2 reels.
2 reels.
1 reel .
2 reels.
2 reels .
2 reels.
2 reels.
1 reel . .
1 reel . .
2 reels.
1 reel . .
1 reel .
2 reels.
May 26
Jan. 21
Mar. 17
May 19
Jan. 14
Sept. 3
. May 26
2 reels
1 reel
Length Reviewed
.7217 feet
Fazil Farrell-Nissen-Busch
Four Devils, The Macdonald-Gaynor-Morton
Four Sons Mann-Hall-Bushman 941 2 feet .
Girl Downstairs, The Moran-O'Brien
La Gringa Kenneth Thomson
Me, Gangster Collyer-Stuart
Feb. 18
June 9, 19 28
108.1
Rel. Date Length Reviewed
Title Star
Mother Knows Best Movietone) Bellamy-Dresser
Mother Machree Bennett-McLaglen 6863 feet
Pigskin Rollens-Carol
Plastered in Paris Cohen-Pennlck
Prep and Pep Rollens-Drexel
Red Dance, The Del Rio-Farrell-Rcvier
River Pirate, The McLaglen-Moran
Street Angel, The Gaynor-Farrell 9221 feet
Sunrise Gaynor-O'Brlen 8729 teet
Wild West Romance Bell-Lincoln
Title
Star
Rel. Date
Mar. 17
Oct. 14
LUMAS
FEATURES
Title Star
Bare Knees Corhin-Koith
Blondes By Choice Claire Windsor
Cheer Leader, The Graves-Olmstead
Chorus Kid, The Falrc- Washburn
Girl From Rio, The Myers-Pidgeon ....
Hell Ship Bronson Mrs. W. Reid-Howes-Beery
San Francisco Nights Marmont-Busch Jan
Thru the Breakers Aug.
Turn Back the Hours Loy-Pidgeon Mar.
United States Smith Gribbon-Lee-Harlan June
Rel.
Fob.
Oct.
Nov.
Aprrl
Sept.
May
Date
1...
1
I...
1.
1
1.
1.
Length Reviewed
5800 feet Jan. 28
6987 feet
6000 feet Mar. 10
6200 feet
6990 feet
6432 feet
7000 feet.
April 14
M;iy 12
Dec. 31
1... 6000 feet
1... 6000 feet
Mar. 17
Coming
Star
Attractions
Title
Abie of the U. S. A George J essel
Down Grade, The Fairbanks-Calhoun
Gypsy Love 'tent.)
Head of the Family, The July
Man Higher Up June
River Woman, The Alma Rubens
Uncensored Woman. The
When Danger Calls Falrbanks-Sedgwick
Woman Between, The
Rel. Date Length Reviewed
METRO-GOLDWYN-MAYER
FEATURES
Title Star
Across to Singapore Novarro-Crawford
Rel.
April
Actress, The Shearer-Forbes-O. Moore April
Annie Laurie G Mi-Kerry Sept.
Baby Mine Arthur-Dane Jan.
Becky O'Neill-O. Moore Nov.
Ben Hut Novarro-McAvoy
Big City, The Chaney-M. Day-Compson .
Big Parade, The Gilbert-Adoree
Body and Soul L. Barrymore-Pringle-Kerry.
Bringing Up Father Macdonald-Olmsted-Moran
Buttons Coogan-L. Hanson
Certain Young Man Novarro-Adoree
Circus Rookies Dane-Arthur
Cossacks, The Gilbert-Adoree
Crowd. The Boardman-Murray
Detectives Dane-Arthur
Diamond Handcuffs Boardman-Gray-Nagel
Divine Woman, The Garbo-Hanson
Enemy, The Gish-Forbes
Fair Co-Ed Davies-Brown
Forbidden Hours Novarro-Adoree
Foreign Devils McCoy-Windsor
Garden of Allah Terry-Petrovich
In Old Kentucky H. Costello-Murray
Latest from Paris, The Shearer-Forbes
Laugh, Clown, Laugh Chaney-Young-Asther
Law of the Range McCoy-Crawford
London After Midnight Chaney-M. Day-Nagel Dec
Love Garbo-Gllbert Jan.
Lovelorn, The O'Nelll-Kent-O'Day Dec.
Madamoiselle from Armentieres E. Brody-J. Stuart June
Man, Woman and Sin Gilbert-Eagels Nov.
atsy. The Davies-Caldwell-Gray Mar.
Q uality Street Davles-Nagel Dec.
Flders of the Dark McCoy-Dwan April
. nad to Romance, The Novarro-M. Day Sept.
rose-Marie Crawtord-Murray-Peters Feb.
Skirts Chaplin-Balfour May
Smart Set. The Haines-Holt-A. Day Feb.
Spoilers of the West McCoy-Daw Dec.
Spring Fever Haines-Crawford Oct.
Student Prince, The Novarro-Shearer Jan.
Tea for Three Cody-Pringlc-O. Moore Dec.
Telling the World Haines-Page Juno
Thirteenth Hour, The L. Barrymore-Gadsdon Nov.
Under the Black Eagle Flash-M. Day-Forbes Mar.
West Point Haines-Crawford Jan.
Wickedness Preferred Cody-Pringle Jan.
Wyoming McCoy-Sebastian Mar.
Oct.
Feb.
Sept.
Oct.
Mar.
Dec.
May
Mar.
June
Mar.
June
May
Jan.
Feb.
Oct.
June
Sept.
Nov.
Oct.
Feb.
April
Jan.
Date
7...
28 .
17...
21...
12
8
18
m
1.
17.
24
19
31.
23
3
Length
6805 feet
t>998 feet
8730 feet
5139 feet
6433 feet
11693 feet
6838 feet
11519 feet
. 5902 feet
6344 feet
6050 feet
Reviewed
May 5
May 27 '27
Jan. 14
Jan. 16! '26
Mar. 31
Nov. 28 '25
Nov. 25
June 2
Mar. 31
5661 feet May 19
8538 feet Feb. 25
S
14 . 7300 feet
18... 81 89 feet
15. .. 6408 feet.
16
3... 4658 feet
8200 feet
6646 feet
7743 feet
7045 feet
5393 feet
5687 feet
7365 feet
5950 feet
Jan. 21
Dec. 31
Nov. 4
April 28
Sept. 16
Mar. 3
June 2
Dec 23
Dec. 16
Dec. 30
19 . . 6280 feet
10... 7289 feet
31. . . 7193 feet
21.... 5014 feet
24. . . .6544 feet
11... 7745 feet
19
25.
in
2 2
30.
10
June 2
Nov. 18
Jan. 21
Feb. 18
. 6476 feet
4784 feet.
. 6705 feet.
. 9435 feet
6273 feet
Mar. 10
Mar. 24
Oct. 22
Oct. 7
Nov. 11
Title
SHORT SUBJECTS
Star
Rel.
Aching Youth Charley Chase Mar.
All For Nothing Charley Chase Jan.
Amazing Lovers Ufa Oddities Mar.
Barnum and Ringling, Inc "Our Gang" April
Bird Man, The Charley Chase
Blow by Blow Max Davidson Mar.
Came the Dawn Max Davidson Mar.
Children of the Sun Ufa Oddities Feb,
26
29
7..
28
24.
Dato
17
21...
10...
7...
52 52 feet
5901 feet
8134 feet
5011 feet
4435 feet
May 19
Jan. 7
31
3..
11
7..
2..
17..
«..
10..
5. .
18. .
12..
25
Cleopatra July
Crazy House "Our Gang" June
Czarina's Secret. The Baclanova-Mir-Rand Mar.
Dumb Daddies Max Davidson Feb.
Edison, Marconi and Co "Our Gang" Mar.
Fair and Muddy "Our Gang" May
Family Group, The Charley Chase Feb.
Fight Pest, The Charley Chase May
Finishing Touch. The Laurel-Hardy Feb.
Fishing With a Microscope Ufa Oddities
Follow Through Laurel-Hardy
Forty Thousand Miles with Lindbergh Aviation Film Mar. 4
From Soup to Nuts Laurel-Hardy Mar. 24
Golden Fleeces Ufa Oddities May 19
Happy Omen. A Ufa Oddities July 14
Heavenly Bodies Ufa Oddities
Jungle Round-Up, A Ufa Oddities Jan. 28
Lady of Victories, The A. Ayres-O. Matiesen-G. Frying. Jan. 21
Leave 'Em Laughing Laurel-Hardy Jan. 28
Length Reviewed
2 reels
2 reels Jan. 14
1 reel
2 reels April 21
.2 reels
2 reels April 21
2 reels
1 reel
2 reels
2 reels May 26
.2 reels
2 reels Feb. 25
2 reels . . April 7
2 reels May 12
2 reels . Feb. 18
.2 reels May 26
2 reels . April 7
1 reel
2 reels
3 reels
2 reels April 21
1 reel
1 reel
1 reel
1 reel ... . Oct. 9
2 reels Feb. 25
2 reel*
Let George Do It Laurel Hardy
Limousine Love Charley Chase April 14
Monarch of the Glen. The Ufa Oddities Mar. 24 .
Nature s Wizardry Ufa Oddities July 28
Palace ot Honoy. The Ufa Oddities June 16
Pathfinders. The Ufa Oddities
Pass the Gravy Max Davidson Jan. 7
Perfume and Nicotine Ufa Oddities Jan. 14. . .
Pets and Pests Ufa Oddities Jan. 28 .
Primitive Housekeeping Ufa Oddities April 21
Rainy Days "Our Gang" Feb. 11. ..
Sanctuary Ufa Oddities May 5 .
Secrets ot the Sea Ufa Oddities Feb. 25
Should Women Drive? Max Davidson May 26
Sleeping Death Ufa Oddities June 30
Spook-Spoofing "Our Gang" Jan. 14. . .
Tally-Ho Ufa Oddities
Tell It to the Judge Stanley-Dwan-Mannlng May 12
That Night Max Davidson
Their Purple Moment Laurel-Hardy May 19
Tokens of Manhood Ufa Oddities June 6. . .
Virgin Queen. The Stanley-Dwan-Mannlng May 12
Wicked Kasimlr, The Ufa Oddities April 7...
Wonders of Blue Gulf Mexico Ufa Oddities
Your Darn Tootin' Laurel-Hardy April 21
Length Reviewed
2 reels Mar. 3
2 reels April 21
I reel Jan. 21
1 reel ...
1 reel . May 26
1 reel
2 reels Jan. 14
1 reel
1 reel Mar. 3
1 reel
2 reels
1 reel
1 reel Mar. 3
2 reels May 19
1 reel
2 reels . . Jan. 14
1 reel
2 reels
2 reels
2 reels. . . May 26
1 reel May 26
2 reels May 19
. 1 reel
1 reel .
2 reels May 12
Coming Attractions
Title Star Length Reviewed
Adventurer, The McCoy-Sebastian 4709 feet
Baby Cyclone, The Cody-Pringle
Beau Broadway Cody-Pringle
Bellamy Trial. The Joy-Bronson
Brother Love tentative) Dane-Arthur
Bushranger, The McCoy-Douglas
Cameraman, The Keaton-Day
Deadline. The Flash-Lorraine-Gray
Excess Baggage Haines-Cortez
Four Walls Gilbert-Crawford
He Learned About Women Haines-Page-Percy
Her Cardboard Lover Davies-Asther
Loves of Casanova, The Special Cast
Masked Stranger. The McCoy
Mask of the Devil John Gilbert
Napoleon Special Cast
Our Dancing Daughters Crawford-Brown-Sebastian
Show People Davies-Haines
Tide of Empire Adoree-Murray
Trail of '98, The Del Rio-Forbes IllOOfeet . Mar. 24
War in the Dark Garbo-Nagel
While the City Sleeps Chaney-Page
White Shadows of the South Seas Blue-Torres
Wind, The Glsh-Hanson
PARAMOUNT
Title
FEATURES
Star
Rel. Date
Adventure Mad Asther-Hall-Davis Mar. 31
Barbed Wire Negri-Brook Sept. 10
Beau Sabreur Brent-Cooper Jan. 7
Big Killing, The Beery-Hatton May 19
Chang Jungle Film Sept. 3
City Gone Wild. The Meighan-Brooks Nov. 12
Doomsday Vidor-Cooper Feb. 18
Drag Net, The Bancroft-Brent May 26
Easy Come. Easy Go Dlx-Carroll April 21
Feel My Pulse Danlels-Arlen Feb. 25
Figures Don't Lie Ralston-Arlen Oct. 8 .
Firty-Fifty Girl, The Daniels-Hall May 12
Fools for Luck Flelds-Conklin May 5 .
Gay Defender, The Dlx-Todd Dec. 10
Gentleman of Paris, A Menjou-O'Hara Oct. 15
Gentlemen Prefer Blondes Taylor-Sterling-White Jan. 28
Get Your Man Bow-Rogers Dec. 10 .
Honeymoon Hate Vidor-Carmanatl Dec 3..
Jesse James Thomson-Lane Oct. 22
Last Command, The Jannings-Brent Jan. 21
Last Waltz. The Fritsch-Vernon
Legion of the Condemned Cooper-Wray
Love and Learn Ralston-Chandler
Nevada Cooper-Todd
Night of Mystery, A Menjou-Brent
Nov. 26
Mar. 10
Jan. 14
Sept. 10
April 7
Now We're in the Air Beery-Hatton Oct. 22
Old Ironsides Ralston-Farrell-Beery . ... .. Mar. 3
One Woman to Another Vidor-Von Eltz Sept. 24
Open Range Chandler-Bronson Nov. 5 ..
Partners In Crime Beery-Hatton-Brian Mar. 17 .
Peaks of Destiny Special Cast Jan. 28
Pioneer Scout, The Thomson-Lane Jan. 21 . .
Red Hair Bow-Chandler Mar. 10
Rough Riders, The N. Beery-Bancroft Oct. 1
Secret Hour, The Negri-Tfomson Feb. 4..
Serenade Menjou-Carver-Basquette Dec 24
Shanghai Bound Dix-Brian Oct. 15
She's a Sheik Danlels-Arlen Nov. 12
Shootin' Irons Luden-Blane Oct. 8. .
Show Down. The Bancroft-Brent Feb. 25
Something Always Happens Ralston-Hamilton Mar. 24
Speedy Lloyd-Christie April 7..
Sporting Goods Dlx-Olmstead Feb. 11
Spotlight, The Ralston-Hamilton Nov. 19
Stark Love Special Cast Sept. 17
Street of Sin, The Jannings-Wray May 26
Sunset Legion, The Thomson-Murphy April 21
Swim. Girl, Swim Daniels-Hall Sept. 17
Tell It to Sweeney Conklln-Bancroft Sept.24
Three Sinners — Negrl-Baxter . April 14
Tlllio's Punctured Romance Flelds-Conklln Mar. 3
Two Flaming Youths Conklln-Flelds Dec 17. . .
Under the Tonto Rim Arlen-Brian Feb.
Underworld Bancrtift-Brent-Brook ...... Oct. 29
Way of All Flesh Jannlngs-Bennett-Haver Oct 1...
We're All Gamblers Melghan-Mlllner Sept. 3 .
Wife Savers Beery-Hatton Jan. 7. ..
Woman on Trial Negrl-E. Hanson Oct 29
Length
5897 feet
6591 feet
6536 feet
5£08 feet
6536 feet
5408 feet
5665 feet
772C feet
5364 feet
5808 teet
5280 feet
7720 teet
5758 feet
6376 teet
5927 feet
6871 feet
5998 feet
5415 teet
8656 feet
8234 feet
6940 feet
7415 feet
5737 feet
6258 feet
5741 feet
5798 feet
7910 feet
4551 feet
5599 feet
6600 feet
5582 feet
6118feet
6331 feet
9443 feet
7175 feet
52C9 feet
5515 feet
601 5 feet
5179 feet
7616 feet
4792 feet
7960 feet
5951 feet
4934 feet
6200 feet
6248 feet
6763 feet
61 24 feet
6006 feet
7029 feet
5733 feet
5319 feet
5991 feet
7643 feet
8486 feet
5935 feet
5413 feet
BM t..t
Reviewed
Jan. 28
May 13 '27
Mar. 3
April 7
May 12
Mar. 3
Mar. 3
May 26
Dec 31
Oct. 14
. Jan. 21
Feb. 11
Oct. 28
Jan. 28
Dec 30
Mar. 24
Feb. 25
Oct. 28
April 21
Dec 23
Dec 18 '26
. Sept 30
Mar. 10
May 5
Jan. 21
Mar. 10
Mar. 31
April 1 '27
Mar. 17
Dec. 31
Dec 9
Dec 9
Mar. 10
May 26
April 14
Feb. 18
Mar. 11 '27
June 2
Sept 16
Oct. 28
April 28
Jait 7
April 28
Sept. 9
July 8
Jan. 21
Oct. 14
Title
SHORT SUBJECTS
Star
Rel. Date
Adoration Novelty Feb. 25
Behind the Counter E. E. Horton Mar. 3
Bugs My Dear (Christie) Bobby Vernon April 21
Bum Steer. A Krary Kat Cartoon April 21
Call Again E. E. Horton
Length
2 reels
2 reels
2 reels
1 reel
2 reels
Reviewed
Motion Picture News
Title Star Rel. Date
Campus Cuties (Christie) Billy Dooley April 7. .
Dad's Choice E. E. Horton Jan. 7...
Fighting Fanny (Christie) Featured Cast Jan. 21 . . .
Frenzy Novelty Jan. 14...
Gallant Gob, A (Christie) Billy Dooley May 26. . .
Goofy Ghosts (Christie) Jimmie Adams April 28 . . .
Halfback Hannah (Christie) Ann Cornwall April 14. . .
His Tiger Lady Menjou-Brent
Hold 'Er Cowboy (Christie) Bobby Vernon June 2. . .
Holy Mackerel iChristie) Jimmy Adams Feb. 11...
Home Girl, The Gilmore-Kruger
Hunger Stroke, A Krazy Kat Cartoon Feb. 25 . . .
Ice Boxed Krazy Kat Cartoon Feb. 11 . . .
Just the Type (Christie) Neal Burns Feb. 18. . .
Knights of the Air Aviation Film Mar. 31 . . .
Ko-Ko's Bawth Inkwell Cartoon Feb. 18. . .
Ko-Ko's Haunted House Inkwell Cartoon April 28. . .
Ko-Ko's Hot Dog Inkwell Cartoon April 14. . .
Ko-Ko's Jerm Jam Inkwell Cartoon Feb. 4. . .
Ko-Ko's Earth Control Inkwell Cartoon Mar. 31 . . .
Ko-Ko's Kink Inkwell Cartoon Jan. 7 . . .
Ko-Ko's Kozy Korner Inkwell Cartoon Jan. 21 . . .
Ko-Ko's Smoke Inkwell Cartoon Mar. 3 . .
Ko-Ko's Tattoo Inkwell Cartoon Mar. 17
Long Hose (Christie) Jack Duffy Mar. 17
Love's Young Scream Anne Cornwall May 12. . .
Love Shy (Christie) Jimmie Adams Mar. 24 . .
Love Sunk Krazy Kat Cartoon Mar. 24 . . .
Pig Styles Krazy Kat Cartoon Jan. 14...
Prancing Prune Helen Hayes
Save the Pieces (Christie) Bobby Vernon Jan. 28. . .
Say Uncle (Christie) Jack Duffy June 9 . .
Sea Food (Christie) Billy Dooley July 14. . .
Shadow Theory. Krazy Kay Cartoon Jan. 28 . .
Slick Slickers (Christie) Neal Burns July 7
Slippery Heels (Christie) Jimmie Adams June 16. . .
Sweeties (Christie) Bobby Vernon Mar. 10. . .
Tong Tied Krazy Kat Cartoon April 7
Two Masters Eaton-Post
Vacation Waves E. E. Horton
Walls Have Ears Madge Kennedy
Water Bugs i Christie) Billy Dooley Feb. 4 . .
Wired and Fired Krazy Kat Cartoon Mar. 10. . .
Length Reviewed
2 reels
2 reels
2 reeis April 28
2 reels
2 reels
2 reels
4998 feet. .'. .June "i
2 reels
2 reels June 2
2 reels
1 reel
1 reel
2 reels
2 reels
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 ree1
1 reei
1 reel
2 reels
2 reels
1 reel
1 reel
1 reel
2 reels
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
1 reel
2 reels
2 reels
2 reels
1 reel
Coming Attractions
Title Star Length Reviewed
Abie'slrish Rose Hersholt-McDonald 12103 feet. . .April 28
Beggars of Life Beery-Arlen-Brooks
First Kiss, The Wray-Cooper
Fleet's In, The Bow-Hall
Glorifying the American Girl Special Cast
Hall a Bride Ralston- Arlen
Hot News Daniels-Hamilton
Just Married Hall-Taylor
Kit Carson Thomson-Lane
Ladies of the Mob Bow-Arlen
Loves of an Actress, The Negri-Cooper
Magnificent Flirt, Toe Florence Vidor
Perfumed Trap, The Brian-Brook
Odd Fellows Fields-Conklin
Patriot, The Jannings-Stone-Vidor
Quick Lunch Fields-Conklin
Racket, The Melghan-Prevost
Sawdust Paradise, The Ralston-Howes
Side Show, The Fields-Conklin
Vanishing Pioneer, The Holt-Blane
Warminq Up Richard Dix
Water Hole. The Holt-Carroll
Wedding March, The Von Stroheim-Wray
Wings Bow-Rogers 12 reels Aug. 26 '27
Woman From Moscow, The Negri-Kerry
PATHE
FEATURES
Title Star Rel. Date
Alice in Wonderland Special Cast Dec. 25. . .
Alice Thru Looking Glass Special Cast Feb. 12. . .
Almost Human Reynolds-Thomson Dec. 26. . .
Angel o. Broadway, The Joy-Varconi Oct. 3
Apache Rider, The Leo Maloney Feb. 12. . .
Avenging Shadow, The Klondike-Hallor-Morris April 29 . .
Ballyhoo Buster, The Buffalo Bill, Jr Jan. 8. . .
Blonde for a Night, A Prevost-Ford Feb. 26 . . .
Blue Danube, The Joy-La Rocque Mar. 11 . . .
Born to Battle Bill Cody Sept. 11 . .
Boss of Rustlers Roost Dan Coleman Jan. 22...
Bronc Stomper, The Dan Coleman Feb. 26 . .
Bullet Mark, The Jack Donovan Mar. 25 . .
Chicago haver-Varconi Mar. 4 . . .
Combat Walsh-Adams-Hulette Oct. 23...
Cowboy Cavalier, The Buddy Roosevelt Jan. 29. . .
Crashing Through Jack Padjan Feb. 5 . . .
Desert of the Lost, The Wally Wales Dec. 18. . .
Desperate Courage Wally Wales Jan. 15. . .
Devil's Twin, The Leo Maloney Dec. 11 . . .
Discord Ekman-Dagover Nov. 20...
Dress Parade Boyd-Love Nov. 11...
Fangs of Fate Klondike (dog) June 24 . . .
Flying Luck Monty Banks Dec. 4...
Forbidden Woman, The Goudal-Varconi Nov. 7...
Girl in the Pullman Prevost-Ford Oct. 31 . . .
Golden Clown, The Ekman-Bell Dec. 18. . .
Gold From Weepah Bill Cody Nov. 20. . .
Grandma's Boy (re-issue) Harold Lloyd Dec.
Harp in Hock, A R. Schildkraut-Coghlan Oct. 10...
His Foreign Wife McDonald-Murphy Nov. 27. . .
Hold 'Em Yale La Rocque-Loff May 13. . .
Hoof Marks Jack Donovan Nov. 13. . .
Land of the Lawless Jack Padjan Dec. 25. . .
Laddie Be Good Bill Cody Jan. 1...
Law's Lash, The Klondike-Ellis-Maberry May 20 . .
Leopard Lady, The Logan-Hale Jan. 22. . .
Let 'Er Go Gallegher Coghlan-Ford Jan. 15...
Main Event, The Reynolds-R. Schildkraut Nov. 18. . .
Marliethe Killer Klondike-Bushman, Jr Mar. 4...
Midnight Madness Logan-Brook Mar. 25. . .
My FrienJ From India Pangborn-Fair Dec. 19 . .
Night Flyer, The Boyd-Ralston Feb. 5...
Obligin' Buckaroo, The Buffalo Bill, Jr . . Oct. 16. ..
On to Reno Prevost-Landis Jan. 1 . . .
Passion Island Special Cast Feb.
Perfect Gentleman, A Monty Banks ...Jan. 15...
Ride 'Em High Buddy Roosevelt Oct. 9. . .
Length
Reviewed
5 reels
5 reels
. 5596 feet
Mar. 24
6555 feet
. Dec. 16
.5755 feet
Feb. 18
.4293 feet
. . Mar. 31
.4805 feet
. Dec. 30
.6 reels
.7 reels
May 26
.4875 feet
4833 feet
Jan. 14
5408 feet
Mar. 3
4550 feet
Mar. 31
9992 feet
Dec. 30
.51 00 feet
Nov. 11
.4526 feet
Jan. 28
.4480 feet
. Feb. 11
.4933 feet
. Dec. 30
.4398 feet
Jan. 21
.5478 feet
8586 feet
Nov. 11
6599 feet.
. Nov. 11
.5 reels
64C3 feet
. Nov. 18
6568 feet
. Dec. 16
5867 feet
Nov. 18
.791 3 feet
Mar. 24
4968 feet.
. Dec. 23
4750 feet
5990 feet
. Dec. 9
.4890 feet.
Feb. 11
.8 reels
.4076 feet
. Dec. 23
.4131 feet
. Dec. 30
.4155 feet
Dec. 30
4902 feet .
Mar 31.
6650 feet
Mar. 10
.5888 feet.
. Jan. 28
.6472 feet.
. Nov. 1 1
.4600 feet
Mar. 3
.6 reels
5750 feet
. Mar. 31
5954 feet
4575 feet
Nov. 11
6 reels
7 reels
5626 reet
..Jan. 14
4542 reet
Nov. 11
Title Star Rel.
Roarin' Broncs Buffalo Bill, Jr Nov.
Rush Hour, The Prevost-Ford Dec.
Saddle Mates Wally Wales Mar.
Skyscraper Boyd-Carrol April
Soda Water Cowboy, The Wally Wales Sept.
Stand and Deliver La Rocque-Valez Feb.
Turkish Delight R. Schildkraut-Fay-Robson Nov.
Valley of Hunted Men Buffalo Bill, Jr Feb.
Walking Back Carrol-Walling May
What Price Beauty? Nita Naldi Jan.
Wise Wife, The Haver-T. Moore-Logan Oct.
Wreck of the Hesperus Bradford-Marion Oct.
SHORT SUBJECTS
Title Star Rel. Date
Animal Snaps Rarebits April 8. . .
Barnyard Artists "Aesop Fables" April 29 . .
Barnyard Lodge No. 1 "Aesop Fables" April 8. . .
Bath Time Sportlight June 24. . .
Battling Duet, The "Aesop Fables" April 15 . .
Beach Club, The Bevan-Hurlock Jan. 22...
Benares (Educational) Geographical Number Jan. 24. . .
Best Man. The Bevan-A. Bennett-V. Dent Feb. 19. . .
Bicycle Flirt, The Bevan-V. Dent-D. Garley Mar. 18. . .
Blaze of Glory, A "Aesop Fables" Feb. 26 . . .
Boats and Fishermen Science Number Mar. 4. . .
Boy Friend, The "Aesop Fables" Jan. 22. . .
Broncho Buster, The "Aesop Fables" Jan. 1 . . .
Buddhists of Burma. The , Educational Geographical Number Feb. 5. . .
Busy Bodies Sportlight Jan. 8...
Clothes and the Game Sportlight April 15. . .
Coast to Coast "Aesop Fables" May 13. . .
County Fair, The "Aesop Fables" Mar 4. . .
Crowned Heads Sportlight Feb. 19. . .
Delhi (Educational) Geographical Number Feb. 26. . .
Do Monkeys Manicure? Stan Laurel April 1 . . . .
Eagle of the Night (Serial) Frank Clarke Oct. 21 . . .
Family Frolics Sportlight Jan. 22 . .
Famous Playgrounds Sportlight May 13. . .
Flight That Failed, The "Aesop Fables" June 3. . .
Flying Age, The "Aesop Fables" April 22. . .
Fiying Elephants Roach Stars Feb. 12...
Fun Afoot Sportlight Mar. 18...
Galloping Ghosts Carew-Hardy Mar. 11...
Girl From Nowhere, The Pollard-Holloway-Swain Mar. 25. . .
Good Ship Nellie, The "Aesop Fables" Feb. 5. . .
Happy Days "Aesop Fables" May 27. . .
High Stakes "Aesop Fables" Jan. 15. . .
Honeymoon Hints Rarebits Jan. 15...
How Man Suits His Life Science Series
Houses of Arctic and Tropics Science Number Feb. 12. . .
Jungle Days "Aesop Cartoon" Mar. 25. . .
Jungle Triangle, A "Aesop Cartoon" April 28. . .
Kashmir, Old and New Geographical Number Jan. 10. . .
Limberlegs Sportlight June 10...
Love at First Flight Pollard-Hurlock-Cowley Jan. 29 .
Man Without a Face (Serial) A. Ray-W. Miller Jan. 15. . .
Mark or the Frog, The M. Morris-D. Reed Mar. 25 . . .
Matching Wits Sportlight April 29. .
On the Ice "Aesop Fables" Mar. 11 . .
Over the Bounding Blue with Will Rogers (Travelesque) Feb. 12. . .
Playing Hookey "Our Gang" Jan. 1 . .
Puppy Love "Aesop Fables" June 10. .
Reeling Down the Rhine Travelesque Jan. 15. .
Run Girl, Run Sennett Girls Jan. 15. .
Scaling the Alps "Aesop Fables" April 1 . . .
Season to Taste Sportlight Mar. 4 . . .
Shalimar Gardens, The Geographical Number Mar. 18. . .
Should Tall Men Marry? Roach Stars Jan. 15. . .
Smile Wins, The "Our Gang" Feb. 26 . . .
Smith's Army Life Hiatt-McKee-Jackson Feb. 5 . .
Smith's Bargain Hiatt-McKee-Jackson
Smith's Farm Days Hiatt-McKee-Jackson Mar. 4. .
Smith's Holiday Hiatt-McKee-Jackson Jan. 8. .
Smith's Restaurant Hiatt-McKee-Jackson April 1..
Soldier Man. Harry Langdon
Son Shower, The "Aesop Fables" Mar. 18. . .
Spider's Lair, The "Aesop Fables" Feb. 19. . .
Star Builders Sportlight May 27. .
Swim Princess, The Pollard-Clyde-Lombard Feb. 26. .
Tail Waggers Sportlight April 1..
Terrible People, The (Serial) Ray-Miller Aug. 12 .
Trees Rarebits Mar. 1 1 . .
Twenty-Four-Dollar Island Novelty
Versatility Sportlight Feb. 5 . .
Volcanoes (Educational) Geological Number Feb. 19 . . .
Wandering Minstrel, The "Aesop Fables" Jan. 29 . .
War Brides "Aesop Fables" May 20. .
Work of Running Water Geological Number Mar. 11 . .
Yellow Cameo, The (Serial) Ray-Hearn June 3 . .
Date Length Reviewed
27.... 4375 feet.... Dec. 30
12. ...5880 feet. . . Mar. 10
11....4260feet....Mar.17
8... 7040 feet... April 14
25.... 4546 feet.... Nov. 4
19. .. 5423 feet ... April 7
11.... 5397 feet
19 ...4520 feet. .. Mar. 3
20 6 reels
22 5 reels Jan. 28
24.... 5610 feet... Dec. 16
31... 6447 feet... Mar. 31
Length Reviewed
.1 reel April 21
.1 reel
.1 reel April 7
. 1 reel
1 reel April 7
2 reels Jan. 14
. 1 reel
.2 reels Feb. 11
.2 reels Mar. 10
.1 reel
.2 reels
1 reel
.1 reel
.1 reel
.1 reel Dec. 31
.1 reel April 7
.1 reel May 19
.1 reel
.1 reel
.1 reel
. 1 reel
.1 reel
.1 reel
. 1 reel
.1 reel
.2 reels. . . .
.1 reel
2 reels . . .
.2 reels. . . .
.1 reel
.1 reel
.1 reel
.1 reel
.2 reels. . . .
.2 reels
.2 reels. . . .
.1 reel
.1 reel
.1 reel
.2 reels . . .
10 episodes.
10 episodes.
.1 reel
.1 reel
.1 reel
.2 reels. . . .
. 1 reel
.1 reel
.2 reels. . . .
1 reel
.1 reel
.1 reel
.2 reels. . . .
.2 reels. . . .
.2 reels. . . .
.2 reels. . . .
.2 reels
2reels. . . .
.1 reel
Jan. 14
May 19
April 21
Feb. 11
Mar. 3
Mar. 24
May 19
. Mar. 31
May 19
June 2
Jan. 21
Jan. 14
Mar. 24
April 21
Feb. 11
Jan. 7
Jan. 14
. Mar. 31
Jan. 7
Mar. 3
Feb. 4
Mar. 3
Dec. 31
1 reel
. 1 reel . .
. 1 reel .
.2 reels.
. 1 reel . .
Feb. 18
May 19
Mar. 3
. 1 reel
.1 reel
. 1 reel
.1 reel
.1 reel
.1 reel
.1 reel
10 episodes.
Dec. 23
Jan. 28
May 19
Title
Coming Attractions
Star
Length Reviewed
Annapolis Basquette-Brown
Black Ace, The Don Coleman
Bride of the Colorado Bole«-Blossom
Celebrity Armstrong-Basquette
Cop, The Boyd-Logan
Craig's Wife Rich-Baxter
Flying Buckaroo, The Wally Wales.
Forty-Five-Calibre War Coleman-Loff
Godless Girl, The Basquette-Prevost
King of Kings, The Warner-Logan 13500 feet April 29 '27
Ladies Must Love Rod La Rocque
Love Over Night La Rocque-Loff
Man-Made Woman Joy-Boles-Warner
Power Boyd-Logan
Red Mark, The von Seyffertitz
Ship Comes In, A R. Schildkraut-Dressler June 4
Sin Town Allen-Fair
Survival of Slim. The Wally Wales
Tenth Avenue Haver-Varconi
Valley Beyond the Law Coleman-Loff
What Holds Men Leatrice Joy
Yellow Contraband Leo Maloney
PEERLESS PICTURES (S. R.)
Title
Girl|He Didn't Buy, The
Golden Shackles
Out of the Past
Web oi Fate, The
Wilful Youth
Star
Rel. Date Length Reviewed
Garon-Simnson April ... 5600 feet
Nonner-Withers Mar 5600 feet
0?Malley-L. Rich Sept. 26 . 5700 feet
L illian Rich Nov. 7 5800feet.
Harlan-Murphy Dec. 1 9 . 5800 feet
May 26
June 9, 1928
RAY ART (S. R.)
Title Star Rel. Date
Boy of the Streets. A Walker-Bennett. Sept.
Branded Man, The Delaney-Marlowe
Casey Jones Lewls-Kobards Jan.
Cruise of the Hellion Murphy-Keith Sept ...
Danger Patrol. The Russeh-Fairo April
Divine Sinner. The Vera Reynolds July
Gun-Hand Garrison Tex Maynard Oct.
Gypsy of the North , ... Gordon-Hale April
Heart Of Broadway, The Garon-Agnew Jan.
Heroes in Blue Bowers-Rand Nov.
Law and the Man, The Santschi-Brockwell Jan.
Llgh tin the Window, A Walthall-Avery-Keefe Oct.
My Home Town ........ Brockwoll-Glass Mar.
On the Stroke or 12 E. Torrence-Marlowe-O'Shea Nov.
Painted Trail, The Buddy Roosevelt Feb.
Phantom of the Turf, The H. Costello-Lease Mar.
Tex Maynard Sept.
Tex Maynard Oct.
Buddy Roosevelt April
Buddy Roosevelt Mar.
Tex Maynard Nov.
Wheel of Destiny, The Stanley-Hale Oct.
Wild Born Tex Maynard Dec.
You Can't Beat the Law Lee-Keefe Feb.
Prince of the Plains
Ridin' Luck
Trail Riders
Trailin* Back
Wanderer of the West, A
Length
5059 feet
6796 feet
6673 feet
6089 feet
6076 feet
4879 feet
5976 feet
5853 feet
5C76 feet
5916 feet
5960 feet
5608 feet
5970 feet
4571 feet
5905 feet
4134 feet
4137 feet
4627 feet
4308 feet
4200 feet
5869 feet
4490 feet
5260 feet
Reviewed
June 2
Sept. 30
Mar. 24
Nov. 11
June 2
STERLING PICTURES (S. R.)
Title
Star Rel. Date
Burning Up Broadway H. Costello-Frazer Jan. 30 .
Cancelled Debt, The Lease-Stevens Sept. 1. ..
Marry the Girl Bedford-Ellis Mar. 1 . . .
Million For Love, A Dunn-Howea April 15 .
Pretty Clothes Ralston-Walker Oct. 15. . .
Outcast Souls P. Bonner-Delaney Dec. 15. . .
Length
5200 feet
5200 feet
5300 feet
5400 feet
5652 feet.
5210 feet
Reviewed
Mar. 10
Nov. 4
Title
It Might Happen to Any Girl
Undressed
Coming Attractions
Star
Length Revlewe
Bryant Washburn
STATE RIGHTS
Title Star Dist'r Rel. Date Length Reviewed
Adorable Cheat Lee-Keefe Chesterfield. June 1 5400 feet April 21
Aftermath Special Cast Collwyn Dec. . 6800 feet Mar. 3
Air Mail Pilot, The Mefaffey-Metcalfe Hi-Mark 5000feet
Battles of Coronel Special Cast Artlee Feb. . 84C0feet .. Mar. 24
Broadway After Midnight Bonner-Landis Krelbar Nov. . 6199 feet Nov. 4
Broken Hearts Hercules
Czar Ivan the Terrible Special Cast Amkino April . 8509 feet Mar. 24
Dance Fever Corda-Varconi Brill
Dawn Special Cast Arch Selwyn 7500feet
Daughter of Israel Betty Blythe Aywon 8300 feet
Devil's Passion, The Special Cast Art a 5700 feet
Faithless Lover, The O'Brien-Hulette Krelbar Mar. . 5600 feet Mar. 3
Fangs of Justice Silverstreak-Walker Bischoff 5000 feet
Jealousy Lya de Putti Brill
Last Moment, The Matieson-Hale Zakoro April . 5800 feet . Mar. 31
Little Wild Girl, The Lee-Landis Hercules
Modern Du Barry, A Maria Corda Brill June 1. 7000 feet
Port of Missing Children Special Cast Superlative
Port of Missing Girls Bedford-McGregor Brenda 7270feet Mar. 3
Primanerliebe German Cast Scenic Films 6500 feet — Mar. 24
Sally of the South Seas Hercules
Sealed Lips Swedish Cast Colwyn 6000 feet
Shadows ot the Night Hercules
Shooting Stars English Cast Artlee April 5800feet April 28
Simba Jungle Film Capitol Pict 8000 feet .... Feb. 4
Streets of Algiers Camilla Horn Brill 7 reels
Thrill Seekers Clifford-Fulton Superlative 4900 feet
Tartuffe the Hyprocrlte Jannings-Dagover .. Brill 7 reels Aug. 5 '27
Tracey the Outlaw Jack Hoey New-Cal Mar. . 6000 feet — Mar. 31
Two Brothers Conrad Veidt Brill
When Fleet Meets Fleet English Cast Hl-Mark 7953 feet
Title
Bet The F.
Cigarette Maker's Romance F.
District Doctor, The F.
Girl with the Golden Eyes, The.F.
Mysterious Airman, The
Necklace, The F.
Nothing to Live For Al
Piece of String, A F.
Police Reporter The Serial). . .W.
Sophomore, The G.
Spookey Money Al
Who's Who Al
You Can't Win Serial)
SHORT SUBJECTS
Star Dist'r Rel. Date Length Reviewed
P. Donovan producer) 2 reels
P. Donovan (producer) 2 reels
P. Donovan i producer) 2 reels
P. Donovan (producer) 2 reels
Weiss Bros 10 episodes
P. Donovan produceDMary Alden 2 reels
Joy Cranfield Clarke 2 reels
P. Donovan producer) 2 reels
Miller-E. Gilbert . Weiss Mar. 10 episodes
ONeill-L. Graydon Hl-Mark
Joy Cranfield-Clarke 2 reels
Joy Cranfield-Clarke 2 reels
Weiss Bros 10 episodes
TIFFANY-STAHL
FEATURES
Title Star Rel. Date
Bachelor's Paradise O'Neill-Graves Mar. 15. . .
Clothes Make tne Woman Southern-Pidgeon May 1 ..
Devil's Skipper, The Bennett-Love-Landis Feb. 1 .
Girl From Gay Paree Bedford-McGregor SepL 15. .
Green Grass Widows Hagen-Harron-Olmstead June 10...
Haunted Ship, The Love-Sebastian-Santschi Dec. 1
House ot Scandal Sebastian-O'Malley April 1 .
Ladies of the Night Club Cortez-Leonard May 15...
Lingerie White-McGregor July 1
Nameless Men Windsor-Moreno Feb. 15 .
Night Life Harron-A. Day Nov. 1
Once and Forever Miller-Harron Oct. 15
Prowlers of the Sea Cortez-Myers June 20
Scarlet Dove, The Frazer-Borio April 15..,
Stormy Waters Southern-McGregor June 1
Streets of Shanghai Starke-Harlan Dec. IS...
Their Hour Harron-Sebastian Mar. 1
Tragedy of Youth Baxter-Miller-Collier. Jr. Jan. 15
Wild Geese Bennett-Southern-Keith Nov. 15..
Woman Against the World Ford-Hale-Olmsted Jan. 1
Women's Wares Brent-Lytell-Kent Oct 1...
Length
6147 teet
5209 feet
5510 feet
5233 feet
4752 feet
5297 feet.
Reviewed
May 26
Sept. 23
Feb. 4
5708 feet
6235 feet
5629 feet
April 14
Dec 2
5102 feet.
5735 feet
5276 feet
5652 feet
6361 feet
6448 feet
5283 feet
5614 feet
Mar. 3
Mar. 31
Nov. 18
Bedford-R. Talmadge
Rel. Date
Mar. 1
Mar. I
Mar. 15
Jan. 1
April 1
Jan. 15
Feb. 15
Feb. 1
Rel. Date
July 23
Aug. 1
Aug. 15
July 10
SHORT SUBJECTS
Title Star
Marchela Color Classic
Medallion. The Color Classic
Mission Bells Color Classic
North of Suez Color Classic
Perfect Day, A Color Classic
Scarf ace Color Classic
Souvenirs Color Classic
Tom, Dick or Harry Color Classic
Treasure Land Color Classic
Coming Attractions
Title Star
Albany Night Boat
Beautiful Rut Dumb
Cavalier, The
Domestic Relations
Ghetto, The George Jessel
Grain of Dust, A Cortez-Windsor-Rubens
Marriage of Tomorrow Miller-Gray
Toilers, The Ralston-Fairbanks, Jr.
UNIVERSAL
FEATURES
Title Star Rel. Date
Air Patrol. The Al Wilson Jan. 1
Alias the Deacon Hersholt-Marlowe Jan. 22. ..
Arizona Cyclone. The Fred Humes May 6 . . .
Back to God's Country Adoree-Frazer SepL 4 .
Border Cavalier, The Fred Humes Sept. 18
Buck Privates De Putti-McGregor June 3
Call of the Heart Dynamite-Cobb-Alden Jan. 29
Cat and the Canary La Plante-Hale-Stanley Sept. 11..
Cheating Cheaters Compson-Harlan Oct. 9
Chinese Parrot, The Bosworth-Nixon Oct 23..,
Clean Up Man, The Wells-O'Day Feb. 12 . .
Cohens and Kellys In Paris Sidney-Macdonald Jan. 15
Count of Ten, The Ray-Ralston June 17. . .
Desert Dust Ted Wells Dec 18
Fangs of Destiny Dynamite-Cobb-Caldwell Dec 4 .
Fearless Rider. The Humes-Worth Jan. 15 . .
Finders Keepers La Plante-Harron Feb. 5
Flyin' Cowboy, The Gibson-Hasbrouck June 1
Four Footed Ranger, The Dynamite dog) Mar. 25
Four Flushar. The Lewis-Nixon Jan. 8
Galloping Fury Gibson-Rand Nov. 20
Good Morning Judge Denny-Notan April 29 .
Harvest of Hat 3, The Rex-Perrin
Hero For a Night. A Tryon-Mlller Dec 18.
Hero of the Circus Special Cast
Hot Heels Tryon-Miller May 13
Hound or Silver Creek Dynamite dog) May 20
Irresistible Lover, The Keane-Moran Dec 4
Les Miserables Special Cast Oct. 30
Lone Eagle, The Keane-Kent Sept. 18
Love Me and World Is Mine Philbln-Kerry Mar. 4
Made to Order Hero Ted Wells June 3
Man's Past, A Veidt-Bedford Dec 25
Midnight Rose De Putti-Harlan Feb. 26
One Glorious Scrap Fred Humes Nov. 20
On Your Toes Denny-Worth Nov. 27
Out All Night Denny-Nixon Sept. 4
Painted Ponies Gibson-Claire Sept. 25
Phantom Flyer, The Al Wilson Feb. 26
Put 'Em Up Fred Humes Mar. 11
Rawhide Kid, The Gibson-Hale Jan. 29
Shield of Honor, The Lewls-Gulliver-Hamllton Feb. 19
Silk Stockings La Plante-Harron Oct. 2
Sky Hand Saunders Al Wilson Nov. 6
Small Bachelor, The Kent-Beranger Nov. 6
Stop That Man Lake-Kent Mar. 11
Straight Shootln" Ted Wells Oct. 16
Surrender Philbin-Moskine Mar. 4
Thanks For Buggy Ride La Plante-Tryon April 1
That's My Daddy Denny-Kent Feb. 5
Thirteenth Juror, The Nilsson-Bushman Nov. 1 3
Thirteen Washingtcn Square Hersholt-Joyce April 8
"hree Miles Up Al Wilson Sept. 4
Thunder Riders, The Ted Wells April 8
R.-.i.wed
Length
I reel
1 reel
I reel
1 reel
1 reel
1 reel
1 reel
1 reel
1 reel
Length Reviewed
Length
4259 feet
6869 feet
4076 feet
5751 feet
4427 feet
6171 feet
4345 feet
7190 feet
562 3 feet
7304 feet
4232 feet
7481 feet
6279 feet
4349 feet
4295 feet
4173 feet
6081 feet
5109 feet
442 6 feet
6193 feet
5503 feet
5645 feet
Reviewed
Oct 21
Aug. 29
Feb. 4
May 20
Dec 23
Jan. 7
Feb. 18
Mar. 17
Jan. 28
5711 feet
Dec 2
Trick of Hearts, A Gibson-Hale
We Americans Sidney-Miller-Lewis. . .
Wild Beauty Rex-Allen-Marlowe
Wild West Show. The Gibson-Gulliver
Wolf's Trail Dynamite-Cobb-Lamont
Won In the Clouds Al Wilson
Mar. 18
May 6
Nov. 27
May 20
Oct. 2
April 22
4095 feet
6958 feet
Sept. 16
7713 feet
5862 feet
April 28
6813 feet
Feb. 11
41 20 feet
6135 feet
Sept. 16
5689 feet
Mar. 10
4172 feet
591 8 feet
Jan. 14
6170 teet
Oct. 7
5416 feet
Aug. 5
42 53 feel
4200 feet
5382 feet
61 72 feet
Dec 20
6166 teet
Aug. 26
4393 feet
621 8 feet
5389 feet
April 28
4251 feet
Aug. 19
82 49 teet
Mar. 10
6179 feet
Feb. 4
6073 feet
5598 feet
Dec 19
6274 teet
Feb. 4
4136 feet
July 11
4353 feet
5495 teet
9151 feet
April 7
5192 feet
5254 feet
4167 feet
4348 feet
SHORT SUBJECTS
Title Star
Africa Before Dark Oswald Cartoon
All Balled Up Charles Puffy
Ambuscade, The Fred Gilman
Any Old Count 'The Gumps"
Back to Nature Arthur Lake
Bare Fists Jack Perrin
Battling Justice Fred Gilman
Big Bluff. A Long-Adams-Layman-McPhall
Boss of the Rancho Bob Curwood
Brand of Courage, The .... B. Curwood-P. Montgomery
Brand of Courage, The B. Curwood-P. Montgomery
Bright Lights Oswald Cartoon
Buckskin Days Newton House
Buster Minds the Baby Trimble. Turner and Dog
Buster's Big Chance Trimble. Turner and Dog
Buster Shows Off Trimble. Turner and Dog
Buster Steps Out Trimble. Turner and Dog. .... .
Buster's Whippet Race Trimble, Turner and Dog
Bv Correspondence Arthur Lake
Card of Destiny, The Fred Gilman
Case ot Scotch, A "The Gumps"
Cash Customers C. King-C. Doherty
Cloud Buster, The "The Gumps"
Code of the Mounted, The Jack Perrin
Dangerous Trail, A
Dates for Two C. Klng-C. Doherty
Diamond Master, The
Fighting Destiny Fred Gilman
Fighting Kid. The Newton House
Fox Chase, The Oswald Cartoon
Frame-Up Man, The Bob Curwood
Full House. A Lonp-Adams-Lymon-McPhalll.
Gauge ot Battle. The Fred Gilman
George Meets George Sid Saylor
Rel. Date
Length
Reviewed
Feb. 20
1 reel
April 7
Feb. 27
2 reels
Feb. 4
June 16
2 reels
May 19
Jan. 23
2 reels
Feb. 27
1 reel
Feb. 11
Jan. 14
2 reels
Dec 23
Mar. 24
2 reels
Feb. 25
May 2
2 reels
April 7
Jan. 7
2 reels
Feb. 4
2 reels
. Jan. 7
Jan. 7
2 reels
Jan. 7
Mar. 19
1 reel
April 7
Feb. 18
2 reels
Jan. 28
June 27
2 reels
May 26
Jan. 11
2 reels
Dec 23
Mar. 14
2 reels
Feb. 8
2 reels
Jan. 28
May 23
2 reels
April 28
Jan. 30
1 reel
Jan. 14
July 14
2 reels
Jan. 9
2 reels
Dec 23
July 11
2 reels
Feb. 6
2 reels
Jan. 21
May 5
2 reels
April 7
2 reels
May 5
Jan. 18
2 reels
Dec 31
May 19
2 reels
April 21
June 9
2 reels
May 19
June 25
1 reel
May 26
May 26
2 rorls
May 5
June 13
2 reels
May 19
April 21
2 reels
Mar. 24
June 20
2 reels
1986
Motion Picture News
Title Star Rel. Date
George's False Alarm Sid Saylor Feb. 29. . .
George's School Daze Sid Sacylor
Haunted Island, The (Serial) Jack Daugherty-Helen Foster. . . Mar. 26. . .
Harem Scarem Oswald Cartoon Jan. 9...
Her Haunted Heritage Ben Hall July 2...
Her Only Husband Long-Adams-Laymon-McPhaill April 4...
Hidden Money Bob Curwood April 26 . .
High Flyin' George Sid Saylor Jan. 25. . .
His In Laws Charles Puffy Mar. 12. . .
Horns and Orange Blossoms Charles Puffy Jan. 29 . . .
Horse Play Long-Adams-Laymon-McPhaill . Jan. 4. . .
Hungry Hoboes Oswald Cartoon May 14. . .
Indoor Golf Long-Adams-Layman-McPhaill .Mar. 7...
Iron Code, The Jack Perrin June 30 . .
Looters, The Bob Curwood Mar. 3...
Madden of the MounteJ Jack Perrin Mar. 10. . .
Man of Letters, A Sid Saylor Feb. 15
Married Bachelors Charles Puffy April 9. . .
Mistakes Will Happen Ben Hall Feb. 13. . .
Money I Money I Money! Ben Hall May 7. . .
Neck n' Neck Oswald Cartoon Jan. 23. . .
Newlyweds' Advice Jan. 2...
Newlyweds' False Alarm, The Snookums July 2...
Newlyweds' Friends, The Snookums-Bartlett-McPhaill April 2...
Newlyweds' Happy Day, The Snookums-Bartlett-McPhaill June 4. . .
N ewlyweds' I magination. The Snookums-Bartlett-McPhaill May 7 . . .
Newlyweds' Servant, The Snookums-Bartlett-McPhaill Feb. 6. . .
Newlyweds Success, The Snookums-Bartlett-McPhaill . . . Mar. 5. . .
No Blondes Allowed C. King-C. Doherty Mar. 21. . .
Oh, What a Knight Oswald Cartoon
Ole Swimmin' 'Ole, The Oswald Cartoon Feb. 6. . .
One Every Minute Arthur Lake April 23 . .
Out in the Rain "The Gumps" Feb. 20 . .
Ozzie of the Mounted Oswald Cartoon April 30. . .
Payroll Roundup, The Bob Curwood Mar. 31 . . .
Poor Papa Oswald Cartoon June 11...
Prince and the Papa Chanes Puffy Feb. 13. . .
Reel Life Long-Adams-Layman-McPhaill July 4...
Ride 'Em Plowboy Oswald Cartoon April 16 . .
Ride For Help, The Newton House July 7 . .
Riding Gold Newton House Jan. 21 . . .
Ring Leader, The Jack Perrin April 7. . .
Ringside Romeos Arthur Lake Mar. 26. . .
Rival Romoes Oswald Cartoon Mar. 5...
Sagebrush Sadie Oswald Cartoon April 2. . .
Sailor George Sid Saylor May 9...
Scarlet Arrow, The (Serial) F. X. Bushman, Jr June 3. . .
Sealed Orders Jack Perrin Feb. 11 . . .
Shady Rest "The Gumps"
Sliding Home Lewis-Gulliver-Phillips Jan. 16. . .
Social Lions Ben Hall Mar. 12. . .
Some Babies Charles Puffy Mar. 26. . .
Some Pets Arthur Lake Jan. 2...
Son of the Frontier, A Newton House April 14. . .
So This Is Sapp Center Ben Hal Jan. 16. . .
Special Edition Ben Hall April 9. . .
Speed Sheik, The Arthur Lake June 18. . .
Start Something Long-Adams-Laymon-McPhaill Feb. 1 . . .
Summer Knights Arthur Lake May 21 . . .
Swell Clothes Arthur Lake Dec. 5...
Takinq the Count C. King-C. Doherty April 18 . .
Tall Timber Oswald Cartoon July 9. . .
Terrors of the Unknown (Serial)
That's That Trimble-Turner and Dog April 11
There's a Will C. King-C. Doherty Dec. 21 . . .
Tricky Trickster, The Ben Hall June 4 . . .
Unexpected Hero, An F. Gillman-M. King Feb. 25. . .
Untamed, The Newton House May 12. . .
Valiant Rider, The (Western) Bob Sherwood June 23 . . .
Vanishing Rider, The (Serial) Wm. Desmond Jan. 16. . .
Watch George Sid Saylor Mar. 28. .
What a Party C. King-C. Doherty Feb. 22. . .
When George Hops Sid Saylor April 25. .
When George Meets George Sid Saylor June 0. .
Whose Wife King-Doherty June 6...
Winged Hoofs Newton House Mar. 17. . .
Winning Five. The Lewis-Gulliver-Phillips Sept. 26 . .
Winning Goal, The Lewis-Gulliver-Phillips Jan. 2. .
Wolves of the Range Fred Gilman Jan. 28. .
Woman Chasers C. King-C. Doherty May 16. .
Length Reviewed
2 reels Feb. 4
2 reels May 5
10 episodes
1 reel
.1 reel June 2
.2 reels Mar. 17
2 reels Mar. 31
2 reels
2 reels Feb. 18
2 reels Jan. 7
.2 reels Dec. 16
1 reel April 21
.2 reels Feb. 11
.2 reels May 26
2 reels Feb. 4
.2 reels Feb. 11
2 reels Jan. 28
.2 reels Mar. 17
.1 reel Jan. 21
.1 reel April 14
.1 reel
2reels Dec. 16
2 reels June 2
.2 reels Mar. 10
.2 reels May 12
2 reels April 14
.2 reels Feb. 4
2 reels Feb. 11
.2 reels Feb. 25
1 reel May 5
1 reel Mar. 24
.1 reel Aprii 7
2 reels Jan. 28
.1 reel April 7
2reeis Mar. 3
.1 reel May 19
.2 reels Jan. 21
2 reels June 2
.1 reel Mar. 24
2 reels
.2 reels
.2 reels Mar. 10
.1 reel Mar. 10
. 1 reel April 7
.1 reel May 5
.2 reels April 14
10 episodes
.2 reels Jan. 28
.2 reels
.2 reels Dec. 30
.1 reel
.2 reels Mar. 3
.1 reel Dec. 14
.2 reels Mar. 17
.1 reei Dec. 30
.1 reel Mar. 17
.1 reel May 26
.2 reels Jan. 14
.1 reel April 28
.1 reel Nov. 18
.2 reels Mar. 24
.1 reel
10 episodes
2 reels Mar. 17
.2 reels
.1 reel May 19
.2 reels Jan. 28
.2 reels Apri. 14
.2 reels May 19
10 episodes
.2 reels Mar. 3
.2 reels Feb. 4
2 reels Mar. 31
.2 reels May 19
.2 reels May 12
.2 reels Feb.25
2ieels Sept 19
. .2 reels
. . 2 reels
. . ; reels
Coming Attractions
Title Star Rel. Date
Anybody Here Seen Kelly Love-Moore
Body Punch, The Daugherty-Faire
Brides Will Be Brides Laura La Plante
Burning Winds Hoot Gibson
Children of the Sun Special Cast
Clearing the Trail Gibson-Gulliver
Cloud Dodger, The Al Wilson
Crimson Hour, The De Putti-Moskine
Danger Rider, The Hoot Gibson
Doubling For Trouble Gibson-Gilbert
Fallen Angels Kerry-Starke
Foreign Legion, The Kerry-Stone-Nolan
Freedom of the Press Stone-Keith-M. Day
Fresh Every Hour Glenn Tryon
Girl on the Barge, The Hersholt-O'Neif-McGregor
Give and Take Sidney-Hersholt
Grip of the Yukon, The Bushman-Hamilton-Marlowe
Has Anybody Here Seen Kelly? Love-T. Moore
Home, James La Plante-Delaney
Honeymoon Flats Lewis-Gulllver
Jazz Mad Hersholt-Nixon-Lewis
Last Warning, The Laura LaPlante
Lonesome Tryon-Kent
Length Reviewed
Title Star Rel. Date Length Reviewed
Man Disturber, The Denny-Palmer
Man Who Laughs, The Veidt-Philbin 11 reels May 1
Man, Woman and Wife Kerry-Starke-Nixon
Michigan Kid, The Nagel-Adoree
Navy Blues Arthur Lake
Phantom Finger Cody-Thompson
Phyllis of the Follies M. Moore-A. Day
Play Goes On Veidt-Nolan
Plunging Hoofs Rex-Perrin
Red Lips Nixon-Rogers
Show Boat Rubens-Fitzroy
Silks and Saddles Nixon-Walling-Nolan
Sky Skidder, The Al Wilson
Uncle Tom's Cabin Special Cast
Viennese Lovers Philbin-Hersholt-Keane
Watch My Speed Denny-Worth
Wild Blood Rex-Perrin
UNITED ARTISTS
FEATURES
Rel.
Jan.
Title ">tar
Circus, The Chapiin-Kennedy
College Buster Keaton July
Devil Dancer, The Gray-Brook Nov.
Dove, The Talmadge-Roland Jan.
Drums of Love Philbin-Alvarado Mar.
Garden of Eden, The Griffith-Ray Feb.
Gaucho, The Fairbanks-Valez Jan.
Magic Flame, The Colman-Banky Aug.
My Best Girl Pickford-Rogers Oct.
Ramona Del Rio-Baxter Feb.
Sadie Thomoson Swanson-L. Barrymore Jan.
Sorrelland Son Warner-Joyce Dec.
Steamboat Bill, Jr Keaton-Torrence April
Tempest J. Barrymore-Horn
Two Arabian Knights Boyd-Wolheim Sept.
Two Lovers Colman-Banky
Date
7...
29...
19...
7...
31...
4. . .
1...
14...
31...
11...
7...
2...
23 .
Length
.6400 feet.
5800 feet.
.7000 feet
9100 feet
8350 feet
7300 feet
9358 leet
.7850 feet
7460 feet.
7552 feet
8600 feet
9000 feet.
.7700 feet
9300 fept
7850 feet
8500 feet
Reviewed
Jan. 14
. Sept. 23
. Dec. 30
Jan. 7
Jan. 14
Dec. 2
Sept. 30
. Dec. 9
Feb. 4
Feb. 11
Nov. 25
May 19
. Nov. 4
April 28
Coming Attractions
Title Star Rel. Date Length Reviewed
Awakening, The Banky-Byron
Battle of the Sexes, The Bennett-Hersholt-O'Neill Aug
Battle of the Sexes, The Bennett-Hersholt-O'Neill
Hell's Angels Lyon-Hall-Nissen (about) 7 reels
Love Song, The Boyd-Valez
Revenge Dolores Del Rio
Woman Disputed, The Talmadge-Roland
WARNER BROTHERS
FEATURES
Title Star Rel. Date Length Reviewed
Across the Atlantic Blue-Murphy Feb. 25 — 6052 feet
Beware of Married Men Rich-Ferris-Cook Jan. 14 5421 feet — Jan. 28
Brass Knuckles Blue-Bronson Dec. 3. . . .6330 feet. . . Dec. 23
College Widow, The D. Costello-Collier, Jr Oct. 15. . . .6616 feet. . . . Nov. 25
Crimson City, The Loy-Miljan-Hyams April 7... .5388 feet. . . April 21
Dog of the Regiment- A Rin-Tin-Tin-Gulliver Oct. 29 ... . 5003 feet .... Nov. 11
Domestic Troubles Fazenda-Cook Mar. 24 — 5164 feet
First Auto, The Miller-Oldfield Sept. 18. . . .6767 feet. . . July 8
Five and Ten Cent Annie Fazenda-Cook May 26
Fortune Hunter, The Chaplin-Costello Nov. 7. .. .6639 feet. . . Jan. 21
Ginsberg the Great Jessel-Ferris Nov. 26 — 5390 feet
Girl From Chicago, The Nagel-Loy Nov. 19. . . . 5978 feet Dec. 31
Good Time Charley Oland-H. Costello Nov. 5. . . 6302feet. . . Nov. 25
Ham and Eggs at Front Wilson-Conklin-Loy Dec. 24 — 5613teet
Husbands For Rent Moore-Costello Dec. 31 . . . 6320feet. . Jan. 7
If I Were Single McAvoy-Nagle Dec. 17. . . .6320 feet. . . .Dec. 31
Jaws of Steel Rin-Tin-Tin Sept. 10. . . .5569 feet. . . Sept. 30
Jazz Singer, The (Vitaphone) Jolson-McAvoy Oct 7423feet. . . Oct. 21
Little Snob, The McAvoy-Frazier Feb. 11 . . . .5331 feet
Missing Link. The Syd Chaplin Aug. 7. . . .6485feet. . . May 20
One-Round Hogan Blue-Hyams Sept 17. . . .6357 feet. . Oct. 17
Old San Francisco D. Costello-Oland Sept. 4. .. .7961 feet. .. .July 8
Pay As You Enter Cook-Fazenda May 19
Powder My Back Rlch-Ferris-Beranger Mar. 10. . . 6185 feet
Race For Life, A Rin-Tin-Tin- Nye-Faire Jan. 28. . . .4777 feet. . Feb. 11
Reno Divorce, A McAvoy-Graves Oct. 22 . 5492feet. . . Nov. 4
Rinty of the Desert Rin-Tin-Tin-Ferris-Nye April 21 — 4820feet
Sailor I zzy Murphy Jessel-Ferris Oct. 8. . . 6020feet. . Oct. 28
Sailor's Sweetheart, A Fazenda-Cook Sept. 24. . . .5685 feet. . Oct. 14
Silver Slave, The I. Rich-Miljan Nov. 12.. . .6142 feet. .. .Dec. 9
Slightly Used McAvoy-Nagel Sept. 3. .. .6412 feet. .. .Sept. 30
When a Man Loves Barrymore-Costello Aug. 21 ... 1 0081 feet . Feb. 1 8'27
Coming Attractions
Title Star Rel. Date Length Reviewed
Caught in the Fog McAvoy-Nagle • • ■
Glorious Betsy (Vita.) D. Costello-Nagle 7091 feet. . ..May 5
Ladies Prefer Bonds (tent.) Nagle-McAvoy
Land of the Silver Fox Rin-Tin-Tin-Nye-Hyams ii'"«i
Lion and the Mouse (Vita.) L. Barrymore-McAvoy-Collier, Jr May n>
Midnight Taxi, The Moreno-Costello
Noah's Ark (Vita.) D. Costello-O'Brien
No Questions Asked Ferris-Collier, Jr.
Singing Fool. The (Vita.) Jolson-Bronson
State Street Sadie Loy-Nagle ■ ■■■
Tenderloin (Vita.) D. Costello-Nagle 7782 feet. . .April 28
Terror, The (Vita.) McAvoy-Horton
Women They Talk About I. Rich-Ferris-Collier, Jr
For Up-to-the-Minute Reports On New Pictures
Read Key City Reports Published Weekly in
Motion Picture News
Roy Prim
Printers
True
Orchestra/
T(
one
"f^yy
GEO. KILGEN & SON, INC.
4024 N. Union Blvd. < < St. Louis, U.S.A.
NATIONAL THEATRE SUPPLY CO.
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{/. 5". Pa/rn/ Office
The
John GILBERT
with RENEE ADOREE
their /irst reunion since "The Big ParuJe"
and ERNEST TORRENCE
COSSACKS
A GEORGE HILL PRODUCTION BASED ON TOLSTOI'S NOVEL
Adaptation and continuity by Franca Marion. Titles by John Colton
The Outstanding Picture of
the Year! Here is a pieture suitable for two-
dollar road-show playing. Get behind it. It's so good you
cant over-sell it. *POST IT! TAKE EXTRA SPACE IN
PAPERS ! USE DIRECT-MAIL ! GO AFTER THE PUB-
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*Note: More than 10,000
theatres have this picture
bought. The purpose of this
ad is to adi ise these theatres
and all theatres fo take ad-
vantageofagreatoppottuniry.
-GOLDWYN-MAYER
NOW — and, of course, next season
Vol. XXXVII No. 24
Los Angeles
Fntered as
ttcr April 22. 1926. at the Post Office at Sew York. .V. Y„
under act of March 3, 1879
Published HV**/v— $3.00 a Year
York
PRICE 20 CENTS
Ch
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1 11
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WuRLlTzER
ORGAK
The very finest theatres in the United
States and many foreign countries have
installed Wurlitzer Organs. There must
be reasons— definite, practical reasons.
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Astounding!
Even themosl callous cri tic of motion pic-
tures will beconfounded b) the amazing
acting in this exciting photoplay ; l>\ the
sheer power of its dramatic force; l>\ the
unbelievable ingenuity of its direction...
W hen you have seen il. you will agree thai
it is the mosl modern picture of the year.
Exhibitors!
This is one of two
special giant- space
newspaper ads avail-
able lo theatres |>la> inir
"The Street of Sin."
Ask your Paramount
exchange about them!..
Basher Bill
gangster and bad man,
a marvelous dramatic
portrayal bj the world's
foremost m i i t n aclor
Emil
JANNIN
in "The Street of Siri
PARAMOUNT Picture
99
a
CLASS
1928-29
i n
5? S'"«J
"CONFESSIONS OF
A CHORUS GIRL"
8 frisky, Frenchy sparklers with
Frances Lee and the famous Christie
beauties.
BILLY DOOLEY
COMEDIES
8 from the eccentric moony
mariner. His name in lights means
business !
BOBBY VERNON
COMEDIES
8 from the popular kollege kut kc-
median. Nationally advertised for
years. Popidar everywhere.
"SANDY MacDUFF
COMEDIES
8 exhilerating shots of Scotch from
Jack Duffy and his Caledonian cut-
ies. New, great!
ARAMOUN
hort comedy market!
More first run theatres play
Christie Comedies than several
other brands combined!
A PARTIAL LIST: — NEW YORK: Paramount, Rivoli, Rialto. CHICAGO: McVickers,
Roosevelt. LOS ANGELES: Million Dollar, Loew's State. BOSTON: Metropolitan.
PHILADELPHIA: Stanton, Karlton, Arcadia. SEATTLE: United Artists, Libert; .
BALTIMORE: Stanley. WASHINGTON: Metropolitan, Earle. DETROIT: Madison,
Adams, Capitol. BUFFALO: Shea's Buffalo, Shea's Hippodrome. LOUISVILLE:
Rialto. JACKSONVILLE: Arcade. TAMPA: Tampa. MIAMI: Olympic, Fairfax.
KANSAS CITY: Midland, Newman. PORTLAND, ORE. : Liberty. MEMPHIS:
Loew's Palace, State. MILWAUKEE: Wisconsin, Strand. MINNEAPOLIS: Lyric.
ST. PAUL: Astor. MONTREAL: Capitol, Loew's. NEWARK: Mosque, Branford.
OKLAHOMA CITY: Criterion, Capitol. OMAHA : Rialto. SAN ANTONIO: Texas. SAN
FRANCISCO: Granada, Warfield. PITTSBURG: Grand. NEW HAVEN: Olympia.
NATIONALLY ADVERTISED!
— .,
jUSTf0fcA/.AOGH/
'4*
I
1
uAtflQMaun/ -Y %/7>//r (btneitici
Paramount-Christie Comedies are consistent! j advertised in
FILM FUN, COLLEGE HUMOR, PHOTOPLAY, SCREEN-
LAND, PICTURE PLAY, MOTION PICTURE CLASSIC,
MOTION PICT1 RE MAGAZINE reaching 2,000,000.
n
H R I ST I E Co in ed ies
OOK AND PLAY THE LEADERS!
YORK a'ir conditioning
Exempts you from a weather tax
The York Carbon Dioxide Com-
pressor direct connected to a
synchronous motor has been spe-
cially designed to meet the re-
quirements of the theatre field.
Quiet operation and the compara-
tively small space required for
this part of equipment, are among
its many advantages. Economical,
and absolutely dependable, it
represents the most advanced
equipment for air cooling and
conditioning requirements.
With a public that has been educated to comfort,
— air cooling and conditioning is today, just as
important as a modern heating plant or a lighting
system.
It is no longer an innovation or an unusual fea-
ture. It is an essential, and the theatre which
neglects this phase of its equipment is laboring
under a handicap that the best show cannot off-
set.
York Mechanical Refrigeration is foremost the
world over in every phase of commerce and in-
dustry where controlled cold is required.
York Engineers have brought to the theatre field
their knowledge and experience which has made
York equipment for play houses successful and
advantageous from every operating standpoint.
Write today for complete information regarding
York Air Conditioning equipment in your the-
atre.
YORK
ICE MACHINERY CORPORATION
v
K
m
N N A
#
For remaining
territories, address
BUCK JONES
CORPORATION
489 FIFTH AVENUE
NEW YORK CITY
Phone Murray Hill4560
r A SPECIAL ATTRACTION for First Run Houses Everywh
Why Paramount adopted
the Western Electric System
of Sound Pictures
Cos*""'
No. 1 of a stritt of Inters
from the industry 's leaders.
«e* l
^9 * *'
Co*
J68*." of e*
to*
we
was
's1
Co©
de-
^eS
te*o
100S
i-de -*«rt> ^ te-
Co*
\>e
id P1
of
QMS'
Electrical Research Products Inc.
250 West 57th Street, New York, N. Y.
Representing
Western Electric
System of Sound Pictures
"after intensive study
of every reproduc-
tion machine"
Mr. Adolph Zukor makes
decisions not only from
the viewpoint of a pro-
ducer but also from the
viewpoint of an exhibitor
with nationwide interests
at stake. What he has to
say about Sound Pictures is
therefore doubly important.
4 Cart Laemmle Super Productions
The Man Who Laughs
Uncle Tom's Cabin
Show Boat (
Production
Broadway ClSS&iZr)
6 Smashing Laemmle Specials
The Foreign Legion The Michigan Kid
The Girl on the Barge
Cive and Take The Last Warning
The Cohens and Kellys in Atlantic City
4 Big-Money Dennys
22 Headliner Jewels
4 Laura La Plantes
4 Glenn Tryons
Freedom of the Press
Anybody Here Seen Kelly
Man, Woman and Wife
Red Lips
Honeymoon Flats
The Shakedown
The Play Goes On
The Charlatan
Jazz Mad
Come Across
Silks and Saddles
The Grip of the Yukon
Phyllis of the Follies
You Can't Buy Love
8 Hoot Gibson Jewels
22 Five-Reel Western and
Thrill Features
Complete Service Contract
The Best Shorts in the World
Tarzan the Mighty and
4 Other Amazing Super Serials
24 The Collegians
52 Stern Brothers Comedies
Including 13 Snookums
52 Two-Reel Action Featurettes
26 Oswald — 1-Reelers
13 Laemmle Novelties — 1-Reelers
13 Horace in Hollywood
1-Reelers
104 International Newsreel
and 10,000
sitting there
Of course he's happy. W
twenty-six of his sixty-seven
1928-1929 READY NOW
see.
And exhibitors are happy
buy. Finished pictures. Co
actually ready now in the
season. It's never been do
mle's done it. Twenty-six
Exchange Manager. He's
to show.
Exhibitors ate
with him/
hy shouldn't he be. With
Universal Headliners for
in the exchanges for you to
They can see before they
mpleted pictures. Pictures
first weeks of the selling
ne before. But Carl Laem-
ready. Ask your Universal
got 'em. And he's rarin'
UN1TCDARTISTS
Pat he News
Mack Sennett Comedy
"THE
SWIM PRINCESS
PATHE REVIEW
M'VICKERS
CASTLE
GRANTLAND
RICE
Sportlights
ORIENTAL
Pathe
Review
"Aesop's
Film Fables
Pafhe Features
Dominate Screen
RODiaROCQIE
UOIDEMYAIE?
in
it
with JEANETTE LOFF, TOM KENNEDY,
JOSEPH CAWTHORN and HUGH ALLAN
A Hector Turnbull Production — Adapted bv George
Dromgold — From "At Yale" by Owen Davis — Directed
by Edward H. Griffith — DeMille Studio Production.
WILLIAM BOYD
in SKYSCRAPER"
with
ALAN HALE — SUE CAROL — ALBERTA VAUGHN
Adapted by Elliott Clawson &_ Tay Garnett — From the Story
by Dudley Murphy — Directed by Howard Higgin — Ralph
Block, Associate Producer — DeMille Studio Production.
Coming to Mark Bros. Magnificent Theatres
1 ; 1
Granada
Marbro
(North Side)
(West Side)
WILLIAM BOYD
"WALKING BACK"
"SKYSCRAPER"
with
SUE CAROL
■
WEEK
MAY 20i
Watch for amazing new R. C. A. PHOTOPHONE musical and effect accompaniment
on certain forthcoming PATHE FEATURE PRODUCTIONS Season 1928-1929.
LfcAIKICLJUy
mQhe BLUE DANUBE
. . . i .
JOSKPH SCHILDKRAUT and NILS ASTHER — Adapta-
tion and Continuity by Harry Carr and Paul Sloane — From
John Farrow's Original — Directed by Paul Sloane — Ralph
Block, Associate Producer - DeMille Studio Production
t
WALKING BACK
r^iMSVL CAROL
by Monte Katterjohn — Irom a George Kibbe
Turner story — Bertram Milhauser, Associate
producer — directed bv Rupert Julian —
DeMille Studio Production
Chicago Goes Unanimously
Pathe with Pathe Product in
Every Down Town Theatre
PALACE
Pathe News
Aesop's
Film Fables"
ROOSEVELT
Our Gan g ( otnedy
"A SMILE
WINS"
Topics of
the Day
•*
ORPHEUM
PLAYUOUSE
Path
e
Foreign Distributors Producer* International Corporation, 130 Writ 46th Slnrct. N. Y.
WILLIAM M. VOGBLi C«.ncral Manager
WILLIE &•
EU&E.N £
HOWARD
Has the
Stars
WARING'5
PEN NSYLVANIAN5
NCENT LOPEZ
AND HIS
ORCHESTRA
Two years of continuous production have brought
under the Vitaphone banner the foremost stars and en-
tertainers from every branch of the amusement field.
Headliners from the New York musical comedy stage,
world famous artists from the Metropolitan Opera, the
country's leading variety entertainers, jazz bands whose
names are household words! Leading stars of the screen
and dramatic stage!
Al Jolson, Dolores Gostello, Fannie Brice, Mar-
tinelli, Marion Talley, Reinald Werrenrath, Waring's
Pennsylvanians, Willie and Eugene Howard, Van and
Schenck, Vincent Lopez — every name a headliner in
electric lights on Broadway!
Only Vitaphone can bring these stars to your theatre.
VITAPHONE
3Z1 WEST 44 ^STREET
■
>
AL JOLSON
/AN Cr SCH ENCK.
MARTINELLl
Vitaphone Stars
AL JOLSON
DOLORES COSTELLO
EANNIE BKICE
GIOVANNI MARTI NELLI
MARION T ALLEY
BENIAMINO CIGLI
IRENE RICH
MAY MacAVOY
MME. SCHUMANN-HEINE.
CONRAD NAGEL
JOHN MILJAN
JAY C. FLIPPEN
MISCHA ELMAN
GUISEPPE DE LUCA
PASQU'ALE AMATO
MONTAGU LOVE
HOB ART BOSWORTII
EDWARD EVERETT HORTON
MARY LEWIS
REINALD WERRENRATH
ANNA CASE
CHARLES HACKETT
AUDREY FERRIS
BESSIE LOVE
ERANCES ALDA
JEANNE GORDON
JOHN CHARLES THOMAS
ALBERT SPALDING
II VKOLD BAUER
ROSA RAISA
GIACOMO RIMIM
VAN and SCHENCK
ELSIE JAMS
II \RRY DEI E
FLORENCE MOORE
WILLIE and EUGENE HOWARD
LEO CARRILLO
VINCENT LOPEZ AN I) Ills
ORCHESTRA
JOE BROWNING
WILL OAKLAND
SISS1.E ami BLAKE
ABE LYMAN AND HIS
ORCHESTRA
EDDIE CONRAD
VIVIENNE SEGAL
CHIEF CAUPOLICAN
\\ \ RING'S PENNSYLVANIWS
WILL MORRISSEY and
MUM. 1 1 MILLER
HAPPINESS BOYS, ERNEST HARE
and It II. LIE JONES
ROGER WOLFE KAHN and
HIS ORCHESTRA
BLOSSOM SEELEY
WEBER and FIELDS
O